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WIN TICKETS TO SANTA CRUZ MOUNTAIN BREWING'S TWISTED TASTING FA F A C E B O O K : S A N TA T A C R U Z W E E K LY LY

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S A N TA C R U Z . C O M / G I V E AWAY S | JANUARY 22-28, 2014

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JANUARY 22-28, 2014

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Contents

A locally-owned newspaper 877 Cedar St, Suite 147, Santa Cruz, CA 95060 831.457.9000 (phone) 831.457.5828 (fax)

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POSTS 4 WELLNESS 6 CURRENTS 8 COVER STORY 12 A&E 22 STAGE/ART/EVENTS 23 BEATSCAPE 24 CLUB GRID 26 FILM 30 EPICURE 32 FOODIE FILE 34 ASTROLOGY 35

JANUARY 22-28, 2014

Santa Cruz Weekly, incorporating Metro Santa Cruz, is available free of charge, limited to one copy per reader. Additional copies of the current issue of Santa Cruz Weekly may be purchased for $1, payable at the Santa Cruz Weekly office in advance.


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Messages M essag ges es & Cruz Weekly, letters@santacruz.com Send letters to Santa Cru uz W e eekly, letters@santacruz. .com or to Attn: Letters, 877 Ce edar Street, Suite 147, Santa Cruz, C 95060. Cedar Include city and phone number n or email address. Submissions may be edi ited for length, clarity or edited

JANUARY 22-28, 2014

factual inaccuracies kno own to us. known EDITORIAL EDITO ORIAL EDITOR EDITOR STEVE STEVE PALOPOLI PAL A OPOLI spalopoli@santacruzweekly.com spalopoli@santacruzw weekly.com

STAFF S TAFF WRITERS W GEORGIA A PERRY PERRY gperry@santacruzweekly.com gperry@santacruzw weekly.com

JACOB J ACOB B PIERCE jpierce@santacruzweekly.com jpier rcce@santacruzw weekly.com

RICHARD VON VON BUSACK BUSACK richard@santacruzweekly.com richar rd@santacruzw d weekly.com

CONTRIBUTING C ONTRIBUTING G EDITOR EDITOR CHRISTINA CHRIS TINA WATERS WAT TERS PHOTOGRAPHER PHO TOGRAPHER CHIP SCHEUER S CONTRIBUTORS C ONTRIBUTORS BREZSNY, ROB BREZ B SNY Y, PAUL PAUL M. M DAVIS, DAV VIS, MICHAEL S. GANT, GANT T, JOE E GARZA, ANDREW GILBERT, GILBERT T, GRUSAUSKAS, MARIA GRUS SAUSKAS, JORY JOR RY JOHN, CAT JOHNSON, CA AT JO OHNSON, KELLY KELL LY LUKER, LUKER, SCOTT MACCLELLAND, SCOTT MA CCL LELLAND, AVERY A VERY MONSEN, V M PAUL WAGNER P AUL W AGNER

A ART & PRODUCTION PRODUC CTION DESIGN DIRECTOR DIRECTOR KARA KARA A BROWN BROWN PRODUCTION PROD DUCTION OPERATIONS OPER RATIONS COORDINATOR COORD DINATOR MERCY MERC CY PEREZ GRAPHIC DESIGNER DE ESIGNER TABI TA ABI ZARRINNAAL ZARR RINNAAL EDITORIAL ED DITORIAL PRODUCTION PROD DUCTION SEAN GEORGE AD DESIGNER DE ESIGNER DIANNA VANEYCKE VA ANEY YCKE C

DISPLAY DIS SPLAY ADVERTIISING ADVERTISING SENIOR ACCOUNT ACCOUNT EXECUTIVE EX XECUTIVE ILANA RAUCH-PACKER RAUCH--PACKER ilana@santacruz.com ilana@santa acruz.com A ACCOUNT CCOUNT EXECUTIVE EXE ECUTIVE DENISE DENI SE TOTO TOTO denise@santacruzweekly.com denise@santacruzw weekly.com DIGIT AL MARKETING MAR RKETING DIGITAL SPE ECIALIST SPECIALIST THOMA SD AWSON THOMAS DAWSON thomas@santacruzw weekly.com thomas@santacruzweekly.com OFFICE MANAGER MA ANAGER JOHN N BLAND jbland@santacruzw weekly.com jbland@santacruzweekly.com

PUBLISHER PUBLI ISHER

JEANNE HOWARD H WARD HO

PRESIDE PRESIDENT ENT & EXECU UTIVE EXECUTIVE ED DITOR EDITOR DAN D AN PU PULCRANO LCRANO

Cars Don’t Do on’t ’t Kill, Di D Drivers Do Re: R e: “Never “Never Forget Forgett Josh Josh Alper” Alper” (Cov (Cover, err, Jan. 8): I rread Jan. ead yyour o our ar a article ticle abou aboutt JJosh osh Al Alper per ttoday. oday. Thought Thought it it was was a a ffair a air an and db balanced alanced llook ook a att rroad oad d dangers angerrs ffor o or cy cyclists. clists. I'm a cyclist cy yclist an and dh have ave bee been en ffor o or several seveeral yyears. eears. I commute commu te rregularly egularly an and d am a p past ast m member ember off Sunn o Sunnyvale's yvale's B BPAC. PAC. C The T he unf unfortunate fo ortunate tr truth utth abou about ut Mr Mr. r. Al Alper's per's death d ea atth is that that th there ere iss n not ot ttoo oo much much in th thee way w ay o off infr infrastructure astructurre w work ork th that at will stop stop dr drivers ivers w who ho nod nod o off ff a att the the wheel wheel or dr drive ive dr drunk unk fr from om ttaking aking liv lives es an and dn not ot jus justt o off th thee m more ore vvulnerable ulnerable rroad oad users. Some Some kind kind o off cy cycletrack cletrack m may ay n not ot h have ave p prevented reveented his d death. ea atth. I w was as th thee firs firstt person on th thee scen scenee w when hen the the Santa Santa Cl Clara arra ssheriff's heriffff's d deputy epu utty kill killed ed ttwo wo cy cyclists yclists an and nd in injured njjured a thir third. d. H Hee is said tto oh have ave n nodded odded o off. ff. H Hee dr drove ove b byy m myy p party arty m moments oments bef before fo ore th thee co collision. llision.

Better B Bett er infr infrastructure astructure will h help elp reduce red duce man many a yo off th thee oth other er co collisions llisions yyou ou o ci cited. ted. e It h has as tto o be b p properly roperly d designed esigned an and d th there ere h has a tto as o be ed education ucation so th that at cy cyclists yclists use th thee sp space ace correctly. cor rrectly. Al Along ong wi with th th that, att, dr drivers ivers wi will ill n need eed tto o be ed educated ucated on h how ow th they ey ar aree tto od deal eal wi w with th th thee new n ew infr infrastructure. astructture. I sstill till h hear ear com complaints plaints about abo ou ut h how ow h hard ard it it is to to figure figure ou outt tr traffic affffic circles. Comee on n now. cir cles. Com ow. Wee rreally W eally n need eed tto o gget et ed education uca attion ou out ut tto o th thee users use ers o off th thee rroads, oads, m motorized otorized especi especially ially bu but ut non-motorized n on n-motorized al also. so. Un Until til w wee can gget e good et good infrastructure inf frastructure w wee will h have ave tto o co-e co-exist. xist. W Wee have h ave tto o sstart tart w working or o king wi with th on onee an another oth her an and d sstop top sshouting hou utin t g past past each each other. otherr. Cy Cyclicious yclici c ous is corr ccorrect ect in th that at jus justt o obeying beying th thee rrules ules b byy cyclists cy yclists isn't ggoing oing tto o cchange hange dr driver ivveer a attitudes tttitudes unless un less th they ey ar aree al also so held held responsible responsible ffor o or the the carnage car rnage they they leave lea ave in their their wake. wake. Onee thin O On thing gIw would ould lik likee tto o see is tto o cchange hange ““cars” ca ars” rrunning unning rred ed lig lights, hts, speedin speeding g or o n not ot using usi ing turn sign signals als tto o drivers being being the th he ones on e call es called ed ou out. utt. Cars are are in inanimate animate objects objects

directed b directed byy drivers. driverrs. M Make ake th thee o offending ffeending p party arty be the the ones ones b blamed, lamed, e n not ot th thee car car. r. P People eople d don't on't say sa ay bikes bikes blow blow thr through rough stop stop sign signs. s. They They sa say ay cyclists cy yclists d do o this. Thank T hank yyour o our ffor o orr yyour our th thoughtful oughtful article article and and I hope hope iitt pus pushes hes th the he n needle eedle a little little towards towards more m ore saf safety feety ffor o or all alll rroad oad users. Ralph Durham Santa Cruz

Keep Itt On the DL Re: R e: “Never “Never e Forget Forget Josh Josh Alper”: Alper”: Now Now that that it's it's in p print rint th that at car d drivers rivveers can cr cross oss th thee cen center ter linee and lin and run run over ovveer cyclists cyclists head head on and and kill them th em an and dn not ot eeven ven en gget et arr arrested, ested, our onl onlyy h hope ope is th they ey can't rread. ead. F Frank rank r Drees Santa Cruz \ FROM

THE T HE WEB

Local Treasure Trreasure Re: R e: e “Co “Country untry Jams” Jamss” (Br (Briefs, ieffss, Dec. 4): T Thanks hanks ffor or o givin givingg som somee much m ch d mu deserved eserveed a attention tt t ention tto o th thee Treasures Treasures Roadhouse! Roadhouse! I w was as honored honored tto o per perform form o th there ere as a p part art o off Ri Rick ck W Walker's alker's Y2K13 In International ternattion nal Live Livve Loop Loop Fest Fest this past past October. Oc toberr. Bourn an and nd his cr crew ew ar aree w wonderful onderful hosts, h osts, th thee rroom oom an and nd ggear ear ar aree top-shelf top-shelf an and d thee audiences th audiences a att the the fest feest w were eere a attentive tttentivve an and d eexuberant. xuberant. Rejyna

Admiriing Admiring From F rrom A Afar Re: R e: e ““Gianna’s Gianna’s Gift” Gift” (Cover, (Coverr, Dec. 4): While While on vvacation aca a attion in San Santa nta Cruz Cruz th thee firs firstt w weekend eekend of of December, December r, I rread ead th tthee cover covveer story story on “Giann “Gianna's Gianna a'ss Gift” b byy Geoffrey Geoffr f ey Dunn. D T This his is such such a m moving oving article, ar ticle, an and dIa appreciate pprecia ate llearning earning m more ore abou about ut cystic cy stic fib fibrosis rosis and and organ organ donation. donati t on. I'm sorr sorryy ffor or o yyour our commun community's nity's lloss, oss, yyet et admir admiree yyour o our sstrength trength in ce celebrating lebratin t g Giann Gianna a and and inspiring inspiring others oth ers to to witness witness th tthee miracles miracles around around us. Susan K


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JANUARY 22-28, 2014

a t n Sa uz Cr We W eA ARE RE Local Local

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JANUARY 22-28, 2013

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Wellness W elln e llnes ss TIME TO LE LEAF EAF Evidence continues to pil pile le up about gr green een tea’s healthy pr p properties. operties.

Going G Go oing i Gr Green G reen Can co coffee offeee junki junkies es fin find nd a h healthier eallthi t er fix x with wiitth gr green een ttea? ea a? BY MAR MARIA RIA GRUSAUSKAS

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or co coffee ffeee dr drinkers, inkers, th that at firs firstt sip si po off pi p piping ping h hot ot jjava ava is a crucial cr ucia al p part art o off th thee m morning orning routine. It jolts jolts us a wake, fires fires up up our routine. awake, neurons and and gives g vees us the giv the stamina stamina neurons to tackle tackle th ay. Bu ut is iitt h ealthier to thee d day. But healthier to free free ourselves ourselvees from from th delicious to thee delicious shackles of of America's Am merica's m ost widely widely shackles most psyychoa active substance? substance? used psychoactive shorrtt, it's it's a highly highly personal personal In short, decision; every eveerry human human bod dy processes processes decision; body coffee e differently, difffeeren nttlly, and and it it changes changes e as w coffee wee ag ge. But Bu ut while wh hile coffee's c ffeee's ben co efits are are vast— vas ast— age. benefits f om improved fr i provved im ed mental men ntall p rocessin o i g an d from processing and athl t etic enhancement, enhan ncemen nt,t tto o iits ts m yyrriad of of athletic myriad an nttioxidan ntts and and nutrients—evidence nutr t ien nts—e t evvidence antioxidants suggests that that it it may may be worth wo orth slogging slogging suggests through the the withdrawal wiithdrrawa al headaches headaches through and brain bra ain fog fo og to to replace replace coffee coffeee with with an and allternattivve psychoactive psyychoacctiv t ve substance: substance: alternative green tea. tea. green

Green Gr een ttea's ea's m most osst po powerful oweerrfful edg edgee n co ffeee is th en nt an nttioxidan nt on coffee thee pot potent antioxidant ep piggalloca p ateechin ggallate, allate, or E GCG. epigallocatechin EGCG. "T Therre's e a subgr oup o omen w o herre "There's subgroup off w women where th his is an ac cttual an ntti-breeast-cancer this actual anti-breast-cancer ag gen entt," says sa ays Dr r. Da aw wn M otyyka. "So if yyou o ou agent," Dr. Dawn Motyka. gget e your et your o D NA cchecked, hecked, an d yyou ou h o ave th tthee DNA and have en nzyme, dr rinking gr reen e ttea ea on a rregular egu ular enzyme, drinking green b a will actually asis accttuallly lower loweer your your o breast breeast basis ca ancer rrisk." isk." cancer T he an ti-cancer ag en nt E GCG h as The anti-cancer agent EGCG has al lso been ffound o ound to to protect pro otecct neurons neurons also ag gain a st d emen nttia, Al zheimer's an d against dementia, Alzheimer's and P a kin ar ki son's ' disease di D o th oastiin i g Parkinson's disease.. Du Duee tto thee rroasting an nd fermentation feermen ntattion p ro ocess, E GCG is onl o ly and process, EGCG only ffound o ound in tr ra ace am oun ntts in b lack ttea. ea. trace amounts black F urrtther an ntti-cancer eevidence vid v ence turn ned Further anti-cancer turned u p in a 2007 sstudy tudy o ese up off 69,710 Chin Chinese w o omen, w here gr reen e ttea ea dr ink keers h a ad women, where green drinkers had a 57 5 per rccen nt lower loweer rrisk isk of of colorectal colorrec ectal percent ca ancerr, an d in a 2007 study sttu udy in Japan Japan cancer, and

which w hich ffound h o ound th that at m men en w who ho dr drank rank a green had percent gr een ttea ea h ad a 48 per ceen nt lower lower e risk risk prostate To bee off developing deevelop e pingg p pro statee ccancer. ancer. T ob also has off ffair, air a r, coffee coffee e al so h as iits ts ffair a sshare air harre o antioxidant and linked an nttioxidan nt polyphenols, polyphenols, an d is link ed off liv liver and colorectal tto o a llowered oweered rrisk isk o veer an d co lorecctal cancers. can cers. But drinking Bu ut dr inking the the safe saffe one one or two two cups cu up ps off co coffee day not sustainable o ffeee a d ay may may n ot be sus tainable The methylxanthines, ffor o or life. liffe. T he m eth hyllxan nthin t es, or "plant coffee, into "p lan nt speed" in co ffeee, fi ffitt in to the the brain's adrenaline b rain's adr enaline receptors, receptors, acting acctting diuretic, and cardiac and as a diur etic, an d car dia ac an d mental men ntal "Those alertness sstimulant. timul i lan ntt. "T hose al lertn ness rreceptors eceptors says Dr. eeventually veentually stop stop rresponding," espondin d g," sa ays Dr r. Motyka, which why M otyyka, w hich is w h hy we we often often need need up coffee intake produce tto ou p our co ffeee in ntake to to p roduce thee sam samee ef effect. th ffeecctt. "We're "W Wee're not not built, buillt,t or intended constant in ntended by by nature natture to to be be in a con stant off al alertness and sstate tate o errttness an d arousal. arrousal. That's Thatt's not not ggood ood ffor o or us."

