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By Sofie Gehrs

C

he farther one gets from L.A.â&#x20AC;&#x2122;s downtown district, the smaller and more unkempt the buildings and surrounding streets become. It is as though the designers of the city just got too lazy to build any buildings taller than three stories. Itâ&#x20AC;&#x2122;s safe to say that I was not the only one who was having a minor nervous breakdown on the day my team visited Skid Row. In fact, everyone besides the supervisors were freaking out a bit. I was on a trip to South Central Los Angeles with my youth group to go and work with the Sierra Service Project. The Sierra Service Project looks for those in certain areas who need repairs done on their homes or businesses, and then sends multiple church groups at a time for a week to work on these sites. In order to work most efficiently, we are divided into teams of no more than eight and sent to our own specific sites every day. There we were, each of us fully equipped with five water bottles to give out with notes saying things like â&#x20AC;&#x153;You Are Independentâ&#x20AC;? or â&#x20AC;&#x153;You Are Beautifulâ&#x20AC;? taped to them, ready for whatever happened to come our way. The notes were a way for us to reach out to the Skid Row residents through meaningful words. As we got out of our cars and walked around the corner, we got our first glimpse of the area itself. I was surprised. What I first noticed was that, aside from the urban, somewhat fishlike smell lingering in the air, the place looked . . . clean. No huge mounds of trash littering the streets. No filth stuck to sides of the gutter. Just your average everyday city street. The only thing that really resided on the sidewalks were the tents and/or sleeping bags of Skid Rowâ&#x20AC;&#x2122;s residents. One in particular belonged to a man who simply preferred to be called â&#x20AC;&#x153;J.â&#x20AC;? We decided to start our day with him, so we walked over and asked if we could sit down for a while. We handed him a water bottle and each took a seat around him on the sidewalk. Jâ&#x20AC;&#x2122;s home was just a sleeping bag with all of his belongings scattered around him, and the air smelled strongly of urine. It soon became clear that this man had a great sense of humor. He also mentioned that he was a Vietnam War veteran. While he was telling his story, we asked him how he ended up on Skid Row. He said that it didnâ&#x20AC;&#x2122;t matter how he got there, but he was there now and even though it didnâ&#x20AC;&#x2122;t look like much, he was happy. He then told us that he was a poet. A poet! I donâ&#x20AC;&#x2122;t know why I was so shocked, but I guess with all the

stereotypes, I never thought I would run into a poet here. He handed a few of us a printed packet of his work that heâ&#x20AC;&#x2122;d made at the local library. I took one, scanned my eyes over the cover, and delicately opened it to the first page. Have you ever had your breath taken away? Been so awestruck that you want to run through the streets singing at the top of your lungs so all the world can hear? Just like Gene Kelly in Singing in the Rain? I can honestly say that doesnâ&#x20AC;&#x2122;t even come close to how I was feeling. His poems, all about his memories from the war, were the most beautiful things I had ever read. His words just kept me completely enthralled. I read them over and over, taking in each word, watching as each one formed together with the rest into a beautifully intense piece of art. The more I read, the more I fell in love with his writing. I was so transfixed that I barely noticed he was still talking. Soon we had to go so we could hand out the rest of our water bottles. As we stood, one of our supervisors asked J if we could take his picture. J began to laugh and said, â&#x20AC;&#x153;How do I know that that picture ainâ&#x20AC;&#x2122;t gonna end up in some government office with a bunch of guys lookinâ&#x20AC;&#x2122; for me so they can kill me?â&#x20AC;? We all laughed, and I thanked him for letting me read his beautiful poetry. I looked down at the water bottle weâ&#x20AC;&#x2122;d given him and noticed there was no note. Carefully looking through the ones I held in my arms, I found the note I was looking for. The one in particular was inscribed with my favorite word that I keep in my head when I get stuck writing: â&#x20AC;&#x153;Inspire.â&#x20AC;? I removed the note from the bottle in my arms and attached it to his. Then we said our goodbyes and continued on our way. Iâ&#x20AC;&#x2122;ve thought a lot about J since we met him. Iâ&#x20AC;&#x2122;m not sure if the word I gave him will ever mean as much to him as it does to me, but Iâ&#x20AC;&#x2122;d like to think that sometimes he looks at that small piece of paper and smiles. My life and perspective were changed that day. I learned that sometimes the most brilliant people you will ever meet can be found in the most unlikely of places. Even those who donâ&#x20AC;&#x2122;t have anything at all can be happy. You just have to sit down and ask them their stories. You just might be surprised at what you find, and sometimes, you just might get inspired. Sofie Gehrs is a senior at Montgomery High School, currently enrolled in the Green Academy Pathway. Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.

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70B0?>8=C=>CBDA4F70C When Meg Whitmanâ&#x20AC;&#x2122;s boat rocked over her housekeeper, she called it politics, but she is a politician, dancing a little sidestep and then checking the polls with no political knowledge or experience. In the primary, I heard her say that she wanted to kill the bullet train, the greatest hope for a green California, now she says sheâ&#x20AC;&#x2122;s for green jobs. Jerry Brown knew where the fat is, and gave a 19th-century clue to what both Whitman and Carly Fiorina want to do: cut government jobs and give tax breaks to the rich, which was known as trickledown, then voodoo, economics. They believe in it but donâ&#x20AC;&#x2122;t have any experience. When I endorse a candidate, I donâ&#x20AC;&#x2122;t expect them to agree on everything I believe, but to have a clue. I endorsed both Brown

and Barbara Boxer, because of their knowledge and experience, and thatâ&#x20AC;&#x2122;s what California needs.

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2AH8=68=C>>DA144A8BBD4 When you assay the kind of hard-hitting investigative reportage that informed our beer issue (â&#x20AC;&#x153;Brews & Chews,â&#x20AC;? Oct. 6), youâ&#x20AC;&#x2122;re bound to step on some toes, find your tires slashed or be unable to sleep at night. Sometimes you just plain old break down and place a solar sticker smack over a cover subjectâ&#x20AC;&#x2122;s innocent face. Or so weâ&#x20AC;&#x2122;ve read. (In other publications.) In our particular case, weâ&#x20AC;&#x2122;ve found that itâ&#x20AC;&#x2122;s possible to entirely overlook one establishment while having a conflict fakt czeching another.

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We begin with the great forgotten, known more fondly to staff and patrons as Mill Valley Beerworks. Whatâ&#x20AC;&#x2122;s worse, we encouraged contributor Dani Burlison to drool all over the place in our July 28 Arcadia issue. She wrote in part: â&#x20AC;&#x153;Tucked at the end of downtownâ&#x20AC;&#x2122;s Throckmorton Avenue, the brewery and beer cafe opened its doors two months ago with an eclectic and elaborate list of tasty alcoholic and nonalcoholic treats. Along with on-tap pub favorites like Old Speckled Hen and Big Eye IPA, Mill Valley Beer Works offers bottle upon bottle of stouts, Belgian brews, barley wines and lambics, and will be soon adding its own house-brewed thirst-quenchers to the menu. The designated driver in the group can choose from ginger beer and dandelion or burdock soda pop, as well as a variety of more familiar sodas.â&#x20AC;? And yet: dâ&#x20AC;&#x2122;oh. When it came to the storied beer issue, we remembered the beloved MVB not at all. Maybe you will, next time: 173 Throckmorton Ave., Mill Valley. 415. 888.8218. And then thereâ&#x20AC;&#x2122;s the beer of contention. While our writer phoned Third Street Aleworks and spoke with assistant brewmaster Tyler Laverty, taking feverish notes, TSA owner Todd Hedrick found an item or two amiss. He writes: â&#x20AC;&#x153;The brewery was founded in 1995, opened in 1996. The â&#x20AC;&#x2DC;flagship beersâ&#x20AC;&#x2122; which are described in the article as a â&#x20AC;&#x2DC;guaranteed findâ&#x20AC;&#x2122; are the Annadel Pale Ale, Bodega Head IPA and the Stonefly Oatmeal Stout. Third Street Aleworks has won 10 medals from the Great American Beer Festivalâ&#x20AC;&#x201D;not two. â&#x20AC;? Evidently, other awards have also been hoisted, secured, won and not noted by us. The feeling over at the brewery was that we gave them short shrift, which was not our intent. Heck, everyone got short shrift. We had a lot to cram into a little space. Cheeringly, only one person got stickerfied. For which we also apologize. Hedricks finishes: â&#x20AC;&#x153;Stout lovers, take note: Over the past decade our Blarney Sistersâ&#x20AC;&#x2122; Dry Irish Stout has won three gold medals and two bronzes from the GABF and two gold medals and one silver from the World Cupâ&#x20AC;&#x201D; making it by far the most award-winning stout in the entire country, and arguably the world.â&#x20AC;? We ainâ&#x20AC;&#x2122;t arguing. And lawd, could we use a beer.

