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Issue 05 October/november 2012

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2012

OCtOBeR

EDITORIAL

BREAKING THROUGH THE GLASS CEILING “Art enables us to find ourselves and lose ourselves at the same time.” –Thomas Merton.

This quote summarises the experiences we encountered while putting this edition together. Learning more about each other as a team allowed us to push ourselves and give extra effort towards our vision. So we decided to theme this edition of @BarcodedMag: “Breaking through the Glass Ceiling.”

How many of us have seen our goals within reaching distance and doubted our abilities to reach them? We get in the way of our own talents sometimes. This edition celebrates artists who have made a conscious effort to challenge conventions and take the road less travelled. From our feature on Blackriver FC, the creative dynamos who brought us the banned “Real South Africans Love Diversity” Nandos advert, to the Jomo Sono of hip hop, Thapelo TTP, we bring you engaging stories.

One of the most inspiring fine artists of our time, Nandipha Mntambo explains some of the thought processes she goes through when she creates her pieces. Point4Dubstep chronicles a day in his life (Creative Chronicles), while Ziggy Hofmeyr of Joziewood Films tells of his latest project.

Tumi Motang is a director making waves with his international connections. He reveals a groundbreaking new show he’s working on. The artists we’ve featured in this edition aren’t afraid of pushing themselves to the limit, which is something we should all do with our lives. The world keeps revolving and evolving and it’s up to us to keep up and keep things fresh. Whenever a crazy idea pops into your head and you envision yourself achieving what most people doubt to be even possible, ask yourself “Why not?”

Push your artistic talents to levels you never thought were possible to reach and you’ll find yourself answering to terms like “pioneer” and “guru” sooner than you know. Hope you enjoy reading this issue and are enriched at the end of it all.

PUBLISHER Infin8media EDITOR IN CHIEF Phumzile Twala (@PHUMIT) CREATIVE DIRECTOR Paul Sishange (@PaulS_RSA) PRODUCTION MANAGER Mbuso Mafuyeka (@youngbuu) IT Manager Brian Ntuli (@Brian_DeITWiz) Sales Nomfundo Shabalala (@angelicshabs) Khethiwe Twala (@miss_kittyred) Contributing Writers: Taryn Jones (@stylishlytaryn) Mduza van Gogh (@MduzavanGogh) Phumzile Twala (@PHUMIT) Namile Mkhize Dino “Point4” Francisco Nkanyezi Kubheka Photography: Gontse More Desiree Moila Thalia Vergos Yokim Pillay FOR GENERAL ENQUIRIES EMAIL: info@barcodedmag.co.za FOR ADVERTISING ENQUIRIES EMAIL: sales@infin8media.co.za

Signing Out Phumi (@PHUMIT) Barcoded Magazine

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hang suite | MPENDULO “ANSA” BUTHELEZI

FOR THE LOVE OF CREATIVITY He’s the co-presenter of SA’s most watched Dance Show, Jika-Majika and has business interests within the arts. Affectionately known as “Ansa” to the masses, Mpendulo Buthelezi tells us about himself. would take me with him to get some training in the BM: Tell us a bit about your background A: I’m originally from Soweto, but spent some of my different facilities. This was when I discovered my childhood growing up and schooling in Mpumalanga. passion for emceeing and composing music, etc.

BM: How did you get the name “Ansa?” Tell us the story behind it.

A: Answer... It came from my peers translating my name Mpendulo to English.

BM: Most South Africans know you as a presenter and musician. You’re also a graphic designer. What’s your first love?

A: I’m a media and entertainment artist, so it’s all about the love of creativity.

BM: If you knew then what you know now, what would you do differently, growing up? BM: Let’s get into “Ansa the musician.” Do you A: I would just grow up the way I did, because I be- prefer to box yourself into a specific genre?

A: I love more than one genre of music. As long as it’s lieve one is never the same without all experiences. good music. The keyword is good music, it has to be.

BM: Tell us about how you made your move into the world of TV? What was your defining BM: When can we expect a release from moment? When did you know you wanted to you?

A: 2012 and beyond. work within the arts...?

A: I was born into the television world. My father 4

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MPENDULO “ANSA” BUTHELEZI BM: Has your career shaped up the way you envisioned it?

A: Yes. I’ve grown so much; from a digital to live music artist.

BM: What’s next for Ansa? What power moves are you making?

A: Only my God knows the answer to that question but I am willing and able.

BM: Are you involved in any mentorship or BM: What does Art mean to you? community projects at the moment?

A: It means freedom to be the best in my craft and to A: Not in 2012, as I’m still building my audio visual know that I am unique in every aspect. post production company located at the Media Mill.

But when I do get time I motivate young people towards being their best at everything they do.

BM: Looking at the role you’ve played in building the “Jika-Majika” brand so far, what has surprised you the most about the impact the show has had on the youth nationwide?

A: I’m surprised that Jika-MaJika is an African brand, thanks to all our supporters and SABC1 Mzansi Fo Sho.

EXTRA EXTRA:

THE ONE ARTIST THAT HAD THE BIGGEST IMPACT ON MY LIFE WAS… Michael Jackson.

I LIKE TO RELAX BY… Spending time with my family and friends.

THE ONE THING THAT MAKES ME DIFFERENT IS… Interpreting things as I am.

BM: What do you love most about being an MY FAVOURITE CHARACTER TRAIT ABOUT artist in Mzansi?

MYSELF IS… Not giving up until I get it right and A: You are able to express yourself in your own voice achieving anything I put my mind and efforts to. or craft, using any form of expression imaginable.

ONE LOCAL ARTIST WHO’S BREAKING BOUNDARIES IN A MAJOR WAY IS… Lira.

BM: What advice would you like to pass on to upcoming artists?

A: Don’t be a follower, but a leader of your craft. Be a trendsetter instead of following trends.

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Uncovered \\ BLACK RIVER FC

TAKING CREATIVITY UP A NOTCH

Many of us have seen Nandos adverts on our TV screens or in magazines and chuckled at the provocative messages.

Whether poking fun at local ministers’ shenanigans or general issues affecting ordinary South Africans, or spoofing other popular ads, Nandos ads always have an edge to them. We took it upon ourselves to hunt down the team behind some of the most ingenious adverts on local screens and get to know them better.

We’re greeted by Susannah, who welcomes us with a warm smile and bubbly personality. While ushering us into the office she gives us a titbit of information about one of their creatives and mentions how impressed they are with his work. At that moment, the trio that worked on the “Real South Africans Love Diversity” campaign walks in.

Describing the basic creative procedures they go through, Suhana says, “Well it starts with a brief. Usually we’ll start with one team, but sometimes we all end up working on a campaign.” Oarabile adds, “There isn’t really a limit on the number of ideas we can come up with. Once we start we just keep going. It involves a lot of teamwork. We focus mainly on social commentary, if I can put it that way.”

Meet Suhana (Creative Director), Oarabile (Copywriter) and Sindiso (Art Director.) (Vanessa Gibson, who was also As the copywriter, it’s Oarabile’s job to come up with the part of the “Real South Africans Love Diversity” campaign words, dialogue, script and main headline of the ads. After brainstorming ideas with Oarabile, Sindiso, as art director couldn’t make it.) takes over by making sure the advert is visually appealing.

“I basically make sure the look and feel of the ad is in line with our brief, “he explains. Suhana, as creative director, reviews the concept and gives guidance where necessary.

“That’s just the first step. There are a lot of people involved really.”

The SABC refused to air the advert when it was released, citing xenophobia attack fears.

SABC Spokesman Kaizer Kganyago said of the “Real South Africans love diversity” ad: “Nandos may say that it is trying to promote diversity but what we are concerned about is that the public might interpret it differently.”

On the subject of controversy, Suhana says that when the agency took over the Nandos brand, they took into account the culture that the company has established, as a family brand, with wholesome values. Oarabile chips in by explaining that their aim is to create work that people can 6

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BLACK RIVER FC talk about, rather than just focusing on controversy. “We Taking anything between two to three weeks, and after gowant to create work that people can discuss or debate,” he ing through many drafts, the team explains how their deadpoints out. lines work. “Jobs don’t get approved immediately, there are a lot of people involved,” Oarabile tells us As a team that breaks boundaries, getting banned only spurs them on to keep doing better. Sindiso explains that Black River FC recruits individuals whose personalities when situations such as these arise, it only gets them riled fit in with the ethos and vibe of the organisation. Suhana up. tells us that within the next 10 years, they aim on expanding. “We took Oarabile in on an internship basis, and he “We live in a digital era. So even though the ad was banned, just stood out from day one. He showed great thinking; he we raised a lot of eye-brows. Technology allowed us to worked hard, had this cool vibe to him, but was no-nongive the people the ad through other mediums besides TV. sense when it came to his work. You could tell that he knew I think our You Tube views are sitting on close to a million? his sh*t,” Suhana says with a proud, sincere expression.

So yeah, that’s where the print campaigns came in as well. “With Sindiso, we just drooled over his portfolio. He was If anything, the controversy amplified the campaign,” says unique and had the qualities we were looking for,” she concreative wunderkind Oarabile. tinues. Resilience, commitment and energy are what drive this team.

Our chat with Suhana Gordhan, Oarabile Mahole and Sindiso Nyoni comes to an end with an entertaining roundup of the team’s hobbies. Suhana starts by telling us of her love of contemporary dance and martial arts. Oarabile adds comically that he just enjoys sitting at home to relax, and loves music and writing too. Sindiso with a cool demeanour tells of his love for painting and film.

Friendly, charming and spunky, this team has a lot more to offer the world of creatives. I personally can’t wait for the next brilliant ad to come my way.

This also marked the first time the agency had any of their adverts banned by a broadcaster. “Usually we’ll get complaints from a company or two, you know, but this was a first for us, “notes Suhana.

The approach to each campaign depends largely on the brief. But secondary factors, such as brand personality feature in the creative process too. Suhana explains that the brand personality and values of the company are considered before they get started on each campaign, so taboo topics are approached with caution.

Sindiso (whom I think resembles Black-eyed Peas front man Will.i.am) remarks that they approach each campaign fearlessly, but it depends on the brief. Oarabile emphasises that even though they aim for thought-provoking ads, they don’t want to be irresponsible. “With the Diversity campaign, we really got people talking. We even had people who felt excluded,” he says laughing.

South African Institute of Race Relation’s (SAIRR) Lucy Holborn told Eyewitness News, “Maybe poking fun at it is a good way of getting people to talk about it and re-engage with the issue.”

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By: Phumzile Twala

MDU COMICS

IZIKHOKHO OF THE GAME:

A free-thinking creative, Mdu Ntuli published his first comic strip in n2002. A few months later he was offered a space in the Sunday Times Newspaper in the ReadRight section to do “the Siblings” comic strip. He later worked with (now defunct) Y-mag in 2003 and 2004. It was around this time when he had the idea of creating a cartooning business.

