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COMMENTS Letters@metronews.com Letters@met tronews.com Metro welcomess letters. Like any gr Metro great eat work should of art, they shou uld be originals—not copies elsewhere. of material sent elsewher e. Please include your name, city of rresidence esidence and daytime number. telephone numb ber. (Phone number will published.) not be published d.) Letters may be edited correct ffor or length and cclarity larity or to cor rect ffactual actual inaccuracies known inaccur acies kno own to us. SanJoseInside = SanJose Inside

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The Day Day After After Where w Where was ass tthe he P Prop rop 119. 9. vvictory ictory party? p arrty? T That hat w was as p probably robab bly a ffun un

event— despite the loss event—despite loss,, the theyy ccame amee rreal e close (“P eal (“Political olitical P Paradox, aradox,” The Th he Fly Fly, y, Nov Nov 3). Only the ffederal eederal ggovernment’s overnment’s carefully carefully ttimed imed aannouncement nnouncement that that it it would would enforce enforce ffederal ederall laws laws banning banning pot pot kept kept this this measuree fr m measur from om passing passing.. On O n local local an and nd sstatewide tatewide rraces, acces, II’m ’m glad gl lad most had ccomfortable omffo ortable mar margins gin ns aass tthe he close close races races invite invite the the kind kind of of ssilly illy tampering tam mpering tthat hat tthreatens hreatens tthe he ffragile ragile legitimacy legitimaccy of of the the democratic democratic process. pr rocess. The wider the margins, margins, thee less le ess really really bad stuff happ happens ens in the days da ayys and weeks after the election. Voting V oting iiss a ccivic ivic d duty, uty, llike ike sserving ervving on o n jjury ury d duty uty w when hen ccalled alled aand nd n not ot iinventing nventing ssome ome llame am me rreason eason tto o be eexcused. xcused. L Let’s et’s tteach each tthe he yyoung oung to to

vvote ote rreligiously o eligiously and lea lead ad b byy eexample, xample, ccasting asting b ballots allots iin n eelections lections llarge arge aand nd small and rrespecting especting th the he pr process. ocess. B BLAIR LAIR W WHITNEY HITNEY | SSAN AN JO JOSE SE

Targeted T aargeted It’s vvery It’s ery difficult to b believe e ve that elie Xavier Xa avvier C Campos ampos isn isn’t ’t a ttarget arget of the in investigation, vestigation, irr irrespective esspective of whether such a claim was was sp speciﬁcally eciﬁcally enunciated in a pr press ess rrelease elease (“Carrasco (“C arrasco Camp Camp Clai Claims ims Fraud,”” The Fly, Flyy, Nov. Nov. 10). Maybe Maayb y e he’ll he’ll be be indicted, and ma maybe ayybe he h won won’t, ’t, but I’d I’ d say saay its pr pretty ettty damn n clear he he’s ’s being b eing lo looked oked at b byy thee D DA’s A’s offic office. e. KE KEVIN VIN O’ O’KEEFE KEEFE | SSAN AN JO JOSE SE

Obvious Ob vioous Cuts Wee ccannot W annott seriously addr address ess the budget defi deficit ficit without cut cutting ttting the military milit ary bu budget, udget, which ttakes akes up 59 p percent ercentt of the discr discretionary etionary budget an and d that doesn’t doesn’t account account ffor or o o overruns, verru uns, including $300 $300 billion above ab ove what whaat C Congress ongress authorized for for o various weapons weeapons systems systems in the last fiv ears. fivee yyears. Milit ary sp ending is out of control control Military spending and is the best best place place ffor o or the deficit ha awks w to lo llook ok ffor o or cuts hawks cuts.. ELISABETH ELIS ABETH FI FIEKOWSKY EKOWSKY | SEB SEBASTOPOL ASTOPOL

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THEFLY FLY THE

SVNEWS

Cogan Moving On In the last few weeks, San Jose City Hall fixture and failed District 9 candidate JIM COGAN‘s Facebook posts have jumped from the occasional cryptic message about being “tired of being sick and sick of being tired,” to a recent barrage of updates referencing ‘90s pop culture. From HOMER SIMPSON quotes to ruminations on “Reality Bites” and updates on changing his default ring tone to Chumbawamba’s “Tubthumping,” it seemed that JimCo suddenly had a lot of free time on his hands. Turns out that he does. The former chief of staff for District 1 Councilman PETE CONSTANT officially resigned his position at the end of October. Cogan spent the last decade of his life working his way up the ranks and preparing (expecting?) to nab a spot on the City Council. As he himself was never shy in letting anyone within earshot know, he was the youngest person ever to rise to a top staff position at City Hall. Cogan was by all accounts surprised to be shut down by Don’t DON ROCHA, another forget former council staffer, to tip! coming in a far third after evangelical activist FLY@ METRONEWS. LARRY PEGRAM. Cogan’s COM Facebook profile now says he is in the market for “a purpose greater than myself that also pays well.” Fly guesses that mixing Pete’s weight-loss shakes wasn’t a satisfying enough endeavor for Cogan anymore.

Blood Thicker Than Votes Pete’s wife, JULIE CONSTANT, ofﬁcially entered the realm of local politics when she won a spot on the Campbell Union School District Board earlier this month. And already Fly is hearing rumblings that this could be a sign

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The dollars spent annually on games for consoles or PCs, and on online memberships to “persistentenvironment” games like World of Warcraft, routinely exceed the revenues of the American film industry. Halo 3 took in more revenue in its first day of sales than Spider Man 3, the highest grossing movie debut as of 2007. The gaming industry, which was born in Silicon Valley, continues to be an important player in the local economy. From the industry giant Electronic Arts in Redwood City to the boutique Cryptic Studios in Los Gatos, game builders make up one of the fastest growing segments of in the tech field. Meanwhile, concerns about how video gaming

will impact pre-adolescent and adolescent development are understandably pervasive; a Psychiatric Times article found that “it was unusual for boys to rarely or never play video games; just 8 percent of boys played for less than an hour per week.” Adults watch children shotgunning onscreen avatars or wrecking cars in high-speed chases or chain-sawing aliens’ limbs off, and we get queasy—especially when we come back in a few hours and the child hasn’t moved from the couch. But the relationship that players have to the virtual mayhem, and the narrative worlds that encompass it, is far from simple. Despite scores of studies, psychologists have reached no consensus about whether violent gaming is a pernicious training experience, a healthful catharsis or a little of both.

Playing God Earlier this month, the U.S.

9 organism’s evolution, which isn’t evolution, of course, but deism). At the core of the medium is the lust for and the rewards of unfettered control. These are the primitive precepts of conservatism as it’s practiced in the modern world. Whether they realize it or not, devotees of “the free market” (who now resemble Jehovah’s

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THE FLY

that the mother of five has aspirations for the District 1 seat that is now occupied by her husband’s newly slender derrière. She seems like a very nice, very sincere person, but it’s difficult to imagine that the stay-at-home mom and former PTA president has the chops for higher office. Then again, as the District 5 race proved, possessing competency, charisma, the mayor’s endorsement and a honest desire to serve one’s community does not always a winning candidate make. Apparently, all someone really needs to make it in this town is a little nepotism, a sibling’s spin master and a big bear hug from CINDY CHAVEZ. Fortunately, Julie has already had a lot of practice cuddling plus-size politicians.

operandi. MMORPG players can buy virtual currency with real money, instigating a subindustry in which (largely Asian) wage slaves “work” in the game for a real employer, accumulating nonexistent yet resalable gold and valuables. (In 2008, the BBC reported a richly equipped avatar was itself sold from one player to another for 5,000. ) Could there be such a thing as a progressive virtual “game”? Or is a responsible, sustainable perspective the antithesis to immersive roleplaying experiences? Let’s hope not, because virtuality is one of the largest and fastest-growing modes of human occupation on the planet. We should ﬁgure out how communal politics can be expressed in this medium, to say the least— before our culture completely morphs into one all-encompassing dog-eat-dog meta-landscape, and only the conscience-less survive.

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Supreme Court heard arguments regarding the constitutionality of a California law banning the sale of violent games to minors. Arguing for the law was children’s advocate Jim Steyer, whose Common Sense Media includes on its board of directors John H.N. Fisher, managing director of the Menlo Park VC firm Draper Fisher Jurvetson. The ultimate impact so much gaming will have may be unforeseeable, even as our culture is subsumed by meta-activities long predicted in the fiction of Philip K. Dick. But nobody asks about the politics of the form, the thrust of social meaning inherent in the activity and in the software. In the future, virtual entertainment may take a vast variety of forms, but right now, the real money is spent on shooting games (first person or third person), like Doom, Halo and Call of Duty, or omnipotent strategy games like SimCity, Civilization and FarmVille (a Facebook application reportedly played by about 1 percent of the world’s population). Either way, video gaming is about control. Participation is restricted to steering and maintaining the narrative flow, altering the course of the story, using the environment for certain ends, eliminating hindrances (monsters, or human antagonists) and generally being the only significant individual anywhere in the game. The player is either the shooter Attila or the society-ruling God, the one-man plague or the orchestrator of a greed-based system. Absorbing a narrative in a film or on TV or in a stage play involves observation but also an exchange of empathy, anticipation, authorial intent and thematic meaning. Playing a game is more singleminded—you dominate the world, accumulate the goods and safeguard your own ass— one way or another. In this sense, most video games are infantile in nature, and inherently conservative. Think of them as individuated modes of authority disguised as either an escape from authority (the Tea Party esprit) or as benevolent dictatorship (in Spore, you get to control an

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sv 411.com As for inbox ﬁltering, Facebook will show messages from a user’s Facebook friends on the main page, while messages from people not in your social network are shufﬂed into another mailbox. The system will get smarter over time, so that even people you aren’t friends with on Facebook, but communicate often with, will show up in the stream.

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Facebook’s ‘Modern Messaging System’ Facebook is seeking to replace email with what it calls a “modern messaging system” that combines all the ways people send messages—including email, IM and SMS—into a single interface. It’s a clear assault on Google and its popular “social” application—Gmail. The new system, Facebook Messages, was announced Monday. It allows you to simply click on a friend’s face, type a message and hit Enter. Facebook handles the rest. And it comes with an optional “facebook.com” email address. But a new email address isn’t the point. Rather it is the uniﬁcation of a variety of means of communication. Instead of grouping conversations by threads or organizing them chronologically, Facebook’s message system sorts all messages between two people into a single, long thread. That means you see every message sent through the system to a friend or boyfriend in a giant stream every time you open a new message.

While the system may not convince hard-core email users to switch their messaging life into Facebook, the always-on, centralized system could prove to be highly popular with Facebook’s core crowd of youngsters. It also ties Facebook users even closer to the Facebook system, so that the site becomes even more central to how they communicate, plan and cultivate friendships. —RYAN SINGEL, WIRED.COM/EPICENTER

Evil13rt By tying all the message systems together under facebook, they are forcing more people to access their services through the same interface. It works so long as everyone likes facebook. speakingofstartrek Email too complicated for young people? Seriously? My efﬁn grandmother can do email for chrissakes! I reject this idea and the solution MZ plagiarized (undoubtedly) to solve it. No thanks. jeffsconsult I guess it will be called fmail.

Zuck: Our System Is Not an E-Mail Killer. But . . . Today during the unveiling of their “modern messaging system,“ Facebook CEO Mark Zuckerberg had quite a bit to say about the rumored death of email with the coming of their product. “This is not an email killer. This is a messaging experience that includes email as one part of it,” Zuckerberg said. Of course, he then went on to say that

if in the future, Facebook’s system fundamentally alters the way people communicate and email is depreciated over time, that would be OK too. He said that in talking to current high schoolers (who make him feel “really old”) they don’t use email. “It’s too formal,” Zuckerberg noted. Again, if you extrapolate that out, that means the end of email. It sounds as if Zuckerberg is just tip-toeing around calling for the death of a system that a lot of people currently use. Obviously, such a claim would cause a huge uproar (considering that there’s a huge uproar when Facebook changes a font size, the idea of Zuckerberg calling for the death of email is truly terrifying). He noted that email is too cumbersome. There’s a subject ﬁeld, a formal greeting, a closing. Teens are using SMS and IM because it’s much simpler. And that’s what Facebook is trying to add to everyone’s life, using email as the gateway drug, of sorts. “We think that we should take features away from messaging. It should be minimal,” Zuckerberg said. The writing is on the wall for email. Facebook just hopes it’s a Facebook Wall. —MG SIEGLER,

Chief Deal Seeker I just asked my 2 year old about the future of communication and she smacked me in the face. Zuck is way off. In the future we won’t use email, we will slap each other. Arturo Asking high school kids about their behavior patterns assumes that they are not going to enter the work-force, have more meaningful things to say in the future, or well, just overall grow up. I agree it could change email and it does progress messaging, like FB already has, but ignoring the utility of email in its current form is really very silly. Pak-Kei If kids growing up implies they will use email eventually, wouldn’t that mean we will use mail pigeons when we get even older? That’s what our

ancestors of ancestors would say.

jake gr I know whenever I have a decision to make I go straight to the local high school. How to save money? Check. How to dress? Check. How to communicate? Check. Nuff ced! (Is that how I do it? kids? hello?) Tobias Difﬁcult to wipe out 500 million users just like that. Myspace never even had 10 percent of that. Jack Parsons They. Do. Not. Have. 500. Million. Users. There is no way that 1 out of 12 people on the planet “use” facebook. Cross-reference that number with U.N. development numbers on how many people have running water.

How to Keep Secrets—Even On Facebook No human relationship can withstand complete transparency. Facebook gives you plenty of opportunities to commit social faux pas in the name of “connecting,” but there’s no feature to help you keep necessary secrets. You have to get tricky about it. The problem here isn’t you, reader. Hopefully you’re smart enough not to post things that will get you fired. It’s your idiot friends, who are liable to tag you in drunken photos, or write on your wall about the time you made a bong out of a cheese steak sandwich so that your 15year-old son can read it. Internet scholar danah boyd recently explained the “risk reduction strategies” that teens use to keep their Facebook profiles free of drama caused by friends. But these can be applied to adults just as well. Let’s take a look: The “Super-Logoff:” The superlogoff is the practice of deactivating your Facebook account entirely each time you log out, then reactivating it when you log in. Your profile

disappears when you deactivate, but Facebook keeps it on their servers for a few days before deleting it indefinitely since they know most people will come crawling back for a hit of social crack. With the superlogoff you can assume maximum control over you profile, since people will only be able to see and post on your wall when you’re logged in. This would be a good strategy for when you go to Burning Man and don’t want to come back to find yourself tagged in dozens of Facebook pics naked but for splashes of glow-in-the-dark body paint. White-walling: This is the Facebook equivalent of inbox-zeroing: You delete every single wall post, status update and the like soon after it’s been posted, leaving them up just long enough for friends to see what happened. The Shell Game: OK, we just made this one up. But what if, for every true thing you posted on your wall, you posted two false things? Haters wouldn’t know what’s up and what’s down! Maybe all these techniques seems a bit OCD. You know what else seems a bit OCD? Constantly typing the trivial details of your life into a website. —ADRIAN CHEN, VALLEYWAG.GAWKER.COM

EggNogFairy Solution: Be a vampire and/or ghost, that way no one can take a photo of you and tag it. Then you can snort all the cocaine you want and hook up with slutty people. Added bonus: You can drink blood and/or haunt people. You’re welcome. danikilla As someone who has found out about a cheating boyfriend via Facebook in the past, I naturally despise this post. Just reading about the “super-logoff” gave me some ﬂashback anxiety. I want to punch something or someone now. muppit_baby Dammit, I wanna do body shots off a Thai hooker in my cousin’s drug den without feeling embarrassed about it afterward! ﬂugennock I did what I call the “Super-Duper Logoff”: I deleted my Facebook account this past June.

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SanJoseInside.com An inside look at San Jose politics

Police and Fire Unions Lost More Than an Election

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Arguments against Measure V and Measure W were based on the false and misleading logic that passage of both measures would have diminished the level of public safety. â€œMeasure V puts your family in harmâ€™s way by cutting ďŹ re, police, and paramedic services,â€? read a campaign mailer funded by the San Jose ďŹ reďŹ ghters and police officers association. Another one read, â€œMeasure V is a smokescreen that puts you and your familyâ€™s lives in danger.â€? The citizens of San Jose saw through these lies and passed both measures by healthy margins in an effort to restore some balance (and sanity) to public sector wages and beneďŹ ts. The argument was advanced that â€œcuts to police will mean fewer cops patrolling our streets.â€? But of course, thatâ€™s completely false. If salaries are frozen and/or everyone contributes more to their pension plans, the cost

savings could be used to hire more employees, or at the least, prevent additional layoffs. There was also the very troubling case of the â€œcouncilman and the missing lawn signs.â€? It was reported that three police cars showed up at Councilmember Oliverioâ€™s home after he was seen removing â€œNo On Vâ€? lawn signs. (Oliverio was not cited, and maintained that he had lawfully removed the signs.) But letâ€™s just assume for a moment that the councilman had violated the law by removing the signs. Does that â€œoffenseâ€? warrant sending three police cars to his home? Does anyone believe that this was an appropriate action by the police? The entire incident reminded one of a scene from a movie, you know, one of those bleak movies about rampant corruption in some large, nondescript American city. â€”Pete Campbell

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ch championship, hampionship, which they they ended d u losing. up losing. Had they they won,, the theyy w would ha ave tra aveled to T or o onto this t have traveled Toronto w week end for for o the final—the MLS weekend C Cup —and d I would ld ha have just j miss i sed d Cup—and have missed th hem again. them N ow, some basics: Over Over the last last Now, ffew ew weeks ny of us ha ave b een n weeks,, man many have been ccomparing o omparing Quakes to th he the 2010 Quakes the 2 010 San Francisco Francisco Giants en 2010 Giants.. Ev Even hough the Quakes Quakes just lost the th though eq quivalent of a semifinal and were werre equivalent el liminated last Saturday, Saturdaay, the team ms eliminated teams th his yyear ear wer similar. this weree eerily similar. Lik th, Likee their pals 50 miles nor north, th he Quakes Quakes wer scrappy bunch h the weree a scrappy o outcasts, ccobbled obbled together together from from m off outcasts, se everal other places—and places—and a team m no several o ne an ywhere eexpected xpected to reach reach the one anywhere se emifinal. Some of the pla ayers we ere semifinal. players were yyoung, o oung , some were were old, while others otheers w wer be past their prime. priime. weree thought to be S ome were were local, local, while others ha ailed Some hailed

from different fr om diff ffeerent ccountries. ountrries. All of weree rregular dudes th them wer egular l d du udes d you you could could ld sandwich imagine having haaving v a sand dwich with at player the pub and each pla ayer contributed contributed own to the family in his ow wn funky funk ky idiosyncratic idios yncratic fashion. theyy man managed Somehow the naged to get all way semifinal, the w ay to the semifin nal,, winning big games on the road, road,, so o one thought theyy had it in them to the o defeat deffeat e Colorado C olorado in that team’s team m’s house last Saturday. happen. Satur daay. But it didn’t didn’tt happ en. Anyway, You An yway, back b k to the th h he stalking. stalking lki . Y o ou see,, these situations happen see h happ en to me all time.. After San Jose the time Jose o last won the 2003, oach Frank championship in 20 0 , ccoach 03, Yallop quit uit and bailed Y aallop immediately q Vancouver ffor o or his hometown of V anc a ou uver to Team. ccoach oach the Canadian Canadian National N Team. e 2004, issue Metro The JJan. an. 29, 20 04,, issu ue of Met ro had me writing a humor column, column, flying theree and stormin storming up ther ng the building Beatty Street where office on Beat ty Str eet wher re his office soon bee lo located, would so on b cated, claiming if have Yallop, San JJose ose couldn’t couldn’t ha ave Y aallop, no Facetiously etiouslly speaking, one would. Fac speaking, I was w as rready eady to gun him m down in the hallway, hadn’t moved hallw ay, but he hadn ’t mo ved in yet. yet. anyy eevent, myy pl plan In an vent,, m lan last weekend Toronto week end in T or o onto was was to watch watch Quakes the Quak es at a huge sports sports bar

Real Sports—a place nothing ccalled alled R eal S p or ts—a p lace n othing shortt of m mind-blowing. 25,000shor mind-blowing mind blowing. A 2 5,0 0 0 0directly ssquare-foot quare-fo ot ccomplex omplex d irectly across acr oss from from m Air Canada Canada Centre Centre (home to the Toronto Toronto Maple Leafs Leafs hockey Real Sports boasts h ockey tteam), eam), R eal S p or ts b oasts a sstaggering taggering 1199 9 9 sscreens, creens, iincluding ncluding a beautifully b eautifullly ridiculous 39-foot 39-ffoot HD one off iits sscreen, creen, tthe he llargest argest iindoor ndo or o ne o ts kind North America. The main k ind iin nN or th A merica. T he m ain space, spac e, ccalled allled the Arena, Arena, ffeatures eeatures an 80-foot bar resembling off iice 8 0-foot b ar re sembling a ssheet heet o ce when The upper floor overlooks w hen llit. it. T he u pp er fl o or o verlooks main tthe he m ain sspace pace aand nd iincludes ncludes a ggolf olf private ssimulator, imulator, tthree hree p rivatte ssuites uites aand nd looks likee a the Pitch Bar, Bar, which lo oks lik soccer field. so ccer fiel ld. VIP dubbed Player’s AV IP sspace pace d ubbed tthe he P laye y r’s Lounge reserved forr m members Lo unge iiss re served fo emb ers of the Maple Maaple Leafs, Leafs, the Raptors basketball Major b asketball tteam eam aand nd tthe he llocal o cal M ajor League L eague Soccer So occer club, club, Toronto Toronto FC. FC. Dark D ark lleather eather ffurnishings urnishings ssurround urround a stainless-steel stainless-steel fireplace fireplace and and the the booths with beer b ooths ccome ome eequipped quipp ed w ith b eer each ttaps aps at eac ch table. table. In a recent recent article, The ar ticle, Th he Globe Globe and Mail ccompared ompared entiree facilit facilityy to the NORAD the entir Command Center. There C ommand C enter. T here aare re sscreens creens urinals eeverywhere, verywhere, eeven ven aabove bove tthe he u rinals men’s bathrooms. Everything iin n tthe he m en’s b athrooms. E verything from is ccontrolled ontrollled fr om the equivalent of booth, wheree emplo employees a DJ b ootth, wher yees toil the aaway way at th he controls. controls. was forward Iw as llooking ooking fo rward aall ll weekend watching w eekend tto ow atching tthe he ggame ame att Real Sports, R eal e Sp orts, but as hip and dialedplace myy d dismay iin n aass tthe he p lace iis, s, tto om ismay iitt didn’t Fox Soccer Channel, d idn’t gget et F ox S o ccer C hannel, sso oI watch ccouldn’t ouldn’t w atch the match. Instead, taxi back myy h hotel room I ttook ook a ta axi b ack tto om otel ro om fired up pirate feed on myy aand nd fi red u pap irate fe ed o nm laptop,, wh which laptop hich came came in perfectly. perfeectlyy. The were T he aaudio udio aand nd vvideo ideo w ere cclear lear aass day. didn’t need with d ay. I d idn’t n eed tto o ffutz utz w ith iitt second. scenario ffor o or a sec on nd The whole sc nd. enario probably more Fox p robably ssays ays a llot ot m ore aabout b out F ox Sports does S ports tthan han iitt d oes aabout bout aanything nything else.. else theree I sat, alone in my So ther my hotel watching rroom, oom, w attching the San Jose Jose Earthquakes Ear thquak kes lose to Colorado. Colorado. My sstalking talking tthus hus ccame ame tto o aan n eend nd aand nd sso o did the Quakes’ Qu es’’ 2010 season. Quak

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Sitting cross-legged on the floor, surrounded by hundreds of grainy 3-by-5s and negative strips, daunted by the sheer volume of a family’s worth of photos, I remembered the days of film. A time when you couldn’t delete the picture of the bird that flew in front of Dad’s face, when the flash robbed cousin Tim of his baby blues and gave him red devil eyes instead. When I’d finished my chore, a part of me longed for an era I thought was lost and gone forever, when one had to wait for shoddily composed, quickly snapped photos to come back from the lab.

