Mattia Cella | Portfolio Selected Projects 2011 . 2015
PERSONAL INFO MATTIA CELLA
07.01.1991. Milan. Italy Via G. Saragat 10 20128, Milan, Italy Av. Ossa 1154, Ñuñoa, Región Metropolitana, Chile +0039 3287870238. ITA +569 9457812. CHL mattia.cella.mc@gmail.com ABOUT ME I’m an open-minded architect with high personal goals and interests in various fields such as architecture, design, graphic, photography, publishing, new technologies, public relations and management. I’m curious and flexible, willing to get involved as much as I can in what I’m doing. I love traveling and gain new experiences, espetially meeting different cultures, languages and work attitudes. Throughout my studies, stages and collaborations I had the opportunity to deal with different responsibilities, problem-solving and leadership situations, management and PR solutions. I’m looking for a concreate opportunity in any field that needs curiosity, creativity and responsibility so to start my professional career.
Autorizzo il trattamento dei miei dati personali ai sensi del Decreto Legislativo 30 Giugno 2003, n.196 (D. Lgs. 196/2003) I authorize the use of my personal data in accordance with the provisions of Italian law
WORK EXPERIENCE january . 2016
march . june . 2015
architectural assistant at ARCHIMI_studio - Milan. Italy - International Competition for a Tecnology Park, Italy architectural assistant at | Stefano Tropea - Milan. Italy - Drawings and layouts for Villaggio Expo_Social Housing Tower project @Expo2015Milano - Renovation proposals for a private apartment in Milan, Italy - Science Center International Competition, Città della Scienza, Napoli, Italy - EUROPAN12 International Competition
november . february . 2015
internship at - Santiago. Chile - Communication Team: Graphic layout for the new website - Project Team: Mirador and Warehouse in South Chile
september . october . 2014
Sagrada Familia Exposition «Moved by Beauty» at Encuentro Santiago 2014 - Exibition site manager - Pannel system designer - Graphics and translations ENG/SPA
march . july . 2013
internship at | architecture&interior studio - Milan. Italy - Technical Support for Light Grey Project in Milan, Italy - Technical Support for San Antonio restoration in Melzo, Italy - Proposals for a Real Estate center in Moscow, Russia
EDUCATION 2014 . exchange program university 2013 . 2015 university title of qualification final thesis/project 2010 . 2013 university title of qualification final thesis/project 2008 . 2009 . year abroad title of qualification 2006 . 2010 title of qualification
Pontificia Universidad Catolica de Chile. Santiago de Chile. Chile Escuela de Arquitectura. campus Lo Contador Politecnico di Milano Scuola di Architettura e Società Master degree in ‘Architettura degli Interni’ 108/110 «University, Architecture, City. An integrated system for the qualification of Politecnico di Milano’s campus Bonardi»
Politecnico di Milano Scuola di Architettura e Società Bachelor degree in ‘Scienze dell’Architettura’ 103/110 «Being Collectif. Towards a partecipatory and innovative architecture»
St.Michael’s High School. Watford (London). UK Sixth Form 1st year degree certificate Liceo Scientifico. Istituto Sacro Cuore. Milano diploma di maturità scientifica 77/100
SKILLS LANGUAGES
OS Mac OS X Windows 10
ITALIAN mother tongue ENGLISH C1 level . very good 2009 _ CAE Cambridge Certificate in Advanced English | C1 level
TECHNICAL DRAWING Autocad Vectorworks Archicad 3D MODELLING Rhinoceros Sketch up Cinema 4D Keyshot V-Ray Maxwell MICROSOFT OFFICE Excel Word Powerpoint GRAPHIC Adobe Photoshop Adobe Illustrator Adobe Indesign Adobe Premiere Pro Adobe Lightroom
SPANISH C1 level . very good 2013 _ DART Services Certificado de Español| A1 level PORTUGUESE A1 level . basic knowledge
OTHER EXPERIENCES
november . 2015 photography exposition @ TOM - Milan. Italy personal project: «Luce ed Ombra. Geometrie intangibili» september . 2015 freelance collaborator at HIT Comunicazione - Milan. Italy BMW and MINI guerrilla marketing campain august . 2012 «L’imprevedibile istante» | Giovani per la crescita Exibition site maneger august . 2011 «Non sembiava imagine che tace» | L’arte della realtà al tempo di Dante Exibition designer