Interestingly, In nterestin ngly, as w wee age, age, the the bod body's dyy's abili ty to to process prrocess p o cafffein e e deteriorates— deteriorates— ability caffeine especiall ly ffor o or w om o en. "An d it's it's an especially women. "And ab rupt change. chan a ge. In m en th ecline is abrupt men thee d decline m ore gradual," gradual," says sa ays Dr. Drr. M otyyka, who who more Motyka, fin ds th at women wo omen suf ffeering fr om finds that suffering from m enopausal sym ptoms like like hot hot menopausal symptoms fl ashes an d night night sweats sweea atts almost almost always allways flashes and eexperience xperriencee relief relief after after stopping stopping coffee. coffeee. T hatt's n o tto ot o sa ay that that green green ttea ea d oes That's not say does n ot con ntain n caf ffeeine—a cu p of of the the green green not contain caffeine—a cup sstuff tufff contains con ntaiins anywhere an nywhere fr om 15mg from tto o 75mg 75 g o cafffeeine, w hereas co ffeee off caffeine, whereas coffee con tains 95 5mg tto o 200mg. R eemaining contains 95mg Remaining in th dy ffor or o u p to to 12 hours, hours, caffeine cafffeeine thee bod body up in both sub bstances h as been ffound oun o d tto o substances has ttemporarily emporarilly raise raise the the metabolic metabolic rate rate an dh elp bu urn ffat. att. and help burn T he dif ffer e ence is th at green green ttea ea The difference that com es wi th h a buil lt in buf ffeer: ttannins, annins, comes with built buffer: an d th mino acid L-th eanine. and thee am amino L-theanine. Ac ctin t g on the th he neurotransmitter neurotransmitter Acting G AB A BA A, th ese compounds compounds are are calming calming GABA, these ag en nts, ts t increasing incrreasing dopamine dopamine an d the the agents, and pro ducttion off a lpha a brain bra ain waves. wavves. production alpha "T he p resen e ce o ese cchemical hemical "The presence off th these com pounds ttogether ogether in ttea ea all ows yyou ou o compounds allows tto o control con ntr t ol iits t effect," ts efffeecctt," says sa ays James James Heffley, Hefffl f eyy, P h.D. "Wh e boiling en boiling w ater is poured poured Ph.D. "When water on nto th ea a lleaves, ea aves, e in th first ttwo wo onto thee ttea thee first min utes alll th cafffeeine is drawn draw wn out. ou utt. minutes thee caffeine At this poin nt, tea tea is m ost sstimulating. timulatting. point, most Dur ing the the n ext ffew ew min utes, tannin tannin During next minutes, an d th eaniine are are gr rad a uallly brought brought and theanine gradually ou ut o e lleaves. ea ea avees. Aft er abou b ut fiv fi ve out off th thee ttea After about five min utes, th his will ttend end to to cancel cancel out ou ut the the minutes, this ef ffeecctts o he caf ffeeine an d will make make a effects off th the caffeine and m ore relaxing, relax xing, calming calming tea." tea." F o or those those more For w ho ar ffeeine-sensitivve, pour ing who aree caf caffeine-sensitive, pouring ou ut th tiial ssteep teep ef ffeeccttivvely rreduces educes out thee ini initial effectively caf ffeeine jjitters. ittters. caffeine T he ca atechins in green green ttea ea have have also also The catechins been show show tto oh ave an ntti-viral an d an tihave anti-viral and antib accterrial properties, properrtties, llowering oweering the the risk risk of of bacterial inf feeccttions a an d im proving dental dental health, health, infections and improving w hile co h ffeee sstains tains on tteeth eeth ar tickyy, while coffee aree ssticky, an d ar re sai d to to attract atttracct food fo ood particles particles an d and are said and b accterria. bacteria. If yyour our co o offeee d ependence is a coffee dependence att an all -time high, higgh, think o ay: y In all-time off iitt this w way: Chin ese m edicine tterms, erms, co ffeee is pur Chinese medicine coffee puree yyang, ang, w a h hile green green ttea ea is yang ya ang with with a sshot hot while o o balance bal a ance it, it, says sa ays Dr. Drr. Motyka. Motyyka. 0 off yin tto


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JANUARY 22-28, 2014


Currents Mike Baird

JANUARY 22-28, 2014

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OTTER PROPS UCSC researchers Jim Estes and Chris Wilmers say sea otters can have a huge effect on the fight against global warming.

Fuzzy Math

New UCSC study shows how sea otters are saving the planet BY HANAE ARMITAGE

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hink it sounds completely absurd to think that sea otters could be a key to combating global warming? You’re not alone. The findings of a new study on the subject even floored UCSC’s Jim Estes, one of the study’s leading researchers. “I was blown away. We got all the data together, looked at the results, and I was like, ‘Whoa! Are you sure? Go back and run those numbers again.’” But in the end, it checked out. Suddenly, sea otters were every conservationist’s dream come true. After 40 years of collecting data, UCSC researchers Estes, Chris

Wilmers and their colleagues had uncovered a new link between the universally adored furball and what many consider Earth’s most imminent danger. Estes and Wilmers studied sea otters and their effect on kelp beds in a region stretching from Vancouver Island to the edge of Alaska’s Aleutian Islands. After comparing otter-dense and otterscarce areas, they found that kelp flourished in the former. “It blew my mind. It was just incredible to see these two completely different ecosystems as a consequence of loss of sea otters,” says Estes.

Equipped with data on kelp density and net primary production (measured in units of carbon absorbed per area, per time), and the rate at which kelp absorbs CO2, Estes and Wilmers only needed to piece them all together. “It was really a very simple, almost back-of-the-envelope calculation. It was just doing all the accounting to know how much carbon is there with and without sea otters,” says Wilmers. With an appetite for kelpdestructive sea urchins, hungry otters yield thicker kelp beds which, in turn, absorb more carbon from the atmosphere. Otters on the

hunt force sea urchins into hiding and allow the kelp beds to thrive, photosynthesize and essentially suck copious amounts of CO2 from the atmosphere. This top-down, predator-prey effect is known as a trophic cascade, and is the basis of the suspected connection between predators and the cycling of CO2. If predators suppress herbivores, plants prosper and stimulate the carbon cycle, decreasing CO2 in the atmosphere. Essentially, it’s environmental dominoes. The study found that kelp beds with a robust sea otter population had up to 12 times the absorbance capacity than kelp in sea-otter scant regions. In fact, if the entire planet was composed of a sea otterkelp ecosystem, sea otter-induced carbon reduction would rank solidly in the 5-10% range. Though this incredible correlation paints sea otters as something of a furry superhero, they can’t do it alone. With sea otters as their poster-child, Estes and Wilmers’ study illuminates the global effect apex predators can have on the carbon cycle. “From a global perspective, the effect of sea otters is miniscule, but it points to the fact that predators can have a pretty dramatic effect in their own ecosystem,” says Wilmers. “There are predators everywhere, so globally, the effect of predators can be pretty significant.” Their research suggests that, while a predatorprey balance is key in species interactions, it more importantly underlies the collective harmony of our ecosystems’ carbon cycle. After finding the astounding sea otter-carbon correlation in the ocean, many researchers have turned their attention to land, searching for sea otter-analogous predators in a terrestrial ecosystem. Wilmers himself is looking into that possibility, targeting wolves as a focal point for his potential future research. 0


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10

Briefs

JANUARY 22-28, 2014

Make It Show Resurrection is a popular theme in Shakespeare’s plays. Whether it’s a supposedly dead character turning out to have escaped a dark fate, or an undercover lover suddenly “resurrecting” from disguise, the end is rarely what it appears to be. As such, it’s appropriate that our own version of supposedly dead Shakespeare here in Santa Cruz would come back for a second act. Shakespeare Play On, a group dedicated to bringing back to life the now-defunct Shakespeare Santa Cruz, has set a goal to raise $885,000 by Feb. 1. This amount will allow them to put on two productions this summer. If the money is raised, they hope to be able to use the Sinsheimer-Stanley Festival Glen on the UCSC campus for the productions, but have yet to receive confirmation from the university about their ability to do so. As of press deadline, they have raised just under $661,000. “We’re doing really well,” says former SSC board chair Bill Richter. “That’s not to say we’re out of the woods, but I’m feeling confident that we will have a season.” The group also secured an advisory board that includes Sir Patrick Stewart of Star Trek: The Next Generation. Stewart has performed regularly with the Royal Shakespeare Company and has personal relationships with former Shakespeare Santa Cruz artistic directors Audrey Stanley and Paul Whitworth. He appeared in Santa Cruz in the ’90s for a fundraiser on behalf of Shakespeare Santa Cruz, and almost stuck around longer: “He was invited to direct here, but then he went into outer space and of course we couldn’t see him,” says Richter. Those interested in helping Shakespeare Play On reach its goal can visit shakespeareplayon.net for more information or to make a donation.

Too Big To Fail There were two themes to last week’s Santa Cruz City Council meeting about the proposed hotel on Broadway near Ocean Street: precedent and integrity. The council approved the hotel in 2011. But at last week’s meeting, they came back to it to revisit parking

issues—which essentially took out five rooms spaces and added a 24-hour valet to accommodate reduced spots— and re-opened a discussion about what message city leaders should send to developers. Some community members challenged the city council to stand up to a proposed Hyatt hotel they worried would crowd street parking and choke traffic between Ocean Street and San Lorenzo Boulevard. Bill Tysseling, executive director of the chamber of commerce, looked at it from a different perspective. “Somebody said, ‘This decision is all about integrity,’ and you bet that’s exactly what this decision is about,” Tysseling told the council at the Jan. 14 meeting. “You told them in 2011 that they could count on you—that this project would go through. Now you’re asked to make a modification, which represents no substantive change in the project. Integrity requires you to go through with this project.” He added that backing out on the project—which police believe will benefit an area riddled with drug use and prostitution—would be a bad business omen. “People who want to develop in Santa Cruz will see this is not a very safe place to invest, and they won’t,” Tysseling said. The council looks a little different than it did in 2011, when this was first approved—current city councilmembers Cynthia Mathews, Pamela Comstock and Micah Posner weren’t on it. And Posner, who lives a couple blocks from the site, noted the project faced tremendous opposition all along in its proposed residential neighborhood— where it was given an exemption for commercial use. He worried about the message the council would send if it started making exceptions for commercial use in residential zones. “I don’t like the precedent of forcing something on a neighborhood that’s not zoned for it,” he said. Vice Mayor Don Lane said, when it comes to the validity of the project, it was too late to turn back now. “That decision was already made a couple years ago, and to undo it would be very damaging to the community in general and would be unfair to the developer,” Lane said before council approved the parking modification 5-1, with Posner dissenting. 0


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JANUARY 22-28, 2014


JANUARY 22-28, 2014

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h t l a e H & ss e n t i F

Inside Looking Out Temple Grandin’s unique insight challenges conventional understanding of the autistic mind BY GEORGIA PERRY

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n a bi bizarre izarre ttwist wis w to off cosmi cosmicc ir irony, ony, T Temple em mple Gr an ndin, th oman rresponsible esponsible ffor o or Grandin, thee w woman sin gle-handedly rrevolutionizing evolutionizing liv vestock single-handedly livestock h andlin d g operations operati t ons in America, America, n ow h as a handling now has h andl d er of of her her own. own. handler

Grandin is a lleading Grandin eading autism autism activist activist and and animal aniimal be havi v or con s tant rresponsible sul esponsible ffor o or d esigning behavior consultant designing h umane liv ves estock h andling m echanisms n ow used humane livestock handling mechanisms now in h alf th ation’s ffarms. a arms. She She has has grown grown so po opular half thee n nation’s popular in th ast se veral yyears ears th at ““she she n ormally h ass tto o thee llast several that normally has

pulled away away from from m crowds,” crowds,” says sa ays Lyn Lyn Dunsavage, Dunsa avage, be pulled Grandin’s publicist, publicist, “so “so we we have have people people who who handle handle Grandin’s herr..” Dunsavage Dunsa avage explained explained this to to me me over ovver e the the phone, phone, her.” after I had had waited waited 45 5 minutes minutes past past the the time time of of my my after scheduled call with with Grandin. G andin. “Obviously, Gr “Obviously, someone someone has has scheduled blown it,” it,” she she said. She Sh S e suggested suggested I call Grandin Grandin every every blown fivve minutes minutes until until she she picks picks up. up. five Once I got got Grandin Grandiin on the the phone, phone, after after an hour hour Once and a half, half, she she was was in i a car en route route from from one one and speaking engagement engagemen e t to to the the next. next. She She had had just just been n speaking at Google, Google, where where she she informed inffo ormed the the crowd crowd that that Steve Steve at

Jobs ““definitely definitely h ad som aautistic utis t tic tr aits.” Jobs had somee au traits.” Hearing her her speak is worth worrth the the wait—an wait—an experience experience Hearing and of of itself. itself. H er inflection inflection o is like like choppy choppy waters— waters— in and Her parts of of her her speech speech are are steady, stea ady, but but then then certain certain parts words are are practically practically shouted. shou uted. This This characteristic characteristic words was portrayed portrayed heavily hea avil v y in the th he could-have-gonecould-have-gonewas horribly-wrong HBO film about a ut Grandin’s abou Grandin’s life, liffe, horribly-wrong Teemple Grandin, Grrandin a , starring starring Claire C aire Danes. Cl Danes. The The film Temple chronicles Grandin’s Grandin’s young yo oung life, liffe, including including her her early early chronicles interactions, which whi h ch were were often often characterized characterized by by social interactions, Grandin feeling feeeling anxious anxious and an nd outcast. outcast. Grandin


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JANUARY 22-28, 2014

SURELY TEMPLE Temple Grandin will speak at the Autism & Asperger’s Syndrome Conference on Jan. 24 in Monterey.

In th thee film, th there ere is a scene scene where where Grandin’s Grandin’s aunt, aunt, played byy Ca Catherine O’Hara, dozens off pi pictures p layeed b ath t erine O’H Hara, ttakes akes d ozens o ctures off Gr Grandin’s making o andin’s fface a ace m akin ng different difffeerent expressions expressions and and then each The Grandin says th en llabels abels eac h expression. expresssion. T he real real Gr andin sa ays that was accurate th at w as an accur ate portrayal po ortrayal of of how how sshe he llearned earned emotions. “You have what these things mean. em otions. “Y You o h ave tto o llearn earn w hat th ese thin gs m ean. beingg instinctual, Social skills, skills, instead instead of of bein instinctual, yyou ou o gotta gotta thee cchild what different tteach each th hild w hat di ffeerent ffacial a acial eexpressions xpressions mean,” says. m ean,” sshe he sa ays. That’s not say Grandin and other autistic T hat’t s n ot tto o sa ay Gr an ndin an d oth er au uttistic ffolks olks don’t have emotions. “We do emotions. Everything d on’t h ave em otions. “W We d o have em otions. Ev veerytthing

angry. is just just simpler. simplerr. I get get real real happy, happy, y, I gget et rreal eal sad. I gget et an gry. You control that one,” says. Y ou o ggotta otta llearn earn tto o con trol th at on o e,” sshe he sa ays. Steve isn’t’t th thee onl onlyy ffamous Grandin St eve JJobs obs isn am a mous person Gr andin pegged autistic her Google presentation. Albertt pegg ed as au uttistic in h er Goog gle p resentati t on. Alber Einstein, Einstein didn’t’t speak three Ein stein, too. too. Ein stein didn speak until until he he was was thr ee old, which Grandin says (Shee yyears eears o ld, w hich Gr andin sa ays is a ttelltale elltale sign. (Sh herself didn’t’t speak un until agee ffour.) Butt sshe there. h erself didn til ag ourr..) Bu o he lleft eft iitt th ere. onlyy ggoing about thee d dead “I said, ‘I’m onl oing tto o ttalk allk abou ut th ead undiagnosed people thee au autism spectrum. thee un diagnosed peo ple on th uttism spec trum. All th live ones that aree h here thee Goog Google building, that liv ve on es th at ar ere in th G le buil ding, th at yyou ou know about, not about.’” kn ow abou t, I’m n ot ggoing oing tto o ttalk alk abou utt.’”

