Assignment 6

assignment 6

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properties of 3D materials

assignment 6 british academy of interior design

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index Contents 1. Assignment brief 6. Bauhaus & Eileen Gray 20. Task 1: properties of 3D materials.

Designers´choices and uses 41. Task 2: Space analyse. Sketches and Ideas.

68. Plans and renders 96. About my choice.

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assignment brief

You are called to do a consultation for a client that is looking to refurbish her kitchen, dining area and playroom. Please see floor plan attached. The kitchen she has chosen is high gloss and custom made by a local kitchen maker. (The colour of the kitchen is up to you to choose.)

Background information on the client: The client is an artist specialising in modern sculpture. Her husband is in IT and runs his own successful company. They have 2 small children aged three and five, with another one on the way. The rest of the house is vibrantly decorated with an eclectic mix of art and other interesting artifacts on display. The client shows you an image of a black lacquer dining table and chairs in a typical Bauhaus design style. She mentions that she is a great admirer of this period as well as Eileen Grey in particular.

The focus of this project is to select and source flooring, wall coverings and paint for these three spaces. The client has requested a contemporary and bespoke design using high-end products. You are encouraged to be as creative as possible with your choice of materials and it is imperative that you conduct thorough research.

Some of the materials requiring consideration include: Flooring - carpet, wood, concrete, tiles, linoleum, rubber, cork, etc Wall coverings - wallpaper, paint, plaster, murals, glass, Perspex, etc Tiling - wall and floor tiles, mosaics and decorative tiles maria del carmen corral lodeiro 72546664

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For this particular brief, you are encouraged to use as many different materials as possible (i.e. please do not run engineered wooden flooring throughout the three rooms).

Task 1 Before you start the design, use high-end suppliers and research the materials consistently used in interior design projects. Some of the materials you research will be used in your design for Task 2. Show your research in a table format. Your table should include at least: 10 different flooring materials
 7 different wall covering materials Create a table which contains 10 flooring materials and 7 wall covering materials. Within this table list: The qualities of each material, including Health and Safety aspects for both clients and tradespeople
 Examples of Previous designers to have used the material, for example where a designer has used the materials within a domestic setting Examples of creative uses of each material, for example carpet being used as wallcovering To cite and reference your sources your images within the table you may include the link to the supplier below the image of your material sample. Written content within the table should be cited and referenced according to Harvard referencing and citation method found within the writing guidelines of your course material.

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Task 2 Plan each room and investigate how your chosen materials will be implemented.

Include : Sketches
 Plan (showing the different floor finishes)
 Elevations for the various trades that will be fitting / decorating the areas These drawings should be annotated to clearly outline any design specifications. They must be accompanied by a specification sheet giving instructions for fittings and with any other relevant details that need to be considered i.e. floor levels adjusted etc.

Write a short report on your chosen materials evaluating their characteristics and why you have chosen to use them. (150-200 words max per material)

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bauhaus typography. bayer

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bauhaus course syllabus, walter gropius 1922

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"The art schools [...] must return to the workshop. This world of mere drawing and painting of draughtsmen and applied artists must at long last son who senses within himself a

become a world that builds. When a young per-

love for

creative endeavour begins his career, as in the past, by

learning a trade, the unproductive 'artist' will no longer be condemned to the imperfect practice of art because

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his skill is now preserved in craftsmanship, where he may achieve

excellence.

Architects, sculptors, painters – we all must return to craftsmanship!!"

Manifesto of the Staatliches Bauhaus Walter Gropius.

1919 8

The Bauhaus School operated in Germany between 1919 and 1933. As a school of thought, it advocated a new way of approaching problems in art, architecture, and design; and as a physical school in Weimar and Dessau, it hosted a succession of prominent course leaders. Teachers included avant-garde artists like Johannes Itten, Paul Klee and Vassily Kandinsky, while Bauhaus students included Josef Albers, Herbert Bayer and Gunta Stölzl.

After the rise of the National Socialists, who effectively shut down the school for its “degenerate” ideas, many members of the Bauhaus travelled to other European countries and the USA to continue their work independently. As a result, “Bauhaus” became a twentieth-century movement reaching far beyond the Weimar Republic.

