Metropolitan Palm Beach January 2022

PALM BEACH

JANUARY 2022

LUXURY MAGAZINE

American Sports Royalty

Barbara & Jack

Nicklaus

$20.00 USD Fashion | Luxury | Profiles | Features | Shopping | Travel | Art | Design | Auto | Food | Health

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LA PRAIRIE

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The Nature of Jean 6

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chlumberger.

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PALM BEACH INTERCOASTAL 25A

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Photographer David Scarola www.davidscarolaphotography.com January 2022 9

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Photographer David Scarola www.davidscarolaphotography.com January 2022 11

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Luciana Pampalone

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uciana Pampalone an Award Winning Visual Image Specialist with Global experience as a Fashion-Beauty Photographer with 25 years experience in Content Creation, Artistic Direction and Fashion Travel Photography. Recently named on George Wayne's (Vanity Fair) Top 100 Creative Influencer's List. Excellence in Media Award given By Womenz Straight Talk & WOM Media Group.

Luciana’s work has taken her to many diverse locations, including; Aruba, British Virgin Islands, Brussels, Canada, Croatia, England, France, Grenadine Islands, Jamaica, London, Paris, Scotland, St. Croix, Thailand, Mexico and Venezuela, all which have contributed to her vision and worldly sensibility. www.lucianapampalonestudio.com; Instagram: @lucianapampalone

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Perta Susec IG: @pilatesart_bypetra Photography: Luciana Pampalo January 2022

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Perta Susec IG: @pilatesart_bypetra Photography: Luciana Pampalo 14

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Tarra Iziah In Der Muhlen IG: @tarra_iziah_in_der_muhlen Photography: Luciana Pampalone January 2022

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PALM BEACH

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Hannah Bressler Jaques is wearing Style Paris silk stripe dress, $900 Palm Beach Models Photography: Pablo Schreiterer

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Hannah Bressler Jaques is wearing Style Paris overskirt, top and pants; $4,480 for the 3 pieces

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THE GENTLEMEN'S

CORNER

Kalev Kangro is tailored in a peak lapel model in a blend of silk wool and linen woven by Carlo Barbera. we Quarter lined in the signtaure striped lining. thegcorner.com 235 Royal Poinciana Way Palm Beach, FL 33480

Palm Beach Models

Photography: Pablo Schreiterer

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Laura Lora is wearing a tangerine dress from CJ Lang (left) GENTLEMEN'S CORNER: Summertime fabric by Loro Piana in a soft construction. Cotton and silk blend quarter lined in our signature striped lining.

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Hannah Bressler Jaques is wearing Style Paris sleeveless shirt dress, lime green; $3,900.

Photography: Pablo Schreiterer

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STYLE PARIS Hannah Bressler Jaques is wearing Style Paris bustier gown and stole; $4,250, for both pieces

Palm Beach Models Photography: Pablo Schreiterer

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Hannah Bressler Jaques is wearing Style Paris shirt dress, shocking pink, comes in 100 colors; $4,100.

Palm Beach Models Photography: Pablo Schreiterer

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Photography: Pablo Schreiterer

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Jean Sclumberger bird perched on a Tiffany Diamond

Today, as an emblem of Tiffany & Co. and a figure who changed the world of jewelry, altering the possibilities of what can be designed from nature’s sight and transformed into emblazoning pieces, Schlumberger’s extraordinary wonders have continued.

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PUBLISHER’S NOTE

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"I never hit a shot, not even in practice, without having a very sharp, in-focus picture of it in my head."

- Jack Nicklaus

Before there was our current group of golf superstars, there was a bear. A Golden Bear named Jack Nicklaus who gracefully prowled golf courses around the world with the iron will of a champion. With a hunger to capture silver trophies and bring home the gold. To be the best he could be. To be the best who ever was. Nobody has ever won more golf championships in the history of the golf. No one has ever given more of himself to the game as a competitor, goodwill ambassador, expert announcer, designer of world class golf courses and so much more. America has rarely ever seen such an athlete who evinces such class, character and determination. Nicklaus’ myriad accomplishments on the golf course may never be matched but it is family that Jack Nicklaus cherishes most.

Golf has a long history of great champions, Bobby Jones, Arnold Palmer, Tiger Woods and a bunch of today’s young cubs battling to wear green jackets and hoist silver jugs. But there is only one Golden Bear and one GOAT. Metropolitan Magazine is so grateful to our creative director, Margaret Bastick Luce for inviting us into Jack Nicklaus’s home in Palm Beach. To get to know a man of vision and excellence, charity and love. A loving husband and father. An American icon and sportsman. Come join us as we meet Jack Nicklaus and his wonderful family.

Enjoy!

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©2021 California Closet Company, Inc. All rights reserved. Franchises independently owned and operated. CT HIC #0657205. Photo: Stefan Radtke.

From simple to intricate designs, California Closets systems are custom designed specifically for you and the way you live.

californiaclosets.com

@caliclosetsnyc

GREENVALE 25 Northern Blvd, Greenvale 516.334.0077 CONNECTICUT 565 Westport Ave, Norwalk 203.924.8444

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EDITOR’S NOTE

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Pursue what you love, what you are passionate about.

Don’t let somebody else dictate your life’s path” —Jack Nicklaus, American Sports Legend Jack Nicklaus and his lovely wife Barbara are celebrities in Palm Beach and well beyond because of their endless charitable and philanthropic work. They put family before fame and share their greatness daily with all of us. We are so honored to feature the ultimate power couple on the cover of Metropolitan Palm Beach. Shout out to the indomitable force known as Margaret Bastick Luce for inviting the magazine into the magic world of the Nicklaus family.

Thanks also to our intrepid Publisher Chase Backer for always going above and beyond to reach out to old and new friends in the Palm Beach Community to let all of Palm Beach know about the possibilities that exist to tell their story and help promote what they are truly passionate about, through our critically acclaimed industry-leading luxury-arts magazine platform.

Along with the amazing Nicklaus family, fashion innovator Rebecca Minkoff shares her ingenious use of NFTs to promote fashion in 2022. Art Basel is well represented, along with some favorite Metropolitan artists like Robin Koffler and Luciana Pampalone who share their most recent work along with photographer Jason Konrad. Art, fashion, fine dining and the many folks who make Palm Beach unparalleled.

We hope this latest issue suits you to a tee!

Enjoy!

Adam Kluger Editor in Chief Metropolitan/25A Metropolitan Palm Beach

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Tarra Iziah In Der Muhlen IG: @tarra_iziah_in_der_muhlen January 2022 31 Photography: Luciana Pampalone

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IF YOU HAVEN’ T, YOU SHOULD Reimage The Art of Staying In

By Margaret Luce

Each issue I want to bring to you experiences both bold and benign, luxe and leisure, for long-time residents and transplants alike. South Florida has much to offer, and I want to be your personal guide.

Follow me as we begin this journey together because if you haven’t, you should...

Sport: For those coming down for a jaunt to South Florida, there is nothing like landing and getting right into the water. Immersing yourself right away, taking in the sun and sport. For those looking for some adventure, head to Blue Line Surf shop in Jupiter to rent a paddleboard and cruise down the intercoastal. https://www.bluelinesurf.com/ Be sure to lunch at Guanabanas to set the relaxed mood just right. You will feel at home in your board shorts and flip-flops. www.guanabanas.com Travel: For those locals looking to get away from it all - post-pandemic, head to Connemara National Park, located in the west of Ireland. There you can climb Diamond Hill. Standing alone rising above the emerald fields of Ireland, the views of the valley are mesmerizing. With extended daylight due to its northerly latitude, you can take your time and experience the magic of dusk and the surprising wind that sweeps in as the sun sets below the verdant green landscape. www.connemaranationalpark.ie Luxe: If you haven’t, you should: reboot your skin with a Vivace radio frequency and micro-needling treatment that stimulates collagen and elastin, leaving you ready for your selfie without a filter from Laser Skin and Wellness with two convenient locations in Palm Beach Gardens and Lake Worth. I also love the IPL with Melinda and a good idea to get an IV infusion of Immune boosters post Covid. www.laserskinsolutions.com Daily Affirmation If you haven’t yet today, you should take a breath and just be still. Focus on your breathing and be present.

Margaret Bastick Luce IG @margaretbastickluce Use #margaretlucetip

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Photographer David Scarola

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CONTENTS JANUARY 2022

COVER BARBARA & JACK NICKLAUS Cover Photo by Jim Mandeville / The Nicklaus Companies

FASHION 18 PALM BEACH MODELS 40 REBCCA MINKOFF 44 CHUCKS VINTAGE

ENTERTAINMENT 82 PALM BEACH OPERA 86 ADAM ANT PAGE 64

TASTE 48 50 54 75

UNI TEQUILA SBE COMES HOME TO SOUTH BEACH CHURRASCARIA PLATAFORMA HIGHCLERE CASTLE GIN

JET SET 80 HOTEL CROYDON

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Wealth.

It’s complicated.

We don’t think your goal in life is to live in constant anxiety over how to preserve and grow your wealth.

Yet for many wealthy individuals and families, it’s an all-too common fate.

Because with your wealth comes complexity.

Perhaps never more so than in today’s market conditions and political realities.

At First Long Island Investors, we understand this better than most. For over 35 years, with us in their corner, some of Long Island’s wealthiest individuals and families have been able to better enjoy what all wealthy people are really striving for.

A wealth of life. Not of worry.

To put First Long Island in your corner, it’s not complicated.

Just give us a call or visit our website.

516-935-1200 w fliinvestors.com

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CONTENTS JANUARY 2022 PROFILE 47 56 58 62 64 70 74 76 77 78 88 112 119

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HAMPTON SUN LE BAR A VIN VIA BICE FOUNTAINE BLEAU AVIATION JACK & BARBARA NICKLAUS BRIGHTLINE STATIONS CAROLINE BURNSIDE WHITE SMOKE BY ITAMAR S.N. USCREEN: VIDEO MONETIZATION LA PRAIRIE X ART BASEL SPOTLIGHT WITH JULIENNE MITCHELL ANNIE WATT TREASURLY BY DIMA

ART FORM 90 92 94 96 98 106 107 108

RON BURKHARDT ROBIN KOFFLER CAROL CALICCHIO MVVO ART AD SHOW 2022 ART BASEL 2021 JACQUES LIEBERMAN HOTEL CROYDON ART BASEL MACHU PICCHU AND THE GOLDEN EMPIRES OF PERU

SOCIAL

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CATHERINE PREVOST GRAND OPENING PROSTATE CANCER FOUNDATION'S GALA WHITE CROSS BALL POWER OF DESTINY VIENNESE OPERA BALL'S "THE GOLDEN AGE" MURANO NIGHTS METROPOLITAN MAGAZINE HOLIDAY PARTY NEW YEAR'S EVE CELEBRATION AT SWIFTY'S

BLAZING WOOD.

BRILLIANT FLAMES.

AND A PRIMAL SENSE

THE GAUCHO GRILL

+1.866.781.3129

OF

CONNECTION.

K A L A M A ZO O G O U R M E T.CO M

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Publisher Chase Backer

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Editor-in-Chief Adam Kluger Assistant Publisher Jaime Backer Creative Director Margaret Bastick Luce Art Director Lonee Telemaque Assistant Editor Willy Nichter Copy Editors Sean Buttimer; Whitney Thompson; Lillian Langtry; Maribel Alvarez; Nicole Ashley Schubert Lifestyle Editor Elizabeth Langevin Features Editor Jadan Horyn Luxury Editor Stephanie L. Howitt Editor at Large | Art, Culture Douglas Evans Fashion Photographers Pablo Schreiterer; Luciana Pampalone

METROPOLITAN

LUXURY MAGAZINE

Profiles Editor Alexandra Appino-Tabone Social Editor Clara Morgan

SEPTEMBER 2021

Food Editor Andrea Correale; Maribel Alvarez Digital Media Director Nancy Molina Make-up Peggy Mackey Contributors Rachel Vancelette, D.D. Rice, Paul Prince, Peter Elston, Johnny Angel, Harry White

THE WOMAN BEHIND THE BRAND

$20.00 USD

Contributing Photographers David Scarola, Matt Licari, Rene Bernal, tama66, pixel2013, Michael Gaida, Michael Paniccia, Jay Mathews, Filip Shobot, Chris Carroll, Lenny Stucker, Patrick McMullan, MA , Tom Fitzgerald and Pam Deutchman, Sandy Ramirez, Jan Klier, Mitchel Gray, Paul Prince, Kristiina Wilson

Fashion | Luxury | Profiles | Features | Shopping | Travel | Art | Design | Auto | Food | Health

For advertisement info: 646-300-1852 Info@metmagny.com | metmagny.com Facebook.com/metropolitanmagazinepb | Twitter.com/metmagny Writers, models, musicians and photographers, please inquire. © Copyright 2021 by Metropolitan Magazine, All rights reserved. Metropolitan is published eleven times per year. Reproduction without permission of the publisher is prohibited. The publisher and editors are not responsible for unsolicited material and it will be treated as such and unconditionally assigned for publication subject to Metropolitan magazine’s right to edit.

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Manhattan, NYC, Milan, Sardinia

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Rebecca Minkoff

REBECCA

MINKOFF Fashion Futurist Heads into the Metaverse

By Jadan Horyn

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esigner Rebecca Minkoff smiles widely when she sees me. She is a formidable maskless presence leading her public relations entourage toward me. “Don’t worry I’ll be back” she whispers then struts over to a terminal for a live TV interview with Yahoo and CNBC. Her 2021 NYFW Capsule celebrates her brand’s 20th anniversary and launches it into the future.

Spring Street Studio is once again hosting the bulk of Fashion Week events in its sunken living room surrounded by rich red walls with windows overlooking Tribeca. Minkoff has made the rotation from the rooftop to an indoor greenhouse, to the sunken living room. Placed all around the room are images of her capsule. 2D tangible creations, collages featuring model portraits by Cass Bird for her NFT collection.

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Minkoff is the first American female fashion designer to produce NFTs. Her digital collection via The Dematerialised based on those 2D “I Love New York” images sold out in under 10 minutes.

The collection included 4 full looks, exclusive bags, jewelry, and highlighted a signature RM x Limelife

by Alcone Makeup look and custom RM x KISS Nail Designs.

The entire collection is exclusively available in the digital world.

All proceeds fund a grant for Women-Owned Businesses Impacted in NYC by the pandemic.

The Female Founder Collective (501c3) will be administering the grant to support these muchneeded businesses. All revenue from NFT resales will continue to benefit the Female Founder Collective due to the NFTs smart contract structure.

She materializes next to me and is mobbed by fans and media. I immediately commented on her choice to present a multimedia collection as opposed to an in-person approach. She laughs and says “Yes, we did in-person when no one else would - why not shake it up? Do the unorthodox.”

We grab some quick photo’s and I ask to continue this convo in an interview.

Unorthodox is one word to describe Minkoff.

Fearless is another and is the title of her recently published book. Futurist is the word I use.

Fashion Futurist Rebecca Minkoff has been on the forefront of innovation in an industry known for fastidiously resisting innovation until it becomes financially sensible, yet prone to fads and flashes.

She has nimbly navigated both, setting her own course for success.

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“WHEN IT COMES TO ROYALTIES, THEY ONLY COME INTO PLAY WHEN IT IS SOMEONE WHO SHOULD GET A ROYALTY.” -Rebecca Minkoff I hear her voice on skype, positive and upbeat, a hallmark of Minkoff. She has a sense of eternal optimism. You can hear her smile, her voice is that infectious.

What follows is a conversation on her unconventional collection, her fearless approach to life, and her vision for the future of fashion.

JH: The smart contract aspect of your collection ensures perpetual proceeds towards The Female Founder Collection. Do you think this is the future for ensuring funding for charitable causes not to mention artists/companies/designers? It’s akin to a royalty but tracked and paid through the blockchain.

JH: What made you choose to release the capsule as a series of NFT’s?

RM: So I think for the charitable aspect as the market grows for this, I think it's an incredible way to sort of do something without having to do something, you know, is a very low lift to say, 5% goes and maybe that's charity, or maybe it's funding, new designers hack. It could be going back to the designer in perpetuity. People can get really creative with how they choose to use that.