Are there many more people the autistic Ar re th ere m any m ore peo ple on th he au utis t tic spectrum than own up spec ctrum th an will o wn u p tto o iit? t? “Oh Basically and nerds and being “O Oh yyeah. eah. Basi cally ggeeks eeks an dn erds an d bein g quirky and sociallyy a awkward and mild autism— quir rky an d sociall wk kward an d a mil m d au tism— there’s no difference. They’re thee sam same thing,” th erre’s n o dif ffer e ence. T hey’re th me thin g,” sshe he says. sa ays. s Grandin designed “hug machine” when Gr randin ffamously a amously d esigned a “h ugg m achine” w hen was mechanism that could sshe he w as a tteenager—a eenager—a m echanism th hat sshe he coul d ggo o into and thee m mechanical walls off th thee m machine would in to an d th echanical w alls o achine w ould

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1 3 HEALTH & FITNESS | TEMPLE GRANDIN tighten around her. It was based on machines used to calm cattle down, and can be preferable to being touched by other humans, for some autistic folks. (For others, it can be as scary as it sounds. A few days after watching the HBO movie, a friend of mine told me he had a nightmare he was trapped inside the machine.) But in 2008 Grandin’s personal machine broke and she was quoted a couple years later in Time magazine saying she never got around to fixing it. “I’m into hugging people now,” she said. As an activist for autism, Grandin wrote the book Thinking in Pictures in 1995. She said that before she started doing research for the book she wasn’t aware that other people thought differently than her. For example, when she asked her interview subjects to think of a church steeple in their minds, “I was shocked to find out that a lot of people think of this vague generalized kinda spiky image. And I see specific ones, and I can tell you where they’re at,” she says. In the book, she describes in detail the feelings of anxiety and fear that she experienced as a girl and a young woman, feeling different from everyone else and not understanding why. But doing the research and the book empowered her, and today she regularly speaks in front of large crowds on the subject of autism. Silicon Valley is the perfect place for young people with autism and Asperger’s to aspire to go, Grandin says. There are uses there for all different kinds of brains. “To have good projects you need to have different kinds of minds working together,” she says. “Working together! “There are visual thinkers— designers. Then there are more mathematical thinkers—that would be the programmers. And then the word thinkers. I use the example of Steve Jobs being an artist, and he made the user interface for the phone and then the engineers had to make it work,” she says. Most people, Grandin says, are a mixture of a few different kinds of minds. “Then you get somebody with a little bit of autism or something like that, and you tend to get more uneven skills.” She says if an “autistic-type” person

is not sure what kind of career path is right, then he or she should find out what kind of mind they have, and pick a career that lines up with how their brain already works. She’s worried that too many talented autistic kids are spending all their time playing video games these days. “Now if you’re working and designing video games as your job that’s one thing,” she says. Grandin is big on working. She’s big on productivity, on doing things. People should have jobs, she believes. Even if they have challenges.

Steve Jobs isn’t the only famous person Grandin pegged as autistic in her Google presentation. Albert Einstein, too. Einstein didn’t speak until he was three years old, which Grandin says is a telltale sign. Grandin was in graduate school the first time she attempted speaking in public. “I was really nervous and I walked out! But you get better just by doing it. You gotta do stuff,” she says. “You gotta do stuff!” Temple Grandin will be speaking at the Autism & Asperger’s Syndrome Conference on Jan. 24 in Monterey.

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Chip Scheuer Scheuer

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JANUARY 22-28, 2014

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Beyond the Trend STRETCHING BAC BACK CK TO ITS ROOTS Y Yoga o oga instr instructor ructor Daniela K Kosmalski o osmalski gr ounds her classes in n the philosophy that she studie grounds studiess intensively.

Can fi fitness tnesss cul culture ltture emb embrace race yyoga’s oga’s spiritual spir ittual roots? roots? o BY MARIA GRUSAUSKAS G

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nce upon nce upon p a time, time, vvery eery ffew ew Am mericans kn ew Americans knew w hat yoga yoga w as, an d what was, and eeven ven e ffewer ewer p racticed practiced iit. t. It w a jus as ew was justt a ffew decades ago, ago, in ffact. a act. Bu B ut ttoday, oday, yyoga oga decades But ti-billion-doll l ar busin ess in is a mul multi-billion-dollar business this coun country, with some million try, wi th som me 20 milli on practitioners, and practitioners, an d an n eever-growing veer-growing faction fa action of of devotees devot o ees continue co ontinue tto o wriggle into those tight pants and wriggle in to th ose tig ht p ants an d take basis. take to to their their mats mats t on a rregular egular b asis. Still, yyoga—which o oga—w wh hich means means “union” “union” Sanskrit, union off th the body, iin San S skr k it, as in i uni ion no he bod b dy, mind and soul—only min d an d soul —only really really caught caught on thee U.S. aft after in th er its its physical physi s cal benefits benefits hitt th thee m mainstream. Embraced byy th thee hi ainstream. Em mbraced b fitness training fi tness boom, yoga-instructor yo oga-instructor tr aining emerged new and em erged as a n ew an d profitable profitable market, here wee ar are m arket, and and h ere w re ttoday. oday. "Ever since thee id ideas off yyoga camee "Ev veer sin ce th eass o oga cam

here book and thee gurus h ere in boo ok form form o an d then then th gurus always sstarted tarted tto o arrive, a arrivve, iit's t's al lways been a question of: how qu estion o f: h ow do do you yo ou adapt adapt these these ancient an cient tteachings ea achings and and practices, practices, modernize m odernize them them and and bring bring them them to to new without distorting an ew culture, cultu ure, wi thou ut dis torting or corrupting corr upting them, them, or diluting dilutting their their effect?" says Philip Goldberg, author off ef ffec ect?" t sa ays P hilip Go ldberg, au utthor o Veda. American V eeda. Often, however, there aree m many O ften, h owever er, th ere ar any instances, in stances, as a yoga yo oga evolves evolvees in its its multitude where mul lttitude of of modern modern fforms, orms, o w here the the promise off a toned p romise o toned body, body, of of increased increased circulation sstrength, trength, ci irculattion and and flexibility, flexibilityy, eclipses spiritual which ec lipses yyoga's o oga's spir itual rroots, oots, w h hich date years d ate back back 5,000 5 yeears to to India. India. “What I've noticed, beingg every day “Wh at I'v ve n oticed, bein eveery d ay att T Toadal, most a o oadal, m ost of of the the time time I see the the members m embers com ccomee every eveery day—which day— —w wh hich me, way, is a cchallenge hallen nge ffor o or m e, in a ggood ood w ay, because I rreally eally have have to to go go to to my my books, boo ks, tto o my my study, study, to to bring bring something something


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different every time," says Daniela Kosmalski, who fell in love with yoga in her native Brazil 17 years ago, and now teaches 15 classes a week between Luma, In-Shape, Toadal Fitness and private sessions. By books, she means the original scriptures, the sutras. Recently, Kosmalski set aside two of her six classes at Toadal Fitness to focus more directly on yoga's spiritual and philosophical teachings. Less physically strenuous, these classes hum with the refreshing promise of mental and spiritual restoration—and the members love it. "First I do, and then I can teach," says Kosmalski. "Otherwise it's fake. Right? I have to do the meditation, I have to do the nidra, I have to do the study." Nidra is the state between deep sleep and total relaxation, and just one of ashtanga yoga's "eight limbs," which act as guidelines for living a meaningful and purposeful life. The

eight steps begin with yama, and niyama—the ethical disciplines for connecting with the external world (nonviolence, truthfulness, noncovetousness) and the internal self, (cleanliness, contentment.) Kosmalski contemplates one yama and niyama a month, and weaves them into the flow of class, while members are receptive and relaxed in their current asana, or pose—the third limb. She reminds us of drishti, the focus, which can be on your middle finger, or your third eye, or anywhere on your physical body, yet connected to an inner focus via body awareness. And vritti, the brain waves, which become quieted on the mat. "Several exercises will put yourself into your breath, into yourself," says Kosmalski. "Breath is to come down, there are breaths to bring fire, to bring energy to your body. I do believe it's a tool of yoga that none of the instructors can forget. It's so important, like the postures, like meditation. It brings selfawareness, body awareness, strength to the mind, flexibility to the mind." Pranayama, or breath control, awakens pratyaharda, sensory control, which leads to dharana, concentration on a single mental object, and in turn, a nice state of meditation, or dhyana, which Kosmalski often guides her students into using imagery. The eighth and final limb is samadhi, or enlightenment, and transcendence of the self, which Kosmalski says she has not reached. "Knowledge is infinite. I'm just like a little sprout," says Kosmalski. "To dive into the ocean of my consciousness, there's so much to learn. It's never-ending, because yoga for me is an ongoing practice, it's happening, it's life." But even while all of these states ebb and flow throughout the practice, the takeaway result is an enhanced understanding of the total self. During meditation we encounter our demons, our weaknesses and challenges, and it is not uncommon to shed tears. "The foundation of yoga, the goal, is liberation," says Kosmalski. "Positive thinking, balanced diet, being in contact with your own true self, the things that make your heart happy, liberation. Even if you weren't born in India, or have the Hindu tradition to adore an elephant, you can practice yoga, because you have to believe just in yourself." 0

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17 HEALTH & FITNESS

JANUARY 22-28, 2014

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GOT YOUR NUMBER Tracking everything from miles run to calories burned to hours slept, the quantified self trend is making the most of personal health data.

Log Your Life ‘Quantified self’ is a new high-tech way to obsess over your health BY AARON CARNES

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es, technology rules our lives. And it’s true that everyone is more plugged in now than ever before. But maybe that’s not always a bad thing. If we can look away from Candy Crush Saga for a few minutes, there are actually some potential health benefits to be had from technology invading every aspect of our lives. The latest one to hit the pop-culture radar allows people to monitor every

detail of their physical health. With easy-to-use devices like Fitbit Tracker and Jawbone Up to calculate activity, sleep and other stats, as well as smartphone apps that quickly track everything from calories to heart rate, anyone can precisely graph the path to their health and fitness goals. The movement to incorporate all this technology into self-tracking and monitoring is called “quantified self.” It’s been trending like crazy

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1 8 HEALTH & FITNESS | LOG YOUR LIFE

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over the last year, particularly with the availability of devices like Fitbit at sporting and electronics stores, and the sheer number of free calorietracking programs currently available online. Some of the more obsessive people at the forefront of the quantified self movement are tracking everything in their lives including mood, blood pressure, caffeine intake and no end of minutiae. One advocate of quantified self, Wired contributing editor Gary Wolf, defended such seemingly excessive self-tracking in a Ted Talk Conference, saying it was the key to self-improvement. “If we want to act more effectively in the world, we have to get to know ourselves better,” he said. While the implications might be downright spooky—everyone walking around with devices recording their every move, voluntarily—the health benefits can’t be ignored. Jaimi Ellison, a personal trainer, nutritionist and owner of Santa Cruz Core Fitness + Rehab, encourages her clients to at the very least write down everything they eat. For a lot of people, that translates into using a wearable device and/or calorietracking app on their phones, because it’s so convenient. “I introduce them to the app on smartphone or Fitbit. And if they’re using it, they just have these ‘aha’ moments, because they see what’s actually happening. It shakes their belief system a little bit,” Ellison says. “A lot of people say, ‘Oh, I eat well. I eat healthy. I do a lot of exercise.’ Then they realize, ‘Wow, I’m really not eating right and doing what I’m supposed to be doing.’ And they have the power to change it.” Ellison has noticed a significant number of people this past year using self-tracking devices as a part of their health routine and, indeed, in August the Wall Street Journal noted that quantified self is becoming big business. Of course, people have used pedometers for years, and health experts like Ellison were writing their calories down on paper before computer programs existed to do it for them. But as that technology has gotten cheaper and easier to use, more and more people are getting interested in their stats.

One particularly interesting technological change is just how easily people can track their sleep with the Fitbit and Jawbone Up. It doesn’t just track how long a person is sleeping, but how many times they wake up during the night, and how deeply they sleep. “If they don’t have restful sleep, it can affect their energy levels for sure,” says Ellison. “If you’re having a lot of waking sleep, then you’re not getting the hormone release you’re supposed to, and you’re feeling tired all the time.”

‘A lot of people say, ‘Oh, I eat well. I eat healthy. I do a lot of exercise.’ Then they realize, ‘Wow, I’m really not eating right and doing what I’m supposed to be doing.’’ — JAIMI ELLISON This information, in conjunction with calorie intake and activity levels, can create a much more accurate picture of people’s health than they had access to even five years ago. But, of course, none of this technology means that devices are going to do all the work—yet. “You can buy all the gadgets in the world. It’s not going to solve the problem of hard work,” Ellison says. “If you get that Fitbit, and it just sits there, and you don’t actually take the time to check out what the readings are, it’s not going to do you any good.” 0


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JANUARY 22-28, 2014

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AE E!! STEEP LEA LEARNING ARNING CURVE The member members rs of Steep Ravine, who met at UCSC, U have moved to the East Ba Bay career. They’ll Kuumbwa ay to pursue their car eer. They y’ll rreturn eturn ffor o or a show at the Kuu umbwa on Friday.

Steep Ste ee Ra eep Ravine Rav vine ine Leaves Lea a es Home aves Ho ome Santa San nta Cr Cruz C uz band band pushes pushes for fo or their their big b break reak BY AAR AARON RON CARNES

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t’s becom t’s become me cclear lear tto o Steep Steep Ravine Ra avvine that th at bein being ng an acous acoustic tic band band has has iits ts ad advantages. dvan ntages. T he b and fformed o ed in San orm ta Cr uz in The band Santa Cruz D December b 201 12, an d aft fter d ecidin idi g th ey 2012, and after deciding they w anted tto o giv ve a llegitimate egitimate sshot hot tto od oing wanted give doing musi -tim me, th ey all m ovved e in nto a musicc full full-time, they moved into sm all house house in n the the East East Bay Ba ay late late last last ffall. a all. small T his w ay, th eirr thinkin gw ent, th ey’d be This way, their thinking went, they’d m ore cen nttrally llocated oca ated in th ay Ar ea more centrally thee Ba Bay Area musi e. musicc scen scene. O heir bigg est con cern w as Off course course,, th their biggest concern was h ow th ey w ould p ay rrent ent w hile sstill h till how they would pay while buil ding u p a ffan a an b ase. Som eone ggot ot th building up base. Someone thee id ea tto o sstart tart bu usking a on ntg t omery idea busking att th thee M Montgomery B AR ART St attion, w h hich th anks tto o th eir BART Station, which thanks their com pletely ac oustic, hig hly m obile set completely acoustic, highly mobile set-u p, th ey can d o on an veen w eekday. up, they do anyy giv given weekday. St eep Ra avin v e— —w wh hich con sists o an Steep Ravine—which consists off JJan Pur at on violin, violin n, Sim on Lin stead dt on Purat Simon Linsteadt acous tic gui tarr/lead vvocals, o ocals, Al ex Bi ce acoustic guitar/lead Alex Bice on u pright b asss an d An dy O’Br ien on upright bass and Andy O’Brien th mandolin—can — comfo ortably p luck thee mandolin—can comfortably pluck

away a way a att th their eir in instruments strumen ntts a att th thee B BART AR RT But beats working sstation. tattion. Bu ut it it bea ats t w or ork king 9 tto o 5. “We There’s off “W We call it it our 5 tto o 9. T here’s a llot ot o people thee m morning, pe eople ggoing oing to to work wor o k in th orning, g and aree so rrefreshed an nd people people ar efr f eshed d tto o see a rrad ad d band We’ve much b a d playing. an playin y g. W ee’vve ggotten otten so mu ch positive People email po ositivve ffeedback. eeedback. P eople will em aill us, like, justt ggot fired from myy jjob us s, lik e, ‘I jus ot fir ed fr om m ob and guys justt m made myy d day an nd seeing seeing yyou ou gu o uys jus ade m ay much better,’” says Purat. m mu ch bett err,,’” sa ays Pur att. They entertain commuters during T hey en nterrtain commu uters d urrin ng hour combination rrush u hh us our with with a combin attion of of old-timey country tunes, o ld-timey coun nttry tun es, gypsy jjazz azz and somee St Steep Ravine sstandards tandards an d som eep Ra avvine originals, which aree m modernized, or riginals, w h hich ar odernized, llush, u h, us bluegrass-inspired tunes with b luegrass-inspired ffolk olk tun es wi th a dash d a h of as of jazz jazz influence. influence. They They usually usuallly head over once week, and h e ov ead veer on ce or ttwice w wice a w eeek, an d on those days they have wake up att 4:30 th hose d ays th ey h ave tto ow ake u pa 4 thee morning order securee th the in n th morning in or rder tto o secur he before anyone does. The ssweet weeet spot bef fo ore an nyo one eelse lse d oes. T he pay either. It’ss en enough keep p ay isn’t isn n’t bad, bad, ei therr. It’ ough tto ok e eep the lights att th their house. th he lig ghts on a eir h ouse.