He went on to create the highly popular “In Heaven” series.

A synopsis of the series is provided on the website: Jesus of the ANC and Mbuzi are in kasi heaven and they tour from country to country in search of a greater understanding of stuff.”

Additional innovative material created by Mdu includes spin on the game mostly known in townships as zwippi, After gaining experience through working for Red Pepper which he called ZWappE, UniFootball (Umakhabelana) and Urban Brew, Mdu proceeded to develop his own ani- which is one-on-one football and Tolika- an application that helps South Africans translate other official languages mated series, called “Zuluboy and Rudolph.” into their own.

This cartoon put Mdu on the map. Thanks to the boom in smart phone sales in Southern Africa post 2009, Zuluboy Mdu has a vested interest in transforming the South Afand Rudolph made their way onto many SD cards. The rican education system: “We foresee the future of educamost popular one by far was the one taking jabs at the Gen- tion being dominated by the internet. An average learner erations storyline at the time: Senzo and Jason. In what will go to school with a pen, notebook and an iPad. This marked a ground-breaking move for SA’s most watched will replace “most” textbooks and some print educational soapie, the introduction of homosexual and bisexual char- material.” A progressive thinker, Mdu is on the right path acters ruffled a few feathers. Naturally, comedic genius towards changing the entertainment landscape in South AfMdu created a comic spoofing the characters, and adding rica. Combining his talent with business savvy, Mdu, who vernac, which black people found funny, was the golden started drawing cartoons at an early age, has proven that touch. The video spread quickly and established Ntuli as a the arts continues to spawn innovators.

The man’s work continues to spark ideas in young nubile force to be reckoned with. minds, fostering a spirit of both entrepreneurship and creaAnd who can forget the Mzekezeke cartoon featuring tivity. the masked comedian educating viewers about fictional By: Phumzile Twala “Ububifontein?” He also explains the definition of “ububi.”

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COURTNAE P AUL I S

ONE

OF S

A’S

L

D EA

IE LAD ING

CULTURE. WE SAL U YOUTH T E HER EF

IN AD RE SP

ART AUTY OF E BE G TH The beauty of art is that you can express your art and do it using virtually anything. Be it words, music, painting, sculpting or sex, apparently its considered art in some other places. Art is limitless, not bound by anything. The world we live in was created by the greatest artist of all...God.

FOR T SA T

DEFINES POETRY IN MOTION

S OF

PAUL

COURTNAE

She says dance is the mother tongue of her soul and she feels that dance is a universal language, which is true. If a dancer doesn’t have to speak for us to know they’re good, we just have to see them dance.

“When I dance, it’s my way of letting you see what I’m thinking, what I’m feeling and who I am as an individual...” says Courtnae. She also Art is expressed in different ways. I find it interesting how people use feels that dance infects us all and she feels that her body is the instrutheir bodies to do so, (have you seen Cirque du Soleil?) That stuff is ment used to play every emotion thought and hit every emotion and amazing, the movie stuntmen and women are also great. Enough of the thought according to her preference. extreme stuff. There’s one way that we all use our bodies and become novice artists for a mere five minutes or maybe more, and that’s when I could literally feel the passion that she has for dance as I spoke to her. we’re dancing. In the ghetto I grew up in, people normally danced when I love passionate people; especially when it comes their art-it reminds they were happy, which was good to watch. I later discovered other me of Van Gogh. She also said “I may seem crazy to the world, but forms of dance that really reflected how people feel inside. amongst dancers I’m at home, where we can all speak this language and find joy in our craziness. Whether good at it or not...to some it might In my teen years I was a krump-dancer for a long minute, I grew out of it, be just a word, or a fun pastime but to me it’s who I am.” but it helped a lot when I was feeling sad and angry. Capoeira is another dance art form; with its origins rooted in Brazil it has influenced dances I fully respect her, not only as a female break-dancer, but as an amazing like break-dancing too, which is a hip hop sub culture. Break dancing is human being and artist, putting extra hours in at the gym to get her body one complex style of dance, but I know one young woman who makes to be able to do those things. She’s bound to take over the whole scene it all seem so easy. if these guys aren’t looking. Big Ups to Courtnae.

Courtnae Paul’s been dancing for over 12years and has won many By: MduzavanGogh awards and prizes and has had a few endorsement deals from big brands. All these successes are attributed to her skills as a dancer.

The things she does with her body are amazing (I’m not talking pornography you perve.) Google her and check her out on YouTube, she’s @$^%#*& awesome. I think that’s what poetry in motion is.

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pIXELS

direct

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TUMI MOTANG

DREAMS

A ten year old boy who wanted to see his name on the credits of his favourite movies and adverts; Tumi Motang always had a wild imagination. He describes himself as a Piscean with a crazy streak. “Some people say I’m laid-back and others say I’m crazy,” he says.

R

ecalling how his love for filmmaking manifested, he tells of the days at school when it came to orals.”I remember one time, I made up some story about visiting New York, and everyone was so entertained. I ended up getting zero for that speech because everyone was laughing so much. “In 1998 he auditioned for his first role and was fortunate to have the opportunity of being coached by some of the most influential names of the industry. “It was really hardcore, but I learned a lot during that time.

From starting out as a camera assistant; to becoming the Hitler of the industry,” he says laughing.

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Motang has worked with a vast range of artists locally as well as internationally. “Back in the day I did some stuff with Mischief (rapper.)I’ve also directed Big Brother Africa, Survivor Maldives, “he explains.

Carving a niche for himself in the industry by providing coverage for international record labels, Motang has bragging rights when it comes to capturing the experiences of international acts who visit Mzansi.

TUMI MOTANG “DJ Drama, RKelly, John Legend, 9th Wonder, just to name a few. I capture them landing at the airport, I film them visiting different places; basically profiling tours. My favourite one so far was Bow Wow’s tour,” explains Motang. He also adds that he’s made so much of an influence that some artists are personally requesting his creative services.

He’s recently shot a music video for US Rapper Copywrite.

Two weeks after the video release, he made it on to the Billboard Top100, managing to get a nod at number 95.

The rapper’s also been nominated for the Ohio Hip Hop Awards. Motswako pioneer HHP tops Motang’s list of artists he feels are breaking boundaries locally. Internationally, Rick Ross does it for him.

“When it comes to the industry at present, I’d say a lot of the old-school directors are holding the fort. Some of the youngsters coming up have attitude problems, so they still have a long way to go,” he reveals. Motang cut his teeth in the film industry by doing music videos and moved on to doing ads. He advises that youngsters with a passion for film should foster a strong belief in themselves. “The system will make you think less of yourself, so you’ve got to be able to stand on your own and kind of create what works for you,” he says.

Currently developing a new show, Tumi gives us snippet of what’s in store. “We’re working on a show that’s going to be shot in America, giving South Africans access to their favourite stars. I can’t reveal much at the moment, but it’s definitely ground-breaking.”

Tumi is focusing more on developing international affiliations. “Hopefully my clientele will continue to grow and more projects will start funnelling through.”He doesn’t harbour any mentorship aspirations at the moment though.

What does art mean to Tumi Motang? “I grew up an introvert, so for me, art was the way I chose to communicate my emotions. I don’t drink or smoke, so art is my escape really. I’m a dreamer and I have a wild imagination, so art is my escape,” he expresses. Confident and enterprising, Tumi Motang is one man going places. With a passion for film, coupled with his creative genius, his star can only shine brighter.

“It was really hardcore, but I learned a lot during that time. From starting out as a camera assistant; to becoming the Hitler of the industry”

By: Phumzile Twala

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// MOVIES

Upcoming Movie Releases

TWILIGHT SAGA: BREAKINGDAWN PART 2 Directed by: Bill Condon Starring: Robert Pattinson; Kristen Stewart; Taylor Lautner Release Date: November 16

KILLING THEM SOFTLY UNIVERSAL SOLDIER: Directed by: Andrew Dominik Starring: Brad Pitt; Sam Rockwell; Bella Heathcote; James Gandolfini Release Date: October 19

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DAY OF RECKONING

Directed by: John Hyams Starring: Jean-Claude Van Damme, Dolph Lundgren, Scott Adkins Release Date: November 30

Legends DR.DRE

|

CHRONICALLY GIFTED

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DR.DRE

A

man who has been at the forefront of hip hop and who has contributed towards birthing some of the genre’s most successful careers is Andre Romelle Young. The name might not ring a bell if you aren’t familiar with hip hop royalty.

Better known in rap circles as Dr Dre, he’s an American rapper, producer, record executive, entrepreneur and budding actor. He’s a regular feature on Forbes’ rich list: this year he was officially put at the top of the list with $110 000 000 to his name. Dr Dre was born in Compton California on February 18, 1965.

He started his career in music as a member of the World Class Wreckin’ Cru and found fame with rap group N.W.A. 1993 saw him gain success as one of the best-selling American performing artists. He won a Grammy Award for his single “Let Me Ride” that year, following the release of his debut solo album The Chronic. Snoop Dogg’s debut album, Doggystyle made history by becoming the first debut album for an artist to debut at number one on the Billboard 200 album charts. Produced by Dr Dre, it set the benchmark for success to come.

He’s credited as a key figure in the popularization of WestCoast G-funk, characterized as synthesizer-based with slow, heavy beats. He left Death Row Records at the zenith of the labels’ success, amidst a contract dispute and growing concerns over label boss Suge Knight.

In 1996 he spread his wings and formed his own label Aftermath Entertainment. The man cites 1970s funk musicians such as George Clinton, Isaac Hayes and Curtis Mayfield as his primary musical influences. He prefers to avoid samples as much as possible, instead preferring to have studio musicians re-play pieces of music he wants to use, because it allows him more flexibility to change the pieces in rhythm and tempo.

Always striving to better himself, in 2004 Dr Dre revealed that he was studying piano and music theory formally and that a major goal is to accumulate sufficient musical theory formally to be able to score movies. His previous experience of movies includes producing songs on soundtracks to the films Above the Rim 18

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and Murder Was the Case. He was also roped in to work on Friday and Michael Bay directed Bad Boys 2.

He’s also had a few acting roles to keep him busy- he had roles in movies such as Set It Off, The Wash and Training Day. In a move that marked entrepreneurial savvy, in 2008 Dr Dre released his brand of headphones, Beats by Dre. The signature headphones gained commercial success worldwide. He’s also said that he is planning to release an “Aftermath Cognac and Vodka” at around the same time he releases Detox. His incredible work ethic has been lauded by artists such as Snoop Dogg. A perfectionist, Dre has been pivotal in building the career of one of hip hop’s most critically acclaimed artists- Eminem. He’s also added his magic touch to the careers of the likes of 50 Cent and Game (who’s unashamedly hero-worshipped him on a few tracks.)

