View Volume 3 of the 2012|2013 season's Experience magazine:

Experience Experience

Mei-Ann Chen inside the Vitto Acconci sculpture, “Roof Like a Liquid Flung Over the Plaza,” outside the Cannon Center Volume VOLUME 23 •• 2011|2012 2012 |2013 Season SEASON

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Contents

Volume 3

Concert Experience

•

2012|2013 Season

• Sponsors & Foundations............................... 60

• A Memphis Gospel Celebration February 16.................................................... 25

• Membership Benefits..................................... 62

• Holst The Planets February 23, 24 & 26.................................... 29

• Honorariums & Memorials .......................... 74

• Feelin’ Groovy: The Music of Simon & Garfunkel March 9.......................................................... 37 • Tchaikovsky 5 March 16 & 17............................................... 45 • Mei-Ann Chen, Music Director ................... 52 • Conner Gray Covington, Assistant Conductor..53

• Contributors................................................... 63

• Patron/Ticket Information ........................... 76

Symphony Gallery • Yo-Yo Ma.......................................................... 8 • Lunch With a Star.......................................... 11 • Symphony Soul Project................................. 14

• Orchestra Roster............................................. 54

Community Experience

Patron Experience

• MSO Education Ensembles Bring Music to the Schools....................................... 12

• Advertiser Listing........................................... 31 • MSO Board of Directors, Staff, League Board & Chorus Board............................................. 56

• Symphony Soul Project: MSO Serving Soulsville USA.............................................. 18

• Memphis Symphony League......................... 58 The Memphis Symphony Orchestra, Inc., is a qualified 501(c)(3) deductible organization funded by gifts from you, ticket sales and contracted services. We are recipients of grants from ArtsMemphis and the Tennessee Arts Commission. ©2012|2013 Memphis Symphony Orchestra • 585 S. Mendenhall Rd., Memphis, TN 38117

Your attendance constitutes consent for use of your likeness and/or voice on all video and/or audio recordings and in photographs made during Symphony events.

For tickets (901) 537-2525 | MemphisSymphony.org Follow the Memphis Symphony!

For Tickets 901-537-2525

3

2012-2013 SeaSOn

IT’S HAPPENING AT

GPAC

JaZZ

Dance

chick corea and Gary Burton with the Harlem String Quartet sunday, september 30

The Theater of Needless Talents Spectrum Dance Theater wednesday, november 14

The chucho Valdés Quintet sunday, 0ctober 21 Jane Monheit with special guest Mark O’connor sunday, february 17

Cinderella Russian national Ballet Theatre sunday, january 6 Savion Glover’s SoLe Sanctuary friday, january 25

Monterey Jazz Festival 55th anniversary Tour sunday, april 21

celebrating the 100th anniversary of The Rite of Spring tuesday, april 23

FaMILY

SPecIaL eVenTS

“Sleeping Beauty” with David Gonzalez, storyteller sunday, october 7 Cirque Chinois national circus of the People’s Republic of china sunday, october 14 Cinderella Russian national Ballet Theatre sunday, january 6 The Black Watch and The Band of the Scots Guards sunday, february 10

The Secret Sisters friday, september 7 capitol Steps friday, september 14 Van cliburn Gala saturday, march 16

The Voca People sunday, march 24 erth’s Dinosaur Petting Zoo™ friday, april 26-28

GERMANTOWN PERFORMING ARTS CENTRE Call 901-751-7500 or visit www.GPACweb.com

Milton Schaeffer

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Scheidt Family Foundation

www.MemphisSymphony.org

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MEMPHIS SYMPHONY

ORCHESTRA’S

with special guest

Hope Clayburn presented by

Saturday, April 20, 2013

Thursday April 18, 2013

2:00 pm | 879 E. McLemore | Tickets free Get there early, seating is limited!

7:30 pm | Venue TBA | Tickets $25 Students $12.50 with ID

For more information, call 901.537.2525 or visit OpusOneMemphis.org.

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Involved in your community.

If it’s important to you, it’s important to us.

FedEx is proud to support the Memphis Symphony Orchestra.

©2012 FedEx. All rights reserved.

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Yo-Yo Ma October 22, 2012 Cannon Center for the Performing Arts

Yo-Yo Ma, TJ Benson and Mei-Ann Chen enjoy the audience applause following “The Swan�

Yo-Yo Ma encourages TJ Benson to share his experience with reception guests.

Post concert reception Hal Brunt, Russel & Joy Wiener, Buzzy Hussey 8

www.MemphisSymphony.org

Jan & Al Lyons with Yo-Yo Ma

Patricia & Ray Cobb

Teresa Sloyan, Yo-Yo Ma, Gretchen McLennon For Tickets 901-537-2525

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After the October 22nd morning rehearsal, Yo-Yo Ma discusses the importance of community engagement with MSO musicians on the stage of the Cannon Center.

Yo-Yo Ma performs with MSO ensemble, String Theory, at Colonial Middle School on October 23.

String Theory, New Ballet Ensemble and Yo-Yo Ma take a bow at Colonial Middle School.

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www.MemphisSymphony.org

Lunch With a Star On November 16, 2012, the Memphis Symphony League hosted Lunch With a Star with guest conductor Carlos Miguel Prieto. Guests learned more about the weekend’s First Tennessee Masterworks concert and Mr. Prieto.

Louis DeWitt & Steve Masterson

Lura Turner & Priscilla Alexander, co-hosts

Front Row: Molly Mangialardi, Lura Turner, Carlos Miguel Prieto, Priscilla Alexander Back Row: Florence Leffler, Scott Bohon, Louis Hamric, Anita McLean, Steve Masterson, Edward Chapman, Maria-Cecilia Cordeiro, Nan Buck, Eula Horrell, Mindy Johnson Next Lunch with a Star: Friday, March 15 at Napa Cafe with violinist Augustin Hadelich.

Call 537-2525 for more information or reservations Denise Borton, Scott Bohon, Carlos Miguel Prieto, Edward Chapman For Tickets 901-537-2525

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MSO Education Ensembles Bring Music to the Schools It is quite an exhilarating experience to watch a room full of elementary school students sitting with rapt attention, eagerly listening to a string quartet, a brass quintet, or a woodwind quintet. Such experiences occur from September through May at Memphis City Schools when MSO small ensembles perform for students in kindergarten through sixth grade. Students love to see instruments up close and to learn how they are played, and they are fascinated by the musicians themselves. After one Brass Quintet performance, having seen and heard MSO musician Susan Enger playing second trumpet, a second grade girl was heard to exclaim that she was going to play the trumpet! It is through such encounters that lives can be changed.

Each year, Memphis Symphony musicians make approximately 50 visits to schools introducing students to repertoire and guiding them to be active listeners. Sometimes, as many as five ensembles go to different schools on one day. The ensemble performances are aligned with the curriculum and complement the MSO’s Young People’s Concert series program, which forms the core of the MSO’s educational offerings. The musicians work hard to create presentations that are engaging, and age appropriate, both instructional, and entertaining—the best method of teaching! String duos and trios conduct Kinderconcerts for Pre-K through 2nd grades, while string quartets, woodwind ensembles and a brass quintet perform for upper elementary students. Ensembles also visit Colonial Middle School and Overton High School as a part of the MSO’s CAPA Virtuosi instrumental music initiative.

A fourth grade student at Robert R. Church Elementary conducts members of the MSO String Quartet during the ensemble’s visit to the school on May 9, 2012.

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www.MemphisSymphony.org

The MSO education ensembles represent one part of an on-going partnership between the orchestra and Memphis City Schools. MCS is one of the few school districts in the country that has a full Orff Music program, a method of music education developed

by German composer Carl MSO musicians Paul Turnbow, Erin Kaste, Iren Zombor and Orff in the early 1900’s. The Irene Wade perform at Robert R. Church Elementary.

Orff approach incorporates the ways that children play together, combining music with movement, dramatization, speech and visualization; it is learning from a child’s perspective and one that encourages interaction and exploration.

The Memphis Symphony has designed its education programs to complement MCS’s Orff program, reinforcing and enhancing the curriculum.

Most of the elementary schools, about 15 in total, that receive ensemble performances attend the MSO’s Young People’s Concerts. Each year different schools are sponsored

by MCS to attend YPC, so that over a period of several years all MCS schools have the opportunity to experience a full orchestra performance at the Cannon Center for the Performing Arts. Development of content for the YPC concerts and the education ensembles is a collaborative effort of MSO staff members and teachers from Memphis City Schools.

The program stresses inter-disciplinary and cross-disciplinary learning, and provides an opportunity for thematic instruction – one that opens the minds of Memphis students to the rich and wonderful world MSO violinist Erin Kaste engages the students at Robert R. Church of musical experiences. Elementary as a part of the String Quartet’s presentation.

For Tickets 901-537-2525

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Symphony Soul Project October 18, 2012 at The Magnet. See page 18

Stax Academy Drum Line’s interlude

Orchestra’s view of the audience at the Magnet on October 14, 2012

Kirk Whalum and William Bell performing during an encore presentation of Stax! The Memphis Sound at the Magnet

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www.MemphisSymphony.org

William Bell

Capacity crowd listens attentively

Audience members were invited to leave their mark in the new venue.

Wendy Moten and Susan Marshall For Tickets 901-537-2525

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give a gift that

SUPPORTS THE ARTS this holiday season!

ArtsMemphis is proud to announce the publication of its latest wildlife photography book, A Million Wings: A Spirited Story of the Sporting Life Along the Mississippi Flyway Coca Cola Woods Robert Gooch III and Robert Gooch IV

wildabundancepublishing.com For Tickets 901-537-2525

Wildabundance Publishing, a division of ArtsMemphis

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Symphony Soul Project:

MSO Serving Soulsville USA To support community revitalization in historic Soulsville USA, the Memphis Symphony Orchestra is presenting a series of FREE concerts during 2012-2013 at the Memphis Music Magnet facility, located at 879 East McLemore Avenue. The MSO, in partnership with Community LIFT, received generous funding from ArtPlace to support this work.

The Magnet at Soulsville USA came to life in October 2012 with two concerts by the Memphis Symphony Orchestra. Now the season is well underway and MSO players can be found throughout the historic neighborhood engaging individuals with creative programs and providing rich musical experiences. It’s all part of the year-long residency funded

by ArtPlace, in partnership with Mei-Ann Chen conducting a reading rehearsal of The Community LIFT. Nutcracker at the Magnet on November 9, 2012.

Students from several local schools attended.

Family Tunes & Tales, the acclaimed MSO storybook series for young children and families, is being performed at two South Memphis libraries during the season – Cornelia Crenshaw and Gaston Park.

Thanks again to Shelby County Books from Birth for its partnership in this program.

Student from the Soulsville Charter School get drumming tips during a break of the Nutcracker reading rehearsal.

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Through the Nursing Home Project, MSO musicians perform in assisted living and retirement communities, skilled care facilities and hospices. Taking music to those who are least able to attend concerts is important to Jessie Munson, the MSO violinist who leads the work.

Through the Symphony Soul Project, seniors at College Park, Metro Community Center and Latham Terrace will enjoy special MSO performances this year. www.MemphisSymphony.org

In partnership with Knowledge Quest, an organization dedicated to developing the potential of children and youth in South Memphis, the MSO will deliver the Drum Circle Project. Drum circles are formed when groups of individuals, often with no musical background, come together and participate in a guided drumming String quartet performance for seniors at College Park Community Center on October 31, 2012. Wen-Yih Yu, activity. Therapeutic in nature, violin, Jessica Munson, violin, Michelle Pellay-Walker, organized drumming is known viola, Jonathan Kirkscey, cello. to promote physical/emotional wellness and respond to many challenges typically faced by at-risk youth.

To prepare for the MSO’s next Pops concert – A MEMPHIS GOSPEL CELBERATION – a community gospel choir is rehearsing at Metropolitan Baptist Church on Walker Avenue, next to LeMoyne-Owen College. Stop in for a concert preview during open rehearsal at 7:00 pm on January 29th, February 5th and February 12th. the first two Monday evenings in February. The concert will be presented at the Magnet at 4:00pm on Sunday, February 17th.

Visit the Memphis Symphony Soul Project page on Facebook for more current news and other interesting facts on the orchestra’s residency in historic Soulsville USA.

Diane Zelickman, violin, sitting with a violin student during the reading rehearsal of The Nutcracker.

For Tickets 901-537-2525

Caroline Kinsey, french horn, uses a break during the The Nutcraker reading rehearsal to teach students of the Soulsville Charter School about playing the horn.

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Meet the Musicians Name: Joseph Salvalaggio Instrument: Principal Oboe Colleges Attended: Interlochen Arts Academy (Michigan), McGill University (Montreal), University of Toronto, Royal Conservatory of Music, 1 year of post-postgraduate study with Richard Killmer (Eastman School of Music) through a grant from the Canada Council for the Arts.

Most Influential Musical Teachers: Richard Dorsey, now retired Principal Oboist Toronto Symphony First Season With The Mso: 2000 I think. Thunder Bay Symphony 2nd oboe/english horn 1998, Windsor Symphony Principal Oboe 1999 Teaching Positions: Formerly oboe faculty for the Interprovincial Music Camp (Ontario) and Sewanee Summer Music Festival. Currently, oboe faculty Hot Springs Music Festival, Arkansas Appeared As A Soloist With: Memphis Symphony, Strauss Concerto, world premiere Erik Ross Oboe Concerto. World premiere, Elizabeth Raum The Phantom Drum, Manitoba Chamber Orchestra. Monroe Symphony (LA), Kitchener-Waterloo Chamber Orchestra, Fayetteville Symphony, Canadian Chamber Academy Orchestra, Windsor Symphony, Sinfonia of Nations (Toronto). CBC radio national broadcast recitals in Toronto and Ottawa. Invited to perform at Conventions of the International Society of Double Reeds in Banff Alberta, Greensboro NC, Austin TX, Muncie IN. MSO Community Involvement: Original Leading from Every Chair® developer; Opus One season planning and execution. Currently involved with Symphony Soul Project.

FUN FACTS! Favorite Memphis Restaurant: Jasmine Thai and vegetarian cuisine, Cooper St. Memphis Favorite Hobby: I read and explore Memphis on foot. I used to have a collection of t-shirts I’d buy from goodwill from team building exercises I’d never participated in.

Age You Started Your Instrument: Started the oboe at age 15 in Sudbury, Ontario. I picked the oboe because the band was going on a trip to Florida and they needed an oboe.

Favorite Book, Movie, Or TV Show: Harper Lee’s To Kill a Mockingbird. That is also my favorite movie.

