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SJ council candidate

goes berserk P8

Eric Victorino debuts solo songs at C2SV P26 Autonomous vehicles will soon be present rather than future, and the consequences are as exciting as they are existential

Twelve years of Camera 12 P20

S E P TE M B E R 1 4-2 0, 2 016 | VO L . 3 2, N O . 29 | S I L I C O N VA L L E Y, C A | F R E E

JOHN FLYNN P12

CAR AND DRIVERLESS

10 2 metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

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SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

4 METRO SILICON VALLEY A locally owned company.

380 S First St, San Jose, CA 95113 408.298.8000 Editorial Fax: 408.298.0602 Advertising Fax: 408.298.6992

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EDITORIAL Managing Editor: Josh Koehn Music & Arts Editor: Nick Veronin Associate Editor: Paul Hersh Staff Writer: Jennifer Wadsworth Contributing Writers: Jody Amable, Anna Bagirov,

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DISTRIBUTION Metro is available free of charge, limited to one copy per reader. Additional copies of the current issue may be purchased for $1 each, payable at the Metro office in advance. Metro may be distributed only by Metro’s authorized distributors. No one may, without permission of Metro, take more than one copy of each issue. Subscriptions: $50/six months, $95/one year.

FINE PRINT Declared a legal newspaper of general circulation by the Superior Court of Santa Clara County Decree No. 651274, April 7, 1988. ISSN 0882-4290. Entire contents © 2016 Metro Publishing, Inc. All rights reserved. Reproduction in any form prohibited without publisher’s written permission. Unsolicited material should be accompanied by a stamped, self-addressed envelope; however, Metro is not responsible for the return of such submissions.

11 5 SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

DO YOU HAVE HIGH BLOOD PRESSURE?

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CAUTION: Investigational device in the United States. Limited by Federal (United States) law to Investigational Use. Trademarks may be registered and are the property of their respective owners. © 2015 Medtronic, Inc. All rights reserved.

THIS MODERN WORLD

By TOM TOMORROW

I SAW YOU

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen to I SAW YOU, Metro, 380 S. First St., San Jose, 95113, or via email.

Parking Peeve

comments@metronews.com

It was late afternoon behind the elementary school, most kids long gone, but a few of us working parents were still trickling in for pickup from after-school care. You had parked on the wrong side of the road, which would normally indicate some sort of desperation ... but no. You strolled out to your truck, backpacked kid in tow. Wrong-side parking happens to be a pet peeve of mine, but I didn’t say anything because I’m just not that person. The guy in the VW you almost crashed into when you pulled away, however, was definitely that kind of person. Every delicate ear on the playground heard what he—and I, since I'm being honest—thought of your parking job and general disregard for traffic rules. If his open-window tirade didn’t inspire you to rethink your driving/parking MO, could you at least not bring it around a school? Thaaaanks.

RE: “EXPLORING SILICON VALLEY’S FRACTURED, DIY RECORDING INDUSTRY,” COVER, SEPT. 7

Really good article, Mike. I’m grateful that these studios (and others, like Rob Ernst’s Noise Root) are still providing local artists with places to be truly creative in ways that meet the economic realities we face. PNKIMBALL VIA METROACTIVE RE: “EXPLORING SILICON VALLEY’S FRACTURED, DIY RECORDING INDUSTRY,” COVER, SEPT. 7

RE: “D2 VOTERS HAVE A TOUGH CALL ON BROWN, JIMENEZ,” NEWS, SEPT. 7

RE: “EXPLORING SILICON VALLEY’S FRACTURED, DIY RECORDING INDUSTRY,” COVER, SEPT. 7

@metroactive on how Silicon Valley studios are trapped between success and crazy rents.

Getting my popcorn ready for this one.

The realities of the tech economy in California.

@PROSOUNDNEWS VIA TWITTER

BAREFOOTVIOLINIST VIA SAN JOSE INSIDE

@WORKCLASSAUDIO VIA TWITTER

RE: “D2 VOTERS HAVE A TOUGH CALL ON BROWN, JIMENEZ,” NEWS, SEPT. 7

Sergio A. Jimenez is the type of guy I’d call if I had a flat tire, was stuck on the side of the road, and needed help. He’s also the type of guy I’d call for advice if I had to make a tough personal or financial decision. And he’s the type of guy I’d want running a city like San Jose. CASEY ESTORGA VIA FACEBOOK

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11 7

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

THE FLY

Loud vs Proud STEVE BROWN is a special guy. How else to explain taking a position against LGBTQ antidiscrimination, then playing the race card and showing up uninvited at a press conference to shout down elected officials who are part of the LGBTQ community. Last week, Metro published a non-endorsement in the San Jose City Council race between labor-backed Democrat SERGIO JIMENEZ and Brown, a fundamentally misguided Republican. In an interview, Brown said he thinks business They owners should be free Did to refuse service to What? anyone they suspect SEND TIPS TO is anything other than FLY@ hetero. His reason? METRONEWS. Brown argued that COM customers should simply take their business elsewhere, and that will serve those pesky business owners! We disagreed. After seeing Metro’s story (Hey, thanks for reading!), Assemblyman EVAN LOW and county Supervisor KEN YEAGER, both openly gay, joined other electeds and civil rights activists to denounce Brown, who expressed a similar position in a campaign questionnaire this spring. Trying to play it both ways, Brown stormed the press conference and shouted down the speakers before the cameras turned their attention on the screwball in the back. Wearing a tight fitting gray suit and purple tie, Brown argued that he understands discrimination better than anyone else at the press conference because he is black, before pivoting to suggest that laws respecting LGBTQ customers would actually discriminate against people of faith. San Jose Councilman ASH KALRA, who is terming out of the district Brown hopes to represent, told him to “learn how to be an adult,” while BAYMEC President JAMES GONZALES said Brown had “plenty of opportunities” to set the record straight before “he went bananas.” So who is Steve Brown? The council wannabe’s voting record suggests even he doesn’t know, as he has changed political parties three times in the last two years, according to the Registrar of Voters. Brown obviously has issues, but at least they’re out in the open now. Vote for Sergio Jimenez.

Jennifer Wadsworth

SVNEWS

Strike 4 LEFT IN A LURCH Rochelle Kent, a 28-year-old mother of four had to scramble to find a new child care center after low enrollment rates forced the 4Cs Council to close hers last fall.

Nonprofit 4Cs Council accused of mismanagement and failing low-income children, families BY JENNIFER WADSWORTH

HEN THE DAYCARE center for Rochelle Kent’s two youngest children shuttered on very short notice last fall, it took the single mom four months to find a replacement. The 28-year-old mother of four enlisted help from her grandmother, siblings and other relatives to watch baby Ezio and his 2-year-old sister, Ayza, so she could work overtime at a public storage company.

“It was really hard to juggle everything,” says Kent, who had to coordinate her oft-unpredictable schedule with the availability of whoever volunteered to help babysit. The Orchard Early Learning Center’s 2015 closure—in the thick of a school year, right before Thanksgiving—left 33 low-income families in the lurch. Kent collected more than 100 signatures for a petition to save the publicly subsidized preschool, to no avail. The doors closed two weeks after parents first heard it was at risk. On the last day, teachers had the toddlers stamp their chubby pinkand-yellow-painted handprints on a piece of posterboard, which they taped to the classroom door as a parting gift. “They loved their teachers,” Kent says. “They were inseparable.”

The Community Child Care Council of Santa Clara County, the parent nonprofit commonly referred to as the 4Cs Council, blamed low enrollment. But the people who work for the organization say the closure is not an isolated misstep, but a symptom of widespread dysfunction at the largest taxpayer-funded nonprofit in the South Bay. Other signs of trouble: canceled grant agreements, bitter labor disputes, a longstanding failure to meet enrollment targets in a slew of programs and an eviction that shuttered yet another daycare site in the past year. “We’re trying to change all that,” says Mario Del Castillo, a case manager with two decades at the 4Cs Council under his belt. “Lack of staffing overburdens the people who work here, which affects their performance and leads them to get disciplined. And if people can’t meet their performance targets, then the agency can’t meet its performance targets.” Such problems should raise the alarm at any organization, he says, but especially one the size of the 4Cs

him because he agreed to pay about $50,000 in restitution. Court records indicate, however, that even his court-ordered payback may have come from someone else’s pocket.

‘Our budget comes from taxpayers to help so many vulnerable people. We deserve greater accountability and better management.’ In 2014, one of his former colleagues—a local dentist named Antonio Abiog— sued Menor for borrowing $48,500 without any intention of reimbursing him. By the end of July 2015, Abiog won by default because Menor was a no-show. With interest, the judgment amounted to $72,816. That doesn’t sit well with the 4Cs Council employees. “Our budget comes from taxpayers to help so many vulnerable people,” says Thuy Vu, a team manager at the nonprofit. “We deserve greater accountability.” Villaseñor, the CEO of 4Cs, declined to be interviewed for this story and Menor did not return requests for comment. The nonprofit’s attorney, James Hendricks Jr., wouldn’t offer much in the way of specifics either, except to say that the council refuses to negotiate with Local 521 in the press. Spokesman Dan Orloff referred questions about the agency’s finances to outside agencies. Vu says management is no more forthcoming with the people who work there. “There’s very little transparency,” she says. “We’ve seen the audits, but we still want answers.” Around the time Orchard Early Learning Center closed its doors over low enrollment, the 4Cs Council lost another 140 child care slots in San Jose’s East Side. Last fall, the Alum Rock Union Elementary School District evicted the nonprofit from a facility

9 SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

Council. Founded on a shoestring budget in 1971 to offer free child care to destitute families, the council achieved its tax-exempt status within a few years and became the county’s sole referral agency for government-paid child care. The nonprofit now subsidizes early education for 5,500 kids a year, according to its most recent tax records. Such service is invaluable because of the long-term benefits of early childhood education, which research has shown to improve academic performance and earning potential later in life. Economically, it’s especially invaluable in the South Bay, where the high cost of living means that even families well above the federal poverty line struggle to afford daycare. Of the 4Cs Council’s $47 million budget in 2015, about $40 million came from the California Department of Education (CDE), $2 million from the federally funded Early Head Start program, $325,000 from Santa Clara County and $2.2 million from service fees. The biggest expenditure, a little more than $29 million last year, paid for service providers. Salaries and benefits cost about $6.5 million. Though the nonprofit is subject to routine audits, employees still question its financial stewardship. Last summer, all but 20 of the nonprofit’s 150 employees unionized to fight what they call unfair labor practices and curb runaway attrition rates that have left a 20 percent staffing vacancy. Suspicions about the agency’s finances have become fodder in more than a year of contentious labor negotiations which—14 months and four attorneys later—have yet to result in any agreement. The man at the helm, 4Cs Council CEO Fred Villaseñor, declined to comment for this story. “There’s no trust,” Del Castillo says while picketing outside the agency’s north San Jose headquarters.“Too much money goes to overhead, not enough to the front lines. We’ve seen too many mistakes, and children are the ones who suffer.” It doesn’t help that the CEO’s righthand appointee has a few skeletons in his closet, employees say. Ben Menor, current president of the 4Cs Council board of trustees, was forced out as executive director of the Northside Community Center a decade ago after a city audit found that he misused $219,000 in public funds. He later pleaded no contest to felony grand theft and faced jail time until late 2008, when a judge exonerated

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

STRIKE OUT Employees of Santa Clara County’s sole child care referral agency, the 4Cs Council, went on strike to protest what they call unfair labor practices at the publicly funded nonprofit.

9 on Sinclair Avenue. The eviction came barely six months after the child care council signed a 10-year agreement to sublease space from the scandal-plagued Mexican American Community Services Agency (MACSA). MACSA apparently failed to notify the school district, which violated the contract and prompted the litigation to kick out both MACSA and the 4Cs Council. Villaseñor told the school board in January that the ouster took him by surprise and forced him to pull the plug on a $500,000 lease agreement and $70,000 in facility renovations. But the people who work for him cited the eviction as yet another sign that the agency needs to clean up its act. “Someone clearly failed to do their due diligence,” says Dolores Bernal, a spokeswoman for SEIU 521. “Dozens of children were affected.” Another lapse came by way of a smaller grant from the city of San Jose for senior health and wellness services. Incidentally, those services took place at the Northside Community Center, ground zero for Menor’s public theft scandal years ago. The city’s Parks, Recreation and Neighborhood Services Department

awarded a $35,000 grant to the council in 2013 and renewed $25,000 of it the following year. But in an email sent July 24, 2015, to 4Cs Council finance manager Gabriela Alvarez, the city threatened to end the agreement over performance and transparency problems. The city pointed to a lack of documentation to prove that the nonprofit was serving enough senior citizens. It also found inaccurate reporting that exaggerated by 18 percent the amount of work performed under the grant agreement. Despite those warnings and several months to take corrective action, the council still fell short of the agreed-upon benchmarks. In an email sent Feb. 12, the city notified Alvarez that it would pull the remaining $5,000 of the grant and tentatively disqualify the nonprofit from future grant consideration. “They didn’t deliver,” says David DeLong, a program manager in the city’s parks division. “They came in with a proposal that was pretty rich with activities, but weren’t able to make good on their end of the deal.” The U.S. Department of Health and Human Services, which funds the 4Cs Council’s Early Head Start programs, has pointed to similar

mismanagement over much larger multimillion-dollar grants in recent years. In compliance reviews going back to 2011, the federal agency reported a litany of violations. The nonprofit failed to enroll enough disabled children, failed to hire a licensed mental health worker, failed to screen children before a mandated deadline and failed to implement procedures to make sure it meets its contractual obligations. The most recent report in 2016 noted that those specific issues have since been resolved, but cited ongoing concerns about a lack of staffing and supervision. While Metro has yet to obtain pastyear program reviews from the CDE, the nonprofit’s biggest funding source, other records indicate a years-long pattern of compliance issues. A former 4Cs Council computer specialist filed a wrongful termination lawsuit against Villaseñor in 2009, claiming that the state found “serious deficiency” in the nonprofit’s attendance and payment records. The suit claimed that the CDE threatened to defund the food program and mark Villaseñor unqualified and ineligible for similar grants in the future, unless he brought the house in order. Next school year, the child care

council stands to lose hundreds of thousands of dollars in CDE funding—$377,959, to be exact—for a subsidized preschool program after falling 37 percent below enrollment targets. The nonprofit reported only 31,520 out of a contractually set 50,200 enrollment days in between 2015 and this year, according to the CDE. Orloff, the council’s spokesman, says the shortfall reflects “a reduction in the available market” after the state launched a new transitional kindergarten program. Under the new rules, children who turn five between Sept. 2 and Dec. 2 can enroll in public schools instead of the council’s daycare centers. “So, this year, 4Cs Council started its marketing earlier with increased training of staff responsible for enrollment sales and marketing,” Orloff says. Despite the so-called market reduction, there remains a huge unmet need for child care. According to the Public Policy Institute of California, roughly half the children in the state come from families in or on the verge of poverty. A 2016 report by the Right Start Commission—a group of lawmakers, academics and company executives— found that 70 percent of families with children aged six and younger cannot afford the average daycare costs of $10,000-plus-a-year per kid. Yet many working families who make too little to pay out of pocket make too much to qualify for public subsidies like those offered through the 4Cs Council. A bill by Assemblyman Rich Gordon (D-Menlo Park) seeks to change that by authorizing a pilot program in Santa Clara County to allow local flexibility in setting eligibility criteria. Gov. Jerry Brown has until Sept. 30 to act on AB 2368, which was co-authored by Assemblyman Evan Low (D-Campbell) and state Sen. Jim Beall (D-San Jose). Even if a family does qualify, however, with only 300,000 subsidized slots available in the whole state, demand far exceeds supply. As a result, reports show that a million children are relegated to unlicensed and unregulated daycare settings. All of which makes any cuts in local subsidies a huge loss, says Kent, who still relies on the 4Cs Council to watch her kids so she can keep her job and provide for her family. “I don’t know everything going on behind the scenes,” she says. “I want to know I can trust them to take care of things.”

