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Cyber-author decrypts the secret conversations of clothes p36

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Author John D. Murphy turns conventional wisdom on its head with arguments that the men lynched in St. James Park in 1933 were not Brooke Hart’s killers p16

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ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

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COMMENTS LLetters@metronews.com etters@metronews.com Metroo welcomess letters. Like any gr Metr great eat work should of art, they shou uld be originals—not copies elsewhere. of material sent elsewher e. Please include your name, city of rresidence esidence and daytime number. telephone numb ber. (Phone number will published.) not be published d.) Letters may be edited correct ffor or length and cclarity larity or to cor rect ffactual actual inaccuracies known inaccur acies kno own to us.

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Well-Placed W ell-Placed Thanks for Thanks for p printing rinting the the lletter etter ffrom rom C raig C heatham ((“Aid “Aid A wareness,” S ept.

Craig Cheatham Awareness, Sept.

11)) aabout bout iinadequate nadequate aaid id tto oP Pakistan akistan aand nd ffor or p lacing it it d irectly u nder T om placing directly under Tom Tomorrow’s mediaT omorrow’s cartoon cartoon aabout bout m ediaiinduced nduced ffear ear of of M uslims. C ould tthat hat ffear ear Muslims.

Could b ne rreason eason ffor or tthe he low low rresponse esponse tto o bee o one

the P the Pakistan akistan d disaster? isaster? M Mr. r. C Cheatham’s heatham’s lletter etter ssays ays T Taliban aliban aand nd A All Qa Q Qaeda aeeda aare re aamong mong tthe he ggroups roups d elivering aaid. id. S oo ur delivering So our ffears ears m ay b elping ggrow row tthe he iinfluence nfluence may bee h helping o hose w eally h ave rreason eason tto o ffear. ear. off tthose wee rreally have Id onated to to Relief Relief International International donated ((their their w ebsite m ad de iitt eeasy asy tto o sspecify pecify website made P akistan, u ak nlike some some other other N GOs).

Pakistan, unlike NGOs).

AIN VIE W PHYLLIS PHYLLIS M MICHEL ICHEL | MOUNT MOUNTAIN VIEW

Nailed N ailed IItt Just w Just want ant tto o ssay ay tthanks hanks aagain gain ffor or a ggreat reat aarticle rticle o on nC Cukui ukui ((“Street “Street S Style, tyle,” Style, S tyle, S Sept. ept. 11)! )! Y You ou pretty pretty much much n nailed ailed what w hat and an nd w who ho w we’re e’re aabout bout an and nd w wee ar are re vvery ery happy happy w with ith tthe he rresponse esponse ffrom rom people. p eople. IItt was was h hard arrd fi finding nding a copy copy off iitt yyesterday, o esterday, b but ut ssometime ometime ccirca irca midnight, m idnight, we we managed man nagged tto ofi find nd o one. ne. Lol. Lol. AN JO SE MICHELLE LLOCQUIAO, OCQUIAO, CCUKUI UKUI | SSAN MICHELLE JOSE

Response R esponse T Time ime I aam m ssick ick aand nd ttired ired o off hearing hearing aabout bout h ow ccuts uts tto op ublic ssafety afety aare re ggoing oing how public tto o ““harm harm tthe he p ublic” b ecau use tthe he public” because d epartments d on ot h ave tthe he rresources esources departments do not have tto o ssolve olve lless ess high-profile high-profile crimes crimes ((burglaries) burglarries) or or rrespond espond iin n a timely timely ffashion ashion ((“The “The F irefight IIsn’t sn’t O ver,” Firefight Over, T he F ly, Sept.

Sept. 1).

1). As As a ttaxpayer, axpayer, I w ould The Fly, would llove ove tto oh ave rresponse esponse ttimes imes o ne have off o one m inute o aybe lless. ess. A ealist, II’d ’d minute orr m maybe Ass a rrealist, llike ike tto ok now h ow w an p an ay ffor or iit. t. know how wee ccan pay D o yyou ou b elieve tthat hat w hould Do believe wee sshould sspend pend w hat w ak ke iin? n? IIff tthe he aanswer nswer what wee ttake iiss yyes, es, tthen hen the the ccuts, uts, while while painful, painful, aare re n ecessary. IIff the the answer answer is is no, no, tthen hen you you necessary. b elieve iin nm ore o he ssame am me p olicies believe more off tthe policies an nd d ecision making making that that have have driven driven and decision tthis his sstate/region/city tate/region//city in in to to the the brink brink o ankruptcy. IItt seems seems simple simple tto o off b bankruptcy. m hether yyou ou rrun un a b illion d ollar mee w whether billion dollar

government budget, government budget, a multibillion multibillion dollar business orr a $75,000 household d ollar b usiness o $75,000 h ousehold budget b udget tthat hat yyou ou cannot cannot spend spend more more tthan han n yyou ou take tak ake in. in. Period.

Period.

INIGO IN IGO MONTOYA MONTOYA | SSAN AN JO JOSE SE

Promises P romises Wee are W are leaving leaving Iraq!

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Ouch.

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8

THEFLY FLY THE

SVNEWS

Politicians in Glass Houses Last week, NORA CAMPOS took City Council candidate MAGDALENA CARRASCO to task for accepting campaign money from a controversial L.A. lawyer named FRANCISCO LEAL. Campos’ brother, XAVIER CAMPOS, is facing off against Carrasco for Nora’s soon-to-be-vacant District 5 seat, and the outgoing East Side councilwoman publicly questioned Carrasco’s ethics. She also wondered aloud whether the $250 Leal contribution is evidence that Carrasco is selling her district out to Southern California interests. That charge, of course, would carry more weight had Campos herself not accepted some $19,700 from SoCal Indian gaming interests in her own run for JOE COTO’s District 23 state Assembly seat. Not that Fly has anything against playing the ponies occasionally, but collecting $6,400 from the Alpine, Calif.-based Viejas Tribal Government seems to Fly like more of a heavy hit than the $250 Carrasco donation that Campos is crowing Don’t about. Then there is the forget $750 Campos collected to tip! from BP’s North America Employee PAC FLY@ on May 21, smack dab METRONEWS. in the middle of the COM Deepwater Horizon oil spill fiasco. It gets better: Campos has also received some $7,500 from various check-cashing/ payday loan operations. One might think that the representative of the most economically hard-hit community in San Jose would be a bit more wary of taking cash from businesses that make their fortune charging poor people exorbitant interests so they can pay their rent on time. Fly won’t bother asking what promises Campos might have made that would lead the payday loan industry, BP petroleum or L.A. casino owners to contribute to her campaign (as she asked about

9

Sun Down

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“When I heard PACE got put on hold, I just thought, ‘I knew it,’” he says from the driver’s seat of his white Chevy Cheyenne utility truck en route to one of the few solar jobs he was able to land in the increasingly ruthless solar market.

“When it takes off—if it takes off—I think it could quadruple my business and there would be enough to go around. But I’m not going to assume that’ll happen.”

PACE is a general term used for a host of different alternative energy financing schemes that evolved from a program pioneered in Berkeley in 2008 and which are now being replicated in 22 states nationwide. Indeed the programs are so promising that the Obama administration has committed $150 million in stimulus money to

help them get off the ground. Under a PACE program, a homeowner who wants to buy green technology like solar panels but can’t qualify for a bank loan for the $15,000– $30,000 needed for a typical system can receive funding from a local municipality. The homeowner then pays back the money, with interest, over a 20-plus-year timeframe through property taxes. The plan, which attaches a tax lien on the property itself instead of loan debt on the individual, seemed the perfect way to get everyone— regardless of home equity or credit—on the path toward green energy use.

In Santa Clara County, like the 13 other counties in California that were looking to participate, the program had been approved by local leaders and was just about to start accepting applications when word came down in July that the effort would be put on indefinite hold.

In San Jose in particular, the suspension has thrown a wrench into the works of Mayor Chuck Reed’s much ballyhooed Green

Freddie contend, or assessments, as Brown and the various participating counties insist they are.

“These programs involve assessments, not loans, and there are decades of law that define assessments,” says Liz Yager, program manager for the Sonoma County Energy Independence Program, the only program in California to keep running despite the threats from Fannie, Freddie and FHFA. “Every time someone calls it a ‘loan’ it’s misleading.”

Little Fish, Big Pond There is a love-hate relationship between green technology installers and local PACE programs. On one hand, the promise of government cash and tax rebates for buying expensive retrofits like solar panels has been key in bringing in business for workers like Bulterman—and PACE would no doubt have been the biggest draw yet. On the other hand, that same potential gravy train has also brought an influx of prospecting workers—some strictly solar-specialized, others from a host of trades like roofers, carpenters, electricians and general contractors—that have overcrowded the local green job market, and, as one installer says, made it “cutthroat beyond belief.” As word of PACE spread, installers and wholesalers fought the impression that it would be a “silver bullet” for customers who have been content to wait to go solar until the sweetest deal comes along. Still, despite the highly competitive industry, most installers agree that more incentives usually equal more business.

“The suspension of PACE is a really big deal for me,” says Matthew Welch, owner of the San Jose–based solar and electric company, Earth Electric, and a part-time solar installation instructor at San Jose City College. “I just had a guy who was wanting to buy solar, but was completely contingent on PACE financing. Now he can’t get it. When I teach [at SJCC], I’ve professed how great PACE was going to be. I’m really bummed out. This thing was really supposed to take off.”

Even in Sonoma County, where

the PACE program is still running, solar jobs are fewer and farther between than the myriad of workers on hand to do them. Yager says, however, that despite the rocky start, support for the plan remains strong and that Sonoma County is happy to stand up to big mortgage companies that are looking to ruin the party.

“Our Board of Supervisors decided to keep the lights on and stand up for SCEIP,” she says. “There is a huge grassroots movement around this. We’re confident there will be a resolution.”

In the meantime, Bulterman says he’ll keep competing with the 10 to 15 other solar installers that bid on the same jobs he does and that he’ll “take whatever work I can get.” Back in his truck, the electrician takes a phone call from a fellow installer he hires whenever he needs the extra help.

“Hey, Robin. Yeah, things are slow. You know how it is,” he says.

“If I manage to get some more work somehow, though, I’ll have some for you.”

Turning toward me, he continues: “There you go. That’s one more guy that could be working if PACE went through.”

THE FLY

8

the Leal-Carrasco contribution). Fly has noticed that the usually mediaevasive Campos has upped her visibility lately under the political guidance of the newbie political consulting team of ROLANDO BONILLA and RYAN FORD. And it might be creating enemies in Sac-town. It’s bad sign when the Assembly’s assistant majority leader, KEVIN DE LEÓN, makes it sound like she’s practically hiding in his bushes, threatening to take a bat to his friends’ kneecaps if they don’t agree to support bro Xavier. And all this before Nora has even officially clobbered weakling GOP candidate ATUL SAINI in the run-off.

Fly’s betting de León is regretting that $100 his 2010 Assembly campaign donated to the candidate he now calls his “personal stalker.” Of course, that was all before his ex-wife starting messing with her little brother.

9 M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Vision program—a 15-year citywide plan to boost green jobs and make the city more sustainable, which used PACE financing as a key element.

“There’s no question a lot of people could have participated in the program. Just look at how fast the program filled up in Berkeley,” says Jessie Denver, San Jose’s community solar program coordinator. “We’re all just holding tight now, waiting to hear about new [funding] options.”

The reason for the hang-up was that government-backed mortgage giants Fannie Mae and Freddie Mac, along with their regulatory body, the Federal Housing Finance Agency, backed out of supporting the program over concerns that the tax liens would take precedence over the mortgage loans in the event of foreclosure. In short, that a homeowner who defaulted on a home loan would technically have to pay off his or her PACE lien before paying off his or her mortgage. Result: freaked-out lenders. The companies have since vowed not to grant any loans for properties that participate in PACE. “PACE loans are unlike routine tax assessments and pose unusual and difficult risk management challenges for lenders, servicers and mortgage securities investors,” reads a statement released July 6 by FHFA. “[These] programs present significant safety and soundness concerns that must be addressed by Fannie Mae, Freddie Mac and the Federal Home Loan Banks.”

Because Fannie and Freddie collectively own or guarantee roughly half of all U.S. mortgages, their participation was crucial to the programs’ success. Since the dustup, gubernatorial candidate and California Attorney General Jerry Brown has filed suit—as has Sonoma County—against the mortgage corporations and the FHFA, with Brown saying that “Fannie Mae and Freddie Mac received enormous federal bailouts, but now they’re throwing up impermeable barriers to bank lending that creates jobs, stimulates the economy and boosts clean energy.”

The heart of the legal argument that now awaits lies in whether the PACE tax liens are legally considered loans, as Fannie and

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10

sv 411.com made about you based on your search history or what you have written about in emails?

In Defense of Google THE SELF-APPOINTED Consumer Watchdog activist group is running a Times Square jumbotron advertisement lambasting Google as a massive invader of your privacy, caricaturing its CEO Eric Schmidt as a creepy, hightech ice cream vendor who profiles children.

No, you haven’t. Google doesn’t do that. Every search ad and every ad in Gmail or Google Images is essentially blind to who you are and is keyed off only the search term you just entered or the email you just opened.

That’s because Google’s ad tracking system and your Google account system are separated by design.

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The video is just the latest from Consumer Watchdog, a foundation-funded group that is partial to splashy campaigns.

The group has hired former reporter John Simpson to be a “hell raiser” focused on Google, and he’s been remarkably good at it, even when the facts aren’t on his side.

While there are plenty of reasons to keep a critical eye focused on the search and advertising giant, Consumer Watchdog’s ad is a dishonest, factually inaccurate joke that shamefully got plenty of uncritical media attention, including from my colleague David Kravets at Wired.com.

In the simplest terms possible, Consumer Watchdog is just wrong.

In the ad, Eric Schmidt is seen telling a kid that he knows that his daddy watches “sports” at work (meaning porn), and takes weird high-tech snapshots of the kids as their “payment” for free ice cream, using “Google Analytics,” a traffic measurement tool used by millions of websites, including Wired.com, and as Business Insider points out, by Consumer Watchdog as well.

But here’s a question for you Google and Gmail users. Have you ever actually seen ads on third-party websites or Google’s own sites that are derived from assumptions Google has

How about so-called retargeting ads, where companies like Zappos trail you around the net with ads for products you looked at on their site but never bought? Does Google do that with searches you’ve made on products? No, it doesn’t, even though that would be easy and highly profitable for them.

In terms of building profiles of users, Google is remarkably and admirably restrained in how it uses the insane amount of data it collects. —RYAN SINGEL, WIRED.COM/EPICENTER

BbeS It is very easy to attack the big guy. It makes for a great headline. soulcatcher Consumer Watchdog is using Google Analytics to track users on its page castigating Google for tracking users. Hypocrites. zato3 “Foundation-funded”? You mean Microsoft-funded Microsoft is the only “actor” in the “screw Google” campaign that would go as far as the sick, creepy video above does.

‘Duke Nukem Forever’ Revealed A bizarre but telling confluence of events has lead to the conclusion that 2k Games (subsidiary of TakeTwo Interactive, the company that famously sued the creators of Duke Nukem, 3D Realms, for not making Duke Nukem Forever) will be showing Duke Nukem Forever in some capacity today at the Penny Arcade Expo.

?<ÊJ 98:B É;lb\ Elb\d =fi\m\i#Ê X j\hl\c gifd`j\[ (+ p\Xij X^f# n`cc Y\ i\c\Xj\[ e\ok p\Xi% The Duke Nukem sequel saga is the games industry’s most famous example of vaporware, a game that languishes in development with great anticipation until finally fading into the ether for any of various reasons.

In the case of Duke Nukem Forever, fans have been waiting for 13 years.

But we mentioned a bizarre confluence of events.

Semireliable tweets from the show floor: • “a source at the convention told Joystiq that images of Duke Nukem are visible at the 2K booth” • “US dev sources have indicated to CVG that [Duke Nukem Forever] will get a ‘grand demo’ at the show” • “2k was hinting at ‘something big’ at its booth” • A picture of the CEO of Gearbox Software (rumored to have signed on to complete the game) wearing a Duke Nukem T-shirt, tweeted by Gearbox’s creative director.

Update: It’ll be out in 2011.

Yahoo Gets More Local As you type into a search box on Yahoo or Google, a list of suggested keywords pops down below to

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help you complete your search faster. Today, Yahoo turned on a local component to its keyword autocomplete feature. The search assist now serves up different keywords based on your location.

So if you type in “Santa” in Northern California, “santa clara county” might be the first suggestion, but if you type it in Southern California, “santa barbara” might be first.

Location is often a very relevant way to filter search, so this makes Yahoo’s search assist smarter.

But, as with many things Yahoo, it is lagging behind Google with this feature. Google’s search assist also factors in your location. And, from what I can tell, it does it better. — ERICK SCHONFELD. TECHCRUNCH.COM

Chandler Bing Wow So Google is better than Yahoo? That’s something I didn’t know! Thanks for the news. By the way, have you tried out the new website that connects people? Its called Facebook, I guess. You should give it a try. queazy People are so lazy that they can not type out the full word?

Chandler Bing In fact, they are.

At least, I am.

mirz Well, actually, I live in Orange County in the city right next to Santa Ana. I entered “Santa” on both search engines and received “Santa Cruz” (NorCal) so yeah . . . d05register Although most say Google is the top search engine, I find it harder and harder to find what I am looking for, especially when I search for phrases of four to five words.

I think a contemporary search engine without classification (what Clusty did) is pretty much useless today. When I search for “LCD monitor” for example I want to immediately separate shops that sell consumer electronics from university or other pages that contain research or info about LCD displays. This is a very elementary example but I think you got the point.

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E 8gi`c (/# )''-# k_\ :`kp :fleZ`c leXe`dfljcp Xggifm\[ k_\ >lX[Xclg\ D`e\j >\e\iXc GcXe Xd\e[d\ek# Z_Xe^`e^ k_\ qfe`e^ ]ifd I\j\XiZ_ ;\m\cfgd\ek kf I\j`[\ek`Xc% 8k k_Xk jXd\ d\\k`e^# k_\ ZfleZ`c [\YXk\[ fk_\i `e[ljki`Xc Zfem\ij`fej Xcfe^ Fc[ FXbcXe[ IfX[&IfZb 8m\el\# Xe[ mfk\[ kf Zfem\ik Xcc f] k_\ \dgcfpd\ek$cXe[ gXiZ\cj k_Xk e`^_k kf _flj`e^% Now, four years later, on Aug. 31, the council heard a proposal for housing on the Guadalupe site for 89 single family homes. The issue for many who spoke at the meeting was that this piece of land is against a creek and that the city’s Riparian Corridor policy should be adhered to.

(A riparian corridor is another term for a waterway. The purpose is to make sure that developments are not built right next to a creek, river, etc.)

Although the Internet is great for providing maps and aerial views, I prefer going out to the sites of landuse items that are on the council agenda. I drove through the existing neighborhood across the street from the proposed development to know more about it, and finally drove and walked the parcel.

The thing that struck me is that I saw many parked cars. I looked up and recognized the name on the building, Monolithic Power Systems (MPS). MPS is a $240 million analog semiconductor company whose global headquarters is in San Jose.

I went into the lobby, introduced myself and asked for the chief financial officer (CFO).

While I was waiting, I noticed people were coming in for job interviews. I later found out they had 11 open positions they were hiring for this location on top of the 160 current employees in San Jose.

I met with Richard, the CFO, and he gave me the history of the company which started in Los Gatos and then moved to San Jose. MPS ranks as one of the fastest-growing

companies in Silicon Valley. The CFO told me they like the location and would really like to stay, but they understand they do not own the property. They like the location so much they offered to buy the building—and an additional vacant building, even though they did not need it to sweeten the pot.

So they put in an offer for the market price for R&D office space and a housing developer put in a bid as well, based on building houses.

We know that housing trumps jobs for the cost of land. So the private property owner chose the higher bid.

The CFO understands they will have to move, so I asked what about Edenvale or north San Jose? He responded that San Jose is not on the short list, as they have looked at properties in other cities based on where executive management lives.

Understanding that the rezoning was done four years ago, I could not vote for housing knowing the city of San Jose would lose a corporate headquarters and 170 really wellpaid jobs.

As a result, I voted “no,” as I did not want to associate myself with forcing a technology company to move out of San Jose. My colleague Councilmember Kalra also voted ‘no,’ citing concerns from the dais about the development being too close to the creek. Final vote was 8-2 in favor of housing. —Pierluigi Oliverio

Pierluigi Oliverio represents District 6 on the San Jose City Council.

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San Jose

presents

Rhythm Spirit 2010

september 10-11, 2010 campbell heritage theatre

TICKETS: 408-866-2700 www.taiko.org

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SILICON SILICON ALLEYS ALLEYS

River Walk

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\og\i`\eZ\ k_\ >lX[Xclg\ I`m\i 9p 9 p G GARY A RY SINGH SINGH

R

F9@E C8JJ<I Xe[ @ F9@E C8JJ<I Xe[ @ Xi\ \ jkifcc`e^ Y\e\Xk_ Xi\ jkifcc`e^ Y\e\Xk_ JXe e =\ieXe[f \ieXe[f Jki\\k Jki\\k JXe =\ieXe[f Jki\\k Xe[ [ k_\ ?`^_nXp Xe[ k_\ ?`^_nXp /. fm\igXjjjÆXe fd`eflj /. fm\igXjjÆXe fd`eflj ki`c\m\c d`c`\l f] ZfeZi\k\ ki`c\m\c d`c`\l f] ZfeZi\k\ Xe[ jk\\c \em\cfg`e^ \ n_XkÊj Xe[ jk\\c \em\cfg`e^ n_XkÊj c\]k f] k_\ >lX[Xclg\ I`m\i% c\]k f] k_\ >lX[Xclg\ I`m\i% As we we navigate navigate the the jogging jogging path path jjust ust west west of of the the Adobe Adobe building, building, d irectly above ab ove v u its her her art ar t directly uss ssits iinstallation, nstallattion, titled titled F lo ating W orld: A Floating World: T ent C it y C ampgrround ffor or Displaced Displaced Tent City Campground H uman aand nd B ird SSong. ong.

Human Bird F ashioned after aft fter F EMA re lief Fashioned FEMA relief sshelters, helters, five five clusters clusters of of fabricated fabricatted ttents ents are are cantilevered cantilevered off off the the San San F ernando hand hand railings. railings. Sound Sound Fernando ccollages ollages eemanate manate from frrom the the tents, tents, aall ll o hich aaddress ddress iissues ssues relating relating off w which

to the to the river’s river’s health health and and history— h i s t o r y— floods, wildlife, fl o ods, w ildlife, ggarbage, arbage, the the homeless population more. h omeless p opulattion aand nd m ore.

Wee h hear off aan W ear tthe he ssound ound o n aairplane irplane overhead plus o verhead p lus a few few cars cars aand nd pedestrians on San Fernando.

Barely p edestrians o nS an F ernando. B arely water aany ny w atter ssits its iin n tthe he rriverbed. iverbed.

The processed T he p rocessed ssounds ounds ffrom rrom tthe he underneath iinstallation nstallation eecho cho u nderneath tthe he bridge. twilight, with b ridge. IItt iiss tw ilight, w ith tthe he ttent ent forming only cclusters lusters fo rming tthe he o nly ssmidgens midgens off ccolor monotonous o olor aamid mid tthe he m onotonous ggray ray ssurroundings. urroundings. off ““You’ve You’ve ggot ot tthree hree sstories tories o Lasser cconcrete, oncrete, aand nd tthis his rriver,” iver,” La sser observes. o bser ves. ““It’s It’s llike ike a ccathedral. atthedral. IIt’s t’s magical.” her m agical.” I aagree, gree, eenvisioning nvisioning h er voice birdsong myself vo oice aass tthe he b irdsong aand nd m yself aass displaced tthe he d isplaced human. human.

Conceived with Marguerite C onceived w ith aartist r tist M arguerite Perret, Floating World one off ssix P erret, F lo ating W orld iiss o ne o ix make up iinstallations nstallations tthat hatt m ake u p ““Art Ar t on San Fernando: Re-visioning o nS an F ernando: R e -v i s i o n i n g Corridor,” off p projects tthe he C orridor,” a series series o ro ojects

along San San Fernando Fernando from frrom Diridon Diridon along Stattion to to Market Market Street.

Stre r et. Each Each work work Station addresses the the relationship relationship between b etween addresses the built built environment environment and and the the the natural world. world. natural Lasser is is currently currently an an art ar t Lasser professor at at SJSU, SJSU, and and F lo ating W orld professor Floating World was commissioned commissioned by by the the city city of of was San San Jose’s Jose’s Public Public Art Ar t program program in in collab orattion with with the the 01SJ 01SJ Art Ar t collaboration Biennial, Biennial, which which will will soon soon explode explo de all all over over downtown downtown San San Jose.

Jose. Others O thers who who collaborated collaboratted on on the the project pro oject were were Bruce Bruce Scherting, Scher ting, James James Stone, Stone, Anthony Anthony Teixeira, Teixeira, Keay Keay Edwards Edwards and and Sasha Sasha Vermel.

Vermel.

Each Floating Each cluster cluster of of tents tents in in F lo ating World World symbolizes symbolizes a different different aspect aspect of of the the river river or or its its environs. environs.

For For example, example, the the tan-colored tan- colored dome-looking dome-lo oking tents tents emit emit sound sound compositions compositions using using recordings recordings of of local local birds birds as as the the source sourc r e material. material.

A live live microphone microphone underneath underneatth the the bridge bridge picks picks up up ambient ambient noises noises and and these these sounds sounds are are routed routed through through MAX/MSP MAX /MSP software software to to modulate mo dulate the the composition composition of of the the bird bird sounds sounds in in real real time. time. When When a airplane airplane flies flies overhead overhead or or a VTA VTA bus bus thunders thunders by, by, those those disturbances disturbances cause cause the the collage collage

of of bird bird sounds sounds to to become become louder louder and and higher higher in in pitch. pitch. So So the the live live sonic sonic track track from fro r m that that tent tent cluster cluster constantly constantly changes changes according according to to the the local local sonic sonic environment. environment.

“This “This is is reflective reflective of of how how birds birds all all over over the the world world are are changing changing their their songs songs in in order order to to be b e heard heard above ab ove anthropogenic anthrop ogenic human-made human-made noise,” noise,” Lasser Lasser explains. explains. “They “They do do it it as as a survival survival tactic. tactic. They They need need to to be be heard heard by by their their mates. mates. So So they they sing sing higher higher and and louder louder as as a result.” result.”

The The green-colored greeen- colored encampments encampments emit emit sung sung voices, voices, interviews interviews and and narration narration about about climate climate change change and and natural nattural disasters. disasters. The The silver, silver, octagonal octagonal tents tents broadcast broadcast interviews inter views about ab out the the health health and and history history of of the the river. river. The The blue blue tunnel-shaped tunnel-shaped tents tents feature featture recordings recordings of of underwater underwatter sounds sounds from fro rom the the river, river, using using weather weather data data t to to further further modulate modulatte the the sounds, sounds, while while the the red red tents tents broadcast broadcast a soundtrack soundtrack about about how how human human bodies b odies relate relatte to to the the land. land.

Even Even better, b etter, a beautifully beautifully creepy creepy voyeuristic voyeuristic element element emerges emerges from fro r m the the entire entiree work. work. The The homeless homeless folk folk underneath underneatth the the bridge bridge sit sit and and experience exp erience the the sounds, sounds, wondering wondering what’s what’s actually actually going going on. on. Pedestrians Pedestrians on on the the sidewalk sidewalk stop stop and and listen listen in, in, as as if if they’re they’re eavesdropping eavvesdropping on on someone’s someone’s house. house.

Of Of course, course, with with any any work work of of public public art, art, passers-by passers-by are are encouraged encouraged to to interpret interpret the the work work however however they they see see fit. fit. Lasser Lasser says says she she actually actually enjoys enjoys watching watching bewildered bewildereed bystanders bystanders approach approach the the installation. installattion. It It provides provides a social so cial sculpture sculpture where where people people can can meet meet and and talk. talk.

“There “There are are the the homeless homeless that that live live in in that thatt space, space, as as well well as as the the locals locals who who have havve their their houses houses around around there, there, as as well well as as the the businessmen businessmen crossing crossing the the street,” street,” Lasser Lasser tells tells me. me.

“So “So to to be b e able able to to provide provide a kind kind of of meeting meeting ground, ground, a place place to to explore explore all all these these things, things, even even if if it’s it’s just just subliminally, subliminally, to to me, me, as as an an artist, ar tist, it’s it’s the the most most incredible incredible gift gift I can can receive.” receive.”

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Shadows of Doubt John D. Murphy is the author of the book ‘Jury Rigging in the Court of Public Opinion’ on the Holmes and Thurmond lynching. He also wrote and produced the 2007 movie ‘Valley of the Heart’s Delight,’ which will be shown at the Camera 3 Cinema Sept. 17–24.

Murphy will be available following the Thursday night screening for a discussion.

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BY JOHN D. MURPHY

17

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This blistering scorn permitted up to 15,000 men, women and children to jam a city park, cheer an assault on the county jail across the street, witness and then celebrate two lynchings.

The exploitation of honest public feeling, and the surly contempt for the rule of law that gave rise to these lynchings, endures to this day— perpetuated by a materially flawed depiction of the guilt of the lynch victims who were never indicted or arraigned, much less tried for the crimes of which they were accused.

Incessantly, since the discovery, that crisp fall morning, of a terribly decomposed body in the San Francisco Bay determined to be the kidnap victim, radio stations had broadcast inflammatory bulletins about the lynching. A Los Angeles radio announcer featured the lynching as a “live event.” A San Jose movie theater projectionist placed a slide on the screen that announced that the lynching was about to start, and the patrons surged toward the exits.

Asked if he would order the National Guard to stop the lynching,

Gov. James “Sunny Jim” Rolph retorted that he would pardon the lynchers. Two hours prior to the lynching, he canceled a trip to the western governors conference in Boise, Idaho, to prevent his chief political rival, the lieutenant governor, from using the National Guard because he had left the state.

Rolph was connected both personally and politically to San Jose through former state Sen. Louis Oneal. Fellow Republican Oneal, literally Rolph’s next door neighbor in the mountains on the west side of Santa Clara Valley, was the powerful overlord of the dominant county political machine.

During the assault on the county jail and the lynching, Oneal maintained an open phone line from his ranch to the jail in downtown San Jose; with him was Raymond Cato, appointed by Rolph as the chief of the California Highway Patrol. Three years previously, Oneal had handpicked San Jose Police Capt. William J. Emig to run for Santa Clara County sheriff, and got him elected.

Oneal had joined the sheriff and FBI agents in the interrogation of suspect Thomas Harold Thurmond.

Ordinarily the sheriff would have

provided Thurmond’s confession to the press, but it was released through Louis Oneal’s law office.

Swift Justice Three generations after the lynchings, former San Jose Mercury reporter and columnist Harry Farrell wrote the insider account of the event: Swift Justice: Murder and Vengeance in a California Town.

In his introduction to Swift Justice, Farrell candidly acknowledged his bias toward the history with which he grew up: “I have used conventional wisdom about the case based on facts publicly aired . . . taking at face value the Thurmond and Holmes confessions.”

In acknowledgment of his hometown prejudice, Farrell paid homage to the dramatically compelling, yet factually tenuous, tapestry of guilt woven by law enforcement, community leaders, the governor of California, the citizenry and the press in November 1933 that created the foundation for the lynchings: “Nowhere—neither street talk

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LYNCHING 17

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nor news reporting, nor official action—was the legal presumption of innocence even accorded lip service. The confessions of the prisoners were taken at face value; prospective efforts to repudiate them were dismissed out of hand.”

“In the court of public opinion, Jack Holmes and Thomas [Harold] Thurmond already stood convicted with no chance of appeal.”

Farrell had tried to attain the “literal truth” when he wrote Swift Justice, but freely admitted that his representation of facts ventured well outside commonly observed journalistic standards and practices: “Where direct quotations are invented, their purpose was to enhance the truth. [W]hen sources are in conflict, obvious error, or incomplete, I have had to make educated guesses.

“Certain matters appearing in quotation marks do not meet the same standards of exactness . . . in a . . . contemporary news story. I freely acknowledge taking liberties . . . to produce a narrative in human terms.”

The acceptance of facts as “publicly aired” permitted Farrell to conform the available written record— newspaper stories, the FBI file on the

kidnapping of Brooke L. Hart and personal interviews—with the time, place and action scenario detailed in the suspects’ confessions. It also freed him from the objective analysis of facts that didn’t conform to what most people believed at the time of the lynching and allowed him to conclude: “The preponderance of the evidence supports the long accepted version of the events.”

Farrell acknowledged that he “had to deal with . . . inconsistencies which . . . cast a passing shadow” on his account of this historical event, but spent little time in the shadow. He accorded only superficial attention to the most obvious inconsistencies in the law enforcement version of the crime and the guilt of the two suspects, and failed to critically examine the most basic, yet glaring contradictions in the confessions.

Guilty Enough Despite its seductive and compelling narrative force, one disquieting element among stark others in Swift Justice is the creation of a heretofore diabolically concealed criminal personality for Jack Holmes.

Holmes, husband and father of

19

>fm% AXd\j ÉJleep A`dÊ Ifcg_ ZXeZ\c\[ X ki`g kf 9f`j\# @[X_f# kf gi\m\ek k_\ c`\lk\eXek ^fm\iefi ]ifd lj`e^ k_\ EXk`feXc >lXi[ Swift Justice transmogrified Holmes, who was also admirably described as, “A happy man with a promising future—well liked, recognized, and respected around town”—into the arch-evil manipulator of his partner and foil, Thomas Harold Thurmond, “who would happily stick his head in an oven if anyone asked him to.”

In contrast to Jack Holmes’ imagined criminal propensities, Swift Justice’s depiction of Thurmond was derived from family members and individuals with a lifetime familiarity with him; none of it was flattering.

The one constant in Thurmond’s life was the severe head injury he had suffered as a young child.