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A4B8;84=2H In some ways, Andres Edwards says, the Bioneers are preaching to the choir, â&#x20AC;&#x2DC;But the choir gets rejuvenatedâ&#x20AC;&#x201D;and thatâ&#x20AC;&#x2122;s important.â&#x20AC;&#x2122;

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At 20, the Bioneers conference celebrates art, knowledge and community By Michael Shapiro

0

s a journalist in the 1970s and â&#x20AC;&#x2122;80s, Kenny Ausubel saw the coming environmental crisis. He decided to do something about it, becoming part of the solution by starting Seeds of Change, a New Mexico company promoting agricultural diversity by saving and selling rare and heirloom seeds. Soon he was connected with what he called â&#x20AC;&#x153;all these amazing Bioneersâ&#x20AC;? (a contraction of â&#x20AC;&#x153;bioâ&#x20AC;? and â&#x20AC;&#x153;pioneersâ&#x20AC;?), and a friend said, â&#x20AC;&#x153;Why donâ&#x20AC;&#x2122;t you have a conference?â&#x20AC;? â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;d never been to a conference,â&#x20AC;? Ausubel

said in a phone interview earlier this month. The idea â&#x20AC;&#x153;didnâ&#x20AC;&#x2122;t grabâ&#x20AC;? him, but Ausubelâ&#x20AC;&#x2122;s friend said, â&#x20AC;&#x153;Hereâ&#x20AC;&#x2122;s $10,000â&#x20AC;&#x201D;have a conference.â&#x20AC;? At that first conference in 1990, Ausubel realized that â&#x20AC;&#x153;within just a few hours of getting all these remarkable people together, it was like a revival meeting. I thought theyâ&#x20AC;&#x2122;d all know each other, but I discovered that few did, even within the same fields.â&#x20AC;? That was 20 years ago. Today the conference, to be held this weekend at the Marin Center, has grown to more than a hundred speakers and almost 3,000 attendees. But donâ&#x20AC;&#x2122;t think for a second that itâ&#x20AC;&#x2122;s the kind of conference where the

audience just sits and listens. Its goal is participation and engagement, Ausubel says, and there are sessions designed to encourage attendees to â&#x20AC;&#x153;reimagineâ&#x20AC;? their lives. After two decades of wild growth, the Bioneers has become an alternate version of the TED conference. It brings together an allstar roster of leading lights in fields ranging from permaculture to biomimicry (emulating natural systems to solve environmental problems) to green chemistry. And it goes beyond science with topics such as socially responsible herbal medicine, eco-psychology, cultivating womenâ&#x20AC;&#x2122;s leadership, faith and nature, and a seed exchange hosted by the Occidental Arts and Ecology Center. &%

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â&#x20AC;&#x153;Once people realize there are viable solutions, that dramatically leverages the pressure for change,â&#x20AC;? Ausubel says. â&#x20AC;&#x153;What we didnâ&#x20AC;&#x2122;t realize [when the conference started two decades ago] was that connectivity was incredibly important.â&#x20AC;? There are keynote sessions with such legends as Jane Goodall, who is marking the 50-year anniversary of her groundbreaking chimp study in Tanzania, and panels with authors such as Marin County resident Andres Edwards, author of the just-published Thriving Beyond Sustainability: Pathways to a Resilient Society. Edwards, who will speak Sunday, says that the Bioneers Conference presents ideas and practical work that act as a map for environmental solutions. Panelists are very approachable, he says, and eager to bat around ideas with conference attendees. Beyond science, he says, â&#x20AC;&#x153;itâ&#x20AC;&#x2122;s a celebration of art, knowledge and community.â&#x20AC;? In some ways the Bioneers are preaching to the choir, â&#x20AC;&#x153;but the choir gets rejuvenated,â&#x20AC;? Edwards says, â&#x20AC;&#x153;and thatâ&#x20AC;&#x2122;s important. Itâ&#x20AC;&#x2122;s an opportunity to get exposed to a lot of inspirational ideas. And the conference is focused on whatâ&#x20AC;&#x2122;s working.â&#x20AC;? Goodall, who started a program called Roots & Shoots to involve young people in environmental preservation, says the next decade will determine whether humans can live sustainably on Earth. â&#x20AC;&#x153;I donâ&#x20AC;&#x2122;t know if we can last much longer unless thereâ&#x20AC;&#x2122;s major change. But everywhere I feel it changing,â&#x20AC;? Goodall says. â&#x20AC;&#x153;You know, even if we donâ&#x20AC;&#x2122;t think seven generations ahead, which is a bit difficult to do, we [must] think about our own children and the future, instead of the next shareholder meeting or instead of how much money can I make.â&#x20AC;? A three-day Bioneers pass costs up to $495 which could exclude some people, but Ausubel notes there are scholarships and says the conference is â&#x20AC;&#x153;cheap for what it is: 140 speakers and three days of events.â&#x20AC;? Compare that to $6,000 for the TED conference. The old saying â&#x20AC;&#x153;Think Globally, Act Locallyâ&#x20AC;? applies to the Bioneers. Ausubel notes that the European Union and China are leading the way on renewable energy creation, and that economics may be what gets the U.S. to develop a national energy plan. He says that more renewable energy capacity was developed in the past year than fossil fuel capacity. But he becomes most animated when discussing local initiatives such as Andy Lipkisâ&#x20AC;&#x2122; work to bring together clashing Los Angeles bureaucracies and develop a coordinated water plan thatâ&#x20AC;&#x2122;s conserving L.A.â&#x20AC;&#x2122;s watershed while saving taxpayers money. â&#x20AC;&#x153;The trend toward localization is picking up a great deal of steam. In the U.S., thatâ&#x20AC;&#x2122;s where most of the progressive change is happening,â&#x20AC;? Ausubel says. â&#x20AC;&#x153;Local economies bring many more benefits and job creation, and money stays in the community.â&#x20AC;? The Bioneers Conference runs Friday through Sunday, Oct. 15â&#x20AC;&#x201C;17, at the Marin Center, 10 Avenue of the Flags, San Rafael. Pre- and postconference intensives are slated for Thursday and Monday. www.bioneers.org.


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Social experiments cultivate beauty, wealth By Juliane Poirier

8

recently heard someone refer to the Napa Agricultural Preserve as a successful â&#x20AC;&#x153;social experiment.â&#x20AC;? The Ag Preserve is a radicalâ&#x20AC;&#x201D;as in 1960s radicalâ&#x20AC;&#x201D;land-use law that has for more than four decades kept this North Bay county mostly in vines and trees rather than strip malls and housing. It has cultivated beauty and wealth where it would not be if a few folks hadnâ&#x20AC;&#x2122;t stepped beyond the socialcomplacency zone. The Napa Time Bank we started over a year ago is another social experiment that cultivates beauty and wealth where it might not otherwise be. Just as radical as the Ag Preserve, it challenges people to step outside the â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m fine, donâ&#x20AC;&#x2122;t bother meâ&#x20AC;? zone. Even progressives have to squirm a little until they get used to the idea of creating community by exchanging favors, sans legal tender. In a time bank, you give something you like to giveâ&#x20AC;&#x201D;such as French lessons, dog walking or yard workâ&#x20AC;&#x201D;and you ask for something you like to get, such as a massage, math tutoring or guitar lessons. Giving one hour deposits one time dollar in your time bank account, and receiving an hour withdraws one time dollar from your account, via an online database. So why do people hesitate to participate? â&#x20AC;&#x153;First of all, youâ&#x20AC;&#x2122;re kind of exposing yourself to a certain degree,â&#x20AC;? says chiropractor Debbie Seale, 51, who joined the Napa Time Bank six months ago. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;ve always done trades. It reduces our living expenses and itâ&#x20AC;&#x2122;s how I get my hair colored, for instance. But I felt a little uncomfortable when I thought about people doing things for me like yard work. I thought, do I want to have them see my home?â&#x20AC;? But Seale was determined to overcome her fears, because her instinct told her that the time bank would increase her sense of community. â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s why we moved to Napa from San Francisco,â&#x20AC;? she says. â&#x20AC;&#x153;We wanted to experience that sense of community.â&#x20AC;? So

Seale started out in the time bank by doing her first time trade with a friend. That was safe. It took her several months before she made herself try an exchange with someone she had never met, a man in his 20s. Seale arranged the meeting in a public place. â&#x20AC;&#x153;We met here at Peetâ&#x20AC;&#x2122;s,â&#x20AC;? Seale explains over a cup of coffee. â&#x20AC;&#x153;I taught him how to knit,â&#x20AC;? she adds, beaming. Before their meeting, Seale had instructed her new student to buy some yarn and needles. She recalls his enthusiasm. â&#x20AC;&#x153;He brought all this yarn!â&#x20AC;? she laughs. â&#x20AC;&#x153;He was really into it.â&#x20AC;? He was, in fact, so into it that he showed up for their second lesson with a booklet he designed to record knitting project data such as yarns and patterns used. He had made one booklet for her and one for himself. â&#x20AC;&#x153;The cool thing was,â&#x20AC;? Seale says, â&#x20AC;&#x153;that while we were sitting here I saw others I knew and I introduced him to them. I felt like I was inviting him into my circle.â&#x20AC;? The joy on her face is telling. Although a time bank hour is not â&#x20AC;&#x153;paid backâ&#x20AC;? to the same person from whom one earned oneâ&#x20AC;&#x2122;s time dollar, it does happen once in a whileâ&#x20AC;&#x201D;if the right opportunity presents itself. For Seale, it did. â&#x20AC;&#x153;We talked about him teaching me how to bead,â&#x20AC;? she says, grinning widely. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;ve always wanted to learn how to bead.â&#x20AC;? Seale and I finish our chat and our coffee, and I leave pondering the difficulty of social experiments that create wealth and beauty. Local history records the problems they had creating the Agricultural Preserve almost half a century ago. People resist change. As a co-coordinator of the Napa Time Bank, I am puzzling over how to get myself and others to go, as Seale phrased it, where â&#x20AC;&#x153;youâ&#x20AC;&#x2122;re kind of exposing yourself.â&#x20AC;? Itâ&#x20AC;&#x2122;s been said: â&#x20AC;&#x153;Life begins outside your comfort zone.â&#x20AC;? Sustainable community begins there too. OK, Iâ&#x20AC;&#x2122;ll take a step: Any risk-taking, ideagenerators out there want to bank a time dollar?

Sustainable community begins outside of the comfort zone . . .

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5;>2:C>64C74A Concentrated animal feeding operations produce food, but is it healthful?