Meanwhile, thee b band M ean nwh hile, th and did an 40-day summer. eextensive xtensivve 40-d ay ttour our llast a t summ as err. Plus, they their debut P lus, th ey rreleased eleased th eirr d ebu ut full Trampin’ On,, llast October. llength, ength, Tr ra ampin’ On a t Oc as toberr. They aree h having their Santa Cruz T hey ar avvin i g th eir i S Sa anta Cr C uz this album release release show show thi is Friday Friday at at the the Kuumbwa Center. K uumbwa JJazz azz Cen nterr. They’ve working with T hey’vve been w o orkin ng wi th a promoter push thee al album, and p romoter tto o pus h th lbum, an d have hundred h ave sent sent it it to to over ovver e ah un ndred sstations tattions thee country, with couple off ffocus in th coun nttry, wi th a co ouple o o ocus tracks. They’ve thee ttop tr acks. T hey’vve been in th op 50 ffor o or independent Americana airplay, in dependen nt Am erican na airp lay, so ffar a ar peaking att n number Road,” peakin ga umber 35. “Pr ““Prairie airie R oad,” o timey country and “Waiting an old old tim ey coun try jjam, a an am, d “W Wa aiting Blues” bluegrass-ballad, have Bl ues” a b luegrass-ballad, a so ffar a ar h ave thee sstrongest from ggotten otten th trongest rreaction ea accttion fr om and across thee nation. sstations tattions an d ffans an a s acr osss th nattion. “W Wee’re rreally eallly tr ying tto o es tablish “We’re trying establish ourse lvees an d gget et a name nam me for for o ourselves. ourselves. e ourselves and If w ee’re ggoing oing tto od o iit,t, n ow w’s th we’re do now’s thee tim timee tto o do do it, it, an d see w hat w ake and what wee can m make h appen. So ffar a ar iit’s t’s been a rreally eallly posi tivve happen. positive

eexperience,” xperiencee,” Pur Purat at sa says. ays. T he son gwr writing sstyle tyyle on Tr ra ampin’ The songwriting Trampin’ On is vvery eery mu m ch in lin th N eil much linee wi with Neil Y oung an o d JJames ames T aylorr, ttwo wo o Young and Taylor, off Lin stead dt’t s biggest biggest influences, influences, but bu ut Linsteadt’s th strum men ntattion is m ore lik thee in instrumentation more likee a tr aditional b luegrass gr oup. T heir traditional bluegrass group. Their soun d is w a arm an dm ore n uanced in sound warm and more nuanced aw ay n ot ty ypical tto ob luegrass, w h hich way not typical bluegrass, which w as achieved achieveed in p art b eir cchoice hoice was part byy th their o ecordin ng sstudio: tudio: Tin elephone, off rrecording Tinyy T Telephone, JJohn ohn V an a ders e lice’s San F rancisco Vanderslice’s Francisco sstudio tudio po pu ular wi th in die-rock an d popular with indie-rock and eexperimental xperimen ntal pos t-rock b ands. post-rock bands. It m akess sen se, too, too, because th makes sense, thee qu artet onl ly rrecently ecen ntl tly discov veered quartet only discovered b luegrass. T he members members grew grew up up bluegrass. The lis tening tto o jjazz, azz, cclassical lassical musi c, jjam am listening music, b ands and and ffolksy olksy sin ger-songwr writers. bands singer-songwriters. Oth er th an n Pur at an d Linsteadt, Linstead dtt, w ho Other than Purat and who w er e e friends friends in hig h sc hool, th oup were high school, thee gr group m et a CSC w here th ey all w eere met att U UCSC where they were sstudying tudyying musi m c. On tttraccttions music. Onee o off th thee a attractions th ey h ad tto ob luegrass w as th heer they had bluegrass was thee ssheer ttechnicality echnicalityy o articularly com pared off iit,t, p particularly compared tto o a llot ot o he n eweer Am erricana ffolk olk off th the newer Americana ar tists th eyy w er e e ffamiliar amiliar a wi th. artists they were with. “Aft er a while wh hile we we delved delved e into in nto the the “After rroots oots o here th at musi om,” off w where that musicc cam camee fr from,” sa ays Pur att. “Learnin g tto op lay b luegrass says Purat. “Learning play bluegrass w as jus na weesome cchallenge. hallenge. W was justt an awesome Wee alr eady had had d pretty pretty awesome aweesome chops chops on already our in strum men nts, t bu ut n ot in th at specifi instruments, but not that specificc sstyle. tyyle. It’ ffer e en nt th an an nythin t g eelse, lse, It’ss so dif different than anything th an jjazz, azz, zn ew ffolk. olk. lk It It’ do ts o wn w than new It’ss kin kind off iits own st yle. l ” style.” T he gr ou up is rreally eallly llooking ooking fforward or orwa ard The group tto o th eir Kuumbwa Kuu umb bwa album release release sshow. how. their Ev veen th ouggh Richmond Richmond is w here they they Even though where llay ay th eir h e sa ead ht, San ta Cr uz is their heads att nig night, Santa Cruz sstill till th eir h ometow wn. their hometown. “W We would wo ou uld probably probably sstill till liv ve there, there, “We live bu ut w oun o nd ourse lvees dr iving u p but wee ffound ourselves driving up h ere so mu uch ffor or o gig s, iitt w asn’t rreally eallly here much gigs, wasn’t w or o th hwhil h e ffor o or us tto o sstay tay in San nta Cr uz, worthwhile Santa Cruz, al lth hough w lovve it it down down there th here so although wee love mu ch,” Purat Purrat says. sa ays. much,”

Steep Ravine

Fri Jan 24 24 Kuumbwa K uumbwa Jazz C Center enter


List your local event in the calendar!

23

Email it to calendar@santacruzweekly.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

Stage DANCE Bellydance Showcase

THEATER 8 Tens @ Eight The 19th annual festival of short plays written by Bay Area playwrights. www.sccat. org. Thu, Jan 23, 8pm, Fri, Jan 24, 8pm, Sat, Jan 25, 3 and 8pm and Sun, Jan 26, 3pm. $15-$30. Center Stage, 1001 Center St, Santa Cruz, 831.425.7529.

Are We There Yet? A one-man live comedy show by Richard Stockton aimed at rekindling the Baby Boomers' revolutionary spirit. Tickets at www.arewethereyetshow. com. Fri, Jan 24, 8pm. $15. Broadway Playhouse, 526 Broadway, Santa Cruz.

CONCERTS Santa Cruz Symphony Selections from Wagner, Prokofiev and Mahler inspired by love stories. Sunday's performance at the Watsonville Mello Center. Sat, Jan 25, 8pm and Sun, Jan 26, 2pm. $22-$67. Santa Cruz Civic Auditorium, 307 Church St, Santa Cruz, 831.420.5260.

GALLERIES OPENING Cabrillo College Gallery Cabrillo Gallery. Holt Murray: A Retrospective - Threedimensional work by former Cabrillo College Art Dept. faculty Holt Murray. Gallery hours: Mon-Fri 9am-4pm & Mon-Tues 7-9pm. Thru Feb. 21. 6500 Soquel Dr, Aptos, 831.479.6308.

Various Santa Cruz County Bank Locations SC County Bank Arts. Off the Wall: Local artists create works exploring the beauty and space of our 3-dimenstional world. Mon-Thurs, 9am-5pm, Fri 9am-6pm. Thru May 2. Free. n/a, Santa Cruz.

CONTINUING Felix Kulpa Gallery Neon art by Brian Coleman featuring glass tubes filled with multicolored glowing gasses. Gallery hours: ThursSun, noon-6pm. Thru Jan. 26. 107 Elm St, Santa Cruz, 408.373.2854.

Awareness Through Movement

Hemlock Discussion Group

Rydell Visual Arts Fellows. An exhibition showcasing the diverse work of four local artists who received grants to pursue their projects. Gallery hours: Tues-Sun, 11am-5pm. Thru Feb. 23. $5 general; $3 students/seniors. Museum hours Tue-Sun, 11am-5pm; closed Mon. 705 Front St, Santa Cruz, 831.429.1964.

Courses promoting increased vitality, flexibility, and overall well-being. Beginning this week and ongoing for several weeks. www.suzielundgren. com. Thu, Jan 23, 5:30pm. Pacific Cultural Center, 1307 Seabright Ave, Santa Cruz, 831.423.6787.

Discuss end-of-life options for serenity and dignity. Meets in Aptos the last Wed afternoon of every month except Dec; call for more info. 831.251.2240.

LITERARY EVENTS Author Event: Diane Johnson The bestselling author of Le Divorce will read from her new memoir, Flyover Lives. Tue, Jan 28, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.423.0900.

Author Event: Max Tegmark The author of Our Mathematical Universe: My Quest for the Ultimate Nature of Reality will give a reading, discussion and Q&A. Wed, Jan 22, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.423.0900.

Author Event: The Hidden Lamp Four contributing authors from The Hidden Lamp: Stories from Twenty-Five Centuries of Awakened Women, will share revolutionary knowledge of Buddhism. Mon, Jan 27, 7:30pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.423.0900.

Author Event: Vicki Robin Best-selling author of Your Money or Your Life will read from her new book about eating locally, Blessing the Hands that Feed Us. Thu, Jan 23, 7pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.423.0900.

Storytime Former Shakespeare Santa Cruz actress Billie Harris and Book Cafe manager Jill Rose perform animated readings of children's stories. Mon, 11am. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

The Poets' Circle Featured reader Amber Coverdale Sumrall followed by an open mic for poets and musicians. Thu, Jan 23, 6-8pm. Free. Watsonville Public Library, 275 Main Street, Watsonville, 831.728.6040.

NOTICES Aptos Shakespeare Group Members read and discuss a Shakespeare play each week for five Saturdays. Open to the public. Sat, 10am-12pm. Thru Feb 8. $2 suggested donation. Christ Lutheran Church, 10707 Soquel Dr, Aptos, 831.462.5767.

Baby Feeding Circle A chance to relax, feed your baby and chat with other new mothers. Open to all mothers and babies. Mon, 10:30-11:30am. free. Luma Yoga & Family Center, 1010 Center St., Santa Cruz, 831.325.2620.

Beat Sanctuary A weekly class for exploring exercise and spirituality through dance. Wed, 7:309:15pm. $15. A dance class for exploring authentic movement as connection, exercise, prayer and spiritual practice. Wed, 7:30-9:15pm. $15. Santa Cruz Yoga, 402 Ingalls Street, Santa Cruz, 831.227.2156.

A Course In Miracles Study Group A weekly meeting on learning how to forgive and live in peace. Drop-ins are welcome. Thu, 7-9pm. The Barn Studio, 104b Park Way South, Santa Cruz, 831.272.2246.

Dog Hikes Santa Cruz International Dog Owner's Community hosts a weekly one-hour, easy hike along the beach for dog lovers and their pets. www. newdogsintown.com Mon, 8:45-9:45am. Free. Aptos Beach staircase, 1049 Via Palo Alto, Aptos.

Figure Drawing Weekly drawing from a live model, facilitated by Open Studio artist Richard Bennett. Mon, 7-10pm. $16. Santa Cruz Art League, 526 Broadway, Santa Cruz, 831.426.5787.

Fruit Tree Workshop Fruit Trees 101: A workshop on basic fruit tree care such as planting, fertility, irrigation, and pest control. Sat, Jan 25, 10am-1pm. $30 general public; $20 members; $5 UCSC students. UCSC Farm and Garden, UCSC, Santa Cruz, 831.459.3240.

Greenwood Arts Song, circle dance, music, writing and drawing with all materials provided. Sun, Jan 26, 2-4pm. $10. Outdoor Location, Details upon registration, Aptos, 831.662.0186.

Grief Support A lunchtime drop-in support group for adults grieving the death of a family member or friend. Tues. 6-7pm at 125 Heather Terrace, Aptos; Fri. noon-1pm at 5403 Scotts Valley Dr. Ste. D, Scotts Valley. free. Various sites, NA, Santa Cruz, 831.430.3000.

Insight Santa Cruz Meditation sits, talks and discussions every day of the week. Learn the formal practice of meditation and engage with a community dedicated to reducing suffering by cultivating compassion. Visit www. insightsantacruz.org for specific times and more information. Ongoing. Insight Santa Cruz, 1010 Fair Avenue, Suite C, Santa Cruz, 831.425.3431.

Miracle Working Spiritual teacher Dominique Free leads a weekly class on cultivating the consciousness to heal, overcome, succeed and create miracles. Thu, 7-8pm. Conscious Lounge, 1651A El Dorado Av @ Capitola Rd, Santa Cruz, 831.359.0423.

Overeaters Anonymous A 12-step support group for those who wish to recover from compulsive eating. Sundays 9-10:15am at 2900 Chanticleer Ave, Santa Cruz and 4-5:15pm at 115 South Morrissey, Santa Cruz. Mondays 12:15-1:15pm at 420 Melrose Ave, Santa Cruz and 7-8pm at 4951 Soquel Drive, Soquel. Tuesdays 12:15-1:15pm at 420 Melrose Ave, Santa Cruz. Wednesdays 10:3011:30am at 1335 Seabright Ave, Santa Cruz; noon-1pm at 49 Blanca Ln #303, Watsonville; and 6:30-7:30pm at 335 Spreckles Dr, Ste. A, Aptos. Thursdays 1-2pm at 301 Center St., Santa Cruz. Fridays noon-1pm at 49 Blanca Ln, #303, Watsonville and 12:15-1:15pm at 225 Rooney St., Santa Cruz. Saturdays 9-10am at 532 Center St, Santa Cruz and 11am-noon at 75 Nelson St, Watsonville. 831.429.7906.

Postpartum Health Circle A weekly community circle offering support and information about postpartum changes for mothers. Wed, 1:30-2:30pm. $5-$10 donation. Luma Yoga & Family Center, 1010 Center St., Santa Cruz, 831.325.2620.

Qigong Flow Led by Bonnie Eskie, MFT. Tue, 10-11am. $10-$12. Louden Nelson Community Center, 301 Center St, Santa Cruz, 831.515.4144.

Support and Recovery Groups ADHD: 831.818.9691; Alzheimer's: Alzheimer's Assn., 831.464.9982. Cancer: Katz Cancer Resource Center, 831.351.7770; WomenCARE, 831.457.2273. Candida: 831.471.0737.

