MAX RENÉ MEERE ARCHITECTURE
PORTFOLIO
Ir. MSC. Max (R.) Meere Nieuwe Binnenweg 450 3023 EZ Rotterdam maxmeere@Gmail.com +31 637417573
ME ABILITIES Enthousiastic, Eager, Creative, Social, Enterprising, Stress resistant NATIONALITY Dutch (The Netherlands) LANGUAGE Dutch (native), English (fluent), German (reasonable), Spanish (basic) HOBBIES Sketching, Photography, Surfing, Soccer, Swimming, Mountainbiking, Ice skating, Snowboarding
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SKILLS
3D MODELLING
Rhino (Grasshopper) Revit (Dynamo, Speckle, BIM360) AutoCAD ArchiCAD Maya
advanced advanced advanced intermediate intermediate
RENDERING Enscape Lumion Twinmotion Unreal Engine 5
advanced advanced good good
GRAPHIC Photoshop (Beta) Illustrator InDesign
advanced advanced advanced
Sketching Physical Modelling 3D printing
advanced good advanced
EDUCATION Sep. 2020-Jun. 2023 Technical University of Delft, Delft Master of Science Architecture (MSc), Urbanism and Building Sciences (achieved) Sep. 2016-Jan. 2020 Technical University of Delft, Delft Bachelor of Science (BSc), Architecture and the Built Environment (achieved) Jul. 2018- Jan. 2019 University of Melbourne, Melbourne Australia Minor Exchange: Melbourne School of Design (achieved)
For a period of six months I followed three subjects at the University of Melbourne. The
subjects were focusing on architectural Design, urban planning and form giving. An interesting experience to design within limitations and possibilities of another culture and milieu.
SG Spieringshoek, Schiedam Pre-university education, VWO Nature and Technical Science (achieved) Sep. 2010- May 2016
WORK/ EXPERIENCES
Okt. 2021- Jul. 2022 Bjarke Ingels Group (BIG architects), Copenhagen Design assistant. Worked on two large-scale public projects in Paris and Berlin. Within this fast paced and highly creative environment I widened my interest and developed my architectural skills in design, visualisation, presentation, 3D modelling and communication. Sep. 2017-Present Valtos Architecten & Adviseurs b.v., Rotterdam Designer and BIM modeller at Valtos Architecten. Work consists of designing, modelling and rendering projects within a medium size firm. Jan. 2021-Present IN2VISUALS, Delft Co-founder/ Architectural visualizer. Visualising (architectural) projects into 3D images and videos. Together with a college friend we started and designed this company in Delft. Sep. 2023-Present IGG Bouweconomie, Den Haag Processing data for NEN2580 and Woningwaarderingsstelsel (WWS) Nov. 2019-Jul. 2020 Klimaatgarant Solar/Itho Daalderop, Schiedam BIM Modeller and technical draftsman. Work consisted of technical drawing in Auto Cad and 3D modelling in Revit in shared Building Information Models. May 2017-May 2019 ELS student ice speed skating association, Delft Head Promotion and Design. Responsible for organising events for this student sport association within a committee.
ACHIEVEMENTS Apr. 2021
built Playground/Community house, 1st place
Dec. 2019 not built Observation tower Delft, 2nd place
municipality of Amsterdam municipality of Delft
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SELECTED WORKS
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UNIVERSITY PROJECTS
THE TIME-LINE
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GALLERIE 010
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MAKERS 4 FUTURE
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PROFESSIONAL PROJECTS
VICTORIASTADT LOFTS
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ÎLE SEGUIN
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SPEEL MEER
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‘REEL IT IN’
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IN2VISUALS
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PUBLIC FACTORY REFURBISHMENT IN BERLIN
COMPETITION FOR A MULTI-FUNCTIONAL PROJECT IN PARIS
COMPETITION FOR A PLAYGROUND & COMMUNITY HOUSE IN AMSTERDAM
COMPETITION FOR A WATCHTOWER IN THE NEW ‘RAILWAY’ ZONE OF DELFT
ENTERPRISE PROJECT
VISUALISATION COMPANY IN ROTTERDAM, NETHERLANDS
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THE TIME LINE A MULTI-PHASE PROJECT THAT RESPONDS TO BERLINS URBAN CHANGES
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FRIEDRICHSHAIN- BERLIN
MSC 4 Graduation Studio Chair Public Building Prof. Nathalie de Vries TUDelft MVRDV
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TIME-LINE
VISION + CONCEPT
VISION In Friedrichshain, Berlin, modest architecture with minimal interventions is utilized as a thoughtful response to the complex social and economic issues, including gentrification, that characterize the constantly evolving environment. This architectural approach seeks to tackle these challenges by embracing a restrained and humble style, while remaining flexible and responsive to the unique needs and dynamics of the local community it serves. The vision on city scale is to establish a network system of public condensers, all designed within an interchangeable method. This approach aims to provide quick and sustainable solutions to the surrounding needs of all districts. On the urban scale, the method always strives to foster connectivity. It aims to establish connections not only between different parts of the city to improve urban infrastructure but also between individuals within their respective neighborhoods. To preserve heritage and minimize CO2 emissions, the method consistently emphasizes the adaptive reuse of its context. Through modest interventions, it achieves significant impacts on urban, social, and building scale.
