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What does it take to prove a rape?

By Kaitlyn Brown

;

ast December, I was raped during a date with a man whom I had not known previously. I went over to his house for the date, and we started kissing and engaging in consensual sex. The man then became very rough, and I told him to stop. He didn’t listen and continued. I screamed and yelled. From this point, it was nonconsensual. I had scratches on my neck where he held a metal object to my neck that I wasn’t able to identify. I had a small bruise on my back where he pushed his hand with force to keep me beneath him. I had a cut on my genitals and a small amount of blood in my vagina. When he went to the bathroom, I was able to get dressed and call the police. A detective from the Santa Rosa Police Department interviewed me and let me know that if the man claimed it was consensual, there wasn’t much he could do by arresting him. The man claimed it was completely consensual yet also told the detective that I had asked him twice to stop. The man reiterated that when he physically forced himself upon me, I asked him to stop each time. He said he had stopped after he heard me the second time. I said to the detective, “Even though his story’s not completely true, isn’t he making an admittance of attempted rape by saying that he heard me ask him to stop but didn’t until the second time I said it?� “No,� the detective replied, “because it was without fear or force.� “Well, he did use force,� I said, “because he ignored me and was forcing himself on me, and I was afraid.� The detective shrugged at this comment. I made a complaint against the detective, because I didn’t feel my case was being taken seriously. The complaint went to his sergeant and lieutenant, but I didn’t get a helpful response. They both told me that the detective was trying his best and that I should put more trust in him. With the police, I made a pretext phone call to the man who raped me. “Why didn’t you stop when I asked you to?� “Sorry,� he said. “I’m sorry.�

“Didn’t you hear me say stop?� I asked. “No, I didn’t,� he said. When the call ended, I asked the detective if he could arrest the man now. He told me he couldn’t. He said that an apology is not admittance. I made a complaint to the Sonoma County Grand Jury about the Santa Rosa Police Department, and they are currently investigating. When my case got forwarded to the district attorney, a deputy DA told me he could not file my case. He said there was insufficient evidence to present to a jury and that the physical evidence could be consistent with rough sex. By those standards, I reasoned, any man could get away with raping a woman as long as he claimed it was “consensual rough sex.� I asked if he had seen the pictures of me, that I was bleeding, had a scratched neck and a cut in my vagina. I asked if he got the medical examiner’s report, and if he thought all of this was consistent with “rough sex.� He replied that it could be. “This is ridiculous,� I said. “A woman can get hit on the head with a shovel by a man claiming it was consensual, if rough.� The deputy DA agreed but told me that there was nothing he could do because he thought a jury wouldn’t find my defendant guilty and that my case wouldn’t get filed. I asked if I could press charges myself, and the DA told me that people can’t press charges in sex crimes or child-molestation crimes. I am outraged by this, thinking about the many people, including parents of children who have been molested, who cannot press charges because a DA won’t file the case. I think of how sex offenders get away scotfree because of this. And I think about how my own rapist is also free, and how he lives alone with his young daughters.

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‘Sorry,’ he said. ‘I’m sorry.’

If anyone who reads this is as outraged as I am about my experience and have an experience of your own to share, please contact me at misscruella16@gmail.com. I would like to hear from you and possibly start a support group. Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.

THE BOHEMIAN

07.14.10-07.20.10

05

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3403 7>AB4B 4C2 Reducing by half the hours we spend producing useful things will halve the number of useful things for distribution (“Why Work?� July 7). That will halve the standard of living for everyone. There is just no getting around that. To even maintain our present standard of living, we need to increase production, not decrease it. And no, we can’t make everyone work harder and do the same job in half the time. That is not realistic; that is not human nature. If going from 40 to 21 hours will work, why stop there? Let’s have a 10-hour workweek! I am reminded of the old folk story about the farmers who one day forgot to feed their plow horses. They were worried, but lo and behold the horses did the same amount of plowing that day. So they tried it again the following day. Again, the horses did exactly the same amount of work. The farmers

thought that they were really on to something. This went on for a while, until one morning they found the horses all dead. They couldn’t figure out why.

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A40;;H =443B 0 E020C8>= “Why work?� asks Leilani Clark. Why not just cut the 40-hour workweek in half, and everyone will be happier? I found this article to be short-sighted and borderline offensive. She writes as though it is news that a 21-hour workweek would improve our lives and make us all more “sane and healthy.� I don’t think anyone’s going to disagree that it would be nice to spend more time with our families, riding our bikes and growing our own food, except maybe those of us for

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whom Ms. Clark’s personal lifestyle choices are either (1) uninteresting or (2) unattainable due to our immigration status, education level or disability. I’m pleased to see that the author remembered issues of healthcare and age. Perhaps the next article she writes will enlighten me on how my husband and I (collectively we work over 90 hours per week) can move out of our shitty apartment and afford cable television.

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C7A44 2744AB Thank you for the inspiring article about permaculture (“Thought Processes�) in your June 30 issue. Your readers have a chance to visit Erik Ohlsen’s inspiring site! Please join Daily Acts on Sept. 11 for a tour of both Erik’s site and the Occidental Arts and Ecology Center with Brock Dolman. A quick correction to note on p23: Erik Ohlsen designed a permaculture food forest for the city of Petaluma’s Cavanagh Center, not the city of Sebastopol. This community center has already educated and inspired hundreds of kids and adults, and will produce thousands of pounds of food and medicine over the course of its lifetime. Savvy cities around the county are expressing their support for permaculture as an effective form of water conservation and community benefit. Similar to our work in Petaluma with Erik Ohlsen, Daily Acts and the City of Cotati have partnered to educate residents on how to grow food and save water simultaneously while installing a model food forest similar to the Cavanagh Center landscape. Even better, through Cotati’s Cash for Grass Program, citizens get paid $1 a square foot to install a similar food forest when replacing their lawn! To join in, please contact us for more information about tours, workshops and eco-savvy solutions. Three cheers for optimism and solutionoriented pragmatic action.

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;>=6 70D;4A In his trademark T-shirt, Bill Bradley trained recently on the Petaluma-Point Reyes Road.

FWPc <PZTb 1X[[ Ad].

Ultra-marathoner Bill Bradley and the embrace of crazy By Anna Schuessler

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reparing to track down Santa Rosa ultramarathoner Bill Bradley, I dust off my own running shoes. I bike to Santa Rosa’s Howarth Park, where I am to meet him, and run around the lake a few times. For someone who hasn’t run in a few months, I’m feeling pretty smug about my early morning jaunt. Of course, that was before I sat down with self-professed “Average Town Bill� Bradley.

Now 50, Bill has run six marathons. Completed seven Ironman Triathlons. Completed several 100-plus mile races. Run three triathlons—at once. For Bill, biking three miles and running another three is not even a warm-up lap. Obviously, what he’s accomplished is impressive. In fact, it can be intimidating. But for him, running is not about the splits, the competition or the course, although all of those things have a bearing on how he performs. Running, he says, gives him a “high,� and, just like any

addict, he constantly strives to find what will give him the next big rush, seldom competing in any one race twice. His triathlon days are over; Bill now describes his former days as an Ironman obsessive as his “Ironman rut,� maintaining that only the wimpier athletes compete in the same races over and over again. Bill doesn’t care about competition, and he also doesn’t care too much about time. His last 199-mile race with 1.2-mile swim under the Golden Gate Bridge %-

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took him 78 hours and 5 minutes. His goals are obnoxiously ambitious: he plans to swim the English Channel in September and leaves on July 18 to complete a double Badwater Ultramarathon. A 135-mile race beginning in California’s Death Valley and ending at Mount Whitney, the Badwater boasts an elevation change of 8,500 feet. One might write Bill off as one of those self-righteous athletes who reject the conventions of whatever institution might exist around running. But the origin of his obsession with extreme racing is really about the everyman.

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all my money on these races,� he says, “this is my retirement.� He hopes to find an avenue in reality television, motivational speeches and the publication of a book he’s currently writing. Bill realizes not everyone can pull this off, but believes that playing with the limits of crazy might win him media attention in the near future. He’s got media attention right now and turns his gaze to me. “And you, you’re a runner,� he pronounces. “You should get a marathon on your list of goals pretty soon.� Bill Bradley not only embraces crazy, he projects it onto me: “You have the look of a crazy in your eyes.� Apparently, crazy is relative.

0

fter his local 17-store movie-rental business, Bradley Video, went bankrupt in 2005, Bill says he “lost all confidence in himself.� A second divorce at about the same time forced him into a rented apartment trying to continue the family business alone. By that time, “Average Town Bill,� a name he often uses to refer to himself, was desperate for change. When a friend asked him to join a 50-mile race in San Jose, Bill accepted the invitation immediately. “All I had left was my life,� he says. “There was nothing left to take.� He later adds, “Nobody cared whether I finished the race or not.� Finishing that 50-miler gave him the boost he needed to jumpstart his career and passion for ultra-you-name-it, as long as it’s grueling. Since then, he’s been unstoppable. Injuries? “I don’t believe in them,� he says flatly. A year-and-a-half-long back injury slowed him slightly when he was first biking, but after a trip to specialists at Stanford, he says that chronic pains will never bring him down again. “What the mind will do is subtract oxygen from an area in the body that the mind deems vulnerable, a place where you believe you have an injury,� he counsels. The key, he says, to conquering muscle pain is to target these areas of stress in the mind, a philosophy he attributes largely to the book Healing Back Pain by Dr. John Sarno. “When the economy was good,� he says, “I was giving it out all the time.� Now he recommends the book to everyone he talks to about running. ut a revelation about his brain curing his back has not made his training effortless. Bill balances a full-time sales job with one- to two-hour swimming or running sessions during the weekdays and at least quadruple that effort on weekends. “I try to have really big weekends,� he says. He recently did eight hours in the pool one Saturday and six hours of running the next day. To fuel his rigorous training sessions, he eats about 300 calories per hour of training in addition to the standard 2,000 calories per day he maintains when he doesn’t work out, although it’s hard to fathom when that ever happens. Bill’s racing career is not easy on the pocket. His family electronics company, which allows him generous vacation time, lightly sponsors him; otherwise, he funds his habits with his own money. “I’m spending

Exceptional for aggression issues

08

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‘I’m spending all of my money on these races. This is my retirement.’