The Grammy-Award winning producer, brother, father and husband is a true legend. Inspiring young upcoming artists to better their careers, Dr Dre continues to prove how hard work and smart decisions coupled with pure work ethic gets one legendary status.

By: Phumzile Twala

hong yi

// lookout

WHO SAID YOU CANt PLAY WITH YOUR FOOD? Born in 1963 in Moscow, Russia, Dimitri Tsykalov created his unique fruit skulls from 2005 to 2008.

The artist currently lives and works in Paris. Some of his other work includes using raw meat on his pieces.

HONG YI: TAKING POrTRAITURE TO NEW HEIGHTS Artists continue to come up with ingenious ways of creating art. Ones such artist is Hong Yi, who continues to take creativity to new levels. She gained international acclaim when she created a portrait of Chinese director Zhang Yimou Hon (Memoirs of a Geisha, House of Flying Daggers) using black, grey and white socks.

She also made a portrait of Taiwanese singer/songwriter Jay Chou using Nescafe coffee ring stains. Yi gained fans across the US after she created a portrait of Justin Beiber made out of gochujang, a Korean chilli paste.

When asked about her inspiration, Yi said, “When I first moved to Shanghai, I stumbled upon an old residential alleyway and saw bamboo sticks poking out of windows with laundry hanging onto them, waving in the air. To me, that was incredibly beautiful. And the amazing thing is seeing something so traditional in a modern, pumping city like Shanghai.�

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HONG

YI

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// creative chronicles point 4

THE POINT OF IT ALL

DUBSTEP AND DRUM AND BASS DJ- POINT4, SHARES A DAY OF HIS CREATIVE JOURNEY.

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point 4 Hi, I am Point 4 and I like bass. I like bass so much that I took it upon myself to share it with the masses by way of dubstep and drum and bass music. This is a short write up of the 1st of September through my eyes.

Drum & Bass, which pleased the crowd greatly.

My set grew harder and harder until I was given the “1 more song” cue from the stage manager.

Over all I was pleased with how the show went.

Having packed up and made our way back to the car, we set off for Newtown at 19h00, where my next set was at 22h00 at The Woods for Monster Bass. We managed to make the trip in just under an hour which gave me some room to breathe before my next show.

My day started as any other. I woke up, got dressed and went off to work. Having finished work at around 13h00 I made my way home, where I immediately had to pack up my DJ gear and leave for Magaliesberg where I had to be on the Jungle Science stage, hosted by YOG YOG at FuCha by 17h00. The drive took around an hour but was The Woods was fairly quiet for the first 2 DJ’s, made shorter with the company of my girlfriend, Pharadox (Drum & Bass) and Harry Costas (Dubwho is very supportive of my lifestyle. step and Electro House). By the time Point 4 o’clock rolled around it had filled up slightly. I We arrived at the venue just after 4pm only to find chose once again to open up with Choose Me by out that there was no parking inside the venue. Xilent to warm everybody up to my style of dubWe drove about a km down the road where we step. Getting harder and darker by the song, peofound a B&B that had been commissioned as a ple made their way from the bars and couches to parking venue for FuCha. Now pressed for time, the dance floor…it was on. I watched as peeps we caught a ride with the owner’s son, in the most jammed out to 2 of my original songs, which is unroadworthy Mercedes Benz I have ever seen, the biggest reward for me as a producer/DJ. From never the less we got to the gates safely. After an- that, I proceeded to finish off my set with 20 minother 25mins of searching for the stage I needed utes of the harshest drumstep (87.5bpm) I have to perform on, we finally got there with minutes to in my arsenal. set up and sound check before my set.

I began my set with some commercial Dubstep such as Xilent, Nero and Feed Me which the crowd seemed to appreciate. I then moved to the darker, harder side of the genre which surprisingly thinned out the dance floor…I had to think fast and rescue my set. I decided to start pointing randomly at party goers and get them loose with Smoke Weed by Dre, before moving into some good old 174bpm 22

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Finally it was finished, work, 250km, 2 shows and bucket loads of the kind of bass your mama warned you about. I live for days like the 1st of September 2012, a massive thank you to all involved and especially Barcoded Mag for allowing me the opportunity to share my story. BRAP!!!

By: Dino “Point4” Francisco

LUDZ

Ludz

// Soundbooth DEEP AND SOULFUL, WITH A TOUCH OF OLD-SCHOOL, HOUSE DJ LUDWE “LUDZ” RUNEYI IS TAKING THE MUSIC SCENE BY STORM.

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LUDZ “Ludz has always been my nickname. And I just had to add the”z” at the end for emphasis!” she laughs as we begin the interview.

Most of us have a defining moment when it comes to our passion. Ludz was fortunate enough to have discovered hers early on. “I’ve been a fan of house music since Primary School days, so that was when it started really,” she tells us. By the time she hit tertiary, she found herself drawn to a lot of campus deejays.

“I found out that there was no female DJ on campus, “she adds.

DJ Knox mentored the Eastern Cape-born deck mistress. On the subject of mentorship, she had this to say: “Having a mentor is very important; especially when you’re still starting out. It’s important to have someone more experienced to learn from, until you find your own pace. Everyone needs guidance, you know?”

So What Lounge in Umtata is where Ludz practices the notion of “playing it forward.”

In her opinion, she feels there has been progress in this regard.

She feels that people are finding their own styles, which she appreciates. To emphasise this point, she remarks, “Since the World Cup in 2010, so many international acts have been lining up to play this side. Big names like Nick Holder and Ralf Gum. I hear Ralf Gum is South African!” She looks up to people like Black Coffee, who’s found his own unique sound.

“On Thursday nights there are two ladies I teach. And I’m teaching a cousin of mine how to deejay as well,” she explains.

After completing her studies in Cape Town, Ludz trekked to Pretoria. She breaks down the music scenes of the cities, “Cape Town nightlife is very chilled hey. Very laid-back. Pretoria has a lot more parties, and way more house music, so I found that there were a lot more options. Pretoria’s considered to be the capital of House music. I always enjoy playing ekasi more than anything.

Places like Chaf Pozi and Rockerfella in Soweto are some of my favourite places to play at. I get so much love every time I play there!”

The ultimate line-up for her ultimate gig looks like this: Vinny da Vinci, Black Coffee, Christos, Nastee Nev, Shimza, Mphoza, Kings of Tomorrow, Quentin Harris and At jazz among others.”And I have to have Kent! Oh my gosh, Euphonik doesn’t stand a chance with those ultimixes,” she says laughing.

She recently did a tour around PE that went extremely well. It presented a lot of networking opportunities too.

Multi-Racial Records provided Ludz with her big break. “I became a DJ there too and that just opened a lot of doors for me. I carried the brand with me wherever I went,” she recalls. Telling us about that one song that made her fall in love with this genre, Ludz doesn’t hesitate as she says “Sing it back by Moloko.” Anyone who knows the song can attest that it’s a classic.

Facebook: Ludwe Ludz Runeyi or Ludwe Ludz Runeyi Reloaded

“That song has that old-school feel to it, which sort of influenced my own sound, which I like to call deep and soulful, with a touch of old-school...timeless music,” she explains.

“There’s a lack of originality because people imitate the big guns in the industry.”-Ludz

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When it comes to artists challenging conventions in major ways, Vinny da Vinci tops her list. She excitedly expresses her admiration for him as she says, “Vinny’s my role-model; my idol ...” She continues, “I remember playing with him once in Cape Town and I was so excited just seeing him dancing in front of me. I mean, he’s managed to stick with deep house and still continues to get better at it.”

Ludz is making a name for herself on the music scene and acknowledges her blessings every step of the way. “I wouldn’t change anything about my journey so far. I would do it again.

I’ve been blessed,” she concludes.

Refreshing, classy with a touch of spunk, Ludz is going places.

Facebook Fanpage: LUDZ Fan Page Twitter: @Ludz_SA For Bookings: ludz@live.co.za

By: Phumzile Twala

FRANK OCEAN

// Soundbooth

FRANK OCEAN RELEASES TIDAL WAVE OF CONTROVERSY

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-year-old singer Frank Ocean who recently released his debut album called Channel Orange, sparked controversy when he took to his Tumblr page and told of a past relationship in which he was left heartbroken. On any day, nothing would be extraordinary about this.

What made this revelation special was that Ocean revealed that his first love was a man. The revelation left the R&B and rap community shocked. West Coast rapper Snoop Dogg said, “People are learning how to live and get along more, and accept people for who they are and not bash them or hurt them because they’re different.”

Ocean has collaborated with the likes of JayZ and Kanye West. He’s also a member of alternative rap group called Odd Future. Ironically, band member, Tyler the Creator’s solo music often features anti-gay slurs.

When Ocean made his announcement, he received support from the music world. Artists such as 50 Cent, Nas, Jamie Foxx and hip hop mogul Russell Simmonds had encouraging words to share with the muso.

Ocean has displayed character and guts in a world that rarely celebrates that which is considered unconventional. Stevie Wonder, to whom Ocean has been compared recently shared his thoughts on the matter by saying,” I think honestly, some people who think

they’re gay, they’re confused. People can misconstrue closeness for love. People can feel connected. They bond. I’m not saying all gay people are confused.

Some people have a desire to be with the same sex.

But that’s them.”

In September however, the singer issued a statement in which he apologized for his remarks: “I’m sorry that my words about anyone feeling con-

fused about their love were misunderstood. No one has been a greater advocate for the power of love in this world than I; both in my life and in my music.

What I’m not confused about is the world needing much more love, no hate, no prejudice, no bigotry and more unity, peace and understanding. Period.”

Regardless of his sexual orientation, Ocean is making timeless music. Channel Orange has been critically acclaimed and his singles are doing well on charts worldwide.

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Soundbooth \\ news ADELE TO SING FOR NEW BOND FILM?

G

rammy-Award winning singer Adele has sung the closing credits for the new Bond Film. The 24-year-old was spotted at Abbey Road Studios, where the soundtrack is produced. Chris Carnell, who recorded the theme song for Casino Royale, thinks she is “the perfect choice.” It’s unclear if the star only sang or also contributed towards lyrical content.

Starring Daniel Craig as James Bond, the upcoming instalment is titled Skyfall. The song will be released after the movie comes out in November.

NICKI MINAJ IN LONDON Known for her eclectic style and quirky on-stage presence, American rapper Nicki Minaj’s tour makes a stop in London this October.

Minaj recently launched her first fragrance in partnership with Elizabeth Arden. She’s set to perform at the O2 Arena in London on the 30th of October.

