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THE BOHEMIAN
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As if stopping the oil leak would somehow absolve us By Ted Bucklin
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oday is day n of the BP oil disaster in the Gulf of Mexico, where n equals the number of sins committed in service of our bottomless appetite for fossil-based energy; n equals the number of organisms killed by the careless spewing of petroleum toxins across the globe and through every biome on the planet; n equals the number of organisms killed by the heedless construction of entire civilizations based on and powered by petroleum; n equals the number of acres of living earth ripped asunder and covered with asphalt for roads, parking lots, megalopoli; n equals the number of mountaintops blasted out across the landscape in the search for fuel, of tailings piled up in toxic mounds, and rainbow lakes of waste left to leech into our lives, into all life. Today we look with horror at the evergrowing plume of rust-brown poison covering square miles of ocean, a floating, migrating promise of death for an unimaginably large area, with consequences so grave we will never fully appreciate the toll, the horror, the abject sin of this humanwrought catastrophe. We look with wide eyes and mouths agape at this visually compelling nightmare as an exceptional event that will someday, soon we hope, be resolved so we can turn our gazes back to a more benign view of the world where our choices and actions do not wipe out entire networks of living systems over thousands of square miles of ocean and coastline, as this oil spill is doing. But of course, the explosion of the Deepwater Horizon was not an isolated event, and the spill was not unexpected. With politicians rallying their troops with cries of “Drill, baby, drill!� how could such cavalier disregard for the risks not lead to this very eventuality someday? The fact is, this spill is hardly different from the innumerable n disasters ongoing around the world due to—but not limited to—our appetite for oil and its derivatives. What captures our attention are the dramatic values of this disaster: the explosion and fire and deaths of workers; the graphic plumes of toxic sludge spreading on maps across the Gulf; the backstory of New Orleans and the Gulf region recovering from Katrina only to suffer this new blow; and the waiting, as the disaster slowly unfolds before our eyes. Now BP, desperate to soften the public
outrage, is spreading thousands of tons of toxic chemical dispersant to prevent the public from seeing the oily demise of all those pure sandy beaches. As if that were the worst outcome possible. On TV it may well be the worst outcome, public-opinion-wise. But the toxic dispersants multiply the harm of the spill, broadening and deepening the swath of death from deep ocean to inland shallows, mostly in places and ways that are not captured on film, that are not seen on TV and are thus not to be judged in the courts of public opinion. It is a hideous sin that we allow video values to outstrip life values. So as usual, the true costs of doing our petroleum business remain murky, lost in the depths of the Gulf, obscured in the tangle of wetlands grasses, out of sight and out of mind. And while this amazing made-for-TV disaster unfolds, with its potential to destroy the entire living edifice of marine and coastal life systems in the Gulf, we remain blithely inured to the depressing truth that this is business as usual. For not just the Gulf of Mexico, but the entire expanse of oceans around our planet is currently on the brink of collapse of its living systems, from fish populations to marine mammals; in fact, all marine life is threatened. Some scientists expect huge swaths of ocean to become dead zones, devoid of life in less than 100 years. But without attention-grabbing videos, we can hardly grasp the disaster, much less act to ameliorate it. Truth is, even videos won’t nudge us into action. And what are we going to do to save the oceans, stop eating sushi? When the oceans run out of fish, humans will stop eating sushi. We are paralyzed, there is nothing we can do because it has become the very fact of our petroleum-based living that destroys oceans. We are as helpless as our president, who with all his power to command remains utterly helpless to seal the leak in the ocean floor. As if stopping the leak would somehow absolve us of our sins of toxic carelessness.
How could this day not occur?
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Ted Bucklin managed Oak Hill Farm in Glen Ellen for seven years, then got married and ran away to New Mexico. Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.
THE BOHEMIAN
06.16.10-06.22.10
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?A> C0A ?A> 540C74AB Kudos to Kevin Russell for his excellent letter (“See How They Like ‘Real’ Life,� June 9). Thank you for publishing it. My disagreement is that it isn’t the division between the “haves� and the “have nots� that is the problem. The enemy isn’t the little guy who worked hard, provided a good or service at the lowest possible price for the consumer, invested wisely and accumulated enough wealth to pass on to his family. The enemy is the fraction of 1 percent of the world’s population that have accumulated wealth beyond comprehension: not by providing goods or services at a fair market price, but by manipulating markets, loaning to nations and playing one nation off against another. These are the SOBs who own our Federal Reserve banking system. In the ’30s a reporter asked “Machine Gun Kelly� why he robbed banks: “’Cause dat’s where de money is,� was his reply. How times have changed. Now the banks
are brazenly robbing the people. We have just witnessed the theft of trillions of dollars transferred from the socalled Federal Reserve to the multinational stockholders of the Federal Reserve. Any attempt to examine the Fed is met with thinly veiled threats to crash our economy. They can, and have. Mr. Russell was too kind in his suggestions for how to deal with these miscreants. I favor reviving the tar and feathers!
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1;>2:7403B. “You blockheads!� Whoever designed the Lucy van Pelt statues, as well as the people at the Schulz Museum who approved them, need to have their heads examined. A smiling Lucy with arms extended in greeting is completely out of character and just plain wrong. These are statues of the anti-Lucy. They
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B02A43 2><<>=0;8CH For the most part, we humans have ceased recognizing our sacred commonality with the rest of nature. Because we are nature, we have stopped recognizing the sacred in ourselves. This has created a split in consciousness within the human animal. All of our corrupt, self-serving social institutions fasten their foundations upon this misperception. Because we humans are technologically superior to the rest of earthbound nature, we feel it automatically grants us a superior spiritual status. Fixated in an intellectually obese verbal mind, we have lost the communication revealing that all creation is sacredly egalitarian. All creation is self-aware. In my observation, if we gave ourselves a moment to fall into our instinctual wisdom, the head and the heart would delightfully fuse. Our predatory technological distraction, confusing our sacred bond with nature, would ease. Social, cultural, political and spiritual injustice would soften, just as naturally as a white iris thrusts from a pond of mud. How refreshing to read about the activism of Chief Arvol Looking Horse in the “Green Zone� (June 9). Hopi prophecy celebrates that humans and nature will once again “speak� the same language, the “language of the heart.� May we all work together to reawaken the language of the heart. May we reawaken a species almost buried by an objectively barren, technological mythology.
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Our last week’s coverage of funeral services for the late Patrick Dignam included mention of two persons, Messrs. Stephen Dedalus and C.P. M’Coy, erroneously ascribed as attending but who did not, and the regrettable notation as present of a Mr. “L. Boom,� whom we wish to correctly identify as L. Bloom. We extend apologies to parties aggrieved by our lapse, and as well our continued sympathies to members of the Dignam family.
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C>30H½B ;443 4A Contractor Rick Milburn is the first U.S. builder to be certified as a Passivhaus consultant.
?PbbXeT 7^dbT 0RcXeT 3TbXV] Sonoma home undergoes first Passivhaus retrofit in California By Caroline Osborn
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re we taking bets?� asks a man slouching outside the front door of Catherine O’Neill’s Sonoma home. “I’m betting on 0.16,� he declares. “Or lower.� He’s optimistic, but then so is everyone. This is the day that the team behind the Passivhaus retrofit of O’Neill’s house finds out not whether they have succeeded but how spectacularly. This is a game the production team knows they’re going to win. They’re just here to bask. Contractor Rick Milburn strides around each room, shutting each window with a satisfying clumph. Someone else shuts the triple-layered, double-gasket front door. As the moment draws nearer, everyone clusters around energy consultant Bill Mattinson and his computer to see the final readout that will decide the verdict
on the retrofit’s efficacy. On the coldest day of the year, a Passivhaus can be heated by the energy equivalent of a 2,000-watt blow dryer. Both more efficient and simpler than other green building models, the Passivhaus (Americanized as Passive House) standard requires that a building meet three simple criteria. It must operate on a heating and cooling budget of no more than 1.4 kilowatt hours per square foot per year, use no more than 11 kilowatt hours per year of source energy and undergo no more than 0.6 air changes per hour at 50 pascals of pressure. If the house passes the test, it will officially become the first successful Passivhaus retrofit in the United States. The whitewashed hall leading from the front door back to the hub of activity bursts with effervescence like the neck of a shaken soda bottle. These people represent a blend of
instrumental players in the project, energyefficiency builders from other firms and alternative-energy enthusiasts along for the ride. All of them will come away with a deeper, hands-on understanding of how a Passivhaus works coupled with “I was there when� bragging rights. Builders meet Passivhaus standards by combining insulation, thoughtful incorporation of natural lighting and an appliance called an energy recovery ventilator (ERV). Passivhaus buildings are airtight, but that doesn’t mean the air is stale. Quite the opposite. The contained nature of the house’s internal space allows ERVs to control airf low by funneling old air out and new air in. But here’s the trick. As old air f lows out, it passes its heat onto the new air, which recovers the heat energy and enters the house at a temperature cogent with the rest of the space. &(
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Current heat recovery rates fall between 75 to 95 percent, thus drastically reducing the amount of energy necessary to warm the house’s interior. Besides conserving heat, the ERV extracts moisture, odors and noxious gases, and filters incoming air. Builders eliminate as many “thermal bridges,� or places where heat can escape from the house, as possible. Homeowners fond of throwing open the curtain and tearing up the sash to invite a summer breeze needn’t worry. Opening a window remains part of the fresh-air routine in a Passivhaus building. When homeowner Catherine O’Neill approached contractor Rick Milburn about an eco-friendly retrofit, neither of them had heard of Passivhaus. In the course of researching other environmental building standards, Milburn stumbled across a mention of the Passivhaus in a magazine. “At first, I was pretty skeptical,� he says. “In the green building world, there’s a lot of bullshit.� Skeptic or not, the article piqued his interest. Milburn traveled to Indiana and enrolled in a Passivhaus certification course. “I sat down between a guy who works on fuel cells for NASA and a Ph.D. from the local university’s science department. I thought, ‘Maybe this is credible.’� Milburn was amazed when he discovered the three requirements necessary to qualify a building as a Passivhaus. The figure of 0.6 air changes per hour blew him out of the water. A typical house usually goes through somewhere between four and six air changes per hour. “I thought it was a typo,� he smiles. “Then I realized they were actually achieving this.� Completely sold, Milburn finished the class and became the first U.S. builder certified as a Passivhaus consultant. When he arrived back in California, Milburn pitched the project to Jarrod Denton, an architect at Lail Design Group with whom he had collaborated on several previous jobs. Denton also remembers a suspicion of a misprint upon viewing promised Passivhaus standards. When he realized that Passivhaus buildings did indeed meet their specifications, he got excited. “It’s really reverting to tried-and-true principles,� Denton says. “It considers the solar orientation of the house. Romans and Native Americans knew how to build based on climate. These aren’t new principles. Tape and insulation—there’s no rocket science behind that.� Eager to learn as much as possible about Passivhaus and its growing community of subscribers, Milburn proposed that he and Denton attend last year’s International Passive House Conference in Germany. Only three American architects showed up. “[Europe is] 15 to 20 years ahead of us as far as energy,� Milburn says. “Passivhaus is the only system that meets the Kyoto Protocol, so that held Europe’s feet to the fire.� Starting next year, the European Union plans to construct all new buildings according to Passivhaus standards. The U.S. currently has 50 certified Passivhaus buildings with a projected 50 more by the end of the year, while the EU boasts over 20,000. “LEED is America’s best effort,� Milburn says of the U.S.’s most widely implemented green building standard. He remembers
Europeans at the conference snickering at America’s devotion to LEED, a system in which buildings receive points for each checklist requirement they fulfill. Denton stands by LEED as an integral first step that has expanded the green building materials market. Hall Winery, a project he and his firm recently wrapped, is the first LEED Gold Certified winery in California and is 42 percent more energy efficient than an average building of the same size. “[LEED] gets people talking about specific items that wouldn’t have entered the vocabulary otherwise,â€? Denton says. Lail Design Group is a pioneering force in local sustainable architecture with the first two LEED-certified gold wineries in California (Hall Winery and Cade Winery) on their rĂŠsumĂŠ. Passivhaus requires a set of design tools completely different from all other projects on which Denton has worked. “Typically, you have details you’re familiar with from past projects,â€? he says. “For this house, I had to throw the design kit away and start fresh. I had to put a fresh perspective on every detail. It was a ground-up project.â€? Despite the learning curve, Denton says he appreciates Passivhaus’ fusion of three stringent energy requirements with creative freedom. He likens this interpretability of general rules to the Constitution. The founding fathers compiled a document of broad rules by which the country must govern itself, but the Supreme Court must interpret how best to apply these principles. Denton describes this as a “freeing experience. There is brilliance in the simplicity.â€? Construction on the O’Neill retrofit began in October 2009. By May, the new and improved edifice was ready for its final blower door test. The event attracted devotees of green energy without ties to the project. Larysa Tanya Shmorhay, a local educational consultant for homeowners, learned about the O’Neill house when Milburn and Prudence Ferreira, principal consultant at Integral Impact Inc. and certified Passivhaus consultant, visited her SSU class on green building. Like Denton, she too recognizes the similarities between Passivhaus design and ancient structures that were constructed according to their geographic location and its relationship to the sun. “It wasn’t until they developed electricity that they disregarded where the heck the sun was in the sky,â€? she says. As soon as all the project contributors and green enthusiasts crowd into the O’Neill house to witness the final blower door test, Milburn gives the order to close all of the doors and windows. Then he turns on the machine that will pressurize the house. After an initial kerfuffle in which the house cannot reach the 50 pascals, or units of pressure, necessary to carry out the test and a voice from a back room confirms that someone left a window open, the team tries again. This time, they get their readout: 0.31. They have halved the requirement and passed the performance-based certification test with honors. When asked whether he thinks Passivhaus is here to stay, Milburn responds with an incontrovertible yes. “There’s no question,â€? he says with a huge smile. “This is now. This is it.â€?
