We collect stories. Pieces of forgotten history pieced together once again.
01 THE EIKUND WAY
As a Norwegian company Eikund is surrounded by magnificent nature in all directions.
What we see every day is never taken for granted, it inspires us to always improve and do better.
Sustainability plays a key role in all our processes, whether it concerns material sourcing, manufacturing solutions, quality control or logistics. These are the five promises we always hold ourselves accountable to:
We take our design legacy seriously and we aim to always tell the unique story of every product we release. A story adapted to, and honouring, the time that we live in. We are proud to launch our Norwegian classics into a new and sustainable future.
02 THE TREASURE HUNT
With every product we launch, there’s countless hours spent searching through old lofts for the original drawings. A large number of coffee cups consumed in search of the authentic story. And then the real work begins.
It all started with one simple question that sparked our curiosity: What happened to Norwegian design?
Somehow, Norwegian design classics had been reduced to finds in vintage shops or pieces tucked away in the homes of an older generation. That’s when we decided to do something about it, to bring these forgotten gems back to life.
And so we found our mission.
Our mission is to share Norwegian design classics with the world. Classics found in a loft, in a barn, or in a drawer – hidden behind old photographs and forgotten memories.
03 THE HUNTER CHAIR
Simplicity is the result of all the hard work that goes into the Hunter Chair. There’s an air of effortlessness to this chair, yet so much effort has gone into this iconic classic.
The smell of the organically tanned leather.
The carefully sourced buckles.
The smooth transitions of the wood. And of course, its overall level of craftsmanship.
It’s all in the tiny details; that by not being visible is so crucial for the feeling of this chair.
There’s a certain rarity when it comes to the design, the materials, the production and the history of this product – the traces of elegance and sophistication.
A WELCOMING EMBRACE
An invitation to sit down, relax and to take a deep breath.
It’s also an invitation to be a little extra you – to not care too much about what others think, to bask in your own uniqueness.
This is the perfect example of how to honour a design legacy while at the same time bringing a modern touch to the final product – a little bit of edge.
Fluffy is the star of the show, no doubt.
One can almost say that this is the essence of Norwegian luxury. Whilst in some parts of the world luxury is shiny or sparkly. This kind of luxury is slightly different. It’s about nature, about natural materials, the lines, and the craftsmanship. And it’s also about comfort. A comfortable piece of Nordic luxury.
This is our welcoming embrace –to you.
1954 FREDRIK A. KAYSER
If there’s something to be said about the Fluffy lounge chair, it’s that
YOU CAN’T MISS IT.
It has that personality as someone immediately making eye contact, with arms wide open offering the biggest hug, just for you.
05 LOUNGE
KRYSSET CHAIR
Krysset is a Norwegian design icon with a distinguished cross- legged expression. The crossed legs shape the overall structure of the chair with darker wooden nails in the joints enhancing the crafted beauty. The backrest is stretched out like a sail by a piece of leather sewn to the frame.
A true classic.
A subtle authority
When we think of the 1960’s, we’re going straight back to the “Mad men” era – where smoking and socializing were taking place at the office during working hours. Though this was perhaps more common for the “elite”, the office landscape was overall furnished for both business and pleasure.
RY, our newest member to the Eikund collection, is taken straight from the elegant “Mad men” office. The overall style of the chair, with voluminous upholstery and great comfort, makes this a true 1960s classic.
Ry has solid wood as the main material, so that the true craftsmanship in this product can be showcased at its best. It comes in two different versions. The dining chair and armchair can be manufactured with many of the same parts, where only minor changes and additions, such as the armrests, are needed.
RY 06 RY ARM CHAIR
1961 SVEN IVAR DYSTHE
Inviting & inclusive
OMA DINING TABLE
The OMA table is easily recognized by its simplicity. The clean design and round shape make this a classic dining table, suitable for both small apartments and bigger households – with the following modest dinners or bigger parties, as it comes in two different versions.
OMA’s sharp edges and unique structure makes this a sought-after design to our collection, standing out from your “typical” Eikund table.
The tabletop comes in solid wood or Fenix laminate and is perfectly balanced with its “sharp” form and modern aesthetics. The framework has a softer organic shape in solid wood.
The Fenix laminate are undoubtedly a great alternative for anyone who enjoys a splash of color, as well as a strong surface that withstands all kinds of use.
1957 SIGURD RESELL
08 LIMITED
EDITION
EIKUND X
WHATSON
A classic wasn’t born a classic – they were rebels of their time. Kind of like how Whatson is perceived today: an art rebel, doing things his own way –with great success.
Some of our designers came from a background influenced by art, and we believe classics are often formed in that sweet spot between creativity and craftsmanship.