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Deity’s Muse

| Pure Art

Deity’s Muse Visa’s granted for

success 11 Years ago Alberton locals, Wayne Boucher (Vocals and Guitar), Alvin Boucher (Bass) and Sashan Pillay (Drums) formed the rocking trio that brought fans and friends alike, Deity’s Muse. Drawing inspiration and influence from bands such as Black Sabbath, Tool, Seether and Alice in Chains – the guys have never forgotten their own original sound and unique stage presence.

The band recently exploded in the music industry with their most recent release of “I’m the Observer”, sky rocketing the guys’ YouTube hits, radio and television air time and fan base. Over the years the band has made several appearances at festivals such as Woodstock, Splashy Fen and Seasons Wither, playing alongside international acts such as Blind Guardian, Knorkator and Blindside.

Deity’s Muse have decided to follow in the footsteps of other local talent and venture overseas, taking their unique sound and breath taking stage presence to foreign shores at the end of the month, including London, Berlin and the USA. “California, London, Berlin and Hollywood, we look forward to sharing our brand of South African rock with you all”, explained vocalist and lead guitarist Wayne.

Deity’s Muse have signed with managing and promoting agency Turning Tricks Entertainment, infamous for managing other music sensations; Seether, Pestroy, Soweto Operatic Quartet and Louise Carver. The trio have booked and confirmed shows and venues across the globe, kicking off their three week tour abroad on October 4, 2012 at Dunckerclub in Berlin Germany, The 100 Club in London on October 5, 2012 and then move on to the USA to play at legendary clubs such as 710 Beach Club in San Diego and the Viper Room in West Hollywood. “We cannot wait to perform on some of rock music’s most famous stages in October. I literally haven’t slept properly since we received the great news,” emphasised Wayne.

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Deity’s Muse

Deity’s Muse will be taking their monstrous live show to foreign shores in October for their first ever international tour.

To keep up to date with the band and check upcoming tour dates: Visit the website: www.deitysmuse.com Join the Deity’s Muse army on Facebook: www.facebook.com/deitysmuse Follow them on Twitter: @DeitysMuse By: Taryn

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DIZZYMANAPE

WHERE THE

|

REVIEW

APE’S AT? T

he intro to this mixtape surprised me. Spoken Priestess blesses the listener with a sick poem to kick things off. Fortune over fame. “What am I in it for?” she asks. Her brilliant words are laid on a bed of a simple melody which sets the mood for the mixtape.

He adds some motswako to the mix on some tracks, while managing to stay true to his own unique style.

With a commanding presence on the mic, Dizzy manages to draw the listener in to listen to what he has to say. At some stage though one finds that some of the beats sound quite similar, so you have to listen to the As soon as “Hell of a Life” begins, one gets the sense tape more than once before you can remember indithat the man has a lot to say. Bouncy, with a catchy vidual tracks. He features rising star Devour on”Hero” hook, producer B.ma goes in hard with a heavy bassline, and CherryS on “Promise Land.” allowing Dizzy to ride the beat effortlessly. Daai Deng is the single currently on rotation on radio stations na- “They say we’re all born in sin/It’s a Hell of a life.” tionwide, featuring crazy lyricists AbyFab and Gemini. Coupled with hot beats, Fortune Ova Fame is enjoyable to listen to. Dizzy’s flow is pleasant on the ear, and with Dizzy drops a couple of hot lines on “Faith”, a track great track selection overall, it leaves me wondering which evokes a sense of drive and purpose. (This track why he chose to call it a mixtape, when it easily comhad better come with a dope video.) Jumping from a petes with commercial hip hop albums on the shelves. typical club-banger like “Fill Me Up” with heavy 808’s All twenty-one tracks are laced appropriately according to the laid-back Marciano Xavier-produced “Heart Felt,” to the title of the tape, leaving one pondering “What Fortune Ova Fame succeeds in taking one on a journey you doin this for?” from beginning to end.

Overall, a good offering, Fortune Ova Fame is an imDizzy rhymes in English 90% of the tape, but adds pressive introduction to DizzyManApe. With more marsome vernac on a few tracks, giving the sound a well- keting, the tape has the potential to birth more hits for rounded feel.“I don’t believe in the hype/ I believe in South African radio. the rhyme.”

By: Phumzile Twala The Ekurhuleni native has an easy, mature-sounding flow, managing to lace punchlines with words of wisdom. “I’m tryna own rap/man I’m tired of being a tenant.”

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EXPERT FEATURE

|

THE PLATFORM

HELLO SH

N AW L U K A S !

VISUAL ARTIST SHAWN LUKAS SHARES SOME EXPERT ADVICE Scenario: I’m a young artistic individual with a talent for fine arts.

I know I want to do something within the arts. I have vague information about animation.

What steps do I take to get into this industry?

Right now the internet makes the world smaller. There are a couple of colleges where they offer both part-time and full-time animation courses in South Africa. Draw as much as you can whenever you find time.

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eXPeRt FeatuRe What sort of opportunities does one encounter when it comes to multimedia?

Getting to work with the best and new people in and out of the industry on exciting projects. It could be a television series, a book, snack packaging, comics or a film; the experience is always adventurous.

You’re working on an animated short film. What sort of procedure goes into the process from planning to execution?

Every film starts with an idea; it could from a character, life or even a dream. This falls in pre-production, which is the most obvious phase needed to be able to run smoothly through later phases.

It includes script, character and creature and prop design, storyboarding, animatics and research. I find design most important because your team can underA few months back David founded the Kassan Founstand your vision. dation: a giving back to the community sort of thing And then comes later phases such as production and aiming to nurture underprivileged talent in both music post-production. Production is where the animations, and visual art. My point is that at the end of the day, line-tests and colouring take place, followed by edit- Kassan really loves and enjoys what he does. ing, final mixing, and sound design and music compoWhat’s the best way for one to make a name for sitions in post-production. themselves as an artist in africa?

What advice would you give to students within the Experimenting and collaborating with artists in and animation field of study? out of your industry could help you discover new There are lots of interesting careers in the animation things. Forget about the competition; do your thing, know it and don’t try to be someone else. industry. Find your passion within and do it well.

Evolve and always keep your head up. Grab and fly What networking advice do you have for individuwith any opportunity that comes your way, whether als just starting out in this industry? big or small. You never know where you may land.

There are lots of ways; it could be through having an Create, refresh and eat well. online presence to hanging out at places such as exhiWho are game-changers within the multimedia in- bition openings, coffee shops, open markets, parties and weddings. Also network outside your circle and dustry at the moment in your opinion? build relationships.

One artist who has always been doing it for me is David Jon Kassan. Kassan is a figurative painter and a tech geek. He doesn’t only use talent as a weapon but every medium he tries is just amazing, like digital technology.

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the PeOPLe

// the PLatFORM

DO YOU THInK IT’S OKAY FOR ARTISTS TO SLEEP THEIR WAY TO THE TOP?

yES - John Makhabela: Yeah it is NO - Kelebogile Masilo: No, as that goes against every

moral code and what I represent. That is selling oneself cheap not to mention doubting one’s abilities. If I make it in the industry it has to be out of my hard work and dedication not because of underhand dealings.

NO - Sibongiseni Ntombela: Integrity should come first, so it’s a no-no.

NO - Mandla Radebe: Why not? Most of them did that, so the system seems to be working.

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THE PLATFORM

|

MIGHTY MOOSE

WESTRAND STORY: MIGHTY MOOSE The story behind my stage name I actually used to call myself The Manicle. Mighty Moose came from my name Musawenkosi. A lot of my high school teachers and peers struggled to pronounce my full name so they reverted to calling me Musa, which later became MoosE. When I started rapping, people started calling me Mighty MoosE and it just stuck.

Defining moment Growing up, my love for the art of music was influenced by that old-school RnB. You know, the Marvin Gaye’s Barry Whites and Luther Vandross’ of this world. Hip hop only came into play at a later stage, when I became exposed to Tupac, Eminem and underground cats like Last Emperor, Immortal Technique and Wu-Tang, you know. I can’t say there was a defining moment as such; it was really just a gradual journey that got me hooked. Just being inspired by international acts as well as local cats like Proverb, Skwatta Kamp and Cashless Society, etc. I still hold them in very high regard.

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My take on the current state of hip hop worldwide I believe in spreading messages through music. That, for me is what art is about. Hip Hop has changed, no doubt, and some people change with it. It’s like a spectrum, and it’s up to the individual to decide on which side he rides.

Hip Hop is now about money (commercially) and where there is money there is change. Hip Hop is not dead though; that’s for sure.

Most memorable performance Rocking Cool Runnings in Melville was definitely a highlight. Other than that, AFMP Sundays in Kagiso stand out.

There’s no better feeling than rocking your hometown. But the best is still yet to come, no doubt.

MIGHTY MOOSE Current projects Besides featuring on a few mixtapes all over Gauteng, I’ve just completed one with Ba_Lefoko (Rap ‘n Blues) called “Revisiting Classics,” which will be released soon. I’m working on my second solo mixtape called “Paper&Pen”. I can’t wait for people to hear the growth on this project. It should be out early next year, God willingly. I no longer want to be known as a rapper, but rather, a musician. I’m heavily influenced by that Westcoast sound. That Nate Dogg, Warren G, Tupac, Game, kinda feel. I also try to incorporate my love of RnB into my music too. I’m that dude that raps, then sings on the hook, then raps again. It has to be relevant, real and still easy on the ear.

Game changers Locally, I like AKA. He’s not the best lyricist, but he understands the concept of making music, and he’s a hustler too. He knows how to sell himself as an n artist. I think that’s important in the industry. I like LTido too. Dude’s actually quite a nice rapper if you sit down and listen.

P-Dot-O is also nice... And of course I have eternal respect for legends like Proverb, Tumi, etc. I’m not sure anybody’s challenging conventions though. It’s difficult to do that in hip hop. As soon as you do, people don’t consider it hip hop anymore...

Internationally, I’m a BIG fan of J.Cole right now. I’m also loving Slaughterhouse: those dudes are unstoppable. I like Ross; he makes good music. He’s not a good rapper, but the sound is dope.

Near Future I’ll be doing a lot more shows and towards the end of 2013 you can probably expect to hear me talking about my debut album, which is still in the pipeline. I’ll be pushing a lot of artists from my hood, Kagiso, Westrand too.

I have a life away from music too. I’m on my way to being an Architect, so 2013 is looking good.

Contact me here: Facebook: Mighty Moose Twitter: @mightymooseWWW Reverbnation: www.reverbnation.com/mightymoose Email: mightymoose26@gmail.com Updates: www.kagisoonline.co.za

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TAKING HIS SHOT

AT THE

BIG

TIME

Tell us about your stage name Well, J-Arrow is a dual-concept. A friend of mine back in high school gave me the name. I was kind of a Jack of all trades. And the Arrow symbolizes targets I’m aiming for. I can say it’s a movement really. As an artist I believe you shouldn’t have boundaries. You shouldn’t really box yourself in.

brand expresses that youthful element more than anything.