An amalgam of the confessions and the contents of the first written demand from the kidnappers is the kicker to the discussion after the murder of Brooke Hart: “Holmes withdrew a postcard and pencil from his pocket and, by the car’s dim dome light, laboriously printed in capitals a message to Alex

Hart, Sr., composing it as he went along. It was the one which began “YOUR SON IS O.K. AND TREATED WELL. . . .” When finished, Holmes handed the card to Thurmond, who put it in his pocket along with Brooke Hart’s wallet.”

At the time this conversation had supposedly taken place, three witnesses stated Jack Holmes had been with them. The FBI analysis of ransom note handwriting released fifty years later determined that, although Thurmond and Holmes had both confessed that Holmes wrote all three ransom notes and letters, all had been written by Thurmond.

Persons unfamiliar with the factual inconsistencies in the confessions, the declarations of alibi witnesses, and the defiance of the laws of time and space that had to be manifested by Jack Holmes readily believe the “long accepted” and emotionally compelling version of the kidnapping and murder history memorialized in Swift Justice.

Swift Justice is an eye-opening case study of how the highly charged apologetics of Thurmond’s and Holmes’ guilt was still being exercised 60 years after their lynching.

Thurmond’s partnership with Holmes in the commission of a high profile, high stakes crime, in their own cars (Thurmond had to borrow the family car), on the streets of the city in which they had spent their entire lives, is so outlandish that it served, in 1933, and serves today, as the very reason for its credibility. It is simply so unbelievable that people believe it.

Its logical ungainliness was engineered by law enforcement in 1933 (echoed in Swift Justice) as evidence that only two culprits as sinisterly clever as Holmes and as moronic as Thurmond could have committed a kidnap and murder in such a bewildering and appalling manner.

In reality, its outlandishness is due to the case—both chronicled and imagined in Swift Justice—being jury rigged to convict the suspects in the court of public opinion.

Bumble and Bungle Although Thurmond possessed limited mental capacity and

20

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two young children, became, in the pages of Swift Justice some 60 years after his hot-blooded murder at the hands of a mob, suddenly possessed of a sinister criminal mind. To establish this pathology, Swift Justice relied on factually questionable, oblique and remote (in time), plainly superficial, idiosyncratic personal gossip that was not, and cannot be, corroborated.

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LYNCHING 19

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emotional maturity, the FBI prompted members of the Hart family who had received the ransom calls to identify, by telephonic voice recognition, the dim-witted high school dropout as the man with “a soft, unhurried, well-modulated voice,” who made repeated ransom calls over six days.

To exercise such a pivotal role in the kidnapping, Thurmond would have had to express himself in a coherent and, for him, unnaturally confident manner. Confronted on the ransom calls by the skeptical and highly intelligent father of the kidnap victim, Alex Hart, Thurmond would have had to think on his feet.

Given the uniform characterization of Thurmond’s mental acuity, it is doubtful that he had ever thought much on his feet, or in any other way.

Absent acknowledgment of its blatantly contradictory nature, Swift Justice relied upon the same pathologies asserted as the criminal bona fides of Holmes and Thurmond to also justify and explain why the kidnapping was, by even the most egregious examples of bone-headed criminal behavior, incoherently designed and implemented. Their “bumbling execution of the atrocity . . . verged on the comic.”

It was “comic” because the sheriff and the FBI had implanted the time, space and circumstance of the suspects’ confessions into a Procrustean bed of guilt.

Swift Justice created, as the foundation for Holmes’ gross criminal ineptitude, contradictorily enough, an imaginary criminal mind: “To Jack Holmes, a flawless felony was something he admired . . . ; a botched crime was an affront.

Holmes convinced himself he was smarter than those who had been caught.”

Holmes was the criminal mastermind who, when on a bridge only 18 miles from San Francisco where he planned to have the first ransom call made, drove over 40 miles back to San Jose before he ordered Thurmond to drive some 60 miles to San Francisco, make the ransom calls, throw the wallet into the bay and drive 60 miles back. Thurmond had to borrow his father’s car to do it.

Holmes, the criminal genius, made or ordered Thurmond to make

ransom calls from pay phones within one-half mile of each other on consecutive nights in downtown San Jose during one of the most intensive law enforcement manhunts in California history.

Each time a ransom call was attempted, it had to go through a local operator. The Harts’ phone number had to be identified, and then there was a wait to be connected. Even this wasn’t sufficient to establish the kidnappers’ awe-inspiring lunacy; Thurmond was arrested on a telephone 150 feet from the San Jose Police headquarters.

There was more prodigious idiocy that literally rode around; Jack Holmes used his own car with his California license plates to carry out the entire crime.

Mob Motive San Jose in the 1930s had a population of nearly 60,000 people, yet boasted 19,000 single-family homes, and only 400 apartments.

Its remarkable middle-class wealth derived primarily from being the largest fruit and vegetable canning center in the nation. San Jose was middle class with a vengeance that manifested itself in a manner—the lynching—still unrivaled by any other middle-class community in the United States.

“San Joseans jealously cherished the symbols they perceived as confirmation of their culture: their twenty-one schools; their fortysix churches; the ivied tower and arcaded quadrangle of the teachers’ college [today, San Jose State University], and the Spanish-tiled buildings of the nearby University of Santa Clara.”

The beauty, safety, and relative economic security at the height of the Great Depression was something San Jose residents deeply valued and jealously guarded, and given their reaction to the kidnapping and murder of one of their own, something they defended and protected even at the cost of human life.

While today’s society is greatly inured to the graphic depiction of

22

K_\ d\e cpeZ_\[ `e Jk% AXd\j GXib `e (0** n\i\ e\m\i ki`\[# fi \m\e `e[`Zk\[% 9lk X jkl[p f] k_\ ]XZkj j_fnj k_Xk k_\ ZXj\ X^X`ejk k_\d nXj Ô Xn\[% ABANDONED STUDEBAKER The wife of the manager of the San Jose Country Club stated that she first saw a car abandoned with its headlights on near her home at 7pm the night of the kidnapping. Delphine and Isabelle Silveria had witnessed five men and the “light-haired driver” of the Studebaker stop some 30 feet from their barn at 6:30pm on the night of the kidnapping. They lived a mile and a half south from where the Studebaker was abandoned. They were the only eyewitnesses to the Brooke Hart kidnapping.

VERIFICATION OF THE EYEWITNESS ACCOUNTS The FBI Brooke Hart kidnapping file contains a facsimile of a telegram sent to J. Edgar Hoover on the night of Nov. 13, 1933, after the eyewitness verifications: “Developments today indicate hart kidnapped by five men driving a large black sedan bearing California license.” In comparison to the long-hooded “large sedan” identified in the eyewitness accounts, Jack Holmes drove a black 1933 twodoor Chevrolet coach. It was not until 50 years later, when the Brooke L. Hart kidnapping file was made public under the Freedom of Information Act, that this incendiary contradiction finally became public.

BROOKE HART’S WALLET Thurmond confessed that after the 10:30 ransom call to the Hart family, he had walked down Market Street in San Francisco from the Witcomb Hotel to the Embarcadero, then south to Pier 32 where he had tossed Brooke Hart’s wallet into the bay. Whether Thurmond’s confession is taken at face value (as in Swift Justice), or assessed by objective fact, he could not have thrown Brooke Hart’s wallet into the bay. Thurmond confessed that he had tossed the wallet between 10:30 and 11pm on the night of the kidnapping. At the time he tossed the wallet off Pier 32, the oil tanker guardrail where it was found was still under water.

IT DOESN’T GE GET ET ANY FRE ESHER T HA H AN THIS FRESHER THAN

THURMOND IDENTIFIES BROOKE HART Thurmond and Holmes would have both recognized Brooke Hart, particularly since he drove only one of only two 1933 Studebaker President roadsters in San Jose. Jack Holmes’s father had custom tailored for L. Hart & Son for many years.

HOLMES WIPES OFF FINGERPRINTS For Jack Holmes to confess that he had wiped off fingerprints in the Studebaker (no prints of Thurmond or Holmes were found in Hart’s car), and at the same time to confess to the use of his Chevrolet with his license plates to execute the kidnapping, drive to San Mateo Bridge, park it while Hart was killed, use it to make ransom calls from different pay phones in downtown San Jose, and park it in the same garage where Thurmond made the ransom call that resulted in his arrest, defies both credulity and the argument in Swift Justice about Jack Holmes’s criminal expertise. The police searched Holmes’ car, but did not find the gun or Brooke Hart’s fingerprints.

HOLMES HITS HART ON HEAD Thurmond confessed that Holmes bashed Brooke Hart on the head twice with a 22-pound concrete block, while Holmes stated that he hit him with his fist.

MURDER METHOD Holmes confessed that Thurmond tied concrete blocks to Hart’s feet before they threw him into the bay off the San Mateo Bridge, while Thurmond confessed that he only bound him hand and foot with clothesline wire.

UNQUALIFIED MASTERMIND Although Swift Justice portrayed Jack Holmes as the mastermind and Harold Thurmond as his foil, eyewitnesses for the purchase of the concrete blocks and a gun weeks before the crime imply that Thurmond was the “mastermind” of the Brooke Hart kidnapping.

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LYNCHING 20 human depravity engorged by the news and entertainment media, the citizens of an agriculturally based community in the 1930s were stunned and horrified by, and took at face value, the descriptions of what was represented to have happened to Brooke Hart an hour and a half after he was kidnapped.

and make their publishers happy through increased circulation.

Overnight, the peaceful, sleepy, bucolic, God-fearing, conservative middle-class enclave was under the microscope. Now, San Jose’s informal lifestyle and insider political and business decisions that were accepted as commonplace fell under the scrutiny of a politically uncontrollable press.

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Jury Rigging

“Taken from a car on the San Mateo Bridge in the middle of the freezing San Francisco Bay at night, Brooke Hart was bashed on the skull twice with a twenty-two pound concrete block. He was then bound hand and foot with clothesline wire, had two of the concrete blocks tied to his feet, and was tossed off the bridge into the bay. One of the kidnappers climbed under the bridge to fire a volley of shots where he disappeared into the water.”

These images ignited the rage that resulted in the lynching of the two local men who had confessed to such atrocious acts.

The other volatile element stoking the anger of these otherwise decent citizens was the outsider press. At the time, San Jose was only of marginal interest to the many aggressive San Francisco newspapers, but once it was learned that the scion of a wealthy San Jose family had been kidnapped, ruthlessly competitive reporters swarmed the city. They slavered for any details, factual and mendacious, lurid and antiseptic, that would bear their bylines

Because of the sheer horror of the acts to which both Thurmond and Holmes had confessed, discrepancies in the confessions were both ignored or dismissed out-of-hand.

The public revulsion over the dispassionate admission, by two brazen opportunists out for a quick buck, about the brutal execution of an innocent young man established the foundation of fact that resulted—with the complicity of the powers-that-be and the press—in the lynching of Thurmond and Holmes.

In San Jose in 1933, as well as the rest of the nation, people were largely unaccustomed to, and unfamiliar with, the graphic, stomach-turning depictions of human violence that have dominated both the news and entertainment media over the last 40 years. In 1933, such violent humanon-human imagery shocked people deeply, and the emotional response, unlike in the modern day, was not desensitized or hardened: “Grief hung like a pall over Hart’s Department Store. Of the two hundred employees, their movements were automatic, their speech subdued, their throats tight from holding back emotion. Many wept openly, and were not ashamed.”

The citizens of San Jose read and gossiped about two greedy hometown miscreants who stupidly kidnapped, on a street where most people would know them, the highprofile son of a respected family.

Barely 1 1/2 hours later, his skull was bashed twice with a 22-pound concrete block. He was then bound hand and foot, and tossed into the San Francisco Bay. When it appeared that he was still alive, one shot at him repeatedly from under the bridge.

The horror and enormity of such

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acts shook the people of San Jose to their core: “The word of the murder fell like a thunderbolt, and on the heels of the stunned realization came a wave of intense anger. Groups collected in the street. Their faces grim. In step with the anger marched fear, lust for vengeance, jitters, sullen suspicion, and paranoia.”

Their revulsion was amplified when it was learned that Jack Holmes met his wife shortly after he murdered Brooke Hart, and then went to the movies with friends to share laughter as they watched Disney’s Three Little Pigs.

It was heightened by subsequent accounts of Holmes’s friendliness and jocularity as he went about his daily life, while at the same time, he allegedly orchestrated the extortion of ransom with the false and terribly cruel hope that the kidnap victim he murdered would be returned

unharmed to his family.

Further outrage arose from reports that Thurmond had been seen next to his mother at church on the Sunday between the kidnapping, murder and his arrest.

Following the arrests, daily press accounts relentlessly stoked San Jose’s rage. Many people truly believed that Holmes and Thurmond were the “Human Devils,” described in an editorial published in the San Jose News.

As evidenced by the leadership role soon to be taken by the then governor of California, it was a foregone conclusion that the men were guilty, and destined to pay the ultimate price for their crimes.

Such extraordinary violence, brutal callousness and craven greed obviated the need for a trial; no jury in the world would fail to convict two such men and recommend the death sentence.

Unfortunately for Thurmond and Holmes, the confessions that convicted them in the court of public opinion were factually wrong, grossly misinterpreted and cynically devised.

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LYNCHING 23

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“San Jose was a profoundly middleclass town,” Murphy says. “There were 35,000 homeowners in a city of 40,000 residents. It was a prosperous scene. Then, the bubble popped.”

It seems that everyone in San Jose knew Brooke Hart, whose family owned Hart’s Department Store, where everyone in town shopped.

When the handsome young man was kidnapped, it was the most disturbing thing that had ever happened, and it became a huge news story.

When Hart’s body was discovered in San Francisco Bay a few weeks later, and two men were arrested soon after, the town exploded.

Murphy, a former professor at San Jose State University who went on to help found the University of Phoenix, says the extremely violent nature of the crimes frightened and enraged the citizenry.

“The descriptions of the murder of this guy, the utter cold-blooded callousness—we’re used to the graphic depiction of violence, but back then, imaginations just went crazy.”

The popular rage was fueled by public officials who, in Murphy’s

estimation, co-opted the murder for their own uses.

“When you have everyone convinced of their guilt—the sheriff, the head of the police department, the county supervisors, the mayor, all the business and civic leaders, the governor of the state—it’s like, ‘Here’s a free pass, go do whatever you want to do.’ And that’s what happened.”

Murphy says he first heard the story of the lynching when he was a college student, from a friend with whom he was painting houses in Santa Clara. The friend’s grandfather had been part of the crowd of 15,000 or more who witnessed and/or participated in the mob killing, but would not speak of the incident.

Murphy then read Swift Justice, the book about the lynching written by the longtime Mercury News editor and columnist Harry Farrell, a journalistic inquiry that the Hart family—major Merc advertisers—had forced the newspaper to suppress for 30 years. Murphy was surprised to read that Farrell had not analyzed the event to determine whether the lynching victims had in fact murdered Hart, but simply took officials at their word.

So Murphy began a decades-long project that began with his reading reams of FBI files, and ended with the production of a Hollywood movie, Valley of the Heart’s Delight, a fictionalized version of the lynching released in 2007. The film was followed by the publication of the book excerpted here.

Murphy says he was inspired by a belief that John Holmes and Thomas Thurmond, the men hung for the murder of Brooke Hart, probably didn’t commit the crime.

This conclusion is based on evidence Murphy gleaned from the FBI files.

25 “It was like one of these primordial things got loosed,” Murphy says. “It’s just emblematic of that psychology of those in power who want to appear strong and decisive, and they light the fire and it gets going beyond anything that they’d imagined. And we’re stuck with it.”

“I’ve been an educator my whole life and I think this is something that has applicability as a prism to look through at a lot of things that we continue to do in our society. We love the idea of ‘curbside justice.’ Well, this was curbside justice.”

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“John Holmes confessed that he was at a parts store at five in the evening, an hour before the kidnapping; he was in fact in south San Jose at a friend’s home, she testified to that, between five and six.

He couldn’t have done it. “[Thurmond], who was brain damaged, claimed he had to borrow his father’s car to do all this stuff—to take [Hart’s] wallet to San Francisco, to drive to Sacramento. I don’t think so. And no one ever asked the parents if he had the car. The FBI didn’t ask them and the sheriff didn’t ask them.”

As soon as the men were arrested, Murphy says, a media frenzy ensued, fueling the inevitable end.

“The word went out instantly.

The San Francisco papers sent every reporter and every photographer they had to San Jose. The lynching was going to happen. It was on the radio. It just spread like wildfire.

There were something like 5,000 cars blocking the streets around St. James Park.”

Thirty years after learning of the 1933 melee, Murphy still appears horrified when describing it.

The crowd battered in the doors of the jail while police looked on and did nothing. They dragged Holmes and Thurmond out into the street, beating Holmes unconscious. The crowd then strung the men up, stripped them, and tried to light their bodies on fire.

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But offered M exican w ay. B ut iiff iit’s t’s o ffered aass a worth ordering. sspecial, pecial, iit’s t’s sstill till w or th o rdering.

Horchata Salvadoreño H orchattaa S alvadoreño (($1.65 $1.65 forr ssmall) differs fo mall) d iffers ffrom ro r m tthe he ssweeter, weeter, Mexican version. ccinnamon-laced innamon-laced M exican ve rsion.

The drink made with T he d rink iiss m ade w ith ttoasted oasted rrice, ice, peanuts, p eanuts, ccacao, acao, ssesame esame sseeds eeds aand nd morro unique Salvadoran m orro sseeds, eeds, a u nique S alvadoran delicious. iingredient. ngredient. IIt’s t’s d elicious.

For dessert real taste off F or d esser t aand nd a re al ta ste o Ell S Salvador, nuegados E alvador, cchilate hilatte ccon on n uegados hearty but (($5.95) $5.95) iiss a h earty b ut ssimple imple llocal ocal Chilate masa mixed sspecialty. pecialty. C hilate iiss m asa m ixed with hot water pasty w ith h ot w ater iinto nto a tthick, hick, p asty drink.

Mexico atole.) d rink. ((In In M exico iit’s t’s ccalled alled at tole.)

On own, quite bland, O n iits ts o wn, iitt iiss q uite b land, but with b ut tthe he iidea dea iiss tto o eeat att iitt w ith tthe he nuegados n uegados ((sweetened sweetened ffried ried yyucca ucca aand nd ccinnamon-spiked, innamon-spiked, syrupsyrup plantains). didn’t ssteeped teep ed p lantains). I cconfess, onfess, I d idn’t drink much off tthe but d rink m uch o he cchilate, hilate, b ut tthe he nuegados pretty bit n uegados aare re p retty ggood, o od, iiff a b it Think off tthem Salvadoran ggreasy. reasy. T hink o hem aass S alvadoran donuts. d onuts.

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SVDINING

Moree dining Mor dining coverage coverage

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Palo P alo Alto Alto ¿book online ¿book online aatt paloalto.net p aloalto.net

BELLA LUNA BELLA LUNA RISTORANTE RISTORANTE IITALIANO TALIANO IItalian. talian. $ $$$. $$. SSunny unny

Tuscan Tuscan hues hues saturate saturate the the interior, interior, and and the the dishes dishes of of this Palo Alto this ddowntown owntown P alo A lto restaurant restaurant create create a delicious delicious illusion illusion of of dining dining in in Italy Italy on on food food prepared prepared by

by Italian Italian chefs. chefs. Beer Beer and and wine wine served. served.

11am-3pm, 11am-3pm, 5-10pm 5-10pm Mon-Sun, Mon-Sun, 5-11pm 5-11pm Fri-Sat. Fri-Sat. 233 233 University University Ave. Ave. 650.322.1846.

650.322.1846.

BISTRO B ISTRO EELAN LAN California California $$$.

FFrench. rench. $ $$. TThe he oonly nly with menu pproblem roblem w ith tthe he m enu iiss tthat hat iit’s t’s all all tempting. tempting. Using Using sseasonal easonal pproduce, roduce, tthe he cchef hef flavors aallows llows fl avors ttoo sspeak peak ffor or Wine, tthemselves. hemselves. W ine, bbeer. eer.

111:30am-1:30pm 1:30am-1:30pm TTue-Fri. ue-Fri. 55:30:309:30 9 :30 TTue-Sat. ue-Sat. 4448 48 CCalifornia alifornia Ave. 650.327.0284.

A ve. 6 50.327.0284.

BISTRO B ISTRO M MAXINE AXINE Cafe.

Cafe. $$. $$.

Bistro Bistro Maxine Maxine is is a bright, bright, friendly friendly little little spot, spot, a coffee coffee shop shop and and creperie creperie rolled rolled into into one. one. If If you’re you’re lucky, lucky, you’ll you’ll snag snag one one of of the the five five indoor indoor or or two two outdoor outdoor tables tables while while perusing perusing the the long long but but straightforward straightforward menu. menu. 8am-2pm 8am-2pm 6-10pm 6-10pm Tue-Fri, Tue-Fri, 9am-4pm 9am-4pm Sun. Sun. 548 548 Ramona Ramona St. St. 650.323.1815.

650.323.1815.

BUCA B UCA D DII BEPPO BEPPO N Nondesigner ondesigner Italian-American.

Italian-American. $$. $$. Like Like a Sicilian Sicilian Christmas Christmas carnival carnival in in the the ’50s, ’50s, this this party party spot spot blends blends clutter, clutter, joy, joy, high high spirits spirits and, and, oh oh yes, yes, huge huge portions. portions. 11am-10pm 11am-10pm Sun-Thu, Sun-Thu, 11am-11pm 11am-11pm Fri-Sat. Fri-Sat. 643 643 Emerson Emerson St. St. 650.329.0665.

650.329.0665.

CCAFE AFE BRIOCHE BRIOCHE SSouthern outhern French.

French. $$. $$. Mediterranean Mediterranean magic: magic: eexceptional xceptional ccuisine uisine oonn oversize whisked oversize plates plates iiss w hisked ttoo tables tables aass ssoon oon aass iit’s t’s created. created.

Breakfast 9-11pm, Breakfast 9 -11pm, Lunch Lunch 11am11am3pm, 3pm, Dinner Dinner 5:30-9:30 5:30-9:30 MonMonFri, Fri, Brunch Brunch 9am-3pm 9am-3pm Dinner Dinner 5:30-10pm 5:30-10pm Sat-Sun. Sat-Sun. 445 445 California Ave. 650.326.8640.

California A ve. 6 50.326.8640.

CCAFE AFE R RIACE IACE TTrattoria. rattoria. $ $$. $. A An n absolute absolute joy. joy. Every Every dish dish is is made made with with honest honest expertise— expertise— no no tricky tricky trendiness trendiness here. here.

The The homey homey offerings offerings are are based based on on wholesome wholesome Italian Italian staples. staples. Beer, Beer, wine. wine. 11:30am11:30am2:30pm 2:30pm Mon-Fri, Mon-Fri, 5-10pm 5-10pm Mon-Sun. Mon-Sun. 200 200 Sheridan Sheridan Ave. Ave. 650.328.0407.

650.328.0407.

CALAFIA CCAFE CALAFIA AFE A AND ND M MARKET ARKET A GGO-GO O-GO EEclectic. clectic. $$. $$. Calafia Calafia Cafe Cafe and and Market Market A Go-Go Go-Go combines combines elements elements of of the the fast-food fast-food world world and and the the laborlaborintensive intensive slow slow cooking cooking of of more-high-end more-high-end restaurants. restaurants.

Chef Chef and and owner owner Charlie Charlie Ayers Ayers (who first (who was was Google’s Google’s fi rst cchef) hef) calls calls his his concept concept “slow “slow food food fast”—good-to-eat fast”—good-to-eat and and goodgoodfor-you for-you food food that that he he hopes hopes will will appeal appeal to to Silicon Silicon Valley’s Valley’s frenetic, frenetic, too-busy-to-eat too-busy-to-eat pace pace of of life. life. Look Look for for good good burgers, burgers, pizza, pizza, salads, salads, and and fresh fresh fish. fish.

11am-9pm 11am-9pm weekdays; weekdays; 9am9am9pm 9pm Sat-Sun. Sat-Sun. 858 858 El El Camino Camino Real.

Real. 650.322.9200.

650.322.9200.

CCOUPA OUPA CCAFE AFE VVenezuelan. enezuelan. $$.

Venezuela $ $. V enezuela iiss bbest est kknown nown ffor or iits ts ooilil pproduction roduction aand nd rresilient esilient ppopulist opulist ppresident; resident; CCoupa oupa sshines hines aattention ttention oon n tthe he ccountry’s ountry’s ppremium remium ccoffee offee aand nd cchocolate. hocolate. TThe he bbeautiful eautiful sstorefront torefront aalso lso sserves erves eexcellent xcellent white aarepas, repas, w hite ccorn orn ggriddle riddle with ccakes akes sstuffed tuffed w ith vvarious arious fillings. fi llings. 77am-11pm am-11pm ddaily. aily. 5538 38 Ramona 650.322.6872.

R amona SSt.t. 6 50.322.6872.

EEMPIRE MPIRE GRILL GRILL & T TAP AP ROOM ROOM $$.

Waiters CCalifornia alifornia ggrill. rill. $ $. W aiters with w ith ccharm harm ttoo sspare, pare, aan n menu eenergetic nergetic cclientele lientele aand nd a m enu with ppacked acked w ith ggrilled, rilled, rroasted oasted make aand nd ssmoked moked iintensity ntensity m ake Grill much more EEmpire mpire G rill m uch m ore tthan han ssimply imply a ssmart mart pplace lace ttoo ssip ip a ccosmopolitan. osmopolitan. FFull ull bbar. ar. TTue-Sun ue-Sun 651 111:30am-10pm.

1:30am-10pm. 6 51 EEmerson merson SSt.t.

650.321.3030.

6 50.321.3030.

EEVVIA VVIA CContemporary ontemporary Aegean.

Aegean. $$$. $$$. Forward Forward flavors flavors and and plenty plenty of of llaughter—that’s aughter—that’s Dionysian Dionysian

SSANJOSE.COM ANJOSE.COM

¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

dining. dining. Evvia Evvia feels feels like like a little little taverna taverna on on Paros, Paros, only only with with an an unmistakable unmistakable Bay Bay Area Area sophistication. sophistication. Full Full bar. bar. 420 420 Emerson Emerson St. St. 650.326.0983.

650.326.0983.

FFUKI UKI SSUSHI USHI JJapanese. apanese. $$$. $$$. FFor or oover ver ttwo wo ddecades ecades tthis his ssuperb uperb JJapanese apanese rrestaurant estaurant hhas as Nobel sserved erved ssushi ushi ttoo N obel llaureates aureates aand nd oother ther ggrateful rateful ffoodies. oodies.

Open O pen ddaily. aily. 44119 119 EEll CCamino amino Real.

R eal. 111:30am-10pm 1:30am-10pm TTue-Sun. ue-Sun. 650.494.9383. www.fukisushi.

6 50.494.9383. w ww.fukisushi. ccom. om.

GGREEN REEN EELEPHANT LEPHANT GGOURMET OURMET $$. $$. Burmese.

Burmese. Burmese Burmese food food draws draws influences influences from from its its three three largest largest neighbors: neighbors: China, China, India India and and Thailand.

Thailand. Standouts Standouts here here include include the the coconut coconut chicken chicken soup, soup, tangy tangy tea tea leaf leaf salad salad and and refreshing refreshing glass glass noodle noodle salad. salad. Lunch Lunch 11am11am2:30pm, 2:30pm, dinner dinner 4:30-9pm 4:30-9pm daily. daily. 3950 3950 Middlefield Middlefield Rd Rd (Charleston (Charleston Shopping Shopping Center).

Center).

650.494.7391.

650.494.7391.

JJUNNOON UNNOON Contemporary Contemporary $$$.

Palo IIndian. ndian. $ $$. TThis his aattractive ttractive P alo Alto A lto restaurant restaurant serves serves eclectic eclectic modern m odern IIndian ndian ffood, ood, tthe he kkind ind might yyou ou m ight gget et aatt aan n uupscale pscale Bangalore rrestaurant estaurant iin nB angalore oorr Mumbai. make M umbai. YYou ou ccould ould eeasily asily m ake meal am eal ffrom rom tthe he ggreat reat sselection election ooff aappetizers. ppetizers. 111:30am-2:30pm 1:30am-2:30pm Mon-Fri, aand nd 55:30-10pm :30-10pm M on-Fri, 55:30:30University 110:30pm 0:30pm SSat. at. 1150 50 U niversity Ave. 650.329.9644.

A ve. 6 50.329.9644.

KAN K AN ZZEMAN EMAN Middle Middle Eastern/ Eastern/ Mediterranean. $$.

M editerranean. $ $. A llively ively Greek bblend lend ooff LLebanese, ebanese, G reek aand nd TTurkish urkish ccuisine uisine ffuels uels tthis his ffestive estive ssocial ocial sspot. pot. A ssampler ampler pplate late ooffers ffers ggarlicky arlicky hhummus, ummus, eearthy arthy ffalafel, alafel, ddolmas olmas ddrenched renched minty iin n llemon, emon, a m inty ttabouli abouli marinated ssalad alad aand nd ssplendid plendid m arinated Monttomatoes. omatoes. 111am-9pm 1am-9pm M on-

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SVDINING 28 Thu 111am-close Thu 1am-close FFri-Sat. ri-Sat. 2274 74 University Ave. 650.328.5245.

U niversity A ve. 6 50.328.5245.

LLA AB BODEGUITA ODEGUITA DEL DEL MEDIO MEDIO Cuban/California.

Cuban/California. $$$. $$$. Themed Themed after after a vintage vintage Havana Havana haunt haunt of of Ernest Ernest Hemingway’s, Hemingway’s, this this zesty zesty restaurant restaurant serves serves lively lively Cuban Cuban influenced influenced cuisine cuisine along along with with liquid liquid staples staples like like rum rum and and mojitos mojitos in in a handsome, handsome, casual casual atmosphere. atmosphere. Full Full bar. bar. 11:30am11:30am2pm, 2pm, Mon-Thu Mon-Thu 5:30-9:30pm, 5:30-9:30pm, 5-10pm 5-10pm Fri-Sat. Fri-Sat. 463 463 S.California S.California Ave. Ave. 650.326.7762.

650.326.7762.

LLAVANDA AVANDA MEDITERRANEAN MEDITERRANEAN Grill $$$.

G rill $ $$. TThis his uurban rban ggrill rill aatt University Avenue tthe he ttop op ooff U niversity A venue ooffers ffers eeclectic clectic ssmall mall ttasting asting with pplates, lates, aalong long w ith hheartier eartier ffare are with ssuch uch aass rroasted oasted ssea ea bbass ass w ith mushrooms cchanterelle hanterelle m ushrooms aand nd with gguinea uinea ffowl owl w ith ssautéed autéed cchard. hard.

Mon-Sun, 111:30am-2:30pm 1:30am-2:30pm M on-Sun, 55-Mon-Thu, 110pm 0pm M on-Thu, 55-11pm -11pm FFri-Sat, ri-Sat, University 55-9pm -9pm SSun. un. 1185 85 U niversity ((at at 650.321.3514.

EEmerson). merson). 6 50.321.3514.

MANTRA M ANTRA French, French, American American

Moree dining Mor dining coverage coverage

Bay, B ay, aan n aarea rea tthat hat hhas as aabout bout aass many m any ggreat reat IItalian talian rrestaurants estaurants Breakfast aass iitt ddoes oes ssnow now ddays. ays. B reakfast 6:30-11am Mon-Sun, 6 :30-11am M on-Sun, llunch unch Mon-Sat 111:30am-2:30pm 1:30am-2:30pm M on-Sat Monaand nd ddinner inner 55:30-10pm :30-10pm M onUniversity Ave. SSun. un. 22050 050 U niversity A ve.

650.470.2889.

6 50.470.2889.

REPOSADO R EPOSADO M Mexican. exican. $ $$$. $$.

Reposado Reposado offers offers modern, modern, refined refined Mexican Mexican food food served served in in a lively lively setting. setting. The The restaurant restaurant is is easily easily one one of of Palo Palo Alto’s Alto’s most most striking. striking. The The soaring, soaring, exposed exposed beam beam ceilings ceilings make make the the dining dining room room feel feel at at once once industrial industrial and and inviting inviting because because of of the the warm warm colors, colors, wood wood accents accents and and dramatic dramatic light light fixtures. fixtures. There’s There’s a beautiful beautiful bar bar and and cozy cozy booth booth seating seating on on one one side side and and spacious spacious table table and and banquette banquette seating seating on on the the other. other. Great Great selection selection of of tequila. tequila. 11:30am11:30am10pm 10pm Mon-Thu, Mon-Thu, 11:30am-11pm 11:30am-11pm Fri-Sat Fri-Sat and and 11:30am-9pm 11:30am-9pm Sun. Hamilton Sun. 2236 36 H amilton Ave. Ave. 650.833.3151.

650.833.3151.

RESTAURANT R ESTAURANT SSOLEIL OLEIL

$$$.

Mantra aand nd IIndian. ndian. $ $$. M antra sserves erves iinventive nventive FFrench rench aand nd American A merican ffood ood tthat hat sspeaks peaks with w ith an an Indian Indian accent. accent. It It isn’t isn’t more ffusion, usion, bbut ut a m ore ssubtle ubtle bblend lend ooff ssurprisingly urprisingly ccompatible ompatible flavors fl avors aand nd ttechniques. echniques. LLunch unch 111:30am-2:30pm 1:30am-2:30pm TTue-Fri, ue-Fri, ddinner inner 55-10pm -10pm SSun-Thu un-Thu aand nd 632-636 55:30-10:30pm :30-10:30pm FFri-Sat. ri-Sat. 6 32-636 650.322.3500.

EEmerson merson SSt.t. 6 50.322.3500.

New New American.

American. $$$$. $$$$. A mouthwatering mouthwatering menu menu and and an an elegant, elegant, golden-hued golden-hued room room shine shine together together at at Soleil, Soleil, upstairs upstairs in in the the Westin Westin Palo Palo Alto.

Alto. Local Local ingredients ingredients and and provocative provocative sauces sauces create create dishes dishes worthy worthy of of the the wine wine list. list.

Breakfast Breakfast 6am-11am, 6am-11am, Dinner Dinner 5-10:30pm.

5-10:30pm. 675 675 El El Camino Camino Real.

Real.

650.321.4422.

650.321.4422.