Favorite Piece Of Music: Samuel Barber’s Knoxville: Summer of 1915 Interesting Fact About Yourself: I’m actually 6’4’’ tall Follow Joey’s posts about the Symphony Soul Project on Facebook at: www.facebook.com/ MemphisSymphonySoulProject

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www.MemphisSymphony.org

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Robert Coe, CFP庐 Senior Vice President, Portfolio Manager

For Tickets 901-537-2525

Brian Kinney, CFP庐 President, Financial Advisor

Nancy Hughes Coe Senior Vice President, Financial Advisor

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2012 | 2013 SEASON

Student Tickets $5 First Tennessee Masterworks, Pops and Paul & Linnea Bert Classic Accents!* Beethoven 8 September 14

Rachmaninoff and Mahler September 22 & 23

STAX! The Memphis Sound GABRIELA MONTERO, PIANO SEPTEMBER 22 & 23

October 13

Shostakovich 5 November 17 & 18

Home for the Holidays December 8 – Two performances: 2:30 & 7:30 PM

Aloha Elvis®!

January 5

Innovation: Beethoven & Bernstein STAX! THE MEMPHIS SOUND OCTOBER 13

January 12 & 13

Bach and Mozart January 18

A Memphis Gospel Celebration February 16

Holst The Planets February 23 & 24

FEELIN’ GROOVY: THE MUSIC OF SIMON & GARFUNKEL MARCH 9

Feelin’ Groovy: The Music of Simon & Garfunkel March 9

Tchaikovsky 5 March 16 & 17

If Bach Were A Beekeeper March 22

From Gandolfi to Memphis April 13 & 14

Porgy & Bess ANTHONY McGILL, CLARINET APRIL 13 & 14

May 18 & 19 *Subject to availabiity

For tickets (901) 537-2525 or MemphisSymphony.org/studentdiscounts 22

www.MemphisSymphony.org

Joseph Salvalaggio, principal oboe

I’ll take you there!

SOULSVILLE, USA

S YM P H O NY S O U L P RO J E C T Join us for the first concerts of the MSO year-long residency Memphis Music Magnet at Soulsville USA

www.memphismusicmagnet.org

FEBRUARY 17 AT 4:00 PM – A Memphis Gospel Celebration FEBRUARY 26 AT 7:30 PM – Holst The Planets

Free & open to the public!

Location – 915 East McLemore

(901) 537-2525 | MemphisSymphony.org

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purchase tickets: operamemphis.org | 901.257.3100

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A Memphis Gospel Celebration

Saturday, February 16, 2013 at 7:30 p.m. – Cannon Center Sunday, February 17, 2013 at 4:00 p.m. – The Magnet @ Soulsville featuring

Sounds of Celebration Choir

Dr. Leo H. Davis, Jr., artistic director and guest conductor Conner Gray Covington, conductor with a special appearance by Music Director Mei-Ann Chen Florence Roach, narrator William Grant Still Symphony No. 1 (Afro-American)

Animato (Humor) Roland Carter Hold Fast To Dreams (text by Langston Hughes)

Hold fast to dreams – For if dreams die

Life is a broken-winged bird –

That cannot fly.

Hold fast to dreams – For when dreams go

Life is a barren field – Frozen with snow.

Jeffrey Ames Oba Ti De (Here Comes The King)

Here comes the King – Jesus is born.

Glory be to God in the Highest –

Jesus Christ is born.

Arranged by DARIN ATWATER Go Down, Moses Nolan Williams We Bless Your Name

Adolophus HaiLstork Selections from Four Spirituals

Great Day

He’s Got The Whole World In His Hands Arranged by Moses G. Hogan This Little Light of Mine Percy Bady Over and Over Florence Price/ArR. W. G. Still Dances in the Canebrakes Arranged by lloyd barry A tribute to Whitney Houston:

kirk franklin

Joy

Richard Smallwood

I Love the Lord

dottie rambo

I Go to the Rock

Andrae Crouch The Promise

Richard Smallwood Arranged by Dr. Willetta Greene johnson Total Praise

Darius Brooks There Is No Way

Sponsored by:

INTERMISSION

For Tickets 901-537-2525

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Leo Davis, Jr. chorus conductor

LEO H. DAVIS, JR., has devoted his life to glorifying God and enrapturing the hearts of people everywhere through Sacred Music. As head of the expansive music department at Mississippi Boulevard Christian Church, Leo is well known for his unique ability to balance powerful spiritual messages with artistry, and weave inspirational music themes into multi-cultural traditions. Moreover, the music he conducts and performs with the dynamic sanctuary choir spans centuries from Bach 17th Century Classics to contemporary AfricanAmerican Gospel Renditions.

It was the profound genius of Leo Davis, Jr. that birthed the idea of the annual phenomenal Umoja production and Christmas Concert Celebration. The celebration of Umoja (Celebration of Unity) is a reenactment of the pain, pride and progress of AfricanAmerican people. This production encompasses song, dance and rhetorical expressions.

Leo received the Bachelor of Music Degree from Roosevelt University, St. Louis, MISSOURI, the Master of Music Degree in Choral Conducting/Organ from the University of Massachusetts, and the Doctor of Sacred Arts Degree in Sacred Music/Choral Conducting from the Rudi E. Scheidt School of Music, University of Memphis.

Leo has studied organ with Mark Russakoff, Oswald Ragatz, Marilyn Keiser and Wilma Jensen. He holds membership in the American Guild of Organist, the American Choral Directors Association, and is cited among the Outstanding Young Men of America. Mr. Davis is also published with GIA Publications of Chicago, Illinois. He is a member of the American Guild of Organist and the American Choral Directors Association and the first African American to perform on the newly installed C. B. Fisk organ at the Indiana University Jacob School of Music. Recently he served as plenary speaker for the Calvin College Institute of Music, in Grand Rapids, Michigan and serves on the faculty for the Hampton University Minister’s and Musician’s annual conference.

For Leo, music echoes the timeless message that God delights in diversity and that He is the same yesterday, today and forever.

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www.MemphisSymphony.org

Florence Roach narrator

Owner of Ettaro Theater Company and Ettaro Music Publishing, Florence (Flo) Roach was born into the family of Rev. J. M. (pastor) and Katie Fletcher (teacher) Roach and grew up in Robinsonville, Mississippi (in Tunica County) before the casinos.

She received her high school diploma from Rosa Fort High School in Tunica, Mississippi; her B.S. Degree in Business Education from Jackson State University in Jackson, Mississippi; her Masters in Vocational Business from the University of Memphis; her 45 hours above a Masters Degree from the University of Memphis; and her Administration and Supervision certification from the University of Memphis.

Ms. Roach’s career has included being: • An award-winning vocational business teacher (Memphis City Schools) • An award-winning theater teacher (Memphis City Schools) • Supervisor of student teachers for the University of Memphis • A professional actress, playwright, director, producer, poet, singer, recorded and songwriter She has performed on stage, in movies, training videos, TV/radio, commercials and at special events. Most recently, she appeard as Maid #1 in Steven Spielberg’s film, The Help (2011), and as Grandma Jamison in Rise Up, an independent film to be released in 2012.

Her awards are too numerous to name, but she is most proud of her Rotary Award for Teaching Excellence; her Tennessee Theater Teacher’s Hall of Fame award and her Paul Roberson Award. She is a proud member of Mississippi Boulevard Christian Church and the Memphis Alumnae Chapter of Delta Sigma Theta Sorority, Inc. She loves children and always plans to work with or on behalf of children. She said that her career in education has not been a job, but a “calling.” Since her retirement from Memphis City Schools, she has opened her own theater and music publishing companies — Ettaro Theater Company and Ettaro Music Publishing.

For Tickets 901-537-2525

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Powering your next stage in life At First Tennessee, we love the arts as much as you do. That’s why we support them. And why we make it easier for you to be there for every great performance by providing convenient hours and online banking. Not to mention multiple ATMs and locations that make it easy to find us on the way to the show.

Proud suPPorter of the MeMPhis syMPhony orchestra

Š2011 First Tennessee Bank National Association. Member FDIC. www.firsttennessee.com

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Holst The Planets Saturday, February 23, 2013 at 7:30 p.m. – Cannon Center Sunday, February 24, 2013 at 2:30 p.m. – GPAC Tuesday, February 26, 2013 at 7:30 p.m. – The Magnet @ Soulsville

MEI-ANN CHEN, conductor Women of the Memphis Symphony Chorus

Dr. Lawrence Edwards, artistic director Jonathan Leshnoff (1973 - ) Starburst JOHN WILLIAMS (1932 - ) Star Wars Suite for Orchestra

Main Title Princess Leia’s Theme The Imperial March Yoda’s Theme Throne Room & End Title

Music & Art Series The Universality of Myth Explore the nature of mythology, making connections between Holst’s The Planets and Romare Bearden’s A Black Odyssey.

INTERMISSION GUSTAV HOLST (1874 - 1934) The Planets

Mars, The Bringer of War

Venus, The Bringer of Peace

Mercury, The Winged Messenger

Jupiter, The Bringer of Jollity

Saturn, The Bringer of Old Age

Uranus, The Magician

Neptune, The Mystic

Women of the Memphis Symphony Chorus

February 10 at 6:00 p.m.

The Magnet at Soulsville

FREE Concert Preview… ~ Saturday at 6:45 p.m. in the Morgan Keegan Mezzanine Lobby ~ Sunday at 1:45 p.m. in the Ballet Room

For Tickets 901-537-2525

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Jin Woo Lee

guest concertmaster Jin Woo Lee, violinist, is a native of Seoul, Korea, began playing the violin at the age of four. He is an international concert violinist with recitals and concerts with orchestras in USA, Korea, Germany, Switzerland, Slovenia, France, Italy, Netherlands, Austria, to name a few.

He is a frequent winner and prize winner of international competitions, including 1st prize at the Sorantin Competition San Angelo, Texas (2007), 2nd & special prizes at the 20th International Rodolfo Lipizer Violin Competition in Gorizia, Italy (2001), special prize at the International Georg Kulenkampff Violin Competition in Cologne, Germany (1999), 2nd prize (1st prize not awarded), Audience & Bach prizes at the 33rd International Tibor Varga Violin Competition in Sion, Switzerland (1999), 1st & special prizes at the 2nd International Lois Spohr Violin Competition for young violinists in Weimar, Germany (1998), 1st prize at the National German Competition ‘Jugend Musiziert’ Categories solo violin & chamber music (1998), Special prize at the 7th International Yfrah Neaman Competition in Mainz, Germany (1997). He was the winner of the MSM school concerto competition (2008) and the Waldo Mayo Memorial Violin Competition (2009). Most recently, he was the featured soloist of the 169th Regular Concert of the Bucheon Philharmonic in Korea, performing the Mendelssohn Violin Concerto.

As an orchestral musician, he has held leading positions in American and German orchestras under the baton of conductors such as James Conlon, Charles Dutoit, David Robertson, Michael Stern and Jeffrey Tate. As Concertmaster, he led the Juilliard Orchestra for the world premiere of the opera Miss Lonely Hearts in 2006, was Guest Principal Second Violinist of the Hamburg Symphony and is scheduled to appear as Guest Concertmaster of the Memphis Symphony Orchestra. He will assume duties as Principal Second Violinist of the Düsseldorf Symphony this March.

Mr. Lee graduated from the Humboldt Grammar School in Cologne, Germany in 2001.

After 4 years of studies with Stephen Clapp and Donald Weilerstein, he received his Bachelors at Juilliard in 2006. Two years later Mr. Lee received his Masters Degree from the Juilliard School under the tutelage of Robert Mann. He received his Artist Diploma at the Manhattan School of Music in 2009 where he is currently continuing his studies as a Doctoral student with Robert Mann. He also had previous violin studies with Michael Davis, Maria Giesy, Christiane Hutcap, Hyo Kang, Jongsuk Li, Igor Ozim, Jaegwang Song and Viktor Tretjakov. He has had masterclasses with Leonidas Kavakos, Masao Kawasaki, Herman Krebbers, Cho-Liang Lin, Yfrah Neaman, Sylvia Rosenberg and Eduard Schmieder.

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www.MemphisSymphony.org

Lawrence Edwards

Artistic Director of the Memphis Symphony Chorus Lawrence Edwards has been Artistic Director of the Memphis Symphony Chorus since the 1987-1988 season. He has also been the Director of Choral Activities for the University of Memphis’ Rudi E. Scheidt School of Music since 1987; his responsibilities there include directing the vocal ensemble Sound Fuzion, the University Singers and the University Chamber Choir. He also coordinates the graduate program in conducting mentoring both masters and doctoral students pursing degrees Choral Conducting. During summers, Dr. Edwards also teaches graduate classes at Villanova University in Philadelphia, PA. He is active as a choral clinician, working with junior and senior high school honor choirs throughout the nation.

Dr. Edwards received his undergraduate degree in music from Seattle Pacific University, where he directed the Seattle Pacific Singers. He holds both Masters and Doctoral degrees in Music from the University of Illinois at Champaign, where he studied orchestral conducting with Romanian conductor Mircia Cristescu. Prior to assuming his position at the University of Memphis and the Memphis Symphony, he was Director of Choral Activities, Music Director and Conductor of Musical Theatre at West Virginia University at Morgantown.

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Mednikow Jewelers..............................Back Cover Memphis Boy Choir, Memphis Girl Choir & Memphis Chamber Choir........................... 73 Memphis Mariott Downtown............................ 36 Memphis Youth Symphony Program............. 71 Memphis University School............................... 16 Meeman Center...................................................... 42 Memphis Opportunity Scholarship Trust..... 35 Opera Memphis...................................................... 24 Orthomemphis........................................................ 16 Roadshow BMW...................... Inside Front Cover Tennessee Arts Commission.............................. 59 The Farms at Bailey Station ..................................5 Theatre Memphis................................................... 78

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program notes Humans have connected music and the cosmos for thousands of years. The ancient Greek mathematician and philosopher Pythagoras discovered that basic musical intervals could be expressed in simple ratios, and gradually extended this concept to the motions of the planets―as he famously said, “There is geometry in the humming of strings.

There is music in the spacing of the spheres.” In the Renaissance, philosophers and scientists applied these ideas to the inner workings of the human body. And in modern times, scientists have attempted to translate the motions of the planets into audible pitches. Just as music prompts ideas about the universe, space sparks the creation of music. From orchestral realizations of light to monumental film scores, the works on this program showcase the wildly fantastic and wonderfully creative results of this celestial collaboration.

LESHNOFF Starburst Duration: 9 minutes Born in New Jersey in 1973, Jonathan Leshnoff has established an international reputation as one of the top young American composers. From Buffalo to Kyoto, his works have been performed around the world, and he has received commissions from top orchestras in the United States including the Philadelphia Orchestra and the Baltimore Symphony. According to the magazine Strings, his compositions are “quite distinct from anything else that’s out there,” while the Memphis Commercial Appeal declared his music “superbly textured and unafraid to be intellectual.” And as The New York Times declared in a November 2008 concert review, “the afternoon’s keenest discovery was Mr. Leshnoff.”