RM: A friend asked me if I was doing NFTs and I thought man I must really be behind. I did some research and saw it was cutting edge. We are known in the industry for being on the forefront of technology. I put QR codes in my bags and in my book to get an idea of who my customers were and what they liked. I did my research and this was coming fast and furious. We created two different types of NFTs: the 2D images and the exclusively digital garments.

JH: Do you believe NFT’s are the future of art?

Ensuring provenance of product for consumers and product proceeds for designers and artists?

RM: NFTs are the future.

When it comes to royalties, they only come into play when it is someone who should get a royalty.

I don’t know if every NFT commands a value. But it allows for artists and designers to collect on their work. And most people will be ok with that, the way they are for musicians. We are really just at the beginning.

JH: I am impressed by the philanthropic angle you chose - In fact, I was critical of the Met Gala this year because it funded cultural fashion, not humans who work in fashion severely impacted

by Covid. No comment on that is needed. But I am curious what led you to want to do what you did philanthropically.

RM: It is really built into the brand's DNA. When I made the “I <3 New York'' shirt 20 years ago, I sent it out on September 9th, 2001, and then it got worn on TV. When sales starting rolling in, I said this is disgusting I can’t make proceeds off of this. So I donated all my profits and ate ramen noodles. Our history is full of charitable moments and on my 20th anniversary in the midst of this global crisis how could I not give back?

JH: I am curious about your thoughts on the future of NYFW. Many people feel it’s kind of lacking a vision for what it wants to be. You of all people have continued to advance it - do you feel it needs more in-person events, centralized events, or a move towards decentralization?

RM: You don't get the same kicks if you lose the inperson experience. Even if people are going to be more digitally focused they still want to show up and dress up. They want to have a community experience. If you go solely digital you lose that.

I think people will continue to augment it and add to it digitally.

During the height of the Pandemic, I spent time in Miami striking up conversations with many of those in the creative and intellectual classes selfexiling in a land of relative freedom and normalcy.

While there I spoke to futurist Rob Michael, who first put me on the NFT beat. At the time they were a concept. We futurecast together a world filled with NFT art existing solely in the digital space in virtual worlds populated by avatars who would be clothed in one-of-a-kind creations. The NFT Metaverse where value propositions and the blockchain undergird uniqueness and irrefutable provenance.

Rebecca Minkoff fashion futurist has entered the metaverse. There is no going back.

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ICONIC

CHUCK’S VINTAGE

MAKES LAVISH NEW YORK CITY DEBUT

By Lillian Langtry

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huck’s Vintage has a new store in Manhattan, and they are offering up the most stylish gifts this holiday season. Since opening on the Upper East Side, fashionistas have been raving about the collection that showcases the best of the past in the present.

Chuck’s Vintage founder​, ​Madeline Cammarata, was always about making people smile through clothing. Honoring her legacy with gifts from this timeless store will stretch the joy on with denim lovers in your life. Even those who like a gift that is not just your everyday department store ordinary will fall in love with a present from here.

Madeline’s career began as a fashion model, where she was soon discovered by the iconic and provocative fashion photographer Helmut Newton, launching Cammarata to the runways of Europe.

Returning to the US, Madeline found a powerful niche in the high fashion world of denim.

In 2006, Madeline started Chuck’s Vintage, which overnight became a true American original. Her abundant collection became treasured wear for celebrities and business elites from Steve Jobs to ​famous musicians such as Dolly Parton, Robert Plant, Morrisey and more. From the famous to just pure classic style lovers, they have all at one point crossed the threshold of Chuck’s Vintage in the California hotspot shop​-​where even once a worldrenown​ed​denim archivist saw fit to entrust Madeline with millions of dollars’ worth of collectible denim that she p ​ roudly sold.

The new store’s ​showcase of vintage denim that must be seen to be believed. The blue jeans in the Upper East Side location​will​range from Strongholds found in the California Gold Rush mines to World War II-Era Levi’s, Lees, and Wranglers, as well as 1960’s ladies high-waisted and groovy deadstock Levi’s bells. Chuck’s ​will a ​ lso showcase the founder’s sampling of vintage American workwear: rugged military and work boots, buttery leather bomber jackets, and soft, perfectly worn-in vintage 70’s rock tees. Classic American Cool.

Recently Chuck’s Vintage celebrated their New York City debut with a Roaring 20’s themed soiree. The extravagant event was the “bee’s knees” and hosted by Vinnie Cammarata, husband of the late Madeline Cammarata. The evening was a celebration of both Madeline and the iconic business’s new Manhattan location.

Setting up its new flagship retail outlet in North America’s premier luxury district, Chuck’s Vintage will soon become a New York City favorite place to shop for t​ime-honored clothing. Visit the flagship retail outlet to shop for ​time-honored clothing at 173 East 91st Street, Basement, New York, NY 10128.

For more information, visit chucksvintage.com

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CATHERINE PREVOST CELEBRATES GRAND OPENING OF HER PALM BEACH BOUTIQUE

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London Fashion Icon Hosts Grand Opening in Via Mizner

By Maribel Alvarez

n December 1st, Catherine Prevost celebrated the opening of her new Palm Beach boutique located on Worth Avenue’s Via Mizner.

A perfect addition to Palm Beach's most exclusive street, this bright happy space epitomizes Catherine’s chic design. The walls are painted in her own signature lime green and the vintage bamboo furniture combined with her wonderful prints make you feel like you have stepped into a movie set. Her fabrics are printed in England and made using sustainable materials in her bold, signature prints. Her pieces are treasured by the ‘A’ list around the world and the collection she has in the Palm Beach store now is an exclusive collection designed just for the Palm Beach store.

Over 60 guests attended, many wearing Catherine Prevost originals, and sipped on signature Southsides ‘Great Gatsby’s drink’ while perusing the glamourous dresses and exquisite jewelry.

Guests attending included Catherine Adler & Helmut Koller, Kelly Sant Albano, Laetitia Oppenheim, Pamela O’Connor, Gwen Whiting, Eve Short and Jennifer Borg.

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About Catherine Prevost Catherine’s beautifully styled dresses have established a cult following among women who want flattering dresses that are unique and understated in their glamour and silhouettes. With a strong vision in mind, the ethos of Catherine Prevost is about timeless, chic, elegance, and point of view. Her clothes embrace a femininity that is empowering to women. Unlike other designers, she designs jewelry, clothing and accessories year-round for the needs of her clients, constantly updating the collection to make it season-less.

Her collection is made in England. Both the fabric and the tailoring are produced by skilled British hands, as Catherine values English craftsmanship. Her collections are small and hyper-curated to create a minimal environmental footprint and a maximum individual statement.

Represents the Golden Age of Poolside Glamour

By Amy Brody Poliakoff

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n a modern era where Botox, fillers, and plastic surgery have permeated through modern society, people are eager to find the most organic and natural way to achieve skin and youthful protection. Hampton Sun, a revolutionary sun care and product line, is synonymous with capturing the golden age of poolside glamour with an educational awareness for supreme protection. Like a Slim Aarons photograph, Hampton Sun represents from its prime packaging to its versatility in products, a picturesque portrayal of luxurious resort and lifestyle branding.

Inspired by the Hamptons, from which the company took its name, Hampton Sun was founded in 2005 by the entrepreneurial partnership and genius of Salvatore Piazzolla and Grant Wilfley. The dynamic duo in life and business, met in the Hamptons and have been together for 22 years. Piazzolla runs the day-today operations of the brand while Wilfley is on the creative side. Creativity comes easy to Wilfley as he is one of New York’s most successful casting directors both for film and television, having recently worked on projects like the Marvelous Mrs. Maisel and West Side Story.

The successful couple first ran their idea for the skin care company past friend and designer Michael Kors. Kors enthusiasm steered Piazzolla and Wilfley to the right contacts and their brand was up and running. Today, Hampton Sun has grown to an international staple for skin protection being sold in five-star resorts from the Breakers and Four Seasons in Palm Beach to boutique Hamptons hideaways and private clubs like the Maidstone. Spending over two years working with world renowned chemists, Salvatore Piazzolla and Grant Wilfley developed a formula that protects individuals from harmful UVA rays and at the same time provides the ultimate protection by locking in moisture and hydration. Piazzolla and Wilfley understood that spending a strong focus on testing for the right light texture consistency would separate their brand from other skin care companies. Recommended by dermatologist Lance H. Brown M.D., a clinical assistant professor at the NYU Department of Dermatology and recognized by New York Magazine as one of the city’s best doctors, Hampton Sun breaks barriers by providing multilevel SPF preparations and now a versatility of products. Offering products such as “Airbrush Bronzy Mist” used by Jennifer Lopez in the movie “Hustler” to create that perfectly tan glow to their Privet Bloom scent body lotion, candles or even room diffusers, Hampton Sun is a lifestyle brand capturing the alluring fragrances of the Hamptons hedges and bringing the summertime senses to all global communities.

“When I ride my bike to the beach and that Privet hedge is in bloom in late June and early July, that little white flower is so memorable and distinctive, if you have ever smelled it. It sticks into your memory and for me that was the scent that we captured for our fragrance,” said Piazzolla.

With a strong love for the Hamptons, NYC and Palm Beach, Sal Piazzolla understands the importance of sophisticated smells. Both scented and unscented sunscreens and athletic mist sprays are offered by Hampton Sun. Their Privet Bloom fragrance has been the number one selling fragrance for eight consecutive years in the Hamptons, along with its listing as one of W Magazine’s top 10 fragrances, next to Chanel.

hand sanitizer featuring the Privet Bloom scent which has been a top selling product for them. With a constant commitment to the latest technology and advanced testing, Hampton Sun focused on restructuring, resort sales, new product development and a stronger push on digital marketing throughout the pandemic. Hampton Sun can be found not only in luxury resorts, spas, cruise ships, and high-end retailers but online platforms like Net-A-Porter, Neiman Marcus, Amazon, Revolve and Bergdorf Goodman, just to name a few. Always moving forward, Piazolla and Hampton Sun are excited, in the coming weeks, to release their new SPF 15 and SPF 30 body oil with hyaluronic acid that is a dry oil and will leave no filmy residue.

With a team of over 25 employees and mentors like Cedric Prouvè, Group President at Estee Lauder International, Piazzolla says he is blessed to be surrounded by amazing insight, guidance and expertise that is just priceless.

“There is an educational component to our product. Melanoma has increased significantly throughout the years, and we keep hearing about it more and more and how we can conquer that. We must stay protected, and I think we have achieved that. We have so much more to do to get that message out and it is all in steps,” said Piazzolla.

With homes in both the Hamptons and Palm Beach, Piazzolla’s heart lies with both paradises. He is so blessed to see how well both communities have embraced the Hampton Sun products.

“I cycle everywhere and both communities provide me with that, especially Palm Beach. It is the lifestyle and the island that give me a sense of calm and peace. It is an opportunity to really remove myself from city life and the hustle and bustle and really connect with my soul and nature. Making the decision to move to Palm Beach gives me a lot of clarity and the ability to rethink things with a very clear lens. I really get to enjoy the beauty of Palm Beach now,” said Piazzolla.

Hampton Sun has been the sponsor for the US Open for the past two years and is now considered one of the leading brands, not just for skin care but for spectacular scents as well. Using natural ingredients and clean formulas, Hamptons Sun is not only the number one product in the Hamptons and Palm Beach, but a leading luxury brand on the global stage.

Piazzolla understands the ever-changing market and always likes to be ahead of the curve. With the COVID-19 pandemic, Hampton Sun released their own January 2022

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TEQUILA

Metta Risdal, Creator & Founder of UNI Tequila

W

hen Metta Risdal left her home country of Norway at the age of 17, she longed to pursue her dream of living in America and having a thriving business. Arriving in New York City with little else but a background in modeling and bartending, she overcame countless hurdles on her way to achieving her American Dream. Fifteen years ago, she began traveling regularly to Puerto Vallarta, Mexico, as a tourist, and she would also visit distilleries

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in the city of Tequila. She became captivated by the process of tequila making. “Tequila’s always been my favorite drink, as it’s the only upper among the different alcohols,” she told me. “I’ve always had a love for tequila, for the whole process and the love that goes into it. I found it so fascinating how much more care and time it takes to make compared with other spirits.”

This is when the idea of UNI Tequila was born.

UNI TEQUILA: A SMOOTH SPIRIT OF LUXURY

By Whitney Thompson UNI Tequila is an organic, keto-friendly blanco tequila that is different from any other blanco on the market. While most blancos are bottled immediately, UNI is aged just less than two months in oak barrels. This gives the spirit a unique extra smoothness which stands out to drinkers.

In blind taste tests against leading competitors, UNI is a clear winner. It is made from organic agave grown in sweeping fields of rich, pure soil with sun exposure from sunrise to sunset. The organic agave is more naturally sweet than its non-organic counterparts.

personally goes door-to-door to get UNI in bars and restaurants. And in the spring, she will begin taking on investors in the business with the aim to procure bigger distributors so that people across the country can enjoy the smooth, sweet taste of UNI.

In addition to the exquisite smoothness of the liquor, the sleek frosted glass bottle and beautiful cork stopper really set UNI apart. The packaging exudes luxury, and the delicious tequila is perfect for sipping neat or on the rocks.

UNI Tequila is currently served in some of Metta’s favorite restaurants. In Palm Beach, enjoy UNI at Café L’Europe and Le Bar à Vin. It can also be found in Jupiter at 1000 North, The Food Shack Maxi’s Lineup, Waxin’s, and The Woods. “I’m so grateful to these early supporters. I always knew that when you have a great product, especially in gorgeous, luxurious packaging, there’s always a market,” Metta shared. UNI Tequila already has celebrity followers on Instagram, including Jaime Foxx and Redfoo.

The tequila is available to ship to 42 states, including New York and California. Metta is so excited to soon introduce UNI to all states in the US.

Metta, who lives in Palm Beach County, is 100% owner of UNI Tequila.

She has about eighteen people working at the distillery in Mexico, but she is the sole business manager, sales team, product developer, and packaging designer. “All of this I do myself, which is good, because now I know every part of the business.” Having overcome obstacles presented by the Covid pandemic, including supply chain shortages and delays, UNI Tequila launched in the US only four months ago, and Metta’s goal now is to expand. She hopes to hire a sales team, as currently, she

In her spare time, Metta is involved with several charities. She also sponsors several girls in Mexico and Guatemala, allowing them to attend school and helping their families with basic necessities like food and health care.

For more information, find UNI Tequila on Instagram @unitequila and online at www.unitequila.com. You can also reach Metta Risdal at metta@unitequila.com.

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SBE COMES HOME TO SOUTH BEACH

Culinarians From Dubai to Baha Mar & Everywhere In-Between Take Flight to South Beach

By Nicole Ashley Schubert

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hen SBE, the luxurious lifestyle hospitality company, makes a disruptive statement across the globe, from Dubai to Baha Mar, with restaurants that are pushing boundaries, extraordinary is the only way to explain its impact. Changing the landscape on international gastronomy with restaurants that trigger the senses and offer innovatively inspiring dishes, SBE is presenting something boldly new to the culinary industry, with experiences that are emblazoned with personality. Between Carna by Dario Ceccini Baha Mar, Carna by Dario Ceccini Dubai, and Fi’lia Dubai led by Chef de Cuisine Sara Aqel, eating at SBE properties is now like an epic event, with every course offering new celebratory flavors and transporting diners to exotic, far-off places.

And this past fall, as international travel restrictions were lifted, these creative culinarians took flight to the SLS South Beach, for the return of the Taste of the SLS at Hyde Beach, presenting Miami diners with savory samples. They showcased the very best that their kitchens have to offer with exquisite dishes like the saffron risotto, wagyu tomahawk steak, and a 300-pound blue eyed tuna, carved fresh

by Chef Katsuya Uechi, founder of Katsuya. Guests were also able to experience a scaled-up set by the Grammy Award-Winning DJ, Mark Ronson.

Metropolitan Palm Beach exclusively interviewed world renown celebrity talents Ceccini and Aqel to hear more on transforming the gastronomic landscape across the globe, the artful dishes that diners can expect to see on the menus at Carna

by Dario Ceccini Baha Mar, Carna by Dario Ceccini Dubai, and Fi’lia Dubai, and coming home to South Beach this past fall to celebrate their culinary concepts.