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HANDS FREE Autonomous cars will allow drivers to occupy their time with just about anything other than driving.

REQUIEM FOR THE DRIVER Driverless cars have the ability to ease traffic, save lives and reduce pollution—but, of course, they come with a catch BY JOHN FLYNN

FTER TOURING AN exhibition put on by Yanfeng, the world’s largest auto interior company, I hailed an Uber driver who happened to be on his first day of work. Six fares in and loving it, he sparked up the customary chit-chat, asking what I’d been doing. I stuttered. I didn’t want to deflate his excitement. I’d just seen the future, and it didn’t include him.

Yanfeng’s showroom prototype sported a soon-to-be omnipresent feature that will replace Uber, Lyft, taxis—basically any vehicle service that requires an actual driver. But, more cheerily, it’ll also reduce traffic, pollution and death, plus save trillions of dollars. The revolutionary feature? A steering wheel that nestles into the dash during autonomous mode. Sitting in the glitzy, leather-wrapped faux cockpit, I wondered if America—a land wedded to the lusty mythology of exploring the open road—could Photos courtesy of Yanfeng Automotive

ever let automated driving overtake the manual method. Han Hendriks, a Yanfeng vice president with a crisp German accent, sighed and answered with the casual surety of a man easily in his four-thousandth rendition of hearing this question. “Autonomous flying was introduced to the commercial airline market in the ’70s,” he says. “And without any exception, all the pilots said, ‘Never. I will always fly my plane.’ Today, all pilots fly autopilot. No exceptions. All of them. It's human nature, apparently.” To Hendriks, anyone opposed to autonomy is thinking about it wrong. Bay Areans might love to wind through eucalyptus-lined mountain roads. But automated driving, at least the first wave, will take over navigation nobody wants to do—Highway 101-esque straightaways or traffic jams where the average American wastes somewhere between 38 to 81 hours every year. “Sure you love driving in your [Porsche] 911 on Sunday,” Hendriks says. “But do you love driving when you’re in a traffic jam every morning? Every evening? That’s a different driving. I love driving, but I hate traffic.”

Automated driving wouldn’t just let people nap, work or do whatever in traffic. It would also drastically improve safety and reduce commute times. Intercommunicating cars could “platoon” in columns too tightly packed for humans to ever sustain—an arrangement that’s denser and more aerodynamic. This could end gas-guzzling, stop-start jams and spawn a ripple effect of positives as its usage expands. “First of all it’s safety because 95 percent of all accidents are human error,” Hendriks says. “The second one is cost, because all these accidents cost a fortune—hospitals, insurance, safety systems and so forth.” The estimated savings are huge. In 2014, 32,675 people died in automobile accidents. Economically speaking, the Department of Transportation (DOT) computed the value of a human life at $9.2 million—so that’s a little over $300 billion. On top of that, the Center for Disease Control estimates these deaths represented a work and medical loss of $44 billion. On top of that, 2.3

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“AUTONOMOUS VEHICLES AT THE CROSSROADS” C2SV PANEL, OCT. 7, 1PM

AUTONOMOUS

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million people were injured in cars in 2013. The DOT ranges injury costs from minor ($27,000) to unsurvivable ($9.2 million). It’s somewhat lazy math, but if we even that out at 100 grand per accident—we’re looking at around a quarter-trillion. So before even factoring in costs of safety features, car repairs, lawsuits and insurance, that’s a conservative $674 billion and tens of thousands of lives saved, every year. “We could prevent 95 percent of [lives lost],” says Amit Garg, an in-house venture capitalist for Samsung who spends much of his days thinking about the mobility revolution. He notes that it will “create huge amounts of opportunity” and “change the societal landscape.” It will also potentially dislocate the millions of people who drive people and things around for a living. “I think it will be better for us as a society,” Garg says. “Some people will have to retrain jobs. There will be losers and winners.” And for those in favor of a habitable planet, a report by the Intelligent Transportation Society of America claims these cars could chip away at 2 to 4 percent of oil usage and greenhouse gas emissions each year over the next decade. The real reductions will come as we replace gas tanks with batteries and cleaner technology. But with pioneers like Tesla, it’s not inconceivable that autonomous driving and sustainable power develop hand-in-hand. And more immediate than the eventual demise of person or planet, automation offers an otherwise nonpurchasable commodity: time. “The average commute globally is 40 minutes, one way,” Hendriks says. “So now you can give people that two times per day. What is a driver going to do when he's in a vehicle with that time? And how is the interior going to support this new activity—this relaxing, working, eating, exercising?”

***

Home Improvement & Donation Center

Yanfeng has cooked up some modest but sexy changes. In autonomous mode, the front two seats rotate 18 degrees to facilitate more natural conversations and recline to a relaxed, but not necessarily sleep-inducing angle. The plastic surfaces buzz when

touched, then kill the germs left behind in under three hours—a crucial feature for shared vehicles. Tucked into the side panels, LED lights glow in any pigment, pattern or brightness desired. Next to a tablet embedded in the dash, there’s a spot for phones to sit and sync with the car. Between the shins of the front passengers, there’s a cubby for something purse-sized. Like a collegiate lecture hall desk, a small table folds out of the huge central console towards the driver. The inside of the console is lined with tracks for tambour dividers that can be rearranged to make larger compartments, which could fit a half-dozen books or smaller “secret” compartments to sock away valuables. All of this sits above a blue-lit minifridge that can be pushed open to back seat passengers at the touch of a button. Since “80 percent of car use is by one or two people,” Hendriks says, frontriding passengers will be able to fold down the back seats, then extend their chairs horizontally. There, they can gaze at the stars through the sunroof, watch a film on their ceiling or—ahem— engage in other activities for people with time and privacy (facilitated by adjustable window opacity). Thirty corporations—including Google, Apple, Microsoft, Tesla, BMW, Mercedes, Ford, GM, Honda, Toyota, Volkswagen and Uber—are developing their own vehicles. A report by the University of Michigan predicts autonomous functions will be standard on a majority of cars in the 2050s. These automobiles could drop passengers off at their destination, then wait by circulating on less busy streets or parking themselves in tighter-packed lots. Way out in the future, the car might leave the lot, pick up remotely ordered groceries, nab the kids from a playdate and then snag the original passenger before driving home. Considering areas like Los Angeles County consist of 14 percent parking spaces, according to a recent blog for the Los Angeles County

Metropolitan Transportation Authority, this could help bring

about denser city planning, especially if metropolitan areas create sharing systems centered around vehicles similar to the Google Bubble car—an automobile that makes the Fiat 500 look positively macho.

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Stripped of a steering wheel, speedy engine, brake/gas pedals and most bulky safety features, these Pixar-esque vehicles could be ideal for ridesharing in low-speed, high-traffic metropolitan areas. Vehicles constantly circulating from one request to the next could be increasingly useful as roughly twothirds of humanity is projected to live in cities by the century’s midpoint. Last month, MIT spinoff Nutonomy began piloting a small number of autonomous taxis on the streets of Singapore. This month in Pittsburgh, Pennsylvania, Uber will test out 100 self-driving Volvo SUVs, though they will be supervised by human drivers. “You might have parts of large cities where no human-driven vehicle would be allowed,” says Dorothy Glancy, a lawyer who has been studying the possibilities of automated vehicles for more than a decade. “You’d have a whole bunch of autonomous vehicles available to serve the people in those areas, and it might be considerably safer.” These advances, however, come with grim news for the job market. Hundreds of thousands of car mechanics and drivers will likely become unnecessary, along with 1.6 million American truckers. Daily, trucks transport 70 percent of all cargo in the United States, or $11.4 trillion

of freight. But since deregulation during the Carter administration, this bedrock profession has been transformed into a “sweatshop on wheels,” where drivers routinely work lonely, 10-plus hour days for wages that occasionally work out to less than minimum wage. At the end of 2015, the American Trucking Association reported a shortage of nearly 50,000 drivers, one that’s expected to grow to 175,000 by 2024. The current landscape is far from perfect. Trucks only account for 1 percent of the cars on the road, but produce 28 percent of vehicle-based pollution. One in seven are empty, leading to increased congestion, and they kill approximately eight people a day in accidents. To modernize and improve this shipping method, two Google alums—Anthony Levandowski and Lior Ron—founded Otto, a startup pioneering autonomous truckdriving. They seek to retrofit existing trucks with updated sensors, software and other modifications. And they recently completed a test-drive of their technology on a public highway. After further upgrades and research, their goal is to spread to “every corner of the U.S. highway system.” On Aug.18, Uber announced that it had acquired

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16 AUTONOMOUS

HAPPY HOUR Commutes could soon include a cold one with interiors that include refrigeration.

Otto as part of the company’s foray into autonomous driving. Yet another usage could happen in last-mile situations at hospitals, universities and amusement parks, where automated shuttles could be used as rarely or frequently as necessary to facilitate disability requests. But we’re not there, yet. The most advanced autopilot models— pioneered by Tesla, BMW and Mercedes Benz—don’t trust their cars enough. They allow for cruising on highways, either open or congested, and that’s about it. Despite the limitations, it’s still a wild ride. Hendricks showed me a video of himself bombing down a European freeway at 130 mph in a BMW 7-Series with his hands off the wheel—well, most of the time. “It’s a safety system where you have to touch the wheel every 15 seconds,” he says. “And that will go away over time because it's kind of silly. But you don’t need pedals. You don’t need your hands on the steering wheel. The car drives itself. I actually closed my eyes for a minute, just to sense how that feels. It is unbelievable and you can buy that today.”

*** Since the 1939 World’s Fair, audiences have been dazzled by visions of automated highways. Self-driving cars have existed in prototype since the 1950s. But a promo video from General Motors depicted something closer to Disneyland’s Autopia than anything of modernity. GM’s Jetsonian vision of the future depicted a cheery family driving down a highway bifurcated by a guiding track. When they want to shift over to autopilot, they place a call to an operator in a control tower. “It could stay in the lane and everything, but it assumed an infrastructure that didn't exist,” says Dr. Chris Kitts, director of the Robotic Systems Lab at Santa Clara University. In 2004, the U.S. government got serious about developing this technology with the DARPA Grand Challenge—offering a million dollars to whoever created a vehicle that could drive itself through 150 miles of the Mojave Desert. Carnegie Mellon’s did the best—making it a little over seven miles before getting stuck on a rock. The prize money rolled over and doubled for the

2005 contest, but pride proved to be the primary incentive. “The amazing thing is that the industries and universities that joined in on this probably spent 100 times the amount of money that was actually offered as the grand prize,” Kitts says. “So it was this massive leveraging of investment in autonomous vehicles.” The next year, Stanford and Carnegie Mellon faced off in a friendly rivalry. Stanford, headed by Sebastian Thrun, a former professor at Carnegie Mellon, finished first. Stanley, their Red Bullsponsored Touareg, came outfitted with GPS, cameras and five mounted LIDAR (Light Detection and Ranging) units. LIDAR is so sensitive that, under the right conditions, it can detect single molecules. These combined technologies generated a 3-D map of the environment with the aid of six, intrunk Intel processors. All of this guided Stanley’s electric motor, which replaced the steering wheel. In 2007, Carnegie Mellon would get their revenge when they won the DARPA Urban Challenge. “All of the individual technologies, sensing the road, sensing obstacles, being able to drive, all that stuff, already sort of existed,” Kitts says. “It was doing it at

the speeds that you drive at—to do it without having all the time in the world to think about the situation and process the data. That was the challenge.” Thrun brought what he learned to Google, and the company’s cars have self-driven more than 1.5 million miles (almost) accident-free, mapping the planet as they did so. In one incident that can be partially blamed on the autonomous vehicle, the car had sought to avoid roadside sandbags by merging into a lane in front of a VTA bus. The car—and the person sitting inside the car, but not driving—thought the bus would yield. It didn’t. So the car nudged the side of the bus at a harmless two mph. “It was no big deal,” Glancy says. “But it does expose the fact that the algorithms that drive our driverless cars have certain predictions about how other cars will behave. So they reprogrammed the algorithm to presume that large vehicles such as heavy trucks and busses will not yield to the car in the curb lane of the road.” The first wave of automated vehicles will have to share roads with unpredictable human drivers, and the results to date have been mixed. In July,

create a pretty realistic simulation. It would be able to detect oncoming storms, obstacles or other undrivable conditions; then stop or send the vehicle on alternate routes, creating the most efficient distribution of traffic possible. Lawmakers would also have to alter tailgating laws, speed limits and licensing requirements as well as resolve who is legally liable if systems fail. Plus, car insurance must be reworked as California factors in the projected reliability of the driver into its rates, which isn’t as important if software does the bulk of the driving. But just as all drivers aren’t equal, the various automation programs may not be equal either. So will the cars all run on the same, top-shelf software? Or will there be variation? And premium prices for safer technology? According to Glancy, there will be the usual dance between standardization and competing operating systems. “It’s not at all clear that they will universalize the operations of an autonomous vehicle across makes and models,” she says. “The trouble is that we don’t know enough about how these technologies work. We’re much better off with a bunch of different technologies out there competing with each other to figure out what the best one is.” The final, scariest potential factor is data collection. With the internet, we’ve surrendered an astonishing amount of private information for the privilege of using the mandatory technology. And Uber’s God View already showed how dystopian our autonomously driven future could be. Uber’s program views all cars on the road and all waiting passengers while also tracking who went where and for how long. When anonymous, it’s a nifty function. But to impress investors at one launch party, the hosts displayed the names of various customers. Using this information, one guest contacted entrepreneur Peter Sims with his exact location, updating as he cruised in an Uber through New York. Sims, understandably displeased, blasted Uber online and no longer uses the service.