FRIDAY 1/17 — FRIDAY 2/28

Are We There Yet? Richard Stockton of Planet Cruz Comedy presents his one-man comedy, musical, storytelling and video show that peels back the layers of the Baby Boomer generation’s rebelliousness and poses questions about how Boomers can bring that spirit into the rest of their lives. Every Friday though Feb. 28 at 8pm at the Broadway Playhouse, 526 Broadway, Santa Cruz. Tickets $15. www.arewethereyetshow.com. Chronic Pain: American Chronic Pain Association, 831.423.1385. Grief and Loss: Hospice, 831.430.3000. Lupus: Jeanette Miller, 831.566.0962. Men Overcoming Abusive Behavior: 831.464.3855. SMART Recovery: 831.462.5470. Trans Latina women: Mariposas, 831.425.5422. Trichotillomania: 831.457.1004. 12-Step Programs: 831.454. HELP (4357). Pagans in Recovery: 831.428.3024. Narcotics Anonymous: saveyoursanity@aol.com. Clutterers Anonymous: 831.359.3008.

The Speaker's Gym Instructor Noel Murphy provides leadership coaching and public speaking skills every week. www. thespeakersgym.com. Wed, 7-9:30pm. Discovery Gym, 75 Mt. Hermon Rd., Scotts Valley, 831.238.1234.

Touched By Adoption Group Adoptive families, adult adoptees, families waiting to adopt and birth parents meet monthly to connect in a safe, confidential setting. Last Sat of every month, 10am-12pm. Free. Live Oak Family Resource Center, 1438 Capitola Rd, Santa Cruz, 1.866.219.1155.

Triangle Speaker Training Training for the speakers bureau program for sharing individual stories to promote LGBTQ equality. More information at diversitycenter.org. Sat, Jan 25. UCSC Arts Facilities, NA, Santa Cruz, 831.425.5422.

Yoga Benefit A tandem pairing of adult and children's' classes

followed by tea and light snacks. Sat, Jan 25. $25 suggested donation. Luma Yoga & Family Center, 1010 Center St., Santa Cruz, 831.325.2620.

Yoga for Better Sex A class offering simple yoga poses that will increase sexual pleasure. Thu, Jan 23, 7-8:30pm. $15-$20. Pure Pleasure, 204 Church St, Santa Cruz, 831.466.9870.

Yoga Instruction Pacific Cultural Center: 35+ classes per week, 831.462.8893. SC Yoga: 45 classes per week, 831.227.2156. TriYoga: numerous weekly classes, 831.464.8100. Yoga Within at Aptos Station, 831.687.0818; Om Room School of Yoga, 831.429.9355; Pacific Climbing Gym, 831.454.9254; Aptos Yoga Center, 831.688.1019; Twin Lotus Center, 831.239.3900. Hatha Yoga with Debra Whizin, 831.588.8527.

Zen, Vipassana, Basic: Intro to Meditation Zen: SC Zen Center, Wed, 5:45pm, 831.457.0206. Vipassana: Vipassana SC, Wed 6:30-8pm, 831.425.3431. Basic: Land of the Medicine Buddha, Wed, 5:30-6:30pm, 831.462.8383. Zen: Ocean Gate Zendo, first Tue each month 6:30-7pm. All are free.

AROUND TOWN Comedy Open Mic A rotation of the best up-and-coming stand-up comedy acts from the Bay Area. Thu, 8:30pm. Free. Blue Lagoon, 923 Pacific Ave, Santa Cruz, 831.423.7717.

English Country Dance

Wharf Wildlife Tours

Second and fourth Thursdays of each month; beginners welcome. Fourth Thu of every month. $5-$7. First Congregational Church of Santa Cruz, 900 High St, Santa Cruz, 831.426.8621.

Free eco-tours of the wharf by the Seymour Discovery Center. Sat-Sun, 1 and 3pm. Thru Dec 31. Free. Santa Cruz Wharf, Beach Street, Santa Cruz.

Winterpalooza Transform the museum into a winter wonderland with DIY stuffed toys, snowmen lanterns, wintery sparkle face paint and more at this family festival. Sat, Jan 25, noon-3pm. $5. Santa Cruz Museum of Art and History, 705 Front St, Santa Cruz, 831.429.1964.

Walnut Ave. Women's Center Benefit A benefit for the Walnut Avenue Women's Center programs featuring music by Little John, All Good Funk Alliance and others. Sat, Jan 25. 418 Project, 418 Front St, Santa Cruz, 831.426.3062.

San Francisco’s City Guide

Bill Frisell Residency Guitarist plays in solo, trio, quartet and quintet settings with rotating members. Jan 23-26 at SFJAZZ Center.

Darkside Experimental noise, or modern New Age? Electronic duo tours behind new LP, ‘Psychic.’ Jan 24 at the Fillmore.

Ryan Hemsworth Canadian producer whose ‘Kitsch Genius’ showcases new dimensions in loops and samples. Jan 24 at the Independent.

Rhett Miller's Variety Show Frontman for Old 97s presents ‘Wheels Off,’ a variety show with John Doe from X. Jan 27 at Yoshi’s SF.

The Hood Internet Chicago’s mashup duo blends indie rock with mainstream rap to twee / comic / ironic effect. Jan 30 at Mezzanine. More San Francisco events at www.sfstation.com.

JANUARY 22-28, 2014

Different belly dancers each week on the garden stage. Presented by Helene. www. thecrepeplace.com. Sat, 1:30pm. Crepe Place, 1134 Soquel Ave, Santa Cruz, 831.429.6994.

Santa Cruz Museum of Art and History


JANUARY 22-28, 2014

24

TOUR THE COUNTRY ON FOOT, THEY SAID. IT’LL BE FUN, THEY SAID Band of Heathens make their way to Don Quixote’s.

WEDNESDAY

1/22

THURSDAY

1/23

FRIDAY

1/24

SATURDAY

1/25

JIM MALCOLM

J-BOOG

BEAR LINCOLN

TEA LEAF GREEN

As frontman for the Old Blind Dogs, Jim Malcolm established himself as one of the great voices of the contemporary Celtic music scene. Now a solo artist armed with guitar, harmonica and stories to boot, Malcolm is a celebrated interpreter of traditional Scottish songs as well as being a solid songwriter in his own right. A bona fide troubadour, his concerts tap into the age-old tradition of weaving humor, banter and personal observations into musical performances. Don Quixote’s; $15 adv/$17 door; 7:30pm. (CJ)

How’s this for multicultural: born of Samoan descent, J Boog grew up in Compton before moving to Hawaii. Influences from all of those places and more can be heard in his music, which combines reggae with the even breezier island sound, though he's been falling more and more under the spell of Jamaica for several years now. He's also under the spell of the Bay Area lately, spending so much time in NorCal he’s practically a local. Moe’s Alley; $25/$30; 9pm. (Steve Palopoli)

Listing Talking Heads, James Brown and Vicente Fernandez as key musical influences does more to confuse than to clarify, but one listen to Bear Lincoln and all is forgiven. The Berkeley-based quartet whose members describe themselves as “musical disciples,” draws from several different musical wells and the results are surprisingly good. Blending an upbeat, don’t-take-yourselftoo-seriously vibe, with clarinet- and bassdriven music that makes Klezmer music seem tame, this band is a surefire party starter that’s on its way to bigger things. Crepe Place; $8; 9pm. (CJ)

Hailing from the old stomping grounds of the Grateful Dead, Tea Leaf Green offers endless opportunities for comparison. The San Francisco-based jam band dives deeper into southern rock than the Animal Liberation Orchestra or New Monsoon—and less into acid rock than the Mother Hips. Frequent travelers of the West Coast for the past decade, TLF has pulled lyrical influence from California mythology and writers as disparate as Woody Guthrie and John Steinbeck. Vocals are a team effort—with pure pop singer/keyboardist Trevor Garrod, guttural guitarist Josh Clark, and whiny and ethereal bassist and tenor Reed Mathis trading off. Moe's Alley; $17 adv/$20 door; 9pm. (Jacob Pierce)


25 Celebrating Creativity Since 1975

1

Wednesday, January 22

U

7 & 9 pm

CRYSTAL BOWERSOX Tickets: pulseproductions.net

Thursday, January 23 U 7 pm

Live & Local!

Concerts

RICK WALKER: Celebration of a Lifetime in Music Friday, January 24 U 9 pm

Saturday, January 25

YUKMOUTH

$5 at the door!

CLUB KUUMBWA: STEEP RAVINE

U

7 pm

Jan. 23 at Catalyst

TIM FLANNERY & LUNATIC FRINGE

PINK MARTINI

Monday, January 27 U 7 pm

Jan. 29 at Rio Theatre

CAROLYN WONDERLAND Jan. 30 at Moe’s Alley

INCITERS

Jan. 31 at Kuumbwa

WOOD BROTHERS Feb. 3 at Rio Theatre

Sold out!

HOWARD LEVY & CHRIS SIEBOLD Virtuoso harmonica player and superb guitarist team up! Wednesday, January 29 U 7:30 pm

Hawaiian Slack Key Masters GEORGE KAHUMOKU JR. & LEDWARD KAAPANA

Tix: ticketfly.com & Streetlight Records

WEDNESDAY

1/29

BAND OF HEATHENS

SATURDAY

1/25

ELIQUATE Blending hip-hop, rock, funk and a pinch of reggae with improvisational tendencies and a goal of shining a light on the shared elements of the human condition, Eliquate is one of Santa Cruz’s favorite party bands. But if you can stop dancing for long enough to take in the whole package, you’ll hear capable musicians who have a handle on a bunch of musical styles and a lyricist urgently spouting personal insights, universal truths and friendly encouragement. A one-two combo of consciousness and good time, Eliquate knows how to bring the party and how to get in your mind once you’re there. This show is a benefit for the Surfrider Foundation. Catalyst; $8/$12; 9pm.

“We’re burning down Las Vegas Town, half asleep by noon. I drank my money a red roulette. That’s a ride you can’t refuse,” these guys sing on “L.A. County Blues,” a song based on Hunter S. Thompson. The Band of Heathens get your attention with name that strikes fear into the bottom of your soul. They keep it by nailing the grungy Americana sound of heartbreak and life on the road with blaring distorted guitars, soaring pedal steel and smooth piano playing—although this will be the acoustic duo version, featuring Ed Jurdi and Gordy Quist. And if the whole alt country thing doesn’t work out, they can always start a motorcycle gang. Don Quixote's; $18 adv/$20 door; 7:30pm. (JP)

Thursday, January 30 U 7 pm

ASWIN BATISH’S SITAR POWER

Friday, January 31 U 7:30 pm

Retro Soul Dance Party with THE INCITERS

Win Prizes! Dress Retro

Tickets: brownpapertickets.com Monday, February 3 U 7 & 9 pm | No Comps

HABIB KOITE

9pm: 1/2 Price Night for Students Thursday, February 6 U 7 pm

PAMELA ROSE & WAYNE DE LA CRUZ: “HAMMOND ORGAN PARTY”

6:30 pm: Pre-Concert talk with artists and Pete Fallico from the Jazz Organ Fellowship Saturday, February 8

U

7:30 pm

REV. BILLY C. WIRTZ

Tickets: snazzyproductions.com Monday, February 10 U 7 pm

JOHN ABERCROMBIE QUARTET

GEORGE KAHUMOKU JR. & LED KAAPANA

Friday, February 14 U 7:30 pm | No Comps

Whether he’s singing in Hawaiian or English, there’s something irresistibly soothing about George Kahumoku Jr.’s friendly voice, colorful chords and steady rhythm guitar. When lead guitarist Led Kaapana sits beside him and plays sweet melodies, the two men assemble something magical. Kaapna was dubbed a Hawaiian “renaissance man” by Maui Time Weekly and received the 2007 Grammy Award for Best Hawaiian Music Album for the compilation album Legends Of Hawaiian Slack Key Guitar — Live From Maui. Kuumbwa; $30 door/$35 adv; 7:30pm. (JP)

Jazz at Lincoln CenterSOLD Orchestra OUT! featuring Wynton Marsalis

TUCK & PATTI: VALENTINE’S DAY CONCERT Jazz & Dinner Packages Available! (includes reserved seats)

GOLD CIRCLE

Saturday, March 8, 7:30 PM @ Santa Cruz Civic Tickets: SantaCruzTickets.com or Civic Box Office, 831-420-5260 No Comps or Gift Certificates

Unless noted advance tickets at kuumbwajazz.org and Logos Books & Records. Dinner served 1-hr before Kuumbwa presented concerts. Premium wines & beer. All ages welcome.

320-2 Cedar St [ Santa Cruz 831.427.2227

kuumbwajazz.org

JANUARY 22-28, 2014

WOOD BROTHERS


26

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Wednesday, January 22 ‹ In the Atrium s AGES 21+

THE GO AHEAD

also Sit

plus Them Guns Kitty Sit $OORS ONLY s $RS OPEN 3HOW P M

Thursday, January 23 ‹ In the Atrium s AGES 16+

YUKMOUTH

also Paige

plus Rydah J. Klyde Raymond !DV $RS s P M

Friday, 1HU\HY` ‹ AGES 18+

JANUARY 22-28, 2014

INFECTED MUSHROOM

plus Butch

Clancy

3P !DV !DV $RS s $RS P M 3HOW P M Friday, January 24 ‹ In the Atrium s AGES 21+ FOREVERLAND tribute to Michael Jackson !DV $RS s $RS P M 3HOW P M

Saturday, 1HU\HY` ‹ AGES 16+

HIEROGLYPHICS Fashawn M-TEN Rey Resurreccion

plus

also

and

S SANTA CRUZ BLUE B BL UE LA LAGOON GOON BLUE B BL UE L LOUNGE OUNGE BOCCI’S B BOC CI’S CELLAR T THE CATALYST CATAL ALYST ATRIUM ATRIUM

1D Davenport avenport A Ave, ve, S Santa anta C Cruz ruz

!DV $RS s $RS P M 3HOW P M

Liv Live e Music

Rai Rainbow inbow L Lounge ounge

Liv Live eD DJ J

D DJ JA A.D .D

Up & Lila

W Wildrun ildrun

The Go Ahead

Y Yukmouth uk kmouth

Killertones Killertones

T Trout rout L Leg eg

Foreverland Foreverland Infected Infected Mushroom Mushroom

Eliquate Eliquate

T Turkuaz urkuaz

Ha Haymarket y ymark et Squar Squares es

Bear Lincoln Lincoln

The Abigails

Hot Club P PaciďŹ c aciďŹ c

Sai Saints ints & Sinners

Corduroy Corduroy Jim m

Extr Extra a Lar Large ge

Pr Preston e ton Brahm es Brahm Trio Trio

Mapanova Mapanova

Isoc Isoceles eles

Crystal Crystal Bowersox Bowersox

Rick Ric ck Walker Walker

Steep Steep Ravine Ravine e

Tim Tim Flannery

Stick Stick Men

J-B J-BOOG BOOG

Flor de Cana

T Tea ea e L Leaf eaf Gr Green een

BIG B

A Adam dam C Cova ova

Live Live Ha Hawaiian waiian n

Liv Live eR Rock ock & R Reggae eggae

11134 134 Soquel A Ave, ve, Santa Cruz

3UNDAY *ANUARY ‹ In the Atrium s AGES 21+

Monday, January 27 ‹ In the Atrium s AGES 16+

Liv Live eD DJ J

11011 011 P PaciďŹ c aciďŹ c A Ave, ve, Santa Cruz

2 2218 Eas Eastt Cliff Dr Dr,, Santa Cruz

EMERY

Liv Live ve C Comedy omedy

T THE CATALYST CATAL ALYST

Space also Blue Eyed Lucy and Otto’s Monkey !DV $RS s $RS P M 3HOW P M

Orvis & The Broken Band also James Hunnicutt s $RS P M 3HOW P M

SAT 1/ 1/25 25

11101 101 P PaciďŹ c aciďŹ c A Avenue, venue, Santa Cruz

CROW’S C CRO W’S NES NEST T

plus Jayke

FRI 11/24 /24 4

1140 40 Encinal E i l St, St, t Santa S t Cruz C

C CREPE PLACE PLACE

THE GOOD LUCK THRIFT STORE OUTFIT

THU TH HU 1/ 1/23 23 +8 80’s 0’s d dance ance party party

529 5 29 S Seabright eabright A Ave, ve, S Santa anta C Cruz ruz

!DV $RS s $RS P M 3HOW P M plus Louder

Liv Live eR Rock ock

923 9 23 P PaciďŹ c aciďŹ c A Ave, ve, S Santa anta C Cruz ruz

3ATURDAY *ANUARY ‹ In the Atrium s AGES 16+

ELIQUATE

WED 1/ 1/22 22

DAVENPORT D AVENPORT ROADHOUSE ROADHOUSE

Sons of Twang Twang

H HOFFMAN’S BAKER BAKERY Y CAFE 11102 102 P PaciďŹ c aciďŹ c A Ave, ve, Santa Santa C Cruz ruz

KUUMBWA K UUMBWA JAZZ JAZZ CENTER

w with ith G Gary ary M Montrezza ontrezza

3 320-2 Cedar Cedar St, St, Santa Cruz

M MOE’S ALLEY 11535 535 C Commercial ommercial W Way, ay, Santa Cruz

Jan 31 Berner/ Reign Eterno (Ages 16+) Feb 1 Y & T/ T Clemente Band (Ages 21+) Feb 21 The California Honeydrops The Brothers Comatose (Ages 16+) Feb 22 Z-Trip (Ages 18+) &EB Dom Kennedy (Ages 16+) Feb 28 Dr. Dog/ Saint Rich (Ages 16+) Mar 4 G-Eazy (Ages 16+)

MOTIV M MO TIV

Dasswassup! Dasswassup!