Carna by Dario Ceccini Baha Mar | Carna by Dario Ceccini Dubai To this celebrity chef and Netflix personality, as star of the series, “Chef’s Table,” bigger is always better when it comes to steak. An eighth-generation butcher, originally born in the small Italian village of Panzano, Ceccini is fiercely known across the world for his love letter to the art of butchery and his commitment to protecting it, while also promoting sustainable initiatives and the elimination of waste. And now helming the restaurant Carna located in both Dubai and Baha Mar, he is showing diners how serving the best prime cuts of meat is more than tradition, but about the energy, passion, and conviviality.

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“It’s pure life,” said Dario Ceccini, who explains that above all, his favorite specialty at Carna is the Marinated Grilled Beef Heart Skewers. And at the Taste of The SLS, representing his luxurious chophouse, where in Dubai it sits underneath a canopy of crystal chandeliers, Ceccini was able to show his deeply rooted passion for the art of butchery and contemporary gastronomy, offering samples of his Wagyu Tomahawk Steak “of a fabulous quality” to Miami guests.

Fi’lia Dubai When we spoke to Aqel about running the first female-led restaurant in Dubai, this 25-year-old Chef de Cuisine said that many critics were initially skeptical. They asked questions like, “can women actually work together?” and “she’s too young to lead such a big operation.” However, these questions soon turned into keen assurances, eagerly asking, “where and when is the next opening?”

Nevertheless, though building a buzzy following among food and wine experts, Aqel is focused right now on elevating her kitchen at Fi’lia Dubai. She continues to roll out dishes that are reminiscent of her childhood in Amman, Jordan, presenting diners with a twist on Italian plates that bring her own culture to the table, like the Feta Al Forno and Seabass Feta. “I think you see it in the simplicity of the dishes,” said Aqel. “The scent of cooking at home was always about using the right ingredients and not just plenty of them. That’s how you see my influences from Jordan integrated into the menu.”

And this past fall, creating a home away from home at the Taste of the SLS, Aqel offered diners a kaleidoscope of samples to try, including her beloved signature Tomatino, Pappardelle Al Ragu, and Jerusalem Artichoke pizza.

“Heartwarming favorites,” they all worked in symphony together.

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CHURRASCARIA PLATAFORMA

THE BRAZILIAN ALL-YOU-CAN-EAT DINING EXPERIENCE

By Peter Elston

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hurrascaria Plataforma is an authentic Brazilian “Churrascaria,” a restaurant that serves mostly grilled meat, that is taking New York City by storm. The Rodizio style restaurant uses the method of serving various cuts of meat that originated in the southern part of Brazil in the early 1800s. The idea is to serve a wide variety of different cuts of meat, such as beef, pork, lamb, chicken, and so on, to each diner individually at their table, so there is no traditional menu as it consist of an all-you-can-eat menu and continuous table-side service.

Their Prix-fixe lunch and dinner is sumptuous meal that has to be seen to believe. The first course is their Gourmet Salad Bar which is fully stocked and deep with many selections.

The main course consists of Top Sirloin, their signature cut “PICANHA” Sirloin, Plataforma Steak, Flank Steak, Pork sausage, Pork loin, Chicken Leg, Leg of lamb with even more choices available during dinner hours. There are plenty of sides to choose from as well like White rice, Fried banana, Fried polenta, Grilled vegetables, Yucca flour, Black beans, French fries, Mashed potatoes, and Vinaigrette sauce.

The bar is an experience within itself. Wind down your day or start your evening with a wide variety of beverages served in a distinctive Brazilian lively atmosphere. Wines by the glass, single malt scotches, Churrascaria Plataforma’s famous “Caipirinha” (a concoction of fresh limes, sugar, crushed ice, and “Cachaça” – a Brazilian liquor made from raw sugar cane), martinis, and a variety of non-alcoholic beverages There is also a new Craft Beer menu available. Also, you can try something from their Food Bar Menu as well. Each plate complements and emphasizes Churrascaria Plataforma’s commitment to serving authentic Brazilian cuisine. This menu was created as an addition to their traditional Rodizio and is only available at the bar. This collection of one-of-a-kind bites will leave you wanting more.

Churrascaria Plataforma’s Happy Hour offers many wine and cocktail specials available Monday through Thursday from 1:00pm to 6:00pm, and Friday from 12:00pm to 6:00pm.

Churrascaria Plataforma is the perfect spot for all occasions, from a small family dinner to hosting large event, and anything in between. Voted the #1 Brazilian Steakhouse in the USA by “The Daily Meal,” Churrascaria Plataforma is THE authentic New York City rodizio-style restaurant.

For more information, visit: plataformaonline.com Churrascaria Plataforma 316 West 49th Street New York, NY 10019

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Le Bar à Vin

An Exceptional Evening of Food and Entertainment

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By Whitney Thompson

hen Boris Andreev joined Le Bar à Vin as general manager in late May 2021, he shared a unique vision with the owners of where they wanted to take Palm Beach Island’s newest restaurant. With an updated menu of farm to table small plates, cocktails, and an exceptional wine list, Le Bar is dedicated to giving diners a fun and entertaining night out.

Le Bar is quickly becoming one of the most popular and fastest growing restaurants in Palm Beach, with live entertainment every night, including Jazz music every Wednesday and a DJ on Fridays and Saturdays.

“The energy of the place is really fun and unique for Palm Beach,” Mr. Andreev told me. “It’s becoming a great place for celebrations. We’ve had several high profile people schedule their special occasions at Le Bar à Vin.” The menu is small and eclectic, with French influences. Boris shared some of his recommendations with me. “We have an excellent tuna tartare. The truffle flatbread has also been very popular. And our espresso martini is the best you can find.” He continued, “We want everyone to feel comfortable and welcome here. Come and have fun. That’s our number one priority.”

Whether you’re coming for a cheese plate and a cocktail or an elegant dinner, the backdrop of a gleaming bar, exquisite chandelier, and pristine white grand piano will make your evening at Le Bar one to remember and one you’ll be eager to repeat.

Call Le Bar à Vin for reservations at 561-490-1456. You can find Le Bar on Instagram @lebarpalmbeach. Mr. Andreev is also available for any questions or requests you may have to make your dining experience memorable. He can be reached at boris@lebarpalmbeach.com.

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Boris Andreev

ASK FOR BACI AL SOLE WHEREVER THE SUN WARMS THE HEARTS OF ROMANTIC! www.BACIalSOLE.com

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Via Bice

Brings Glam Back to Palm Beach

Magical Mediterranean-Inspired Evening Included Fashion Runway, Live Entertainment and Cocktails

By Maribel Alvarez

(Palm Beach, December 7, 2021--) On Tuesday, December 7, Worth Avenue’s Via Bice welcomed over 150 guests to celebrate the newly renovated via and its glamourous aesthetic during a Mediterranean-inspired evening under the stars. Guests were greeted with Bice’s signature Apérol Spritz as they walked the black carpet to the center of the piazza, where Master Impresario Bruce Sutka set the stage for a magical evening.

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25A “We welcome you to Worth’s Avenue’s new favorite dining and shopping destination. Think Capri, think Positano,” said Emcee Hollis Pica during the welcoming speech preceding the show.

Palm Beach and Hampton’s most coveted DJ, DJ Adam Lipson, accompanied by dynamic electric violinist DJ Elektra, kicked off the 25-minute engaging and upbeat runway show featuring fourteen look representing seven of the Via’s fashion boutiques. (Maac London, Frances Valentine, J'Da, Joy West, CJ Laing, Coastal Girls and Eye of the Needle).

A delightful highlight of the fashion show was when Amanda Beckwith and her adorable 2-year-old modeled and 2 year-old Navah graced the runway, donning Joy West fashion.

“It was great fun putting this together,” said Alexis Posada Testrake, “The owners of all the stores were accessible and excited to engage. It was a win-win.”

Among guests attending the event were Christine and Gene Pressman, Eleanora Kennedy, Scott Snyder, Shannon Donnelly, Bonnie McElveen-Hunter, Fernando Nievera, Burke and Susan Ross, Steve and Gail McMillan, Matt Rosinsky, Kim Frisbie, Katie Crowell, Franny Criddle, Kim Charlton, Inger Anderson, Alice Russell, Mark Foley, Linda Dweck, Isabelle Goodkind, Katie Waylett and Lacy Pica.

About Via Bice: The New Via Bice was redesigned from top to bottom by Smith Architectural Group. From the rooftop-level pergola, which spans the widths of the buildings and allows the sun to peak through to the courtyard, to the geometric pattern floor tile typically found in Lisbon, the Via is like a trip to Capri! Further, indicative of the Mediterranean influence, the second story offices in the east building feature beautiful, wrought iron appointed balconies overlooking the potted plant-lined Via. Landscape was designed by Mario Nievera of Nievera Williams.

The via’s namesake, Bice Ristorante anchors the via to the North. The roster of fashion houses found on the via include Eye of the Needle, MAAC London, Coastal Girls, J’da Boutique, Joy West, DJ Laing and Serenella. The Via is also home to Taglialatella Galleries, a name synonymous with Modern and Contemporary art around the world since 1978. Boston Interior Designer Mally Skok joined Via Bice this season.

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FONTAINEBLEAU AVIATION

The Gateway into Miami

By Whitney Thompson

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or anyone flying into the Miami-Dade South Florida area, your enjoyment and luxury experience begins as soon as your plane touches down at Fontainebleau Aviation. From the facility’s generous hangar space to its knowledgeable and well-connected staff, Fontainebleau Aviation is committed to providing clients with a truly excellent aviation experience.

The company began as a private asset of Fontainebleau Development, owned by Jeffrey Soffer, as a place for the Soffer family to store their own aircraft. When it gained FBO status, the private hangars became available to clients, and the lounge created for the family’s private use was converted to the FBO lobby. In 2016, Fontainebleau Aviation underwent a massive expansion project, and the facility continues to provide unmatchable services to clients flying into the area.

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I spoke with Alexsandra Camargo, the company’s Brand Manager. She has worked with Fontainebleau Aviation for almost eight years in a variety of capacities. Most recently, she has been committed to evolving the culture and the brand of the company. Ms. Camargo said, “The facility is beautiful; the canopy is vast. We needed to identify how we would fit the magnitude of the building. We chose to establish the luxury culture of our existing company, Fontainebleau Development, and identify who we were as a whole.

This included all of the touch points that are invoked through the aviation experience.”

Alexsandra and her colleagues at Fontainebleau Aviation have access to the luxurious Miami lifestyle to which their client’s are accustomed. Services offered include fueling, ground services, detailing, hangar space, even maintenance. Where other FBOs don’t necessarily have many services on site, “we partner with all of the elements our crew members are going to need. We

anchor those relationships so that we can fulfill all those needs for our clients,” Ms. Camargo said.

“Our mission is to elevate the aviation experience through trust, safety, and service. We’re driven by this each day. We want our clients to know that this is something we live and breathe,” Alexsandra shared with me with pride in her voice.

One way in which Fontainebleau Aviation really sets themselves apart is the human element. “We build relationships with our clientele,” Alexsandra said.

“We are going to take care of your needs when you get here because we anticipate your needs. We know what you’re going to ask us well in advance of your arrival.” This comes about through the genuine interactions that are fostered by the staff. The smooth and seamless client experience is the ultimate

driving force behind operations at the company. “We want people to know that we are relentless in what we do. We are adaptable, we are accommodating, and we are about the experience.”

When I asked Alexsandra how readers can reach Fontainebleau Aviation, she said, “We strongly encourage phone call and text communication because our clients are confident that someone is going to respond to them quickly. We’re big on the human element, so if you call us, someone will take your call. If you text us, someone will answer your text.”

Call or text Fontainebleau Aviation at 305-685-4646. You can also reach them by email at info@fbaviation.com. More information is available on their website, fontainebleauaviation.com.

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Photo by Annie Watt

Jack Nicklaus

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Photo by Annie Watt

Jack & Barbara Nicklaus American Sports Royalty: Excellence, Duty, and Service By: Margaret Bastick Luce & Jadan Horyn

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one doesn’t double as museum display space or architectural showcase. It is, rather, an homage to family: to sons and daughters; to grandchildren and great-grandchildren; to the priorities of family life and its myriad attendant memories, dramas and treasures.

Barbara Nicklaus ushers us into a richly decorated, well lived-in home. It is striking because—unlike most Florida manses—this

As we pass through the living room and head toward the back terrace, Margaret takes note of an array of nutcrackers that line the windowsill. “One for each grandchild,” Barbara says,

he front door opens and a mocha-colored Labradoodle bounds out to greet us. An elegant woman donning a crisp, light green sweater follows.

“Welcome,” she says, hugging my collaborator, Margaret Luce—her vibrant, friendly demeanor instantly putting us all at ease.

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keenly aware of everything we take in. “Twenty-two so far.”

Outside, as we marvel at two perfectly manicured grass tennis courts and gaze across the gleaming intracoastal waterway, I hear a distinctive voice and spin around. There he is, the Golden Bear himself. The greatest champion to ever grip a golf club shakes my hand firmly, then enfolds Margaret in a gentle hug.

others have also been paramount lifelong goals. They are dedicated first to each other, then to their kids, grandkids (and even great grandkids now), and, more expansively, to the hundreds of thousands of children they have helped with their philanthropy. “You have clearly striven for that your whole life,” I say. “Where does your charitable impulse come from?”

For the next twenty minutes, Jack Nicklaus poses for photos, then makes a beeline for me and stations himself on a sofa arrangement conducive to cozy conversation. “So, we doing the interview here?” he half-asks, half states. I nod nervously. Having yet another golf confab with the sport’s greatest champion suddenly seems journalistically redundant, even wasteful.

They glance at one another.

Jack looks straight into my eyes, his focus intimidatingly incisive. This man can read any lie, on or off the golf course, with lightning speed, capturing every nuance. It’s a skill which propelled him to a record 18 professional major championship victories. And to design more than 310 elite golf courses across the globe, as he segued seamlessly between two roles: that of athletic genius non-pareil and sports-business maven.

But it’s clear to everyone who knows Jack and Barbara that duty and service to 54

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“We didn’t always have the ability to give back,” Barbara replies. “In fact, during the early years of our marriage the concept was quite out of reach.”

“My focus was my family and golf—in that order,” Jack adds.

“But you have given back quite generously,” I say. “You’ve raised more than $125 million for the Nicklaus Children’s Health Care Foundation.”

“Over $150 million,” Barbara corrects, with a proud yet playful smile.

“One day, when our daughter Nan was about 11 months old, she had trouble breathing,” Jack says, by way of explanation. “We took her to the doctors and then to Columbus Children’s Hospital, now Nationwide Children’s. They ran scans and did tests and only through all of that did they find that she had inhaled a blue crayon. They tried to remove it with an adult bronchoscope; the crayon

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To whom much is given, much shall be required. (Luke 12:48)

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broke into pieces and entered her lungs; and she got pneumonia. They saved Nan’s life, although she was in intensive care for several days.” He tenderly takes hold of Barbara's hand. “After that we promised each other, if we were ever in the position to help others, we wanted it to be children.”

first focusing on yourself. We have been able to do this because of what golf gave me. None of this would have been possible,” he continues—his arms gesturing across the expanse of his beautiful property—“without the understanding of priorities.”

It’s a story the Golden Bear has recounted many times, and one that his son elaborates on in moving detail in his book, Best Seat in the House, which details 18 golden life lessons Jackie learned from his father. But even now, during yet another recounting of the Nicklaus Children’s Health Care Foundation origination story, the golf legend has become perceptively emotional.

The message is clear. Indefatigable focus on vocational excellence is what opens the gates to impactful service to others. Put more simply, in a crisis in the sky—or anywhere else for that matter—you need to securely affix your own oxygen mask first, before you help the people sitting beside you.

I know the Nicklauses are intensely private but also very devout in their religious beliefs, so I probe further. “Your magnanimity is clearly driven by your values to service and duty. Is it a case of to whom much is given, much is required?”

Barbara’s eyes grow large. She exchanges another look with Jack. “Yes, that’s it exactly,” she declares.