OSTERIA O STERIA IItalian. talian. $ $$. $. A Authentic uthentic

SST. T. M MICHAEL’S ICHAEL’S A ALLEY LLEY New New

IItalian talian ccooking ooking ddone one bbyy sskilled killed Bee ssure cchefs hefs ffrom rom IItaly. taly. B ure ttoo make m ake a rreservation, eservation, oorr yyou’ll ou’ll bbee llucky ucky ttoo pput ut a ssingle ingle ffoot oot Beer, wine. tthrough hrough tthe he ddoor. oor. B eer, w ine.

Mon-Fri, 111:30am-2pm 1:30am-2pm M on-Fri, 55-10pm -10pm Mon-Sat. Hamilton M on-Sat. 2247 47 H amilton SSt.t.

650.328.5700.

6 50.328.5700.

PAMPAS P AMPAS BBrazilian razilian ssteakhouse. teakhouse. $$$.

Pampas meat $ $$. P ampas iiss a m eat llover’s over’s $44 hhaven. aven. TThe he $ 44 rrodizio odizio sservice ervice ggets ets yyou ou uunlimited nlimited sspitpitmeat. rroasted oasted m eat. TThe he ssprawling prawling sside ide bbar ar ooffers ffers oone ne ooff tthe he most m ost eextensive xtensive sselections elections ooff find vvegetarian egetarian ooptions ptions yyou’ll ou’ll fi nd iin n a nnonvegetarian onvegetarian rrestaurant. estaurant.

LLunch unch 111:30am-2:30pm 1:30am-2:30pm Mon-Fri, M on-Fri, ddinner inner 55:30-9:30pm :30-9:30pm Mon-Thu, M on-Thu, 55-10:30pm -10:30pm FFri-Sat ri-Sat Alma aand nd 55-9pm -9pm SSun. un. 5529 29 A lma SSt.t.

650.327.1323.

6 50.327.1323.

QUATTRO R QUATTRO RESTAURANT ESTAURANT A AND ND talian. $$$$. $$$$. Q Quattro uattro BAR B AR. IItalian.

Restaurant Bar R estaurant aand nd B ar bbrings rings hhigh-style, igh-style, iimpeccably mpeccably ssourced ourced IItalian talian ccuisine uisine ttoo tthe he SSouth outh

$$$.

Reservations CCalifornia. alifornia. $ $$. R eservations must aare re a m ust aatt tthis his ssmart mart bbistro, istro, whose menu w hose m enu iincludes ncludes iinventive nventive meat ppotato, otato, m eat aand nd sseafood eafood ddishes ishes tthat hat ttilt ilt toward toward New New American Beer, wine.

A merican ccookery. ookery. B eer, w ine.

111:30am-2pm 1:30am-2pm TTue-Fri, ue-Fri, 55:30:309:30pm Brunch 9 :30pm TTue-Sat, ue-Sat, B runch 110am0am806 22pm pm SSat-Sun. at-Sun. 8 06 EEmerson merson SSt.t.

650.326.2530.

6 50.326.2530.

SSHOKOLAAT HOKOLAAT. Modern Modern European. $$.

European. $ $. SShokolaat’s hokolaat’s open open kitchen kitchen and and pastry pastry display display counter counter are are as as gleaming gleaming and and clean clean as as a laboratory, laboratory, a fitting fitting setting setting ffor or tthe he rrestaurant’s estaurant’s technically technically precise, precise, modern modern European European cooking. cooking. Counter Counter open open 8am-9pm 8am-9pm (to-go (to-go only only 449pm), 9pm), lunch lunch 11:30am-2pm 11:30am-2pm TueTueSun Sun and and dinner dinner 5:30-10:30pm 5:30-10:30pm Tue-Sun. Tue-Sun. 516 516 University University Ave. Ave. 650.289.0719.

650.289.0719.

SSPALTI PALTI R RISTORANTE ISTORANTE IItalian. talian. $$. $$. Along Along with with a handsome handsome interior, interior, SSpalti palti offers offers good good wine wine and and sparkling sparkling flavors. flavors. Casual.

Casual.

SSANJOSE.COM ANJOSE.COM

Beer, Beer, wine. wine. 11am-2pm 11am-2pm MonMonFri, Fri, 5-9:30pm 5-9:30pm Mon-Sun. Mon-Sun. 417 417 California California Ave. Ave. 650.327.9390.

650.327.9390.

SSTRAITS TRAITS CCAFE AFE Singapore Singapore exotica. $$. exotica. $ $. Blending Blending culinary culinary motifs motifs from from India, India, China China and and Thailand, Thailand, the the food food of of Singapore Singapore is is aanything nything bbut ut timid. timid. The The menu menu at at Straits Straits is is llavish avish and and diverse. diverse.

Full Full bar. bar. 11:30-2pm 11:30-2pm Mon-Fri, Mon-Fri, 5:30-9:30pm 5:30-9:30pm Sun-Thu, Sun-Thu, 5-10pm 5-10pm Fri-Sat. Real.

Fri-Sat. 3295 3295 El El Camino Camino R eal.

650.494.7168.

650.494.7168.

TAMARINE T AMARINE N New ew Vietnamese.

Vietnamese. $$$. $$$. A mesmerizing mesmerizing back back bar bar of of natural natural bamboo bamboo and and glass glass sleekly sleekly adjoins adjoins a wall wall showcasing showcasing original original artwork. artwork.

Even Even the the waitstaff waitstaff is is sleek, sleek, clad clad in in Prada Prada black. black. Entrees Entrees are are gorgeous, gorgeous, and and deeply deeply aromatic. aromatic. 546 546 University University Ave. Ave. 650.325.8500.

650.325.8500.

THREE T HREE SSEASONS EASONS Modern Modern Vietnamese. $$$.

Much V ietnamese. $ $$. M uch of of the the menu m enu iiss ffamiliar, amiliar, but but tthe he food food at at TThree hree SSeasons easons scores scores because because ooff its its superior superior execution execution and and llight ight ttouch. ouch. A ccool, ool, ttwo-level wo-level ddining ining room room ddominated ominated by by a sstriking triking ccircular ircular stained stained glass glass cceiling eiling aand nd an an oornate rnate wooden wooden bbar ar that that serves serves great great cocktails cocktails hhelp elp sset et Three Three SSeasons easons apart, apart, Mon-Fri ttoo. oo. 11:30am-2pm 11:30am-2pm M on-Fri aand nd ddinner inner 5:30-10pm 5:30-10pm SSun-Thu un-Thu and and 55:30-11pm :30-11pm Fri-Sat. Fri-Sat. 518 518 Bryant Bryant SSt.t. 650.838.0353.

650.838.0353.

TRADER T RADER V VIC’S IC’S PPolynesianolynesianAmerican.

American. $$$. $$$. A jungle jungle gym gym of of tiki tiki gods—but gods—but a classy classy jungle. jungle.

Sip Sip a high-class high-class mai mai tai tai in in the the lounge lounge before before embarking embarking on on a dinner dinner trip trip from from pork pork spareribs spareribs to to boat-fresh boat-fresh seared seared suki suki tuna tuna to to a Calcutta Calcutta curry. curry. 4-6pm 4-6pm daily daily happy happy hour. hour. Dinner Dinner at at 5pm 5pm Mon-Sat Mon-Sat and and 4:30 4:30 Sun. Sun. 4261 4261 El El Camino Camino Real.

Real. 650.849.9800.

650.849.9800.

VERO V ERO Italian.

Italian. $$. $$. Vero Vero aims aims ttoo ooffer ffer ttruly ruly aauthentic uthentic IItalian talian Palo Alto ffood. ood. TThe he P alo A lto restaurant restaurant make hhas as hhad ad ttoo m ake a ffew ew nnods ods American ttoo A merican ttastes astes bbut ut iitt mainly with m ainly ssucceeds ucceeds w ith iits ts ssimple imple bbut ut ssatisfying atisfying ffood ood tthat’s hat’s a refreshing refreshing break break from from tthe he ssame ame oold ld ppasta asta aand nd ppizza. izza.

111:30am-2pm 1:30am-2pm TTue-Fri, ue-Fri, 55:30:30Mon-Sat. Bryant 110pm 0pm M on-Sat. 5530 30 B ryant SSt.t.

650.325.8376.

6 50.325.8376.

VINO V INO LLOCALE OCALE IItalian talian bbistro. istro. $$. $$. This This restaurant restaurant focuses focuses on on locally locally produced produced Santa Santa Cruz Cruz Mountain Mountain wines wines and and small small plates plates of of food food sourced sourced from from

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Twitter.com/SVDining

P

8JKIP :?<=J Xi\ X [`]]\i\ek Yi\\[ f] Zlc`eXip gif]\jj`feXc% K_\p Xi\ d\k`Zlcflj# dXk_\dXk`ZXc Xe[ fi^Xe`q\[% K_\p e\\[ kf ZXcZlcXk\# d\Xjli\ Xe[ i\cp fe ]fidlcXj# Xj fggfj\[ kf k_\ jXmfip Z_\]j# n_f ZXe dfi\ fi c\jj kfjj `e^i\[`\ekj kf^\k_\i% Pastry chefs are also lone wolves. They leave the kitchen after everyone else and are generally tucked away in a corner. How many times do you go into a restaurant and hear anything about the pastry chef, if they have one? Especially in Silicon Valley, desserts almost seem to be an afterthought. But as a fellow pastry chef, I would like to shine a light on one of South Bay’s standouts: ADRIENNE GARCIA of MARCHÉ.

I walked in to speak to Garcia and out from behind a blue curtain came a small young woman who, despite her professional demeanor and firm handshake, looked like she could have been my best friend in high school. After graduating from UC-Berkeley, Garcia had to decide what she wanted to do with her life. Since she is the daughter of two attorneys, it was almost expected that she would go on to law school.

After debating whether she should, with her parents’ support she decided to do something that would make her happy and attended the Le Cordon Bleu cooking school in Paris. She was on her way to becoming a pastry chef. After a stint at Manresa in Los Gatos, she went back and forth from the savory side to the pastry side, eventually arrived at Menlo Park’s Marché. Along with executive chef Guillaume Bienaime, she has created highly seasonal menus that play with flavors and familiar concepts and presents them in new ways with delicious results.

Garcia’s style borders on the savory. Black pepper and cardamom are her favorite spices, and while many of her desserts have surprising elements of temperature, texture and taste, they are also very humble, nostalgic and fun. Her chocolate gateau has peanut butter ice cream, a crispy and dense chocolate cake, chocolate cream and deep-fried peanuts. When she was creating the dessert, she asked herself what would someone want with peanut butter and chocolate? The answer was milk. So to complete the dish, she added a gel made of milk; it balances the deep chocolate and savory peanut flavors.

Garcia’s day at Marche begins about 8am, her favorite time. The kitchen is empty—just her, a prep list and a cup of coffee. She has a small staff and a tiny corner of the kitchen. Even though it’s small, everything has its place and is completely visible to the guests at the chef ’s table. Watching her plate desserts, one sees that she is calm and focused, squeezing a bottle of chocolate sauce with her head down, but also answering a fellow cook’s question and laughing. It is obvious that she truly enjoys what she is doing.

One dish that represents her style is the plum vacherin. Buttermilk ice cream, plums and peaches in various forms are layered on a macaroon base. It is cold, light, sweet and tart. When I asked what her philosophy on pastry is, she answered, “I try to respect the product and make the best desserts I can while having fun, and hopefully that comes out in the food.”

As the dish was set in front of me, the colors were so vibrant that I had to pause for minute just to admire its beauty. The concept of eating with your eyes first made this delicious dessert a real treat. The life of a pastry chef is the life of little glory, always in the background, experimenting, calculating and creating the sweet ending of a meal. Garcia does it all quite well.—Mariel Balderas

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SVDINING

SSanta anta Clara Clara ¿book online ¿book online at at ssanta-clara.com anta-clara.com

ANDY’S A NDY’S BAR-B-QUE BAR-B-QUE BBarbecue. arbecue. $$. $$. Andy’s Andy’s Bar-B-Que Bar-B-Que is is the the reincarnation reincarnation of of one one of of the the South South Bay’s Bay’s best best barbecue barbecue joints. joints. Originally Originally located located in in Campbell, Campbell, Andy’s Andy’s is is still still serving serving great great oak-smoked oak-smoked meats meats to to a dedicated dedicated following. following. 11am-3pm 11am-3pm Mon-Fri Mon-Fri and and 3-9pm 3-9pm Mon-Thu, Mon-Thu, Fri-Sat Fri-Sat 3-10pm 3-10pm and and 3-9pm 3-9pm Sun. Sun. 2367 2367 El El Camino Camino Real.

Real.

408.249.8158.

408.249.8158.

ATHENA A THENA GGRILL RILL GGreek. reek. $ $$. $. The The SSanta anta Clara Clara restaurant restaurant serves serves tthe he standards standards yyou’d ou’d eexpect, xpect, bbut ut the the menu menu ggoes oes ddeeper eeper Greek aand nd offers offers authentic authentic G reek ddishes ishes yyou’re ou’re nnot ot llikely ikely to to find find eelsewhere lsewhere at at bargain bargain prices. prices.

110:30am-9pm 0:30am-9pm Mon-Fri. Mon-Fri. 11505 505 Dr.r. 4408.567.9144.

SSpace pace Park Park D 08.567.9144.

BEQUE B EQUE KKorean. orean. $ $$. $. B Beque eque stands stands out out on on El El Camino Camino Real’s Real’s Korean Korean restaurant restaurant row row for for its its high high style style and and modern modern design, design, but but iit’s t’s the the Korean Korean barbecue, barbecue, soups soups and and noodles noodles dishes dishes that that are are the the main main attraction. attraction. 11am11am10pm 10pm daily. daily. 3060 3060 El El Camino Camino Real.

Real. 408.260.2727.

408.260.2727.

BIRK’S B IRK’S AAmerican merican ggrill. rill. $ $$$. $$.

What What makes makes Birk’s Birk’s stand stand out out from from the the rest rest is is a commitment commitment to to quality, quality, freshness freshness and and hygiene. hygiene. Concentrate Concentrate on on the the specials, specials, or or enjoy enjoy creative creative selections selections from from the the appetizer appetizer menu. menu. Full Full bar. bar. 11:15am-2:30pm, 11:15am-2:30pm, 5-9:30pm 5-9:30pm Mon-Fri, Mon-Fri, 5-9pm 5-9pm Sat-Sun. Sat-Sun. 3955 3955 Freedom Freedom Circle.

Circle.

408.980.6400.

408.980.6400.

CCHALATECO HALATECO M Mexican exican aand nd $.. CChalateco, SSalvadoran. alvadoran. $ halateco, a SSan an Jose-based Jose-based six-restaurant six-restaurant Mexico cchain, hain, serves serves M exico CCityitysstyle tyle Mexican Mexican food food aand nd a few few makes SSalvadoran alvadoran ddishes. ishes. TThat hat m akes Mexican tthe he food food unlike unlike tthe he M exican ffood ood ttypically ypically sserved erved iinn SSilicon ilicon Valley, V alley, bbut ut iit’s t’s definitely definitely typical typical Mexican M exican food. food. 110am-11pm 0am-11pm Alameda. ddaily. aily. 2323 2323 TThe he A lameda.

4408.243.1357.

08.243.1357.

DONG D ONG T TOFU OFU CCABIN ABIN KKorean. orean. $ $..

TThis his iiss tthe he rreal eal ddeal, eal, ppriced riced ttoo kkeep eep ppatrons atrons ccoming oming bback ack for for

bowls bowls of of spicy spicy beef, beef, seafood, seafood, pickled pickled vegetables, vegetables, chili chili soup soup and, and, yes, yes, bean bean curd curd in in its its many many permutations. permutations. 1484 1484 Halford Halford Ave. Ave. 408.246.1484.

408.246.1484.

menu aambitious mbitious m enu ooff nnearly early 1100 00 Vietnamese V ietnamese aand nd CChinese hinese iitems. tems.

110am-9pm 0am-9pm ddaily. aily. 55025 025 SStevens tevens Blvd.

CCreek reek B lvd. 408.249.1111.

408.249.1111.

HATCHO H ATCHO JJapanese. apanese. $ $$. $. Santa Santa

$.. TThis nnoodle oodle hhouse. ouse. $ his ddiner’s iner’s ppho ho rrates ates aamong mong tthe he TTop op 3 iin n Bay. Beer. tthe he SSouth outh B ay. CCasual. asual. B eer.

9am-9pm 9 am-9pm ddaily. aily. 22450 450 EEll CCamino amino Real.

R eal. 4408.983.0888.

08.983.0888.

Hatcho CClara’s lara’s H atcho rrestaurant estaurant ooffers ffers a llittle ittle bbit it ooff eeverything. verything.

Restaurants R estaurants tthat hat sstrive trive ttoo bbee jjacks-of-all-trades acks-of-all-trades ooften ften eend nd masters uupp bbeing eing m asters ooff nnone, one, bbut ut Hatcho wide H atcho ddisplays isplays a w ide rrange ange ooff ttalent. alent. 111:30am-2pm 1:30am-2pm aand nd 55:30:30Mon-Fri 110pm 0pm M on-Fri aand nd 55-9:30pm -9:30pm Mall.

SSat-Sun. at-Sun. 11271 271 FFranklin ranklin M all.

4408.248.8500.

08.248.8500.

KABAB K ABAB AND AND CCURRY’S URRY’S IIndianndianPakistani. $,, B Because P akistani. $ ecause iit’s t’s tucked tucked iinto nto a qquiet, uiet, ssemiresidential emiresidential sside ide sstreet, treet, KKabab abab aand nd CCurry’s urry’s ffeels eels llike ike a nneighborhood eighborhood Pakistani ssecret. ecret. TThe he IIndian ndian aand nd P akistani rrestaurant estaurant sserves erves a ggood ood llunch unch bbuffet, uffet, aand nd aatt ddinner inner ttry ry tthe he bbutter utter cchicken, hicken, ccholey holey aand nd ttandoori andoori cchicken. hicken. 110:30am0:30am22:30pm :30pm aand nd 55:30-10:30pm :30-10:30pm TTue-Sun. ue-Sun. 11498 498 IIsabella sabella SSt.t.

4408.247.0745.

08.247.0745.

KABAB K ABAB HOUSE HOUSE H HALAL ALAL M Middle iddle EEastern. astern. $. $. Santa Santa Clara’s Clara’s House Halal, KKabab abab H ouse H alal, a sspare, pare, eeight-table ight-table rrestaurant, estaurant, sserves erves menu a ppan-Middle an-Middle EEastern astern m enu tthat hat leans leans toward toward Iran.

Iran. As As tthe he House nname ame iimplies, mplies, KKabab abab H ouse iiss bbasically asically a kkebab ebab hhouse. ouse. 111am1am9pm Mon-Sat. Newhall 9 pm M on-Sat. 22521 521 N ewhall SSt.t.

4408.984.2204.

08.984.2204.

99 9 9 CCHICKEN HICKEN KKorean-style orean-style fried fried chicken. chicken. $. $. The The simple simple restaurant restaurant specializes specializes in in Korean-style Korean-style fried fried chicken. chicken.

Korean Korean chicken chicken is is rendered rendered of of its its fat fat and and produces produces smooth smooth pieces pieces of of meat meat with with a taut, taut, shatteringly shatteringly crisp crisp epidermis. epidermis.

Noon-midnight Noon-midnight daily. daily. 2781 2781 El El Camino Camino Real.

Real. 408.244.5599.

408.244.5599.

PARCEL P ARCEL 104 104 N New ew American.

American. $$$$. $$$$. Parcel Parcel 104 104 casts casts a spell spell with with its its stridently stridently seasonal, seasonal, ingredient-driven ingredient-driven menu menu of of new new American American food. food. The The restaurant restaurant is is one one of of the the South South Bay’s Bay’s mustmusteats. eats. Breakfast Breakfast 6:30-11am 6:30-11am Mon-Fri Mon-Fri and and 7-10am 7-10am Sat-Sun, Sat-Sun, lunch lunch 11:30am-2pm 11:30am-2pm Mon-Fri Mon-Fri and and dinner dinner 5:30-9pm 5:30-9pm Mon-Fri. Mon-Fri. 2700 2700 Mission Mission College College Blvd.

Blvd.

408.970.6104.

408.970.6104.

PHO P HO # #11 N Noodle oodle House House Asian Asian $.. A ggood nnoodle oodle hhouse. ouse. $ ood aand nd ffriendly riendly destination destination when when one’s one’s sstomach tomach sscreams creams ffor or a tthreehreewallet ccourse ourse meal meal but but one’s one’s w allet $10, Pho hhas as bbut ut $ 10, P ho bboasts oasts aan n

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SSANJOSE.COM ANJOSE.COM

PHO P HO T THANH HANH LLONG ONG Vietnamese Vietnamese

SSABOR ABOR SSALVADOREÑO ALVADOREÑO Salvadoran.

Salvadoran. $. $. One One of of the the few few outposts outposts for for Salvadoran Salvadoran food food in in the the South South Bay, Bay, Sabor Sabor Salvadoreño Salvadoreño serves serves excellent excellent pupusas, pupusas, soups, soups, tamales tamales and and other other standards standards from from the the tiny tiny Central Central American American nation. nation. 9am9am9pm 9pm daily. daily. 2045 2045 White White Oak Oak Lane.

Lane. 408.985.6464.

408.985.6464.

SSHAN HAN PPakistani akistani aand nd Indian.

Indian. $. $. mix SShan han sserves erves a m ix ooff nnorthern orthern Pakistani IIndian ndian aand nd P akistani ffood. ood.

Unlike most which U nlike IIndia, ndia, m ost ooff w hich Hindu, Pakistan Muslim, iiss H indu, P akistan iiss M uslim, means meat— aand nd tthat hat m eans tthat hat m eat— cchicken, hicken, bbeef, eef, llamb, amb, aand nd ggoat—plays oat—plays a sstarring tarring rrole. ole.

KKebabs. ebabs. TTandoori andoori aand nd ccurries urries aallll sshine hine hhere. ere. 111:30am-3pm 1:30am-3pm aand nd 55:30-10pm :30-10pm ddaily. aily. 55251 251 SStevens tevens Blvd.

CCreek reek B lvd. 4408.260.9200.

08.260.9200.

Celebrate California Wine Month at J. Lohr Vineyards & Wines Featuring new releases: 2009 J. Lohr Gesture Zinfandel and 2009 J. Lohr Estates Falcon’s Perch Pinot Noir

Receive 20% off your wine purchase when you mention this ad Must be 21 years of age or older. Offer valid September 1-30, 2010. Discount cannot be combined with any other offer. Valid for in-store purchases only.

J. LOHR SAN JOSE WINE CENTER

1000 Lenzen Avenue San Jose, CA 95126 408.918.2160 TASTING DAILY 10AM-5PM

TOFU T OFU HOUSE HOUSE Korean.

Korean. $. $.

Soup Soup stars stars at at this this casual, casual, popular popular stop. stop. To To tofu tofu soups, soups, add add mushrooms, mushrooms, beef, beef, pork pork or or seafood—plus seafood—plus scores scores of of condiments condiments like like daikon, daikon, cucumber, cucumber, radish. radish. Hot Hot stuff! stuff!

11am-9pm 11am-9pm Mon-Thu, Mon-Thu, 11am11am10pm 10pm Fri, Fri, 11am-9pm 11am-9pm Sat. Sat. Closed Closed Sun. Sun. 3450 3450 E. E. El El Camino Camino Real Real #105. #105. 408.261.3030.

408.261.3030.

YOYO Y OYO SSUSHI USHI B BAR AR & GRILLE GRILLE $$.

JJapanese apanese ffusion. usion. $ $. TThe he menu ffusion-friendly usion-friendly m enu ffeatures eatures ssuch uch eexpertly xpertly rrealized ealized ccreations reations Roll aass tthe he ddeep-fried eep-fried CCalifornia alifornia R oll Roll, aand nd tthe he FFisherman isherman R oll, ccrab rab wrapped aand nd aavocado vocado w rapped iin n rrice, ice, with ttopped opped w ith ssalmon almon aand nd rrich ich masago m asago ssauce auce aand nd tthen hen bbaked. aked.

Weekday W eekday hhappy appy hhour. our. 111am1amRivermark 110pm 0pm ddaily. aily. 33958 958 R ivermark Plaza.

P laza. 4408.213.9696.

08.213.9696.

YUKI Y UKI SUSHI SUSHI JJapanese apanese $ $$. $.

A ffamily-friendly amily-friendly aambience mbience pprevails revails hhere, ere, ffull ull ooff ccommunity ommunity hhubbub, ubbub, ggood ood ffood, ood, ggenerous enerous pportions ortions aand nd ssuper uper cchefs. hefs. YYuki uki kkeeps eeps iitt ssimple, imple, bbut ut aalways lways with iinteresting nteresting w ith ddishes ishes tthat hat well aare re w ell tthought hought oout ut aand nd ppresented. resented. 111:30am-2pm, 1:30am-2pm, 55-9:30 -9:30 TTue-Fri, ue-Fri, 55-9:30 -9:30 SSat, at, Mon. 55-9pm -9pm SSun. un. CClosed losed M on. 11827 827 Pruneridge Ave. P runeridge A ve. 4408.248.9144.

08.248.9144.

WinFreeStuff METROGIVEAWAYS.COM

M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

30 local purveyors local purveyors and and growers. growers.

Onn Thursdays, O Thursdays, if if you you can can guess guess aallll the the varietals varietals in in your your flight flight of of wine, w ine, iit’s t’s free. free. 11am-9pm 11am-9pm daily. daily.

4431 31 Kipling Kipling St. St. 650.328.0450.

650.328.0450.

Moree dining Mor dinning coverage coverage

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*w wed ed *ffriri THE T HE H HIGH I G H SSEA EA Blank B nkk Club, C San n Jose Wed W ed d – 9pm; m free m; free e Avast, scurvy YYarrrrr, a rrrr, matey! A ar vast, ye scur vy scallywags! gs Hey, Heyy, wait a minute.

These pirates!

The ese guys aren’t arenn’t pir ates! But wit a name with na likee the t he High Sea, you yo ou can understand understtand the mistake. thiss local three-piece In any ny case, c three-piece plays y an amalgamation amalgaamation a of pop and indie for an nd in ndie rock. rock. Known K for the KKavanaugh avanaugh gh brothers brotthers h on guitar and drums, drum ms, they sway swaay from from one song stillll think they should t the next. to nex I sti dress dr ress up like pirates, pirrates, though. The C tics open.

Cryptics en (BD) (BD)

THE T HE H HUNDRED UNDRED DAYS D AYS Blank Club, San S Jose Fri – 9pm; $77 may TThis his m ay bbee just just the the rright ight cclimate limate ffor or Hundred Days, which a bband and llike ike tthe he H undred D ays, w hich managed hhas as ccarefully arefully m anaged ttoo bblend lend sseveral everal ooff ttoday’s oday’s ccurrent urrent ttrends rends iinto nto oone ne ssolid olid eenergetic nergetic ssound. ound. TThey’ve hey’ve ttossed ossed iin n a hheavy eavy ddose ose ooff ppost-punk, ost-punk, lleaning eaning pparticularly articularly ttoward oward tthe he CCure ure ((who who ooff ccourse ourse hhas as a ssong ong ccalled alled Hundred ““One One H undred YYears”—perhaps ears”—perhaps tthis his bband and ffancies ancies iitself tself a CCure ure ttrial rial pperiod?) eriod?) It’s It’s brushed brushed over over with with some some Death ppolished, olished, ssparkling parkling D eath CCab ab ffor or CCutie–brand utie–brand iindie ndie rrock ock aand nd ttopped opped with ooff ff w ith a sshameless hameless ssupply upply ooff ppop op hhooks. ooks. ((AC) AC)

*ssat at

MO U NTA IN V MOUNTAIN VIEW I EW ART WINE A RT & W INE FFESTIVAL ESTIVA L

ANNA A NNA K KARENINA ARENINA

Castro Street, Castro Street, Mountain View Sat-Sun Sat-Su un – 10am-6pm; free free

Californiaa Theatre, California Theatre, San Jose Sept. 11–26; 11– –26; $51-$101

Every city wants an art and wine ffestival estivaal now—in California, California, at least. But B Mountain View has been puttingg on its for puttin for 39 years. The fest fest rreturns eturns with (gasp!) both art and wine—and wine— —and perhaps more more of both than ever. e . The work of 600 artists ever will bee on display, displayy, accompanied seleect wines chosen by a by select tastingg panel. The live music is straight-up str from top aighht-up party tunes from to bottom—Off botttom—Off the Record Record and Groove Gr oovee Kings play classic rock rock and R&B, R& &B, while Zoo Station Station is the popular popula ar Bay Area Area U2 cover band.

Mustache Musta che Harbor is probably probably the coolest cooles st name for for a ’70s soft-rock soft-rock tributee ever. ever. (SP)

Operaa Sann José opens its season Oper with a new new work in these parts: an adaptation adaptaation of Tolstoy’s Toolstoy’s Anna Karenina Karenina by composer Colin Graham Graham (with (w with libretto libretto by David Carlson).

Carlson). Graham’s Graham’s work debuted with the Florida Grand Operaa in F Gr and Oper 2007, 20077, andd the conductor ffor or those shows, Stewart Stewart Robertson, will be on the podium Operaa San José. poodium ffor or Oper (MSG)

ALEX A LEX D DEE GGRASSI R ASS I Sun Sunnyvale nnyvale Theatre, Theatre, Sunnyvale Satt – 8pm; $28 Guitarist G uitarist Alex Alex de de Grassi, Grassi, a master master of of fingerstyle tthe he fi ngerstyle oon n tthe he ssteel teel gguitar, uitar, waters vventures entures iinto nto uunusual nusual w aters ffor or tthe he oopening pening cconcert oncert ooff tthe he EEvening vening ooff CCultural ultural Arts Arts series series in in Sunnyvale.

Sunnyvale.

Grassi A ffew ew yyears ears bback, ack, ddee G rassi ddid id a movie nnew ew sscore core ffor or tthe he ssilent ilent m ovie A Weeds SStory tory ooff FFloating loating W eeds bbyy the the great great Japanese Japanese director director Yasujiro Yasujiro Ozu. Ozu. Now, Now, di di Grassi Grassi will will perform perform that that score score live live for for a screening screening of of the the film. film. (MSG) (MSG)

HELMET H ELMET Blaank Club, San Jose Blank Satt – 9pm; $18/$20 When Helmet W hen H elmet first first bblew lew up up iinn 1992, 1992, nnonmetalheads onmetalheads gave gave them them a ppass ass bbecause ecause they they were were ““real” real” musicians. musicians.

TThey hey didn’t didn’t jjust ust bbang ang ttheir heir heads heads aand nd ccrunch runch gguitars, uitars, they they mixed mixed

oncerts * cconcerts DJJ JOSH D JOSH HYLAND HYLAND

EXODUS

S 10 at Wet, Sep Wet, San Jose

EEMILIO, MILIO, SSNOOKI’S NOOKI’S EEX X Sep Se ep 10 at Pearl, Pearl, San Jose

THE T HE DOOBIE DOOBIE BROTHERS BROTHERS Sepp 11 at 7:30 7:30pm, 0pm, Mountain Winery

ROBERT R OBERT CRAY CRAY BAND BAND Sep 11 at 7:30pm, 7 Montalvo Arts

GGRISHA RISHA GORYACHEV GORYACHEV A AND ND JJEROME EROME M MOUFFE, OUFFE, SSOUTH OUTH BAY BAY GGUITAR UITAR SSOCIETY OCIETY Sep 11 1 at 8pm 8pm,, Theatr Theatree on San P Pedro edro Square, Squar e, San Jose

JOEL OEL FFAN, AN, SSTEINWAY TEINWAY SSOCIETY OCIETY Sep e 11 at 7:30pm, ep 7:330pm, LLee Petit Petit Trianon, Trrianon, San Jose

DIMIDIUM, IDIUM, LUXX, LU UXX, T THE HE BUTCHERS BUTCHERS AND A ND M MORE ORE Sep e 11 at noon, ep nooon, MVP Sports Arena, Arena, na, San Jose Sa Jo ose

BANJO ANJO JJUBILEE UBILEE JJAZZ AZZ FFESTIVAL ESTIVAL Sept 12 12 at at nnoon, oon, Holiday Holiday Inn, Inn, San San Jose Jose

SSHERYL HERYL CROW CROW Sep 14 14-15 -15 at 7:30pm, 0pm M Mountain Winery ery

BRAD B RAD PAISLEY PAISLEY Sep Se ep 15 at 4pm, 4pm Shoreline Shor Sho oreline or e e

p efn% i\\nXp# k_\pÊ[ Y\ _fd\ Y @] <of[lj c`m\[ le[\i k_`j ] it up it up with with odd odd ttime ime ssignatures, ignatures, bbizarre izarre cchords, hords, sstaccato taccato rhythms rhythms aand nd ttrancelike rancelike ttribal ribal rrepetitions. epetitions. YYet, et, aass I listen listen bback, ack, ttheir heir songs songs rreally eally metal. ccaptured aptured the the essence essence of of m etal. TThe he aaggressive ggressive nnature ature of of tthe he genre genre llends ends Helmet’s iitself tself qquite uite nnaturally aturally ttoo H elmet’s makes ooffbeat ffbeat bbag ag ooff ttricks. ricks. IItt m akes yyou ou wonder w onder why why iitt ttook ook ssoo llong ong ffor or other other metal why m etal bbands ands to to ccatch atch uup, p, aand nd w hy tthese hese guys guys (who (who broke broke uupp iinn 11998 998 aand nd rreunited eunited iinn 22004) 004) hhave ave nnever ever ffully ully ggotten otten their their ddue. ue. (AC) (AC)

*ssun un EEXODUS XO DUS

Avalon, Santa Clara Avalon, Clara Sun – 8:30; $15/$17 In thrash thrash metal, most folks folks talk about the “Big Four”: Four ”: Slayer, Slayeer, Megadeth, Metallica and Anthrax.

A Anthr ax.

