Maya Mashiach Extended Design Portfolio 2024

2024

MAYA MASHIACH DESIGN PORTFOLIO

Architectural Designer - 3D Artist - Computational Designer

CONTENTS Professional / Freelance i. Los Angeles Low-Rise Competition ii. Odessa Avenue

ARCHITECTURAL PRACTICES

iii. Canyon Beach House Undergraduate California Polytechnic SLO i. A Mobile Sector

PRACTICAL CONCEPTS

ii. Westside Google

Postgraduate AADRL i. Halokinesis ii. Society Nano

EXPERIMENTAL COMPUTATIONS

iii. Out of Stock Other i. Network Trajectories

CONTINUED WORK

ii. Watercolor Samples iii. Models Examples

Maya Mashiach

- Architectural Designer - 3D Artist - Computational Designer

-

mashiachmaya@gmail.com

LOS ANGELES LOW-RISE // Competition Proposal Social Studies Projects Team Members _ Mary Casper, Kay Mashiach, Bradley Nissen Los Angeles, California 2021

Sisters is a proposal for the resurrection and re-appropriation of the notably Richard Neutra-designed and Ayn Randoccupied, Josef von Sternberg house, in Northridge, California. Originally built in 1935 and demolished in 1971, the veritable estate originally envisioned on “a distant meadow” originally included just one primary bedroom and several servant quarters. Taking this project as our starting point, which serves as a sort of archetype for the heroic single family, individualistic American dream, we set about plotting a reversal of power. From one residence, the proposal carves four, which encircle shared spaces devoted to community, education and agricultural self-sufficiency. The original house is

reconstructed as a glass greenhouse at the center of it all, with the building’s original rooms quite literally exploded across the site into discreet units, affording its residents the formal experience of the single family typology while living and working in community.

Like the three sister crops, the units in this project are envisioned as socially supportive, typologically diverse, and ecologically aligned. We designed the project’s three programmatic considerations in a parallel sisterhood: The Communal, The Sustainable, and The Spatial.

Combining photoshop and vray rendering to achieve an artist inspired rendering quality.

Perspective views from agricultural space (top), western walkway (middle), interior greenhouse (bottom left), and interior kitchen of unit (bottom right).

Social Studies Projects - Rhino - Los Angeles Low-Rise

Maya Mashiach -

3

1 2 3 4 5 6 7

Community Market Courtyard Pollinator Garden Demonstration Garden Learning Garden Orchards Native Lawn Permeable Driveway

8 9 10 11 12 13 14

Greywater Retention Pond Greenhouse Preservation Kitchen Classroom Farming Hydroponic Vegetables EV Chargers

15 16 17 18

Bird Highway Raised Beds Farm Cafe Bee Hives

2 Story, 2 Bedroom all electric kitchen module

pantry closet

clt walls electric range

d/w

electric w/d

ref.

Bath / Laundry Module

2 Story, 2 Bedroom

Studio, Accessible

Ground floor plan with breakdown of programmed spaces.

Social Studies Projects - AutoCAD - Los Angeles Low-Rise

1 Bedroom, Accessible

Detail plans of living units within the complex.

Maya Mashiach -

4

Isometric composite drawing breaking down a housing unit’s parts within the context of the site.

Social Studies Projects - Revit - Los Angeles Low-Rise

Maya Mashiach -

5

ODESSA AVENUE // Residential Renovation Freelance Team Members _ Kay Mashiach Los Angeles, California 2021-Current

The Odessa Avenue house renovation was a multi-phase redesign of various spaces within the home. Beginning with the entry-way/secondary bathroom and finishing off with the primary bedroom, each square foot of this home was rethought. Whether it was moving walls or finishing tiles, the outdated interiors were refreshed to be more fitting for a family.

The main idea was to consolidate storage spaces into a mudroom and into the garage, which opened up more opportunities for space maximization when it came to bedrooms and bathrooms. On the first right hand of the entry space, there was originally a storage closet as well as an L-shaped full bathroom. By removing the entry-way closet and converting the bathroom to a full rectangular shape, we were able to create a larger space for the secondary bathroom, as well as a larger closet area

for the guest bedroom.

Looking at the garage, it became renamed to the “family-room” which was intended as an expansion space of a livable extra bedroom. Built in storage was added to the family room with custom 36” deep closets. In addition we newly outfitted and combined the laundry room and mudroom, allowing for a large storage capacity and comfortable backroom.

Photographs of completed primary bathroom.

The final phase of the house remodel was the primary bedroom and secondary bedroom, which included the primary bathroom. Storage here was maximized by moving walls, as well as creating a larger space for the bathroom. The finishing of this whole house was completed with consistent and new oak flooring, as well as wallpapers and fresh paint.

Primary bathroom render iterations.

Freelance -

Rhino - Odessa Avenue

Maya Mashiach -

6

Overall designed ground floor plan of the Odessa Avenue residence with conceptual undertones.

Completed images of the guest bathroom (top row) and primary bathroom (bottom row) with renovation of the other spaces still in progress.

Freelance -

Rhino - Odessa Avenue

Maya Mashiach -

7

CANYON BEACH HOUSE // Residential Home in Malibu Montalba Architects Project Manager _ Joe Diaz Santa Monica, California Contributed _ 2019 Completed _ 2021

This new single family residence sits high in the Malibu hills with sweeping views of the Pacific Ocean. Anchored by discrete, multi-level travertine elements and massive operable window-walls, the property dissolves as it opens up the interior spaces to the surrounding site and the ocean beyond. Wood finishes warm the interior, while water and landscape elements across the exterior provide the backdrop for the family’s sculpture collection. An open stair links the family’s main living spaces, each with a custom stone fireplace. Flanked by a water feature and an infinity pool, the main living space coupled with a private guest suite above the garage provide the perfect setting for entertaining.