“Son, that doesn’t mean I spent my career giving things away,” Jack says, looking at me intently. “I had to focus on my success, my family.” He clearly intends his words to convey wisdom and gravity. “You cannot focus on giving back without 68

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And that is exactly what Jack did. His professional golf career, which began in November 1961, has been nothing short of otherworldly. The Columbus, Ohio native racked up 120 professional victories worldwide, including 73 on the PGA TOUR, over a 25-year span. Only Sam Snead and Tiger Woods have won more PGA TOUR events. But no player in golf history has matched the Golden Bear’s prowess on golf’s four biggest stages: the major championships. He’s won a record 18, including six Masters and four U.S. Open titles. And after graduating from the PGA TOUR to the Champions Tour, more commonly known as the senior tour, he won 10 titles—including a then-record eight senior majors—between 1990 and 1996, while playing a limited schedule.

Nicklaus Family

Nicklaus’s scorecard as a golf course designer is equally remarkable. Since he opened his first design in 1969 at the Harbour Town Golf Links on Hilton Head Island in South Carolina, he has designed more than 310 courses, and his firm, Nicklaus Design, has opened courses in 46 countries and across 41 U.S. states.

Nicklaus currently has Signature Golf Course projects in design or development in ten countries, including in neighboring nations Canada and Mexico and farflung lands, like Qatar and Turkmenistan.

But it’s the scale of Barbara and Jack’s philanthropic generosity which speaks volumes about their ever-expanding communal heart. Barbara serves as chair and cofounder (with Jack) of the Nicklaus Children’s Health Care Foundation, which was launched in 2004, in an effort to provide families with better access to world-class pediatric care in the couple’s South Florida backyard and beyond. The foundation supports Nicklaus Children’s Hospital in Miami, funding innovative programs focused on the diagnosis, treatment and prevention of childhood illness. Formerly the Miami Children’s Hospital, the Nicklaus Children’s Hospital— renamed in 2015—has provided care to children in every state in America and nearly 120 countries.

Closer to home the foundation funds the De George Pediatric Unit at Jupiter Medical Center and as many as 20 outpatient and urgent care centers across Florida that comprise the Nicklaus Children’s Health System. For her tireless ambassadorship of children’s causes, Barbara has received the highest honors

bestowed by the PGA of America, USGA and the PGA TOUR, and in November 2021, induction into the Florida Women’s Hall of Fame.

Greatness, of course, cannot possibly be built on a faulty marital foundation. And Jack and Barbara are the very epitome of spousal solidity. They met at seventeen during their first week of college, and have been inseparable ever since. In a day and age when few young folk understand true commitment and selflessness, the Nicklauses have stood side-by-side for upwards of six decades. “Marriage is 90/10% focus. 90% on your spouse and 10% on you.” Jack says matter-of-factly.

Barbara looks fondly at her husband, then finishes his thought: “That goes for each. You put the other person first.” Translation: the secret to perseverance in love is selflessness and service to your spouse.

As we drive away, Margaret turns to me. “They’d recoil at the description, but those two are truly American royalty,” she says. She’s right. Jack and Barbara Nicklaus represent something quintessentially precious in American sports history. A couple for whom personal and professional excellence is a driving motto in all arenas. It is how they have approached their marriage, raised their kids, and directed their philanthropy. They are a couple who has embodied duty to one's vocation, one’s family, and one's community. A couple whose lives have exemplified service to something larger than themselves. The Nicklauses have been given much and have done a great deal more than is required.

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BRIGHTLINE STATIONS REOPEN WITH ELEVATED EXPERIENCES:

Patrick Goddard, President at Brightline, On Transforming the American Railway with Eco-Friendly, Modern Luxury Amenities

Patrick Goddard

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By Nicole Schubert

his season, as Brightline stations reopen, experience a new way to travel and jockey to the railway for an elevated experience that calls for modern luxury from every angle. The only intercity rail in America to present contemporary, eco-friendly amenities, both on and off-board, locomotive goers can now indulge in the best of the best in ultra-glamorous offerings, from an integrative booking service to an enhanced gastronomic culinary program. This includes a signature sitdown bar called Mary Mary and MRKT, the first fully autonomous retail market in South Florida.

To Patrick Goddard, the president at Brightline, the 70

brand’s relaunch marks a new journey in railway transportation unlike any other in the industry and the perfect alternative - outside of automobiles - for Palm Beach locals to travel to Fort Lauderdale and Miami in record time.

So, as Brightline trains resume with a new vision grounded in accessibility and fully loaded luxury, Metropolitan Palm Beach exclusively interviewed Goddard on how this modern locomotive plans to change how locals travel, what passengers can expect to experience while on-board, it’s gastronomic offerings, and it’s pathway to future, becoming the consummate vehicle for luxury traveling.

METROPOLITAN PALM BEACH: Patrick, relaunching Brightline, tell me how this modern locomotive will change how South Florida locals travel?

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PATRICK GODDARD: Our relaunch opens a new chapter for Brightline, which includes an enhanced guest experience, from the moment our travelers book their plans on the Brightline app to the moment they reach their final destination. Every stage of the Brightline journey has been built through the lens of today’s modern traveler and creates a travel journey unlike any other in the industry.

MPB: What can passengers expect to experience while on the railway?

PG: Both Palm Beach and Fort Lauderdale will be welcomed to the station by the signature Brightline experience and hospitality that our travelers know and love, with some upgraded amenities and experiences, including Brightline+, our new door-todoor service supported by our app and powered by our electric vehicle fleet. All our stations will also

feature an elevated sit-down bar called Mary Mary, along with MRKT, the first fully autonomous market in South Florida, which makes picking up snacks and other convenience items like chargers or umbrellas simple.

Once onboard, guests can experience a new premium service, previously known as Select. This first-class experience offers added amenities, including cold refreshments, individual sanitation wipes, an onboard snack basket, complimentary alcoholic beverages at the Premium lounge and complimentary alcoholic beverages on board.

MPB: Tell me more about Mary Mary, Brightline’s newest culinary offering.

PG: Upon relaunching, we proudly introduced a new signature bar, Mary Mary, which is located once our guests pass security at each station. Mary Mary was inspired and named for two wives of Henry Flagler, founder of Florida East Coast Railway, Mary Lily Kenan, and Mary Harkness Flagler. Mary Mary is located in all three stations, serving all-day breakfast,

lunch, and dinner, in addition to craft cocktails, which were created by our local hospitality partner Breakthru Beverage Group, juices, Lavazza coffee, a selection of local and imported beer and wine by the glass and bottle provided by Southern Glazer’s Wine & Spirits.

MPB: The first intercity rail in America to present a luxury amenity like this, what inspired Mary Mary’s vision?

PG: We really wanted to have something unique to the railroad history in South Florida as part of our station and as a tribute to Henry Flagler. His contributions to the development of Florida’s Atlantic coast is really what has made Brightline possible today and is a great example of the importance of well thought-out infrastructure in our country moving forward.

MPB: You continue to push the envelope on railway transportation. What continues to drive you to elevate the industry?

PG: As the only provider of modern, eco-friendly,

intercity rail in America, it’s important that Brightline provides an experience for the modern traveler. Our goal is to reshape the face of train travel in America and through these enhancements and upgrades, we are on the right path to do so.

MPB: Do you envision Brightline as becoming South Florida's premier vehicle for intercity travel?

PG: Going into 2022 we see a big need for Brightline’s service, especially with companies and jobs continuing to look to South Florida. With our return to service, we will take more cars off the road and get travelers to their destinations quickly and easily. Brightline projects over nine million annual passengers once all Florida stations are completed.

As we continue to expand towards Orlando, we believe our commuters will see even more benefit in using Brightline giving our them time to spend with their family and friends, work while on the train and relax comfortably in one of our coaches while avoiding congested highways.

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BREATHE EASY WITH PROPERLY MADE MASKS: Engineered for Protection, Comfort and Reliability

By Katherine Sloan

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ow that masks are ubiquitous, a part of our everyday life and absolutely necessary, we can all agree that finding a good one is a top priority. Gone are the early days of the pandemic where a make-shift mask would—and had to—suffice. It’s time for something reliable and comfortable because we’ll be using them for a while to come.

We can all agree that we need a mask that is affordable that fits well and provides us reassurance. In uncertain times with the information given, it’s comforting to know that you’re doing the best. Among the things one can control (of which there are few), it’s a consolation to know that you are protected in at least that one area. Some have completely thrown out the hand sanitizer but the consensus is now, even if you’re fully vaccinated and boosted, you have to wear a mask (especially indoors and in crowds).

Because of all this—the unceasing pandemic, new variants, etc.—it’s a relief that a new mask has been invented and manufactured by Properly Made Masks. It’s a brand new mask that offers everything we want and need including the best protection, comfort and adjustability (so it suits absolutely everyone). Established at the beginning of the pandemic, Properly Made Masks was created by veteran of the Special Forces Air Force and architectural engineer, John Melching Jr. His goal is not only to save people’s lives but to also educate the masses about the effectiveness of correctly wearing masks. Melching is the leading inventor who has actually done the research and knows the real dangers of forgoing a mask. Yes, there is indeed a proper way to wear one. We see it poorly executed every day; in the bodega, on the subway, you name it. Melching has created something that is simple, straight-forward, adjustable and reliable.

Due to the fact that he had serious issues with how masks were being implemented incorrectly at the beginning of the pandemic, Melching decided not to be complacent and did something about it. He invented the only mask you’ll ever need!

Melching invented a new and exciting design (patent pending) for the most discerning of seekers. By eradicating design flaws, he creating a mask that actually works and is surprisingly comfortable!

His success is attributed mainly to his products’ ability to offer reliable maximium protection and wearability. He designed the mask to be adjusted in a myriad of ways. All of us eyeglasses wearers can attest that this makes the difference between truly being able to see and… well, not. According to Melching, “When Covid hit last March, there were hundreds of masks being introduced and sold that didn’t work.

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I designed this mask to conform to engineering standards. I set out to solve the problems through a mask ‘fix’ that eliminated the ears from being involved in any way, while at the same time maximizing protection.”

Melching also said, “The side brackets are part of my USA and the EU patent work but, by the time I perfected the brackets, I realized that there were performance and fit problems inherent in virtually all other masks being made. Items like masks being too big, not sealing around the face, the development of mask acne, children not wearing masks properly, cross contamination, lost masks, vertical and horizontal adjustability being nonexistent, etc.… drove me to fix these issues. I was compelled to go beyond a side bracket and design a complete mask system that worked. This system provides the best possible protection and breathability while being the most comfortable and adjustable solution. It also had to be environmentally considerate.

The Properly Made Masks system does all of that.”

Through testing, the Public Library of Science has confirmed that silk is the most effective alternative to other synthetic materials. Properly Made Masks goes beyond and uses, not one but two layers of silk.

Only one layer of silk provides about seventy five percent protection required by the current health standards. This new and improved system utilizes two layers of silk and in doing so, exceeds the status quo on virus protection by around fifty percent.

Finally, we can breathe easy knowing that our best and brightest are continually doing their part to help end this pandemic while remaining environmentally conscious. “Disposable masks are terrible for the environment. Man’s interaction with nature needs to be of paramount importance. I hope that what I leave on this earth has had an overall positive impact.

I am committed to helping the earth and man until the day I drop,” says John Melching Jr. For more information on Properly Made Masks, visit Instagram, Facebook and Twitter IG: @properlymademasks, FB: ProperlyMadeMask Twitter: @propermasks.

For further information and to learn more about this incredible product, visit www.properlymademasks.com.

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DECORATOR’S RESOURCE

ROOMS WITH A POINT OF VIEW

Palm Beach County’s Design Diva, Caroline Burnside, Celebrates 25 Years

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By Carolina Camps

residing over 10,000 square feet of styled rooms filled with fine antiques, bespoke accessories and new furniture stands Caroline Burnside: Petite, blond, wearing a warm smile and speaking energetically to a new customer. Burnside, the owner of Decorator’s Resource, started out with a 1,000 square foot space in Lake Park. Over the years, she has become one of the to-go resources for stylish home owners who like what they see–and don’t like to wait. “Many of our customers fall in love with a rug or work of art–and they want to take it home right away. The great thing is, we have a lot of inventory, ” says Burnside. “We aim to be better than Amazon Prime. My customers know that my best pieces are here today, gone tomorrow.”

After leaving a finance job in Rhode Island, Burnside chased a dream to start an antiques and vintage furniture store in Florida–culling treasures from estate sales, word of mouth and auctions. As she developed her discerning eye, her store grew into newer and bigger spaces. Today Decorator’s Resource mixes new furnishings from coveted, trade-only brands such as Chelsea House, Regina Andrews and Bungalow 5 with unique vintage finds. Most recently, Burnside began carrying collections of linens, dinnerware and tabletops. “When we went into lockdown, everyone was eating at home–whether cooking or door dashing it. And everyone wanted a beautiful table. Our linens literally fly off our tables!”

from styling our room vignettes to advising client in their decorating process.”

One familiar face is her daughter, Marjorie, 22, who always lends a hand when she’s in town from NYC. “This store was my aftercare, my extracurricular,” says her daughter. “I grew up here. And I always try and bring a fresh take on the home.”

When not curating and hunting for the best home decor, Caroline Burnside can be found crushing her swing on the golf course. A former competitive tennis player, she’s now traded the racquet for a bag of clubs. “In life, like in interior design, it’s about striking that balance.” Well said, and designed.

CAROLINE’S MOST RESOURCEFUL PIECES MIRROR, MIRROR Chelsea House Mirrors“These stunning mirrors can work with many decor styles, they are timeless but also a statement piece.”

GO FISH Dinnerware Set (( blue and white fish- w napkins )) “This dinner set is perfect for indoors, outdoors or for dining on your boat.”

While her store’s wares have expanded over the years, so has the small town of Lake Park, where Decorator’s Resource is based. Next door, two high-end, modern, million dollar residential towers, 220 Nautilus, are being developed. Burnside sees the influx of new blood and buildings as a boon for the town and her store.

WRITE IT DOWN Desk by (BUNGALOW 5 DESK) “Everyone needs a desk refresh– and this linen wrapped one is fresh, elegant and conducive to creativity.”

Yet through all the changes, two things have remained constant: Burnside is still a hunter with excellent gatherers. “I live for the thrill of the find, unearthing that gem in the rough–that unique object crafted with excellence that will stand the test of time,” she says. “And the only reason I’m able to be out there looking for unique pieces is because I have such an excellent, talented staff that does everything

FLOORED! Rug (CHANEL ROOM) “We have so many stunning rugs that you can take right off the floor–or wait only two weeks. Rugs are a great way to add ground or soften an area, add a pop of color and finish off the room.”

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POUR OVER LIBATIONS: HIGHCLERE CASTLE GIN

By Jadan Horyn & Margaret Luce

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ts name evokes that grand British Edwardian period drama, and its packaging is equally dramatic. Highclere Castle Gin presents in a deeply royal purple glass bottle that would look regal on display in a home as well as behind a bar. Playing off the world-famous Downton Abbey, Highclere Castle Gin has much to live up to, and it pays service to its majestic namesake.

Highclere Castle is the seat of the Earl of Carnarvon and his family. Gin cocktails at Highclere date back to that early Downton presented era no doubt a bit of serendipitous nostalgia - in fact, the family’s archives mention the “Highclere Style” for over a century. The traditional method of indulgence involves a cocktail made with gin, tonic, a fresh orange squeeze, and peel, and finished with a rosemary sprig from the garden.”

So, it is only natural that the family would seek to distill their own gin to truly have the “Highclere Style” all their own.

The gin presents well, but it pleases the palette even more. Its botanical

blend sources from the castle’s own herb garden. More than a mere gimmick, the notes of the gin feature a crisp juniper, whose origins date from roman Britannia and grow wild across the sprawling estate.

Lavender, lime flower, and orange peel together with oats from high chalk soil below the property are incorporated delicately. The resulting taste is floral on the nose and creamy on the end.

Each element in the gin interplays to create the evocation of a first-rate London dry gin, yet it is contemporary and feels like an experience all its own. It shines even more in the versatility it offers in cocktail choices.

In the classic gin martini, its botanicals demur and its crisp juniper-pine essence punches through in a smooth finish of a super-premium spirit.

Highclere Castle Gin is on track to be the most awarded gin by the end of this year and is certainly worthy of the high style and class borrowed from its connection with Downton Abbey. It is simply a must for spirits sophisticate. Do tell.

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website: itamarsn.com

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White Smoke by acclaimed author Itamar S.N U.S. Book Tour in January 2022

tamar S.N is an Israeli Author of the new book “White Smoke” as well as a Human Rights Activist who is based in Tel Aviv, Israel. In his literary writing, he combines his education and interest in the history and politics of the Middle East. He is a writer for an Israeli Parliament Member.