<TPchBcdUU â&#x20AC;&#x2DC;CAFOâ&#x20AC;&#x2122; a frightening look at how our food is produced By Haley Sansom

C

he size of CAFO: The Tragedy of Industrial Animal Factories (EarthAware; $50) gives the illusion that itâ&#x20AC;&#x2122;s a coffeetable book, one that decorates a living room for guests to enjoy flipping through. Such books often contain pictures of babies dressed up as flowers or popular San Francisco destinations. Despite its oversized format and generous illustrations, CAFO is anything but a light conversation starter. Edited by Daniel Imhoff, CAFO is a compilation of essays from 30 different authors, including Wendell Berry and Michael Pollan, that explore the conditions of â&#x20AC;&#x153;concentrated animal feeding operations.â&#x20AC;? Simply put, a CAFO is when â&#x20AC;&#x153;you concentrate as many animals as you can in the smallest amount of space, and you have breeds that are meant to gain weight as fast as possible,â&#x20AC;? according to Imhoff. The essays are accompanied by large, graphic images that are difficult to look at. Photos of cows with enlarged udders, chickens with no room to move, pigs with torn-up snouts and fish swimming in their own blood are regularly placed

throughout the book. Some images are disturbing enough to distract readers from the text, and others pull at the readersâ&#x20AC;&#x2122; heartstrings, making them question what they just had for lunch. â&#x20AC;&#x153;As you put it together, itâ&#x20AC;&#x2122;s startling,â&#x20AC;? Imhoff says. â&#x20AC;&#x153;You canâ&#x20AC;&#x2122;t help but have an emotional reaction.â&#x20AC;? Despite first reactions to this book, CAFO is not meant to convert readers to a vegetarian lifestyle. The goal of the essays, says Imhoff, who is an omnivore, is to inform diners about the increase in food produced in CAFOs. He assures readers that these essays donâ&#x20AC;&#x2122;t â&#x20AC;&#x153;spawn from half-baked vegan conspiracies.â&#x20AC;? It took him close to three years to assemble the book, which contains a wide range of voices, with essays from college professors to former President Bushâ&#x20AC;&#x2122;s speech writers to food journalists. â&#x20AC;&#x153;As the editor, I just tried to assemble the best voices and cover as many issue areas as the subject requires,â&#x20AC;? he explains. What Imhoff finds most disturbing is that stories about CAFOs make newspaper headlines weekly, and there still isnâ&#x20AC;&#x2122;t much being done to improve the industry. For example, Imhoff refers to the salmonella egg recall that happened a month ago. The story, which made national headlines, â&#x20AC;&#x153;demonstrates everything that is wrong with this industry,â&#x20AC;? Imhoff says.

Imhoff refers to CAFO as the â&#x20AC;&#x153;evil twinâ&#x20AC;? of a book titled Fatal Harvest, published by the Foundation for Deep Ecology in 2002. Fatal Harvest is similar to CAFO, but only discusses row and tree crops, completely omitting the animal issue. â&#x20AC;&#x153;With CAFO, we wanted to pull back the covers and expose the hidden costs of this industry,â&#x20AC;? he explains. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a really important thing for consumers to be informed about.â&#x20AC;? An entire section is devoted to debunking beliefs about industrial food. This section is located at the front of the book because Imhoff believes â&#x20AC;&#x153;itâ&#x20AC;&#x2122;s important to address the myths about the industry before diving into the hard facts about it.â&#x20AC;? The most popular unsupported belief in this section is that CAFO-produced food is cheap and efficient. â&#x20AC;&#x153;That depends on the eyes of the accountant,â&#x20AC;? Imhoff says. For him, this has became increasingly important to discuss, because itâ&#x20AC;&#x2122;s affecting the health of thousands of Americans. â&#x20AC;&#x153;The debate with this myth is this: people will say that this type of food production is inevitable. If we donâ&#x20AC;&#x2122;t produce food this way, weâ&#x20AC;&#x2122;ll have huge hunger problems.â&#x20AC;? Imhoff addresses the fact that we as a nation have nutritional challenges ahead of us and says that â&#x20AC;&#x153;while CAFOs may solve hunger problems, it doesnâ&#x20AC;&#x2122;t make the food any [more &) THE BOHEMIAN

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healthful.]â&#x20AC;? With meat consumption constantly on the rise, especially meat products produced in CAFOs, we are increasingly contributing to food-related diseases and health issues. â&#x20AC;&#x153;If you actually count the external cost from consuming this food, with all of its saturated fats and whatnot, itâ&#x20AC;&#x2122;s extremely expensive,â&#x20AC;? Imhoff says. Imhoff and his family live in Healdsburg and own a small homestead farm in the Anderson Valley. He has raised food for his family for the past 15 years, beginning with chickens and proceeding to hogs. He admits small-farm ranching is expensive, but to him itâ&#x20AC;&#x2122;s worth the cost. â&#x20AC;&#x153;I try to share the cost with other people, for feed and other things.â&#x20AC;? While he acknowledges that itâ&#x20AC;&#x2122;s not possible for everyone to lead this lifestyle, Imhoff does recommend that consumers take time to find animal products that were raised in a similar manner. Perhaps one of the most overlooked issues with industrial animal factories is the copious amount of waste they produce. The section titled â&#x20AC;&#x153;Deep Shit,â&#x20AC;? which addresses the manure that these animals produce, is possibly the most disturbing of them all. Since the goal of a CAFO is to cram as many animals into the smallest space possible, there is often more waste produced than the facility can hold. This overpopulation results in an excess of waste in the flood plains and water systems. The waste produced is very nutrient-rich and not organic, and it canâ&#x20AC;&#x2122;t be used for anything. The overwhelming amount of manure heavily impacts the fish population. â&#x20AC;&#x153;Hundreds of thousands of fish every summer die in the locations around these CAFOs, and itâ&#x20AC;&#x2122;s one thing you donâ&#x20AC;&#x2122;t hear a lot about in the news,â&#x20AC;? Imhoff says, â&#x20AC;&#x153;so this raises the question, how do you keep the manure out?â&#x20AC;? While CAFO unveils the ugly truth that is the animal-factory industry, it also provides readers with a sense of hope. â&#x20AC;&#x153;When you make an advocacy-oriented communications piece I think that itâ&#x20AC;&#x2122;s great to have a clear goal. Our goal was â&#x20AC;&#x2DC;letâ&#x20AC;&#x2122;s give people a behindthe-scenes look that most animal products are now produced in this manner, and let the debate begin,â&#x20AC;&#x2122;â&#x20AC;? Imhoff explains. Imhoff states that he wanted to provide readers with solutions to this ever-growing problem. â&#x20AC;&#x153;There are a lot of diverse voices in this book, but what is unifying is that no matter where they come from, they all come to the same conclusion. They all agree that this system is out of whack. We need to get back to healthy ways of life.â&#x20AC;? Imhoff leads a discussion on â&#x20AC;&#x2DC;CAFOâ&#x20AC;&#x2122; at Sonoma Country Day School on Thursday, Oct. 14, at 7pm. Joining him are Mendocino rancher Mac Magruder, UC Cooperative Extension adviser and Sonoma County Meat Buying Club organizer Stephanie Larson and chef Duskie Estes. At the reception following the discussion local farmers, ranchers and producers will sell their products. 4400 Day School Place, Santa Rosa. $10â&#x20AC;&#x201C;$15. 707.284.3200.

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H>DB0H?>C0C> . . . and the ďŹ ne folks at KSRO 1340-AM will rush to say â&#x20AC;&#x153;saladâ&#x20AC;?! For the 24th year, the â&#x20AC;&#x153;Good Food Hour,â&#x20AC;? hosted by Steve Garner and chef John Ash, offers its annual recipe contest, this year focused on good old-fashioned potato salad. Only original recipes are considered, and the deadline is Nov. 3. As always, the top four recipe writers will be invited to a public cook-off, to be held again this year at G&G Market and slated for Nov. 6. A panel of â&#x20AC;&#x153;celebrityâ&#x20AC;? judges will choose the best stuff and gift certiďŹ cates, cookbooks and other kitchen-related pleasures will rain down. In a nice bit of poetry, chef Ash ruminates that â&#x20AC;&#x153;from straw hat to top hat, from simple to elegant, potatoes grace the tables of home cooks to the ďŹ nest restaurants. Itâ&#x20AC;&#x2122;s the humble vegetable you can dress up and take to a party.â&#x20AC;? Everyone knows that your potato salad recipe is the best one (though we have a terrible fondness for the ďŹ ve-gallon bucket of the stuff that Costco sells); share your greatness with the world by submitting to steve@ksro.com or by mailing the recipe to the station care of the KSRO Recipe Contest, P.O. Box 2158, Santa Rosa, CA 95405.

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THE BOHEMIAN

10.13.10-10.19.10

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0;HB80=F8=4B ne hundred percent. Thatâ&#x20AC;&#x2122;s what we hope to get out of Pinot Noir. Yet a minor controversy periodically erupts when imbibers learn that, by law, their bottle may contain up to 25 percent of some interloping varietal. Some folks add Syrah; others, a dash of Petit Sirah to embolden the blend. And all the better, they sayâ&#x20AC;&#x201D; isnâ&#x20AC;&#x2122;t this the intensely-hued product that the critics hand high marks? But when winemaker Gary Farrell was recently presented with the 100 percent Pinot Noir issue, he simply shrugged and asked, â&#x20AC;&#x153;What else is there?â&#x20AC;?

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Farrell gained acclaim for Pinot back in the early 1980s while working for Davis Bynum and Rochioli, and barrel-by-barrel built up his eponymous brand, good for tens of thousands of cases per year. While that namesake winery churns on under different ownership (Swirl, April 30, 2008), Farrell refocused on artisansized Alysian, so that once again he could give each vine row and each barrel 100 percent of his attention. On a recent Saturday morning just after harvest, it seems clear thatâ&#x20AC;&#x2122;s the way he prefers it. Both a cellar rat and a winemaker, Farrellâ&#x20AC;&#x2122;s manning the forklift, racking Chardonnay from barrel to barrel, slowly and on gravityâ&#x20AC;&#x2122;s time. Itâ&#x20AC;&#x2122;s only early October, but the battery of boutique-sized fermenters and neat rows of barrels are absolutely spotless, lending a clue as to how meticulously Farrell treats the entire process. Grapes are triple-sorted, totally destemmed, and the wine ushered in due time gently into the bottle. The result is like an undoctored snapshot of Russian River style. The 2007 Pinot Noir, Floodgate Vineyard West Block, is a deeply colored Pinot all on its own, with a fresh core of deep, black cherry fruit. Perfumed with a hint of potpourri and smoky bacon, the more brooding 2007 Pinot Noir, Hallberg Vineyard, adds warm plum to the cherries, leaving with a wide, gentle grip of tannin. The 2007 Pinot Noir, Russian River Selection, brings all the lots together, giving a hint of the Hallberg, along with a core of fresh, focused dark cherry fruit unalloyed by cola or weedy notes. Tasting is not available at Alysianâ&#x20AC;&#x2122;s interim facility, but wine may be found in Santa Rosa at Traversoâ&#x20AC;&#x2122;s Gourmet Foods & Liquors and on several local wine lists. Alysian Wines will also make a rare appearance Oct. 23 at â&#x20AC;&#x153;A Taste of Pinot,â&#x20AC;? a ďŹ rst-annual feature of Pinot on the River Weekend. Eleven winemakers will proffer a few of their top wines with fare prepared by the chefs of Charlie Palmerâ&#x20AC;&#x2122;s Dry Creek Kitchen in a walkaround venue, with a percentage of the proceeds going to beneďŹ t the Boys & Girls Clubs of Central Sonoma County. What percentage might that be? One hundred percent. Alysian Wines, Healdsburg. 707.431.4410. Visit www.alysianwines.com for more info. A Taste of Pinot at Hotel Healdsburg, 25 Matheson St., Healdsburg. 6pm to 9pm. $200. Call 707.528.7977, ext. 105, or visit www.bgccsc.org.