He talks about last weekend’s trek up Mt. Whitney, a test run for the Badwater. Of course, he reminds, it’s a double Badwater he’s planning to do. Ignoring physical (his breathing was ragged at mile five of an 11-mile journey to the peak), social (the “best friend� he made at mile eight ditched him after taking one look at a narrow, cable-less pass) and authoritative (15 minutes from the peak, he passed a park ranger who was descending from his post on the top because of a storm) indications that pushing through to the top was perhaps not the most conducive to one’s health, Bill finally reached the peak to find two other hikers who were battling the elements and camping out. “There’s always someone crazier than you,� he says with a booming laugh that lasts maybe a little too long. Despite what he says and does, Bill keeps his level of craziness in perspective. It makes sense to him, anyway. Death Valley will welcome Bill with 130 degrees and a painfully bare sky on July 18, the day he plans to start the marathon to end all marathons. Nothing but the open road—he says he has to run on the white line to keep his shoes from melting—and the blinding sun for Bill. But the drive is there, and his motto is simple: “Show up and suffer.� He only stops if he thinks he’s going to die. Seriously. “Sometimes I say to myself, ‘OK, Bill, let’s do a little check here. Is death imminent? No?’� He laughs. “Then I don’t quit.�

:216.

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Wanna make a movie? Got $250? By Daedalus Howell

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f the “rags to richesâ€? narratives comprised in the American Dream, one variation seems to be recurring with the regularity of sprocket holes on celluloid. It’s the tale of the independent filmmaker, rebuffed by Hollywood, who manages to make a movie on little to no budget, often maxing out credit cards and the goodwill of friends and family along the way. CUT TO: An alignment in the stars that results in a heap of money made by the filmmaker and, ironically, the Hollywood machine that originally passed. A decade ago, The Blair Witch Project set the gold standard with a $60,000 budget that bloomed into a $240 million profit worldwide. Technically, at $25,000, Deep Throat is still considered the most profitable independent film ever, having grossed around $600 million. In dating terms, that same cost-benefit ratio would be the equivalent of throwing a penny at someone’s window and getting blowjobs for the rest of one’s life. “You might say that Deep Throat was the film that started the independent film movement,â€? director Fenton Bailey once remarked. He was right; independent filmmakers have remained on their knees to creditors and distributors to make and release their product since the days of the Lumière Brothers—that is, until the digital age ushered in production and distribution means that emancipated filmmakers from industry gatekeepers. A recent example is filmmaker Shane Carruth’s 2004 sci-fi thriller, Primer. Famously made for a mere $7,000, the film became a darling of the festival circuit and landed international distribution. In terms of lowering the budget-bar, however, Santa Rosa’s Lee Cummings has Carruth beat by $6,750. His upcoming feature film, Date for Hire, will be released on DVD by Maverick Entertainment Group this fall, streamed by Netflix and available at such retailers as Blockbuster, Best Buy and WalMart. The film cost $250 to make. The unrated flick centers on “Marcus,â€? a romantic schlemiel who bets he can score a date with the next woman who walks into the bar frequented by him and his male cohorts. Of course, the femme fatale who sashays in

(the gorgeous Jennelle Harris) brings with her a host of complications and plot twists. “Now a simple bet has turned into an allnight adventure, where money, stalkers and craziness collide,� reads the official synopsis. “We shot it in 17 days straight,� says the 39year-old Cummings, who began production a year ago. “It’s like when the lightning strikes you; it’s like a one-in-a-million shot. I mean, everything can happen badly on a movie.� Especially when that movie’s total budget is the price of an iPhone. Though Cummings already owned a camera and could rent the lens packages he desired, he couldn’t afford the monitor necessary to view the resulting image rightside-up while shooting. Consequently, he shot the entire film upsidedown. And the rest of the budget? Cummings reckons much of it went to the “lighting guy� and Calumet Photographic, an equipment rental house in San Francisco. Fortunately, Cummings had after-hours access to his primary location, Santa Rosa’s Round Robin (aka “the dirty bird�), on the house, as it were. This meant that he and his cast and crew worked from 2am to 10am for more than two weeks. He credits the longstanding friendships between him and his principal cast—Romas Reece, M. Jennings and Scott Fitzgerald—for enduring their turns as swing-shift Stanislavskis. Remarkably, Cummings scored his distribution deal without any festival screenings to stoke the market. All the festivals to which the film was submitted rejected it, likely because the rollicking dude-driven comedy didn’t match the higher-minded profile of typical festival fare. Moreover, after Cummings had sent Date for Hire to Maverick Entertainment Group, he wasn’t confident that it had registered on the distributor’s radar. Fortunately, he found their company page on Facebook and was able to fortify a connection through the social network. Will the film be profitable? The relatively low capital investment suggests that Cummings could redeem the beer cans from a screening party and be out of the red. Will it pay back on the estimable sweat equity invested by all involved? Perhaps, but then friendship is its own reward.

‘We shot it in 17 days straight’

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CWT AXS[Thb½ AXSS[T Is BP destroying the evidence by burning the turtles?

By Juliane Poirier

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he smallest sea turtle in the world is the olive-green Kemp’s Ridley, an underdog of the undersea. Not only is it rare, endangered and overshadowed in size by other sea turtles, Kemp’s Ridleys have one hell of a time reproducing because their eggs, easily nabbed from nests in the sand, are eaten or sold on the black market. Turtle-egg thievery is so prevalent on certain Mexican beaches that the nests have to be guarded to ensure that some hatchlings might carry on the species, since it takes about half a decade for the animal to reach breeding age. But that’s not all the turtle has to worry about. The cookie-sized hatchlings undergo a dangerous ordeal at birth, as the newborns struggle to get from shell to shoreline without being snatched by natural predators. More obstacles await them in the ocean, and few Kemp’s Ridleys survive to adulthood. Yet the trials of this turtle seem to strike a universal chord in the human psyche, inspiring fans to cheer it across the beach—as hundreds do during breeding season—and to share its triumph when it reaches the water. Evidently, BP is not among those fans. The Kemp’s Ridley is suffering from BP’s oil gush disaster in the Gulf of Mexico and reportedly being burned alive in pockets of oil torched in controlled burns out at sea. Oil f loating in the water surface is corralled with f loating barriers and set afire to get it off the water. But biologists working in the Gulf say the oil burnings are taking place along concentrations of seaweed where the turtles feed, and that BP has ordered no turtle surveys and allowed no rescues prior to the burns. In a Miami Herald interview in late June, Turtle Island Restoration Network director Todd Steiner explained that burn areas are likely to include high concentrations of sea turtles because “the same currents and winds that steer seaweed, fish and sea turtles through the Gulf also act on the slick, pushing poisonous oil into the same place

where sea life gathers. Rescue crews pulling turtles out had watched crews burn the same drifting weed lines, which can stretch for miles, where they had been finding turtles.� Steiner added, “It’s not a theory. That’s where they are. We know this.� But BP is predictably ignoring the turtle and the complaints by playing the “prove it� card. In the same Miami Herald report, BP spokesman Toby Odone said, “It’s not absolutely clear if there is a risk to turtles.� (Note: spokespeople get paid a lot for sentences like that.) Meanwhile the burnings continue. Environmental groups are planning to sue, but how many turtles might be burned alive before BP can be stopped? The little Kemp’s Ridley has been on the endangered list since 1970, when an estimated original breeding population of over 40,000 dropped to less than 800. Biologists and turtle advocates who have been working to restore the species to a sustainable number are aghast at what BP is doing. It has been suggested that because killing an animal on the endangered species list can result in fines up to $50,000 per animal that BP might be purposely destroying the evidence by burning the turtles. The fate of the Kemp’s Ridley is now the fate of every organism living in drilling areas, because oil is getting harder to obtain and therefore being drilled in more dangerous ways. Professor Michael Klare, in a June 30 interview with NPR, claims that BP’s oil gush disaster is part of a dangerous new era he calls the age of “tough oil,� in which drilling is deeper, riskier and done in increasingly unstable environments. Because of the extremes to which oil companies are going for oil, Klare claims we can take the Gulf oil disaster and multiply by a factor of 10 what will occur as a result of aggressive oil drilling. “More such disasters,� Klare declared simply, “are inevitable.� One aggressive drilling operation will take place on an artificial island BP is now constructing the Beaufort Sea, where whales have their mating grounds. Will BP’s next gusher include the burning of whales?

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;X`d^ažb cWT :XRZTa How a tax aimed at alcopops is harming craft brewers By Alastair Bland

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orth Coast Brewing Company’s Russian Imperial Stout is a beer. The same inky black beverage aged for a year in a bourbon barrel, however, may be defined as a “distilled spirit,� according to a poorly worded clause passed into law by the state Board of Equalization in late 2008. Since then, North Coast has had to pay a per-gallon fee on its barrel-aged stout that is 16 times higher than the state’s standard beer tax. This same financial hardship has befallen many other breweries that age beer in liquor barrels, an increasingly popular brewing technique that can enhance beer with creamy, dessertlike flavors. But the law was never supposed to affect brewers of beer. Rather, it was written with the intent of raising the tax on so-called cheerleader beer and alcopops, cheap, malt-based alcoholic beverages like Mike’s Hard Lemonade and Smirnoff Ice that have been the source of underage drinking and alcohol abuse. The Marin Institute, an anti–alcohol abuse organization based in San Rafael, was among

several groups that petitioned in 2006, asking that the state reclassify alcopops as distilled spirits. At the time, alcopops were made by fortifying a sweet and syrupy, low-alcohol maltbased beverage with distilled grain alcohol to the strength of about 5 percent alcohol by volume. State law as it was then written recognized these products as “beer� and taxed them as such. The California beer tax runs 20 cents per gallon, whereas the distilled spirit tax runs $3.30 per gallon. “It was hugely advantageous financially for these drinks to be classified as beer,� says Michele Simon, research and policy director of the Marin Institute. “We wanted to change the classification of these alcopops and apply the distilled spirit tax to Mike’s Hard Lemonade and those drinks that were pretending to be beer.� That, she explained, would raise their retail prices and make them less appealing—or accessible, anyway—to children. But the law seems to have failed, for alcopops are still as cheap as ever, while a sub-style of gourmet beers has taken the tax hit. That’s because the newly approved legal language reclassified any malt-based beverage fortified with liquor by a half-percent of alcohol or more as a “distilled spirit.� Many barrel-aged beers that

soak for a time in liquor-drenched wood fit that bill. North Coast’s Russian Imperial Stout, for one, measures 9 percent alcohol in conventional form but weighs in post-barrel at 11 percent, making the beer subject to taxation as a distilled spirit. Alcopop producers, meanwhile, saw an easy way around the law by altering their production formulas in such a way that they now no longer add distilled spirits; thus, they remain technically “beer,� allowing Diageo-Guinness USA, Anheuser-Busch and others to continue paying the scant 20 cent per-gallon tax on their alcopops. “In hindsight, someone obviously should have figured out better language to isolate these alcopops and leave beer out of it,� Simon says. But anti-alcopoppers received plenty of forewarning of what might happen. Not only did brewers explain during public hearings that the new language would drag them under purview of the distilled spirit tax, reps of the giant alcopop companies warned the board that they would alter their drink formulas and thereby dodge the tax if approved, according to California Small Brewers Association executive director Tom McCormick, who both gave and listened to testimony at a public meeting in Sacramento prior to the law’s passage. &) THE BOHEMIAN