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Apple’s iPhone4 changes the way films are made By Daedalus Howell
I
ealous geeks have their own version of the Rapture and Armageddon, neither of which is terribly apocalyptic unless, you know, one needs to reboot HAL or something. If this were an SAT-style analogy, it would go something like “Armageddon is to the Singularity as the Rapture is to ______.� The correct answer? (a) Convergence; (b) “OMG, that girl looks like Sailor Moon and now I’m too petrified to answer due to my anime-boner.� To nonbelievers, unversed in geek-speak, the correct answer is (a) convergence, often defined as a synergistic conf luence of once-discrete technologies into greater efficiencies when combined. Or, as was the ambition but a decade ago, streaming internet movies on TV. In late the ’90s, convergence was something of a holy grail for both evangelical and more mercenary geeks alike. The former saw the inevitable marriage of old and new media as a byproduct of technology’s natural evolution toward simplicity, if not sublimity. The latter knew it was the best way to pump product directly to the consumer, who, in this case, wouldn’t have to leave the couch. Fast-forward 10 years and lo, there’s an app for that. “Hi, John Ciancutti, VP of personalization technology, here,� read a recent post on the official Netflix blog. “Today, I had the unique opportunity to present the app we’re working on for iPhone at the Apple Worldwide Developer’s Conference in San Francisco.� According to Ciancutti, geeks will soon stream the sort of content into their iPhones that was once only available on the big screen (or, at least, the bigger screen). The announcement from the Los Gatos–based online movie hub came on the heels of Steve Jobs’ introduction of the iPhone 4. Apple is promoting its latest gadget with the smug tag, “This changes everything. Again.� And, yes, it probably will, but in ways the convergentminded geeks might not expect. With the proper app, the new iPhone 4 doesn’t simply put the movie theater in one’s pocket; it also crams in the movie making. The new iPhone not only shoots HD video, it comes bundled with a mobile version
of iMovie, Apple’s desktop editing software, which is a slightly lower rent version of its professional grade Final Cut Pro suite, the industry standard. At $200, iPhone 4 doesn’t quite answer Jean Cocteau’s admonition that “film will only become art when the materials are as inexpensive as pencil and paper,� but it’s getting closer. Now the web is atwitter with speculation about how quickly some smart-phone Fellini will claim to have produced the first feature film on an iPhone 4. Previous iterations of the iPhone have resulted in an abundance of similar, if less ambitious, efforts. Among them is a music video posted to YouTube in late 2008 garrulously titled “World’s 1st music video shot on an iPhone—Newteknowledge by GOSHone.� Its director claims the minute-and-half clip was “shot entirely on a jailbroken iPhone 3G� as a video for GOSHone’s album ctrl_alt_ego. Six months later, an arguably more successful effort posted by BJSRmusic boasted that it was shot on the then recently released iPhone 3GS. Neither filmmakers seemed as concerned with their video’s content as they were about bragging rights, lest one think “Music Video Shot on iPhone� is a groovy name for a song. Heretofore, no one has claimed that they have made an iPhone 4 video, let alone a feature, because the device won’t be released until next week. But when it drops, let’s hope Digital Age auteurs hew more to Cocteau’s vision of inexpensive filmmaking than engage in some hasty race to YouTube’s upload page. As Francis Ford Coppola famously opined 20 years ago, “To me, the great hope is that now these little video recorders are around and people who normally wouldn’t make movies are going to be making them. And suddenly, one day, some little fat girl in Ohio is going to . . . make a beautiful film with her father’s camcorder, and for once, the socalled professionalism about movies will be destroyed, forever, and it will really become an art form.� In the very least, we can watch the iPhone 4 destroy professionalism as we patiently await a true convergence of artist and technology. Otherwise, you’re just phoning it in.
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A report from the second Flying Dutchman By Juliane Poirier
2
all me Ishmael. But don’t ask me to chronicle for hundreds of pages a mythical and mad contest between obsessive whaler and elusive white whale. No. Instead I carve here one piece of analytic scrimshaw, depicting the modern whale hunters who’ve long sailed around the moratorium on whale hunting. Now they are pushing to lift the ban on commercial whaling. I wonder, do these guys practice clinking pewter mugs of rum each night and shouting a gleeful mantra like “Kill the whales!�? Let’s find out. Gathering a bit of bleached whale bone, some India ink and a sharp knife, I sit myself down in a whaling ship that sets out in 1946 and, like a postwar version of the Flying Dutchman, stays at sea a bit longer than expected—say, 64 years, with no port in sight. On board are Captain Japan, Captain Norway and Captain Iceland. Naturally, I must carve their portraits in the whalebone, since these three are the captains who can’t leave the ship. When we first sailed from port just after WWII, the ship was crowded with hunters from every whaling country in the world, pretty much any culture having boats, spears and sailors neither squeamish at the sight of blood nor shamed by the taking of an intelligent life form where money could be made in the taking. (Cultures whose lives depend upon whale meat, including the Inuit, are not included on this voyage or in this story; they do not practice overfishing for profit.) So off we set in a wooden ship with billowing sails. In the first season, they spear one humpback whale, then another. Then a dozen, a thousand, 10,000. In the first few years, they kill and sell the guts of almost 50,000 whales annually. Within a decade, it reaches 60,000 per year; by the second decade, 70,000. For 40 years, this league of whaling nations sails and slaughters. Then in 1986, everyone begins leaving the ship. The commercial whaling industry is shut down, the whales overfished, and the International Whaling Association (IWA) votes to save the declining population.
As they leave the ship, I wave goodbye to Captains Antigua and Barbuda, Captains Argentina, Australia, Austria, Belgium, Belize, Benin, Brazil, Bulgaria, Cambodia, Cameroon, Chile, China, Republic of the Congo, Costa Rica, CĂ´te d’Ivoire, Croatia, Cyprus, Czech Republic, Denmark, Dominica, Dominican Republic, Ecuador, Eritrea, Estonia, Finland, France, Gabon, Gambia, German Ghana, Republic of Greece, Grenada, Guatemala, Guinea-Bissau, Guinea, Hungary, India, Ireland, Israel, Italy, Kenya, Kiribati, Korea, Laos, Lithuania, Luxembourg, Mali, Marshall Islands, Republic of Mauritania, Mexico, Monaco, Mongolia, Morocco, Nauru, the Netherlands, New Zealand, Nicaragua, Oman, Palau, Panama, Peru, Poland, Portugal, Romania, Russian Federation, San Marino, St. Kitts and Nevis, St. Lucia, St. Vincent and the Grenadines, Senegal, Slovakia, Slovenia, Solomon Islands, South Africa, Spain, Suriname, Sweden, Switzerland, Tanzania, Togo, Tuvalu, United Kingdom, Uruguay and the United States. But wait! Captains Iceland, Japan and Norway decide to remain on board and sail through the loopholes in the agreement document. “We aren’t killing whales for commerce,â€? shout the three whalers. “We are killing them for science!â€? And so they go, jolly clinkers of pewter mugs. The boat sails on, and captains Iceland, Japan and Norway continue through the decades to hunt and slaughter whales for fun and profit. As I carve the caricatures of these now accursed whalers, I can hear them talking in whispers from the main deck about sailing to Morocco. Though they are held by a curse and can never leave the ship, they can still raise mugs of rum and cheer from off the shore of Agadir when the IWA convenes there on June 21–25. The agenda for that meeting is to decide whether to lift the ban on commercial whaling. The three captains are behind the whole thing. They expect to win a 10-year victory over whale conservation. I’m done with my scrimshaw now, grabbing my kit and heading for Morocco to find this out: Will the (above-listed) members of the IWA lift the ban on commercial whaling?
Captain Japan, Captain Norway and Captain Iceland just can’t seem to leave the ship.
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<X]X 3^dVW <P]XP They’re small, they’re fried in oil and they’re all the rage By Gabe Meline
7
arvey Cohen tells me it’s a good thing I showed up when I did to chat about doughnuts. “I gotta tell you something, if you’d have come a little later, I wouldn’t have any time to talk to you,� he says, motioning to his Harvey’s Gourmet Mini Donuts booth. “It’s been overwhelming. Last week, there were so many people here, the line was so long. I lost count at 20 people.� Yes, the North Bay is abuzz with miniature doughnuts—smaller, more expensive versions of regular doughnuts—and Cohen is more than happy to oblige the addiction. At Santa Rosa’s downtown market last Wednesday, while setting up a booth with his family, he seems genuinely surprised at the popularity of his tiny, sugarcoated, deep-fried rounds of dough. “I didn’t realize that doughnuts are right up there with apple pie and the American flag,� he says. “I put them above hot dogs, seriously. That’s the status that they hold.� Half the fun at the crowded stand is watching Cohen’s 25-year-old doughnut machine, capable of churning out 720 doughnuts every hour. Cohen, a
Glen Ellen resident, didn’t invent this machine, nor did he pioneer the concept of mini-doughnuts. He first saw mini-doughnuts in Las Vegas 10 years ago, but as far as he knows, he’s the only mini-doughnut maker in the North Bay. “I’ve been told by guys in the food business,â€? he testifies, “that I’m the first guy who figured out what to do with it, and do it right.â€? What he does with mini-doughnuts is serve them in a signature cone, powder them with sugar and drip glaze and various toppings liberally as a “Donut Sundae,â€? complete with long-handled spoon, whipped cream and a cherry on top. Depending on the event, he occasionally offers a breakfast doughnut of coffee-infused dough, maple glaze and bacon; a Wine Country Line with chocolate Cabernet, Chardonnay and Merlot glazes; and a Savory Line featuring the “Calzonut,â€? the “Meshuggahnutâ€? and the “Ring of Fire,â€? a jalapeĂąo-and-mango doughnut. Are they healthy? That’s not the point. At least psychologically, a mini-doughnut is smaller and therefore healthier. “I call it a fraction of the guilt,â€? Cohen says, though he admits that most people order a dozen. What he does find interesting are the people who stealthily whisper their order or sneak around the back to get their fix. “It’s like they think they’re gonna get caught,â€?
he laughs. “We’ve all been brainwashed to think that doughnuts are not good for us.� Cohen says 99 percent of his customers share memories of doughnut shops when they were a kid (his own was Hunt’s Donuts, in Daly City), but he savors creating new memories for people. “We were doing this fair,� he remembers, “and this 20year-old guy came to me and said, ‘Can I have one doughnut?’ We don’t usually sell one doughnut, but I gave him one doughnut. He gets down on one knee, he slips the doughnut onto his girlfriend’s finger, and he proposes to her right in front of me!� A dozen of Cohen’s mini-doughnuts are $5– $7. The very popular Donut Sundaes, comprising six mini-doughnuts and assorted combinations of glazes and confections, run $7–$9. New prices hint that business has been very good indeed, and sure enough, just as Cohen predicted, when I leave there’s a line down the street. “We’ve been expecting to be copied,� Cohen says knowingly. “We’ve been told we’re the new cupcakes.� Harvey’s Gourmet Mini Donuts can be found at the Wednesday Night Market in downtown Santa Rosa, and Saturdays from 9am to 1pm at the Epicurean Connection, 18812 Hwy. 12, Sonoma.
