Profound Heights

The amazing works production of wind instrument and percussion composition titled:

Profound Heights

BAND PROJECT #16

HEAD COMPOSER: MAXWELL MAJORS ASSISTANT COMPOSER: NOLAN TWILLIGER CREATIVE TITLE HEAD: JACK BELONGIA Score Tracking Number: T14MH

Instrumentation Woodwinds

Low Brass

Piccolo

Trombone 1,2,3

Flute 1 & 2

Euphonium

Oboe 1

Tuba

Bb Clarinet 1, 2, 3 Bass Clarinet 1 Alto Saxophone 1 & 2 Tenor Saxophone 1 Baritone Saxophone 1 Bassoon

Regular Brass Bb Trumpet 1,2,3 French Horn 1,2

Percussion Parts Percussion 1 (Cymbals, Triangle, Tamarine, Hi-Hat, Mark Tree) Percussion 2 (Bass Drum, Snare drum) Marimba/Glockenspiel

Timpani

Note to Director I do not know how much I can express my thank you for you choosing your band to play this piece it is just a true honor.

What does this piece mean to me?

This piece to me means just so much with the array of feelings and the catchy phrases that just get stuck inside of my head. Profound Heights mean: Feelings or should I say a “Array of Feelings.” The different movements of the piece represent a different stage of feelings.

At first, I thought let's just call this “world-wide celebrations.” After thinking about it for a long time and having help coming with a new name me and all my friends came up with Profound Heights because of all the feelings. I love the new name and all the feelings and I hope you and your band enjoys the piece, because that it what it was made for!

Thank you! Goodluck!

Sincerely,

Maxwell Majors

Other Works of Music Brighter Place

1st Class

Escape Cities Green Shades My True Power Haunted House Lashing out

Super Suspicious

Formation

At the Last Breath

Coming soon: Legend of Zelda Breath of the Wild Arrangement Living in the Sky

Profound Heights

Duration: 3:04

Composer: Maxwell Majors nd Composer: Nolan Terwilliger

A Colorful    = 135 Fast,   Piccolo   

 

Flute 1

     





Flute 2

     







    







Oboe 1

Bassoon 1

Clarinet in B♭ 1

            

Clarinet in B♭ 2



  

Bass Clarinet

 

  

 







Tenor Saxophone



  

Baritone Saxophone

 

Alto Saxophone 1

Alto Saxophone 2



 















    













 

 

















   

 







           

 









  

















































Trombone 1

        











Trombone 2

    













Trombone 3 & Bass Trombone

     













Euphonium

    













Horn in F 1 & 2

    

Horn in F 3 & 4

    

Tuba

 

  

        

Timpani

       

Marimba

      

 

 



 

  

 

To Marimba (grand staff)

Percussion 1

Percussion 2























 











 





                                  

 





  

 





  

 





    

 





  

   

 

   





          



                    





          

 

  

       

    

  



    









                           





  











 



Trumpet in B♭ 3



                          















  













 





Trumpet in B♭ 2



                   

 







 

                  



Trumpet in B♭ 1





 









B



                          

 

 







 

           









  



 

                                         



  





          



               



               



               



               



                   

     

  





 







             

                          

2   Picc.   10

                      



                                              Fl. 2                              Ob. 1                                Bsn. 1       Fl. 1

Cl. in B♭ 1

Cl. in B♭ 2

B. Cl.

                                                      

   

 





                       

C



  

            



                    

    

T. Sax.



                  

Bar. Sax.

 

                    

    

  

                    

   

                  

    

Tpt. in B♭ 1

Tpt. in B♭ 2





Tpt. in B♭ 3





Hn. in F 1 2

  

Hn. in F 3 4

  

Tbn. 1

  

Tbn. 2

  

Tbn. 3 B. Tbn.

Euph.

Tba.

Timp.

Mrm.

                   







                                

                           



























    

    

    

           

Perc. 1



Perc. 2

 





                           





 





 

    

                                 

































































                                   



                                                





























































  

  



    









                                   











                        

                                         

 



 

                       





    



 



                     

   





                     

A. Sax. 2

 



         

                   





                        

 

A. Sax. 1





                                          







                          

To Glockenspiel

                           

                                                

3     17

Picc.

Fl. 1

Fl. 2

Ob. 1

Bsn. 1

Cl. in B♭ 1

D 







     

     

       

     



    

  



               









     







              





 









 

  









             

   









  



    



    



  



  









    



    



  



  















B. Cl.

 



          

          

           

 A. Sax. 1 











Tpt. in B♭ 1







Bar. Sax.