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INTERCHANGEABLE SYSTEM
URBAN CONNECTION
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ADAPTIVE RE-USE
The true importance of architecture lies in its ability to solve human problems, not stylistic ones. A building is too permanent and too influential on public life and private comfort to be created primarily as 'public art'.
”
James Stewart Polshek
BERLIN
STRUCTURE
TIME-LINE
SITE
EXISTING NEW
CONNECTING
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TIME-LINE
PROJECT CONCEPT
BACKBONE CONCEPT
The concept of a permanent backbone with interchangable plug-ins draws inspiration from diverse fields. Comparable to the phone and space industries, where a robust base facilitates responsive updates, this notion applies to architecture. Within the time-line project, the backbone guarantees infrastructure, structure, and routing, ensuring a flexible and programmable system over time.
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5 1 BASE 2 WENTIAN, RESEARCH STATION 3 MENGTIAN, RESEARCH STATION 4 TIANZHOU-2, UNMANNED CARGO SHIP 5 SHENZHOU-12, MANNED SPACESHIP
1 BASE 2 CAMERA 3 BATTERY 4 MEMORY CARD 5 SPEAKERS
NAKAGIN CAPSULE TOWER - 1970 TOKYO
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Kurokawa
SAINSBURY CENTRE FOR VISUAL ARTS- 1974
NORWICH
Foster+Partners
PLATTENBAU BUILDING (DESOLATED HOTEL)
UTILITY BUILDING (EMPTY)
FORMER PAPER FACTORY (CURRENTLY EVENTSPACES)
BACKBONE
INFILL
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TIME-LINE
SECTIONS + DETAILS
The added temporary library-structure of wood is placed demountable on wooden blocks.
The original roof panels are replaced with openable windows, introducing improved lighting and ventilation conditions.
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1:5
ROOF LIGHTSTREET
New roof windows
OLD PAPER FACTORY
Black painted concrete structure encloses large programmable spaces.
BACKBONE STRUCTURE
Routing + supply air
REMOVABLE WOODEN STRUCTURE
Library + workspaces
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Elegant in its simplicity, the structure of the screen is hooligan-resistant and possesses a permanent character.
A smart duct system is designed to allow functions and activities to utilize each other's exhaust-heated and cooled air.
Steel L-profile, bolt connection
Trussed beams 800mm
Brace connection plate, welded
4X connected 50x50mm tube profile
Diagonal braces
Temperature exchange inside the duct of exhaust and supply air
SPACE TRUSS Steel truss beams in combination with diagonals work as a rigid construction
CONTAINER VOLUMES various plug-in functions as daycare/ gym/ ateliers and
VENTILATION Ducts surrounding the square for flexible plugin of functions WATER
Water supply, sewerage system + re-use. ELECTRICITY
Central cable tray.
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BACKBONE PARKING
FESTIVAL
W
EVENT
visit
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URBAN
KIDS
MAKERS
INSTALLATIONS
SPORTS
LIBRARY
LANGUAGE
WORK
tor
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TIME-LINE
VISUALISATIONS
5 PARTS OF THE SYSTEM THE SCREEN Constructed with a slim steel structure and cladded with a modest cohesive mesh of expanded metal, the screen houses installations to ensure the removable functions and activities that can be plugged-in.