Often overlooked is the fifth; the Bay Area’s Area’s own Exodus.. With the Paul vocals, late P aul Baloff on voca als, Exodus had a notorious rreputation eputattion early craziest on as one of the cr aziesst shows ever.. They couldn’t anywheree ever couldn’t play anywher would b because th venue wou the uld ld gett destroyed. destr oyed. They couldn’t couldn’t party anywhere, they’d anywher e, because they y’d drink all obliterate the booze and obliter atte anything in their path, including walls. w One dropping story has Baloff dr oppinng a dead rrat at into the mouth of a passedousted, out girl. After he was ou usted, Holtt and original guitarist Gary Hol H original drummer TTom oom Hunting H belted have continually bel ted out thrash finest thr ash tunes in their fin nest fform, orm, Exhibit with a new album, Exhi bit B: The Human Condition, and a little less Creation, destruction. Malevolentt Cr eation, Grail Holy Gr ail and Bonded by b Blood start the pit. (BD)

THE T HE B BUSINESS U S I N ESS VooDoo LLounge, VooDoo ounge, San San Jose Sun – 9pm; $10 Oii w was O as ffun, un, but but iitt was was nnever ever ttoo oo iinteresting nteresting aass a punk punk ssubgenre. ubgenre.

Mostly was M ostly iitt w as aabout bout going going ttoo the the ppub, ub, ddrinking rinking aatt tthe he pub pub aand nd ggetting etting Oh, bbanned anned ffrom rom tthe he ppub. ub. O h, aand nd with ffootball—always ootball—always w ith tthe he ffootball. ootball.

But Mickey B ut M ickey FFitz’s itz’s band band the the Business Business was w as always always a ccut ut above. above. Their Their song song Poet” ““Oi Oi tthe he P oet” gave gave the the entire entire style style a llegitimate egitimate reason reason to to eexist, xist, aand nd tthey’re hey’re aalways lways ppissed issed ((in in bboth oth senses senses word) ooff tthe he w ord) ffor or tthe he rright ight rreasons: easons: tthey hey sstand tand uupp ffor or tthe he uunderdog, nderdog, rrail ail aagainst gainst injustice injustice aand nd ppaint aint an an aadrenaline-charged drenaline-charged pportrait ortrait ooff life life iin n working-class Britain.

And were w orking-class B ritain. A nd tthey hey w ere aable ble ttoo turn turn eeven ven the the Smiths’ Smiths’ “Panic” “Panic” And iinto nto a ppunk unk aanthem. nthem. A nd tthere’s here’s sstill till pplenty lenty ooff ttime ime ffor or tthe he pub, pub, and and the the Boy ffootball. ootball. TThe he FForgotten orgotten aand nd SSad ad B oy SSinister inister oopen. pen. ((SP) SP)

*ttue ue

THE T HE H HEAD EA D CCAT AT Blank Club, San Jose J Tue T u ue – 9pm; $20 musician TThey hey say say nnoo m usician hhas as ever ever drunk drunk much much aass m uch bourbon, bourbon, done done aass m uch many sspeed peed or or satisfied satisfied aass m any women women Motörhead aass LLemmy emmy Kilmister.

Kilmister. M otörhead is is what w hat the the ffans ans hhave ave ccome ome to to love, love, bbut ut now now he’s he’s tthrown hrown hhimself imself iinto nto ssomething omething completely completely different: different: rrockabilly. ockabilly. The The aall-star ll-star lineup lineup iincludes ncludes Stray Stray Cats Cats drummer drummer Slim Slim Phantom Danny JJim im P hantom aand nd D anny B. B. Harvey Harvey Rockats. ooff Lonesome Lonesome SSpurs purs and and tthe he R ockats.

Believe B elieve it it or or not, not, LLemmy emmy can can aactually ctually ssing, ing, albeit albeit in in a ggritty, ritty, rusty rusty Harvey’s ttone. one. H arvey’s twang twang ccompliments ompliments Phantom’s P hantom’s bbeats eats ttoo rround ound iitt oout. ut.

TThe he Shitkickers Shitkickers sstart tart tthings hings ooff. ff. ((BD) BD)

CCHRIS HRIS B BOTTI OTTI Sep 15 at 7pm, Montalvoo Art Arts t ts

PARAMORE P ARAMORE Sep 17 at 6:30pm, HP PP Pavilion a ion avilion

HARRY H ARRY CCONNICK ONNICK JJR. R. Sep 18 at 7:30 7:30pm, 0pm, Mountain uunn Win Winery

JJONAS ONAS B BROTHERS ROTHERS WITH W TH WI D DEMI EMI LLOVATO OVA AT TO Sep Se ep 18 at 7pm, Shoreline Shoreliiine

WILLIE W ILLIE N NELSON ELSON Sep 22 at 7:30 7:30pm, 0pm, Mountain Winery W ry Win

FOREIGNER FOREIGNER Sep 23 at 7:30 7:30pm, 0pm, Mountain ta Winery Winer

MARGARET M ARGARET CHO CHO Sep 25 at 8pm, 8 Mounta Mountain ain Winery W ery

HALL H ALL A AND ND O OATES ATES AT Sep 27 at 7:30pm, 7:30 0pm, Mountain un Winery Wi

CCARRIE ARRIE U UNDERWOOD NDERWOOD Sep 27 at 7pm 7pm, m, HP P Pavilion, avilion, San Jose s

SSYMPHONY YMPHONY SSILICON ILICON VALLEY VALLEY Sep 30, Oct 2-3, 2-3, California Calif l ornia Theatr Theatre, ee, San Jose se

WANDA W ANDA SYKES SYKES E Oct 2 at 8pm, 8 Mountain nta Winery Wine

M E TR O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

CCRAIG RAIG FFERGUSON ERGUSON S 10 at 8pm, Sep 8 Mountain Winery

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

Michael M ichael O O’Shea ’Shea

36

metroactive ARTS

Spook Style

E<LIFD8E:<I E <LIFD 8 E:<I JZ`$Ó ni`k\i N`cc`Xd >`Yjfe JZ`$Ó ni`k\i N`cc`Xd ` >`Y Yjfe \em`j`fe\[ k_\ ]lkli\ n\ Xcc ZXd\ kf `e_XY`k% \em`j`fe\[ \em` em`` fe e k_\ k ]lkli\ n\ Xcc ZXd\ kf `e_X XY`k%

:pY\igleb g`fe\\i efm\c`jk

:pY\igleb g`fe\\i efm\c`jk :p

N`cc`Xd >`Yjfe kXcbj j\Zi\k Zf[\j N`cc`Xd >`Yjfe kXcbj j\Zi\k Zf[\j f] Zcfk_`e^ `e e\n Yffb# ÉQ\if ?`jkfipÊ f] Zcfk_`e^ `e e\n Yffb# ÉQ\if ?`jkfipÊ f] 9p 9 pN NEAL EA L SOLDOFSKY S O L D O F S KY

I

E (0/(# E (0/(# k_\ jZ`\eZ\ ÓZk`fe (0 k_\ jZ`\eZ\ ÓZk`fe ni`k\i N`cc`Xd >`Yjfe ni`k\i N`cc`Xd >`Yjfe dX[\ lg X nfi[ kf dX dX[\ l X nfi[ kf lg [\jZi`Y\ X jgXZ\ _\ [\ [\jZi`Y Y\ X jgXZ\ _\ `dX^`e\[ b`[j n\i\ kip`e^ `dX^`e\[ \[ b`[j b n\i\ kip`e^ kf `e_XY`k n_\e k_\p gcXp\[ kf f `e e_XY`k n_\e kk_\p \p g gcXp\[ Xp\[ XiZX[\ ^Xd\j% Xi XiZX[\ ^Xd d\ % d\j And A nd it it was wass somehow somehow the the same sam me space spacce tthat th hat money money moved moved tthrough hrough during during w ire transfers, tran ansfers, and an nd where where phone phone calls callls wire aactually ac ctually “happened. “happened.” There There were were all alll tthese hese electronic electronic spaces spaces on on top top of of the the rreal eal world, world, where where media media aand nd data data

were w ere m more ore iimportant mportant tthan han n ggeography eography Gibson aand nd distance. distance. G ibson iimagined maggined tthat hat were tthese hese sspaces paces w ere aactually ctuallly aall ll tthe he ssame ame am place.

Hee ccalled was p lace. H allled iitt ““cyberspace. cyberspace.” IItt w as not hee iinvented, was n ot something something h nvented, iitt w as hee ccould already ssomething omething h ould al lread dy ssee. ee.

The hee b built T he sstory tory h uilt aaround round tthis his Chrome, was cconcept, oncept, ““Burning Burning C hrome,” w as aass was ggroundbreaking roundbreak king iin n iits ts sstyle tyle aass iitt w as as Gibson’s was hard-edged iin n iits ts iideas. deass. G ibson’s w ass h arrd-edged The wasn’t aand nd eevocative. vocative. T he sstory tory w assn’t a dystopia orr a u utopia but noir. d ystopia o topia b ut iinstead nstead a n oir. world IItt llooked ooked aatt tthe he w orld ffrom rom tthe he ffringes ringes off ssociety.

The main were o ociety. T he m ain ccharacters haracters w ere using military ccriminals, riminals, u sing m ilitary ssoftware oft ftw ware tto o break The narrator b reak iinto nto ccomputers. omputers. T he n arrrator us, what would become ttells ells u s, iin nw hat w ould be come a widely quoted maxim, w idely q uoted m axim, ““The The sstreet treet

fi nds iits ts o wn u ses ffor or tthings. hings.” finds own uses ““Burning Burning C hrome” w aass n ot o nly tthe he Chrome” was not only p rototype ffor or G ibson’s d ebut n ovel, prototype Gibson’s debut novel, N euromancer ((1984)—arguably 1984)—ar arguab bly tthe he Neuromancer d efining ssci-fi ci-fi n ovel o he ’’80s—but 80s—but defining novel off tthe al lso tthe he p rototype ffor or a w hole ar rtistic also prototype whole artistic m ovement d ubbed ““cyberpunk. cyberpunk.” movement dubbed ““II n ever as ssumed w hen I w ass w riting never assumed when was writing sscience cience fi ction sset et iin n tthe he ffuture uture tthat hat fiction Iw aass writing writing about about anything an nything o ther was other tthan han n tthe he w orld o n tthe he d ay tthat hat I w as world on day was w riting,” Gibson Gibson says. says. ““Because Because tthat hat w aass writing, was w here I w as d rawing al ll o ense o where was drawing all off m myy ssense off w hat tthe he w orld iiss ffrom. rom. I ttook ook tthat hat ffor or what world ggranted ranted w hen I sstarted tarted w riting sscience cience when writing fi ction, tthat hat eevery very iimagined magined ffuture uture ccan an n fiction, o nly rreally eally b bout tthe he m oment iin n only bee aabout moment w hich iitt w ass w ritten.” which was written.

IIn n 11999, 999, W illiam mG ibson p ublished William Gibson published tthe he n ovel A omorrow’s P arties an nd novel Allll T Tomorrow’s Parties and tthen hen p romptly sstopped topped ccreating reating promptly iimaginary maginary ffutures. utures. B ut h idn’t sstop top But hee d didn’t w riting sscience cience fi ction. T he tthree hree writing fiction.

The b ooks h e’s w ritten ssince ince tthe he tturn urn o books he’s written off m illennium— —P Pattern Recognition Recognition an nd millennium—Pattern and

SSpook pook C ountry, aass w ell aass h is llatest, atest, Z ero Country, well his Zero H istory ((Putnam; Putnam m; $ 26.95 h arrdback), History $26.95 hardback), w hich ccomes omes o ut tthis his m onth—are aall ll which out month—are sset et on on tthe he eedge dge o he p resent, iin n tthat hat off tthe present, p lace w on’t yyet et k now eenough nough aabout bout place wee d don’t know tto o rreally eally d well iin, n, aand nd ffrom rom w hich o ur dwell which our ffuture uture iiss eemerging, merging, an nd tto o ssome ome d egree, and degree, iiss al lread dy vvisible. isible. already A nd G ibson w rites o his p lacce tthe he And Gibson writes off tthis place w ay h sed tto ow rite o he ffuture. uture. H way hee u used write off tthe Hee m akes it it sseem eem rreal eall b ot p resenting a makes byy n not presenting sseamless eamless “now” “now” b ut iinstead nstead db reating but byy ccreating am aam mmoth ac ccretion o istory, a rrich ich mammoth accretion off h history, m ateriall w orld w here eevery very o bject iiss a material world where object llink ink tto o tthe he p ast. past.

Z ero History History iiss ccentered entered ar round a Zero around p art of of o ur cculture ulture tthat hat n ovelists o ften part our novelists often o verlook: cclothing. lothing. The The n ovel llooks ooks overlook: novel aatt tthe he m ilitarry o rigins o treet w earr, military origins off sstreet wear, aand nd tthe he m arketing rreasons easons ffor or w hy tthe he marketing why m ilitary might might want wan nt tto ob orrow b acck military borrow back ffrom rom the the streets. streets.

T he m ain ccharacters—Hollis haracters—Hollis H enry, The main Henry, a jjournalist ournalist lliving iving iin n tthe he sshadow had dow o off h er p asst ccult-fame ult-fam ame ass a rrock ock ssinger; inger; her past aand nd M ilgrim, a ttranslator ranslator rrecovering ecovering Milgrim, ffrom rom an n ad ddiction tto o an nti-anxiety addiction anti-anxiety d rugs w ho h assn’t b een aatt aall ll p resent drugs who hasn’t been present iin nh is o wn llife ife o he w orld ffor or m ore his own orr tthe world more tthan han n 110 0 yyears—are ear ars—arre b eing p aid tto o ttrack rack being paid d own tthe he m ak ker o ecret b rand o down maker off a ssecret brand off cclothing. lothing. B ut iin n tthe he p rocess, tthey hey fi nd But process, find tthemselves hemselves in in tthe he d angerous n exus dangerous nexus w here tthe he ccloak-and-dagger loak k-an nd-dagger w orld o where world off p rivate m ilitarry contracting contraccting meets meets tthe he private military ccloak-and-dagger loak k-and-dagger w orld o arketing. world off m marketing.

I sspoke poke w ith G ibson o ver o he with Gibson over off tthe p hone aabout bout tthe he iissues ssues iin nh is n ovel. phone his novel.

D <KIF1 ? ?fn [`[ Zcfk_`e^ ^\k kf D<KIF1 ?fn [`[ Zcfk_`e^ ^\k kf Y\ k_\ ]fZ Zlj f] k_`j Yffb6 Y\ k_\ ]fZlj f] k_`j Yffb6 N@CC@8D >@9JFE N @ C C @8 D > @ 9 J FE 1 I d don’t on’t tthink hink of of it it ass being being that that much much about ab bout clothing clothing itself, itself, or or fashion. fashion. I think think of of it it ass being being about ab bout the the cultural cultural codes codes with with which which people people communicate p communicate with with one one another. another. In In the the case case of of this this particular parrtticular story, storyy, those those particular parrticular codes codes are are the the ones ones we we wear, wear, because becau use everything everyything we we do do as as a culture culture is is information information of of a sort. sort.

And And the the people people who who design design clothing clothing think think to to some some extent extent about ab bout function, function, but but to to an an even even greater greater extent extent about about conveying conveying information information to to the the person person who’s who’s going going to to buy buy the the clothing. clothing. And And the the person person who’s who’s buying buying is is thinking thinking ass often often as as not not about about what what information information

N`cc`Xd >`Yjfe =i`[Xp# .gd B\gc\iÊj# D\ecf GXib

ZZi\Xk`e^ X d\Xe`e^]lc i\cXk`fej_`g i\Xk`e^ X d\Xe`e^]lc i\cXk`fej_`g g Y\kn\\e k_\ YiXe[ Xe[ k_\ Ylp\i Y \kn\\e k_\ YiXe[ Xe[ k_\ Ylp\i Xj `k `j XYflk dpjk\ip Xe[ Zffce\jj% X j `k `j XYflk dpjk\ip Xe[ Zffce\jj%

N_Xk [f pfl k_`eb `k `j XYflk k_\ N_Xk [f pfl k_`eb `k k `j XYflk k_\ `e]fidXk`fe `e d`c`kXip Zcfk_`e^ `e]fidXk`fe `e d`c`kX Xip Zcfk_`e^ k_Xk jf dXep g\fgc\ Óe[ lj\]lc k_Xk jf dXep g\fgc\ Óe[ lj\]lc ]fi fk_\i gligfj\j6

Well, brands aren’t W ell, ssecret ecret b rands ar ren’t ssomething omething made up, tthat hat I m ade u p, iit’s t’s an n eexisting xisting People do different cconcept. oncept. P eople d o iitt tto od iff ffeerent degrees.

Sometimes deliberately, d egrees. S ometimes d eliberately, ass a marketing and m arketing sstrategy, trategy, an nd ssometimes ometimes out off ssome kind off o ut o ome iinteresting nteresting k ind o unwillingness become sstubborn tubborn u nwillingness tto ob ecome a part off tthe marketing world. p arrt o he m arrketing w orld. IItt ttends ends work, whatever does, tto ow ork, tto ow hatever eextent xtent iitt d oes, well, way. bee ab about jjust ust aass w ell, eeither ither w ay. IItt ccan an b bout but also bee aabout, rrelationships, elationships, b ut iitt ccan an al lso b bout, ssimply, imply, iinformation. nformation. off m marketing has been pitched A llot ot o arrketing h ass b een p itched off ssome kind off eexclusivity. tto o tthe he iidea dea o ome k ind o xclusivity.

Like, buy one off o ours, L ike, ““If If yyou ou b uy o ne o urs, yyou ou which not gget et ssomething omething sspecial, peciall, w hich n ot has.

But with eeverybody verybody h as.” B ut w ith tthe he ttotal otall ubiquity off rretail our first u biquity o etail iin no ur cculture, ulture, fi rst with malls, and more with w ith m alls, an nd m ore rrecently ecently w ith web anybody who’s money w eb sstores, tores, an nybody w ho’s ggot ot m oney have pretty much any off tthat ccan an h ave p retty m uch an ny o hat sstuff tuff delivered next day, without having d elivered n ext d ay, w ithout h aving tto o house.

So been kind lleave eave tthe he h ouse. S o tthere’s here’s b een a k ind off d democratization.

With o emocratization. W ith sstuff tuff llike ike only makes tthat hat tthe he o nly tthing hing tthat hat m ak kes aany ny difference money. d iff ffeerence iiss rreally eally tthe he m oney.

The people who figured out T he p eople w ho fi gured o ut tthe he brand decided what ssecret ecret b rand sstrategy trategy d ecided tthat hat w hat people wanted kind p eople aactually ctuallly w anted iiss ssome ome k ind off ggenuine brand o enuine eexclusivity. xclusivity. A b rand ccould ould build byy b being b uild iits ts ccache ache ssimply imply b eing vvery ery difficult find.

So what need d ifficult tto ofi nd. S ow hat yyou ou n eed iin n order o rder tto o gget et tthat hat sstuff tuff iiss iinformation. nformation.

You need know and Y ou n eed tto ok now iitt eexists xists an nd yyou ou need find out how n eed tto ofi nd o ut h ow yyou’re ou’re ggoing oing tto o And out powerfully gget et iit. t. A nd tthat hat tturns urns o ut tto op owerfully motivate buyers. m otivate ssome ome b uyers.

And A nd ssomething omething llike ike tthat hat ccould ould off w web places ssupport upport a llot ot o eb sstores tores iin np laces never previously have had tthat hat n ever p reviously h ave h ad d tthat hat kind on.

You have k ind rretail etail ggoing oing o n. Y ou ccan an h ave a web Oklahoma and w eb sstore tore iin nO klahoma an nd ssell ell sstuff tuff tto o people over world because p eople aall ll o ver tthe he w orld jjust ust b ecause only person who’s yyou’re ou’re tthe he o nly p erson w ho’s ggot ot iit. t.

And know how make A nd yyou ou k now h ow tto om ake yyourself ourself a part off a w web universe people who p arrt o eb u niverse tthat hat p eople w ho want kind off sstuff will w an nt tthat hat k ind o tuff w ill ggo o tto. o. IIt’s t’s a post-geographical, post-national, vvery ery p ost-geographical, p ost-nationall, model off h how T-shirts. m odel o ow yyou ou ssell ell T -shirts. works. there’s But it wo orks. And ther e’s a lot people of p eople making m a living doing sortt off thing thing.. It It’s that sor ’s one of those unexpected une xpected d rresults esults of the Internet, it’s people that h iit ’s fr ffreed eed dp eople l to sell ll rreally, eally lly, specialized rreally eally sp eciialized stuff to global markets. niche mark kets.

I think think iit’s t’s ccomplexly omplexly historical. historicall. The The mass-produced m asss-produced clothing clothing that’s that’s taken tak ken began, ffor or granted granted in in the the world world today today b egan n, War And rreally, eally, during during World World W ar I. ar I. A nd it it began with manufacture b egan w ith tthe he need need to to m an nufac acture huge military h uge amounts am mounts of of m ilitary clothing clothing which had w hich h ad d tto o fit fit iindividuals ndividualls tthat hat the the manufacturer met. m an nufac acturer had had d never never m et. Things Things didn’t llike ike sstandardized tan ndardized sizing sizing d idn’t aactually ctuallly That’s when eexist xist before before World World War Warr I. I. T hat’s w hen tthat hat was was iinvented. nvented.

That’s T hat’s like like a llate ate industrial industriall invention invention iin n our our cculture. ulture. We We hadn’t hadn’t rreally eallly sseen een before. iitt b efore. There’d There’d been been a little little bit bit of of but iitt iin n iindustrial ndustriall work-wear, work-wearr, b ut there there hadn’t need h adn’t really really the the urgent urgent n eed tto o put put off m money figuring out how a llot ot o oney iinto nto fi guring o ut h ow do and States tto od o iit, t, an nd tthe he United United S tates lled ed the the way. w ay. And And after after World World War Warr II,, it it gave gave the the United States The U nited S tates a gglobal loball edge. edge. T he United United States S tates didn’t didn’t eexport xport a llot ot of of cclothing lothing but were provide tthen, hen, b ut tthey hey w ere able able tto op rovide iitt domestically much more d omesticallly m uch m ore eefficiently fficiently other tthan han n aany ny o ther country. country.

When wee get World War W hen w get tto oW orld W ar III, I, which beginning what w hich iiss rreally eallly tthe he b eginning of of w hat sseems eems to to us us as as the the modern modern world, world, tthat hat happened but happened h appened again, aggain, b ut iitt h ap ppened in in a bigger way. b igger aand nd much much more more involved involved w ay.

So S o tthat hat tthe he clothing clothing tthat hat the the ccharacters harracters book about iin n my my b ook ttalk alk ab bout aass being being ssort ort of of tthe he rroot oot ccode ode of of what what we we wear wear iiss llate ate World War post-war, W orld W arr III, I, eearly arrly p ost-waarr, military military cclothing. lothing.

One off the wee ccopy O ne o the reasons reassons w opy iitt iiss that that was willing tthe he ggovernment overnment w aass w illing tto o spend spend a ffortune ortune on on the the research research it it took took tto o gget et it it and ffunctional unctionall aand nd gget et iitt ccomfortable omfortab ble an nd durable.

More design hours went gget et it it d urab ble. M ore d esign h ours w ent house iinto nto tthat hat sstuff tuff tthan han n aany ny ffashion ashion h ouse would bee w willing w ould b illing tto o put put into into a season’s season’s product. p roduct. And And it it was was as all all tested tested tto o destruction, d estruction, tto o ssee ee how how llong ong it it would would was worked out. llast. asst. It It w aass very very carefully carrefully w orked o ut.

There’s Ther e’s a huge amount amou unt of information embodied inf formation o emb odied d in each of garments,, and my those garments my guess is that we can can recognize recognize the information in nfformation o whether ccontent ontent of clothing, clothing, wh hether we know or it not.

K_\ `[\X f] k_\ j\Zi\k YiXe[ `j X K _\ `[\X f] k_\ j\Zi\k YiXe[ `j X Y`^ gXik f] k_`j YffbÆZcfk_`e^ Y `^ gXik f] k_`j YffbÆZcfk_`e^ cc`e\j k_Xk Xi\ m\ip [`]ÓZlck kf kiXZb `e\j k_Xk Xi\ m\ip [`]Ó ]ÓZlck kf kiXZb [fne# lebefne `e fi`^`e Xe[ `e [ fne# lebefne `e fi`^`e Xe[ `e ]]XZk lebefne Xckf^\k_\i# \oZ\gk XZk lebefne Xckf^\k_\i# \oZ\gk ]]fi Yp X m\ip Zcl\[$`e Xe[ [\mfk\[ fi Yp X m\ip Zcl\[$`e Xe[ [\mfk\[ ]]\n% K_\ ZfeZ\gk `j Xj dlZ_ XYflk \n% K_\ ZfeZ\gk `j Xj dlZ_ XYflk

@ nXj ^cX[ k_Xk D`c^i`d# X @ nXj ^cX[ [ k_Xk D`c^i`d# X Z_XiXZk\i Óijk j\\e `e pfli Z_XiXZk\i Ó Óijk j\\e `e pfli gi\m`flj efm\c# ÉJgffb :flekip#Ê gi\m`flj e efm\c# ÉJgffb :flekip#Ê gcXpj jlZ_ X Y`^ ifc\ `e ÉQ\if g cXpj jlZ_ X Y`^ ifc\ `e ÉQ\if

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37 M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

other people other people will will b bee rreceiving eceiving when when tthey hey see see the the buyer buyer wearing wearing the the cclothing. lothing.

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ARTS RT S metroactive metr oactivve A 377 3 ?`jkfip%Ê K_\i\Êj jfd\k_`e^ XYflk ? `jkfip%Ê K_\i\Êj jfd\k_`e^ XYflk _`j g\ijg\Zk`m\ k_XkÊj i\Xccp _ `j g\ijg\Zk`m\ k_XkÊj i\Xccp \ek\ikX`e`e^% ?\ _Xj _`j jkiXe^\ \ ek\ikX`e`e^% ?\ _Xj _`j jkiXe^\ e\Xi$[\kXZ_d\ek ]ifd Yfk_ k_\ e \Xi$[\kXZ_d\ek ]ifd Yfk_ k_\ gcfk Xe[ _`dj\c] Xj XZkfi `e `k% g cfk Xe[ _`dj\c] Xj XZkfi `e `k% Yeah, deeply, deeply off h him, Y eah, II’m ’m d eeply, d eeply ffond ond o im, ass tthe he aauthor, uthor, ffor or tthat hat vvery ery rreason. eason.

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And llens ens k eeps iitt vvery ery ffresh resh ffor or m e. A nd kind off lliterally never know what Ik ind o iterallly n ever k now w hat he’ll what’s happening on h e’ll tthink hink aabout bout w b hat’s h ap ppening o n next page. have off w what’s tthe he n ext p age. I h ave aan n iidea dea o hat’s happen, but never know ggoing oing tto oh ap ppen, b ut I n ever k now how Milgrim will perceive until hee h ow M ilgrim w ill pe rceive iitt u ntil h actually ac ctually ggets ets tthere. here.

He’s kind off aan unusual H e’s k ind o nu nusual ccharacter haraccter mee iin hee aarrived odd ffor or m n tthat hat h rrived iin n a vvery ery o dd way. was Country, w ay. I w as writing writing SSpook pook C ountry, aand nd I was write another w as trying trying tto ow rite an nother ccharacter, harracter, one off tthe o ne o he vvillains, illains, aass a vviewpoint iewpoint was kind off ccharacter. haracter. IItt w ass jjust ust a k ind o book, and eexperiment xperiment vvery ery eearly arly iin n tthe he b ook, an nd was breaking tthis his gguy uy w aass b reaking iinto nto ssomebody’s omebody’s apartment battery on ap partment tto o cchange hange a b attery o na bug, and work. b ug, an nd I couldn’t couldn’t gget et it it tto ow ork. I write ccouldn’t ouldn’t w rite ffrom rom tthat hat ccharacter’s harracter’s And was vviewpoint. iewpoint. A nd iitt w aass very very ffrustrating. rustrating.

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M ilgrim, iin n tthis his vvery ery w eird w ay. didn’t know who was, Id idn’t k now w ho tthis his gguy uy w as, knew had I jjust ust k new he he h ad d a vvery ery sstrange tran nge point off vview.

Which quickly p oint o iew. W hich I q uickly ttried ried account byy ggiving him tto o ac ccount ffor or b iving h im ass an n unromantic drug habit u nroman ntic a d rug h ab bit ass I ccould ould of,f, an and him on tthink hink o nd tthen hen llet et h im ggo oo n aabout bout his business.

And byy tthe off tthe h is b usiness. A nd b he eend nd o he hee w was pretty much Milgrim cchapter, hapter, h aass p retty m uch M ilgrim known him ass we’ve we’ve k nown h im eever ver ssince. ince. I usually don’t usually u sually d on’t gget et tthat. hat. IIt’s t’s u sually bigger process find ab igger p rocess tto ofi nd a ccentral entral Byy tthe was ccharacter. haracter. B he ttime ime I w aass a ffew ew more Country, m ore cchapters hap pters iinto nto SSpook pook C ountry, I jjust ust how have tthought, hought, ““Well, Well, h ow ccould ould I h ave eever ver writing without Milgrim?” cconsidered onsidered w riting w ithout M ilgrim?” i\d\dY\i _\Xi`e^ pfl jXp @@ i\d\dY\i _\Xi`e^ pfl jXp p kk_Xk k_\ gi\Óo ÉZpY\i#Ê kf d\Xe _Xk k_\ gi\Óo ÉZpY\i#Ê kf d\Xe jjfd\k_`e^ _Xm`e^ kf [f n`k_ fd\k_`e^ _Xm`e^ kf [f n`k_ ZZfdglk\ij# nflc[ ^f Yp k_\ fdglk\ij# nflc[ ^f Yp k_\ nXpj`[\ Xj n\ jkXik\[ kf Xjjld\ n Xpj`[\ Xj n\ jkXik\[ kf Xjjld\

dfi\ Xe[ dfi\ k_Xk \m\ipk_`e^ d fi\ Xe[ dfi\ k_Xk \m\ipk_`e^ n\ [f n`cc `emfcm\ X Zfdglk\i% n \ [f n`cc `emfcm\ X Zfdglk\i%% ;f pfl k_`eb `kÊj j`^e`ÓZXek k_Xk ; f pfl k_`eb `kÊj j`^e`ÓZXek k_Xk n\Êi\ jk`cc lj`e^ `k ]fi k_\ nfi[ n \Êi\ jk`cc lj`e^ `k ]fi k_\ nfi[ ÉÉ:pY\inXi]Xi\Ê6 :pY\inXi]Xi\Ê6 Well, W ell, maybe. maybe b . It’s It’s kind kind of of iironic, ronic, because part be cause tthe he Internet Internet iiss in in a large large p arrt historically h istorically the the result result of of a military militarry program.

Department rresearch esearch p rogram m. The The D eparrtment off D Defense paid o efense p aid a lot lot of of scientists scientists a lot lot off m money figure build o oney tto ofi gure out out how how tto ob uild ssomething omething like like the the Internet.

Internet. And And it it out ggradually radually an aand nd happily hap ppily spiraled spiralled o ut of of and became ccontrol ontrol an nd iitt be came tthe he IInternet nternet as as wee k know w now iitt today. today.

But B ut iin n becoming becoming the the IInternet nternet as as we we know k now iitt ttoday, od day, it it became becam me something something tthat hat tthe he military military r would would have have to to worry worry Because became aabout. bout. B ecause iitt be came where where the the bank keeps money, b an nk k eeps yyour our m oney, and an nd it it became became where wee do market, w here w do tthe he sstock tock m arket, and an nd iitt became where, be came w here, increasingly, increassingly, we we do do a whole bunch off w what wee d do human w hole b unch o hat w o aass h uman beings. be ings.

Wee do W do iitt aall ll through through the the IInternet, nternet, but b ut tthe he IInternet nternet doesn’t doesn’t live live anywhere anywhere particular, iin np arrticular ar, and an nd it it isn’t isn’t under under the the off aany particular llaws aws o ny p articular ccountry. ountryy. IIt’s t’s tthis his vvery ery sstrange, tran nge, global, global, transnational tran nsnationall tthing hing tthat hat we we are are increasingly increassingly dependent on.

So now d ependent o n. S o iit’s t’s n ow ffor or tthe he military up m ilitary to to turn turn u p and and say, say, “Hey, “Hey, wee ggot w ot tto o be b prepared prepared for for trouble trouble And iin n ccyberspace. yberspac ace.” A nd tthe he ffunny unny tthing hing aabout bout it it is is they they actually actually started starrted it. it.

Jf pflÊm\ Y\\e [f`e^ k_`j j\i`\j J f pflÊm\ Y\\e [f`e^ k_`j j\i`\j f] Yffbj# n`k_ jZ`\eZ\ ÓZk`fe f ] Yffbj# n`k_ jZ`\eZ\ ÓZk`fe kk\Z_e`hl\j# cffb`e^ [`i\Zkcp Xk k_\ \Z_e`hl\j# cffb`e^ [`i\Zkcp Xk k_\ gi\j\ek# ]fi hl`k\ X n_`c\ efn% ;f g i\j\ek# ]fi hl`k\ X n_`c\ efn% ;f pfl \m\i Óe[ pflij\c] nXek`e^ kf p fl \m\i Óe[ pflij\c] nXek`e^ kf ^f YXZb kf X dfi\ kiX[`k`feXc b`e[ ^ f YXZb kf X dfi\ kiX[`k`feXc b`e[ f] jZ`\eZ\ ÓZk`fe6 f ] jZ`\eZ\ ÓZk`fe6 Well, W ell, writing writing these these last last three three books, b ks, boo one off tthe o ne o he tthings hings I’ve I’ve been been most most off iiss h how aaware ware o ow tthe he rreal eall world world iiss naturally n aturallly sso o iinfinitely nfinitely more more complex complex detail aand nd rrich ich iin nd etail than than any an ny imagined imaggined world make w orld tthat hat I can can m ake up. up. And And tthat’s hat’s because off tthe ssimply imply be cau use o he time time and and llabor ab bor rrequired equired to to produce produce enough enough detail detail and and world. ccomplexity omplexity iin n an n iimagined magined w orld. In In way more work write aw ay iit’s t’s a llot ot m ore w ork tto ow rite a piece off iimaginary p iece o magginarry future future SF SF than than it it is is write books, because tto ow rite one one of of these these boo ks, be cause when writing Zero w hen II’m ’m w riting a book book like like Z ero History, world provides H istory, tthe he w orld cconstantly onstantly p rovides mee w with m ith more more and and ccrazier razier detail detail than than nI have dreamed up. ccould ould h ave eever ver d reamed u p.