My nostalgia has been gratiﬁed. Out-of-focus, light-streaked photos have made a second entrance. But this time such photo faux pas as darkened edges and double exposures do not condemn a shot to the scrapbook hall of shame. Whole communities have sprung up around these “happy accidents” and the lovable, crappy cameras that produce them. An entire genre of “toy” cameras, which are often no more than a plastic carriage with a single lens in a bulky, boxy shape, has taken ﬂight. Holga, Diana, Lomo—let’s not forget Polaroid. All

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low-tech. But all the rage. For some reason.

Cheap Chic Aside from sharing strange but somehow charming names, the cameras that are making a comeback have a few key things in common. Most of the models are made completely out of plastic, even the lens. Some operate on 120 mm ﬁlm, some have ﬁxed lenses; all are inexpensive. Holgas are adored for discrepancies in their plastic construction that allow

light to leak into the body, which often results in bursts of overexposed ﬁlm. Both Holgas and Dianas are famous for their marginal ﬁeld coverage and low-quality plastic lenses, which produce the much sought-after vignetting, or blurred-edge look, and highly saturated color photos. In the 1980s, Holga cameras were mass-produced and widely distributed to the Chinese public. Intended to bring photography to the working class in an affordable way, the camera slowly gained international popularity a few years after its introduction. Professional

photographers appreciated the image abstraction Holgas produced, as well as their affordable price, which was as low as $15. Diana cameras predate the Holga and were brought into the United States from a Hong Kong plastic factory in the 1960s. They were widely used as cheap prizes for carnivals and fairs, and produced dreamy images with their soft focus. LOMO LC-As are Holga’s communist equivalent, developed in Russia during the ’80s. And, of course, there’s the Polaroid. First introduced in

1947, the camera, which instantly produced square photos with a white margin, had its heyday in the 1960s. Ever since Polaroid announced its decision to discontinue production of the ﬁlm in 2008, though, the cameras have practically become an item of lore.

Film Flops In an age where digital rules, toy cameras and Polaroids should have no place. The images that digital cameras produce are ultra-crisp,

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Anabella Pinon

PRESENT IMPERFECT 17

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and they’re only getting more exact. Arguably one of the best digital single-lens reflex cameras on the market, Canon’s EOS D5 Mark II, boasts 21 megapixels, eight exposure modes and can snap a photo in 1/8,000th of a second. In contrast, Polaroid cameras tend to generate images that contain less than one megapixel. Digital images may be quickly uploaded onto a computer and emailed to every corner of the earth, while photos from film must still be processed, cropped and then scanned if one plans to share. For the amateur photographer, printing digital pictures is much more economical. Only the cream need be printed. But despite the hassles, lowdefinition film cameras, or at least their aesthetics, are holding their own—and perhaps even breaking new ground—in the 21st century. The Lomographic Society International is a forum for all things toy camera, whether that entails writing about them, selling them or even selling accessories for them. Championing quick and

simple snapshot photography, the group offers 10 “golden rules.” The 10th one trumps all: “Don’t worry about any rules.” The Hipstamatic iPhone application gives digital photos an old look, as if they were taken with a toy camera. The application’s description reads that Hipstaprints, the application’s resulting images, are “characterized by vignetting, blurring, oversaturation [and discoloration],” while the Hipstamatic itself “keeps the quirks of shooting old-school” with the option of switching the type of ﬁlm, ﬂash and lens used.

But—Why? We get that they’re crappy, we understand that they’re popular. But what exactly precipitates this shift in photographic trends? Josh Marcotte, a San Jose photographer who often uses a Holga, calls it “the perfect antidote to digital. It is unapologetically lo-ﬁ.” Marcotte praises the soft focus and slightly blurry images that

PRESENT IMPERFECT 19 Joe Aguirre

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the Holga produces as pluses for his work. For a project called Lost San Jose (LostSanJose.com), Marcotte photographs vanishing and underappreciated places in the city. These transitory landmarks somehow cry out for retro-tech images. Marcotte started his project with disposable cameras before working up to digital. About two years ago, however, he decided that “the original reason I got into photography—to have something tangible—was missing in digital.” He started taking along his plastic cameras and every shot he took in digital he retook with ﬁlm. Of course, the advantages of digital can’t be denied. For his website, Marcotte is in the process of scanning his ﬁlm negatives so that he can do his darkroom work on the computer. In addition to his Holga, he also uses a high-low combination of a digital Canon SLR adapted to work with an old-fashioned plastic Diana lens. “It’s the best of both worlds,” he says. In addition to his Holga, Marcotte

also experiments with a Lomo, especially the unusual Octomat model, which has eight lenses that snap in rapid succession. For Marcotte, there is even a benefit to be gained from what many consider the greatest drawback of film: the lag time between snapshot and finished result. “It’s a form of delayed gratification,” Marcotte says. “For your patience, you are rewarded.” San Jose artist and photographer Anabella Pinon works with both 35 mm and 120 mm film point-andshoot cameras, including a Holga and an Ansco 35. She says that she “loves the happy accidents that happen in film . . . the raw look and graininess of the film. Like many aficionados, Pinon covets the light leaks that might be considered flaws, as well as the opportunity to do double exposures. She prefers “the raw look and graininess of film.” “You can make your photos look ‘hip,’ without some fancy [digital] application,” she adds.

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PRESENT IMPERFECT 20 Brilliant, who shoots in both digital and Polaroid, says, “I think I got hooked because it was such a cool object. I go out, I take my Nikon, and it takes great pictures, but it’s not a cool object. Just the same damn thing everyone else has. If you have a camera that looks badass, why not use that?” Following trends sucks. But in the end, who cares? “When your favorite band becomes popular, well, did you like them, or did you not like them?” Brilliant asks. For him, it’s more about the camaraderie that instant photos foster. “There’s a lot of great community in it,” he says. “You’re out with your friends and you’re just starting to take photos and you want to share that process with your friends. It’s not so geeky. It’s not like you take your digital camera and take a picture, and you go home and put it in your laptop. You’re out in a car, and you take it and pass [the Polaroid] to the driver, and that’s that.”

Dp efjkXc^`X _Xj Y\\e îXk`Ó \[% Flk$f]$]fZlj# c`^_k$jki\Xb\[ g_fkfj _Xm\ dX[\ The Hi-Fi of Lo-Fi X j\Zfe[ There’s no denying that digital cameras yield excellent high\ekiXeZ\% definition pictures, and do so with The same is true of the Instax camera, Fujifilm’s attempt at a newage Polaroid, which alone ensures a healthy crowd around Jeremiah’s small but thriving “toy camera” wall. Customers for the Instax, Jeremiah says, are mostly “people who didn’t have Polaroids as a kid, these 16-, 17-, 19-year-olds, and they’re coming in and they’re like, ‘Wow! Look at this!’” One simple answer is trend. Tod Brilliant, a professional photographer who has been shooting Polaroid for some 10 years, says that instant film is, in some ways, a fashion accessory. “[Polaroids] were such a hipster item, they were so Urban Outfitters,” he says. Indeed, the alternative-fashion retail store was among the first in the last decade to reintroduce Holgas to the masses. Of course, not everyone has a Holga from Urban Outfitters. Students of film photography are flea-marketand garage-sale-savvy, but the effect is the same. These photographers are looking for older-looking instruments in the form of weathered plastic.

much less angst than their filmwasting counterparts. Perhaps it’s the obsession with precision and efficiency that so often accompanies digital technology that makes digital photography feel inefficient. Sonoma State photography major Anna Tracy certainly sees the value of film. “There are only 20 pictures on a roll of film,” she says. “You want to be careful about what you take a picture of. You look around and make sure your composition is exactly what you want it to be before you take a picture.” Tracy, who previously worked primarily in digital media, took her first class in film photography in 2008 with Sonoma State and Santa Rosa Junior College photography instructor John Ferdico. Ferdico requires his students to shoot with Holgas, and, initially, Tracy was less than pleased about the process. “I was so angry,” she says, “I probably took about six rolls of film, and only two pictures turned out.” They later became her two favorite photos and

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Jeremiah Flynn, of Jeremiah’s Photo Corner in Santa Rosa, reports that this analog obsession has consumed nearly five of his eight years in photo retail. “It’s shocking how much film we’re selling,” he says. “It seems like it’s actually ramping up.” And while the standard 35 mm film is still his leading seller, he’s noticing that medium and large format films, like those typically used with Holga and Diana cameras, are flying off the shelves like never before.

PRESENT IMPERFECT 23

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marked the beginning of her loyalty to film. She says, “I think photographers in general are a little more anal than a lot of other people in the art world, maybe a little controlling sometimes,” Tracy says. “Everything has a light meter, and it’s very ‘This is how it has to be done.’ [Holgas] kind of let you go a little bit. The fact that you really don’t know how it’s going to turn out, it lets you let go of it.” Ferdico himself found solace in Holgas at a time in his career when photography was exciting but overwhelming. “I enjoyed it because it was a refreshing change from worrying about stuff with photography,” he says. As an undergraduate art student, he bought his first Holga at a Kansas City dollar store in the 1980s. At around $20, Holgas are more than affordable, especially for photographers, who are prepared to pay many times over that price just for film. Tracy and Ferdico make it sound so easy, sacrificing to-the-very-pore exactness for the ability to capture a

serendipitous moment. And really, does high-def mean true-to-life? “Polaroid is more like what you see,” says Brilliant. “Your eye can’t focus on more than one space. That’s what I really enjoy. To me, it’s more real because it’s less honest, which makes it more honest.” So blurry pictures with a tiny frame taken with a camera that can’t effectively shoot an object more than 10 feet away evoke a heightened sense of verity? Can the human eye do much better? Brilliant rests his case.

Back to Basics For experienced photographers, meticulous visual detail and overly planned shots are not the only aspect of digital that’s bringing them down. There’s the data, too. And just the thought of it bogs everyone down, even if we’re not totally aware. “It’s like a visual overload for me,” Tracy says. “I have probably 18 ﬂash drives, full of digital photographs,

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just because I want to have them all backed up, but it’s just so much to go through.” And for someone who’s trying to make a career out of photographs, this computerized burden can act as a hindrance to ﬁnding one shot among millions. Which is why Brilliant typically travels with only one lens when shooting with his digital camera. “I really enjoy being limited,” he says, “and right now we have so many choices with digital cameras.” Brilliant relates this camera craze to other trends that have reverted back to older media, such as the popularity of vinyl records. He says these movements operate on a more “human scale” and praises their down-to-earth feasibility. “I can’t carry 4 million photos with me. I can carry 15 Polaroids,” he says.

So Bad It’s . . . Maybe these crazy, crappy-cameracarrying kids have something here. Sure, it’s a trend. But it’s a trend based on spontaneity and downsizing, which is, at best, a hopeful perspective and, at worst, an idealistic one. Ferdico, who has been teaching photography classes for over 12 years, also sees the interest in ﬁlm as a desire for an authenticity in the art form, a yearning to know

how it all works. “Here’s this basic technology that provides the basis for all art forms,” says Ferdico. “And it is very much like pottery in that way. “Photographs aren’t only records, but they’re actually souvenirs,” he continues. “Every time you take a picture, a physical part of the world is absorbed by the emulsion of the film. And then you carry that with you on the surface of the paper. As I learned how digital photography works, it seems to me, it disappears the moment that light energy is encoded. You actually lost that tiny physical thing.” Maybe it is the physical thing that we hold on to, even in our minds. Are we going to remember the family portrait where every strand of hair is in place long after the flash drive’s been misplaced? Does a photographer really not learn from her mistakes unless the mistakes are tangible? It’s hard to pin it down, exactly. But I do know that those tiny physical things are not lost on me. As I write, I have Instax photos scattered all over my room. Film canisters fill my shelves. Last night, I sat on my bed, moving the small white frames around me and wondering which one of these crappy images could possibly be used to accompany this article. I realized I probably couldn’t use any—they were just that bad. And that was OK.

M E T R O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Joshua Marcotte

PRESENT IMPERFECT 24

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Daniel KKouba ouba

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India Update

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The T he aging aging review review is is telling. telling. While While the food the food att JJunnoon unnoon can can still still be be quite quite ggood, ood, the the restaurant restaurant appears appears to to be be rresting esting on on its its laurels. laurels. Five Five years years is is a llong ong time time ago. ago. What What have have you you done done ffor o or me lately y, Junnoon? Junnoon? Checkingg lately, b ack iin n at at the the restaurant restaurant four four years years back aft fter my my ﬁrst review, review, some of the after sp park seems to have haave dimmed. spark When Junnoon Junnoon opened opened in 2006, 2006, iitt w as part part of of a new new class class of of modern mo dern was IIndian ndian restaurants, restaurants, like like nearby nearby M antra and and Amber Amber India, India, that that were were Mantra ttaking a aking all-youthe cuisine out of the all-youccan a eat buffet an buff ffeet line and into a whi itewhitettablecloth ablecloth setting setting with with contemporary contemporary rrenditions e enditions of classic Indian ffood ood and a

beautiful b eautiful pr presentations. esentation ns. The interior int off the o the restaurant restaurant with with its its earthly ear thly ccolors olors and and intimate, intimate, loungelike loungelike vibe vib e announced announc ed it as an upscale, upsscale, newnewgeneration Indian rrestaurant. estaurant. Professional P rofessional service service is is a weakness weakness at most Silicon Silicon Valley Valle a y restaurants, restaurants, aand nd that’s that’s the the case case here, here, too. too. While While ffriendly riendly and and prompt, prompt, servers servers don’t don’t bring b ring much much enthusiasm enthusiasm or or knowledge knowledge tto o the the table. table. In In one one case case I had had to to ask ask tto o see see a dessert dessert menu menu instead instead of of being b eing offered o ffeered one ff one after after my my meal. meal. And And tthen hen iitt was was ﬁshed ﬁshed from from the the server’s server’s back back pocket, p ocket, wrinkled and oil o stained. stained. On O n two two occasions, occasions, dishes dishes were were sserved erved without without silverware. silverware. I stared stared att myy ffood m ood and and waited waiited for for her her tto o ccome ome back bring b ack so so I could could eat. eat. Why Why not not b ring out plates of ffood ood and silverware silverware at the same time? After Afteer making a sselection election from from the the cocktail cocktail menu, menu, I was w as iinformed nformed the the bar bar doesn’t doesn’t serve serve

tthat hatt drink drink anymore anymore and and that that I was was looking lo oo okingg at a an a old o d menu e u because because a new hadn’t been up.. ne w one ha adn’t b een printed up aree lit little things,, On their own, these ar tle things but up b ut aadd dd tthem hem u p aand nd I sstarted tarted tto o see see That a ttrend: rend: ssloppiness. loppiness. T hat wouldn’t wouldn’t matter m attter iiff tthe he ffood ood were were great. great. In In some some ccases, ases, tthe he ffood ood aatt JJunnoon unnoon is is quite quite The Old Delhi–style ggood. o o d. T he O ld D elhi–style chicken chicken (($19) $19) iiss a ggreat reat version version of of what what iiss eessentially ssentially cchicken hicken ttikka ikka masala, masala, only only has flavor iitt h as a ssmoky moky fl avor enlivened enlivened with with Good, too, ffenugreek. eenugreek. Go G od, to o, is the ttandoorandoorhalibut paired with ggrilled rilled h alibut p aired w ith a tthick hick The ccoconut-ginger oconut-ginger ssauce. auce. T he pasty pasty lump lump of semolinaa did nothing ffor or o the dish, though. loved I lo ved the th he Bombay Bombaay crab and cod cod myy fi first The ccakes akes (($8) $8) ffrom rom m rst vvisit. isit. T he pan-fried llittle ittle ffritters ritters aare re llight ight aand nd p an-fried with onion aand nd ssprinkled prinkled w ith cumin cumin and and o nion seeds.. The spicy seeds s garlic and chile chutneyy ser served good, chutne rved with them is go od, too. don’t to o. And do on’tt miss the semolina shells ($6), JJunnoon’s unnoon’s ttake ake on chaat, Bombay street snacks.. This one is Bomba ay str reet snacks made fr from little om a lit tle shell of wheat flour filled with fl our aand nd fi lled w ith ggarbanzo arbanzo beans b eans aand nd tthe he cclassic lassic ssauces, auces, tamarind tamarind and and chutney drizzle mint chutn ney and a driz zle of yyogurt. ogurt. They’re served The y’re ser ved ccool ool and rreally eally ignite appetite. yyour our app etiite. I think my my favorite faavorite dish was was a side,, the spi spinach side inach dal ($5), cumin aand nd ggarlic–seasoned arlic–seasoned lentils lentils with with an an appealing app ealing smok ssmoky ky finish to them. Other dishes, likee the o overly creamy, O ther dis shes, lik verly cr eamy, underseasoned u nderseasoned cauliflower cauliflower and and Darjeeling gginger inger ssoup oup (($8) $8) aand nd wan wan D arjeeling wontons steamed wo ontons ($8),, left me flat. Where was Darjeeling flavor? W here w as tthe he D arjeeling fl avor? The The rrogan ogan ggosh osh (($20) $20) aand nd the the paneer paneer and and pepper rred ed p epper ccake ake (($15) $15) were were good, good, but but not worth price. Similar n ot w orth ttheir heir p rice. S imilar vversions ersions tthat hatt sell sell for for considerably considerably less less are are elsewhere. aavailable vvailable el sewhere. Desserts aree OK. The menu leans Desser ts ar moree tow toward West mor arrd the W eest than India. likee a gar garden. A rrestaurant estaurrant is lik den. It starts wither nurtured st arts to wit ther unless it’s it’s nur tured with watering, w ith cconstant onstant w attering, replanting replanting weeding. aand nd w eeding. JJunnoon unnoon iiss sstill till a good go o d rrestaurant, estaurant, but but it it needs needs some some more more love attention keep thriving.. lo ve and at t tention to k eep it thriving

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31 M E TR O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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AUNT SOPHIA

COUSIN VINNY

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Bring t

he W hole Family

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Alviso ¿book online at alviso.com

VAHL’S CONTINENTAL $$$. Since 1941, Vahl’s has served a wide variety of old-style favorites in warm Alviso comfort. Steaks, lobster and squab are specialties. Full Bar. Closed Mon and Tue. El Dorado and Taylor. 408.262.0731.

Cupertino ¿book online at cupertino.com

ALEXANDER’S STEAKHOUSE AmericanAsian steakhouse. $$$$. Alexander’s is much more than a steakhouse. Add a 500-bottle wine list, multiple dining rooms and Asianaccented ambience and you’ve got a standout South Bay restaurant. Full bar. 5:3010pm Mon-Thu, 5:30-11pm Fri-Sat and 5-9pm Sun. 10330 N. Wolfe Rd. 408.446.2222.

CAFE TORRE New Italian. $$$. A gem tucked away in an unassuming little mall, with a sophisticated interior and congenial hosts. Even better is the great pasta and seafood. Beer, wine. 11:30am-2pm and 5-9:30pm Mon-Thu and 510:30pm Fri-Sat. Closed Sun. 20343 Stevens Creek Blvd. 408.257.2383.

CUPERTINO BAKERY Indian and bakery. $. Don’t be fooled by the name. Cupertino Bakery is really a great South Indian restaurant. Unlike many South Indian restaurants, Cupertino Bakery isn’t vegetarian. Good lunch buffet for $7.99. Don’t miss the dosa and utthappam. 11:30am-9:30pm daily, but weekdays kitchen closes 2:30-5:30pm. 102521 S. De Anza Blvd. 408.517.9000.

DYNASTY SEAFOOD RESTAURANT Hong Kongstyle Chinese. $$$. Dynasty specializes in Hong Kong-style seafood. The seafood is very fresh, especially the creatures swimming minutes before they arrive on your plate. Good dim sum, too. Full bar. 11am-2:30pm and 5-9:30pm Mon-Thu and 10am-3pm and 5-9:30pm Fri-Sat. 10123 N. Wolfe Rd (in Cupertino Square). 408.996.1680.

FLORENTINE RESTAURANT Italian. $. Bold ﬂavors, fresh ingredients and lavish portions. Casual to dressy. Beer, wine. 10257 S. De Anza Blvd. (plus six other locations, some with full bars). 11:30am-9pm Mon-Thu, 11:30am-10pm Fri-Sat and 49pm Sun. 408.253.6532.

FONTANA’S California/Italian. $$$. A steady performer, Fontana’s rarely disappoints pasta lovers. Beer, wine. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 5-10pm Sat and 4:30-9pm Sun. 20840 Steven Creek Blvd. 408.725.0188.

GOCHI Japanese. $$$. Gochi is a globally inspired izakaya (small plates) restaurant. Most of the food is straightup Japanese fare, but there are a few American, French and Korean twists. Highly recommended. 19980 Homestead Rd. 408.725.0542. LOON WAH Chinese. $. The kitchen produces good wokcentric dishes, but its main draw is fresh, hand-pulled noodles. Casual. Beer, wine. 11am-9:30pm Mon-Thu and 11am-10pm Fri-Sun. 1146 De Anza Blvd. 408.257.8877.

TODAI Japanese. $$. Billed as a Japanese seafood buffet, Todai doesn’t limit itself to Japanese dishes. Pan-Asian and just plain odd specialties rotate. 11:30am-2:30pm

¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

and 5:30-9pm Mon-Fri and 11:30am-3pm and 5:309:30pm Sat-Sun. Cupertino Square mall (near Sears), 10123 N. Wolfe Rd #2001. 408.996.3444.

Gilroy/ Morgan Hill ¿book online at gilroycalifornia.com

MAURIZIO’S AUTHENTIC ITALIAN RISTORANTE Italian. $$. You don’t dine here for a quick upscale ﬁx, you dine here for down-home atmosphere. Tender vitello saltimbocca tops the menu. 11:30am-2pm and 5-9pm Mon-Thu, 11:30am-2pm and 5-10pm Fri and 5-10pm Sat. Closed Sun. 25 E. First St, Morgan Hill. 408.782.7550.

RAGOOTS American. $$. Ragoots offers a menu of recognizable favorites with a gourmet kick—salade niçoise with salmon instead of tuna; ﬂatiron steak with blue-cheese herb butter; smoked salmon and prosciutto fettuccini. 11:30am-9pm Tue-Sat.10am2pm Sun. 17305 Monterey Rd, Morgan Hill. 408.201.9200.