THE BOHEMIAN
06.16.10-06.22.10
19
anderson valley brewing company beer... drink it in good conscience C 40% solar power derived from 768-panel solar array. C Cutting edge micro bio-digesters allow water reclamation for irrigation.
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Anderson Valley Brewing Company is the ďŹ rst brewery in the world to offer an 18 hole Disc Golf Course, right on the brewery grounds. With our tasting room as the clubhouse, there’s good beer on draft and in bottles and cans.
C Spent grain used by local farmers
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Recycle
Anderson Valley Brewing Co.Keepin’ it green since 1987
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06.16.10-06.22.10
THE BOHEMIAN
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Visit SonomaVineyardAdventures.com for more information
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Rodney Strong Vineyards is committed to reduce, conserve and protect to insure a healthy planet. We know change starts with us and we hope all who enjoy our wines will embrace this philosophy.
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• Carbon Neutral • Solar Power • Fish Friendly FarmingŽ • Sustainably Farmed
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Take the RSV GreenLight Pledge to swap just one ordinary light bulb for an energy-efďŹ cient CFL bulb, and help us protect the environment. Place Matters. Sonoma County, California Learn more and take Pledge at www.rodneystrong.com
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ppresents... reseents... “finally frid “finally friday ay summer music series� delorimier wine winery, ry, 6 - 8 pm
4QFDJBM CPUUMF QSJDFT t (SJMMFE QJDOJD GBSF 4QFDJBM CPUUMF QSJDFT t (SJMMFE QJ JDOJD GBSF june 18, 2010 - blues burners Funky Blues
R & B Dance
july 30, 2010 - c t cruisers Motown/R&B
Picnics welcome, no outside alcohol permitted (707) 857-2000 )JHIXBZ (FZTFSS WJMM )JHIXBZ (FZTFSWJMMF W MF EFMPSJNJFSXJOFSZ DPN EFMPS SJJNJFS XJOFSS Z DPN
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THE BOHEMIAN
06.16.10-06.22.10
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Flock 2008 Monterey Pinot Noir ($14.99) A light curl of smoke wafted over subtle berry, crantini and spice. While the palate wallowed a bit in wood, Flock ďŹ nished pleasantly, with acidic verve and typicity. Rating: 3.4
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Castle Rock 2008 Sonoma County Pinot Noir ($13.99) Impressions ranged from oral to resiny and weedy; also redolent of nutmeg, eucalyptus and stewed strawberries. Sweet berry, cherry-chocolate avors ran rampant and unstructured, making a ripe, racy but inoffensive wine for the here and now. Rating: 3.2
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Mark West 2008 California Pinot Noir ($12.99) Not much agreement here, except that it’s got classic green aromas of stems and cannabis, with hibiscus, crantini and a balance of sweet and tart. Clean, simple avors. Rating: 3.2
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(Anonymous) 2008 Sonoma Coast Pinot Noir ($65) Perhaps it’s not fair to judge a wild card—from a prized vineyard which scored mid-90s in the Wine Spectator—against these simple rubes. But it’s fun to exercise a curious mind. Came on promising with bright berry fruit, but the group knocked it off the top shelf for medicinal, sweet heat on the ďŹ nish. Rating: 2.7
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Blackstone 2007 California Pinot Noir ($11) Earthy and stemmy, cinnamon and potpourri, twiggy, with rhubarb and pepper. Ran into the weeds on avor and ďŹ nish. Favorite comment: “Might appeal to European wine drinkers.â€? To their credit, Blackstone is upfront about the 22 percent Syrah in this blend. Rating: 2.5
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Castle Rock Carneros Pinot Noir ($13.99) Spicy aromas of sage, vanilla, Mexican chocolate, dried fruits and jam were promising, though blunt cherry-berry avors weren’t varietally recognizable. All agreed it was OK, but not inspiring. Rating: 2.7
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Murphy-Goode 2008 California Pinot Noir ($14) Floral aromas with strawberry, cherry, tamari, vanilla bean. Round, balanced, with stately, plump fruit and slightly astringent ďŹ nish, it was found to be the prototypically, varietally identiďŹ able, quaffable, everyday Pinot. Rating: 3.6
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321 Second St. Petaluma
ome say that Pinot Noir—notoriously shy-bearing, given to fainting spells and mood swings—can’t be done on the cheap. But when the heart says “Pinot tonight� while the wallet counsels, “Sure, within a limited, um, price-to-value window,� it’s time to check out the local $15-or-less scene. These lovelies were blind-tasted by a party of four and rated on a scale of 1 to 5.
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Cartlidge & Browne 2008 California Pinot Noir ($14.99) “Smart and punchy, drinkable,â€? wrote one taster. Toasted spice, quince paste and ďŹ g led to brash fruit that was sometimes termed artiďŹ cial or nonvarietal-tasting, but the dry, chalky texture won serious regard. Rating: 3.5
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Smoking Loon 2008 California Pinot Noir ($7.99) Acclaimed for smooth, structured mouthfeel—just a touch of bitterness lingering back-end—this might have been better but for pervasive smokiness. But then again, they said it was smoking. Rating: 2.3 Aquinas Napa Valley Pinot Noir ($14.99) Peat, charcoal, doused campďŹ re, barbecue—and did I mention smoke? Showing some black cherry, charred meat, with medicinal overtones, avors were largely masked by smoke taint—either from forest ďŹ res or some kind of oak sporting new toast-level BTH (burnt to hell). Rating: 2
James Knight
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4R^ 5aXT]S[h 1^^VXch 1^^VXT With NASCAR changing its ways, green is no longer an unlucky color on the racetrack By Bradley Gray
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ASCAR. Just that word conjures up visions of brightly colored mechanical beasts screaming at breakneck speeds, overf lowing crowds of racing fanatics, idolized rock star–esque drivers, a newfound international f lair and excitable television announcers crying, “Boogity boogity boogity, boys! Let’s go racing!� It’s a spectacle that closely mirrors the American psyche, nodding to our love of and dependence upon the fossil-fueled automobile, our recklessness and our appetite for excitement. NASCAR is America’s single most popular sport. But behind the scenes of this marketing juggernaut and show-business giant is an ecofriendly climate and a commitment to global responsibility. In fact, NASCAR has gone green.
Taking Stock The past decade has seen the National Association for Stock Car Auto Racing (NASCAR) move from the confines of the Deep South to the center of the international stage. NASCAR has attracted a fan base 100 million strong that is extremely loyal to drivers and their sponsors alike. This base gives NASCAR the power to make a difference for the better. Sonoma’s Infineon Raceway is surprisingly among the greenest businesses in the North Bay. Infineon’s president and general manager Steve Page says that he goes the extra mile to deliver a green message to every race fan who attends the track over the year. “We have implemented a sustainability program that has a couple of primary facets,� Page reports. “First off, it’s how we operate as a business in every thing we do. We are extremely proud of what we are doing now, and we continue to improve upon it. This summer, we
are planning to make a major announcement on a significant solar initiative. We are very serious about solar energy.� Page and his team work in every way they can to align with sponsors who have a green message to share. “If you go to the Harmony Festival to promote a green message, then you are preaching to the saved,� he says. “On the other hand, if we can promote a green message in a credible way to the crowd that comes to NASCAR, then we are advancing the cause in a more significant way.� And Page is only getting started. “We are uniquely positioned to market from a green perspective,� he says, “from electric dragsters winning races here to Infineon hosting the first ever zero-carbon motorcycle race. In fact, I think we have the perfect venue for a performanceoriented green car show for consumers. We can promote them from a performance standpoint. One thing I want to make clear is that this is a very serious commitment on our part.� '+ THE BOHEMIAN
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National Efforts Dr. Mike Lynch is the managing director of NASCAR’s Green Innovation program. Hired in 2008, he has reduced the environmental footprint of each NASCAR event, working in a number of areas to keep NASCAR moving in a green direction. “The tracks have very effective recycling programs,� Lynch explains. “For example, the Daytona International Speedway recycled nearly 12,000 total pounds of aluminum and plastic during Speedweeks. At the track, Coca-Cola has done a great job educating fans on the benefits of recycling and encouraging them to drop containers in designated bins at the facilities.� But Daytona isn’t the only one. Tracks across the country are making great strides in lessening their environmental footprint. Michigan International Speedway purchased a tree farm and planted trees around its wetland boundaries to identify and better protect these areas on its 1,400-acre property. Protected wetlands now total nearly 200 acres in and around the facility. The Auto Club Speedway in Southern California hosts several recycling events annually, such as the annual mowerrecycling day when people return their gaspowered mowers. The track is also used as a base for residents to trade in older toilets for new, low-flow environmentally friendly ones and to drop off for proper disposal old televisions and computer monitors. And among its other efforts, our own Infineon Raceway in Sonoma is using waterless toilets, which is considered to be very innovative. NASCAR partners such as Goodyear, Safety-Kleen and Waste Management, leaders in their respective industries and environmental ambassadors in their own right, are setting benchmarks for dedication to keeping NASCAR green. Goodyear, the official tire of NASCAR, recycles just about all the tires used on NASCAR stock cars. Tires are transported to Charlotte, N.C., and immediately shredded on site, thus eliminating risk of fires and mosquito breeding. The recycled material is sold to various industries, including powergenerating plants and cement kilns. It’s also used as composite material for playgrounds and for asphalt mixtures. NASCAR partner Safety-Kleen Systems provides oil recycling and re-refining services to more than 200 NASCAR-sanctioned races a year, collecting and re-refining 170,000 gallons of racecar oil annually. Safety-Kleen’s services include oil collection and re-refining, as well as the management and proper disposal of spent brake fluids, oil filters, coolant and cleaning solvents. Beyond NASCAR, Safety-Kleen collects more than 220 million gallons of used oil each year and recycles more than 140 million gallons of this used oil into high-quality lubricating oil. Waste Management is a name familiar to many fans from its green paint schemes on racecars over the years. Waste Management is the nation’s largest recycler, and one of the
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NASCAR industry’s key partners in protecting the environment. The company provides exclusive waste and recycling services to all tracks holding NASCAR Sprint Cup Series and NASCAR Nationwide Series races. While the racecars themselves may not be the greenest things on the planet, the message that they carry to the fans is getting greener. “We are taking a leadership position in promoting car-care conservation and fuelsaving messages,� Lynch says. “NASCAR’s fan base consists of tens of millions of car enthusiasts, and this initiative is having a meaningful impact.� One development is a new alliance between NASCAR and the EPA to promote SmartWay vehicles at NASCAR events from all of the sport’s vehicle manufacturer partners. SmartWay is an EPA-branded designation for fuel-efficient cars. NASCAR has SmartWay displays at several tracks this year, showing tens of thousands of fans the highly efficient, high-quality, attractive vehicles from their manufacturer partners. NASCAR also partners with the Automotive Aftermarket Industry Association in the “Be Car Care Aware� program, which encourages motorists to take care of their vehicles, reduce emissions, improve gas mileage and increase safety. Since 2004, NASCAR has committed more than $50 million in advertising and promoting “Be Car Care Aware.� “There’s a lot of meaningful activity in the green space,� Lynch says. “And we’re just getting started.� And the drivers are doing their part, too. NASCAR superstars Jeff Gordon and Jimmie Johnson both drive hybrid cars away from the track. Brian Vickers drives a Lexus GS Hybrid, and even buys carbon credits to offset the environmental impact of his home.