Josef Albers’ “Homage to the Square”, 1951

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The Bauhaus movement is highly recognized in fields of design (interior design, graphic design, typography etc.) and architecture, but it's influence exists in many areas beyond art and design. The Bauhaus movement was influential in modernist architecture and modern design with geometric designs (important influence on Bauhaus was modernism), minimalism, respect for materials, hand-crafted to the extent it had mass marketing in mind (looks mass produced).

rule #1: form follows function

rule #2: typography matters

rule #3: true materials

rule #4: less is more

rule #5: gesamkunstwerk maria del carmen corral lodeiro 72546664

rule #6: art & technology 10

Jack Bedford for Dezeen Magazine

The influence of the Bauhaus on design education was significant. One of the main objectives of the Bauhaus was to unify art, craft, and technology, and this approach was incorporated into the curriculum of the Bauhaus. The structure of the Bauhaus Vorkurs (preliminary course) reflected a pragmatic approach to integrating theory and application. In their first year, students learnt the basic elements and principles of design and colour theory, and experimented with a range of materials and processes. This approach to design education became a common feature of architectural and design school in many countries. For example, the Shillito Design School in Sydney stands as a unique link between Australia and the Bauhaus.

The colour and design syllabus of the Shillito Design School was firmly underpinned by the theories and ideologies of the Bauhaus. Its first year foundational course mimicked the Vorkurs and focused on the elements and principles of design plus colour theory and application. The founder of the school, Phyllis Shillito, which opened in 1962 and closed in 1980, firmly believed that "A student who has mastered the basic principles of design, can design anything from a dress to a kitchen stove".

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(Source: Wikipedia)

Tadashi Okochi, Bauhaus im Dessau

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David Bowie bauhaus costume,

Jean Paul Gaultier SS19

1973

bauhaus costumes, 1920

Paris Fashion Week SS19

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MDNA Tour 2012 12

Otto Lindig, 1923

Bauhaus archiv, Walter Gropius.

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La Voiture Minumum, Le Corbusier

Bauhaus cradle, Peter Keler

bauhaus banner

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The Bauhaus became the centre of new thinking. Functionality and simplicity were combined with aesthetics, to produce a purer form of design. Previously, Art Nouveau had been about creating ornate, complicated, decorative products. The Bauhaus reduced the complexity of design to simplicity, functionality and an pure form of aesthetics. The bauhaus promoted the use of materials such a tubular steel. Material that had not been used previously in furniture design or even considered as a suitable material for furniture. Tubular steel is light, versitile and cheap. It can be joined, shaped and for-

Photograph from an instruction manual for the usage of tools, Thonet brothers, 1935

med in different ways, opening up new design possibitilites.

This was the design philosophy of the Bauhaus.

Gropius wanted the function of material art and design

Wilhelm Wagenfeld Bauhaus, "Kubus" Six

creations to reflect the underlying nature of the object. In

Modular Boxes in Pressed Glass

1926 Gropius wrote in Bauhaus Dessau – Principles of Bauhaus Production: "An object is defined by its nature. In order, then, to design it to function correctly – a container, a chair, or a house – one must first of all study its nature: for it must serve its purpose perfectly, that is, it must fulfil its function usefully, be durable, economical, and 'beautiful.'"

The movement taught “truth to materials” as a central principle. They believed that material should be used in the most ‘honest’ way possible. In this way the nature of the material should not be modified in any way. maria del carmen corral lodeiro 72546664

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Today Bauhaus influences can be seen everywhere from furniture to graphic design. An instigator in the minimalism trend which is still one of the most popular styles to date, Bauhaus helped the design world step away from the ornate designs of the early 20th century with its emphasis on function before form. Other leading styles, like Scandinavian, industrial and mid-century modern are unmistakable in their Bauhaus influences, showing how far the spread of the school’s teachings have reached. This influence has become so entrenched in the design world, that what were once unusual and striking designs, are now so familiar we might miss them if we don’t take a step back to really look at them.

Afteroom Coat Hanger

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Barcelona Chair, Mies Van der Rohe

Wagenfeld lamp

Varia Stripe Vases, Aram.

Eames house bird, Vitra.

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OUT THE BOX maria del carmen corral lodeiro 72546664

Edmund Collein: Bauatelier Gropius, 1927-28

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OUT THE Google campus for StartUps.