*** California has taken one of the strongest stances on automated driving, perhaps because it will be here before anywhere else. In the DMV’s current draft of

regulations, California mandates that all data tracking must be made obvious to the consumer of the vehicle, a good step for privacy. But the agency also imposes burdensome monthly reports from manufacturers, requires that a licensed driver be in the vehicle at all times and only allows consumers to lease vehicles rather than buy them. “I don't think anybody wants to be the first regulator to have permitted something very dangerous on the road,” Glancy says. “We can anticipate all kinds of potential problems. But we really need to get out there and try it and we’ll likely find things that we didn’t think of. You can be overly cautious about planning for all of the eventualities to the point where you strangle the innovation.” On the other hand, other modern inventions, like social media, proliferated without the collective pause for consideration. And stretching back further, the auto industry never predicted they’d be major culprits in the destabilization of our climate. “In many cases [of technological advancement], we put no thought into it, but we proceeded,” Kitts says. “The fact that we’re even having the conversation, I think is powerful.” A shift this extreme is understandably frightening, but it’s already begun under the cautious eyes of smart, qualified people. The revolution will be gradual until one day autonomous driving will make manual driving as antiquated as scrubbing clothes on a washboard. “The average housewife used to spend four hours a day washing,” Hendriks says. “Then the washing machine came and she got four hours back. Then the dishwasher, and then the microwave. And they took off really quickly because the value was time.” Driving is embedded in America’s DNA, much as the now-mechanized processes of manufacturing and farming once were. But during our shortened commutes, we will soon no longer have to mundanely tilt a wheel to stay between the lines. With those extra hours, we can do as little, or as much, as we want. Despite the concerns surrounding autonomous driving, this technology will soon be knit into our society. We have always adopted and adjusted to robots that save us money, make us safer and give us more time. Apparently, it’s human nature.

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Tesla passenger Joshua Brown died after a tractor-trailer crossed his lane while he was watching Harry Potter, according to the truck’s driver. Conversely, another Tesla user named Joshua (Neely) claims that autopilot helped him navigate to an emergency room when he had a heart attack while driving. Dueling anecdotes aside, Tesla stresses that their technology remains in beta—meaning it is prone to failure and drivers must be ready to react at any time. But the temptation to let your attention stray in autonomous mode seems borderline irresistible, especially since the technology's whole appeal is to do just that. As advanced as LIDAR and the other overlapping technologies are, there are still some scenarios—such as snowy country roads or skyscraper-lined “urban canyons”—where even the redundant means of mapping and navigating an environment fail and the car would turn control back over to a human driver. “Imagine a scenario where the car says, ‘I don't know what to do. Wheel’s yours,’” Kitts says. “Right at the last second, you’re being told to take control and you haven’t been paying attention, and you haven’t driven in six months. [Without] situational awareness, you completely lose the ability to really see something on the fly.” Google’s Bubble Car has ceded control to sensors and software. Their solution to danger is pulling over to the side of the road—a response which wouldn’t have prevented Brown’s death, but might have been acceptable if surrounded exclusively by autonomous cars. Also, without the ability to take control of the vehicle at any time, drivers could be subject to hacks. “It's one of the most difficult security challenges out there,” Glancy says, adding that anyone who demands proof of a secure system is missing the point. “It’s completely stupid because if they told you how it was secured, it wouldn’t be secure. But these systems have to be secure, not necessarily just for malicious people, but also kids playing around to see if they can cause havoc on the 101.” Still, a larger network would be useful, especially when it comes to navigating spontaneous obstacles. One car on its own can only map so far, but band them together—kind of like how Bruce Wayne did with cellphones in The Dark Knight—and they could

SUPER TOY & COMIC BOOK SHOW

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metroactive

RITA MORENO

NICK CAVE

*wed

NICK CAVE

Wed, 11am, Free Anderson Collection, Stanford Part sculptor, part clothing designer, part sound artist, Nick Cave (not of The Bad Seeds) creates full-body “soundsuits,” which are both pieces of art and performative costumes that conceal the wearer’s age, gender and race. They are made from collected and repurposed objects, including buttons, beaded baskets, doilies and sequined fabric. A collection of his soundsuits will be shown along with three videos by the interdisciplinary artist and a documentary on Cave, titled Here. The exhibit runs through Aug 14, 2017. (ST)

CHOICES BY:

Taylor Jones Sean McCourt Stacy Torres Nick Veronin

GO! GO! GONG SHOW! Wed, 9pm, Free Cafe Stritch, San Jose “Mighty” Mike McGee is acclaimed slam poet, known internationally for his creativity in the realm of performative spoken word and locally for his dedication to organizing open mic nights—like the “Kitchen Sessions”—and other forums for South Bay artists to strut their stuff. The “Go! Go! Gong Show!” is one such forum. Participants have at least four minutes to show off any skill they have. If the gong is hit before they finish the performance, they are disqualified. Others’ performances will be rated on a scale from one to 10 with the winner receiving $50 and a slot in the finals. (TJ)

*thu *fri

RITA MORENO Thu, 6pm, $125 SJSU Student Union

If there’s anyone who understands the importance of diversity it’s Rita Moreno. The octogenarian has spent a career fighting racial stereotyping—thriving all the while. The Puerto Rican-born actress, dancer and singer is one of the few “EGOTs” (an Emmy, Grammy, Oscar and Tony winner). Moreno had a small part in Singing In The Rain; second, and the larger, an Oscar-winning role in West Side Story. She will be the guest of honor and keynote speaker at San Jose State University’s first-ever Educational Opportunity Program Gala. The Educational Opportunity Program is designed to improve support for first-generation, low-income and educationally disadvantaged students. (NV)

LUCINDA WILLIAMS

STRENGTH UNITY POWER

Fri, 7:30pm, $40-$70 Mountain Winery, Saratoga

Fri, 6:30pm, Free Triton Museum of Art, Santa Clara

Proving that some things only get better with time, Lucinda Williams’ intoxicating blend of introspective songwriting and impassioned performing skills make her one of the best acts out there today. With four decades of singing and playing experience under her belt, she continues to weave her twangy and soulful voice with a background of country, rock, folk and blues. While her records are outstanding, on stage is really the place to hear Williams. Her shows are pure musical marathons—raucous, soothing, cathartic and celebratory all at the same time. (SM)

Born in Montana and reared on the Crow Indian Reservation, Wendy Red Star is a Native American multimedia artist who explores the appropriation of her culture. She creates thoughtprovoking images that leave the observer intrigued and wanting more. With a BFA from Montana State University and an MFA from UCLA, Red Star’s work has been displayed in a number of museums and exhibits, including the Smithsonian’s National Museum of the American Indian, the Philbrook Museum of Art, and The Plains Indians: Artists of Earth and Sky exhibit at New York’s Metropolitan Museum of Art. Her forthcoming exhibit at Triton runs through Oct. 30. (TJ)

* concerts THE HEAVY

Sep 26 at The Ritz

LUCINDA WILLIAMS

BLINK-182

Sep 28 at Shoreline Amphitheatre

MEGADETH

Sep 29 at City National Civic

ODDBALL COMEDY FEST

Sep 30 at Shoreline Amphitheatre

ZZ TOP

Oct 1-2 at Mountain Winery

GWEN STEFANI & EVE

Oct 8 at Shoreline Amphitheatre

NGHTMRE

Oct 14 at City National Civic

PENTATONIX

Oct 17 at SAP Center

THE 1975

Oct 18 at SJSU Event Center

JETHRO TULL

Oct 22 at City National Civic

BRIDGE SCHOOL BENEFIT

Oct 22-23 at Shoreline Amphitheatre

FIVE FINGER DEATH PUNCH Oct 31 at SAP Center

*sat

BURNING TALE Sat, 6pm, $5 Studio Bongiorno, Santa Clara The second of two “Mighty” Mike McGee-hosted events this week, “The Burning Tale” is one part writing workshop (starting at 6pm), and one part potluck and open-mic night (beginning at 8pm). After everyone’s had a chance to mingle and share their own material, the night’s special guest, Erica Gross— poet laureate of Los Gatos—will read some of her own work. Gross’ poetry has been published in multiple journals; she hosts her own poetry-focused local-access cable show, Word to Word; she’s authored two books; and recently won the first Edwin Markham Prize for poetry. (TJ)

BRAND NEW & THE FRONT BOTTOMS

Oct 31 at SJSU Event Center

MARC ANTHONY

Nov 4 at SAP Center

RUPA AND THE APRIL FISHES Sat, 8pm, $23-$29 Sunnyvale Theatre Sunnyvale kicks off its 26th annual performing arts series, “Evenings of Cultural Arts,” with a concert by Rupa and the April Fishes. The San Francisco group have an eclectic, international sound that blends folk, Indian raga, ska, rock and jazz. The band’s lead singer, Rupa Marya, sings in English, Spanish, French and Hindi as she reflects on themes of pain and perseverance, telling her tales of sorrow and joy through her sultry, smoky voice. “Evenings of Cultural Arts” is a monthly series. Next month’s event brings The Wee Trio to the Sunnyvale Theatre on Oct. 22. (TJ)

MANÁ

DREW DEEZY

Sat, 8:30pm, $72 SAP Center, San Jose

Sat, 8pm, $18-$20 The Ritz, San Jose

In 1986 in Guadalajara, Mexico, Alex González, Sergio Vallín and Juan Calleros formed the band that would become Maná. Today, they are one of the biggest and most influential Latin rock bands in the world. Since their humble beginnings, the group has sold over 40 million albums, scored four Grammy awards and eight Latin Grammy awards, and have nine No. 1 albums and 10 charttopping singles in America alone. On their current Latino Power Tour the band aims to use its massive voice to advocate for the Latino community. (TJ)

American Samoan rapper Drew Deezy is one of San Jose’s rising hip-hop talents. With over 18,000 likes on Facebook, Deezy has been steady grinding on his rap game for more than a decade, crafting a sound all his own. His biggest hit, the Tenelle- and Fiji-featuring “50/50,” boasts a YouTube viewcount of 1.5 million and blends a triumphant, Uce Nationproduced beat with a sweet and swaggering hook—which toggles between the pure, soaring vocal of Tenelle and the powerful dancehall flow of Fiji. Deezy’s labelmate and fellow San Josean, A-Dough, joins him. (NV)

CHARLIE PUTH

Nov 7 at City National Civic

BILL MAHER

Nov 12 at City National Civic

DREAM THEATER

Nov 20 at City National Civic

STEVIE NICKS

Dec 14 at SAP Center

THE MUMLERS

Dec 22 at The Ritz

WAR

Dec 29 at City National Civic

TWENTY-ONE PILOTS Feb 10 at SAP Center

For music updates and contest giveaways, like us on Facebook at metrofb.com

SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

DRAKE & FUTURE

Sep 24-25 at SAP Center

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

metroactive ARTS

Hasta La Vista CUT! The Camera 12 closed last week, leaving downtown San Jose void of a first-run moviehouse.

Reeling in the years: remembering 12 years of Camera 12 BY RICHARD VON BUSACK

FTER MORE THAN a decade of presenting indie flicks and summer blockbusters alike, San Jose’s Camera 12 theater complex has shut down for good. The closure is a terrible blow to Silicon Valley moviegoers—and especially those living in downtown San Jose.

The finale isn’t a complete surprise: Camera 12 had dwindling audiences and had been offering ultra-low-priced bargain matinees. Even in a state of shabbiness, with its graffiti-scratched plexiglass poster windows facing the light rail line, this theater was something

far more than just a mere building or a business. In some ways, Camera 12 was the center of downtown. Nightlife revelers passed it hopping between SoFA and San Pedro Square, and it was impossible to miss when passing from Plaza De Cesar Chavez to San Jose State. No one ran the theater longer than the locally based, independent Camera Cinemas, which has been managing movie theaters in downtown San Jose since 1975. Longtime moviegoers have a thousand memories of the Camera 12 building. Mine go back to the surprisingly ill-fated multiplex’s opening in 1996. I was interviewing its then-manager, a type who could have been in any business from furniture to electronics. I was having a hell of a time trying to get him to talk about cinema. He seemed less interested in the movies than he was about the quality of the carpets.

The United Artists Pavilion, as it was named then, was a state-of-the-art theater complex at the time. However, it was doomed by low turnout and high rents, rumored to be at $1 million a year. The since-bankrupt United Artists theater chain reportedly wanted out of the deal six months after they opened. During the weekend of Jan. 15, 2000, the steel and glass showpiece closed without warning. The theater’s lights were left on to burn out in their sockets. Seeking to avoid a Monday morning restraining order, UA workmen looted the complex during the weekend. The sound equipment was ripped out with such haste the screens were left damaged. In the bleak years after 9/11, the former UA Pavilion was a haunted edifice in a half-empty shopping center. Even before the terror attacks hurt local businesses, some sought to fix the problem of the theater with a bulldozer. As Genevieve Roja reported for Metro in December 2000, Redevelopment Agency head Susan Schick had argued for the demolition of the theater. It was, at that point, a four-

year-old building that cost taxpayers $4.6 million and caused the eviction of five small businesses to build. “The theater is obsolete,” Schick said then. “It’s not a theater built to modern-day standards.” The plan was to level the complex and replace it with a mixed-use development as tall as the Fairmont Hotel across the street. Pam Kelly, then-publicity person for the Camera Cinemas, knew well the risk of being a cinema exhibitor. In 1999, she told me: “When the UA Pavilion was being planned, we warned the city that this might happen. They wouldn’t listen to us. They thought we were being crybabies.” Ultimately, the Camera Cinemas swallowed a megaplex that was meant to engulf their own two small downtown theaters. They fixed up the Camera 12 with an expensive renovation, ripping out walls, replacing the seats and spending $30,000 to get the escalators up to code. Now this whale of a theater will be empty again. One question about its demise concerns the fate of the Cinequest festival. After noting his regrets and sending his thanks to the Cameras’ James Zuur and Jack NyBlom, Cinequest co-founder Halfdan Hussey claims Cinequest is on track for Feb. 27, 2017, with exhibition sites and dates to be announced. “Cinequest has been planning for this day, since we had received warnings for three years about the prospective closure,” Hussey says. “We have some great alternate venues that we’re negotiating. We’ll wait until we get our deals done, and probably announce with the lineup on January 26.” Cinequest has been rebranded as a “Film and VR festival,” which suggests changing times in movie watching. Statistically, there are more movie screens in America than ever before— some 40,000 nationwide. Yet there’s some weight to director Joe Dante’s words: “Cinema is a 20th century art form, and the 20th century is over.” After several seasons of unnecessary sequels, prequels and reboots, one sees the need for exhibitors who can bring cinema into the 21st century, through special attention to worthwhile movies. The Camera 12 may be out of business, but that special attention will continue: the Cameras will still be maintaining the very busy Camera 7 in Campbell, the Los Gatos Theater and the Camera 3 in downtown San Jose.

