Fine Art Catalogue Mercado 369

FINE ART COLLECTION

OUR GALLERY Mercado 369 is much more than a gallery - it’s a unique experience filled with one - of - a kind art, jewelry and handcrafted gifts from Mexico to Argentina. Every item is personally selected to reflect the rich culture and history of Latin America.

Our fine art collection is curated for private and corporate collectors in mind. From a collection of lithographs by Carlos Merida from Guatemala to Dallas’ local artist, Viola Delgado, Mercad0 369 offers a unique selection of works of fine works art.

Untitled, 1989 | Oswaldo Guayasamín | Ecuador | serigraph, signed | 40 x 56 cm | $ 1500

Oswaldo Guayasamín was born on July 6, 1919 in Quito, Ecuador to parents of Quechua descent. Guayasamín’s art is characterized by its Cubist-styled depictions of Latin American people. He especially focused on portraying the rampant oppression, poverty, and political strife he witnessed growing up. Guayasamín showed a passion for art from an early age, and went on to attend the School of Fine Arts in Quito. The artist’s subsequent rise to prominence came about with his exhibition at the Salón Nacional de Acuarelistas y Dibujantes in 1948. Followed by shows at the São Paulo Biennial, the Luxembourg Palace in Paris, and the Palais de Glace in Buenos Aires. Guayasamín is considered by some to be a national hero, his legacy includes the completion of La Capilla del Hombre, a chapel remembering the mistreatment of indigenous peoples in Latin America. During his life Guayasmín befriended the famed writers Gabriel Garcia-Marquez and Pablo Neruda. His murals can be seen at the UNESCO Headquarters in Paris and at Adolfo Suárez Airport in Madrid.

Born and raised in the heart of Honduras, Ciseron studied at the National School of Fine Arts and National Academy of Dramatic Arts in Honduras and the National Academy of Plastic Arts “Rafael Rodriguez Padilla” in Guatemala City, Guatemala. He is known for his “eclectic” style and strong minimalist inclination. A lot has been said about his strong “Picassian” influences in his paintings with strong cubism and abstractionist tendencies in form. His medium is oil on canvas characterized by the use of vivid, bold colors. His work has been exhibited individually as well as collaboratively in his native country, Guatemala, Nicaragua, El Salvador, Miami, Washington, Corea and Taiwan among others.His iconic style has found its way into Honduran popular culture.

Figure 1| Ciseron | Honduras | oil on canvas | 135 .25 x 62 cm | $ 1100

Figure 2 | Ciseron | Honduras | oil on canvas | 65 x 82.5 cm | $ 900

Figure 3| Ciseron | Honduras oil on canvas| 39 x 137 cm | $ 600

David Ordóñez is a Guatemalan native. He studied architecture at the Complutense University in Madrid and at San Carlos University in Guatemala. He also studied mural painting at Real Academia de San Fernando in Madrid. Ordonez is an internationally recognized artist who has has developed an artistic technique characterized by a mixture of processes, including the art of serigraphy, acrylic shadings and special textures as well as luminous lacquers. Ordonez’s work has been exhibited in Colombia, El Salvador, France, Germany, Honduras, Italy, Mexico, Spain, Switzerland, Puerto Rico, the United States, and Guatemala.

Cenzontle de Colores| David Ordóñez | Guatemala | color serigraph 33 x 34 in | $ 4600

Universo Ternura| David Ordóñez| Guatemala color serigraph | 39 x 38 in | $ 5800

Varias Generaciones| David Ordóñez | Guatemala color serigraph | 39 x 39 in | $ 5800

Proyecto para la Luna y el Venado, 1952 | Carlos Mérida | Mexico| gouache on paper 19 x 15 cm | $6500

Carlos Mérida (1891–1984) was a Guatemalan artist known for his paintings which merged Pre-Columbian aesthetics with pictorial ideas pulled from Joan Miró and Paul Klee. Mérida use of Mayan art was a means to make European trends more relevant to his own heritage. Born on December 2, 1891 in Guatemala City, Guatemala, he spent time in Paris between 1910 to 1914 where he became acquainted with artists like Pablo Picasso and Amedeo Modigliani. In 1919, having returned to Guatemala five years earlier, the artist moved to Mexico City where he worked as Diego Rivera’s mural painting assistant. In the late 1920s, he returned to Europe, where his work underwent a shift inspired by the avant-garde works he observed. Mérida died on December 22, 1984 in Mexico City, Mexico. Today, the artist’s works are held in the collections of the Art Institute of Chicago, the Art Museum of the Americas in Washington, D.C., the Los Angeles County Museum of Art, and the Philadelphia Museum of Art, among others.