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BOX

eileen gray

E1027 house

Born in Enniscorthy, County Wexford, Ireland in 1878, Ei-

In 1922 she opened her own gallery, Jean Désert, in Rue

leen Gray spent her childhood in London and was among

du Fauborg Saint Honoré as an outlet for her designs. Du-

the first women to be admitted to the Slade, where she took

ring the 1920s and 1930s she became one of the leading ex-

up painting in 1898 before undergoing an apprenticeship in

ponents of the revolutionary new theories of design and cons-

a London lacquer workshop.

truction. She worked closely with many of the outstanding figures of the modern movement, including Le Corbusier and

The experience she gained in working in this highly specia-

J.J.P Oud. Well to the fore of the group she exhibited chro-

lised medium was to influence her profoundly when she mo-

me, steel tube and glass furniture in 1925 - the same year as

ved to Paris in 1902. After further training in lacquer work

Mies van der Rohe and Marcel Breuer and well before Le

and cabinet making, she quickly established herself as one

Corbusier.

of the leading designers of the lacquered screens and decorative panels so beloved by the followers of art deco, and

The furniture was used in Eileen Gray's own interiors, the

even managed to cause a riot by showing a stark white

most celebrated of which was that completed in 1922 for the

lacquered boudoir at the 14th Salon des Artistes Décora-

famous modiste, Madame Mathieu-Lévy (better known as Su-

teurs in 1923.

zanne Talbot). Her interior design schemes of the period

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seem both modern and stylish even today.

Day bed

Eileen Gray's next major contribution to design was in architecture. Encouraged by Le Corbusier and J.J.P Oud, she designed two houses in the Alpes Maritimes, one at Roquebrune which was built from 1926-1929, and the other at Castellar, built from 1932-1934. Both houses are considered to be among the purest examples of domestic architecture and interior design of the period. The inter-war years also saw Eileen Gray's 'Centre des Vacances' project, which was shown in Le Corbusier's Pavilion des Temps Nouveaux at the Paris

Bibendum chair

International Exhibition of 1937.

Roquebrune chair

After the war, and up to her death in 1976, Eileen Gray continued to work as a designer on both major projects like the Cultural and Social Centre, which occupied her from 1946-1949, and on a number of smaller furniture designs.

One of her last tasks was to work with Zeev Aram on the introduction of her designs onto the world market. Examples of her early work are in the V&A collection and her E1027 adjustable table is in the permanent design collection of The Museum of Modern Art, New York; these make a fitting tribute to her contribution to modern design. The Royal Society of Arts appointed her a Royal Designer for Industry in 1972.

Eileen Gray died in Paris in 1976.

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Source eileen.gray.co.uk

Kilkenny rug 19

E1027 table

Task 1: properties of 3D materials

Trend Design book

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engineered wood

source composition

cabbani.com

cork

barnacork.com

levantina.com

A man made structured Top wear layer adhered to Natural stone ply with a real wood veneer cork (tree bark) back. on top.

advantage More resistance to moisture Soft, insulates, hygienic, and temperature changes. eco, can be refinished. Hypo R e s a n d a b l e . H y p o allergenic. allergenic. disadvantage

marble

Expensive

micro cement

idealwork.com

porcellain stone

mirage.it

epoxy flooring

cmkcoatings.com

carpet

scs.co.uk

terrazzo

terrazzco.com

P o l y m e r i c - c e m e n t Porcelain tile. Baked clay & (similar to micro cement) Natural or synthetic fibers. Chips of marble, quartz, coating system for creating m i n e ra l s . . H a r d e r t h a n bonds to surface as plastic different piles and thread granite, glass, or other seamless surfaces. ceramic tiles. coat lengths. suitable material, poured with a cementitious binder (for chemical binding), polymeric (for physical binding), or a combination of both.

vinyl

forbo.com

hardwood

anticcolonial.com

F l e x i b l e fl o o r c o v e r i n g Natural wood in a range produced from a mixture of of colours and woodgrains. polyvinyl chloride resins, plasticizers, stabilizer additives and inert inorganic fillers .

Hardness, polished /bush Seamless surface, quick High resistance. Full color Seamless surface, easy Confortable, warm, soft and E c o - f r i e n d l y , Very low cost, DIY install, Natural, warm and h a m m e r e d / h o n e d / a g e d installation, low cost and low range & patterns. cleaning,low maintenance. quiet. Helps to improve the hypoallergenic. color variety water resistant. Eco-friendly, durable. Adds value to finish, natural textures, variety m a i n t e n a n c e . H y p o heat insulation. and designs. Refinishable. hypoallergenic. color variety properties. Resandable. and rich colours. Can be allergenic. and designs.. refinished.