07.14.10-07.20.10

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Clearly, the alcopop makers weren’t bluffing. Records available on the Board of Equalization’s website show that 27 flavors of Mike’s Hard Lemonade, 16 flavors of Smirnoff flavored beverages and seven flavors of Bacardi alcopops are now made without distilled spirits. To McCormick, the entire process of enacting the distilled spirit tax—from its beginnings as a sincere petition from the Marin Institute to its current state of malfunction—has made a mockery of state policy making. “It didn’t do anything to fix the [alcopop] problem,� he says. “It only ensnared craft brewers, and it has wasted taxpayer dollars in the process.� He acknowledges the good intentions of the measure, meant to increase the cost of easy-to-drink alcoholic drinks favored by minors and alcohol abusers. “But [liquor barrel-aged beers] are high-end products, and they certainly aren’t abused,� McCormick says. North Coast’s barrel-aged stout, for example, costs $20 for a 16.9-ounce bottle. In spite of the 1,600 percent increase in tax rates on his barrel-aged imperial stout, North Coast’s president Mark Ruedrich has been a good sport about the ordeal. “We’re just paying the tax because we’re good citizens,� he says. According to the Board of Equalization, $93,378.10 has come from taxation as distilled spirits of drinks that previously were taxed as beer, and brewers of bourbon- and brandybarrel-aged beers have paid almost all of it. Brewers do have a legal way out of paying liquor taxes on their beers. Using a weaker beer, they can blend down the strength of a booze-barrel beer to the taxfree limit of a half-percent fortification. Lagunitas Brewing Company’s brewer Jeremy Marshall plans to take this tactic in the fall when he puts on keg bourbon barrel-aged imperial and cappuccino stouts. Other brewers, though, feel their beers are compromised by such blending. In Fairfax, Iron Springs Pub and Brewery has aged several beers—including a sour, rye-based persimmon ale—in used barrels. However, the distilled spirit tax hasn’t hit the small brewpub, because the barrels are retired Zinfandel casks and any increase in alcohol drawn from the winey wood cannot be attributed to distilled spirits. Russian River Brewing Company’s Vinnie Cilurzo, famous for his wine-barrel aging program, also has nothing to fear from the alcopop legislation. Though an honors system requires breweries to voluntarily inform the state of any beers that, as of 2008, fall under the distilled-spirits tax, some are just laying low. “They haven’t found us yet,� said an employee at a Northern California brewpub that recently aged a small portion of barleywine in a used whiskey barrel. She asked that her brewery be left unidentified. “We’re a tiny operation and it won’t amount to much money, but I think they may find us eventually.�

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>?4= F834 ormally, we’re not so much about promotional nattering but shucks, it’s July, and sometimes one just needs to go with the ow. Speaking of all things shuckslike, B.R. Cohn (1500 Hwy. 12, Glen Ellen; 800.330.4064) hosts an oyster and Chardonnay afternoon on Saturday, July 24, from 11am to 3pm with raw and barbecued bivalves sliding luxuriously down with their newly released 2009 Char. Oysters are $2 each; the wine, $24; a single golden July afternoon, priceless. . . .

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C. Donatiello (4035 Westside Road, Healdsburg; 800.433.8296) is once again a weekend go-to spot with the roll-out of its third annual “Live from the Middle Reachâ€? concert series, a set of free Sunday-afternoon concerts by up-and-coming artists you will someday hear of getting their early career sea legs on the winery’s charming guest house deck. Bring a picnic, buy a bottle, the rest is free. From 1pm to 4pm on Sundays through Oct. 10. Donatiello also has a new daily wine and cheese pairing featuring the work of three Sonoma County cheesemakers matched up to ights of single-vineyard Chardonnays and Pinot Noirs for $20. . . .

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Choose any entree on the regular menu and get a second entree of equal or lesser value, free. All discounts include tax

Dinner up to $11 OFF (no purchase of beverage necessary)

Dinner up to $18 OFF (with purchase of beverage)

HAPPY HOUR 3-6:30pm, 7 days

20% OFF FOOD TO GO MON - FRI LUNCH • DINNER 7 DAYS

3901 Montgomery Dr.Santa Rosa 528-7755 • www.thevillarestaurant.com

While in Healdsburg, please know that Charlie Palmer’s Dry Creek Kitchen (317 Healdsburg Ave., Healdsburg; 707.431.0330) hosts a monthly interactive Wine Pioneers seminar that’s also a great deal. On select Saturdays through November—July 17 being the next of them—guests are invited to meet winemakers, learn the intricacies of their craft and enjoy a three-course prix ďŹ xe meal all for $65. The seminar’s featured wines are available for purchase with dinner at retail price, also known as about 200 percent less than restaurant price. This next seminar focuses on the deceptively simple avors of sparkling wines with David Munksgard of Iron Horse Vineyards, George Bursick of J and Bob Iantosca of Gloria Ferrer holding forth. . . . Over in Napa, the natives are hardly restless, choosing instead to recline rather limpidly on the terrace at Silverado Vineyards (6121 Silverado Trail, Napa; 707.257.1700), which offers a chance to end the work week with a small bite and sips pairing each Friday from 5:30pm to 8pm for just $25. They ask that you reserve ahead all polite-like, and we think you can do that. Even in July.

Gretchen Giles

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THE BOHEMIAN

07.14.10-07.20.10

17

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18

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<>>=30=24 24;;0AB ohemians, bikers and garden-variety vacationers have long found a haven in Glen Ellen, a rambling hamlet in the heart of Sonoma Valley, yet forever off the beaten track. Formerly anchoring a co-op tasting room in Kenwood, Moondance is the latest idiosyncratic winery to seek more tourist trafďŹ c in Jack London Village, the delightfully funky assembly of restaurants and shops whose ups and downs some blame on an Indian curse possibly associated with legacy landlord General Mariano Vallejo. Or so I’ve heard.

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“A passion for wineâ€? is pretty much a given in such joints: dogs, Cabs and cars—with a bone thrown for Petaluma and Santa Rosa Railroad history buffs—are the focus here. Owner David Cohen is happy to warm up to any of these topics and more. When a supercharged 1965 Corvette is parked in front, it’s a sure sign the vintner is in the house. Cohen has been under the hood of one sport coupe or other since age 13. He rolled into the valley for a weekend in the 1980s and never left, ďŹ rst helping cousin Bruce Cohn to manage his new winery and vineyard. David Cohen hauled grapes and held sundry other gigs to make a go of it in the early days, forming relationships with growers that play key roles in his vintage’s success today. Along with the svelte Moondance label, the Cohen’s “Orchard Stationâ€? is a nod to their south Sebastopol stop on the long-defunct P&SR. David and Priscilla Cohen are also supporters of Canine Companions for Independence, and for case purchasers they will they will put “any dog on any wine.â€? Any time. The 2007 “Friendly Dogâ€? GewĂźrztraminer ($16) is a really nice sip, with aromas of orange blossom and jasmine, and was recently on sale for just $60 by the case. The 2003 Sangiovese ($20) zips to the top of the palate with bright, red cherry fruit, but Cab is Cohen’s favorite toy to tinker with, and it shows. While the 2007 Napa Valley Cabernet Sauvignon ($24) packs in saturated blueberry fruit, it leads to a spritely ďŹ nish. Ripe with more date, prune and ďŹ g avors, the 2004 Sonoma County Cabernet Sauvignon ($46) ratchets down in velvet. While individual aromas don’t stand out in the 2004 Napa Valley Cabernet Sauvignon ($54), neither does extraneous oak in this densely knitted wine. Graham cracker, dark earth and chocolate meet a bright, raspberry leading edge to get the 2005 Rutherford Bench Cabernet Sauvignon ($65) going, and then it keeps on going. Nothing funky about this wine, but if it’s absolutely necessary to spit after swirling, the spittoon is an old porcelain bathroom sink, in true funky style. Moondance Cellars, 14301 Arnold Drive, Glen Ellen. Open daily 11am to 6pm. $5 tasting fee. 707.938.7550.

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1>0C B7>F L to R: Kelin Backman, Chris Aluia, Cheryl Aronson and Sawyer Backman.