Dance of the Quetzals from Dances of Guatemala, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm | $2000

Dance of the Crescent Moon from Dances of Mexico, 1937 Carlos Mérida | Mexico| One from a portfolio of ten lithographs 42.7 x 31.8 cm | $2000

Dance of the Chinelos from Dances of Mexico, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm | $2000

Plume Dance from Dances of Mexico, 1937 | Carlos Mérida | Mexico | One from a portfolio of ten lithographs 42.7 x 31.8 cm | $2000

Dance of the Malinches from Dances of Mexico, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm $2000

The Pascola and the Deer from Dances of Mexico, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm | $2000

Dance of the Tlacololelos from Dances of Mexico, 1937 Carlos Mérida | Mexico | One from a portfolio of ten lithographs 42.7 x 31.8 cm | $2000

Dance of the Moors from Dances of Mexico, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm | $2000

Dance of the Santiagos from Dances of Mexico, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm | $2000

Dance of the Quetzals from Dances of Mexico, 1937 | Carlos Mérida Mexico | One from a portfolio of ten lithographs | 42.7 x 31.8 cm | $2000

Te Pienso | Tomรกs Pineda Matus | Oaxaca | 29.5 x 39.5cm | $550

Born in Oaxaca, Mexico, Tomรกs Pineda Matus studied at the Taller de Artes Plasticas at the Instituto Tecnologico in Istmo, and at the Taller de Artes Plasticas Rufino Tamayo. He studied under masters Shinzaburo Takeda, Juan Alcazar, Antonio Perez, and Charles Barth. Matus composes his paintings with the qualities and characteristics recreated from the ancient world. Tomas acquired his iconographic legacy from the Museum of Natural History in the United State and transformed his discovery in to his personal expression upon returning to a land that is the melting pot of cultural expressions, the Istmo of Tehuantepec. Located in Oaxaca, Mexico, Istmo is a land where the modern and ancient flow together with very diverse imageries of the globe. Due to the intimately ritual characteristic of many of his paintings, Tomas iconography is totemic which he expresses by repeating bull-like forms and marine figures in his paintings as well as the masks which proliferate his other works.

Yo, Nostalgia | Tomรกs Pineda Matus Oaxaca| 29.5 x 39.5cm |$550

Toro Furia Silver | Tomรกs Pineda Matus Oaxaca | 38.5 x 38.5 cm | $390

Toro Furia Red | Tomรกs Pineda Matus Oaxaca | 38.5 x 38.5 cm |$390

Abrazo a la Abundancia | Tomรกs Pineda Matus Oaxaca | 29.5 x 39.5 cm | $550

Toro Furia Orange| Tomรกs Pineda Matus Oaxaca | 38.5 x 38.5 cm | $390

Tu Recuerdo, Tu Presencia | Tomรกs Pineda Matus Oaxaca | 29.5 x 39.5 cm | $550

Toro Furia Gold | Tomรกs Pineda Matus Oaxaca | 38.5 x 38.5 cm | $390

Aspersores, 2005 | Juan Carlos Anzardo Cuba | mixed media | 82 x 100 cm | $2200

Habanera, 2002 | Lucia M. Blanco | Cuba | acrylic 71 x 50 cm | $900

Sacerdotisa, 2003 | Lucia M. Blanco | Cuba | acrylic 35 x 37 cm | $500

Belleza de la Habana I | Tomรกs Pineda Matus Oaxaca | lithograph | 40 x 36 cm | $290

Belleza (4/20) | Tomรกs Pineda Matus Oaxaca | lithograph | 40 x 36 cm | $470

Belleza de la Habana III | Tomรกs Pineda Matus Oaxaca | lithograph | 40 x 36 cm | $290

Belleza de la Habana II | Tomรกs Pineda Matus Oaxaca | lithograph | 40 x 36 cm | $290

Hombre Mascara, 2004 | Julio Garcia Forte | Cuba | mixed media acrylic | 45 x 33 cm | $600

Niño con Balón, 1998 | Fernando D’Caso | Cuba | oil on canvas | 72 x 37 cm | $1500

