Metal for your veins number 2

Metal for your Veins Magazine 100% Cuban dedicated completely to the rock.

Edition # 2 October 2015

CJ Ramone Sonotones

Black Sabbath ยกAnd much more!

Mosh Joliette

Editorial GREETINGS, HERE GOES THE SECOND NUMBER OF METAL FOR YOUR VEINS. THIS TIME COMES LOADED WITH SEVERAL SURPRISES. I HOPE THEY ENJOY IT.I WANTED TO THANK TO ALL THE PEOPLE THAT HAVE WRITTEN ME GIVING ME THEIR OPINIONS AND SUGGESTIONS TO ACHIEVE A BETTER PUBLICATION.

Metal for your veins Edition, Design and Realization: Alejandro Pérez Zerquera.

Collaborators: Yusniel Valdés Puig.

Metal Hammer Magazine.

Contacts Alejandro Pérez Zerquera.

E-mail: ale666@nauta.cu Any suggestion, comment or opinion can write to the previous mail.

To receive the alone bulletin you should send your e-mail to add it to the distribution list.

Gratefulness and Greetings: To Omar Vega Riaño (SubtleDeath), Yusniel Valdés Puig (Jesus is my Rock), David Zaldívar, the Nico (Medieval Warlock) who served me of inspiration to carry out this magazine.

And a special greeting for the bands Mosh, Sonotones and Joliette.

Cover: Poster of the promotional tour of farewell of Black Sabbath.

In this Edition: 1. Black Sabbath announces its end.

2. Punk-rock to the CJ Ramone.

3. Interview.

4. From the Cuba scene.

5. Biography.

6. Latest records.

In the previous number for an edition error was published badly the address web of the Magazine SubtleDeath, here goes them the correct address.

We offer excuses. http://issuu.com/subtledeath/docs

The band guided for Ozzy Osbourne from 1968, Black Sabbath, announced that soon will know its end but that won't make it without before to say goodbye to its fans like better he knows how to make it: with a monumental tour, more grandiose of that than we have never seen.

Through a video of YouTube published in their social nets, the band has announced that after almost 50 years of history, will say goodbye to the scenarios in 2016 with its tour The End, which will begin next January and that, up to now, has contemplated more than 20 dates in United States, Canada, Australia and New Zealand besides that will announce more concerts in the month of October.

"It is the principle of the end". It began almost five decades ago with roaring of a thunder, a bell resonating at the distance, and later that monstrous riff that shook the earth. The heaviest sound in the rock never listened. In that moment the Heavy Metal was born, created by a young band of Birmingham, England, almost adolescent.

Now it FINISHES. The final tour of the band of bigger metal of all the times: BLACK SABBATH. Ozzy Osbourne, Tony Iommi and Geezer Butler close the final chapter of the last volume of the incredible history of Black Sabbath."

The tour of farewell of Black Sabbath begins January 20 2016 and promises to overcome all the previous tours with a more fascinating production that never. When this tour concludes it will really be THE END. "The end of one of the most legendary bands in the history of the rock & roll: Black Sabbath."

The peculiarity of this tour, besides the epic thing that he promises to be, it is that it doesn't contemplate the presence of the bass at all (or ex bass) Bill Ward who hardly in April he declared in an interview for Rolling Stone that was not sure of if it continued being a member of the band after the confrontations that he had with Ozzy Osbourne through Facebook.

Regrettably, it seems that the doubts of Ward have been resolved, for what only wanted to declare regarding the tour: "I want that goes them well, I don't have more comments."

It is murmured that Black Sabbath could accompany the farewell tour with a last disk, however still anything has not been confirmed in this respect.