Pfl e\m\i Óe[ k_\ gi\j\ek cXZb`e^6 P fl e\m\i Óe[ k_\ gi\j\ek cXZb`e^6 No, don’t.

N o, I d on’t.

ARTS RT S metroactive metr oactivve A

Dead Man’s Cell Phone Sept. 11–26; Lucie Stern Theater, Palo Alto; $21–$30 For the first show of its new season, the longrunning Palo Alto Players (now at it for 80 years), presents Sarah Ruhl’s mystery comedy Dead Man’s Cell Phone. When the ringing just won’t stop, a woman picks up the phone of a corpse and finds her life altered in unexpected ways.

Killer Joe Sept. 11–Oct. 2; Historic Hoover Theatre, San Jose; $12–$28.50 Tracy Lett earned accolades for August: Osage County and Bug, so chances are good that even an early play like Killer Joe will be full of dark surprises. This story of murder for hire and unseemly passions sounds like James M. Cain for the trailer-park set. This Renegade Theatre Experiment production can be sampled on Sept. 10 with a pay-what-you-can preview.

Dance D ance

ALL A LL THE WAY WAY LIVE LIVE USA USA Arban dance ffestival.

Arban estival. The The GoGooGo B rothers, SSkeeter keeter Rabbit Rabbit Brothers, and Rock Rock Steady Steady Crew Crew on Fri, Frii, 7:30pm. Dance competition on Sun, Sun, 3pm. $10. SSmith mith CCenter, enter, Ohlone Ohlone CCollege, ollege ollege, Outdoor Amphitheatre, O utdoor A mphitheatre, Fremont.

Fr emont.

BALLET B ALLET AUDITION AUDITION For ““The The N Nutcracker” utcracker ” by Western W estern B Ballet. allet. SSat, at, 22-4pm.

-4pm.

Western W estern B Ballet allet SSchool, chool, Mountain View.

M ountain V iew.

Theater T heater BLACK B LACK P PEARL EARL SSINGS! INGS! An uunusual An nusual ffriendship riendship ddevelops evelops white music bbetween etween a w hite m usic African rresearcher esearcher aand nd aann A frican American A merican bblues lues ssinger. inger. SSan an Rep. week: JJose ose R ep. TThis his w eek: Wed-Fri, Wed-Fri, 8pm.

8pm, 8 pm. SSat, at, 3 and and 8 pm, Sun Sun 2 aand nd Runs 77pm, pm, TTue, ue, 77:30pm. :30pm. R uns tthru hru $35 Rep, SSep ep 226.

6. $ 35 aand nd uup. p. TThe he R ep, SSan an JJose. ose.

DEAD D EAD MAN’S MAN’S CCELL ELL PHONE PHONE A cchance hance eencounter ncounter w with ith a ccorpse’s orpse’s pphone hone cchanges hanges a woman’s Palo Alto w oman’s llife. ife. P alo A lto Players.

Players.

Opens Regular O pens SSep ep 110.

0. R egular sshows hows 8pm, TThu-Sat, hu-Sat, 8 pm, SSun, un, 22:30pm. :30pm.

Runs $21-$30.

R uns tthru hru SSep ep 226.

6. $ 21-$30.

Palo Alto.

LLucie ucie SStern tern TTheater, heater, P alo A lto.

THE T HE LLIGHT IGHT IIN NT THE HE P PIAZZA IAZZA

Opera O pera ANNA A NNA KARENINA The season opens for The for Opera O pera SSan an JJosé osé with a new production pr oduction of a story based on TTolstoy. oolstoy. This This Week: Week: Sat, Sat, 8pm, SSun, un, 2pm, TTue, uue, 8pm.

Runs R uns thru SSep ep 26. $50–$100. $50–$100 0.

CCalifornia alifornia TTheatre, heatre, SSan an Jose.

Jose.

with a ddark with ark ccomedy omedy aabout bout murder. m urder. Pay-what-you-can Pay-what-you-can ppreview review FFri. ri. O Opens pens SSat. at. R Regular egular 8pm, sshows hows TThu-Sat, hu-Sat, 8 pm, SSun, un, Runs Oct $12-$28.

77pm. pm. R uns tthru hru O ct 22.. $ 12-$28.

Hoover H oover TTheater, heater, SSan an JJose. ose.

LLOVE OVE SSONG ONG A rromantic omantic comedy comedy tthat hat seeks seeks tthe he bbalance alance bbetween etween sane sane aand nd Dragon Productions. iinsane. nsane. D ragon P roductions.

Opens Regular O pens SSep ep 110.

0. R egular sshows hows 8pm, Runs TThu-Sat, hu-Sat, 8 pm, SSun, un, 22pm. pm. R uns Oct $16-$25.

Dragon tthru hru O ct 33.. $ 16-$25. D ragon Palo Alto.

TTheatre, heatre, P alo A lto.

OVERSOCIAL O VERSOCIAL M MOFO OFO R REVUE EVUE A variety variety show show ffeaturing eaturing ppoet/ oet/ DeWolf, sshowman howman JJamie amie D eWolf, tthe he bband and G Gold old H Hush ush aand nd ccomedian omedian Mary M ary V Van an N Note. ote. FFri, ri, 8 8pm. pm. $6/$11. $ 6/$11. A Anno nno D Domini omini SSan an JJose. ose.

SSMOKEY MOKEY JJOE’S OE’S CCAFE AFE

TheatreWorks ppresents TheatreWorks resents tthe he sstory tory ooff a pprotective rotective American American mother with m other vvacationing acationing w ith hher er who ddaughter, aughter, w ho ffalls alls ffor or a yyoung oung Wed, FFlorentine. lorentine. W ed, 77:30pm, :30pm, TThuhuFFri, ri, 8pm, 8pm, Sat, Sat, 8pm, 8pm, Sun, Sun, 7pm, 7pm, $22 TTue. ue. 77:30pm. :30pm. TThru hru SSep ep 119.

9. $ 22 Mountain View aand nd uup. p. M ountain V iew Center Center ffor or the the Performing Performing Arts.

Arts.

A rrevue evue w with ith ssongs ongs bbyy LLieber ieber week: aand nd SStoller. toller. TThis his w eek: TThuhu8pm, Oct SSat, at, 8 pm, SSun, un, 33pm. pm. TThru hru O ct 22.. $24-$30. $24-$30. Bus Bus Barn Barn Theatre, Theatre, LLos os A ltos.

Altos.

KILLER K ILLER JJOE OE

IIMPROV MPROV

The sseason The eason ffor or R Renegade enegade TTheatre heatre EExperiment xperiment bbegins egins

Dinosaurs ooff CComedy.

Dinosaurs omedy. $ $10.

10. FFri, ri, 8 aand nd 110pm, 0pm, SSat, at, 7 aand nd 9 9pm, pm, SSun un Donald Glover. $20.

77pm: pm: D onald G lover. $ 20. TTue, ue, 8pm: 8 pm: IImprov mprov SStandup tandup CComedy omedy $12.

CCompetition ompetition SSemifinals. emifinals. $ 12.

SSan an JJose. ose.

ROOSTER R OOSTER T T.. FEATHERS FEATHERS Wed, 8 Wed, 8pm: pm: N New ew TTalent alent SShowcase. howcase. $ $10.

10. TThu, hu, 8 8pm, pm, 9pm, FFri, ri, 9 pm, SSat, at, 8 aand nd 110:30pm, 0:30pm, 8pm: Greg Warren. $12.

SSun, un, 8 pm: G reg W arren. $ 12.

SSunnyvale. unnyvale.

*aartrt

Museums Museums

Wed, 8pm: Wed, 8pm: Big Big Al’s Al’s Big Big Ass Ass CComedy. omedy. $ $12.

12. TThu, hu, 8 8pm: pm: TThe he

ART A RT ARK ARK “Fictions, tthe “Fictions, he P Process rocess ooff CCreating reating a N New ew W World.” orld.” P Photos hotos Alejandro Oliva. aand nd vvideos ideos bbyy A lejandro O liva.

TThru hru SSep ep 330.

0. SSan an Jose.

Jose.

CCAFFE AFFE T TRIESTE RIESTE ““Gravity.”

Gravity.” W Works orks bbyy V Valerie alerie Runningwolf.

R unningwolf. Thru Thru Sep Sep 30.

30.

SSan an Jose.

Jose.

GGOOD OOD K KARMA ARMA VEGAN VEGAN CAFE CAFE “Scrap Facet.”

“Scrap Facet.” M Monochrome onochrome media. pportraits ortraits on on repurposed repurposed m edia.

TThru hru SSep ep 330.

0. SSan an Jose Jose

KALEID K ALEID GGALLERY ALLERY

CCONTINUING ONTINUING

New shows New shows by

by R Rene ene LLorraine orraine aand nd R as LLowe. owe. TThru hru SSep ep 330.

0.

Ras SSan an Jose.

Jose.

CCANTOR ANTOR A ARTS RTS CCENTER ENTER

MACLA M ACLA

“Go FFigure!”

“Go igure!” FFigurative igurative ppaintings aintings aand nd ssculptures. culptures.

Ongoing.

Nature.”

O ngoing. ““True True ttoo N ature.”

WOrks William W Orks bbyy W illiam TTrost rost Richards.

R ichards. TThru hru SSep ep 226.

6. TThru hru Dec Wata: Arts D ec 330.

0. ““Mami Mami W ata: A rts ffor or Water W ater SSpirits pirits in in Africa Africa and and Its Its Diasporas.”

WedD iasporas.” TThru hru JJan an 22.. W edSSun, un, 111am-5pm, 1am-5pm, TThu, hu, 111am1am8pm.

8 pm. SStanford. tanford.

“Lineas: New “Lineas: New M Modes odes ooff Urbanism.”

CContemporary ontemporary U rbanism.” TThru hru Oct O ct 16.

16. SSan an JJose. ose.

SSAN AN JJOSE OSE M MUSEUM USEUM O OFF A ART RT “New SStories “New tories FFrom rom tthe he EEdge dge Plastic ooff Asia: Asia: P lastic LLife.” ife.” TThru hru SSep ep 119.

9. ““Leo Leo V Villareal.” illareal.” TThru hru JJan. an. 9 9..

6.. ““Vital ““Retro-Tech.”

Retro-Tech.” TThru hru FFeb eb 6 Vital New Media SSigns: igns: N ew M edia FFrom rom tthe he Permanent P ermanent CCollection.” ollection.” TThru hru 6.. ““Degrees FFeb eb 6 Degrees ooff SSeparation: eparation: Photography.”

CContemporary ontemporary P hotography.”

Mar TThru hru M ar 114.

4. TTue-Sun, ue-Sun, 111am1amMon. 55pm, pm, cclosed losed M on. SSan an JJose. ose.

SAN JJOSE SAN OSE M MUSEUM USEUM O OFF QUILTS Q UILTS AND AND T TEXTILES EXTILES “ITAB: IInternational “ITAB: nternational TTECHstyle ECHstyle Art Biennial.”

A rt B iennial.” A jjuried uried sshow how ooff w works orks bbyy aartists rtists w who ho fiber with ccombine ombine fi ber aarts rts w ith nnew ew Oct ttechnologies. echnologies. TThru hru O ct 331.

1. TTueueSSun, un, 110am-5pm.

0am-5pm. SSan an JJose. ose.

TECH T ECH M MUSEUM USEUM ”Genghis KKhan.” ”Genghis han.” M Mon-Wed, on-Wed, 110am-5pm, 0am-5pm, TThu-Sun, hu-Sun, 110am0am8pm.

8 pm. SSan an JJose. ose.

GGalleries alleries CCONTINUING ONTINUING

CComedy omedy

Chamarelli of Chamarelli of B Brazil. razil. TThru hru Sep Sep 118.

8. TTue-Fri, ue-Fri, nnoon-7pm, oon-7pm, SSat, at, nnoon-5pm. oon-5pm. SSan an JJose. ose.

ANNO A NNO D DOMINI OMINI “Estates ooff tthe “Estates he SSplendrous plendrous Alternative aand nd SSecret.” ecret.” A lternative worlds worlds bbyy A Alex lex M McLeod. cLeod. TThru hru O Oct ct 6 6..

Works ““Pangea.”

Pangea.” W orks by

by FFernando ernando

MONTALVO M ONTALVO ARTS ARTS CCENTER ENTER “Human N “Human Nature.” ature.” Thru Thru O Oct ct Project Gallery.

117.

7. P roject SSpace pace G allery. ““Sculpture Sculpture oonn the the G Grounds.” rounds.”

SSaratoga. aratoga.

SAN JJOSE SAN OSE IINSTITUTE NSTITUTE O OFF CCONTEMPORARY ONTEMPORARY ART ART “Exposed: TToday’s “Exposed: oday’s P Photograph/ hotograph/ YYesterday’s esterday’s TTechnology.” echnology.” TThru hru SSep ep 119.

9. ““Conservation Conservation of of IIntimacy.” ntimacy.” Thru Thru Sep Sep 19.

19. Tue-Fri, Tue-Fri, 110am-5pm, 0am-5pm, SSat, at, noon-5pm. noon-5pm.

SSan an Jose.

Jose.

SSLG LG A ART RT B BOUTIKI OUTIKI “The A “The Art rt of of tthe he Zombie Zombie Apocalypse.”

Portraits A pocalypse.” P ortraits ooff tthe he lliving iving ddead ead by

by JJef ef B Bambas, ambas, Brunner, Bea JJames ames B runner, B ea Adams Adams and and more. m ore. TThru hru Sep Sep 330.

0. SSan an JJose. ose.

ARDENWOOD SHAKESPEARE ARDENWOOD SHAKESPEARE FFESTIVAL ESTIVA VAL TTwo wo ddays ays of of costumed costumed eentertainment. ntertainment. Sat, Sat, 10am– 10am– 6pm, 6 pm, SSun, un, 10am–5pm.

10am–5pm. $8– $8– $15.

Ardenwood, $ 15. A rdenwood, Fremont.

Fremont.

BANJO JUBILEE BANJO JUBILEE JAZZ JAZZ FFESTIVAL ESTIVA VAL With Charlie With Charlie TTagawa, agawa, Bill Bill LLowrey owrey and and the the Peninsula Peninsula Banjo B anjo Band.

Band. SSun, un, noon. noon. $ 20/$25. H oliday IInn, nn, San San Jose.

Jose. $20/$25.

Holiday

FFALL ALL FASHION FASHION IN IN THE THE PARK PARK With Jay With Jay Nicolas Nicolas Sario Sario of of ““Project Project R unway” aand nd designer designer Runway” D onald J. J. Pliner, Pliner, plus plus runway runway Donald eevents. vents. Fri, Fri, noon-6pm, noon-6pm, Sat, Sat, 2 aand nd 6pm.

6pm. Santana Santana Row. Row.

HOME H OME AND AND GARDEN GARDEN SHOW SHOW Features llandscaper Features andscaper A Ahmed hmed Hassan.

H assan. Fri, Fri, noon-7pm, noon-7pm, SSat, at, 110am0am77pm, pm, Sun, Sun, 10am-5pm.

10am-5pm. $8-$10. $8-$10.

SSanta anta CClara lara CConvention onvention CCenter. enter.

HOT H OT R RODS ODS ON ON THE THE HILL HILL Music bbyy tthe Music he CClamtones lamtones and and llots ots ooff classic classic muscle muscle aand nd race race ccars. ars. SSat, at, 9am–3pm.

9am–3pm. Loma Loma Prieta P rieta School, School, LLos os Gatos.

Gatos.

MIDORI M IDORI KAI KAI BOUTIQUE BOUTIQUE A AND ND CCRAFT RAFT SSHOW HOW With some With some 770 0 vvendors endors sshowing howing Asian A sian aarts rts aand nd ccrafts rafts pplus lus ffood ood bbooths. ooths. Sat, Sat, 9am-4pm.

9am-4pm.

Buddhist B uddhist Temple Temple Hall, Hall, Mountain Mountain View.

V iew.

MOUNTAIN VIEW MOUNTAIN VIEW ART ART RT & W WINE INE FFESTIVAL ESTIVA VAL Live music, Live music, art art displays displays and and kids’ kiddss’ ffun. un. Sat-Sun, Sat-Sun , 10am–6pm; 10am–6pm; free. free.

CCastro astro Street, Street, Mountain Mountain View.

V ew.

Vi

PETS P ETS & PINOT PINOT N NOIR OIR

Books B ooks

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DENNIS D ENNIS N NOREN OREN

TARGET T ARGET FA FFAMILY AMILY DAYS DAYS

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Mon, Willow Glen M on, 77pm. pm. FFree. ree. W illow G len LLibrary, ibrary, San San JJose ose

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vents *eevents Big B ig D Deals eals ANTIQUE A NTIQUE AUTOS AUTOS The annual The annual sshow how ffeatures eatures eearly arly ggas as eengines ngines aand nd a variety variety of of ccrafts rafts and and collectibles. collectibles. SSun. un. 12, 12, History Park, nnoon–5pm; oon–5pm; ffree. ree. H istory P ark, Park, KKelley elley P ark, SSan an Jose.

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TALLY T ALLY HOEDOWN HOEDOWN Aw wine-tasting ine-tasting event event plus plus eequestrian questrian demos demos and and Allied bbarbecue. arbecue. Sponsored Sponsored bbyy A llied Arts Guild.

A rts G uild. SSat, at, 6pm.

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WILLOW W ILLOW GLEN GLEN COMMUNITY COMMUNITY A dday ay for for ffood ood ddrives, rives, eentertainment, ntertainment, history history walks walks aand nd a car car show. show. Sun, Sun, aallll day. day.

Downtown Willow Glen.

D owntown W illow G len.

M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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39

More M ore listings:

METROACTIVE.COM M ETROACTIVE.COM

Courtesy Courtes sy LLorber orber Films

40 M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

metroactive FILM

French Connection

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E M@JL8C@Q@E> X j\ej\ E M@JL8C@Q@E> X j\ej\ f] k_\ c`m\cfe^ [Xp f] f ] k_\ c`m\cfe^ [Xp f] nfib# Xe[ `e gifm`[`e^ n fib# Xe[ `e gifm`[`e^ [\kX`cj f] c`]\ `e kfnej [ \kX`cj f] c`]\ `e kfnej k_XkÊcc e\m\i Y\ Zfe]lj\[ k_XkÊcc e\m\i Y\ Zfe]lj\[ n`k_ GXi`j# [`i\Zkfi Jk g_Xe\ n`k_ GXi`j# [`i\Zkfi Jk g_Xe\ 9i`q _Xj dX[\ X Óijk$iXk\ 9i`q _Xj dX[\ X Óijk$iXk\ ifdXeZ\ `e DX[\df`j\cc\ ifdXeZ\ `e DX[\df`j\cc\ :_XdYfe% :_XdYfe% The T he film film is is b based ased o on na2 2001 001 novel novel b the French Freench w riter E ric Holder.

Holder. byy the writer Eric W ithout aany ny false false n attionalism, Without nationalism, tthis his is is iinsistently nsistently a French French tale: tale: A w ife f works works at at an an industrial industrial printer printer wife

making m aking iinformational nfo f rmattional p pamphlets amphlets aabout b out F rance. H er h usband aand nd tthe he France.

Her husband u nmarried w oman who who iintrigues ntrigues unmarried woman h im aare re p osed sstanding tanding iin n ffront rront o him posed off a wall-size wall-size map map of of the the country country in in cho ol cclassroom. lassroom. A he eend, nd, w a sschool Att tthe wee h ear a ssong ong that that eepitomizes pitomizes w hat hear what p eople tthink hink o ypically F rench people off aass ttypically French m usic: a ttune une b he o ne -named music: byy tthe one-named cchanteuse hanteuse B arbara ((1930–97) 1930–97) titled titled Barbara ““Septembre Septembre ((“Quel “Quel JJolie olie T emps”).

Temps”).

S omewhere iin n a ssmall mall ccity ity aalong long Somewhere tthe he T oulon-Paris ttrain rain lline, ine, we we see see Toulon-Paris a no-longer-young no -longer-young cconstruction onstruction w orker, JJean ean ((Vincent Vincent L indon), worker, Lindon), d emolishing a h ouse. W ee h is demolishing house.

Wee ssee his w ife, A nne-Marie ((Aure Aure A tika), at at wife, Anne-Marie Atika), h er assembly assembly lline. ine. Lat ter, tthe he tw o her Later, two jjoin oin u p with with their their sson, on, p icnicking up picnicking

aass he he ttries ries tto op uzzle o ut a ttricky ricky puzzle out ggrammar rammar question question as as a school scho ol aassignment. ssignment.

A how-and-tell day dayy aatt his his sson’s on’s Att a sshow-and-tell sschool, cho ol, JJean ean iiss aasked sked tto o eexplain xplain h is his w ork tto o a cclassroom lassro om o ager k ids. work off eeager kids.

T he ccamera amera fo cuses o n tthe he iintense ntense The focuses on eelementary lementar y sschool chool tteacher, eacher, tthe he ro otless aand nd 4 0ish m ademoiselle rootless 40ish mademoiselle V eronique C hambon ((the the eeververVeronique Chambon p oised S andrine K ib erlain)—and w poised Sandrine Kiberlain)—and wee ssee ee iit, t, a ccoup oup ddee ffoudre: oudre: sshe’s he’s ffallen allen iin n llove. ove. IItt ta takes kes ssomewhat omewhat llonger onger forr JJean Chambon fo ean tto o gget et iitt . . . aft aafter fter C hamb on hires him repair windows off h ires h im tto o re pair tthe he w indows o her flat.

While notes her h er fl att. W hile tthere, here, JJean ean n otes h er her play vviolin iolin aand nd ccoaxes oaxxes h er tto op lay a ssong ong forr h him. fo im.

Without uss o outright, W ithout ttelling elling u utright, Brizé Brizé why ssuggests uggests w hy there’s there’s ssomething omething missing m issing iin n the the teacher: teacher: tthe he hollowed her lloneliness oneliness tthat’s hat’s h ollowed h er out out dashed iiss llikely ikely cconnected onnected tto o ssome ome d ashed hopes off b being h op es o eing a cclassical lassical vviolinist. iolinist.

Music brings M usic b rings Jean Jean and and Veronique Veronique divide, ttogether ogether aacross cross ttheir heir ssocial o cial d ivide,

aass they they ssit it sside ide by by side side on on aan n iron iron daybed. d ayb ed.

The T he movie movie iiss as as balanced balanced as as a Brizé ggood oo d aargument. rgument. B rizé pays pays all all respects re spects to to JJean’s ean’s marriage marriage aand nd home. h ome. Anne-Marie Anne-Marie is is a ggood ood mom, mom, woman without a ttrim, rim, pretty preetty w oman w ithout pretense p retense and and with with a sense sense of of humor, humor, beating sseen een iin n tthe he eevening vening b eating her her sson on while aatt tthe he ccard ard d game game Uno Uno w hile eeating ating Nutella off a jar Nu tella out out o jar with with a spoon. sp o on.

Brizé domesticity B rizé ccontrasts ontrasts tthis his d omesticity with w ith tthe he hard hard work work that’s thatt’s required required maintain bricks tto om aintain iit; t; tthe he b ricks llaid, aid, tthe he off a ssledgehammer sswings wings o ledgehammer aagainst gaiinst a wall. w all. Like Like many many iin n the the construction construction business, because b usiness, Jean Jean does do es it it b ecause his his did ffather ather d id it. it. One One of of JJean’s ean’s tasks tasks is is old man, who ttending ending tto o tthe he o ld m an, w ho iiss ttoo oo beaten his b eaten by by age age and and labor lab or to to wash wash h is own feet. o wn fe et.

Meanwhile, hee and M eanwhile, h and Anne-Marie Anne -Marie prepare for p repare fo or the the father’s father’s upcoming upcoming 80th birthday.

8 0th b irthday. The The father father ( JeanJeanMarc Thibault) M arc T hibault) ccelebrates elebrates this this buying aanniversary nniversary by by b uying himself himself a ccoffin. offin. JJean ean aand nd his his father father linger linger display room off tthe iin n tthe he tatty tattty d isplay ro om o he home, ffuneral uneral h ome, apparently apparently lined lined with bedspreads w ith b edspreads and and bedsheets. bedsheets.

Finally, old one out, Fi nally, the the o ld man man points p oints o ne o ut, wee buried ““Isn’t Isn’t tthat hatt tthe he box b ox w buried your your mother m other iin?” n?”

Amid off A mid tthis his ssuggestion uggestion o possibilities iimpended mp ended death, deatth, of of p ossibilities Brizé sslipping lipping aaway, way, B rizé sseems eems tto o ffalter alter off tthe film.

But hee aatt tthe he eend nd o he fi lm. B ut h makes uss fe m akes u ffeel el the the temptation temptattion aand nd And tterror error of of aan n affair. aff ffaair. A nd there’s there’s so so much final m uch ttension ension iin nafi nal sscene cene at at tthe he rrailway ailway sstation taattion tthat hat there there might might as as well w ell be be a bomb b omb ticking ticking iin n it. it.

Brizé B rizé ssays ays tthat hatt he he made made an an film despite iinfinitely nfinitely ssentimental entimental fi lm d espite way hee hates tthe he w ayy h hates sentiment. sentiment.

Mademoiselle Chambon M ademoiselle C hambon iiss a ttragedy ragedy weep ttoo oo ssad ad to to w eep att ((though though tthe he ssong ong byy B Barbara may b arbara m ay push push you you over over the the The depths eedge). dge). T he complexities complexities aand nd d epths belies ggive ive tthis his film film a vvigor igor that thatt b elies the the llightweight-sounding ightweight-sounding story. story.

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41

metroactive FILM FLIPPED (PG) Based on Wendelin Van Draanenâ&#x20AC;&#x2122;s young-adult novel of the same name, Flipped is kind of a childrenâ&#x20AC;&#x2122;s analogy of the 2002 French ďŹ lm He Loves Me . . . He Loves Me Not. We take two separate angles of a boy and a girlâ&#x20AC;&#x2122;s life, episodes linked by the now-archaic â&#x20AC;&#x153;ďŹ&#x201A;ipâ&#x20AC;? (or ďŹ&#x201A;ip wipe) as we see the reverse side of the story. Itâ&#x20AC;&#x2122;s 1963 before the JFK assassination: the now near-adolescent Juli (Madeline Carroll) has been in love with Bryce (Callan McAuliffe) since he was a kid, but he doesnâ&#x20AC;&#x2122;t return the affection because of the eccentricities of Juli and her poor family. Yet there are honorable reasons why Juliâ&#x20AC;&#x2122;s dad (Aidan Quinn) isnâ&#x20AC;&#x2122;t bringing home enough money. The storyâ&#x20AC;&#x2122;s outline is as promising as the ďŹ lm itself is terminally bland. Director/co-writer Rob Reiner seeks to return to the glory days of Stand by Me. Instead he creates an atmosphere thatâ&#x20AC;&#x2122;s like an arthritic version of Leave It to Beaver, complete with easily assimilated life lessons. It doesnâ&#x20AC;&#x2122;t get extra heft despite the salty language by a strangely Jerry Brownâ&#x20AC;&#x201C;like Anthony Edwards, playing Bryceâ&#x20AC;&#x2122;s dad. Very anachronistic; Juliâ&#x20AC;&#x2122;s eccentricities include tree-hugging and urban chicken raising. And the relentless fab-â&#x20AC;&#x2122;50s soundtrack will make you

make you as tired of those hit tunes as a waiter at Johnny Rocketâ&#x20AC;&#x2122;s.

(Opens Fri.) (RvB)

FOOL FOR LOVE (PG-13; 100 min.) A Vietnamese comedy about a clerk who chases after a lounge singer. Directed by

Charlie Nguyen. (Opens Fri at Camera 12 in San Jose.)

MADEMOISELLE CHAMBON

â&#x20AC;&#x153; !

GRIPPING!â&#x20AC;?

ROGER EBERT, CHICAGO SUN-TIMES

(Unrated; 101 min.) See review on page 40.

42

For showtimes, advance tix and more, go to

cameracinemas.com

Best Theaters -- SJ Merc, Metro & Wave Readers Always Plenty of Free Validated Parking All Sites Seniors & Kids $6.75 / Students $7.50 â&#x20AC;˘ * = No Passes $7 b4 6pm M-F / 4pm S-S, Holidays â&#x20AC;˘ = Final Week = Presented in Sony 4K Digital (C7 only) â&#x20AC;˘ Pruneyard/Campbell â&#x20AC;˘ 559-6900

â&#x20AC;˘ Pruneyard/Campbell â&#x20AC;˘ 559-6900

Limited D-Box Seating Available!

RESIDENT EVIL: AFTERLIFE 3D (R) *THE TILLMAN STORY (R) *CAIRO TIME (NR) *THE AMERICAN (R) KIDS ARE ALL RIGHT (R) *GOING THE DISTANCE (R) EAT PRAY LOVE (PG-13) LOVEâ&#x20AC;&#x2122;S LABOURS LOST (HD Theater)--Sun/Wed

â&#x20AC;˘ 41 N. Santa Cruz â&#x20AC;˘ 395-0203 *THE AMERICAN (R) GET LOW (PG-13)

â&#x20AC;˘ 201 S. 2nd St, S.J. â&#x20AC;˘ 998-3300 Student Night Wednesdays -- $6 after 6pm *RESIDENT EVIL: AFTERLIFE 3D (R) *FLIPPED (PG) *FOOL FOR LOVE (PG-13) *A WOMAN, A GUN AND A NOODLE SHOP (R) *THE AMERICAN (R) *MACHETE (R) *GOING THE DISTANCE (R) TAKERS (PG-13) LAST EXORCISM (PG-13) INCEPTION (PG-13) SCOTT PILGRIM (PG-13) EXPENDABLES (R) THE OTHER GUYS (PG-13) PIRANHA (2D) (R)

â&#x20AC;˘ 288 S. Second, S.J. â&#x20AC;˘ 998-3300 *MADEMOISELLE CHAMBON (NR) LEBANON (R) *SOUL KITCHEN (NR) WILDEST DREAM: CONQUEST OF EVEREST (PG) OPENS 9/17! THE TOWN EASY A DEVIL

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#! ! ./ !*.31+,)0 7 ")41 3+1* 5.2/ & 1. %

SCREEN GEMS DAVIS FILMS/IMPACT PICTURES INC. CONSTANTIN FILM INTERNATIONAL GmbH PRESENT A CONSTANTIN FILM INTERNATIONAL GmbH/DAVIMUSIC S FILMS/IMPACT PICTURESBASEDINC.UPONPRODUCTION A FILM BYASSOCIATE PAUL W.S. ANDERSON MILLAEXECUTIVE JOVOVICH ALI LARTER â&#x20AC;&#x153;RESIDENT EVIL: AFTERLIFEâ&#x20AC;? KIM COATES SHAWN ROBERTS MI L LER SERGIO PERIS-MENCHETA SPENCER LOCKE WITH BORIS KODJOE AND WENTWORTH

BY TOMANDANDY CAPCOMâ&#x20AC;&#x2122;S VIDEOGAME â&#x20AC;&#x153;RESIDENT EVILâ&#x20AC;? PRODUCER HIROYUKI KOBAYASHI PRODUCERS MARTIN MOSZKOWICZ VICTOR HADIDA PRODUCED WRITTEN AND

BY JEREMY BOLT PAUL W.S. ANDERSON ROBERT KULZER DON CARMODY BERND EICHINGER SAMUEL HADIDA DIRECTED BY PAUL W.S. ANDERSON STARTS FRIDAY, SEPTEMBER 10. CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES.

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REVIEW

Photo by Bai Xiaoyan, Courtesy of Sony Pictures Classics

42

metroactive FILM RESIDENT EVIL: AFTERLIFE 3-D (R; 90 min.) Milla Jovovich continues the good fight after rampant infections. (Opens Fri at Camera 12 in San Jose.)

THE ROMANTICS (PG-13) A romantic comedy about complications during the preparations for a marriage. Stars Katie Holmes, Anna Paquin and Josh Duhamel. (Opens Fri.)

THE VIRGINITY HIT (R) A comedy about losing it.

(Opens Fri.)

A WOMAN, A GUN AND A NOODLE SHOP (R; 95 min.) See review at left.

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41

Revivals CLOSE ENCOUNTERS OF THE THIRD KIND (1977) Steven Spielbergâ&#x20AC;&#x2122;s ingratiatingly blissed fantasy of first contact with the aliens, a gentle counterpoint to the usual barely allegorical science fiction drama of marauding hell-creatures coming to get us and eat us.

Richard Dreyfussâ&#x20AC;&#x2122; cocky wise-guy style counterpoints the sweeter parts: the fireworks, the childlike awe, the space music of the flying alien calliope. (Plays Sep 10-12 in San Jose at the RetroDome, 1694 Saratoga Ave. http://retro dome.guggyent.com.) (RvB)

JAWS (1975) In a small coastal resort, a great white shark is prowling,

and the locals are trying to sweep it under the rug. Feisty scientist Richard Dreyfuss and Ahab surrogate Robert Shaw go on the warpath in this entertaining movie, sold by John Williamsâ&#x20AC;&#x2122; cello theme (a kind of unabashed rip of the strings in Psycho.) (Plays Sep 9 in Redwood City in Old Courthouse Square. Free. Bring lawn chairs and blankets.) (RvB)

NILES FILM MUSEUM Regularly scheduled programs of silent films. Sep 11: Douglas Fairbanks Sr. in Reaching for the Moon (1917) billed with Felix in Hollywood (1923) and A Tour of the Thomas Ince Studio (1924).

Judy Rosenberg at the piano. Sep 12 at 4pm: two (1930â&#x20AC;&#x2122;s Hog Wild and 1932â&#x20AC;&#x2122;s County Hospital) with Laurel and Hardy; two (1932â&#x20AC;&#x2122;s Readinâ&#x20AC;&#x2122; and Writinâ&#x20AC;&#x2122; and 1935â&#x20AC;&#x2122;s

Blood-Red Desert THE ORIGINAL 1984 Blood Simple was a paraphrase of all the Hitchcock the Coen brothers had been soaking in. A Woman, a Gun and a Noodle Shop, Zhang Yimouâ&#x20AC;&#x2122;s Chinese remake, seems to not just take the twisty plot but also to restage it via the Coensâ&#x20AC;&#x2122; later ďŹ lm Raising Arizona.