PERFORMANCE

Back to School NOW THROUGH SEPTEMBER 30TH

Great savings on all the art supplies you need! EQUINE ODYSSEY ‘Odysseo’ by Cavalia, which comes to San Jose for the first time this week, tells the story of humanity’s connection to horses.

Cirque Du Saddle FOR MILLENNIA, humans and horses have shared a special bond. A new production from the Quebec-based Cavalia aims to tell story of mankind’s long and complex relationship to these majestic creatures. Odysseo, the touring program from the Canadian equestrian and acrobatic performance troupe, premiered in 2011 and this week comes to San Jose for the first time. The $30 million production is bigger than its previous entertainment, with over 100 tour buses, 65 horses and 48 performers, including riders, acrobats and musicians. Artistic director and creator Normand Latourelle says Odysseo is a show unlike any other.

Odysseo

Thru Oct 2, $30+ 399 W. Julian St., San Jose

“I think it’s the best show that people can witness, ever,” Latourelle says. Latourelle, who helped Cirque Du Soleil get up and running in its early years, came up with the concept to combine high-flying acrobatics with equestrian performance, founding the company in 2003. The company’s first production, Cavalia: A Magical Encounter Between Human and Horse has been touring since then, playing to more than 40 million spectators. It took Latourelle and his team eight years to create Odysseo. With the help of HD projections on a screen three times larger than a standard cinema screen, Odysseo manages to take viewers on a journey where human and horse travel together through lush forests and beautiful landscapes, all under what Latourelle says is the largest big-top tent in the world. “We project images that are so high definition, you get a feeling that it’s for real,” Latourelle says. The stars of the show are the horses, and like human stars, they sometimes like to improvise. Elise Verdoncq, a rider for Cavalia, works with up to 10 horses at a time, leading them with only her voice. “Sometimes it happens, a horse wants to play and have fun,” she says, referring to the horses getting distracted. “There is no way to react, you just let the horse be a horse.” In the end she says, this playful interaction is what people enjoy the most. Every horse has their own name, and when Verdoncq feels they are ready to return to their position, she simply calls them back. This bond between her and the horses makes for some amazing performances. —Stacy Torres

paint, brushes, pencils, markers, journals, pads, notebooks, scissors, glue & more!

456 Meridian Avenue San Jose 408-297-4707 Redwood City San Jose Sacramento UniversityArt.com

SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

University Art

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metroactive FILM

Bigger Splash YOUR CAPTAIN SPEAKING Tom Hanks plays Chelsey Sullenberger in the new Clint Eastwood-directed ‘Sully.’

Though ‘Sully’ has issues, Eastwood’s film touts worthy hero BY RICHARD VON BUSACK

IVING THE AUDIENCE what they want—a fantastic aerial disaster in which no one gets hurt—Clint Eastwood’s often-pretty-good Sully is highlighted by the self-effacing underacting of Tom Hanks as Chesley Sullenberger. This time, Eastwood is certainly lionizing a higher grade of person than American Sniper’s Chris Kyle. Appropriately, Hanks plays the Diablo Valley-based pilot as a dream movie hero—soft-spoken, reluctant to accept praise. Nerveless, in the

cockpit, the fear only strikes him later when he’s alone, in the bath, or outrunning the anxiety in jogging sessions late at night. Winging to Charlotte from LaGuardia, US Airways Flight 1549 encountered a flock of Canada geese. The birds exploded both engines on the Airbus A320. Eastwood’s film suggests the real ordeal was to come: suspicious inquiry from the government agents who believed that Sullenberger could have brought the jet home to one of two nearby airports, instead of splashing down on the river. The story of Sullenberger’s forced water landing in the Hudson on Jan. 15, 2009, is natural material for a movie. The silent, powerless jet gliding over the Manhattan skyscape is bad enough in ordinary screen; in IMAX it must be terrifying. Hanks handles the wheel with his fear

swallowed down, leaving a rugged Aaron Eckhart (as Flight 1549’s first officer, Jeff Skiles) to handle the reactions. Eckhart does the slow burns, the skepticism and utters the seeming sole joke in the movie—an aside about water temperature. As in American Sniper, there’s a nervous wife at home; a squandered Laura Linney doing the very actingover-the-telephone that she recently satirized on Inside Amy Schumer. (There, Linney was the Oscar-nominated wife in the imaginary Canadian Sniper, shouting over the gunfire: “I can’t hear you over all that snipering!”) So Anna Gunn (Breaking Bad) is left to represent the women in the audience. If the National Transportation Safety Board conducts itself like the jury members in the trial of Joan of Arc, Gunn’s wide, square face, suffused with emotions, shows us that even before the results come in, she knows—deep in her heart—that Sully did the right thing. The indication of government ill-will has been criticized by the NTSB officials who don’t enjoy being presented as

villains. Perhaps they shouldn’t have taken it personally. Clint Eastwood has been in an unusual business for more than 50 years, and I suspect he thinks that air agencies operate in the same way the movie world does. Why else would the committees, in their beige meeting rooms, look so much like a film press junket, in which half the critics present aren’t convinced by the story they’re hearing? Sully’s complaints about computer simulations that leave out the humanity might as well be an old-time director complaining about CG characters. Being pestered by Katie Couric and patronized by Dave Letterman, being buttered up or manhandled by odd fans, seeing yourself on all the Times Square video screens at once: these are a movie star’s problems. Opening on the 15th anniversary weekend of 9/11, Sully is consoling counterprogramming. “We don’t get much good news here in New York … especially regarding airplanes,” says a minor character here, lest we forget. And Sully is a particularly touching film when watched in Silicon Valley, where age discrimination is considered a smart business practice. No one of a certain age forgets that Captain Sullivan was 57 when he saved the lives of some 150 passengers. We all know what Eastwood thinks of Michael Moore. So it’s bemusing that Moore caught an angle on Sully’s post-Flight 1549 career that Eastwood neglects, in his documentary Capitalism: A Love Story. Rather than merely being a hero who fought down a nasty, jesting-Pilate government agency, Sully asked the government to help airline pilots at a hearing. He testified against the weakening of minimum standards for pilot experience being demanded by the airline industry lobby. As Moore observed, the speech was underattended by lawmakers. But the stand shows what kind of man Sullivan is: someone who saved lives not just because of his own calm-under-pressure, skill and amazing guts, but because of sterling technology and the strength of regulations.

SULLY

Valleywide

MIN

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w o n d e r

SAN JOSE MUSEUM OF ART

San Jose International Short Film Festival

THIRD THURSDAY: BOOZE AND BRUSHES THU, SEP 15, 5â€“8 PM

Registration is $30 ( $15 for members )

Enjoy an inspiring evening of painting, fueled by cocktails. Grab your friends and the drink of your choice, let loose, and dabble away. No skills required! Relax as artist and instructor Stuart Mahoney guides your creativity and introduces you to simple painting techniques. Adults 21 and up only. No-host bar. Not up for painting? The galleries are open until 8 PM, and admission is just $5 after 5 PM (free to members).

See what you think.

Tickets at sjmusart.org/booze-and-brushes

Cinearts Santana Row October 20-23, 2016 Tickets on sale September 16th Visit SJSFF.com for more info

SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

d i s c o v e r

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metroactive FILM

Revivals JULIUS CAESAR/ ANIMAL CRACKERS

(1953/1932) If all this Shakespeare adaptation had going for it were Marlon Brando’s Marc Antony, it would still be worth revisiting. Director Joseph Mankiewicz (All About Eve) has a favorite character, Edmond O’Brien’s grim Casca, the reportorial nobleman disgusted by the “foolery”—the dog-and-pony show that Caesar and his disciple Antony put on with the thrice-offered crown. But the other actors have their due: James Mason as the frightened, bad-nerved Brutus, looking unusually slight among the co-conspirators, and John Gielgud as the shallower, slicker Cassius, who turns Brutus to assassination. Louis Calhern is very much the Chicago ward boss as Caesar; he is an easily flattered bruiser who has already begun to refer to himself in the third person, always an alarming sign in a politician. Every high school student keelhauled through Julius Caesar can say by rote, “It’s a play about too much ambition.” Instead, Shakespeare savages the idea of self-made royalty, lamenting the end of the Republic and the “serpent’s egg” of absolutism hatching. There’s a part of the viewer that must mourn that the conspirators didn’t ice Antony when they had the chance. First, Antony breaks a handshake deal with the senators, then he craftily works his own gambit to set the mob on fire. Brando has to make his “Friends! Romans! Countrymen!” heard in the midst of a major hubbub. The statuesque actor crouches on the high steps of the

“Reminds “Reminds us us that that

REVIEW

Senate—stooping further when it pleases him. In close-up, we see his calculation, gauging when to display the daggered corpse, figuring how long to tease the mob with the scroll containing Caesar’s will. In his clouded brow and half-smirk of triumph, we see a master politician at work. “As the people warm to him, he is thinking, ‘suckers,’” wrote critic Anthony Lane. Maybe so, but we’re grudgingly on Brando’s side, because we’ve seen the look on his face and understand what he’s concealing from the crowd: “Are they buying it?” The subject here is of the peculiar ugliness of public life and the twofold choice available: those who overcome their disgust and get their hands bloody like Mason’s Brutus. Or those, like Brando’s Antony, who are shrewd enough to get their dirty work done for them. BILLED WITH Animal Crackers. A Long Island house party is host to a strange guest: Capt. Jeffrey T. Spaulding (Mr. Groucho Marx), the African explorer who, with courage and defiance, risked his life for science: “One night I shot an elephant in my pajamas. How he got into my pajamas, I’ll never know.” This hero and his young secretary, Horatio (Zeppo Marx), rest from these travels at the fancy estate of a plump and wealthy goose (Margaret Dumont). To earn their keep, they foil art thieves and dally with visiting riffraff: the pianist Emanuel Ravelli (Chico Marx) and his odd associate “The Professor” (Harpo Marx). Also lurking about is the sweet-faced singer Lillian Roth. Music and lyrics by Bert Kalmar and the man Groucho considered the funniest person he’d ever met, Harry Ruby. (Sep 14-16 at the Stanford Theatre, Palo Alto.) (RvB)

MRMoviegoers . LEWIS...can can bebe A FORMIDABLE DRAMATIC ACTOR. Moviegoers ofof aa certain certain age age will will be be unable unable toto resist resist this this unexpected unexpected glimpse glimpse ofof ”” A TRUE-BLUE LEGEND! Jeannette Catsoulis, THE NEW YORK TIMES Jeannette Catsoulis, THE NEW YORK TIMES “A “A tender tender showcase showcase for for

A DIFFERENT KINDRex Reed, OF THEJERRY LEWIS .”” NEW YORK OBSERVER Rex Reed, THE NEW YORK OBSERVER ““

LEWISin front REMAINS A MESMERIZING STAR in front ofof the the camera. camera. You You can’t can’t take take your your eyes eyes off off him! him!”” Peter Peter Travers, Travers, ROLLING ROLLING STONE STONE

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”” A POIGNANT DRAMA! Bryan Alexander, USA TODAY Bryan Alexander, USA TODAY

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COMING SOON S. 2nd & San Carlos 998-3300 STARTS FRIDAY, SEPTEMBER 16 S. 2nd & San Carlos 998-3300

STILL GOT IT? Jerry Lewis proves he still has his wits about him in ‘Max Rose.’

Noah’s Dork DECADES AFTER HIS heyday, Jerry Lewis is still a dreadful and awesome figure overshadowing comedy. Lewis has a vast wavelength: sometimes he’s great, and when he’s bad, he’s even greater. Daniel Noah’s 2013 indie movie Max Rose—was it released or did it escape?—gives Lewis a well-deserved part. If the movie is tripe, Lewis fills a lot of ruminative closeups. It gives him a chance to dwell in a favorite realm, the world of hurt, betrayal and rancor. As his son, San Jose-raised actor Kevin Pollak stands up to verbal abuse by standing up to Lewis’s obscene wrath. I don’t know if I’ve ever seen him better. The elderly Max Rose (Lewis) just buried his wife of 65 years—the funeral is shot from a POV of about 100 yards back, deliberately robbing Jerry of a big moment of self-castigating oration about his failures as a husband. In moments like this, Noah is determined to make this drama artistic, as if to cool down Lewis’ wetter qualities; the colors are brightened to the point of a neon city in a film noir. At home, Max discovers a piece of inscribed jewelry given to his wife by an admirer some

60 years previously. After questioning the ghost of the wife (Claire Bloom) Max finally has a breakdown and is sent to assisted living. There, one of his cronies (Lee Weaver) conveniently has the missing bit of info that can connect this aggrieved widower to the man who Max Rose tried to steal his wife. The lover is played by 83 min, unrated a sinister Dean Stockwell, Opening at the as if he were Clare Quilty Opera Plaza in San Francisco in Lolita. Max’s grown-up granddaughter Annie (Kerry Bishe) is loyal enough for 10 women, and her sentiment gives this film a large, sticky heart—what if, indeed, Max had been as bad a husband as he claimed he was when he was trying to upstage the corpse at a funeral? The way Annie, as well as Max’s other grandkids, respond is Lewis’ way of exculpating himself: he accuses himself of terrible wrongs and then gets a jury of children to find him innocent. In his 90s, he’s still in possession of not only his marbles, but everyone else’s; the movie is in this narrow sense a triumph for Lewis. —Richard von Busack

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SHARON JONES

09/20 JACKASS/ DJ LOOMIS FALL 09/21 SLY & ROBBIE & THE TAXI GANG 09/22 METRO BOOMIN 09/23 THE SOUL REBELS W/TALIB KWELI DEL THE FUNKY HOMOSAPIEN 09/24 THE CALIFORNIA HONEYDROPS 09/25 KONGOS/ JOY FORMIDABLE 09/27 CARLA MORRISON 09/28 TECH N9NE 09/30 DIZZY WRIGHT/ DJ HOPPA 10/04 PEACHES/ DJ JBEEZ 10/05 CHIEF KEEF 10/06 GTA/ CHRIS LAKE/ FALCONS 10/07 HOPSIN/ JOYNER LUCAS 10/08 HIPPIE SABOTAGE 10/09 ERIC HUTCHINSON 10/09 MARC BROUSSARD AT THE RIO

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Brittany Bowen

metroactive MUSIC

Being Himself ART OVER ARTIFICE Strata and Limousines frontman says recording under his own name allows him to make raw, uncut and highly personal statements.