Contemporary of their time, merged with contemporary of our time; a tribute to innovation and individuality.
To bring a little bit of an edge to these design classics; it feels appropriate and almost like a way to honor their once pioneering nature.
09 HOME AT
To me, interiors and furniture are about creating a home. Something that lasts over time, that can handle life and wear, and that still feels warm, safe and inspiring.
The inspiration for my style leans toward the British country house –rich in detail, but with a Scandinavian twist.
WITH KRISTIN
I knew that Hertug and Veng were the perfect fit here. They break up the British country-style expression in the house a little, and I think that matters. I don’t want my home to feel predictable. You can lean into one direction but still pull in something completely different to make the space more dynamic and interesting.
CRAFTSMANSHIP IS ART
It’s the art of staying true to the originality, while at the same time recognizing the innovations of our time.
The art of choosing quality, again and again.
And it’s the art of making something timeless – in design and durability.
AGE WITH GRACE — EVERY PIECE IS MADE TO LAST
A truly great product should stand the test of everyday use, become increasingly more beautiful the longer you have it, and consequently outshine all other trends.
All Eikund products have that attention to detail which makes you love them now and even more in the years to come. That is the difference between a simple trend-driven product and an object that is made with craftsmanship in mind.
The patina on a surface caused by long handling, and the accumulation of wax, soil, stains, and oils that human hands have made over the course of many years, cannot be faked since it is the effect of time. This is what it means to age with grace.
THE RESPECT FOR NATURAL MATERIALS IS THE BEATING HEART OF EIKUND
Natural resources are inherently more eco-friendly than artificial counterparts. We are proud to say that our furniture range has its key building blocks made of natural components. We use sustainably sourced wood with a clear traceability, leather and textile that has several different certificates stating its natural processes.
11 DESIGNERS
We aim to be extraordinary. To be edgy and honest in our pursuit to bring our Norwegian legacy back to life.
1950 - 1960
Torbjørn Afdal had a combination of art and tradition in his work, with a talent of utilizing the natural possibilities of wood. . Among those who purchased Afdal’s design were First Lady Jacqueline Kennedy and the Japanese Emperor, and he later designed the office of Norwegian Prime Minister Gro Harlem Brundtland.
Fredrik A. Kayser is a well-loved furniture designer from the Scandinavian Design period of the mid-twentieth century. His furniture is characterized by elegant design and material sensitivity, with a rare sense of proportions and composition. Kayser was inspired by the trends of the time, but always managed to give his creations a unique personal touch, with elegance that made them instant classics.
The Norwegian designer Torbjørn Bekken played a significant part in the design trends of the 1950-60s. All Scandinavian countries had a love for wood and it was the obvious choice at the time. Bekken was a person who got his influence from pure function in combination with interior styles.
SIGURD RESELL
Sigurd Resell was one of the country’s most formidable furniture designers in the 1950s and 60s. What characterizes his furniture more than anything is an elegant and logical construction. He received nine different awards at various competitions and exhibitions at home and abroad.
SVEN IVAR DYSTHE
Sven Ivar Dysthe is a Norwegian industrial designer who is especially known for his furniture. His furniture is characterized by elegant and modern design, all products are minimal in form and material use. He loved to explore new and modern techniques.
A PLACE CLOSE TO HOME
Not far from where Eikund was founded, and made their first chairs, these spectacular cabins have slowly emerged. The Bolder. A place hovering high above the Lysefjord, one of Norway’s most spectacular fjords, introducing Norwegian design aligned with Norwegian nature.
THE BOLDER PROJECT
The Bolder concept is bold in every way. The view. The design. The architecture and the surrounding nature. It’s bold and beautiful, wild and cozy, all at the same time.
This project has come together with the renowned architecture company Snøhetta, the Bolder owner Tom Bjarte Nordland, Eikund, and Vipp, resulting in a highly innovative cabin experience, bringing what’s outside to the inside.
The Bolder has you submerged in nature, and it’s almost like the worse the weather is – the better the experience is.
“We are proud to work with some of the best within architecture and design, giving you a highly curated experience.”
— TOM NORLAND, OWNER OF THE BOLDER
13 COME SIT WITH US
As one of the first of its kind, we have created a showroom ready to be used – by everyone.
EIKUND
SHOWROOM X AMERIKALINJEN
Around the same time the first Eikund pieces were designed, “Amerikalinjen” was the last stop on the way to “the land of opportunities”: America.
Fast forward 70 years and Amerikalinjen is the first stop on the journey uncovering Norwegian design icons – brought back to life by Eikund.