An extensive art collection is housed throughout the property and the gardens. One of the key challenges for the designers was creating enough wall space for the Client’s collection while maintaining the desired level of exposure to the site, openness and light. This meant using partitions between spaces that did not run the extent of the room, allowing for light to permeate between spaces.

Exterior render of completed project.

During my internship at Montalba Architects, I participated in the conceptual, schematic, and design development phases of this project. I provided plan iterations and renders for client packages.

Rendered view of exterior patio.

Montalba Architects - Sketchup - Canyon Beach House

Maya Mashiach -

8

±

±

SPA LAUNDRY

SPA

LAUNDRY

CANOPY ABOVE IND. DASHED

DRIVEWAY DRIVEWAY BACKUP BACKUP

±31'-6"

PROPERTY LINE

±10'-0"

±10'-0"

DECK

±8'-11"

DECK

±8'-11"

±31'-6"

POOL

OP

POOL

CANOPY ABOVE IND. DASHED

Ground floor plan programming blocking.

03 / 04

SCALE: 1/4" = 1'-0"

2501 CORRAL CANYON ROAD, MALIBU,2501 CA, 90265 CORRAL CANYON ROAD, MALIBU, CA, 90265 CORRAL SCHEMATIC DESIGN CANYON SCHEMATIC DESIGN

CORRAL CANYON 01.25.2019

01.25.2019

ENTRY

STAIR

POWDER

AREA REMOVED INDICATED HATCHED

OPTION BOPTION - VOLUMES B - VOLUMES

03 / 04

DETAIL DETAIL VIGNETTE_ VIGNETTE_ LAUNDRY LAUNDRY / PANTRY / PANTRY OPTIONS OPTIONS

WATER FEATURE

CORRAL CANYON ROAD

CIRCULATION

POWDER

POWDER

±16'-4"

±4'-6"

CANOPY ABOVE INDICATED DASHED ±11'-8"

POWDER KITCHEN POWDER

±21'-3"

POWDER LIVING / DINING

±18'-11"

POWDER

LAUNDRY / STOR.

±18'-0"

2-CAR GARAGE

CORRAL CANYON ROAD

POOL DECK POWDER

LIVING

±4'-6"

PROPERTY LINE

N

N

1ST FLOOR PLAN 1ST FLOOR PLAN

SCALE: 1/4" = 1'-0"

PROPERTY LINE

OPTION OPTION OPTION AOPTION - AOPTION GRAND -AOPTION GRAND - AGRAND -LIVING AGRAND -LIVING AGRAND -LIVING GRAND LIVING LIVING LIVING

DRIVEWAY BACKUP

POWDER

POWDER

POWDER

POWDER

POWDER

POWDER

POWDER

POWDER

POWDER GARAGE

POWDER GARAGE

POWDER

PROPERTY LINE

PROPERTY LINE

POWDER PANTRY

POWDER

PANTRY

±23'-0"

ENTRY

±7'-0"

±4'-6"

STAIR

±7'-0"

GYM

±17'-5"

STORAGE

KITCHEN

±14'-6"

SPA

SPA

STORAGE

LAUNDRY

GYM PANTRY

GYM

GYM

PANTRY

PANTRY

GYM GYM PANTRY

±10'-0"

±10'-0"

DECK

CANOPY ABOVE IND. DASHED

GYM PANTRY

DRIVE BACK

±31'-6"

POOL

PANTRY

POOL

N

LIVING

03 / 04

SCALE: 1/4" = 1'-0"

CORRAL CANYON 01.25.2019

N

1ST FLOOR PLAN 1ST FLOOR PLAN

SCALE: 1/4" = 1'-0"

OPTION B_ OPTION SEPARATE B_ SEPARATE SPACESSPACES

ART WALL ABV. FIREPLACE

±14'-6"

TEXT

STORAGE

DINING

TEXT

2501 CORRAL CANYON ROAD, MALIBU, CA, 2501 90265 CORRAL CANYON ROAD, MALIBU, CA, 90265 CORRAL SCHEMATIC DESIGN CANYON SCHEMATIC DESIGN

OPTION C_ OPTION MAXIMIZED C_ MAXIMIZED LAUNDRY LAUNDRY AND PANTRY AND PANTRY

POWDER

POWDER

POWDER

POWDER

POWDER

POWDER

±3'-6"

±3'-6"

±3'-6"

±3'-6"

±3'-6"

±3'-6"

±8'-0"

±8'-2"

±10'-0"

POOL DECK

03 / 04

OPTION D_ OPTION OPEN D_FLOW OPEN FLOW

01.25.2019

±8'-7"

TEXT

±14'-0"

ART WALL FULL HEIGHT MILLWORK

±8'-7"

±20'-10"

±3'-6"

KITCHEN

STORAGE

DECK

SPA

±3'-6"

GYM

CANOPY ABOVE IND. DASHED

±13'-7"

±31'-6"

GYM

LAUNDRY

KITCHEN

CANOPY ABOVE POOL DECK IND. DASHED

±14'-6"

±13'-5"