T. Sax.



 

Cl. in B♭ 2

A. Sax. 2















  

















  

   

3









  

    

3



    

  

    



  



     











 







 







 





 







   













 

  

 



 



To Soprano Saxophone







   

3

3

Tpt. in B♭ 2











 

   









Tpt. in B♭ 3











  

   









Hn. in F 1 2

                  

           

           







Hn. in F 3 4

               

               

               







Tbn. 1

  







Tbn. 2

  







Tbn. 3 B. Tbn.

   







Euph.

  







Tba.

               

Timp.

   

Glock.



            

           

       

 



 

               

 

               

 

               

 

               

 

               

                 

  



 



   3

           

                                





 

            





To Marimba (single staff)



  3

Perc. 1



        

        

        





Perc. 2

 

              

               

              









  







 

                                







   

     

  

 

















 

4    





Fl. 1

   





Fl. 2

   



Ob. 1

   

Bsn. 1

24

Picc.

Cl. in B♭ 1



E



  





 

  



  





 

  



  





 

  



  





 

  



  





 

   

    3



  





 

  



 





    3















   









   

  









    3     3 3

Cl. in B♭ 2













    3



  





 

  

B. Cl.

 











    3



  





 

  

S. Sax.

  

A. Sax. 2



T. Sax.



Bar. Sax.

 

Tpt. in B♭ 1





  





 

   



 



  



  

  





  



  

  



  



  



  



To Alto Saxophone                

        

         

 

          

         

          

 

          

         

          

               

 

            

        

  









    3



  





 

  

Tpt. in B♭ 2













    3



  





 

  

Tpt. in B♭ 3













    3



  





 

  

Hn. in F 1 2

  







  

  



  





 

 



  





  

  



  





 

 



Hn. in F 3 4

Tbn. 1

  

 



               

 



 



 

      

 

3

3

      





 

  

  

 



 

       

                               

        

        





Tbn. 3 B. Tbn.

                       

        

        





          

Euph.

   



 







               

           

                

              









Tbn. 2



  



  

  

Tba.

                                   

Timp.

   

Mrm.





Perc. 1











        

Perc. 2

 









  

 

  

 

  

  



 



  



 







                

      

   



 

            

      

   



 

 

  

      31

Picc.

Fl. 1

Fl. 2

Ob. 1

Bsn. 1

Cl. in B♭ 1

Cl. in B♭ 2

B. Cl.



3

  

    



3

  

    



3

  

    



3

     

  

 

  



  

 



  

 



  

 





 



3

3

3

3



  

 



 



 



 



 



3



  

 





  

 



 





      

 



 





 

  

        



   

  





 





 





 

      





 





 







 





 



 





3





 



3

  





3





 



3







3





 





3

5 



3





 

  

 

3



  

 

3



  

 

3



   3

3

3



   3



   3

 

         

        

        

 

A. Sax. 2



          

         

         

        

        





 

T. Sax.



                    

         

         

         





 

Bar. Sax.

 

          

         

        

        

        



   

 





 







 

 



 







 

 



 







 

A. Sax.

Tpt. in B♭ 1

Tpt. in B♭ 2

Tpt. in B♭ 3



           

   









  

 



  

 



  

 

3

3

3



  

      

3



  



3



  



3

 



   3



   3



   3

Hn. in F 1 2

   











   





 

Hn. in F 3 4

   











 





 

Tbn. 1

  

 

  



3

 









Tbn. 2

  

       









Tbn. 3 B. Tbn.

              







Euph.

  





           

Tba.

Timp.

Mrm.

  

 



                     



                

Perc. 1



       

Perc. 2

 

 



 







  



 





 







 









 

        

       

       















  



To Glockenspiel

  

      

   



 

3

  



 





 

3

      

   





 

            

 

   





  

 

  





 

      



 

 



3

      

   



   



 





 

      



 

6 F G

38 Quiet     = 80 Sound   Picc.   















                  









Fl. 1

    

























Fl. 2

     

























Ob. 1

        



  

  

          

  

    









        



 























Bsn. 1

Cl. in B♭ 1

      



    













 



 





Cl. in B♭ 2



    





















 



 

B. Cl.

 

    



 



 













 



 

 



























A. Sax. 2





























T. Sax.



  

























Bar. Sax.

 



























    





















  



A. Sax.

Tpt. in B♭ 1

Tpt. in B♭ 2



  





















  



Tpt. in B♭ 3



  





















  



Hn. in F 1 2

      

























     

       





















 





Tbn. 1

       



 



 













 





Tbn. 2

    

























Tbn. 3 B. Tbn.