For the time being, this it is the list of dates that are already a fact and that soon they will be for sale in the respective cities that will have the pleasure to know the metal of Black Sabbath for last time: ESTADOS UNIDOS Y CANADÁ Enero 20 - Omaha, NE – Century Link Center Enero 22 - Chicago, IL - United Center Enero 25 - Minneapolis, MN - Target Center Enero 28 - Saskatoon, SK - Sasktel Centre Enero 30 - Edmonton, AB - Rexall Centre Febrero 1 - Calgary, AB – Scotiabank Saddledome Febrero 3 - Vancouver, BC - Rogers Arena Febrero 6 - Tacoma, WA - Tacoma Dome Febrero 9 - San Jose, CA - SAP Center Febrero 11 - Los ángeles, CA – The Forum Febrero 13 - Las Vegas, NV - Mandalay Bay Events Center Febrero 15 - Denver, CO - Pepsi Center Febrero 17 - Kansas City, MO - Sprint Center Febrero 19 - Detroit, MI - The Palace of Auburn Hills Febrero 21 - Hamilton, ON - FirstOntario Centre Febrero 23 - Montreal, QC - Bell Centre Febrero 25 - Nueva York, NY - Madison Square Garden AUSTRALIA Y NUEVA ZELANDA Abril 15 - Perth Perth Arena Abril 17 – Adelaide Entertainment Centre Abril 19 - Melbourne Rod Laver Arena Abril 23 – Sydney Allphones Arena Abril 25 - Brisbane Entertainment Centre Abril 28 - Auckland Vector Arena Abril 30 - Dunedin Forsyth BarrStadium

Poster of the promotional tour of farewell of Black Sabbath.

Without place to doubts Black Sabbath one of the bands of more influential heavy metal of all the times is considered. The band helped to create the gender with launchings so innovative as Paranoid, an album of the one that the magazine Rolling Stone said that it changed the music forever", calling to the band the Beatles of the heavy metal Time Magazine said of Paranoid that was the birthplace of the heavy metal", including it in its list of the 100 better albums of all the times. MTV placed Black Sabbath in the first position of its list of the 10 better bands of the heavy metal, while VH1 put them in the on number two of its list of the 100 better artists of the hard rock. VH1 put the song Iron Man in the on number one of its list of the 40 better metal songs.

William Ruhlmann, the critic of Allmusic, said: Black Sabbath has had as much influence in the development of the music heavy metal as to be a force definitory of the gender. The group took the sound blue rock of bands of final of the years 1960 as Cream, Blue Cheer and Vanilla Fudge taking it to its logical conclusion, slowing down the tempo, accentuating the first floor and putting special emphasis in harrowing alone of guitar and howling voices full with letters that express mental anguishes and macabre fantasies. While their predecessors clearly came from a tradition of electric blue, Black Sabbath guided that tradition in a new address, and when making it he/she helped to give to light to a musical style that continued attracting to millions of followers in the following decades.

Discography Black Sabbath - February 13th 1970 Paranoid - September 18th 1970 Master of Reality - July 21th 1971 Black Sabbath, Vol. 4 - September 25th 1972 Sabbath Bloody Sabbath - December 1st 1973 Sabotage - July 28th 1975 Technical Ecstasy - September 25th 1976 Never Say Die! - September 28th 1978 Heaven and Hell - April 25th1980 Mob Rules - November 4th 1981 Born Again - August 7th 1983 Seventh Star - January 28th 1986 The Eternal Idol - November 1st 1987 Headless Cross - April 1st 1989 Tyr - August 20th1990 Dehumanizer - June 22 1992 Cross Purposes - January 31 1994 Forbidden - June 8th 1995 13 - June 13th 2013

Punk-rock rock to the CJ Ramone

Steve Soto, Dan Root, Cj Ramone and Juan Frochaux. chaux.

Havana has become viral for the international tour of dissimilar artists. Although many try not to mention that the flag has been lifted from the past December 17 when the presidents from United States and Cuba decided to reestablish the diplomatic relationships, nships, for not attaching to any political concept, all hurry to occupy a space in the “virgin " insular market of presentations.

They are still vestiges in the social nets of the recent visit of Usher, Rihanna and Olga Tañón who, although they didn't act in their stays in the Antillean capital, nobody questions that they can make it in a future. Other, as the multinational rock band d The Dead Daisies, the of the Dominican Republic Johnny Happiness and José Alberto The Canary, the celebrated grouping Venezuelan Latin Dimension and the philharmonic of Minnesota (United States), yes they went to the encounter with the Cuban auditory to stay so fastened that they await to return.