Itâ&#x20AC;&#x2122;s a strange, strange movie, and not just because of the ďŹ&#x201A;amboyant color scheme. The ďŹ lm begins almost with a parable: a 8 NfdXe# X >le Persian merchant brings something Xe[ X Eff[c\ J_fg new to an end-of-the-road desert R; 95 min. town in the Middle Ages: a revolver Opens Friday, with three bullets. This gadget Camera 12, San Jose, interests the wife (Yan Ni) of the & Aquarius, Palo Alto desert townâ&#x20AC;&#x2122;s master, a perverted ugly miser, Wang (Ni Dahong). The wife is sleeping with the noodle shopâ&#x20AC;&#x2122;s â&#x20AC;&#x153;intern,â&#x20AC;? a gulping coward in elf-shoes, Li (Xiao Shen-Yang).

Prowling around the perimeter is a bad cop (Honglei Sun) ready to make some money on the side.

The ďŹ lm has its moments: one is a showstopper about the making of noodles that tops any display of pizza spinning youâ&#x20AC;&#x2122;ve ever seen. The digitally tarted-up desert, with its endless striped ridges of pyramid-shaped rocks, is the oddest-looking wasteland since Krazy Katâ&#x20AC;&#x2122;s Coconino County. Of the cast, Yan Ni has the most range; sheâ&#x20AC;&#x2122;s convincing equally as treacherous little kitty or pathetic misused wife. But itâ&#x20AC;&#x2122;s all a question of tone. The original Blood Simple isnâ&#x20AC;&#x2122;t a classicâ&#x20AC;&#x201D;as the expression goes, you can tell what was next to it in the refrigeratorâ&#x20AC;&#x201D;but it evinced its own consistency. This remake jars along as if you were driving across that rocky desert. Thereâ&#x20AC;&#x2122;s dead air in it, and clumsy comedy, with buck-toothed howling clowns caroming off the walls. Ultimately, itâ&#x20AC;&#x2122;s unnerving to go to a movie by Zhang Yimou and ďŹ nd out that itâ&#x20AC;&#x2122;s seemingly made by Stephen Chowâ&#x20AC;&#x2122;s unskilled intern. â&#x20AC;&#x201D;Richard von Busack

For a chance to win a pass, good for two, to see

at a special advance screening in San Jose on Tuesday, September 14, send your name and mailing address to SJPromos@metronews.com

with subject line: EASY A Passes are limited and will be distributed on a first-come, first-served basis, while supplies last.

PRESENTS AN

PRODUCTION A

FILM

C

PRODUCED

WRITTEN

BY

BY DIRECTEDBY

This film is rated PG-13. Theatre is overbooked to ensure a full house. Passes received through this promotion do not guarantee admission and must be surrendered upon demand. Seating is on a first come, first served basis.

EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. No one will be admitted without a ticket or after the screening begins. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider.

Screen Gems, SJ Metro, and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary.

Participating sponsors their employees and family members and their agencies are not eligible. NO PHONE CALLS!

IN THEATERS FRIDAY, SEPTEMBER 17

43

QUEEN CHRISTINA/ ANNA KARENINA â&#x20AC;&#x153;Precisely, the story of a woman who grew up in the belief that the world is a place of solitude, then suddenly discovers the power to communicate with its enchantments,â&#x20AC;? writes Tom Milne in his book on director Rouben Mamoulian; that director urged his star to become â&#x20AC;&#x153;a beautiful mask.â&#x20AC;? Greta Garbo plays Queen Christina of Sweden, the 17thcentury monarch who refused to marry. BILLED WITH Anna Karenina, the MGM Garbo version from 1935 produced by David O. Selznick. It was composed despite much censorship (from

the Breen office and the Soviets, who refused cooperation). Itâ&#x20AC;&#x2122;s an admirable attempt to crack the novel by two female screenwriters, and uncredited help by Erich von Stroheim. Slowed to the speed of its star, the film plays long, but everyone who leaves thinks of the mask of Garboâ&#x20AC;&#x201D;though Basil Rathbone is the ideal cinematic Karenin. (Plays Sep 11-14 in Palo Alto at the Stanford Theatre.)

(RvB)

SHALL WE DANCE/THE SKYâ&#x20AC;&#x2122;S THE LIMIT (1937/1943) Fred Astaire plays a ballet dancer and Ginger Rogers a cabaret artist; the soundtrack is by George and Ira Gershwin, with such classics as â&#x20AC;&#x153;They Canâ&#x20AC;&#x2122;t Take That Away From Me,â&#x20AC;? â&#x20AC;&#x153;They All Laughedâ&#x20AC;? and â&#x20AC;&#x153;Letâ&#x20AC;&#x2122;s Call the Whole Thing Off.â&#x20AC;? BILLED WITH

The Skyâ&#x20AC;&#x2122;s The Limit Fred Astaire in the typical Astaire role, modified slightly for wartime. In the past, heâ&#x20AC;&#x2122;s a song-and-dance man mistaken for a gigolo. Here, heâ&#x20AC;&#x2122;s a Flying Tiger pilot who poses as a civilian slacker to avoid all the fuss and adulation. We all have that problem sometimes, donâ&#x20AC;&#x2122;t we?

Joan Leslie plays a photographer from some Life-like magazine who suddenly finds herself being pestered by Astaire. Robert Ryan, Eric Blore and Peter Lawford costar. Music includes â&#x20AC;&#x153;My Shining Hourâ&#x20AC;? and the debut of the tune â&#x20AC;&#x153;One for My Baby and One More for the Road.â&#x20AC;? Also: an appearance by proto-rocker Ella Mae Morse and Freddy Slack, auteurs of the â&#x20AC;&#x153;Cow-Cow Boogie.â&#x20AC;? (Plays Sep 8-10 in Palo Alto at the Stanford Theatre.) (RvB)

Lee Bailey, EURWEB.COM

For a chance to win a pass, good for two, to see

at a special advance screening in San Jose tomorrow, September 9th, send your name and mailing address to

SCREEN GEMS PRESENTS A RAINFOREST FILMS PRODUCTION IN ASSOCIATION WITH GRAND HUSTLE FILMS â&#x20AC;&#x153;TAKERSâ&#x20AC;? MATT DILLON PAUL WALKER IDRIS ELBA JAY HERNANDEZ MICHAEL EALY TIP EXECUTIVE â&#x20AC;&#x153;T.I.â&#x20AC;? HARRIS WITH CHRIS BROWN AND HAYDEN CHRISTENSEN MUSICBY PAUL HASLINGER PRODUCERS GLENN S. GAINOR GABRI EL CASSEUS CHRIS BROWN MORRIS CHESTNUT PRODUCED

BY WILL PACKER TIP â&#x20AC;&#x153;T.I.â&#x20AC;? HARRIS AND JASON GETER WRITTEN

BY PETER ALLEN & GABRI EL CASSEUS AND JOHN LUESSENHOP & AVERY DUFF DIRECTED

BY JOHN LUESSENHOP

SJPromos@metronews.com

with subject line: RESIDENT EVIL Passes are limited and will be distributed on a first-come, first-served basis, while supplies last.

PRESENT A

PRODUCTION A FILM BY

!

WITH

AND

!

This film is rated R. Theatre is overbooked to ensure a full house. Passes received through this promotion do not guarantee admission and must be surrendered upon demand. Seating is on a first come, first served basis.

EXCEPT FOR MEMBERS OF THE REVIEWING PRESS. No one will be admitted without a ticket or after the screening begins. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider.

Screen Gems, SJ Metro, and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary.

Participating sponsors their employees and family members and their agencies are not eligible. NO PHONE CALLS!

IN THEATRES FRIDAY, SEPTEMBER 10

CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES

M E TR O S I L I C O N VA L L E Y | S E P T E M B E R 8-1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Teacherâ&#x20AC;&#x2122;s Beau) with Our Gang.

(Plays Sep 11-12 in Fremont at the Edison Theatre, 37417 Niles Blvd.; www.nilesfilmmuseum.org.) (RvB)

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8-1 4 , 2 0 1 0 | M E TR O S I L I C O N VA L L E Y

44 You are invited to see

next weekend!

For your chance to win pass, good for two, send your name and mailing address to SJPromos@metronews.com

with subject line: VIRGINITY HIT Passes are limited and will be distributed on a firstcome, first-served basis, while supplies last.

PRESENTS A PRODUCTION COEXECUTIVE

PRODUCER PRODUCER PRODUCED BY

WRITTEN AND DIRECTED BY &

This film is rated R. Run-of-engagement passes received through this promotion do not guarantee admission to the theatre. Seating is on a first come, first served basis. Theatre is open to paying customers. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider.

Columbia Pictures, SJ Metro, Terry Hines & Associates and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part.

Not responsible for lost; delayed or misdirected entries.

All federal and local taxes are the responsibility of the winner. Void where prohibited by law.

OPENS EXCLUSIVELY AT THE CENTURY 20 OAKRIDGE ON SEPTEMBER 17

Focus Learn How To Meditate â&#x20AC;&#x201C; And Why! Enjoy life! Calm the mind. Improve relationships. Make better decisions. Meditation and Buddhist View with Reed Sherman. Everyone is welcome. No previous experience necessary. $10 per class.

Every Wednesday evening, 7:30-9, Unitarian Universalist Fellowship of Los Gatos, 15980 Blossom Hill Rd. Los Gatos, 95032.

Call Kelsang Gamo 408/226-0595 for information or visit us at www.MeditationInSanJose.org

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M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

mind body & spirit

45

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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metroactive MUSIC

Daze of Thunder

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Ass the sharply dr A dressed essed Bangerz Bangerz, z, ti ies against crisp white shirts, shirts, ties at ttended to their turnt ables and attended turntables ccontrol o ol panels ontr ouched b ehind panels,, cr crouched behind ffour o drums onst our age in fr ont of th hem onstage front them w wer ose T aaiko p erfo ormers. A weree San JJose Taiko performers.

Ass th he songâ&#x20AC;&#x2122;s songâ&#x20AC;&#x2122;s industrial riff kicked kicked in n, the in, th he drummers jump ed up to b eaat the jumped beat th heir drums, drums, ttwirling, wirling, windmillin ng their windmilling an nd hammering he and hammering,, hammering at tthe b eat in ssync. ync. When their ďŹ&#x201A;ags went weent beat u p midw ay thr ough so did the ďŹ s ough, sts up midway through, ďŹ sts off a cr owd stunned by by a onc e-in-aacrowd once-in-alif feetime sp ectacle. lifetime spectacle. â&#x20AC;&#x153;â&#x20AC;&#x153;It It w asnâ&#x20AC;&#x2122;t until until we we did did â&#x20AC;&#x2DC;Robot â&#x20AC;&#x2DC;Robot wasnâ&#x20AC;&#x2122;t R emaiinsâ&#x20AC;&#x2122; that thatt folks folks got got it, it,â&#x20AC;? says says Remainsâ&#x20AC;&#x2122; iincoming ncoming San San Jose Jose Taiko Taiko artistic artistic d irector Franco Franco Imperial Imperial of of the the director ssummerâ&#x20AC;&#x2122;s ummerâ&#x20AC;&#x2122;s eepic pic h ip -hopâ&#x20AC;&#x201C;taiiko hip-hopâ&#x20AC;&#x201C;taiko

collab collaboration. boration. He He and an nd his his wife, wife, Wisa Wisa Uemura, U emura, SJTâ&#x20AC;&#x2122;s SJTâ&#x20AC;&#x2122;s new new executive executive d director, irector, are ar re llongtime ongtime members members who who met met tthrough hrough tthe he ggroup, roup, an nd they they ttake ake and over o ver aatt a time time when when the the group group h has as rrisen isen tto o a new new level level of of acclaim accclaim ffor or an n adventurous ad dventurous spirit spirit that that has hass practically pracctically rredeďŹ ned edeďŹ ned tthe he ttaiko aiko aart rt fform. orm. T Their heir not only with rrecent ecent ccollaborations, ollab borations, n ot o nly w ith Bangerz B angerz b but ut also allso with with the the Chidori Chidori Band B and and an nd the the Abhinaya Abhinaya Dance Dan nce Company, C ompany, have have been been fascinating, fascinating, iinnovative nnovative creative creattive ccouplings ouplings tthat hat have h ave cchallenged hallenged and an nd expanded expanded tthe he popular be. p opularr notion notion of of what what taiko taiko ccan an nb e.

Both B oth IImperial mperial and and Uemura Uemura ccredit redit tthe he ggroupâ&#x20AC;&#x2122;s roupâ&#x20AC;&#x2122;s eedgy dgy spirit spirit to to another an nother husband-and-wife h usband-and-wife team, team, outgoing outgoing director Roy Hirabayashi, eexecutive xecutive d irector R oy H irabayashi, who w ho cco-founded o-founded tthe he drumming drumming ggroup roup iin nS San an n JJoseâ&#x20AC;&#x2122;s oseâ&#x20AC;&#x2122;s JJapantown apan ntown iin n 11973, 973, and an nd artistic artistic director director P.J. .J. Hirabayashi.

Hirab bayashi.

IIn n ttypically ypicallly unpredictable unpredictable fform, orm, the the ggroupâ&#x20AC;&#x2122;s roupâ&#x20AC;&#x2122;s aannual nnuall showcase showcase event, event, tthe he Spiritâ&#x20AC;? â&#x20AC;&#x153;â&#x20AC;&#x153;Rhythm Rhythm S piritâ&#x20AC;? shows shows Sept.

Sept. 110â&#x20AC;&#x201C;11 0â&#x20AC;&#x201C;11 att Campbell Campbell Heritage Heritage Theater, Theater, will will actually about ac ctually feature feature a piece piece written written ab bout

on off tthe tthe he iimpact mpact o n tthe he ggroup roup o he which has been planned ttransition, ran nsition, w hich h as b een p lanned ffor or tthe he llast asst sseven even yyears. ears. â&#x20AC;&#x153;Theyâ&#x20AC;&#x2122;re likee par parents, â&#x20AC;&#x153;The yâ&#x20AC;&#x2122;re lik ents, yyou ou think theyâ&#x20AC;&#x2122;re always bee ther there,â&#x20AC;? the yâ&#x20AC;&#x2122;re alw wayys going to b e,â&#x20AC;? says Uemura sa ays y U emu ura of the Hirabayashis.

Hirabaayashis y . â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s â&#x20AC;&#x153;It â&#x20AC;&#x2122;s a vvery ery emotional, vvery ery personal personal eexperience.â&#x20AC;? xperience.â&#x20AC;?

Imperial Imp eriaal and Uemura Uemura are are also looking lo oking forward, for o ward, to the younger younger members group memb ers of the gr oup who bring inďŹ&#x201A;uences their own inďŹ&#x201A;uenc es to San JJose ose Taiko.

T a o. Onee of them, Rylan aik Rylan y Sekiguchi, is San Jose Josee Taikoâ&#x20AC;&#x2122;s Taik a oâ&#x20AC;&#x2122;s rresident esident hip-hop hip -hop eexpert xpert and d was was instrumental instrumental in creating the cr eating th he ccollaborative ollaborative work with Bangerz. was the Bange erz. Sekiguchi w as at ďŹ rst a bit intimidated intimid dated to be be working with esteemed crew, the esteem med hip-hop hip -hop cr ew, but wasnâ&#x20AC;&#x2122;t quickly rrealized ealized it w asnâ&#x20AC;&#x2122;t the novelty novelty pairing of the pair ring that made it work but shared artistic the shar ed d ar tistic sensibilities and how well the ttheyy ccomplemented omplemented each musically. other mus sicallyy. people aree dra drawn â&#x20AC;&#x153;I think kp eople ar aw wn to taiko taiko partly because par tly b ecause of the sound of the itself. larger drum itsel lff. The lar ger drumsâ&#x20AC;&#x201D;the odaikoâ&#x20AC;&#x201D;make o daiko â&#x20AC;&#x201D;m make these deep, deep, resonant, resonant, earthy tones ear th hy ton nes that can can sometimes feel feel e likee the theyâ&#x20AC;&#x2122;re lik yâ&#x20AC;&#x2122;re vibrating yyour our whole body,â&#x20AC;? says b odyy,â&#x20AC;? sa ays ys Sekiguchi. â&#x20AC;&#x153;In that sense, sense, I think the match with hip-hop hip -hop music somewhat is some wh hat natural. After all,, in instruments,, a loud terms of ac aacoustic oustic instruments odaiko strike o daiko str rike is essentially as close as yyou ou can can get geet to an 808 808 bass.â&#x20AC;? bass.â&#x20AC;?

For those F or thos se who ask, â&#x20AC;&#x153;But is it ttaiko?,â&#x20AC;? aiko?,â&#x20AC;?â&#x20AC;? Imperial Im mperial and Uemura Uemura say saay thatâ&#x20AC;&#x2122;s that â&#x20AC;&#x2122;s eexactly xacctly the question the Hirabayashis have been Hiraba ayas y his ha ave b een askingâ&#x20AC;&#x201D;and transforming answer toâ&#x20AC;&#x201D;for transf form o ming the ans wer to â&#x20AC;&#x201D;ffor o almost 40 0 yyears. ears. â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s Roy â&#x20AC;&#x153;That â&#x20AC;&#x2122;s a R oy question, â&#x20AC;&#x2DC;What is that ttaiko? aiko? Is th hat taiko?â&#x20AC;&#x2122; taiko?â&#x20AC;&#x2122;â&#x20AC;&#x2122; He wants wants you you to line,, so yyou rrecognize ecognize that line ou can can blur it,â&#x20AC;?â&#x20AC;? sa says it it, ayys Imperial.

Im mperial. erial â&#x20AC;&#x153;I think k he just likes likes to ask that weâ&#x20AC;&#x2122;ll question so s we â&#x20AC;&#x2122;ll discuss things,â&#x20AC;? things,â&#x20AC;? says saayys Uemura.

U emura.

Adds A dds Imperial: Im mperial: â&#x20AC;&#x153;He likes likes to see us squirm.â&#x20AC;?â&#x20AC;? squirm.

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47 M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

48

Moree listings: Mor

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FEATURED LISTINGS

South Bay Guitar Society Saturday, 8pm; Theatre on San Pedro Square, San Jose; $15/$25 For its season-opener, the Guitar Society presents a fertile pairing of instrument styles: classical star from Belgium JĂŠrome Mouffe with ďŹ&#x201A;amenco sounds of Russian guitarist Grigory Goryachev. (MSG)

The Dreaming Tuesday, 9pm; Avalon, Santa Clara; $10/$13

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Jose.

Sun: EExodus.

Sun: xodus. Tue: Tue: The The D Dreaming. reaming.

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8pm: Head CCat, at, SShitkickers. hitkickers. $ 20. SSan an JJose. ose. $20.

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8:30pm: music.

EELL RANCHO RANCHO SSPORTS PORTS B BAR AR Wed, W ed, 8 8pm: pm: Live Live music/jam music/jam nnight. ight. San San Jose.

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Thu: Bitchinâ&#x20AC;&#x2122; Thu: Bitchinâ&#x20AC;&#x2122; CCamaros. amaros. FFri: ri: SSavoir avoir FFaire. aire. SSat: at: A fter P arty. Mon: Mon: After Party.

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Fri: South Fri: South City City Blues.

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9:30pm: SSunnyvale. unnyvale.

Fri, 6pm: Fri, 6pm: Battle Battle of of the the bands bands ffeaturing eaturing Fabulous Fabulous Under Under Fire, Fire, Beyond B eyond Tragedy, Tragedy, Bow Bow Before Before Thy Thy Grave G rave and and more. more. San San Jose.

Jose.

NUMBER N UMBER ONE ONE BROADWAY BROADWAY Wed: J.C. Wed: J.C. Smith Smith Jam Jam Band.

Band. Thu: Thu: SSingles ingles mixer mixer w/the w/the Bone Bone Drivers.

D rivers. FFri: ri: Joint Joint Chiefs.

Chiefs. Sat: Sat: TTouch ouch N Go. Go. Los Los Gatos.

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PEARL P EARL TThu: hu: B Bands ands and and Beer Beer Pong Pong

51

49 M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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51 48 REDWOOD R EDWOODCITY CITYM MUSIC USICO ON N T THE HESSQUARE QUARE Fri, 6 Fri, 6pm: pm: B Best est IIntensions, ntensions, M otown sounds. sounds. FFree. ree.

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Downtown Redwood

THE T HER REFUGE EFUGE Thu, 6pm: Thu, 6pm: I A Am m EEmpire, mpire, Dizzy Dizzy B alloon, Assemble Assemble tthe he SSkyline, kyline, Balloon, P icture M roken, P oor AJ, AJ, K Picture Mee B Broken, Poor SSera. era. Cupertino.

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Boy SSan an Jose.

Jose.

WOODHAM’S W OODHAM’SLLOUNGE OUNGE FFri-Sun: ri-Sun: Pro Pro JJam. am. SSanta anta CClara. lara.

World W orld ALBERTO’S A LBERTO’S Wed: B Wed: Bachata. achata. TThu: hu: SSalsa alsa with with P antea. Fri: Fri: Salsa Salsa Fridays.

Fridays. Sat: Sat: Pantea.

LLatin atin Nights.

Nights. Tue: Tue: Salsa Salsa with with P antea. Mountain Mountain View.

View.

Pantea.

ARYA A RYAGGLOBAL LOBALCCUISINE UISINE Fri-Sat, 8pm: Fri-Sat, 8pm: LLive ive m music usic and and bbelly elly ddancing. ancing. CCupertino. upertino.

AZUCAR A ZUCAR Fri, 9 Fri, 9pm: pm: LLive ive ssalsa alsa m music. usic. SSat, at, 9 pm: Orquesta Orquesta SSaboricua aboricua aand nd 9pm: vvariety ariety llive ive ssalsa. alsa. SSan an JJose. ose.

CCASCAL ASCAL Fri, 9 Fri, 9:30pm: :30pm: Kaweh Kaweh Sat, Sat, 8:30pm: 8:30pm: JJames ames Robinson.

Robinson. Mountain Mountain View.

View.

MOROCCO’S M OROCCO’SR RESTAURANT ESTAURANT Thu, 5pm-midnight: Thu, 5pm-midnight: Hot Hot M oroccan nnight ight w ith bbelly elly Moroccan with ddancing. ancing. $ 10 ccover. over. SSan an Jose.

Jose. $10

PARRANDA P ARRANDANIGHTCLUB NIGHTCLUB Thu, 9pm: Thu, 9pm: B Banda anda 300, 300, D DJJ A kustik. FFri, ri, 8 pm: Norteño Norteño aand nd Akustik.

8pm: B andas live. live. SSunnyvale. unnyvale.

Bandas

SSENZALA ENZALA FFri, ri, nnoon: oon: LLive ive m music. usic. SSunnyvale. unnyvale.

JJazz/Blues azz/Blues ANGELICA’S A NGELICA’SB BISTRO ISTRO Fri, 8 Fri, 8pm: pm: TTia ia Carroll Carroll aand nd H Hard ard aatt W ork. $ 10. SSat, at, 8 pm: SSteve teve Work. $10.

8pm: CCarter arter TTrio. rio. $ 10. R edwood City.

City. $10.

Redwood

UNWINED U NWINED

Sun, 55:30pm: Sun, :30pm: JJazz azz jjam. am.

CCupertino. upertino.

Thu, 7pm: Thu, 7pm: D Don on Balistreri.

Balistreri. SSat, at, Night.

77-9:30pm: -9:30pm: JJazz azz N ight. San San JJose. ose.

CCAFFE AFFE T TRIESTE RIESTE

WINE W INE AFFAIRS AFFAIRS

Fri, 8 Fri, 8pm: pm: Gianfranco Gianfranco aand nd Phil Hudson FFriends. riends. SSat, at, 77pm: pm: P hil H udson Better With aand nd B etter W ith EEd. d. SSan an JJose. ose.

Wed: LLarry Wed: arry Chinn Chinn oonn ppiano. iano.

Neil Band.

TThu: hu: N eil KKelly elly JJazz azz B and. Sat: Sat: LLee ee Pardini Pardini TTrio. rio. SSan an Jose.

Jose.

FFAIRMONT AIRMONT H HOTEL OTEL LLOBBY OBBY LLOUNGE OUNGE

CC&W/Folk &W/Folk

Wed, 8 Wed, 8:30pm: :30pm: The The G Girlz irlz Band.

Band.

8:30pm: TThu, hu, 8 :30pm: CContemporary ontemporary oorr 9pm: LLatin atin jjazz. azz. FFri-Sat, ri-Sat, 9 pm: JJazz azz Mon-Tue: aand nd ppop op ddance ance bbands. ands. M on-Tue: Piano Music.

Hotel, P iano M usic. FFairmont airmont H otel, SSan an JJose. ose.

GGRAND RAND DELL DELL SSALOON ALOON Thu, 8 Thu, 8pm: pm: Blues Blues JJam am w w/Aki /Aki 8pm: KKumar. umar. FFri, ri, 8 pm: Dennis Dennis Dove.

8pm: D ove. SSat, at, 8 pm: SStan tan Erhard.

Erhard.

CCampbell. ampbell.

HEDLEY H EDLEY CCLUB LUB

BOSWELL’S B OSWELL’S Sun: Mike Sun: Mike LLeatherman. eatherman.

CCampbell. ampbell.

THE T HE GRAPEVINE GRAPEVINE Sat, 77pm: Sat, pm: Mike Mike R Rodriguez. odriguez.

Willow W illow Glen.

Glen.

O’FLAHERTY’S O ’FLAHERTY’S Sun aand Sun nd Tue, Tue, 55pm: pm: Traditional Traditional music.

IIrish rish m usic. San San JJose. ose.

RED R ED R ROCK OCK COFFEE COFFEE CO. CO.

Thu, 8 Thu, 8pm: pm: Russo-Alberts Russo-Alberts TTrio. rio.

8:30pm: Monica Marquis.

FFri, ri, 8 :30pm: M onica M arquis.

8:30pm: SSat, at, 8 :30pm: JJessica essica JJohnson. ohnson.

Hotel Anza, H otel ddee A nza, SSan an JJose. ose.

FFri, ri, 8 8pm: pm: The The SShants hants w/Lady w/Lady 8pm: Rubin LLazarus. azarus. SSat, at, 8 pm: JJon on R ubin Group.

G roup. SSun, un, noon: noon: Hot Hot Club Club de de Watsonville.

View.

W atsonville. Mountain Mountain V iew.

JJ.J.’S .J.’S BLUES BLUES CCAFE AFE

THE T HE SADDLE SADDLE R RACK ACK

Wed; G Wed; Gomer omer H Hendrix endrix Mon: Oliver EExperience. xperience. M on: O liver aand nd Dennis FFriends. riends. TTue: ue: D ennis aand nd SStuart. tuart.

SSan an JJose. ose.

Wed, 9pm: Wed, 9pm: CCalifornia alifornia CCowboys. owboys.

TThu-Fri, hu-Fri, 9pm, 9pm, SSat, at, 110:15pm: 0:15pm: Diablo Wild D iablo Road.

Road. Sat, Sat, 7:15pm: 7:15pm: W ild aatt Heart.

Heart. Fremont.

Fremont.

LLOFT OFT B BAR AR A AND ND B BISTRO ISTRO

SSAM’S AM’S BBQ BBQ

TThu, hu, 77-10pm: -10pm: LLive ive jjazz. azz. SSan an JJose. ose.

LLUNCHTIME UNCHTIME O ON NT THE HE SSQUARE QUARE Wed, 111:30am: Wed, 1:30am: Marty Marty Atkinson.

Atkinson.

Mon, M on, 11:30am: 11:30am: David David LLuning. uning.

Redwood CCourthouse ourthouse SSquare, quare, R edwood CCity. ity.

MOROCCO’S M OROCCO’S R RESTAURANT ESTAURANT Wed, 77pm: Wed, pm: A August ugust CCollins ollins D Duo uo pplays lays jjazz azz sstandards. tandards. FFri, ri, 7pm: 7pm: w/Ron 650 JJazz azz w /Ron Scott, Scott, tthe he 6 50 Adriana, CConnection onnection aand nd A driana, pplus lus Andrew bbelly elly ddancing. ancing. SSat, at, 77pm: pm: A ndrew DiRuzza Rick D iRuzza aand nd R ick TTutunjian. utunjian. TTue, ue, 77pm: pm: Jeb Jeb pplays lays bblues lues aand nd rrock ock sselections. elections. SSan an JJose. ose.

POOR P OOR H HOUSE OUSE B BISTRO ISTRO Wed, 6 Wed, 6pm: pm: R Ron on TThompson hompson 6pm: aand nd FFriends. riends. TThu, hu, 6 pm: LLara ara Price 6pm: P rice aand nd YYesterdays. esterdays. FFri, ri, 6 pm: Mitch Woods Rocket M itch W oods aand nd tthe he R ocket 88s.

8 8s. Sat, Sat, 6pm: 6pm: Andy Andy SSantana antana West Playboys aand nd tthe he W est CCoast oast P layboys Mexican SSun, un, nnoon-6pm: oon-6pm: M exican Day Beach IIndependence ndependence D ay B each Party, P arty, ffeaturing eaturing tthe he TTex-Mex ex-Mex Nite bband and N ite LLiters. iters.

SSan an JJose. ose.

THREE FFLAMES THREE LAMES RESTAURANT R ESTAURANT Sun, 77:30pm: Sun, :30pm: M Modesto odesto Briseno Briseno Willow Glen.

SSeptet. eptet. W illow G len.

Wed, 6pm: Wed, 6pm: D Dark ark Hollow.

Hollow. TTue, ue, 6pm: 6 pm: CCarolina arolina Special.

Special. San San JJose. ose.

THREE FLAMES THREE FLAMES RESTAURANT R ESTAURANT Thu, 9pm: Thu, 9pm: Live Live country country music, music, Doug D oug Rose Rose Productions Productions w/ w/ Bit Band B it and and Spur Spur B and featuring featuring Willow CCowboy owboy Larry.

Larry. W illow Glen.

Glen.

Open O pen Mic Mic ANGELICA’S A NGELICA’S BISTRO BISTRO Wed, 6:30pm: Wed, 6:30pm: Open Open M Mic. ic.

TTue, ue, 7-11pm: 7-11pm: Pro Pro Jazz Jazz Jam. Jam. Redwood R edwood CCity. ity.

BAREFOOT CCOFFEE BAREFOOT OFFEE ROASTERS R OASTERS Wed, 7pm: Wed, 7pm: Musical Musical oopen pen mic. mic.

SSign ign up up bbyy 55pm. pm. Santa Santa Clara.

Clara.

BRITANNIA ARMS BRITANNIA ARMS CCUPERTINO UPERTINO Wed, 9:30pm: Wed, 9:30pm: Open Open M Mic ic N Night. ight.

CCupertino. upertino.

CCAFFE AFFE TRIESTE TRIESTE TTue, ue, 7pm: 7pm: O Open pen M Mic. ic. SSan an Jose.

Jose.

CCITY ITY ESPRESSO ESPRESSO Fri, 77-10pm: Fri, -10pm: Singers Singers and and m usicians. San San JJose. ose. musicians.

52

M E TR O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

w/Spanish/Latin rrock w/Spanish/Latin ock bbands. ands.

SSan an JJose. ose.

BRITANNIA ARMS BRITANNIA ARMS CCUPERTINO UPERTINO

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

52

MUSIC USIC metroactive metr oactivve M 51 MISSION M ISSION CCITY ITY R ROASTING OASTING CCO. O. Thu, 7pm: Thu, 7pm: SSouth outh B Bay ay FFolks olks Open Open Mic. M ic. SSanta anta CClara. lara.

POOR P OOR H HOUSE OUSE B BISTRO ISTRO TTue, ue, 6 6pm: pm: O Open pen M Mic ic N Night. ight. SSan an JJose. ose.

RED R ED R ROCK OCK CCOFFEE OFFEE CCO. O. Mon, 77pm: Mon, pm: CCavin avin aand nd King’s King’s Open Mic. Mountain View.

O pen M ic. M ountain V iew.

THREE T HREE FFLAMES LAMES R RESTAURANT ESTAURANT Wed, 8 Wed, 8pm: pm: O Open pen M Mic. ic. W Willow illow Glen.

G len.

Karaoke K araoke 7B BAMBOO AMBOO Wed-Sat, 9 Wed-Sat, 9pm: pm: KKaraoke. araoke. Tue, Tue, 9pm: 9 pm: KKaraoke. araoke. SSan an JJose. ose.

Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

BRITISH B RITISH B BANKERS ANKERS CCLUB LUB

KATIE K ATIE BLOOM’S BLOOM’S

Mon, 9 Mon, 9:30pm: :30pm: KKaraoke. araoke. M Menlo enlo Park.

P ark.

Sun, 9 Sun, 9:30pm-1:30am: :30pm-1:30am: KKaraoke. araoke.

CCampbell. ampbell.

CC&J’S &J’S SPORTS SPORTS B BAR AR

KCC B K BAR AR A AND ND R RESTAURANT ESTAURANT

Thu, 10pm: Thu, 10pm: KKaraoke araoke w w/ / Melissa M elissa aand nd Heather.

Heather. Santa Santa CClara. lara.

Wed, 8 Wed, 8pm: pm: DJ DJ D Desmond. esmond. San San JJose. ose.

CCARDINAL ARDINAL LOUNGE LOUNGE

Thu, 9pm: Thu, 9pm: D DJJ Davey Davey KK.. No No cover. cover.

CCampbell. ampbell.

Wed aand Wed nd Mon, Mon, 9pm-1am: 9pm-1am: D DJJ Noo ccover.

CCurtis. urtis. N over. TTue, ue, 9pm: 9pm: Western Noo ccover.

W estern kkaraoke. araoke. N over.

SSan an JJose. ose.

KHARTOUM K HARTOUM

KING K ING O OFF CCLUBS LUBS

DAN D AN B BROWN’S ROWN’S

Thu aand Thu nd Sun-Mon, Sun-Mon, 8:30pm: 8:30pm: Bruce B ruce ooff KOR KOR Karaoke.