About White Smoke: Yonatan Green is a man who will do anything to provoke his right-wing father, Israel’s Prime Minister, who always puts the country before his family. However, Yonatan finds himself proud of him for the first time with the creation of Isratine – a democratic union of Israel and the Palestinian Authority in the small area between the Mediterranean Sea and the Jordan River. When Yonatan meets Meir, a shy High-Tech entrepreneur, he falls in love for the first time, and the couple decide to get married.

The family grows when fate brings Amal into their lives - a Palestinian girl, who is the victim of a family honor acid attack. Their “perfect” love story grows alongside the new state, however, the euphoria of peace and unification is fading, while both Jewish and Arab anti-liberal forces feel strong enough to join hands, putting the democratic heritage in jeopardy and threatening the life of the family. As smoke spreads over the country, the Prime Minister must acknowledge his mistakes and rethink the ambitious dream of Isratine. Will hope to overcome primal fears and hatred.

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THE FUTURE OF

VIDEO MONETIZATION FOR BUSINESS GROWTH Interview with PJ Taei, Founder of Uscreen, a video monetization platform

By Sarah Peppel

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n-demand video grew exponentially before COVID hit, as much as 155% year-over-year, according to a 2019 Conviva report. When the 2020 pandemic shuttered live events, gyms, and educational facilities, consumers turned to the Internet for

answers.

Enter celebrity YouTuber Adriene Mischer, Founder of “Yoga with Adriene,” the biggest yoga channel on YouTube. Even before the pandemic, she offered a product and expertise people needed: a way to de-stress and exercise in the comfort of their home.

Instead of using video to simply advertise her business, Mischer realized the potential of using digital technology to generate income through video subscription services, offering virtual classes delivered directly to laptops & smartphones. Through PJ Taei’s Uscreen service, Adriene was able to offer her video series to a global audience. Taei reports that Adriene’s brand and channel “Find What Feels Good” have absolutely skyrocketed.

Smartphones transformed the world into instant videographers but for business owners, there are still a few things to consider. Where will you house your content? How can you organize and charge for valuable expertise? Who is your audience and where are they? Does video work for your business?

According to PJ Taei, founder of Uscreen, a video monetization platform, business owners can and should use video to grow their business.

To the business owners paralyzed by perfectionism, Taei advises “Get started now! Too often we overthink the things we want to do, when

instead, we could be out there getting them done.

As for his own beginnings, Taei states, “Video has always been personal for me. I got my first glimpse into the world of video the summer that I graduated from high school. I got an internship with a small video crew that captured wedding content, and it was at that moment that I knew I found something special.”

“Fast forward 15 years, I was browsing the Internet looking for an easy way to help a customer at my previous company to sell their fitness DVD’s online.

“That’s when I had an epiphany--if I couldn’t find an all-in-one solution, what if I were to create one? It was then when I knew I had come up with an idea that would take my business and my customer’s content to the next level.”

At this point in time, business owners in the education, health & wellness and entertainment sectors have been the most successful in monetizing their videos but anyone with a loyal following or dedicated audience can gain traction very quickly.

When asked what the busy entrepreneur does to de-stress, Taei shares.

“Fitness is a big one for me! It helps me think, work smarter and stay happier overall. Spending time with family is also incredibly important.

Work is important, but my family is everything.”

PJ Taei has worked directly with influencers, small businesses, enterprises, and creators located all around the world. Brands such as Soul Cycle, Opera of Australia, NBC Sports, BBC, Miss America Pageants, and 10,000 other businesses work with him to build their video monetization strategy.

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La Prairie X Art Basel Miami Beach Wen-Chi Su: The Dance of Light And Water

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By Margaret Luce & Jadan Horyn

he sun is low on the horizon as Metropolitan Magazine’s publisher Chase Backer, editorial contributor Margaret Luce, and I walk past the cream-colored dunes and wispy tall grasses onto powder-soft sand.

Our collective gaze is caught by the vista before us, on the sand in an entire beach club built with rich woods and subdued pastels accented with crisp whites, playing off the color palette of its environment. La Prairie, the Swiss luxury skincare brand and an official sponsor of Art Basel, has created a subdued yet sophisticated pop-up beach club.

We continue our walk towards it, greeted by the hosts in what would ordinarily be the check-in hut before you head to your beach chair. Instead, we are handed champagne and guided to the slatted wood tiled patio that served as a courtyard flanked by a stylized lifeguard stand on one side, a service booth on the other, and beach chairs arrayed in front of it. Soft music is playing, and a dim glow of lighting illuminates us as we look out towards the water.

The Dance of Light and Water is the evocatively named poetic dance performed

by Taiwanese new media artist, choreographer, and dancer Wen-Chi Su for La Prairie in Miami Beach and the reason La Prairie is hosting this exclusive gathering.

Wen-Chi Su felt deeply inspired by the natural environment of La Prairie’s native Switzerland. Su describes it as an “immersion into Swiss enchantment, the glimmering luminosity of light off the Swiss lakes. How it serenades, the waves formed the basis of the collaboration between the two. La Prairie and Wen-Chi Su bring that to a sunset setting beachside at Basel.

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Margaret and I are beckoned to a hemicircle on the sand with the others. In the center is a mirrored circle on the sand. Stationed around it are mirrored pillars standing as citadels against the sky, simultaneously holding up the firmament and standing guard to protect the interplay of light, water, and movement about to unfold before us. Enter Wen-Chi Su. Wen-Chi Su salutes the sun in slow, deliberate motions and honors the water.

Dusk settles behind us as the sky becomes ablaze in vibrant crimsons softening to rosés and subdued blushes, burnt oranges fading to xanthous, violets resolving to pale mauves. At the same time, the ocean in front of us extinguishes first from turquoise to azul and then settles to a glassy navy grey. Soft spotlights cast a glow on her as the sun slips below the horizon. We are enraptured and relaxed; the ideal seventy degrees and slight breeze create the perfect night.

We walk back to the patio area where divine caviar bellinis and champagne call, a toast, and homage to La Prairie’s relaunch of White Caviar’s precisionengineered beauty line to illuminate and firm skin. Soft candlelight casts a pale glow on the carefully curated crowd. La Prairie Beach Club is the perfect retreat from the indulgence of art at Basel and the thrill of Miami. A place where form meets function, relaxation, and rejuvenation refresh the soul. A night beckons us yet; we depart to the 1 Hotel South Beach to take in an art installation and visit a small boutique store, Violet and Grace. Our beginning anew and refreshed from La Prairie and Wen-Chi Su.

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HOTEL CROYDON GATEWAY TO WONDERFUL MIAMI BEACH EXPERIENCES

By Norah Bradford

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ith lovely weather and beaches, The Hotel Croydon is the starting point for beautiful Miami Beach experiences. The 7-story luxury Hotel Croydon dazzles with 104 guest rooms, including a sprawling Penthouse with ocean views, meeting and banquet space, a concept store, a gym, an outdoor pool, a spa, an on-site restaurant and bar, and a rooftop sun deck with 360-degree views of the ocean and Miami Beach.

Hotel Croydon’s guest rooms bring together luxury and relaxation. The Queen Room is a sophisticated and elegantly decorated retreat from a day at the beach or shopping nearby. Earthy tones, a luxurious cooling gel memory foam mattress, luxury C.O. Bigelow bath products, a fully stocked mini bar, a striking dark mahogany porcelain tile floor, an iHome docking station, a hair dryer, and a large flat screen 80

TV characterize their exquisitely furnished boutique room. Their serene Double Room has two inviting queen beds with upscale cooling gel memory foam mattresses, luxury C.O. Bigelow bath products, a mini bar with an assortment of delectable snacks, a mahogany porcelain tile floor, an iHome docking station for your personalized melodies, a hair dryer, and a large flat screen TV with cable.

The Tavern, the on-site restaurant, serves a flavorful mash-up of fresh, zesty, crispy, or succulent dishes hand-picked by an award-winning chef. Open from 8:00AM to Midnight for breakfast, lunch, and dinner, the menu includes burgers, sandwiches, pastas, salads and much more. From shrimp tacos to the classic Cuban Sandwich, The Tavern has something for everyone’s palette. Daily Free Happy Hour 6:00PM-7:00PM (vodka and gin only).

Metropolitan Magazine Palm Beach | Metmagny.com

The beach is within 2 minutes walking distance.

Dreamy Ocean Drive is about 2.4 miles away or a 10-minute drive away, where iconic beach views, cafe-style dining, and Art Deco architecture set the stage for a fun-filled day. This oceanfront street is lined with quaint, pastel-hued Art Deco buildings and hotels, restaurants that spill out onto the streets, festive travelers, boutique beach shops, and more. It’s the place to go for a quiet cup of coffee, an oversized margarita, and some great people-watching. It’s only natural that such a stunning location has served as the setting for some of Hollywood’s most iconic films and TV shows, including Scarface, The Birdcage, Miami Vice, Reno 911: Miami, Bad Boys, There’s Something About Mary, Dexter, Burn Notice, Magic City, and Moonlight.

For more information, visit hotelcroydonmiamibeach.com.

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25A Palm Beach Opera Announces Cast for Historic 2022 Season

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alm Beach Opera is excited to announce the cast for its highly-anticipated 2022 Season, which will mark the company’s 60th anniversary and a return to the Kravis Center for the Performing Arts.

For the company’s 60th anniversary season in 2022, Palm Beach Opera will open with Purcell’s “Dido and Aeneas” at Norton Museum of Art Sculpture Garden in December and present Bizet’s “Carmen,” Donizetti’s “The Elixir of Love” and Lehár’s “The Merry Widow” at the Kravis Center beginning in January. In addition to bringing in acclaimed artists for its mainstage productions, the company has also selected world-renowned performers Denyce Graves and Rufus Wainwright to serve as 60th Anniversary Honorary Co-Chairs that will help commemorate PBO’s milestone season.

Recognized as “an operatic superstar of the 21st century” by USA Today, Graves has performed at leading opera houses and concert halls around the world. Graves has performed in multiple productions at PBO since debuting in the company’s 1999 Gala, most notably as Herodias in “Salome” and as the Old Lady in “Candide.” Wainwright, praised for his “genuine originality” by the New York Times, has established himself as one of the great male vocalists and songwriters of his generation. In addition to being a celebrated contemporary pop singer, Wainwright has also composed operas “Prima Donna” and “Hadrian.”

“We are thrilled to have Denyce Graves and Rufus Wainwright lend us their star power and passion for the arts as we embark on this historic moment in PBO history,” said General Director David Walker. “The pandemic presented every organization with unprecedented challenges, and while we remain thrilled that we were able to pivot our entire season to performing outdoors during the crisis, we are more excited than ever to again provide the power of live art to South Floridians with an unforgettable, triumphant season of opera, and to celebrate PBO’s 60 years of artistry, resilience, and impact.”

On Dec. 11, Palm Beach Opera will open the season with a celebratory performance of the beloved English opera “Dido and Aeneas” outdoors at the Norton Museum of Art Sculpture Garden, starring the company’s resident artists and members of the Palm Beach Opera Orchestra. Conducted by PBO Associate Conductor & Chorus Master Gregory Ritchey, the exclusive seasonopening event will feature a pre-performance dinner, a special cocktail hour, and a post-performance reception.

On Jan. 28-30, Palm Beach Opera will present the iconic "Carmen," one of the world's most popular operas, as the

Editor, Arts & Culture: Douglas Evans

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first mainstage opera of the season. Distinguished conductor Antonello Allemandi, who was last seen at PBO as the conductor of “La traviata” in 2019, will return to lead the orchestra. Director Garnett Bruce, who directed PBO’s 2004 production of “Carmen,” also returns to lead the cast. Starring as Carmen in two debut performances are award winning mezzo-sopranos J’Nai Bridges, who recently debuted at The Metropolitan Opera as Nefertiti in “Akhnaten,” and former Metropolitan Opera Lindemann Young Artist Rihab Chaieb (Jan. 29), who debuted as Carmen in 2019 at Germany’s Oper Köln to critical acclaim. In another debut performance, Mariinsky Theatre star and Armenian tenor Migran Agadzhanyan will share the role of Don José with Jonathan Burton (Jan. 29), praised for his “thrilling power and beauty” by the Baltimore Sun and last seen at PBO as Rodolfo in the 2005 production of “La bohème.” In two more debut performances, Belarusian bass-baritone Anatoli Sivko will sing the role of Escamillo and frequent LA Opera artist Amanda Woodbury will perform as Micaëla.

On Feb. 25-27, PBO will present "The Elixir of Love,” a bel canto classic featuring endearing characters and an exhilarating score in a fizzy, vibrant production. PBO’s Chief Conductor David Stern will lead the orchestra and Fenlon Lamb, who has directed several PBO productions including “Tosca” in 2018 and “Hansel and Gretel” in 2019, returns as the director. Marking her Palm Beach Opera debut as Adina is Andriana Chuchman, a regular performer at both Lyric Opera of Chicago and the Metropolitan Opera. In another debut performance, award winning Guatemalan tenor Mario Chang will sing alongside Chuchman as Nemorino. Alexey Lavrov, recognized for his “rich-voiced baritone” by the New York Times, will also debut at PBO as Belcore, a role he sang recently at the Macau International Music Festival. Last seen at PBO as Zuniga in a 2016 production of “Carmen,” Musa Ngqungwana – whose autobiography “Odyssey of an African Opera Singer” was

published by Random House – will return as Dulcamara.

On March 25-27, sparks will fly in PBO's final mainstage opera of the season, "The Merry Widow," a bubbly operetta set against the backdrop of opulent Paris. Ward Stare, who has led performances of “The Merry Widow” at both the Metropolitan Opera and Vancouver Opera, will mark his PBO debut as the conductor. Helena Binder, who directed PBO’s 2020 production of “Il barbiere di Siviglia,” returns to direct the Art Deco-inspired production.

Recognized for her “clear, bright soprano” by The Observer, Jennifer Rowley will mark her company debut as Hanna. Graduate of San Francisco’s multi-year Adler Fellowship Program and last seen at PBO as Figaro in “Il barbiere di Siviglia” last year, Andrew Manea returns as Danilo. Praised as “exquisite” by The Guardian, Elizabeth Sutphen will make her PBO debut as Valencienne. 19-20 Season PBO Benenson Young Artist Duke Kim, who is currently a member of the Cafritz Young Artist Program at Washington National Opera, will return to perform as Camille de Rossillon. With more than 500 Metropolitan Opera performances behind him, Dwayne Croft, who performed the title role in PBO’s 2002 production of “Don Giovanni,” will return as Baron Zeta.

“Dido and Aeneas” will be sung in English with English supertitles projected near the stage. Single tickets are $250 and include a cocktail hour and post-performance reception. Tickets including an additional three-course pre-performance dinner are also available for $550. Seating for “Dido and Aeneas” is very limited.

“Carmen” will be sung in French, “The Elixir of Love” will be sung in Italian, and “The Merry Widow” will be sung in English, all with English supertitles projected above the stage. Subscriptions to mainstage operas are currently available for purchase at pbopera.org. Single tickets for mainstage operas at the Kravis Center start at $25.

Single tickets to all 2022 Season performances will be available for purchase on Nov. 3 at pbopera.org. For more information, including details about safety protocols at the theater, visit pbopera.org and pbopera.org/faq or call the box office at 561-833-7888.

Palm Beach Opera is dedicated to producing live opera at an international standard of excellence, to enriching the life of the communities it serves with a diverse offering of educational programs, and to training the next generation of opera stars.

Founded in 1961, the fully professional Palm Beach Opera presents main stage performances at the Kravis Center for the Performing Arts in West Palm Beach and is a proud member of OPERA America and the Cultural Council of Palm Beach County.

Carmen

The Elixir of Love

The Merry Widow January 2022

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A Conversation with

ADAM ANT

By Eileen Shapiro, edited by Adam Kluger

Adam and the Ants followed on the heels of the punk explosion. What are your memories of the end of punk and the evolution of your band?

I think punk had become very much a caricature of itself and it got very grey and very political. The kids were wearing the same kind of drab outfits.

I’ve never been a political artist. I keep that out of my work. I’ve never been interested in that. I think it had become quite excessively violent, the gigs were getting more violent because of that, and it was just not enjoyable.