The 400-Pound Gorilla It’s difficult not to point out the 400pound gorilla sitting in the corner: fuel. Currently, NASCAR is not using alternative fuel, but that day will probably come soon. “It is one of the long-term initiatives that is very important to us,� says Lynch. “We’ll be working with Sunoco to step up our efforts, making sure we’re doing everything we can to look at alternative-fuel options. That solution may be well down the road, but it’s very important.� Why it isn’t that the number one priority, especially with the current crisis? “That’s a good question,� Lynch says. “There are two important parts to the answer. First, the world’s scientists have not yet identified a viable alternative solution, and there are a number of untested options out there that might be viable. The second part of the answer is that fuel is just one piece of a very large and complex puzzle in our industry. The fuel used in NASCAR competition is relatively insignificant. Dr. Diandra LesliePelecky, a physicist at the University of Texas at Dallas, recently calculated that the amount of gasoline consumed over the entire average NASCAR Sprint Cup Series weekend is equivalent to the amount of fuel that the
THE BOHEMIAN
8]UX]T^]½b 4R^ ?a^VaP\ Three R’s Since 2004, the track has recycled more than 73 tons of materials, being recognized by the California Department of Conservation, Division of Recycling for its efforts. Infineon also works with Safety-Kleen at its NASCAR and NHRA events to recycle used oil products. Living Mowers Infineon is home to 3,000 sheep that help to maintain the grasses and fire lanes around the facility. The raceway formed a relationship with Rocky Mountain Wooly Weeders in 2008, which provides the sheep. Pee Free Infineon uses waterless urinals in restrooms that reduce water consumption by 36 percent. Additionally, the raceway is home to an independent water system and sewage-treatment plant. It is not dependent on the county or city for its water needs. With this system, all landscaping is maintained with recycled and reclaimed water. Not Tired The raceway sends old tires to be recycled so that they can be used to help create rubber-based asphalt, playground padding and other purposes. All-Nighters Following the lead of area vineyards, Infineon installed 15 owl boxes around its property to encourage the birds to nest and hunt for gophers and other rodents. One family of barn owls can eat 30 to 40 rodents a night, eliminating the need for pesticides and other poisons in controlling pests. Growth Opps As part of NASCAR’s Green Clean Air program, Infineon plants one tree for every green flag that flies during the NASCAR race. In 2009, Petaluma Junior High School received 30 trees from NASCAR and Infineon. —B.G.
United States overall uses in two seconds. “Fuel is certainly an important symbol,� Lynch agrees, “but we can have a much greater impact on protecting the environment by initiating a comprehensive industry-wide strategy in how we operate overall.�
Hybrids & Racing So why aren’t hybrid racecars whooshing around America’s raceways? One issue for hybrids is that batteries are heavy and racecars need to be light. So the answer may be that hybrid technology is fairly new to racing. Incredible as it may seem, the first hybrid car produced was a Porsche. Company founder Dr. Ferdinand Porsche displayed his Porsche Electric Carriage Car at the World Fair in Paris in 1900. Over a century later, Porsche is back in the laboratory. Today, Porsche is leading the march toward the hybrid racecar, having just unveiled its GT3R hybrid a few months back. Instead of batteries, it employs an electro magnetic flywheel system that is charged by kinetic energy generated by braking. This car looks just like the Porsches that race at Infineon or Le Mans, but it is aided by 60 kW of extra power to each axle. This power surge lasts for about eight seconds, and has impressed some of the world’s greatest sports car racing drivers. In only its second outing, the new GT3R finished third. Porsche plans to enter hybrid racecars in the 24 Hours of Le Mans race in 2012. Though Porsche does not have a presence in NASCAR, this technology comes as encouraging news to the entire racing community.
Self-Contained World What few argue is that NASCAR has a good model. Its presence boosts local economies, employing thousands and attracting an international audience; above all, for fans, it puts on an excellent show. What may look like cars going around and around is certainly a lot more than that. It is, after all, the single most popular sport in America. NASCAR returns to Infineon Raceway for the Toyota/Save Mart 350 on June 18– 20. This race represents the largest sporting event in Northern California, and Steve Page and Infineon Raceway are prepared to deliver a green message to over 100,000 race fans. “We are presenting a day of entertainment in a beautiful setting that extends beyond the three hours of racing on the track,� says Page. “We have an air show, a Ferris wheel and lots of activities other than racing. You can find classic track food, as well as gourmet snacks, such as local oysters. Our immense property is open to hikers, and we have interesting venues set up around each of the corners. I’d like to think that people could come here and take in the whole venue, not just the race.� NASCAR Toyota/Save Mart 350 at Infineon Raceway runs Friday–Sunday, June 18–20. Friday, practice series at noon; qualifying at 1:50pm and 3:35pm. Saturday, practice at 9:30am; final practice, 10:45am; Thunder Valley Casino Resort race, 12:30pm. Sunday, Save Mart 350 race at noon. 800.870.RACE or www.infineonraceway.com.
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CWT 6Xa[b 0aT 1PRZ X] C^f] ‘The Baby-Sitters Club’ aims at a whole new generation By Rose McMackin
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risty is a softball player and a dedicated tomboy; she’s bossy sometimes, but then again she’s also the one with the good business sense. Claudia is hip, the kind of girl who rocks stirrup pants with a tuxedo shirt and glitter nail polish, and isn’t afraid to wield a power drill to turn found objects into earrings. Sleek and beautiful Stacey, a former child model, is that intimidatingly popular girl from high school who, even as you grow up, remains the most beautiful girl you’ve ever seen up close. Dawn is the obvious California import, with her long, straight blonde hair, faded blue jeans and bordering-on-smug environmentalism. Quiet, modest Mary Anne is a good listener, but also kind of a crybaby. Back before Bella met Edward the vampire, before those darned pants traveled anywhere and before Gossip Girl started a blog, there was The BabySitters Club, a young adult book series about a group of girls of varying coolness who ran a business and had each other’s backs. Today’s preteen readers have moved on to sexier subject matter, and yet, for a book series that’s been out of print for a solid 10
years, The Baby-Sitters Club has a huge, wildly devoted following—of 20- and 30-year-olds. The Baby-Sitters Club, which ran from 1986 through 2000, was created when children’s book publisher Scholastic realized there was a market eager for books about babysitting. The plots would never fly today—a group of 13-year-old babysitters who weren’t CPR-certified but could solve the occasional mystery on the side—but the cast made up for what the plot lacked. The characters are very relatable, which might explain why, for so many former readers who once pored over the books at recess, they are simply unforgettable. “I was definitely an obsessed fan,� says Donica Sharpe, the blogger behind the SMS Cafeteria, so named for the fictional Stoneybrook Middle School where the babysitter girls ate lunch for 10 years. “I guess part of me still is or else I wouldn’t be blogging about the books at 26 years old! For me, the BSC books are nostalgic. They’re a throwback to a time and place where we weren’t on the computers all the time, weren’t as technology obsessed.� While author Ann M. Martin declined requests for a book series about the girls’ older lives and left them stuck in a junior high, timespace continuum, they have nonetheless grown
up vicariously though their fans. McSweeney’s Internet Tendency, the snarky blog arm of the independent publishing house, suggested several titles for a hypothetical “BabySitters Club: The College Years,� such as Claudia and the RIAA Subpoena, Kristy’s Softball Friends Don’t Buy It That She’s Dating a Dude and Mary Anne Narcs on Her Roommate. On her What Claudia Wore blog, Kim Hutt revisits the characters’ outrageous outfits and DIY jewelry one book at a time and expounds on the similarities between BSC style and contemporary hipster fashion. When asked to choose between Mary Anne or Claudia as hypothetical roommates, Hutt blogged, “If [Claudia] was late with the rent, I bet she’d be all, ‘I’m so sorry! I made you this necklace out of perler beads and Polly Pockets!’ and I’d fold immediately. Also she’d wanna take bong hits and watch television while making collages out of old tabloids.� Even online gossip magazine Jezebel.com has joined the fray, penning an open letter from the much-abused, dowdy junior member Mallory Pike to author Ann M. Martin, in which Mallory laments being painted as the awkward, outcast babysitter. Every member of the BSC has at least one regularly updated Twitter account, with '#babysitterhaiku as a trending topic THE BOHEMIAN
06.16.10-06.22.10
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and Dawn sending enviro-conscious reminder tweets like “@claudia_kishi Be careful! High fructose corn syrup is a leading cause of obesity and diabetes in the United States� and “Snack break: carrot sticks and all-natural peanut butter. Need to refuel— saving the world is hard work!� So when Scholastic relaunched the series by releasing a new prequel, The Summer Before, in April, along with a rash of paperback reprints, the BSC-centric corner of the internet exploded with both enthusiasm and criticism. The reissued series is being targeted to a younger demographic than the original release, based on the assumption that preteens who have been steeped in vampires and the Upper East Side elite simply won’t be interested in an innocent series about babysitting. And still, the series didn’t make it to print entirely verbatim; references to cassette players have been updated to iPods, cell phones have been added and Stacey’s bodacious signature perm has become merely an “expensive hairstyle.� Babysitting rates have gone up, and even references to Stacey’s diabetes and daily insulin shots have been edited since treatment of type I diabetes has advanced significantly since the ’90s. And it is these changes that have met with the most vehement criticism from invested older fans. “I’m glad you’re reading and all, stupid internet generation,� writes blogger Nora Leah Sherman, “but these aren’t bastions of fucking literary glory. They’re books about teenage girls, and I am sad that we have to fucking SPOON FEED them to you so that they are relevant to your lives (OMG WHAT’S A WALKMAN????). The only thing that is cool about them is that they are a snapshot of what people read in the ’80s and ’90s.� Ultimately, whether they are carrying cassette players or mp3 players, the BSC girls face the same enduring challenges of early adolescence as any generation: Stacey explores crushes on older boys, Mary Anne struggles to assert independence from her overprotective father, Dawn moves across the country and all the girls learn about building and keeping friendships. “There are so many books out there that involve sex and drugs for youngsters that don’t really have a good message,� Sharpe says. “There’s a lot of drama and fighting in the series, but everything worked out in the end, and the message of true friendship remained. Their impact is evident in the multitudes of fans who grew up on the series who are now blogging and discussing the books on various sites and message boards. I have a friend who is a teacher, and she has the entire series in her classroom. Her students, some of whom probably weren’t even born yet when the last book was released, are being introduced to the series.� After all, cultural is cyclical. That first generation of BSC fans is settling down to have families; many of them are going to want to introduce their daughters to the babysitters. And that is exactly what Scholastic is banking on.
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B8<? Malvolio (Christopher Liam Moore) awaits Olivia.
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Inventive classics anchor OSF’s 75th season By David Templeton
2
ross-dressing ladies. Sword-battling Brits. Vengeful Venetians in super-cool costumes. With the grand annual opening last week of the open-air Elizabethan Stage, the Oregon Shakespeare Festival’s 75th summer season is officially under way. As “the Lizzie� (what the locals call the outdoor auditorium here in beautiful, theaterobsessed Ashland) throws open her doors, three of William Shakespeare’s most challenging plays—including a sensational staging of The Merchant of Venice—join six other shows already running at OSF’s two indoor theaters. As a treat to those who make note of such things, OSF is honoring its roots by including the two comedies that constituted the very first festival in the summer of 1935. The commonly accepted observation that Shakespeare’s comedies are conspicuously unfunny is somewhat confirmed by The Merchant of Venice (yep, that one’s technically a comedy), but is soundly disproved by Twelfth Night. Crammed with outrageous accidents and desperately over-the-top characters, Twelfth Night easily supplies the most laughs of any of the Bard’s stabs at humor. As directed for OSF by Darko Tresnjak, this cleverly staged, superbly cast production multiplies Shakespeare’s comedic conceits by mining the 410-year-old text for unexpectedly modern ideas and expressions. That costume designer Linda Cho has garbed the cast in outfits reminiscent of the French aristocracy, circa 1775, adds to the visual spectacle already established in Tresnjak’s inspired staging. On a whimsically devised, weirdly swooping Astroturf set by David Zinn, characters slip and slide through the story, sometimes dangling from grassy pillars or popping up in secret windows like puppets in a Punch and Judy show (or jokester comics in an episode of Laugh-In).