LAUNDRY

±15'-0"

±13'-5"

±13'-5"

KITCHEN

POOL DECK

DINING

±17'-5"

±15'-0"

±17'-5"

±17'-5"

STORAGE

KITCHEN

SCULPTURE

SCULPTURE

CANOPY ABOVE IND. DASHED

ART WALL

±13'-5"

±13'-5"

±13'-5"

±17'-5"

±13'-7"

CANOPY ABOVE IND. DASHED

±7'-0"

CANOPY ABOVE IND. DASHED

±17'-0"

±8'-0"

OPTION A_ OPTION MAXIMIZED A_ MAXIMIZED KITCHEN KITCHEN ±3'-0"

LAUNDRY

±7'-0"

DINING

±17'-4"

WATER FEATURE

UP

ART WALL

±20'-0"

±7'-0"

LIVING

PANTRY

POWDER

±3'-6"

GARAGE

±7'-0"

±4'-6" ±17'-4"

PROPERTY LINE

LAUNDRY

LIVING ±4'-6"

±4'-1"

±3'-6"

±3'-6"

LAUNDRY

±4'-6"

DECK

±23'-3"

LAUNDRY LAUNDRY LAUNDRY GYM GYM GYM

LAUNDRY KITCHEN

STORAGE

LAUNDRY

ENTRY

NDRY

±10'-9"

±10'-9" ±18'-8" ±8'-2"

±8'-2"

KITCHEN

GYM

KITCHEN

±3'-6"

PROPERTY LINE

GYM PANTRY

KITCHEN

±4'-6"

±4'-1"±11'-7"

±17'-5"

±10'-9"

±10'-9"

±18'-8"

±15'-5" ±11'-7"

KITCHEN

KITCHEN

±3'-0"

±3'-6"

GYM PANTRY

±6'-2"

GYM PANTRY

±6'-2"

GYM

±6'-2"

GYM CANOPY ABOVE IND. DASHED

KITCHEN

LAUNDRY Ground floor plan iteration with privacy planes concept for wall GYM organizations.

PANTRY PANTRY PANTRY

LAUNDRY

LAUNDRY

KITCHEN

±3'-6"

KITCHEN

±8'-11"

PLAN DIAGRAM

±11'-7"

DRIVEWAY BACKUP

KITCHEN LAUNDRY

LAUNDRY

LAUNDRY

±3'-0"

±3'-6"

PANTRY

±3'-6"

±8'-11"

±11'-7"

LAUNDRY

±8'-0"

WATER FEATURE

±20'-0" ±3'-6"

OPEN TO ABOVE

±8'-2"

±11'-7"

KITCHEN LAUNDRY

PROPERTY LINE

±20'-0" ±3'-6"

±3'-6"

±8'-2"

±11'-7"

KITCHEN LAUNDRY

LAUNDRY

STAIR

±3'-6"

POWDER

PANTRY

GYM

LAUNDRY ±11'-7"

2/10

±15'-5"

±16'-9"

±16'-9"

±16'-9"

±16'-9"

±16'-9"

±16'-9"

SCHEMATIC DESIGN

ARY 25, 2019

01 / 02

±13'-5"

KITCHEN

±13'-5"

KITCHEN

±3'-6"

POWDER

±6'-2"

KITCHEN

±10'-9"

CORRAL CANYON ROAD

±3'-6"

KITCHEN

±13'-5"

KITCHEN

±6'-2"

RAL RESIDENCE | 2501 CORRAL CANYON RD., MALIBU, CA 90265

±3'-6"

WATER FEATURE

±3'-6"

OPEN TO ABOVE

±13'-5"

KITCHEN

PANTRY

±3'-6"

±3'-6"

±6'-2"

1.09.2019

PANTRY

GARAGE STAIR

±3'-6"

±13'-5"

±3'-6"

±10'-9"

±3'-6"

2501 CORRAL CANYON ROAD, MALIBU, CA, 90265 SCHEMATIC DESIGN

±3'-6"

±13'-5"

±3'-6" ORRAL CANYON

±3'-6"

±10'-9"

CALE: 1/4" = 1'-0"

±9'-0"

1ST FLOOR PROGRAM DIAGRAM RST FLOOR BUBBLE DIAGRAM

±9'-0"

±9'-0"

±9'-0"

OPTION A - PANTRY PLANES PANTRY PANTRY

±3'-6"

±10'-9" PROPERTY LINE

GARAGE

OPTION A_ PRIVACY PLANES

±8'-0"

ENTRY

WOODEN SLAT SCREEN

CANOPY ABOVE IND. DASHED

WOODEN SLAT SCREEN

ART WALL

POOL

±10'-0"

±8'-11"

DECK

±3'-6"

±3'-6"

DRIVEWAY BACKUP

±17'-0"

DRIVEWAY BACKUP

±31'-6"

±17'-0"

±8'-10"

GYM

POWDER

ART WALL

POWDER

POWDER

POWDER

POWDER

POWDER

±9'-0"

±28'-6"

±10'-0"

±8'-7"

CANOPY ABOVE IND. DASHED

CANYON CORRAL RD.,CANYON MALIBU,RD., CA 90265 MALIBU, CA 90265 CORRAL RESIDENCE CORRAL RESIDENCE | 2501 CORRAL | 2501

POOL

DECK

DE

9 /10

ART WALL

SCHEMATIC DESIGN JANUARY 25,JANUARY 2019 25, 2019SCHEMATIC DESIGN

OPTION B_ VOLUMES AND SCREENS

PROPERTY LINE

OPTION B - VOLUMES CORRAL CANYON ROAD

1ST FLOOR PLANPLAN RST FLOOR

01 / 02

SCALE: 1/4" = 1'-0"