Milpitas ¿book online at milpitas.com

ABC SEAFOOD RESTAURANT Chinese. $$. ABC is a Hong Kong-style restaurant, and that means dim sum and lots of fresh, fancifully prepared seafood. At lunch the place is a trafﬁc jam of dim sum carts proffering an assortment of

33 M E T R O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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WINE

It Pays to Be Green

<IIP CF?I î\n lg fe X ]Xid# Xe[ _`j befnc\[^\ f] Xe[ cfm\ ]fi k_\ cXe[ _Xj Xi^lXYcp Y\\e _`j jkife^\jk Xjj\k Xj X nè\dXb\i% @k nXj k_Xk e\\[ ]fi X [ì\Zk Zfee\Zk`fe n`k_ k_\ jf`c k_Xk gifdgk\[ _`d kf \ek\i k_\ nè\dXbè^ Yljè\jj% After researching various California regions based on climate and soil, Lohr settled on the Arroyo Seco appellation of Monterey County. In 1972– 73, he planted his first 280 acres. In 1974, the J. Lohr Wine Center opened its doors at 1000 Lenzen Ave. in San Jose, previously home to a brewery. The tasting room, bottling facility and corporate offices are still there today. Amazingly, this small space processes and bottles the majority of the wine, more than 1 million cases per year. Demand drove expansion, and from the original 280 acres the winery grew to 1,300 acres in Monterey County, 2300 in Paso Robles and 35 in St. Helena. Although they make vast quantities of wine most of which is very reasonably priced, the people at J. Lohr want their customers to say, “Wow, that’s great wine, and what a great price too,” not the other way around. Lohr has always been interested in making good wine that can be enjoyed right now, not treasures to be stored away for decades. There are essentially four tiers of J. Lohr wines. Out of those million-plus cases, there are a few that contain boutique-style wines. From a tasting standpoint, all the wines are solid. They are well-balanced and easy to drink. A few personal favorites from my visit were the October Night Chardonnay, Gesture GSM and Tower Road Petite Sirah. For the holidays, both STEVE LOHR, Jerry’s son and executive vice-president, and BILL FLINT, the hospitality manager, recommended the Wildflower Valdiguié as a great turkey wine. This unusually light red is best served slightly chilled and tastes distinctly of cranberries and retails for $10. Jerry Lohr has always considered himself a steward of the land. His winery is a family business. He hopes to pass it to his grandchildren’s grandchildren and therefore does not follow a five-year or even a 10-year plan but looks at a much longer span of time as more businesses should. In 2010, the winery became one of the first in the state to earn a Certified California Sustainable Winegrowing distinction, which requires meeting 58 prerequisites. In addition to composting, water conservation and reducing chemical waste, J. Lohr has a 3-acre solar photovoltaic tracking system that was unveiled in 2009 and is the largest of its kind in the industry. Even in tough times, the winery continues to grow and to win awards of distinction. This year, it was honored with Wine Enthusiast’s Winery of the Year award. It does pay to be green.—Liza Mock

33 little snacks 11am-2:30pm and 5-9:30pm daily. 768 Barber Lane. 408.435.8888.

BANANA LEAF Southeast Asian/Malaysian. $$$. A charming, exotic gem of a place with some of the best Southeast Asian food in the county. Sauces are masterfully

crafted and reduced to glossy consistencies. 11am-3pm, 5-9:45pm Mon-Thu, 510:30pm Fri-Sat. 182 Ranch Dr. 408.719.9811.

CHILI GARDEN Szechuan. $$. There’s a lot to recommend at this Szechuan standout. Mapo tofu is a classic that rules here. For sheer ﬁreworks, go for the Chongqing spicy

chicken, a fearsome-looking dish of chicken lightly battered and crisp. 10:30am-2:30pm and 4:30-10pm Mon-Thu, 10:30am-2:30pm and 4:3010:30pm Fri-Sun. 210 Barber Lane. 408.526.9888.

DARDA SEAFOOD RESTAURANT Islamic Chinese. $. Darda serves halal meat and

ER...VALID GAME DAY ONLY

TO YOUR REAL NEIGHBORHOOD RESTAURANT LA VILLA RICOTTA & SPINA AC CH RA AV VIOLI SPINACH RAVIOLI

with o with oven ve en rroasted oassted ttomatoes, omatoes, pine n uts in a br row wn butt er sauc e. nuts brown butter sauce. — FREE VALET PARKING PARKIN NG — 1072 Willow Willow Street, Sttreet, Willow Willow Glen-San Jose Josse 408. 971. 7080

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HOME FOR E M CO

Show Your Sharks Ticket & SAVE! $4 Draft Beer DINN OR House Wine

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SVDINING draws parts of its menu from western China, a region that borders the Muslim countries of Kazakhstan, Kyrgyzstan and Tajikistan. Seafood and noodle dishes are particularly good. No alcohol served. 11am2:30pm, 5-9:30pm Mon-Fri 10:30am-3pm, 4:30-9:30pm Sat-Sun. 296 Barber Court. 408.433.5199.

DING SHENG Chinese. $$. Bustling Ding Sheng restaurant specializes in Shanghai-style Chinese food but features a wide variety of regional dishes. Shanghai dishes include cold weather fare like dumplings, braised meats and sweet and savory meats. 11am-2:30pm and 5pm-midnight daily. 686 Barber Lane. 408.943.8786.

LIOU’S HOUSE Chinese. $$. A shopping center next to a miniature golf course is an unlikely place to ﬁnd a classically trained Chinese chef, but Silicon Valley offers good food in unexpected places. Check out the Hunan tofu, kung pao chicken and stir-fried pea greens. 11am-2:30pm and 4:30-9:30pm Tue-Sun. 1245 Jacklin Rd. 408.263.9888.

SAVORY CHICKEN Filipino. $. Savory Chicken offers a Filipino take on fried poultry. The chicken is tossed in a proprietary blend of herbs and spices and fried in soybean oil. No ﬂour or bread crumbs are used. The result is an almost translucent skin that is so crisp it shatters on contact. 11am8pm Tue-Sun. 1557 Landess Ave. 408.945.8616. SOUTH LEGEND SICHUAN RESTAURANT Szechuan Chinese. $. The menu of this Milpitas standout reads like an encyclopedia of Szechuan food. Couple beef, kung pao chicken and Chen ma pa tofu are all great. 11am-2:30pm and 5-9:30pm Mon-Fri and 11am-9:30pm Sat-Sun. 1720 N. Milpitas Blvd. 408.934.3970.

SWAGAT Indian. $. Swagat explores both southern and northern Indian cuisine in its traditional and extensive menu. Casual. Beer, wine. Buffet daily 11am-3pm, 5:30-10pm. 68 S. Abel St. 408.262.1128.

TIRUPATHI BHIMAS Indian. $$. Tirupathi Bhimas specializes in vegetarian food from south India, particularly that of Andra Pradesh, a spicy and aromatic cuisine, as well as a few north Indian dishes and “Indo-Chinese.” 11:30am-2pm and 6-9:30pm Tue-Thu, 11:30am-2:30pm and 6-9:30pm Fri and Sat and 11:30am-2:30pm and 69:30pm Sun. 1208 S. Abel St. 408.945.1010.

Mountain View ¿book online at mountainview.net

AMBER INDIA Northern

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eat traditional Indian fare. Casual shopping-center surroundings. 11:30-10pm Mon-Sun. 165 E. Camino Real. 650.965.1111.

CHINA CAFE Mandarin, Szechuan. $$. A little surprise in the Blossom Valley Center promises uptown ambience, spotless surroundings and well-presented classical Chinese cuisine. 1760 Miramonte Ave. 650.968.2298. DON GIOVANNI Italian. $$$. This pumpkin-hued eatery faces the bustling downtown with a handsome demeanor of mahogany and candlelight. Full bar. 11am-2pm, 5-9pm MonFri, 11am-9pm Sat-Sun. 235 Castro St. 650.961.9749.

Indian, tandoori. $$. Meals unfold like a bolt of rare silk, served with care and efﬁciency in a rich, luminous interior. Dishes are complex and varied. 11:30am-2:30pm Mon-Sun, 5-9:45pm Mon-Sun. 2290 El Camino Real. 650.968.7511.

LE PETIT BISTRO Classic French. $$. There’s a lot to like about this pinch of a place with its simple, practiced French cuisine and quiet dining. Casual. Beer, wine. 5:30-9:30pm Tue-Sat. 1405 W. El Camino Real. 650.964.3321.

AMICI’S EAST COAST PIZZERIA Pizza/Italian. $$.

MARU ICHI Japanese noodles.

When it’s done right, East Coast pizza can be a glorious thing. Dough is rolled ultrathin and served noticeably charred on the sides and bottom, the ideal combination for a “foldable” slice on the go. It’s done right here. 11am-10pm Mon-Thu, 11am-11pm Fri, 11:30am-11pm Sat, 11:30am10pm Sun. 790 Castro St. 650.961.6666.

BODRUM CAFE Turkish. $$. The menu at Bodrum Cafe is extensive and covers a lot of ground, but it’s the lamb dishes that stand out. A good place to start is with the lahmacun (Turkey’s take on pizza) and the kebabs. 10am10pm daily. 383 Castro St. 650.396.7010. CASCAL Spanish Tapas. $$$. The tapas menu yields big tastes in small portions at this pan-Latin charmer. Calamari, roasted quail and minted lamb meatballs are among the delicacies. Full bar. 11:30am10pm Mon-Sun. 400 Castro St. 650.940.9500. CHAAT PARADISE Vegetarian Indian. $. Golden spices predominate at this popular spot for inexpensive, fun-to-

$. Maru Ichi is a true noodle shop. While there are a few appetizers on the menu, the slurpable house-made noodles—ramen, soba and udon—are what you want. Go for the house specialty kuro ramen or the soy sauce ramen. Beer and wine. Cash only. 11:30-2:15pm, 5-9:45pm, 11:30am-9:45pm, 11:30am9pm Sun. 368 Castro St. 650.564.9931.

NAMI NAMI Japanese. $$$. Nami Nami specializes in kappo-style Japanese food, food prepared in the artful, labor-intensive, seasonally driven style associated with the city of Kyoto. For diners willing to open their minds and mouths, it offers one of the most exciting restaurant experiences in the Bay Area. 11:30am-2pm Tue-Sun, 7-10pm Tue-Thu and 6-11pm Fri-Sat. 240 Castro St. 650.964.6990. NETO CAFFE AND BAKERY CAFE $$. Neto Caffe and Bakery is a busy, good-looking space that has a happy buzz about it. The ﬁrst thing you notice as you walk in is all the fresh pastries on the counter. There’s a little bit of everything including a number

ariani’s Restaaurant

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SVDINING 37 of Middle Eastern specialties. 7am-10pm daily. 135 Castro St. 650.625.9888.

PHO TO CHAU Vietnamese noodle house. $. The pho here is an honest noodle soup. First-timers might want to stick with the basic pho chin, topped with slices of beef brisket. 11am-10pm daily. 853 Villa St. 650.961.8069.

ROSE INTERNATIONAL MARKET Persian. $. Part Middle Eastern grocery store, part Persian food take-out counter and part kebab grill, Rose International Market is a gold mine of good food. The white plastic tables out front are packed with customers eating the market’s signature mesquite-grilled kebabs. 8am9pm Mon-Sat, 9am-8pm Sun. 1060 Castro St. 650.960.1900.

THE SPICE ISLANDS CAFE Singaporean, Malaysian, Indonesian. $$. This restaurant will send your taste buds to the tropics. Talented chefs put out dishes full of spice and passion, like jumbo chile prawns, papaya salad and Malaysian spareribs. The menu is expansive. Prices are reasonable. 210 Hope St. 650.960.1888.

SUSHI TOMI Japanese. $$. Sushi Tomi serves Japanese food with an elegant simplicity. Sushi and sashimi are ocean fresh. For a real treat, ask for an omakase dinner and let the chef put together a tasting menu for you. 11:30am-2pm 5:30-9:30pm. 635 W. Dana St. 650.968.3227.

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XANH RESTAURANT Modern Vietnamese. $$. Xanh (pronounced “zahn”) epitomizes the new breed of upscale, contemporary Vietnamese restaurant. The appealing menu ranges from the traditional to the unconventional and includes rolls, salads, noodles, small plates and full-size entrees. 11:30am-2pm and dinner 4:30pm-close Mon-Fri. 110 Castro St. 650.964.1888

YAKKO Japanese, sushi bar. $$. A pairing of swift service with an exotic range of sushi and udon makes this a favorite among sushi lovers. Casual. Beer, wine. 11:30am-2pm MonSun. 5:30-9:30pm Sun-Thu, 5:30-10:30pm Fri-Sat. 975 W. Dana St. 650.960.0626.

ZUCCA Mediterranean. $$. Time slows and the paella glows at this Turkish/Spanish charmer: lamb kofte, spicy shrimp, steak, baklava. 11:30am-2:30pm Mon-Fri, 5-10pm Mon-Sun 186 Castro St. 650.864.9940.

Redwood City OLD PORT LOBSTER SHACK New England. $$. Made with lobster ﬂown in from Maine, the lobster roll is simple but good: a toasted, buttery hot dog-style bun cradles fresh, juicy lobster meat. The Gruyèrelaced lobster mac ’n’ cheese and lobster bisque are good, too. 11am-8pm Mon-Fri, 11am9pm Sat-Sun. 851 Veterans Blvd. 650.366.2400.

Mexican. $. This clean and fetching diner is the place for authentic fare. Generous portions. 6:30am-10pm MonFri, 6:30am-11pm Sat, 8am10pm Sun. 854 W. Dana St. 650.969.1464.

PAMPLEMOUSSE Cafe. $. Aside from owner Kelli Manukyan’s pastry skills, the cafe offers a number of tasty sandwiches, soups and quiches. 7am-7pm Mon-Thu, 7am-9pm Fri, 8am-7pm Sat, 8am-5pm Sun. 2401 Broadway St. 650.599.9714.

VASO AZZURRO Ristorante

RED LANTERN Southeast

Italian. $$$. Entrees are attractively presented, and the waiters will make you feel as though you were the most important guests in the place. Dessert lives up to the rest of the meal. Beer, wine. 11:30am-2:30pm Mon-Fri, 5-9:30pm Mon-Thu, 5-10pm Fri-Sat, 5-9:30pm. 108 Castro St. 650.940.1717.

Asian. $$. Scattershot panAsian restaurants often falter because their menus offer tepid examples of each cuisine, but Red Lantern shows conﬁdence and mastery of a variety of cooking styles. Lunch 11am-2pm Mon-Fri, dinner 5-10pm Sun-Wed, 5-11pm Thu-Sat. 808 Winslow St. 650.369.5483.

TAQUERÍA LOS CHARROS

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Downtown San Jose ¿book online at sanjose.com

ARCADIA Steakhouse. $$$. Celebrity chef Michael Mina reworked the menu at Arcadia in the summer of 2006 to create a modern steakhouse, a change that has made it the destination restaurant it was originally supposed to be. Lunch 11:30am-2pm Mon-Fri and dinner 5:30-10pm SunThu, 5:30-11pm Fri-Sat. 301 S. Market St. 408.278.4555. BELLA MIA Italian-American. $$$. One of downtown San Jose’s most attractive eateries, Bella Mia serves regional dishes with ﬂair. Full bar. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 4:30-10pm Sat, 4:30-8pm Sun. 58 S. First St. 408.280.1993.

BILLY BERK’S Eclectic. $$. Billy Berk’s restaurant looks and taste likes the offspring of the Hard Rock Cafe and Chili’s. The downtown San Jose restaurant offers a populist mix of American, Mexican and Asian food. Most dishes are designed for sharing—appetizer-size portions, nibbles and ﬁnger foods that pair well with the prodigious drink list. 11:30am10pm Mon-Wed, 11:30am10pm Thu, 11:30am-11pm Fri, 5-11pm Sat, Bar open till midnight. 99 S. First St, San Jose. 408.292.4300.

CITY BAR AND GRILL CLASSIC American. $$$. Bigshouldered food in handsome surroundings is the rule. The steaks are big and juicy, the pot pies better than Grandma used to make. Full bar. 300 Almaden Blvd, inside the Hilton. 408.947.4444.

DALAT Vietnamese. $$. San Jose’s second-oldest Vietnamese restaurant continues to draw those in search of delicious traditional fare. Surroundings are clean and friendly. Open daily for lunch and dinner. 408 E. William St. 408.294.6989.

E&O TRADING COMPANY Southeast Asian. $$$. Entrees come on playful serving dishes and are beautifully spiced with multiculti ﬂavors,

LIVE FEED

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Twitter.com/SVDining

The Butter Paddle

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The Butter Paddle is run by volunteer women, and all proceeds benefit EASTFIELD MING QUONG (EMQ) Families First. EMQ represents the merging of two children and family services agencies: Eastfield Home of Benevolence (founded in San Jose in 1867) and Ming Quong Presbyterian Mission Home (founded in San Francisco in 1874). Eastfield began as an orphanage providing shelter, care and education for local homeless youth. Ming Quong rescued Chinese girls from slavery and prostitution in the alleys of San Francisco. The two agencies merged in 1987 and were later called EMQ Children and Family Services. The store bailed on Saratoga after steady declines in foot traffic and retail sales. Food traffic on Big Basin Way in Saratoga is all but nonexistent. (You hear that Saratoga City Council? More businesses will leave the downtown, and there will be nothing left unless you come up with a plan to attract and retain businesses.) “We’re all about making money to give children, and our sales were dropping year after year,” says Carol Gruetzner, EMQ auxiliary president. The new store opened Oct. 30 and business is great now. So how does a little store with just one location compete with the malls and retail giants like Macy’s and Williams-Sonoma? “We buy products the public likes, number one,” says Gruetzner. “That’s the secret of our success. We change what we sell all the time.” Because volunteers run things, the 68 women who staff the store are deeply passionate about the work they do and what they sell. “We get to feel good about giving to the children,” says Gruetzner. Of course the lack of labor costs give the Butter Paddle a strategic advantage over for-profit retailers. But that’s what makes the store so cool. You could go to a mall and give your money to a store that’s in business to enrich itself or you could support a store with deep community roots that’s is in business to improve the lives of children. For me that’s a pretty easy choice to make.—Stett Holbrook THE BUTTER PADDLE 33 N. Santa Cruz Blvd., Los Gatos 408.395.1698

from Bali to Ceylon and back through Malaysia. Full bar. Open 11:30am to 10:30pm, until midnight on weekends. 11:30am-10pm Mon-Thu, 11:30am-10:30pm Fri, 510:30pm Sat, 5-9pm Sun. 96 S. First St. 408.938.4100.

stufﬁness. An old favorite comes back strong with a new bistro. Full bar. Closed SunMon. Reservations suggested. 11am-2pm Thu-Fri, 5-10pm Tue-Sat. 545 S. Second St. 408.289.1960.

Several standouts have been retained from the previous menu, as have the sexy Eulipia cocktails. Full bar. 5:30-10pm Tue-Sat, 4:30-9:30pm Sat. 374 S. First St. 408.280.6161.

EULIPIA New American.

EMILE’S Contemporary

$$$. The revamped menu emphasizes robust ﬂavors and beautiful presentations.

American. $$. In Silicon Valley, the home-grown Flames restaurant chain is the

French. $$$. White-tablecloth amenities without the

FLAMES EATERY AND BAR

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HOUSE OF SIAM Thai. $. This popular establishment runs the gamut of Thai treasures. Casual. Beer, wine. 11:30am2:30pm Mon-Fri, 5-10pm daily. 151 S. Second St. 408.295.3397.

IL FORNAIO Regional Italian. $$. Embraced by the graceful Sainte Claire Hotel, this location (there are several up and down the coast) transports the diner. The menu showcases a different region of Italy monthly. 7am-10pm, 10:30am-11:30pm Mon-Thu, 8am-11pm Fri-Sat, 8am-10pm Sun. Full bar. 302 S. Market St. 408.271.3366.

LA PASTAIA Italian. $$. La Pastaia remains a stalwart of downtown San Jose’s dining scene. Set inside the Hotel De Anza, the rustic Italian restaurant has big city style to spare. Lunch 11am-3pm Mon-Fri and noon-2pm SatSun; dinner 5-9pm Mon-Thu, 5-10pm Fri-Sat and 5-9pm Sun. 233 W. Santa Clara St. 408.286.8686.

LOS CUBANOS Cuban. $$. Cuban food exudes an earthy, slow-cooked seduction and Los Cubanos has it in spades. Lunch 11am-2:30pm; dinner 5-9pm Tue-Thu, 5-10pm Fri, 3-10pm Sat and 3-8:30pm Sun. 22 N. Almaden Ave. 408.279.0134.

MCCORMICK AND SCHMICK’S Seafood. $$$. Harks back to big-city ﬁsh houses with stately, masculine interiors. Menu follows the freshest fruits of the sea, grilled, panseared, steamed. Desserts will hook you. 11:30am-10pm daily, 11pm happy hour Fri-Sat. 170 S. Market St. 408.283.7200. MEZCAL Regional Mexican. $$. Mezcal specializes in delicious regional cuisine from the southern Mexican state of Oaxaca. People who need nachos and sour-creamtopped burritos on the menu will probably be miffed, but for those willing to venture beyond the same old MexicanAmerican standards, Mezcal offers an excellent point of

departure. 11:30am-11pm SunFri and 5-11pm Sat. 25 W. San Fernando St. 408.283.9595.

MOROCCO’S Moroccan. $$. Morocco’s is the kind of restaurant downtown San Jose needs more of: distinctive food cooked and served by people with a personal investment in customer happiness. Morocco’s personal touch is all over the restaurant. Lunch 11am-3pm Mon-Fri, dinner 5-11pm MonSat and Sun 5-9pm. 86 N. Market St. 408.998.1509. MORTON’S STEAKHOUSE Steakhouse. $$$$. Morton’s, a Chicago-based chain of restaurants with more than 80 locations across the United States and abroad, offers delicious, premium-priced steaks. The rest of the menu is a mixed bag. 5:30-11pm MonSat, 5-10pm Sun. 177 Park Ave. 408.947.7000.

MUCHOS Mexican. $. A small player with a big rotisserie, this taqueria cultivates a devout lunch following. All standards get billing, but the mesquite-roasted chicken is the star. Beer. 11am-10pm daily. 72 E. Santa Clara St. 408.277.0333.

NAGLEE PARK GARAGE New American. $$. Lots of restaurants would like to think of themselves as friendly neighborhood joints but few deliver. The Garage does. Small but satisfying menu of well executed comfort food classics. 5-9:30pm Tue-Thu, 5-10pm Fri, 9am-1pm, 5-10pm Sat, 9am-1pm Sun. 505 E. San Carlos St. 408.286.1100.

NHA TOI Vietnamese. $$$. Nha Toi is the place for northern style Vietnamese food—less sweet than southern Vietnamese food and less spicy than the food of central Vietnam, yet it makes wider uses of aromatic ingredients 9am10pm daily. 460 E. William St. 408.294.2733. ORIGINAL JOE’S ItalianAmerican. $$. For ﬁve decades OJ’s has been serving classics of American and ItalianAmerican food with heaping portions of big city attitude and glamour. The restaurant underwent an extensive

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remodel, but the menu is the same as it ever was. 11am1am daily. 301 S. First St. 408.292.7030.