Where can people get hold of your material?

Right now it’s on i-Tunes and free downloads on Hulkshare. I also have music videos I’m pushing.

What made you fall in love with art? What was your defining moment?

Well I started singing and performing from a young age.

I come from a musical family too, so I guess it was when I was a kid. Even in Primary School I’d get praise from teachers and fellow pupils.

What’s your take on the current state of music as a whole?

Well in SA I feel that we have great talent. A lot of cats aren’t afraid to push themselves. Like with the vernac movement. There’s a lot of originality in Mzansi music.

The J-Arrow sound can relate to people locally and internationally. I try to explore different topics. For example, I have some sentimental topics but mostly I’m trying to make music to uplift the people.

In your opinion, which artists are challenging conventions in a big way?

I’d have to say Chris Brown. The way he’s been able to mix dance, entertainment and the whole RnB sound is inspirational. He expresses the youthfulness element in a refreshing way. Uhhmm, I think Justin Bieber as well. He’s also pushing boundaries in a major way.

What projects are you currently busy with?

Right now it’s my mixtape, dropping late September. I’m Contact me here: venturing out into clothing as well. I have a J-Arrow shirt Facebook: J-Arrow I’m working on.

Group: J-Arrow-Nianz Twitter: @cpheezy So many people have brands out at the moment www.jarrowmusic.wix.com/jarrowmusic though... What makes yours different?

Email: jarrowmusic@gmail.com Well I’m adopting a unique marketing strategy with the shirt, incorporating free performances. Besides that the

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SAME PA PA , SAME STEW: WE CATCH UP W STAR SASH ITH KWAITO OMNYAMA

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Background My real name’s Mphikeleli Mdluli and I’m originally from Zola 3 in Soweto. I think my passion for music stemmed from the influence from my uncle. While growing up, I recall him playing music by Bob Marley. Although I couldn’t fully understand the lyrics at the time, something drew me towards the music.

That was how it really started.

What he’s working on at the moment I’m continuing with my quest to branch out as a solo artist. (I was previously part of kwaito group Izinyoka.) I believe music has evolved and I’m working on my second solo project. It’s called “Same Papa, Same Stew.” I called it that as a reference to my position in the industry and the direction kwaito’s taking.

It’s changing, but it’s not dying.

Fresh concepts Well, as I said, music has evolved, so I’ve worked with a lot of unknown producers. With this project as well, I can say I’ve grown as an artist. I aim to make music that can inspire people. Production-wise, working with people like Barella and Nathi from Mina Nawe has also presented new opportunities for me as an artist.

What art means to him It means a lot of things. Expression... It’s about creating something that can heal someone out there. Art is about healing to me.

Getting hold of his upcoming project I wouldn’t mind releasing it as a double album, but I don’t have a release date for it yet. It’ll be available at all music retail outlets. I’ll be dropping a video this year, for a single called “Swagger” or another single called “Beyonce.”

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RAW HUSTLE GROUP

|

THE PLATFORM

SLASH DA POET TELLS US ABOUT RAW HUSTLE

How the group came about I used to make beats way back, and we released a mixtape. Having learned from our first release, we released our second project which did quite well. This one blew up. We had over 10 000 downloads in the first week of release. So we’ve been at it since.

Their sound I’d say our sound is different. It has more of an international, underground feel to it.

Current projects We’re working on releasing an album/mixtape (hopefully our manager goes with the album option) by the 7th of December. We worked with one producer and limited the number of features we had.

What Art means to him I feel it’s a way to show people who you are as a person, without being direct. We choose to use metaphors to express ourselves.

But yeah...it’s about showing people who you are.

Near future You can expect a lot of shows from us in the near future; Mainly around GP for now. We’ll be doing corporate gigs too; just getting out there to expose the brand as much as possible. We’re available for bookings via email and telephone, or contact us on facebook or twitter.

Reverbnation: www.reverbnation.com/rawhustleent Email: hustleraw@gmail.com Twitter: @RawHustleENT Barcoded Magazine

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XZOTIC From Cronical Wrath to Xzotic Coming up we have all sorts of names and aka’s. I went from names like Cronical Wrath, and Lucifer. I eventually settled with Xzotic. The dictionary term for ‘exotic’ means something out of this world, so I just twisted the words and came up with ‘Xzotic’ aka ‘The Golden Child.’

Falling in love with art For me, it was never a fashion statement, nor was it about following trends. A brother of mine from Botswana paid us a visit, back in the 90s. He used to play cassette tapes from the likes of ‘Sticky Fingaz’, Onyx and Tupac’s very first album ‘2pacalypse now’. From that very moment I just knew I had to be a wordsmith and married the art of hip hop.

Most memorable performance It has to be back in 2011, at OST in Newtown, during the Looney Tunes gathering, which focused on the breed of young cats coming up. After my performance Optical Ill’s Golden Shovel told me how he related to my set. It was humbling feedback from a veteran. I actually dared to do boom bap in a club packed with booty and swagger.

My current project My business partner DJ Sash and I are dropping a mixtape, titled “September 11th- The Coming of Age.”It’ll be available at Ritual Stores in Newtown at a reasonable price, including a free poster. Featured Baleloko from the Vaal, Blitzman from Maseru, KayE, etc. My sound blends a bit of old-school with new-school sounds like trap music, a little bit of dirty south and club swagger.

On Artists challenging conventions Locally, personally I believe P-Dot-O from Cap City is slowly becoming a problem with no major record deal. The guy’s lyrically gifted with a brush of confidence behind the mic, and when he speaks from the heart you can easily relate.

Internationally, what Lil Wayne did globally cannot be ignored. The guy brought a revolution and had every kid in the hood and ‘burbs jumping onto the hip hop bandwagon, even though for some did it for the wrong reasons.

Bookings Holla at @xzoticgod on that twit game, X-zotic tha golden child on facebook or xzoticmc@yahoo.com.

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Pure Art

|

DJ MPHOZA

BRINGING BACK

THE LOVE

“Bring Back the Love Movement” It’s inspired by old-school house music. But I’ve added a vibier element to the sound. I aimed to add an old-school feeling to the music as a way of paying tribute to the kind of music that inspired many of us growing up. In a way, it’s also meant to inspire up and coming producers.

Current Projects Right now it’s mainly pushing the album. I feel that we tend to kill our music when we focus on too many things at the same time. It’s important to allow the sound to grow. Give it time to grow.

I think that it becomes boring when everyone wants to release music at the same time. So I’ve taken the Musical influences approach of taking my time with this movement.

Ahhhh, you’re putting me on the spot (laughs). I’d On artists that are challenging conventions on the have to say Raw Artistic Soul, Rocco, At Jazz, and house music scene a guy called Yass. I do listen to other types of music, for example, when it comes to soul music; I Internationally there are quite a lot. Let me start by saying that I admire that everyone knows when to love your Jill Scotts and India Aries. release new material. And each guy has a certain vibe to their music. There are too many names to mention, but those guys know how to stay relevant.

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DJ MPHOZA They know that every song has its own season.

Locally, I don’t want to name drop, but for me, a lot of people aren’t really developing their own unique sound. A lot of music that comes out sounds the same. I think as an artist you need to know your market. Right now, there isn’t anyone who stands out for me, but I‘ll refer to DJ Cleo as a good example. He found his unique sound and knows how to make it work for him.

everything has its’ own time. Do it because you love it and you want to make a difference in the industry. Do it because you want to make quality music.

Three words to describe the love you have for what you do.

Love. Art. Soul.

Upcoming gigs I think local artists need to relax and work on their I have a number of gigs lined up for the festive art, before rushing to release. Make sure your song season. But will mostly be pushing The Bring Back has direction. Don’t rush to release just because The Love Album. someone else released their project.

Giving back and community projects Bring Back The Love is Available Nationwide at I’m not involved in any community projects at the music retail outlets. moment. When I do get a chance to help out I do.

When I pop in at Soul Candi for example, I try as By: Phumzile Twala much as I can to advise. I’m still trying to build my brand right now.

Staying ahead within the industry I would say one of the most important steps, is knowing what you want. Always remember that Barcoded Magazine

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Pure Art |

NAMILE MKHIZE FEATURE

NAMILE MKHIZE YOUNG ASPIRANT FILMMAKER NAMILE MKHIZE GIVES US HER TOP TEN UPCOMING WOMEN OF FILM

Palesa Matabane: A young, vibrant media stu- Lineo Sekeloane: She doesn’t doubt her ability

dent who is full of life and who is passionate about to be able to produce and direct and she’s dedithe media industry. She’s full of energy and great cated to her work. ideas. She’s a great asset in the industry.

Banele Moffati: She’s the best thing that the inMotlalepule Mpholo: She loves films because dustry has to have. She’s bringing something new they allow her to be more creative. to the industry and people should really look out for her.

Kgomotso Thladi: Young, fresh-minded person that the industry is looking for but hasn’t found Sharon Mahlase: She’s passionate about her yet. craft and knows she will be one of the best editors in this country. Watch this space!

Rethablie Fanana: Passion driven female training director with determination, hunger and the Nombulelo Mcwerah: Multi-talented producer zeal to leave a mark in the film making industry. and writer. She’s got a different way of telling a story which is unique from what I’ve seen in this Stephina Zwane: The way she tells African sto- industry. ries and challenges society in engaging in dialogue regarding issues is admirable.

By: Namile Mkhize

Palesa Sibisi: She’s bringing the artistic authentic feel to the industry.

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5 DOWN

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Pure Art

5

D O W N

MEDIA PERSONALITY, NKANYEZI KUBHEKA NAMES HIS TOP 5 FEMALE RADIO JOCKS WHO ARE BREAKING BOUNDARIES 1. Anele Mdoda from Highveld Stereo She’s not just a radio personality, but she’s an entertainer, socialite and self proclaimed “SA’s Number 1 Beyonce’s Fan”. She’s also the face of SA’s Got Talent and known for presenting a radio show with former radio presenter, Grant.

2. Redi Tlhabi from Talk Radio 702 A very strong and intelligent woman who’s never afraid of tackling ground breaking stories as well as politics. Redi is a dedicated journalist who keeps you on edge whenever she’s on radio with an estimated number of over 50 thousand listeners nationwide.

3. Pabi Moloi from Highveld Stereo One of the best lunch time radio personalities you enjoy listening to. Pabi is a versatile individual who’s currently the face of AVON, Celebrity Ambassador and motivational speaker as well as role model to a lot of teenagers. She’s been on radio for a while, moving from time to time and now holds the perfect slot that’s entertaining and calls herself “Aspirant Philanthropist” 4. That Nicole from 5FM Nicole Da Silva, is a Crazy, enthusiastic and funny individual.