KITCHEN

±16'-9"

±16'-9"

±16'-9"

TEXT

TEXT

GYM

GYM

GYM

LAUNDRY

LAUNDRY LAUNDRY LAUNDRY GYM GYM GYM

KITCHEN LAUNDRY

±10'-9"

±10'-9"

±10'-9"

±10'-9"

KITCHEN LAUNDRY

KITCHEN LAUNDRY

KITCHEN

LAUNDRY

±7'-0"

GYM PANTRY ±7'-0"

GYM PANTRY ±7'-0"

GYM PANTRY ±7'-0"

±6'-2"

GYM PANTRY

±6'-2"

GYM

±6'-2"

GYM LAUNDRY

PANTRY ±7'-0"

01 / 02 01

PANTRY

±6'-2"

01 / 02 ±6'-2"

SCULPTURE

ART WALL

TEXT

CANOPY ABOVE IND. DASHED

±10'-9"

±18'-8"

KITCHEN LAUNDRY

2501 CORRAL2501 CANYON CORRAL ROAD, CANYON MALIBU, ROAD, CA, 90265 MALIBU, CA, 90265

01.25.201901.25.2019

STAIR POWDER

OPEN TO ABOVE

LAUNDRY

CORRAL CORRAL CANYONCANYON SCHEMATIC DESIGN SCHEMATIC DESIGN

WATER FEATURE

MALIBU, YON 0265 CORRAL ROAD, CA, CANYON MALIBU, 90265ROAD, CA, 90265 MALIBU, CA, 90265 NMATIC DESIGN

LAUNDRY

±11'-7"

±6'-2"

N

ENTRY

WOODEN SLAT SCREEN

GARAGE

±11'-7"

±13'-5"

KITCHEN

±13'-5"

KITCHEN

±13'-5"

KITCHEN

±13'-5"

KITCHEN

±16'-9"

±3'-6"

KITCHEN

±13'-5"

±3'-6"

±10'-9"

PANTRY

±3'-6"

±9'-0"

PANTRY

±9'-0"

PANTRY ±3'-6"

±16'-9"

±3'-6"

1ST FLOOR 1ST FLOOR PLAN PLAN

DRIVEWAY BACKUP

N

PANTRY

Ground floor plan iteration with volumes and screens concept for wall ±11'-7" ±11'-7" ±11'-7" ±11'-7" SCALE: 1/4" = 1'-0" SCALE: 1/4" = 1'-0" organization.

PLAN DIAGRAM

N

PANTRY ±3'-6"

±9'-0"

PANTRY

PROPERTY LINE

±16'-9"

SCHEMATIC DESIGN

GRAM RAM DIAGRAM DIAGRAM

±7'-0"

PANTRY

±3'-6"

±15'-0"

LIVING ±11'-7"

±4'-1"

CANOPY ABOVE IND. DASHED

POOL DECK

KITCHEN

±15'-5"

±4'-6"

±4'-6"

DINING

OPTION A_ OPTION MAXIMIZED A_ MAXIMIZED KITCHEN KITCHEN

±13'-7"

±17'-4"

±8'-2"

GYM

±10'-0"

±31'-6"

DECK

POOL

PROPERTY LINE

CANOPY ABOVE IND. DASHED

Montalba Architects - AutoCAD - Canyon Beach House

OPTION B_ OPTION SEPARATE B_ SEPARATE SPACESSPACES

O

Top left: maximized laundry and pantry; top right: open flow; bottom left: maximized kitchen; bottom right: separate spaces.

SPA LAUNDRY

±8'-11"

N

±9'-0"

NUARY 25, 2019

±10'-9"

5/10

2501 CORRAL CANYON ROAD, MALIBU, CA, 90265 SCHEMATIC DESIGN

±9'-0"

01.25.2019

±9'-0"

CORRAL CANYON

RRAL RESIDENCE | 2501 CORRAL CANYON RD., MALIBU, CA 90265

CANYON CORRAL RD.,CANYON MALIBU,RD., CA 90265 MALIBU, CA 90265 CORRAL RESIDENCE CORRAL RESIDENCE | 2501 CORRAL | 2501 SCHEMATIC DESIGN JANUARY 25,JANUARY 2019 25, 2019SCHEMATIC DESIGN

Maya Mashiach -

9

A MOBILE SECTOR // Global Infrastructural Space B.Architecture Thesis _ Cal Poly San Luis Obispo Duration _ Septemeber 2019 - June 2020 Professor _ Doug Jackson Site _ Shanghai, China

While global networks afford power to the individuals they connect, they also render them vulnerable to the effects produced by others within the network.

Consequently, the invisibility of global connectivity makes it possible for the exploitation of unsuspecting individuals by non-local agents in addition to these inhibiting individuals from taking full advantage of the potential power to resist that exploitation that global networks might afford. Although other virtual mediums of interaction have their advantages, their biggest downfall comes from the fact that their space of engagement is removed from the public sphere. However, a tangible infrastructure that could represent the flows of and exchanges of globalization would allow for a conscious and public engagement with these forces. This tangibility would allow humans to gain an immediate and direct connection to the otherwise inscrutable global reality in which they live. This would result in a new subjectivity, wherein individuals become

California Polytechnic SLO

empowered to act within this global context.