Moisture can damage, can Expensive, hard to install/ Professional installation or Expensive, professional Surfaces pretreatment or Requires a high level of High initial costs. cold VOC’s possible, can get Te m p e r a t u r e a n d puncture/scratch remove ,grout can stain can crack. Hard installation. additional works to ensure m a i n t e n a n c e , s u c h a s f e e l i n g . P r o f e s s i o n a l gouged, can change colour. moisture sensitive, can UV correct installation occasional deep carpet installation. fade. cleaning and regular vacuuming. Retains dirt and stains.

cleaning maintenance humidity resistance scratch resistance stain resistance UV resistance children / pet friendly eco friendly installation

Can be glued down or Can be glued down or floating floating

Grouting installation

Professional installation.

health and safety Check glue and finishing Check glue and finishing Gloves and safety shoes PPE wearing for l a c q u e r o r o i l V O C ´ s . . layer VOC´s and their fire for installation. .Slippery in application.Avoid contact Flammable. resistance. PPE wearing for wet areas. Heavy handling. with skin, mucous application Ventilate room. membranes, eyes, etc. In case of accidental contact, wash thoroughly with soap and water and seek medical advice.

sizing Boards or tiles in different R o l l s i n d i ff e r e n t Tiles or slabs, custom M o r t a r a n d fi n i s h i n g sizes. Pattern installation t h i c k n e s s , l e n g h t s a n d sizes. polymer in a range of packs, prefinished. widths. Tiles. Availability of depending on surface shapes and sizes. installation.

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Grouting installation

Professional installation.

Professional installation.

PPE wearing for application. Slippery in wet areas. Check slip rating, specially for wet areas installation.

Exposure to chemicals can cause skin or inhalant irritation. PPE wearing for application. Ventilate room.

Check fire resistance ratings.

Check glue manufacturer for VOC´s emissive substances.

Check fire resistance rating.

PPE wearing for application Ventilate room.

Tiles in a range of sizes.

M o r t a r a n d fi n i s h i n g polymer in a range of packs, depending on surface installation.

Rolls in different thickness,lenghts and widths. Tiles. Availability of shapes and sizes.

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Professional installation.

Easy installation.

Professional installation.

Nailed or glued.

PPE wearing for Carbon monoxyde gases Check glue and finishing application. Slippery in wet in case of hazardous fire. lacquer or oil VOC´s.. areas. Check slip rating, Flammable. specially for wet areas installation.

Tiles in a range of sizes.

R o l l s i n d i ff e r e n t Boards or tiles in different t h i c k n e s s , l e n g h t s a n d sizes. Pattern installation widths. Tiles. Availability of prefinished. shapes and sizes.

3D wall panel

source composition

artstone.com 2 0 % fi b e r g l a s s , 7 0 % ecological resin and 10% n a t u ra l s to n e d u s t a n d prepared with special coloring techniques.

wallpaper

osborneandlittle.com material used in interior decoration to decorate the interior walls of domestic and public buildings.

paint

mirror

farrow-ball.com

espejoenvejecido.com

Natural stonepigmented liquid, liquefiable that, after application to a substrate in a thin layer, converts to a solid film.

advantage light material, no construction Can be applied on wet areas All colours, available. Easy to dir, no harmful on surfaces, (vinyl or fiber glass) Infinite mix and match. Easy sound insulating designs and finishes. application disadvantage

none

r e q u i r e s p r o f e s s i o n a l Can fade with sunlight. intervention.

Special care for wet areas.

felt

filzfelt.com

tiles

anticcolonial.com

perspex

scs.co.uk

an object that reflects light in such a way that, fthe reflected light preserves characteristics of the original light

A natural fiber harvested from Baked clay & shale sheep.

A high molecular weight acrylic sheet used in a wide range of applications.

enhaces space and lightning.

durability,dye ability, and thermal and sound insulation.

Water resistant, hygienic

High performance material.

Waterproof. Easy cleaning.

fragile

Not suitable for moisturized areas

Professional installation

Heavy handling.

cleaning maintenance humidity resistance scratch resistance stain resistance UV resistance children / pet friendly

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eco friendly installation

Screwed on surface

Glued. Some references Professional/DIY Professional/DIY Professional installation. are repositionable. installation,pretreatment installation DIY installation suitable for some surfaces.

Most of them are water Fragile. Use gloves and Wool care and health and safety Light material, no special Check glue and finishing requirements for installation, layer VOC´s and their fire b a s e d a n d n o V O C ´ s protective glasses and shoes maintenance. No VOC´s non flammable, no VOC´s resistance rating. Ventilate emissive. Low odour. to avoid cuts. emissive. Hypo-allergenic emissive. room. Flammable

sizing Prefinished panels or tiles in R o l l s i n d i ff e r e n t different sizes. thickness,lenghts and widths.

Pots in different sizes

M o r t a r a n d fi n i s h i n g polymer in a range of packs, depending on surface installation.

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Professional installation.

Professional installation.

Check glue manufacturer for Chec manufacturer guide for VOC´s emissive substances. VOC´s emissive substances.