James Knight

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BcaPXVWcCP[Z?a^_b The Bohemian recommends on state propositions up for the Nov. 2 vote Compiled by Bohemian staff Editorâ&#x20AC;&#x2122;s note: Because we strive to cover three countiesâ&#x20AC;&#x201D; Sonoma, Marin and Napaâ&#x20AC;&#x201D;we cannot adequately address all of the many important races in individual towns. We therefore restrict ourselves solely to recommendations on the propositions and regret that we canâ&#x20AC;&#x2122;t fully serve our readers with more â&#x20AC;&#x2DC;globalâ&#x20AC;&#x2122; North Bay consideration.

Proposition 19 Regulate and Tax Cannabis Thirty-eight years ago, in November 1972, there was a marijuana-legalization measure on the November ballot in California, also called Prop. 19. Strikingly similar to this yearâ&#x20AC;&#x2122;s model, the proposition failed in a rather lopsided vote. Itâ&#x20AC;&#x2122;s notable, however, that while Richard Nixon won reelection to the presidency in â&#x20AC;&#x2122;72 with almost 67 percent of the popular vote, only 60 percent of Californians voted to keep pot illegal. Almost four decades later, marijuana is easier to find than it ever was, proving that dope criminalization does nothing

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Pass Prop. 19 now, sort out the (messy, loose) language later.

Yes on Prop. 20, no on Prop. 27. Let a citizens commission draw the lines.

to prevent its use. Meanwhile, drug crime has explodedâ&#x20AC;&#x201D;our prisons are packed and our streets are less safe. These are the direct results of this archaic law. The Regulate, Control and Tax Cannabis Act of 2010 will provide the state with significant tax revenue. It is estimated that a $50-per-ounce levy has the potential to raise $1.4 billion a yearâ&#x20AC;&#x201D;money which now winds up in the hands of drug traffickers and illegal gun dealers. Itâ&#x20AC;&#x2122;s time for this foolish prohibition to be abolished. The Bohemian recommends: YES on Prop. 19

Proposition 20 Congressional Redistricting This is inside politics that matters. For years, the boundaries of Californiaâ&#x20AC;&#x2122;s Assembly and state Senate districts were drawn up every 10 years by the assembly members and senators themselves. That scheme had predictable results: Elected officials created districts that were favorable to themselves and their parties. Essentially, they were able to choose their own voters. And so we get districts that are â&#x20AC;&#x153;solidly Democraticâ&#x20AC;? or â&#x20AC;&#x153;solidly Republican,â&#x20AC;? making political compromise unnecessary and gridlock inevitable.

Two years ago, California voters did away with that system. With 2008â&#x20AC;&#x2122;s Prop. 11, voters approved the creation of an independent citizens commission to take over the drawing of legislative districts. (For more on this, see the Prop. 27 endorsement below.) Prop. 20 expands that commissionâ&#x20AC;&#x2122;s mandate, empowering it to also draw U.S. congressional districts. Itâ&#x20AC;&#x2122;s a good idea for the same reason Prop. 11 was a good idea: many elected officials in Sacramento today hope to move on to jobs in D.C. someday, and they have their eyes on that prize when they draw congressional districts. The Bohemian recommends: YES on Prop. 20 '%

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Proposition 21 Vehicle Fee for Parks Prop. 21, the Vehicle License Fee for Parks Act, is exactly what it sounds like: a fee ($18 per year) tacked on to the fees California drivers pay annually to the DMV. The roughly $500 million that the initiative would raise would go toward maintaining the stateâ&#x20AC;&#x2122;s 278 parks, which are plagued by slashed budgets. Most California drivers would get free access to the parks, and $130 million would be directed to the cash-starved general fund. While any added fees imposed on residents should be treated with skepticism, there is no doubt that keeping state parks open is a worthy moveâ&#x20AC;&#x201D;not only to attract the millions of tourists who routinely visit the stateâ&#x20AC;&#x2122;s parks, but also to allow all Californians to share in the stateâ&#x20AC;&#x2122;s rich natural heritage. The Bohemian recommends: YES on Prop. 21

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Proposition 22 Ban on State Borrowing from Local Governments Among the many band-aids that the state legislature has employed to keep California from bleeding to death, one has gotten a lot of local attention. In the past year, the state, facing a horrendous deficit, has exercised its authority to take money from local redevelopment and transportation agencies in what is universally described as a â&#x20AC;&#x153;raidâ&#x20AC;? on local funds. On its surface, this proposition seems to make sense. And were it proposed in a different year, in a different economy and in more moderate form, it might well be worth recommending. But at a time when nearly every state in the nation, including California, is strained to the breaking point by the largest economic downturn in a century, it just doesnâ&#x20AC;&#x2122;t make sense to pass a law that would prohibit even 1 cent of variation in shares of state and local revenue, even in the event of natural disasters. Among the many structural problems facing our state, one is the inf lexibility forced on the Legislature because of â&#x20AC;&#x153;budgeting by ballot.â&#x20AC;? This proposition would make matters worse. The Bohemian recommends: NO on Prop. 22

Proposition 23 Suspend AB 32, the Global Warming Act Californiaâ&#x20AC;&#x2122;s landmark anti-global warming legislation, AB 32, was passed in 2006 with the goal of reducing greenhouse gas emissions to 1990 levels by 2020. Now that statewide unemployment is hovering around 12 percent, antiregulation groups are targeting the climate change law

and its objective, saying environmental regulations are the cause of the Golden Stateâ&#x20AC;&#x2122;s financial woes. If passed, the law would suspend most of the provisions of AB 32 until the state posts unemployment figures of 5.5 percent or lower for four straight quartersâ&#x20AC;&#x201D; something that has happened only three times since 1980. Curbing greenhouse gasses is a responsibility that runs deeper than the ebb and f low of unemployment figures, and the revenue generation estimated to be produced by axing the law is modest by nearly all accounts. To keep California leading the way toward a greener and more sustainable future, vote no on Prop. 23. The Bohemian recommends: NO on Prop. 23

Proposition 24 Repeal of Corporate Tax Breaks This proposition reverses three tax breaks negotiated during the last two yearsâ&#x20AC;&#x2122; state budget showdowns which primarily benefit multinational businesses. They represent about $1.3 billion a year in lost revenue to the state. A yes vote will ensure that money stays in state coffers rather than going to a few well-lined pockets. One of the breaks lets interstate businesses pick their in-state share of business taxes from a menu: choosing whether to pay on the property they occupy, their payroll value or sales. The second allows distribution of tax credits to affiliates, a game that some companies have gotten too good at playing. And the third allows corporations to collect refunds of past taxes during years in which theyâ&#x20AC;&#x2122;ve shown net losses. The California Chamber of Commerce has labeled this prop a â&#x20AC;&#x153;jobs tax,â&#x20AC;? claiming that it will reduce new hiring. Itâ&#x20AC;&#x2122;s the tired old trickle-down argument. Donâ&#x20AC;&#x2122;t buy it. The Bohemian recommends: YES on Prop. 24

Proposition 25 Majority Rules on Budget In some ways, this is the only proposition that matters. Californiaâ&#x20AC;&#x2122;s compound fracture of a system currently requires the approval of two-thirds of both legislative houses to pass a budget, a threshold shared only by the great states of Arkansas and Rhode Island (the other 47 require simple majorities). The result, here in the eighth largest economy in the world, are budgets that are almost always late, a fixed system of minority rule with a legacy of intense gerrymandering to maintain it, suspended services, wasted millions on needlessly high interest payments, and a credit rating nestled snugly between those of the Czech Republic and Greece. Opponentsâ&#x20AC;&#x201D;mainly alcohol and tobacco interests and Chambers of Commerceâ&#x20AC;&#x201D;say that if passed, Prop. 25 will allow lawmakers to raise taxes with only a majority vote. Thatâ&#x20AC;&#x2122;s false. State law


will continue to require a two-thirds vote in the legislature to raise taxes. What Prop. 25 will do is set the conditions for a realistic public conversation about spending and revenue in California to take place, and that is a necessary first step to recovery. The Bohemian recommends: YES on Prop. 25

this initiative. If it passes, its primary funders, Chevron and Occidental, as well as MillerCoors and Anhueser-Busch, will get their way, as all levels of government, from city councils to the state legislature will have to achieve two-thirds vote thresholds to raise any fee for any activity or any levy for violating any law. That includes environmental law, which is where this prop got its nickname, the Polluter Protection Act. This proposition is corporate cynicism at its worst. The Bohemian recommends: NO on Prop. 26

Proposition 27

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Prop. 26 protects the wrong guys.