This thesis will demonstrate the potential of such a tangible manifestation of this global reality in the form of speculative globalized infrastructures for the city of Shanghai. The typology of infrastructure is familiar to humanity and presents itself as an organized machine. This prescribed organization is in contrast to the accidental nature that takes place within life itself. The political empowerment that such a virtualization affords is particularly crucial in the context of a city such as Shanghai.

- Autodesk Maya - A Mobile Sector

Maya Mashiach - 10

Nanjing Blimp

Pudong Heli

Huangpu Boat

Orthographic visuals of each mobile sector in its context within Shanghai.

California Polytechnic SLO

- Illustrator - A Mobile Sector

Maya Mashiach - 11

2015 2005 1995

1975

GROWTH OVERTIME

Chunk sections of heli (left) and boat (right) at critical regions.

Map INFRASTRUCTURE of Shanghai growth from 1970 to current ( left ) ; Map of Shanghai thoroughfares ( right).

PUDONG HELI

Visual of nightime Shanghai with Mobile Sectors in the skyline of the buildings.

California Polytechnic SLO

- AutoCAD - A Mobile Sector

Main floor plan of heli attached to building (top); main floor plan of market on boat (bottom).

Maya Mashiach - 12

Nanjing Blimp visualized during early morning on Nanjing Road in Shanghai.

California Polytechnic SLO

- VRay - A Mobile Sector

Maya Mashiach - 13

Nanjing Blimp

Pudong Heli

Huangpu Boat

Isometric visual of all mobile entities docked together on the Huangpu River.

California Polytechnic SLO

- Illustrator - A Mobile Sector

Maya Mashiach - 14

WESTSIDE CAMPUS // Google Campus B.Architecture LA Metro _ Cal Poly San Luis Obispo Duration _ January 2019 - June 2019 Professor _ Stephen Phillips Site _ Los Angeles, California, USA

Tasked to design a 1.5-million-squarefoot Google Complex, the challenge was to incorporate media programs, retail floors, public and private dining facilities, and recreational facilities throughout the campus. Initially, the studio was prompted with a design project which explored primitive form mash-ups that created a dissimulated base for spatial studies on the Google Campus. In this series, each of the four forms is repeated, scaled, and translated to create a complex puzzle of spatial interactions, using Grasshopper. Application of material texture reveals the contrast of faces in their collapse and their crash actions.

The section of this final form conjunction displays an arrangement of overlapping interior spatial qualities. Not only does an interior start to reveal itself, but exterior situations become more dynamic with these rearrangements of shapes.

A habitat supports the future workplay organization of an ideal lifestyle.

By placing programmatic elements in different height levels, it aggregates the buildings to imply a city organizational quality. Even though only four basic forms are transformed, the various scale and organization of them are intended to spark interest throughout the project.

Seeing as the programs are vastly wide, the attempt to explore various placement of program is important to this project to determine the best use of the resulting form. Each program explores and embraces its own form. The exploration of split dissimulation forms is so that each program has its own resulting interstitial space that can be refit with appropriate application. All programs agree to its form, whether narrow or wide, thick or thin.

The form of this dissimulation lent itself to a habitat, where program was internally organized to be virtually self-sufficient.

Viewpoint of campus walkway from fifth story office space.

LA Metro - Grasshopper - Westside Campus

Maya Mashiach - 15

FIELD STUDIES

FOUR SHAPES; EXPLODED AXONOMETRIC

FORM FINDING STEPS

SHAPE

SHEAR

SHIFT

SHEAR & SHIFT

DUPLICATE & ROTATE

DUPLICATE & ROTATE & SHIFT

Form finding visual steps explored in grasshopper and amplified for field studies of campus spaces.

R PA KI N G

H O TE L /T H

EQ IN X

E

O

TR EA

U

RE AU ST RA T

I TA

N

RE L

H O U SI N G

O FF IC ES

M U SE U M

RO CE RY

LA Metro - Grasshopper - Westside Campus

G

Overall Isometric visual of facade ribbon massing (left) and programmable space (right).

Viewpoint of campus offices from main road walkway.

Maya Mashiach - 16

RETAIL STORES ( FLOORS -1 - 4 )

HOTEL ROOMS / THEATRE BAR ( FLOORS 2 - 7 )

GOOGLE OFFICE ( FLOORS 1 - 3 ) GOOGLE LOUNGE ( FLOORS 3 - 6 )

HIGH-INCOME HOUSING ( FLOORS 10 - 14 ) GROUND FLOOR EQUINOX LOBBY

5TH FLOOR RETAIL ATRIUM 4TH FLOOR GOOGLE OFFICES

GROUND FLOOR LOW - INCOME HOUSING

5TH FLOOR HOTEL ROOM

Arrangement of detail plans and sections from each major program within the Google Campus.

Full longitudinal section through center plot of site, demonstrating array of spaces.

LA Metro - AutoCAD - Westside Campus

Maya Mashiach - 17

Still image of salt tectonic salt canopy typology simulation, exploring nature for research.