Now has played him the shift to Christopher Joseph Ward, one of the members of the mythical band from New York Ramones, flag of the punk in that nation and that disintegrated in 1996. Ward, well-known well in the scenarios like CJ Ramone and bear of that famous team, it was brought Havana a spectacular group: Dave Grove and they Give Root current -guitarists guitarists of the Californian band The Adolescents -, and John Frochaux, baterista of the Panamanian grouping Lucy Fernández.

Fer Motivated to participate in the cultural festival Habanarte, CJ Ramone and their musicians seduced to the auditory of the temple of the rock of the capital with a lesson of classic punk. Almost in the midnight of Saturday September 12, the Maxim surrendered before the Americans and its melodic aesthetics, loaded with a feeling

that runs them for the veins, as good heirs of the doctrines foundational of the rock and roll and of one of its followed tendencies.

Nobody could escape to big positive energy that night. Successes of the repertoire of Ramones and material tamed by Ward in these years of career in loner were enough seasonings for a fairly full room. Pity that some decided not to be arrived to the coliseum, located in BruzĂłn and AyestarĂĄn. They lost a nonpareil opportunity to appreciate in a closed establishment the acoustics of a group in the one that not alone the interpretive qualities of CJ Ramone is appreciated, but the sound beauty of the guitar in the punk, the vigor of the battery and the sequential philosophy of the first floor metal.

CJ Ramone offered two concerts, the first one was on Saturday 12 in the Maxim Rock where it shared scenario with Tendencia and Zeus. The serious other concert on Sunday 13 in the cultural ALBA's house, here in Havana, like closing of the Festival Habanarte.

In both concerts, the artist made a review for the repertoire of Ramones, without leaving her more current creative chore outside.

When it ascended to the stage next to the guitarists of the band The Adolescents, Steve Grove and they Give Root, and the Panamanian baterista Juan Frochaux, CJ determined to resuscitate in Havana to several of the most alive deads in the punk, something that was clear from the beginning and it charged bigger force when he/she dedicated its topic Three Angels at three of the original members of the Ramones (Joey Ramone, Johnny Ramone and Dee Dee Ramone), in front of a multitude of young and veteran of the wars of the rock and roll that you/they lived with intensity the wild rhythm of a music that, mainly, the reminder of a time in that the punk was still a philosophy of freedom was.

He also made a journey for the most celebrated moments in the band until they reached their mature age, with a repertoire where they were listened the virulent juvenile happiness of the hymns ramoneros from Hey ho Let's Go, Judy Is to Punk, going by I Wanna Be your Boyfriend until topics signed by CJ like Last Chance to Dances.

It was not in this case of those musicians that land in the Cuban capital to revive old glories and to be placed in the focuses of the publicity, because, we should say it, the original members of The Ramones, already deceased’s, never met the pleasures of the fame, and on the other hand they began to charge true influence after the breakup of the band in 1996. It was, in this case, of a musician whose non alone main glory is to have been the parents' founders of the punk part, but of being with life to count it But the relationship of The Ramones with the Cuban public cannot be here, because another former member of the band, Marky Ramone, winner of a Grammy for the trajectory of the band and member of the Living room of the Fame of the Rock and Roll, is very built up hopes to come to play in Cuba. Everything indicates then that the Cuban histories of The Ramones can have a second part.

I leave them several pictures like testimony of that fantastic punk night in the Maxim.

Interview to Sonotones By: Yusniel Valdes Puig.

1- Hello, welcome. To begin, Sonotones speaks to me of you We are a band of Madrid (Spain) with the typical formation of two guitars, under, battery and voice that we make Rock and Roll sung in Castilian, with potent guitars and round and singable melodies. In some moments we come closer to the Punk and in others to the Metal. All the information of the group is in www.sonotones.com 2- Âż What it is contained after a name as SONOTONES? Sonotones is a mark of Earphones and with that name we sought to insinuate that, the same as the Sonotones is good to listen better, the rock is good to educate the hearing toward to listen better and to enjoy the life better.