THE CIRCLE A large truss space frame links the new building to the existing structure. This integrated framework encloses a flexible arts installation plaza, while inside the bridge, a designated sculpture route guides visitors through an exhibition , showcasing art created by the inhabitants of Friedrichshain.
THE CORRIDOR The corridor structure serves a dual purpose: controlling the climate within the old paper factory and providing a connecting route throughout the entire building. Within the flexible halls, there are various workspaces, a library, and a coffee corner, contributing to a vibrant and lively atmosphere.
THE PERIMETER The backbone structure follows the perimeter of the old building modestly, creating a roundwalk to get a different perspective on the events taking place in the flexible event hall.
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SITE PLAN
THE SQUARE On the end of the plot, a subtle multi-functional square is designed to accommodate large events. The sculptural pole structures within this square serve multiple functions, providing electricity for markets, vehicle charging, and street lighting. Additionally, the square can be expanded by pulling up festival tents, thereby enlarging the dancing floor of Berghain, a renowned venue.
Impression approach. Modest structure with a lively inside world.
Impression square. With minimal interventions a flexible and multi-programmable space is created.
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GALLERIE 010 Designed within the theme ‘A public space in the New Digital Era’. A multi functional building in the heart of Rotterdam that stimulates interaction with people and surroundings. HOOGSTRAAT - ROTTERDAM
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MSC 1 Design Studio Complex Projects TUDelft
Chair Prof. Kees Kaan KAAN Architecten
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GALLERIE 010
FORM AND CONCEPT
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Extending green by following the Urban Grid
Create a green passage that spills over into the Hoogstraat to revive the intemate courtyard.
CONCEPT
within the
THEME
The design assignment consisted of a building design within the theme ‘A public space in the new digital era’. The design is focussed on bring about social interaction on different levels. In a bustling city as Rotterdam, people should have a place to stand still and connect.. This is the moment and space where exchange of ideas take place.
“First life,then spaces, then buildings the other
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Rotate L-shape at ground floor to influence flux of people and create liveliness on terraces
way around never works. Jan Gehl
”
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+0
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The angled groundfloor creates an Intemate Courtyard along the busy shopping street with two clear passageways into the existing park
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Create subtle interest by a sheltering wooden ceiling that opens up towards the Grotekerkplein.
Green corridor.
Timber wave ceiling.
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GALLERIE 010
FACADE PRINCIPLES
THE FACADE LET THE SUN IN
WOW-EFFECT
angle of 70*
rotations every 15 min
BLOCK THE SUN
angle of 0*
‘The aim of the facade at the hoogstraat is to create interest from the people walking by and let them ‘stand still’ to connect to the space.’
Three key principles determine when the facade opens or closes. Firstly, the "Gallery 010" principle focuses on showcasing the social interactions among people inside the building. Secondly, the facade can be adjusted every 15 minutes to optimize climate control, with the disks functioning as adjustable blinds. Lastly, every 15 minutes, the facade rotates several times in a wave-like pattern, creating a "wow-factor" for passersby, sparking further interest and offering a sense of time passing by. LIMINALITY
‘HERE AND THERE’
Sociologist Bruno Latour introduced the concept of liminality by observing boys from a tribe who, on their journey to becoming men, temporarily left their homes. During this period, they existed in a state of neither being boys nor men. This can also be seen in the use of phone in the public space in the new digital era. Part of one's perception is in one place, and part of it is in the other. It can be concluded that this person is not fully connected to the surroundings and less aware of interaction going on.
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concrete colomn
sanded 3D printed
plastic (translucent) steel tube profile
mechanical rotating disks via sensor technology & programming
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GALLERIE 010
DESIGN EXPLODED VIEW
+ 5, Roofterrace
+4, Hotelrooms
+3, Hotelrooms
+2, Rentable (work)spaces
+1, Restaurant & café
+0, Shops & café (-1, Storage)
Axonometrie floors. Functions + acces routes.
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Impression courtyard. Designed with parameters for social interaction.