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ATeXeX]V cWT AXeTa Petaluma volunteers plan Rivertown Revival Fest to honor city’s origins By Caroline Osborn

2

heryl Aronson doesn’t want to resort to sabotage. “He’s been pretty cocky,� she says of her art-boat drag race rival. “[Our boat is] not built for speed; it’s built for style, so we don’t want to resort to underhanded tactics. But you never know.� The art-boat showdown that Aronson is anticipating is the centerpiece of the Rivertown Revival, a volunteer-driven festival slated for July 24 that’s aimed at celebrating Petaluma’s historic roots as, well, a river town. “Petaluma River is the reason that Petaluma exists,� says event coordinator Kelin Backman of Clementine Eco Events, who helms the festival with her business partner, Vanessa Hauswald. “We were originally a river town. I feel that we need to acknowledge and celebrate that. Too many of our events focus on our historic downtown, but [this] event focuses on our river and history.� Once known as the Egg Basket of the World, Petaluma evolved as a shipping town that subsisted by ferrying goods and services down the river to San Francisco. Since then, residents have certainly expanded their professional repertoires, but the

river remains a part of the town’s geography and recreational offerings. Backman often sees kayaks, canoes, yachts and transport ships traversing the waters while dog walkers onshore enjoy the view. But most people still don’t visit the river as much as she thinks they should. “We want people to just remember there is a river,� says Chris Aluia, owner of Lions and Tigers and Hair and supervisor of the fest’s children’s area. “You forget about it except when you get stuck [in traffic] trying to go over the drawbridge.� Petaluma celebrates its aqueous past with the Rivertown Revival on the McNear Peninsula, home of the 100-year-old Livery Stable, more commonly known as Ghirardelli Barn. This is the first time an event has been held on the peninsula. Jutting into the river, this strip of land showcases a view that melds the industrial and the organic. Corrugated warehouses play steward to the brown-blue water, and dried summer grass gives utilitarian metal behemoths a touch of elegance. As a perfect snapshot of the marriage between the man-made and the natural, McNear Peninsula may be the ideal place to host a festival about Petaluma residents reclaiming their river.

The blend of historical consciousness and whimsical playfulness with which Backman approaches the event means that it’s not just any old party; it’s a costume party. Backman describes the theme as “turn-of-the-century nautical clothing� and adds that the festival will have a “playful carnival kind of feel.� In other words, whip out those corsets and parasols. A longtime costume lover, Backman has been browsing shops in search of a vintage bathing suit. “It just makes everything so much more fun when people are in costume,� she says. “If you’re in costume, you can be unfettered and get into your role. We see that at Renaissance fairs, Burning Man, the Dickens Fair. Crowds just love it.� Locally, the Rivertown Revival most closely resembles the Handcar Regatta, slated for its third year this September in Santa Rosa’s Railroad Square. Backman is careful to differentiate the two. “We love the Handcar Regatta, and we’re friends with them, but we’re trying to find our own way,� she says. “We want to be very respectful; we don’t want to copy what they’re doing. Ours will be less steampunk, more Tom Sawyer.� She adds, “Our costume aesthetic will '% be different. We’re looking toward THE BOHEMIAN

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Box OfďŹ ce 707 523 4185, ext 1 52 West 6th Street, Santa Rosa, CA 95401

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celebrating our river at the turn of the last century, thinking how someone a hundred years ago would have dressed at the Petaluma River at a carnival.â€? Aronson’s art boat has a similarly vibrant and eclectic theme. She classifies it as “Tom Sawyer meets Venice with a little Gypsy thrown in,â€? describing chicken wire, f lowers, carpets and even candelabras as key parts of the dĂŠcor. Another boat is made entirely of recycled materials and powered by peddling two exercise bikes sunk into a raft. Lagunitas Brewing Company is sponsoring a boat constructed entirely of pressurized kegs and bicycles. It doesn’t get more Petaluma summertime than that. The course is only a few hundred feet and in full view of the peninsula, which guarantees that the races will be fast and furious. In keeping with the environmental vibe of the festival, human effort will power the boats. No gasoline will be burned. Competing boats will face off according to propulsion method—either pedals or rowing—in hopes of taking one of three categories: Overall Fastest, Most Artistic Endeavor and Least Likely to Make It to the Finish Line. When they’re not cheering on their favorite art boat, crowds can enjoy live local music provided by Old Jawbone, Hillside Fire, the Crux, Baby Seal Club, El Radio Fantastique, the Hubbub Club and others; patronize vendors; take the kids to the children’s section; and watch the carnivalesque sideshows. Backman promises stilt walkers, unicyclists, fortunetellers, circus performers, palm readers and wandering accordionist Amber Lee trailing cabaret like delicious sonic snail slime. All this fun and frivolity raises funds for Friends of the Petaluma River and the Petaluma Arts Council, two nonprofit organizations that Backman calls “the future of Petaluma.â€? The city of Petaluma has plans to someday turn McNear Peninsula into a more expansive park with an amphitheater, production gardens, shade trees and campgrounds. The Rivertown Revival planning committee hopes that the extra bump in resources will help the city act on its plans more quickly. They will also continue to support the city and entertain the community with planned barn dances later in the summer and fall. As Backman, her daughter Sawyer, Aronson and Aluia tramp out to the Peninsula in full costume regalia, a man sitting on a bench calls out, “Top o’ the morning, ladies!â€? Backman affects a Cockney accent and chirps “’allo!â€? Ever the spirit of festivity with a purpose, she reminds, “You have to throw the party you want to go to.â€? The first annual Rivertown Revival is slated for Saturday, July 24, on the McNear Peninsula, Petaluma. 11:30am to 6pm. Free. 707.290.6723.

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C78B ;8CC;4 70=3 Rebecca Pingree shines as Lady Macbeth in Sonoma County Rep’s summer Shakespeare.

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Circus tricks and rubber noses put weirdly whimsical spin on ‘Macbeth’ By David Templeton

0

mong William Shakespeare’s numerous tragedies, there is none quite like Macbeth. With the possible exception of the ghosts that he was so fond of sprinkling throughout his plays, Shakespeare’s tragedies contain relatively few elements of fantasy and mysticism, and yet Macbeth is absolutely packed with them. Beginning with the infamous witches (“Double double, toil and trouble . . .�), whose meddlesome machinations are woven into every major plot point, and continuing through the various floating daggers, reappearing bloodstains and wacky prophesies about walking forests, Macbeth is like a weird fairy tale gone spectacularly wrong. This, of course, is what makes Macbeth so good—that and the fact that it carries some of Shakespeare’s best and boldest writing. In director Jon Tracy’s highly inventive staging of the play, which just kicked off the Sonoma County Rep’s annual Sebastopol Shakespeare Festival, the fantasy elements are pushed to the edge of madness, all pivoting on Tracy’s head-spinning decision to turn the witches into—wait for it—clowns. Macbeth (Scott Phillips, in an oddly stiff and cold performance) is a faithful soldier to Duncan, the king of Scotland (Jack Halton). On the way home from a significant battle, Macbeth encounters the clowns (John Turentine, Marjorie Crump-Shears and Francisco Garat), who tantalize him with their predictions of the future, including their promise that he will someday be king himself. When Macbeth’s wife (Rebecca Pingree, sexy and strong) learns of the mystical prophecies and sees that they are beginning to come true, she carves out a plan

by which her husband can become king right away—he merely has to murder Duncan. And so it begins. The cast, though a bit uneven, are solidly committed to Tracy’s bold vision and carry his premise through with admirable energy and a detectable trace of wicked delight. Tracy’s truncated adaptation of the script keeps things zipping along. I may never have seen a staging of Macbeth where the actions and motivations of the characters were so clearly drawn. Tracy’s elegant sideshow-of-the-damned set gives his characters, especially those clowns, plenty of room to prowl and pop up from trapdoors. As for those clowns, the “witches� of Shakespeare’s story are every bit as interfering as in other versions—more so, actually, as they frequently stand in for some of the script’s minor characters: servants, porters, hired assassins. But by turning them into clowns, Tracy has added something truly eerie and potent. Clowns, all the way back to the beginning of clowning, have always been the watchful outsiders, the world-weary commentators who’ve seen it all and usually know what’s about to happen next. Here, the witches aren’t evil so much as they are agents of Fate, shepherding the unknowing mortals from one event to the next. It doesn’t always work (the porter’s famous “equivocation� speech is rendered almost meaningless when placed in the mouths of the clowns), but when it does work, which is most of the time, it’s spectacularly effective. Particularly powerful is the way the clowns multiply their numbers right up to the story’s last mesmerizing moment.

Abel Barroso, Untitled, wood, 2008

Polaridad Complimentaria: Recent Works from Cuba Through August 29

RED SONOMAÍśCOMMUNISM IN SONOMA COUNTY Through September 26

SONOMA COUNTY MUSEUM www.sonomacountymuseum.org Bring this ad and receive 50% off admission for one guest with one paid admission.

Doon’’t Miss the Don’t Ex xcitement!!!! Excitement!!!! The Full Monty

For SHOW SH HOW INFO or TICKETS O ONLINE at

SummerRep.com Summ merRep.com or PHO ONE: 527.4343 PHONE:

‘Macbeth’ runs Thursday–Sunday through July 25 at Ives Park, corner of Willow and Jewell streets, Sebastopol. 7pm. $20–$25; Thursday, pay what you will. 707.823.0177.

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Fine & Fashion Jewelry Handmade Gifts

146 N. Main Street, Sebastopol • 707.829.3036 10:30–6pm, Sun til 5pm • artisanafunctionalart.com

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necklace by Kristina Kada

FUNCTIONAL ART

369:

8C 68A; Louise Brooks had a face that was a battlefield of purity and lewdness.

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S.F. Silent Film Fest is last century’s international feast

The San Francisco Silent Film Fest runs at various venues Thursday–Sunday, July 15–18. www.sfsff.org.