    

























Euph.

    

























Tba.

     



















Timp.

     



















  

    



Hn. in F 3 4

Glock.

       

Perc. 1



  

Perc. 2

 



  



     



   



          

  







    

 



   







 

 

 

 

 



  





  

 

 

    

 

7 







   



   





Fl. 1

   







Fl. 2

  







   

Ob. 1

  









Bsn. 1

   







50

Picc.

Cl. in B♭ 1

H

















   



  

   



    



T. Sax.













Bar. Sax.

 













                     

   



Tpt. in B♭ 2















Tpt. in B♭ 3















Hn. in F 1 2

  







  



Hn. in F 3 4

  







    



Tbn. 1

  











  











Tbn. 3 B. Tbn.

  











Euph.

  











Tba.

      

Timp.

       

Glock.

   

Perc. 1



Perc. 2

 





 

  



















 





































             

    



 

 



















 

 

 



















  











            



























 











 

 











 

 































                                 





































            

   

      

        

 





      

   

     

 

      

   

     





   

 

 





   

 

 









 

   

     

      

     

      

     

      

  

  

            



 







                 







 



                                 



   

   





 







   



 



 

   







 



 

 



















     

  



 



 

 



















  

               

  



 





   

 







 







 









A. Sax. 2



 

 





 

 

    





 



 









 





 



   

 







 



 









   

                        

                             



 

   

            

 

B. Cl.



           

 



Tbn. 2

   







Tpt. in B♭ 1

      

  

Cl. in B♭ 2

A. Sax.

     







        



           

 



8        59

Picc.

Fl. 1

Fl. 2

Ob. 1

Bsn. 1

Cl. in B♭ 1

I



    



   







 

      

     



 



    



   







 

      

     



 

     



    



   







 

      

     



 

     



    



   







 

      

     



 

      



    



   







 

      

     



 



    



   







 

      

     



 



    



   







 

      

     



 



   



   







 

      

     



 

    

  

Cl. in B♭ 2





B. Cl.

 





   

 

 



    



   







 

      

     



     

A. Sax. 2



 



    



   







 

      

     



     

T. Sax.





    



   







 

      

     



     

Bar. Sax.

 

 



    



   







 

      

     



     

  

 



    



   

                      

      

        

     

      



    



   









 

   

     



  

   

A. Sax.

Tpt. in B♭ 1



 

Tpt. in B♭ 2





 

Tpt. in B♭ 3





 



    



   









 

   

     



Hn. in F 1 2

     



    



   







 

      

     



       

Hn. in F 3 4

     



    



   







 

      

     



       

Tbn. 1

     



    



   









 

   

     



Tbn. 2

     



    



   









 

   

     



     

Tbn. 3 B. Tbn.

     



    



   









 

   

     



     

Euph.

     



    



   









 

 

Tba.

      



Timp.

   

                                                                                 



   



   







 

      

     



 

Glock.

  



   



   







 

      

     



 

Perc. 1





   



   







 

 

 

    





Perc. 2

 

   



   







 

      

     



 

  





 



           

  



        

    



   

    

 

9  

      

    

   

 

   

    





 

Fl. 1

   





 

Fl. 2

    





 

Ob. 1

   





Bsn. 1

    





accel.

66

Picc.

  Cl. in B♭ 1 







 

Cl. in B♭ 2











 

B. Cl.

 









 

        

J

 = 49   













 





 

 















 





 

      

              















 





 

  

  

        















 





 

  



  













  

      



 

 















 





  

             















 





  



 



        

  

 

      

  









 



   

       



   

        

    





   



Solo



                                           



   















 





  

     















 





  

 

 





 



A. Sax. 2



  



 

    



 



T. Sax.



     

 

      



 



   

  



   















 





  

Bar. Sax.

 

 

 

     



 



 

  



   















 





  

  

       



    













 





  

A. Sax.

Tpt. in B♭ 1







  



      





        





  



  

                                                    

Tpt. in B♭ 2







   

 

   

    





   

Tpt. in B♭ 3





     

 

   

           



  

Hn. in F 1 2

   

    

   

    

    

  



     



        

 

   

            





   







 

 





  







 

 





  





 

  



     

                                     

      

   





   

                                                     

  



                                                  





  

















 





 

Hn. in F 3 4



           

                                                                                             

                     

Tbn. 1

   



 

    

Tbn. 2

         

 

     

Tbn. 3 B. Tbn.