Impression Interaction lane. An extra wide corridor along the offices for casual meetings
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MAKERS 4 FUTURE
Situated in the Rotterdam M4H Makers-District the Mega-building of the future houses more than 8 functions including housing and a data center. Designed within a multidisciplinary team of 5 students from different origin and study backgrounds. M4H- ROTTERDAM
MSC 2 Design Studio students: 1 Arch. 2 B.T . 2 C.E. MEGA building role: Architect TUDelft 26
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MAKERS 4 FUTURE
SHAPE EXPLANATION
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Following the lines of the surroundings
Extending the so called Makers-Street for connection with the waterfront park
Two look a like towers presenting the Harbour and City as landmarks in between the two areas
Shape the highrise to the context, view, daylight and wind
Reshape the base to Human scale pixels to encourage encounter
Optimize by computational outcomes
MAKERS 4 FUTURE
CONCEPT
CONCEPT of the MEGA BUILDING A vertical city is not a new concept in architecture. In this mega building, various functions of modern cities are clustered together under one roof. The building houses a distribution center, data center, fabrication laboratory, offices, residences, hotel, and restaurant, all working together in a sustainable and efficient short supply chain. The program, arranged within two towers standing at almost 150 meters tall, along with a public open atrium, is strategically situated for optimal functionality. The distribution center is located at the ground floor along the water, ensuring excellent accessibility. Meanwhile, the hotel surrounds the data center, utilizing its excess heat, while also providing the best view and daylight exposure to the south. This thoughtful positioning and circular design approach result in a sustainable and eco-friendly architectural design.
HUMAN SCALE IN A MEGA BUILDING DESIGN
The F4M building stands as a landmark in the makers district area. Its impressive visibility can be observed from kilometers away. Yet, what makes it truly remarkable is the central atrium, formed by carefully crafted cuts in the base, which exhibit a sophisticated and intricate design at a human scale. This design approach prioritizes and emphasizes encounters and interactions, creating a space that fosters meaningful connections among individuals.
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MAKERS 4 FUTURE
CIRCULARITY
ENERGY
WATER
WASTE
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MAKERS 4 FUTURE
SECTION
The design aims to achieve the highest level of sustainability by implementing closed loops that prevent any flow of energy, heat, waste, or water from escaping the building. All functions in the building enrich each other on the technical and the social aspect.
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MAKERS 4 FUTURE
COMPUTATIONAL DESIGN
Results of the radiation analysis in Grasshopper and visualisation of the results from 'DesignExplorer'
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BEST OPTIONS OFFICES
Depth of the shaders - Office room
0.1 m
0.2 m
0.3 m
% of hours inside comfort zone, winter
8.93 %
8.92 %
8.92 %
% of hours inside comfort zone, summer
55.95 %
55.95 %
55.95 %
% of area with a daylight factor > 1.5
85.90 %
86.54 %
85.90 %
Depth of the shaders - House room
0.3 m
0.4 m
0.5 m
% of hours inside comfort zone, winter
8.33 %
8.33 %
8.33 %
53.57 %
53.57 %
53.57 %
88.46 %
90 %
86.92 %
BEST OPTIONS HOUSES
% of hours inside comfort zone, summer % of area with a daylight factor > 1.5
Sunlight hours analysis with Ladybug - Lower tower
GEOMETRY: LOWER TOWER CONTEXT: SHADERS ON THE FACADES + SURROUNDING GEOMETRIES ANALYSIS PERIOD: SUMMER DEPTH OF THE ‘‘OFFICE’’ SHADERS: 0.2 m DEPTH OF THE ‘‘HOUSE’’ SHADERS: 0.4 m TOTAL SUNLIGHT HOURS: 224784.481057 h 33
MAKERS 4 FUTURE
DESIGN
PHILOSOPHY
The ground floor plan clearly showcases the intersection of strong grid directions. These orthogonal grids intersect in the passage, which is evident through the pattern of pavement tiles and glass block walls. Both visually and functionally, the passage serves as the heart of the building, bringing everything together. It is the most vibrant area where all users pass through. Along the passage, you will find inspiring spaces such as the robotic lab, exhibition areas, ateliers, and the data center. Additionally, inviting spaces like eateries and relaxation areas are also located here. This design approach transforms the extension of the makers' street into a dynamic space where people interact, engage, learn, and cultivate curiosity about the future. video of project: https://www.youtube.com/watch?v=NJKvn34JL_E
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Impression landmark rising from its surroundings
Impression atrium transparant layering showing the area's character
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MAKERS 4 FUTURE
MATERIALISATION AND FACADE
MATERIALIZATION The two wooden towers not only symbolize innovative and sustainable design but also embody the connection between the city and the harbor of Rotterdam. At ground level, the towers seamlessly intertwine, utilizing characteristic re-used corten steel sheet piles that rise from the Dutch ground to enclose the refined and pixelated indoor passage. This passage beautifully showcases the character of the makers district in a layered and transparent way, promoting interaction among individuals.