10am-6pm Saturday & Sunday

San Anselmo

27th

ART&WINE

festival

July 17 & July 18 +

Premium Wine Tasting

+

200 Fine Artists

+

Merchant Marketplace

+

Magic Show

+

Kids Zone with Fun Activities

+

FREE Fun for the Whole Family

featuring

the sounds of the ’70s ’70s Bolinas Blast Stage Magic Circus 10 - 11am Petty Theft Noon - 2pm The Who Show 3 - 6pm Trippin’ Tunstead Stage Savannah Blue 10 - Noon Boys of Summer 1 - 3pm Zebop! 4 - 6pm

Sunday

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he 15-year-old San Francisco Silent Film Festival has no rival in North America as a showplace for film’s presound era. The big event this year, not counting the arrival of silent film archivist Kevin Brownlow, is the latest edition of 1927’s Metropolis, finally to be screened at its original length thanks to some 20 minutes of 16mm footage discovered in a Buenos Aires archive. Despite early works by John Ford (The Iron Horse) and William Wyler (The Shakedown) and rare films from China and Italy, it’s a French comedy that’s a standout among the unknowns. The delightful L’Heureuse Mort (A Happy Death; 1924) concerns ThÊodore Larue (Nicolas Rimsky), who is first seen on a night of epic failure. We see his one rolling eye peering through a hole in the curtain as his farce The Friend of My Wife of My Friend dies horribly onstage during its opening night, with even the actors seemingly in revolt against the play. Larue’s wife suggests a trip to the seashore to get away from it all, and during a boat cruise, the writer is swept overboard. This seemingly drowned failure is now acclaimed as a misunderstood genius whose works are suddenly a hot property. The plot line is as rich as Preston Sturges’ Hail the Conquering Hero. The fine rapport between the Larues shows that the tradition in French comedies of the affable yet businesslike marriage has long, deep roots. By contrast, Louise Brooks is nobody’s idea of domestic bliss. Nineteen twentynine’s Diary of a Lost Girl is a frame for its star. Her face, which reflected light as few actors did, was a battlefield of purity and lewdness. Happily, lewdness wins the day, thanks to seven expurgated minutes recently restored to this melodrama directed by Germany’s G. W. Pabst, the master of the obvious. Bearing the nutritious-sounding name

“Thymian,â€? the divine Brooks is seduced, abandoned and ends up in a brothel, partially because of her habit of swooning. Terrific faces abound even if you don’t count Brooks: the enormous bald-headed swine of a security guard who rises up in front of a list of verbotens at the Home for the Bad Girls like a phallusin-a-box; a wardress who bangs a gong and leers fit to burst as she watches the ladies do their calisthenics. The macabre Häxan: Witchcraft Through the Ages (1922) is a film made in thrall to Intolerance, and it, too, is an epic. Director-actor Benjamin Christensen’s film was the most expensive ever made in Sweden up to that time, and yet it’s surprisingly flexible. A serio-comic semidocumentary that compares the witch hunts of yore to the treatment of psychiatric patients of the last century, it has patches of primal horror-movie stuff in it. Here, perhaps for the first time, is the horror film’s dual mission of pooh-poohing superstition while raising the audience’s hackles. The part of Satan is gold for any actor, but Christensen does the old boy proud; he’s a virile, bare-chested devil with flickering tongue who drives monks, nuns and grandmas alike to hysteria. There’s a narrative story amid the documentary history: strangely authentic neo-realist passages about a witch hunt in Medieval times, a gynophobic action aimed at both beautiful girls and helpless old women. Made to avenge the victims of witch-terror, it has a sturdy purpose. And it’s suffused with hopes that modern psychology married with cinema would defeat religious mania. I guess we’ve seen how well that worked, but it was certainly a nice try.

Saturday

By Richard von Busack

’70s Bolinas Blast Stage Drew Harrison 10am - Noon The Indestructables 12:30 - 2:30pm The Sun Kings 3 - 5pm Trippin’ Tunstead Stage Savannah Blue 10 - Noon Wonderbread 5 12:30 - 2:30pm The Who Show 3 - 6pm

Downtown San Anselmo on San Anselmo Ave. Between Tamalpais and Bolinas Streets ROSS VALLEY SANITARY DISTRICT

W W W S A N A N S E L M O C H A M B E R O R G s THE BOHEMIAN

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Bargain Tuesday - $7.50 All Accomplished!â€? Shows “Sprawling, Ambitious...Amazingly Bargain Tuesday $7.00 All Shows Schedule for Fri, Feb -16th 20th Thu, Feb 26th Schedule for Fri, April –– Thu, April 22nd – Fri, LosJune Angeles Schedule for 22ndTimes - Thu, June 28th Academy Award Nominee “Moore Gives Her Best Performance “++++! An Amazing Film!â€? – Roger Ebert Best Foreign Language Film! In Years!â€? – Box OfďŹ ce

“Raw andIRiveting!� – Rolling Stone AM LOVE Demi Moore David Duchovny WALTZ WITH BASHIR A MIGHTY (1:15) 4:00 6:45HEART 9:15 R (1:00) 3:00 5:00 7:00 (12:30)THE 2:45 JONESES 5:00 7:20 9:15 9:45 RR

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The Second Installment Of The Millennium Trilogy “A Triumph!â€? – New Observer “A Glorious Throwback ToYork The More Stylized, THE WRESTLER THE GIRL WHO PLAYED WITH FIRE Painterly Work Of Decades Past!â€? – LA (12:20) 2:45 5:10 7:30 9:45 R Times LA VIE EN ROSE (1:30) 4:156:45 7:00 9:45 R (12:45) 3:45 PG-13 THE SECRET OF9:40 KELLS 10 Academy Award Noms Including Best Picture! (1:00) 3:00 5:00 Hill 7:00 NR A “John C. Reilly & Jonah Are9:00 Hilarious! SLUMDOG MILLIONAIRE “ä–&#x;ä–&#x;ä–&#x;ä–&#x; – Really, Truly, Deeply – Freewheeling, Unpredictable, Dark Comedy!â€? – NY Post “Superb! No One4:00 Could Make This 7:10 R Believable One of (1:15) This Year’s Best!â€?9:40 – Newsday If It Were Fiction!â€? CYRUS – San Francisco Chronicle

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(1:00) 3:10 5:20 R Best Picture, Actor7:30 & Best9:40 Director! (2:20) 9:10 Best NR No 9:10 Show Tue or Thu “Brilliant & Exciting!� – San Francisco Chronicle MILK

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07.14.10-07.20.10

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Š DISNEY

THE NEXT CHAPTER OF THE TRILOGY IGNITES

“More GRIPPING than DRAGON TATTOO.“ -Owen Gleiberman, ENTERTAINMENT WEEKLY

“Noomi

:0 :D10 ‘I Am Cuba,’ a 1964 Soviet-made film underscoring the need for revolution, screens July 17 at the Sonoma County Museum. See Film listing, p34.

Rapace is SPECTACULAR!“

-Peter Travers, ROLLING STONE

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STIEG LARSSON’S

THE

GIRL WHO PLAYED WITH FIRE www.playedwithfirefilm.com

NOW PLAYING

RIALTO CINEMAS LAKESIDE 551 Summerfield Road Santa Rosa (707) 525-4840 THE GIRL WITH THE DRAGON TATTOO

now available on DVD & VOD

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Film capsules by Richard von Busack, Caroline Osborn and Anna Schuessler. THE BOHEMIAN

07.14.10-07.20.10

25

26

07.14.10-07.20.10

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With a Hitch

MarijuanaMan

Swedish Chefs

Acid Gospel

If you consider yourself an authority on the work of Alfred Hitchcock but have never heard of the director’s film ‘Blackmail,’ you’re not alone. The 1929 thriller was one of Hitchcock’s earliest, originally released in two configurations, as both a silent film and as Britain’s first “alltalkie.� With awkward lip-synching and crude recording quality, the historic talkie version has its drawbacks, which is why the Alloy Orchestra have revived the original silent version accompanied by their original soundtrack performed live. Roger Ebert calls the Alloy “the best in the world at accompanying silent films,� and with their unique instrumentation (featuring keyboards, accordion, clarinet and a “rack of junk�) and a rare 35mm print from the British Film Institute, this one-night-only screening of Blackmail is not to be missed on Monday, July 19, at the Rafael Film Center. 1118 Fourth St., San Rafael. 7:15pm. $15. 415.454.1222.

Watch your back, Ras Trent—there’s a new bong-toting white guy in town ready to save the world with irie vibes for all of Jah’s children in de hood. It’s MarijuanaMan, the latest comic-book creation from . . . Ziggy Marley? You read it right, folks: the son of the world’s most famous reggae musician has lent his official Marleyroyalty imprimatur to a goateed spliff-smoking Caucasian superhero in green-and-yellow spandex who rescues the earth’s marijuana fields from the evil company PharmeXon. He’s serious! He’s going to ComicCon and everything! “I have been reading comics since I was a little boy in Jamaica,� he said, announcing that the first issue hits stands on the predictable date of April 20, 2011. In the meantime, Marley does this thing his family is famous for, and he’ll be singing “Tomorrow People,� “Love Is My Religion� and other hits on Friday, July 16, at Robert Mondavi Winery. 7801 St. Helena Hwy., Oakville. 5pm. $85–$215. 707.226.7372.

Greta, Stella and Sunniva Bondessen are Baskery, three blue-eyed, blonde-haired sisters from Sweden who have obviously spent a lifetime immersed in the sounds and styles of classic American country and bluegrass music. With a ramped-up approach they sometimes call “killbilly,� “banjo punk� or “mud-country,� and featuring ridiculously tight harmonies, their album Fall Among Thieves could teach a thing or two to so-called porch-punk purveyors of pareddown pap presented right here on American shores. Energy is the backbone of Baskery, but the trio also have considerable chops, recording completely live in one room around one microphone with no overdubs. Just the same way the Stanley Brothers did it. The same way Johnny Cash did it. The same way Elvis (before he got fat) did it. Witness the sibling synchronicity on Tuesday, July 20, at the Mystic Theatre. 21 Petaluma Blvd. N., Petaluma. 8:30pm. $15. 707.765.2121.

“I am a liar, I am a cheater,� sings Mark Matos and Os Beaches on their debut album’s opening track, and one might immediately feel he’s right. Self-described as “acid gospel,� Matos’ airy, lap-steel-driven Americana twists far stronger toward Wilco or Conor Oberst than the Rev. Charlie Jackson or the Abyssinian Baptist Choir. By “Palavras de Faca� though, with its wooden percussion, lap steel, Portuguese lyrics and vibraphone, it’s clear the “acid� tag comes from a love of vintage Brazilian Tropicalia. That’s a good thing. The Mission District band, whose members have close connections to Jolie Holland, Blank Tapes, American Music Club and others, comes tinged with Matos’ time in Tuscon and its atmospheric scene led by Howe Gelb and Giant Sand. See them careen atop the nauticalthemed stage on Sunday, July 18, at Aubergine Emporium. 755 Petaluma Ave., Sebastopol. 8pm. 707.827.3460.