Libation Lib bation Lab

11209 209 P PaciďŹ c aciďŹ c A Ave, ve, Santa Cruz

by by Zagg

Curtis Curtis Murphy Murphy

T THE REEF

Open Mic

Liv Live ve R Reggae eggae

Unless otherwise noted, all shows are dance shows with limited seating.

3102 3 310 2 Portola Portola Dr Dr.,., Santa Cruz

1120 20 Union St, St, Santa Cruz

R THEATRE RIO THEATRE

Gail Gail Rich Awards Awards

11205 205 Soquel A Avenue, venue, Santa Cruz

S SEABRIGHT BREWERY BREWERY 5 Seabright A 519 Ave, ve, Santa Cruz

T THE POCKET

Tickets subject to city tax & service charge by phone 877-987-6487 & online

www.catalystclub.com

MIDNIGHTS

@ THE DEL MAR sponsored by

$6.50 TICKETS FRIDAYS & SATURDAYS WWW.THENICK.COM

1/24 & 1/25

MIDNIGHT

2.4.14


27 Like SANTA CRUZ MOUNTAIN BREWING

SUN

1/26 1/ 26

Goth/Industrial Goth/Indus trial

MON

11/27 /27

TUE 1/ 1/28 28 Live Live DJ DJ

Karaoke K araoke

DJ DJ Jahi

F F.. Dupp

On The 5

SANTA CRUZ BLUE BLUE LAGOON LAGOON

S Soul/funk/rap oul/funk/rap

831.423.7117 831.423.7117

BL BLUE UE L LOUNGE OUNGE

Neighborhood Neighborhood Night Night

Riviere Rivier e & Simon

831.425.2900 831.425.2900

BOCCI’S BOCCI’S CELLAR

T Tie-Dye i D eP ie-Dy Party arty t

Good Luck Thrift

831.427.1795 831 427.1795 831.42

Emery

THE CATALYST CA ATAL LYST ATRIUM ATRIUM T

Store S tore Outfit

831.423. 831.423.1338 1338

THE CATALYST CA ATAL LYST 831.423.1336 831.423. 1336

7 Come Come 11

CREPE PLACE PLACE 831.429 831.429.6994 .6994

Live Liv e Comedy Comedy

CROW’S CROW’S NEST NEST 831.4 831.476.4560 76.4560

Sherry Austin Austin &

D DAVENPORT AVENPORT RO ROADHOUSE ADHOUSE

Henhouse Henhouse

Dana Scruggs Trio Trio

Jazz by by Five Five

Barry Scott Scott

831.426.8801 831.426.8801

HOFFMAN’S BAKERY BAKERY CAFE

& Associates Associates

Kuumbwa K uumbwa Jazz

Howard Ho ward Levy Levy &

Honor Band

Chris Sieb Siebold bold

8 831.420.0135 31.420.0135

K KUUMBWA UUMBWA JAZZ JAZZ CENTER 831.427.2227 831.427.2227

MOE’S ALLEY 831.479.1854 831.479.1854

Rasta Ras ta Cruz Reggae Reggae

Eclectic Eclectic c by by Primal Pr Productions oductions

Jazzy Evening Evening

Hip-Hop Hip Hop by by

MOTIV MOTIV

D DJ J AD

831.4 831.479.5572 79.5572

Open Blues Jam

THE REEF 831.459.9876 831.459.9876

Pink Martini

RIO THEATRE THEATRE 831.423.8209

SEABRIGHT BREWERY BREWERY 831.426.2739 831.426.2739

THE POCKET

Performances of Kitaro’s most memorable music from Silk Road, Kojiki and Heaven and Earth.

Benefiting the Everybody is a Star Foundation, Sonoma Land Trust and the Santa Rosa Symphony’s educational programs.

JANUARY 22-28, 2014

Karaoke Karaoke


28

WED 1/ 1/22 22 A APTOS / RIO DEL MAR / SOQ SOQUEL QUEL

THU TH HU 1/ 1/23 23

JANUARY 22-28, 2014

BRITANNIA B BRIT TANNIA A ARMS

FRI 11/24 /24 4

SAT 1/ 1/25 25

Live Live Music

Karaoke Karaoke

Jake Jake Nielson

Steve Steve Throop Throop

110 11 0 Monterey Monterey Ave., Ave., Capitola Capitola

THE T HE FOG BANK

with Eve Eve

Jack of All Trades Trades

211 21 11 Esplanade, Esplanade, Capitola Capitola

MANGIAMO’S M MANGIAMO S PIZZA PIZZA AND WINE BAR

Triple Triple Threat Threat

David David Paul Paul Campbell

David David v Paul Paul Campbell

George George Christos Christos

L Lenny’s enny’s Basement

W Wild ild d Blue

Bombshell Bullys Bullys

Roberto-Howell Roberto o-Ho Howell

783 7 8 Rio del Mar Blvd, 83 Blvd, Apt Aptos os

MICHAEL’S M MICHAEL ’S ON MAIN

Spigot

2591 25 591 Main S St, t, Soquel

PARADISE P ARADISE BEACH BEACH GRILLE

Chr Christopher istopher Dury

Yuji Yuji

215 21 15 Esplanade, Esplanade, Capit Capitola ola

SANDERLINGS S ANDERLINGS

Sambasa

In Thr Three ee

Billy Martini Show Show

Road Road Hogs

Joe Ferrara Ferrara

BeBop

Bay Bay Area Area Heat Heat

Back T Together ogether o A Again gain

Tsunami Ts sunamii

Tempest Te empest

Till Till Zebra Zebra

Fossil Fossil Farm Farm

Mariachi Ensemble Ensemble

KDON DJ DJ Showbiz Showbiz

1 Seascape S Resort Resort Dr Dr,, Rio del Mar

SEVERINO’S S EVERINO’S BAR & GRILL

Don n McCaslin &

7500 7 5 500 Old Dominion Ct, Apt Aptos os

The The Amazing Jazz Gee Geezers zers

SHADOWBROOK S HADOWBROOK

Ken Ken n Constable Constable

1750 17 750 Wharf Rd, Rd, Capit Capitola ola

THE T HE UGLY UGL LY MUG

Sylvia Sylvia Herold Herold

4640 4 640 Soquel Dr, Dr, Soquel

ZELDA’S Z ELDA’S 203 20 03 Esplanade, Esplanade, Capitola Capitola

S SCOTTS VALLEY / SAN LORE LORENZO ENZO VALLEY D DON QUIXOTE’S QUIXOTE’S

Jim Ji Malcom M l om Malc

6275 62 275 Hwy Hwy 9, 9, F Felton elton

H HENFLING’S TAVERN TAVERN 9450 94 450 Hw Hwy y9 9,, Ben L Lomond omond

W WATSONVILLE / MONTEREY Y / CARMEL C CILANTRO’S

Hippo Happy Happy Hour

11934 934 Main Main St, St, W Watsonville atsonville

MOSS M MO SS LANDING INN Hwy H wy 1, Moss Moss Landing

&K KDON DON D DJ JS SolRock olRock

Open Jam


29 Like SANTA CRUZ MOUNTAIN BREWING

SUN

1/26 1/ 26

MON

1/27 1/27

TUE 1/ 1/28 28 APTOS / RI RIO IO DEL MAR / SOQUEL BRIT BRITANNIA ANNIA ARMS Karaoke Karaoke with Eve Eve

JANUARY 22-28, 2014

831.464.2583

Dennis Do Dove ve

THE FOG BANK 831.462.1881 831.462.1881

MANGIAMO’S MAN NGIAMO’S NGIAMO S PIZ PIZZA ZA AND WINE BAR 831.688.1477 831.688.1477

MICHAEL MICHAEL’S ’S ON MAIN 831.4 831.479.9777 79.9777

Lara Lar a Price Price

Lisa Taylor Taylor

PARADISE PARADISE BEACH BEACH GRILLE 831.476.4900 831.476.4900

SANDERLINGS SANDERLINGS 831.662. 831.662.7120 7120

SEVERINO’S BAR & GRILL 831.688.8 831.688.8987 987

SHADOWBROOK SHADO WBROOK 831.475.1511 831.475.1511

Open Mic c

THE UGL UGLY LY MUG

w/ w/ Mosep Mosephus hus

831.477.1341 831.477.1341

ZELD ZELDA’S A’S

831.475.4900 831.475.4900

SCOTTS VALLEY / SA SAN AN LORENZO VALLEY DON QUIXOTE’S QUIXOTE’S 831.603.2294 831.60 3.2294

Karaoke Karaoke with K Ken en

HENFLING’S T TAVERN AVERN V 831.336.9318 831.336.9 318

WATSONVILLE / MONTEREY M / CARMEL Santa Cruz Trio Trio

KPIG Happy Happy Hour

CILANTRO’S

Happy Happy hour hour

Karaoke Karaoke

8 831.761.2161 31.761.2161

MOSS MOSS LANDING INN 831.6 831.633.3038 33.3038

We SANTA CRUZ COUNTY’S ONLY GREEN NEWSPAPER. Certified by the City of Santa Cruz’s Monterey Bay Area Green Business Program, Santa Cruz Weekly goes well beyond the minimum requirements. Our many green features include: ◆ ◆ ◆ ◆ ◆ ◆

located in a LEED-certified building printed at a LEED-certified facility printed on 100% recycled paper with soy-based ink delivery to all Westside locations by PedEx bicycle distribution closely monitored to minimize waste office supplies purchased from locally-owned businesses

Twisted Tasting 2014 Tickets at the Top of the Rittenhouse Building on Feb 15

877 Cedar Street, Suite 147, Santa Cruz 831.457.9000

SantaCruz.com/giveaways drawing ends Feb 4


29 Like SANTA CRUZ MOUNTAIN BREWING

SUN

1/26 1/ 26

MON

1/27 1/27

TUE 1/ 1/28 28 APTOS / RI RIO IO DEL MAR / SOQUEL BRIT BRITANNIA ANNIA ARMS Karaoke Karaoke with Eve Eve

JANUARY 22-28, 2014

831.464.2583

Dennis Do Dove ve

THE FOG BANK 831.462.1881 831.462.1881

MANGIAMO’S MAN NGIAMO’S NGIAMO S PIZ PIZZA ZA AND WINE BAR 831.688.1477 831.688.1477

MICHAEL MICHAEL’S ’S ON MAIN 831.4 831.479.9777 79.9777

Lara Lar a Price Price

Lisa Taylor Taylor

PARADISE PARADISE BEACH BEACH GRILLE 831.476.4900 831.476.4900

SANDERLINGS SANDERLINGS 831.662. 831.662.7120 7120

SEVERINO’S BAR & GRILL 831.688.8 831.688.8987 987

SHADOWBROOK SHADO WBROOK 831.475.1511 831.475.1511

Open Mic c

THE UGL UGLY LY MUG

w/ w/ Mosep Mosephus hus

831.477.1341 831.477.1341

ZELD ZELDA’S A’S

831.475.4900 831.475.4900

SCOTTS VALLEY / SA SAN AN LORENZO VALLEY DON QUIXOTE’S QUIXOTE’S 831.603.2294 831.60 3.2294

Karaoke Karaoke with K Ken en

HENFLING’S T TAVERN AVERN V 831.336.9318 831.336.9 318

WATSONVILLE / MONTEREY M / CARMEL Santa Cruz Trio Trio

KPIG Happy Happy Hour

Happy Happy hour hour

Karaoke Karaoke

CILANTRO’S 8 831.761.2161 31.761.2161

MOSS MOSS LANDING INN 831.6 831.633.3038 33.3038

Twisted Tasting 2014 Tickets at the Top of the Rittenhouse Building on Feb 15

SantaCruz.com/giveaways drawing ends Feb 4


JANUARY 22-28, 2014

30

Film JUST CALL HIM DAVID COP-A-FEEL The married, middle-aged Dickens (Ralph Fiennes) fell for the 18-year-old actress Nelly Ternan (Felicity Jones).