Post-punk brought out some interesting music, but I felt that I just needed a way to suddenly make it a bit more colourful. Up until that point, I’d only used black and white in the graphics, in the handbills and record covers and stuff like that. So I suddenly just wanted to do the opposite of that, something heroic and celebratory, really. That’s where “Kings of the Wild Frontier” came out, I wanted to be like a king; not just some guy hanging on the corner moaning about everything and spitting, and wearing safety pins, which I’ve never been interested in!

Looking back, was Malcolm McLaren’s career advice to you worth the heartbreak of him stealing your band?

At the time it was devastating because obviously we were buddies.

Dave and Mathew, myself, and Leigh Gorman was the new kid who had just joined. There’s one thing a band splitting up, but with that there’s a friendship, and there’s the camaraderie, and that came into question. I think Malcolm saw a situation where he could conveniently get a really good band to back up the idea that he had. A lot of water has gone under the bridge since then, we’ve made up and everything, but it was devastating on a personal level. On a professional level, it turned out to be pretty good for both parties. I couldn’t have seen it happening without that. We were very close doing our thing, and then someone else came in and started casting doubts amongst us. That created a kind of mutiny if you like. But gladly they did Bow Wow Wow which I thought was a really good project and sounded great, and I did “Kings” which was my view of things.

Is it true that when you were going to release “Kings” with your signature ethnic beat, that Bow Wow Wow were trying to steal that sound in recording their album?

We’d all sat around listening to hours and hours of philosophy by Malcolm about taking rock n’ roll back to its basics, and playing us all kinds of records from Django Reinhardt to Charlie Parker, through to various ideas that Malcolm had in his head. He’d talk to you for about an hour on something, and if you were lucky you would understand a minute of it.

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Making those kind of ideas turn into reality just involves a lot of work. I just sat there and listened, and it sparked off certain directions for me. But what he was talking about in those meetings was pretty much what you hear when you hear the Bow Wow Wow sound. Mine was more…there are timpani drums in “Kings of the Wild Frontier.” There are 30 layers of vocals on it, which I did, so I didn’t fit into that idea that Malcolm wanted us to fit into. I had to put my hand up and say “this really isn’t working for me, I’m not quite getting the vibe off this.” When he got the band to say they wanted to leave, I certainly had the name and I had these threads of ideas, but nothing that fitted in with what they were doing, so I came out of it and went and started again. There was still a competitiveness. I thought, I’m not going to waste all this time sitting, listening to this lot and not use it, because I paid for it. I gave Malcolm £1,000 to manage the band. I think I got my money’s worth.

When you released Kings in the USA, you changed the tracks. “Making History” was removed and “Physical” and “Press Darlings” replaced it.

Why was that?

I didn’t change them, they were changed for me. I was quite shocked to see various tracks taken off. I know they had a meeting and they decided that they wanted to take certain tracks off, and they did. At the time there was nothing I could particularly do about it. So it was a big shock to me. That was one of the nice things about doing the “Kings” gold boxset is having it in its original form.

They made the decision for me, I wasn’t consulted, there it was.

Why didn’t your label want you to tour “Kings” in the USA At the time?

No they didn’t, I think there was a lot of suspicion about guys wearing makeup and outlandish clothing, etc. They’d seen a lot of the glam thing, certainly people like T-Rex, who were great. I love Marc Bolan and Roxy Music being two of my favorite bands, big influences, just hit paydirt in America; it was still very “rock” then. Regardless of Alice Cooper and stuff like that, there seemed to be a lot of suspicion from upstairs about what we were doing? There was a lot of excitement about “Kings” when I went to New York and LA, but the actual decision-making upstairs in terms of budgets and commitment to get behind the band…I think there was a decision made where it was not “yo ho ho” as you might say, it wasn’t “the charge” that I thought it would be. That’s how we felt. We didn’t actually tour it, we just went over there and did a few showcase gigs.

We had the New York Dolls, they were pretty flamboyant.

I know, but that’s an American band, it was the stuff coming over from the UK. It’s very peculiar, maybe that’s just my imagination, but I did feel the fact the people that came (to the showcase gigs) seemed to love it, and I remember doing a very serious chat with Tom Snyder as well, which was quite a challenge for my first interview in America. It was a quite straightforward thing. Eventually we pushed on through and kept going. I didn’t tour America with “Prince Charming” either. That was just never going to be on the cards. It was far too expensive a production. “Goody Two-Shoes,” by the time I did the “Friend or Foe” album I went solo, I was able to go ahead and really play live a lot, play a lot of gigs, and I think that’s what you have to do in America.

Did your famous white stripe have a hidden meaning?

Well I’d been studying Native American various tribal makeup, and decorations to the face, and it was more like a war stripe; a declaration of war on all that kind of nonsense in the music business and the political stuff that I didn’t like.

So we felt kind of heroic. I always find that very inspiring, that whole philosophy, to me; I felt it was appropriate just declaring war on the music business really.

That’s what we did.

When “Antmusic” first came out it was revitalising, refreshing, adventurous, exciting, and it still is today. When a pop artist today can’t seem to stay relevant for 35 seconds, how is it that “Kings” is still so relevant after more than 35 years?

You don’t consciously think “this is going to change everything.” I think at that point you’ve got a big mouth and a sharp pencil. The main thing is to get the record out of your head sounding like that sound that I could hear, and not saying it’s completed until you heard it in the mixing room. We all got in there and it was very much an experimental sound. Really the first track that encompassed everything, and I knew “Ah” that was definitely the sound that I think we can take as the blueprint of this whole album was “Dog Eat Dog”.

That was the first track in the studio that all the other vocals, and the kind of crashing sound, and all the arrangements of the TWO drummers. I thought, “ah! oh, ok” that was the blueprint there. So basically from that we applied the same kind of premise to “Kings of the Wild Frontier,” “Antmusic,” and the rest of the album. So having cracked it on one track, you then take it to the other songs. Then fortunately, we were able to produce a record that was done pretty much in relatively one go, going into it with no distractions down in the studio in Wales. We were just more or less going into work every day and really doing it with no distractions whatsoever. So in a way I think it benefited from that certainly. I didn’t say it was finished until it was really finished. It was not a particularly expensive record to make, it was just a lot of energy that went into it. I’d waited a lot of years to get the opportunity to get that done. Chris Hughes was in the band, that’s another thing; he was one of the drummers, so him behind the mixing desk, I think he played an important part as well, as one of the band. It wasn’t like bringing in an outside producer to put their mark on it.

He knew because he was playing drums every night on the songs. We all had a good idea of what we were after. It wasn’t like when you sometimes bring in

a name producer who makes some good suggestions and also makes some suggestions that might change the thing completely. We didn’t have that. I think that was why maybe its lasted, because it’s a time capsule.

What do you think it is about “Kings” that caused it to be such a landmark event?

There was an effort to make it look as good as it sounded. There was always this certain element to early punk rock where certainly the work that Malcolm and Vivienne were doing in World’s End: SEX and Seditionaries, their two shops that were very influential. Those clothes were expensive, it wasn’t tacky, there was always a sense of what one would say is a sartorial correctness about it.

I wanted to do something that looked as good as it sounded, so the record having been made, you want to produce something that looks like it was made by the guys onstage so there were certain influences there, that I think we were able to project on the stage, through make up, clothes and attitude.

The attitude was there. On our own, we were like buccaneers. The thing was, you’d docked the galleon, gone in and just grabbed everything you could put on, so the jacket was almost as if I’d taken it, put it on and run off with it. It was all that kind of playful, heroic thing: The Highwayman, The Buccaneer, and The Native American Indian, which I felt was always this glorious, certainly iconic imagery that appealed to me growing up, and still as an adult. It was that kind of feel for me.

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SPOTLIGHT WITH JULIANNE MICHELLE

SAVING OUR CHILDREN

By Julianne Michelle

Francesca Amato

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hen we think of heroes, we often think of the superheroes with supernatural powers depicted in the movies. However, there are real heroes amongst us, who look just like you and me, but their magic transcends all. Their bravery propels them to distances we could never fathom, to places others wouldn’t dare go. They risk their career, livelihood, reputation, and make sacrifices for the betterment of mankind. They are not driven by fame, money, or power, but rather by giving a voice to the silenced, lending a hand to the helpless, and rescuing an innocent from the chains of exploitation.

The family unit has always been the anchor of civilization, the foundation of progress and advancement. Today, our families are under attack by a corrupt family court system. Innocent children are being wrenched from their loving, safe homes, in many cases from their protective mothers, in favor of fathers with documented histories of violence, drugs, and crime. These “legal” kidnappings are happening in cities and towns across our nation, as well as around the world. This pernicious and pervasive war on our children represents one of, if not the greatest, evil threatening modern society today.

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Advocate, TV host, and best selling author, Francesca Amato, was personally affected by this great assault on children when her child was wrongfully

taken from her twice by a corrupt family court judge and sent to live with her abusive ex. Her son was finally returned to her, and she has continued her efforts helping other children and families combat malfeasance in the family court system. In 2018, Francesca founded Punished 4 Protecting, Inc. (P4P), a 501 (c) 4 social welfare non-profit, which provides advocacy, education, counseling, and other services to families victimized by the family court apparatus, a trillion-dollar industry, that has used innocent children for monetary gain (through the ordering and expansion of costly unnecessary “services”), rendering families broke, in debt, helpless, and at the mercy of diabolical family court players and affiliates. Ms. Amato’s organization is also dedicated to abolishing the archaic and patriarchal family court system, which lacks essential domestic violence training and disproportionately favors men over women, allowing alleged abusers to weaponize the court system and use the child as a pawn to perpetuate the torture of their ex partner, who is often pathologized and punished for speaking out about the abuse and trauma.

increased risk of losing their child. “More often than not, women who report abuse in family court are not believed and the disbelief is far greater when they report child abuse,” Meier said. Meier’s study, funded by the National Institute of Justice, found that mothers, who report child abuse, lose custody of their children to their abusers 30 to 50 percent of the time.

For more information on how to become involved with this noble cause and participate in upcoming events, please visit the website below. I will be hosting a holiday toy drive and auction with long time child advocate and actress Tina Louise to benefit these children in Manhattan this December 16th at Mark Murray Fine Paintings.

Through her plight, Ms. Amato met attorney Joshua Douglass. Mr. Douglass was a child of the system himself, and his journey inspired his life-long mission to represent families in need and rescue children from the shackles of the nefarious family court system.

Mr. Douglass was recently featured in the NY Post for suing a local judge in federal court for violating his client’s due process rights and taking her child away without a hearing. Since then, Mr. Douglass has succeeded in bringing children back home to their loving mothers, one child at a time.

Stories like Amato’s are not uncommon. Nationally, domestic violence survivors do not fare well in highconflict custody battles. In a 2019 study conducted by George Washington University Law school professor Joan S. Meier, women who report abuse are at

Instagram: @realjuliannemichelle Twitter: @julmichelle

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Http://Punished4beingaparent.com Nationalcoalitionfc.cpsreform@yahoo.com

Julianne Michelle is an award-winning actress whose career began at the age of 5. She is currently playing Ms. Taylor in the Amazon series, Little Cupid. She is a graduate of Columbia University.

Joshua Douglass

Pablo Schreiterer

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rgentinian with a German passport, grew up in Tandil (a small rural town 220 miles from Buenos Aires Argentina) influenced by his grandmother, an exceptional horse painter, from a young age his passion for drawing and later on for technology would lead him to become an illustrator and freelance 3D artist to later study film and multimedia technology but his mainly self-taught training reflects his obsession with the image in all his artistic branches, mainly photography.

He had his first digital camera at the age of 19 (a 3 megapixel Concord) and with it he captured friends, family and everything that caught his attention.

Before becoming a fashion photographer he spent some years doing street photography where he trained his technical skills and over time the camera became a means of exploration for all his artistic motivations. He started with digital photography at the time when there was only one book in the whole country that talked about it, and the internet was in its infancy, so accessing the information that today floods the networks and YouTube was something absolutely non-existent.

His sexy but elegant style combined with a strong commercial and transgressive sense is accompanied by an impeccable technique as a result of his enormous experience and visual baggage, fueled by a unique criterion that leads him to approach each session with an aesthetic and unique eye seeking to tell a story. and create timeless images with an orientation in many pictorial occasions.

Pablo Schreiterer's work reflects the great doses of passion and creativity with which he does it, he has developed his own aesthetics, a free and fresh style of great originality, the result of simplicity and the excellent ability to direct the models and above all an extremely keen eye to retouch and edit the photographs, a task that in the vast majority of occasions he performs

himself, since he considers an essential part to reach the best result, involving them in the whole process.

His work has been study material in numerous photography schools, he has given masterclasses and written numerous articles on his artistic vision through photography. He has exhibited in internationally renowned galleries such as Centro Cultural Borges and others. His portfolio is a testament to his inexhaustible imagination and his hard work decade after decade.

He has published several books including "Timeless Beauty" a compilation of nudes made with his particular pictorial style in which international models and new faces participated.

Today he is a recognized fashion photographer consecrated at the highest level, being a benchmark in fashion and equestrian photography.

He has worked with celebrities, top models, renowned artists in the world of acting, music and TV conduction, and with great equestrian athletes, for international magazines, top brands and designers such as Maria Pryor or agencies such as Civiles Management and Dotto Models.

He currently lives in Wellington Florida USA, accompanying his work as a photographer with important artistic projects today related to the equestrian and fashion world. He considers it essential to always have a space where he can flow freely with ideas and where he demands himself technically and creatively so as not to stop growing as an artist. He is working on two ambitious projects that will be exhibited in Wellington and Palm Beach in the near future. www.schreitererstudio.com January 2022

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Ron Burkhardt

"Bold Juxtapositions of Burkhardt's Letterscapes Notism and Earth Art" Solo Exhibition

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Pink Glow. - 48x48, oil on canvas. Featured at Quogue Gallery.

ROBIN KOFFLER Robin Koffler is a New York City-based artist and designer. Her artistic roots trace back to a career in graphic design, illustration, and jewelry design.

Her paintings reflect a distinct style, which blends abstract realism with an imaginative Impressionist color palette. Her subject matter captures the magic and energy of her surroundings including striking landscapes and colorful florals. Robin’s technique of breaking down the forms into shapes, color, and light draws the viewer into her scenes. Robin has studied at The University of Michigan, The School of Visual Arts, the National Academy, and The Art Students League. robinkofflerart.com.

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14 karat gold Bauble Ring with tsavorite garnet and diamonds robinkoffler.com

Vivid Sky - 36x60, oil on canvas.

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Artist

CAROL CALICCHIO

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MvVO ART AD ART SHOW 2022

To Return to New York City’s Oculus Westfield World Trade Center Call for Artist Going on Now until January 10, 2022

By Peter Elston Photos courtesy of Olivia Olsen

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vVO ART, creator of AD ART SHOW, recently announced the Call for Artists for the 2022 edition of AD ART SHOW. Artists working in advertising, design and related fields are invited to apply to participate in AD ART SHOW 2022. The Call for Artists is going on now. Go to www.mvvoart.com for application details and to apply. Artists have until January 10, 2022 to apply.

with the experience of art in AD ART SHOW. Inside a popular shopping and dining destination, it’s a winning combination of audience, art, and platform.

MvVO ART’s AD ART SHOW is a one-of-a-kind experience that brings ART directly to people by transforming an advertising platform—monumental digital screens—into a public gallery space for an entire month. AD ART SHOW’s artists have a background in advertising/design and other related fields. They are following in the footsteps of famous artists such as Andy Warhol, Rene Magritte, and Keith Haring, all of whom had a commercial practice. Some artists have historically made the leap, but the barriers remain; and AD ART SHOW opens the doors for these talented artists with direct connections to the art world in a celebration of artistic discovery open to all art lovers.

“AD ART SHOW bridges the gap between the Art world and advertising by championing the artists working in advertising and showcasing the Art they create” said Maria van Vlodrop, MvVO ART Founder, named a Top Ten Cultural Shaper by ADWEEK magazine in its annual Creative 100 List.

For the 2022 edition, AD ART SHOW will return to the Oculus in the Westfield World Trade Center in New York City—a transit hub, shopping destination, and iconic Santiago Calatrava NYC architectural landmark. From May 1 to May 31, 2022, the AD ART SHOW 2022 will display artworks—paintings, sculptures, photography, and mixed media works—on the massive, high-impact digital advertising screens.