Written between 2008 and 2009, Starburst sprung to life as a joint commission from the Kansas City Symphony, Baltimore Symphony Orchestra, and Spain’s Fundación Orquesta de Extremadura. Its premiere took place on April 29, 2010, with Marin Alsop leading the Baltimore Symphony Orchestra. In the program for the performance, Leshnoff explained that he chose the name Starburst because “the word has a lot of energy to it and I like the image of light.” Composed in two parts, Starburst sets forth two important motives at the beginning: a “fleeting” motive in the woodwinds and a sharply profiled, rhythmically charged idea in the strings. After this “orchestral shimmer” fulminates, a clarinet cadenza launches the second phase. The woodwind motive gradually returns in a march-like disguise―and as Leshnoff describes, “From then on, the piece gets bigger and bigger until it explodes at the end ― just like its name.”

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WILLIAMS Star Wars Suite Duration: 23 minutes A long time ago in a galaxy far, far away―or perhaps just in 1932 in New York City―one of the twentieth century’s greatest film composers was born. Known for his sweeping soundtracks to many popular movies (most recently, the score for Lincoln as performed by the Chicago Symphony Orchestra), John Williams composed music for all six Star Wars films plus many more, including Jaws, E.T., Schindler’s List, and the “Indiana Jones” series.

With their memorable melodies and evocative orchestration, Williams’s soundtracks place him squarely in line with American cinema’s greatest composers, including Erich Wolfgang Korngold, Franz Waxman, and Bernard Herrmann.

The Star Wars Suite consists of music from the original trilogy―Star Wars (1977), The Empire Strikes Back (1980), and Return of the Jedi (1983). In the score’s preface, Williams writes, During 1997 we celebrated the 20th anniversary of the release of George Lucas’ classic film Star Wars. All of us concerned with this phenomenal movie have been gratified to see an entire new generation of very young film-goers enjoy the Star Wars trilogy and relate so strongly to its story, characters, and music.

Also, I am personally delighted to have this new edition of the score available to orchestras and the public. It includes the “Imperial March” and “Yoda’s Theme,” both of which have not been available until this present printing.

I have always felt privileged to have had the opportunity to compose music for these landmark films, and the ongoing interest in the films and their music has continued to be one of my greatest joys.

Crafted in five parts, the suite opens with “The Main Theme,” the leitmotif that runs through all three films. Its memorable, muscular brass melody sets the tone, projecting heroism and a spirit of adventure. The richly scored “Princess Leia’s Theme,” heard most prominently in the original movie but appearing occasionally in the following two episodes, paints a romanticized and somewhat naïve portrait of the princess. Perhaps the second most famous melody is the “Imperial March” or “Darth Vader’s Theme,” which embodies evil in the minds of many with its unceasing martial rhythms. “Yoda’s Theme” evokes the gentle spirit and insightful teachings of the Jedi Master, while the “Throne Room and End Credits” is an extended version of the music heard at the end of the original film.

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program notes HOLST The Planets Duration: 48 minutes Gustav Holst found music in surprising places. In her biography of her famous father, his daughter Imogen quotes him as saying, As a rule I only study things that suggest music to me. That’s why I worried at Sanskrit.

Then recently the character of each planet suggested lots to me, and I have been studying astrology fairly closely. It’s a pity we make such a fuss about these things.

On one side there is nothing but abuse and ridicule, with the natural result that when one is brought face to face with overwhelming proofs there is a danger of going to the other extreme. Whereas, of course, everything in this world―writing a letter for instance―is just one big miracle. Or rather, the universe itself is one.

Begun in 1914 and completed in 1917, The Planets is generally viewed as the product of Holst’s fascination with astrology. Exactly how this passion began is not clear, however.

His mother was a Theosophist and is generally considered to be one source of his ideas, but perhaps most influential was the noted astrologer Alan Leo. In his book The Art of Synthesis, Leo devotes a chapter to each planet and the characteristics of people born during its “ruling time of the year,” and scholars point to a clear relationship between Leo’s descriptions and Holst’s work. Holst’s movement titles closely resemble Leo’s chapter headings―and in a few cases, such as “Neptune, the Mystic” they are identical. (Some scholars connect “Mercury, the Winged Messenger” to Leo’s How to Judge a Nativity, although the ubiquity of this imagery makes such a connection more tenuous.) The classical gods from which the planet’s names are derived also play a role in Holst’s characterization. Over the course of the work, Holst creates what he termed “a series of mood pictures,” using rich, colorful orchestration and evocative melodies to create a compelling portrait of these celestial orbs and their governing temperaments.

Holst arranges the seven planets not according to the customary distance from the Sun, but in an astrological pattern “symbolizing the unfolding experience of life from youth to old age.” Given the proximity of WWI, It is difficult not to hear the opening movement, “Mars, the Bringer of War” as a premonition of what was about to erupt. Its driving, martial rhythmic ostinato for timpani, harp, and col legno strings (a technique where the wood of the bow is used to make sound) coupled with expansive brass is a brilliant illustration of the Red Planet. The ensuing movement, “Venus, The Bringer of Peace” provides a striking contrast in its lyrical, almost romantic melody. Because the movement is formally more complex, some listeners have drawn the conclusion that Holst felt peace was ultimately more complex in character than war. The instruments with which “Venus” ends serve as the dominant colors in “Mercury, The Winged Messenger,” which takes the form of a fleet, light-footed scherzo.

“Jupiter, The Bringer of Jollity” paints a humorous, benevolent portrait of our biggest planet. While Holst does not quote actual folk tunes, he wrote the movement’s main theme in the style of one―and was so successful, in fact, that in the 1920s when he received a commission to set a patriotic song to music, Holst recycled the melody with the following text: 34

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I vow to my country, all earthly things above, Entire and whole and perfect, the service of my love; The love that asks no question, the love that stands the test; That lays upon the altar the dearest and the best.

The contrast between the triumphant end of “Jupiter” and the austere chill of the following movement is incredibly stark. In the multifaceted “Saturn, the Bringer of Old Age,” Holst captures the process of aging and the complex emotions it entails. After a ponderous opening shot through with a sense of desolation, a theme in the trombones introduces the wisdom that comes with old age. In spite of the orchestra’s inexorable march, a sort of calm acceptance takes over by the end of the piece. “Uranus, The Magician” revolves around a musical sleight of hand: the opening brass invocation is on the notes G, E flat, A, and B―using the German names of notes, it becomes clear that the theme is comprised of the musical letters in Holst’s own name (GuStAv H).

The Planets concludes with “Neptune, the Mystic.” Holst’s biographer Michael Short suggests that as much as painting a musical portrait of mysticism, “Holst’s aim was to depict in music the mystery and wonder of outer space.” Whether or not this was his stated goal, he achieves it admirably. Into a musical landscape devoid of rhythmic and tonal directionality Holst interjects an ethereal, wordless woman’s chorus, ultimately taking listeners to the very heavens themselves.

– Jen Glagov

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Feelin’ Groovy:

The Music of Simon & Garfunkel Saturday, March 9, 2013 at 7:30 p.m. - Cannon Center

CONNER GRAY COVINGTON, conductor Jim Witter, vocalist

Program to be announced from the stage.

This concert will include an intermission.

Sponsored by:

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Jim Witter vocalist

Pianist Jim Witter returns by popular demand to present FEELIN’ GROOVY (A MUSICAL JOURNEY THROUGH THE ‘60s FEATURING THE MUSIC OF SIMON AND GARFUNKEL). “Time it was and What a time it was!” No other composers capture the mood of the ‘60s quite like Simon and Garfunkel. Their songs perfectly capture the innocence, hope and introspection that contrasted the monumental changes that our society experienced during the 1960s.

War raged abroad. “Peace and Love” became domestic mantra. Experience one of Jim’s most powerful musical journeys featuring Simon and Garfunkel favorites, such as “Feelin Groovy,” “Bridge Over Troubled Water” and “Mrs. Robinson”, among others. A native of Ontario, Canada, Jim has received musical awards in both Canada and the United States.

Jim thrilled us several years ago when he presented the music of Elton John and Billy Joel, in Piano Men. What audiences are saying: Jim Witter’s show absolutely delighted our audience. He is a real professional whose appealing personality and wonderful musicianship make his performances so much fun.

It’s easy to understand why his fans adore him, and why their numbers are increasing so quickly. - Rob McAlear Artistic Administrator, Edmonton Symphony Orchestra It is difficult to articulate our great satisfaction with your performance at our Gala...the evening was a complete success...thank you for a fantastic performance.

- Sarah Woolverton - Planning Coordinator - Canadian Chamber of Commerce

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Family Matters

at Playhouse 2/22–24

Wizard of Oz

America’s fairytale ballet at The Orpheum 4/20–21

Taking Flight

a FedEx Hangar experience 5/11

Tickets starts at just $5 Visit balletmemphis.org for details.

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Classical Concerts

POPS

Our concerts are at Cannon Center, Germantown Performing Arts Centre, Lindenwood Christian Church.

Cannon Center performances including your favorite holiday and Elvis tunes.

M

emphis usicians

CAPA Virtuosi & Soulsville Charter School MSO musicians provide weekly music coaching at schools in Memphis.

S

ym erv

MSO is in the concert hall — a

Leading from Every ChairÂŽ A day-long leadership training workshop for corporate managers and youth that uses the orchestra and musical processes to develop leadership skills.

Symphony Soul Project Funded by ArtPlace, this MSO residency in Soulsville USA provides free concerts in the neighborhood during 2012-2013.

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Ensembles regularly perform in schools, airports, assisted living, hospice and skilled care facilities bringing the joy of music to every stage of life.

MSO Big Band music originally broadcast at the during the go big band

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SPECIALS

OPUS ONE

Messiah, Symphony in the Gardens, Sunset Symphony, Joshua Bell, Yo-Yo Ma.

Non-traditional concerts in venues like the Hi-Tone Cafe, New Daisy Theater, and Memphis Music Magnet.

mphony ving

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rchestra thers

and everywhere in Memphis!

Drum Circle sessions with veterans groups, hearing impaired children, and grief program participants give participants a means to deal with life’s challenges.

Music and Human Conflict In partnership with Facing History and Ourselves, MSO musicians help students examine social inequities through music.

d plays historic performed and e Peabody Hotel olden years of d music.

Family Tunes and Tales at a local library near you is a FREE, FUN and EXCITING way to get children engaged in reading and music.

For Tickets 901-537-2525

Young People’s Concerts A full orchestra concert field trip with thematic and curriculum-based programming that is presented annually at the Cannon Center.

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Tchaikovsky 5 Saturday, March 16, 2013 at 7:30 p.m. – Cannon Center Sunday, March 17, 2013 at 2:30 p.m. – GPAC

MEI-ANN CHEN, conductor Augustin Hadelich, violin AN-LUN HUANG (1949 - ) Saibei Dance from Saibei Suite No. 2 JOHANNES BRAHMS (1833 - 1897) Violin Concerto in D Major, Op. 77 Allegro non troppo Adagio Allegro giocoso, ma non troppo vivace

Augustin Hadelich, violin

INTERMISSION PIOTR ILYICH TCHAIKOVSKY (1840 - 1893) Symphony No. 5 in E Minor, Op. 64 Andante - Allegro con anima Andante cantabile con alcuna licenza Valse: Allegro moderato Finale: Andante maestoso - Allegro vivace

Sponsored by:

Memphis Symphony League’s Lunch with a Star Augustin Hadelich, violin Friday, March 15 | 11:45 a.m. - 1:00 p.m. | Napa Cafe To reserve your seat, call 901-537-2525 Lunch is only $25

FREE Concert Preview… ~ Saturday at 6:45 p.m. in the Morgan Keegan Mezzanine Lobby ~ Sunday at 1:45 p.m. in the Ballet Room For Tickets 901-537-2525

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Augustin Hadelich violin

Consistently cited in the press for his “gorgeous tone” (New York Times), “poetic communication” (Washington Post) and “fast-fingered brilliance” (The New Yorker), Augustin Hadelich has catapulted into the top echelon of young violinists.

During this past season, Mr. Hadelich played extremely well-received debuts with the symphonies of Atlanta, Baltimore, Cincinnati, Colorado, Phoenix, Seattle, Utah and Vancouver. He will debut this season with the Netherlands Philharmonic (at the Amsterdam Concertgebouw), RTÉ National Symphony Orchestra/Dublin, Orchestre Philharmonique de Strasbourg, Nashville Symphony, San Diego Symphony, the Aspen Chamber Symphony and the St. Paul Chamber Orchestra, as well as tour Brazil with the São Paulo State Symphony under Yan Pascal Tortelier and play his second recital at Kennedy Center in Washington, D.C. New concertos that he will be performing include the Adès concerto with Chautauqua Symphony, the Britten concerto with Alabama Symphony, and the Ligeti concerto with the St. Paul Chamber Orchestra.

Awarded a Borletti-Buitoni Trust Fellowship in the UK, Mr. Hadelich is the 2006 Gold medalist of the International Violin Competition of Indianapolis and winner of an Avery Fisher Career Grant in 2009. He made three Carnegie Hall appearances in 2008, including a highly-acclaimed recital debut and his orchestral debut, performing the Brahms Double Concerto under Miguel Harth-Bedoya with cellist Alban Gerhardt and the Fort Worth Symphony.

Mr. Hadelich has recorded two CDs for Naxos: Haydn’s complete violin concerti with the Cologne Chamber Orchestra, and Telemann’s complete Fantasies for Solo Violin. For AVIE, a CD of masterworks for solo violin (including the Bartók solo sonata) was released in October 2009. A second disc for AVIE, Echoes of Paris, was released in March 2011 with pianist Robert Kulek.

Also an enthusiastic recitalist, Mr. Hadelich appeared at The Frick Collection (New York), Kennedy Center, the Chamber Music Society of Detroit, Clark Memorial Library (Los Angeles), La Jolla Music Society, Kioi Hall (Tokyo), the Louvre, Philadelphia Chamber Music Society and the Vancouver Recital Society, to name a few. As chamber musician, he has been a participant at the Marlboro, Ravinia, and Seattle festivals, and has collaborated with Midori at Lincoln Center’s Rose Theater.

Born in Italy in 1984, the son of German parents, Augustin Hadelich holds a graduate diploma and artist diploma from The Juilliard School, where he was a student of Joel Smirnoff. He plays on the 1723 “Ex-Kiesewetter” Stradivari violin, on loan from Clement and Karen Arrison through the generous efforts of the Stradivari Society. www.augustin-hadelich.com 46

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Charles Morey guest concertmaster

Charles Morey was born in Fayetteville, West Virginia and began playing the violin at the age of two. Leading a diverse musical life as violinist, composer, conductor, and teacher, he frequently performs in the country’s most prestigious halls, including the Kennedy Center, Severance Hall, and New York’s Carnegie Hall. He has performed as soloist with numerous orchestras, including the River Cities Symphony Orchestra, Seneca Chamber Orchestra, Marshall University Symphony Orchestra, Cleveland Institute of Music (CIM) Orchestra, Lexington Bach Festival Orchestra, and the West Virginia Symphony Orchestra. In the Spring of 2009, Mr. Morey won CIM’s concerto competition, performing Prokofiev’s Violin Concerto no. 2. He was also a prize winner in the 2009 Annual Milhaud Performance Prize Competition.