THE BOHEMIAN

6PQT <T[X]T 07.14.10-07.20.10

27

P E TA L U M A

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SSaturday, aturday, August August 7, 7, 2010 2010 at the Sonoma-Marin Fairgrounds Fairgrounds

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Poor P o Man's Whiske oor Whiskey ey Stevee Lucky & The Rhumba Stev Rhumba h Bums Sol Horiz Horizon zon Zydeco Zydeco Flames T Artifacts Peter Welker Sextet Peter W elker Se extet Hillside Fir Firee The A Benefit Benefit ffor or Music Music Education Education in in All All Petaluma Petaluma Area Area Schools Schools

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28

07.14.10-07.20.10

THE BOHEMIAN

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Lyle Lovett is a ‘Natural Force’ yle Lovett’s superb current release, Natural Forces, is another collection of songs written by many of the same Lone Star folks who populate Step Inside This House, including Townes Van Zandt, David Ball, Vince Bell, Eric Taylor, Tommy Elskes and Don Sanders. Lovett also includes a co-write with Robert Earl Keen (“It’s Rock and Rollâ€?) and another with his longtime ďŹ ancĂŠe, April Kimble (“Pantryâ€?), plus two solo compositions, the title tune and “Farmer Brown/Chicken Reel.â€? Lovett plays the North Bay July 20–21. During a conversation in one of his favorite lunchtime haunts, Lovett talked about how the album came to be. “What I was trying to do was play songs that have been a part of my musical life, so none of these songs were songs that I learned for this record,â€? he said. “They were songs that I’ve known for years. The simple fact was, it’s been two years since my last record and I was eager to record ‘Natural Forces’ and ‘Pantry’ and ‘Farmer Brown.’ But I didn’t have enough other songs that I was happy with that I wanted to put with ’em. And I wanted to make a record, and I thought it was a good chance to record some of these songs that weren’t on Step Inside This House.â€? Just like the vast state from which they originate, these songs range far and wide. While the uptempo “Pantryâ€? and “Farmer Brown/Chicken Reelâ€? are laden with ďŹ ddles and “It’s Rock and Rollâ€? is an uncharacteristic actual rocker reminiscent in tone of Lynyrd Skynyrd’s “What’s Her Name,â€? the covers are more often poignant. They’re more about the songwriter and the singer than any genre. And for an artist like Lovett, who has spent a good part of his career celebrating Texas music, that’s as it should be. Lyle Lovett and His Large Band appear on Tuesday, July 20, at the Wells Fargo Center (50 Mark West Springs Road, Santa Rosa; 8pm; $19.50–$89.50; 707.546.3600) and on Wednesday, July 21, at the Uptown Theater (1350 Third St., Napa; $85–$95, 21 and over only; 707.259.0123).

L

Lynne Margolis

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THE BOHEMIAN

07.14.10-07.20.10

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B20C Sixteen-year-old Nikki Yanofsky recreates Ella Fitzgerald’s sound.

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Festival del Sole again delivers the unexpected By Gabe Meline

4

ach time I’ve driven out to the Napa Valley’s gigantic Castello di Amorosa during Festival del Sole, I’ve felt a nervousness that comes from spending one’s life in grocery discount outlets, taquerias, nightclubs and thrift stores and then suddenly attending a classical performance at a $30 million castle in the heart of the Napa Valley. And yet each time, that very daunting prospect of mingling fraudulently with wellto-do citizenry has been rendered completely normal by some unfathomably equalizing occurrence up at the giant castle in the hills. In 2008, for example, violinist Joshua Bell gave a stellar performance with pianist Jean-Yves Thibaudet of Grieg’s Sonata for Violin and Piano no. 3 at Castello di Amorosa. He then hopped off the stage, strolled down the aisle and hung out. Classical musicians do not generally “hang out.� But there he was, doing just that—chatting with fans, charming old ladies, signing programs for

young violinists and taking photos with members of the audience. The next year, in 2009, the great soprano RenĂŠe Fleming appeared at Castello di Amorosa. Upon entering, attendees were handed a libretto, with the ushers joking that it was “not so you can sing along.â€? Yet after a recital heavy on Richard Strauss and George Gershwin, Fleming invited the gathered audience in the castle courtyard to do just that—to warble, croon and croak along in their common-folk fashion as one of the world’s most celebrated singers performed “I Could Have Danced All Night.â€? You don’t get that kind of close camaraderie at Avery Fisher Hall or the Kennedy Center. But in the Napa Valley, I can only imagine that the visiting artists think to themselves, “What the hell. I’m at a 12th-century, Tuscan-style castle, it’s kinda weird, and these people seem cool. I think I’ll stand over near that cast-iron dragon head under the coat of arms and, you know, when in Rome, or Napa, or wherever the heck I am, do like they do.â€? Call it the magic of music, if you will, or call it the magic of Festival del Sole, which for five years has brought top-name talent and world-class food events to the Napa Valley. (A sister festival in Italy runs annually as well.) Festival cofounder Barrett Wissman, a former hedge-fund executive who usually strolls the castle grounds with wife and cellist Nina Kotova on his arm, is also principal owner of the esteemed booking agency IMG Artists, and, as such, the annual lineup pulls liberally from his roster. Sarah Chang, James Galway, Anne Sofie von Otter, Robert Redford and many others have appeared in past festivals. Wissman, whom the Bohemian honored in 2007 with a Boho Award for the festival, hit a funny little snag last year when he pled guilty to securities fraud, agreeing to pay $12 million in penalties and to appear as a key witness against his former conspirators. Because of his cooperation with the New York state attorney general’s office, Wissman has been able to jet-set in the manner to which he is accustomed, and Festival del Sole has continued undeterred—with cofounder Richard Walker usually mentioned in press materials instead of Wissman. That tiny, behind-the-scenes detail notwithstanding, this year’s festival is rich with talent, from Joshua Bell to Chris Botti to Kotova’s dependable presence. Not to be missed is Nikki Yanofsky’s July 21 show at the Castello. Yanofsky is an incredible 16-year-old jazz singing sensation who’s more than earned the many comparisons to Ella Fitzgerald; seek her version of “I Got Rhythmâ€? to see why. With sharp technical precision and creative improvisation, Yanofsky clearly has a gilded road ahead. There’s not a bad seat in the house, so don’t hesitate to opt for the less expensive tickets, and don’t be surprised if some tiny little magical thing happens up at the huge castle on the hill to upend your expectations. The Festival del Sole runs at various venues July 16–25 in the Napa Valley. Nikki Yanofsky appears Wednesday, July 21, at Castello di Amorosa. 4045 N. St. Helena Hwy., Calistoga. 6:30pm. $50–$125. Full schedule at www.festivaldelsole.com.

DON’T FORGET‌WE SERVE FOOD TOO!

Mc Near’s Dining House Breakfast • Lunch • Dinner BBQ • Pasta • Steak THUR 7/15 • 7PM DOORS • $21 ADV/$26 DOS • ALL AGES COUNTRY

SUZY BOGGUSS SOLO ACOUSTIC FRI 7/16 • 8:00PM DOORS • $18 ADV/$20 DOS • 21+ IRISH ROCK

THE YOUNG DUBLINERS

PLUS RECKLESS IN VEGAS SUN 7/18 • 7:00PM DOORS • $22 • ALL AGES NOUVEAU FLAMENCO

AN EVENING WITH

OTTMAR LIEBERT & LUNA NEGRA TUE 7/20 • 7:30PM DOORS • $16 • 21+ PUNK-ROCK/BLUEGRASS

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ROBBEN FORD & THE FORD BROTHERS PLUS THE KIRK FLETCHER BAND

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www.mcnears.com THE BOHEMIAN

07.14.10-07.20.10

31

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THE BAR AND RESTAURANT OPENS ON ALL SHOW DAYS AT 4 PM

7/15

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7/16

8:30 PM SHOW > $15 > ROCK

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ALEX BAND (OF THE CALLING) + DUSTIN SAYLOR

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8:30 PM SHOW > $17/20 > COMEDY 2nd Annual Big Fat Budget Buster Tour

7/17

WILL DUR S T + Johnny Steele + Deb and Mike Hosted by Jeff Blazy 7/20 8:30 PM SHOW > $10 > ROCK

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ERIC LINDELL 7/31

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After Party & Nor Cal Blues Harmonica Summit

Friday, July 16 @ 9:00pm

MICHAEL SCHENKER GROUP + LYNCH MOB

Sex & Machines With Prize Pig

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Sat, July 17 @ 8:30pm

James Florence & the Umpires of Taste Rock / Acoustic / Funk www.myspace.com/jamesflorencemusic

all shows are 21+ unless noted for reservations: 707.545.5876

Sun, July 18 @ 6 pm

707.545.2343 120 5th street @ davis street santa rosa, ca

lastdaysaloon.com 07.14.10-07.20.10

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Steve Judkins & Seydel Harmonicas present The Blues Festival

32

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Work by ‘Boho’ contributor William O’Keeffe begins at Quicksilver.

Radio K-Bob 707.874.9037 | www.barleynhops.com 3688 Bohemian Highway, Occidental

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Galleries

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July 15

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Fri

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SINGER/SONGWRITER SERIES

HOSTED BY LAURALEE BROWN 7:00pm / In the Bar

PETTY THEFT

The Ultimate Tom Petty Tribute 8:30pm

MOONALICE

July 17

8:30pm

Sun

BBQ on the Lawn!

June 18

Rancht!o Debu

Legendary Bay Area Greats

THE SONS OF CHAMPLIN

Gates at 3:00pm, Music at 4:00pm Fri

July 23

BVg^c BD86

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20 min from downtown Petaluma, 25 min from everywhere else!