PAGODA RESTAURANT Chinese. $$$. The cuisines of China share top billing with the opulence of the décor. Pagoda offers the gamut of regional all-stars. Dressy. Full bar. 6-10pm Tue-Sat. Fairmont Hotel, 170 S. Market St. 408.998.3937.

PAOLO’S New Italian. $$$$. Filled with artistic spins on California-meets-Italy, the kitchen turns out elegant entrees spearheaded by seasonal vegetables. The impeccable service compensates for the modest portions. Full bar. 11:30-2:30 Mon-Fri, 5:30-10pm MonSat. 323 W. San Carlos St. 408.294.2558. POOR HOUSE BISTRO New Orleans. $$. The Poor House Bistro offers a lowpriced menu of Crescent City classics like po’ boys, barbecued shrimp, gumbo and muffaletta. Live music on Fridays and Saturdays. Open 11am-9pm Mon-Sat. Open Sundays for major HP Pavilion events. 91 S. Autumn St. 408.292.5837.

SCOTT’S SEAFOOD Seafood. $$$. Culture lovers and power brokers alike ﬁnd impeccable sourdough, a sea of marine treats and other entrees and a panoramic view (there’s a sister eatery in Palo Alto). For maximum pleasure, get there at sunset. Full bar. 11:30am5pm Mon-Fri, 5pm-close Sat, 4:30pm-close Sun. 185 Park Ave. 408.971.1700. 71 SAINT PETER New American. $$$. This romantic eatery offers upscale Mediterranean food in an intimate setting Beer, wine. Closed Sun. 71 N. San Pedro St. 11:30am-1pm, 5-9pm MonSat. 408.971.8523.

VEGETARIAN HOUSE Vegetarian. $. This meat-free stalwart offers vegetarian dishes from around the world with a side serving of religious reading material from spiritual leader Ching Hai. 11am-2pm, 5-9pm Mon-Fri, 11am-9pm Sat-Sun. 520 E. Santa Clara St. 408.292.3798.

41 M E T R O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

39 area’s deﬁnitive coffee shop. And now they’ve opened in downtown San Jose to great acclaim. 7am-midnight daily. 88 S. Fourth St. 408.971.1960.

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*wed ART N SOUL VooDoo Lounge, San Jose Wed – 9pm; $5 Old friends Bill Torgerson and Clifford Dinsmore have returned to the NorCal scene with Dusted Angel. The two were formally in the ’80s punk band Blast, and later in Space Boy, a prog/metal outﬁt. Their current project is their best yet. Harking back to its earlier days, Dusted Angel builds its songs around heavy riffs and a crushing sound, a la Black Sabbath. Dinsmore’s voice cuts through you like a chain saw, and Torgerson’s pounding on the drums complements it perfectly. Dusted Angel headlines this week’s Art N Soul Night, also

with Hightower and DJs Coco & RS2, 1/4 skate ramp with Noggin’s Skate Crew, live art and more. (BD)

by Mozart and Bach as well as adventuresome selections by Crumb and Szymanowski. (MSG)

MIDORI AND ROBERT MCDONALD

SLAP BRACELET

Dinkelspiel Auditorium, Stanford Wed – 8pm; $66-$76 Japanese-American violinist Midori got her start as a prodigy at age 11 and has returned the favor with her foundation that helps children in New York City learn about music. So stalwart have been her charitable instincts, that she was picked to be a U.N. Messenger of Peace a few years ago. She appears for Stanford Lively Arts with his frequent collaborator pianist Robert McDonald. Their program will feature some familiar works

Blank Club, San Jose Wed – 9pm; free My child was injured in a slap bracelet accident, so it’s not like I’m very amused by a band taking the name of the ’90s novelty. True, the kid was really kind of spinning her wheels in life, and her grades were poor. A classic Nuevo-Wavo revival trio (with a sense of humor the original We, Robots gangs of the ’80s lacked), San Jose’s Slapbracelet does those cyberboops and beeps, so very endemic back when MTV’s “No Negroes!” rule meant that wedge haircuts and padded shoulders ruled the cable. Their remix of the Limousines’ “Very

Busy People” manages to make it even more retro-electro, which is saying something. So cool that you’ll think a skinny tie garroted you, just like it happened to my poor dear Courtney, God bless her underachieving soul. (RvB)

*thu

THE HONEY WILDERS

Mountain Charley’s, Los Gatos Thu – 9pm; $5 Honoring the pioneering spirit of a porn actress known for her great-lady roles in Genital Hospital and The Sperminator—they’re from Sunnyvale, they specialize in ’62–’82 big rock, with drum solos

and those escalating slide guitar runs that make it sound like the Marshalls are going to detonate, plus vocals in which the only discernable word is “Alabama.” (RvB)

*fri

THREE BAD JACKS Blank Club, San Jose Fri – 9pm; $10 Three Bad Jacks isn’t your average rockabilly band. These rebels try to defy convention, mixing the best elements of punk, psychobilly and ’50s doo-wop to create their own sound. Sometimes fast and raw, then shifting to soulful love songs, Three Bad Jacks are here to rock & roll and have a good time. And speaking of defying convention, how can you

* concerts

AVERAGE WHITE BAND

NEW CENTURY CHAMBER ORCHESTRA, O WALTZING IN APPALACHIA WITH MARK O’CONNOR Nov 18 at a 8pm, First United Methodist, Palo Alto

DEL SOL STRING QUARTET D Nov 19 at 7:30pm, Samovar Hall, No Mountain View

MARCO PEREIRA AND BRASIL GUITAR DUO Nov 19 at 8pm, First Lutheran, Palo Alto

NELLY Nov 19 at 10pm, Wet, San Jose

NO CAPTAINS Nov 19, South First Billiards

SAN JOSE CHAMBER MUSIC SOCIETY, MANASSE/NAKAMATSU M DUO Nov 19 at 8pm, Le Petit Trianon N

SILICON VALLEY SYMPHONY, SIL DOUBLE BARRELED BBBS Nov 19 at 7:30pm, Foothill Presbyterian, San Jose; and Nov 20 at 7:30pm, Sa St. Mark’s Episcopal, Palo Alto

THEM SLACK JAWED SONS OF BITCHES j f] 9`kZ_\j Yiè^ k_\ì K_\d JcXZb\[ AXn\[ Jfe Êj fe JXkli[Xp% ^Xgè^ dXnj kf Af_eep M

EL CA CAMINO YOUTH SYMPHONY, SI SINFONIETTA FALL CLASSIC Nov 20 at 7:30pm, Gunn High School, Palo Alto

P PALO A ALTO PHILHARMONIC FALL CHAMBER CONCERT Nov 220 at 8pm, Palo Alto Art Center

REDWOOD SYMPHONY go wrong with a band that’s been known to set its instruments on ﬁre? You can’t, although it behooves these guys to be a little wary of open ﬂames due to the Pomade. (BD)

BLOOD AND WATER/ STICKUP KIDS Nickel City, San Jose Fri – 6pm; $12 Christian pop-punk band Blood and Water are showing some maturity on their latest release, In Character. The album is packed with songs dealing with their internal struggle to become men of God and shed their youthful naiveté. The album’s production has also gotten increasingly serious and sophisticated since their previous recording, but they haven’t lost their sense of humor entirely. This

December, they’re teaming up with the not-nearly-as-Christian poppunk band Stickup Kids for a regional winter tour, but are making an early stop off at Nickel City a couple weeks before they head out. Opening are The Art of War, Fabulous Under Fire, Casanova and The Druid. (AC)

*sat

SKANKSGIVING WITH MONKEY Homestead Lanes, Cupertino Sat – 8pm; $8 Monkey has a lot to be thankful for. When Curtis Meacham started the group almost 15 years ago, it was the only traditional ska band in the Bay Area. Lineup nightmares and constant setbacks kept them banging

their heads against the wall. But suddenly, they’ve found their groove. Last year, they made it onto the roster of Mike Park’s esteemed Asian Man label and released their best album, Lost at Sea. So let us all now bow our heads and move our feet in celebration of Thanksgiving, the ﬁrst two-tone American holiday. (SP)

THEM SLACK JAWED SONS OF BITCHES Johnny V’s, San Jose Sat – 9pm; $5 Them Slack Jawed Sons of Bitches are more than just a name that looks great on a black T-shirt (though it really, really does), they also play a mean brand of punkabilly. Right at home in a South Bay scene with a completely inexplicable ﬂair for alt-country, the Slack Jawed

ones are currently locked away in some basement writing new songs, but they’ll be taking a break for this Johnny V’s show. (SP)

THUNDERHORSE Streetlight Records, San Jose Sat – 7pm; free Anyone around here who remembers Janitors Against Apartheid might wonder whatever happened to Pete Rice and Justin Estep from that band. They’ve stopped skankin’ and gone metal with their band Thunderhorse. Not, like, as in they’re cowboys and on their steel horses they ride. No, this is fast, heavy, high-energy stuff—almost thrash. Initially instrumental, Rice is now handling vocals along with bassist Ian Manell Menor. Their most recent single, “Haulin’ Ass,” is pure chunky, chugging riffage. Imagika, Red Aftermath and ThirdCrow open. (SP)

Nov 20 at 8pm, Cañada College N Main Theatre, Redwood City

AMERICAN GUILD OF ORGANISTS, SAN JOSE CHAPTER Nov 21 at 3pm, Stone Church, Willow Glen

SIMONE DINNERSTEIN, GOLDBERG VARIATIONS Nov 21 at 7:30pm, Montalvo Arts Center, Saratoga

TRANS-SIBERIAN ORCHESTRA Nov 21 at 3 and 7:30pm, HP Pavilion

OHLONE COLLEGE CHOPS BIG BAND Nov 23 at 8pm, Smith Center, Ohlone College, Fremont

TRIPLE HO SHOW Dec 1 at 6:30pm, SJSU Event Center

ANDRE RIEU Dec 4 at 8pm, HP Pavilion

ROGER WATERS, THE WALL IN CONCERT Dec 7-8 at 8pm, HP Pavilion

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Nov 17 at 7:30pm, Carriage House, Montalvo Arts Center

metroactive ARTS

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Pat Kirk

FEATURED LISTINGS

Tosca Nov. 18, 20, 23 and 26 at 8pm, Nov. 21 and 28 at 3pm; California Theatre, San Jose; $51–$101

Scott Suchman

As is obvious from the picture of star Rebecca Davis, Puccini’s famed diva Tosca doesn’t take lightly to being crossed in the tempestuous opera named after her. The story of the Italian opera star caught up in the political intrigue of Rome, circa 1800, continues for two more weeks. The lead role is shared by Davis and Jouvanca Jean-Baptise.

The Color Purple Nov. 23–28, no show Nov. 24; San Jose Center for the Performing Arts; $20 and up Alice Walker’s 1982 novel begat Steven Spielberg’s 1985 ﬁlm (and gave us Oprah Winfrey) begat the 2005 Broadway musical adaptation of the story of Celie, a young black woman of a century ago who endures an abusive childhood and marriage. This version of The Color Purple comes to town from Broadway San Jose and stars Dayna Jarae Dantzler (left) as Celie and Traci Allen at Nettie.

Dave Lepori

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Every Christmas Story Ever Told Nov. 17–Dec. 19; San Jose Stage; $20–$45 Don’t try to hide, don’t try to deny it. The Nutcrackers and Scrooges are on their inexorable way. San Jose Stage Company offers a chance to get all of the holiday cheer down in one hilarious gulp with its production of Every Christmas Story Ever Told, a three-man comedy that runs the gamut from Rudolph to Dickens to George Bailey and back.

A Tuna Christmas Nov. 18–Dec. 18; Bus Ban Theater, Los Altos; $24–$30 In the new tradition of distaff holiday shows, Bus Barn Stage Company takes audiences to the thirdsmallest town in Texas, namely Tuna, where the decidedly eccentric town (all portrayed by just two actors) celebrates the Yuletide in colorful fashion.

performs hit songs from 1930 and 1964. Thu-Fri, 8pm, Sat, 2 and 8pm, Sun, 1:30 and 5pm. $28-$49. San Mateo Performing Arts Center.

CTRL + ALT + DELETE Anthony Clarvoe’s comedy about a miracle gizmo developed right here in Silicon Valley. Thu-Sat, 8pm, Sun, 2pm. Runs thru Nov 21. $15$30. Pear Avenue Theatre, Mountain View.

THE COLOR PURPLE The stage musical based on the movie adaptation of Alice Walker’s novel, presented by Broadway San Jose. Tue-Wed, 7:30pm, Fri-Sat, 2 and 8pm, Sun, 1 and 6pm. Runs thru Nov 28. $20 and up. San Jose Center for the Performing Arts.

DRIVING MISS DAISY Tabard Theatre Company presents the story of an elderly Southern white woman and her friendship with her African American chauffeur. Thu-Fri, 8pm, Sat 3 and/or 8pm, Sun, 2pm (no show Nov 25). Runs thru Nov 27. $10-$24. Theatre on San Pedro Square, San Jose.

EVERY CHRISTMAS STORY EVER TOLD Michael Carleton, Jim FitzGerald and John K. Alvarez present a romp through the holiday classics at high speed in a seasonal comedy presented by San Jose Stage Company. Previews Wed-Thu, 7:30pm. Opens Fri, 8pm. Regular shows: Wed-Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2pm. Runs thru Dec 19. $20$45. The Stage, San Jose.

GODSPELL Sunnyvale Community Players present the musical by Stephen Schwartz. Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2:30pm. Runs thru Nov 21. $10.50-$23.50. Sunnyvale Community Theater.

HALLELUJAH GIRLS

*stage Opera TOSCA Opera San José presents the Puccini opera about a woman who struggles

against the dictates of powerful men. Nov 18, 20, 23 and 26 at 8pm, and 21 and 28 at 3pm. $51-$101. California Theatre, San Jose.

Theater ALL THIS INTIMACY One man impregnates three

women in the Renegade Theatre Experiment West Coast premiere of Rajiv Joseph’s comedy. Thu-Sat, 8pm, Sun, 7pm. Runs thru Nov 27. $12-$28.50. Historic Hoover Theater, San Jose.

BROADWAY BY THE YEAR Broadway by the Bay: Marc Kudisch, Mary Testa, Kerry O’Malley and Noah Racey

A comedy in a Southern vein about the women of Eden Falls, Ga. A Santa Clara Players production. ThuSat, 8pm. Runs thru Nov 20. $10-$18. Triton Museum Hall Pavilion, Santa Clara.

SUNSET BOULEVARD Palo Alto Players presents the stage version of the famed movie about an aging star and a cynical young writer. Thu-Sat, 8pm, Sun, 2:30pm.

Runs thru Nov 21. $23-$32. Lucie Stern Theatre, Palo Alto.

A TUNA CHRISTMAS The holidays done Texas style. Preview Thu, 8pm. Opens Fri, 8pm. Regular shows: Wed (except Nov 24), 7:30pm, Thu-Sat, 8pm, Sun (except Nov 21), 3pm. Runs thru Dec 18. $34-$30. Bus Barn Stage, Los Altos.

THE TURN OF THE SCREW A stage adaptation by Jeffrey Hatcher of the Henry James ghost story, presented by Dragon Productions. Thu-Sat, 8pm, Sun, 2pm (no show Nov 25). Runs thru Nov 28. $16/$20. Dragon Theatre, Palo Alto.

TWELFTH NIGHT SJSU’s theater department interprets Shakespeare. FriSat, 7pm. Runs thru Nov 20. $10/$20. SJSU Theatre, San Jose.

paintings and rare sketches by ADM Cooper. Nov 20March. Inside the Pasetta House. Tue-Sun, 11am-5pm. San Jose.

CONTINUING CANTOR ARTS CENTER “Vodoun/Vodounon: Portraits of Initiates.” Portraits of Vodoun followers and their shrines in Benin by Jean-Dominque Burton. Thru Mar 20. “Go Figure!” Figurative paintings and sculptures by contemporary artists. Ongoing. “Collection Highlights From Europe 15001800, Ancient Greece and Rome.” Thru Dec 30. “Mami Wata: Arts for Water Spirits in Africa and Its Diasporas.” Thru Jan 2. “Chiaroscuro Woodcuts From 16th-Century Italy.” Thru Feb 27. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

DE SAISSET MUSEUM

West Valley Light Opera presents the Irving Berlin classic for the holidays. FriSat, 8pm, Sun, 2:30pm (no show Nov 26). Runs thru Dec 11. $18-$30. Saratoga Civic Theater.

“Sing Me Your Story, Dance Me Home: Art and Poetry From Native California.” Thru Dec 5. “LandsCApes: Glimpses of Everyday California.” Thru Jan 28. “The Saints of Mission Santa Clara: Discovering the Meaning Behind the Art.” Thru Dec 5. Tue-Sun, 11am-4pm. Santa Clara University.

Comedy

EUPHRAT MUSEUM

WHITE CHRISTMAS

COMEDYSPORTZ An interactive improvised comedy show. Fri, 9 and 11pm and Sat, 7 and 9pm. $12/$15. ComedySportz, San Jose.

ROOSTER T. FEATHERS Wed, 8pm: Laughing Skull Festival. $5-$10. Thu, 8pm, Fri, 9pm, Sat, 8 and 10:30pm, Sun, 8pm: Don Friesen. $12-$17. Sunnyvale.

SAN JOSE IMPROV Wed, 8pm: Unﬁltered. $12. Thu, 8pm, Fri, 8 and 10pm, Sat, 6, 8 and 10pm: Adam Carolla. $25. San Jose.

*art

Museums

“Learn to Play.” A group show about art and life. Thru Nov 24. Tue-Thu 11am-3pm. San Jose.

HISTORY PARK SAN JOSE “Explore San Jose Parks— Open to the Public Since 1850.” Thru Jan 23. At Paciﬁc Hotel Gallery. Tue-Sun, 11am5pm. San Jose.

JAPANESE AMERICAN MUSEUM “Camp Days: 1942-1945.” Works about the internment camps by Chizuko Judy Sugita de Queiroz. Thru Apr 30. Also exhibits about the history of Japantown and the lives and contributions of Japanese immigrants in the valley. ThuSun, noon-4pm. San Jose.

LOS GATOS HISTORY MUSEUM

OPENING

“Bear in Mind: The Story of the California Grizzly.” Thru Feb 27. Wed-Sun, noon-4pm. Los Gatos.

HISTORY PARK SAN JOSE

SAN JOSE MUSEUM OF ART

“Celebrating Local Artists: The Fifth Anniversary of the McKay Gallery. A look at the McKay’s collection, including

“The Modern Photographer: Observation and Intention.” A show of works from the

Jessica Fromm, Metro

Free lobby events before every performance. Meet Maria, The Nutcracker and the Mouse King.

PERFORMED AT THE SAN JOSE CENTER FOR THE PERFORMING ARTS Maria Jocobs-Yu and Ramon Moreno. Photo by John Gerbetz.

M E T R O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

"A vision of iridescent fantasy. Ballet San Joseâ€™s Nutcracker gives parents and kids alike spectacle to spare."

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metroactive ARTS 44 ﬁrst half of the 20th century drawn from the museum’s permanent collection. Thru Jul 3. “Leo Villareal.” Thru Jan 9. “Retro-Tech.” Thru Feb 6. “Vital Signs: New Media From the Permanent Collection.” Thru Feb 6. “Degrees of Separation: Contemporary Photography From the Permanent Collection.” Thru Mar 14. Tue-Sun, 11am-5pm, closed Mon. San Jose.

SAN JOSE MUSEUM OF QUILTS AND TEXTILES “Cream of the Cloth: Quilts From the Marbaum Collection.” A rich sampling of contemporary quilts and ﬁber art. “Yvonne Porcella: Bold Strokes.” A 25-year survey. Both shows run thru Jan 30. Tue-Sun, 10am-5pm. San Jose.

TECH MUSEUM OF INNOVATION “Body Worlds Vital.” A detailed anatomical look at bodies in health and disease, based on the work of Gunther von Hagens. Mon-Wed, 10am5pm, Thu-Sun, 10am-8pm. San Jose.

TRITON MUSEUM OF ART “The Nature of Things.” A retrospective show for sculptor David Middlebrook. Thru Dec 5. “Stan Welsh: On Land—On Water.” A show of mixed media and ceramic sculptures. Thru Dec 5. TueWed and Fri-Sun, 11am-5pm. Thu, 11am-9pm. Santa Clara.

Galleries OPENING SJSU ART BUILDING “Soft Art.” Works by a dozen artists from university art programs. Nov 22-Dec 2. Gallery 3, Art Building, SJSU.

CONTINUING ANNO DOMINI “The Offering.” Transcendent and mystical works by Wendell McShine, paintings, drawings and animations. Thru Nov 20. “Better Than 2009.” Solo exhibit for MOMO post-grafﬁti artist. Thru Nov

More listings:

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20. Tue-Fri, noon-7pm, Sat, noon-5pm. San Jose.

Wed-Thu, noon-7pm, Fri-Sat, noon-5pm. San Jose.

ART ARK GALLERY

MAIN GALLERY

“The More the Merrier.” A group show. Thru Dec 3. San Jose.

Photography by Brandy Brune and oil paintings by Elizabeth Noerdlinger. Thru Nov 21. Wed-Sun, 10am-3pm. Redwood City.

CAFFE TRIESTE “Celebrating Cafe Moments.” Paintings by Jeanette Turkus. Thru Nov 27. San Jose.

DIRIDON STATION “The Way to San Jose.” An overview of transportation history in the valley, sponsored by Rotary Club of San Jose and History San Jose. Ongoing. San Jose.

DOWNTOWN YOGA SHALA “Before It Flew Away.” Works by Rachel Jones. Thru Nov 27. San Jose.

GALLERY HOUSE Holiday Show by gallery artists. Thru Dec 24. Reception Fri, 6-8pm. Tue, 11am-4pm, Wed-Sat, 11am-8pm, Sun, 11am-3pm. Extended hours start Nov 29. Enter through Printer’s Ink Palo Alto.

GALLERY SARATOGA “Duets.” Color photos by David Blanchard. Thru Nov 30. TueSun, 11am-6pm. Saratoga.

GOOD KARMA VEGAN CAFE “Drive-by Photography.” Images by James Dewrance. Thru Nov 27. San Jose.

HIGHER FIRE CLAYSPACE & GALLERY “Earth, Spin, Fire.” Works by Lee Middleman and Jon Dunlavy. Thru Dec 2. San Jose.

KALEID GALLERY “The Process of Creation.” New paintings by Joe Barajas. “Insomnia: Lost San Jose Nights.” Photographs by Josh Marcotte. Thru Nov 26. San Jose.

KAVLI INSTITUTE FOR PARTICLE ASTROPHYSICS A display of 19 works, including the “Galactic Mysteries” series, by Leah Lubin. SLAC National Accelerator Lab, Stanford.

MACLA “Hybrid Spaces: Family Origins & Collaborations.” Works by Las Hermanas Iglesias and Amy Diaz-Infante. Thru Jan 8.

METRO LOBBY “I Love Trash.” A show by the First St. Photo Collection. Thru Nov 30. Metro Lobby, San Jose.

MOHR GALLERY Mixed-media prints by Pantea Karimi. Thru Nov 21. Mon-Fri, 9am-7pm, Sat, 9am-3pm. Community School of Music and Arts, Mountain View.