As concertmaster, he has performed with orchestras such as the San Antonio Symphony, Omaha Symphony Orchestra, Ashland Symphony, CIM Orchestra, Lexington Bach Festival Orchestra. Also a composer, in February 2011 he made his Kennedy Center debut performing his own composition, “Images,” for violin and piano. He has also performed his own set of variations on the tune “Wondrous Love” with the West Virginia Symphony Orchestra, with an orchestral accompaniment by Artistic Director Grant Cooper. He frequently composes pieces for student ensembles, which have been premiered by students from Cleveland School of the Arts and CODA Mountain Academy of Music. In 2005 he was a recipient of the Andrew and Amy Vaughan Student Symphonic Fellowship, which culminated in a performance with the WVSO as conductor.

Mr. Morey received his Bachelor’s and Master’s degrees in violin performance from the Cleveland Institute of Music where he was a student of William Preucil. A recipient of the Bock scholarship, he was chosen in 2010 to study in an orchestra leadership program at the Music Academy of the West under San Diego Symphony concertmaster Jeffrey Thayer.

Mr. Morey is founder of the CODA Mountain Academy of Music, a summer music festival in Appalachia.

He is currently a member of the Rochester Philharmonic and Canton Symphony Orchestra.

Previous positions include concertmaster of the Ashland Symphony, Solon Philharmonic, and Suburban Symphony, as well as violin instructor in the Cleveland Institute of Music’s Preparatory Department. Recent honors include a collaboration with composer Augusta Read Thomas, world premiere of “Three Short Pictures for Violin and Piano” by Dolores White, and a solo performance for Bronislaw Komorowski, President of the Republic of Poland.

For Tickets 901-537-2525

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program notes HUANG Saibei Dance from Saibei Suite No. 2 Duration: 4 minutes Born in 1949, An-Lun Huang began his musical studies at the Central Conservatory of Music in Beijing. He was a tenacious student: when his work was interrupted during the Chinese Cultural Revolution―and he was forced to labor in the rice fields of rural China―he found an old pump organ that had been abandoned by Chinese missionaries, and continued his studies independently. His efforts paid off: when the Cultural Revolution ended in 1976, he was appointed resident composer and assistant conductor at the Central Opera House of China in Beijing. After hearing contemporary music for the first time, Huang decided to immigrate to Canada and study music at the University of Toronto. As he recalls, he wanted “more freedom. [I wanted to] learn more.

That’s why I came to Canada.” He continued his composition studies at Trinity College in London and at Yale University before returning to Ontario, where he still lives.

While some might view Huang’s experience in China as a hardship, the composer himself sees his unique career path as a vital element in his compositional style: “I think as a composer [my work in the rice fields] was so important. If you only have the knowledge of...urban life...you cannot reach the real history.” He has made it his mission to fuse China’s “real history” with Western music. As he realized, “Music history could have a new element―Chinese music. That’s my job, I decided. I’ll go my own way.” Saibei Dance shows off Huang’s potent synthesis of these two musical traditions. Located about 80 miles from Beijing, Saibei is a mountainous region known for skiing and lakes. In his Dance, Huang merges traditional pentatonic folk songs from the area with Western music structure and harmonies.

BRAHMS Violin Concerto Duration: 38 minutes It is common for composers to write music for friends. Mozart, for example, wrote many of his concertos for people he knew, and Johannes Brahms likewise wrote his Violin Concerto for his friend Joseph Joachim (1831-1907). One of the greatest musicians of his time, Joachim met Brahms in Hanover in 1853, and introduced the young composer to both Liszt and Schumann. Joachim was one of Brahms’s biggest supporters. In 1880, however―the year after he gave the premiere of the Violin Concerto―their relationship took a dramatic turn. Joachim initiated divorce proceedings against his wife of almost twenty years, mezzo-soprano Amalie Weiss, on the grounds that he was not the father of the youngest of their six children. While Clara Schumann, Robert’s wife and Brahms’s 48

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best friend, supported Joachim, Weiss ultimately prevailed--by all accounts, as a result of Brahms’s testimony in her favor. Although Joachim continued to perform Brahms’s music, their personal friendship was seriously compromised as a result of Brahms’s perceived betrayal.

A product of a happier time, Brahms’s Violin Concerto illustrates the mutual respect and collaborative spirit that existed between these two musicians. Brahms started work on the piece in the summer of 1878 while vacationing at Pörtschach, an Austrian summer resort on Lake Wörth. He sent the manuscript of the concerto to Joachim on August 22, writing, “Naturally I wish to ask you to correct it. I thought you ought to have no excuse―neither respect for the music being too good nor the pretext that orchestrating it would not merit the effort. Now I shall be satisfied if you say a word and perhaps write in several: difficult, awkward, impossible, etc.” By the time of the concerto’s premiere in Leipzig on January 1, 1879, it had been considerably altered. Perhaps the most profound change was to the concerto’s structure: originally composed in an unusual four-movement form, Brahms condensed the work into the more typical three movements. (These middle movements are now lost, although many scholars believe that the Allegro appassionato of the Second Piano Concerto may have begun life as the Violin Concerto’s original Scherzo.) The correspondence between Brahms and Joachim shows an interesting paradox: while Brahms incorporated many of Joachim’s proposed orchestral changes, he didn’t adopt many of Joachim’s alterations to the solo part. Nevertheless, Joachim thought highly of the work, saying it was of “high artistic value” and aroused in him “a peculiarly strong feeling of interest.”

Brahms’s resistance to Joachim’s interventions perhaps hints at a quality that sets his concerto apart from other Romantic examples of the genre. Instead of casting the violin in the starring role and relegating the orchestra to the wings, Brahms integrates soloist and orchestra much more than other virtuosic concertos, and seems to eschew virtuosity for its own sake. While the public response to this new approach was extremely positive, violinists were slightly less enthused. Henryk Wieniawski declared the concerto “unplayable,” while Pablo de Sarasate announced that he would not play the work because he didn’t want to “stand on the rostrum, violin in hand and listen to the oboe playing the only tune in the adagio.” One of the most famous criticisms―attributed variously to Hans von Bulow and Joseph Hellmesberger―was that the concerto was not written for the violin as much as “against the violin.”

The first movement, marked Allegro non troppo (not too fast), is notable for its richness of themes as well as its affinity with Beethoven’s violin concerto in the same key (Joachim was known for his interpretation of the piece, and even performed it with Brahms’s concerto at the work’s premiere). Joachim composed the cadenza, which apparently caused quite a stir during the first Viennese performance; as Brahms wrote to a friend, “The cadenza went so magnificently at our concert here that the people clapped right on into my coda.” After a brief Adagio featuring a rapturous and simple melody, a lively rondo presents a “Hungarian” theme that likely pays tribute to Joachim, who was born in what is today the Czech Republic. The playful, virtuosic finale takes the concerto to a fiery close.

For Tickets 901-537-2525

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program notes TCHAIKOVSKY Symphony No. 5 Duration: 49 minutes The symphony Tchaikovsky composed just prior to his Fifth marked a very different direction for the composer. Unlike his previous symphonies, for his Fourth Symphony the composer immersed himself in the concept of program music, providing a narrative that centered on the abstract concept of Fate. He took this idea to its apex in the work that followed: the unnumbered Manfred Symphony (1885), which was solely based on Byron’s epic poem. By the time of his Sixth Symphony, composed in 1893, Tchaikovsky had backed off from the idea of a specific program, writing the work around an intensely personal program that scholars have struggled to uncover.

Composed in the summer of 1888, Tchaikovsky’s Fifth Symphony is sometimes said to occupy a kind of “middle ground,” caught in the interstices of an overt program and a more personal agenda. Tchaikovsky’s preoccupation with fate is manifest in many of his compositions―not only the Fourth and Manfred symphonies, but also the operas Eugene Onegin and The Queen of Spades―and his Symphony No. 5 is no exception. In his compositional journal, Tchaikovsky identified the opening and recurring themes of the Fifth as “complete resignation before Fate.” The symphony opens with a slow introduction, its dark, brooding theme gradually becoming the main theme of the first movement. The introduction continues to reverberate in the ensuing Andante, whose horn melody was used in the 1939 Tin Pan Alley hit, “Moon Love”. The third movement is a waltz, rather than the customary scherzo. Despite the minor-mode version of the Fate theme that occasionally emerges in the Finale, the symphony concludes on an overtly triumphant note―an ending that some critics, including Tchaikovsky himself, considered insincere or even crude.

After the Fifth Symphony’s second performance, Tchaikovsky wrote, “I have come to the conclusion that it is a failure.” In spite of its creator’s negative assessment, the Fifth has gone on to become one of Tchaikovsky’s most beloved works. It was particularly popular during World War II, and was frequently recorded and performed. One of the most noteworthy performances took place during the Siege of Leningrad, when city leaders ordered the Leningrad Radio Symphony Orchestra to help boost morale by continuing their concerts. On the night of October 20, 1941, the orchestra performed the Fifth Symphony at the city’s Philharmonic Hall. During the concert―which was broadcast live in London―bombs began to fall, but the orchestra continued playing until the symphony’s very last note.

– Jennifer Glagov

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Hot Springs Music Festival Season Eighteen: Coming of Age Hot Springs, Arkansas

2-15 JUNE 2013

For the Hot Springs Music Festival: Danses sacrĂŠe et profane by Hugh Dunnahoe after the musical composition by Claude Debussy

Casual, Classical, Fun! The Hot Springs Music Festival brings together over 200 international musicians each June in the historic spa resort of Hot Springs National Park to present over 20 concerts and 250 free open rehearsals for music lovers from around the globe.

Visit hotmusic.org for the complete schedule, programs, and other exciting information!

501.623.4763

hotmusic.org

Mei-Ann Chen music director One of the most dynamic young conductors in America, MeiAnn Chen is currently in her third year as Music Director of the Memphis Symphony Orchestra. She is also beginning her second season as Music Director of the Chicago Sinfonietta.

During this time, the impact of her energy, enthusiasm and high level of music-making has been felt by both of these orchestras, their audiences and entire communities, as well.

The League of American Orchestras recognized this fact by choosing her for the prestigious Helen M. Thompson Award at their 2012 national conference in Dallas.

Among Ms. Chen’s upcoming highlights are debuts on the Chicago Symphony subscription series, the San Francisco Symphony Chinese New Year Celebration, North Carolina Symphony, San Diego Symphony, the São Paulo Symphony in Brazil, and the Tampere Philharmonic in Finland. Among last season’s debuts were the Netherlands Philharmonic at the Amsterdam Concertgebouw, the Aspen Music Festival, and the symphonies of Jacksonville, Naples and Sarasota.

In great demand as a guest conductor, Mei-Ann Chen recently stepped in on short notice for her very well-received subscription concert debut with the Cincinnati Symphony. She has been engaged by the Cincinnati Symphony for this season as well. Ms. Chen has also appeared with the Rochester Philharmonic and the symphonies of Alabama, Atlanta, Baltimore, Chicago, Colorado, Columbus, Edmonton (Canada), Florida, Fort Worth, Nashville, National (Washington, DC), Oregon, Pacific, Pasadena, Phoenix, Seattle and Toronto. Worldwide engagements include all the principal Danish orchestras, BBC Scottish Symphony, Bournemouth Symphony, Graz Symphony, National Symphony of Mexico, Norrlands Opera Orchestra, Norwegian Radio Orchestra and the Trondheim Symphony.

Festival appearances include Grand Teton, Wintergreen, Chautauqua Institute and the Texas Music Festival in Houston.

The first woman to win the Malko Competition (2005), Ms. Chen has served as Assistant Conductor of the Atlanta, Baltimore and Oregon symphonies. The positions in Atlanta and Baltimore were sponsored by the League of American Orchestras. Recipient of the 2007 Taki Concordia Fellowship, she has appeared jointly with Marin Alsop and Stefan Sanderling in highly acclaimed subscription concerts with the Baltimore Symphony, Colorado Symphony and Florida Orchestra.

In 2002, Ms. Chen was unanimously selected as Music Director of the Portland Youth Philharmonic in Oregon, the oldest of its kind and the model for many of the youth orchestras in the United States.

During her five-year tenure with the orchestra, she led its sold-out debut in Carnegie Hall, received an ASCAP award for innovative programming, and developed new and unique musicianship programs for the orchestra’s members. She was honored with a Sunburst Award from Young Audiences for her contribution to music education.

Born in Taiwan, Mei-Ann Chen has lived in the United States since 1989. She holds a Doctor of Musical Arts degree in conducting from the University of Michigan, where she was a student of Kenneth Kiesler. Prior to that, she was the first student in New England Conservatory’s history to receive master’s degrees, simultaneously, in both violin and conducting. Ms. Chen also participated in the National Conducting Institute in Washington, D.C. and the American Academy of Conducting in Aspen.

For more information, visit www.meiannchen.com

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www.MemphisSymphony.org

Conner Gray Covington assistant conductor At 25 years old, Conner Gray Covington was recently appointed Assistant Conductor of the Memphis Symphony Orchestra, a position he began in September of this year. In Memphis, he will conduct various community and outreach concerts while working closely with Music Director Mei-Ann Chen. Covington will also serve as the Music Director of the Memphis Youth Symphony Program. He recently completed his master’s degree in orchestral conducting in May of this 2012 at the Eastman School of Music where he studied with Neil Varon. This past May Covington competed in the prestigious Malko Conducting Competition in Copenhagen, Denmark, where he was the youngest participant to advance to the third round. In Denmark he conducted the Danish National Symphony for a jury headed by Lorin Maazel. Covington also recently competed in the Tokyo International Conducting Competition where he worked with the New Japan Philharmonic and advanced to the semi-final round.

In the summers of 2011 and 2012, Covington attended the Aspen Music Festival as a fellowship recipient in the American Academy of Conducting at Aspen. There he worked with Robert Spano, Larry Rachleff, and Hugh Wolff as well as other guest conductors throughout the summer. He has also attended the Pierre Monteux School for Conductors where he studied with Michael Jinbo.

Born in Louisiana, Covington grew up in East Tennessee and began playing the violin at age 11. He completed high school at the renowned High School for the Performing and Visual Arts in Houston, Texas. He went on to study violin at the Moores School of Music at the University of Houston with distinguished soloist and pedagogue Kyung Sun Lee. Covington then transferred to the University of Texas at Arlington where he studied violin with Dr. Martha Walvoord and conducting with Dr. Clifton Evans. At UTA, he served as both concertmaster and assistant conductor of the UTA Symphony, and in May of 2010 he graduated summa cum laude with a degree in violin performance.