3- Their first disk, titled Atale, it was published in October of 1999 and thanks to him they jumped to the Spanish musical scene, appearing in the media and being given to know the public. The disk was recorded and taken place by Roberto Gallant, technician of direct of Hamlet, Atale was a disk that obtained good welcomed so much in radios -special mention to Radio 3, Chain 100 among other, in the press written magazines like -Heavy Rock, I Hull sound, Newspaper 16, The World, Novelties, Those + better, Metal Hammer, Popular 1 - that tell me of all these mentions.

4- To the disk Atale it continued him the Clever disk to play in the 2001, engraving in the studies from Madrid Infinity, being produced by Daniel Alcover (producer also of Dover, The Blue Cow, Amparanoia or Superskunk). In this disk they developed a sound more rock and consolidated, with much more personality, with influence of groups like Hellacopters, Backyard Babies, Glucifer, The Enemies or Posies. Tell me about this disk.

Good, then we change the formation, with a battery and new guitarist, and it was a new push with renovated illusions. We record it in some good studies, with a good producer, and the result was very overwhelming. To the Company of disks it had just liked them because we had left aside the happy touch that had the first disk, but today in day, the whole critic it agrees.

5- Their third disk was Sonotones III, engraving in Madrid in the 2003 and taken place again by Daniel Alcover. To the thread of this new disk you go aboard in a tour at the end of 2003 and principles of 2004 for all Spain, demonstrating their capacities and virtues for the direct one.

The group was consolidated and the company of disks disappeared, so we caught the bull for the horns and we co-publish it with the company Armed Language. Less means took to worse sound. Being one of the best moments in the group as for composition and letters, the result was better clearly.

6- In March of 2004 the group decides to take a rest of several months to calmly prepare its new disk starting from the melodies and ideas arisen during the tour. After this pause, in 2005 they record their fourth disk. Without arguments, disk promoted especially by means of concerts in direct, leaving aside the marketing systems and radio formulas, you could speak about this disk.

Without arguments, it was published car totally. We record it in the studies Lemon of Madrid and the result was very good. The band, in spite of not having Record Label, it was consolidated as cult group and direct one of the best of the State. The tour was extensive and we enjoy a lot for all the cities and populate of Spain.

7- The band was stopped for a while until in the 2010 that return to the load with its fifth disk The rebellion of the nuns, presented in the Room Grotto 77 of Madrid. Why many stopped years? Explain to us.

When concluding the tour of Without Arguments, we began to compose but the fatigue of the band was noticed. We take a lot in taking out new topics, we take in recording it and soon we decide to give ourselves a period of reflection.

8- In October of 2014, after four years of silence, their sixth study disk Salta la Banka appears. Talk about the last CD. How did the Spanish public receive it?

"Salta la Banka CD" it has been reborning of Sonotones. After The rebellion of the nuns we form a band parallel call The Culprits of Everything and to the two years we record this last disk that has been very well received by the media and mainly for our fans. We are very happy!!

9- ¿ Is very complicated a metal band in Spain to program their tours?

It is complicated. Now with the crisis, the City councils already hire hardly rock groups to celebrate the parties, with that which it is necessary to look for small rooms and festivals. To have a music group in Spain is a sport of risk; these are bad times for the Rock and Roll.

10- When composing. Who the one is in charge of the topics and that message takes to the public by means of its letters?

The musical composition makes it among all, soon after a guitar riff, we go contributing each one what can. Me (Javi) I put the melodies that I like and once the song is made, I put a letter that believes that goes him. The message is the life that rotates to our surroundings, the unemployment, the corrupt politicians, the love, the sprees… with a sarcastic touch.

11- ¿ Talk us now about any recording project on the part of the band?

We have just recorded Salta la Banka.. So we will be presenting the disk until September for the whole Country and later we will begin to compose to it collides.

Although we already have some ideas, until December of this year or January of 2016 we won't enter to record the next one.