Our Mutual Adulterer

‘The Invisible Woman’ tells of Dickens’ mistress with just the right amount of Victorian detachment BY RICHARD VON BUSACK

R

ALPH FIENNES continues to demonstrate style, sensitivity and inquisitiveness in The Invisible Woman, to be filed with Angels and Insects and The French Lieutenant’s Woman as studies of the sexual contradictions of the Victorian era. Directing and playing Charles Dickens, Fiennes avoids the usual gambits of adapting Victorian literary material; consider what happens to that smoking pufferbelly train that you always see in Dickens movies. Fiennes also makes a radical shift from the ubermale virtue story Coriolanus to tradwomen’s picture material. The film is about Charles Dickens’ love affair; he was 45, Nelly Ternan, the woman he loved, was 18. The famed author—mobbed everywhere he went—tried keeping the lid on the

scandal, seeking plausible deniability in writing to The Times. His wife, Catherine (Joanna Scanlan), the mother of his many children, is well-played as a sort of demi-Queen Victoria: wronged, yes, tragic, yes, but obese, stationary, jowly and disapproving. The wife’s immobility makes a fine visual contrast with Nelly (Felicity Jones). Her narrow circumstances are symbolized by the narrow staircase that her family, a tribe of actors, uses to haul up their trunks and luggage. Dickens’ lover was a semi-talented actress who inherited her job. Her mother Fanny (Kristin Scott-Thomas) once played Desdemona to Edward Kean’s Othello. It’s not easy to act around a bonnet, and thus the lovely Jones is photographed in encircling shots from the back of her neck, swiveling

around to her in three-quarters profile; Fiennes contemplates her nape like a Japanese woodblock artist. It’s a fine, mysterious and recessive performance. Look at a picture of the real Ellen “Nelly” Ternan and the mystery is solved: you understand instantly why Dickens fell in love. Ternan’s eyes are extremely sympathetic, and she looks wiser and more mature than Jones does, even in later scenes in the 1880s when Nelly would have been in her 40s. The script by Abi Morgan is too conventional. It’s a 21st-century study of a 19th-century affair; it’s suspicious of a middle aged man’s creepy motives. Fiennes doesn’t paint the usual corners of this kind of story—he doesn’t show us the way the scandal spreads through London. The art of cutting someone dead is demonstrated nicely as Dickens

goes on his rounds. (Dickens is a fast walker, just as the editing here is quicker than you expect for a period piece.) The Invisible Woman handles an incident of infant mortality with brisk coldness, authentic to the period. Similarly affecting: Dickens prowling the alleys to see slum children out in the night. It’s piercing in the way the Save Our Children charity commercials aren’t. Here’s the answer to making a film about writers, with their visual static lives. Don’t show the writing (or the droning, as they read aloud at a drowsy picnic; that, sadly, happens here). Show the research they do instead. Show them out in the world. The Invisible Woman teases the question of whether one might accept being the back-street lover of a powerful person. Would it be worth it, to have all to yourself a small part of a rock star, president or actor, if to say, if it meant being the first one to read Great Expectations, with the ink still damp on the page? But then The Invisible Woman makes its position clear, in the flashback of Nelly on stage saying “This is a tale of woe…” followed by an a capella version of a dire Irish ballad. The ending doesn’t negate the sting, the chill and the romance of what we’d seen, but it compromises the story with disapproval. So does the script’s choice to remove Fanny from that fateful day at Staplehurst (don’t Google, it’s a spoiler). Fanny’s presence would have proved Dickens even more ruthless about keeping his good name than he was already. But it would also prove that if Fanny didn’t actually procure her daughter for the famous man, she ultimately accepted the relationship. Fiennes’ Dickens has blood in him: if it’s cold blood, it’s still blood. There’s enough going on in The Invisible Woman to demonstrate that Fiennes isn’t just an actor to admire, but a director to watch. THE INVISIBLE WOMAN 111 Min.; R Opens Fri at the Nick


Film Capsules New

PULP FICTION (1994) Is Quentin Tarantino’s mainstream breakthrough the most ripped-off movie ever? It’s gotta be top five, for sure. Twenty years later, we’re on to rip-offs of rip-offs of rip-offs of rip-offs of this vignetteheavy, quirky-criminal-defining masterpiece—but not one of them has done it better. (Plays Fri and Sat at midnight at the Del Mar)

SH O WT I ME S

Reviews 12 YEARS A SLAVE (R; 133 min) Based on an 1853 memoir, this story of a free African American kidnapped and sold into slavery in the South is easily the bestreviewed film of the year.

AMERICAN HUSTLE (R; 138 min) When it comes to cool, movies either got it or they don’t. And there’s something about the promise of director David O. Russell and an all-star cast led by Christian Bale, Bradley Cooper, Amy Adams and Jeremy Renner

Movie reviews by Steve Palopoli

taking on a con man story (with mafia tie-in!) that is going to make American Hustle irresistible to a lot of movie lovers. Throw in the great trailer that suggests everyone involved has lived up to that promise, and it doesn’t seem like hyperbole to say that in terms of movie cool, American Hustle could be the Pulp Fiction of its time. ANCHORMAN 2: THE LEGEND CONTINUES (PG-13; 119 min) I tried to get through the Ron Burgundy book, but trust me, his ridiculousness isn’t that interesting unless it’s coming

out of Will Ferrell’s mouth. That’s the thing that made Anchorman so great in the first place—these characters weren’t shticks, and they even transcended the caricatures they were meant to be in the first place. They seemed like real people—hilarious, dumbass real people— living in some kind of alternate reality that was a lot like ours, except funnier and with news-team gang fights. Can this muchanticipated sequel recapture the magic? Don’t look at me, I have no idea. AUGUST: OSAGE COUNTY (R; 121 min) It’s this

Showtimes are for Wednesday, Jan. 22, through Wednesday, Jan. 29, unless otherwise indicated. Programs and showtimes are subject to change without notice.

APTOS CINEMAS

122 Rancho Del Mar Center, Aptos 831-426-7500 www.thenick.com

Jack Ryan: Shadow Recruit—Wed-Thu 2; 4:30; 7; 9:15; Fri-Wed call for showtimes. Saving Mr. Banks — Wed-Thu 1:30; 4:10; 6:45; 9:15; Fri-Wed call for showtimes.

41ST AVENUE CINEMA

1475 41st Ave., Capitola 831.479.3504 www.cineluxtheatres.com

August: Osage County — Wed-Thu 1:15; 4:15; 7:10; 10; Fri-Wed call for showtimes. American Hustle — Wed-Thu 12:45; 3:45; 7; 10; Fri-Wed call for showtimes. Lone Survivor — Wed-Thu 1; 4; 7:20; 10:15; Fri-Wed call for showtimes.

DEL MAR

The Legend of Hercules — Wed-Thu 2:10; 7:05; Fri-Wed call for showtimes. The Legend of Hercules 3D—Wed-Thu 11:50; 4:35; 9:35; Fri-Wed call for showtimes. Lone Survivor — Wed-Thu 12:30; 3:40; 7:17; 10:45; Fri-Wed call for showtimes. The Nut Job — Wed-Thu 2; 4:10; 8:30; 10:40; Fri-Wed call for showtimes. The Nut Job 3D — Wed-Thu 11:30; 6:20; Fri-Wed call for showtimes. Paranormal Activity: The Marked Ones — Wed-Thu 9pm; Fri-Wed call for showtimes.

Ride Along — Wed-Thu 12:15, 3:05; 6; 9; Fri-Wed call for showtimes.

CINELUX SCOTTS VALLEY CINEMA 226 Mt. Hermon Rd., Scotts Valley 831.438.3260 www.cineluxtheatres.com

Her — Wed-Thu 1:50; 4:30; 7:10; 9:45; Fri-Wed call for showtimes. Saving Mr. Banks — Wed-Thu 1:40; 4:15; 6:50; 9:20; Fri-Wed call for showtimes. The Wolf of Wall Street — Wed-Thu 12:20; 3:50; 7:30; Fri-Wed call for showtimes. Pulp Fiction — Fri-Sat midnight.

American Hustle — Wed-Thu 12:30; 3:45; 7; 9:15; Fri-Wed call for showtimes. Anchorman 2: The Legend Continues — Wed-Thu 11:15; 2; 4:45; 7:30; 10:15. August: Osage County — Wed-Thu 1; 4; 7; 9:55; Fri-Wed call for showtimes. Frozen — Wed-Thu 11; 2; 4:40; Fri-Wed call for showtimes. Her — Wed-Thu 1:15; 4:15; 7:10; 10; Fri-Wed call for showtimes. The Hobbit: The Desolation of Smaug — Wed-Thu 11:45; 3:30; Fri-Wed call

NICKELODEON

Jack Ryan: Shadow Recruit — Wed-Thu 11:55; 2; 4:45; 7:30; 10:15; Fri-Wed

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com

for showtimes.

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

call for showtimes.

12 Years a Slave — Wed-Thu 4; 8:50pm; Fri-Wed call for showtimes. August: Osage County —Wed-Thu 1:40; 4:20; 7; 9:30; Fri-Wed call for showtimes. Dallas Buyer’s Club — Wed-Thu 3:50; 9; Fri-Wed call for showtimes. Inside Llewyn Davis —Wed-Thu 2:30; 4:50; 7:10; 9:20; Fri-Wed call for showtimes. Nebraska — Wed-Thu 1:30; 6:30; Fri-Wed call for showtimes. Philomena — Wed-Thu 1:50; 6:45; Fri-Wed call for showtimes.

The Legend of Hercules — Wed-Thu 1:45; 4:15; 6:45; 10:15; Fri-Wed call for

RIVERFRONT STADIUM TWIN

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com

American Hustle — Wed-Thu 12:15; 3:15; 6:30; 9:30; Fri-Wed call for showtimes. (no Wed 12:15pm) Devil’s Due — Wed-Thu 12:30; 3:30; 6:45; 9:40; Fri-Wed call for showtimes. (no Wed 12:30pm)

SANTA CRUZ CINEMA 9

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com

Anchorman 2: The Legend Continues — Wed-Thu 11:45; 2:25; 5:15; 8; 10:40; Fri-Wed call for showtimes.

Frozen — Wed-Thu 11:35; 2:15; 5; 7:30; 10; Fri-Wed call for showtimes. Gravity 3D — Wed-Thu 12:05; 6:30; Fri-Wed call for showtimes. The Hobbit: The Desolation of Smaug — Wed-Thu 2:45pm; Fri-Wed call for showtimes.

The Hunger Games: Catching Fire — Wed-Thu 11:20; 2:45; 6; 9:20; Fri-Wed call for showtimes.

Jack Ryan: Shadow Recruit — Wed-Thu 12; 2:30; 5:10; 7:45; 10:35; Fri-Wed call for showtimes.

showtimes.

The Legend of Hercules 3D — Wed-Thu 11:30am; Fri-Wed call for showtimes. Lone Survivor — Wed-Thu 11; 1:45; 4:30; 7:20; 10:10; Fri-Wed call for showtimes. The Nut Job — Wed-Thu 11; 11:45; 2:30; 4:55; 7:20; Fri-Wed call for showtimes. The Nut Job 3D — Wed-Thu 9:30pm; Fri-Wed call for showtimes. Ride Along — Wed-Thu 11:30; 2:15; 4:55; 7:40; 10:10; Fri-Wed call for showtimes. Saving Mr. Banks — Wed-Thu 7:45pm; Fri-Wed call for showtimes. Camelot — Thu 11am.

GREEN VALLEY CINEMA 8

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com

American Hustle — Wed-Thu 12:45; 4; 7; 10; Fri-Wed call for showtimes. August: Osage County —Wed-Thu 1:30; 4:10; 6:50; 9:30; Fri-Wed call for showtimes. Frozen — Wed-Thu 4:20; 6:45; Fri-Wed call for showtimes. Jack Ryan: Shadow Recruit — Wed-Thu 1:35; 4:25; 7; 9:45; call for showtimes. The Legend of Hercules—Wed-Thu 12:55; 5:15; 9:40; Fri-Wed call for showtimes. The Legend of Hercules 3D — Wed-Thu 3:05; 7:25; Fri-Wed call for showtimes. Lone Survivor — Wed-Thu 1:25; 4:15; 7; 9:45; Fri-Wed call for showtimes. The Nut Job — Wed-Thu 1; 3; 7:25; 9:30; Fri-Wed call for showtimes. The Nut Job 3D — Wed-Thu 5:10pm; Fri-Wed call for showtimes. Paranormal Activity: The Marked Ones — Wed-Thu 1:05; 3:15; 5:20; 7:30; 10; Fri-Wed call for showtimes.

Ride Along — Wed-Thu 1:20; 4; 7:15; 9:45; Fri-Wed call for showtimes. The Wolf of Wall Street — Wed-Thu 12:45; 9:15; Fri-Wed call for showtimes.

year’s Acting Olympics, as Meryl Streep, Benedict Cumberbatch, Julia Roberts, Chris Cooper…oh come on! You saw the preview! You know you’re gonna go! They got the people everybody loves to be in an adaptation of a play everybody loves, with a plot about family dysfunction, which everybody loves! (The plot, not the dysfunction). Face it, you’re going! I’m already there! In my mind! DALLAS BUYERS CLUB (R; 117 min.) Matthew McConaughey continues his bizarre transformation into one of the best actors of our generation in this true story about a Texas electrician named Ron Woodroof, who took on the medical establishment after being diagnosed with HIV in the ’80s—in his attempt to get alternative treatments for himself and others, he became a drug smuggler. What has gotten into McConaughey, anyway? Remember when he was the acting equivalent of lumber back in the Contact days? Jared Leto is making a different kind of comeback, after not making films for a while— here he plays a transvestite who forms an unlikely partnership with Woodroof. DEVIL’S DUE (R; 89 min) Eli Roth says this is the scariest found-footage movie to come along since Paranormal Activity. That won’t impress horror fans who consider the PA franchise overhyped, but it does suggest there might be more to this movie than its Rosemary’sBaby-clone plot suggests. UCSC grad (and former vocalistguitarist for Link 80!) Matt Bettinelli co-directed this, along with Tyler Gillet—they’re an up-and-coming team who directed the last segment of the first V/H/S anthology, and judging from what they’ve said about it, the movie seems more like a very conscious Polanski tribute than a rip-off. HER (R; 126 min) Guys have been falling in love with robots in science fiction for probably as long as there’s been science fiction. Hell, on Twilight Zone it happened like every other week! This take on it from director Spike Jonze has Joaquin Phoenix as a writer who falls in love with his operating system. Hey, we’ve all done it. JACK RYAN: SHADOW RECRUIT (PG-13; 105 min) A bunch of people have played Tom Clancy’s CIA-analyst hero at this point, but for some reason it seems like Harrison Ford just is Jack Ryan. Now the character is back in the form of Chris Pine (best known for re-booting Captain Kirk), with an over-the-top action

approach that basically makes Ryan into a superhero. Couldn’t you just hear millions of Clancy fans groan when Kevin Costner tells him in the trailer “You’re not just an analyst now”? Uh, wasn’t the whole point of the character that he was an analyst? LONE SURVIVOR (R; 121 min) Well gee, thanks for giving away the ending, war movie title! Apparently we shouldn’t get too attached to the cast that includes Mark Wahlberg, Taylor Kitsch, Emile Hirsch and Eric Bana in a story based on a real-life Navy SEAL mission that got FUBAR. THE NUT JOB (PG; 86 min) I can’t even imagine what the pitch sessions are like for these animated quirky-animal movies. Is there a lightning round? “OK, there’s a bear…” “No.” “OK, there’s a duck…” “No.” “OK, there’s a platypus…” “Hell no.” Somehow, somebody sold the idea of a squirrel, and so in this movie little Surly the Squirrel (voiced by Will Arnett) gets kicked out of his home in a park and has to survive in the city. PARANORMAL ACTIVITY: THE MARKED ONES (R; 84 min) How much do you think the makers of the Blair Witch Project wish they could go back in time and re-do their sad attempt to turn their movie into a franchise, using everything we’ve learned from Paranormal Activity? The producers behind PA have done absolutely everything right, and now they practically have a Marvel Universe type of thing happening with this spin-off from Paranormal Activity 4, which creates a completely different storyline about a young man “marked” by supernatural forces, but will no doubt tie in to the main KatieDemon-and-her-stolen-babyHunter storyline somehow. Even more intriguing, this film is specifically targeted at a Latino audience, setting the franchise up for success across demographic lines. Maybe GOP leaders will show up opening night to pick up some pointers? RIDE ALONG (PG-13; 100 min) We know Ice Cube can act, but for the last decade his career has been pretty much reduced to finding different ways to contort his face for a wide spectrum of annoyed looks. Make no mistake about it: if there were Oscars for facial tics, Ice Cube would add to his collection with this latest comedy in which he plays a cop who keeps getting annoyed by Kevin Hart. How is that a movie? We’re all annoyed by Kevin Hart.

JANUARY 22-28, 2013

I, FRANKENSTEIN (PG-13; 92 min) Aaron Eckhart plays a weary, centuries-old man caught up in a battle of immortals. Can it possibly be a coincidence that the last cross-eyed movie star before Eckhart, Christopher Lambert, also played a weary, centuriesold man caught up in a battle of immortals—in 1986’s Highlander? I think not! What the hell is going on with these immortals? How do they live so long when they can’t see straight? (Opens Fri at Cinema 9 and Green Valley)

THE INVISIBLE WOMAN (R; 111 min) See review, page 30. (Opens Fri at the Nick)

31


Epicure

Send tips about food, wine and dining discoveries to Christina Waters at xtina@cruzio.com. Read her blog at christinawaters.com.

TREE TOPPER As the head gardener at UCSC’s Alan Chadwick Garden, Orin Martin knows plenty about fruit trees. He’ll bring the knowledge at a workshop Saturday.