The Memphis Symphony Orchestra is a proud member of the League of American Orchestras For Tickets 901-537-2525

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Memphis Symphony Orchestra mei-ann chen, music director conner gray covington, assistant conductor Violin I Guest Concertmaster The Joy Brown Wiener Chair

Paul Turnbow, Assistant Concertmaster

Griffin Browne Jeffrey Jurciukonis Hannah Schmidt Mark Wallace

The Maxine Morse Chair

Marisa Polesky, Assistant Principal Barrie Cooper, Assistant Principal Diane Zelickman Laurie Pyatt* Wen-Yih Yu Jessica Munson Greg Morris Long Long Kang Violin II Gaylon Patterson, Acting Principal The Dunbar and Constance Abston Chair

Heather Trussell, Acting Assistant Principal Erin Kaste, Acting Assistant Principal Christine Palmer Ann Spurbeck Lenore McIntyre Michael O’Gieblyn Viola Jennifer Puckett, Principal The Corinne Falls Murrah Chair

Michelle Pellay-Walker, Assistant Principal Marshall Fine, Assistant Principal Irene Wade Michael Barar Karen Casey Kent Overturf Beth Luscombe Cello Ruth Valente Burgess, Principal The Vincent de Frank Chair

Iren Zombor, Assistant Principal Milena Albrecht, Assistant Principal Phyllis Long Jonathan Kirkscey 54

Bass Scott Best, Principal Christopher Butler, Assistant Principal Sean O’Hara Andrew Palmer Timothy Weddle David Troupe* Jeremy Upton Sara Chiego Flute Karen Busler, Principal The Marion Dugdale McClure Chair

Todd Skitch Chris James Sarah Beth Hanson* Piccolo Chris James Sarah Beth Hanson* Oboe Joseph Salvalaggio, Principal Saundra D’Amato Shelly Sublett, Assistant Principal English Horn Shelly Sublett Clarinet Andre Dyachenko, Principal Rena Feller Nobuko Igarashi Bass Clarinet Nobuko Igarashi

www.MemphisSymphony.org

Bassoon Susanna Whitney, Acting Principal Jennifer Rhodes* Michael Scott Christopher Piecuch

Bass Trombone Mark Vail

Contrabassoon Christopher Piecuch

Timpani Frank Shaffer, Principal

Horn Samuel Compton, Principal

Percussion David Carlisle, Principal Ed Murray, Assistant Principal

The Morrie A. Moss Chair

Robert Patterson Caroline Kinsey Pamela Kiesling Trumpet Scott Moore, Principal The Smith & Nephew Chair

Susan Enger J. Michael McKenzie Trombone Greg Luscombe, Principal James Albrecht Mark Vail

For Tickets 901-537-2525

Tuba Charles Schulz, Principal

Harp Marian Shaffer, Principal The Ruth Marie Moore Cobb Chair

Piano/Celeste Adrienne Park, Principal The Buzzy Hussey and Hal Brunt Chair

Guest Artists The Emily Klyce Fisher Chair

* Currently on leave.

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Memphis Symphony Orchestra governance & staff Board of Directors

Mark Crosby Crosby & Higgins LLP

Officers Mike Edwards Chair Paragon Bank

Michael J. Douglass Gerber/Taylor Capital Advisors, Inc.

Al Lyons Interim CEO Memphis Symphony Orchestra Louis Jehl Chair Elect Diversified Trust Louise Barden Secretary First Tennessee Bank Lowry Howell Treasurer Southeastern Asset Management

Mary Lawrence Flinn Memphis Symphony League Pam Guinn St. Mary’s Episcopal School Larry J. Hardy Retired Corporate Executive Scott Heppel Retired Corporate Executive Buzzy Hussey Babcock Gifts Bryan Jordan First Horizon National Corp.

Paul A. Bert Immediate Past Chair Retired Corporate Executive

Natalie C. Kerr, MD Hamilton Eye Institute

Board Paul Berz

Joanna Lipman Arts Advocate

Ritche Manley Bowden Arts Advocate

Hon. Mark Luttrell Shelby County Government

Dr. Karen Bowyer Dyersburg State Community College

Alec McLean New South Capital Management

Austin Byrd Bailey & Greer, PLLC

Lisa Mendel Memphis Symphony Chorus

Darrell Cobbins Universal Commercial Real Estate

Scott Moore Memphis Symphony Orchestra

Nancy Hughes Coe Dominion Partners Private Wealth Management

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Carol W. Prentiss River Oaks Investments Robert Quinn FedEx

Art N. Seessel, III Janet Seessel Arts Advocate Charles Shipp Architect John Speer Bass, Berry & Sims, PLC Jim Vining Vining Sparks Russ Wigginton Rhodes College Board Emeritus Gloria Nobles Past Chairs Dunbar Abston, Jr. Newton P. Allen, Esq.* Walter P. Armstrong, Jr.* Leo Bearman, Jr., Esq. Troy Beatty* Paul A. Bert Jack R. Blair Robert L. Booth, Jr. Judge Bailey Brown* Robert E. Cannon* George E. Cates Eric A. Catmur* Charles P. Cobb, Esq.* Nancy R. Crosby* George E. Falls, Jr. David B. Ferraro Lewis E. Holland William F. Kirsh* Martha Ellen Maxwell Dr. Joseph Parker* G. Dan Poag Thomas M. Roberts* Jeff Sanford P.K. Seidman* Michael Uiberall Joseph Weller Dr. Russel L. Wiener

(*deceased) www.MemphisSymphony.org

Administrative Staff Al Lyons Interim CEO Accountability Anita McLean Chief Financial Officer

Grace McAlister, PHR Finance Manager Rodney Gilchrist Technical Support Grants Rhonda Causie Director of Grants & Innovation

Ricardo Callender Grants & Accountability Specialist

Artistic Engagement Brandon Knisley Vice President of Artistic Engagement

Development Nicki Inman Vice President of Patron Engagement

Jenny Compton Music Librarian

Erica Eason Patron Engagement Assistant

Molly Mangialardi Artist Coordinator

Ellen Montgomery Corporate Engagement Assistant

Susan Miville Director of Musician Engagement Operations Douglas Whitaker Director of Operations

Laura Mirahver Orchestra Personnel Manager

Joseph Nelson Soulsville Project Manager

Ellen Rolfes Advancement Specialist Marketing & Public Relations Denise Borton Director of Patron Engagement & Marketing

Mandy Porch Box Office Manager

Memphis Symphony League Board of Directors Mary Lawrence Flinn, President Lura Turner, President-Elect Priscilla Alexander Honey Cannon Scottie Cobb Jeanette Cooley Jean de Frank

Billie Jean Graham Eula Horrell Mindy Johnson Nancy Lou Jones Florence Leffler Sissy Long Babbie Lovett Carol Martin Mabel McNeill

Amy Meadows Laurie Monypeny Charlotte Neal Gloria Nobles Tommie Pardue Marilyn Powell Shelly Sublett Sharon Turner Joy Wiener

Memphis Symphony Chorus Board of Directors Lisa Mendel, President Steve Alsobrook Cindy Armistead Elizabeth Buls Janet Carnall Larry Edwards For Tickets 901-537-2525

Pamela Gold Deborah Goodman Anita Hester David Patterson Terron Perk Shane Rasner

Mary Seratt Jack Seubert Ginny Vann Jackie White Matthew Williams Rae Williams

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Letter from the League President What a wonderful season we have had thus far! Our orchestra has certainly provided thrilling moments at each performance, drawing well-deserved applause from both the audience and the great Yo-Yo Ma himself.

There is much more to come.

Our Memphis Symphony League has grown in number and in enthusiasm this year. The Diamond Jubilee Luncheon helped raise $5,000 and members’ dues have added over $12,000 to our efforts to support our Symphony Orchestra. In February we honored a very special sweetheart, Mei-Ann Chen, with beautiful flowers, music, and food. What a perfect day for our beloved conductor as well as for Memphis!

In December the League honored the wonderful staff at the Symphony Office with a thank you party, and the orchestra will be our focus in the spring. We so appreciate all these people do for us and for our city.

The League has begun a new series, “Lunch With A Star,” where anyone interested in meeting and talking with First Tennessee Masterworks guest artists and conductors can attend a luncheon and have a conversation with a star. Our first luncheon at Napa Cafe featured a great lunch and time with the conductor for the November 17 and 18 First Tennessee Masterworks, Carlos Miguel Prieto. We are anticipating a great turnout for our March 15 event that presents guest violinist Augustin Hadelich. Be sure to watch for information on the Symphony website.

We would love for you to be a part of all we do, so join the League and join the fun.

Mary Lawrence Flinn President Memphis Symphony League

2012-2013 Memphis Symphony League Membership Form (PLEASE PRINT) Name _____________________________________ Spouse’s Name _________________________________________ Address __________________________________________________________________________________________ City _______________________________________________ State _____________ Zip _________________________ Home Phone _____________________ Work Phone _______________________Cell Phone ______________________ Fax _______________________ E-mail Address ________________________________________________________

PAYMENT _____ I have enclosed a total of $______ (Single $40; Couple $50; President’s Circle $100) _____Check

Check# ________

_____Credit Card

AMEX/Visa/Mastercard CC#_________________________ Exp. ______

Signature _________________________________________________________ Date_________________ Memphis Symphony Orchestra • 585 S. Mendenhall, Memphis, TN 38117 • (901) 537-2500

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www.MemphisSymphony.org

Thank You Memphis Business!

The Memphis Symphony Orchestra is fortunate to have many generous companies whose commitment to the arts in Memphis enables us to present the quality concerts and community programs our patrons have come to expect. At this printing of Experience, the following corporations have joined us for the 2012-2013 season. $100,000+

$50,000-$99,999

Locally owned.

Internationally respected.

Expe r ience. Integ r it y. Independence.

As an independent investment company headquartered in Memphis, Tennessee, Dominion Partners private wealth management offers a full range of financial services to clients across the United States and abroad. With more than 60 years of comprehensive investment advisory experience among our team members, we have the maturity and intelligence to deliver premier financial planning and portfolio management. What continues to set us apart is a unique mix of investment solutions designed by a dedicated team of professionals working to preserve and grow your hard-earned money. To learn more about the Dominion difference, give us a call.

$25,000-$49,999

$15,000-$24,999

www.dominion-partners.com 路 901-969-2182 路 888-589-5188 Dominion Partners is a branch office of and securities offered through WFG Investments Inc., member FINRA & SIPC.

$10,000-$14,999

Robert Coe, CFP庐 Senior Vice President, Portfolio Manager

Brian Kinney, CFP庐 President, Financial Advisor

Nancy Hughes Coe Senior Vice President, Financial Advisor

$5,000-$9,999

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www.MemphisSymphony.org

$2,500-$4,999

$1,500-$2,499

Up to $1,500

Blue Cross Blue Shield of Tennessee

Commercial Bank & Trust Company

Diamond International of Memphis

Kelman-Lazarov, Inc.

Legacy Wealth Management

Wunderlich Securities

Lipscomb & Pitts Insurance

In Kind

Interim R E S TA U R A N T & B A R

5040 Sanderlin Avenue Suite 105 Memphis, Tennessee 38117

Foundations

The Memphis Symphony Orchestra is fortunate to have many generous foundations whose commitment to the arts in Memphis enables us to present community programs. At this printing of Experience, the following institutions have joined us for the 2012-2013 season.

The Andrew W. Mellon Foundation

The Jeniam Foundation

Thomas W. Briggs Foundation Hyde Family Foundation

For Tickets 901-537-2525

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Symphony Fund 2012-2013 As a community-supported organization committed to Memphis, the MSO depends more than ever before on the generosity of donors who make it possible for us to make meaningful experiences through music. We are pleased to offer the following benefits in response to your support: Maestro’s Partners $10,000 and above (Fair Market Value is $350) Maestro’s Partners welcomes annual donors of $10,000 and above. In recognition of their support, donors receive unprecedented opportunity to engage with the MSO through personalized events.

For more information, please call Nicki Inman, Vice President of Patron Engagement at 537-2519.

Benefactor $5,000 - $9,999 (Fair Market Value is $295) Invitation to join Maestro Mei-Ann Chen and the orchestra on-stage for a First Tennessee Masterworks or Paul & Linnea Bert Classic Accents rehearsal Personalized concierge ticket services (with waiver of service fees) Plus all below Patron $2,500 - $4,999 (Fair Market Value is $220) Invitation to MSO Annual Review meeting Invitation to the annual Season Preview Party Plus all below Golden Circle $1,000 - $2,499 (Fair Market Value is $200) Admission to the donors-only Golden Circle Room, during intermission, at First Tennessee Masterworks and Pops concerts Seven passes for free parking at the Cook Convention Center, good for First Tennessee Masterworks or Pops concerts Plus all below MSO Associates Associate $600 - $999 (Fair Market Value is $80) Opportunity to purchase tickets in advance Plus all below Member $300 - $599 (Fair Market Value is $60) Invitation to MSO open rehearsals Plus all below Friend $100 - $299 (Fair Market Value is $40) Backstage tour of the Cannon Center for the Performing Arts Two tickets to Contributor Recognition Night Acknowledgment in Experience, the MSO concert magazine, in all volumes published during the season Supporter Up to $99 (Full Market Value) Acknowledgment in Experience, the MSO concert magazine, in one volume published during the season Consider a gift to the Symphony Fund today! To donate, visit the MSO office, go online to www.MemphisSymphony.org, call (901) 537-2525 or mail to 585 S. Mendenhall Road, Memphis, TN 38117 62

www.MemphisSymphony.org

Contributions Symphony Fund 2011-2012 Thank you! Individuals, corporations, foundations, ArtsMemphis, the Tennessee Arts Commission and others make annual contributions to support our Symphony. Because the Memphis Symphony Orchestra, like orchestras throughout the country, obtains less than 30% of our income from ticket sales, these gifts and grants are crucial to our ability to provide music of the highest quality. The following community members have expressed their support for the Memphis Symphony Orchestra between December 1, 2011 and January 1, 2013. We are most appreciative.