She is one of those radio personalities who keep you awake at night when they’re on air. She’s all about entertainment and the best of music. This woman is going places, watch this space.

5. Sthandwa Nzuza from Ukhozi FM A young vibrant and intelligent lady who speaks IsiZulu so fluently and represents African ladies. Sthandwa is not just a radio personality, but an actress, ambassador and face of INECTO. This lady is really making moves for herself. Another By: Nkanyezi Kubheka

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MORE BUTAN FOR THE BANTU!

C

ommercially available since early 2006, the Butan Brand has established itself at the forefront of the urban street wear field. A pioneer who had a vision and made things happen; Julian started Butanwear with a mere R2000.

embodies the phrase “IT’S NOT A CAP. IT’S A PIECE OF ART.” Fitting, as the same could pretty much apply to most of their designs. Combining his passion for street wear and design is paying off for Julian, as Butan is growing day-by day.

The brand can be seen worn by some of SA’s premier youth culture artists in music videos. The team at Butan managed to build the brand over the years into one that youth all over the country can relate with. When one is bombarded with images of a brand often enough, it’s no surprise that it’s gaining more and more popularity. When you see your favourite rapper rocking a Butan sweater in his latest video, it’s inevitable for you to relate with the brand. What makes Butan different however is that it makes quality products which are accessible to the public at large, at reasonable prices.

The brand philosophy according to website www.butanwear.com states: Butan Wear is deeply entrenched in the urban lifestyle and vibrant underground culture of South Africa’s streets.

Key to the brand’s identity is the inventive approach to fashion, which produces highly concept driven designs that epitomize our cosmopolitan roots.

Butan is more than just a clothing label; it’s an integral part of street culture.

Trendy and innovative designs such as their unique It strives to spread relevant messages and open avenues snap-back caps keep consumers coming back for more. for alternative perception of our world through innovative One of their latest designs is the “A Piece of Art” cap. design.

Featuring a tribal print in red, black and white, the design 46

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BUTAN The brand represents the rich tapestry of the African continent, paying tribute to its influence on contemporary African youth. Every garment is the manifestation of the ideas and aspirations of our generation, our infinite potential and our heritage.

evant in today’s popular culture. It’s all about being street and proudly African.

bUTaN HaS a lOT OF ClOUT iN THe STReeT WeaR iNDUSTRY. DO YOU aiM TO bRaNCH OUT iNTO OTHeR FORMS OF FaSHiON aNY TiMe SOON? i.e.

The brand emits a spirit of “hustle” and progression. It’s aCCeSSORieS, WaTCHeS, COUTURe FaSHiON sure to leave an epic footprint on fashion ramps and eTC sidewalks worldwide.

We are definitely keen to explore the possibility of doing accessories and even watches at some point. Couture ONE-ON-ONE WITH BUTANWEAR FOUNDER, isn’t really what we are into, but we will definitely do a JULIAN: lot more cut and sew in upcoming ranges. A denim line WHaT iNSPiReS YOUR DeSiGNS? DO YOU COMe is planned for late next year and hopefully we’ll also do UP WiTH CONCePTS OR DO YOU Have a TeaM iN- kicks one day. vOlveD? WHaT WORDS OF aDviCe DO YOU Have FOR Currently I still design everything myself with the odd YOUNG eNTRePReNeURS WHO aRe FOllOWiNG featured designer doing a print or two. I try and have a iN YOUR FOOTSTePS? theme for every season, which then sparks many ideas around that theme. It’s important for me to have a mes- I think the most important elements in starting a brand sage behind every design that I come up with. A lot of are structure and planning. Don’t just start something prints are inspired by hip hop culture, street art and ele- that you know nothing or very little about. Do the necesments of popular culture, mainly from the 80s and 90s, sary research and plan your business, step by step. I was young and foolish when I started Butan and I now basically all that stuff we grew up with. realize that I could have saved myself a lot of trouble had The current range and upcoming summer drop are heav- I planned properly. ily inspired by African tradition and the animal kingdom. WHeRe iS THe MeRCHaNDiSe These are two very strong influences for the brand in general. Our mission is to fuse traditional elements with a contemporary look to create a unique South African street wear feel.

Tell US abOUT THe “UNDeFeaTeD” CaP? The “Undefeated” strap back cap is the first cap in a series of a heavily tribal and tradition inspired items. The embroidery on the front of the cap resembles a deconstructed Zulu shield with the crossed lines representing the assegai and knobkerrie. The inside of the cap as well as the undervisor are lined with a printed pattern comprising various southern African tribal pattern elements.

This cap signifies the undying warrior spirit of the African people and their culture as a whole.

African tradition has been under threat for centuries by colonialism and oppression and is once again being undermined by foreign traditions that are willingly being adopted by our people. This cap highlights traditional elements while remaining relBarcoded Magazine

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THE KING OF STYLE Michael Bush, the man behind the iconic costumes adorned by the late king of pop, Michael Jackson will be releasing his book this October.

“He was the ultimate visual artist and his clothing had to be the same. His level of clothing always had to have a certain level of wonderment. And it all had to work together,” he says.

Bush titled the book “The King of Style.”

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available?

We currently stock 19 stores in Southern Africa, with 15 stores in SA and 4 stores in Botswana and we also recently launched our online store: www.butanstore.com JHB:

The brand represents the rich tapestry of the African continent, paying tribute to its influence on contemporary African youth.

Shesha-Sandton Shesha-The Zone Shesha-Eastgate Shesha-The Glen Revolution-Cresta Revolution-Festival Mall Mafia Soul-Milpark Mafia Soul-Campus Square Ritual Stores-Newtown DopeStore-CBD PTA: Shesha-Menlyn Revolution-Menlyn CPT: Shesha-Canal Walk Revolution-Long Street PE: Black Concepts-Parliament Street GABS: Mafia Soul-Riverwalk Mafia Soul-Gamecity Mafia Soul-Rail Park Mafia Soul-Airport Shopping Centre

By: Phumzile Twala

SUPERGA GOES BLING A new Superga studs collection will be hitting stores in SA around December. The collection has high-top and low top options.

Call (011) 608-0023 to locate the nearest stockist or visit Superga Concept Stores in Joburg and Cape Town.

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SPOT ON //

JOZIEWOOD FILMS

POP, LOCK ‘N GETTING THE CAMERA ROLLING Ziggy Hofmeyr is a name many South Africans recognise from their TV screens. He’s worked as part of SABC3 soapie Isidingo and eTV’s Rhythm City. Founder of Joziewood Films, Hofmeyr and his team are scripting their way into the hearts of countless film fanatics country-wide and worldwide. We recently interviewed the young entrepreneur. He tells us about Joziewood Films.

Take us back to the day you decided to form Joziewood and I bought myself a Canon camera. I installed some Films. What vision did you have for the company at software and started my own thing. I’m self-taught. I the time? just went out and did it. Starting with music videos and corporate videos as well, I just made my way up from I started Joziewood Films, with two partners back in there.

2007. At the time we wanted to really focus on the DVD market. Inspired by the Chicco Twala franchise movies, What sort of acceptance did you receive from industry we wanted to make movies with better quality. We basi- critics when you were starting out as Joziewood Films? cally wanted to tackle low-budget films. What we didn’t realise at the time, what we missed, was that Chicco We had a lot of support from family members. Besides understood his market. So starting out, our challenge that, we didn’t get any bad vibes from people in the was to get a clear idea of our market. Locally, a lot of the industry or anything. I think the industry’s very supportfilms that are made aren’t very profitable. So we aimed ive. If someone makes a wonderful SA film, that’s kind to make profitable films as well. of regarded as the ‘messiah’ of films, it shows everyone that it can be done. So I’d say there’s been a lot of supYou trained as a multi-camera director on Isidingo port. and you’ve worked with Rhythm City as well. Looking back, did any of the theory you learned at AFDA help Moving the City is a reality TV show developed by Jozyou out in any way? iewood Films, documenting multi-award winning group Jozi, who travel across Africa, in search of new sound Although my stint at AFDA was short-lived, it did help for their album. quite a bit. When I dropped out, what I did was ask my dad for the money he would have spent on tuition fees, 50

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JOZIEWOOD FILMS How did the concept for “Moving the City” come about? You guys are making strides in the UK as well.

Tell us more about that?

Well, I’d worked with Lance Sterh of Ghetto Ruff, now Muthaland before, directing music videos for Amu and others. So when he approached me wanting to make a reality show about Jozi, I was able to complement his ideas from a directors’ angle. We pitched and got a Licensing Deal with the SABC. Pop, Lock ‘n Roll is a rags to riches story about an ambitious youth from the Cape flats who gets a lucky break and rises as a professional dancer, but his life takes a drastic change when he falls in love with the girlfriend of the gangster-come-producer that’s making his career.

Joziewood Films teamed up with Pascal Schmitz to launch a nationwide search for S.A’s best street style dance talent. They have been making efforts to raise a portion of the film’s budget by running an Indiegogo campaign.

Has the Indiegogo campaign been working well?

There’s been a good start so far. The campaign’s been running as more of a charity-type of project for now. So we’re busy shooting a promo which will get more people interested in being involved.

Anyone can contribute anything from Ten Rand towards the film and in return receive perks ranging from Thank you credits to tickets to the premier, a DVD of the film or even a day on the film’s set where you can meet the where we can. stars and crew.

Is funding a major problem in your industry though? What vision do you have for the next 10 years for JozHow can young filmmakers make their way around iewood Films? this?

We’re still working on a movie model that actually The government has been very helpful with funding. The makes a profit, at the moment. We aim to make it possiIDC can provide 40% of your budget in some instances. ble for one to be a filmmaker by profession, make films In the past, we had a lot of movies focusing more on our and actually be able to make a living from that. As a political history as a country, and they aren’t all com- filmmaker, one has to do other jobs, like some corporate mercially successful, so it’s important to have a proper work, where your heart really isn’t in it. So, we want to plan to have a commercially successful film that actu- make films which will be commercially successful. ally makes a profit. Again, it goes back to a point I made earlier about knowing your market.

Does Joiziewood Films have any mentorship or internship opportunities?

We’re too small right now. We’re still in pre-production at the moment, so it’ll only be a later stage where we’ll have more opportunities available. But we’ll help out Barcoded Magazine

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For more information about the Pop, Lock ‘n Roll Indiegogo campaign, visit these sites: www.indiegogo.com/poplocknroll www.facebook.com/poplocknroll www.twitter.com/poplocknroll www.youtube.com/poplocknrollvideos With a set vision, tools and vision to make things happen. Ziggy Hofmeyr looks set to take Joziewood Films to new heights in the near future.