El Mago, 2002 | Juan Carlos Marrero | Cuba | acrylic 138 x 83 cm | $5000

Mi Familia del Alma | Fernando Llort | El Salvador | serigraph 12 x 16 cm | $450

Vuelo Sagrado | Fernando Llort El Salvador | serigraph | 12 x 16 cm | $450

Born in San Salvador in 1949, Fernando Llort went on to study at the School of Graphic Arts in San Salvador. In 1964 he graduated in philosophy from the University of Toulouse, France, and studied theology in Belgium before moving on to the University of Batton Rouge, Louisiana, to study art. Returning to the country in 1968, he moved to the hills of Chalatenango, La Palma, where he founded The Seed of God Workshop, which would gradually transform its population into an arts and craft collective. Llort’s work has become synonymous of Salvadoran identityt, and in 2013 he was awarded the National Prize for Culture, the country’s highest honor in the arts. His work can be found in international collections, including St. George’s Cathedral in London.

Musica del Campo | Fernando Llort | on canvas | 16 x 20 cm | $550

Arturo Estrada is a Mexican realistic painter, one of a group of Frida Kahlo’s students called “Los Fridos.” Estrada is mostly known for his mural work, which remains faithful to the figurative style and ideology of Mexican muralism. He has created murals in various parts of Mexico in both public and private places, including a 1988 mural found in the Centro Médico metro station in Mexico City. Estrada’s work is “mixture of the popular and the hidden.” He is known for the use of a wide variety of bright colors, and his style mixes elements of traditional Mexican folklore, typical scenery of the country, flowers and fruit.

Niña Sentadita | Arturo Estrada | Mexico acrylic on marinate board | 63.5 x 78.75 cm $3500

Sandias| Jesus “Chucho” Reyes Fereira | Mexico oil on canvas | 18.5 x 28.5 cm | $7500

Jesus “Chucho” Reyes Ferreira (1880 - 1977) first exhibited in 1950 with his first individual exhibition in 1967 at the Palacio de Bellas Artes after a half century of painting. As a self-taught painter, his works are relatively simple and his particular aesthetic point of view is an example of Mexican modernism. The influence and mastery of Chucho Reyes was recognized by personalities such as Luis Barragan, Octavio Paz and Russian painter, Marc Chagall. His painting was nourished greatly on the folk art: materials, motifs, themes and color were taken (and then transformed by him) of festivities and traditional celebrations of the Mexican people.

Gerardo Cantu created his first mural at the age of 15 inspired by his mentors, including Diego Rivera. His European experience began in 1958 during a scholarship in Prague. Years later, Cantu came back to Mexico and continued his works as an artist and professor. Cantu has been exhibited in 300 different exhibitions, including solo and collective. Three of his solo shows were held at Palacio Nacional de Bellas Artes in Mexico City along with other galleries and museums across the country and international cities such as Czech Republic, Brazil, France, Cuba Spain, the US and India.

Untitled, 1995 | Gerardo Cantu | Mexico | lithograph | 80 x 87 cm |$1250

Francisco Rodriguez Oñate is a Pos war and Contemporary painter born in 1940.Throughout his career he has performed more than 70 exhibitions individually and collectively in Mexico, Russia, France and the United States, where he made the transportable mural “Friendship between peoples”.

Danza del Venado de Cocacho | Francisco Rodriguez Oñate Mexico | gouache on paper | 57 x 71.75 cm | $3000

Laura Mendoza | Carlos Orozco Romero | Mexico | oil on canvas | 45 x 38 cm | $9500

Carlos Orozco Romero began his artistic career by creating cartoons for publications, first for Guadalajara newspapers, then in Mexico City. In Mexico City his work was published at the national level in magazines and newspapers such as La Sátira, El Heraldo de México, The Nation, Excélsior, and El Universal.

He replaced José Clemente Orozco as official cartoonist for El Heraldo when the former dpartrded for Veracruz to support the revolutionary movement. In the 1920s and 1930s Orozco Romero's work also appeared in books such as Los Pequeños, Galería de Pintores Mexicanos Modernos, and El Arte en México. He did some mural work upon his return from his first visit to Europe in the 1920s, including a commission to paint the Jalisco State Museum and Library in Guadalajara with Amado de la Cueva. These were destroyed when the building was modified. One that survived was Hombre aprisionando la tierra (1926) at the Direccion General de Caminos in Guadalajara.

Viola Delgado was born in Sinton, Texas and currenlty resides in Dallas. Her career includes teaching at after-school programs for over 15 years with Junior Players, which included designing a 36 foot mural for the corporate office of Blockbusters. She has curated art work at the Bath House Cultural Center, the Art Center of Plano and Mundo Latino at The Women’s Museum. She served as curator for the Latino Cultural Center for over four years. Delgado was selected by the Dallas/Fort Worth International Airport Art Project to design a 20 foot glass floor mosaic. She was also chosen by the Dallas Area Rapid Transit (DART) to the concept, artwork and glass mosaics for two of their rail stations. She has been featured by Capital One as one of the five top Latino Artists in the area.