More Than a Peeling BY CHRISTINA WATERS

F

ruit trees are glories of the botanical world, producing fragrant blossoms in spring and luscious fruit in late summer. There's very little that Orin Martin— head gardener at the UCSC Alan Chadwick Garden—doesn't know about selecting trees, preparing the soil, finessing proper irrigation, controlling pests and pruning like a surgeon. Martin will be sharing his considerable knowledge about the subject at the workshop Fruit Trees 101: Basic Fruit Tree Care this coming Sat., Jan. 25 from 10am to 1pm at the UCSC Farm. The workshop is priced at $30 for general public ($40

at the door, and $20 for Friends of the UCSC Farm and Garden). Prepare to walk around, bring a snack if you like and learn a lot about successful fruit tree care and maintenance. For more details, call (831) 458-3240 or email casfs@ucsc.edu. VENUS ON THE WESTSIDE:

Fans of the new, the old and the very artisanal will want to stay poised to peek in at Venus Spirits sometime this spring. That's when Sean Venus, a veteran of food business development at Gordon Biersch, hopes to have his distillery up and running. You heard me,

Venus plans to offer tastings of his new high proof creations at the tasting room located at 427A Swift Street. “We should be making product in March,” the distiller told the Santa Cruz Weekly. “We will first be releasing our gin and blue agave spirits. Our small barrel aged product should be released sometime in the fall.” Eventually, the tasting room will include fine aged whiskey in the production mix, and right now slabs are being poured for the actual production area. Imagine a botanically complex Santa Cruz-made gin in your martinis next summer!

Chip Scheuer

JANUARY 22-28, 2014

32

WINE TIPS: Lately we've revived our passion for the Quinta Cruz

line of intriguing wines made by Jeff Emery, whose flagship label— Santa Cruz Mountain Vineyard—

delivers some of the top wines of our region. The Quinta Cruz wines were inspired by several trips Emery made to Portugal, and soon the crafty winemaker began sourcing locally grown grapes that push the oenological envelope way past pinot. Now available at the tasting room (Emery is one of the Surf City Vintners who work their sorcery in the flourishing Ingalls Street complex), Quinta Cruz' delightfully crisp, fragrant Verdelho offers as much substance as any white wine can deliver. But it's the 2011 Tempranillo ($18) that currently adorns our dinner table. A large, generous wine, it opens into different flavor territory than its Spanish versions. This wine offers strawberry topnotes, a mid-bandwidth of spice and even citrus, and a long, lower register of plums. It can handle every food that isn't shellfish. In fact, it proved outstanding with a take-out order of barbecue pork spareribs from Gayle's Rosticceria, which themselves absolutely blew us away— moist, juicy, loaded with meatiness and thick, assertive sauce. I refused to share my portion, even though I profess not to be a ribs person. The following week I sampled another two-fisted take-out dish—classic, flawless, utterly satisfying chile con carne—from Gayle's. I just hadn't expected such heartland flair with meat dishes from an establishment whose reputation was originally built on consummate sweets. Believe it or not, the last two visits to Gayle's (well, the time before last) I sailed right by the cakes, cookies and pies and made straight for the grilled sausages and peppers. Last time I couldn't make it past the apple and cream cheese Danish, though. So I surrendered. With Verve coffee. An offer I couldn’t refuse. 0


AA

JANUARY 22-28, 2014


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F O O D I E F I LE

JANUARY 22-28, 2014

Chip Scheuer

FROM THE GROUND UP After the previous owners took out everything including the stove and refrigerator, Jeanne Harrison re-built Café Rio from the ground up.

Café Rio Jeanne Harrison, owner

T

wo and a half years ago, Jeanne Harrison took over Café Rio and began renovations. Slowly, Harrison began introducing more gluten-free recipes, and two months ago brought in a new head chef, Jacob Wildman. “We used to go through 50 pounds of butter a week,” says Harrison, who worked 20 years at the restaurant as a server and manager under different owners. “Everything was very tasteful, but it just wasn’t the healthiest. Jacob has really come to the table with fresh everything. It’s all from scratch.” SCW: What’s your favorite fish?

Jeanne Harrison: I love the sanddabs here, and the swordfish. Opakapaka is one of my favorites that’s not on my list, but we have it as a special. The swordfish is super moist and sort of a baseball cut. A lot of times you go to a restaurant, and they slice it super thin. Here it’s more of a filet. Sanddabs are a mainstay. Almost every table, someone will order sanddabs because you can’t get them anywhere, and they’re really tasty—a really white, delicate fish. We just lightly dust them with rice flour and then grill ‘em. What’s the difference between a Mai Tai and your “High Tide”?

We have a special ingredient we put into ours that’s a mixture between orgeat syrup and orange curaçao. We mix that—a certain level of each one. You would be putting in the same amount of your well rum and that. Then we add juice, and we top it with 151 and Meyers. Everybody loves them here. I was in Hawaii, and we were on a Mai Tai adventure to see who made the best Mai Tai, and Trump Tower made the best one ever. They had amaretto in it. How did you renovate this place?

The previous owners took everything—stove, refrigerator. There were no tables, chairs. It was completely gutted. We bought all new carpet. We redid all the wood, redid the bar, painted and put in a whole new kitchen. We retiled and re-plumbed everything. All new equipment. What do you put in the dog treats?

They’re organic. We use whole-wheat rice flour because of the gluten-free thing. Peanut butter’s organic. Dogs love it. I can’t even keep up with it. I was just noticing I’m low again. Do people ever try them? All the time. They do! They go, “Oh, organic. It must be good for me,” and they’ll eat it. But it is. It would be like a drier cookie. —Jacob Pierce


Astrology As A sttrrro ology g Free F Fr r e Will ree Will

By

Rob Brezsny Breezsny

35

For F or the the week week o off JJanuary anuary 22

TAURUS (April 20-May 20): Author John KKoenig oenig says we often regard regard emotions em motions as positive or negative. Feeling respect respect is ggood, ood, ffor or example, wracked while being wr acked with jealousy jealouusy is bad. But he standardd ffor emotions: ffavors avors a different different standar or evaluating e Att one end how intense they are. are. A end of the spectrum, everything feels feels blank and blah, even the big things. wonder,” ““At At the other end is wonder ,”” he says, “in which things.” Your everything feels feels alive, even the little l Your o right and proper now,, TTaurus, proper goal right now aaurus, is to strive intensity ffor or the latter kind: full-on intens sity and maximum vitality.. LLuckily, vitality uckilyy, the universe will be conspiring to help you achieve that goal. GEMINI (Mayy 21-June 21-June 20): A Att her blogg otherwordly.tumblr.com, wordly.tumblr.com, Yee-Lum Yeee-Lum Makk defines the Swedish Swedish word word rresfeber esffeber e r this way: “the rrestless estless rrace ace of the traveler’s traveler ’s heart before before the journey journeey begins, when anxiety and anticipation are are tangled tanggled together.” together.” You Yoou might be experiencing rresfeber eesffeeberr right riight now now,, Gemini. Even if you’re you’re not about to depart depart on a literal literal trip, I’m guessing you will soon start wandering wanddering out on a quest or adventure adventure that will bring your heart and mind closer together. together. Paradoxically, Paradoxicallyy, your explorations exploorations will teach you a lot about being better grounded. grouunded. Bon voyage! CANCER (June 2121-July July 22): How Hoow does a monarch monarch butterfly escape its chrysalis whenn it has finished Through ough tiny holes in tthe gestating? Thr he skin of the chrysalis, it takes big gulps of air and a sends them directly dir ectly into its digestive system, which w expands Voila! breaks free. fforcefully. orcefully. V ooila! Its body gets so bbig ig it br eaks fr ee When ee. emerge from inside a chick is rready eady to emer ge fr om in side its egg, it has to harder butterfly.. Wi With work har der than the butterfly th its beak, it must shell, peck thousands of times at the sh hell, stopping to rrest est process along the way because the pr ocesss is so demanding. According you’ree nearing the anceriaan, you’r A ccording to my analysis, CCancerian, before metaphorical emergence from final stage bef ore your metaphoric cal emer gence fr om Aree you mor moree like the bbutterfly utterfly or chick? gestation. Ar LEO (July 23-Aug. 23-Aug. 22): “I’m nott sur suree where where to go from fr om here. here. I need help.”” I encourage encourrage you to say those words wor ds out loud, Leo. Even if you’re you’re not sure sure you believe they’re they’re true, act as if they theey are. are. Why? Because I think it would be healthy healthy for for you yoou to express express uncertainty and ask for for assistance. assistannce. It would relieve relieve you of the oppressive oppressive pressure pressure to t be a masterful problem-solver. pr oblem-solver. It could free free youu from from the unrealistic unrealistic notion ti that th t you’ve ’ gott to t figure fi figure everything thi outt by b yourself.. And this would bring you, yourself yoou, as if by magic, interesting inter esting offers offers and inquiries. In other words, words, if you confess conf ess your neediness, you willl attract attract help. Some of it will be useless, but most of it will be useful. VIRGO (Aug. 23-Sept. 23-Sept. 22): Dog Dogs gs have a superb sense of smell, much better than we humans. But ours isn’t Wee can detect certain oodors that have been isn ’t bad. W diluted to one part in five billion. For example, if you weree standing next to two Olympic-sized wer Olymppic-sized swimming pools, and only one contained a few few drops drops of the chemical ethyl mercaptan, mercaptan, you would would know which one it was. I’m now calling on you to exercise e cise that level of exer sensitivity, situation on in the early stages sensitivity y, Virgo. Virgo. There’s There’s a situati unfolding ultimately of unf olding that would ul timately emanate a big developing. Theree is a stink if yyou allowed it to keepp dev veloping. p g Ther second unripe situation, on the oother ther hand, that would fragrant eventually yield fr agrant blooms. I advise you to either from even cultivate quash or escape fr om the first, ev ven as you cul tivate treasure and tr easure the second. LIBRA (Sept. 23-Oct. 23-Oct. 22): Wha Whatever atever adventur adventures es may flow your way in the coming cominng weeks, weeks, Libra, Libra, I hope you will appreciate appreciate them for for what they are: are: unruly but basically benevolent; benevolent; disruptive in ways that catalyze welcome transformations; transform mations; a bit more more exciting than you might like, bu butt ul ultimately timately pretty pretty fun. CCan you thrive on the paradoxes? Can you an paraddoxes? Can

delight in the uunpredictability? npredictability? I think so. When from you look back at a these plot twists two months fr om now,, I bet you’lll see them as entertaining storylines now journey.. YYou’ll that enhance the thhe myth of your hero’s hero’s journey ou’ll understand them theem as tricky tricky gifts that have taught you valuable secrets seecrets about your soul’s code.

SCORPIO (O (Oct. Oct. 23-Nov. 23-Nov. 21): Manuf Manufacturing acturing a jelly bean is nott a quick, slam-bam pr process. It’s ’s ocess. It a five-step procedure proccedure that takes a week. Each seemingly uncomplicated uncomplicated piece of candy has to be built built up layer layer by layer, layer, with every layer needing time to fully mature. maature. I’m wondering if maybe there’s there’s a metaphorically metaphorically similar kind of work ahead ffor or you, Scorpio. Ma May ay I speculate? YYou oou will have to take your time, proceed proceeed carefully, carefully, and maintain a close attention to detail prepare pleasure. dettail as you pr epare a simple pleasur e. SAGITTAR SAGITTARIUS RIUS (Nov (Nov.. 22-Dec. 22-Dec. 21): I understand f-word. It’s the appeal of thee f-wor d. It ’s guttural guttural and expulsive. It’s It ’s a perverse perverse form form o of celebration celebration that frees frees speakers from inhibitions. heree today to announce fr om their inhibi tions. But I’m her cachet aree extinct. It that its rrebel ebel cac chet and vulgar power ar barren has decayed intoo a bar ren cliche. Its official deathfrom-oversaturation occurred fr om-oversaturation a occur red with the rrelease elease of the mainstream Hollywood mainstr eam Holl lywood blockbuster The W Wolf olf o of W Wall all a Street Strreeet. A Actors ctors in the film spat out the rhymes-withmoree than 500 times. I her hereby cluck word word mor eby nominate you the quest for Sagittarians to begin b for new ways to invoke irreverence. interesting rrebellious ebellious ir reverrence. What inter esting mischief and wordplay naughty wor dplaay might you perpetrate perpetrate to escape your break eakk taboos that need to be broken, inhibitions, br broken, and call other peoplee on their BS and hypocrisy? CAPRICORN N (Dec. 22-Jan. 22-Jan. 19): German philosopher Immanuel KKant ant (172 ((1724-1804) 4-1804) has had a major impact development Western on the developm ment of ideas in the W estern world. Wee can rreasonably W easonabbly divide the history of philosophy eras: pre-Kantian post-Kantian. into two er as: pr e antian and post-K e-K antian. And life, yet ffor or his wholee lif e, which lasted 79 years, this big traveled moree than ten miles away fr from thinker never tr a aveled mor om wheree he was born. He ffollowed KKonigsberg, onigsberg, the city c wher ollowed precise methodical a pr ecise and me ethodical rroutine, outine, attending to his meticulous According work with meticu ulous detail detail. A ccording to my analysis, analysis apricorns could you CCapricorns c have a similar experience in the weeks. coming week s. By B sticking close to the tried-and-true keep grounded healthy, rhythms that kee ep you gr ounded and heal thyy, you can generate influential gener ate influen ntial wonders. AQUARIUS S (Jan. 20-Feb. 18): The Aquarian author Georges wrote moree Georges Simenon (1903-1989) (1903-1989) wr ote mor than 200 novelss under his own name and 300 more more under pseudonyms. pseudonyyms. On average, average, he finished a new book every 11 days. daays. Half a billion copies of his books books are are in print. I’m sorry sorry to report report that I don’t don’t think you will ever be as prolific p olific in your own chosen field as he pr was in his. However, However, your productivity productivity could soar to a hefty fraction fraction of Simenon-like levels in 2014—if you’re you’re willing too work your ass off. off. Your Your o luxuriant fruitfulness won’t wonn’t come as easily as his seemed to. But you should be overjoyed that you at least have the potential to be luxuriantly fruitful. PISCES (Feb.. 19-March 19-March 20): When I’m older and wiser,r, maybe I’ll understand the meaning of my lif life. wiser e. wiser,, maybe I’ll gain some insight When I’m older and a wiser about why I’m soo excited to be alive despite the ffact act that my destiny is so utterly mysterious. What about What different you’ree you, Pisces? Wh at will be diff erent ffor or you when you’r older and wiser?? Now is an excellent time to ponder it’s this riddle. Why?? Because it ’s likely you will get a glimpse of the person p you will have become when you aree older and wi wiser—which ar ser—which will in turn intensify your become motivation to be ecome that person.

Homework: H How ow could you change yourself in or der to get mor m order moree of the love you want? Go to Fr eeWillAstrology o y..com; click on “Email Rob.” FreeWillAstrology.com; Visit RE Visit REALASTROLOGY.COM A L ASTROLOGY.COM ffor or R Rob’s ob’s Expanded E Weekly Weekly Audio Audio Hor oscope es and Daily Text Text Message Message Horoscopes Hor oscope es. The The audio horoscopes horoscopes Horoscopes. ar e also available available by by phone at at are 1.877.873.4888 1.877.873 3.4888 or 1.900.950.7700 1.900.950.7700

JANUARY 22-28, 2014

ARIES (Mar (March ch 21-April 19): Actor Actor c Casey Casey Affleck appreciates eciates the nurturing power appr power of his loved ones. “My ffamily amily would be supportive,” supportive,,”” he says, “if I said I wanted to be a Martian, wear only o banana skins, make love to ashtrays, ashtrays, and eat tree t ee bark.” I’d like tr cultivate to see you cul tivate allies like that thhat in the coming months, Aries. Even if you have never had them before, they bef ore, there’s there’s a good chance th hey will be available. For best results, results, tinker with your your understanding family of who your y familyy might g be. Redefine Redefine what ““community” community” means to you.


EXPIRES: FEBRUARY 14, 2014

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