Eric Victorino to play first SJ solo show at C2SV festival BY NICK VERONIN

FTER FRONTING two critically acclaimed and commercially successful musical projects, one might assume South Bay native Eric Victorino would be comfortable on stage and confident in his own skin. But that’s not always the case.

In fact, right up until moment he went on stage for the first solo performance of his career, Victorino says he was terrified. “It was scary up until the second

it started,” he says of his recent appearance at PopScene—the weekly indie dance music party hosted by Live 105’s program director and DJ, Aaron Axelsen. Furthermore, he adds, he can only really point to one consistent lyrical theme on his forthcoming solo debut. “It’s this feeling of doubt,” he says of the songs on the soon-to-be released Wake Up, I Miss You. “This is my first opportunity to be to really be blatant about the doubts that I have in myself and my place in the world, and maybe the doubts I have about certain people in my life.” Victorino says that there are days when he has doubts about making music, and at times he can’t decide whether he wants to play with live

instruments or use a computer to program beats. “Music is such a weird thing for me,” he says. “But it’s something that I feel I need to keep doing.” Yet Victorino is much more than a pensive and brooding artist wracked by doubt. He is also an explosive performer with the ability to control a room with his voice and his magnetic stage presence—and when he’s not second-guessing himself, he can be brimming with confidence. “Right off the bat I felt really comfortable and felt like this is what I should be doing for this particular project,” he says of taking the stage at PopScene on Sept. 2. “It was just me. It was the first time I’ve ever done that—been on stage by myself. And it was cool.” For the very first time, Victorino explains, he had no one else to let down—no band member or musical collaborator—and that feeling, he says, has been freeing. “For the first time in my life, I

don’t give a fuck if anybody likes this album,” the singer says of Wake Up, I Miss You. “I’ve never had that feeling before.” Listening to Victorino’s new material, one gets the sense he is telling the truth. It’s clear that the songs on Wake Up are coming from a very personal place. “Well at least I’ve had a woman,” he sings in a low, trembling, almostwhisper on “Prophecy.” “Well at least I’ve had someone. Well at least I’ve had a moment in the sun.” If there is a theme that unifies the music itself on Wake Up it is simplicity. “Prophecy” plods along over a minimalist keyboard arpeggio and a spare kick and snare drum machine beat. As he tells it, some of the songs on this record were laid down using his smartphone. At first, Victorino says, he intended that the clips would merely serve as demos, but now he says he likes the bare-bones feel of some of these takes so much he is sure some of them will end up making the final cut—even if it isn’t anywhere near as polished as much of what he did with Strata and The Limousines. “I don’t care if this is looked at as a collection of demos,” he says, explaining that his choice to go with rawer takes is related to his decision to perform under his given name. “I’ve never really realized what naming a project does, aside from the obvious—it’s kind of a marketing tool,” he says, cracking wise about a certain well-known New York death metal act: “As a listener, you have a good idea that ‘Cannibal Corpse’ is going to sound a certain kind of way.” Ultimately, he says, performing and recording as Eric Victorino means he can be as true to himself as possible. “It’s the one thing I won’t change,” he says of the words printed on his birth certificate. “I’m not going to get tired of my own name, I don’t think. I hope not.” Victorino opens for Shonen Knife at The Ritz during October’s C2SV music and technology festival.

OCT

ERIC VICTORINO

$15-$18

The Ritz, San Jose

8pm

Customer Appreciation Concerts Sunday September 25 Doors Open @7

Sunday October 16 Doors Open @7

Playing Weds September 28 through Sat October 1

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Well Drinks • Bottle Beer • Bull Rides • Hot Dogs •

42011 Boscell Rd. Fremont, CA (510) 979-0477 thesaddlerack.com

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FREE

11 27

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Tattoo

Shops, conventions collectives and more

metroactive MUSIC

Rock/Pop/ Hip-Hop THE BACK BAR SOFA

Every Wed, 9pm: The Cypher, feat. Hip-hop, Jungle, Soul, Reggae, Dubstep, Trap, BreakBeat, House and more. San Jose.

SAP CENTER

Sat, Sep 17, 8:30pm: Mana: Latin Power Tour 2016. Sun, Sep 18, 6pm: Kellogg’s Tour of Gymnastics Champions 2016. San Jose.

SHORELINE AMPHITHEATRE

Fri, Sep 16, 7pm: Luke Bryan. San Jose.

WOODHAMS LOUNGE

First and Second Fri, 9:30pm: Live PRO Jam. Third and Fourth Fri: Live bands. Santa Clara.

BRIT ARMS ALMADEN

Every Thu: DJ Maniakal. San Jose.

artist:

rafael Hernandez Player’s Ink

BRITANNIA ARMS DOWNTOWN

Every Thu: DJ Benofficial. Every Fri: Every Sat: DJ Ready Rock. San Jose.

Tattooing & Body Piercing

THE CARAVAN

518 West San Carolos St. San Jose, CA 95126 408.993.8282 @PlayersInkSJ

Every Tue: DJ Music (goth, industrial, ’80s). San Jose.

C&J’S SPORTS BAR

Every Wed, 10pm: College Night DJ. Every Thurs, 10pm: Karaoke. Every Fri & Sat: Live Music or DJ. Santa Clara.

Jazz/Blues/ World ANGELICA’S BISTRO

Every Tue: Jazz Tuesdays and Open Mic Night. Sun, Sep 18, 7:30pm: Opera Night.

ART BOUTIKI

Every Sun: Live Jazz Show. San Jose.

BLUE NOTE LOUNGE

Every Tue, 8:30pm: Tuesday Night Blues. Every Sun: Jazz or Blues. Milpitas.

BLUE ROCK SHOOT

Every Thu: Open Mic. Every Fri: Blue Rock Showcase. Every Sat: Live Featured Show. Every Sun: Jazz & Blues Jam. Saratoga.

EAST COAST ALICE

Fri, Sep 16, 8pm: Bri Cauz covers pop, country and rock. Saratoga.

PLAYERS INK TATTOOING & PIERCING

Marks of Art

518 W San Carlos St, SJ | 408.993.8282

3014 Union Ave, SJ | 408.377.1924 | @MarksOfArtTattoo

JOHNNY V’S

Every Mon: Gangster rap, rock, metal with Ben B and Sean Blak. Every Tues: Hip Hop, EDM with Sean Blak and guests. Every Wed: Ben B and DJ Test. San Jose.

MOJO LOUNGE

Most Fri/Sat: Live Music. Every Sun, 8pm: Acoustic Jam. Every Tue, 8pm: Aki Kumar’s Band. Every Thurs: DJ Mist. Fremont.

CAFE STRITCH

Every Wed: Wax Wednesday: All Vinyl DJ Sets. Thu, Sep 15, 8:30pm: Jacam Manricks Quartet. Fri, Sep 16, 8:30pm: Josh Thurston-Milgrom. Sat, Sep 17, 8:30pm: Giulio Cetto Quartet. Every Sunday, 7pm, The Eulipions Jazz Jam Session. San Jose.

CAFFE FRASCATI

Every Tue, 7pm: Open Mic Night. Every Wed, 7:30pm: Commedia Comedy Night. First Saturday of the Month, 8pm: Kavanaugh Brothers Celtic Experience. San Jose.

CAFE PINK HOUSE

Every Sat, 2pm-3:30pm: Saturday Coffee Time Music.

THE RITZ

To advertise contact Gordon Carbone: gcarbone@metronews.com

Wed, Sep 14, 8pm: Ritchie Dagger’s Crime Time. Thu, Sep 15, 8pm: Control w/ DJs Carlos C., Rogcon, Otrebor. San Jose

CLUB FOX Every Wed: Club Fox Blues Jam. Every Fri: Salsa Spot. Sat, Sep 17, 8pm: Neil Young & Crazy Horse Tribute—Tribe of The Red Horse with Heartless, NorCal's Premier Heart Tribute. Redwood City.

JJ’S BLUES Every Tue: MikeB Interactive Jam. Wed-Sun: Live Music. Every Fri: Latin Rock Nights. San Jose.

LOUISIANA BISTRO Every Thu, 7pm: Yellow Bulb Sessions. San Jose.

THE MOJO LOUNGE Every Tue, 8pm: Aki Kumar’s Blues Jam. Fremont.

MOROCCO’S Every Tue, 4pm: Live Acoustic Music. Every Wed-Fri, and Sat, 5pm: Belly dancing. Every Sunday: Special Dinner Shows. Mountain View.

MOUNTAIN WINERY Fri, Sep 16, 7:30pm: Lucinda Williams. Sun, Sep 18, 7:30pm: Get The Led Out. Saratoga

MURPHY’S LAW Every Mon: Monday Night Blues Jam. Sunnyvale.

NUMBER ONE BROADWAY Wed-Sat: Live Music.

O’FLAHERTY’S Every Tue, 6:30pm: Irish Seisiún. San Jose.

POOR HOUSE BISTRO Every Wed: Blues & Brews w/ Sid Morris & Ron Thompson. Every Tue, 6pm: PHB Open Mic Night. San Jose.

RED ROCK COFFEE Fri, Sep 16, 8pm: Shay Salhov Quartet. Sat, Sep 17, 8pm: Peter Case & Andrew Victor. Mountain View.

SAP CENTER Sat, Sep 17, 8pm: Mana: Latino Power Tour. San Jose.

ST. STEPHENS GREEN

THE QUARTER NOTE

Every Mon: Live Music Jam with Kimberley’s Band. Every Wed: Live Music Jam Funk. Every Thu: Jam Funk with Vicious Groove. Sunnyvale.

More listings:

METROACTIVE.COM

THE CATS

Every Sun: Joe Ferrara (jazz). Los Gatos.

Every Tue, 7:30pm: Irish music. Fourth Sat, 10pm: Latin Party Night. Mountain View.

C&W/Folk MISSION PIZZA Thu, Sep 15, 7pm: Mill Creek

11 29 SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

10 30

AUTHOR OF THE CIRCUIT: STORIES FROM THE LIFE OF A MIGRANT CHILD

IN CONVERSATION WITH LALO ALCARAZ

STUDENT UNION THEATER , SJSU

SEPTEMBER 12

SHAPESHIFTER Local rock & roll writer Richie Unterberger will discuss the work and legacy of David Bowie.

Looking Back At Bowie IF ANYONE COULD have dodged death, it might’ve been David Bowie. The shape-shifting superstar carried himself like a savant ambassador from a far groovier galaxy. His conventional passing is almost more David Bowie shocking than if he had ascended skyward via tractor Presentation beam. But now that he’s gone, fans crave a summation of his impact. And on Friday at the Bascom Avenue Public Library, veteran rock & roll writer Richie Unterberger will deconstruct the peak of Bowie’s long, dense career.

Sep 16, 6pm, Free San Jose Public Library, Bascom Ave

As a music writer, Unterberger says he is the most interested in individuals and groups that he can spend an entire evening discussing. “A lot of artists change in unexpected ways—The Beatles, The Stones, Miles Davis. But David Bowie in the ’70s was perhaps the least predictable.”

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Unterberger plans to trace Bowie’s development from his breakout late-’60s hit, “Space Oddity,” to his early-’80s dance track, “Let’s Dance.” Unterberger has written books on artists like The Beatles, The Who and The Velvet Underground. His presentations often include rare video clips and trivia nuggets, like how “Space Oddity” partially owes its success to the BBC, which used the song as a musical motif for stories on the space race—an ironic choice considering Major Tom’s fate Unterberger will focus mostly on Bowie’s bouncing from a hippie singersongwriter; to the glam rock megastar Ziggy Stardust; to the druggy, Aryan, “plastic soul-playing” Thin White Duke; to an androgynous pop icon. Unterberger, who lives in San Francisco, says Bowie’s durability was in large part a product of his versatility. “I think his biggest legacy will be his experimentation,” he says. “He did it with really memorable songs that you can hum. It’s amazing how many songs are widely known of his that people can sing along really easily, and from very different eras.” Some of Bowie’s harsher critics dismissed his many characters as a gimmick—complaining that they never knew who Bowie really was. But Unterberger sees it differently. Bowie’s genre-hopping and chameleonic image eventually comprised a singular persona: a man that needed multiple masks to fully express himself. —John Flynn

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10 32

all ages welcome WEDNESDAY 14 9PM

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Downbeat 8:30pm ( unless noted ) THUR 15 Jacam Manricks Quartet FRI 16 Josh Thurston-Milgrom SAT 17 Giulio Cetto Quartet

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Wax Wednesday - Dinners Michael O'Neill Quartet Allison Adams Tucker Nicolas Bearde Quintet E J J SUNDAYS 7 PM T S

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PIONEER SALOON

Every Sun, 4pm: Music Jam with Terry Hiatt and Brett Brown. Every Wed: Kevy Nova and Friends. Every Thu: WhiskeyHill Billys. Woodside.

Nightly Karaoke, 9pm-1:30am. San Jose.

AGAVE

Every Sun, 4pm: Spanish Karaoke

BLINKY’S CAN’T SAY

Fri and Sat, 9pm: Karaoke Friday Nights. Santa Clara.

BLUE MAX SAM’S BBQ

RED STAG LOUNGE

Fri: Karaoke Fridays. Sunnyvale.

SHERWOOD INN

Thu-Sun, 8:30pm: Karaoke. San Jose.

WOODHAMS LOUNGE

Tue-Thu & Sat: Karaoke. Santa Clara.

Wed, Sep 14, 6pm: Dark Hollow. Tue, Sep 20, 6pm: Cabin Fever. San Jose.

BOULEVARD TAVERN

Dance Clubs

SHORELINE AMPHITHEATRE

BRIT ARMS ALMADEN

AGENDA

Every Thu, 9pm: Karaoke w/ Tony. Los Gatos.

Fri, Sep 16, 7pm: Luke Bryan, Little Big Town and Justin Lynch.

Every Wed, 10pm: Karaoke w/ DJ Hank. San Jose.