      

 

     



Euph.

   

  



Tba.

    

Timp.

    





Glock.

   

 











 























 





 

Perc. 1













 























 







Perc. 2

 











 























 







 



     

  

             

 







 



 



 



                       

10 72  = 135      











 



















Fl. 1

   













 



















Fl. 2

   













 



















Ob. 1

   













 

















 

Bsn. 1

     

    







     





    













    



Picc.

Cl. in B♭ 1

Cl. in B♭ 2

         

3

 

 



3

3





     





 



    

 

 















3

3

3















       

                                                                                       

     













 



















A. Sax. 2

    



































T. Sax.

   













 



















Bar. Sax.

    



































     

































B. Cl.

A. Sax.

Tpt. in B♭ 1





        

Tpt. in B♭ 2

                                                                    

        

Tpt. in B♭ 3

                                                                

        

Hn. in F 1 2

                            

                                   

        

Hn. in F 3 4

  

Tbn. 1

  

   

                                                                                                                

        

       

                                                                          

        

        

                                                                                  

       

    













 



















Glock.

   













 



















Perc. 1



 

































Perc. 2

 

 

































Tba.

Timp.



    

                                                   

Euph.

       

    

 

        

Tbn. 3 B. Tbn.



     

                                            

Tbn. 2

      

 

11  Picc.  















 

Fl. 1

 























Fl. 2

 























Ob. 1

  























Bsn. 1

   

     





     

 

 



     

  

   

    





      

 

 



  



80

Cl. in B♭ 1

3

3

 



 



3





3



B. Cl.

A. Sax.

A. Sax. 2

T. Sax.

Bar. Sax.

Tpt. in B♭ 1

 

3

     

                                                              



















 





   















 





 















 





  















 





   



















Hn. in F 1 2



Euph.









Tbn. 3 B. Tbn.

         





Tpt. in B♭ 3

Tbn. 2







Tbn. 1





   

Tpt. in B♭ 2

Hn. in F 3 4





        



                             





 



 





3

3

 

 

        

    

        



    



  

 

      

 

 

     

                                     

                                       

 

                



 

3

                            

                                    

 

                  



 

 

   



                     















  

Glock.

 



















Perc. 1























Perc. 2

 



























                                         

















 



 









                    

        





        

   





       

                                                                         

Timp.





       

Tba.

 

 



    

    

3









All

3

Cl. in B♭ 2

 = 135



   

       To Marimba (grand staff)

 

 



12   Picc.   







Fl. 1

   







Fl. 2

   







Ob. 1

   







86

Bsn. 1

Cl. in B♭ 1

Cl. in B♭ 2

B. Cl.

A. Sax.

        

  

  

 

  

 







T. Sax.

  







 



   



Tpt. in B♭ 2

  

Tpt. in B♭ 3

  

 

Hn. in F 1 2

    

Hn. in F 3 4

    

Tpt. in B♭ 1

                                                                         









                                           

                                                                             

A. Sax. 2

Bar. Sax.



                                            

      

                       





                                

 

                                                                               





  

 





  







Tbn. 2

  



                                         

Tbn. 3 B. Tbn.

  



Euph.

  



     

Mrm.

    

Perc. 1



Perc. 2

 

 

                               



   

       

   

       

   

  

                              

             

                                      

     



   

                                          

          



   





                                  





                       

                                

      

 

                         

   

  

Timp.

           

                   

Tbn. 1

      

                                   

   

                                                                    

     

  

                           

                                                                                    

Tba.











  

      

 



                                           

   





   



        

 

   



    



    



                       

  

   



     

     

  

              

                                                 



             



Piccolo

Profound Heights

Duration: 3:04

Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful B                              C                10                              20 D E                     

              

31

  

3

F 37

   



57

H

   

      3

G

 = 80 Sound Quiet                      

         

52

3

    



              

 





  



                   I

          

 

    

           J  68  = 135            = 49                                  accel.

63

                 

  

  

2 73

  

    

84

     

92



       



 

 = 135

 

 

 

 

 

 

  

                                      

Duration: 3:04

Flute 1

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful                                         C 7 B                                                  16                           D    19  E                            3 29                                3

3

F 35

   

54

   

60

     



3

    

      I

              

 = 80 Sound Quiet H                 



     

 

                        

                  

67

accel.