HAPPY HOUR M–F • 4–6PM

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Take a scenic drive for a unique dining experience

Dinner and a Show

Fri

July 30

BIG B AND HIS SNAKEOIL SAVIORS Boogie Woogie Western Swing 8:30pm A Rancho Favorite! CHROME JOHNSON

Original Rock 8:30pm Sat

July 31

BAUTISTA

Latin Fusion Dance Band 8:30pm

Sun

BBQ on the Lawn! Aug 1 THE KRONOS QUARTET

B<0;; 83>;B

Gates at 3:00pm, Music at 4:00pm

‘Art of the Doll’ opens in Petaluma

Sat

Aug 7

he use of the doll form in art is very strong,� says Geri Olson. “It’s the word ‘doll’ that’s the stumbling block, because when people hear the word they immediately think of a manufactured doll or a baby doll. Some researchers suggest that the word ‘doll’ actually has its origins in the word ‘idol.’� Olson, the chair of Sonoma State University’s psychology department, isn’t using her post-doctoral mind lightly when discussing dolls. She’s actually talking about something huge and talismanic, about the audacity of approximating the human form, of co-opting a pursuit reserved for gods. “In many cultures, the making of the human figure is a very powerful experience,� she continues. “When people make the human form, there’s an integration process that happens in which we give the doll or the figure characteristics that have to do with our own individuation processes, like healing or empowerment or just the process of growth or accepting our age or our situation in life, such as loss. That is true in many ceremonies in other cultures, but that experience seems to be relevant for artists today.� Olson is called upon on this afternoon to make such profound pronouncements in her role as co-curator of a new exhibit, “Art of the Doll,� opening July 16 at the Petaluma Arts Center. (Akira Blunt’s Patience is shown.) Both an invite-only and a juried show, it brings together some 66 artists, local and nationally known— including former Petaluma resident Poe Dismuke, robot maker Clayton Bailey, master carver Floyd Bell and ILM stand-outs Toby and Wendy Froud—to examine a representational world peopled by representations of ourselves. Or not. “We looked at the doll in its broadest and most expansive definition, which is a three-dimensional form with human characteristics,� Olson explains. “With that very open definition, it allowed for robots and some sculpture, but the main difference between a doll and a sculpture—stone sculpture especially—is that we play or interact or somehow use dolls in some way, whether we put them on an altar or dress or undress holy dolls in a church. We left it up to the artists to define whether their work had doll-like qualities. This will be an adventure for viewers to decide what a doll is, exactly. We played with the idea: What is a doll for?� ‘Art of the Doll’ runs July 16–Sept. 19 at the Petaluma Arts Center. Reception, July 17, 4pm to 7pm. 230 Lakeville St., Petaluma. 707.762.5600.

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Gretchen Giles

LEE PRESSON AND THE SF’s Wildest Swing Big Band 8:30pm

NAILS

Sun

BBQ on the Lawn! Aug 8 the subdudes Fri

Aug 13

Gates at 3:00pm, Music at 4:00pm The Amazing

CAROLYN WONDERLAND

Original Texas Blues 8:30pm

415.662.2219

On the Town Square, Nicasio www.ranchonicasio.com

STOMPY JONES Saturday, July 17 Wed, July 14 8:45-9:45am; 5:45-6:45 pm Jazzercise 10am-12:15pm Scottish Dance Youth and Family 7-10pm Singles & Pairs Square Dance Club Thur, July 15 8:45-9:45am; 5:45-6:45 pm Jazzercise 7:10-10pm Circle N’Squares Square Dance Club Fri, July 16 8:45-9:45am Jazzercise 10:30–11:30am Zumba Gold 7:30pm NORTH BAY COUNTRY DANCE SOCIETY/CONTRA DANCE

Sat, July 17 8:00-9:00am; 9:15-10:15am Jazzercise 10:30–11:45am Dance Workout with DJ Steve Luther 7pm STOMPY JONES $15 Sun, July 18 8:30-9:30am Jazzercise 10:30–11:30am ZUMBA FITNESS with Anna 5–9:30pm DJ Steve Luther COUNTRY-WESTERN LESSONS & DANCING $10 Mon, July 19 8:45-9:45am; 5:45-6:45 pm Jazzercise 7–10pm Scottish Country Dancing Tues, July 20 8:45-9:45am; 5:45-6:45 pm Jazzercise 7:30pm AFRICAN DANCE with Victoria Strowbridge featuring West African & Congolese Dance

Santa Rosa’s Social Hall since 1922 1400 W. College Avenue • Santa Rosa, CA 707.539.5507 • www.monroe-hall.com

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F>A:8=6 2;40= Brian Regan brings his harmless act to the Uptown on July 15.

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35

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BOHEMIANCLASSIFIEDS

Placing an Ad

Contacting Us

§ By Phone Call the Department at 707.527.1200 Mon.-Fri., 8:30a.m.5:30p.m.

Bohemian Classifieds 847 5th Street, Santa Rosa, CA 95404 Monday through Friday, 8:30a.m. to 5:30p.m. ph: 707.527.1200

√ By Fax Fax your ad to the Classified Department at 707.527.1288

3227 Santa Rosa Ave, 95407. FREE checkup, expert laptop repair, tune-up, spyware removal. 9am-5pm, Tues-Sat. 707-528-8340.

ggg Jobs

GOVERNMENT JOBS

Earn $12 to $48 / hr. Full Benefits, Paid Training. Health Care, Admin/Clerical, Construction, Law Enforcement, Finance, Public Relations, Park Service & More. Call 7 days. 1-800-858-0701 x2011 (AAN CAN)

g Career Development

Earn $75-$200 Hour

Consultants

MacAdvantage Macintosh FREE Diagnosis, Friendly In-House Staff Hardware/ Software, DATA Recovery, Internet, Email,Wireless Network Setup & Security, Apple Authorized Business Agent, Tam Nguyen-Chief Tech, M-F 10-6 info@themacadvantage.com 707.664.0400

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Media Makeup Artist Training. Graphic Services Ads, TV, film, fashion. One week class. Stable job in Golden Star Grafix weak economy. Details at www.AwardMadeUpSchool.co Need a quality designer? m 310/364-0665. (AAN CAN) Business cards, brochures, flyers, posters, digital collage, cd covers, photographic restoration, general marketing materials. Mark Schaumann 707-795-0924, schaumann1@earthlink.net

g Computer Services

Home Services Decks/Fencing

$249, $99, $55- Like New! CRC Computer Repair Center,

Are you pregnant?â€

For Sale Big Multi-household Yard Sale!

Washer/dryer, appliances, furniture, clothes, exercise equip, fine art etchings on Quality built to withstand handmade paper & MORE! time. Free estimates. All type Sat/Sun 9-3, 8000 Old of fencing and gates. Licensed Redwood Hwy, Cotati. Contractor. 707-321-7210

g Remodeling/Repair

g Family Services Adoptions

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For Sale

LAPTOP, Computer, LCD Panel

Miscellaneous

Heritage Fence Builders

1O :WQS\aS %# $&'

Employment

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Pregnant? Considering Adoption?

Considering adoption?†A childless couple seeks to adopt.†Will provide full-time parent.†Financial security.†Expenses paid.†Robert & Michael.†(ask for Michelle/Adam).†1-800-7905260††(AAN CAN)

A & A Kitchens Need commercial kitchen space? Our spot will accomodate all your culinary needs. Stop lookin’ and start cookin’ Call us in St Helena at 707.968.9474, St Helena, CA

Creative Light Productions

Professional photographer & videographer for weddings, parties, special events. Award winning David Ludwig High School Diploma! Local: (707) 527-6004 Fast, affordable and accredToll Free: (800) 942-8433 ited. Free brochure. Call Now!. E-mail: 1-888-532-6546 ext. 97 dlcreativelight@gmail.com www.continentalacademy.co m. (AAN CAN) Green Earth

Miscellaneous Services

Talk with caring agency speYouth Failing School cializing in matching birthor School Failing mothers with families nationwide. Living expenses Our Youth ? Try Rancho Bodega School paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413- Small Group/One on One Instruction - Enriched Mid6293 (AAN CAN) dle/High School Curriculum Special Studies/Independent Study - Emphasizing Music & Art Serving Grades 7-12 NOW ENROLLING !! Call 707-795-7166 www.ranchobodegaschool. com

Q UALITY G RAPHIC D ESIGN BUSINESS CARDS • BROCHURES POSTERS • T-SHIRTS • CD COVERS FLYERS • PHOTOGRAPHIC RESTORATION

general marketing materials

Catering Organic and Earth friendly foods and supplies Scott Goree - Entertainment coordinator and business manager 707.795.7358 home, 707.479.5481 cell redgore23@aol.com

Mark Schaumann 707.795.0924

schaumann1@earthlink.net

Miscellaneous

Adult Services

g Adult Entertainment

A Rare Irish Rose Quality and maturity in Marin. Call for photos. Please, no calls after midnight. No private calls/texts. Kara, 415/233-2769.

GayLive Network Call, talk, hookup. Fast, easy, local, gay str8, curious and bi men in hundreds of cities across america. 1-877-359-1083

Free To Try! Hot Talk 1-866-601-7781 Naughty Local Girls! Try For Free! 1-877-4330927 Try For Free! 100’s Of Local Women! 1-866-517-6011 Live Sexy Talk 1-877-602-7970 18+ (AAN CAN)

DATING SERVICE Long-Term/Short-Term Relationships, FREE-2-TRY! 1-877-722-0087 Exchange /Browse Personal Messages 1-866-362-1311.Live adult casual conversations 1-877599-8753 Meet on chat-lines. Local Singles 1-888-869-0491 (18+) New!! Talk Live!! 1-866362-1311 (AAN CAN)

Choose your own

Adventure

g Call Ca al NOW NOW! NO OW Adult Massage

**North Bay Beauties**

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“New� private location off 101. Ask about website pix. Kayla* 707-843-2271. Liza* 707-566-7866. Single Services

SANTA ROSA

707-206-6494 707-20 COLLECT CALL BILLING! 1-866-607-5282 1-900 PRICING OPTIONS OPTIONS! 1-900-622-1100 DIAL #CLICK (#25425)

79¢/MIN.. BOOST 79¢/MIN BOOST, T, A AT&T. T&T T . 99¢/ 99¢/min. min. V Verizon erizon

Interacial Dating Sign up NOW for FREE membership, to find that someone Special! Contact: interracialchristiandating.net

18+ *Charges may ap apply pply to certain features. features.

THE BOHEMIAN

07.14.10-07.20.10

37

HEALTH&WELL-BEING g Healing & Bodywork

Blissful 4 Hand Massage

Massage/Bodywork

Strong, thorough, intuitive. with man and woman, $195.00, 30 yrs. experience 25/50/75 - Colin, CMT William 707-548-2187 (707) 823-2990

MASSAGE FOR GUYS Your entire body is squeezed and kneaded while you melt on the table. Delightful advanced bodywork with whole body stretching. Call 707-8248700 in Santa Rosa or visit www.JamesDickson.net for pics & view my online schedule.