Proposition 26 Supermajority Rules The Howard Jarvis Taxpayers Association, which years ago crippled our state by slipping an exemption for commercial property transfers into Prop. 13 (thus making sure that businesses pay ever lower taxes on their properties by simply shifting them from entity to entity as inf lation grows) is sponsoring

â&#x20AC;&#x2DC;Incumbent Protection Actâ&#x20AC;&#x2122; The sponsors of this measure, a group of Democratic incumbents (many of whom we generally support) have named it the Financial Accountability in Redistricting Act. Straight-faced, they claim its intent is to save money, because the state cannot afford to pay a small citizens commission to handle the chore of drawing legislative districts. Its true intent is to make it easier for them to keep their jobs. Prop. 27 would repeal the voter-approved Prop. 11, which authorized the creation of the independent redistricting commission, and return that responsibility to the legislature itself, where it would no doubt result in more gerrymandering and more gridlock. A citizens commission will almost certainly redraw this district more fairly. If Prop. 27 passes, they will not get the chance to do that. The Bohemian recommends: NO on Prop. 27

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No on Prop. 26. THE BOHEMIAN

10.13.10-10.19.10

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F8;3BCH;4 Aerosol artist Blake, who chooses to remain surnameless, works on a canvas at the biannual Spray Can Slam in Napa.

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ETaVT^U4g_[^bX^] Up-and-coming artists embraced by Napa Valley ARTS By Gabe Meline

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n most arts communities, museum and gallery art is at the forefront, underground and street art is underground, and neâ&#x20AC;&#x2122;er the twain shall meet. And then thereâ&#x20AC;&#x2122;s Napa. Home to world-class collections at the Hess Collection and the di Rosa Preserve, the Napa Valley is also bursting with emerging artists and new forms of expression, and the areaâ&#x20AC;&#x2122;s small size and isolated geography make the climate perfect for a rare and welcome cross-pollination with the mainstream. Such a boon is no more evident than in this yearâ&#x20AC;&#x2122;s Napa Valley ARTS 2010, a varied compendium of 117 events in just one month, running Oct. 15â&#x20AC;&#x201C;Nov. 14. Arts Council Napa Valley executive director Kristina Young, whoâ&#x20AC;&#x2122;s organizing the series, says the cross-pollination of art in Napa is a recent but forceful phenomenon, owing mostly to the arts councilâ&#x20AC;&#x2122;s partnership with the organization Wandering Rose. While the council works with more established venues and organizations, Wandering Rose is an umbrella for DIY and indie art, which brings â&#x20AC;&#x153;a new, fresh outlook and perspective on the creative process,â&#x20AC;? Young says.

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To that end, Napa Valley ARTS 2010 includes a launch party for the student-produced e-zine Panagea Highway; a podcast, La Vida Napa, about the Latino experience in the valley; and â&#x20AC;&#x153;Psycho Circus,â&#x20AC;? a Halloween party at the Rutherford Grange, recently rejuvenated under the direction of Susan Hirschy. Thereâ&#x20AC;&#x2122;s even the return of the Spray Can Slam, an aerosol art festival hosted by Napa Valley Art Supplies. â&#x20AC;&#x153;My mission is to give legitimacy to this form of art,â&#x20AC;? store owner Jeff Holmes, 50, says of the Spray Can Slam. â&#x20AC;&#x153;When you see some really good aerosol art, you just go, â&#x20AC;&#x2DC;Thatâ&#x20AC;&#x2122;s from a can?â&#x20AC;&#x2122; It shocks people.â&#x20AC;? With over 350 people gathered on the storeâ&#x20AC;&#x2122;s front lawn, the Spray Can Slam has in the past stopped traffic, attracted gawkers from the Wine Train and lured in people who may have previously thought of graffiti as vandalism instead of a creative outlet. â&#x20AC;&#x153;Older painters who come into the store, they might say, â&#x20AC;&#x2DC;Well, isnâ&#x20AC;&#x2122;t this just tagging? Itâ&#x20AC;&#x2122;s not really legitimate art,â&#x20AC;&#x2122;â&#x20AC;? Holmes says. â&#x20AC;&#x153;And I say, â&#x20AC;&#x2DC;You know, watercolor was once not legitimate. It was a sketch. Michelangelo, the old masters, they did a watercolor just to get composition and color balance before they painted, and now watercolor is a legitimate art. This is the same.â&#x20AC;?

Holmes started the Spray Can Slam showcasing what he calls â&#x20AC;&#x153;the art of this generationâ&#x20AC;? as a biannual event after carrying Montana spray paint, a high-end artistsâ&#x20AC;&#x2122; label more expensive than, say, Krylon or Rust-OLeum. Because of its higher price, he says, most people buying from him create canvas pieces or commissioned murals instead of tagging on freeway overpasses. Says Holmes, â&#x20AC;&#x153;The more the community can see them and say, â&#x20AC;&#x2DC;Heâ&#x20AC;&#x2122;s a nice guy, heâ&#x20AC;&#x2122;s not a gang member,â&#x20AC;&#x2122; the better.â&#x20AC;? As one who displays graffiti art prominently on the walls of his store yet also sells supplies to established artists, Holmes has a unique vantage point on the Napa art scene and its current trajectory. â&#x20AC;&#x153;Thereâ&#x20AC;&#x2122;s a huge awareness and big momentum,â&#x20AC;? he says. â&#x20AC;&#x153;Some people just donâ&#x20AC;&#x2122;t get art. Itâ&#x20AC;&#x2122;s not their cup of tea. And thatâ&#x20AC;&#x2122;s OK. But I think Napa is really on a huge wave right now thatâ&#x20AC;&#x2122;s been rolling for several years, and right now itâ&#x20AC;&#x2122;s on the verge of explosion.â&#x20AC;? â&#x20AC;&#x2DC;Meet the Makersâ&#x20AC;&#x2122; on Friday, Oct. 15, at Mumm Napa (8445 Silverado Trail, Rutherford; 7pm; $25) and witness the Spray Can Slam on Saturday, Oct. 16, at Napa Valley Art Supplies (3250 California Blvd., Napa; noonâ&#x20AC;&#x201C;4pm; Free). www.nvarts.org.


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B>=6>5<HB4;5 Gabriel Grilli portrays Walt Whitman as a brash young man.

1^Sh4R[TRcXR

By David Templeton

F

â&#x20AC;&#x2DC;Becoming Walt Whitmanâ&#x20AC;&#x2122; runs Fridayâ&#x20AC;&#x201C;Sunday through Oct. 24 in The Studio at the Sixth Street Playhouse. Fridayâ&#x20AC;&#x201C;Saturday and Oct. 21 at 8pm; 2pm matinees, Saturdayâ&#x20AC;&#x201C;Sunday. 56 W. Sixth St., Santa Rosa. $10â&#x20AC;&#x201C;$25. 707.523.4185.

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alt Whitman is often thought of as the elderly, bearded, slightly crazy-looking gentleman in the famous photograph taken not long before his death in 1892. It is the younger, cockier, more defiant Walt Whitman though, depicted on the cover of Leaves of Grass, who is the focus of Santa Rosa playwright David Beckmanâ&#x20AC;&#x2122;s uneven but engrossing new work Becoming Walt Whitman, now running in the Studio at Sixth Street Playhouse. Directed by Russell Kaltschmidt, the play attempts to identify the various youthful events and relationships that might have inf luenced his groundbreaking poetry. As Whitman, Gabriel Grilli is not always convincing, especially with his attempts to depict Whitmanâ&#x20AC;&#x2122;s aura of anarchistic social exhibitionisms as in-your-face bravado hiding a lifelong ache. We see what Grilli is getting at, but he more often than not comes off as the â&#x20AC;&#x153;pompous assâ&#x20AC;? Whitman was once described to be by the 19th-century geologist John Peter Lesley. And who knows, that may be part of Beckmanâ&#x20AC;&#x2122;s point. Whitman might have been a pompous assâ&#x20AC;&#x201D;and perhaps his poetry would not have been as challenging, fierce, humane and groundbreaking without that particular aspect of his personality. The cast, most of whom play at least two characters, are a bit hit-and-miss, shining in some roles while struggling in others. Steve North, who first appears as Orson Fowler, the famous Manhattan publisher and phrenologist, does his best work as Walt Whitman Sr., suffering from a debilitating stroke, his dueling love and hatred of his poet son conspicuous in every snarled word. Jacqueline Wells, who plays Waltâ&#x20AC;&#x2122;s mother, as

well as his surprisingly open-minded landlady, is especially effective in the latter, bawdy and funny, and Anthony Abate, though not so convincing as Oliver Wendell Holmes, is riveting as Waltâ&#x20AC;&#x2122;s cruel, bullying older brother Jesse. Especially strong is Peter Warden, who is proving to be one of Sonoma Countyâ&#x20AC;&#x2122;s most promising young actors. As Edward, Waltâ&#x20AC;&#x2122;s autistic younger brother, Warden gives one of the best performances of the year. The star of the show, though, is Beckmanâ&#x20AC;&#x2122;s bold, questioning script, suggesting that Whitmanâ&#x20AC;&#x2122;s genius may have grown directly from the circumstances of his life. Whitmanâ&#x20AC;&#x2122;s homosexuality, which some scholars still try to deny, is addressed without apology, most vividly in a second-act scene of seduction and self-declaration. More surprising, though, is the hint of a reverse-Oedipal relationship with his mother, with Whitmanâ&#x20AC;&#x2122;s mother showing obvious sexual yearnings for her son. Especially intriguing is Beckmanâ&#x20AC;&#x2122;s suggestion that Whitmanâ&#x20AC;&#x2122;s stream-of-consciousness freeverse style may have been inspired by Edwardâ&#x20AC;&#x2122;s desperately fevered attempts at communication. In the play, it is Edward who first utters the phrase â&#x20AC;&#x153;leaves of grass,â&#x20AC;? and a whole string of other pasted-together phrases Whitman made famous. How much is strictly true and how much is simply the playwrightâ&#x20AC;&#x2122;s conjecture? Who knows? As biography, Becoming Walt Whitman may occasionally be more poetry than fact, but as theater, itâ&#x20AC;&#x2122;s memorable, inventive and uniquely challenging.