HALOKINESIS // Crystalline Salt Infrastructures M.Architecture Thesis _ AADRL Duration _ January 2022 - January 2023 Professor _ Dr. Theodore Spyropoulos Team _ Maya Mashiach // Kay Mashiach // Zhen Jia // Zhichang Yang // Stephanie Di Gironimo

Within the contemporary condition new conceptual terrains emerge that raise questions of agency and intelligence within a deep ecology of our environment. The work explored examines environmental phenomenon in the service of sustaining life on this planet. Challenging the orthodoxies of contemporary spatial landscapes, this studio focuses on the temporal nature of the environment, while applying provocative research methods through material exploration. While questioning the ecological application of architecture, an inquisition towards generative and procedural forms engages in a discernible environmental and discursive conversation, igniting an urgency within this field. The thought is a worldly application – an architecture that can be implemented into multifarious environments, which include the most extreme environments in an application to urban systems.

HALOKINESIS is an architectural endeavor that utilizes salt, a universal material, to re-balance the coral bleaching environments within applicable locations on this planet. HALOKINESIS

is the magical ability to move salt with one’s mind, and thus, this project explores salt crystallization’s phenomenology by harnessing this power within our reality.

Salt, an essential and abundant element on earth, is known for its ubiquitous flavoring and preservation, while also denoted as a sterilizing agent. However, salt remains an essential element of life. Salinity’s increasing abundance in relation to its paradoxical attributes of sustaining and annihilating situates itself as a priority in investigating its usefulness and applications. Analysis of this element revealed an inherent nature of supertemporal growth, requiring us to elicit interventions through controlling behavioral propagation. As salt is seen to be a keystone to the ecological processes of the world, we take into consideration the circulation and movement of salt bodies on earth. Our HALOKINESIS relies on time coupled with a responsive scaffold, growing crystals to achieve strength and formations. Salt tectonics, halokinesis, and crystallization are typically referred to as existing within the "geological time scale," existing within the history of the Earth.

Still image of salt tectonic salt sheet simulation, exploring nature for research.

AADRL

- Thesis Project - Halokinesis

Maya Mashiach - 18

Still image from animation of coral growth on a single agent based on directional sunlight.

_ dodecahedron

_ mesh iterations

_ cube

_ pyramid

Simulation images iterating the most ideal shape for ultimate salt growth on a spicule (left); Simulation images exploring surface meshing for a spicule agent (right).

AADRL

- Thesis Project - Halokinesis

Maya Mashiach - 19

water level

water level

Renders displaying salt growth based on relative waer level simulations.

equatorial sunlight

indirect sunlight

Renders displaying top down directional growth resultant from sunlight typical nearer to the equator line (left) and slowed growth resultant from sunlight in consistently clouded and shaded regions (right).

PHASE 00

PHASE 01

PHASE 02

PHASE 03

negative buoyancy

neutral buoyancy

positive buoyancy

self-propulsion

Still images from simulations experiementing with inflation phasing underwater in relation to an individual agent.

AADRL

- Thesis Project - Halokinesis

Maya Mashiach - 20

Crystallized salt on spicules after 6 months of growth.

Various salt crystallization models and experiments, utilizing every aspect of the environment to achieve maximum growth.

AADRL

- Thesis Project - Halokinesis

Maya Mashiach - 21

2 5

1

6

4

3 8

9

Perspective diagram showing the kit of parts of an agent and its robotic elements.

Photograph of two half scale physical spicules.

The models are each 1 meter wide and are installed with sensors.

AADRL

- Thesis Project - Halokinesis

Photograph series of inflating arm based on nearby distance of another agent.

Maya Mashiach - 22

Still images from an animation which demonstrates the harvesting phase of the group of agents in a single saline area.

Time: 15 dyas

Time: 32 Hours

Time: 32 days

Time: 45 days

Images taken from simulations created demonstrating how our agents will harvest salt from its initial location and maximize crystalization.

Images taken from simulations created demonstrating how our agents will self-organize as an ever-changing formation that balance the salinity level temporally.

AADRL

- Thesis Project - Halokinesis

Maya Mashiach - 23

Still image of animation demonstrating the phase changing of each spicule formations from underwater.

Perspective breakdowns of formations predicted from the salt tectonic in nature, we translate pressure and density into buoyancy and cohesion force; With information from the neighbors, agents would behave collectively and form an autonomous cluster.

AADRL

- Thesis Project - Halokinesis

Still image of animation demonstrating the coral revival formations from underwater.

Maya Mashiach - 24

Render created in Unreal Engine of the predicted Carribean Sea formation, based on coral bleaching detection.

Render created in Unreal Engine of the predicted Australia formation, based on coral bleaching detection.

AADRL

- Thesis Project - Halokinesis

Maya Mashiach - 25

SOCIETY NANO // void setup () { M. Architecture Robotics Studio _ AADRL Duration _ November 2021 - December 2021 Professor _ Apostolos Despotidis Team _ Maya Mashiach // Kay Mashiach // Zhen Jia // Zhichang Yang / Stephanie Di Gironimo

When presented with a task to design and assemble a form of creative robotics, we chose to develop the ‘Machine-Machine’ relationship. First we set up a series of rules that all the individuals would follow, and then built a society for them to interact and perform. A key factor to this project, was the development of interacting robots, which were not initialized by human interaction. With the inspiration from flying machines and bioluminescent creatures, we decided the robot should be able to simulate flying or floating and with the ability to glow. The material silicone is light, transparent, and can be easily cast into different shapes.

We designed different types of silicone shells for the robot. A void space was left in order to design a frame and attachment system for the Arduino and electrical setup, as well as the vertical pulley.