MONTALVO ARTS CENTER “From Within, So Without” by Ali Maschke-Messing. Thru Jun 1. “Sculpture on the Grounds: David Middlebrook.” Thru Jun 1. “The Oldest Living Things in the World.” Photographs by Rachel Sussman. Thru Jan 16. Saratoga.

PALO ALTO ART CENTER “In Focus” Collecting Photography.” “Light From the Underground,” a photographic essay about mining in South Wales by Colette CampbellJones. “Paintings From Haiti.” Thru Dec 12. Tue-Sat, 10am5pm, Sun, 1-5pm, and TueThu, 7-10pm. Palo Alto.

SAN JOSE INSTITUTE OF CONTEMPORARY ART “Old Technology.” A retrospective of painting, sculpture and installations by the SJSU artist Tony May. Thru Feb 26. Tue-Fri, 10am-5pm, Sat-noon-5pm. San Jose.

SJSU ART BUILDING Works by Alex Gibson, Jessica Eastburn, Erin Salazar, Jenifer Valdivia, Cynthia Rand Thompson and George Ziegler. Thru Nov 19. Art & Design Building, Gallery 5, SJSU.

SLG ART BOUTIKI “Modern Primitive Cultural Research and Cocktail Society.” An exhibit of tiki art and kitsch culture. Thru Nov 5. San Jose.

STANFORD ART SPACES Textile work by Alice Beasley, paintings by James Su and

PIANO PIA N O MASTERS M MAS TERS SERIES S Montalvo Arts Center Presents

LANG LANG “The hottest artist on the classical music planet.” (The New York Times)

Sunday, January 23, 7:30pm Works by Bach, Chopin & Schubert The California Theatre, San Jose Tickets starting at $49

THIS T HIS SU SUNDAY! NDAY!

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Eigsti’s n Eigsti’s new ew C CD, D, “ “Daylight Daylight a att Midnight” was s released released Sep 10!

Simone Dinnerstein: Simone Dinnerstein: Bach’s B ach’s G Goldberg oldberg Variations V a ariations Sun, No Novv 21, 7:30pm Starting S tarting at $33

“An utterly “An utterly dis distinctive tinctive voice voice in the fforest orest of Bach int interpretation, erpretation, Ms.Dinner Ms.Dinnerstein stein brings her own o wn pianis pianistic tic e expressivity xpressivity tto o the Goldber Goldberg g Variations, Va ariations, probing probing each variation variation as if it were were something completely completely new.” new.” (The New New Y York ork o Times)

Sun, Jan 9, 7:30pm 7 Starting St arting at $49

“...Nakamatsu shows “...Nakamatsu shows impec impeccable cable ttaste; a te; he puts a high as gloss g loss o on na anything nything h he ep plays.” lays.” (C Chicago hicago T Tribune) ribu r une) “Benoit al always ways pos possesses s ses an easy ses gr grace ace whil while e maint maintaining aining inspirational an inspir atio onal vibe.” (Jazz Times) All concerts concerts held h at Montalvo’s Montalvo’s Carriage House Hous se Theatre, Theatre, except e xcept Lang Lang L on 1/23.

Presented P resented by by

Montalvo Mont alvo Bo Box x Offic Office e 408.961.5858 M-F, 10am-4pm, 10am--4pm, tick etmasterr.c . om or montalvoarts.org mon ntalvoarts.org ticketmaster.com F ree On-Site On-Site P arking! Free Parking!

www.thetech.org

Jon N Jon Nakamatsu akamatsu & David Ben Benoit noit “Rhapsody “Rhapsod y in Blue”

15400 Montalvo M Montalvo Road Saratoga, CA Saratoga, o C A 95070

In In Association A ssociation with w it h

Media Media Sponsors Sp o n s o r s

Bus Barn Stage Company November November 18 18 ~ ~ December December 18 18 2010 2010

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STAGE

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Coming Up Daisy ALFRED UHRY’s Driving Miss Daisy, which won the Pulitzer Prize for drama and served as the basis for the Oscar-winning film, is now seeing a revival. There is currently a production on Broadway starring James Earl Jones and Vanessa Redgrave, and here in the Bay Area, the Tabard Theatre Company is staging its own version. For those who don’t know, the Miss Daisy referred to in the title is an elderly Georgia Jewish woman no longer able to safely operate a motor vehicle. The driving is done by Hoke Colburn, an aging black man whom Daisy’s son, Boolie, hires, completely against his mother’s wishes. Daisy doesn’t get along with her new chauffeur. ;i`mè^ She is bitter about the erosion of her independence D`jj ;X`jp and has the prejudices against blacks that one would expect of a Southerner born in 1876. But the more time they spend together, the more they realize they have in Through Nov. 27 common. A lifelong friendship has begun. Theatre on Tabard Theatre The story spans the years from 1948 to 1973, a turbulent Company, San Pedro and often violent period in America. Terrorists blow up Square, San Jose the Reform Jewish temple that Daisy attends (a real-life $15–$24 event), and Daisy later takes an interest in the activities of Martin Luther King Jr. However, the play is presented as an understated narrative about the relationship between a few people, not as a sweeping historical panorama. The set design, tasteful in its simplicity, helps keep the focus on the characters. A group of four chairs represent the cars that Hoke drives, and this setup proves remarkably convincing once the actors start to do their thing. Tabard Theatre has assembled a fine cast, whose performances ring true throughout the play. The role of Hoke is closely associated with Morgan Freeman, who played the part in both the movie and the original theatrical production. Nevertheless, James Creer’s take on Hoke is highly personalized, never for a moment recalling Freeman’s. Beverly Griffith and Toby Cordone are similarly original in their respective roles as Daisy and Boolie. At no point does it seem that they are trying to act like Jessica Tandy or Dan Aykroyd. There isn’t much else to say about Tabard’s Driving Miss Daisy that hasn’t already been said about previous productions or the movie. It remains, as it always has been, a touching and bittersweet comedy, and watching the bond grow between the two main characters is a heartwarming experience.—Sean Conwell

THOMPSON GALLERY “Chicago Imagism(S).” An exploration of Chicago painters from the late 1960s who redeﬁned the city as a regional art center. Thru Dec 17. Tue, 11am-4pm, 6-7:30pm, Mon, Wed-Fri, 11am-4pm. SJSU Art Building.

VIEWPOINTS GALLERY “Drawing From the Abstract.” Works by Jane Ferguson. Thru Dec 4. Mon-Sat, 11am5pm, Sun, 11am-3pm. Los Altos.

WORKS/SAN JOSE “My Favorite Nightmares.” Lacey Bryant curates a show of art pieces that explore the terrors of our sleeping hours. Thru Nov 25. Thu, noon-4pm, Fri-Sat, noon-4pm. San Jose.

Books PETER BALAKIAN An evening with the poet and author of “Zuggurat.” Thu, 7pm. Free. Kepler’s, Menlo Park.

LESLIE DUNTONDOWNER The vagaries of modern language are discussed in lively fashion in “The English Is Coming!: How One Language Is Sweeping the World.” The author talks about words and phrases and how they develop. Thu, 6pm. Free. Borders Books, Sunnyvale.

MAX FALLON The author talks about “Couples: An Eclectic View,” a book of photographs. Sat, noon. Free. Books Inc., Mountain View.

PETER LOVENHEIM The author of a new cultural study called “In the Neighborhood” talks about how people can ﬁnd connections in the modern world. Wed, 7pm. $10. Schultz Cultural Arts Hall, Palo Alto.

BRUNO LUKIC AND BARRY KATZ The designers responsible for the new book of philosophy and imagination, “Nonobject,” sign copies of

THE MIRROR MAZE

A booksigning event with Tom Brungar for his memoir about overcoming the odds. Sat, 4pm. $14.95. Borders, Santana Row, San Jose.

SANDRA PARK An evening with the author of the new memoir about life in Hawaii in the 1950s, “If You Live in a Small House.” Thu, 7pm. Free. Books Inc., Palo Alto.

THOMAS SANDERS AND VERONICA KAVASS The authors of a new book about World War II veterans, “The Last Good War,” appear. Wed, 7pm. Free. Books Inc., Palo Alto.

AMY SEDARIS The comedian visits on behalf of her book “Simple Times: Crafts for Poor People.” The event is a beneﬁt for Breast Cancer Connections. Sponsored by Kepler’s. Wed, 7:30pm. $38. Spangenberg Auditorium, Gunn High School, Palo Alto.

GAIL STEKETEE AND RANDY FROST People who can’t get rid of anything will want to listen to what the authors of “Stuff: Compulsive Hoarding and the Meaning of Things” have to say. Sun, 2pm. Free. Kepler’s, Menlo Park.

*kids

AMELIA EARHART, FLIGHTS OF FANCY A family show by California Theatre Center. Sat, 11am. $11. Sunnyvale Community Center Theatre.

CINDERELLA A Rising Stars production by Children’s Musical Theater San Jose. Wed-Fri, 7pm, Sat, 2 and 7pm, Sun, 1 and 6pm. $15/$18. Montgomery Theater, San Jose.

JACK AND THE BEANSTALK A new season opens for Junior Theatre. Fri-Sat, 7pm, Sun, 2pm. $5/$8. Mello Auditorium, Community Recreation Center, Santa Clara.

THE WIZARD OF OZ The Baum classic interpreted by Peninsula Youth Theatre.

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*events CONNECTING ART

The lecture series continues with “Transformed: Turning Found Objects Into Fine Art,” a panel discussion. Thu, 7-9pm. Palo Alto Art Center Auditorium.

DIWALI Traditional celebration of lights with a chance for children to connect with their culture. Sat, 6pm. India Community Center, Milpitas.

DOWNTOWN ICE The holiday season gets into full swing with iceskating rink downtown. Kristi Yamaguchi shows up for the opening ceremonies with music and dignitaries.

Mon, 5pm. Runs through Jan 17. Downtown San Jose on Market at San Fernando.

DRUM WORKSHOP A session with Danny Seraphine of Chicago. Thu, 7pm. Guitar Center, San Jose.

ENERGY AUTONOMY A showing of the documentary “The 4th Revolution” about solar energy and a panel discussion. Thu, 6pm. $20 and up. Cooley Godward Kronish LLP, Palo Alto.

FESTIVE FLEA MARKET With gifts and bargains of all kinds. Sat, 6am-2pm. Prospect High School, Saratoga.

IMINUSD ANNIVERSARY The ﬁxed-gear bike shop celebrates a year of riding in style with an alleycat event for two-person teams. Registration Sat, 1pm. Registration is $5 per person. Race starts at 2pm. Paseo de San Antonio, San Jose.

KING LIBRARY BOOK SALE

SOCIAL MEDIA CLUB

A fall extravaganza of used books and more, sponsored by friends of the library. Sat, 10am-5pm, Sun, 1-5pm. King Main Library, San Jose.

A tweetup event with Sony reps about Internet TV, includes drinks and appetizers. Thu, 6-8pm. Sony Style store, Valley Fair Mall, Santa Clara

PROGRESSIVE INTERNATIONAL MOTORCYCLE SHOWS With displays of new bikes, ATVs and accessories. Fri, 4-9pm, Sat, 9:30am-8pm, Sun, 9:30am-5pm. $15. San Mateo County Event Center.

PSYCHOLOGY TALK A discussion called “My Journey From Evil to Heroism” by psychologist Philip Zimbardo, who gained fame for the Stanford Prison Experiment. Fri, 7pm. $10. Smith Center, Ohlone College, Fremont.

RHODODENDRON SOCIETY A the De Anza Chapter’s meeting including a discussion about plants from Borneo. We, 7:30pm. Hillview Community Center, Los Altos.

TASTE OF COMPASSION Proceeds from a night at the restaurant go to help hunger and homelessness services. Sponsored by West Valley Community Services. Mon-Tue, 5:30pm. $24/$26. Florentine Restaurant, Cupertino.

TRUNK SALE A pre-holiday event for shoppers. Sat, 2:30-5pm. Left Bank, Santana Row.

TOYS FOR TOTS A toy drive sponsored by Lake Cunningham Regional Skate Park. Runs thru Dec 24. Lake Cunningham, near Raging Waters Park.

M E T R O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

John Sundstrom. Thru Jan 20. Reception Fri, 5-7pm. Weekdays, 8:30am-5pm. Stanford.

their work. Fri, 7pm. Free. Kepler’s, Menlo Park.

Daniel Kouba

Chuck Zlotnick Z

50 M E T R OAC T I V E . C O M | SA N J O S E . C O M | N OV E M B E R 1 7-2 3 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

metroactive FILM

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Those who ha have ave hear heard d of the st story tory (and prayed theyy (a and essentially pra ayed that the never makee a mo movie w would ne ver mak vie out off it—or Werner Herzogg would it — or that W erner e Herzo d direct done) di irect if it absolutely had to be be do one) bee teased early on. A Ass Ar Aron w b will on Franco) fateful ( JJames ames Franc o) packs ffor or o the fatef ful trip, facee fr from inside tr rip, we see his fac om the insid de cupboard, wheree a Swiss arm army off a cupb oard, wher my knife waiting. kn niffe lies w aiting. Hours ordeal 127 Hour rs rrecords ecords an or deal so singular, Poe sin ngular, P oe ccouldn’t ouldn’t improve improve on it. Unfortunately, U nfortunately, director director Danny Dan nny Boyle Boyle (Slumdog Millionaire) blow up (S Slumdog Millionair re) ttries ries tto ob low u p the story’s elemental horror through th he stor y’s element al horr or thr ou ugh pyrotechnics. The p yrotechnics. T he ttitle itle ssequence equence shows crowded sh hows the cr owded world,, driving, driving, praying, pr raayying, rushing—all at once once on ttriple-screen. riple-screen. Aron Aron is is running running aaway way from fr om this hectic existence: existence: ﬁrst driving drivving

night tthrough hrough tthe he n ight in in his his truck truck into into desert on his tthe he d esert aand nd then then speeding speeding o nh is mountain mount ain bike bike over over the th he hills. hills. Boyle starts Bo yle st arts with a burst b of rrelentless elentless motion,, as a in his Trainspotting. Unfortunately, T rrainspotting. U nffor o tun natelyy, this style been thoroughly ADD st yle has b een th horoughly appropriated sports-drink appr opriated ffor o or sp ortst drink products moree ccommercials. ommercials. ((The The pr oducts mor advertised 127 Hours or less adv ertised in 12 27 Hour rs aree Gatorade and Coors, likely ar Coors o , lik ely appropriate storyy of a man appr opriate in a stor perishing p erishing of thirst.) ordinary Ralston isn’t isn’t an or d dinar y JJoe; oe; Scott Willoughby rreporter eporter Sc ott W illoug i ghby notes climbed Colorado’s that he had climb ed 49 4 of C olorado’s 14,000-foot-plus peaks. Franco plays 14,0 00-ffoot-plus p eak ks. Franc o pla ayys het-up him as a het -up kid, a showman, digital with a digit al ccamera amera rrecording ecording his Att thoughts and acting as a chorus. chorus. A times,, Ar Aron times on imagines himself as a hallucinatory show, guest on a hallucinato ory TV show w, Ralston’s as if fforecasting orecasting the rreal-life o eal-liffe Ralston ’s later fame as the subject subjeect of a major picture. motion pictur e. plays back The ccamera amera pla ayys ba ack visions life he’s likely lose,, of the lif fe that he ’s lik e to lose ely

givee and the battery baattttery never never seems to giv up.. There aree other video-game up Ther e e aar o e video deo -game ga e essentials; a digital digital thermometer onscreen onscr een rrecording ecording the drop drop in the temperature. temp eratu ure. The film m is the work of someone boring audiencee b byy oring the audienc terrified off b walls making the th he w alls close in on them. And yyet et all alll this relentless relentless flash—the snakes ccamera amera eeven ven e snak es up inside the tubee of a camelback water tub camelback w ater carrier— carrier— ccan’t an’t illuminate illum minate something that was essentially w as essent tially a terrible incident. Instead, it finds a moral lesson: Aron should Ar on shou uld have haave connected connected with multitude, plaintivee the multit tude, with his plaintiv mom, whose who ose calls calls he never never rreturned, eturned, as well as with w the girlfriend who dumped dump ed him h ffor o or his breeziness. breeziness. Clémence Poésy plays Clémen ce P oésy pla ayys the girl, she’s and she ’s an a oasis in this picture, picture, a downy vision of down d ny flesh in a movie movie that’s loaded that ’s load ded with tight close-ups close-ups of a man eexpiring xp piring slowly. slowlyy. Her parting parting line,, “Y “You’re bee so alone, line Yo ou’re going to b alone, Aron,” underscores Ar on,”” und derscores a weak idea: the ordeal payback for ccave ave or deaal as a kind of pa ayback y fo or someone young and disengaged. You u can see how Boyle has changed since the misanthropy of Shallow Grave, where hell was other people. Franco’s visceral acting in the service of this horror story probably should be praised, even if it’s not a pleasuree to watch. pleasur ow atch One would have atch. haave bee fairlyy simple simple-minded to b -minded to think storyy as some kind of of this ghastly ghaastly stor triumph of o the human spirit. Hours bee eff effective 127 Hour rs should b ffeective to anyone not an yone no ot numbed numbed by by disgust, but was numbed Iw as just that t numb ed by by Boyle’s Boyle’s attempt at tempt to o scratch up a narrative. narrative. details—like ant’s The det ailss—like an ant ’s mandible Aron’s pinching Ar A on’s face—mirror face—mirror the sense that Boyle Boyle had ants in his pants,, thatt he was pants was without enough make ccalm alm to ma ake visions of a home life look homey, lif fe lo ok ho omey, or a lover lover look look ccompassionate, ompassio onate, or a desert desert look look serene. Watching Hours, ser ene. Wa atching 127 Hour rs, I ended trapped myself: trapped up trapp ed dm yself: trapp ed between between longing Aron the longin ng to see Ar on just get it over o ver with,, and the longing to not to happen. see it happ pen.

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metroactive FILM 127 HOURS (R; 94 min.) See review on page 50. (Opens Fri.)

HARRY POTTER AND THE DEATHLY HALLOWS: PART I (PG-13) The end is ďŹ nally nigh for the long-running franchiseâ€”just this and Part II and weâ€™re done. (Opens Fri.)

THE NEXT THREE DAYS (PG-13) See review on page 54. (Opens Fri.)

VISION: FROM THE LIFE OF HILDEGARD VON BINGEN (Unrated; 110 min.) See review on page 52. (Opens Fri at Camera 3 in San Jose.)

Revivals DEATHDREAM (1973) Also known as Dead of Night. This cult ďŹ lm by Bob Clark and Alan Ormsby is about a mother whose willpower reanimates her son, who died in Vietnam. (Plays Fri at midnight at Camera 7 in Campbell.)

NILES FILM MUSEUM Nov 20: Charlie Chaplin meets gypsies in The Vagabond (1916). In Never Weaken Harold Lloyd thinks he dies and goes to heaven. In The High Sign (1921) Buster Keaton runs afoul of that dreaded secret society, the Blinking Buzzards. In Sugar Daddies (1927) Mr. Finlayson marries in haste, and Laurel and Hardy repent in leisure. Greg Pane at the piano. (Plays Nov 20 at 7:30pm in Fremont at the Edison Theater.) (RvB)

PULP FICTION (1994) A riot. A brilliantly written, multilayered tale of crime paying, but not paying much. Two advance men for the mortician, John Travolta and Samuel L. Jackson, are out retrieving a very important briefcase for their boss (Ving Rhames); while on the assignment they encounter, together and separately, such characters as a bad-news moll (Uma Thurman), hard-luck robbers (Amanda Plummer and Tim Roth), a punch-drunk boxer (Bruce Willis) and the utterly suave Winston

Wolf (Harvey Keitel). Horror and comedy have the same ancestral relationship that snakes have to birds; in this magniďŹ cently conďŹ dent ďŹ lm, Tarantino stages a sort of family reunion between them. More bad imitations of this movie exist than of any other movie made in our lifetimes. (Plays Nov 19-21 in San Jose at the Retro Dome.) (RvB)

SHOWBOAT/GOLD DIGGERS OF 1933 (1936/1933) Naturally Paul Robeson steals the show with his â€œOld Man River,â€? a serious protest song that director James Whale illustrates with vignettes of sufferingâ€”scenes that are the most like Whaleâ€™s best-known picture, Frankenstein. Whaleâ€™s camera circles around from behind Robeson to catch him, as if heâ€™s unaware of listeners; itâ€™s a soaring yet intimate moment. However, thereâ€™s as little of Robeson as there is of the other highlight: the ill-fated singer Helen Morgan, dead of booze by age 41; Morgan, with brimming eyes, sings â€œHeâ€™s My Billâ€? and gives out a fresh, plaintive â€œCanâ€™t Help Lovinâ€™ Dat Man of Mine.â€? Most

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MILDRED PIERCE/ANGEL FACE (1945/1953) DeďŹ nition of a womanâ€™s picture: a movie in which none of the men under age 60 are really worth a dime. In Mildred Pierce, an Oscar-winning Joan Crawford found an opus completely suited for her brittle nerves, ambient hostility and quivering need for love: truly, a wheel of trouble worthy of Crawfordâ€™s sternly padded shoulders. Mildred (Crawford) is abandoned by her cheating husband (Bruce Bennett) and sexually harassed by his former partner, Wally Fay (Jack Carson). Rebounding, as only Crawford could, Mildred gets freshly entangled with a snazzy heel from old-money Pasadena (Zachary Scott). Despite these men, she becomes a famous restaurateur, starting a string of drive-in restaurants closely based on the long-gone L.A. chain Doloresâ€™. Her triumph as a businesswoman is undone by her daughter (Ann Blyth), a conceited young maiden. The stain spreads, and eventually Crawford is forced to stuff a revolver into the pocket of her mink coat and go clean it up. BILLED WITH Angel Face. Quintessential tough guy Robert Mitchum stars as a too-smart guy who falls under the spell of a toobeautiful woman (Jean Simmons) in an Otto Preminger ďŹ lm noir. Includes some absolutely essential genre material about tampering with

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51 M E TR O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

New

the brakes on a fancy sports car. (Plays Nov 18-19 in Palo Alto at the Stanford Theatre.) (RvB)

MINDâ€œTHE KIND OF -

metroactive FILM

M E T R OAC T I V E . C O M | SA N J O S E . C O M | N OV E M B E R 1 7-2 3 , 2 0 1 0 | M E TR O S I L I C O N VA L L E Y