Karaoke. No No cover. cover.

Mountain View.

M ountain V iew.

Thu aand Thu nd Tue, Tue, 9pm-1am: 9pm-1am: Brian Brian Palo Alto.

JJames. ames. P alo A lto.

LLILLY ILLY M MAC’S AC’S

DASILVA’S D ASILVA’S BRONCOS BRONCOS

Thu, 9pm: Thu, 9pm: D DJJ Thomas Thomas ““Soulman.”

Soulman.” SSunnyvale. unnyvale.

Wed: G Wed: Guitar uitar H Hero ero TTournament ournament 9pm-1am: pplus lus karaoke. karaoke. TThu, hu, 9 pm-1am: KKaraoke. araoke. SSanta anta Clara.

Clara.

MARIANI’S M ARIANI’S

DIVE D IVE B BAR AR

NETO’S N ETO’S M MARKET ARKET & GRILL GRILL

TThu, hu, 8pm: 8pm: Chris.

Chris. Santa Santa Clara.

Clara.

Wed W ed aand nd TTue, ue, 9:30pm: 9:30pm: KKaraoke. araoke. SSan an Jose.

Jose.

FFri, ri, 6 6:30-10:30pm: :30-10:30pm: B Bands ands with with llive ive kkaraoke. araoke. SSanta anta Clara.

Clara.

EEFFIE’S FFIE’S RESTAURANT RESTAURANT

NORMANDY N ORMANDY H HOUSE OUSE LLOUNGE OUNGE

Nightly eexcept Nightly xcept SSun, un, 9 9pm-2am: pm-2am: KKaraoke. araoke. SSan an Jose.

Jose.

Wed-Sat aand Wed-Sat nd Tue, Tue, 9pm9pm22am, am, aand nd llast ast Sun Sun ooff every every month, B&S m onth, 22-7pm: -7pm: B &S KKaraoke. araoke.

CCampbell. ampbell.

NUMBER N UMBER O ONE NE B BROADWAY ROADWAY

THE T HE B BEARS EARS

EELL R RANCHO ANCHO SPORTS SPORTS BAR BAR

ALEX’S A LEX’S 4 49ER 9ER IINN NN

FFri, ri, 9pm: 9pm: Ryan.

Ryan. San San Jose.

Jose.

BENNIGAN’S B ENNIGAN’S GGRILL RILL SSat, at, 9 9pm: pm: KKaraoke. araoke. SSanta anta Clara.

Clara.

BLINKY’S B LINKY’S CCAN’T AN’T SSAY AY Fri, 9pm-1am: Fri, 9pm-1am: Danielle.

Danielle. SSanta anta CClara. lara.

BLUE B LUE B BONNET ONNET B BAR AR Wed-Thu and Wed-Thu and M Mon, on, 8pm: 8pm: Noo ccover.

KKaraoke. araoke. N over. SSunnyvale. unnyvale.

BLUE B LUE M MAX AX

TThu, hu, 8pm: 8pm: KKaraoke. araoke. SSan an Jose.

Jose.

FFAHRENHEIT AHRENHEIT Mon: M on: M Monday onday N Night ight Madness.

Madness.

SSan an JJose. ose.

FFLAMES LAMES COFFEE COFFEE SHOP SHOP Thu-Sat, 9pm: Thu-Sat, 9pm: Uncle Uncle Dougie Dougie Noo ccover.

SShow. how. N over. SSan an JJose. ose.

GGALAXY ALAXY Thu, 9pm-2am: Thu, 9pm-2am: KKaraoke araoke w w/ / August.

A ugust. Milpitas.

Milpitas.

Fri-Sat, 9:30pm: Fri-Sat, 9:30pm: Karaoke.

Karaoke. Santa Santa CClara. lara.

Thu: SSingles Thu: ingles pparty arty with with DJ. DJ. Los Los Gatos.

G atos.

OASIS O ASIS Wed and Wed and FFri-Sat, ri-Sat, 8:30pm: 8:30pm: Doug.

Doug.

SSunnyvale. unnyvale.

OFFICE O FFICE B BAR AR Fri-Sat, 9pm-2am, Fri-Sat, 9pm-2am, and and Sun, Sun, 77pm: pm: KKaraoke. araoke. Mountain Mountain View.

View.

PEACOCK P EACOCK LLOUNGE OUNGE Thu, 9pm: Thu, 9pm: D DJJ Brian.

Brian. Sun, Sun, 9pm: 9pm: DJJ and D and karaoke. karaoke. Tue, Tue, 9pm: 9pm: DJ, DJ, ddancing, ancing, kkaraoke. araoke. SSunnyvale. unnyvale.

PIONEER P IONEER SSALOON ALOON

Fri-Sat, 9 Fri-Sat, 9pm-1:30am: pm-1:30am: KKaraoke. araoke.

SSunnyvale. unnyvale.

TTue, ue, 8 8:30pm: :30pm: Acoustic Acoustic karaoke karaoke w/ w / Sam Sam Marshall.

Marshall. Woodside.

Woodside.

BLUE B LUE P PHEASANT HEASANT

POINCIANA P OINCIANA LLOUNGE OUNGE

TTue, ue, 77pm: pm: SSteve teve TTiger. iger. CCupertino. upertino.

Wed, 9 Wed, 9:30pm: :30pm: W Wildside ildside Noo ccover.

EEntertainment. ntertainment. N over.

SSanta anta CClara. lara.

THE T HE GGOOSETOWN OOSETOWN LOUNGE LOUNGE BOGART’S B OGART’S LLOUNGE OUNGE

Fri-Sun, 9:30pm-1:30am: Fri-Sun, 9:30pm-1:30am: Willow Glen.

KKaraoke. araoke. W illow G len.

Wed, FFri Wed, ri aand nd Sun, Sun, 8pm-2am: 8pm-2am: KKaraoke. araoke. SSunnyvale. unnyvale.

GGOOSE OOSE LLOONEY’S OONEY’S

BOSWELL’S B OSWELL’S

Wed, 9pm: Wed, 9pm: KKaraoke araoke N Night. ight.

Milpitas.

M ilpitas.

TTue: ue: D DJJ D Davey avey KK.. CCampbell. ampbell.

BRITANNIA A BRITANNIA ARMS RMS CCUPERTINO UPERTINO Sun-Tue, 110pm: Sun-Tue, 0pm: KKaraoke. araoke.

CCupertino. upertino.

BRITANNIA B RITANNIA A ARMS RMS SAN SAN JJOSE OSE Wed, 9 Wed, 9pm: pm: KKaraoke araoke w/ w/ August.

August.

SSan an JJose. ose.

HOMESTEAD H OMESTEAD LLANES ANES Fri, 9 Fri, 9pm: pm: V Vinnie. innie. Mon, Mon, 9pm: 9pm: KKaraoke araoke iin n tthe he llounge ounge w/ w/ Vinnie.

V innie. Tue, Tue, 9pm: 9pm: August.

August.

CCupertino. upertino.

HUDDLE H UDDLE Wed-Thu and Wed-Thu and Sun, Sun, 9pm: 9pm: Wild Wild Nights N ights KKaraoke. araoke. Fremont.

Fremont.

QUARTER Q UARTER N NOTE OTE TTue, ue, 9 9pm: pm: SSherrie herrie and and Sue. Sue. No No ccover. over. Sunnyvale.

Sunnyvale.

REDI R EDI ROOM ROOM Thu, 9pm-1am: Thu, 9pm-1am: Joseph.

Joseph. San San JJose. ose.

ROSIE R OSIE M MCCANN’S CCANN’S TTue, ue, 8 8:30-11:30pm: :30-11:30pm: Karaoke.

Karaoke. No No ccover. over. Santana Santana Row. Row.

RUDY’S R UDY’S P PUB UB Wed, 110pm-1:30am: Wed, 0pm-1:30am: DJ DJ P Purple. urple.

Palo Alto.

P alo A lto.

55

CONCERT

53 M E TR O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

8 C@KKC< G@:B D< LG

9`^ 9X[ Mff[ff ;X[[p i\XZ_ flk kf Ycl\j ]Xej n_\e k_\p Zf$_\X[c`e\ DfekXcmf n`k_ IfY\ik :iXp%

Big Bad Voodoo Daddy ALBERT “The Iceman” Collins is responsible for the name of this SoCal-based old-style R & B unit; their appearance in the film Swingers launched a thousand imitators—few as tight, or as equipped with such superior horn charts. BBVD’s 2009 release How Big Can You Get? is a cover album of Cab Calloway. The prime minister of zoot has been an inspiration for blanche musicians from Joe Jackson to Phil Alvin.

Vocalist Scotty Morris’ take on Calloway is a mixed bag; he’s a fine scatsman, but he shoots a Saturday tranquilizer dart into “Jumping Jive.” The title track has more kick: “How Big Can You Get?” is Montalvo Arts Center, not a hokey double-entendre tune, despite what Saratoga you’re thinking. Rather, it’s a New York Yiddishstyle—in both melody and common sense— $55–$95. warning to high and mighty Big Shots everywhere.

We also like the novelty tune “Reefer Man,” once performed by Cab and “His Harlem Maniacs” (on futuristic television, yet) in the 1933 movie International House. You could look it up on YouTube. Calloway’s deathless “Minnie the Moocher” is good news for any performer, and BBVD’s addition of John Barry electric guitar licks to their mix is real shrewd. They co-headline with bluesman Robert Cray.—Richard von Busack

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

54

MUSIC USIC metroactive metr oactivve M SSAN AN JOSE JOSE BAR BAR & GGRILL RILL TTue, ue, 10pm-close: 10pm-close: Kamikaze Kamikaze KKaraoke. araoke. SSan an JJose. ose.

SSHERWOOD HERWOOD IINN NN Wed aand Wed nd SSat-Sun, at-Sun, 8 8:30pm: :30pm: 8:30pm: CChris. hris. TThu-Fri, hu-Fri, 8 :30pm: Thomas.

Thomas.

SSan an JJose. ose.

Chaos.

Chaos. Hip-hop Hip-hop and and Top Top 40.

40. Sun: Sun: Happy Happy Hour Hour All All Day. Day. Mon: Mon: DJ DJ and and Karaoke.

Karaoke. Tue: Tue: $2 $2 Tuesdays.

Tuesdays.

San San Jose.

Jose.

FFIBBAR IBBAR M MAGEES AGEES Sat: Club FM. Sunnyvale.

GALAXY GALAX Y

BRITANNIA B RITANNIA A ARMS RMS A ALMADEN LMADEN

Mon: Ladies Ladies’’ Night. No cover cover..

Milpitas.

Wed and Wed and Sun, Sun, 10pm: 10pm: DJ DJ Hank.

Hank.

DJJ B Benofficial.

TThu, hu, 110pm: 0pm: D enofficial. Mon, Mon, 9pm: Beer Pong.

9 pm: B eer P ong. San San JJose. ose.

GOOSE LLOONEY’S OONEY’S Thu: Ladies Ladies’’ Night. Fri-Sat: Old School. Milpitas.

SSHOOTERS HOOTERS B BAR AR & GRILL GRILL

IILLUSIONS LLUSIONS SSUPPER UPPER CCLUB LUB

Thu, 9 Thu, 9:30pm-1:30am: :30pm-1:30am: KKaraoke. araoke.

SSunnyvale. unnyvale.

Fri, 9pm: Salsa. P Palo alo Al Alto. to.

SSOUTH OUTH FIRST FIRST BILLIARDS BILLIARDS SSun: un: KKaraoke. araoke. SSan an JJose. ose.

Thu-Sat, 9:30pm9:30pm-1:30am: 1:30am: DJs ampbell. and dancing. CCampbell.

TOON’S T OON’S

KHARTOUM KHAR TOUM

KA KATIE ATIE T BL BLOOM’S OOM’S

Wed, 8 Wed, 8pm: pm: B Beer eer P Pong ong ccontest. ontest.

SSan an JJose. ose.

BRITANNIA A BRITANNIA ARMS RMS CCUPERTINO UPERTINO

Wed: W ed: DJ Davey K. CCampbell. ampbell.

VENUEZ V ENUEZ

TThu: hu: D DJJ TTosh. osh. Cupertino.

Cupertino.

Wed, 9 Wed, 9pm: pm: W With ith JJulz. ulz. SSanta anta CClara. lara.

BRITANNIA A BRITANNIA ARMS RMS DOWNTOWN D OWNTOWN

WILLOW W ILLOW D DEN EN WOODHAM’S W OODHAM’S LOUNGE LOUNGE

Fri: D Fri: DJJ KKay ay Rich Rich aand nd DJ DJ Check Check O.. SSat: Beats O at: G B eats tthe he SSoulchild oulchild Q.. aand nd Metrorock.

Metrorock. Tue: Tue: DJ DJ David David Q SSan an JJose. ose.

Fri, 9:30pm: Noche V Vaquera aquera w/DJ Jose KKuervo uervo and DJ SStam. tam. Sat: Azukar w/DJ 3D. TTue, uue, 9pm: Club Nostalgia, Goth, Industrial and View..

Darkwave. $8. Mountain View

Wed, TThu, Wed, hu, SSat at aand nd SSun: un: 110pm: 0pm: Vinnie.

V innie. SSanta anta CClara. lara.

BRITISH B RITISH B BANKERS ANKERS CCLUB LUB

Wed, W ed, 9 9:30pm: :30pm: Thomas.

Thomas. San San JJose ose

Dance D ance Clubs Clubs AGENDA A GENDA Wed, 8 Wed, 8pm: pm: SSalsa alsa W Wednesdays ednesdays w/N’Rumba. w /N’Rumba. Thu: Thu: SLAP!.

SLAP!. SSun: un: Reggae.

R eggae. SSan an JJose. ose.

ALBERTO’S A LBERTO’S

Wed: College Wed: College Night Night DJ. DJ. Thu: Thu: 18 18 Girls Night aand nd Up Up G irls N ight Out. Out. Menlo Menlo Park.

P ark.

BRIX B RIX Wed, 9pm-2am: Wed, 9pm-2am: W Whip hip IItt O Out. ut.

Huntress.

Breathless.

TThu: hu: H untress. FFri: ri: B reathless.

9pm-2am: SSat: at: SSinful. inful. SSun, un, 9 pm-2am: Afterglow.

Mon: Marathon.

A fterglow. M on: M arathon. TTue: ue: Off. TTake ake It It O ff. SSan an JJose. ose.

KING OF CL CLUBS UBS

LLOFT OFT B BAR AR AND BIS BISTRO TRO Fri-Sat, 10pm10pm-1:30am: 1:30am: Live DJ.. San Jose.

DJ

MOUNTAIN MOUNT TAIN A CHARLE CHARLEY’S Y’S Wed, 7pm: House P Wed, Party. arty. Thu, Throwback 7pm: Thr owback Thursdays.

LLos os Gatos.

Wed, 77:30pm: Wed, :30pm: Bachata Bachata w with ith Pantea. with Pantea.

P antea. TThu: hu: SSalsa alsa w ith P antea.

FFri: ri: SSalsa alsa FFridays. ridays. SSat: at: LLatin atin Night.

N ight. TTue: ue: Salsa Salsa with with Pantea.

Pantea.

Mountain View.

M ountain V iew.

CC&J’S &J’S SPORTS SPORTS B BAR AR

PARRANDA P ARRAND A A NIGHT NIGHTCLUB CLUB

Wed and Wed and Sat, Sat, 110pm: 0pm: D DJJ in in the the Mix. M ix. Santa Santa CClara. lara.

AVALON A VALON

Wed, 9pm-1am: Wed, 9pm-1am: D DJJ CCurtis. urtis. P Plus lus 9pm-1am: kkaraoke. araoke. Thu, Thu, 9 pm-1am: KKJJ JJR. R. DJJ LL.V. SSun-Mon, un-Mon, 8pm: 8pm: D .V. TTue, ue, 9pm-1am: 9 pm-1am: KKJJ JJR. R. SSan an JJose. ose.

Thu, 8pm: DJ Akustik. No cover.. Fri, 8pm: DJ Mayo. Sat, cover 8pm: DJ Mayo and DJ Akustik.

Sun, 7pm: Latin Beat. Sun, Sonideroo Night. With 9pm: Sonider local DJs spinning salsa, more. cumbia and mor e. Sunnyvale.

CCall all ffor or iinfo. nfo. . SSanta anta CClara. lara.

AZUCAR A ZUCAR Wed, 110pm-1am: Wed, 0pm-1am: Comedy Comedy Club Club After Party.

8pm-1am: A fter P arty. TThu, hu, 8 pm-1am: Urban DJJ SSpinning Beats’ U rban D pinning B eats’ aand nd Brazilian Nights.

B razilian N ights. SSun: un: SSalsa alsa Night.

Mon, 8pm-1am: N ight. M on, 8 pm-1am: Salsa Salsa 9pm-1am: LLessons. essons. TTue, ue, 9 pm-1am: CCollege ollege Night w/ N ight Beats Beats and and Beer Beer Pong Pong w / Mike M ike Jones.

Jones. SSan an JJose. ose.

BLOWFISH B LOWFISH SSUSHI USHI Wed-Sat: DJs Wed-Sat: DJs and and dancing. dancing.

Row. SSantana antana R ow.

BLUE B LUE P PHEASANT HEASANT Wed-Sun, TTue, Wed-Sun, ue, 77pm-close: pm-close: D DJJ Big aand nd ddancing. ancing. B ig bband, and, swing. swing.

Noo ccover.

N over. Cupertino.

Cupertino.

BRANHAM B RANHAM LLOUNGE OUNGE Wed: H Wed: Humpday umpday W Wednesdays. ednesdays.

DJJ aand TThu: hu: D nd KKaraoke. araoke. FFri: ri: LLadies adies Night.

DJJ N ight. SSat: at: DJ DJ Jazzy Jazzy and and D

CCARDINAL ARDINAL LLOUNGE OUNGE

DASILVA’S D ASILVA’S BRONCOS BRONCOS Fri-Sat, 6pm: Fri-Sat, 6pm: D DJJ oorr llive ive bband. and. N Noo ccover. over. SSanta anta CClara. lara.

DIVE D IVE B BAR AR Thu, 9 Thu, 9:30pm: :30pm: D DJJ O Otrebor. trebor. Fri, Fri, 9:30pm: DJJ O Otrebor 9 :30pm: D trebor aand nd guest guest DJs. D Js. Sat, Sat, 9:30pm: 9:30pm: DJ DJ C-Note C-Note aand nd guest guest DJs. DJs. Sun, Sun, 3-10pm: 3-10pm: DJJ V Venom DJs. D enom 3347 47 aand nd gguest uest D Js. SSan an Jose.

Jose.

EELL R RANCHO ANCHO SSPORTS PORTS B BAR AR Fri-Sat, 8pm: Fri-Sat, 8pm: O Old ld SSchool chool D Dance ance Party.

P arty. San San JJose. ose.

FFAHRENHEIT AHRENHEIT U ULTRA LTRA LLOUNGE OUNGE Wed, 9pm: Wed, 9pm: R Reggae eggae Riddims.

Riddims.

Mon, 8pm: Night M on, 8 pm: Monday Monday N ight Madness.

9pm: M adness. TTue, ue, 9 pm: College College Night.

N ight. San San Jose.

Jose.

PEACOCK PEA COCK LLOUNGE OUNGE Fri, 8pm: DJ Dancing ffeaturing eaturing R&B, TTop oop 40, ’70s/’80s/’90s. Sat, 9pm: DJ Dancing ffeaturing eaturing Chill, R&B, TTop oop 40. Sun and TTue, uue, 9pm: DJ and dancing. Sunnyvale.

PEARL Thu: Bands and Beer P Pong ong w/Spanish/Latin rrock ock bands.

Womanizer, Fri: W omanizer, hosed by Emilio (Snooki’s ex). Sat: Scandalous with go-go models. San Jose.

SSABOR ABOR T TAPAS AP A PAS B BAR AR Thu: Major Thursdays. TTue: ue: u TTwo wo w Buck TTuesdays, uuesdays, College party.. San Jose. dance party

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55 M E TR O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

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Moree listings: Mor

M E T R OAC T I V E . C O M | SA N J O S E . C O M | S E P T E M B E R 8 -1 4 , 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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Doobie Brothers THE consummate California pop-rock act of the Saturday 1970s returns to the Mountain Winery this evening, playing the venue that seems perfectly suited for the Mountain Winery, Doobie Brothers’—how can I put this—maturing Saratoga fan base. Shared bottles of red and a scenic backdrop are easy to pair with the Doobies’ smooth and soulful $49.50–$85 sound. Songs like “Listen to the Music,” “China Grove” and “Jesus Is Just Alright” recall the carefree summers of the early ’70s, when riding a Harley without a helmet was not only legal, but completely warranted—how else to get that long hair trailing in the wind?—Garrett Wheeler

55 THE T HE SSADDLE ADDLE R RACK ACK

WinFreeStuff METROGIVEAWAYS.COM

Wed, 9 Wed, 9pm: pm: D DJJ H Henry. enry. Thu, Thu, 9pm: 9pm: DJJ M Mark.

9pm: Vincent.

D ark. FFri, ri, 9 pm: Mike Mike V incent.

DJJ M Mark.

SSat, at, 77pm: pm: D ark. FFremont. remont.

SSAN AN JJOSE OSE BAR BAR & GGRILL RILL Thu: TThursday Thu: hursday Night Night Live.

Live. FriFriVideo DJJ w w/VJ SSat: at: V ideo KKilled illed tthe he D /VJ Vinyl.

Mon: V inyl. SSun: un: SSinful inful SSundays. undays. M on: Manic Mondaze.

M anic M ondaze. SSan an JJose. ose.

TEMPLE T EMPLE B BAR AR & LLOUNGE OUNGE Wed: W ed: TThe he P Pick ick U Up. p. SSan an JJose. ose.

THREE FFLAMES THREE LAMES RESTAURANT R ESTAURANT

WET W ET

Fri-Sat, 9 Fri-Sat, 9pm: pm: DJ DJ Sir Sir Dancealot.

Dancealot.

Willow W illow Glen.

Glen.

Fri: FFlirt Fri: lirt w/DJ w/DJ JJosh osh Hyland.

Hyland. Sat: Sat: DJJ Eleven.

D Eleven. TTue: ue: Pink Pink TTuesday uesday for for tthe he lladies. adies. San San JJose. ose.

TOON’S T OON’S

ZZEN EN LOUNGE LOUNGE

See aadd for See for details. details. Tue: Tue: Ladies’ Ladies’ Night.

N ight. SSan an Jose.

Jose.

Thu: CCollege Thu: ollege N Night ight w w/ / guest guest DJs. D Js. FFri: ri: FFabulous abulous Fridays.

Fridays. Sat: Sat: w/DJ CCelebrity elebrity SSaturdays aturdays w /DJ DDRoc. R oc. Mountain Mountain View.

View.

VOODOO V OODOO LLOUNGE OUNGE Thu, 9pm: Thu, 9pm: DJ DJ Rick Rick Lee’s Lee’s bbirthday irthday bbash. ash. FFri, ri, 8pm: 8pm: SSummer ummer Swag Swag w/DJ w /DJ SSpam. pam. Sat, Sat, 10pm: 10pm: Soul Soul Glow.

G low. $10. $10. San San Jose.

Jose.

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@ d\k dp [i\Xd ^`ic `e dp gfb\i ^iflg `e ^iX[ jZ_ffc% @ i\Z\ekcp dfm\[ ]Xi XnXp kf jkXik dp fne ZfdgXep# Ylk @ gcXe kf dfm\ YXZb `e XYflk j`o dfek_j# feZ\ `kÊj lg Xe[ ilee`e^% @ aljk c\Xie\[ fe =XZ\Yffb k_Xk j_\ Xe[ _\i Yfp]i`\e[ Yifb\ lg# jf @ j\ek _\i Ôfn\ij% J_\ gfjk\[ X g`Zkli\ f] k_\d Xe[ k_Xeb\[ d\ glYc`Zcp fe =XZ\Yffb# Ylk _XjeÊk Xejn\i\[ dp \dX`c Xjb`e^ XYflk _\i gcXej X]k\i ^iX[ jZ_ffc% @ [feÊk k_`eb j_\Êj kff `ek\i\jk\[ `e d\# jf @ e\\[ jfd\ ^ff[ `[\Xj% @Êd fe X j_f\jki`e^ Yl[^\k# jf n_Xk ZXe @ [f ]ifd (#''' d`c\j XnXp k_Xk nflc[ ilY _\i k_\ i`^_k nXp6 Æ?fg\]lc Your best bet? Invent time travel, go back to the day you sent her those flowers, and get drunk and pass out before you can click “submit order.”

Sending flowers to a girl you’ve had no sexual or even romantic contact with is only appropriate if the girl is a racehorse who just won the Preakness. Once you’ve slept with a girl, sure, send her a bouquet or, if she was particularly awesome in bed, maybe even a fruit basket.

Otherwise, it’s pretty much like going to the florist and saying, “What color roses say ‘I’m lacking in social intelligence’?

Oh, yeah . . . and could you add a few sprigs of ‘Boy, am I glad you stopped sleeping with that other guy’?”

As somebody who’s starting a company on a shoestring budget, chances are, your regular daily form of transportation isn’t a Gulfstream V with a “My other car is a primer gray Volvo” bumper sticker on the back. While you can keep in touch with the occasional witty email, there’s otherwise no way but the wrong way you’ll rub this girl by trying to pursue her from 1,000 miles

away. (What were you planning to do, invite her to a gallery opening with free wine in her town and text her hello from a gallery opening with free wine in yours?)

Of course, the single best reason to stop pursuing this girl is that she’s shown no interest in you beyond whether you’re the one holding the ace of spades.

But, let’s say you have a chance with her.

If you spend six months obsessing over her (and worse yet, if she’s the reason you move back), when you do see her, you’re sure to radiate all the personality of a trapped animal. Quit clinging to your faraway “dream girl,” go ask a real live local girl out, and rediscover the joy of old-fashioned instant messaging.

No, no more sending questions off into space to sit unanswered on some girl’s computer. Just whisper them straight from your pillow to the cute neighbor girl on the pillow across from yours, and get answers instantly to “Got plans after grad school?”—or, better yet, “Got time to do that again before you leave for work?”

8]k\i X ^i\Xk [Xk\ n`k_ X ^lp @ d\k fec`e\# _\ jl^^\jk\[ ^f`e^ flk X^X`e% CXk\i k_Xk \m\e`e^# _\ k\ok\[ k_Xk _\ cffb\[ ]finXi[ kf _Xe^`e^ flk X^X`e% =fli [Xpj cXk\i# _\ \dX`c\[# nXek`e^ kf befn dp jZ_\[lc\% @ \dX`c\[ `k kf _`d Xe[ e\m\i _\Xi[ YXZb% 8 n\\b cXk\i# @ ^fk Xe Xgfcf^\k`Z \dX`c# jXp`e^ _\Ê[ _X[ k_\ jkfdXZ_ Ôl Xcc n\\b% GXi[fe dp `ej\ej`k`m`kp# Ylk _fn _Xi[ nflc[ `kÊm\ Y\\e kf \dX`c k_Xk _\ ZXeÊk _Xe^ Y\ZXlj\ _\Êj glb`e^ _`j YiX`ej flk6 GXik f] d\ nXekj kf ^`m\ _`d Xefk_\i Z_XeZ\# gXik f] d\ nXekj kf jXp ÇJ\\ pX%È Æ=cXb\ 8mf`[\i It takes a special kind of person to stare into a toilet bowl of their own vomit and wonder what’s in their inbox. Come on. It’s not like the leaves changed while you were waiting to hear from him.

Besides, he isn’t your boyfriend, just some guy you had a single date with. And, by the way, he actually showed a pretty remarkable level of communication and consideration—verbally, and by email and text—before he found himself watching instant replays of his lunch.

Part of you wants to give him another chance? Which part, the part that hopes to not be so prosecutorial as

to find no guy appropriately perfect to be your boyfriend? Sure, we all have about five modes of near-instant communication, but having the ability to respond instantly doesn’t translate into a mandate that we do. OK, maybe you’d leap up out of a coma to check your e-mail, but he isn’t a bad person if he doesn’t do the same. What kind of person is he? Go on a few more dates with him and you might find out. (Time, not angry assumptions, will tell.) Consider yourself lucky if his big character flaw is an inability to multitask while projectile vomiting.

)'('# 8dp 8cbfe# Xcc i`^_kj i\j\im\[% >fk X gifYc\d6 Ni`k\ 8dp 8cbfe# ,,' J% =`ijk Jk%# JXe Afj\# :8 0,((*# fi \dX`c X[m`Z\Xdp7Xfc%Zfd%

PHOTOGRAPHY EXHIBIT through October

CLASSIFIED INDEX 66 69 69 69

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Novellus Systems, Inc.

g Employment Jobs

Karaoke DJ wanted 7 days a week 9pm1:30am. Must have equipment. Apply mornings only.

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408/279-9737

Business Operations Specialist in Sunnyvale, Ca. Research and evaluate online games market to develop business processes. Requires Master’s degree plus 2yrs. exp. Send resume to: Gala-Net, Inc., ATTN Human Resources, 555 North Mathilda Ave. Suite 220, Sunnyvale, CA, 94085

Sr. Electrical Engineer Multi Media: develop in-vehicle multimedia systems and hardware. Apply to: Tesla Motor Company, attn: Natalie Cripe, 3500 Deer Creek Rd, Palo Alto, CA 94304.

(Ref job code: MG#C010).

equipment provider for the semiconductor industry, has employment opportunities in San Jose, CA for Process Development Engineer (11078), Process Development Engineer (11988) develop new or modified process formulations; Reliability Engineer (12279) predict, measure, and analyze the reliability of mechanical designs; Process Development Manager (11468) oversee activities related to technical support and process development engineering functions; Sr. Process Development Engineer (11405) develop new or modified process formulations. If interested, must reference job title with code and send resume to Novellus Systems, Inc. Attn: J. Reicks.

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Hewlett-Packard Company has an opportunity for the following position in Cupertino, CA Senior Product Manager: Reqs: Undrstndng of Confgrtn Mgmt system sltns such as Virtualization, Patch Mgmt, Applctn Mgmt & Change/Control Systems; 6 yrs of Product Mgmt exp in Confgrtn mgmt or systems mgmtspace; Exp in product strtgy; ITIL, Bus Srvc Mgmt sltns; Exp in defining & delivering enterprise mgmt products & wrking across entire prdct lifecycle; Exp. wrkng closely w/multi-disciplinary teams to drive prdct definition & dvlpmt. Also requires Bachelors degree in CIS or rel & 6 yrs exp in job offered or rel. If unrelated degree, employer reqs 2 yrs add’l exp. List full name, address & email address on resume.

Send resume & refer to Job#CUPRKH2.

Please send resumes with job

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M E T R O S I L I C O N VA L L E Y | S E P T E M B E R 8 -1 4 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

metro CLASSIFIEDS

69

M E T R OAC T V E C O M

SA N O S E C O M

SEPTEMBER 8- 4 20 0

M E T R O S L C O N VA L L E Y

70

FREE WILL ASTROLOGY ARIES A RIES ((March March 221–April 1–April 119): 9): M Myy ffriend riend A Alana lana ssuffered uffered

from mysterious months. from a m ysterious aailment ilment ffor or m onths. SSymptoms ymptoms included included vvertigo, ertigo, sstomach tomach ppains, ains, aand nd nnumbness umbness iin n her After her legs. legs. A fter bbeing eing ttreated reated uunsuccessfully nsuccessfully bbyy ssix ix health health care care practitioners, practitioners, both both mainstream mainstream and and alternative, alternative, she she went went to to see see Dr. Dr. Ling, Ling, a Chinese Chinese herbalist herbalist recommended was woman who recommended bbyy a ffriend. riend. LLing ing w as a ddour our w oman w ho made Her was made no no eeye ye ccontact. ontact. H er ooffice ffice w as ddingy, ingy, ccramped, ramped, and Alana and windowless. windowless. A lana ffelt elt a bit bit depressed depressed by by the the visit. visit.

Yet Dr.r. LLing’s Yet when when sshe he ttook ook D ing’s hherbs, erbs, sshe he ffelt elt better. better. In In three weeks was moral three w eeks sshe he w as ccured. ured. TThe he m oral ooff tthe he sstory, tory, Aries: may Aries: TThe he rrestorative estorative aagent gent yyou ou nneed eed m ay nnot ot ccome ome iin n the the most most iinviting nviting fform. orm.

TAURUS T AURUS ((April April 220–May 0–May 220): 0): A sspider pider sspun pun ggorgeous orgeous cobwebs myy ccar’s window.

Anchored cobwebs oon nm ar ’s bback ack w indow. A nchored oon n tthe he window wiper, woven window w iper, tthey’re hey’re aartfully rtfully w oven sspiral piral ttunnels unnels decorated with white flower wind. decorated w ith w hite fl ower ppetals etals ssent ent bbyy tthe he w ind.

This This ssculpture culpture iiss ssoo bbeguiling eguiling tthat hat iitt ccaught aught tthe he attention who was walking attention ooff a sstranger tranger w ho w as w alking tthrough hrough a parking was myy ccar, wee sstruck parking llot ot aass I w as ggetting etting iin nm ar, aand nd w truck uupp a conversation mee ttoo a pparty conversation tthat hat lled ed ttoo hhim im iinviting nviting m arty where maximum mee ffor where I hhad ad m aximum ffun. un. SSoo kkudos udos ttoo m or nnot ot mindlessly Myy ddecision mindlessly ssweeping weeping aaway way tthe he ccobwebs. obwebs. M ecision ttoo honor masterpiece honor tthe he sspider’s pider ’s ssmall mall m asterpiece pproved roved ffortuitous. ortuitous.

I encourage myy eexample encourage yyou ou ttoo llearn earn ffrom rom m xample iin n tthe he coming coming week. week. Be Be alert alert for for nature’s nature’s ssubtle ubtle ggifts. ifts.