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AD ART SHOW artists’ work is also on display on the MvVO ART Artsy gallery page. Artsy, the premier art market site for collectors, provides artists with yet another avenue for exposure.

The selection committee for MvVO ART – a who’s who of contemporary art experts and globally recognized creative pioneers – vets all of the artists in the show. The show’s winners are chosen by a jury of well-known art collectors.

Artists who receive top honors gain additional exposure and prizes in the art world.

AD ART SHOW debuted in 2018 at Sotheby’s New York before going all digital in 2019, 2020, and 2021 at the Westfield WTC’s Oculus. MvVO ART continues to innovate with each show addition, providing new opportunities for artists.

For more information about AD ART SHOW 2022 and to see works by the 2021 artists: Visit www.mvvoart.com and follow MvVO ART on Instagram: www.instagram.com/mvvoart/.

ART BASEL

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Photos courtesy of Patrick McMullan, Artwork by Jacques Lieberman

“Beyond The Lines And Colors”

Presented by Artist Jacques Lieberman

By Lillian Langtry

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rtist Jacques Lieberman debuted his exhibition “Beyond The Lines And Colors,” with party amongst family and friends. The event and exhibition were held in the studio at 484 Broome Street, New York City, next to the popular MarieBelle Chocolates. “Beyond The Lines And Colors,” is selection of Jacques original artwork from over the last two decades. Guests enjoyed cocktails and MarieBelle chocolates while taking in Jacques’s artwork that was displayed throughout the studio.

Notable attendees included: Jacques Lieberman, Maribel Lieberman, Andrea Legnani, Paola Rossi, Vanda Tuberga, Ira Cabrele, Gabriel Vallecillo, Pam Chmiel, Vanda Tuberga, Ira Cabrele, Carolina von Humboldt, Christophe von Hohenberg, Ray Starner, Ilene Wood, Adele Nino, Jeffrey Ray Wine, Sara Johnson Kaplan, Rosemary Ponzo, Eric Ross, Natalie Ross, Gracia Borjas, Nadia Martinez, Ruth Miller, Pat Canole, Katlean de Monchy, Nancy Pearson, Maria Elena Christiansen, Maria Monteiro.

Jacques Lieberman the Artist: When Jacques Lieberman moved to SoHo’s Prince Street, he lived in the same neighborhood as artists such as Keith Haring, Andy Warhol, and Jean-Michel Basquiat. Jacques divided his large apartment into two sections: a living space for himself and a makeshift gallery space called ‘Al Conic’ where local artists could display their work.

He put up a sign downstairs advertising the gallery space for rent and had a lot of success. He continued to paint and sell his own art, eventually earning enough money to quit his job and become a full-time artist and gallery manager. As demand for his gallery grew, he decided to rent a larger space on Broome Street: 106

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7,000 square feet of commercial space that he would divide into five separate galleries. He christened it The National Art Gallery and advertised it in the Village Voice. The demand was tremendous, and artists began to travel from all over the world to bring their work to Broome Street. For the next nine years, he ran the gallery and sold his paintings.

Adobe Photoshop, a new graphics editing software, was released in 1988. Jacques decided to buy it so he could do rough sketches for his paintings. However, as he learned how to use the software, he realized that he could use the same color palettes and geometric design capabilities to create colorful works of art in a fraction of the time it took him to create a painting. He started creating hundreds of new pieces each week, with vibrant colors and shapes dancing across the screen. He blew them up, printed them in high resolution, and sold them to the general public with great success. His prints drew the attention of renowned art critics such as Holland Cotter, who is now an art critic for the New York Times and has his own gallery space on Broome Street where he sells his work. As a result, Jacques Lieberman was the first artist to create art in Adobe Photoshop, creating digital art throughout the 1990s and early 2000s.

Jacques and his wife Maribel, Chocolatier, and founder of MarieBelle Chocolates, now live in Manhattan’s SoHo neighborhood with their young daughter Angelina Lieberman and their pug, Willow. Jacques continues to enjoy skiing in Colorado and travels to Israel on a regular basis to see family.

Of his art, Jacques says “It’s simply me delivering joy to the public. I hope they feel joy.”

HOTEL CROYDON ART BASEL MIAMI

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Boca Raton Museum of Art - MUSE

MACHU PICCHU AND THE GOLDEN EMPIRES OF PERU

By Lisa Ray

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here are special times when the clouds part and the sun shines and the stars align. Board Chair Jody Harrison Grass and Executive Director Irvin Lippman felt this moment when they heard of this exhibition coming available from the Museo Larco in Lima, with its renowned collection of Andean treasure, and that the larger theme would be a look at Machu Picchu, one of the the most original and unique cultural landscapes in the world. Machu Picchu is one of the marvels of the modern world. The great Inca citadel nestles among the mountains of the sacred Valley in Cuzco, Peru. An environment of enormous biodiversity with impressive structures built nearly 600 years ago by the Inca Pachacuti. The deep understanding of agriculture where many communities started to live permanently together near this cultivated area to share in knowledge and collective work are shown in the art and monumental architecture where they performed their ceremonies. South Florida has the largest population of Peruvian people in the United States today and their heritage is celebrated within this nearly 5000 year old Andean empire treasured collect. Represented are the complex societies of South America - Chavin, Anzac, Lambayeque, Chimu, and Inca.

During the pandemic the historical site of Machu Picchu was closed to the public which gave a unique opportunity to fly a drone and camera over the site to create a virtual reality tour of this Inca citadel. In the Wolgin Education Center located in the Boca Raton Museum of Art visitors can sit in cinematic motion

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chairs with headsets and enjoy the virtual reality journey from high above where the condors and macaws fly free. The feeling of the power and grace as well as the vital source of these Andean cultures contained in these sacred spaces is tangible to the viewer.

The entire museum is dedicated to the exhibition. The full immersion will transport visitors to the jewel of the only cradle of civilization in the Southern Hemisphere, the Incan city of Machu Picchu. With over 192 artifacts from royal tombs that include pieces from royalty and one of the most impressive collections of gold treasures ever to tour the world. Out of the cloud forest this land was taken over by the surrounding forestry for nearly 500 years. The sophistication and storytelling of the pieces trace ancestors and the mysteries of belief systems of the Andean cosmology.

The Boca Raton Museum of Art and their exhibition programming contains continuing education series with conversations that matter in biodiversity and conservation , searching for the origins of prehispanic goldsmiths, Samorning art (smART) for children, and lectures based around the understanding of the Art of the Ancient Andes. Reservations are required to attend the ongoing programs at the museum located in Mizner Park Boca Raton, FL. You can register for events such as the Gala Dinner, Annual Museum Art Festival, Bijoux Contemporary at boca museum.org/events.

DOUBLING DOWN

IN PARADISE Mother of Two Sets of Twins on ‘Working-It’ in Palm Beach and Beyond

By Melissa Berthier

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t’s Monday morning and Carolina Buia Barefoot’s iPhone alarm goes off at 6:15 am. She’s forced to rise, as her phone has been purposely placed on a small desk 15 feet away, next to her Pilates reformer. Before beginning her choreographed morning, which includes making buttermilk pancakes for her two sets of twins, the svelte, petite blonde sneaks in some reformer moves.

Next, she is at her stove, flipping pancakes, yelling for her kids to hurry up, checking emails on four separate accounts, and writing in daily tasks on her Minimalist app. “I’m obsessed with my to-do list,” says Buia with a disarming smile. “If I don’t have a daily roadmap, I’m going to find myself taking too many scenic routes.”

Buia has certainly traveled many routes to have landed where she is today.

Born in Venezuela to an Italian father and a Venezuelan mother, Buia’s parents exposed her to many cultures, countries and languages. Eventually settling in Miami, Buia always had an affinity towards writing and politics, becoming a high school intern for Senator Connie Mack and a US Page in DC for Representative Ileana Ros-Leithnam (R). At Duke University, she met her husband, Heath Barefoot, and together they moved to Manhattan to break through in one of the toughest cities. “It was such an exciting time. Rent was on Broadway, Guiliani was ushering a new era of prosperity, Chelsea was becoming an art mecca and I felt as if I had won a golden ticket—a front seat to history as a cub reporter for TIME magazine.” After working in print media, Buia transitioned to national on-air television and internet jobs, slowing down only after she started “having those babies two by two.”

Out of all her assignments, she credits motherhood as being the most challenging “It’s all-encompassing physically, mentally and emotionally. It’s a tour of duty.” Today, Buia’s twins are 15 and 12 years old, and she is back at work on her own terms. After moving to Palm Beach Gardens nine years ago, Buia has found new ways to use her business and storytelling skills: Working as both a real estate agent for ONE Sotheby’s International Realty and a publicist for Altima. “They seem like two different jobs, but honestly there is so much overlap,” she says. “I’ll have a client that is downsizing their home, but then starting a new business and in need of PR consulting. I sell and write about Palm Beach. And I couldn’t be happier.”

The publicist is Maribel Alvarez, CEO and Founder of Altima Palm Beach, whom represents Palm Beach island art galleries, restaurants, fine caviar, fashion designers and jewelers. “Carolina fit right into my organization,” says Maribel.

“She is tireless, vibrant, funny and puts her heart into every sentence she crafts and every action she executes. She knows how to attract the right clients for our Altima brand.”

Most recently, Buia met an award-winning scientist, Dr. Richard Miron, phD, who has his own lab at the renowned Scripps Center in Jupiter and will be opening a boutique med spa in April. Miron’s spa, Care Esthetics, will offer plasma rich fibrin injections for skin rejuvenation and hair loss. “Discovering, working and developing global innovators such as Dr. Miron makes me excited to get up each morning,” says Buia. Miron is credited with developing a patented, plasma-based alternative to products like Juvéderm® and Restylane®, based on a patient’s own biomaterials. He will also provide the most cutting-edge laser therapies to his Palm Beach and Jupiter patients. “Whether it’s my PR or my real estate clients— I learn something new on a daily basis,” says Buia.

Being a life-long learner is a trait Buia is intent on passing down. Together with a team of high school students, including her oldest daughters (piano and visual art majors at Dreyfoos High School), Buia is helping to launch an organization, the AuntFLOridaproject.org, that will bring a yearly art education camp to local, underserved communities and aims to lessen period poverty in areas of Central America. “The goal is for my daughters and their friends to connect to their community and to the world at large,” says Buia. “I had the most beautiful childhood in Venezuela, but it’s a place of extremes—extreme wealth and poverty, extreme vistas and violence—the dichotomy is palpable. But working in numbers—doubling up efforts—is how we’ll make this world a kinder and more equitable place.” More goals for that morning to-do list.

Photo by Sally Prissert

Together with her close friend, Laura Gambino, Buia created the CL Team at ONE Sothebys. “Laura is the greatest real estate partner and asset. She literally grew up in the business with her mother and she is as sharp, driven and honest as they come. In fact, she was my agent when we moved here—and let me tell you, I was not an easy client.” Together, the CL Team specializes in North County Palm Beach homes on the water and homes in gated, golf communities. As for the PR business, Buia fell into it by happenstance. “When I moved to Palm Beach, I was still contributing to national and local publications. I became friends with a local PR maven who needed help with one of her many high luxury accounts.

Somehow, I’m still there.”

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ANDREA BOCELLI, DAVID FOSTER & KATHARINE MCPHEE

PROSTATE CANCER FOUNDATION’S

ANNUAL NEW YORK GALA DINNER

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By Elizabeth Darwen Photos courtesy of Patrick McMullan

he Prostate Cancer Foundation (PCF) 25th Annual New York Dinner took place at the Plaza Hotel in New York City. The end-of-the-year benefit supported PCF’s programs and celebrate the millions raised and achievements made in the past quarter-century through PCF. The charitable organization founded by Mike Milken is dedicated to identifying and funding groundbreaking cancer research programs. The memorable evening welcomed leaders in medicine, top research scientists, business leaders and distinguished New York City socialites. The event raised over $6 Million.

The gala began with a lively cocktail reception. During a lavish dinner party, Mike Milken along with celebrity host Whoopi Goldberg gave a special presentation on PCF’s recent accomplishments. There was also a live auction for various unique experiences as well as investment in Young Investigators who are changing the face of medicine with proceeds going towards PCF. The night gave way to a special musical performance from Andrea Bocelli, David Foster, and Katharine McPhee. Andrea’s daughter Virginia Bocelli performed alongside her father for a special rendition of Hallelujah. Musician Kenny G made a surprise performance via big screen next to the main stage.

Some notable attendees included: Mike Milken, Lori Milken, Whoopi Goldberg, Joe & Ali Torre, Richard & Lisa Cashin, Bennett Goodman, Rob & Cindy Citrone, Stephen & Elizabeth Eisenman, John Paulson, Arte & Carole Moreno, Bonnie Pfeifer-Evans, Leon Black, Larry Leeds, Ginger Feuer, Charles J. Ryan, David & Lisa Simon, Sophie Koven, Jamie Koven, and Todd & Katie Boehly.

About the Prostate Cancer Foundation: The Prostate Cancer Foundation (PCF) is the world’s leading philanthropic organization dedicated to funding life-saving prostate cancer research.

Founded in 1993 by Mike Milken, PCF has raised close to $1 billion in support of cutting-edge research by more than 2,200 research projects at 245 leading cancer centers in 28 countries around the world. Thanks in part to PCF’s commitment to ending death and suffering from prostate cancer, the death rate is down by over 50% and countless more men are alive today as a result.

PCF research now impacts more than 73 forms of human cancer by focusing on immunotherapy, the microbiome, and food as medicine. Learn more a www.pcf.org.

F: www.facebook.com/PCF.org | T: www.twitter.com/PCFnews

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WHITE CROSS BALL RAISES FUNDS FOR ORDER OF MALTA’S INTERNATIONAL HUMANITARIAN WORKS

By Elizabeth Darwen Photos courtesy of BFA

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he White Cross Ball of New York City took place at The Metropolitan Club in Manhattan. The Ball welcomed His Eminence Timothy Cardinal Dolan and Ball patron HSH Prince Charles-Henri de Lobkowicz. The Ball raised money for three of the Order of Malta’s international humanitarian works: The Holy Family Hospital of Bethlehem Foundation; Malteser International, Order of Malta Worldwide Relief; and The Order of Malta’s summer camps for disabled youth.

Guests enjoyed drinks, dinner, dancing with music by DJ Ana Boo, as well as portraits by Deanna First. The auction included luxury items and experiences from Mikimoto, Louis XIII, Group Enate, Vinos Libres, Volley, Li Organics, and IDEO Skincare. Beautiful boxes of chocolate from luxury chocolatier MarieBelle New York were on every table for guests to enjoy throughout the evening.

The White Cross Ball chairs for the evening were Mercedes de Guardiola and Jason Pelletier. Additional guests include Co-Founder of the White Cross Ball Dr. Michael Espiritu, Co-Founder of the White Cross Ball Niccolò Falez, Lizzie Asher, Francesca Vuillemin, Jessica Markowski, Julia Kananovich, Dr. Michael Espiritu, Casey Kohlberg, Viscount and Viscountess de Vimal, Allison Ecung, Antoine Verglas, Nicholas Kalikow, Claire Ngai, Olga Duchniewska, Major General Tom Wessels, Linda Wessels, Archbishop Gabriele Caccia, Rory Kelleher Ravi Tripptrap, Serena Woodward, Alessandra Ojetti, Carlo Vitalini Sacconi, Karina Rabayeva, Anastasia Bondarenko, and Kat Filipovic.

The Ball Committee operates under the aegis of the Order of Malta American Association, which is registered in the United States as a tax-exempt §501(c)(3) not-for-profit corporation. Donations are tax-deductible to the fullest extent allowable by law.

For more information, visit: www.whitecrossballnyc.com January 2022

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Through the Lens

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ANNIE WATT

I am very excited to become a part of the Metropolitan Magazine Palm Beach family. Photographing events and introducing my associate photographers to these opportunities is what I do. Monthly I will be sharing meaningful images of people experiencing what South Florida has to offer. I’m looking forward to my first time visit to Art Basel in Miami on December 2-4th. If you haven’t been, put it on your calendar.