Open Mic/ Comedy

Sun-Tue, 10pm: Karaoke. Cupertino.

ANGELICA’S BISTRO Every Tue: Open Mic. Redwood City.

BLUE ROCK SHOOT

Thu, 7pm: Thursday night open mic. San Jose.

CARAVAN

BRIT ARMS CUPERTINO

BRANHAM LOUNGE

Every Fri, 10pm: Quality Control. Rotating DJs. San Jose.

COURT’S LOUNGE

BRIT ARMS DOWNTOWN

Mon, Thu & Sat, 9:30pm: Karaoke. Campbell.

DIVE BAR

Wed, 9:30pm: Karaoke with DJ Adam. San Jose.

IMPROV

GALAXY

Tue-Sat, 9pm: Karaoke. Sun, 4pm: Karaoke. Campbell. Every Tues, Thu, Fri, 9:30pm: Karaoke. Milpitas.

Every third Sat, 8pm: Comedians at Red Rock. Mountain View.

ROOSTER T. FEATHERS

Thu, Sep 15, 8pm, Fri, Sep 16, 9pm, Sat, Sep 17, 8pm and 10:30pm, Sun, Sep 18, 8pm: Ian Bagg. Sunnyvale.

Karaoke 7 BAMBOO

Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

DIVE BAR

Thu-Sat, 10:30pm: Rotating Guest DJs. San Jose.

JOHNNY V’S

Mon: Manic Mondays. Tue: Trap Shop. Wed: Tooth & Nail. Thu: Subculture. Fri: Live Music & Traffic. San Jose.

LOFT BAR AND BISTRO

LOS GATOS BAR AND GRILL

Tue, 6pm: Open mic. San Jose.

RED ROCK COFFEE CO.

Thu: DJ Benofficial. Fri: DJ Radio Raheem. Sat: DJ Ready Rock. San Jose.

Thu-Sun, 7:30pm: Live Dancing. San Jose.

POOR HOUSE BISTRO

Every Tue: Open mic. Sunnyvale.

Thu, 9pm: Club Lido. San Jose.

Every Wed: Karaoke w/Neebor. San Jose.

EFFIE’S RESTAURANT

QUARTER NOTE

APPARITION

BRIT ARMS DOWNTOWN

Every Wed: The Caravan Lounge Comedy Show with host Mr. Walker. San Jose. Thu, Sep 15, 8pm, Fri, Sep 16, 7:30pm and 9:45pm, Sat, Sep 17, 7pm and 9:15pm, Sun, Sep 18, 7pm: Pablo Francisco.

Wed: Salsa Wednesdays. Thu: Banda Nights. Sun: Reggae Vybez. San Jose.

THE GOOSETOWN LOUNGE Fri-Sat, 9:30pm-1:30am: Karaoke. Willow Glen.

KING OF CLUBS

Sun, Mon, Thu, 8:30pm: KOR Karaoke. Mountain View.

Fri: Foundation Fridays. Los Gatos.

SAN JOSE BAR & GRILL

Every Tue: DJ Benofficial. Every Thur: DJ Shaffy. Every Fri: Live Video Mixing with VJ One. San Jose.

LILLY MAC’S

Thu, 9:30pm: Karaoke with DJ Izzy. Sunnyvale.

MARIANI’S

Thu, 8pm: Karaoke. Santa Clara.

THE OFFICE BAR & GRILL

Tue, 9pm: Karaoke with TJ The DJ. Sunnyvale.

O’FLAHERTY’S IRISH PUB Every Mon, 9pm: Karaoke. San Jose.

WILLOW DEN

Every Thu: Trauma Thursdays Every Fri-Sat: DJs featuring a variety of Top 40, Hip Hop, EDM; Every Sun: Service Industry Night (1/2 off drinks w/ industry card). Willow Glen.

33 SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

Ramblers. Fri, Sep16, 7pm: Mill Creek Ramblers. Sat, Sep 17, 7pm: Footprint. Fremont.

7 STARS BAR & GRILL

Fri-Sat, 8pm: Karaoke. San Jose.

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I dragged my boyfriend into the makeup store Sephora, and he said, “Save your money! You don’t need any of this stuff. I like you better without makeup.” Huh? Why is there a huge makeup industry when so many men say they don’t even like makeup?—Pretty Confused A friend of mine, bioethicist Alice Dreger, tweeted, “True story: I was on Oprah for a show about how appearance doesn't matter and there was a whole guy tasked with doing just her eyelashes.” A whole lot of us are in some denial about makeup. And sure, there are men who really do like women better without a drop of the stuff. And then there are those who just think they do—like the men on Reddit who posted all of these supposed “no makeup!” photos of female celebs. I particularly loved one of Jenna Jameson that a guy captioned “before all the surgeries and without makeup.” Meanwhile, tiny type below the photo lists the makeup and hair goo she actually has on. My other favorite was one of Rihanna, who also very clearly was not sans maquillage. Guys, sorry, but cat-eye liquid eyeliner does not appear naturally on the female eye in the wild. Biological anthropologist Douglas Jones finds that men are attracted to women with somewhat “neotenous” features—meaning somewhat babylike ones like big eyes, full lips, a small jaw and chin, and clear skin—which correlate with

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health and fertility. So, basically, what we call “beauty” is evolution’s version of a street-corner sign spinner: “Genes passed on here!!! Best babies in town!!!” In other words, makeup is fake-up—a woman’s way of making herself out to have more neotenous features and thus a higher mate value than she actually does. (The male version of this is leasing a top-of-the-line Tesla while living in a tent in Grandma’s backyard.) So, a man will think he has an aversion to makeup, but it’s really an aversion to being deceived by it. This doesn’t mean you have to stop wearing it. Just keep in mind that—except for special occasions and those special dudes who are into your looking like your office is a pole—men generally prefer the “natural look.” Of course, the reality is, this sort of “natural” is about an hour and a dozen products away from being “au naturel.” What ultimately matters is that you don’t look so dramatically different in makeup that when your boyfriend bumps into the barefaced you at the fridge in the wee hours, he puts his hands up and yells, “Take whatever you want; just let me live!”

This guy and I have been friends with benefits for six months. We were PUB DATE: casual friends for two years prior to hooking up, but we have gotten much 00/00/15 closer since. So, can FWB things ever turn into real relationships, or did we blow our chance?—Hoping ISSUE NUMBER:

Friends-with-benefits arrangements 15XX are, to some degree, replacing dating. Unfortunately, trying to turn a FWB thing into a relationship can be like trying to return a shirt. One you’ve worn. For a while. You march straight up to the counter and lay the thing out. The guy at the register frowns: “Ma’am, Macy’s closed six years ago. This is Chipotle now.” It’s helpful to understand what anthropologist Helen Fisher and her colleagues have discovered —that lust, love, and attachment aren’t just emotions; they are motivational systems (ultimately for the purpose of reproduction and child rearing). Lust eventually wanes (which makes sense, because “Ohhh, baby” needs to give way to feeding the baby). The neurochemistry PUB DATE: behind lust “can trigger expressions of 00/00/15 attachment,” Fisher explains. However, in men, high testosterone—in general

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or from having sex—“can reduce attachment.” This is probably more likely if a man has a “high baseline level of testosterone,” which is typically reflected in a strong jaw and chin, a muscular body, and dominant behavior. Because you two were friends first and seem to care about each other, maybe you can be more than sex friends. Tell him you really enjoy hanging with him, and ask whether he’d be up for more than FWB. But take the low-pressure approach: You don’t want an answer on the spot; you’d just like him to think about it. This should make you seem less desperate and possibly let him feel like having more was his idea. If he wants less, you should probably stop seeing him—at least naked—for a while. He may end up missing you, which could energize his interest in you in a way FWB tends not to do.

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classifieds PLACING AN AD BY PHONE

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Call the Classified department at 408.298.8000 Monday through Friday 9am to 5pm

Fax your ad to the Classified Department at 408.271.3520

Mail to: Metro Classified 380 S. First St. San Jose, CA

Visit our offices Monday through Friday, 9am–5pm

classifieds@metronews.com Please include your Visa, MC, Discover or AmEx number and expiration date for payment.

For copy, playment, space reservation or cancellaion: Display ads: Thursday 3pm, Line ads: Friday 3pm

EMPLOYMENT Engineering. Various levels of experience. Broadcom Corporation, leading designer, developer and global supplier of broad range of analog and digital semiconductor connectivity solutions, has multiple openings in San Jose / Santa Clara / Sunnyvale, CA for Product Marketing Engineer (PM01) in various levels for product definition and positioning, MRD creation and platform planning, market, cost and BOM analysis, forecasting, setting pricing strategy and profit maximization and EOL (end-of-life) planning. Reference job code and send resume via U.S. mail to: Broadcom Corporation, Attn: HR (GS), 1320 Ridder Park Drive, San Jose, CA 95131.

Computer Datera, Inc. seeks Member of Tech Staff to define architecture, design & development of components for Linux kernel data plane. 3 openings. Resume to worksite: 1050 Enterprise Way, #230, Sunnyvale, CA 94089

Computer: Saama Technologies, Inc. seeks Assc. Dir. Client Success, Engagement Mgrs, Program Mgrs, Proj. Mgrs, S/W Enggs, Sys Analysts, Cmptr Prgmrs, Prgmr Analysts & Prof. Services Consults at all lvls for Business Intelligence/Data Wrhsng. Worksite: Campbell, CA. Some positions may req. asgmt at client sites in Santa Clara County, CA Res: jobs@saama.com

55+ YEARS OLD & SEEKING WORK? FREE job assistance & training. Must meet low-income guidelines. Call SOURCEWISE, Speak with a Community Resource Professional in Senior Employment Services (408) 350-3200, Option 5

SOFTWARE DVLPRS, APPS Western Digital Technologies, Inc. is hiring a Staff S/W Dvlpr in Milpitas, CA. Exp must incl: Exp with SDK; Exp wkg w/remote data via REST & JSON. To apply, mail resume to Western Digital, 3355 Michelson Dr. Ste 100, 3-107Q, Irvine, CA 92612. Ref job #11669. Must be legally authrzd to wrk in US w/o spnsrshp. EOE.

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ENGINEERING Sr. Mechanical Engineer in San Jose, CA (SME-CA) Dsgn & bld breadboards & prototypes for new & evlv’g multidisciplinary medical devices. Req BS+3 or 5yrs of indstry exp in lieu of BS+3. Send resume: Tecan Systems, 2450 Zanker Rd, San Jose, CA 95131 Attn: LGruehl/SME-CA.

Computer CloudCar, Inc. seeks Android Application Developer to enhance functionality & performance of co. infotainment platform. Resume to worksite: 2191 E. Bayshore Rd, Suite 200, East Palo Alto, CA 94303. TECHNOLOGY

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Engineering/ Technology Intersil Communications LLC, an Intersil Corporation Company, leader in the design and manufacture of high performance analog semiconductors, has an opening in Milpitas, CA for Staff Physical Design Engineer (DK01): Work on large scale analog / mixed-signal integrated circuit design projects. Ref job code and mail resume to Intersil, Attn: HR, C.D., 1001 Murphy Ranch Road, Milpitas, CA 95035.

Engineer Luminate Wireless, Inc. seeks Senior Test Engineer to test EPC gateway products & systems for LTE cells. Resume to worksite: 20883 Stevens Creek Blvd. #100, Cupertino, CA 95014

ENGINEERING, VARIOUS LEVELS OF EXPERIENCE Broadcom Corporation, leading designer, developer and global supplier of broad range of analog and digital semiconductor connectivity solutions, has multiple openings in Sunnyvale, Santa Clara and San Jose, CA for R&D Engineer Software (SE01) in various levels to design, develop, troubleshoot and debug software programs for software enhancements and new products. Reference job code and send resume via U.S. mail to: Broadcom Corporation, Attn: HR (GS), 1320 Ridder Park Drive, San Jose, CA 95131.

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LEGALS & PUBLIC NOTICES FICTITIOUS BUSINESS NAME STATEMENT #620201 The following person(s) is (are) doing business as: Blue Construction, 163 Rancho Manor Ct., San Jose, CA, 95111, Jorge L. Gonzalez. This business is conducted by an individual.Registrant began transacting business under the fictitious business name or names listed herein on 8/8/16./s/Jorge Gonzalez This statement was filed with the County Clerk of Santa Clara County on 8/08/2016. (pub Metro 8/24, 8/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620472 The following person(s) is (are) doing business as: Olivar J.H., LLC, 1049-C El Monte Ave., Mountain View, CA, 94040, Olivar J.H., LLC, 1898 Lincoln Ave., San Jose, CA, 95125. This business is conducted by a limited liability company. Registrant has not yet begun transacting business under the fictitious business name or names listed herein. Above entity was formed in the state of California /s/Bryan G. OlivarManager #201612410288This statement was filed with the County Clerk of Santa Clara County on 8/15/2016. (pub Metro 8/24, 8/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #619552

The following person(s) is (are) doing business as: 1. Ono Poke, 2. Ono Poke Shop, 3. Ono Poke Taste of Hawaii, 894 Emory St., San Jose, Ca, 95126, Wyman Duong. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 7/17/16. /s/Wyman Duong This statement was filed with the County Clerk of Santa Clara County on 7/18/2016. (pub Metro 8/17, 8/24, 8/31, 9/07/2016)

FICTITIOUS BUSINESS NAME STATEMENT #621127 The following person(s) is (are) doing business as: Yip Wholesale, 2647 Senter Rd., #14, San Jose, CA, 95111, Nien Diep, 1357 Crailford Ct., San Jose, CA, 95121. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 02/06/1992. Refile of previous file #248361 after 40 days of expiration date. /s/Nien DiepThis statement was filed with the County Clerk of Santa Clara County on 9/02/2016. (pub Metro 9/14, 9/21, 9/28, 10/05/2016)

FICTITIOUS BUSINESS NAME STATEMENT #619554

The following person(s) is (are) doing business as: 1. Flambe : Asian American Grill, 2. Flambe, 894 Emory St., San Jose, Ca, 95126, Wyman Duong. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 02/03/15. Refile of previous file #616318 due to publication requirement not met on previous filing/s/ Wyman Duong This statement was filed with the County Clerk of Santa Clara County on 7/18/2016. (pub Metro 8/17, 8/24, 8/31, 9/07/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620587 The following person(s) is (are) doing business as: Perfect Score Driving School, LLC, 1202 Kifer Rd., San Jose, CA, 94086. This business is conducted by a limited liability company. Registrant has not yet begun transacting business under the fictitious business name or names listed herein. Above entity was formed in the state of California /s/Alan Guy WongManager #201621610472 This statement was filed with the County Clerk of Santa Clara County on 8/17/2016. (pub Metro 8/24, 8/31, 9/07, 9/14/2016)