The story is ripe with comic possibilities. Viola (Brooke Parks), shipwrecked and believing her twin brother to have drowned, disguises herself as a man, seeks safe shelter in a nearby town and promptly falls in love with the local duke, Orsino (Kenajuan Bentley). Orsino, believing his eager new confidante to be male, hires him to deliver love messages to the uninterested Lady Olivia (Miriam Laube), who promptly falls in love with the messenger. Twelfth Night, with its cheeky genderswitching scenario, contains some of Shakespeare’s most memorable secondary characters: Olivia’s drunken uncle Sir Toby Belch (played with world-weary edge by Michael J. Hume); the heartbreakingly self-deluded Sir Andrew Aguecheek (a brilliant Rex Young); Olivia’s criminal mastermind maid Maria (Robin Goodrin Nordli); the would-be social-climber Malvolio (Christopher Liam Moore, also brilliant); and the wisest of Shakespeare’s many fools, Feste (Michael Elich, sensational). With only the occasional wrong note—an unsettling joke about guillotines lands uncomfortably flat—this Twelfth Night is a compounding collision of disasters, spinning right to the edge of tragedy before resolving itself in a pleasantly raucous, upbeat ending. In The Merchant of Venice, that sense of tragedy never quite dissolves, but in Bill Rauch’s endlessly inventive staging, Shakespeare’s controversial dark comedy is all the richer for its sense of lingering pain. Rauch handles the inherent Elizabethan anti-Semitism of the text by tackling it head-on. Propelled by Rauch’s psychologically rich vision, this is not just a play about a merchant who owes a Jewish moneylender a pound of flesh. By emphasizing and expanding the play’s numerous other examples of bigotry, prejudice, suspicion and distrust—and in taking a light comedic touch with the show’s various subplots about golden chests and
lost rings—this Merchant becomes a potent examination of the way people judge the worth of their fellow human beings. That Rauch has found the coherence in this stylistic clash of storylines is in itself a marvel. What pushes his Merchant to the level of greatness is the quality and clarity of the performances. Shylock (along with Romeo, the only Shakespearean character whose name has become an independent noun), is a wealthy Jewish businessman whose lifetime of abuse at the hands of Christians has left him smoldering with resentment and pent-up anger. When the merchant Antonio (a riveting Jonathan Haugen) talks Shylock into lending him 3,000 ducats, which he then lends to his friend (and apparent secret love interest) Bassanio (Danforth Comins), he berates the moneylender for his practice of charging interest. On a whim, Shylock instead offers to accept a pound of Antonio’s flesh as guarantee on the loan. When Antonio eventually defaults, an incident that coincides with Shylock’s daughter stealing 2,000 ducats and eloping with a Christian, the heartbroken Jew sees a rare opportunity to win out over his oppressors. He demands payment and takes Antonio to court to collect his ghastly collateral. Bravely and beautifully played by Anthony Heald (in six seasons at OSF, he’s never been better), this Shylock is certainly monstrous, but understandably so. While the Christians he confronts all blame his Jewishness for his actions, Shakespeare shows Shylock’s human heart crying out for justice, and allows us to see what they do not: that their casual everyday cruelties are ultimately no more acceptable than is Shylock’s one, long-delayed explosion of rage. Henry IV, Part One, with its introduction of Shakespeare’s beloved Sir John Falstaff, is the story of a future king, Prince Hal (John Tufts), right at the moment he evolves from hardpartying youth to inspirational leader. As written, the play is like a tasty cupcake buried in too much icing. The simplicity of the story is easily lost amid so much talk and clever wordplay. The festival has established a reputation for making even the most difficult of Shakespeare’s histories interesting and gripping. Unfortunately, under the placid direction of Penny Metropulos, even with excellent performances by Tufts, David Kelly as Falstaff, and Kevin Kennerly as Hal’s joyfully aggressive rival Hotspur, the production demands quite a bit of audience effort and concentration in order to reap its many rewards. Following last season’s Pleasantville-esque staging of The Music Man (and overlapping OSF’s recent announcement of a major grant to develop four original musicals), the infectious 1963 confection She Loves Me (by Fiddler on the Roof’s Jerry Bock and Sheldon Harnick) should allay any fears that the company’s dalliance with musicals is an attempt at pandering to popular tastes. With this mostly forgotten charmer, remarkably well directed by Rebecca Taichman, OSF proves itself a gutsy and sly interpreter of the American musical artform. Based on the play that eventually inspired the movie You’ve Got Mail, She Loves Me is the sweetly hilarious story of two shy salespeople who fiercely dislike one another, not knowing that each is the other’s longtime anonymous pen pal. With its theme of secret identities and the ultimate triumph of love, this tuneful must-see delight is nothing short of Shakespearean.
ON ST TA AGE NOW I N T H E G K H A R D T T H E AT AT R E
THE NOR NORTH T H BA BAYY PREM PREMIERE MIERE OF THE
TONY TO N Y AWARD A W ARD WINNING MUSICAL W I NN I N G M USICAAL
By Jonathan Larsonn Directed Directed by by David David Lear Lear
Now thru June 27, 2010 featuring
S T E P H A N I E S T. T. J A M E S
from O from Oprah prah Winfrey’s Winfrey’s Broadway B r o a d wa y production of The Color Purple P
www .6thstreetplayhousse.com www.6thstreetplayhouse.com Box Office 707 523-41855 ext 1 52 W6th St Santa Rosa CAA 95401
OSF runs through Oct. 6. www.orshakes.org.
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FUNCTIONAL ART
Thank You Sonoma County
Best Jewelry Store ~ honorable mention
146 N. Main Street, Sebastopol • 707.829.3036 10:30–6pm, Sun til 5pm • artisanafunctionalart.com 30
06.16.10-06.22.10
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children’s movie for adults, JeanPierre Jeunet’s Micmacs concerns a group of derelict junkyard dwellers who go adventuring. They are led by Bazil (Dany Boon), who was unmanned by the loss of his parents: one to a peacekeeping action in Morocco, the other to insanity. He grew to be a dreamy video store clerk so rapt in movies that he could recite all the lines in The Big Sleep. One day, he is hit by a stray bullet that lodges in his skull, an accident that costs him his job and his home, and leaves him vulnerable to sudden death. At loose ends, Bazil is scooped up by a group of friendly scavengers. They decide to help him expose a pair of competing arms manufacturers, wealthy predators who have been selling weapons throughout Africa. Like Jacques Tati, the director he most resembles, Jeunet (AmÊlie, The City of Lost Children) seeks out the old brown Paris of canal bridges, railroad stations and elephantine 1950s factories. He banks on the charm of the cast, and they’re charming in wee doses. Giulietta Masina lookalike Julie Ferrier (doubled by contortionist Julia
Gunthel) plays an Elastic Girl who keeps surprising us by unfolding out of nowhere. As a criminal with a good line of patter, Jean Pierre Marielle has a Hugoesque story of how he escaped capital punishment. (Jeunet makes the mistake of not staging this brush with death so we could see it as it happened.) Yolande Moreau, never to be forgotten as Seraphine, plays “Mama Chow,� adding some maternal sweetness as the den mother of the group, though she soon seems a simperer and nothing but. Pieces by the kinetic sculptor Gilbert Peyre—works that have some kinship to the art of Sebastopol sculptor Patrick Amiot— charm us just by being there. These tidbits cover up Micmacs’ tendency to do little but marvel in its own ingenuity. Everyone here has a story of how they ended up discarded: Mama Chow’s tale is that she lost her children at the mirror-maze at the fair. With its many references, borrowed Max Steiner music and tendency to seem like an eerie kid’s matinee, Micmacs also seems to vanish into the movies it reflects. ‘Micmacs’ opens on Friday, June 25, at the Rialto Lakeside Cinemas, 551 Summerfield Road, Santa Rosa. 707.525.4840.
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Bargain Tuesday - $7.50 All Shows Schedule for Fri, June 18th – Thu, June 24th Bargain Tuesday - $7.50 AllAward Shows Attention “Michael Douglas Deserves Serious Bargain Tuesday $7.00 All Shows Schedule for Fri, Feb -16th 20th Thu, Feb 26th Schedule for Fri, April –– Thu, April 22nd For His Triumphant – June Rolling Stone Schedule for Fri,Performance!â€? June 22nd - Thu, 28th Academy Award Nominee “Moore Gives Her Best Performance A SOLITARY MAN Best Foreign Language Film! In Years!â€? – Box OfďŹ ce
“Raw and2:45 Riveting!� Rolling Stone (12:45) 4:45 –7:00 9:00 R Demi Moore David Duchovny
WALTZ WITH BASHIR “A Whiz-Bang Comedy!� – New York Times (1:00) THE 3:00 5:00 7:00 RR JONESES 2:45 5:00 7:20 9:15 9:45 The(12:30) New Film From The Director Of Amelie
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“A Triumph!â€? –5:30 New York “A Glorious Throwback To The Observer More R Stylized, (1:00) 3:15 WRESTLER 7:45 9:55 THE Painterly Work Of Decades Past!â€? –York LA Times (12:20) 5:10 9:45 R Times LA2:45 VIE EN 7:30 ROSE “Luminous! The Movie Glows!â€? – New (12:45) 3:45 6:45OF 9:45 PG-13 THE SECRET KELLS 10 Academy Award Noms Including Best Picture! MID-AUGUST LUNCH (1:00) 3:005:40 5:007:30 7:009:10 9:00R NR (1:30) SLUMDOG MILLIONAIRE “ä–&#x;ä–&#x;ä–&#x;ä–&#x; – Really, Truly, Deeply – “Superb! No One4:00 Could This Believable (1:15) 7:10 9:40 R “This of Gorgeous Film, Is Make A Deeply Resonant One This Year’s Best!â€? – Newsday If It Were Fiction!â€? Chronicle Comic Drama!â€?– – San WallFrancisco Street Journal
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(12:00) 9:50 R – Backstage – Slant5:00 Magazine Romantic, And Captivating Movie!�
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PURE: A BOULDERING “A Guilty Pleasure That’s Moore’s Lighter On FLICK The Guilt And Michael Thu, Feb 26th at 7:15 THE On MOST DANGEROUS Heavier The Pleasure!� – USA Today
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SICKO MOVIES MORNING MANIN INTHE AMERICA
LETTERS Starts Fri, TO JuneJULIET 29th! Fri, Sat, Sun &PENTAGON Mon (3:30) PG DANIEL ELLSBERG AND THE PAPERS Advance Tickets On Sale Now at Box OfďŹ ce! 9:50 AM (12:10) 4:30 6:50 NR No 6:50 Show Tue or Thu FROZEN RIVER (12:00) 2:30 5:00 7:30 10:00 MET SUMMER ENCORES: 10:15 AM VICKY Their CRISTINA BARCELONA First Joint Venture In 25 Years! ROMEO ET JULIET 10:20 AM CHANGELING Venessa Redgrave Streep All Glenn Close CHEECH CHONG’S Wed, June 23rd at AND 1Meryl & 6:30pm! Seats $15 10:40 AM RACHEL GETTING MARRIED Click or 10:45 AM HEYrialtocinemas.com WATCH THIS 2009 LIVE ACTION SHORTS (Fri/Mon Only)) EVENING Call 800 595-4849 10:45 Sat, Apr17th atTIX 11pm & Tue, Apr 20th 8pmAM 2009 ANIMATED SHORTS (Sun Only) Starts Fri, June 29th!
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Showcase your “Locals� stay & play specials for North Bay’s resident tourists.
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issue date: June 30 ad deadline: June 23
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Phone: 707.527.1200 847 5th Street, Santa Rosa, CA 95404 email: sales@bohemian.com 32
06.16.10-06.22.10
THE BOHEMIAN
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Film capsules by Richard von Busack, Eloy Camacho, Gretchen Giles, Malachi Mulligan and Caroline Osborn.
N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com
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Droppin’ Science
k thx bai
The cartoon cover artwork to the latest album by Fat Freddy’s Drop pays homage to classic dub records of the late ’70s and early ’80s—a mad scientist stirs up a concoction of guitars, cassette tapes and band members—but the red-hot New Zealand band put a decidedly modern soul stamp on their electronic manipulations. Logical heirs to groups like Massive Attack, Fat Freddy’s Drop combine R&B vocals, reggae atmospherics and trip-hop beats currently hypnotizing the jam-band populace and inspiring booking battles among local summertime festivals. They headline Saturday night at the Sierra Nevada World Music Festival, which also features Baba Maal, Don Carlos, Barrington Levy, Max Romeo, the Skatalites and many more on Friday–Sunday, June 18–20, at the Mendocino County Fairgrounds. 14400 Hwy. 128, Boonville. $55–$75 daily; $160 weekend pass. 916.777.5550.
hey u cuddie i b textn n the text message contest here n p-town. they say i got do as many wrdz as i can in 3 min and i gonna whup ass on these other foolz. fairs pretty chill dis year wit ferris wheel an all but i like it better b4 cuz hottiez in effect. they got a youtube thing too today i think i gunna do dat too. oh an kylie is in a teen fashion show here lol what a loser haha. i tried guitar hero contest but n e way i suck at it. if i win this u get a blue tooth thing for wining so I just gonna keep typing did u see the runaways that chick kristen stewart played is here in a couple days but kristen stewart is hotter oh my timez up. k thx bai ill be here all day wednesday june 23 at sonoma-marin faregroundz. 175 faregroundz drive, petaluma 1–5pm. free but u gotta pay $10–$15 fair admission fml. 707.283.3247.