Virtuoso - ($100,000 + ) Anonymous (2) ArtPlace ArtsMemphis Impresario - ($50,000 - $99,999) Anonymous Paul & Linnea Bert The Estate of Billy J. Christian Jeniam Foundation The Estate of Jean Mosow Visionary - ($25,000 - $49,999) Anonymous Mr. & Mrs. George E. Cates Scott & Carolyn Heppel Wil & Sally Hergenrader Dorothy O. Kirsch Susan & Robert J. Quinn Gayle S. Rose Mr. Milton T. Schaeffer Mr. & Mrs. Arthur N. Seessel III Mr. & Mrs. Frederick W. Smith Joy & Russel Wiener Pacesetter - ($15,000 - $24,999) The Day Foundation Scheidt & Hohenberg Charity Trust Families Marion & James McClure Mrs. Thomas N. Stern Ann & Jim Vining Sustainer - ($10,000 - $14,999) Anonymous (1) Phyllis and Paul Berz Kitty Cannon & Jim Waller Children’s Foundation of Memphis Mr. & Mrs. Robert E. Craddock Mr. & Mrs. Jeffrey Engelberg Peter & Mary Lee Formanek Kim & Bryan Jordan Sylvia Goldsmith Marks Robin & Billy Orgel Estelle & John Sheahan Craig Simrell & Mark Greganti Dr. Chapman Smith The Sparks Foundation Lynne & Henry Turley Mr. & Mrs. Joseph C. Weller

For Tickets 901-537-2525

Benefactor - ($5,000 - $9,999) Ann and Gordon Getty Foundation William & Mary Louise Barden David & Betty Blaylock Mr. & Mrs. Marion S. Boyd, Jr. Phyllis Brannon Charles & Nancy Coe Michael & Maria Douglass Mike and Carolyn Edwards Farrell Calhoun, Inc. Dr. Suzanne Gronemeyer & Mr. Ellis Delin Larry J. Hardy Laura & Lowry Howell Buzzy Hussey and Hal Brunt Lisa & Louis Jehl Michael & Joan Lightman Stephen Lightman Al & Janet Lyons J. W. & Emily McAllister Mark & Suzanne Medford Mr. & Mrs. Joseph H. Powell Carol W. Prentiss Mrs. Alice J. Rawlins Schadt Foundation, Inc. John & Cristina Speer Watkins Uiberall, PLLC Michael & Andie Uiberall Jack & Cristina Ward Patron - ($2,500 - $4,999) Jack & Kathleen Blair Scott E. Bohon Ms. Mei-Ann Chen Bill and Foy Coolidge Harriett & Hilliard Crews Liz & Glenn Crosby Mark Crosby Mr. & Mrs. John S. Evans Fred & Mary Lawrence Flinn Martha & Robert Fogelman and Bradley and Robert Fogelman Kathy & J. W. Gibson Mr. & Mrs. Robert A. Goodman Mr. Sigmund F. Hiller Dr. & Mrs. Masanori Igarashi Dr. Natalie Kerr Mr. Edwin Koshland III Jerry and Elizabeth Marshall Mr. & Mrs. Alexander D. McLean Dr. & Mrs. Dan Meadows Ron & Jessica Morris

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Contributions Dr. Frank and Mrs. Sarah Ognibene Robert G. Patterson, Jr. & Patricia Gray Sadie & C.J. Pickering The Wharton Charitable Foundation Patricia & Charles Walker Mrs. Charles E. Walker Gary Wunderlich Mr. & Mrs. Charles L. Wurtzburger Golden Circle - ($1,000 - $2,499) Anonymous (3) Rev. Dr. Jane Abraham Connie & Dunbar Abston Ben & Kathy Adams Peter & Fran Addicott Ms. Anita Allison Kay Farrish & Roger Arango Pamela & Esmond Arrindell Charles S. & Stephanie Baer Mr. Ion Balu Richard W. Barnes & Peter R. Pauciello Carol & Bert Barnett Sharon Barnett-Myers Neal & Joey Beckford Joyce Blackmon Mr. & Mrs. Richard H. Bodine, Jr. The Honorable Joseph Boeckmann, Jr. Carmen C. Bond Phillip Bowden & Ritche Manley Bowden Dr. Karen A. Bowyer Martha & James Boyd Charles R. & Ronell C. Brindell Lillian Hammond Brown Shannon & Beryl Brown Mr. & Mrs. Michael J. Bruns Canale Foundation Mr. & Mrs. Henry Cannon Karen M. Carlisle Jeanne Gray Carr Gail Jones Carson Robert & Jenny Carter Rhonda & Dan Causie Dr. Fenwick W. Chappell Dr. Nancy A. Chase, M.D. Gloria & Irvine Cherry Dorothy Cleaves Colonial Middle School Ms. Jeanette S. Cooley Robert & Kim Cox Mr. & Mrs. David Crippen Jill & Joe Crocker Elaine & Loren Crown Dr. & Mrs. Ray E. Curle Saryn Doucette M.D. & Eric Doucette Megan Dunbar Turner Mrs. Bryan M. Eagle Susan & David Ellison

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Mr. & Mrs. David B. Ferraro Ms. Kathy Fish Barbara & Hiram Fry Kathleen C. Gardner Allison Garrott Dr. Phillip George Mr. & Mrs. James S. Gilliland Susan & Richard Glassman Dr. Raquel Gomez Kate & Robert Gooch Katie Smythe Martha & Jerrold Graber Pam and Steve Guinn Sarah Haizlip Judith & John Hansen Mrs. James E. Harwood III Ann & O. Mason Hawkins Emil Henry Paul & Marisa Hess Deborah Hester Harrison David O. Hill & Elisabeth Hills Lunida & Lewis Holland Mr. & Mrs. Walter B. Howell, Jr. Greg & Trina Huelsman Barbara Hyde Nicki & Brian Inman Janas L. Jackson Laurita Jackson Mr. Frank & Dr. Jeanne Jemison Dr. & Mrs. Eric E. Johnson Rose M. Johnston Dr. Edward S. & Linda S. Kaplan Edith Kelly-Green Dale Kelman Susan Kingston Delores Kinsolving Knapp Foundation Dr. & Mrs. Sheldon Korones Bruce & Susanne Landau Mr. & Mrs. George Lapides Dr. Peter G. & Susan J. Law LeMay+Lang, LLC Joanna & Josh Lipman Mr. & Mrs. Lester F. Lit Aron Livnah & Rose Merry Brown Dr. & Mrs. William E. Long Babbie Lovett Mr. & Mrs. Jerome B. Makowsky B. Lee & Susan Mallory Martha Ellen Maxwell Ashley Mayfield Sandra H. Mays Mary McDaniel Mr. & Mrs. Michael McDonnell Anita & Don McLean Linda McNeil Richard and Betsy McStay

www.MemphisSymphony.org

Dr. & Mrs. Michael McSwain Memphis Symphony Chorus Dr. Lisa & Dr. Maurice I. Mendel Nancy & Rodgers Menzies The Rose & Walter Montgomery Foundation Henry & Snow Morgan Ms. Brooke Morrow Christine B. Munson Zoe & Alan Nadel Gloria P. Nobles Sally Pace Tommie Pardue Marianne Parrs Clint and Esther Pearson Mrs. Barbara J. Perkins Arnold & Mary Lynn Perl Elisabeth & Lewis Perry Anca Pop Mary Alice Quinn Mr. & Mrs. Bryson Randolph Dr. Sandra Reed Beverly Robertson Dr. & Mrs. Brown Robertson Ellen Rolfes Carol Lee & Joe Royer Diane Rudner Bev and Ken Sakauye Dr. Craig & Mrs. Andrea Sander Jeff Sanford & Cynthia Ham John Pickens & Suzanne Satterfield Lila Saunders Mary & Joe Scheuner Mary M. Seratt Patricia & John Seubert Dr. John J. & Mrs. Linda Shea William W. Siler Ron & Linda Sklar Alisa & Arwin Smallwood Bruce R. & Jane Scharding Smedley Jenny & Graham Smith Mrs. Rita Sparks Susan L. Springfield Nancye Starnes Bruce & Gillian Steinhauer Eugene & Helga Stengel Anne & John Stokes Owen & Margaret Tabor Mary E. Tate-Smith Dr. Paul G. Thomas Ashley & Todd Tobias Keith & Anne Townsend Mr. & Mrs. Philip H. Trenary Mr. & Mrs. Corey B. Trotz Steve & Lura Turner Dr. Eugene A. Vaccaro Family Ms. Susan K. van Dyck & Dr. James Newcomb Mr. & Mrs. William M. Vaughan, Jr.

For Tickets 901-537-2525

Mr. & Mrs. David S. Waddell Dr. Jane Walters Graham Warr Dr. and Mrs. Otis S. Warr III K. C. & Jeff Warren Frank & Houston Watson Mrs. Cassandra H. Webster Martha & Lee Wesson Becky West Barry White & Dr. Janice Garrison Julia G. Williams Manning Ms. Tracey Williams Dr. Ethelyn Williams-Neal Barbara Williamson Becky Webb Wilson Oneida Wittichen Jocelyn Wurzburg Jan Young Associate - ($600 - $999) Carol Beachey & Don Voth Joy & Leo Bearman Stanley & Dorothy Bilsky Dr. & Mrs. Allen Street Boyd Gary Carlson Sara G. Folis Dot and Luther Gause Phyllis Guenter Mrs. June Hildebrand Father Albert Kirk Mr. & Mrs. Lloyd C. Kirkland, Jr. Barry Kuhn Jennifer Lyons Shirley W. McRae Ed & Anne Motley Mrs. Emily Ruch Marcia Schlesinger Robert Vidulich & Diane Sachs Don Vollman Julia Wilkins Member - ($300 - $599) Anonymous (5) Frank Anthony Dot Arata Mr. & Mrs. William E. Baker Jr. Sue & A.E. Balkin Rosemary Banta Mary L. Belenchia Flona & Lance Binder Blount International Nancy E. Bogatin Denise & Scott Borton Jerry Bowman Walter Brown Gregory Buckley & Susan Berry-Buckley Joanne & George Buzard

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Contributions Ms. Laura J. Crane Dale & Gina Cunningham Lewis Donelson Jed Dreifus Dr. Michael R. Drompp Fredrika & Joel Felt Joseph & Anne Fisher Turner Foster Bill and Jeannine Gaudet Mr. Charles K. Gilder Jim & Harriett Gillis John Gilmer & Catherine Willner Guardsmark, Inc. Robert Hanusovsky Judith & Howard Hicks Bill & Marian Himmelreich Dr. G. Leon Howell Joanna Hwang Susan & Frank Inman Bertha Means & Michael Jacewicz David & Ann James Dr. Pu-Qi Jiang John Paul & Sandra Jones Mr. & Mrs. Robert K. Jones Kathy Junkin William B. Keiser, Jr. Ms. Yoriko Kitai Mr. & Mrs. Brandon Knisley Janie & Martin Kocman Dr. Gumersindo & Mrs. Marianne Leal Lucy Lee Ramona & Harry Mahood Frank & Mary Markus Ethel T. Maxwell Mr. & Mrs. James W. McDonnell, Jr. Mary Allie & Denton McLellan Dr. & Mrs. Lee Milford, Jr. Pam & Fred Montesi Cecile & Frederick Nowak Max B. Ostner, Jr. Nancy M. Penisten Johnny & Kim Pitts Mr. & Mrs. Neil Ringel Mr. & Mrs. Curtis E. Ringold Sandy & Beth Schaeffer Bonnie and Bill Siler Kenneth & Mary Sipley Charles & Mary Stagg Fred & Joan Stephenson Ryals & Gwendolyn Thomas Joan & James Vogel Mary L. Belenchia Lee & Mary Wardlaw Jules & Betty Weiss Dr. & Mrs. Benton Wheeler Dr. Russell Wigginton Stewart Wingate

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Mary Jane and Herman Wolfe, AIA Jerry Wolfe Mr. Winston Wolfe Dr. George R. Woodbury & Dr. Cathy M. Chapman Nick and Charlotte Woodward Berje & Kathy Wade-Yacoubian Friend - ($100 - $299) Anonymous (11) Doug & Meg Adams Larry Adler Gwendolyn & John Ahlemann Harriet Alperin Mrs. Eleanor Appling Murphy Appling Genni Arledge Dr. & Mrs. Philip Aronoff Sue & Wesley Atwood Clayton Baker Mary Nell & Pervis Ballew David & Debbie Balling Allan Bardos Robert & Ellen Hutchinson-Bartolotta Mrs. Frank Barton, Jr. Patricia Barton John & Wanda Barzizza Dr. & Mrs. Allen O. Battle Mr. Herbert Battle Becky Bayless Dr. & Mrs. Tom Beasley Dr. Bryan & Mrs. Heidi Bell Ernest & Georgia Bell Mr. & Mrs. Jack A. Belz Ron & Anise Belz Eugene Bernstein Dr. & Mrs. Michael P. Berry Dr. Harry Berryman Dr. & Mrs. H. Delano Black Kathryn B. Black Mr. & Mrs. James C. Blackburn Allen & Mary Blair Sam Blair Emilie Blanchard Clark & Yolanda Blatteis Dr. & Mrs. Gene Boeckman Lois E. Bohon Scott Bojko Modine & Lee Bolen Steven Boor Jan & John Boudreaux Aretha Bourne Jennifer Brady Peggy Brawner Reggi and Sharon Burch Dr. & Mrs. Paul Burgar Judy & Charles Burkett Raymond Butts

www.MemphisSymphony.org

Eleanor & Gerald Byrne Ricardo Callender Mr. & Mrs. Irvin Califf Larry Campbell James Charles Ruby Chittenden Carol & David Ciscel Brian Clement Mr. & Mrs. Charles P. Cobb, Jr. Allen E. Cohen James P. Cole Viola Cole Samuel & Jenny Compton Anne Connell Tim & Mary Cook Alice & Jack J. Craddock Mr. & Mrs. William S. Craddock Robert K. Crane Ms. A. J. Daneman Leslie Daniel Fred Davis Diane & Joe Davis Steve Davis Jean M. de Frank Phili & Terry Deboo Jeanne Decker Kathryn Deshpande & Jon Katze Ann Dixon Curtis and Jean Dohan Drs. Robert & Heather Donato Joe & Martha Dooley Regina Duberstein John & Alice Dudas Gerry and Charles Duff Betty Jo & William P. Dulaney Delories Duncan Mrs. Ruth Edmonds Patti & Lew Ellis Edward & Gloria Felsenthal James & Sue Ferguson Donna Fisher Tanya Fitts Molitor Ford Ms. Kathie Fox Desi Franklin Dr. Jerre Freeman Mrs. Caroline Fruchtman Juan Fuentes Ana & Mark Gardner Joseph Garrone Frank & Anne Gianotti Mr. & Mrs. James D. Gibson John Gibson Marsh & Ann Gibson Sharon Gilbert Mary Gill Joan Gips

For Tickets 901-537-2525

Marylon R. Glass Kenneth Goldman & Winnie Wang Paul & Mary Evelyn Goodwin Capt. & Mrs. James P. Googe, Jr. Arthur Graesser Betty Tully Graves Rita Mercille Green Diane Greenhill Gerard & Alessandra Grosveld Phil Guichelaar Hemant Gupta Bela & Nan Hackman Joanne B. Hackman Mr. Reb Haizlip Clarence & Harriett Halmon Doug Hamik Robert & Mi Mi Hamilton Louis Hamric Dr. & Mrs. O. Brewster Harrington Jeffery & Cathy Harris Thomas Harrison III Albert C. Harvey, Jr. Geraldine Haspel Diane Hawks Mr. & Mrs. Allan Hayden Dr. Jean S. Hayden Nikki Haynes Janet D. Held Kathleen Helton Mr. & Mrs. James R. Hillis Sara M. Holmes Dr. & Mrs. Horace K. Houston, Jr. Bobby and Eva Hussey Matt Blake & Nobuko Igarashi Mr. & Mrs. Antonino Incardona The Christ United Methodist Church Chancel Choir Larry & Diane Jackson Mr. & Mrs. James B. Jalenak Anita James Dr. & Mrs. Russell James Harriette Jenkins Mr. David Jennings Mr. Mickey Johnson Mr. Jeff Johnston Nancy Lou & Mott Jones Warren and Betty Lu Jones Tom and Anne Marie Kadien Mr. & Mrs. William Kaelin III Beulah Kasselberg Helen & J.D. Kelly John Kelyman Charlotte King Nadine King Mr. & Mrs. Jerry D. Kirkscey Jon Knight Nancy & Brian Kuhn