Visitors on Laundry Day | Viola Delgado Dallas, TX | oil on canvas | 36 x 36 cm|$5500

La Ventana| Viola Delgado | Dallas, TX oil on canvas | 60 x 48.5 cm |$9000

The Circle| Viola Delgado Dallas, TX | oil on canvas | 36 x 36 cm |$3000

SeĂąora con Peine | Shinzaburo Takeda | Oaxaca | oil on canvas | 81 x 61 cm | $6500

Even though Shinzaburo Takeda was born in Japan (1935) he is considered one of the most Mexican of Oaxaca artists. Takeda was trained at the University of Fine Arts of Tokyo (1957), he visited Mexico in 1963 and never left.

Lengua Maya | Raul Anguiano | Mexico oil on canvas | 90 x 60 cm | $12000

Raul Anguiano was a notable Mexican painter of the 20th century, part of the “second generation” of Mexican muralists which continued the tradition of Diego Rivera, José Clemente Orozco and David Alfaro Siqueiros but experimented with it as well. As he continued his artistry with aspects of the Mexican muralism movement, he also experimented with other styles such as Cubism, Surrealism and Expressionism.

His works include over 100 individual and collective exhibitions with 50 murals.

Madre Tierra, 1957 | Raul Anguiano | Mexico | sanguine on paper | 70 x 94 cm | $6000

Untitled, 1974 | Raul Anguiano | Mexico | sanguine on paper | 70 x 94cm | $1500

Tigre Rojo, 1991 | Raul Anguiano | Mexico woodcut | 42 x 59 cm | $1000

Alfarera Pensativa, 1989 | Raul Anguiano Mexico oil on canvas | 64 x 49 cm | $5000

David Siqueiros (1896 - 1974) was a Mexican painter and one of the founders of the Mexican Mural Movement, one of the "Big Three", with Jose Clemente Orosco and Diego Rivera. He was also a Communist, life-long political activist, veteran of the Mexican Revolution and Spanish Civil War, sometime political prisoner, outspoken polemicist and would-be assassin. Throughout his life, he espoused the ideal that art, by its nature, had to be political in order to carry any substance, decrying the art of capitalist Europe and the United States. Siqueiros went, perhaps, the furthest of all the muralists in his attempts to combine his political views and aesthetic ideals with modern technical means to create a truly "public art�.

Mascara, 1969 | David Siqueiros| Mexico lithograph | 57.2 x 47.5 cm | $2250

Zapata, 1930 | Alfaro Siqueiros | Mexico | lithograph | 80.6 x 58.1 cm | $5000

Untitled, 1968 | Francisco ZuĂąiga | Mexico | charcoal | 30.5 x 23.5 | $9000

Untitled | Jose Clemente Orozco | Mexico | charcoal | 45.5 x 60 cm | $17000

Jose Clemente Orozco ( 1883–1949) was a Social Realist painter, and one of the most well-known proponents of the Mexican Mural Renaissance.Considered to be the most complex of the Mexican muralists, which included Diego Rivera and David Alfaro Siqueiros, Orozco’s compositions display influences of symbolism, genre painting, and lithography, and wer intensely focused on human suffering, depicting the lives of the peasants and working class.

Throughout the 1940s, Orozco received a number of other prestigious commissions, including a request from author John Steinbeck to illustrate his book The Pearl, as well as an invitation to paint his only outdoor mural, Allegory of the Nation, at the National Teachers College in Mexico, which was featured in LIFE magazine.

Cancion para Cesar | Rudolph Castro | Peru | vegetable charcoal | 212 x 111.75 cm | $7500

Rudolph Castro was born in 1982 in Lima, Peru. Growing up in a family who transported coffee, Castro traveled around during communism Peru. Castro grew up in the Peruvian Sierra before his family moved to Lima because of the violence. His work has now become a reflection from his home country. Castro pursued his studies at the Escuela Nacional Superior Autonoma de Bellas Artes del Peru.