G

        

J

 = 49            

 

2 71

 = 135               

81

         

 

 





 

91



 

    











 = 135



 

 

 

 

 

                          

  







Duration: 3:04

Flute 2

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135Fast, Colorful                                     C 8 B                                            16                           D    19  E                            3 29                               3

3

F 35

   

     

 = 80 Sound Quiet H         



3

54

        

60

     I

              

G











 

  

    

                         J

 = 49                                           

67

accel.

 

 

2 71

 = 135               

81

         

 

91



 

 

  

    











 = 135



 

 

 

 

 

                          

  





Duration: 3:04

Oboe 1

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful B                              C 10                                   20 D  E                              3 31                                 3

3

3

F

 = 80 Sound Quiet                  

                 

37

45

      



G



                    

55

I

60

              

H

     



                     

 

                         J

 = 49                                       

67

accel.

 

2 71

 = 135               

 

 

  

79

 

 



 





                     

   

      

           89

 

 

 

 = 135 

   



Duration: 3:04

Bassoon 1

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A B  = 135 Fast, Colorful                                 9 C                                                          

                                          

13



                                                    D

17

27

E

    

                        32 3 3                                        3

3

F

38

 = 80 Sound Quiet            

52

H

    

59



      



   



 



    

     I

          



        







G



 

           

2 64

         

  

  

                  accel.

J  = 49

69

 = 135                                           3 Solo

74



3

3

      

          



80



85

3

3

             = 135

    

All



         

           3     

 

                                     

              

90

3

                      

Alto Saxophone 1Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

      B  = 135 Fast, Colorful                        9 C                                           To Soprano Saxophone 20 D                            3  25 E      To Alto Saxophone                                                                    

30

F

35



 

54

     

      

60



     I

G

 = 80 Sound Quiet H           

           







 

66

   

     

  

                 J

     

      

 = 49                                        accel.

2

 = 135            

 

    

 



71

   

81

 

 



 

 = 135    

                           

89

 



 



   

          

           



Alto Saxophone 2Duration:

Profound Heights

3:04

Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful           6 B                                        

                               3    22 E                               C

11

D

                                             

28

                                                    

32

F

37

 

G

 = 80 Sound Quiet    

H

     

56

   







 

  



  

    

     I

          

62

                  

                

2

J

  = 49                                           

67

accel.

 = 135                            

72

      

83





 = 135   

              

90



   



                           

   



Duration: Baritone Saxophone 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A B  = 135 Fast, Colorful                                  9 C                                       20

D

     

      

    

  

 

                           

3

E

25

        



          

                                           F G  = 80 Sound Quiet 34                                                  30

52

H

 





59

     64

       

  

    

    

I

          

  







 

           

                                     accel.

2

J  = 49

 = 135                         

69

 

 

                     



76

87





  

 = 135   

                                                    

     

91



  





 



  





Tenor SaxophoneDuration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful                                 

                                      20 D                                  3 

8

B



C



25

         

30





E

  

                  

                                            F

                       

34

53

                  

59

     

64

        

          

H

 = 80 Sound Quiet      

                  I

G









 

           

 accel.                                         

2

J  = 49

 = 135                          

69

77



  

 

 

 

 

 

    

 

   





 = 135  

 



                                                                   

88

Bass Clarinet

Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A B  = 135 Fast, Colorful                                  9 C                                                     13                                            17 D                                                   E

             3

27

            3

33

       F

    

3

G





60

   I





 

  

 

   



 



 

 

53

     

 = 80 Sound Quiet           

   

42

            

           3

 H

  

  

                        



2

J 67

   

 = 49                          

accel.

    

 = 135                                                       

70

                                     

74

                                                          

78



                                            

82

87



  



 = 135



 

 

                                                       

91

     



 







 



   







Clarinet in B♭ 1 Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful            C 6 B                                                   13                       D 19 E                                3 29

        3

 54

 60

   

F

 = 80 Sound Quiet        

35

45

G





 



               I

          3

         3

         

            

         







 

H

 



 

 







         



 

                        

2

                 accel.

67

 = 135             

        

71

78





       

 

 

J

 = 49            

  

       

 

        3  

         3

3



3

        

84

3



 = 135      

            

90







             

           

     

Clarinet in B♭ 2 Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful B                                     C 10                                                D 17                                  E

             3

27

             3

33

      

F

    3

G

42

   

          3

 = 80 Sound Quiet             H

           53                                           59 I                               



 

                             accel.

64

        



  

  

2

J  = 49

 = 135                          

 

    

 

   

 

         



69

77

 

 = 135        

 

85

         

92





 

 

 



                                       

Trumpet in B♭ 1 Duration:

Profound Heights

3:04

Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful B                                   D 12 C  E                         3

     

28

      

         3

   

 = 80 Sound Quiet    

 

F

34



    

      3



3

G



H                                               55                               60 I                                               accel.