P r o t e c t i v e g l o v e s a n d Check fire resistance rating. glasses. Heavy handling.

R o l l s i n d i ff e r e n t Tiles..Availability of shapes S h e e t s , t i l e s , p a n e l s , t h i c k n e s s , l e n g h t s a n d and sizes.

Availability of shapes and widths. Tiles. Availability of sizes. Customizable colours shapes and sizes.

yael mer & shay alkalay

established and sons

RAW EDGES DESIGN STUDIO, 2019 raw-edges.com 2019

Raw edges Established and sons

Raw edges Stella McCartney stores, lounge

3

stella mccartney stores 4

Raw edges Endgrain collection at Chastworth House

endgrain collection maria del carmen corral lodeiro 72546664

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Raw edges Stella McCartney stores, flooring detail Raw edges Stella McCartney stores, starts

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ana fonseca and brimet silva DIGITALAB Digitalab, London design fair 2017, Design Milk

Digitalab, London design fair 2017, Design Milk

Digitalab, London design fair 2017, Design Milk

London Design Fair, 2017 maria del carmen corral lodeiro 72546664

Digitalab, London design fair 2017, Design Milk

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jaime hayon for caesarstone

Jaime Hayon for Caesarstone,4

Liah Chesnokov

Jaime Hayon for Caesarstone, 2

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Jaime Hayon Studio

Jaime Hayon for Caesarstone, 6

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jaime jurado

Jaime Jurado para Casa Decor 2019,1

“LIVING ROOM ART�

CASA DECOR 2019

Jaime Jurado para Casa Decor 2019, 5

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Jaime Jurado para Casa Decor 2019, 3

Jaime Jurado para Casa Decor 2019, 4

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Jaime Jurado para Casa Decor 2019,2

guillermo garcĂ­a-hoz

3

SAMSUNG CLUB Laundry and Bar Espacio Samsung.

Casa Decor 2019 casadecor.es ,2019

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2

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hans hornemann

resin jewelry

martha sturdy

normann copenhaguen flagship store

marcus linnenbrink

resin furniture maria del carmen corral lodeiro 72546664

off the wall!! installation 28

santa cruz

alexandra kehayoglou

pastizal DVN

elpiniki maria del carmen corral lodeiro 72546664

what if all is 29

el equipo creativo Restaurante Ikibana, Port de Pollenรงa

Restaurante Ikibana, El Equipo Creativo, 3 Restaurante Ikibana, El Equipo Creativo, 4

Restaurante Ikibana, El Equipo Creativo, 1

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Restaurante Ikibana, El Equipo Creativo, 2

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Juan Fuentes Espacio Jung,1

juan fuentes Distribuidor Espacio Jung Casa Decor 2018

Juan Fuentes Espacio Jung,2

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Juan Fuentes Espacio Jung,3

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studio proline Faruk Saraรง Boutique, Istanbul

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j.w. leeuwenburg 3DWalldecor designer

J.W Leeuwenburg, 4

J.W Leeuwenburg, 3 Pixel tiles ambient

J.W Leeuwenburg, 2 Ramp tiles

J.W Leeuwenburg, 1. Pixel tiles

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beatriz silveira Espacio Hager Casa Decor 2018

1

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2

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artefactum Comedor #Puroartefactum Casa Decor 2014

1

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2

3

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wiel arets architect Amsterdam Central Station

Photo: Michael Van Oosten maria del carmen corral lodeiro 72546664

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matiz architecture & design Dailymotion offices, NYC.

3

2

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1

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equipo impar arquitectura & management El salón de baile- Espacio “The Corner Group” Casa Decor, 2019

1 2

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matteo fogale & laetitia de allegri Mise-en-abyme acrylic tunnel at V&A museum, LDW 2015

2

1

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Task 2: Space analyse, sketches, and

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ideas

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photo: melacorral

Brief reminder

The client is an artist specialising in modern sculpture Her husband is in IT and runs his own successful company They have 2 small children aged three and five with another one on the way The rest of the house is vibrantly decorated with an eclectic mix of art and other interesting artifacts on display black lacquer dining table and chairs in a typical Bauhaus design style She mentions that she is a great admirer of this period as well as Eileen Grey in particular select and source flooring wall coverings and paint for these three spaces

contemporary and bespoke design using high end products 41

(+) developing design

WONDERFUL DETACHED HOUSE

terrace (+)