As a photographer and artist I’m excited to support fellow artists. In this my inaugural column I am introducing noted abstract expressionist J. Steven Manolis, founder of the Manolis Projects, which represents over 40 artists and provides private curation services, offering visitors an immersive behind-the-scenes view of a working studio and gallery.

This year for Art Basel Miami, Manolis Projects is proud to present “Hunt Slonem: The Early Years, An Art Rich and Strange + Manolis Projects Artist Group Show.” Hunt Slonem is an American colorist and figurative painter, best known for his large Neo-Expressionist oil paintings of tropical birds, butterflies, and bunnies. Manolis Projects features a large collection of these rare early works, as well as his iconic salon-style Bunny Wall.

Also featured is artist Ron Burkhardt, the founder of Notism, a genre he describes as exalting the power of private thoughts expressed in hand-written text – its style, texture, intensity, dynamism, aestheticism, and the primal exuberance of precious memory recall. His works are easily recognized by their striking colors, bold shapes, and meticulous attention to detail.

anniewatt.com

ARTIST CAROL CALICCHIO EXHIBITION

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DENA LYONS HOSTS DINNER TO BENEFIT THE SALVATION ARMY AT RENATOS

CAMILLA WEBSTER AND FARLEY RENTSCHLER HOST SALVATION ARMY LUNCHEONS

SCOUT GUIDE PALM BEACH LAUNCH PARTY

PHILANTHROPY GUYS RECEPTION FOR CANCER ALLIANCE OF HELP & HOPE

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Photo credit: Jovana Obradovic

“POWER OF DESTINY” SERBIAN STAR SOPRANO MARIJA JELIC SHOWCASED AT CARNEGIE HALL

By Ann Grenier

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erbian rising star soprano Marija Jelic made her American premiere at the legendary Carnegie Hall, presented by New York Artist Management. Her grand debut in the states highlighted an enchanting evening of music alongside American pianist Anthony Manoli.

“Power of Destiny” showcased Rachmaninoff’s Russian songs, opera arias written by master composers Verdi and Puccini including repertoire from Turandot, Madame Butterfly, Forza del destino, and Otello.

The audience was enamored by Marija’s performance, giving her and Anthony immense ovations between each number. Notable attendees included Serbian consuls Olgica Vlacic and Tamara Vujovic, as well as philanthropist Jean Shafiroff.

Marija has performed with Jonathan Tetelman, and this season has sung alongside Elīna Garanča, Placido Domingo and Jose Cura. Her impressive and emotive sound will be highlighted with her renowned acting abilities as she takes the stage. Classical takes of each song will impress all ages in the audience with relatable movements and stunning renditions by the soprano.

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A beautiful tapestry of music throughout the night will be created by the artist who has a unique background and history. Marija was born in Belgrade, Republic of Serbia. Later in life she completed a Faculty of Electrical engineering at University of Belgrade and learned singing as she finished master studies in opera.

In 2017 Marija passed an audition for an opera studio in the National Theater in Belgrade and started to sing small and main roles in opera productions.

Marija was performing in the opening of Ohrid summer festival 2020, Beethoven 9th symphony in Plovdiv summer festival, Micaela in Carmen concert version with Elina Garanca in Ljubljana summer festival 2021, concert with Jerusalem symphony orchestra and production of La Boheme with role of Mimi in Israel and Estonia in 2021.

Later in main halls and concerts in Serbia her talents were witnessed with biggest orchestras in Serbia “Stanislav Binicki” at Kolarac Hall, Radio television orchestra, orchestra of Serbian National theater and she performed in Belgrade summer festival.

Following this stage of her career were performances in the opera gala concert at the German summer festival in Wernigerode. From there she went on to sing a Parisian requiem in Moscow International Music Center. She was singing ten concerts with St. Petersburg Symphony Orchestra and Maestro Darrel Ang (Mariinsky Theater) in National Library in Beijing, Dongying Grand theater, and Liniy Snow Lotus Theater.

Marija debuted with the role of Mimi at the Serbian National Theater in Novi Sad. She performed Micaela at Croatian National Theater in Osijek. She was also singing in Moscow with Bryansk Governor Orchestra and St. Petersburg State Symphony Orchestra in St. Petersburg. She was also singing in the city of Bryansk (Russia) with the Bryansk governor orchestra.

For more information on Marija, please visit: www.agenturmilankov.com/sopran/marija-jelic.

Photo credit Patrick McMullan, and Rob Rich Society Allure

VIENNESE OPERA BALL’S “THE GOLDEN AGE” SWING DINNER DANCE GALA

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By Salome Langvin

he Viennese Opera Ball hosted their Swing Dinner Dance Gala, “The Golden Age” at a private club in Manhattan. Due to the events of the past year, the gala was scaled down from previous years with limited capacity but was a great return of the extravagant affair. The Viennese Opera Ball is a nonprofit association under Section 501(c)(3) and celebrated under the auspices of the US Austrian Chamber of Commerce. The Gala Chairs for the evening was philanthropist Jean Shafiroff, and Denise Rich. Each year, it supports charitable projects that are connected to communities in New York or Vienna. The proceeds of the Swing Dinner Dance benefited the Gabrielle’s Angel Foundation for Cancer Research.

The Gala took place with the support of City of Vienna and the Honorary Gala Chair, Governor & Mayor of Vienna The Honorable Michael Ludwig, Consul General of Austria in New York The Honorable Helene Steinhaeusl, and the Director of the Austrian Cultural Forum New York Michael Haider.

Notable attendees included: President of the Viennese Opera Ball Silvia Frieser, event chair and philanthropist Jean Shafiroff, Consul General of Austria in New York The Honorable Helene Steinhaeusl, Director of the Austrian Cultural Forum New York Michael Haider, Hubert Heiss, Yoko Nakamura-Haider, Martin Shafiroff, Malan Breton, Scott Stone, Ana Stone, Eve Brookville, Sabine Riglos, Victoria Whipple, Paula Mahoney, Nelli Hantman, Imke Gerdes, Barbara Wennerholm, David Hochberg, Pamela O’Connor, Sonia Nassery Cole, Michele Herbert, Emily Mohr, Cole Rumbough, Sessa Von Richthofen, Richard Johnson.

The black-tie event was a change up to their traditional Opera Ball with the swing dance party theme. The music for the evening was provided by the Misha Piatigorsky

Trio, with Misha Piatigorsky on piano, Benny Benack III singing and playing trumpet, Sergei Avanesov on Saxophone, and Singer Kennedy.

There was a silent auction during gala with proceeds also benefiting Gabrielle’s Angel Foundation for Cancer Research.

About Viennese Opera Ball The Viennese Opera Ball, an annual white-tie charity gala celebrates the cultural and economic relationships between Austria and America, connecting two continents, two cities and two centuries in one glamorous night. It was founded by Austrians immigrating to the United States 66 years ago and is a tribute to both their former hometown Vienna and their host city, New York.

Considered the most prestigious and oldest Viennese ball outside of Vienna, the gala draws an international audience that includes diplomats and dignitaries, international corporations, and professionals. Performances by Metropolitan opera singers, the Viennese Opera Ball orchestra, ballet performances, the West Point color guard, midnight Quadrille and many more surprises contribute to a glamorous and delightful night.

Each year, the Viennese Opera Ball supports charitable projects connected to the communities in New York and Vienna.

For more information, please visit: vienneseoperaball.com.

Facebook: @vienneseoperaball Instagram: @vienneseoperaball January 2022

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“MURANO NIGHTS”

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Hosted by Young Friends of Save Venice Funds Venetian Masterworks Restoration

By Cecille Langtry

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Photos courtesy of BFA

asey Kohlberg, Lizzie Asher, and the Young Friends of Save Venice hosted Murano Nights, an intimate dinner at Casa Cipriani, the newly opened member’s club and celebrity hotspot in New York City’s landmark Battery-Maritime building. The evening was to celebrate the 50th anniversary of Save Venice, which in lieu of the pandemic related postponement of its usual black tie masquerade gala, is hosting over 50 smaller dinners and parties across the world. Murano Nights included 50 of Save Venice’s fashionable younger supporters from art and fashion to film and media for a cocktail hour, ballet performance by dancers from the Brooklyn Ballet, and dinner. Attire was billed as ‘Glittering Cocktail’, as a nod to the Murano Glass which lent its name to the theme, and the glamorous young people about town definitely delivered on the dress code.

“It’s been a pretty crazy year and a half,” said host Casey Kohlberg in a sparkling Carolina Herrera cocktail dress. “But I’m honestly so excited to be able to see friends and dress up again. Plus Save Venice is a cause so close to my heart it makes it feel all the more special.” Save Venice Young Friends Chair Lizzie Asher, shimmering in a PatBo dress, followed the welcome remarks by sharing the myriad of restoration accomplishments Save Venice has had during its 50 years: “Save Venice has indeed been saving Venice one masterpiece at a time.”

Notable guests included: Patina Miller, Serena Goh, Krystal Bick, Amir Taghi, Denise Baca, Tai Cheng, Daniel Kibblesmith, Jennifer Wright,

Savannah Engel, Alyson Cafiero, Laura Day Webb, Timo Weiland, Mercedes de Guardiola, Clare Ngai, Daniel Howard, Irina EickeKrylova, and Maximilian Eicke.

No detail was left uncurated as evidenced by the cocktail list of the evening that featured the classic Cipriani Bellini and a white Negroni (a nother nod to the glass that Murano is known for), with a wine pairing menu provided by Kobrand Wines and Spirits during dinner. The menu featured fall fare of risotto with saffron and dover sole with baby artichokes, grown on the Venetian Island of Torcello where Save Venice is currently restoring the Basilica of Santa Maria Assunta. Proceeds from the evening helped fund the restoration.

Guests enjoyed a performance by the Brooklyn Ballet titled Sonic Relief, aka You Had To Be There, before sitting for dinner. The piece by New Orleans-born composer Malcom Parson features a gliding ebb and flow between the sound; the dancers’ movement is reminiscent of a midnight gondola ride through the canals of Venice. Choreographed by Lynn Parkerson, founding Artistic Director of the Brooklyn Ballet, the performance featured dancers Audrey Borst, James “Floats” Fable, Miku Kawamura, Christine Sawyer, Ladell “Ocean” Thomas.

Remarks by host Casey Kohlberg and Young Friend Chair Lizzie Asher closed out the evening.

Gift bags included items from BONBONWHIMS, PatBo, Dior, covid-friendly Save Venice masks, and mini bottles of olive oil from the hostess’ family home near Woodside, California.

About Save Venice & The 50 x 50 Initiative: On the occasion of the 50th Anniversary of Save Venice, the leading American nonprofit organization dedicated to preserving the artistic heritage of Venice, commemorative events are being organized worldwide to support important restorations of masterworks of Venetian art and architecture. The Young Friends of Save Venice are an energetic group of young professionals who share dual passions for art and preservation in Venice, having most recently raised funds for the restoration of Pietro Longhi paintings that are part of the Venetia 1600: Births & Rebirths exhibit in Venice to celebrate Venice’s 1600th Anniversary.

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Photos courtesy of Patrick McMullan, and SWCRF

24th Annual

COLLABORATING FOR A CURE GALA “TOGETHER AGAIN” SUPPORTS GROUNDBREAKING CANCER RESEARCH

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By Harry Brads

he 24th Annual Collaborating for a Cure Gala, one of New York City’s much-anticipated Autumn charity events, made its grand return at downtown’s Cipriani Wall Street.

Aptly themed Together Again, the event raised more than $4,000,000 to support groundbreaking cancer research funded by the Samuel Waxman Cancer Research Foundation (SWCRF).

This year, SWCRF presented its Fashion Cares Award to Debra S. Waller, Chairman and CEO of Jockey International, Inc. and its first-ever Breakthrough Science Award to Dr. Kevan Shokat, from the University of San Francisco. Waller, who has been personally impacted by cancer in her family, was recognized for her commitment to eradicating cancer and decades of philanthropy. Jockey COO Mark Fedyk and the Jockey team represented and accepted the award on behalf of Waller. Dr. Shokat, an SWCRF-funded investigator, recently discovered a new compound that effectively shuts off one of the most common cancercausing genetic mutations – the overactive KRAS protein - which is a driver in lung, colorectal, and pancreatic cancers. This mutant protein was considered “undruggable” for decades, but after 15 years of research and significant investments from SWCRF, a new FDAapproved medication is now available that shrinks these tumors by up to 50 percent with remarkably low toxicity.

The evening started with a cocktail reception across the street, after which guests made their way to the main dining room where host Michael Nierenberg and emcee Chris Wragge welcomed everyone back.

SWCRF CEO & Founder Dr. Samuel Waxman gave a brief presentation which was followed by a video of the extraordinary work of Dr. Shokat, and then the awards ceremony.

During the gala, SWCRF announced a new collaboration with the Tisch Cancer Institute at Mount Sinai to further expand the Foundation’s Aging and Cancer program which already includes partnerships with

the National Cancer Institute, National Institute on Aging, and the Israel Cancer Research Foundation. Additionally, the Foundation is funding breakthrough research to combat breast and ovarian cancer. In the past 10 years, SWCRF has allocated $4 million to its Women’s Cancer Research Program and is currently investing $1,550,000 towards 15 prestigious scientists working on finding new treatments for breast and ovarian cancer.

Known for its history of top-notch live performances, this year’s gala featured a live concert by Jason Isbell and The 400 Unit with very special guest artist Warren Haynes. As in previous years, the Collaborating for a Cure Gala included both a silent and live auction during the night’s festivities. The main prize of the night was 7-day Caribbean cruise aboard a brand new, 80-foot, solar-powered, luxury catamaran. Other auction items included 4 tickets to Jason Isbell and The 400 Unit, Candy the dog, 7 day Tuscany vacation, dinner for 16 at Cipriani vault just to name a few.

Notable attendees included: Dr. Samuel Waxman, Marion Waxman, Dr. Kevan Shokat, Deborah Kamali, Mark Fedyk, Erica Feinberg, Matthew Waller, Michael Nierenberg, Elin Nierenberg, Jonny Nierenberg, Dr. Ethan Dmitrovsky, Tess Dmitrovsky, Chris Wragge, Allie Gorin, Jody Gorin, Matt Gorin, David Ronzenhole, Dena K. Weiner, William T. Sullivan, Dennis Loyola, Ruben Fajardo, Cesar Ricci, Howard Kurz, Nancy Kurz, Vinnie Cammarata, Spencer Waxman, Bettina Waxman, Scott Waxman, Randi Schatz, David Hinkelman, Nick Santoro.

Funding for these projects is raised, in part, from the Foundation’s various events such as the Hamptons Happening summer event, their annual Ladies Luncheon, and the Annual Collaborating for A Cure Gala.

For more information, visit www.waxmancancer.org/gala.

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METROPOLITAN MAGAZINE Celebration at Le Bar in Palm Beach

Metropolitan Magazine Palm Beach | Metmagny.com

TREASURLY BY DIMA

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iamond jewelry is our bespoke Illusion Diamonds "DAYDREAM" collection. The Illusion Diamond is a combination of custom-crafted 9 perfectly matched diamonds, precisely cut and set together to create a look of one large single solitaire and face up value of a large diamond. Collection includes engagement rings, anniversary rings, earrings and necklaces.

The collection of gemstones includes rare gemstones like Paraiba and Tsavorite in our bespoke jewelry design and also original antique, vintage rings ( including art deco ceylon sapphire and mid-century vintage rubbelite diamond cluster rings).

Treasurly by DiMa Inc. started its journey in 1999. It’s a women-founded, operated and owned business. With 99.8% of fine diamond and jewelry companies being owned by males- with bottom line profits in mind- we take a more aesthetic approach. A woman knows what another woman likes! Each and every piece of our inventory is either designed or hand-selected by owners. Not only because we found a unique treasure for a great price, but mainly because we fell in love with it. Our motto is Fifth Avenue quality at Main Street prices! We take pride in exceptional personal service. We didn’t inherit this business from our grandparents, we created it from scratch. Therefore we don’t expect our customers to show up and pay high prices just because their grandparents shopped at the same place. We can’t afford to take poor care of our customers just because they trusted us with their prior purchase. So every transaction is not a given for us, it’s a result of hard work from the bottom of our hearts!

Images by LenFlash photography.

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CELEBRATING NEW YEAR'S EVE AT SWIFTY'S THE COLONY HOTEL, DECEMBER 31, 2021

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