PV panels
Wooden panelling for shading PV panels for energy generation. Sprinklers for fire safety, cleaning of PV panels and watering of plants.
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Three types of Corten-Steel louvres are designed to subdivide different functions behind the facade.
Re-used sheet piles stick 'naturally' out of the ground, forming the base of the Mega Building.
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Exterior sprinklers
Radiant flooring Shallow deck composite floor
1:5
1:20
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VICTORIASTADT LOFTS
Large adaptive re-use project of the former train brake factory in Friedrichshain, Berlin. After a thorough feasibility study and historical research into the DNA of the existing structure, a well-considered and respectful design has been developed. Interventions on the roof, within the courtyards, and to the structure together create a new vibrant cultural hub within its surroundings. FRIEDRICHSHAIN - BERLIN PLEASE REFRAIN FROM SHARING THIS CONTENT
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PHYSICAL MODEL The physical model for the project 'Victoriastadt Lofts' was created by four interns following an intense concept design phase. This model was used as a presentation model on site to demonstrate the adaptive re-use design of the former train brake factory. As a design assistant, I was entrusted with designing and overseeing the physical model's production process.
Scale: 1:200 Dimensions: 1400 x 800 x 300 mm Type: Presentation
BERLINER BREMSENWERK
MODELLFOTO
ILE SEGUIN
Significant multi-functional project on the Island of Ile Seguin in Paris, France. This successful competition win on the site of the former Renault factory encompasses offices, commercial spaces, a food court, and sports facilities. ILE SEGUIN - PARIS PLEASE REFRAIN FROM SHARING THIS CONTENT
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PHYSICAL MODEL After a long competition to build on the Ile Seguin island in Paris, BIG won and got the permission to build. This model is a high quality schematic design model meaning that the building models are removable in case of changes to the design. Scale: 1:200 Dimensions: 2400 x 1000 x 500 mm Type: Schematic/ Presentation
‘SPEEL MEER’ A robust design for a playground and community house in an underserved neighborhood in Amsterdam. The design prioritizes social safety by incorporating subtle nighttime lighting and maintaining transparency from the street to the square.
JOUBERTSTRAAT - AMSTERDAM
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Municipality of Amsterdam VALTOS ARCHITECTEN
Visualisation Square view
Visualisation Night view
PV panels and an heat pump make the building self-sufficient for its energy use.
The vibrant colors of the expanded metal refer to the differentiation in brick colors in the neighbourhood.
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‘REEL IT IN’ A temporary watchtower situated at the new railway zone of Delft, constructed from the historic cable reels that show the characterful historical development of the city of Delft. SPOORZONE - DELFT
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MENSEN MENSEN VOOR VOORDE DE 6x6x MENSEN MENSEN
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DUURZAAM DUURZAAM
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‘Samen ‘Samen Delft’ Delft’ is het is het concept concept datdat ookook in in materiaalkeuze materiaalkeuze leidend leidend is. De is. De constructieve constructieve kernkern vanvan de de toren toren is opgebouwd is opgebouwd uit uit grote grote kabelhaspels, kabelhaspels, de de traptreden traptreden zijnzijn gemaakt gemaakt vanvan oude oude spoorbielzen. spoorbielzen. WeWe zouden zouden graag graag metmet lokale lokale instanties instanties samenwerken samenwerken die die deze deze materialen materialen over over hebben, hebben, omom op op die die manier manier hethet materiaalgebruik materiaalgebruik tot tot hethet minimum minimum te beperken. te beperken. WeWe hopen hopen datdat Delftse Delftse ondernemers ondernemers mee mee willen willen werken werken aanaan dit dit initiatief. initiatief. De De toren toren zouzou hiermee hiermee ookook symbool symbool staan staan voor voor de de samenwerking samenwerking tussen tussen bedrijven bedrijven in Delft. in Delft. Samen Samen voor voor eeneen duurzame duurzame toekomst. toekomst. Daarnaast Daarnaast refereert refereert de de trap, trap, bij bij hethet gebruik gebruik vanvan bielzen, bielzen, naar naar hethet oude oude karakter karakter vanvan hethet Spoorzone Spoorzone gebied. gebied. (De(De materialen materialen zijnzijn momenteel momenteel allemaal allemaal opgenomen opgenomen in de in de begroting begroting op op basis basis vanvan hunhun koopprijs) koopprijs)