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Crown Jewell
Blessed Are
Born in Idaho and reared in Santa Fe, the singersongwriter Eilen Jewell had played bars and farmers markets in small, dusty towns. But when she moved to Los Angeles after college, she planted herself on the sidewalks of Venice Beach, where she learned to stick to her own muse without worry of what passing strangers might say. Now based in Cambridge with three acclaimed albums to her credit, Jewell doesn’t have to weather too many street insults anymore. For those still awaiting a new Gillian Welch record, Jewell’s latest Sea of Tears should help fill the void. Her diminutive voice wades through subdued, reverb-tinged rockabilly and cafe jazz, weaving stories of love and loss with the timbre of Jolie Holland or Neko Case. You’ve heard her version of “Shakin’ All Over� in True Blood, now see the real thing when Jewell plays Friday, June 18, at Studio E. Map supplied with ticket. 8pm. $25. 707.542.7143.
The children of Cascade Canyon School receive a rare treat this weekend, as the star attraction performing at their Kidzstock fundraiser is none other than Joan Baez. Or perhaps it’s more of a treat for the parents—do the kids know or care about Baez? One thing they do know is they’ll be playing to a packed crowd. The non-’60s-icon segment of the day’s lineup includes teen and preteen bands and singers, with Third Rock, the County Boys Marimba Band, After Class, Miss Modest and Vote for Pedro. If the carnival games, henna tattoos, food booths and raff le items aren’t sufficient to lure you into hours’ worth of singing children, be advised that Baez takes the stage at 4pm for an hour-long set on Saturday, June 19, at Cascade Canyon School. 2626 Sir Francis Drake Blvd., Fairfax. 10am–7pm. $10–$25. 415.339.8488.
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Cotati Corner Wine Bar
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06.16.10-06.22.10
THE BOHEMIAN
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The Waifs return June 22 in Napa. See Concerts, p36.
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Gets Delicious in Petaluma with... Farm to Table Showcase featuring local producers Wine Garden pouring North of the Gate Winners Chef Demonstrations with local chefs Enter to win: Assist Featured Chef John Ash at
www.sonoma www sonoma--marinfair marinfair.org org
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#!22)% 2/$2)'5%: ",!-% 3!,,9 2/3!,)% 3/22%,3 $!6)$ &2!.#%9 #/5.429 !,, 34!23 ¨ HELD AT BEAUTIFUL BLACK OAK RANCH LAYTONVILLE, CA ,/6% #(/)2 ƒ ¨ -/2% Info/Tix: 415-256-8499, 866-558-4253 www.cumuluspresents.com LOCAL TICKET OUTLETS: Last Record Store, People’s Music, Tall Toad Music, Sebastopol Community Cultural Center
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Petaluma’s Luvplanet on to something big ith Luvplanet’s song “Lucky Oneâ€? getting spins on rock station 97.7-FM the River, their fourth CD Luvolution coming out this fall and upcoming concerts all over the North Bay, the band should soon be a household name. Combining such inuences as Rush, Journey, Sheryl Crow and Fleetwood Mac into an eclectic mix of pop, psychedelic, blues and hard rock, Luvplanet’s signature sound with uplifting lyrics in songs like “Believe,â€? inspires listeners to sing along, dance, and have fun. Formed in 2003 by Nicole Sutton and Mark McGee, the band has supported acts such as Plain White T’s, Boston, Third Eye Blind, Montrose and Eddie Money. On June 18, they share the bill with Fools for Rowan and Cat McLean at the Last Day Saloon. Sutton, born in Detroit, lends her seductive, earthy voice and solid rhythm guitar to this tight-knit ensemble. She met McGee in 1999 at a recording studio in Marin County, and both eventually settled in Petaluma where the duo’s natural chemistry became the musical blueprint of the Luvplanet sound. McGee, originally from Alameda, has traveled the world performing as lead guitarist with Gregg Allman and with Vicious Rumors. His diverse inuences add an unpredictable extra edge to Luvplanet’s music. Bassist Tommy Sisco and drummer Scott McKenzie provide a solid, driving rhythm to the band’s clever songs; Sisco, also formerly of Vicious Rumors, hails from Stockton. McKenzie and McGee were both members of a revamped version of ’70s prog rockers Starcastle. Luvplanet’s combination of high-energy rock and moody, reective love songs creates a vast array of emotions, mostly positive and uplifting. The connection between Sutton and McGee is clear—they play off one another’s catchy guitar riffs while delivering soulful vocal harmonies with lyrical phrases. Sisco and McKenzie seal it all together, providing the foundation with an unspoken yet visible connection. Luvplanet opens for Cat McLean and Fools for Rowan on Friday, June 18, at the Last Day Saloon. 120 Fifth St., Santa Rosa. 8:30pm. $10–$12. 707.545.2343.
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THE BOHEMIAN
06.16.10-06.22.10
37
the last day saloon
:B@60
nightclub & restaurant DON’T FORGET‌WE SERVE FOOD TOO!
Mc Near’s Dining House
the best place for live music, dancing and dining THE BAR AND RESTAURANT OPENS ON ALL SHOW DAYS AT 4 PM
Breakfast • Lunch • Dinner BBQ • Pasta • Steak
9:00 PM SHOW > $10/12 > ALT ROCK
6/18
TUE 6/22 • 8:00PM DOORS • $16 ADV/$19 DOS • 18+ REGGAE
FOOL S FOR ROWAN
OOKLAH THE MOC & WISDOM
+ CAT MCLEAN + LUVPLANET 9:30 PM SHOW > $15 > 80'S DANCE
6/19
PLUS DJ JACQUES
TAINTED LOVE
SAT 6/26 • 7:30PM DOORS • $16 • 21+ ACOUSTIC/FOLK/BLUEGRASS
CAROLINA CHOCOLATE DROPS
8:30 PM SHOW > $10 > BLUES ROCK
6/25
PLUS ARANN HARRIS AND
tHE bLUENOTECATS
THE BROKE FOLK & JIMBO TROUT & THE FISH PEOPLE
+ LUCKY DOG + tHE GOLD DIGGERS
MON 6/28 • 7:00PM DOORS • $31 ADV/$36 DOS • ALL AGES ROCK/JAZZ
7/2
9:30 PM SHOW > $10/13 > REGGAE
+ THE DIRTY DUB BAND + DJ JACQUES
PLUS ALLAIR & HARRELL
7/9
9:00 PM SHOW > $10 > ALT ROCK
TUE 6/29 • 5:30PM DOORS • $50 •21+
MCNEAR’S RESTAURANT & NORTH COAST BREWERY
MIGGS
BEER PAIRING DINNER FIVE COURSE MEAL, SIX BEERS, TAX & TIP INCLUDED
8:30 PM SHOW > $10/15 > ROCK 2ND ANNUAL SFARZO ALL STAR PARTY
7/10
FRI 7/2 • 7:30PM DOORS • $26 • 21+ BLUES
THE ERIC MARTIN BAND
THE TOMMY CASTRO BAND
+ LUVPLANET
WITH THE LEGENDARY
8:30 PM SHOW > $15 > ROCK
7/16
RHYTHM & BLUES REVUE
ALEX BAND
THUR 7/15 • 7PM DOORS • $21 ADV/$26 DOS • ALL AGES COUNTRY
8:30 PM SHOW > $17/20 > COMEDY 2nd Annual Big Fat Budget Buster Tour
7/17
SUZY BOGGUSS
WILL DUR S T
SOLO ACOUSTIC
+ Johnny Steele + Deb and Mike Hosted by Jeff Blazy
FRI 7/16 • 8:00PM DOORS • $18 ADV/$20 DOS • 21+ IRISH ROCK
THE YOUNG DUBLINERS
7/20
8:30 PM SHOW > $10 > ROCK
SINCE OCTOBER + ADELITAS WAY
PLUS RECKLESS IN VEGAS
+ NEW MEDICINE
SUN 7/18 • 7:00PM DOORS • $22 • ALL AGES NOUVEAU FLAMENCO
HAPPY HOUR!
AN EVENING WITH
THURSDAY-SATURDAY
OTTMAR LIEBERT
4-7PM
$1.50 PBR $2 DOMESTIC BEER $3 IMPORT/MICROBREW $3 WELL DRINKS & HOUSE WINE $3 APPETIZER MENU
& LUNA NEGRA TUE 7/20 • 7:30PM DOORS • $16 • 21+ PUNK-ROCK/BLUEGRASS
BASKERY
all shows are 21+ unless noted
PLUS DJIIN
for reservations: 707.545.5876
For All Ages Shows • No Children Under 10 Allowed
23 Petaluma Blvd, Petaluma
707.545.2343
707-765-2121
120 5th street @ davis street santa rosa, ca
www.mcnears.com
lastdaysaloon.com
06.16.10-06.22.10
0\TaXRP] <P]
INNER VISIONS
MAX WEINBERG BIG BAND
38
70=68=½ F8C7 C74 ;>20;B Chuck Prophet recorded his latest in Mexico City; he plays a day labor benefit this weekend.
THE BOHEMIAN
Chuck Prophet on immigration and Sonny Liston By Gabe Meline
2
huck Prophet has no real need to play an out-of-the-way Native Sons Hall in a small town whose population could fit into a baseball stadium eight times over. But when a Napa Valley musician called up the San Francisco troubadour and asked if he’d be interested in playing a day labor center benefit in St. Helena to help immigrant workers find jobs and housing, Prophet didn’t hesitate one bit. “I’m not really a political animal,â€? he says on the phone from his Duboce Triangle home, “but I always keep my antenna up for things that are totally absurd. And for me, one is the fact that we spend billions of dollars every year trying to build a bigger wall to keep people out of this country. Especially when you’re talking about people coming up from Mexico who are really just trying to provide for their families by cleaning our toilets and babysitting our kids.â€? Recording ÂĄLet Freedom Ring! last year in Mexico City—amid the swine f lu outbreak, daily power outages and crashed hard drives—only galvanized Prophet’s stance. The record recalls the venomous chill of the Clash’s London Calling and the workingclass uplift of Springsteen’s Darkness on the Edge of Town. He calls it a collection of “political songs for nonpolitical people,â€? character sketches, in other words, of people living in “raw, anxious times.â€? With its jerking, slashing guitar chops, opening track “Sonny Liston’s Bluesâ€? sets the scene with police lineups, aspirin and tightlipped fighters. Prophet had read theories about Liston throwing his bouts with Muhammad Ali, but what consumed him most was how
hated the boxer was. “People loved Ali. Well, they learned to hate him, too, actually— ‘fuckin’ Muslim draft-dodger’—but to me, what was interesting about Sonny Liston is people saw him as a real monster. They called him ‘the Bear.’ And I could see a lot of heart in there that was invisible to other people. With this record, I think Sonny was a great metaphor for the American dream itself. He was part reality and part myth, and that’s what the American dream became.� Organizing and opening the show is Sean Garvey, a Napa Valley native who grew up working in the family vineyards alongside immigrant workers and gaining an understanding of their plight. “Some of them not having places to stay seemed like an absolute crime,� Garvey says, and thus this weekend’s show is a benefit for Work Connection, a St. Helena program that pairs day laborers with wineries and other employers for fair wages. The wooden floor of the Native Sons Hall is the perfect setting for what Garvey intends as a rural counterweight to Napa’s gradual embrace of the upscale life. “People don’t remember that this is a farming community,� Garvey says. “It always has been and always will be. In this age of celebrity winemakers and celebrity chefs, I think people lose sight of that.� “The thing is,� Prophet says, “the tension’s rising all the time. There are a lot of people out of work right now, you can’t get a job. So people start looking around, and they get angry.� Chuck Prophet and Sean Garvey play Saturday, June 19, at the Native Sons Hall. 1313 Spring St., St. Helena. 7pm. $25. 707.280.7813.