This specific pulley system is based on a simple physical mechanism, which requires a continuous rotational servo located inside the prototype with all the Ardunio set-up. The prototype is attached to a frame and goes up and down through the coded rotation of the servo. To create a machine-machine interaction, the robots needed to speak a specific language with each other. We decided to use color as the language. So the robot was equipped with an R/G/B color sensor.

We tested the sensor connecting it to the wheel with the calibration in the light environment, followed by experimenting with connecting the wheel with the calibration in the dark environment. This connection was established through the coding of the Arduino, a language which ensured direct interaction.

Photograph of a set of society nano robots without their silicone shell.

AADRL

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Robotics - Society Nano

Maya Mashiach - 26

Set of images displaying the robot installation and their various interactive states based on color input. These images are from 18 long motion video.

Physical robot kit disassembled (left) and fully assembled (right).

1 8

3

5

9 4 6 5

10

6 2

7

1

Silicone Shell

2

Hardware Main Frame

3

Attachment Tube for String Axis

4

Nano

5

Mini Bread-board

6

Elevational Block

7

R/G/B Color Sensor

8

R/G/B LEDS

9

Continuous Servo 20kg

10

9V Battery

Arduino and robot mechanical parts / assembly diagram (middle); Robot form iterations (bottom row).

AADRL

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Robotics - Society Nano

Maya Mashiach - 27

COLLECTIVE ORGANIZATION

NEIGHBOR READING

READ RECEIVE ‘RED’ LIGHT, TURN ‘BLUE’ AND GO DOWN

R:174 G:70 B:20

if ( redValue > blueValue && redValue > greenValue ) {

COLOR MAP ‘BLUE’

R:50 G:110 B:180

REACT

READ RECEIVE ‘BLUE’ LIGHT, TURN ‘GREEN’ AND STAY

R:50 G:110 B:180

if ( blueValue > redValue && blueValue > greenValue ) {

COLOR MAP ‘ GREEN’

R:50 G:200 B:180

REACT

READ RECEIVE ‘GREEN’ LIGHT, TURN ‘RED’ AND GO UP

R:50 G:200 B:180

if ( greenValue > redValue && greenValue > blueValue ) {

COLOR MAP ‘RED‘

REACT

R:174 G:70 B:20

Collective and neighbor orgranizational diagrams, translated through code to an arduino system of 18 robots in a collective.

AADRL

- Arduino - Society Nano

Photograph of individual robot detecting green and lighting up red. Focus on color sensor.

Maya Mashiach - 28

OUT OF STOCK // Active Wireframes M. Architecture Wireframes Studio _ AADRL Duration _ September 2021 - November 2021 Professor _ Apostolos Despotidis Team _ Maya Mashiach // Kay Mashiach // Zhen Jia // Cemre Demicri // Swati Singh // Bensu Talay

The goal of this project was to explore how different wire thicknesses effect the bending properties of components through creating a dynamic system of rigid and active bodies. We developed components which assisted us in examining the behavior of a system clearly. These components included a rigid body which embodied a simplified primitive geometry as the main unit of this system, which was then accompanied by an active and rather complex unit.

The geometry on these components was studied in detail to facilitate the dynamic system which resulted in the decision of having the rigid body in a volumetric organization and the active one toggling between 2D and 3D. The connection point between two pyramids’ components were facilitated through the attachment of our active, slider component. By attaching the edge points of the pyramids to the mobile wire within the movable loop, we can afford a basic expansion or contraction of the space between. As separate entities, the pyramid and the slider act oppositely.

The slider creates its own internal tension through the deformation of the wires. The pyramid is fixed in its body, only changing when applying outside forces. When pulling and pushing the slider handle, a

reaction is caused where the outer loop expands or contracts, creating movement that scales the distance between the two wires. The main aggregated module is comprised of five pyramids and two sliders. There is a center pyramid, in which every point is attached to another pyramid, comprising a five-part pyramidal structure. By attaching two sliders on opposite edges of the center pyramid, the flex is most seen in the end points of the triangles, compressing and coming together when movement is applied.

Creating a source module for our cloud formation allowed us to explore variations in connections, leading us to decide upon a clamping mechanism in application to the loop. The clamping of two triangles when a loop/slider is pulled, we find that there is a tension that is transferred from the deformable component (sliders) to the rigid components (pyramids). Trying to combine one module with another posed a problem for us to solve. We explored the idea of a chain link. With each module being a link in the chain, we are able to expand the module into a more dynamic form. Just as well, these formations allow for an extreme variation in dimensionality through the tension acquired within the slider.

Photograph of physical model, sampling tensioned and relaxed system using piano wires.

AADRL

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Model Exploration - Out of Stock

Maya Mashiach - 29

BENDING

BENDING

BENDING

BENDING

BENDING

BENDING

BENDING

BENDING

BENDING

RIGIDITY

RIGIDITY

RIGIDITY

RIGIDITY

RIGIDITY

RIGIDITY

RIGIDITY

RIGIDITY

RIGIDITY

DEFORMATION

DEFORMATION

DEFORMATION

DEFORMATION

DEFORMATION

DEFORMATION

DEFORMATION

DEFORMATION

DEFORMATION

0.4 MM THICKNESS RED COMPONENT // CENTER CLOUD

0.6 MM THICKNESS

0.6 MM THICKNESS

ORANGE COMPONENT // OUTER CLOUD

SILVER COMPONENT // MODULES

RIGID COMPONENT

ACTIVE COMPONENT

COMBINED

OPEN

CLOSED

Rigid and active component analyses and visualization both physically and digitally of the combined objects.