WEB DEVELOPER

SCULPTURE

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ENJOYING LIFE MARBLE IS A BLACK GLOSSY EASY CLEANING THING

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Space to design not to scale

playroom

kitchen dining

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sun path and traffic flow

a

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b

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kitchen dining

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playroom

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first pencil strokes

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Buy it, use it, break it, fix it, Trash it, change it, mail, upgrade it,Charge it, point it,

it,

zoom it

, press it,Snap

work it, quick, erase it, Write it, cut it, paste it, save it, Load it, check it, quick, rewrite itPlug it, play it, burn

it, rip it, Drag and drop it, zip, unzip it, Lock it, fill it, curl it, find it,View it, code it, jam, unlock it Surf it,

scroll it,

pose it, click itCross it, crack it, twitch, update it,Name it, read it, tune it, print it,Scan it, send it, fax, rename it,Touch it, bring it, pay it, watch it,Turn it, leave it,

stop, format it.Buy it, use it, break it, fix it,Trash it, change it, mail, upgra-

de it,Charge it, point it, zoom it, press it,Snap it, work it, quick,

it,

check it,

quick, rewrite it Plug it, play it, burn it, rip it,Drag and drop it, zip, unzip it,Lock

it, fill it, curl it, find it,View it, code it, jam, unlock it

crack it, twitch,

bring it, pay it,

erase it,Write it, cut it, paste it, save it,Load

update it

Surf it, scroll it, pose it, click it Cross it,

,Name it, read it, tune it, print it,Scan it, send it, fax, rename it,Touch it,

watch

it,Turn it, leave it, stop, format it. Technologic, technologic, technologic,

Technologic, Daft Punk. Human After All, 2005. Technologic lyrics Š Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Peermusic Publishing #nowplaying

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polished concrete hardwood

marble

veneer mosaic

all digital textures created by me.

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vinyl

ceramic 52

test it

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+ epoxy

oak herringbone + rug test

+ vinyl 53

test it

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hexo marble tiles white polished concrete hardwood

ceramic tile calacatta marble hardwood and vintl

hydraulic concrete tiles white polished concrete vintl tiles

54

maria del carmen corral lodeiro 72546664

test it ceramic tile textured Fiberglass wallpaper hardwood and vintl

+ white macael backsplash and worktop

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test it textured walls

hardwood herringbone

White furniture

calacatta marble herringbone polished concrete Grey ceramic wall tile wallpapers and paint

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test it

hardwood planks marble mosaic floor polished concrete warm Grey concrete wall hand painted mural linoleum hexo tiles

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test it lines connecting spaces and materials #match ceramic tiles backsplash fiberglass wallcoverings floor template concrete epoxy paint and brass inlay

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WORK IT

N

59

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WORK IT

60

WORK IT N

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WORK IT

NORTH ELEVATION PLAYROOM DETAIL

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BRICKS

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WORK IT

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WORK IT

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Plans and Renders 67

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Basic plans 68

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

A

N

10100

AC2

D01 0-2100

5185

A6-SAC2-1

900

AC1

A6-SAC1-1

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2765

3000

1800

500

D02 0-2100

D

B 4600

4600

W01 1000-2100

3600

2300

6400

W02 0-2100

200

D03 0-2100

3650

450

1500

W03 0-2100

450

3650

200

10100

ASSIGNMENT 6 FLOOR PLAN

C

Kitchen & playroom floorplan 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-FP-1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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FLOOR TO CEILING HEIGHT 2700 mm

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

900

350

600 2100

2700

ELEVATION A

ASSIGNMENT 6 ELEVATION A Kitchen & playroom north elevation 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-EA-1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

600 1100

2700

1000

ELEVATION B

N ASSIGNMENT 6 ELEVATION B Kitchen elevation 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-EB-1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

600 2100

2700

ELEVATION C

ASSIGNMENT 6 ELEVATION C Kitchen & playroom south elevation 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-EC-1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2700

ELEVATION D

N ASSIGNMENT 6 ELEVATION D Playroom west elevation 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-ED1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2700

SECTION AC1

N ASSIGNMENT 6 SECTION AC1 Inner wall west side elevation 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-SAC1-1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2700

SECTION AC2

N ASSIGNMENT 6 SECTION AC2 Inner wall east side elevation 1:50 (measures: mm).

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-SAC2-1 Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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Design plans

See Specification Book for materials

76

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

350

900

2765

900

5185 6400

AC2

AC1

D01 0-2100

A6-SAC2-1

3600

3000

1800

500

D02 0-2100

2300 W02 0-2100

200

D03 0-2100

3650

450

W03 0-2100

1500

450

3650

200

10100

ASSIGNMENT 6 FLOOR PLAN

C

Kitchen & playroom floorplan 1:50 (measures: mm).