12- I know that Sonotones has a wide career in the Hispanic rock. With which frequency is presented?

We record approximately every year and half or two years. So when we take out disk, that winter we play enough (3 or 4 concerts a month) and then the concerts of the summer more or less equally. When we have not taken out disk, that winter we are devoted to compose and we don't play unless it is something important until the summer.

13-The members of the band are: Javier Die Dean (Voice), Jesús María Reyes Lazaro (Battery), Antonio "Toño" Caballero (Bass), Jose Luis Retamar (Guitar) y Eduardo Lopez Molinero (Guitar) ¿ There has been some change of integral?

If, for this disk we have changed the battery and the guitar that now Eduardo is (a fucker machine). We are very happy with this formation and we hope to follow a lot of time together.

15- Did you maintain good friendship with the members of Porretas.

Yes, clear. They are good people and us also. We knew them of before but we had never shared scenario, and this past February 21 we were playing with them in Madrid and it was a total party. In this world of the rock it is not always easy to find authentic people.

16- ¿ Would you like to share something with the readers of this zine and with the fans in Cuba of the Rock and the metal?

I was in Havana in January of 2009 living in some friends' house of there. I knew to a heap of groups that left me impressed by their professionalism…big musicians!

Although it is not the same musical style that ours, liked me a lot to know to Strange Heart and the concerts in the Maxim.

17- Thank you for this interview, and continue taking the music to all ahead.

FROM THE CUBAN SCENE The Waiting is a band of post-hardcore and metalcore with influences of electronic.

The band is formed in 2011 for Daniel Hernรกndez (main guitarist) and Cristian (bass).

With a characteristic sound, this band had as main influences to: Asking Alexandria, Bless the Fall, Attack Attack! and The World Alive, among others.

So far two EP has rushed; "Road To My Destiny" (2012) and The World It Self" (2013) and the CD New Beginning" (2015) The group played for the first time in the Massacre Festival taken place in the scenario of the Maxim Rock together with other bands like Dead Point, Darkness Fall, among others. The Waiting derives its name of a joke about the time that they had waited for a name.

Line up Joan - vocal (from 2011) Daniel Hernรกndez - guitarist leader (from 2011) David - rhythmic guitar (from 2011) Cristian - bass (from 2011)

Logo and picture of the band

From the Cuban Press. SOUND HIGHWAY Culture Fridays September 4th 2015 Granma newspaper Landscape with River The band, directed by Ernesto Rosemary, although didn't have an enormous popularity among the followers of the pop rock; it had the favor of public's sector that was not anything despicable.

By: Michel Hernández It was the moment in that one knows everything and everything is decided forever. They were the years 90 and there was a generation that began to take conscience of the weight of the life, of the reality that surrounded us, of the radical change that suffered the such world and as we knew it until that instant. It was the time in that many of the children of the 80, adolescents that we studied studies in the pre-university or in some other center of the secondary education, we find in the rock and roll a way to anchor our first rebelliousness and to leave us ourselves. There then they appeared like kind of a support emotional Cuban bands that today remains forgotten and, however, they conserve the adventurous spirit that has disappeared of several of the current exponents of the rock, the pop music or trova.

We won't plot ghosts of the past in this new delivery of Sound Highway. We will return to a time in the one that several we abandon the heart and that surrendered classic as Landscape with River, an unquestionable icon of the pop Cuban rock, been founded in Havana at the end of the 80.

Landscape with River was a cult band in the alternative scene of the 90. Most of their songs had as background the anguish and the solitude, reflected with a high poetic flight, elaboration rigor and conceptual refinement.

Contrary to other groups of the time that didn't leave marionette with head on the scenario, Landscape... it put in the air introspective songs, a so much melancholic that took on yes the gleams of broken lives and they could work as sound band of the bloodiest spiritual searches, the same ones that for those years many undertook starting from the experiences in the nights of concerts, in the calls "rocotecas", as The Palm, or spending the night in the Avenue of the Presidents or in places with a high spiritual value as beloved Maria’s Patio.