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LIL WAYNE SUES QUINCY JONES’ SON “Lollipop” hit-maker Lil’ Wayne has sued Quincy Jones III for using his songs without permission in a movie titled “The Carter.” He said in the suit that Jones III and other producers didn’t bother to ask his permission to use the songs in the first place.

According to reports, Wayne hated the movie and claimed the movie was a “scandalous” portrayal of him. Lil’ Wayne has found success over the years with albums such as Tha Carter III and Carter IV. In the lawsuit, Wayne states that songs like “A Milli “and “Stuntin’ Like My Daddy” were used without his permission.

No stranger to controversy, the former convict was sued by producers Andrew “Drew” Correa and Marcos “Infamous” Rodriguez in August, for the unpaid royalties of “Tha Carter III.”

article

// newsflash

MTV VIDEO MUSIC AWARDS 2012

Hosted by Kevin Hart, the Annual MTV VMA’s took place at the Staples Centre in Los Angeles.

Barbados native Rihanna took home the most coveted award of the night at the recent MTV VMA’s. Her video for “We Found Love” trumped the likes of Drake, Gotye, M.I.A. and Katy Perry. She caused a stir when she kissed former boyfriend Chris Brown on her way back to her seat.

Boy band One Direction successfully clinched 3 awards, defeating Frank Ocean, The Wanted and Carly Rae Jepsen in the Best New Artist category. Chris Brown and M.I.A. were also multiple award winners. Harajuku Barbie Nicki Minaj clinched the Best Female Video award for “Starships,” while Katy Perry’s “Wide Awake” video clinched the Best Art Direction Award. Skrillex won the Best Visual Effects award for “First of the Year (Equinox).”

The final trailer for much –awaited “The Twilight Saga’s Breaking Dawn Part II” was also unveiled by Robert Pattinson on the night.

Other winners on the night at the star-studded event were Best Hip Hop Video: Drake (HYFR ft Lil Wayne), Best Choreography: Chris Brown (Turn Up the music), Best Editing: Beyonce Knowles (Countdown) and Coldplay (Paradise.)

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article

SA ANIMATION, ZAMBEZIA, SET FOR INTERNATIONAL RELEASE

The team at Triggerfish Animation Studio recently announced that their maiden feature film, Zambezia was picked up by Sony Pictures for distribution in English-speaking territories and will be released in the US, Canada, the UK and Australia.

The film will be released locally by Nu Metro on December 26 2012. The film received development funding from the National Film & Video Foundation (NFVF) and took two and a half years in production. Stuart Forrest, producer and CEO at Triggerfish Animation points out that it’s due to the amazing team that the film achieved international recognition.

Most of the animators were Cape Town based while some were based in Johannesburg. The company had a long term vision of sending a clear South African voice out to the rest of the world. Even though many of the voice talents are international stars such as Samuel L.Jackson, Richard E.Grant, Jeff Goldblum and Abigail Breslin, Forrest maintains that it was important to have an authentic element to the film.

AMERICAN ACTOR MICHAEL CLARKE DUNCAN DIES Fifty-four year old US actor Michael Clarke Duncan recently died of natural causes. The burly actor who rose to fame as the star of “Green Mile” had suffered a heart attack in July, from which he did not recover.

A former ditch digger for a natural gas company in his native Chicago, Duncan began his Hollywood career as a celebrity bodyguard in the mid-1990s. Duncan was born December 10 1957 and grew up on Chicago’s South Side. Growing up, he harboured dreams of becoming an actor. He is survived by his mother, Jean, his sister Judith and his fiancée, actress Omarosa Manigault.

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ground up

JOZI FILM FESTIVAL: 2013 OPPORTUNITIES The Festival prides itself on making movies accessible to a wide audience and on attracting those who don’t usually attend film festivals. With an admission fee of R20 as well as some free screenings, GP residents will be treated to a festival of film.

The festival provides networking opportunities for newcomers and industry professionals.

Competition categories are: Best Feature Film Best Feature Documentary Film Best Animated Film, Best Fiction Short Best Documentary Short Best Student Film Audience Choice Award A new category to be introduced, is the Best Mobile Phone Film. To qualify for this, films must be one to three minutes long and made in Johannesburg. A R1000 prize for best use of music is up for grabs, courtesy of Audio Network. R4000 will go the winner for best usage of music in a film or documentary. Only films using 50% or more of Audio Network’s library, which is offered for free, will qualify for this prize.

The Festival will also offer workshops and seminars. The award ceremony is taking place on 17 February 2013.

For more information and to download submission forms, visit www.jozifilmfestival.co.za.

DEAD ACCOUNTS OPENS ON BROADWAY THIS NOVEMBER In what marks a return to the stage for Katie Holmes, whose personal life has recently been under scrutiny, following her split from Tom Cruise, Dead Accounts opens on Broadway this November.

Co-starring Leo Butz, Dead Accounts is a new black comedy by Theresa Rebeck, which asks the question, “Will your family always welcome you back...with no questions asked?”

A prodigal son shows up unexpectedly at his Midwestern home, to the puzzlement of his family, who don’t know whether he’s coming home-or running away.

Where’s his wife that nobody likes? And crucially, where did all that money come from...?

Opening night for Dead Accounts is 28 November 2012.

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ground up POETRY AFRICA FESTIVAL 2012 Durban plays host to some of Africa’s best wordsmiths How does one get involved? Is it open to all this October, as part of the Poetry Africa Festival. spoken-word artists?

The festival predominantly features poets from South Africa and elsewhere on the African continent. Over a period of seven days, the programme includes performances, music, book launches, seminars, workshops, open mic sessions and school programmes.

The event is organised by the Centre for Creative Arts (UKZN) Sharlene Versfeld tells us more about the festival: How did this festival come about?

Participation is by invitation only. Prospective participants may apply by sending samples of their work (books, CD’s and DVD’s) to Centre for Creative Arts.

Participation in the very popular Open Mic (Saturday afternoon at BAT Centre on 20 Oct) is open.

Which artists are billed to perform at this year’s event?

So far: Henry Bowers (Sweden); Pedro Espi-Sanchis (Spain/ SA); Ewok (SA); Gouslaye (Reunion Island); Niels Hav (Denmark); Rustum Kozain (SA); Philo Ikonya (Kenya); Werewere Liking (Ivory Coast); Madosini (SA); Jessica Mbangeni (SA); Croc e Moses (SA); Oliver Mtukudzi (Zimbabwe); Tolu Ogunlesi (Nigeria); Ordsprak poets (Sweden); Nii Ayikwei Parkes (Ghana); Poppyseed (UK); Tumi (SA); Vavanger (Reunion Island); Mbali Vilakazi (SA);Saul Williams (USA); Dbi Young (Jamaica).

One of the first public platforms for poets in South Africa and now in its 16th year, Poetry Africa is a project of the Centre for Creative Arts (University of KwaZulu-Natal), which also produces events such as Time of the Writer, JOMBA! Contemporary Dance Experience and the Durban International Film Festival. Poetry Africa brings leading poets and musicians together in a powerful programme of innovative voices alongside engaging development components.

Is there an entrance fee for the festival?

How are all activities spread out over the R40 per night (students R25) at Elizabeth Sneddon Thea7-day event? tre.

R50 for closing night at BAT Centre.

The core programme runs across 6 days and nights in Seminars and workshops are free.

Durban. Apart from the theatre performances each evening, approximately 30 activities take place across Durban In terms of book launches, what kind of books and surrounding areas, at community centres, museums, are these? and tertiary institutions. The festival usually features 20 – 25 participants in the main programme, and many more Poetry books – this year about 5 new books will be in the broad range of festival activities. In addition, over launched.

30 schools are visited by the poets, to inspire a culture of poetry writing and performance skill amongst the youth. Tell us about the Slam Jam? In addition, Poetry Africa showcases will take place in Poetry Africa started the SlamJam in 2002, refined it the Malawi, Zimbabwe, Botswana and Cape Town before cul- following year with inputs from Bob Holman who was one of the founders of the Slam Movement in the USA. Our minating at the main event in Durban.

Durban SlamJam is a racy adrenalin rush of rhythm and Does the Festival only feature African poets rhymes as participants battle each other and the clock in a series of performance and freestyle rounds. The 2012 and artists?

Durban SlamJam will see a showdown between South AfAlthough Poetry Africa focuses strongly on African par- rica and Sweden. ticipants the festival also presents poets and artists from The 16th edition of Poetry Africa is taking place 15-20 numerous countries around the world.

October at 7pm.

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MuLtiMeDia

DIGITAL

CULTURE

RESOnATInG TRAnSPAREnT SPEAKERS Made by Harmon Kardon, inventors of the world’s first integrated stereo receiver in 1958, this speaker system optimizes the natural resonant qualities of hardwood floors. The system provides robust bass when used on reflective surfaces such as tabletops or hardwood floors.

It’s 20-watt 6inch subwoofer fires downward, avoiding the adverse effects furniture and walls can impart to a room’s acoustics. The subwoofer and twin satellites increase power handling and audio output for connecting to any device with a standard 3.5mm speaker port.

SAMSUnG GALAXY S III< 30 MILLIOn Head of Samsung Mobile, JK Shin has predicted that the Galaxy S III sales will top 30 million before the end of 2012. He also predicts that they will sell 20 million Note III devices throughout it’s life cycle.

The Note II debuted at IFA, and is expected to launch in October.

ATIV TAB

i-PHOnE ADAPTER

Ativ Tab is Samsung’s first Windows 8 RT tablet. With expandable storage, an optional stylus and keyboard, it weighs 570 grams. The slate is entirely made of plastic With the release of the I-phone 5, some car connecand has a brushed aluminium look. tors have been rendered obsolete. If you thought you It’s received positive reviews from critics so far. could use the same connectors with this new i-baby, think again. The new Lightning connector replaces the current 30-pin connector found in iPhone 4S or 4. The now “old “connectors aren’t compatible with the latest release from Apple.

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SALUTE //

SFISO KA-MKAMe

MYSTIC ARTIST

WITH A WEALTH OF IMAGERY A self-taught artist from Clermont in Durban, Sfiso ka-Mkame is one of South Africa’s creative gems. His creations are very decorative; many of them including vibrant images of African women adorned in brightly coloured and patterned gowns.

Born in 1963, Ka-Mkame works on a number of pictures simultaneously building up dense layers of colour with oil pastels starting with a yellow background and adding dark colours in sequence so that he can reveal and scratch patterns into his images.

Art critic Hazel Friedman says of his work: “In such works as Sorrow Swallow Me, Mkame’s use of red to denote the sky suggests his landscapes reside more in an emotional than naturalistic realm. The exuberantly patterned textiles and amulets worn by his female subjects convey a sense of yearning for an environment of miracles and mysticism. And the visual wealth of his pastel imagery attests to an unabashed passion for his medium.”