REVIEW

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Unconventional MARGARETHE VON TROTTA’S Vision: From the Life of Hildegard von Bingen is a good-looking, reasoned biopic of the 12th-century German nun and preacher. It stresses the humanist qualities of Hildegard (played by a firm, shrewd Barbara Sukowa, once upon a time Fassbinder’s Lola). The film seems less interested in the mystic revelations than in the way Hildegard’s visions affected the people around her. If the title sounds like a campaign slogan, it’s appropriate—von Trotta stresses the personal relationships of a convent life. We rightly associate these orders with submission and denial, but we forget that in the depths of feudal times, they kept a little something of democracy alive, a fact that von Trotta reminds us when we see Hildegard elected magistra of her convent in a secret ballot. The nun eventually uses this power for a kind of a radical gesture: she separates her nuns from the monks they live with, leading them to a new allfemale convent. Having underscored this progressiveness, von Trotta counterpoints, insisting that such nunneries were prone to the troubles of democracy: money, pride and favoritism. And being a humanist, von Trotta isn’t afraid to suggest the kinds of passions that might have motivated Hildegard. She’s open to the idea that her heroine’s love for a younger sister, the charismatic Richardis (Hannah von Herzsprung), aptly described as “a

little demon,” might have gone beyond the bounds. Vision includes the wellbeloved musical compositions, which present Hildegard in the best light: as composer, feminist and healer. Does the film overstate the case? Of course it does; that’s what biopics always do. Yet the visuals are fresh M`j`fe1 =ifd and clear. A procession k_\ C`]\ f] into the forest is free ?`c[\^Xi[ mfe of the sense of actors 9è^\e in funny clothes (they Unrated; 110 min. look like they’ve got Opens Friday things on their mind, like Camera 3, a modern crowd does San Jose when it passes). Quick bursts of hand-held camera interrupt the slowness of life in stone walls. The colors have a warm muted glow; the midnight blue habits and cream-colored draperies on the sisters aren’t pretty-pretty, but they are inviting to the eye. The staging of her meeting with King Fredrich Barbarossa (Devid Striesow) is an excellent example of how to envision medieval history: escorted in by a grave dwarf, Hildegard meets the high king, with flaming beard and cloth of gold; the room isn’t enormous; he’s gregarious, pleasant and likely not to be trusted at his word. Vision is the work of a director who has some age and experience, who has a knowledge of which way power flows, and who notes how unlovely we can get when we love someone.—Richard von Busack

of Show Boat is about the young lovers, unfortunately, with Irene Dunne’s Magnolia suffering through marriage to a fancy, no-account gambler (Allan Jones). BILLED WITH Gold Diggers of 1933. PreCode, kitschy and wild, the Warner Brothers musical is exempliﬁed here. It’s about the class struggle: the courtship between patrician Dick Powell and working (chorus) girl Ruby Keeler. As always, Joan Blondell is aboard, dubbed by Marian Anderson, singing “Remember My Forgotten Man”—as ﬁne a piece of fake Brecht as you’ll ever see. But Brecht never imagined Ginger Rogers in a gold-coin-covered bikini singing “We’re in the Money” in pig Latin. And who but Busby Berkeley could conceive of a horde of platinumblonde women carrying neon violins, arranged in the form of a 100-footlong lit-up neon violin? (Plays Nov 20-22 in Palo Alto at the Stanford Theatre.) (RvB)

Reviews DUE DATE (R; 100 min.) Forced to drive from Georgia to Los Angeles, a pair of men try to get along. One is a deluded would-be actor named Ethan (Zach Galifianakis), a halfbright stoner bearing a lapdog. The other is a mean executive, Peter (Robert Downey Jr.), trying to get home to be there in time for his wife’s C-section. Uneven, in a word. Indeed, the movie is just as middling as it was when it was called Planes, Trains and Automobiles; it’s a road-trip movie with nowhere to go, emotionally

speaking, and director Todd Phillips may not be as handy with the Laurel and Hardy dynamic as he was with the Three Stooges vibe in The Hangover. We get the post-Apatow method—extended improv may result in something you can keep; meanwhile, keep throwing up good comedians as if they were skeets. Not a total loss. Photographer Lawrence Sher provides some fine landscapes and nightscapes, Downey explores some really deep rancor and Phillips demonstrates admirable comedic ruthlessness. (RvB)

FAIR GAME (PG-13; 108 min.) Doug Liman’s account of the felonious Valerie Plame business is a model of exciting, intelligent espionage lore. It’s shot with braced but fluid camerawork. Naomi Watts’ performance as Plame is one of the year’s best. In the short period between the Sept. 11 attacks and the Iraq invasion, members of the CIA ask the independent consultant Joseph Wilson (Sean Penn) to go to Niger to confirm confidential reports of uranium being sent to Saddam Hussein. Wilson quickly discovers there was no such shipment. In a Nixonian attempt to silence a whistleblower, high Bush administration figures leak the name of Wilson’s wife, Victoria Plame, to columnist Robert Novak, a move that destroys her career and puts her operations in jeopardy. It’s hard for a film to be all things to all people. Fair Game’s script is less surefooted with the domestic drama than it is with the paranoid/political tale-telling.

53 M E TR O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

DANNY BOYLE AND JAMES FRANCO TAKE US ON

AND ULTIMATELY UPLIFTING.

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REVIEW

Penn gets to play a different kind of character: decidedly upper-class, peremptory and with little patience for fools. He gives one of his strongest and slyest performances, but he becomes mannered. (RvB)

FOR COLORED GIRLS (R; 134 min.) Tyler Perryâ€™s bigscreen adaptation of Ntozake Shangeâ€™s play about women of color stars Janet Jackson, Thandie Newton, Kerry Washington and Whoopi Goldberg.

THE GIRL WHO KICKED THE HORNETâ€™S NEST

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Escape Artists OVER THE LAST half-decade, ďŹ lmmaker Paul Haggisâ€™ name has become synonymous with socially and politically themed ďŹ lms, from Million Dollar Baby to Crash and In the Valley of Elah. Haggisâ€™ latest, The Next Three Days, leaves the messaging aside for a prisonescape thriller thatâ€™s every bit as entertaining as it is shallow. A remake of Fred CavayĂŠâ€™s 2008 French thriller Pour Elle, the ďŹ lm centers on John Brennan (Russell Crowe), a college professor. Heâ€™s happily married to Lara (Elizabeth Banks). Brennanâ€™s seemingly idyllic existence gets turned upside down when Lara is arrested for the murder of her boss. Circumstantial evidence, including a bloodstain on her overcoat, strongly suggests Laraâ€™s guilt. She unpersuasively claims that a young woman, possibly a drug addict, brushed her overcoat as she was entering the parking lot. Lara is tried, convicted for murder and sentenced to 20 years to life. After three years and unsuccessful appeals, Laraâ€™s future looks bleak, but Brennan, unwaveringly convinced of her innocence, decides thereâ€™s only one alternative left: breaking Lara out of prison and beginning a new life in a foreign country under assumed identities. Brennan turns to Damon (Liam Neeson), a repeat felon who broke out of several prisons. Damon crisply lays out everything Brennan has to do, a plan that gets accelerated when Brennan learns that Laraâ€™s being transferred to a distant maximum-security prison.

Divided into three acts, the ďŹ rst act looks at Laraâ€™s arrest, conviction and incarceration. Thereâ€™s only perfunctory focus on the matter of Laraâ€™s guilt. The second act concentrates on Brennanâ€™s prep for Laraâ€™s escape, including several encounters with career criminals, romantic temptation in the form of a single mom, Nicole (Olivia Wilde), cops increasingly suspicious of Brennanâ€™s behavior and the already mentioned K_\ E\ok accelerated plan to free K_i\\ ;Xpj Lara. Not surprisingly, the PG-13 third act focuses on Brennan Opens Friday putting his semi-improvised plan into action, with complications and a prolonged chase scene that proves, assuming it needed to be proved, that Haggis can direct tense, suspenseful action scenes. Despite the sermon-ready subject matter, The Next Three Days doesnâ€™t feel like a movie-with-a-message. That might be due to its origin as a French ďŹ lm and not a Haggis original. Unfortunately, Haggis chooses clarity over ambiguity, a closed ending instead of an open ending for the audience. He leaves Brennan still convinced of his wifeâ€™s innocence but minus the evidence necessary to prove it but gives the audience a deďŹ nitive answer (which I wonâ€™t spoil). This allows Haggis to make an obvious, unsubtle point about the criminal justice systemâ€™s shortcomings (one few people would ďŹ nd controversial).â€”Mel Valentin

(R; 148 min.) The glowing harbor and country views of the last entry (the seriesâ€™ high point) are replaced by a televisionistic series of closeups of baleful Swedes frowning at each other over tables or sitting ďŹ dgeting at press conferences. The survivors of the government cabal that planned to silence the troublesome Lisbeth (Noomi Rapace) are still afoot and grumpier than ever (â€œFools! Idiots! Iâ€™ll destroy you all!â€? exclaims their leader, Lisbethâ€™s maimed dad). Our hero, magazine reporter Mikael (Michael Nyqvist), is trying to get Lisbethâ€™s side of the story. But his co-editor Erika (Lena Endre) is menaced by anonymous emails and a brick through the window. Lisbeth is also cornered by yet another smirking civil servant: her former shrink, Dr. Peter Teleborian (Anders Ahlbom).

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The ďŹ lm pedantically insists on the realistic after-effects of some gunshot wounds, and it makes a very, very long journey from hospital bed to very unmoving last goodbye. The two leads (punkette avenger and dog-faced journalist) practically turn to the camera and say, â€œWeâ€™re done here.â€? (RvB)

HEREAFTER (PG-13; 129 min.) The opening of this dull, morose and oatmealcolored drama is a flawlessly animated tsunami. Swept into the tide and clonked by an automobile, Parisian journalist Marie LeLay (CĂŠcile De France) is rescued just as she has a vision of human beings standing around a glowing plaza. She has seen the Hereafter itself; so has San Francisco psychic Matt Damon. Meanwhile a pair of twins in London, separated by death, try to reconnect. Bland and slow, the film seems as if it will never get started, and the afterworld is neither sinister nor inspirational. (RvB)

INSIDE JOB (PG-13; 108 min.) More nauseating than Jackass: itâ€™s a whirlwind tour through the economic rubble of 30 years of deregulation of banks and financial institutions. Charles Fergusonâ€™s enraging documentary discovers that the famous revolving door turns 360 degrees; grossly overpaid gamblers from

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JACKASS 3-D (R; 94 min.) Undeniably visceral entertainment, and sometimes hilarious. This corner’s motto is, as always, “It’s not what you laugh at that makes you a moron, it’s what you cry at.” One of the stuntmen taunting an ornery ram with blasts from a sousaphone is carrying on the frontier humor tradition of Mark Twain’s “His Grandfather’s Old Ram.” The difference is that the ram in the Twain tale is left frozen in space, while this furious sheep attacks about a dozen times. The tormenter’s yelp to the beast as he gets severely butted—“Why?”—is easily the most hilarious thing in the movie. Genial but horrible ringleader Johnny Knoxville is to a rodeo clown what a wealthy rock star is to a Delta blues picker: someone getting rich from a rich tradition. So, the movie may only just seem like the end of Western civilization; some of the slapstick horrors here are true-life versions of favorites from Keystone comedies: the guy in the gorilla suit, the dog that goes straight for the seat of the pants, the irritable donkey. Some of the tortures are a little too close to the Roman Empire’s method of handling dissidents, and a couple of the bits here are serious lunchavulsers. The 3-D helps one get most of the popular bodily fluids right in the face, if that’s your idea of fun. (RvB)

MEGAMIND (PG; 96 min.) Rivals from the moment their planets were destroyed and they were sent to Earth, Megamind (Will Ferrell)

and Metro Man (Brad Pitt) have competed in the usual battle of good vs. evil in the new animated film Megamind. The movie has an enjoyable twist when Metro Man is eliminated, and Megamind is left to rampage Metro City with his best friend, Minion (David Cross). Following the unconventional yet delightful storyline, Megamind seeks to fill his boredom of having no one to fight by creating a new good superhero, Tighten (Jonah Hill). However, Tighten has other plans; he intends to use his newly acquired laser vision, superstrength and ability to fly for his own interests. Megamind, Metro Man and even Tighten all have their sights on Roxanne Ritchi (Tina Fey), a newswoman in the Lois Lane mold. Ferrell and Pitt should have given Fey and Hill lessons on ways to alter their voices, because it took me out of the movie when their characters were onscreen sounding like their real-life selves. The themes— never taking things for granted and being careful about what you wish for—offer lessons for people of all ages. Megamind also touches on the subject of not judging a book by its blue, alien cover. Expected to be evil his whole life, Megamind ends up fighting for good in order to save the city from Tighten. (Shiva Zahirfar)

MORNING GLORY (PG-13; 102 min.) The forced nervous energy and desperate eagerness to please of the wakey-wakey TV show is evident. Chirpy Becky (Rachel McAdams) is on her way up as the producer of a despondent morning news show, essentially fourthranked in a ﬁeld of three networks. Becky takes a celebrated but now languishing former anchorman, Mike Pomeroy (Harrison Ford), and partners him with the current AM show host, Colleen (Diane Keaton). Colleen knows Pomeroy of old, and she loathes him. As Pomeroy, Ford is a very amusing grumpus—a newsman frozen in distaste for the parade of exotic animals, cooking tips and celebrity chat. Ford and Keaton have a comedic rapport that’s like an elegant version of the “Jane, you ignorant slut” routine between Dan Aykroyd and Jane Curtin in ancient episodes of SNL. The ﬁlm has terminal third-act problems, the kind that force a trip into sudden-death overtime, just to reassure us that Becky has a choice in her career. (RvB)

SKYLINE (PG-13; 92 min.) Aliens show up in

large spaceships and menace the inhabitants of Earth. Eric Balfour and Scottie Thompson star in the effects-heavy sci-fi thriller.

THE SOCIAL NETWORK (PG-13; 2 hrs.) Fiendishly clever and funny movie about the creation of an Internet monster. As Facebook founder Mark Zuckerberg, Jesse Eisenberg gives a master class on recessive acting: he’s beady eyed and covert, with the occasional pitviper-like sway of a truculent, lowered forehead. It’s the kind of remorseless superiority that can only look comically childish and wounded onscreen. The film shuttles between the present-day deposition of the now arrogantly rich Zuckerberg, as he’s sued by a quartet of burned partners (among them his former best friend Eduardo, played by Andrew Garfield). In flashback, we see his own history—a Jewish student at WASP-ridden Harvard, a social reject whose grudge-hacking was his entry into fame. Later, Zuckerberg meets the founder of Napster, Sean Parker—played by Justin Timberlake, excellent as a happy wastrel. The Trent Reznor and Atticus Ross score is closer to the sinister Byrne and Eno we loved once than the flowery, love-struck Byrne and Eno in Wall Street: Money Never Sleeps. Fincher regular cinematographer

Jeff Cronenweth keeps us oriented by making the walnut-lined tombs of Harvard so different from the lambency of the sun in Palo Alto. Aaron Sorkin’s wild, witty script hands out punishment that goes beyond the financial penalties: this is a comedy in the Balzac sense, a balancing act; the mockery and the disgust for greed matches the essential lightness of the situation. It’s only Facebook, after all. (RvB)

UNSTOPPABLE (PG-13) Only Tony Scott would het up a runaway train movie, a subject het up enough on its own. In Unstoppable, old dog (Denzel Washington) and young pup (Chris Pine) race a single engine to catch up with an unmanned train heading for catastrophe; news helicopters buzz around the runaway train as it speeds down the track. Scott crowds the location changes with captions, including my new all-time favorite: “Zinc Plant, Southern Pennsylvania.” Pennsylvania in the full Amazonian green-hell of summer would be a perfect background for a hell-bound train, but this is forlorn, waning fall. Computer animation allows the bad train into something able to do things trains can’t ordinarily do, like dance sideways on the rails. This impedes the free enjoyment of the heavy-machinery porn,

something Scott usually does very well. Every Scott film is heavy on the exclamation points, but this one is as worn out as America’s rail infrastructure. (RvB)

WAITING FOR SUPERMAN (PG; 102 min.) The vast problems of the U.S. public school system distilled into a quick documentary. Davis Guggenheim (An Inconvenient Truth) follows five young students as they try to get into private schools. (One is eighth-grader Emily of Redwood City, whose parents are concerned that she’ll be pushed onto a noncollege track.) It’s Guggenheim’s contention that school funding has doubled while test scores continue to descend. Guggenheim has a point: the dropout rate and the failing students are a hell of a problem. Yet this documentary has the kind of ideology even Meg Whitman can wrap herself around: you can watch it and come to the conclusion that privatization and union-busting is the answer—the same answer we’ve been given since the 1980s. This may not have been Guggenheim’s intention. But as always in this passionateintensity style documentary, there’s the possibility of deliberate misreading, thanks to the lethal combo of stridency and slipperiness. (RvB)

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Goldman Sachs and elsewhere are returned to government offices they left for Wall Street. Some of these spoilsmen go to formerly honorable Ivy League institutions, there to legitimize the kind of fiscal policies that made them superrich. Few have regrets, but some have anger at being asked impertinent questions about ethics by a lowly submillionaire with a camera. Inside Job records a nonpartisan disgrace. One of the prime disappointments of the Obama administration is the way he found work for the familiar rogues from the Meltdown of ’08. Ferguson asks great questions. Don’t expect a lot of great answers about how a glorified Ponzi scheme left most of America either overworked or unemployed, heavily in debt and a few millimeters away from homelessness. (RvB)

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FEATURED LISTINGS

Average White Band Wednesday, Montalvo, Saratoga, 7:30pm; $37–$42 From their humble beginnings as the Worst White Band, this R&B ensemble clawed and scratched their way to the statistical mean. But despite their international success with the mostly instrumental hit “Pick Up the Pieces,” they still toiled in the shadow of The Bestest White Band Ever and even the Slightly Above Average White Band. OK, most of that is made up, but that song was totally groovin’. (SP)

Nelly Friday, Wet, San Jose, 10pm; $30 It’s been almost 10 years since “Hot in Herre” was making it hot in pretty much every club in the country. That was when Nelly ofﬁcially “made it” as a popculture superstar—in other words, he had his song parodied by Weird Al Yankovic. Since then, he’s been up and down with his little-bit-country sound, but moved enough butts and units to make him the third most successful act of the decade. His latest hit is “Just a Dream” from the brand-new 5.0 album. (SP)

Five Characters in Search of An Exit Saturday, the Refuge, Cupertino, 6pm; $12 You loved the Twilight Zone episode (spoiler warning: they’re ﬁve dolls trapped in a barrel!), now hear the band! This Bay Area deathcore band has a new CD out, so if you ever dreamt of listening to Cookie Monster sing about Team Coco or 10 things they hate about “chu,” this is your chance. (SP)

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Rock/Pop AVALON Thu, 6:30pm: MJ Kuok, David Stuart. $9. Sun, 6:30pm: T Clemente Band, Fire Eyed Cherry, Aquatemple Pony Cult, Kippis. $9. Santa Clara.

THE BLANK CLUB Wed, 9pm: Slap Bracelet, Shuteye Unison, Parents France. Free. Fri, 9pm: Three Bad Jacks, Los High Tops, Moonshine. $10. San Jose.

BOSWELL’S Wed: Jack Rip Off. Thu: Bitchn’ Camaros. Fri: Suga Daddy. Sat and Mon: Drive! Campbell.

BRITANNIA ARMS ALMADEN

BLINKY’S CAN’T SAY Sat, 9:30pm-1:30am: Jackies Drama Club, rock and blues. Free. Santa Clara.

Thu, 10pm: After Party. Fri, 10pm: Spazmatics. Sat, 10pm: Blood Sugar Sex Machine. San Jose.

BRITANNIA ARMS CUPERTINO Fri, 9pm: The Retro Rockets. Sat,

9pm: Everyday Tragedy, Cadent and more. Cupertino.

CAPERS Fri-Sat, 8:30pm: Live music. Campbell.

CLUB FOX Sat, 8pm: Luce. $14. Redwood City.

THE GRAPEVINE Sat, 7pm: Given to Fly. Willow Glen.

JOHNNY V’S Thu: Amber from San Jose Rock Shop. Sat: Them Slack Jawed Sons of Bitches and more. Sun: Dru Rite and more. San Jose.

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Trans-Siberian Orchestra WHEN THEY first started putting a rock opera twist on holiday tunes in 1996, the music industry definitely didn’t “get” Transiberian Orchestra. “I’m pretty sure they don’t KiXej$ get it now,” says Al Pitrelli, guitarist and musical J`Y\i`Xe director for the group. This despite more than a FiZ_\jkiX decade of arena shows that earn somewhere in the neighborhood of $20 million annually, putting them Sunday, 3 and among the most successful tours year in and year 7:30pm out. Their first year, they played to about 130,000 HP Paviion, people. By the end of this year they’ll have played to 1.3 San Jose million, at 140 shows. $30–$60 The uninitiated might know TSO’s song “Wizards in Winter,” which was everywhere in 2005, especially after a video of Carson Williams’ insane home Christmas light show set to the song went viral on the Internet. The current TSO tour features somewhere around three dozen musicians, vocalists and narrators, along with 17 semis’ worth of equipment. “It’s a couple acres of gear,” says Pitrelli. “It’s absurdly huge.”—Steve Palopoli

57 MURPHY’S LAW Fri: Mr. Meanor. Sunnyvale.

NICKEL CITY Fri, 6pm: Stickup Kid, Blood and Water, the Art of War, Fabulous Under Fire, Casanova, the Druids. Sat, 6pm: One New Message, the Fort Nelson Zoo, Four O’ Clock Heroes, Rapid Fire, How High the Moon, Evening Has Struck. San Jose.

NUMBER ONE BROADWAY Thu, 9:30pm: Joint Chiefs. Fri, 9:30pm: Touch of Class. Sat, 9:30pm: The Hitmen. Los Gatos.

QUARTER NOTE QUARTERNOTE O

SSTREETLIGHT STREET LIGHTRECO RECORDS C RDS

Thu, 9pm: Vicious Groove/ Vicious Nation. Fri, 8:30pm: Ded Ringer. $7. Sat, 8:30pm: Black Mist, BRAY. $8. Sunnyvale.

Sat, 7pm: Thunderhorse. San Jose.

THE REFUGE Sat, 6pm: 5 Characters in Search of an Exit (CD Release), the Golden Hour, Raelin, Undergone, Ten Days New, Burnside Drive, We Stand United. Cupertino.

SOUTH FIRST BILLIARDS Fri: No Captains. Sat, 8:30pm: Veronica Malki, Shawn Evans and Troy Curtis. $7. Tue: 9 Ball. San Jose.

VOODOO LOUNGE Wed, 9pm: Art and Soul with Dusted Angel and Higtower. $5. Thu, 8pm: Pat Travers Band, the Dave Abbott Band, the Mike Osborn Band. $12. Fri, 10pm: Bossquatch. $10. San Jose.

WILLOW DEN Fri, 6:30-10:30pm: Black Pearl. Willow Glen.

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CONCERT

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1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 >LKULZKH` 5V]LTILY AGES 16+

Vital SC presents

STEVE AOKI

plus Mustard Pimp $29 in advance • Drs. 8 p.m./ Show 8 p.m. Thursday, November 18 AGES 16+

slightly stoopid

plus Perro Bravo $25 Adv./$25 Drs. • Doors 7:30 p.m., Show 8:30 p.m. Thursday, November 18 In the Atrium AGES 21+

THE INCITERS plus Dan P & the Bricks

also The Champions

$5 at the door • Doors 8:30/ Show 9 p.m.

-YPKH` 5V]LTILY AGES 16+

Vital SC presents

LA RIOTS

plus Donald Glaude also Mr. Tyler Jackson, Keltec $22 in advance • Drs. 8 p.m./ Show 8 p.m. Friday, November 19 In the Atrium AGES 21+ FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi NO COVER • 9 p.m./ 9 p.m. Saturday, November 20 In the Atrium AGES 21+

ELIQUATE plus Rec League also Profel Inc. $6 in Adv./ $8 at the Drs. • Drs. 8:30 p.m., Show 9 p.m.