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â&#x20AC;&#x2DC;Becoming Walt Whitmanâ&#x20AC;&#x2122; uneven, engrossing

www. AntiqueSociety .com THE BOHEMIAN

10.13.10-10.19.10

23


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B>;8C0AH Fernando LujĂĄn portrays a man coping with grief.

FWPcBWT;TUc1TWX]S â&#x20AC;&#x2DC;Noraâ&#x20AC;&#x2122;s Willâ&#x20AC;&#x2122; celebrates life

By Rothtana Ouch

9

ose sits alone in front of his computer playing solitaire in his carefully decorated apartment. His slicked-back hair matches his trimmed beard, both completely white. His dull expression gives nothing away about his character, and yet the stillness in his apartment declares much about his life without Nora. Noraâ&#x20AC;&#x2122;s Will, director and writer Mariana Chenilloâ&#x20AC;&#x2122;s first full-length feature effort, is a story about loving and learning, and the void left by Nora (Silvia Mariscal), a woman who took her own life just days before Passover. For 20 years she had been married to Jose (Fernando LujĂĄn) and raised a child with him. The two eventually divorced, but Jose remained close to her, moving across the street so that he would always be involved in his sonâ&#x20AC;&#x2122;s life and possibly in Noraâ&#x20AC;&#x2122;s. Chenillo creates scenes featuring wide emotional ranges thanks to her preference for long takes. Thereâ&#x20AC;&#x2122;s something powerful about the unedited and almost documentary-like experience she creates in refusing to cut away too quickly. Her camera lingers to help the audience experience every high and every low. We get to see the slight quiver of a lip just before words are spoken and spy miniscule eye movements just before they completely lower and close the mysteries behind them. The narrative is succinct; the entire picture takes place in the span of five days after the discovery of Noraâ&#x20AC;&#x2122;s suicide. Friends are made among various family members arriving for her funeral along with housekeepers and rabbis. Noraâ&#x20AC;&#x2122;s Will isnâ&#x20AC;&#x2122;t about a physical document concerning the distribution of her possessions; rather, the film deals with a womanâ&#x20AC;&#x2122;s lingering presence in the lives of those she left behind. A Spanish-language

24

10.13.10-10.19.10

THE BOHEMIAN



film, the original title is Cinco DĂ­as sin Nora, translating to Five Days Without Nora. For American distribution, the title emphasizes Noraâ&#x20AC;&#x2122;s desires and motives in the wake of her death. The original title captures the setting for the film; the revised title captures the themes contained within it. Amid so much meditation on death, Noraâ&#x20AC;&#x2122;s Will includes moments of lighthearted humor. (No, that isnâ&#x20AC;&#x2122;t Noraâ&#x20AC;&#x2122;s flashlightâ&#x20AC;&#x201D;itâ&#x20AC;&#x2122;s her vibrator.) Also inside Noraâ&#x20AC;&#x2122;s bedroom, Jose discovers a photograph of a young couple underneath her bed. A bikini-clad Nora is earnestly smiling in the photo, yet Jose finds himself devastated that he isnâ&#x20AC;&#x2122;t the man beside her in the image. He ponders if Nora had ever loved him completely and if he had truly meant something to her. This leaves the invulnerable Jose feeling exposed, haunted and jealous. The script wonders how well two lovers can know each other and what dormant secrets are exposed in death. This is a film about memory and learning, about experiencing an odd moment from the past in a new light. Noraâ&#x20AC;&#x2122;s Will serves to remind us that reflection and time away are the best judges of how we feel versus what we believe we are feeling. The final scene features a table filled with the loving people from Noraâ&#x20AC;&#x2122;s life. All of them are conversant, joyous and sharing a traditional Jewish meal together. Death shouldnâ&#x20AC;&#x2122;t be about splintering people from each other, the film seems to counsel, but instead about bringing everyone closer. Presented by the Sonoma County Jewish Film Festival, Noraâ&#x20AC;&#x2122;s Will screens on Tuesday Oct. 19, 7:15pm, at Boulevard Cinemas (200 C St., Petaluma) and on Wednesday Oct. 20, at 1pm, at Rialto Cinemas at Sixth Street Playhouse (52 W. Sixth St., Santa Rosa). In Spanish with English subtitles. 707.526.5338.


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THE BOHEMIAN

10.13.10-10.19.10

25


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2 ND ANNUAL

   I N T E R N A T I O N A L           OCTOBER 22 â&#x20AC;&#x201C;24, 2010

www.PetalumaFilmFestival.org

Ÿ=864A½%%0?40242>A?B380AH½ The Mill Valley Film Fest continues through Oct. 17. www.mvff.com.

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N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com 26

10.13.10-10.19.10

THE BOHEMIAN




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Beltinâ&#x20AC;&#x2122; Shelton

Truth & Soul

Hippie Boy

Heâ&#x20AC;&#x2122;s Not Crazy

Even for those who donâ&#x20AC;&#x2122;t listen to much coming out of Nashville these days, chances are youâ&#x20AC;&#x2122;ve at least seen country superstar Blake Shelton staring back from the cover of a glossy tabloid in the supermarket line. After all, the 34-yearold Oklahoman has the key ingredient that celebrity gossip is made from in the form of his engagement to fellow CMT star Miranda Lambert. Shelton isnâ&#x20AC;&#x2122;t half the songwriter his fiancĂŠe is, but his no-bull charisma and archetypal Southern drawl have skyrocketed seven of his hits to the top of the country charts. â&#x20AC;&#x153;All About Tonight,â&#x20AC;? the party-anthem title track from his latest album, seems written purely to inspire country girls to toss off their Stetsons and whip their hair around in tipsy abandon. Catch the â&#x20AC;&#x153;Six-Packâ&#x20AC;? tour when Shelton brings his band to town on Sunday, Oct. 17, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa. 8pm. $20â&#x20AC;&#x201C;$45. 707.546.3600

Smack in the middle of the 1980s, just after Reagan had been elected to a second term and Quincy Jones had assembled â&#x20AC;&#x153;We Are the World,â&#x20AC;? a band from Los Angeles founded an entirely new world with themselves as the only residents. Ska, punk, funk, metal and rap all found a home on the first eponymous EP by the f lamboyant band Fishbone, and as the 1980s receded, the decade changed completely from Fishboneâ&#x20AC;&#x2122;s attack both in musical style (Mr. Bungle, Red Hot Chili Peppers, Primus) and fashion sense (thatâ&#x20AC;&#x2122;s a Fishbone shirt John Cusack is wearing in the iconic boombox scene in Say Anything). Catch the new documentary Everyday Sunshine: The Story of Fishbone on Friday, Oct. 15 at 142 Throckmorton Theatre (142 Throckmorton, Mill Valley; 7pm; $12.50; 415.383.5256), and then afterward, see Fishbone perform live, that same night, at the Woods (19 Corte Madera Ave., Mill Valley; 9pm; $18; 415.389.6637).

Itâ&#x20AC;&#x2122;s been near about 10 years since the Gram Parsons revival hit full swing into public consciousness, and because of Parsonsâ&#x20AC;&#x2122; enduring talent, chances are we may see another 10 to 20 years of tributes on the horizon. Easily the Elvis Presley of the Americana movement, Parsons, who overdosed on morphine and tequila at 26, famously went out in a literal blaze of glory after his body was stolen by friends to be burned in the Joshua Tree desert. The latest tribute to the man, the myth and the music is â&#x20AC;&#x2DC;Grievous Angel,â&#x20AC;&#x2122; a theatrical play combined with full-band songs, based on the last interview Parsons ever gave, to Michael Bate in 1973. Relive the sweet introspection in Parsonsâ&#x20AC;&#x2122; songs and life when Grievous Angel plays on Wednesday, Oct. 13, at Siloâ&#x20AC;&#x2122;s (530 Main St., Napa; 7pm; $15; 707.251.5833) and Saturday, Oct. 16, at the Mystic Theatre (21 Petaluma Blvd. N., Petaluma; 8pm; $21. 707.763.2121).

Amid nostalgic nattering by old-schoolers about the bandâ&#x20AC;&#x2122;s legendary 1986 show with Faith No More and Victims Family at the Kenilworth Recreation Center in Petaluma, the long-running punk outfit Suicidal Tendencies return to town, this time just up the street at, of course, the Phoenix Theater. Reports from last yearâ&#x20AC;&#x2122;s local tour stop by the Venice Beach skate punks were surprisingly positive, and for a band that has never officially broken up, theyâ&#x20AC;&#x2122;re in better form than most â&#x20AC;&#x2122;90s bands currently riding the reunion train (exception: Pavement). Suicidalâ&#x20AC;&#x2122;s lead singer Mike Muir may be 47 now, but onstage, he still embodies suburban juvenilia with timeless songs about death, love, politics and, yes, Pepsi. Get possessed on Tuesday, Oct. 19, at the Phoenix Theater. 201 E. Washington St., Petaluma. 8pm. $25. 707.762.3565.

THE BOHEMIAN

6PQT<T[X]T 10.13.10-10.19.10

27


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3A8=:D? Dina Maccabee plays twice this weekend in Santa Rosa. See Concerts, above.