This is a place where you can enjoy your morning tea, have a quiet work session or just hang out, while at the same time try out our furniture in the historic environment of Amerikalinjen.
This is where locals and travelers meet, and it is the ideal starting point for exploring Eikund’s classics.
So please, feel free to come sit with us!
14 COLLECTION
VENG DINING CHAIR
The Veng dining chair is the smallest of the Veng chairs, yet still full of personality. With a stunning sculptural appearance, this forgotten Norwegian icon is finally coming back to life.
VENG ARM CHAIR
With the stunning sculptural and chief-looking appearance the Veng arm chair has a strong personality and an expressive look.
1960 TORBJØRN
BEKKEN
VENG BAR STOOL
Veng bar stool stands tallest among the Veng chairs, maintaining its easily recognizable personality with its organic clean lines. 1960
VENG COUNTER STOOL
Veng counter stool is a taller variant of the Veng dining chair, maintaining its easily recognizable personality with its organic clean lines. 1960 TORBJØRN
VENG LOUNGE CHAIR
The Veng lounge chair is both elegant and bold at the same time and is one of the most dramatic chairs Torbjørn Bekken designed.
HERTUG DINING CHAIR
1959 FREDRIK A. KAYSER
Hertug is an elegant dining chair recognizable by the lines between the backlegs and backrest. The seat has a light and floating effect created by only touching the frame where necessary, while the backrest makes you see and feel true craftsmanship.
HUNTER LEATHER LOUNGE CHAIR
The way that the saddle leather is stretched around the wooden frame with adjustable belts, makes this a perfect example of the category “hunting chairs”. These lounge chairs were immensely popular in the 1950s-60s and have now defined themselves as modern-day classics.
HUNTER CANVAS LOUNGE CHAIR
This is the more accessible version replacing the saddle leather with canvas textile. Afdal designed the frame with a minimalistic aesthetic focusing on a fluid and organic form in contrast to other hunting chairs. “Simplexity” is a good description of the Hunter composition.
BROADWAY LOUNGE CHAIR
With its turned siderails pointing upwards as horns the Broadway lounge chair makes a strong statement. This is a chair that won Torbjørn Afdal a gold medal at the craftsmanship fair “So Wohnt Europa” in Munich in 1959.
Krysset is a Norwegian design icon with a distinguished cross- legged expression. The crossed legs shape the overall structure of the chair with darker wooden nails in the joints enhancing the crafted beauty. The backrest is stretched out like a sail by a piece of leather sewn to the frame.
KRYSSET LOUNGE CHAIR
1955 FREDRIK A. KAYSER
FLUFFY LOUNGE CHAIR
The Fluffy lounge chair by Fredrik A. Kayser is characterized by its ultra-soft upholstery in Norwegian sheepskin, and its sloping armrests leaning you into a welcoming embrace.
1954 FREDRIK A. KAYSER
The UnFluffy lounge chair by Fredrik A. Kayser is characterized as the more versatile sibling of the Fluffy lounge chair. Still with a bold design and unprecedented comfort.
UNFLUFFY LOUNGE CHAIR
1954 FREDRIK A. KAYSER
RY DINING CHAIR
The overall style of this chair, with voluminous upholstery and great comfort makes this a true 1960s classic.
1961 SVEN IVAR DYSTHE
RY ARM CHAIR
A subtle detail that exemplifies the brilliance of Dysthe’s design, is the connection between the backrest and the horizontal leg stretcher.
1961 SVEN IVAR
DYSTHE
Oma is part of a series of dining tables designed in the mid-1950s. The tabletop, available in solid wood or Fenix laminate, is perfectly balanced, combining a sharp silhouette with a distinctly modern aesthetic.
OMA STATIC TABLE
1957 SIGURD RESELL
The extendable version is designed to accommodate up to two leaves, without the need for a supporting leg. The solid wood framework of the Oma table features a soft, organic shape, and it’s the subtle detailing that elevates the design into an instant classic.
DINING EXTENDABLE
ØYA
1956 SIGURD
Øya is an extendable dining table originally made for a single client – a true one-of-a-kind design. The elegant elliptical tabletop balances the classical with the contemporary, while the legs echo this expression through their soft transition from oval to round.
DINING
Evja is a family of lounge tables that Torbjørn Bekken designed with an organic and almost floating expression. Technical, detail oriented, and elegant.
EVJA TABLE ROUND
This can be exemplified by the long uninterrupted curving line from the edge of the table towards the legs, how it slightly narrows downwards to the floor. It’s like a ballerina lightly tipping around on the surface.
COFFEE RECTANGLE
Because in the end Eikund is a love story. It’s the edgy, classic, and honest love story of highquality craftsmanship and Norwegian design.