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ONDERDELEN ONDERDELEN
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CONSTRUCTIEVE KERN CONSTRUCTIEVE KERN
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MODULE MODULE
De De toren toren is volledig is volledig opgebouwd opgebouwd uit uit hout, hout, de de hoeveelheid hoeveelheid CO2 CO2 uitstoot uitstoot is hierdoor is hierdoor tot tot hethet minimum minimum beperkt. beperkt. De De haspels haspels zullen zullen aanaan de de flenzen flenzen metmet eeneen schroefverbinding schroefverbinding metmet elkaar elkaar worden worden verbonden. verbonden. Wanneer Wanneer de de toren toren aanaan hethet eindeind vanvan zijnzijn technische technische levensduur levensduur is, kunnen is, kunnen de haspels de haspels weer weer in hun in hun oude oude functie functie terugvallen. terugvallen.
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DEMONTABEL DEMONTABEL De De toren toren bestaat bestaat uit uit losse losse segmenten, segmenten, opgebouwd opgebouwd uit uit eeneen haspel, haspel, balken balken en en traptreden. traptreden. De De segmenten segmenten kunnen kunnen op op de de grond grond in elkaar in elkaar gezet gezet worden worden en en metmet eeneen kraan kraan op op elkaar elkaar worden worden bevestigd. bevestigd. De De toren toren is om is om deze deze reden reden makkelijk makkelijk te te monteren, monteren, demonteren demonteren en zonder en zonder veelveel moeite moeite te verplaatsen. te verplaatsen.
MATERIAALKOSTEN MATERIAALKOSTEN hijskraan hijskraan (1 dag) (1 dag) gereedschap gereedschap huren huren (1 week) (1 week) personeel personeel (1 week) (1 week) transport transport
onvoorzien onvoorzien (10%) (10%) TOTALE TOTALE KOSTEN KOSTEN 1x 1x
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haspels haspels balken balken (diagonaal) (diagonaal) balken balken treden treden 6x 6x touwen/netten touwen/netten middenpaal middenpaal stabiliteitsverbindingen stabiliteitsverbindingen hekjes hekjes plaatjes plaatjes kunstwerk kunstwerk verbindingen verbindingen
schaal: schaal: 1:201:20
HORIZONTALE HORIZONTALE DOORSNEDE DOORSNEDE (7M) (7M)
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KOSTENPLAATJE KOSTENPLAATJE
BOUWKOSTEN BOUWKOSTEN
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OmOm de constructieve de constructieve kernkern heen heen worden worden omom de 15cm de 15cm kabels kabels gespannen. gespannen. AanAan de de binnenkant binnenkant vanvan de de touwen touwen worden worden ter ter valbeveiliging valbeveiliging netten netten gespannen. gespannen. AanAan de de buitenzijde buitenzijde worden worden de de geschilderde geschilderde plaatjes plaatjes bevestigd bevestigd doormiddel doormiddel vanvan eeneen kliksysteem. kliksysteem.
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An intelligently designed and user-friendly assembly instruction, reminiscent of IKEA's approach, illustrates the straightforward process of assembling and disassembling the tower for relocation to its next destination.
- Small paintings made by inhabitants of Delft.
“Delft, the social power of the city. A city where all residents, entrepreneurs, organizations work together to their own ability to create a strong Delft.”
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give form to ... design a company
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IN2VISUALS
A project involving the establishment of a small rendering company aimed at enhancing our skills, knowledge, and networking opportunities. We've independently designed the entire company, affording us the freedom to explore innovative methods of presenting and communicating projects.
https://in2visuals.nl/
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ARCHITECTURE PORTFOLIO 2023 BY MAX MEERE