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Contributions Michael & Diane Kuhn Kitty and Howard Lammons Ms. Patsy Lane Frank M. Langford, Jr. Marti & Mike Laslavic Ms. Demetra Lawrence Suzanne Lease & Michael Watts Mr. Shelby R. Lee III Sandra Leftwich LeMoyne-Owen College Kristin Lensch & Tim Huebner Tom & Celesta Letchworth Dr. & Mrs. Michael J. Levinson Jean & Melvyn Levitch Pamela & Robert Levy Leticia Lindsey Mrs. Esther K. Lubin William Payson & Melissa Luck Jose & Nancy Magallanes Mr. & Mrs. Hugh Mallory Charles & May Lynn Mansbach Mr. & Mrs. Jack H. Marks Nelda & Freeman Marr Nancy Masterson Shannon G. Matta, Ph.D. Richard & Nancy Mattox John & Jo Maxwell Connie May Mrs. Eloise Mays Grace McAlister Michael McCanless Peggy & Don McClure, Jr. Sandra & Lynn McCorry Marcia L. McCullough Marion McDonald Mary Ellen & Phillip McDow Robert McEniry Pat & James McFarland Lucius and Holley McGehee Anthony McGregor Sylvia & Ron McSwain Gale Medley T. Medlin Simone & Logan Meeks Diane Meess Dr. & Mrs. David M. Mirvis Susan Miville Dr. Shamim Moinuddin Mrs. Houston Niller Moore Ms. Patricia T. Moran Gregory Morrell George Morris Dr. R. J. & Susan Moskop, Jr. Mrs. Sue Myers Dr. Robert Neimeyer & Ms. Kathryn E. Story Stephen & Mary Nelson Drs. Thomas J. & Monika Nenon

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Julie & William Nicholson Mr. & Mrs. Greg Nomland Mr. & Mrs. Herbert L. Notowich Adrienne Oeding David Ogdon Mr. & Mr. Mark O’Malley Norma Davis Owen & Penn Owen Jr. Mr. Ernest Owens Bob C. Owens Christopher Owens Joy Ozbirn Mr. & Mrs. Keith M. Parker Roylyn and Bill Parks Eugene Pearlman Dana Sue Percer Ms. Peggy Perkins Dr. William S. Phillips O.C. Pleasant, Jr. Charles & Carole Plesofsky Chloee & Dan Poag Paula Posey-Destefanis Peter A. Pranica Kara & Thomas Preston Mr. & Mrs. Julian Prewitt Libby and Howard Pritchard Lana & Gary Prosterman Brenda & Robert Rachor Karen & James Ralston Nancy Reed Betsy Reeder Mrs. & Mr. Geraldine Rhodes Jimmy and Mary Jane Richens Mr. Luther L. Robinson III Dr. & Mrs. E. William Rosenberg Marco & Cynthia Ross Tom & Elena Ross Dr. & Mrs. Richard T. Ross James B. Rothman Barbara Rubenstein Thelma Rudd Melanie Runyon Amy & William Ryan Leonid & Fridrerica Saharovici Barbara J. Sax Christopher Scholik Doug Schrank Mike Schwartz J. Allen Scoggin Michael & Kelly Scott William Scott Douglas Seymour Jill & Scott Shanker Phil & Fran Shannon Roy and Cyndy Shepherd Liz and Rouben Simonian John H. Sligh Mr. & Mrs. Richard W. Smith

www.MemphisSymphony.org

Betty Smith Cecil Smith Ritchie and Patti Smith Marshall and Maida Smith Dan & Melissa Smith John Snowden Trish & Richard R. Spore III Sheri L. Spunt, M.D. Shirley St. Hilaire Terry Starr Jill & Kenneth Steinberg Betty & Vaughn Stimbert Fred & Shirley Stinson David & Alicia Stires Leslie Stratton George S. Sullivan Ms. Harriett Surprise Denise Taylor Mr. & Mrs. Parrish Taylor The Womans Exchange of Memphis, Inc Doris Thomas Hill Dr. David A. Tipton Patricia Wilson Tripp Alison Turner Unity Media, LDT Mariet & Sam Rogers Mike Vaughn Drs. Anni B. & William S. Walker Sonia Walker Mr. Edward Wallace Evelyn Walpole

Gerald & Julie Walton Shihung & Chingfun Wang Matilda Washington Patrick & Vicki Washington Susan S. Webb Judge & Mrs. Bernie Weinman Ira & Deborah Weinstein Harry Wellford Diane & Walker Wellford Stuart Wilkinson Elsa & David Williams Jane Williams Tige Williams Mrs. Barbara H. Wilson Carol Wilson Mrs. Frances Wilson Major & Donna Wilson Evelyn B. Wofford Josephine M. Wood Gary Woodard Laura Burgoyne and Becky Wright Mary & Lucius Wright Peggy Wroten Paul & Laura Yacoubian Mr. & Mrs. William M. Yandell III John & Donna Young Dr. Herbert D. Zeman Qihong Zhou

Matching Gifts Corporate matching gifts are a great way for MSO patrons and donors to maximize personal contributions to the Symphony and increase the impact of their gift. By taking advantage of your company’s matching gift benefit, you may be able to double or triple your contribution.

Thank you to those companies below who match current and retired employees’ contributions to the Memphis Symphony Orchestra, and thank you to our donors who apply for these matching gifts. For more information on matching gifts, please call (901) 537-2523.

AT&T Foundation Bank of America Chevron Corporation Citigroup Foundation Digital Equipment Corporation Ernst & Young, PLLC Federated Department Stores First Horizon National Corporation First Tennessee Foundation Gap Foundation General Electric General Mills Foundation GlaxoSmithKline Foundation

For Tickets 901-537-2525

Home Depot Foundation Johnson & Johnson Kraft, Inc. Lucite International Merrill Lynch New York Times Company Foundation Nissan Motor Corporation Phillip Morris Companies, Inc. Quaker Oats Foundation Regions Financial Corporation Security Pacific Foundation United Technologies – Carrier Corporation

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MEI-ANN’S CIRCLE OF FRIENDS A women’s philanthropic giving circle honoring the Memphis Symphony Orchestra’s Music Director, Mei-Ann Chen, whose artistic vision is reshaping the city’s cultural center. This critical group of diverse community investors is called to be stakeholders who support and steward her vision as a creative catalyst for innovation through the performing arts. Most importantly, Mei-Ann’s Circle of Friends welcomes new members, as its ultimate mission is to be an instrument of inclusion.

Ritche Bowden, co-chair Mary McDaniel, co-chair Becky Wilson, co-chair Rev. Dr. Jane Abraham Connie Abston Anita Allison Belinda Anderson Pam Arrindell Louise Barden Sharon Barnett-Myers Joey Beckford Phyllis Berz Joyce Blackmon Kathy Blair Peggy Bodine Carmen Crane Bond Dr. Marcia Bowden Martha Boyd Sonji Branch Ronell Brindell Ruby Bright Lillian Brown Rose Merry Brown Marian Bruns Alice Burnett Kitty Cannon Karen Carlisle Jeanne Gray Carr Jenny Carter Dr. Nancy Chase Dorothy Cleaves Mikki Cobbins Seandria Cobbins Nancy Hughes Coe Jeanette Cooley

Kim Cox Deborah Craddock Jill Crocker Elaine Crown Dr. Saryn Doucette Joy Doss Mary Ann Eagle Marsha Evans Kathy Fish Mary Lawrence Flinn Mary Lee Formanek Kathleen Gardner Allison Garrott Kate Gooch Billie Jean Graham Sarah Haizlip Cynthia Ham Deborah Hester Harrison Ann Hawkins Carolyn Heppel Frances Hooks Trina Huelsman Buzzy Hussey Barbara Hyde Nicki Inman Janas Jackson Jeanne Jemison Rose M. Johnston Dale Kelman Edith Kelly-Green Delores Kinsolving Dorothy Kirsch Ellen Klyce Suzanne Landau Florence Leffler Suzana Lightman Joanna Lipman Babbie Lovett

Sponsorships Baptist Mem Health Care Fd. Blue Cross Blue Shield TN Gerber/Taylor Hyde Foundation

Gretchen McLennon Bickie McDonnell Linda McNeil Mabel McNeill Lisa Chow Mallory Suzy Mallory Julia Manning Ashley Mayfield Sandra Mays Suzanne Medford Nancy Menzies Snow Morgan Brooke Morrow Christine Munson Jenny Nevels Gloria Nobles Sarah Carpenter Ognibene Sally Pace Tommie Pardue Barbara Perkins Carol Prentiss Mary Alice Quinn Susan Quinn Dr. Sandra Reed Beverly Robertson Ellen Rolfes Gayle Rose, former co-chair Diane Rudner Beverly Sakauye Lila Saunders Honey Scheidt Janet Seessel Rachel Shankman Lucy Shaw Lynda Mead Shea Alisa Smallwood

Independent Bank New South Capital Paragon Bank Phyllis Berz Ritche Bowden

Bonnie Smith Maxine Smith Rita Sparks Susan Springfield Nancye Starnes Helga Stengel Susan Stephenson Anne Stokes Margaret Tabor Mary Tate-Smith Ashley Tobias Anne Townsend Bridget Trenary Lynne Turley Lura Turner Meg Turner Andie Uiberall Jeanne Varnell Anita Vaughn Kimmie Vaulx Ann Vining Stacie Waddell Ann Marie Wallace Jane Walters Cassandra Webster Becky West Monica Wharton Sharon Wheeler Joy Wiener Dr. Ethelyn WilliamsNeal Tracey Williams Barbara Williamson Oneida Wittichen Jocelyn Wurzburg Jan Young

Deborah Craddock Ellen Klyce Brooke Morrow Sarah Carpenter Ognibene Gayle Rose

For more information please contact Ellen Rolfes at the Memphis Symphony: 901-537-2526

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Memphis Youth Symphony Program Conner Gray Covington, Music Director ||Musical Musical Leaders Since 1966

Youth Symphony, Conner Gray Covington, Conductor Fall Concert | Sunday, November 18, 7:30 Winter Concert | Sunday, February 24, 7:30 Spring Concert | Sunday, April 28, 7:30 *venues TBD

String Orchestra, Ray Pak Chung Cheng, Conductor Fall Concert | Sunday, May 5, 4:30 Winter Concert | Sunday, February 24, 4:30 Spring Concert | Sunday, November 11, 4:30 *venues TBD

String Sinfonia, Karla Philipp, Conductor Fall Concert |Tuesday, November 6, 7:30 pm Winter Concert | Tuesday, February 26, 7:30 pm *venues TBD

String Ensemble, Karla Philipp, Conductor Fall Concert |Tuesday, November 6, 7:30 pm Winter Concert |Tuesday, February 26, 7:30 pm *venues TBD

Visit us and become a supporter! Sponsor a child, a concert, name a chair or a scholarship!

Contact Todd Skitch, MYSP Board President, and help us keep Memphis talent growing.

66 South Cooper Street, Suite 509 | Memphis, TN 38104 | 901 901--722 722--4004 | www.mysp www.mysp--music.org Find us on Facebook!

For Tickets 901-537-2525

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Photo: Justin Fox Burks

60th Season ... the Memphis Story

2012 | 2013 SeaSon

September

OCtOber NOvember DeCember JANuArY

FebruArY mArCH

AprIL mAY

Sun 9 Fri 14 Sat 22–Sun 23 Sun 30 Sat 13 mon 22 Sat 17–Sun 18 Sat 8 Fri 14 Sat 5 Sat 12–Sun 13 Fri 18 thurs 24 Sat 16 Sat 23–Sun 24 Sat 9 Sat 16–Sun 17 Fri 22 Sat 13–Sun 14 thurs 18 Sat 4 Sat 18–Sun 19

Lemoyne-Owen College beethoven 8 rachmaninoff & mahler Symphony in the Gardens StAX! the memphis Sound Yo-Yo ma Shostakovich 5 Home for the Holidays (2:30 pm & 7:30 pm) memphis messiah Aloha elvis®!

Innovation: beethoven & bernstein bach and mozart North mississippi Allstars A memphis Gospel Celebration Holst The Planets Feelin’ Groovy: the music of Simon & Garfunkel tchaikovsky 5 If bach Were a beekeeper From Gandolfi to memphis Hope Clayburn Symphony in the Gardens Porgy & Bess Programs, prices, dates, times, venues and artists are subject to change.

n First tennessee Masterworks – saturday 7:30 p.m. at Cannon Center First tennessee Masterworks – sunday 2:30 p.m. at GPAC

n saturday PoPs 7:30 p.m. at Cannon Center n Friday ClassiC aCCents 7:30 p.m. at Lindenwood Christian Church n oPus one At published venues n sPeCial

Tickets (901) 537-2525 | MemphisSymphony.org

Spring 2013 Schedule Recital at St. George’s Episcopal Church Friday, March 1, 2013 at 7:30 p.m.

Memphis Boychoir, Memphis Girlchoir & Memphis Chamber Choir 2425 S. Germantown Road, Germantown, TN 38138

Tenebrae Service at St. John’s Episcopal Church Wednesday, March 27, 2013 at 7:00 p.m.

Memphis Boychoir & Memphis Chamber Choir 3245 Central Avenue, Memphis, TN 38111

Ongoing Auditions for the Memphis Boychoir and Memphis Girlchoir Please contact Dr. Geoffrey Harris Ward for more information (901) 351-8540

Saint John’s Episcopal Church | Central at Greer | 901-323-8597 | memphisboychoir.org

Honorariums and Memorials

The following Honorarium and Memorial contributions were made to the Symphony Fund between December 1, 2011 and January 1, 2013.