28

10.13.10-10.19.10

THE BOHEMIAN




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Treasure Island Fest still one of the best utdoor music festivals are like giant, overwhelming coastal waves pummeling crowds with long lines, too many stages, treacherous parking and ugly corporate sponsorship. Then thereâ&#x20AC;&#x2122;s the Treasure Island Music Festival, set smack in the middle of the San Francisco Bay. Attendees park for free in the city, at AT&T Park. There, everyone rides public transit to Treasure Island. There are only two stages with no overlap, food lines are short and quick, and instead of tents sponsored by Toyota, Intel, Chase or Sony, thereâ&#x20AC;&#x2122;s interactive art and music booths hosted by crafty area artists. Most importantly, Treasure Island attracts the cream of the indie crop and conveniently separates their lineup. Saturdayâ&#x20AC;&#x2122;s lineup features more electronic-based acts, with this yearâ&#x20AC;&#x2122;s headliner LCD Soundsystem touring on whatâ&#x20AC;&#x2122;s shaping up as 2010â&#x20AC;&#x2122;s best album, This Is Happening. And along with house-music ďŹ&#x201A;avor-of-themonth Deadmau5, chillout icons Kruder & Dorfmeister, Brooklyn rioters !!! and slick pop duo Miike Snow, Saturday welcomes South African internet sensations Die Antwoord (above), who, despite being debunked as outof-work actors pulling the Borat of all hip-hop jokes, play their white-trash roles alarmingly and amusingly well. Sunday sees Scottish twee-pop legends Belle and Sebastian on the headlining stage above the Brooklyn barintone balladry of the National, Zooey Deschanelâ&#x20AC;&#x2122;s pet project with M. Ward She & Him, the made-for-festivals juggernaut of Broken Social Scene and the welcome return of Superchunk, whose members recently took a break from running the worldâ&#x20AC;&#x2122;s currently most successful indie label, Merge Records, to release an album that deďŹ nes the phrase â&#x20AC;&#x153;return to form,â&#x20AC;? Majesty Shredding. Playing earlier in the day is Monotonix, from Israel, who routinely destroy the wall between band and audience, and often wind up outside the club, on top of cars, in the street, still playing. Look for them mid-set, performing from the top of the Ferris wheel. The Treasure Island Music Festival runs Saturdayâ&#x20AC;&#x201C; Sunday, Oct. 16 and 17. Noonâ&#x20AC;&#x201C;11pm daily. $68 per day; $120 two-day pass. www.treasureislandfestival.com.

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Use one (or all four) of the images here as a prompt for your fabulous 500 word-or-less piece of fiction and play along with this year's Jive writing contest. Five of our favorite Prompt Jives will be published in our Oct. 20 Fall Lit issue and a party will giddily ensue. Send your stellar work to us at: javajive@bohemian.com. Deadline is Friday, Oct. 15, at 5pm, so make it prompt.

Gabe Meline

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Java Jive Live! The Bohemian invites you to celebrate our writing contest winners in a free live reading. Cafe Azul, Wednesday, Oct 20th, 5:30-7pm 521 Fourth St, Santa Rosa

THE BOHEMIAN

10.13.10-10.19.10

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B78=8=6 Twenty-one year old Sara Daneshpour tackles a tall program this weekend.

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Piano concerts proliferate in the North Bay By David Templeton

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ll I need,â&#x20AC;? Dennis Wilson of the Beach Boys was once said to have remarked, â&#x20AC;&#x153;is a big surf boardâ&#x20AC;&#x201D;and a piano.â&#x20AC;? In the Bay Area, the surf board is clearly optional; good surfing is seasonal, while good piano music can be found all year. There is an enormous number of organizations which present intimate chamber concertsâ&#x20AC;&#x201D;some featuring worldclass musiciansâ&#x20AC;&#x201D;nearly every weekend of the calendar year. The piano, it seems, is often at the center of such events. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s staggering, just staggering,â&#x20AC;? says Terry McNeill, founder and director of the Concerts Grand series. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s amazing how much classical music is going on in this area. I looked today, and I think there are 45 concerts or recitals taking place this month alone, just in the North Bayâ&#x20AC;&#x201D;including, of course, our season kickoff with the Iranian pianist Sara Daneshpour.â&#x20AC;? Now in its eighth season, Concerts Grand gives audiences a close, intimate musical experience with a single musician. Most concerts are held at Newman Auditorium, on the Santa Rosa Junior College campus. Ticket prices are affordable, usually between $15 to $17, and McNeill has managed to attract some of the globeâ&#x20AC;&#x2122;s best-known pianists and a number of exciting up-andcomers to the auditorium in Santa Rosa. â&#x20AC;&#x153;Sara is the genuine article as a virtuoso pianist,â&#x20AC;? McNeill says of the 21-year-old Iranian-born Daneshpour, scheduled to appear on Sunday, Oct. 17, at the Newman Auditorium at SRJC (1501 Mendocino Ave., Santa Rosa; 3pm; $15â&#x20AC;&#x201C;$17; 707.526.2447). Known for her fearless style and eagerness to tackle long, scary pieces, Daneshpour will be performing works by Scarlatti, Rachmaninoff, Prokofiev, Schumann and

Debussy. Says McNeill, â&#x20AC;&#x153;Sheâ&#x20AC;&#x2122;s got a big sound, tonal colors, lots of excitement. She was the silver medalist in the 2008 Montreal International Piano Competition and just completed a recital tour of Germany.â&#x20AC;? Based in Berkeley, Bay Area Classical Harmonies (BACH) is both a performing ensemble and a presenter of classical concerts. This weekend, BACH hosts Novatobased pianist John Boyajy in a performance of Beethovenâ&#x20AC;&#x2122;s Concerto no. 4 in G Major, Beethovenâ&#x20AC;&#x2122;s Choral Fantasy for Piano and Orchestra and Mozartâ&#x20AC;&#x2122;s Requiem in D Minor. The concert takes place Saturday, Oct. 16, at Mt. Tamalpais United Methodist Church (410 Sycamore Ave., Mill Valley; 7:30pm; $20â&#x20AC;&#x201C;$35; 415.388.4456). An intimate concert of another kind entirely takes place this weekend as well, as pianists Antonio Iturrioz and Seth Montfort perform Chopin, Schumann, Godowsky and Villa-Lobos. Montfort, a composer and piano master, is something of a local eccentric; heâ&#x20AC;&#x2122;s also the founder, in 1989, of the San Francisco Concerto Orchestra, which is (occasionally) renamed the Mortuary Orchestra of Guerneville. Known as much for the labyrinthine weirdness of his website (www.sfconcerto.org) as for the energy and excitement of his piano concerts, Montfort holds his popular recitals in his own home, a former mortuary. The upcoming event will include Chopinâ&#x20AC;&#x2122;s famous funeral march, the Sonata in B-Flat Minor, on Sunday, Oct. 17, at the Composerâ&#x20AC;&#x2122;s House (16375 Fourth St., Guerneville; 3pm; $10-$20; 707.604.7600). Just more evidence that in the North Bay, there is always something different to do. The local classical scene is no exception. For more info., visit www.concertsgrand.com, www.bayareabach.org or find a comprehensive list of activity at www.classicalsonoma.org.

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AO\bO@]aO %%#$&"  THE BOHEMIAN

10.13.10-10.19.10

31


Take a scenic drive for a unique dining experience Sat & Sun

Reservations advised Outdoor Dining 7 Days a Week

Brunch

EST. 1941

DI N N E R A N D

A

S H OW

REVOLVER Oct 15 Crosby, Stills, Nash & Young plus their inspirations; Fri

The Byrds, Buffalo Springfiled, The Hollies 8:30pm

Sat

Oct 16 Sun

Oct 17

STOMPY JONES

The Coolest Swing! 8:30pm

THE COWLICKS

Absolutely the Best Alternative Country 5:00pm/In the Bar

SINGER /SONGWRITER SERIES Oct 21 H OSTED BY LAURALEE BROWN Thur

7:00pm / In the Bar

Fri

Oct 22 Sat

Oct 23 Sun

Oct 24

T HE JEB BRADY BAND SHANA MORRISON

Sultry Songstress 8:30pm

KAYE RODDEN & SWEET LEAF

Fri

Sat

7:45pm â&#x20AC;&#x153;Devilâ&#x20AC;&#x2122;s Nightâ&#x20AC;?

Oct 30 Sun

Oct 31

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R&B and Blues 8:00pm / In the Bar

Acoustic Americana 5:00pm Rock, Blues and Country

Oct 29

@.2

LUCKY DOG PLUS PINHEIRO STATION LEE PRESSON AND THE NAILS

SFâ&#x20AC;&#x2122;s Wildest Swing Band 8:30pm

JERRY HANNAN

5:00pm/In the Bar

n Halloweeture! ea Double F

COMEDIAN WILL DURST PLUS DEB AND MIKE

Politics Are Spooky! 7:30pm

415.662.2219

On the Town Square, Nicasio www.ranchonicasio.com

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0ACB5>AC740ACB Work by Kurt Kemp (sorry, not this one) is among that on auction Oct 16 to benefit the Santa Rosa Arts District. See Events, adjacent.

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32

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THE BOHEMIAN



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Wed, Oct 13 8:45â&#x20AC;&#x201C;9:45am; 5:45â&#x20AC;&#x201C;6:45pm Jazzercise 10amâ&#x20AC;&#x201C;12:15pm Scottish Dance Youth and Family 7â&#x20AC;&#x201C;11pm Singles & Pairs Square Dance Club

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Thur, Oct 14 8:45â&#x20AC;&#x201C;9:45am; 5:45â&#x20AC;&#x201C;6:45pm Jazzercise 7:10â&#x20AC;&#x201C;10pm Circle â&#x20AC;&#x2DC;n Squares Square Dance Club

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3RD FRIDAYS PRESENTS

HALLOWEEN BASH W/

11/6

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FRI ! OCT 15 ! 10PM ! $15

9:30 PM SHOW > $20 > ROCK

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Comedy

Best Music Venue Best Place for Singles to Meet

DUBTONIC KRU

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1400 W. College Avenue â&#x20AC;˘ Santa Rosa, CA 707.539.5507 â&#x20AC;˘ www.monroe-hall.com

Pat Jordan Band

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Santa Rosaâ&#x20AC;&#x2122;s Social Hall since 1922

8:00 PM SHOW > $10 > ROCK, SOUL Sadie's Haven Horse Rescue & Sanctuary Benefit Concert & Silent Auction

10/22

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8:00â&#x20AC;&#x201C;9:00am; 9:15â&#x20AC;&#x201C;10:15am Jazzercise DJ Steve Luther hosts WEST COAST SWING PARTY

Tues, Oct 19 8:45â&#x20AC;&#x201C;9:45am; 5:45â&#x20AC;&#x201C;6:40pm Jazzercise 7:30â&#x20AC;&#x201C;9pm AFRICAN AND WORLD MUSIC DANCE featuring West African & Congolese Dance

9:00 PM SHOW > $8 > ROCK

ADD/C + THE HIT SYSTEM + TRACK FIGHTER Biketoberfest Marin takes over Fairfax this weekend. See Events, below.