Ka-Mkame received sporadic art training through the 1980s. His “Letters to God” drawing series in 1988 saw him achieve success at the South African National Gallery in Cape Town. He is of Zanzibari descent and still resides in the township of his birth. His first solo exhibition was held at the BAT Centre in Durban in 1996. He continues to work in his Umkhumbane/Cato Manor studio on a daily basis.

We Salute Sfiso Ka-Mkame for his contribution towards South African art.

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NANDIPHA MNTAMBO

//

PROJEKT 101

FAeNA ARTIST

BReAKING

BOuNDARIeS

C

onsidered one of Southern Africa’s leading contem- the material, she recalls. porary artists, Nandipha Mntambo is an artist intent on creating works that are relevant and interesting. ”She’s previously said, “The work I create seeks to challenge and subvert preconceptions regarding representation In 2011 she won the Standard Bank Young Artist Award of the female body.” Mntambo says she wouldn’t call herfor Visual Arts. Using cowhide as her medium of expres- self a feminist. “I’m interested in the politics of representasion, Mntambo creates works that inspire one to delve into tion.” the abyss of one’s brain and question issues such as repreA graduate of the Michaelis School of Fine Art, where she sentation, beauty ideals and feminism. graduated with a Masters Degree with distinction, MntamMntambo broke ground in 2004 with Idle, when she began bo elaborates on the importance of education: “Having a moulding raw cowhides onto plaster casts of shop dum- Masters Degree helped me with focusing on how to articulate what I want a viewer to take from the work I create. my’s legs.

Having the language to express this was very liberating In her fourth year of her undergraduate degree she was un- and exciting- it did wonders for my artistic output.” sure of which medium to use for her sculptural work. A peculiar dream at the end of which remained a lot of cowhide Winning the Standard Bank Young Artist Award helped her spurred her on to use this material. “I had the opportunity to stay motivated and focused on her work. “The SBYA is of working with a taxidermist for a while and he taught me a wonderful initiative. It’s a great affirmation that the work how to work with the chemicals that assist in controlling I’m creating is relevant and interesting,” she points out.

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NANDIPHA MNTAMBO

JARRETT ERASMUS Her exhibition was titled Faena, which represents the final moments of a bullfight. Mntambo breaks down the significance of referencing this moment: “This moment is when the fighter is challenged to show off their skill. It is the ‘do or die’ moment of the fight where both the Bull and the fighter are at the height of their fight to survive. The tension and excitement that is experienced within this time is interesting to me.”

“Art is my life.”

Currently completing works for exhibitions taking place in 2013, Mntambo has also just finished a short film for PUMA. By: Phumzile Twala

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THAPELO TTP PRESENTS

HIP HOP SESSIONS If you’re a true hip hop fanatic from South Africa, it’s safe to say you’ve seen or heard of TTP. An everpresent feature on the local hip hop scene, many have come into contact with the man, yet few truly know what his contribution is.

Friendly, warm and crisp, Thapelo is open when it comes to his love of hip hop. This is evident when talking about his latest protégé, Siya Shezi (local king of street rap.) His role is to “polish the product,” as he puts it. His aim is to push this artist to his full potential and get the best out of him as an artist.

Driving around Jozi with TTP is quite an experience on this evening, as I’m afforded the opportunity to listen to the album. “Let me give you a snippet for now,” he says.

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No.1 Hustler //

THAPELO TTP

BARCODED MAG CAUGHT UP WITH THE JOMO SONO OF HIP HOP.

TTP explains his reason for choosing each track and gives some information about each artist. I must admit I’m tempted to ask him not to touch the skip button, as I’m impressed by what I hear from when the intro kicks in.

But I console myself with the knowledge that we have a lot to talk about. So before I get carried away we share a few thoughts on his position in the game and what fresh concepts he’s introducing. Judging by this conversation, it becomes clear pretty quickly that the man has a lot to offer.

Every story has a beginning though...

I’ve been in the industry for 12 years and I thought, you know what, let me step up and be a leader. One day After the mandatory friendly reception at our restaurant became one day! of choice, we settle in, and I’m eager to peel his story Having no qualms about his “big mouth” is one of the layer by layer. things that make him quickly endearing.

The day he formed TNR Media How the compilation came together Taking a sip of his extra thick chocolate milkshake, he Firstly, I approached the guys I’ve previously worked tells us, “I needed to be more serious really.” with. For me, it had to be guys that respect what they do; A silent partner suggested I become more serious about Guys that I respect as individuals and as artists. Guys like what I was doing. So I formed TNR Media, which is about Mothipa, Mawe2, HHP, The Federation, Tuks, Prokid. So artist management, branding, marketing and consulting. it’s been 3 years of collecting a lot of music, going back The main project for now though, is the Hip Hop Ses- to my archives etc. With a lot of these guys, we worked sions Compilations. We have a relationship with Pullover on a mutual respect basis. I worked with guys who trust Entertainment, who handle our videos. And Ritual Stores and believe in my vision, so it wasn’t a big issue for them as well, for distribution and promotion. I consider Ritual to entrust me with their music. to be a sort of “hub” when it comes to hip hop.

The Response Matotse’s our graphic designer and we work with JP(Joint I had a lot of mixed reactions, you know. People were Pusher) who does the mixing and mastering. asking “What’s this?” If you think back, the last compilation we had was from the Rage crew. So at first it Where it all began was a brand exercise, but it did a whole lot better than I’d been collecting music for a long time and I’ve always I expected. It got a lot of positive reviews and just got a had a big mouth when it came to a lot of music I heard. whole lot of love in general. One of my friends, Lutyanda, So Jabba (Hip Hop Pantsula) suggested that I should actually asked me, when it came out, “Why didn’t you do this earlier?” So I got a lot of positive feedback! release an album one day.

One day is one day...

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Politics and airplay

THAPELO I think radio took longer to accept. I was worried about DJs not playing it... C-Live played it the most, actually.

Four songs did particularly well on the compilation, and some of them were playlisted internationally. We had a Mothipa track playlisted by Chuck D (of Public Enemy.)

Ifani’s track, “Ewe” became an anthem after a while.

Substance’s track did quite well too, and SpaceMunna had a track featuring AKA, called Golden Money Clips.

ca’s foremost and underground talent, the music takes one on a journey from the onset.

Who is this TTP guy?

Distribution deals...

Engaging and genuine with his concerns, TTP emits a positive energy that’s hard to ignore.

I’m the Jomo Sono of Hip Hop! I work mostly with hip hop. Back to the City, the upcoming Hiph Hop Awards, working with upcoming producers like Tux, Lefa and Dynamic. If I can help, I help. It’s all about progression.

It was a case of being at the right place at the right time.

Initially, I planned on releasing independently, but Vusi Advice for youngsters wanting to get involved in this Leeuw (who was handling A&R at Universal Music at the industry... time) listened to it and liked it. He believed in my vision and dream.

Not everybody needs to rap! Why not think, “I want to be the next Russell Simmons.” Know what you want to For me, as soon as my fear went away and I was able do. Be passionate. And don’t think you know it all. Not to visualize things happening, that’s when I made things everything’s about money. Earn your stripes! Don’t be happen. Jabba was that extra spark that pushed me to afraid to be an intern. Learn to surround yourself with go for it. He always told me I had an ear for good music. people who know what they’re doing.

I think it was mind-boggling for a lot of rappers. They I think in the hip hop community as well, a lot of people were asking themselves who this guy was, distributing are scared of challenges. Unless you try, how else will through Universal. I’m happy it happened at that time you know what works and what doesn’t work? Another though... thing: Have a mentor. Whether you communicate via email or BBM etc. But it’s important. For me, it’s people Challenges like Lee Kasumba, Sanza, Mizi, Osmic and Vusi Leeuw.

The first compilation was very scattered, there wasn’t much unity. And I feel the record wasn’t pushed enough nationally. Another thing I had a problem with, was the South Africa consumer’s buying mentality. If you walk into a CD shop and they don’t have the album you’re looking for, you have the right to ask them to order it for you.; which is why we introduced the option of preordering the album.

Wise words...

Hip Hop Sessions Vol.2

Promoting the album

The reason I dedicated it to the underdogs is because I feel they aren’t given a fair chance by everyone. Hip hop has changed. There isn’t unity like there was before.

I’m just going to go ahead and say it... Hip Hop DJs are killing us. TV and radio stick to the tried and tested. The idea of a compilation isn’t one they’re used to. So my aim is to do the dirty work and make sure the artists get as much exposure as possible. I make sure I “polish” the product basically.

It’s very important for people to hear the music and get used to it before they buy it. So itinvolves a lot of promotion on radio, TV, etc. But again, I said it earlier, but I want to emphasise this point: Hip Hop DJs are afraid to experiment with local tracks. They should take a cue from house musicians!

Not all of us can peak at the same time. I learned that the hard way. Everything has its’ own time. Just keep at it.

Making reference to a challenging period in his life is easy for him as he explains the lesson gained.

In 2013 we’re looking at releasing a repackaged, deluxe edition. But for now, you can email me for orders: thapelottp@gmail.com. Or you can buy it at Reliable, The latest compilation’s themed. It’s very progressive, Look& Listen, Ritual Stores, Top CD, Beyonce Records in with a lot of positive messages. The tracks are very up- East London (our waitress chips in here and assures me lifting and thought-provoking. There are also a lot more that the latter does really exist, in between my sceptical laughter.) live elements to this compilation.

The tracks are laced with motivational messages and Available for a hundred bucks, you Can also pre-order it soulful beats. A smorgasbord of some of Southern Afri- by quoting this reference: CDRBL656(133).

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WE SAY //

XERO MA HERO

With Nothing In Mind At times I speak with nothing in mind.

The problem is with nothing in the mind, there’s nothing to write.

That’s when I look into the heart and transform what matters into art.

See, silence grants concessions, so I speak out to craft awareness in the streets.

Love making is unique, but it’s all between the sheets.

Protect yourself when you sleep. Freedom comes at a price of deadly disease.

These mothers are being made at an extremely young age. But there’s no room for selfness only awareness.

These drugs have my people affected.

It all starts as an experiment.

But addiction is enhanced with that one gleaming moment.

See I prefer using this art to enrich the heart and teach a few people a few good deeds like a hand in reach when a friend is in need.

Poetry is not just technique.

You first have to practice so you can preach, teach when you speech.

This message is peace. Poetry is not that deep.

It just helps us dream of a perfect world, where the legal fraternity never defends murderers, or priest remain Baptists and no longer turned rapists; a world that revoked women’s rights to an abortion.

Call me an idealist, cause I have an idea hear this: In order our crucifix our demons we need to fix our home first. For a lack of respect reflects on our parent’s doorsteps.

By: XeroMaHero

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