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Swimming Pool Open to Public Lunch • Dinner • Brunch on Weekends
Full Bar • Live Bands 707.869.0821 | 14540 Canyon 2, Rio Nido
www.rionidoroadhouse.com
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Karen Kelly is among those donating work to the Arts d’Light fundraiser at the Petaluma Arts Center. See Events, below.
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A ord able Safe and Aordable, Comfortable, C omfor t ab World-Class Medicine, M ed ic ine, Special Oers 707/526  9 707/5269333 3020 3 020 S SANTA A N TA ROSA AVE SANTA S A N TA R ROSA, O S A , CA 95407 OPEN O PE N E EVERYDAY V E R Y DA 106
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THE BOHEMIAN
06.0916.10-06.22.10 39
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‘Running Fence’ revisited in new doc and book hat contemporary work of art was 18 feet high, 24.5 miles long and only on display for two weeks? Running Fence: Sonoma and Marin Counties, 1972–1976, of course. It was also made of white nylon and the total amount of money spent on it was $3.2 million. Few works of art have lasted so short a time yet had so lasting an effect not only on the art world itself but on the community in which it was constructed, displayed and then almost immediately deconstructed. Brian O’Doherty’s Christo and Jeanne-Claude: Remembering the Running Fence (University of California Press; $49.95) retells the story of the boldly imaginative project, and the local farmers and ranchers who agreed to be part of it. In the beginning, Christo and JeanneClaude called the project Fences. At first, they only knew they wanted to create it somewhere on the West Coast. Sonoma and Marin provided the most suitable landscape, with county officials who actually signed off on the project. Christo’s preliminary sketches of the fence show how skilled a draftsman he is and how much he and Jeanne-Claude knew about engineering. Not surprisingly, there was opposition. Works of genius seem to bring out the worst—as well as the best—in humanity. O’Doherty, who never saw the fence itself, asks, “If you did not see the original Running Fence, what is lost?� Readers might gaze at Remembering Running Fence, linger over the images and come up with answers of their own. The Sonoma County Museum and the Charles M. Schulz Museum present a screening of the documentary Running Fence Revisited Wednesday, June 23, at the Union Hotel, 3731 Main St., Occidental. 7:15pm. $5–$10. 707.579.1500. Jonah Raskin
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521 4th Street, Santa Rosa
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Saturday, June 19th • 8pm Free Dance Lessons • 7pm
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Thursday Night KARAOKE • 8:30pm $20 Free Play Drawings DJ Kurt, LD Productions
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707-485-0700 coyotevalleycasino.com
5 miles North of Ukiah Hwy 101 • West Rd. Exit THE BOHEMIAN
06.16.10-06.22.10
41
C. Donatiello Winery
Take a scenic drive for a unique dining experience
Dinner and a Show
Summer Music Series Live from the Middle Reach
Reservations advised
20 min from downtown Petaluma, 25 min from everywhere else!
HAPPY HOUR M–F • 4–6PM EST. 1941
Fri
June 18 Sat
June 19
REVOLVER
The Very Best of the 60’s 8:30pm
Rancht!o Debu
NATASHA JAMES
June 20
Still Riding High on the Charts 8:30pm FATHER’S DAY BBQ ON THE LAWN Blues Legend
Fri
4:00pm From Rancho Deluxe
Sat
DAVE ZIRBEL Hillbilly Jazz 8:00pm / In the Bar A Hot Summer Night!
Sun
8:30pm California’s Finest Country-Rock Band
Fri
5:00pm First Friday of the Month
Sat
Guitar Wizard 8:30pm Tower of Power Meets Cold Blood
Sun
ELVIN BISHOP
PLUS T IA
June 25
CARROLL
THE JESSE JAY HARRIS QUARTET
ALSO FEATURING
June 26 June 27 July 2
June
September
July 3
6-27 Catherine Feeny 9-5 Hotel Cafe tour Buddy & Friends 9-12 Troubaduo 7-4 The Hellhounds 9-19 Brian Bergeron 7-11 Alma Desnuda 9-26 Lelia Broussard 7-18 Pat Jordan Band & Chris Pierce 7-25 Samantha Lane 10-3 Audra Connolly 10-10 John Gold
415.662.2219
Bfrom rews the world &Tasty Paround ub Grub
Hand-Crafted
2 new great vapes for your on the go lifestyle: The Launch Box $99 • Essential Vaaap $99 Both are made here in California, come in and check them out! Plus fantastic deals on Cali blown spoons, bats, bubblers and tubes! Organic Raw papers in stock Friendly knowledgeable staff—come see us, you’ll be glad you did!
707-795-8498 8246 Old Redwood Hwy. Downtown Cotati Mon–Sat 11am to 7pm Sun 12 noon–6pm (Next door to Redwood Cafe) We have the best priced Detox in
Sonoma County. We now have detox online. To get detox delivered to your door, go to www.Gravenstones.com
42
06.16.10-06.22.10
THE BOHEMIAN
Wed, June 16 8:45-9:45am; 5:45-6:45 Jazzercise 10am-12:15pm Scottish Dance Youth and Family 7-10pm Singles & Pairs Square Dance Club Thur, June 17 8:45-9:45am; 5:45-6:45 Jazzercise 7:10–10pm Circles N’ Squares Square Dance Club
www.cdonatiello.com
Gravenstones
PAULA SORCE
On the Town Square, Nicasio www.ranchonicasio.com
C. Donatiello Winery
VAPORIZERS ON SALE AT
THE CITY
## FOURTH OF JULY WEEKEND BBQS ## Sun July 4 The Zydeco Flames # # # Mon July 5 Peter Rowan Bluegrass Band # WITH SPECIAL GUESTS T HE ROWAN BROS. # # ##################
4035 Westside Road Healdsburg, CA 707.431.4442
What are you thankful for?
KEVIN RUSSELL
FEATURING
October
8-1 The Speedbumps 8-8 Chris O’Brien 8-15 Fred odell 8-22 sol Horizon 8-29 Damato
I SEE HAWKS IN L.A.
8:30pm
July
August
SHANA MORRISON
Thurs, June 17 @ 7:30pm
Porkchop Fancypants Folk Rock
Friday, June 18 @ 7:00pm
Jen Tucker
Folk www.myspace.com/jennifertucker2008
Sat, June 19 @ 7:30pm
Uncle Bill Folk
Sun, June 20 @ 6 pm
Radio K-Bob 707.874.9037 | www.barleynhops.com 3688 Bohemian Highway, Occidental
Fri, June 18 8:45-9:45am Jazzercise FAULTLINE FROLIC Weekend begins The Band NOTORIOUS with ATLANTA CALLERCISHINKLE CALLER PRIOR REGISTRATION A MUST WWW.NBCDS.COM OR CALL 707-996-0065 Sat, June 19 8:00-9:00am; 9:15-10:15am Jazzercise 2pm–10pm FAULTLINE FROLIC CONTINUES Sun, June 20 8:30-9:30am Jazzercise 10am–4pm FAULTLINE FROLIC CONTINUES 5–9:30pm DJ Steve Luther Country-Western Lessons & Dancing $10 Mon, June 21 8:45-9:45am; 5:45-6:45pm Jazzercise 7–10pm Scottish Country Dancing Tues, June 22 8:45-9:45am; 5:45-6:45pm Jazzercise 9:30–10:30am WEIGHTWATCHERS MEETING Weigh in 9:30, Meeting 10:00 7:30pm AFRICAN DANCE with Victoria Strowbridge featuring West African & Congolese Dance
Santa Rosa’s Social Hall since 1922 1400 W. College Avenue • Santa Rosa, CA 707.539.5507 • www.monroe-hall.com
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Stan Brakhage gets the Criterion treatment y turns hermetic, baffling and universal in scope, the films of Stan Brakhage (1933–2003) belong to the once-heroic, now-neglected genre of experimental films. Brakhage’s films, mostly short (under 30 minutes) and almost all without any soundtrack, turn completely away from the narrative strategies we are accustomed to absorbing. They don’t tell “stories,� there is no acting, and continuity of action and image is abandoned. Instead, they are extended visual meditations or poems of seeing, fashioned from found footage, his own 8 mm and 16 mm shoots and even animated objects—he laboriously taped insect wings and organic detritus to a film strip and ran it through a projector for Mothlight, a famous example of a film that doesn’t represent something else but is the thing itself. Through a wide range of techniques, Brakhage created fast-flashing, densely layered swirls of images. Often, fleeting snippets of recognizable people and places are intercut with passages of pure abstraction, as Brakhage painted and scratched directly on film emulsion. By Brakhage: An Anthology, Volume Two (Criterion Collection; $39.95), an immaculately remastered threedisc set, adds 30 more samples of Brakhage’s extensive oeuvre to the first volume (which contains his most famous work, Dog Star Man). This collection ranges chronologically from a 1955 collage of New York City streets, The Wonder Ring, commissioned by artist Joseph Cornell, through 23rd Psalm Branch, a major contemplation on violence and war, all the way to selections from his astonishing Persian Series of the late ’90s, gorgeous, kaleidoscopic hand-painted films that play like stained-glass windows animated to a fever pitch. Most accessible are the cosmic landscape collages, for instance, Vision in Meditation #2 (Mesa Verde), which captures the timeless mystery of the Anasazi cliff dwellings of the Southwest in shifting panoramas of stone and clouds. I prefer Brakhage at his most abstract. The best of these are like Jackson Pollocks come to frantic life. I Take These Truths (1995) is a 17-minute epic of intense bursts of color and light erupting in a warpspeed torrent from the darkness; it could be our only record of the big bang itself. Michael S. Gant
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THE BOHEMIAN
06.16.10-06.22.10
43
attention all 2010 Best of Winners Your Best of Award is
NOW ONLINE! go to www.bohemian.com click on 2010 Best of Awards
Phone: 707.527.1200 Fax: 707.527.1288 847 Fifth Street, Santa Rosa CA 95404 email: sales@bohemian.com
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44
06.16.10-06.22.10
THE BOHEMIAN
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BOHEMIANCLASSIFIEDS
Placing an Ad
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§ By Phone Call the Department at 707.527.1200 Mon.-Fri., 8:30a.m.5:30p.m.
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g Employment Jobs
Experienced Line Cook Needed
For Sale Ca$h for Car$, Truck $ and $UVs 707-228-2395
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Software, DATA Recovery, Internet, Email,Wireless Network Setup & Security, Apple Authorized Business Agent, Tam Nguyen-Chief Tech, M-F 10-6 info@themacadvantage.com 707.664.0400
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Heritage Fence Builders
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Uwantit
One Person Kitchen - Apply in The twoblade penknife, person — bring resume to corkscrew, nailfile and 256 Petaluma Blvd. N. pipecleaner in one. Tuesday between 11am -2 pm.
