Just Browsing

y.

O nl se

U

Just Browsing

al

Michael Goodman

Fo

rP

er

us

for Harp

y.

O nl se U us

al

©2022 Unanimous Productions (ASCAP)

Contact Information

Fo

rP

er

Michael Goodman 2732 Trappers Cove Trl. Apt 2A Lansing, MI 48910 Email: michaelgoodman9@gmail.com michaelgoodmanmusic.com

Michael Goodman

O nl

y.

Composer

U

se

Michael Goodman creates music that is organic by including acting, speech, humor, and drama. His music stems from personal, neurodivergent experiences of his own or close friends. He combines various genres such as rock, jazz, and classical music to create a musical space that is uniquely expressive and authentic.

al

Program Notes

us

Sometimes, you wonder to yourself "Why am I at [insert location]?" When you are in this situation, it is best to explore as you might find something worthwhile.

Composed for the Fifteen-Minutes-of-Fame with Danielle Kuntz.

Fo

rP

er

Performance Notes

- bisbigliando: unmeasured quietly rapid tremolo.

- short fermata: should be held approx. 2 seconds.

- let glissando ring until rest (ord).

Duration ca. 1:00

al

us

er

rP

Fo

se

U

O nl

y.

written for the Fifteen-Minutes-of-Fame with Danielle Kuntz

Michael Goodman [ASCAP]

 





    

         

y.

  

bisbigl.

 

a tempo

 

al



 

sub. l.v.  ord. sim.   

er





us

      

l.v.

rall.

a tempo

U

                  gliss.

    

Fo

Blank area.

Turn page.

©2022 Unanimous Productions [ASCAP]



O nl



l.v.

     

4

  

rall. bisbigl.

sub.

se

     

Cloudy  = 65

rP





Just Browsing

rall.



ord.











 





ord.



 

      

 





  

 





 







 



  







y.

O nl

   

8





 

   

U



10

             

         12                         A♮

             

14

se

                          

Fo





                             

rP





(2+2+2+2+3)

      

  

           

al



On a Quest  = 128

us



     

6

er



2

                                  

                                                    

   

sub.

al

U

18

rP

Fo

y.

                     ord.

O nl

 

se

A♭

 

                  



          

er



(2+2+3)

us



           

16

3