Paisaje con Río, dirigida por Ernesto Romero, no fue una banda de enorme popularidad entre los seguidores del pop rock, pero sí contaba con el favor de un sector de público que no era nada desdeñable. Todavía hoy uno escucha Las voces del libro hindú, Mr Hyde, País de cristal, La hija de papá o los clásicos Confesiones de un hockey o Centropen y se te meten en el cuerpo nostalgias de otra vida, de otra época que, si bien en la actualidad para algunos se nos presenta como un amasijo de ausencias, extravíos o enigmas por descifrar, llega al presente llena de historias por contar y con un elevado simbolismo.

The time passed and many songs suffered havocs, but the topics of Landscape with River they stay intact in its poetic cover, in their texts and in their expressive sound landscapes full with beautiful melodic lines and riffs guitarmakers that finished off the vocal force of their singers. Here it is necessary to place the look on the unfolding reached by this grouping in their vocal line, thank you, among other merits, to the interpretive force of Yadira López, one of the good known Cuban singers of rock next to Tanya who was vocalist of Mount of Foam.

Landscape with River that had in its line up to musicians like Luis Pastor Pino, Otto Caballero and Ernesto Cisneros lived one of his stages of more solidity lived during the time that had Yadira like vocalist. The singer, an entire sensation of the pop Cuban rock in the 90, dominated all the rules on the scenario and still many remind it interpreting Crossing or those verses of Confessions of a hockey: Somebody knows that I conserve a piece / of a love that you/they gave me. / Somebody knows that they follow me the steps, / that watch me mirrors.

The alignment of the capital that incorporated keyboards and synthesizers to its sonority, integrated part of a very fruitful creative landscape that, although many times it was in the shades relegated to a silence of death, it gave birth to a good songwritters number and groups of pop and rock that caused an almost viral desire to listen to them and to consume these goods made in Cuba, something that was anchored in the past and today it is still suffered, mainly when some associate the pop music to collective of youths that they leave to a side all flash of originality and they seem rather focused in trying to occupy the cover of some magazine of the heart.

Said this, is to point that in today's sound panorama bands exist of certain it was worth as Thesis of Mint, AKD1 or Polaroid that are indebted of the sound of the 90 and they maintain the high poetic conception that characterized the repertoire of several alignments of that time. Let us hope with these group’s justice is made and the same luck of the Cuban alignments whose disks have been as relic for collectors don't run.

Landscape with River almost stayed 11 years in active, but it was able to publish a single disk, in which also appear significant songs like Crossing, another of the classics of the band; “The window”, or “Party of ghosts”. After their breakup in 1998, the members of the group began careers in solitary or they integrated other groupings.

Very recently I conversed with a young colleague that has always pursued the most intelligent tendencies in the pop music, the rock and the trova, and the name of Landscape with River it didn't sound him of anything, something that happens among a good part of the youngest that presently follow these goods in the Island. The fact is that bands like Landscape and others as Havana, Surplus or Perfume of Woman have disappeared of the affective universe of the new generations and its work is absent of the national means, except for programs like Disk city, under the indefatigable Juan Camacho conduction Anyway, there they are the topics of bands of the caliber of Landscape with River, which give testimony of a time and of a generation that, anchored many times in the most visceral poetry, they gave a work icónica, anything domesticated and with a problematic look toward the reality and the sharpest conflicts in the human spirit, those that are born when one knows everything and everything is decided forever.

Joliette, a band of posteverything. This own denomination, more than to define the style of their music, it is an indication that Joliette is a band of which one can wait everything. Natives of the city of Puebla, Joliette is a band that decides to continue to the foot of the letter the philosophy EIY from the 2011 (Earn It Yourself) opening up this way road with its own merits, impelling a honest and self taught rock scene.

Biography

Thanks to the good greeting of their first two works, to Convertirse en agua (2011) and Voltean/Están Felices (2013)", Joliette has been able to expose and to contaminate its proposal and energy for all Mexico. Their recordings and videos are hardly a sample of their energy; to experience live Joliette is something truly only.