An Oasis in Santa Rosa Julie and Friends Full body sensual massage by appointGreat Massage By Joe, CMT. Relaxing hot tub ment. 10 am - 6pm. Private. Visa/MC accepted. and pool available. Will do 707-578-5444. outcalls. 707-228-6883.

Man of Your Dreams Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707-548-2187

RELAX!

g Relaxing massage and bodywork by male massage therapist with 11 yrs experience. 707-542-6856 Massage & Relaxation

A Finer Touch Swedish massage, body electric experience. Petaluma. Jack CMT. 415-891-7181. Outcall.

Guerneville M4M Massage Mitch, CMT. Mature. Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409

Norma’s Massage abla Se hañol! Esp 10 years exp CMT

Do You Suffer Pain From: Neck • Arms • Back Legs • Waist • Headaches Pulled Muscle • Tension Lack of Energy or Sleep

707.696.0685

128 College Ave, Santa Rosa by appt only

FLOWER SPA

Russian River Massage Full body massage, body electric experience. In /Out. www.bobrrmassage.com Bob 707-865-2093.

NOW OPEN Therapeutic Massage Center Boody Massage $55/hr

Massage • Reflexology Swedish/Shiatsu Open 7 Days: 10am-10pm

1626 4th St. Santa Rosa 707.526.6888

Lovely, Luscious, Sensual Massage Beautiful and private studio in the country near Santa Rosa. Lara 707-481-2644

Golden Flower Massage Spa

Open 7 days 9-10pm

707.578.3088

2460 Mendocino Ave., Santa Rosa

Great Massage, Goddess Touch Swedish, Deep Tissue. Affordable. Free parking Downtown Santa Rosa. CMT Mary 707-228-3275

Full Body Sensual Massage With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa. Soothing, relaxing, and fun. Visa/MC accepted. Gretchen 707/478-3952.

A Safe Place To Be Real

• Swedish & Deep Tissue Massage • Hot Stone Massage

699 Petaluma Blvd. N

707.765.1879 Open 7 days 9am-10pm

A sanctuary of pleasure and relaxation. Let go of your stress as you relax and enjoy the best of sensual massage by a lovely lady with a caring touch. Quality, class & excellence. Accept Visa/MC Joy C.M.T. 707-477-1766. Santa Rosa.

PUSH Therapy In pain and tired of relying on others to fix you? Learn self treatment with PUSH Therapy! Great for everything from neck pain to plantar fasciitis. Call (707) 665-9020

Swedish and Deep Tissue Massage with light stretching for men/women Flexible M-F schedule; Incalls only 60min/$60 | 90min/$75 Please call Leo 707-623-6096

g Psychics

A Provider of Pleasure Psychic Palm and Card Reader In a safe, relaxing, comfort-

Call 707.527.1200 to advertise in the Health & Well Being Today!

able space by a “mature”, compatible, easy-going gentleman! Since 1991 I`ve provided pleasure to women, men, couples. Good virtues. NW Santa Rosa, Jimmy, (C) 707-799-4467 or (L) 707-527-9497.

38

07.14.10-07.20.10

THE BOHEMIAN

SPIRITUAL CONNECTIONS Finding inspiration and connecting with your community Matthew Fox, Sunday, Aug 8th 10:30am Service: Yin-Yang, Water-Fire, God & Us (Love Offering) 1:00-3:30pm Workshop: The Divine Feminine and The Sacred Masculine: The Divine Marriage Resurrected. $39 pay by July 25th, $45 after www.UnityofSantaRosa.org. Unity Church of SR, 4857 Old Redwood Hwy, SR, 707-542-7729

Prayer and Journey Beads Workshop Create a bead strand for your spiritual practice or as a chronicle of your personal journey. Cost: $25. Sat, July 17, 8:30a-12:30p, 707-578-2121, www.journeycenter.org. Thanks!

Pema Chodron 6 week DVD class "Choosing a Fresh Alternative" presented at Santa Rosa Shambhala Center, 709 Davis, Santa Rosa. Each class includes meditation instruction and discussion. Begins June 30 7PM. 707.529.1561. Preregister at www.santarosa.shambhala.org Share your organization’s inspiration with over 123,000 Bohemian Readers monthly!

Phone: 707.527.1200 email: sales@bohemian.com

Escape to Pleasure Island !

MAGIC HANDS • 30% discount Fri, Sat, Sun

Foot Massage $19.99/45 min

Therapeutic and rejuvenating. Walk in or call. Open every day 9am-10pm. 7588 Commerce Blvd., Cotati. 707-992-0314.

Holistic tantric masseuse. Unhurried, private, heartfelt. Monday thru Saturday. NEW CLIENT DISCOUNT. 707-793-2232.

PAIN/STRESS RELIEF Professional male massage; strong, deep healing work; for men/ women; 1 hr/$50, 1 1/2 hr $65. 707-536-1516 www.CompleteBodyBalance. com

Four Seasons Excellent Thai Massage

Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. One visit convinces you. Appt. 707-542-9898

DAAC Open House Want to know more about alcohol & drug addiction? FREE Tour Tuesday, July 20th, 5:30 -6:30pm. Contact Susan at DAAC 571-2233 ext 311

Belly Dance Classes in Santa Rosa Small classes. Personalized attention. Beginners welcome. Details at www.moondancerbellydance.com.

Certification in Ayurveda & Aromatherapy with DeAnna Batdorff Practical & Clinical Experience. Pulse/Assessment, therapeutic bodywork, nutrition, traditional medicine & more. In Sebastopol- Starts Sept. 2010. Curriculum online dhyanacenter.com 707-823-8818

BodyWorks - Yoga Starting September 2010!! A 200 hour non-residential training, 1 weekend/month for 10 months.You will learn how the elements of yoga: asanas, pranayama, body awareness, guided imagery meditation and deep relaxation come together as a vehicle for health and healing. BodyWorks-Integrative Yoga and Stress Management Studio. 490 2nd Str., Petaluma 707-769-9933. www.bodyworksyoga.com

Rocks and Clouds Zendo One Day Introduction to Zen Meditation. Sunday Aug 29. 9:00am-4:00pm. Email us with any questions: daterra@sonic.net or call 707-824-5647.

Pet Bereavement Workshop Information, community and a safe place to talk about your grief over the loss of a pet. $15. Sat, July 24, 9a-12p (SR) or 2-5p (Windsor), 707-578-2121, www.journeycenter.org. Also, I left you a voicemail about wanting information for running a display ad (either 1x or 2x) for a fundraising concert we are having on Friday, July 23. Just wondering about size, costs and when I would need to get the ad to you for next Wednesday's paper (July 14). After today, I am not available to work on it until Friday.

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E^hXZh '$&.Ä($'% =ZgZÉh V i]dj\]i [gdb E^hXZVc edZi L# =# 6jYZc/ ÆI]Z ^bV\Z d[ bnhZa[ l]^X] > ign id XgZViZ ^c bn dlc b^cY ^c dgYZg i]Vi > bVn adkZ bnhZa[ ^h kZgn Y^[[ZgZci [gdb i]Z ^bV\Z l]^X] > ign id XgZViZ ^c i]Z b^cYh d[ di]Zgh ^c dgYZg i]Vi i]Zn bVn adkZ bZ#Ç >[ l]Vi 6jYZc YZhXg^WZh ^h igjZ [dg ndj! > hj\\Zhi ndj ign i]^h ZmeZg^bZci/ BZg\Z i]Z ild ^bV\Zh0 hZZ ^[ ndj XVc bV`Z i]Zb i]Z hVbZ# NdjÉgZ ZciZg^c\ V e]VhZ ^c ndjg XnXaZ l]Zc ndj l^aa ]VkZ V igZbZcYdjh deedgijc^in id jc^[n i]Z ^ccZg VcY djiZg eVgih d[ ndjg a^[Z# 6cY ^[ 6jYZcÉh YZhXg^ei^dc ^h cdi igjZ [dg ndj! Xdc\gVijaVi^dch/ ndj VgZ Z^i]Zg Vc Zca^\]iZcZY hV^ci dg lZaa dc ndjg lVn id WZXdb^c\ dcZ# In addition to this column, Rob Brezsny offers expanded weekly audio horoscopes and daily text message horoscopes. To buy access, go to www.realastrology.com. The audio horoscopes are also available by phone at 1.877.873.4888 or 1.900.950.7700.

THE BOHEMIAN

07.14.10-07.20.10

39

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Donate Your Auto 800.380.5257

Full exam. Low cost. No charge if you do not qualify. Santa Rosa. Authentication 24/7. 707-575-7375.

We do all DMV. Free pick up- running or not (restrictions apply). Live operators- 7 days! Help the Polly Klaas Foundation provide safety information and assist families in bringing kids home safely.

Relapse Doesn’t Mean Failure

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SANTA ROSA TREATMENT PROGRAM

1901 CLEVELAND AVE SUITE B, Santa Rosa

SUBUTEX/SUBOXONE available for Safe Oxycontin, Vicodin, Other Opiate Withdrawal! Confidential Program. (707) 576 1919

Santa Rosa Treatment Program can help. (707) 576 0818

Living Trust $850 By Estate Planning Attorney Rob Kenney. Includes Will, PoA, Health Care Directive, Grant Deed, etc. Appts available in your home. Evenings, weekends available. Call 707-526-3591 OR 415-491-4570.

Meth and Alcohol Treatment that allows you to keep your day job! Santa Rosa Treatment Program can help.(707) 576-0818.

Love farm animals? Become a VIP and a fan on Facebook. www.compassionate-carnivores.org/vip.html

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SKIRT CHASER VINTAGE BUY & SELL 707-546-4021 208 Davis Street, RR Square

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OMAR FIGUEROA CANNABIS LAWYER Consult counsel experienced in defending medical marijuana & cannabis cultivation cases. (707) 829-0215. www.omarfigueroa.com. GoLocal SoCo Member

Big Multi-household Yard Sale! Washer/dryer, appliances, furniture, clothes, exercise equip, fine art etchings on handmade paper & MORE! Sat/Sun 9-3, 8000 Old Redwood Hwy, Cotati.

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