FLOOR TO CEILING HEIGHT 2700 mm

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-FP-2

Cabbani flooring D19P (S-5, page 7)

Date: 29/01/2019

Microtopping White (S-7, page 9)

Brass joint (S-9, page 11)

Grunge concrete tiles (S-3, page 5) Silestone Statuario, (S-2, page 4)

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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Hillcrest mosaic (S-1, page 3)

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B 4600

W01 1000-2100

4600

D

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

N

10100

A6-SAC1-1

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

A

N

10100 350

900

2765

900

5185 6400

AC2

AC1

A6-SAC1-1

D01 0-2100

A6-SAC2-1

3600

3000

D02 0-2100

W01 1000-2100

W02 0-2100

200

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D03 0-2100

3650

450

1500 10100 78

W03 0-2100

450

3650

200

600 2700

2100

ELEVATION A

ASSIGNMENT 6 ELEVATION A

Kitchen & playroom north elevation 1:50 (measures: mm).

Venis Cubica,(S-6, page 8)

Drawn by Maria del Carmen Corral Lodeiro

Shinnoki European oak panel (S-4, page 6)

CAD file name: A6-EA-2

Brick panel (S-10, page 12)

Date: 29/01/2019

Brass joint (S-9, page 11)

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

600 1100

2700

1000

ELEVATION B

N ASSIGNMENT 6 ELEVATION B Kitchen elevation 1:50 (measures: mm).

Venis Cubica,(S-6, page 8)

Drawn by Maria del Carmen Corral Lodeiro

Shinnoki European oak panel (S-4, page 6)

CAD file name: A6-EB-2

Brass joint (S-9, page 11)

Date: 29/01/2019

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

600 2700

2100

ELEVATION C

ASSIGNMENT 6 ELEVATION C Kitchen & playroom south elevation 1:50 (measures: mm).

Brick panel (S-10, page 12)

Drawn by Maria del Carmen Corral Lodeiro

Microtopping White (S-7, page 9)

CAD file name: A6-EC-2

Brass joint (S-9, page 11)

Date: 29/01/2019

Grunge concrete tiles (S-3, page 5)

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2700

ELEVATION D

N ASSIGNMENT 6 ELEVATION D Playroom west elevation 1:50 (measures: mm).

EQ Dekor fiberglass wallpaper. (S-8, page 10)

Drawn by Maria del Carmen Corral Lodeiro CAD file name: A6-ED-2 Date: 29/01/2019

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2700

3

SECTION AC1

N

ASSIGNMENT 6 SECTION AC1

Inner wall west side elevation 1:50 (measures: mm).

Shinnoki European oak panel (S-4, page 6)

Drawn by Maria del Carmen Corral Lodeiro

Microtopping White (S-7, page 9)

CAD file name: A6-SAC1-2

Grunge concrete tiles (S-3, page 5)

Date: 29/01/2019

Brass joint (S-9, page 11)

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

2700

SECTION AC2

N ASSIGNMENT 6 SECTION AC2 Inner wall east side elevation 1:50 (measures: mm).

EQ Dekor fiberglass wallpaper (S-8, page 10)

Drawn by Maria del Carmen Corral Lodeiro

Castellato Scaleno concrete 3D wall tile (S-11, page 13)

CAD file name: A6-SAC2-2 Date: 29/01/2019

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CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

CREADO CON UNA VERSIÓN PARA ESTUDIANTES DE AUTODESK

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Rendered plans

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space plan

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kitchen area north elevation

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playroom area north elevation

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dining area view east elevation

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playroom area view inner east elevation

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south elevation view

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west elevation view

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inner west elevation view

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Sample board from assignment 7.

1

8 EQ Dekor (Fiberglass) Wallpaper Inkiostro Bianco

2

9 Natural Oak oiled

3

10 Venis Cubica Negro Ceramic tile

4

5

11 Brass inlay 12 White lacquer sample (kitchen cabinets) 13 Brick Panelling 14 Seamless concrete flooring Ideal Work

6 7

8

9

1 Castellato Scaleno 3D tile

10

2 Nero Marquina Marble 3 Bardiglio Imperiale Marble 4 Brass (kitchen shelf) 5 Knoll Sunflower vinyl cushion fabric (Tulip chairs)

13

6 Statuario White Marble

14

7 Diesel Living Rebel scratch black ceramic tile

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For this project I have based on the tastes and needs of