"Principia (2013)", first LP of the band, is the two year-old result. In this, Joliette leaves prejudices of goods behind and it avoids any formula, always looking for its essence and achieving something unprecedented in Spanish; in some point among the chaos, dissonances and complex rhythms, Joliette becomes a starting point.

Discography Convertirse en agua (Abril 2011) 1. Solar (3:43) 2. ¡Bravo! Imbécil (2:57) 3. A. Baldwin (4:32) 4. Veinte + 20 menos (3:32) 5. Juan Pérez (Una Tortura Semidisminuida) (5:04)

Principia (Julio 2013) 1. Todos Temen (1:13) 2. Todos Odian (4:12) 3. Quiral (5:42) 4. Martina, Merlina y Dale Con Martín (2:41) 5. Say Hola! (5:11) 6. Czirros (5:52) 7. Qúmulos (5:17) 8. California Yisus (4:48) 9. Juan Matón (3:59) 10. Norte y Bravo (3:53) 11. Die Stunde Des Käses (6:29)

Voltean/Están Felices (Marzo 2013) 1. Están Felices (3:50) 2. Voltean (3:52)

Mosh is a band coming from Pamplona (Navarra). When we ask them if they wanted to be interviewed they consented kindly. Jorge Author responded us (bass).

By: Alejandro PĂŠrez.

Greetings and be welcome to this pages of Metal for your Veins. For me it is a pleasure to be able to carry out this interview.

First that everything. What does Mosh mean?

It means pogo. For sure you have seen a thousand times how people snatch in the concerts and do they begin to dance being given pushes savagely and until almost sticking truth? Because that is to make pogo. That is Mosh.

We e want to know when and where Mosh Mosh arises? Who are their current members?

We are most of a small town of the riverside Navarra called Azkoien, although the bass is of Falces (if I don't tell myself to it Host). The band arose in a moment of sudden stop of our other bands, since Bruntxo (Guitar) (Guitar) and me Jorge (Battery) we come from Arai, Gorka (Guitar) it was in Barkatu Gabe, IĂąaki (Singer) it was in Artery and Diego (Bass) in Zaunk. All those bands or they have stopped to exist or they are of parĂłn, so us (that cannot be still) we begin us to join (I believe that it was at the beginning of the 2014) and very quickly they began the first compositions that were only picked up later some months in form of EP that we record ourselves in my house with very few means to arise (April 2014). We moved moved it among friends and well-known, known, the thing seems that it liked and I joust one year after that we

decide to tie ourselves the blanket to the head composing more topics to record a CD of long duration that saw the light in April of this same year. Titled "Impune" I have had the opportunity to listened the tracks of their two CD and I be impressed with the same. How would they define the music of Mosh?

Thank you! You don't know the happy ones that we put on every time that you/they tell us something like that!! I believe that any band that is priced must look for its own sound, and I believe that Mosh sounds to us. It is clear that our influences are noticed, but when to compose and to put a topic in common each one it contributes their grain of sand making that at the end it sounds to Mosh. We like the cane. We like concerts to fire and that is noticed in the guttural parts, but we also like to play with the melody to break the monotony… we make what comes out us. What we like. What we feel in the moment. We don't premeditate anything… we allow ourselves to take…

Until now do you have made the EP “With the water to the neck” and the CD “Unpunished”. How was the process of edition and recording of these two works? And videos made?

As I have counted you before, the first thing that we only record some months after having joined us for the first time was the EP With the water to the neck". we record it at home of Jorge (Battery) with the Protools and not very more, for what their sound leaves enough that to want, but in its moment we found enough as presentation letter since in principle the idea was not to distribute it neither anything… it would only serve us like a brief presentation in dives, before friends and not very more, but the thing liked and we decide to move it through Internet, musical platforms, social nets, etc…

“Unpunished” it is another thing. We had clear that wanted to record a disk of quality that sounded really potent that made justice to the group, so once we had enough topics we entered during five days in the Studies K with the producing

Alberto Porres (The Drugs, Down Of The Maya …) to record 10 topics. It was very intense and hard, since our budget is short and the hour of study it is worth a fortune… so we prepare the topics to conscience for not losing time in the study and Alberto made his magic making sound the whole tremendous disk!!! We are very happy!! They remember to discharge the disk in our bandcamp moshmetalband.bandcamp.com (it is FREE) or through iTunes or Spotify.