Tuesday, November 23 In the Atrium AGES 21+

RASTA CRUZ REGGAE TUESDAYZ

with DJs

Don-ette & Lion-S

+ weekly guest DJs Models/Dancers

NO COVER B4 10PM • Ladies Free/Guys $5 after 10PM • Show 9 p.m.

Nov 26 Andre Nickatina (Ages 16+) Nov 27 The Cataracs (Ages 16+) Nov 30 Rasta Cruz Reggae Atrium (Ages 21+) Dec 3 Zeds Dead (Ages 16+) Dec 4 Elvin Bishop (Ages 21+) Dec 10 & 11 The Expendables (Ages 16+) Dec 17 Los Lobos (Ages 21+) Dec 31 SambaDá (Ages 21+) Jan 8 Vital SC: Diesel Boy (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

metroactive MUSIC

WOODHAM’SLOUNGE Fri and Sun: Pro Jam with rock and blues local musicians. Santa Clara.

World ALBERTO’S Wed: Bachata. Thu: Pantea. Fri: Bollywood Nights. Sat: Latin Nights. Sun-Mon: Argentine Tango. Tue: Pantea. Mountain View.

AZUCAR Fri-Sat, 9pm: Son de Kali. Sun: Bachata with Jazzy Jez. Mon, 8:30pm: Salsa party. Tue, 7pm: Orquesta Saboricua. $3 after 9pm. San Jose.

CASCAL Fri, 9pm: Kaweh. Sat, 8:30pm: James Robinson. Mountain View.

LILLYMAC’S Sun, 5-8pm: Irish music. Sunnyvale.

MOROCCO’SRESTAURANT Fri, 8pm: Ambient lounge music. Sat, 7:30pm: Fountain M.U.S.E. Sun, 5pm: Moroccan Music Night. San Jose.

PARRANDANIGHTCLUB Thu-Sat: Live music. Sunnyvale.

SENZALA Fri, 7:30pm: Capoeira show. Sunnyvale.

Jazz/Blues ANGELICA’SBISTRO Fri, 6pm: Aprylle Gilbert and Kristina Sablan. $10. Fri, 8:30pm: Sound Moves. $10. Sat, 8pm: Corazon al Sur performs Argentine tangos and ballads. $15. Redwood City.

CAFFETRIESTE

Latin Jazz. Fri-Sat, 9pm: Jazz and Pop Dance Bands. Mon-Tue: Piano Music. Fairmont Hotel, San Jose.

C&W/Folk

GRANDDELLSALOON

Sun: Mike Leatherman. Campbell.

Thu, 8pm: Blues Jam, Aki Kumar. Fri, 8pm: After Dark. Sat, 8pm: Tip of the Top. Campbell.

HEDLEYCLUB Wed, 8pm: The Hedley Club Jazz Jam. Thu, 8pm: Russo Alberts Trio. Fri, 8:30pm: Mark Arroyo Trio. Sat, 8:30pm: Rick Vandivier. Hotel de Anza, San Jose.

J.J.’SBLUESCAFE Wed: Blues Angel, Ariole. Thu: Madylan Rose. Fri: Dog House Riley, Vicious Groove. $10. Sat: South 46, JC Smith. $10. Sun: Larry Valdez. Mon: Waynes Way Band. Tue: Blue J, Dennis and Stuart. San Jose.

Fri, 8pm: San Jose Lyric Theatre. San Jose.

MISSION CITY COFFEE ROASTING Fri, 7:30pm: True Wind Acoustic. Sat, 8pm: Cosy Sheridan. Free. Santa Clara.

RED ROCK COFFEE ROASTING Fri, 8pm: Christina Li. Sat, 8pm: Elizabeth Hunnicutt with Travis Oberg. Mountain View.

THE SADDLE RACK

MOROCCO’SRESTAURANT

SAM’S BBQ

Thu, 5pm: Jason Bellenkes Duo. San Jose.

Wed, 6pm: Sidesaddle and Co. Tue, 6pm: Windy Hill. San Jose.

MURPHY’SLAW

Open Mic

Sat: South City Blues Band. Mon: Pro blues jam. Sunnyvale.

NUMBERONEBROADWAY Wed: J.C. Smith Jam Band. Los Gatos.

POORHOUSEBISTRO Wed, 6pm: Ron Thompson and Friends. Thu, 6pm: Lara Price and Yesterdays. Fri, 6pm: Andy Just Band with Phillip Benson (CD release party). Sat, 6pm: Sid Morris Blues Band. Sun, noon4pm: School of the Blues Student Jam Session. San Jose.

QUARTERNOTE Mon, 8:30pm: Isis and Cool Cats Jazz. Sunnyvale.

REDROCKCOFFEEROASTING Sun, 2-4pm: Hot Club of Palo Alto. Mountain View.

ANGELICA’S BISTRO Wed, 6:30pm: Open Mic. Tue, 7: Pro Jazz Jam. Redwood City.

MISSION CITY ROASTING CO. Thu, 7pm: South Bay Folks Open Mic. Santa Clara.

MOUNTAIN CHARLIE’S Wed, 8-11pm: Live music, comedy and poetry. Los Gatos.

RED ROCK COFFEE CO. Mon, 7pm: Cavin and King’s Open Mic. Mountain View.

Karaoke 7 BAMBOO Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

THREEFLAMES Sun, 6pm: Touch ‘N Go. Willow Glen.

UNWINED

D’VINEJAZZANDWINE Fri-Sat, 8pm: Jessica Johnson. Morgan Hill. Wed, 8:30pm: The Girlz Band. Thu, 8:30pm: Contemporary or

CAFFE TRIESTE

Thu, 7-10pm: Live jazz. San Jose.

Thu, 8pm: Alfredo Gomez CD release party. Sat, 8pm: Jon Rubin, Stu Wilson. San Jose.

FAIRMONTHOTEL

BOSWELL’S

Wed, 9pm: California Cowboys. Thu, 9pm, Fri-Sat, 10:15pm: Diablo Road. Sat, 7:15pm: Rodeo House. Fremont.

LOFTBARANDBISTRO

M E TR O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M T

More listings:

METROACTIVE.COM

Sat, 7pm: Jazz Night. San Jose.

ALEX’S 49ER INN

WINEAFFAIRS Sat: Gus. San Jose.

Nightly except Sun, 9pm-2am: Karaoke. San Jose.

WOODHAM’SLOUNGE

BLUE PHEASANT

Fri and Sun: Pro Jam with rock and blues local musicians Santa Clara.

Tue, 7pm: Steve Tiger. Cupertino.

Buy tickets at livenation.com. To charge by phone (800) 745-3000. Limit 8 tickets per person. All dates, acts and ticket prices are subject to change without notice. All tickets are subject to applicable service charges.

metroactive MUSIC

M E T R OAC T I V E . C O M | SA N J O S E . C O M | N OV E M B E R 1 7-2 3 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

More listings:

METROACTIVE.COM

KHARTOUM Thu, 9pm: DJ Davey K. No cover. Campbell.

LILLY MAC’S Thu, 9pm: DJ Thomas “Soulman.” Sunnyvale.

BLINKY’S CAN’T SAY

NORMANDY HOUSE LOUNGE

Fri, 9pm: Danielle. Santa Clara.

Fri-Sat: Karaoke. Santa Clara.

NUMBER ONE BROADWAY Thu: Singles party. Los Gatos.

Wed, Fri and Sun, 8pm-2am: Karaoke. Sunnyvale.

BRITANNIA ARMS ALMADEN Wed and Sun, 10pm: DJ Hank. San Jose.

Fri: DJ Checko. Sat: G Beats the Soulchild and Metrorock. Tue: DJ David Q. San Jose.

OFFICE BAR

BRIX

Fri-Sat, 9pm-2am, and Sun, 7pm: Karaoke. Mountain View.

Wed, 9pm-2am: Whip It Out. Thu: Playground. Fri: Breathless. San Jose.

PEACOCK LOUNGE CLUBILLUSIONS

Thu, 9pm: Brian. Sun, 9pm: DJ and karaoke. Tue, 9pm: Ryan. Sunnyvale.

Sun-Tue, 10pm: Karaoke. Cupertino.

PIONEER SALOON

Fri, 10pm: Fuz, LGBT event. $10. Sat: South East Asian After Party with Sunny Brown, Lomaticc and Baba Khan. Palo Alto.

Tue, 8:30pm: Acoustic karaoke w/ Sam Marshall. Woodside.

DIVEBAR

POINCIANA LOUNGE

Thu-Fri: DJ Otrebor. Sun: DJ Venom 347. San Jose.

Wed: Wildside Entertainment. No cover. Santa Clara.

FAHRENHEITULTRALOUNGE

Wed, 9pm: August. San Jose.

CREEKSIDE LOUNGE Wed and Mon-Tue: Stephanie. Thu and Sat: Randy. Fri: Jerry Sauceda. San Jose.

Wed: Reggae Riddims. San Jose.

REDI ROOM Thu, 9pm: Joseph. San Jose.

FIBBARMAGEES

Wed: Guitar Hero Tournament plus karaoke. Thu, 9pm-1am: Karaoke. Santa Clara.

SAN JOSE BAR & GRILL

Wed, 8:30pm: SIN. Fri: Anthony Cavazos. Sat: Club FM. Sunnyvale.

Tue, 10pm-close: Kamikaze Karaoke. San Jose.

KATIEBLOOM’S

DIVE BAR

SHERWOOD INN

Thu-Sat, 9:30pm-1:30am: DJs and dancing. Campbell.

Wed and Sat-Sun, 8:30pm: Chris. Thu-Fri, 8:30pm: Thomas. San Jose.

KHARTOUM

Wed-Sat and Tue, 9pm-2am, and last Sun of every month, 27pm: B&S Karaoke. Campbell.

WOODHAM’S LOUNGE

PEARL

Wed-Thu, Sat-Sun, Tue: 9:30pm: Vinnie. Santa Clara.

Fri: Destination. Sat: Autumn Bash, DJ Greg Lopez. San Jose.

FLAMES COFFEE SHOP

Dance Clubs

SANJOSEBAR&GRILL

AGENDA

TOON’S

DASILVA’S BRONCOS

Wed and Tue, 9:30pm: Karaoke. San Jose.

EFFIE’S RESTAURANT

METROGIVEAWAYS.COM

BRITANNIAARMS DOWNTOWN

BRITANNIA ARMS CUPERTINO

BRITANNIA ARMS SAN JOSE

Win Free Stuff

Wed and Sun, 10pm: DJ Hank. Mon, 9pm: Beer Pong. San Jose.

Wed and Fri-Sat, 8:30pm: Doug. Sunnyvale.

OASIS BOGART’S LOUNGE

BRITANNIAARMSALMADEN

Thu-Sat, 9pm: Uncle Dougie Show. No cover. San Jose.

GALAXY Thu, 9pm-2am: August. Milpitas.

Wed, 8pm: Salsa Wednesdays. Sun: Reggae. San Jose.

ALBERTO’S Fri: Salsa Fridays. Tue: Salsa with Pantea. Mountain View.

BRANHAM LOUNGE

THE GOOSETOWN LOUNGE Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.

KATIE BLOOM’S Sun, 9:30pm-1:30am: Karaoke. Campbell.

Wed: Humpday Wednesdays. Thu: DJ. Fri: Ladies Night. Sat: DJ Jazzy and DJ Chaos. Hip-hop and Top 40. Sun: Happy Hour. Mon: DJ. San Jose.

BRITANNIA ARMS CUPERTINO Thu: DJ Tosh. Cupertino.

Wed: DJ Davey K. Campbell.

Fri-Sat: Video Killed the DJ. San Jose. Wed: Beer pong with DJ Thunder. Clash of the DJs. Fri: DJ Sparkee. Sat: DJ Bravo. Sun: Hip-hop. Mon: Dance, pool, sing, fun. Tue: From the Heart, bring canned foods for free cover. San Jose.

VOODOOLOUNGE Fri: DJs Krucial, DStrukt and Bossqquatch. $10. Sat, 10pm: Third Saturdays. $10. San Jose.

WET Thu: Calicove. Fri, 10pm: Nelly. $30. San Jose.

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>lpj gXp X cfk f] Xkk\ek`fe kf dp [ifg$[\X[ ^fi^\flj ]i`\e[ n_\e n\ ^f flk% Jf# n_Xk ZXe pfl [f `] pflÊi\ _\i efk$Xj$gi\kkp j`[\b`Zb6 @ ZXe _fe\jkcp jXp @Êd Zlk\# \jg\Z`Xccp n_\e @Êd Xcc [i\jj\[ lg% @Êd kfc[ @ _Xm\ X î\Xk g\ijfeXc`kp# Ylk @ befn @ cXZb X Z\ikXè ZfeÓ[\eZ\ dXep nfd\e _Xm\# Xe[ dXpY\ k_XkÊj dXbè^ k_è^j _Xi[\i n_\e n\Êi\ è YXij Xe[ ZclYj% ÆGi\kkp Lejli\ f] Dpj\c] In a 37-country study on mate preferences by evolutionary psychologist David Buss, kindness was the most desired trait in a partner for both women and men, but no man runs his car off the road turning to look at a woman because she volunteers at a children’s hospital. Likewise, a bar or nightclub is no place to be trying to win an inner beauty contest. “Beautiful on the inside” isn’t what gets guys sending free drinks across the room. Even if a guy comes over, that great personality of yours probably can’t help but crawl under a barstool when the guy’s talking to you but his eyeballs are on a walking tour of your modelicious friend. If a guy does pay attention to you—a bright spot!—there’s a good chance he’ll eventually mention his wife and kids. That’s when you realize he’s yet another married wingman, which makes you, yet again, the girl the guy has to get out of the way to get to the girl. Your friend is probably one of those women for whom being beautiful involves rolling out of bed and existing. For the rest of us, being a thing of beauty isn’t so much a joy forever as a job forever. We can either accept the effort involved to look our best or accept the opportunity costs of going ungroomed. We could also take a lesson from French women, who don’t let not being classically pretty get in the way of feeling beautiful. The French have this concept,

“jolie laide,” which roughly translates to “ugly-pretty.” It describes women who aren’t conventionally beautiful but manage to be alluring nonetheless; for example, a woman with a big hook nose who, instead of trying to draw attention away from it, wears bright lipstick, pulls her hair back and walks proud. Big honking beak and all, somehow, the sum total of her look is beauty, and a good bit of it comes from within. Unfortunately, embracing ugly-pretty will take you only so far. The truth is, beauty is often relative. Take America Ferrera, who plays Ugly Betty on TV. She’s actually only Hollywood-ugly, which means she looks, well, mortal when standing next to Angelina Jolie. In Greeley, Colo., she’s stunningly beautiful. Accordingly, you’re a cute girl when you go out boyhunting with other merely cute girls. Sure, you “should” be able to go out with any friend you have, but in the cold light of how things work in the real world, if you’re a 6, you’ll probably do much better if you’re ﬂanked by a couple of 4s. This doesn’t mean that you dump your friend because she’s too pretty. Work on boosting your conﬁdence, and until you do, try to do things together that won’t have you competing with her for male attention—say, dinner and movie . . . at your place . . . after you tent it for termites, board up the windows, and pull down all the blinds.

Dp Yfp]i`\e[ f] k_i\\ dfek_j `j è[\g\e[\ek Xe[ ZXgXYc\ è _`j ZXi\\i# Ylk `j Y\Zfdè^ èZi\Xjè^cp Zcè^p% ?\ jXpj _\ cfm\j d\ Xk c\Xjk feZ\ \m\ip )' dèlk\j Xe[ nXekj kf jel^^c\ ZfejkXekcp Xe[ _Xm\ k_\j\ \e[c\jj g_fe\ Zfem\ijXk`fej% Jfd\ k_è^j n\ ZXe kXcb flk% @ \ogcXè\[ k_Xk @Êd efk X Y`^ g_fe\ g\ijfe# Xe[ _\ nXj Óe\ n`k_ `k# Ylk k_\ ^\e\iXc Zcè^è\jj i\dXèj% N`cc _\ ^\k Y\kk\i Xj _\ ]\\cj dfi\ j\Zli\ è fli i\cXk`fej_`g6 Æ:_XÓe^ Love is a beautiful thing—when expressed sparingly. In your case, well, you’ll always remember that time he turned to you and said those rare and magical words, “You know, I think your left front tire needs more air.” Somebody who chirps “I love you” every 20 minutes most likely isn’t expressing love but something emotionally lacking within

them. (“I love you! I love you!” is a better sales tool than “Don’t leave me! Don’t leave me!”) Chances are, it isn’t the relationship the guy needs to get more comfortable in, but his own skin. If so, no amount of reassurance from you is going to cure him, although you might get him to loosen his grip by warning him that he’s about to “love” you right out of his life.

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FREE WILL ASTROLOGY ARIESS ((March ARIE March 21–April 21–April 19): 19): ““You You ddon’t on’t w want ant ttoo bbee the best of the best,” said Grateful Grateful Dead guitarist Jerry Jerry Garcia. Garcia. “You “You just just want want to to be be the the only only one one who who does does what will what yyou ou ddo.” o.” TThat’s hat’s always always good good advice, advice, bbut ut iitt w ill bbee especially weeks. especially aapt pt ffor or yyou ou dduring uring tthe he nnext ext ffew ew w eeks. YYou’re ou’re entering when with entering a pphase hase w hen ccompeting ompeting w ith oother ther ppeople eople will What will will gget et yyou ou nnowhere owhere ffast. ast. W hat w ill gget et yyou ou ssomewhere omewhere fast Doo fast iiss nnurturing urturing yyour our uunique nique ttalents alents aand nd pproclivities. roclivities. D you what you kknow now eexactly xactly w hat tthey hey aare? re? IIff yyou’re ou’re eeven ven a llittle ittle fuzzy, fuzzy, make it your quest to get very v clear. clear. TAURUS T AURUS ((April p 20–Mayy 20):) What W is the “soul,” “soul,” , anyway? Is it a ghostly blob of magic stuff within us m that that keeps keeps us us connected connected to to the the world world of of dreams dreams and and the metaphor the ddivine ivine rrealms? ealms? IIss iitt aan n aamorphous morphous m etaphor ffor or the myth the ssecret ecret ssource ource ooff oour ur sspiritual piritual ppower? ower? IIss iitt a m yth that want that ppeople eople eentertain ntertain bbecause ecause tthey hey ddesperately esperately w ant to more to believe believe there’s there’s m ore ttoo tthem hem tthan han jjust ust ttheir heir pphysical hysical bodies? what bodies? Here’s Here’s w hat I tthink: hink: TThe he ssoul oul iiss a pperspective erspective that that pushes pushes us us to to go go deeper deeper and and see see further further and and live live wilder. It’s wilder. It ’s what drives our imagination imagin nation to flesh out our raw raw eexperience, xperience, ttransforming ransforming tthat hat cchaotic haotic sstuff tuff iinto nto rich With rich sstorylines torylines tthat hat aanimate nimate oour ur llove ove ooff llife. ife. W ith tthe he gently wee pprobe gently ppropulsive ropulsive fforce orce ooff tthe he ssoul, oul, w robe bbeyond eyond the working find the ssurface urface llevel evel ooff tthings, hings, w orking ttoo fi nd tthe he hhidden idden meaning and truer feeling. feeling. I’m bringing brringing this up, Taurus, Taaurus, because it is Celebrate Celebrate the Soul Week Week for for you. GEMINI (May (M 21–June 21 J 20) “N 20): “Nothing othing thi changes h until til it’s memories,” Alice it’s changed changed in in everyone’s everyone’s m emories,” ssaid aid ppoet oet A lice Notley. mind move Notley. I uurge rge yyou ou ttoo kkeep eep tthat hat iin nm ind aass yyou ou m ove forward, Gemini. weeks, forward, G emini. IIn n rrecent ecent w eeks, yyou ou hhave ave hhelped elped uuntie ntie a kknot not tthat hat oonce nce sseemed eemed iimpossibly mpossibly ttangled, angled, aand nd yyou ou deserve deserve kudos for for that. But your job isn’t isn’t done yet. Your loosening Your o next task is to work on loose ening the snarls and smoothing the kink kinkss that still ling linger in ger the imaginations of everyone involved. CANCER ((June June 221–July 1–July 222): 2): IIn n tthe he 11925 925 ssilent ilent fi film lm The Gold Rush, Charlie Chaplin pl plays lays a pr prospector ospector during Alaska Gold Rush. After during tthe he A laska G old R ush. A fter a sseries eries ooff adventures, finds adventures, hhee fi nds hhimself imself sstuck tuck iin n a rremote emote ccabin abin on Thank Thanksgiving ruffian sgiving Day with a ruffia an named Big Jim. They’re gets They’re out of ffood, ood, so Charlie ge ets rresourceful, esourceful, boiling his his rright ight sshoe hoe iin n a bbig ig ppot ot aand nd sserving erving iitt uupp ssteaming teaming hot. What the audience doesn doesn’t ’t know k is that the movie prop made while prop iiss m ade ooff ssweet weet llicorice, icorice, nnot ot lleather. eather. SSoo w hile iitt may seem that dinner is a har hardship, dsh hip, the actors actually had meal. had nnoo ttrouble rouble ppolishing olishing ooff ff ttheir heir m eal. I ssee ee a ssimilar imilar scenario scenario iin n yyour our nnear ear ffuture, uture, CCancerian: ancerian: ssomething omething llike ike eating a ““shoe” that’s candy. shoe” that ’s made of ca andy. LEO LE O (July 23–Aug. 22): LLots ots of toddlers t in Indonesia

cigarettes, chain-smoking smoke cigar ettes, not just the ch hain-smoking 22-year-yearold in the ffamous amous YYoutube ooutube video (tinyurl.com/Smoker don’t daree let your inner Kid). But don ’t you dar i child get started suree that on a similar habit any time soon,, Leo. Make sur sweet young thing is exposed to only the very best healthiest inﬂuences; ffeed eed him or her only the t heal thiest food, food, air, airr, water,, sounds, sights, images andd stories. The innocent, water wide-eyed ccurious, urious, w ide-eyed ppart art ooff yyou ou iiss eentering ntering a pphase hase growth when h rrapid apid id gr owth th is i going i to t ha hhappen, appen, one way or another.. It It’s another ’s your job to guarantee guaranteee that the growth growth goes direction. in the right dir ection.

VIRGO VIR GO ((Aug. Aug. 223–Sept. 3–Sept. 222): 2): ““We We ggrow row ssometimes ometimes iin n one wrote one ddimension, imension, aand nd nnot ot iin n aanother; nother; uunevenly,” nevenly,” w rote Anais Nin. mature Anais N in. ““We We aare re m ature iin n oone ne rrealm, ealm, cchildish hildish iin n another.” Virgo, another.” IIn n yyou, ou, V irgo, tthe he ddiscrepancies iscrepancies hhave ave bbeen een especially especially aapparent pparent llately. ately. FFor or eexample, xample, yyour our bbrainy rainy insightfulness has been on a hott str streak, eak, while your gut wisdom has not. But I suspect th this is situation to shift in weeks. Myy rreading in tthe he ccoming oming w eeks. M eading ooff tthe he aastrological strological omens omens ssuggests uggests tthat hat yyour our eemotional motional iintelligence ntelligence iiss set to thrive. It will be ﬁne if you concentr concentrate ate on that phenomenon with all your heart, even if it means investing a little less ener energy being gy in be eing an analytical whiz.