Castelatto's Scaleno coating, made up of concrete trian-

customers when choosing materials. They ask me to create a

gles with unequal angles, brings a striking geometry. With

space for daily use, they demand the use of top quality mate-

boldness in design, the coating brings different angles and

rials, a contemporary design and according to their family

sides, inspired by the scalene triangle. With it, it is possible

and individual needs. I have chosen a neutral and contrasted

to create relief figures providing volume to the walls, increa-

palette, where the cold and sculptural qualities of cement

sing sensitivity to touch and intercalating fields of light and

and marble contrast with the warmth of natural oak, the

shadow, creating a warm and welcoming environment.

warm glow of brass and the cheerful cushions of the chairs

In addition, the manufacturer has a strong commitment

in a vibrant yellow sunflower. A climbing wall made of oak

with sustainibility. The products used throughout the produc-

wood has been installed in the playroom, along with a clim-

tion process are researched and only biodegradable ones

bing net. The design of the game room is in line with the rest

are selected. Part of the composition of the products takes

of the space, respecting the color palette and giving conti-

concrete residues, resulting from leftovers from production,

nuity to the spaces through the use of materials, keeping in

avoiding the generation of rubble and reducing the wear

mind that the needs of use of the current games room will

and tear of the extraction of raw materials from nature.

change in some years.

To avoid waste, theirproduction sector takes advantage

The materials have been selected keeping in mind who

of natural light of day in all its factories during the period of

will be their users, the space they will occupy, the use they

operation of the machines. The leftover water used in the pro-

will have to resist and their suitability to be used in

duction process is not discarded, being 100% reused. The

childproof spaces.

water is treated and then reused.

At the same time, the use of sustainable materials is ta-

Ceramic tiles for the backsplash have been selected

ken into account without renouncing aesthetics

according to the same aesthetic criteria, adding the plus of

All materials have been used for different purposes. We

the glossy finish that vibrates the surface with light.

can find materials used indistinctly in floors and surfaces.

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Being a waterproof material, resistant and easy to clean,

Diesel Living black ceramic concrete-like tiles that are ins-

it´s ideal to be used as backsplash, and creates a bold con-

talled in the kitchen and on the interior wall of the playroom

trast with the white color from the kitchen furniture and the

imitate the texture of rough concrete, which looks rough and

delicate and soft veining Stattuario marble from worktop.

urban. The black and gray anthracite tones contrast with the gilt wood and the bright white of the kitchen furniture. Despi-

Thanks to its high resistance, its appearance and its almost

te its appearance, which could make you think otherwise,

null maintenance, the interior cement surfaces become a plus

are very easy to clean, and in its version for floors have a

that increase the value of the properties. Microcement floors

slip resistance of R11, very high. They are suitable to install

allow for quick installation and almost without generating

in the work area of the kitchen.

any type of waste. They are ideal both in wet spaces and in kitchens, as they are waterproof and resistant to stains and

Fiber glass (EQdekor) is used both on flooring and wallco-

scratches. They are easy to clean, since not having joints do

vering to create decorated surfaces with any graphic design

not accumulate dirt. The materials used in its manufacture

of the collections by the manufacturer I chose. Its technical

are recyclable and hypoallergenic. All this together with its

features promises a good behaviour during earthquakes, so

aesthetic qualities, make it ideal for my clients.

this could be the right choice for children´s playroom. Its finishing coat creates a hard film over it, that makes it a strong

Wood has a preeminent place in this design, both in flo-

material scratch and stain resistant.

ors and walls. Engineered wood has been chosen for floors and walls, choosing first quality finishes and equipped with

Prefinished exposed brick pannels has been used also in

the thickest natural wood sheets on the market. The wooden

playroom area. Pannels can be customized, but my sugges-

slats of the floor are of large format and the natural oak

tion is to keep them white and let the kids do it by themsel-

wood is treated with oil, complying again with the eco-sustai-

ves. Bick panels have been installed also to frame the terra-

nable criteria for which I try to use when choosing materials.

ce door, breaking visually dining and playroom areas and

The lower and back part of the panels is plywood and high

adding texture to a flat, long wall.

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Brass inlay lines help to connect visually materials and spaces enhacing colours and textures, adding a shiny and delicate metallic texture to surfaces. Vinyl fabric from the Tulip Knoll chairs, and the shiny Fly lamps by Kartell add a cheerful and vibrant colour touch. Also we could find coloured glass in the window panes at the playroom and in the terrace door, inspired in Mondrian´s art. (just an hypothetical suggestion reflected on drawings).

Marble is the material chosen to create a bespoke bauhaus style mosaic for the dining area, framed by brass.

Nero Markina, Statuario White and Bardiglio Imperiale Grey. Surface will be treated to avoid possible stain marks in a future.

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