GGEMINI EMINI ((May May 221–June 1–June 220): 0): TThe he bband and TTinariwen inariwen is Desert. members is ffrom rom tthe he SSahara ahara D esert. IIts ts m embers ddescribe escribe themselves themselves aass ““soul soul rrebels.” ebels.” TTheir heir iinfluences nfluences iinclude nclude traditional West African music, Hendrix, traditional W est A frican m usic, SSantana, antana, JJimi imi H endrix, and Berber music Algeria. and tthe he B erber m usic ooff nnorthern orthern A lgeria. I llisten isten ttoo them whenever wan them w henever II’m ’m ffeeling eeling w an aand nd sspiritually piritually ttired. ired.

Their melodies Their iinfectious nfectious m elodies aand nd sserpentine erpentine rrhythms hythms hhave ave am medicinal mee uup, edicinal eeffect; ffect; tthey hey ttoughen oughen m p, ffueling ueling tthe he rowdy fighting rowdy llove ove I nneed eed ttoo kkeep eep fi ghting ffor or ttruth ruth aand nd jjustice. ustice.

They’re week, Gemini.

Ass They’re yyour our ffeatured eatured aartist rtist ooff tthe he w eek, G emini. A you you fface ace ddown own tthe he ddangers angers ooff aapathy, pathy, yyou ou ccould ould uuse se the might the sshot hot ooff ccourage ourage aand nd aaudacity udacity tthey hey m ight pprovide. rovide.

Listen Listen hhere: ere: ttinyurl.com/ToughSpirit1 inyurl.com/ToughSpirit1 aand nd ttinyurl.com/ inyurl.com/ ToughSpirit2.

ToughSpirit2.

CCANCER ANCER ((June June 221–July 1–July 222): 2): A Afghanistan fghanistan iiss a wasteland of of desert desert and and rocks, rocks, right? right? Well, Well, no, no, actually. actually. wasteland It It harbors harbors huge huge deposits deposits of of minerals minerals that that are are critical critical to to the the industrialized industrialized world. world. There’s There’s a ccomplication, omplication, though. mining though. TToo ssucceed, ucceed, tthe he aarduous rduous bbusiness usiness ooff m ining such water well such minerals minerals nneeds eeds llots ots ooff w ater aand nd eelectricity lectricity aass w ell as as political political sstability tability aand nd a ggood ood iinfrastructure—all nfrastructure—all ooff which Afghanistan. which aare re iin n sshort hort ssupply upply iin nA fghanistan. IIn n ooffering ffering this this scenario scenario ffor or yyour our cconsideration, onsideration, CCancerian, ancerian, II’m ’m suggesting make suggesting tthat hat yyou ou m ake a ccomparable omparable rre-evaluation e-evaluation of According myy of a certain certain ssituation ituation iin n yyour our oown wn llife. ife. A ccording ttoo m reading reading ooff tthe he oomens, mens, ssomeone omeone oorr ssomething omething yyou’ve ou’ve considered may considered bbarren arren m ay iin n ffact act hharbor arbor rresources esources tthat hat aare re useful Here’s Are useful ttoo yyou. ou. H ere’s tthe he rrub: ub: A re yyou ou iin n pposition osition ttoo gget et access what would access ttoo tthem? hem? IIff nnot, ot, w hat w ould iitt ttake ake ttoo ddoo sso? o?

LLEO EO ((July July 223–Aug. 3–Aug. 222): 2): FFor or yyears ears II’ve ’ve bbeen een iin n llove ove

w ith a w oman w ho iiss aalso lso iin n llove ove w ith m e. H ooray! with woman who with me.

Hooray!

But when was B ut w hen I w as yyounger, ounger, I ssometimes ometimes ggot ot eembroiled mbroiled women.

One iin n oobsessive bsessive aadorations dorations ffor or uunavailable navailable w omen. O ne want me, was ddidn’t idn’t w ant m e, aanother nother w as aalready lready iin n a ccommitted ommitted miles rrelationship, elationship sstill till aanother nother llived ived 66,000 000 m iles aaway, way aand nd was a fourth ou h w a a lesbian. e b an TThe he ppain a n oof those ho e impossible mpo b e mee too retrain myself aattractions a on eeventually en ua pprodded odded m e anm e soo aas too nnot o keep eep repeating epea ng the he ppattern. a e n CCan an I convince on n e you ou too learn my hhardship?

According my reading ea n from om m a d h p? A o d ng too m ead ng oof the months when he oomens, men the he nnext e few ew m on h should hou d bbee a time me w hen you who ou pput u a strong ong eemphasis mpha oon n aallies e w ho aaree aavailable, a ab e nnot o oon n the he oother he kind. nd

VIRGO V RGO (Aug. Aug 223–Sept.

3–Sep 222): 2 I’vee bbeen een pplaying a ng w with ha fun un hhypothesis po he lately: a e that ha aabsolutely b o u e eeveryone e one in n the he world At oone wo d hhas a the he ppower owe too hheal ea someone omeone eelse. eA ne eend nd of o the he spectrum pe um aaree the he ddoctors o o aand nd shamans haman aand nd therapists who means he ap w ho can an summon ummon the he m ean too cure u e lots o oof people.

At the with peop e A he oother he eend nd aaree individuals nd dua w h the he ppower owe too improve mp o e the he hhealth ea h or o smooth moo h oout u the he ddistortions o on in n just Wherever fit in u oone ne oother he person. pe on W he e e you ou fi n this h range, ange Virgo, V go I’m m hhappy app too tell e you ou that ha your ou hhealing ea ng mojo mo o is now Please now aat a ppeak. ea P ea e invoke n o e it in n aall oof its intensity n en aand nd point whomever po n it in n the he direction d e on oof w home e can an bbenefit. enefi LLIBRA BRA (Sept.

Sep 23–Oct. 23–O 222): 2 As A I studied ud ed the he

aastrological o og a configurations onfigu a on for o you, ou I realized ea ed I hhad ad too leave my ooffice. ea e the he bbubble ubb e oof m fi e TThe he oomens men suggested ugge ed that would ha you ou w ou d bbenefit enefi from om eescaping ap ng your ou uusual ua frames ame oof reference, e e en e aand nd I felt e I hhad ad too ddoo the he same ame if I w wanted an ed too gget e the he bbest e ooracle. a e SSoo I hhiked ed oout u too my favorite where m a o e bboulder, ou de w he e the he creek ee forks o into n o two wo streams.

What’s eam I sat a ddown own aand nd aaddressed dd e ed the he spirits: p W ha

9p 9 p ROB RO B BREZSNY BREZSNY n\\b f] J\gk\dY\i / n\\b f] J\gk\dY\i /

most? tthe he aadvice dvice LLibras ibras nneed eed m ost? SSoon, oon, a ddragonfly ragonfly llanded anded myy sshoulder. minutes oon nm houlder. FFor or tthe he nnext ext tten en m inutes I aasked sked Here’s iitt qquestions uestions aabout bout hhow ow yyou ou sshould hould pproceed. roceed. H ere’s message: tthe he ggist ist ooff iits ts ttelepathic elepathic m essage: ““II ggently ently sshatter hatter Myy ppower iillusions. llusions. M ower iiss ggraceful raceful aand nd llilting. ilting. I ssew ew uupp tthe he wounds Nothing myy uuninhibited w ounds ooff ssnakes. nakes. N othing eeludes ludes m ninhibited vvision. ision. I ddon’t on’t bbite. ite. I aam m a pprofessional rofessional aand nd pprimeval rimeval ttransformer.” ransformer.”

SSCORPIO CORPIO ((Oct. Oct. 223–Nov. 3–Nov. 221): 1): O Off aallll tthe he nnoses oses ooff aallll the world, myy ffavorite the ffamous amous aactresses ctresses iin n tthe he w orld, m avorite iiss CCate ate Blanchett’s.

Blanchett’s. It’s It’s strong strong and and forceful, forceful, yet yet buoyant buoyant aand nd irregular. most irregular. IIt’s t’s wider wider and and fleshier fleshier tthan han m ost nnoses oses tthat hat are are considered considered “feminine,” “feminine,” but but sensual sensual and and seductive. seductive.

Best many Best ooff aall, ll, iitt hhas as ssoo m any ddifferent ifferent aaspects, spects, aand nd llooks ooks so so vvaried aried ffrom rom a vvariety ariety ooff aangles, ngles, tthat hat iitt sseems eems ttoo sshift hift its watch Please its sshape hape aass yyou ou w atch iit. t. IIt’s t’s gorgeous! gorgeous! P lease ttake ake a cue mee aass yyou cue ffrom rom m ou eevaluate valuate tthe he uunacknowledged nacknowledged beauty beauty iin n yyour our oown wn ssphere, phere, SScorpio. corpio. IIt’s t’s ccrucial rucial tthat hat yyou ou rebel rebel against against our our culture’s culture’s absurdly absurdly generic generic standards. standards.

SSAGITTARIUS AGITTARIUS ((Nov. Nov. 222–Dec. 2–Dec. 221): 1): ““The The bbest est gguide uide in Vivekananda. in llife ife iiss sstrength,” trength,” ssaid aid SSwami wami V ivekananda. ““Discard Discard everything weakens everything tthat hat w eakens yyou, ou, hhave ave nnothing othing ttoo ddoo with with with iit.” t.” IInn aaccordance ccordance w ith the the astrological astrological oomens, mens, Sagittarius, Sagittarius, II’m ’m making making tthat hat your your rallying rallying ccry. ry. You You not not only only hhave ave tthe he rright ight to to align align yyourself ourself with with oonly nly the the most most potent, potent, life-giving life-giving sources; sources; yyou ou hhave ave aan n uurgent rgent nneed eed to to do do sso. o. So So bbee audaciously audaciously discerning discerning aass yyou ou evaluate evaluate each each person person and and situation situation that that comes comes before before you. you. Ask, Ask, “Will myy vitality will “Will this this ffeed eed m vitality or or w ill it it nnot?” ot?”

CCAPRICORN APRICORN ((Dec. Dec. 222–Jan. 2–Jan. 119): 9): W What hat hhappens appens iin n your What your bbedroom, edroom, CCapricorn? apricorn? W hat sstories tories sswirl wirl aaround round in mind while What in yyour our m ind w hile yyou’re ou’re tthere? here? W hat ssecrets ecrets ssimmer immer and What and fferment? erment? W hat ffeelings eelings ddoo yyou ou ggravitate ravitate ttoward? oward?

Judging Judging ffrom rom tthe he aastrological strological oomens, mens, II’d ’d ssay ay iit’s t’s time what time ttoo eexpand xpand yyour our nnotion otion ooff w hat ggoes oes oon n iin n tthat hat sanctuary.

How sanctuary. H ow aabout bout eembarking mbarking oon n a nnew ew pplaytime laytime activity activity oorr iintroducing ntroducing a ppleasurable leasurable ccommotion ommotion you’ve Att tthe you’ve nnever ever ttried? ried? A he vvery ery lleast, east, uunleash nleash yyour our imagination while Give imagination w hile rrelaxing elaxing tthere. here. G ive yyourself ourself permission more permission ttoo hhave ave bbigger igger ffantasies. antasies. TTell ell yyourself ourself m ore epic more with epic sstories, tories, ddevelop evelop a m ore aactive ctive rrelationship elationship w ith your your secrets, secrets, and and welcome welcome unfamiliar unfamiliar feelings. feelings.

AQUARIUS A QUARIUS ((Jan. Jan. 220–Feb. 0–Feb. 118): 8): LLast ast M May, ay, rriots iots iin n Santa Santa CCruz, ruz, CCalif., alif., ttrashed rashed 118 8 bbuildings uildings iin n tthe he ddowntown owntown area.

But mayhem area. B ut ffor or oone ne sstore tore oowner, wner, tthe he m ayhem bbrought rought unexpected was unexpected bblessings. lessings. SShe he w as aable ble ttoo ttap ap iinto nto a ccity ity fund fund that that not not oonly nly ppaid aid for for hher er broken broken front front window, window, but but also also allowed allowed hher er ttoo make make sseveral everal iimprovements, mprovements, like like adding adding ffresh resh ppaint, aint, a new new awning, awning, and and bbetter etter lighting. would lighting. ““II nnever ever w ould hhave ave tthought hought when when I got got tthat hat call morning call at at 1 in in the the m orning tthat hat tthis his was was going going to to turn turn into into such wonderful such a w onderful tthing hing ffor or uus,” s,” Diane Diane TTowns owns ttold old the the SSanta anta Cruz Cruz Sentinel Sentinel. I ppredict redict a ssimilar imilar pprogression rogression ffor or you, Aquarius.

An you, A quarius. A n eevent vent tthat hat sseemed eemed llike ike bbad ad lluck uck aatt the will the ttime ime w ill uultimately ltimately lead lead to to good good luck. luck.

PISCES P ISCES ((Feb. Feb. 119–March 9–March 220): 0): FFrench rench ppainter ainter P Paul aul

CCezanne ezanne ((1839–1906) 1839–1906) ddeclared eclared eearly arly iin n hhis is ccareer areer wanted Paris with Hee tthat hat hhee w anted ttoo ““conquer conquer P aris w ith aan n aapple.” pple.” H meant wanted major m eant tthat hat hhee w anted ttoo bbecome ecome a m ajor fforce orce iin n world way tthe he aart rt w orld bbyy rrevolutionizing evolutionizing tthe he w ay tthat hat sstill-life till-life were Hee m must ppaintings aintings w ere ddone. one H ust hhave ave bbeen een ssuccessful, uccessful modern Picasso bbecause e au e two wo pprominent om nen m ode n ppainters, an e P a o Matisse, aand nd M a e referred e e ed too CCezanne e anne aas “the he father a he oof uus months, Pisces, aall.” YYour ou aassignment gnmen in n the he coming om ng m on h P e is too m make field with a e a splash p a h in n your ou oown wn chosen ho en fi edw h aan n innovation nno a on that’s ha as a simple mp e and and basic ba as a Cezanne’s Ce anne reconfigured e onfigu ed aapple. pp e

Homewo k If you Homework: y had to o choose one wild w d animal observe, an ma to o follow, o ow ow obse ve and learn ea n from om for month, which would o a mon h wh w ch wou d it be? Testify Tes e y aat Truthrooster@gmail.com.

T u h oos e @gma @ com

Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700

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F CT T OUS BUS NESS NAME STATEMENT #539338 he o ow ng pe on a e do ng bu ne a pea emo e om 22 ank u A e #4 San o e CA 95 26 ohn h e k ng h bu ne ondu ed b a nd dua Reg an began an a ng bu ne unde he ou bu ne name o name ed he e n on 2 0 2009 ohn h e k ng h a emen wa ed w h he Coun C e k o San a C a a Coun on 6 2 20 0 pub Me o 6 30 7 07 7 4 7 2 20 0

F CT T OUS BUS NESS NAME STATEMENT #541885 he o ow ng pe on a e do ng bu ne a Mo o G oup n e na ona 647 u Rd #3 San o e CA 95 homa Geo ge h bu ne ondu ed b a nd dua Reg an ha no e begun an a ng bu ne unde he ou bu ne name o name ed he e n on homa Geo ge h a emen wa ed w h he Coun C e k o San a C a a Coun on 8 27 20 0 pub Me o 9 08 9 5 9 22 9 29 20 0

F CT T OUS BUS NESS NAME STATEMENT #541030 he o ow ng pe on a e do ng bu ne a aque a aquepaque #3 699 Cu ne A e Su e 40

San o e CA 95 25 e e a Ram e No a o 92 He ong A e San o e CA 95 23 h bu ne ondu ed b a nd dua Reg an began an a ng bu ne unde he ou bu ne name o name ed he e n on 7 2 20 0 e e a Ram e No a o h a emen wa ed w h he Coun C e k o San a C a a Coun on 8 06 20 0 pub Me o 9 0 9 08 9 5 9 22 20 0

F CT T OUS BUS NESS NAME STATEMENT #541031 he o ow ng pe on a e do ng bu ne a aque a aquepaque #2 72 W ow S San o e CA 95 25 e e a Ram e No a o 92 He ong A e San o e CA 95 23 h bu ne ondu ed b a nd dua Reg an began an a ng bu ne unde he ou bu ne name o name ed he e n on 7 2 20 0 e e a Ram e No a o h a emen wa ed w h he Coun C e k o San a C a a Coun on 8 06 20 0 pub Me o 9 0 9 08 9 5 9 22 20 0

F CT T OUS BUS NESS NAME STATEMENT #541025 he o ow ng pe on a e do ng bu ne a aque aquepapue # 2222 n o n A e San o e CA 95 25 e e a Ram e No a o 92 He ong A e CA 95 23 h bu ne ondu ed b a nd dua Reg an began an a ng bu ne unde he ou bu ne name o name ed he e n on 7 2 20 0 e e a Ram e No a o h a emen wa ed w h he Coun C e k o San a

C a a Coun on 8 06 20 0 pub Me o 9 0 9 08 9 5 9 22 20 0

F CT T OUS BUS NESS NAME STATEMENT #541427 he o ow ng pe on a e do ng bu ne a Oppo un Pa ne 4 Ow e A e #A San o e 95 22 Ba A ea ou ng S de B A S Rugb oo ba C ub n h bu ne ondu ed b a Co po a on he a e o Co po a on De awa e Reg an began an a ng bu ne unde he ou bu ne name o name ed he e n on 07 0 995 Re e o p e ou e #465823 w h hange Ma ea Se e a #C 665054 h a emen wa ed w h he Coun C e k o San a C a a Coun on 8 8 20 0 pub Me o 9 0 9 08 9 5 9 22 20 0

F CT T OUS BUS NESS NAME STATEMENT #541055 he o ow ng pe on a e do ng bu ne a Huong Que 2 HQ D n ng 3005 S e C eek Rd # 52 San o e CA 95 2 K m Houng ood & Be e age h bu ne ondu ed b a Co po a on he a e o Co po a on Ca o n a Reg an ha no e begun an a ng bu ne unde he ou bu ne name o name ed he e n on hanh u Ngu en CEO #3269586 h a emen wa ed w h he Coun C e k o San a C a a Coun on 8 06 20 0 pub Me o 8 25 9 0 9 08 9 5 20 0

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Anything is possible, Debbie. The question is whether it’s likely. My guess: no. Here’s why.

What’s the point? We’ve already got a proven method of making self-propelled homunculi that realistically simulate a mature human being. It’s called sex. Five minutes of mixing the ingredients, nine months of patient construction and 10 years parked in front of the TV. Voilà, the cutest little robot you can imagine.

Does it walk? You bet. Does it talk? Like a champ. Does it think? Let’s not expect miracles. You also have the problem of having to feed it Happy Meals on a regular basis rather than storing it on the recharging stand till next needed.

Nonetheless, it’s hard to imagine why you’d spend 90 jillion dollars replicating what you’ve got a globe full of bipeds churning out at their own expense.

I’m not claiming there’s no need for robots. However, the goal of commercial robotics is to produce machines capable of reliably performing a tiny subset of human functions without needing bathroom breaks or asking for a raise.

These special-purpose devices bear little or no resemblance to the living workers they replace. That’s just as well, because to the extent that they do: It’s creepy. Let’s set aside for the moment whether we’ll ever see generalpurpose positronic robots like the ones in Isaac Asimov’s sci-fi novels. An entrepreneur might well see a market for a machine that duplicated the appearance of a human for use as a product demonstrator, say, or—let’s be blunt—a sexbot. But be honest: would you really want to deal with one?

Here we run into what Japanese robotics engineer Masahiro Mori called the “uncanny valley.” People respond positively when inanimate objects are endowed with human characteristics— up to a point. But if the object begins to approximate humanness too closely without getting all the way there, affection gives way to revulsion. That’s the valley on the emotional-response chart.

Movie animators stray into the uncanny valley at their peril. Many blame the chilly response to Final Fantasy: The Spirits Within and The Polar Express on the fact that the human characters in these films were too lifelike

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to be endearing but not lifelike enough to seem real. An android presents the same problem. If you’re going to go to the trouble of creating a human-seeming cable-guy-bot, you don’t want to find you’ve succeeded just enough to freak the customers out. Finally, let’s not minimize a fundamental problem: Making a good android is really tough. A convincingly human robot needs to do two things. First, walk the walk, which is to say, closely reproduce not just human appearance but human movement, and second, talk the talk, meaning not just that it sounds like a person but that it interacts with its environment as we do.

The purely mechanical part is plenty difficult. Honda engineers have been working on robots capable of walking since 1986; one early model incorporated a computer, 32 motors, a battery, a radio and numerous sensors and weighed 462 pounds. The current model, called ASIMO, has been slimmed down to 95 pounds and can walk in a circle and— well, the engineers call it “running,” but top speed is less than four miles per hour. If you’re looking for a droid that can do the hokey-pokey, that could be a ways down the road.

But realistic movement is just the start. The bigger challenge is getting the robot to behave like a human. The classic standard here is the Turing test, discussed in this column in the past: whether a machine’s conversational responses can be distinguished from those of a person. Some big heads in the world of artificial intelligence have spent decades arguing whether a machine that passed the Turing test would be truly thinking, but all we need for our purposes is a convincing fake. Even optimists doubt we’ll reach that modest goal before 2029.

Despite the difficulties, buffs claim more lifelike robots would be better adapted to the human environment than the primitive devices we have now.

I’m not entirely buying this—experience suggests it’s generally simpler to redesign the environment than the machine.

Still, progress being what it is, maybe someday we really will have mechanical maids like in the old Jetsons cartoon show. But androids that can persuade you they’re human, or close to it? I won’t say never. But not soon.

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metroactive STYLE

Venerable Beads

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B t it w But wasn’t asn’t until she came came down 2009 with ith ccancer ancer in i 20 09 that she really really understo understood nde ood the t true value of her wo K work, Keller eller sa says. ayys.

“That’s “That ’s a big big,, sc scary ary thing to go th hrough. It made me rrealize ealize how through. im mportant it actually is when you’re you u’re important lo ooking at yourself yourself in the mirr or, looking mirror, an nd yyou ou w ant to ffeel eel e go od,”” K ellerr and want good,” Keller sa ayys of her cancer cancer sc are. “It ’s lik e, ‘If ‘ says scare.

“It’s like, I can can get up and put my my mak eup makeup on n and put m welry on and ffeel eeeel myy je jewelry O I’m ready OK, ready to go ffor or the da o ay, an nd day, and I’m m going to b ’s wha at bee OK. OK.’’ So that that’s what in nspires me inspires me.. I know that it helps p e eople eexpress xpress themselv themsel es and it people themselves m mak es them ffeel eeel go od.” makes good.”

Though most Americ ans pr obaably Americans probably w wouldn ’t know V enetian e glass fr o om wouldn’t Venetian from Pl lexiglas, in It aly glassblowing Plexiglas, Italy an nd glass ar y. and artt is a huge industr industry.

T e echniques var y, but V enetian e gla ass Techniques vary, Venetian glass cconsists o onsists of basic ally tin es of basically tinyy piec pieces

silver, gold or other met silver, m metal al enc encased ased between lucent b etween thin,, luc ent la llayers ayers of glass aree then bak baked that ar ed in n a kiln. This process sparkly, jewel-like pr ocess creates creates a spark klyy, je wel-like effect makes Venetian eff ffeect that mak es the V enetian e glass great jewelry. gr eat ffor o or je welry.

Keller professional glass-artt K eller has pr offeessional glass-ar manufactured trainingg and has manu ufactured beads her own glass b eads in n the past.

However, chooses import Howe ver, she now cho ooses to imp ort beads most of her jewelry-making jewelry--m making b eads from artisans fr om ar tisans on the It IItalian alian island of Murano.. Only a 10-mi 10-minute Murano inute fferryboat eerryboat from cityy of V Venice, ride fr om the cit eenice, Murano’s have been Murano ’s craftsmen ha h ave b een world-renowned sincee the Crusades world-r enowned sinc elaborate, ffor o or their elab orate, ccolorful olorful and often gold-and-metal-flecked gold-and-metal-flecked glass creations. creations ti . is very “One of the things that t very prevalent style theyy pr evalent in their st yle is the silver use a lot of gold ffoil o oil or o silv er ffoil oil o glass,” Keller says. underneath the glass ,” K eller sa ayys. lot practicee “Doing that ttakes akes a lo ot of practic because and technique b ecausse the gold is super, super You’re sup er, sup er thin. Y ou o u’re working

o ver a tor ch h flame, flame, which creates creates over torch winds you o have haave to be be really reallyy quick q winds,, so you and careful carefull ab out holding onto about tiny piece piece of gold that tiny because it’s it’s worth worth a lot.” lot.” because Working o Working out of her home studio among the redwoods in the Santa Santa redwoods Mountains, Keller Keller Cruz Mountains, saayys that living in Los Los says given her an Gatos has given appreciation of nature nature appreciation frequently works that frequently way into her tasteful, tasteful, its way understated jewelry jewelry understated designs. designs.

“When I’m out in nature, it helps me nature, figure out colors colors and figure my head and just clears my be more more creative,” creative,” helps be explains. “I really really she explains. am ffortunate or o tunaate to b be creative creative bee able to be and soak up p so much stuff in our natural en v onment. I think that vir environment. enhanc es what w I’m able to do.” do.” enhances K eller sa ayys that her most ask ed-ffo or Keller says asked-for design,, an autumn-toned a necklacenecklacebrac elet- earrring-set titled “Seasons ,” bracelet-earring-set “Seasons,” has gained popularity popularity because because of its vversatility. eeatures ersattility. The set ffeatures transluc entt topaz, olive olive and dark translucent ameth yst V enetian e glass squar es that amethyst Venetian squares K eller has thr tthreaded eaded and framed with Keller silv er wir a met allic beads. beads. silver wiree and metallic “It ’s not sup ssuper er tr endy; it’s it’s very very “It’s trendy; classic ,” K elller says saays y of her designs classic,” Keller designs..

“Plus they’’re vvery ery eas “Plus,, they’re easyy to buy as a gift,, because becausse if you you know someone’s someone’s fa avorite ccolor, ollor, yyou ou can can alw ayys buy favorite always that ccolor olor ffor o or that p erson. And I’v person.

I’vee ne ver hear d an ybody ccomplain omplain about about never heard anybody get ting a gi ift of a pair of earrings,” earrings,” she getting gift adds with a laugh.

P eople ccan a catch an catch K eller at her People Keller Dolc da b ooth at the upcoming upcoming Dolcee Bead Beada booth MOUNTAIN M OUNTAIN VIEW VIEW ART ART AND AND WINE WINE FESTIVAL FESTIVAL Sept. 11–12.

Her work works ks ccan an also b bee bought bought at the B BUTTER UTTER PADDLE PADDLE in Sarato Saratoga, ga, SSCENTSATIONS CENTSATIONS in Sant Santaa Cruz, the LLOS OS GATOS GATOS CCOMPANY OMPANY in Los Los Gatos and HEAVENLY H EAVENLY T TREASURES REASURES in Santa Santa Rosa, Ro osa, among a handful haandful of other Bay Baay Area Area boutiques. They They can can be be pur chased boutiques. purchased do olcebeada.com. online at dolcebeada.com.

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73

Barry B arry Colla Colla o

metroactive SPORTS

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Another Giant

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Minnesota organization.

H layed ssix ix sseasons, eassons, n ever m aking Hee p played never making iitt p ast A b alll. W hile Pablo Pablo w as past ball.

While was w orking h is w ay up up tthrough hrough tthe he working his way G ian nts m inor lleague eague system, system, Michael Michael Giants minor ttook ook a b reak k ffrom rom American American nb asseballl, break baseball, p laying iin nM exico aand nd Venezuela.

Venezuela. He He playing Mexico rresurfaced esurffaced iin nA merica last last yyear ear iin n the the America IIndependent ndependent L eague for for the the N ewarrk League Newark B earrs, aand nd tthis his yyear earr h oined the the Bears, hee jjoined G ian nts m idseason, an nd iiss hitting hitting .269 .269 Giants midseason, and w ith 1177 R BIs.San n Jose Jose manager manager Brian Brian with RBIs.San H arrper ssays ays S andoval, now now 2 9, iiss at at a Harper Sandoval, 29, po int iin nh is ccareer arreer w here h simply point his where hee simply eenjoys njoys playing playing p rofessionall b asseballl. professional baseball. ““He’s He’s alive alive in in the the clubhouse, clubhouse, al lways always h ass a ssmile mile o nh is fface, aacce, al aalways lways w ants has on his wants tto op lay ccards, arrds, do do something, something,” starting starrting play p itcher JJustin ustin Fitzgerald Fitzgeralld says. says. ““He’s He’s a pitcher ggreat reat tteammate. eammate.”

H arper ssays ays S an ndoval iiss also also Harper Sandoval p roducing iin n the the middle middle o he llineup, ineup, producing off tthe jjust ust aass P ab blo did did for for San San n JJose ose in in Pablo 2 007–08.

2007–08. ““II tthink hink h e’s b rought some some h umor he’s brought humor aand nd rrelaxation elaxation tto o ssome ome of of the the younger younger L atin players, players,” Harper Harrper ssays. ays. “Most “Most o the Latin off the

gguys uys ar are re p pretty retty yyoung, oung, sso o he’s he’s brought brought iin nm ore o eteran np resence.” more off a vveteran presence.

B oth S andovalls sshare hare a d esire tto ow in Both Sandovals desire win a cchampionship, ham mpionship, M ichaeel ssays. ays.

Michael ““Every Every p layer cchasing hassing tthe he p layoff ffss player playoffs w ants tto o bee a cchampion; ham mpion; tthat’s hat’s w hat wants what w e’re h ere ffor, or,” h says. ““II h ope w in we’re here hee says. hope wee w win tthe he cchampionship hampionship an nd I h ope tthe he [[San San n and hope F rancisco] G iants d o ttheir heir be st.”

Francisco] Giants do best.

W hereas tthe he S an nF ran ncisco tteam eam m Whereas San Francisco iiss fi ghting iits ts w ay ttoward oward m ak king tthe he fighting way making p layoff ffss, tthe he S an JJose ose G iants al lready playoffs, San Giants already cclinched linched a p layoff be rth b inning playoff berth byy w winning tthe he fi rst h alf o he C allifornia L eaggue first half off tthe California League sseason. eason.

S an JJose ose h as llost ost a ffew ew k ey p ieces San has key pieces ffrom rom iits ts fi rst-hallf tteam, eam, ssuch uch aass fi rst first-half first b aseman nB ran ndon B elt aand nd p itcher baseman Brandon Belt pitcher E ric S urkam mp, b ut F itzgeralld ssays ays tthe he Eric Surkamp, but Fitzgerald tteam eam m ccan an no vercome tthe he llosses osses aand nd overcome w in iits ts ssecond econd cconsecutive onsecutive C allifornia win California L eague C ham ampionship.

League Championship. ““It’s It’s all all aabout b ut ccoming bo oming ttogether ogether aass a tteam eam mw ithout yyour our sstar tar p layers,” without players, F itzgeralld ssays. ays. ““II ab bsolutely be lieve Fitzgerald absolutely believe w ave eenough nough ttalent allent tto ow in a wee h have win cchampionship. hampionship.”

S andoval llooks ooks o ut ffor or tthe he yyounger ounger Sandoval out p layers llike ike h ooks o ut ffor or h is 2 4players hee llooks out his 24yyear-old ear-old yyounger ounger b rother, w hom h brother, whom hee ttalks alks w ith o n tthe he p hone daily.“I daily.“I al lways with on phone always k eep iin n ttouch ouch w ith P ablo,” h ays. ““We We keep with Pablo, hee ssays. ttalk alk aabout bout eeverything. veryything.”

H ays h opes tto op lay w ith h is Hee ssays hee h hopes play with his b rother iin n tthe he n ear ffuture: uture: ““II tthink hink brother near tthat hat w ould be a d ream m ccome ome ttrue, rue, aand nd would dream Ih ope tthat hat iitt h appens ssoon. oon.” hope happens —Joey Akeley Akeleey —Joey

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REAL ESTATE

Urban Lofts

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ELD9<I f] cf]k$jkpc\ [\m\cfgd\ekj _Xm\ jgile^ lg `e i\Z\ek p\Xij `e JXe Afj\Êj [fnekfne Zfi\ Xe[ ]Xj_`feXYc\ JXekXeX Ifn# Xj n\cc Xj Xcfe^ k_\ 8cXd\[X Xe[ `e AXgXekfne# f]]\i`e^ _fd\Ylp\ij X c`m`e^ \og\i`\eZ\ Xb`e kf n_Xk fe\ d`^_k Ó e[ `e JXe =iXeZ`jZf fi E\n Pfib :`kp% One of the more recent developments, Lofts on the Alameda, was built in 2006 and offers 40 units featuring open floor plans and large windows—the classic loft experience.

Each of the available plans also features a den/office area. A big draw of this complex is its proximity to public transit (CalTrain and light rail), HP Pavilion and the evolving blocks of cool stores and restaurants along The Alameda. There’s one property on the market, priced at $329,880, featuring one-bedroom/1 1/2 baths and two-story-high walls of windows.

Nearby in downtown is the 62unit 350 N. Second St., which offers loft townhomes with 17-foot ceilings and floor-to-ceiling windows and a separate loft space and private bedroom suite. At the center of the 5-year-old community is a sun deck and pool. Of course, this location brings with it access to downtown dining, nightlife and arts as well as San Jose State University.

The newest of the loft developments is Plant 51, built in 2009 on the site of the Del Monte cannery near downtown San Jose, offering a mix of 265 units split between lofts, townhouses and flats. The hallmark of Plant 51 is its classic brick and mortar, originally part of Del Monte’s Plant 51 (hence the name).

The architectural details include the original brick and steel beams dating to 1912. A sampling of the community’s more unique amenities is its greenscaped walkways, open-air dining and gathering areas including a 15-foot-long outdoor fire pit, the Boiler Room, an original two-story brick warehouse space transformed into a gym, fitness studio and lounge, and an area dubbed the “bicycle kitchen,” a resident bicycle storage and repair area. Property sales are handled by Plant 51’s own marketing team.

In Japantown, the former Mariani packing plant was converted into lofts in 2004, retaining the brick exterior and the hallmark large green water tower. Now known as Mariani Square, this complex features 45 lofts and 114 row townhouses. The lofts are open and airy with wood beamed ceilings and concrete floors. This is prime location on the outskirts of San Jose’s historic Japantown which has been undergoing a revitalization in recent years and is known for its friendliness and excellent restaurants.

— Katherine Thornberry

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