9p p ROB ROB BREZSNY BREZ SNY n\\b f] Efm\dY\i (. n\\b f] Efm\dY\i (.

aree coming week: an ability to ﬁnd and use doors that ar other inaccessible to ot ther people.

SCORPIO SC ORPIO (Oct (Oct. t. 23–Nov 23–Nov.. 21): I rrecently ecently discover discovered ed a blues-gospel ar artist Renfro, rtist named Famous L. Renfr o, who is also known as “The Flying SSweet Joy.” weet Angel of Joy .” His soaring, music medicinal soaring, ggritty ritty m usic hhad ad a m edicinal eeffect. ffect. IItt sseemed eemed to say to me, “You lifee “YYoouu have the power to change your lif in way want in the the eexact xact w ay yyou ou w ant ttoo cchange hange yyour our llife.” ife.” YYour our assignment, find music assignment, SScorpio, corpio, iiss ttoo fi nd a nnew ew ssource ource ooff m usic or film or art art oorr lliterature iterature oorr fi lm tthat hat hhas as a ssimilar imilar eeffect ffect oon n you: flying you: a fl ying ssweet weet aangel ngel ooff jjoy oy tthat hat iinspires nspires yyou ou ttoo do According d what h t has h been b n har hhardd ffor or you to t do. d A ccording di to t my reading reading ooff tthe he aastrological strological oomens, mens, ssuch uch aan n iinfluence nfluence iiss within your rreach now.. eachh right now SSAGITTARIUS AGITTARIU US (Nov (Nov.. 22–Dec. 21): YYour our o old self is the fuel you wi willll use to burn your old self to the ground. will which ground. TThis his bbonfire onfire w ill lliberate iberate yyour our nnew ew sself, elf, w hich has has bbeen een ttrapped rapped iin n a ggnarly narly ssnarl narl ddeep eep iinside nside yyour our oold ld self. self. IIt’s t’s only only at at first first that that you’ll you’ll ffeel eel ffreaked reaked oout ut bbyy tthe he flames. Very will flames. V ery qquickly uickly a ssense ense ooff rrelief elief aand nd rrelease elease w ill predominate. Then, predominate. The en, as the new you makes its way to freedom, escaping cramped freedom, escapin ng its cr amped quarters and flexing its vital will with vital fforce, orce, yyou ou w ill bbee bblessed lessed w ith a fforeshadowing oreshadowing ooff your futur future. e. The iintoxication ntoxication that ffollows ollows will bring you clarity and peace of mind. CAPRICORN CAPRIC ORN ((Dec. Dec. 222–Jan. 2–Jan. 119): 9): ““Do Do w wee llove ove Heaven more God?” Paula Heaven m ore tthan han G od?” aasks sks ppoet oet P aula CCisewski isewski iin n her book Ghost Fargo F rggo. I think that Far that’s ’s the kind of cryptic question would mulling question yyou ou CCapricorns apricorns w ould bbenefit enefit ffrom rom m ulling over weeks. mind over iin n tthe he ccoming oming w eeks. YYour our m ind nneeds eeds ttoo gget et iits ts customary catego categories ories shaken up and rrearranged earranged . . . needs needs iits ts hhabitual abitual ggrooves rooves bbroken roken uupp aand nd ddiverted iverted . . . needs its easyy certainties flushed and abandoned. Can Can you think of any other queries that will help you accomplish this noble offer n work? Let me off er a ffew ew to get you Doo w wee llove more wee llove you sstarted: tarted: 11.. D ove llove ove iitself tself m ore tthan han w ove the people we sa sayy we love? 2. Do we ffear ear ffailure ailure so much wee iinterfere with much tthat hat w nterfere w ith oour ur ccultivation ultivation of of success? success? 3. Do we obsess on degree o our longing to such a degr ee that we miss opportun opportunities nities to satisfy our longing? AQUARIUS A QUARIUS (J(Jan. Jan. 20–Feb. 18): The Sanskrit wor wordd

buddhi refers refers to the t part p of us that ador adores es the truth. what’s IIt’s t’s good good at at distinguishing distinguishing bbetween etween w hat’s rreal eal aand nd what’s what ’s false, false, and is passionately attracted attracted to liberation. liberation. Although Al though it may go g into long periods of dormancy in some of us, bu buddhi uddhi never ffalls alls asleep completely completely.. It’s It’s always ready ready to jump into action if we call on it. According astrological According to my rreading eading of the astr ological omens, Aquarius, the bud buddhi ddhi aspect aspect ooff yyour our ppsyche syche w will ill bbee extra strong extra special big str ong and bright in the coming week. In my opinion, tha that’s at’s better than winning the lottery. lottery.

PISCESS ((Feb. PISCE Feb. 119–March 9–March 220): 0): I llike ike hhow ow ssnowboarder nowboarder Graham Watanabe G raham W atanabe ddescribed escribed hhis is eexperiences xperiences aatt llast ast Winter Olympics. Hee w wasn’t with FFebruary’s ebruary’s W inter O lympics. H asn’t ccontent ontent w ith making was m aking a ggeneric eneric ccomment omment llike ike ““It It w as aawesome!” wesome!” oorr words was!” ““No No w ords ccould ould ddescribe escribe hhow ow ggreat reat iitt w as!” IInstead nstead florid Pegasus hhee ggot ot fl orid aand nd sspecific: pecific: ““Try Try ttoo iimagine magine P egasus unicorn creature mating with a un icorn and the cr eature that they bbirth. irth. I ssomehow omehow ttame ame iitt aand nd rride ide iitt iinto nto tthe he ssky ky iin n tthe he cclouds louds aand nd ssunshine unshine aand nd rrainbows. ainbows. TThat’s hat’s what what it it Ass yyou ffeels eels llike.” ike.” A ou bbreak reak tthrough hrough yyour our pprevious revious llimits imits weeks, Pisces, iin n tthe he ccoming oming w eeks, P isces, II’d ’d llove ove ttoo hhear ear yyou ou bursts summon some bu ursts of articulate jubilation akin to Watanabe’s. W atanabe’s.

Homework: Wh Which hich actor or actr actress ess would be the best choic ce to play you in a ﬁlm about choice life? Realastrology.com your lif e? Go to t Realastr ologyy.com . and click “Email Rob.”

LIBRA ((Sept. Sept. 223–Oct. 3–Oct. 222): 2): IIn n tthe he oold ld LLooney ooney TTunes unes

Wile ccartoons, artoons, W ile EE.. CCoyote oyote iiss cconstantly onstantly cchasing hasing aafter fter tthe he Road Runner, R oad R unner, a llong-legged ong-legged bbird ird tthat hat pprefers refers rrunning unning ttoo Presumably, ﬂying. Pr esumablyy, Coyote would eat the Road Runner never bird’s if he ever caught him, but he nev ver does; the bir d’s too motif,, the Road Runner ffast ast and smart. In one rrecurring ecurring motif m ddashes ashes iinto nto tthe he eentrance ntrance ooff a ccave ave tthat’s hat’s ccut ut iinto nto a wall When w all ooff ssheer heer rrock. ock. W hen CCoyote oyote ttries ries ttoo ffollow ollow hhim, im, hhee ssmashes mashes iinto nto tthe he rrock, ock, aand nd iit’s t’s revealed revealed that that the the cave cave entrance painting. entr ance is just a very rrealistic ealistic pa ainting. I suspect that Road Runner’s yyou’re ou’re ggoing oing ttoo hhave ave tthe he R oad R unner ’s ppower ower iin n tthe he

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Don’t be such a wuss, Michael. Have you looked at much tentacle porn? If you can get past the gang rape and violent death aspects, it’s actually kind of cute. More on that below. In any case, tentacle porn is hardly Japan’s only out-there erotic category—try Googling “koonago” sometime. The basic phenomenon to be understood here is this: (1) the Japanese create this stuff; (2) we buy it—the United States is a big market for comic-book-style (manga) and animated (anime) Japanese erotica, collectively known here as hentai. So there are people all over who get off on things like this. The question is why the Japanese have been so inventive in dreaming it up. Tentacle porn depicts pretty much what the name suggests: critters getting it on, consensually or otherwise, with nubile maidens via tentacles or similar protuberances. Often cited as the earliest prototype is an 1814 print by the renowned Japanese artist Hokusai commonly known in the West as The Dream of the Fisherman’s Wife. It shows a reclining, naked and apparently willing woman wrapped in the tentacles of a pair of octopuses, one of whom is kissing her and caressing her nipple while the other performs cunnilingus. The work is one of the foremost examples of shunga (erotic pictures) from the Edo period. A couple things to understand. First, porn in Japan wasn’t and isn’t the furtive business it mostly remains in the United States—shunga were commonly given to newlyweds on their wedding nights. Second, tentacles weren’t a big deal at ﬁrst. Images like Hokusai’s were memorable but hardly the only kinky treatment to be found in the catalog of Japanese erotica—other shunga depicted lesbian sex, sex toys, transvestites and bondage rape. What turned tentacle porn into a genre of its own was the manga series Urotsukidoji, begun in 1986 by cartoonist Toshido Maeda, and its subsequent anime adaptations, which expanded on the original concept. The plot: members of a half-human, half-bestial race invade Japan searching for an evil supreme being called the Chojin (“Overﬁend”), who 3,000 years earlier created the three parallel worlds of humans, man-beasts and demons, hopes now to unite them,

and, at the moment, lives inside a human teenager. The initial creative impulse, it seems to me, wasn’t that far removed from what led J.K. Rowling to invent Harry Potter. The ﬁnal product . . . well, here we see a divergence of artistic sensibilities. As the Chojin manifests himself we’re treated not only to giant tentacle-penises but quasi phalluses swelling to explode people from within and ﬂaming sperm devastating cities. The reason for the reliance on tentacles was simple. Till 1993 Japanese law prohibited straightforward depictions of penises and intercourse. So Maeda was obliged to come up with a substitute: tentacles. In a 2002 interview he explained: “I could say as an excuse, this is not a [penis], this is just a part of the creature . . . So it is not obscene—not illegal.” Other instances of tentacle sex appear in such classics as Obscene Beast Teacher, Alien From the Darkness and Advancer Tina. Sometimes the woman is a willing participant—the manga Fiend Without a Face, for example, has the female protagonist defending the tentacled monster from her father. On the other hand, Maeda’s manga Demon Beast Invasion features several women being raped by tentaclelike tree roots and branches, and was graphic enough that Texas courts ruled it obscene. Tentacle porn is hardly an outlier in the world of Japanese erotica. Hentai frequently features nontentacular rape and other sexual violence, plus bizarre fetishes and fantasies involving humans, animals, supernatural beings, robots, aliens and hybrids thereof. Then again, maybe they really do just have a bunch of sickos over there. However, it’s not like smut mongers in our hemisphere are always the picture of mental health. The main difference is that Western porn, including the comic book and animated variety, tends to be largely realistic, apart from the gravity-defying boobs. The Japanese, in contrast, are big on fantasy and surrealism. Couple that with the Hello Kitty cuddliness that seeps into even the kinkiest hentai, and the typical sheltered Westerner is going to think: this crap is strange. Still, the Japanese don’t have a lock on twisted artistic imaginations, as Straight Dope readers know. They may have Toshido Maeda; we’ve got Slug.

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Fortunately, unlike the recent comeback of ankle-breaking platform heels and Hervé Léger bandage dresses, this latest trend is something in which anyone and everyone can indulge— regardless of body type or fashion-pain threshold. Having a fat day? Throw on a cape cover-up and one’s mass is concealed under a striking, fashionforward proﬁle. Shoppers should take note that this particular look goes by many names. They can be called shawls, ponchos, wraps, capelets, cloaks, stoles and, of course, capes. Each one of these looks is differentiated from the others by overall length and how they clasp— though many designers seem to come up with their own deﬁnition of how to categorize cape-esque duds.

Generally, a cloak is totally sleeveless outerwear that goes all the way to the ﬂoor and opens at the front, with or without a hood (think Harry Potter or The Village). Capes are the cloak’s slightly shorter cousin, usually ankle or knee-length and oftentimes featuring arm slits. A capelet, on the other hand, only covers the top of the shoulders. As such, this incarnation is the most aesthetically versatile of the cape family, and is usually worn more as an accessory than for its pure coldweather-ﬁghting ability. Likewise, no ball gown in the ’40s and ’50s was complete without a matching fur stole to cover the shoulders—stoles are a pure luxury fashion statement. On the other end of the spectrum is the poncho, basically a square or circle blanket with a head slit cut out. Finally, the shawl or wrap is generally a knitted or crocheted throw, draped around the shoulders and secured with a decorative pin or clasp. Sleeved outerwear is a relatively new concept in the grand scheme

of human civilization, but the capeconcept itself has been around since the dawn of time—probably ever since the first Neolithic traveler figured out that cutting a hole in the middle of a mammoth skin and slipping it over one’s head was a great way to avoid frostbite while traversing glacial terrain. Cloaklike garments have been popular in almost every culture, from the Maasai to medieval Europe. That said, the last time the cape saw this much action in haute couture was in the 1960s. Back then, ponchos reigned in the flower-power era, and prim Jackie O. types donned mink capelets over their evening gowns. More recently, MISSONI dived full-throttle into the cape trend in its fall/winter 2010 collection. Models strutted down the runway swathed in heavy-knitted wool outerwear ranging from one-shouldered shawls and toggled and hooded capes to long wraps that encompassed the body two or three times and secured with giant silver safety pins. The It Italian fashion house paired these outer outerwear looks with frothy, seethrough fro frocks and thigh-high tights. Other desig designers like CAROLINA HERRERA, PHILLIP LIM and ALEXANDER WANG took a more mo modish approach to this trend, with tailore tailored, square-shouldered, furadorned ca capes that allowed the models’ leather-gloved hands to peak out while they worked the catwalk. However, try to stay away from the D’Artagnan-look when donning this season’s set of cloaks. One doesn’t want to come off as overly theatrical, as if just back from the set of a Three Musketeers movie. Fortunately, people who don’t want to pay high-end designer prices can also get their hands on the cape look. Fashion-forward online brands like ASOS and TOP SHOP have a wide variety to pick from for under $200, from plaid blanket capes to funnel-necked military-inspired versions. Personally, we can’t stop lusting after the Sleeveless Cape Coat by BEBE’S ADDICTION line, a belted fleece cape featuring slitted “winter wings” and a double shawl collar for just $179.

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“He makes a lot of things happen,” head coach Todd McLellan says. “He’s pushing himself up into that prime area.” Couture credits his early success, six goals in 16 games, to being able to read the play. “I see things develop quick, and I can get to spots quicker than most,” he says. Teammates Jason Demers and Jamie McGinn say Couture is always in the right place at the right time. “He has a great hockey sense where he knows where the puck’s going to be or where the puck is going to squirt out,” McGinn says, “and that’s something you need in this game.” Couture hopes his second year with the Sharks is his breakout campaign in the NHL. “He’s earning more and more minutes, understands the game, wins a lot battles,” McLellan says. “If he just keeps doing what he’s doing, we will have no issues at all with him.” Normally positioned on the second and third lines, Couture has recently seen time on the ﬁrst line with wingers Dany Heatley and Patrick Marleau because of a two-game suspension to captain Joe Thornton. Couture says a key to the Sharks season is getting scoring contributions from all the lines. “Teams lock in on our top line, even our second line at times, so our

third and fourth line really need to contribute and score some more goals,” he says. In 2005, Couture was signed by the Ontario Hockey League’s Ottawa 76s, where he played for four seasons. “Going to Ottawa when I was 16, moving away from home, ﬁrst time being away from my family, I grew up so much,” Couture says. “When you’re living on your own, especially at that young of an age, I think it really helped in my development as a person and as a hockey player.” McGinn, who played with Couture on the 76s for three seasons, says Couture has always been a silent leader. “He just continues to get better every year,” McGinn says. “He’s the type of guy who’s not going to say very much, just prove it on the ice.” The Sharks drafted Couture with the ninth overall pick in the 2007 NHL Draft, and he debuted in San Jose last year, scoring ﬁve goals in 25 games. Couture says the pressure of being a top pick doesn’t creep into his mind too often. “I believe if Logan meets his own expectations, then we will all be happy because he has set some pretty high standards for himself,” McLellan says. Demers and McGinn believe Couture has the ability to be one of the league’s best players in the near future. “I think there’s no limit to what he’ll be able to accomplish if he keeps working hard and he keeps his passion up,” Demers says. —Joey Akeley

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ccommute, ommute, e but but as as o one ne rider rider ssaid: aid: â€œâ€œFaster Faster iiss faster. faster.â€? W hile h was ttalking alking ab bout the the While hee was about llength ength of of the the train train rride, ide, tthe he same same thing thing ccould ould eeasily asily b aid aabout bout tthe he llength ength o bee ssaid off the morningg stroll stroll to that train. Real e estate estatte agents know ab out Real about tthis. his. T he ďŹ rst thing thing yyou ou n otice ab bout The ďŹ rst notice about tthe he listing listing ffor or the the townhouse townhouse aatt 2 925 2925 Flor ence A ve. is that it is a â€œgreat â€œgreat Florence Ave. lo cation, clo ose to the light rail.â€? This location, close eeven veen trump ps access access to shopping or trumps ffreeways, reeways, a q uiet llocation ocation or or a spacious spacious quiet private patio. patio o. With With i thr ee b edrooms and three bedrooms 1 1/2 baths ittâ€™s a bargain barrgain g at $184,950. baths,, itâ€™s The same sam me is is ttrue rue of of aan n eend nd u nit The unit ttownhouse ownhouse at at 1431 1431 Alma Alma L oop iin n Loop W illow Glen. Glen. This This o ne-bedroom h ome Willow one-bedroom home aalso lso h as an an expansive expan nsive living living room room w ith has with its own ďŹ replace, ďŹ rep place, as well as a brightly llit it dining dining ccove. ove. B est of of all, alll, after after a brisk brisk Best w alk home fr om the train and work, walk from you can can n rrelax elax in in tthe he pool pool and an nd sspa. pa. T he you The h ome ccosts osts o nly $ 149,950 and and may may home only $149,950 qualif fy ffor o or a P A AL pr ogram. qualify PAL program. Some of of these these homes homes ccome ome w ith Some with more than just j cconvenience. on nvenience. The more Theyy also entral San ccome ome with tradition. t In ccentral JJose, ose, at 629 6 San S Pedro Pedr d o St., S is i a home h beeen with the owner for for o mor that has been moree eaars. It than 50 yyears. â€™s a ttwo-bedroom, wo-bedroom, oneoneItâ€™s square-ffoot lot, bath home on a 1,1701,170-square-foot aand nd iitt h as all alll ssorts orts o little eextras. xtrass. The The has off little b edrooms and a basement ar huge, bedrooms aree huge, ther are arched arrched ceilings ceilings and it even even theree are has a couple couplee of stained stained glass windows windows.. After a quic ck ccommute ommute from from work, quick yyou ou can can np ull o ut a shot shot gglass lasss from from tthe he pull out built t-in - hut tch, pick up a fa avorite b ook built-in hutch, favorite book ffrom rom tthe he b uilt-in boo kcasse an nd rrelax elax built-in bookcase and on the p orch. c The home porch. home,, built in 1916, ccan an b or o $2 75,000. bee had ffor $275,000. All o hese h omes m ean an n eeasy assy All off tthese homes mean ccommute ommute ffor or an nyone w orking iin n anyone working Silic on V alle a ey. T o do an ny b ettter t , yyouâ€™d o ouâ€™d Silicon Valley. To any better, ha ave to cconsider on nsider living in a sleeping ccar. ar. have â€”Danny W ool Wool

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g Legal Notices

Legal & Public Notices

FICTITIOUS BUSINESS NAME STATEMENT #544597 The following person(s) is (are) doing business as: Hui Hui Health Center, 3535 Ross Ave., #106, San Jose, CA, 95124, Huiyi Liang, 2554 S. King Road, #217, San Jose, CA, 95121. This business is conducted by a Individual. Registrant began transacting business under the fictitious business name or names listed herein on 11/12/10. /s/Huiyi Liang This statement was filed with the County Clerk of Santa Clara County on 11/12/2010. (pub Metro 11/17, 11/24, 12/01, 12/08/2010)

Pure Water, 404 South 2nd St., Suite B, San jose, CA, 95113, Hoang, Thu Van, 122 Avenida Espana, San Jose, CA, 95139. Filed in Santa Clara County on 1/4/2010 under file No. 532567 This business was conducted by a individual. /s/Hoang, Thu Van This statement was filed with the County Clerk of Santa Clara County on 10/7/2010. (pub Metro 11/3, 11/10, 11/17, 11/24/2010)

pie Cakes, 51 Glen Eyrie, #10, San Jose, Ca, 95125, Patrick Perry, Sarai Thomas. This business is conducted by a General Partnership. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Patrick Perry This statement was filed with the County Clerk of Santa Clara County on 10/01/2010. (pub Metro 10/27, 11/03, 11/10, 11/17/2010)

#543702 The following person(s) is (are) doing business as: K.A. & T Trucking, 1723 Winston St, San Jose, CA, 95131, Tiffany Nguyen. This business is conducted by an individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Tiffany Nguyen This statement was filed with the County Clerk of Santa Clara County on 10/19/10. (pub Metro 11/03, 11/10, 11/17, 11/24/2010)

STATEMENT OF ABANFICTITIOUS BUSINESS DONMENT NAME STATEMENT OF USE OF FICTITIOUS FICTITIOUS BUSINESS #544278 BUSINESS NAME NAME STATEMENT The following person(s) is #543701 (are) doing business as: The The following person(s) / en- #543350 Nahal Law Firm, 4471 Park Bristol Place, San Jose, CA, 95136, Harpaul Nahal. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 11/3/2010. /s/Narpaul Nahal This statement was filed with the County Clerk of Santa Clara County on 11/03/2010. (pub Metro 11/10, 11/17, 11/24, 12/01/2010)

tity (ies) has / have abandoned the use of the fictitious business name(s): Kim Ang Huynh, K.A. & T Trucking, 1723 Winston St., San Jose, CA, 95131. Filed in Santa Clara County on 10/19/2010 Under File NO. 494760 This business was conducted by an individual. /s/Kim Anh Huynh This statement was filed with the County Clerk of Santa Clara County on 10/19/2010. (pub Metro 11/03, 11/10, 11/17, 11/24/2010)

STATEMENT OF ABANDONMENT OF USE OF FICTITIOUS BUSINESS NAME #543320 The Following person(s) / en- FICTITIOUS BUSINESS NAME STATEMENT tity (ies) has / have abandoned the use of the ficti#543136 FICTITIOUS BUSINESS tious business names(s): The following person(s) is NAME STATEMENT Season Style & 2nd Street (are) doing business as: Hap

The following person(s) is (are) doing business as: Tanchitoâ€™s Restaurant and Bakery, 2148 Story Rd., Suite 3, San Jose, CA, 95122, Rene Chavez, 2176 Galveston Ave., #b, San Jose, CA, 95122, Zulma Chavez. This business is conducted by a Husband and Wife. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Rene Chavez This statement was filed with the County Clerk of Santa Clara County on 10/08/2010. (pub Metro 10/27, 11/03, 11/10, 11/17/2010)

83 M E TR O S I L I C O N VA L L E Y | N OV E M B E R 1 7-2 3 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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