Sat, Oct 16 7â&#x20AC;&#x201C;11pm

Mon, Oct 18 8:45â&#x20AC;&#x201C;9:45am; 5:45â&#x20AC;&#x201C;6:40pm Jazzercise 7â&#x20AC;&#x201C;10pm Scottish Dance

9:00 PM SHOW > $8 > ROCK

SIMOOM + THE DISCIPLES + THE MUD THE BLOOD & THE BEER 10/16

8:45â&#x20AC;&#x201C;9:45am Jazzercise North Country Dance Society/ Contra Dance

Sun, Oct 17 8:30â&#x20AC;&#x201C;9:30am Jazzercise 10:30â&#x20AC;&#x201C;11:30am Zumba Fitness 5â&#x20AC;&#x201C;9:30pm DJ Steve Luther COUNTRY-WESTERN LESSONS & DANCING $10

QUIZMANIAX! PUB QUIZ

10/15

Fri, Oct 15 7:30â&#x20AC;&#x201C;11pm

ALL PROCEEDS TO MARIN COUNTY BREAST CANCER CHARITIES

TRAPT

NEXT WEEK

9:00 PM SHOW > $30 > PUNK

FRI ! OCT 22 ! 9PM ! $10

THE MISFITS

AZ/DZ

SAT ! OCT 23 ! 9PM ! $12

MOONALICE

$1.50 PBR $2 DOMESTIC BEER $3 IMPORT/MICROBREW $3 WELL DRINKS & HOUSE WINE $3 APPETIZER MENU

HOT UPCOMING ACTS SAT ! OCT 30 ! 9PM ! $15

HALLOWEEN COSTUME BASH! WITH JOHNNY VEGAS & THE HIGH ROLLERS

all shows are 21+ unless noted for reservations: 707.545.5876

COME OUT DRESSED IN YOUR BEST COSTUME FOR A NIGHT OF GOULISH FUN!

707.545.2343

11/18: MIDNITE

120 5th street @ davis street santa rosa, ca

lastdaysaloon.com THE BOHEMIAN

10.13.10-10.19.10

33


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DONâ&#x20AC;&#x2122;T FORGETâ&#x20AC;ŚWE SERVE FOOD TOO!

Mc Nearâ&#x20AC;&#x2122;s Dining House

Events

Breakfast â&#x20AC;˘ Lunch â&#x20AC;˘ Dinner BBQ â&#x20AC;˘ Pasta â&#x20AC;˘ Steak

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FRI 10/15 â&#x20AC;˘ 7:30PM DOORS â&#x20AC;˘ $19 ADV/$21 DOS â&#x20AC;˘ 21+ ALT ROCK

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HOODOO GURUS SAT 10/16 â&#x20AC;˘ 7:30PM DOORS â&#x20AC;˘ $21 ADV/$26 DOS â&#x20AC;˘ 18+ ROCK/AMERICANA/COUNTRY

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GRIEVOUS ANGEL

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THE LEGEND OF GRAM PARSONS SUN 10/17 â&#x20AC;˘ 7:00PM DOORS â&#x20AC;˘ $26 â&#x20AC;˘ ALL AGES COUNTRY

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TERRI CLARK

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PLUS VICTORIA GEORGE THUR 10/21 â&#x20AC;˘ 7:00PM DOORS â&#x20AC;˘ $18 ADV/$21 DOS â&#x20AC;˘ 21+ ALT COUNTRY/COUNTRY/ROOTS/AMERICANA

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THE DERAILERS PLUS KIT AND THE BRANDED MEN FRI 10/22 â&#x20AC;˘ 8:30PM DOORS â&#x20AC;˘ $18 â&#x20AC;˘ 21+ R&B/MOTOWN

AN EVENING WITH

PRIDE & JOY SAT 10/23 â&#x20AC;˘ 7:30PM DOORS â&#x20AC;˘ $16 â&#x20AC;˘ 21+ ROCK/SINGER-SONGWRITER/POP/ART/ROCK

LUCE PLUS LUVPLANET AND VICTORIA GEORGE SUN 10/24 â&#x20AC;˘ 7:30PM DOORS â&#x20AC;˘ $16 â&#x20AC;˘ 18+ AFRO-BEAT/FUNK/SOUL

ORGONE PLUS FROBECK

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A VERY SPECIAL ACOUSTIC PERFORMANCE WITH

JOAN OSBORNE PLUS HONEYMOON

PLAYING FOR CHANGE BAND SUN 10/31 â&#x20AC;˘ 7:00PM DOORS â&#x20AC;˘ $23 ADV/$26 DOS â&#x20AC;˘ 21+

OUR ANNUAL HALLOWEEN BASH! CABARET/BURLESQUE/MAGIC

YARD DOGS ROAD SHOW SAT 11/6 â&#x20AC;˘ 7:30PM DOORS â&#x20AC;˘ $26 ADV/$31 DOS â&#x20AC;˘ 21+ ROCK

CELEBRATES THE MUSIC OF EMERSON LAKE & PALMER For All Ages Shows â&#x20AC;˘ No Children Under 10 Allowed

23 Petaluma Blvd, Petaluma

VINTAGE V INTAG NTAGEE EMPOR EMPORIUM EMPORRIUM RIUM An And An nd d Ca Cafe afffee a

707-765-2121 www.mcnears.com 34

10.13.10-10.19.10

THE BOHEMIAN



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CARL PALMER BAND

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FRI 10/29 â&#x20AC;˘ 7:00PM DOORS â&#x20AC;˘ $31 ADV/$36 DOS â&#x20AC;˘ ALL AGES WORLD MUSIC

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TUE 10/26 â&#x20AC;˘ 7:00PM DOORS â&#x20AC;˘ $31 ADV/$33 DOS â&#x20AC;˘ 18+ SINGER/SONGWRITER

CF>C8C0=B The Napa Sonoma Wine & Food Festival commences this weekend at Cornerstone Gardens. See F&D, below.

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A one-woman show of Bib Biblical blical proportions

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written and performed by award-winning actress

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Harry Hamlin appears at Book Passage on Oct. 15. See Readings, p36.

Michael P Parenti arenti

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(Santa Rosa, Sebastopol,

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Healdsburg, P etaluma), Petaluma),

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(brownpapertickets.com) (brownpaper tickets.com)

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36

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THE BOHEMIAN



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BOHEMIANCLASSIFIEDS

Placing an Ad

Contacting Us

§ By Phone Call the Department at 707.527.1200 Mon.-Fri., 8:30a.m.5:30p.m.

Bohemian Classifieds 847 5th Street, Santa Rosa, CA 95404 Monday through Friday, 8:30a.m. to 5:30p.m. ph: 707.527.1200

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THE BOHEMIAN

10.13.10-10.19.10

37


HEALTH&WELL-BEING g Escape to Pleasure Island !

Healing & Bodywork

PAIN/STRESS RELIEF

A sanctuary of pleasure and relaxation. Enjoy the best of healing, sensual massage by a lovely lady with a caring touch. Quality, class & excellence. Accept Visa/MC Joy C.M.T. 707-477-1766. Santa Rosa.

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707-591-8899

Psychics

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Open 7 Days: 10am-10pm

1626 4th St. Santa Rosa 707.526.6888

In a safe, relaxing, comfortable space by a “mature”, compatible, easy-going gentleman! Since 1991 I`ve provided pleasure to women, men, couples. Good virtues. NW Santa Rosa, Jimmy, (C) 707-799-4467 or (L) 707-527-9497.

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707.578.3088 38

10.13.10-10.19.10

2460 Mendocino Ave., Santa Rosa THE BOHEMIAN

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Margery Smith 707.544.9642

SPIRITUAL CONNECTIONS

Finding inspiration and connecting with your community The Journey Center: A Place for Transformation

A Provider of Pleasure Sensual Massage Beautiful and private studio in Sebastopol. Lara 707-481-2644

Indian Head Massage

Rocks and Clouds Zendo Zazenkai One Day Meditation Retreat. Sun 10/31. 6:00am-4:00pm. Email us with any questions: daterra@sonic.net or call 707-824-5647

Resources for your spiritual journey (ancient prayer/meditation practices, workshops/retreats, spiritual direction, art gallery, reading room, bodywork). 1601 Fourth Street, Santa Rosa, www.journeycenter.org 707.578.2121

Mahakaruna Buddhist Meditation Center

Call 707.527.1200

Finding Peace, Power and Purpose in Your Daily Life Meditation Day Course, Sat. 10/16, 10am-3:30pm Buddha taught that every moment of our existence is guided by an intention. We are usually unaware of these hidden intentions, and from moment to moment our changing intentions may contradict each other, causing stress and problems. Gain clarity and mindfulness about your intentions and experience peace of mind. Donation of $25, includes vegetarian lunch. All are welcome. RSVP 707-766-7720 or info@mediationinnorcal.org. Mahakaruna Buddhist MeditationCenter, 304 Petaluma Blvd., North, Petaluma www.meditateincal.org

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Share your organization’s inspiration with over 123,000 Bohemian Readers monthly!

Spiritual Direction (Free Workshop) Discover how the ancient practice of spiritual direction can enhance and support your spiritual journey. Friday, October 1, 7-9p, Journey Center, 707-578-2121, www.journeycenter.org.

Health & Well Being Today!

Phone: 707.527.1200 email: sales@bohemian.com


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THE BOHEMIAN

10.13.10-10.19.10

39


5SbbW\U A]PS` 7a 6O`R AbOgW\U /RRWQbSR 7a 3dS\ 6O`RS` :Sb Ca 6SZ^ G]c 6SZ^ G]c`aSZT Medical Marijuana Certifications

OMAR FIGUEROA CANNABIS LAWYER

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$REWARD$ â&#x20AC;&#x201D; Please Help

63@=7<  =FG  D71=27< B`SOb[S\b >ZSOaS QOZZ

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Meth and Alcohol Treatment that allows you to keep your day job! Santa Rosa Treatment Program can help.(707) 576-0818.

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