In Honor of Kathy and Ben Adams Camille & William Mueller In Honor of Jim Albrecht Kathryn A. King

In Honor of the Birthday of Charles “Chuck” Coe Dr. & Mrs. Dan Meadows

In Memory of Michael Gompertz Joan Gips

In Honor of Billie Jean Graham In Memory of Ms. Marguerite Piazza Mr. & Mrs. James Alexander Buzzy Hussey and Hal Brunt Dr. & Mrs. Dan Meadows In Honor of Michael Barar Jean M. de Frank Anonymous Mr. & Mrs. David B. Ferraro In Memory of Mr. Jimmy Graham Buzzy Hussey and Hal Brunt In Memory of Dr. Bernard B. Beard In Honor of Dr. Jerre Freeman Mr. & Mrs. Robert Craddock In Honor of the Anniversary of Mr. & Mrs. Arthur N. Seessel III Dr. Ron & Mrs. Mimi Grossman In Honor of Paul & Linnea Bert Dr. Edward S. & Linda S. Kaplan Mr. & Mrs. George E. Cates In Memory of Billie Crenshaw Ms. Mei-Ann Chen Mr. & Mrs. David B. Ferraro In Memory of Jennifer Lyons Mrs. Barbara Ramsey Harris Anneliese & William Watts In Memory of Dr. V. Glenn Crosby Lisa & Louis Jehl Buzzy Hussey and Hal Brunt In Memory of Florence Bohon Lisa & Louis Jehl In Memory of Dorothy S. Atkinson Dr. Edward S. & Linda S. Kaplan Mrs. Evelyn Foote Horrell Mr. & Mrs. James C. Blackburn Jean Lewis Lois E. Bohon In Memory of Mrs. Eleanor Dean Robert McEniry Marti & Mike Laslavic Ron & Linda Sklar Myron & Gail Lewis In Honor of Buzzy Hussey Nancy M. Penisten In Honor of Mr. & Mrs. John Dulin Adrienne Oeding Barbara Van Ness Mr. & Mrs. Arthur N. Seessel III Patricia Williams Mr. & Mrs. Bryson Randolph In Memory of Tandy Brannon In Memory of Dan Duncan Phyllis Brannon Buzzy Hussey and Hal Brunt In Honor of Dr. Hal Brunt & Ms. Buzzy Hussey In Honor of Linda Brittingham In Honor of Jane Dutcher Bill and Foy Coolidge Memphis Symphony Chorus Norma Rogers In Honor of the Birthday of Pitt Hyde In Honor of In Honor of Dr. Lawrence A. Edwards Mr. & Mrs. Arthur N. Seessel III Mr. & Mrs. Howard Byers Memphis Symphony Chorus Mr. & Mrs. Arthur N. Seessel III In Memory of Dr. Max E. Johns In Honor of Mr. & Mrs. Thomas Mike and Carolyn Edwards In Honor of Rhonda Causie Farnsworth Gerber-Taylor Family Frank & Marian Shaffer Mr. & Mrs. Arthur N. Seessel III Buzzy Hussey and Hal Brunt Lisa & Louis Jehl In Honor of Mei-Ann Chen In Honor of Rena Feller Memphis Symphony Chorus Stanley & Dorothy Bilsky Helen Ferguson Mike & Gay Veazey Williams Mr. & Mrs. Lester F. Lit Watkins Uiberall Family Mr. & Mrs. Bryson Randolph In Honor of Becky and Spence Wilson Laura, Ryan, Robert and Anna Fleur In Memory of Mr. Ross Clark Mr. & Mrs. Henry Cannon In Honor of Dr. & Mrs. A.W. Karchmer Buzzy Hussey and Hal Brunt Dr. & Mrs. Dan Meadows Mr. & Mrs. Arthur N. Seessel III Lyda Parker In Honor of In Honor of Mr. & Mrs. Leonard Kaye Mr. & Mrs. Andrew Clarkson In Honor of Sara G. Folis Mr. & Mrs. Arthur N. Seessel III Mr. & Mrs. Arthur N. Seessel III Helen Ferguson In Memory of Dr. Abraham D. Kriegel In Honor of Mrs. Ruth Moore Cobb In Honor of James “Jim” Gholson Dr. & Mrs. H. Delano Black Mr. & Mrs. Charles P. Cobb, Jr. Ron & Linda Sklar Thomas & Marcia Collins Jed Dreifus In Honor of Mrs. Scottie Cobb In Memory of Leslie Stratton The Womans Exchange of Memphis, Elaine and Louis Gompertz Inc Louise Stern

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Honor/Memorial Contributors List Honor/Memorial Overture 11-12

In Honor of the Birthday of Florence Leffler Dr. & Mrs. William E. Long In Honor of Sissy Long Mr. & Mrs. James Alexander Dr. & Mrs. O. Brewster Harrington Mrs. Van Pritchartt Jane Williams In Memory of Louise Lucks Drs. Lawrence Edwards & D. Shane Rasner

In Honor of Mr. & Mrs. Rudi Scheidt Mr. & Mrs. Arthur N. Seessel III In Honor of Charles Schulz Sandra Leftwich Mrs. Sue Myers In Honor of Art & Janet Seessel Bowers & Brooke Clement In Honor of Arthur N. Seessel III Gary Wunderlich

Ms. Karen Spacek & Mr. William S. Solmson George S. Sullivan UT Medical Group Dept. of Radiology Benjamin Willmott Gary Wunderlich In Honor of Mr. Bill Solmson & Ms. Karen Spacek Mr. & Mrs. Arthur N. Seessel III

In Memory of Peter Spurbeck In Honor of Mr. & Mrs. Phil Shannon Jean M. de Frank Mr. & Mrs. John S. Evans Rosemary Banta Dr. Raquel Gomez In Honor of Barbara H. Marshall Dr. & Mrs. Horace K. Houston, Jr. Doris Thomas Hill In Memory of Mrs. Dena Shapiro Shirley W. McRae Anonymous Shirley St. Hilaire In Honor of the Marriage of Jane & Reede Taylor Don and Anita McLean In Honor of the Marriage of Robert Vidulich & Diane Sachs Lisa & Louis Jehl Sam Shoup & Heather Trussell Meg Jones Ellen Rolfes In Memory of Mrs. Cele Carolyn Lubin Lisa & Louis Jehl In Honor of Dr. and Mrs. Lee Milford In Memory of Donna Simmons Martha & James Boyd David Simmons In Honor of Mr. & Mrs. Mike Williams Mr. & Mrs. Arthur N. Seessel III In Memory of Mrs. Cornelia Morris In Memory of Robert & Eula Horrell, Jr. Mrs. Lucille “Bonnie” Smith In Honor of Jeremy Warner Dr. Bryan & Mrs. Heidi Bell Memphis Symphony Chorus In Honor of Greg & Ellen Morris Paul & Linnea Bert John & Lynn Joyner Jack & Kathleen Blair In Honor of Bill Weppner Blount International Family Memphis Symphony Chorus In Memory of Ms. Angela Mullikin Steven Boor Mr. & Mrs. Hubert Minton David Chancellor In Honor of Mr. & Mrs. Tom Whitman James Charles Mr. & Mrs. Arthur N. Seessel III In Honor of Gloria Nobles Michele Robin Crump Bill and Foy Coolidge Delta Asset Management Family In Honor of Joy Brown Wiener Jed Dreifus Lucia Outlan In Honor of Susanna Perry Gilmore David Gioia Sandra Leftwich Kenneth Goldman & Winnie Wang In Honor of the Marriage of Lyda Parker Tina & Len Al Hass Julia Williams & Van Manning Wil & Sally Hergenrader Wallace & Olivia Bruce In Memory of Lunida & Lewis Holland Diversified Trust Mr. William “Bill” Prest Buzzy Hussey and Hal Brunt Phillip & Mabel McNeill Virginia Gandy Susan & Frank Inman Lisa & Louis Jehl In Honor of Mr. & Mrs. Spence Wilson In Honor of Mr. Perry Redfearn Stephanie Jones Mr. & Mrs. Arthur N. Seessel III The Christ United Methodist Church Mr. & Mrs. William Kaelin III Chancel Choir Dr. Edward S. & Linda S. Kaplan In Memory of Josephine “Jo” Wood LeMoyne-Owen College Family Gerry and Charles Duff In Memory of Thomas M. Roberts Mr. & Mrs. Lester F. Lit Peggy and Mac McAneney Mr. & Mrs. John S. Evans Mr. Myron M. Frank & Marian Shaffer Lucy Lee & Mrs. Dianne Shockley Mall Dale & Eugene McDermott B. Lee & Susan Mallory Martha Ellen Maxwell In Honor of Ellen Rolfes Mr. & Mrs. Eugene McDermott III Honor or Memorialize family and Kathryn B. Black Dale & Eugene McDermott friends with a gift to the MSO. Ms. Peggy Seessel Call 901-537-2523 In Honor of Mr. & Mrs. Mike Rose Jenny & Graham Smith Mr. & Mrs. Arthur N. Seessel III Dan & Melissa Smith

For Tickets 901-537-2525

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Patron Information Your attendance constitutes consent for use of your likeness and/or voice on all video and/ or audio recordings and in photographs made during Symphony events.

Box Office Location/Hours: The Box Office is located at 585 South Mendenhall Road, between Cadence Bank and Folk’s Folly. We are open weekdays 9 a.m. to 5 p.m. and on concert Saturdays from 9 a.m. to 12 p.m. The Box Offices at the concert venues open 90 minutes prior to each performance and remain open until intermission begins. Please note that for concerts at the Cannon Center on the night of, concert tickets must be purchased through the Ticketmaster Box Office located in the east hallway. Services and Will Call for MSO patrons are located near the box office at each venue.

Venues: Saturday First Tennessee Masterworks Series and Memphis Symphony Pops Series concerts are performed at the Cannon Center for the Performing Arts, 255 North Main Street in downtown Memphis. Paid parking is available in the Cook Convention Center garage or surface lots. Friday performances of the Paul and Linnea Bert Classic Accent Series are at the Lindenwood Christian Church, 2400 Union Avenue in Midtown Memphis. First Tennessee Masterworks Sundays are performed at the Germantown Performing Arts Centre (GPAC), 1801 Exeter Road in Germantown. Symphony Soul Project concerts are performed at The Magnet, 879 E. McLemore. Free parking is available at Lindenwood Christian Church and GPAC. Cameras and Recording Devices: No photos or video recordings are allowed during the performance due to potential injury to performers on stage.

Concert Preview: Free pre-concert discussions begin 45 minutes prior to each First Tennessee Masterworks series performance. Join us in the Cannon Center west mezzanine and the GPAC Dance Studio to get the inside scoop on the upcoming performance.

Coat Check: In the lobby of the Cannon Center and GPAC. Wheelchair Seating: Wheelchair seating is available upon request at each of our concert venues. Please call our Box Office for more information.

Ticket Information Subscriptions: Buy a series and save! Subscribers get the best seats in the house. Plan for the music you love with our First Tennessee Masterworks, Pops, and Paul & Linnea Bert Classic Accents series. As a subscriber, you will not only save off the single ticket price but also enjoy priority seating and ticket flexibility! Subscribers have the opportunity to purchase the best available seats for your series before tickets go on sale to the general public. You also have the same great seats all season and every year! Subscribers also have the opportunity to purchase tickets for special events before they are available to the general public! New season ticket patrons receive up to a 50% savings off the single ticket price. Established subscribers receive up to a 33% discount for their second year and all others (3+ year) subscribers save 20% off the full price. For subscriber services or to order, call the Box Office at (901) 537-2525 or visit www.MemphisSymphony.org.

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www.MemphisSymphony.org

Single Tickets: Tickets for all events are available through the MSO Box Office by phone, in person, or online at www.MemphisSymphony.org. Please note that vouchers and coupons may only be redeemed at the MSO office and must be done in person.

Gift Certificates: Give the gift of music! Gift certificates to the Memphis Symphony Orchestra may be purchased in any denomination. Please call the Box Office at (901) 537-2525 for details.

Refunds/Exchanges: There are no refunds or exchanges on single ticket purchases or returned tickets. Subscribers have the benefit of exchanging their subsription tickets. All subscription ticket exchanges are subject to availability. Ticket exchanges must be made at least 24 hours before the date of the original performances.

Lost Tickets: Subscribers can have lost tickets reprinted by calling the Box Office at (901) 537-2525 or visiting the Box Office prior to the concert.

Student/Child Tickets: Student Tickets are available for $5.00 (plus applicable processing fees, excluding Memphis Messiah, Nutcracker and Opus One series) to regular series concerts based on availability. Please come to the box office prior to the performance. Students must show a valid student ID. A maximum of 1 ticket per ID is available. All discount tickets are subject to availability.

Group Discounts: For more information, call our Box Office at (901) 537-2525.

Other Information • Please turn off all cell phones and pagers when the performance begins.

• Food and beverages are not allowed in the concert halls.

• Lost and Found is located at the box office. Management is not responsible for lost, stolen or damaged property.

• Restrooms are located off the main floor, lobby and balcony areas of the concert hall.

Facilities for wheel chair bound patrons are also available in each main floor restroom.

First Aid • Contact an usher for assistance.

• Emergency Evacuation – In case of a fire or other emergency, please use the exit nearest to your seat, indicated by a lighted Exit sign. This is the shortest route out of the performing arts center. Please be sure to walk to the exit – do not run.

All concerts and performers are subject to change with or without notificiation.

For Tickets 901-537-2525

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Nationally recognized for creative quality and community vision.

Join us for a stellar season with a variety of entertaining shows in our 2012-13 season.

See classics, comedies, musicals and new works on the Lohrey Stage and Next Stage.

Memberships include six tickets to use in any combination on any unrestricted show and Member Card benefits are all part of your Membership,including discounts on adult tickets to A Christmas Carol, TM’s special events and ShoWagon children’s camps.

Season Memberships may be purchased through November 30, 2012 for only $120.

Purchase individual tickets online at www.theatrememphis.org or call 901.682.8323 to become a member.

2011-12 production photos by Skip Hooper

Pure Entertainment

2012-13 Season FIDDLER ON THE ROOF Aug 24 – Sept 16, 2012

A CHRISTMAS CAROL* Nov 30 – Dec 23, 2012

SYLVIA April 5 – 21, 2013

TALLEY’S FOLLY Sept 21 – Oct 7, 2012

SIX DEGREES OF SEPARATION Jan 25 – Feb 10, 2013

BRIGHTON BEACH MEMOIRS April 26 – May 12, 2013

A STEADY RAIN Feb 15 – March 3, 2013

SINGIN’ IN THE RAIN June 7 – 30, 2013

DANGEROUS LIAISONS Oct 12 – 28, 2012 ALTAR BOYZ Nov 2 – 18, 2012 Jan 11 – 20, 2013

A CHORUS LINE March 8 – 30, 2013

*Not part of the season membership but members do get discounts on A Christmas Carol tickets.

UNRIVALED PERFORMANCE. UNENDING APPLAUSE. Season Presenting Sponsor

Season sponsored by

Generous support received from

Arthur F. and Alice E.

Adams Foundation

PURCHASE TICKETS ONLINE WWW.THEATREMEMPHIS.ORG OR CALL 682.8323

Bon Appétit, Y’all Sample our food section with a distinctive Southern flavor in Wednesday’s paper and online at

facebook.com/sotastes

For home delivery, call 529.2666

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