Circo | Rudolph Castro | Peru | charcoal | $1800

Trazos Libres I & II, 2016 | Lourdes “Lurdesa” Ariza | Mexico | oil on canvas | 150 x 120 cm | $3500

Angel Zárraga (1888 - 1946) was a Mexican painter. He studied at the at the Escuela Nacional de Bellas Artes (ENBA). In 1904, he traveled to Europe, where he visited and exhibited in Spain, France and Italy. He also visited courses at the Royal Academies for Science and the Arts of Belgium. In 1906 he exhibited some of his paintings in the Museo del Prado, and in 1907 in an exhibition of the ENBA. Zárraga participated in the 1909 Biennale di Venezia and exhibited in the Salon at the Piazzale Donatello, Florence. Angel Zárraga has had numerous gallery and museum exhibitions, including at the Museo Nacional de Arte and at the San Diego Museum of Art.

Soccer Head Butt Study, 1926 | Angel Zárraga Mexico | ink | 17.5 x 15.5 cm | $9500

Untitled, 1953 | Guillermo Meza | Mexico | oil on canvas | 110 x 90 cm | $12000

Guillermo Meza (1917 - 1997) was a Mexican painter known for his oils depicting fantastic background and often distorted human figures, generally with denunciations of society.Meza was recommended by Diego Rivera to the prestigious Galeria de Arte Mexicana which helped him develop as an artist. The themes of his work focused on fantasy, religion and myth, especially indigenous Mexican thought in his later work. The backgrounds are almost pure fantasy, as in alien worlds, with figures that are generally more meditative than rational.

Ofrenda | Guillermo Meza | Mexico | oil on canvas | 70 x 55.8 cm | $6000

Untitled, 1953 | Victor Cha’ca | Mexico | oil on canvas | 110 x 90 cm | $1200

Victor Cha’ca is a Mexican Postwar and Contemporary painter who was born in 1948.

Cha’ca’s work has been exposed internationally including, Oaxaca, Texas and Washington, DC.

Ernesto Garcia “El Chango” Cabral (1890 - 1968) was a Mexican cartoonist and painter famous for his contribtions as a caricature. During the revolution, García Cabral drew caricatures of people like Francisco I. Madero, Enrique Creel, Pancho Villa, and Emiliano Zapata. In February 1912 García Cabralwas awarded a scholarship to study in Paris. In addition to his studies, García Cabral worked in France for the publications La Baïonnette, Le Rire and La Vie Parisienne. On his return to Mexico in 1918, Ernesto García Cabral devoted himself to working with colours and shortly afterwards worked as a caricaturist for Novedades, Jueves de Excélsior and Fufurufu. It was his role in Revista de Revistas that made him famous with his contributions to Art Deco in Latin America.

Cabral y Caballos I | Ernesto Garcia “El Chango” Cabral | Mexico | serigraph | 36.5 x 28 cm |$1000

Cabral y Caballos II | Ernesto Garcia “El Chango” Cabral Mexico | serigraph | 36.5 x 28 cm | $1000

Nickolas Muray 1892 – 1965) was a Hungarian-born American photographer and Olympic saber fencer. In 1913 Muray sailed to New York City and was then commissioned to do a portrait of the Broadway actress Florence Reed for Harper’s Bazaar. In the mid 1920’s Murray began working for publications such as Vanity Fairs, Vogue and the New York Times.

Muray was also known for Frida Khalo’s ten year lover. During WWII,

Frida and Diego with Gas Mask | Nickolas Muray | Hungary gelatine silver print | 15.25 x 15.25 in | $2750

Frida Painting the “Two Fridas”, 1939| Nickolas Muray Hungary | gelatin silver print | 15.25 x 15.25 in | $2750

Zapoteca | Jacobo and María Angeles | Oaxaca | 17 cm x 11 cm | $4350

Jacobo and María Angeles are Mexican artists from Oaxaca mostly known for their hand carved and painted Zapotec figures called alebrijes.

They mostly use the Miztec-Zapotec iconography in their pieces reating a unique style which they have been using for over more than twenty-five years.

Bull | Jacobo and María | Oaxaca | wood and silver | 10.5 x 20 cm |$7000

Jaguar & Coyote | Jacobo and María Angeles | mixed media | Oaxaca | 24 x 17 cm | $1020

Pescados | Jacobo and María Angeles | Oaxaca | mixed media | 164cm x 183cm | $16000

Large Bull | Jacobo and MarĂ­a Angeles | Oaxaca | sabino wood | 132 x 196 x 71 cm | $31600

Sergio Bustamante is a Mexican sculptor best known for his depictions of animals and inventive humanoid creatures.