CASH FAST !!!!
g Computer Services
Entrepreneurs Wanted $1,000 + per day Simply returning phone calls No selling Tax codes approved by the IRS “ My first three For Sale weeks brought me $34,000 and I just started “ LAPTOP, Computer, Joe - Banker, CA LCD Panel (888)821-4273 $249, $99, $55- Like New! www.getcashtoday.me CRC Computer Repair Center, Auditions 3227 Santa Rosa Ave, 95407. FREE checkup, expert laptop Movie Extras repair, tune-up, spyware reearn up to $150/day to stand moval. 9am-5pm, Tues-Sat. in backgrounds of major film. 707-528-8340. Experience no required. Consultants Call Now! 1-888-664-4621 (AAN CAN)
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Quality built to withstand Golden Star Grafix Need a quality designer? time. Free estimates. All type Business cards, brochures, of fencing and gates. Licensed flyers, posters, digital collage, Contractor. 707-321-7210 cd covers, photographic restoration, general marketing materials. Mark Schaumann 707-795-0924, schaumann1@earthlink.net
g Miscellaneous Services Classes & Instruction
FREE Diagnosis, Friendly In-House Staff Hardware/
Reach over 5 million young, educated readers for only $995 by advertising in 110 weekly newspapers like this one. Call Jason at 202/289-8484
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Real Estate RentalsALL AREAS Homes
ALL AREAS - HOUSES FOR RENT
Browse thousands of rental High School Diploma! listings with photos and Fast, affordable and accredmaps. Advertise your rental ited. Free brochure. Call Now!. home for FREE! Visit: www.Re1-888-532-6546 ext. 97 alRentals.comwww.Realwww.continentalacademy.com Rentals.com (AAN CAN) (AAN CAN)
g Family Services Adoptions
g g g g Adventure g Ca Call al NOW NOW! NO OW MacAdvantage Macintosh
Gain National Exposure
Pregnant? Considering Dalkey Academy Adoption? Seeks Pupils Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/4136293 (AAN CAN)
Garrett Deasy, headmaster, now approving applications. Enroll soon for special summer session on numismatics, conchology and diseases of cattle.
g Miscellaneous
Q UALITY G RAPHIC D ESIGN BUSINESS CARDS BROCHURES POSTERS T-SHIRTS CD COVERS FLYERS PHOTOGRAPHIC RESTORATION
general marketing materials Mark Schaumann 707.795.0924
schaumann1@earthlink.net
Summer Solstice Gathering Celebrate the longest, most light-filled day of the year. Mon, June 21, 7-9p, Journey Center, 707-578-2121, www.journeycenter.org
Sign Up Now-Integrative Yoga Teacher Training Starting September 2010!! A 200 hour non-residential training, 1 weekend/month for 10 months. You will learn how the elements of yoga: asanas, pranayama, body awareness, guided imagery meditation and deep relaxation come together as a vehicle for health and healing. BodyWorks-Integrative Yoga and Stress Management Studio. 490 2nd Str., Petaluma 707-769-9933. www.bodyworksyoga.com
ALL AREAS - ROOMMATES.COM
Certification in Ayurveda & Aromatherapy with DeAnna Batdorff
Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: http://www.Roommates.com. (AAN CAN)
Practical & Clinical Experience. Pulse/Assessment, therapeutic bodywork, nutrition, traditional medicine & more. In Sebastopol- Starts Sept. 2010. Curriculum online dhyanacenter.com 707-823-8818
Adult Massage
Adult Service Adult Entertainment
A Rare Irish Rose
Quality and maturity in Marin. Call for photos. Please, no calls after midnight. No private calls/texts. Kara, 415/233-2769. Miscellaneous
DATING SERVICE
Long-Term/Short-Term Relationships, FREE-2-TRY! 1-877-722-0087 Exchange/Browse Personal Messages 1-866-3621311.Live adult casual conversations 1-877-599-8753 Meet on chat-lines. Local Singles 1888-869-0491 (18+) New!! Talk Live!! 1-866-362-1311 (AAN CAN)
**North Bay Beauties**
Choose your own
“New” private location off 101. Ask about website pix. 707-526-6766. NOW HIRING! Single Services
Interacial Dating
Sign up NOW for FREE membership, to find that someone Special! Contact: interracialchristiandating.net
Dream Date in Nighttown
Adores adulterous rump. Make an appointment with Bella. And promise to never disobey.
SANTA ROSA
707-206-6494 707-20 COLLECT CALL BILLING! 1-866-607-5282 1-900 PRICING OPTIONS OPTIONS! 1-900-622-1100 DIAL #CLICK (#25425)
79¢/MIN.. BOOST 79¢/MIN BOOST, T, A AT&T. T&T T . 99¢/ 99¢/min. min. V Verizon erizon
18+ *Charges may ap apply pply to certain features. features.
THE BOHEMIAN
06.16.10-06.22.10
45
HEALTH&WELL-BEING gg Classes & Workshops
Miscellaneous
Belly Dance Classes in Santa Rosa
Prof Surrogate/Masseuse
Small classes. Personalized attention. Beginners welcome. Details at www.moondancerbellydance.com.
Holistic, caring, help with all sexual concerns. Tantric and relationship coaching. Supervising Dr available. 707-793-2232
g Healing & Bodywork
Massage/Bodywork
Full Body Sensual Massage
Beautiful and private studio in the country near Santa Rosa. Lara 707-481-2644
With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa. Soothing, relaxing, and fun. Visa/MC accepted. Gretchen 707/478-3952.
A Finer Touch Swedish massage, body electric experience. Petaluma. Jack CMT. 415-891-7181. Outcall.
A Safe Place To Be Real
Strong, thorough, intuitive. 30 yrs. experience 25/50/75 - Colin, CMT: (707) 823-2990
Holistic tantric masseuse. Unhurried, private, heartfelt. Monday thru Saturday. NEW CLIENT DISCOUNT. 707-793-2232.
Great Massage By Joe, CMT. Relaxing hot tub and pool available. Will do outcalls. 707-228-6883.
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Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707-548-2187
Massage & Relaxation
Russian River Massage
PAIN/STRESS RELIEF
Full body massage, body electric experience. In /Out. www.bobrrmassage.com Bob 707-865-2093.
Professional male massage; strong, deep healing work; for men/ women; 1 hr/$50, 1 1/2 hr $65. 707-536-1516 www.CompleteBodyBalance. com
RELAX! Relaxing massage and bodywork by male massage therapist with 11 yrs experience. 707-542-6856
Guerneville M4M Massage Mitch, CMT. Mature. Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409
Four Seasons Excellent Thai Massage
NOW OPEN Therapeutic Massage Center Boody Massage $55/hr
Foot Massage $19.99/45 min
707.578.3088
Your entire body is squeezed and kneaded while you melt on the table. Delightful advanced bodywork with whole body stretching. Call 707-824-8700 in Santa Rosa or visit www.JamesDickson.net for pics & view my online schedule.
Therapeutic and rejuvenating. Walk in or call. Open every day 9am-10pm. 7588 Commerce Blvd., Cotati. 707-992-0314.
An Oasis in Santa Rosa Julie and Friends Full body sensual massage by appointment. 10 am - 6pm. Private. Visa/MC accepted. 707-578-5444.
SPIRITUAL CONNECTIONS Finding inspiration and connecting with your community Mahakaruna Buddhist Meditation Center Offers ongoing introductory and advanced classes. Weds at noon, Tues & Weds evenings 7:30–8:45pm Prayers for World Peace, Sun, 10:30–11:45am Everyone welcome. 304 Petaluma Blvd., North, Petaluma www.meditationinnorcal.org
The Journey Center: Christ-centered Spirituality, Healing, & Wholeness Reading room, art gallery, prayer/ meditation gatherings, spiritual journey resources, bodywork, bookstore, free WiFi. 1601 Fourth Street, Santa Rosa. www.journeycenter.org 707.578.2121
Share your organization’s inspiration with over 95,100 Bohemian Readers monthly!
Phone: 707.527.1200 email: sales@bohemian.com
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Great Massage, Goddess Touch Swedish, Deep Tissue. Affordable. Free parking Downtown Santa Rosa. CMT Mary 707-228-3275
FLOWER SPA
06.16.10-06.22.10
Massage • Reflexology Swedish/Shiatsu Open 7 Days: 10am-10pm
1626 4th St. Santa Rosa 707.526.6888
Petaluma Lavender Day Spa SUMMER SPECIAL $50/hr • FREE Table Shower • Excellent Massage • Relaxing Body Treatments • Large Steam Sauna • Easy & Safe Parking
Wallk inss Welcome Open 7 Days 9-10pm
707.782.9898
131 Liberty St, Ste. D at Washington behind Wachovia Bank
Norma’s Massage abla Se haùol! Esp
2460 Mendocino Ave., Santa Rosa
THE BOHEMIAN
?</3?22 /?2G@;F D699 .@A?<9<4F For the week of June 16 6g^Zh ($'&Ä)$&. >hiVcWja ^h i]Z ldgaYÉh dcan bZ\V"X^in
MASSAGE FOR GUYS
Man of Your Dreams
Open 7 days 9-10pm
Lovely, Luscious, Sensual Massage
10 years exp CMT
Do You Suffer Pain From: Neck • Arms • Back Legs • Waist • Headaches Pulled Muscle • Tension Lack of Energy or Sleep
g 707.696.0685
128 College Ave, Santa Rosa by appt only
Psychics
Psychic Palm and Card Reader Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. One visit convinces you. Appt. 707542-9898
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In addition to this column, Rob Brezsny offers expanded weekly audio horoscopes and daily text message horoscopes. To buy access, go to www.realastrology.com. The audio horoscopes are also available by phone at 1.877.873.4888 or 1.900.950.7700.
THE BOHEMIAN
06.16.10-06.22.10
47
5SbbW\U A]PS` 7a 6O`R AbOgW\U /RRWQbSR 7a 3dS\ 6O`RS` :Sb Ca 6SZ^ G]c 6SZ^ G]c`aSZT Medical Marijuana Certifications
Wait, Don`t Shop, Rejuvenate!
Full exam. Low cost. No charge if you do not qualify. Santa Rosa. 707-575-7375.
Your fashions redesigned with hand-tailored expertise by Tricia Designs. Call 707-843-3214 for appointment.
Enter to win a Wine Country Staycation
OMAR FIGUEROA CANNABIS LAWYER
Consult counsel experienced in defending medical marijuana & cannabis cultivation cases. (707) 829-0215. Prize giveaway includes 1 overnight stay for two at Westin www.omarfigueroa.com. GoLocal SoCo Member Verasa Napa on Jul. 17, 2 tickets to Jul. 17 Midsummer Night Mozart Concert Fesival at Gundlach Bundschu, plus 1 bottle of Gundlach Bundschu wine. Enter to win www.bohemian.com, click on “Giveaways� on right side of home page. Drawing to be held Jul. 1.
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SANTA ROSA TREATMENT PROGRAM
1901 CLEVELAND AVE SUITE B, Santa Rosa
Meth and Alcohol Treatment that allows you to keep your day job! Santa Rosa Treatment Program can help.(707) 576-0818.
Love farm animals? Become a VIP and a fan on Facebook. www.compassionate-carnivores.org/vip.html
Change Your Mind - Change Your Life
Experienced Line Cook Wanted One Person Kitchen - Apply in person - bring resume.to 256 Petaluma Blvd. N. Tuesday between 11am -2 pm.
Get your life back today!
MORTON’S WARM SPRINGS IS OPEN!! HEALTHY & RELAXING FAMILY FUN - Mineral Swimming Pools, BBQ Sites, Sports Fields, Snack Bar & Arcade! Full Day Admission ONLY $8. per person, ask about group discounts. www.MortonsWarmSprings.com 707-833-5511.
• Intensive Outpatient Program • Subutex/Suboxone Treatment
Living Trust $850
• Methamphetamine
By Estate Planning Attorney Rob Kenney. Includes Will, PoA, Health Care Directive, Grant Deed, etc. Appointments available in your home. Evenings, weekends available. Call 707-526-3591 OR 415-491-4570.
• Affordable Treatment • Oxycontin, Vicodin, Heroin replacement medications
Relapse Doesn’t Mean Failure Santa Rosa Treatment Program can help. (707) 576 0818
Golden Star Grafix Need a quality designer? Business cards, brochures, flyers, posters, digital collage, cd covers, photographic restoration & collages general marketing materials. Mark Schaumann 707.795.0924
A & A Kitchens Need commercial kitchen space? Our spot will accomodate all your culinary needs. Stop lookin’ and start cookin’ Call us in St Helena at 707.968.9474, St Helena, CA
Santa Rosa Plumbing Water Conservation Experts. Friendly, Honest Service. Licensed, Bonded and Insured. License #871026
tankless water heaters, high efficiency toilets recirculation, general plumbing needs 707.528.8228
Green Earth Catering Organic and Earth friendly foods and supplies Scott Goree - Entertainment coordinator and business manager 707.795.7358 home, 707.479.5481 cell redgore23@aol.com
• Methadone • Confidentiality assured • Since 1984
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Santa Rosa Treatment Program 1901 Cleveland Avenue, Ste. B Santa Rosa, CA www.srtp.net
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SKIRT CHASER VINTAGE BUY & SELL 707-546-4021 208 Davis Street, RR Square
SUBUTEX/SUBOXONE available for Safe Oxycontin, Vicodin, Other Opiate Withdrawal! Confidential Program. (707) 576 1919
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Donate Your Auto 800.380.5257 We do all DMV. Free pick up- running or not (restrictions apply). Live operators- 7 days! Help the Polly Klaas Foundation provide safety information and assist families in bringing kids home safely.
Photography by Paul Burke 707.664.0178 boomburke@hotmail.com
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