64                                               50

J

 = 49  = 135                                      

68

 

2

                         

74

 = 135       

85

        

92











                                        

Trumpet in B♭ 2 Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful             



C

12

         28      





B

                   D E              3             3

    

 = 80Sound Quiet      

 H

      

F

34



    

     

53

60

    3

     I

     

            

 



  

3

G

 

 

            J

 



   

        

accel.  = 49                                             

66

70





 = 135                                          

                                            

74



2 79





                                              

            

84

 = 135       

90

  

        

   

  

  

        

      

    



Trumpet in B♭ 3 Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful             



C

12

         28      





B

                   D E             3               3

    

 = 80Sound Quiet      

 H

      

F

34

 53

    

     

60

    3

     I

    

            

 

  

3

G



 

 

            J

  

   

     

accel.  = 49                                                      70  = 135                                                                   66

74





                                          

2 79





                                                 

                

84



 = 135    

90

  

        

   

 



        

      

    



Duration: 3:04

Tuba

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful                        8 B                                                   C

                                             16                                               20 D                                                                           24        E                                                         28                                                                      32                                       F G  = 80 Sound Quiet 36                                      12

2 52

H

     

59

     

   

    

   

 







 

I

                                62                                            65 accel.                                              69



J  = 49

                                                    72  = 135                                                                                        80                                                              84  = 135                                                  89                                                  

76



Percussion 2

Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful  B                          C  10                                           14                                                        18 E        D                          28

                               F   = 80 Sound Quiet 33                           G

47





H

                       

              

57

I

               

63

             

  

  

    

     J

 = 49              accel.

2 70

 = 135                              

81

  

 

 





 = 135  



           

                                        

88

      

92

Duration: 3:04

Timpani

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

B  = 135 Fast, Colorful                      9 C                       20 D  E                          F G  = 80 Sound Quiet 37 H                            53                                   

61

I

      

68

     

                

  

J

  



 

 

 = 135      

 

 

86

    

 

 = 49  = 135                      

76



  

accel.

      

 

  

  

    

  

    

      

Duration: 3:04

Trombone 1

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

     B  = 135 Fast, Colorful                                   C D  10                                  21                                              E  25                                        F           31    = 80 Sound Quiet                              





55

 

                     

60



G

45

 

I

              

  

H

 



                 

  



 

       J   = 49             

           

     accel.                  

66



2

               = 135                        

70

                                      

74

                                       

79

          

84

 = 135     



       



                                        

88

Duration: 3:04

Trombone 2

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful      B                         C D 10                                    21                                                             



            E            

25

31

  

  

       

           

54

59

      

F



        

G

 = 80 Sound Quiet H    

               





I

          

  



      



 

      

                   accel.                 69 J  = 49                    = 135                        64

         

2

                                       

73

                                                 

78

                               

83

 = 135   



       



                                          

88

Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

Trombone 3 & Bass Trombone A

 = 135 Fast, Colorful B                                       10 D                C                      

                                        

21



                                 E

25

F

              

31

           

54

59

      

64

         



G

 = 80 Sound Quiet H    

                





I

          

           

      



 

  

      

                          

          

accel.

          = 135                                                      

69

J  = 49

2 73



                                              

                                              

78

                      

83

 = 135   



       



                                        

88

Horn in F 1 & 2 Duration:

Profound Heights

3:04

Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

15

 = 135 Fast, Colorful             



B

C



           

                                                                  

19

               

D









E

        

   3

28

      

36

        

47

G

        F

 = 80 Sound Quiet          











     

 









H

   

55

        

61

I

      





 

 

 

  

    

     3

 



    



        

                 J

           

accel.  = 49                                                  

66

2 70





 = 135                                           

                                            

74

               3 3 

79

85

   

 = 135    

         

   3    



                                     

               

90

3

              

     

Horn in F 3 & 4 Duration: 3:04

Profound Heights Composer: Maxwell Majors 2nd Composer: Nolan Terwilliger

A

 = 135 Fast, Colorful B  C                               15                                                   

            

19



D

E

         

29

           



F









        3

  

3

   

G  = 80 Sound Quiet                     48 H                                 

37

I

58

     

  

64

         



          

           

               

             accel.

J

 = 49                     

68

                    

2 71

 = 135                                            

75

                                                              

80

                                                 

84

             

 = 135    

                       

                                        

89