Bustamante was born in Culiacan, Sinaloa, Mexico in 1942 to a Chinese/Indigenous family. He went on to study architecture at the University of Guadajara, leaving before hefinished his degree in order to focus on craftmaking and fine art.

Bustamante had his first exhibition at Galeria Misrachi in Mexico City in 1966, and continues to exhibit his work around the world. Working in papier machÊ, wood, bronze, and ceramic, Bustamante’s sculptures are often painted or glazed, allowing him to bring even greater heights of imagination and surrealism to his creatures.

La Gran Ilusion | Sergio Bustamante Mexico | resin | 95 x 40 x 34.5 cm, 10 kg, | $2200

Mujer Sentada | Rosa Castillo| Oaxaca bronze | 28.12 x 29.5 cm |$12500

La Utopia | Sergio Bustamante Mexico | resin | 39 x 39 x 24 cm, 2.40 kg | $1400

Large Half Moon | Sergio Bustamante Mexico | bronze | 189 cm, 43.5 cm, 62 cm 28 kg | $8500

El Arbol | Sergio Bustamante | Mexico | bronze 44.5 x 30.5 x 17.5 cm, 11.5 kg | $4000

En Busca de la Razon | Sergio Bustamante Mexico | bronze | 105 x 51 x 24 cm, 19 kg | $1800

La Levedad del Ser| Sergio Bustamante Mexico | resin | 49 x 32 x 19 cm, 2.6 kg | $1700

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Los Espejos de la Verdad | Sergio Bustamante Mexico | resin| 92.5 x 40 x 58 cm, 11 kg| $3300

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1 Arlequines I | Sergio Bustamante Mexico | resin | 69 x 44.5 x 25 cm | $1700 2 Arlequines III | Sergio Bustamante Mexico | resin| 62.5 x 25.5 x 25 cm 3.0 kg | $1450 3 Nocturno I | Sergio Bustamante Mexico | resin | 52 x 38 x 24 cm, 2.0 kg $1300 4 Nocturno V | Sergio Bustamante Mexico | resin | 52 x 38 x 24 cm, 2.0 kg $1300

Elefante | Fernando Andriacci | Oaxaca | 37.1 x 36.5 cm | $70000

Fernando Andriacci is distinguished for his work in painting, ceramics and mural work. His work is predominated by animal and vegetable figures, richly dressed with smaller ones and with designs that are inserted in the decorative. Andriacci is known for the zoomorphic representations which become an own bestiary that recreates the dimension of the fantastic. Andriacci creates images by joining straight, zigzag, oblique lines, curves that seem to have been drawn regardless of color, however, they coexist in perfect balance. Similarly, the use of mixed techniques enriches textures, without neglecting harmony. His work has gone from variegation to a lower saturation of space and a search for greater balance in shades. The composition is a playful space that seems to emerge from the same imaginative wealth as its countrymen. It is a composition related to the narrative, which becomes a window that shows the variety and importance of local traditions. But more than imaginative wealth Andriacci is the holder and bearer of the cultural wealth that characterizes art in this region of the country and with which it transcends the realm of the universal.

Nature and its Colors | Fernando Andriacci | Oaxaca | painted textile | 80 x 100 cm | $6000

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1 Cow | Fernando Andriacci | Oaxaca | ceramic | 65 x 42 x 68cm | $5700 2 Red Bull | Fernando Andriacci | Oaxaca | bronze | 54 x 26 x 23 cm | $7500 3 Blue Horse | Fernando Andriacci | Oaxaca | bronze | 39 x 43 x 11cm | $5900

Geometric Dragonfly | Fernando Andriacci | Oaxaca | carbon steel | 3.50 x .45 x 3.15 m |

Muchacha Sentada con Ropaje , 1979 | Francisco Zúñiga Mexico | bronze sculpture with marble base 36 x 32 x 24.5 cm| $12000

Ignacio Asúnsolo (1890–1965) was a French trained, Mexican sculptor. In 1919 Asúnsolo was awarded a scholarship to attend Paris’ L’Ecole des Beaux-Arts. Asúnsolo was also granted the project for the making of the Monumento de la Patrica at the Chapultepec Castle in Mexico City.

Retrato de Lupe Marín| Ignacio Asúnsolo | Mexico bronze on wooden base | 54 x 25 x 29 cm| $6000

THANK YOU For any inquiries or private viewings please contact: Ximena Vivanco - Art Director ximena@mercado369.com

Mercado369 369 W. Jefferson Blvd. Dallas, Texas Tuesday - Sunday 10am - 6pm