Photograph of physical model, sampling tensioned and relaxed system using piano wires.

AADRL

- Grasshopper - Out of Stock

Process images of physical model experimentation.

Maya Mashiach - 30

Perspective views of each tensioned elevation of th system.

STATE 01

STATE 06

STATE 10

10% _ SLIDER PULL 100% _ REST RELAXED DENSITY

60% _ SLIDER PULL 50% _ REST EMERGENCE OF VOIDS

100% _ SLIDER PULL 10% _ REST MAXIMUM TENSION

Isometric and front view of various states within the tensioning process utilizing kangaroo in grasshopper.

Export of procedural grasshopper node process.

AADRL

- Grasshopper - Out of Stock

Detail perspective of relaxed system (top) and tensioned system (bottom).

Maya Mashiach - 31

NETWORK TRAJECTORIES // Computation Explorations Freelance Commission Los Angeles, California 2023-Current

In this series I seek to understand how pathway trajectories and curvatures influence a system in motion. Further, I will be exploring more facade finishes in order to complete a form finishing mesh test.

Procedural Form Generation Using Grasshopper in Rhino. This project aims to explore the principles of computational design by leveraging Grasshopper, a visual programming language plugin for Rhino.

Through a series of conceptual formations and hands-on exercises, I have leveraged

Freelance - Grasshopper - Network Trajectories

samples of exploring how to create complex, parametrically driven forms and facades. Starting with basic shapes and patterns. Network Trajectories gradually progresses to more intricate designs, experimenting with various parameters such as scale, rotation, and repetition.

By the end of the project explores an understanding of computational design principles and the ability to generate diverse architectural forms and facades using Grasshopper in Rhino.

Maya Mashiach - 32

Grasshopper procedure for bottom form trajectory.

Output iteration of mesh pipe finish and curve iteration variation.

Grasshopper procedure for right form trajectory.

Freelance - Grasshopper - Network Trajectories

Maya Mashiach - 33

Front view of procedural steps of formal domain. Form utilizing butterfly meshing.

Freelance - Grasshopper - Network Trajectories

Maya Mashiach - 34

WATERCOLOR SAMPLES // Capturing Places in Pen and Paint Paintings

In this collection, I share my watercolor sketches from various destinations that have inspired me. Each piece begins with the precision of a Micron pen, laying down the intricate details of the scene before me. I then infuse these sketches with vibrant watercolors, aiming to convey the energy and essence of each location.

Through this process, I seek to bring to life the unique atmosphere and emotion I feel when immersed in these places.

As an architectural designer, this collection also showcases my range and skill in different mediums. I believe in the power of hand-rendered art and never limit myself to just digital comprehension.

Interestingly, when I took art classes in my younger years, especially in high school, I told myself I was terrible at painting

and was convinced I would never pick up a paintbrush successfully. However, my dedication to expressing architecture in multiple mediums led me to explore watercoloring in college while majoring in architecture. This exploration turned into a passion I am now proud of.

This series of watercoloring places is also an important step in translating how design impacts the human experience in an environment. By capturing the essence of different locales, I aim to highlight the profound connection between architectural spaces and the emotions they evoke in people.

Explore this visual journey and experience the world as I see and feel it, one sketch at a time.

Top: Watercolor painting of the Roma channel.

Bottom: Skyline of shanghai.

Painting - Watercolors - City Life

Maya Mashiach - 35

Left: Copenhagen christmas market.

Right: Reffen outdoor food hall.

Left: Shanghai china town road.

Right: Taiwan mountain region.

Various watercolors over the span of travel time.

Painting - Watercolors - City Life

Maya Mashiach - 36

MODEL EXAMPLES // Crafting Concepts into Tangible Forms

In this section, I present three architectural models created for various projects, each demonstrating my skill in building mediums for design. These models embody the precision and creativity required to translate conceptual ideas into tangible forms, allowing for a deeper understanding of spatial relationships and design impact.

physical representations of my ideas.

However, my passion for architecture and my determination to express design in multiple formats led me to embrace model-making in college. This practice has since become an integral part of my design process, allowing me to communicate the spatial and structural nuances of my projects effectively.

As an architectural designer, I pride myself on my ability to work across different mediums. This collection of models not only showcases my craftsmanship but also my dedication to exploring the physicality of design beyond digital tools. Each model reflects my commitment to meticulous detail and innovative thinking.

Through these models, I aim to convey how architectural design shapes human experience within an environment.

By transforming conceptual sketches into physical structures, I highlight the essential role of models in visualizing and refining architectural spaces.

Interestingly, during my early years in art classes, particularly in high school, I doubted my ability to create compelling

Explore this collection to see how I bring architectural concepts to life, one model at a time.

Top: San Luis Obispo homeless shelter model.

Bottom: Woods+Dangaran home basswood model.

Model Examples - Various Mediums

Maya Mashiach - 37

Woods + Dangaran, architecture internshiip.

Basswood model, handcut with mullion detailing.

Google Campus, LA Metro program.

3D printed truss and structure with lasercut levels.

SLO Homeless Shelter, Cal Poly studio project.

Basswood lasercut and spray painted model.

Model Examples - Various Mediums

Maya Mashiach - 38

2024

THANK YOU

MAYA MASHIACH

Maya Mashiach

- Architectural Designer - 3D Artist - Computational Designer

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mashiachmaya@gmail.com