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FICTITIOUS BUSINESS NAME STATEMENT #620471 The following person(s) is (are) doing business as: Nexus Resource Services, 3003 Meadowlands Lane, San Jose, CA, 95135, Stacey Johnston. This business is conducted by an individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein. /s/Stacey JohnstonOwner This statement was filed with the County Clerk of Santa Clara County on 8/15/2016. (pub Metro 8/24, 8/31, 9/07, 9/17/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620470

The following person(s) is (are) doing business as: PEER Foundation, 3003 Meadowlands Lane, San Jose, CA, 95135, Evergreen Elementary Foundation. This business is conducted by a corporation. Registrant has not yet begun transacting business under the fictitious business name or names listed herein.Above entity was formed in the state of California. /s/Stacey Johnston President#C3301176This statement was filed with the County Clerk of Santa Clara County on 8/15/2016. (pub Metro 8/24, 8/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620594 The following person(s) is (are) doing business as: 1. Culinary Freestyle, 2. Pacific Island Kitchen, 469 Fullerton Ct., San Jose, CA, 95111, Olld Fellas, LLC. This business is conducted by a limited liability company. Registrant began transacting business under the fictitious business name or names listed herein on 8/1/16. Above entity was formed in the state of California /s/Daniel Donguines Managing Member #201516110005 This statement was filed with the County Clerk of Santa Clara County on 8/17/2016. (pub Metro 8/24, 8/31 9/07, 9/14/2016)

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FREE WILL ASTROLOGY ARIES (March 21-April 19): What should you do if your allies get bogged down by excess caution or lazy procrastination? Here’s what I advise: Don’t confront them or berate them. Instead, cheerfully do what must be done without their help. And what action should you take if mediocrity begins to creep into collaborative projects? Try this: Figure out how to restore excellence, and cheerfully make it happen. And how should you proceed if the world around you seems to have fallen prey to fearinduced apathy or courage-shrinking numbness? My suggestion: Cheerfully kick the world's butt— with gentle but firm good humor. TAURUS (April 20-May 20): For the foreseeable

future, your main duty is to be in love. Rowdily and innocently in love. Meticulously and shrewdly in love. In love with whom or what? Everyone and everything—or at least with as much of everyone and everything as you can manage. I realize this is a breathtaking assignment that will require you to push beyond some of your limitations and conjure up almost superhuman levels of generosity. But that’s exactly what the cosmic omens suggest is necessary if you want to break through to the next major chapter of your life story.

GEMINI (May 21-June 20): What do you hope to be when you are all grown up, Gemini? An irresistible charmer who is beloved by many and owned by none? A master multi-tasker who’s paid well for the art of never being bored? A versatile virtuoso who is skilled at brokering truces and making matches and tinkering with unique blends? The coming weeks will be a favorable time to entertain fantasies like these—to dream about your future success and happiness. You are likely to generate good fortune for yourself as you brainstorm and play with the pleasurable possibilities. I invite you to be as creative as you dare.

CANCER (June 21-July 22): “Dear Soul Doctor: I have been trying my best to body-surf the flood of feelings that swept me away a few weeks ago. So far I haven’t drowned! That’s good news, right? But I don't know how much longer I can stay afloat. It’s hard to maintain so much concentration. The power and volume of the surge doesn’t seem to be abating. Are there any signs that I won't have to do this forever? Will I eventually reach dry land? —Careening Crab.” Dear Careening: Five or six more days, at the most: You won’t have to hold out longer than that. During this last stretch, see if you can enjoy the ride more. Re-imagine your journey as a rambunctious adventure rather than a harrowing ordeal. And remember to feel grateful: Not many people have your capacity to feel so deeply. LEO (July 23-Aug. 22): If there can be such a thing as a triumphant loss, you will achieve it sometime soon. If anyone can slink in through the back door but make it look like a grand entrance, it’s you. I am in awe of your potential to achieve auspicious reversals and medicinal redefinitions. Plain old simple justice may not be available, but I bet you’ll be able to conjure up some unruly justice that’s just as valuable. To assist you in your cagey maneuvers, I offer this advice: Don’t let your prowess make you overconfident, and always look for ways to use your so-called liabilities to your advantage. VIRGO (Aug. 23-Sept. 22): Caution: You may soon

be exposed to outbreaks of peace, intelligence, and mutual admiration. Sweet satisfactions might erupt unexpectedly. Rousing connections could become almost routine, and useful revelations may proliferate. Are you prepared to fully accept this surge of grace? Or will you be suspicious of the chance to feel soulfully successful? I hope you can find a way to at least temporarily adopt an almost comically expansive optimism. That might be a good way to ensure you’re not blindsided by delight.

LIBRA (Sept. 23-Oct. 22): “Brainwashing” is a word with negative connotations. It refers to an intensive indoctrination that scours away a person’s convictions and replaces them with a new set of rigid beliefs. But I’d like to propose an alternative definition for your use in the coming days. According to my astrological analysis, you now have an extraordinary power to thoroughly wash your own brain—thereby flushing away toxic thoughts and trashy attitudes

By ROB BREZSNY week of September 14

that might have collected there. I invite you to have maximum fun as you make your inner landscape clean and sparkly.

SCORPIO (Oct. 23-Nov. 21): My astrological

divinations suggest that a lightning storm is headed your way, metaphorically speaking. But it shouldn’t inconvenience you much—unless you do the equivalent of getting drunk, stumbling out into the wasteland and screaming curses toward heaven. (I don’t recommend that.) For best results, consider this advice: Take shelter from the storm, preferably in your favorite sanctuary. Treat yourself to more silence and serenity than you usually do. Meditate with the relaxed ferocity of a Zen monk high on sublime emptiness. Got all that? Now here’s the best part: Compose a playfully edgy message to God, telling Her about all the situations you want Her to help you transform during the next 12 months.

SAGITTARIUS (Nov. 22-Dec. 21): Novelist Tom Robbins said this about my work: “I've seen the future of American literature and its name is Rob Brezsny.” Oscar-winning actress Marisa Tomei testified, "Rob Brezsny gets my nomination for best prophet in a starring role. He’s a script doctor for the soul.” Grammy Award-winning singersongwriter Jason Mraz declared, “Rob Brezsny writes everybody’s favorite astrology column. I dig him for his powerful yet playful insights, his poetry and his humor.” Are you fed up with my boasts yet, Sagittarius? I will spare you from further displays of egomania under one condition: You have to brag about yourself a lot in the coming days—and not just with understated little chirps and peeps. Your expressions of self-appreciation must be lush, flamboyant, exultant, witty and sincere. CAPRICORN (Dec. 22-Jan. 19): By normal

standards, your progress should be vigorous in the coming weeks. You may score a new privilege, increase your influence, or forge a connection that boosts your ability to attract desirable resources. But accomplishments like those will be secondary to an even more crucial benchmark: Will you understand yourself better? Will you cultivate a more robust awareness of your strengths and weaknesses, your needs and your duties? Will you get clear about what you have to learn and what you have to jettison?

AQUARIUS (Jan. 20-Feb. 18): I’m confident that you would never try to sneak through customs with cocaine-laced goat meat or 100 live tarantulas or some equally prohibited contraband. Please use similar caution as you gear up for your rite of passage or metaphorical border crossing. Your intentions should be pure and your conscience clear. Any baggage you take with you should be free of nonsense and delusions. To ensure the best possible outcome, arm yourself with the highest version of brave love that you can imagine. PISCES (Feb. 19-March 20): Should you be worried

if you have fantasies of seducing a deity, angel, or superhero? Will it be weird if some night soon you dream of an erotic rendezvous with a mermaid, satyr, or centaur? I say no. In fact, I’d regard events like these as healthy signs. They would suggest that you’re ready to tap into mythic and majestic yearnings that have been buried deep in your psyche. They might mean your imagination wants to steer you toward experiences that will energize the smart animal within you. And this would be in accordance with the most exalted cosmic tendencies. Try saying this affirmation: “I am brilliantly primal. I am wildly wise. I am divinely surprising.”

Homework: Read my response to the periodic internet rumors that astrology is based on wrong assumptions, and that there’s a 13th sign: http://bit.ly/13thsignhoax. Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700

FICTITIOUS BUSINESS NAME STATEMENT #620913

FICTITIOUS BUSINESS NAME STATEMENT #620663

The following person(s) is (are) doing business as: SE’AR, 1758 Gilda Way, #23, San Jose, CA, 95124, Katrin Eshaghy/Gharagoz. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on Jan 2016. /s/Katrin Eshaghy/Gharagoz This statement was filed with the County Clerk of Santa Clara County on 8/26/2016. (pub Metro 9/07, 9/14, 9/21, 9/28/2016)

The following person(s) is (are) doing business as: Glo Skin Care, 5289 Prospect Rd., San Jose, CA, 95129, Goeun Lee, 2170 Klassen Way, San Jose, CA, 95131. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 8/19/2016. /s/Goeun Lee This statement was filed with the County Clerk of Santa Clara County on 8/19/2016. (pub Metro 8/24, 9/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620596

FICTITIOUS BUSINESS NAME STATEMENT #620762

The following person(s) is (are) doing business as: Rainbow’s Rockstar Rejuvenation Station, 2985 Kilo Ave., Lisa Rainbows, Jeremy Nelson. This business is conducted by a general partnership. Registrant has not yet begun transacting business under the fictitious business name or names listed herein. /s/Lisa RainbowsThis statement was filed with the County Clerk of Santa Clara County on 8/17/2016. (pub Metro 8/24, 9/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #621042

The following person(s) is (are) doing business as: Custom Design & Apparel, 85 Ridgeview Ave., San Jose, CA, 95127, Arnulfo L. Davalos. This business is conducted by an individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein./s/Arnulfo Davalos This statement was filed with the County Clerk of Santa Clara County on 8/23/2016. (pub Metro 8/31, 9/07, 9/14, 9/21/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620775

The following person(s) is (are) doing business as: Black Bulls Trucking, 923 Tamarack Ln., Apt #11, sunnyvale, CA, 94086, Punjab Singh. This business is conducted by an individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein./s/Punjab Singh This statement was filed with the County Clerk of Santa Clara County on 8/31/2016. (pub Metro 9/07, 9/14, 9/21, 9/28/2016)

The following person(s) is (are) doing business as: Normative Rockwell, 1439 Richards Ave., San Jose, CA, 95125, Juan Carlos B. Guzman. This business is conducted by an individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein. /s/Juan Carlos B. Guzman This statement was filed with the County Clerk of Santa Clara County on 8/23/2016. (pub Metro 8/31, 9/07, 9/14, 9/21/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620608

FICTITIOUS BUSINESS NAME STATEMENT #620385

The following person(s) is (are) doing business as: U.S. Quality Ceramics, 394 Umbarger, Unit C, San Jose, CA, 95111, Tuan Van Nguyen, 4228 Crystal Hollow Place, San Jose, CA, 95121. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 8/18/16. /s/Tuan Van Nguyen This statement was filed with the County Clerk of Santa Clara County on 8/18/2016. (pub Metro 8/24, 8/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620337

The following person(s) is (are) doing business as: Natural Touch, 1702 Meridian Ave., Ste J, San Jose, CA, 95125, Ana Doriza Mampusti. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 8/22/11. Refile of previous file #555092 with changes/s/Ana Doriza Mampusti This statement was filed with the County Clerk of Santa Clara County on 8/10/2016. (pub Metro 8/24, 8/31, 9/07, 9/14/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620291 The following person(s) is (are) doing business as: Haleh Pastry Shop, 2265 Winchester Blvd., Campbell, CA, 95008.This business is being conducted by a limited liability company. Registrant began transacting business under the fictitious business name or names listed herein on 08/9/2016.Above entity was formed in the state of California /s/Hadi Farahani Manager, CEO#20116510027This statement was filed with the County Clerk of Santa Clara County on 8/09/2016. (pub Metro 8/31, 9/07, 9/14, 9/21/2016)

The following person(s) is (are) doing business as: A-Rod Auto Collision, 345 Lincoln Ave., San Jose, CA, 95113, Alejandro Rodriguez, 40482 Eaton Ct., Fremont, CA, 94538. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 8/12/16. /s/Alejandro Rodriguez This statement was filed with the County Clerk of Santa Clara County on 8/12/2016. (pub Metro 8/31, 9/07, 9/14, 9/21/2016)

FICTITIOUS BUSINESS NAME STATEMENT #620364 The following person(s) is (are) doing business as: Long Spring Health Center, 1189 De Anza Bl., Suite B, San Jose, CA, 95129, Sen Wang, 1643 Lorient Ter., San Jose, CA, 95133. This business is conducted by an individual. Registrant began transacting business under the fictitious business name or names listed herein on 8/11/2016. /s/Sen Wang This statement was filed with the County Clerk of Santa Clara County on 8/11/2016. (pub Metro 8/31, 9/07, 9/14, 9/21/2016)

FICTITIOUS BUSINESS NAME STATEMENT #621206 The following person(s) is (are) doing business as: Man-E-Fest Productions, 3459 E. Hills Dr., San Jose, CA, 95127, Juan Parada. This business is conducted by an individual.Registrant began transacting business under the fictitious business name or names listed herein on 9/6/16. /s/Juan Parada This statement was filed with the County Clerk of Santa Clara County on 9/06/2016. (pub Metro 9/14, 9/21, 9/28, 10/05/2016)

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Smash hit street party Viva CalleSJ returns for second year BY GARY SINGH

HIS SUNDAY, the second annual Viva CalleSJ will successfully shut down six miles of San Jose streets, closing them off to automobile traffic for a free, open-streets adventure of the highest order. This is not a race, a protest or a riot.

The goal is to create a temporary autonomous zone where anyone can ride bicycles, walk, skate, scamper,

saunter, play music, do yoga, sell art, dance, or explore the urban fabric however they want. Most creative or curious people understand that the least interesting way to experience San Jose is from a car, so Viva CalleSJ is a fantastic idea. It’s an event that opens up the streets for everyone to trip around, at their own pace and leisure, and become one with the streets, experiencing pieces of San Jose or businesses they might never see otherwise. Viva CalleSJ brings normally disparate parts of the city together, helping to alleviate the soul-crushing alienation and apathetic sloth caused by decades of suburban sprawl, albeit for a few hours.