Regarding to video clip I cannot still say anything… But if everything goes well in some months we will have one to present them ☺ Do you have the opportunity to participate in some rock festival inside or outside of your country? With which foreign bands have had the opportunity to share scenario?

Yes, this year we have had the luck of having been winners of the Cookie Rock of Aguilar of Field. It is a festival with a lot of reserve that supports to beginner groups and the scene underground. We have also had the pleasure of having shared scenario with bands that have been (and they are) relating for us at state level as Habeas Corpus or Flitter. At international level we have not made anything… still; -) Future plans? If they were given the opportunity to come at some time to Cuba would make it?

Of course!!! The five are as crazy to give to know our music. I believe that our duty as band is to go there where they call each other to defend it in direct that is it that more we like!!! If that happens some day we sink them the island!!!

Well, thank you for the interview. Before finishing, something that you want to say to the Cuban public.

It has been a pleasure to speak with you!! I wait that publications like his helps to diffuse the Cuban rock and to erase the idea that in Cuba there is only traditional music. In Cuba if there is rock of the good one! Greetings and hugs from the other side of the puddle friends!! - Mosh – Web sites FACEBOOK: https://www.facebook.com/moshmetalband BANDCAMP: https://moshmetalband.bandcamp.com/ YOUTUBE: https://www.youtube.com/user/moshmetalband TWITTER: https://twitter.com/moshmetalband INSTAGRAM: https://instagram.com/moshmetalband/ PÁGINA WEB: https://moshmetalband.bandcamp.com/

N New Productions Johnny Depp and Alice Cooper published a disk to pure alcoholic party

“HOLLYWOOD VAMPIRES” The actor Johnny Depp, fanatic of the rock next to a friend of sprees and of the golf fields like Alice Cooper, a legend of the heavy metal, they armed a super band to have a good time and to play with eminent persons as Paul McCartney, Brian Johnson of AC/DC, Joe Perry of Aerosmith and Perry Farrell of Jane's Addiction, among others.

The disk of these Hollywood vampires is pure freshness, freshness, self-confidence, self whisky to rolete, party, hard rock of the best and a lot of metal, dispersed in covers of The Who, The Doors, The Beatles, Pink Floyd and Led Zeppellin, among others.

Tracks: 1. The last vampire 2.Raise the dead 3.My generation 4.Whole lotta love 5.I got a line 6.Five to one / Break on through 7.One / Jump into the fire 8.Come and get it 9.Jeepster 10.Cold turkey 11.Manic depression 12.Itchycoo park 13.School's out / Another brick in the wall pt.2 Cover of the CD 14.Dead drunk friends – original.

The new EP of STONE SOUR will come out in October or November.

The next EP of Stone Sour, Straight Outta Burbank", it is already finished and it will be thrown in October or November. The work will bring versions of songs of Bad Brains, The Rolling Stones, Slayer and Motley Crue. Also, Lizzy Has, of Halestorm, will make a special participation in the song Gimme Shelter of Rollings Stones.

During an appearance September 15 in the radio, the vocalist Corey Taylor commented on the launching of Straight Outta Burbank": it is clever, it is blended. We have the cover. It should leave in October or November. In that point it is in the one that are, and it is incredible, it is really, really good."

The musician also affirms: "We have had a good time more in this of what we have a good time in the Meanwhile In Burbank...� we don't have anything against the first one, it is very solid. But this, uncle, is very diverse, it is being very well. We are making of everything, from the Stones until Slayer."

------------------------------------------------------Other Publications For the Underground Music (this magazine are in Spanish) For the Underground Music is a publication determined to grant them space national and international to the creators and musical artists of the atmosphere musical Cuban underground.

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