Several city departments, private sector groups, and philanthropic organizations all spent much time, effort and/or funds to pull the whole thing together. Angel Rios, director of the city’s Parks, Recreation and Neighborhood Services, says his department’s focus for the future is not limited to providing parks, community centers and trails. A larger issue prevails here, that of connecting people to people, and San Jose neighborhoods to other San Jose neighborhoods. Viva CalleSJ falls right into such a master plan. “It’s an opportunity to take some time off, open up some streets and do something nontraditional, and remove some of the barriers that exist, that keep us from looking at our city,” Rios told me. “There’s a lot of barriers that keep our neighborhoods separate. What Viva CalleSJ does is

45 SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

SILICON SILICONALLEYS ALLEYS

remove those barriers and lets people recreate on their terms, and have fun the way they want to have fun.” In the process, people from different areas of the city, as well as different parts of the social and economic spectrums, can meet each other. In fact, during last year’s debut Viva CalleSJ, many attendees said things along these lines: “I’ve lived in San Jose for years and never even knew this neighborhood was here.” The isolation that suburban car-culture sprawl instills in people is profound. Viva CalleSJ breaks that spell just for a few glorious hours, resulting in thousands of citizens discovering their city in a brand new light. The word ‘recreate’ becomes ‘recreate.’ And that’s what life is all about. But this is not an extremist political stunt forced down everyone’s throat by anti-automobile activists. Nor is it anything like a “road diet” that NIMBYs incessantly bicker about for months on end. Rather, it’s a community-centric event inspired by similar open streets initiatives in Guadalajara, Bogota and other cities around the world. The name combines the Spanish viva calles, which can mean either “the streets live,” or, “long live the streets,” or both. The interpretation is yours, like poetry. For some, there’s also a French aspect to the experience, at least if you know the word flâneur, basically, a romanticized wanderer of sorts, an artist-poet who simply strolls around, observing the populace from a detached perspective. Viva CalleSJ offers a different route each year, and this year’s expedition is even better than last year’s: “From the West: Glen Meets Zen” will bring participants through Willow Glen, Burbank, downtown and behind the Shark Tank, on through to Japantown. Or you can go the other direction. There’s no beginning or end. You can start anywhere and go as far as you want. That’s the whole idea. As part of the process, some of San Jose’s most iconic neighborhoods and their business associations will each supply their own respective parties in the streets, involving barbecue, sushi, yoga, bike safety lessons or tours of neon signage along San Carlos. One can’t think of a better way to promote San Jose to its own residents, or even to non-locals, than Viva CalleSJ. “It’s about connecting people to people, and people to San Jose,” Rios said. “It’s as simple and organic as that.”

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metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

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MARK KAYE

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your next JAZZ up catering event! ADVERTISER: NAME HERE AD SIZE:

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ERE IN AMERICA, the culinary boundaries between cultures tend to smear. As chefs mingle, borrow techniques and substitute ingredients, dishes get compromised for convenience, necessity and/or greater flavor, creating everything from spaghetti and meatballs to the Crunchwrap Supreme. These creations fuse together flavors into edible inventions that are the closest thing America has to a national cuisine.

Santa Clara’s appropriately named Blurr Kitchen serves a thoroughly criss-crossed variety of South East Asian food, exemplified by their chicken wings ($6). Served on a metal tray and doused in a habanero chili glaze, the poultry appendages get battered, then deep fried, giving them a crackly, pebbled crust—different from the blistered skin of wok-cooked varieties. Contrary to the traditional little rice-paper wrapped logs, their summer rolls ($6) came sliced into six squat cylinders, a sushi-esque presentation that showcased the compartmentalized interior of bright pink shrimp, savory pork, rice noodles and fresh herbs like basil and cilantro. The light appetizer came with a frosting-thick peanut sauce enriched by hoisin. I then ordered a Banh Mi ($7) with the traditional Vietnamese pork sausage, cha. The pliant slices of meat had hints of garlic and fish sauce and a texture that landed between ham and bologna. Served on a crisp baguette, the sandwich also had spicy aioli, cucumbers, jalapenos, onions and pickled strips of daikon and carrot. The mingling of salty, savory, sweet, spicy, crunchy and soft added further evidence to my theory that the Banh Mi is the most complete sensory experience a sandwich can provide. Also on the tray, there was a bed of steak-cut fries that were crispy on the outside, fluffy on the inside and dressed with fresh garlic. Finally, the main courses came with vegetables and fried rice or buttery chow-mein noodles. Their eggplant had been slow-cooked in a sheet pan with a garlic and sweet sesame sauce. And their green beans were sauteed with garlic and oil until al-dente—which was all they needed. The beef ($11) came in sweet, thin strips grilled with jalapeno rounds and garlic cloves. And their catfish ($12) was seasoned with thai chilis, soy sauce, garlic, black pepper and a pinch of sugar. The flaky mini-filets had been PUB DATE: 00/00/15 browned in butter that seeped into the fish’s ripples and brought together the flavors in its layered marinade. Blurr Kitchen defies classification within any culture’s cuisine, but one adjective suffices for all their food: tasty. —John Flynn ISSUE NUMBER:

380 South First St. San Jose, CA 95113 | 408.298.8000

19 N. Market st. san jose • LouisianaBistroSanJose.com

15XX

BLURR KITCHEN 2374 El Camino Real, Santa Clara. 408.243.1868.

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POKE · SUSHI · POI · LAU LAU · KAMABOKO · CHAR SIU · TERIYAKI · KATSU · MOCHI BEST POKE BOWL IN TOWN • Fresh ingredients delivered weekly from Hawaii • Wide variety of Hawaiian Sun products • Free & convenient parking Santo Market | 408.295.5406 �� 245 E. Taylor St. at 6th St., San Jose Find us online: facebook/santomarket

BACK BY POPULAR DEMAND ST. JOHN'S 1/2 PRICE NIGHTS

Now Serving Katsu Curry

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n iv e r s a r y !

$625

STEER BURGER

SPECIAL 1/2 lb. Steerburger French Fries

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211 E Jackson Street • San Jose

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ACCOUNT REPRESENTATIVE: MICHAEL HILL

1/25/16

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ISSUE NUMBER:

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Metro Silicon Valley 380 South First St. San Jose, CA 95113 | 408.298.8000

Only Place In Town

kumako ramen

SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

FA MILY OW NED SINCE 19 4 6

Cheese Steaks Monday Nights

All Hamburgers Wednesday Nights & All Day Saturday

408.269.8062

(Across from Princeton Plaza)

1/2 off

Chicken Sandwiches Tuesday Nights

All Appetizers Friday Nights

1349 Blossom Hill Rd at Kooser

SPEC

Specials Valid for Dine-in only. 4pm-close. All day Sat.

St. John’s Bar & Grill 510 Lawrence Expwy, #110, Sunnyvale 408.738.8515 | www.stjohnsgrill.com

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

Ngoc Ngo

SVDINING

STUMPED The Vesper hits all the right notes, which isn’t a surprise since restaurateur Jim Stump runs the show.

Vesper Shakes, Stirs Senses

& delicious Enjoy the fresh, fast MOUNTAIN VIEW

286 W. El Camino Real

al Asian express!

flavors of the origin

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397 Saratoga Ave.

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695 N. Fifth St.

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3015 McKee Rd.

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#3 Chicken Teriyaki

Any purchase of $20 or More

Two Special Plates

(#1-4 or Katsu Chicken)

& 2 Soft Drinks just $12.99

MILPITAS

133 Ranch Dr.

With coupon. Not valid with other offers or discounts. Exp: 11/30/16

#8 Shrimp Tempura HH

Combo Rice Bowl With coupon. Not valid with other offers or discounts. Exp: 11/30/16

AMES BOND often drank a martini known as The Vesper. That knowledge alone can help you fit in with the hipster vibe at the Campbell bar named after the cocktail.

A hodgepodge of used chairs and furniture are squeezed into the layout of the ground floor. It’s a bit of a tight fit and they seem to have no problem finding occupants for these seats on a Friday night. Upstairs is an even more eclectic mix of brightly colored crushed velvet and floral patterned sofas. These elements—along with paintings scattered about—made me feel as if I was in Gatsby’s library and his grandmother used it to store her old couches. At the end I left thinking that it’s weird, but it works. The odd décor creates niches for a diverse range of patrons. From our seat on the top floor, we could watch bartenders mixing up magic in the form of $10 cocktails like the Setting Sun with jalapeno infused El Chorro tequila, pineapple and Angostura bitters. For non-alcoholic drinks, a category ignored by too many bars, Vesper offers two mocktails, colas, ginger beer and housemade sodas. I was impressed with the Josie mocktail ($5), which took just as much attention to make as a cocktail. It had house made orgeat (almond based syrup), pineapple and lime juices, and a basil garnish. The taste was fruity and sour with the orgeat providing a white oily sheen from the almonds. Expect nothing less than a tasty menu when the restaurateur is Jim Stump, of The Table fame. The deviled eggs ($4) with speck (a type of prosciutto) have a strong but nice mustard flavor in the creamy blended yolk. The three halves make a great appetizer. Served in a petite cast iron cocotte, the escargot ($9) in hot garlic herb butter paired with warm bread is a surprisingly exotic treat for an American bar. The tender mollusk mostly absorbed the flavor of the garlic herb butter and has a bit more bite than an oyster would. For heartier fare, the summer menu ranged from three fancy grilled cheese sandwiches to a poke bowl. At least they stick to their eclectic theme with an equally assorted menu. Nola style barbecued shrimp ($15) with yellow grits featured three excellently executed and seasoned large prawns. The braised short ribs ($20) with cauliflower puree, pea tendrils and pickled purple cauliflower must have taken hours to cook. There were no bones and each generous portion of meat was fork tender and juicy. I had misgivings about The Vesper upon entrance, but if the food and drinks all hit the right notes, hipster décor can attract any walk of life. —Ngoc Ngo THE VESPER 394 E Campbell Ave, Campbell. 408.680.0401.

NOW OPEN

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�perience...

Happy Hour Mon.-Thu. 4:30-6:30 pm 50% off Featured Drinks & Appetizers Extensive menu with something for everyone. Delicious Pisco-based Peruvian cocktails. Warm and friendly service. Open daily for lunch & dinner. Hold your birthday or business dinner here. Catering available.

Sipan Peruvian Restaurant & Bar 14486 Big Basin Way, Saratoga • 408.898.3117 • www.sipan.us

331 Hacienda Ave., Campbell 408.374.3400 • EffiesRestaurantandBar.com

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ISSUE NUMBER: Metro Silicon Valley 408.246.4007 15XX 380 South First St. San Jose, CA 95113 | 408.298.8000

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Amato's #2 2306 Almaden Rd. • San Jose

408.264.4001

SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

the soul & flavor of authentic Peruvian food

ADVERTISER: NAME HERE ACCOUNT REPRESENTATIVE: NAME HERE

PUB 00/0

DESIGNER: NAME HERE Metro Silicon Valley 380 South First St. San Jose, CA 95113 | 408.298.8000

ISSUE 15XX

One sandwich per coupon per visit. Cannot be combined w/other offers. Expires 9.28.16

Journey thru Mojitos, Tapas, Paella & More HAPPY HOUR DEALS Now featuring Amazing Fall Offerings! San Jose's Premier Restaurant focusing on Local, Seasonal & Sustainable Dining. No corkage fee

Mon.-Fri. 11am-3pm; Thu.-Sat. 5pm Last Seating 8pm

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M-F 3:30 to 6:30 PM Selected Tapas, Sangria, Beer, Cocktails & Wines

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400 Castro Street, Mountain View 650-940-9500 • CascalRestaurant.com

LIVE MUSIC

9 PM to Midnight

FRI & SAT NIGHT James Robinson Group

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ISSUE 15XX

metroactive.com | sanjose.com | metrosiliconvalley.com | SEPTEMBER 14-20, 2016

10 50

C R EATI VE CON RGENCE

2016

S ILICON VALLEY

A LIMITED NUMBER OF

TECHNOLOGY CONFERENCE: OCT 6,7 C R EATIVE CONV ERGENCE CALIFORNIA THEATRE 2016

FREE TICKETS ARE AVAILABLE TO INDIVIDUALS & STUDENTS C2SV.COM/TICKETS

SoFA DESIGN CRAWL • WOMEN IN TECHNOLOGY AUTONOMOUS CARS • AR/VR • INVENTING POKEMON SILICON VALLEY ANTONIO GARCIA MARTINEZ: CHAOS MONKEYS

THREE DAYS OF MUSIC: OCT 6-8 CONVERGENCE SHONEN KNIFE • DONALD GLAUDE

2016

ERIC VICTORINO • SNR • JOHN BEAVER • ALEX SIBLEY • ADAPT • CITY SHAWN • GURSCHACH • RHINE • REBELSKAMP • SLAM NANCY • JAMES PERRY • ANDY P. & SILICON A L L•E YCASCADA DE FLORES WHITLOCK • A FLOURISHING SCOURGE • DJ BASURA • BODYVVOID • REATIVE CHIPDEVILLE • CHRIS ENZO • DAVID BUHAU • DOUGH HELLO • DURANGO DOGS • C DJ FIELDS • FLAMMY MARCIANO • GORE FIEND • GURSCHACH • HAND OF FIRE • HOUNDS OF INNSMOUTH • HOWARD WILEY & EXTRA NAPPY • MAC • MAKRU • MR. RUSH • MRVLS • MULA • NECROMOS • NOISEHAUS • NSANITY • OUTRAGEOUS KARINA • RHINE • SCRAWNY • SITO • TAJ WITHERS • DJ TYSEN • WOOSHAY • ZIGGY

C REATIVE

CONVERGENCE NOTE: MUSIC EVENTS ARE SEPARATELY TICKETED

SoFA DISTRICT

16 20 DOWNTOWN SAN JOSE

SILICON VALLEY SCHEDULE: C2SV.COM | TICKETS: C2SV.COM/TICKETS

C REATIVE

2016

51 Greg Ramar

Taylor Jones

An UGWA wrestler at SoFA Street Fair.

Photos by Taylor Jones, Richard Brian McNeil, Greg Ramar and Geoffrey Smith II

Peace, love and harmony at the SoFA Street Fair. Geoffrey Smith II

Geoffrey Smith II

Always time for wine at the Mountain VIew Art & Wine Festival

Richard Brian McNeil

Enjoying a drink at the SoFA Street Fair.

Photographic evidence of Mayor Sam Liccardo eating at donut burger at the Hoot and Howl benefit.

Loving wildlife at the Hoot and Howl fundraiser.

SEPTEMBER 14-20, 2016 | metrosiliconvalley.com | sanjose.com | metroactive.com

Greg Ramar

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