HONOR and MENTIONS KFP Kultur Fabrik Perugia 2013 (students competition). Mention LASUE Internation Workshop (students competition). 2nd place Scienze Center, Città della Scienza, Napoli (in collaboration with B22). 2nd place Nominee for Tesi Architettura 2015 - Ordine degli Architetti di Milano
INTERESTS and PASSIONS Graphics
Art
Models
Photography
Sport
Music
Travel
« Quello dell’architetto è un mestiere d’avventura: un mestiere di frontiera, in bilico tra arte e scienza. Al confine tra invenzione e memoria, sospeso tra il coraggio della modernità e la prudenza della tradizione. L’architetto fa il mestiere più bello del mondo perché su un piccolo pianeta dove tutto è già stato scoperto, progettare è ancora una delle più grandi avventure possibili. » Renzo Piano
Selected Projects 2011 . 2015
architecture landscape urbanism
Milano, 30 June 2015 Letter of recommendation To whom it may concern, Mattia Cella has been working at B22 from 9 March 2015 to 30 June 2015. He is self-motivated, responsible and committed. He has shown eagerness to learn and to participate in the project process. These projects concern mainly: 1. 2. 3. 4.
Europan 12 8.000 m2 social housing Competition Napoli Science Center 8.000 m2 exhibition spaces + 7.000 m2 open spaces Competition Solaroli 8 80 m2 penthouse in Milan, renovation Final design, details drawings Cascina Merlata social housing 4.200 m2 social housing PR and publication drawings
The results have been accurate. His integrity, together with a conscientious approach to his work, has been beneficial to our organization. Mattia leaves our office in June 2015. I must conclude that he would be an asset to any creative, ambitious architectural office, for his skills and commitment. Kind regards, B22 architecture landscape urbanism
Stefano Tropea Architect director
arch. Stefano Tropea
via Montebello 24 I-20121 Milano
office@b22.it www.b22.it
UNIVERSITA’ ARCHITETTURA CITTA’
CAMPUS BONARDI. POLITECNICO DI MILANO Università, architettura, città deals with the identification of a regenerative system for the qualification of the Bonardi Campus of Politecnico di Milano. The work comes from the observation of contingent problems, such as the growth in student numbers and the resulting lack of educational spaces and para-didactic spaces, and develops through the theme of connection with the city, the gap between the site and the city and the inadequate use of spaces. Our work does not pretend to offer an exhaustive project in response to the situation, but rather intends to outline a flexible functional-performance system able to absorb the current spatial variability in a single plan, which regulates the entire complex at the university level, architectural and urban. To do this we used a uniform methodology: a generative matrix, located in a strategic area and able to change depending on the situations in which creeps in order to give each space a unique character while maintaining the language and the method responsible for the original core. The process ended up with the design of an infrastructural building that is divided functionally and complementar both at a urban level and at a university level, assigning to the first level the role of connector and to the second the role of resting place. This approach has also the ability, through the use of a regular grid, to expand into the campus drawing a new city into the city, made up of streets, squares and buildings.
master thesis project 2015 Politecnico di Milano prof. Maria Pilar Vettori
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A STARTING POINT: A CRITICAL ANALYSIS Our analysis can not ignore the fact that we ourselves are users of Politecnico. As such we felt it was appropriate to move a criticism, which we decided to represent through a provocative image. Suppose you fill the tub with water, as represented in the picture above and in the conceptual model. It would happen then that all the underground level would remain unusable, only traversable by using a boat. Continuing to think according to this hypothesis, we wondered if indeed there would be substantial differences in the use of the site. It came naturally begin to observe and reflect on how the differente levels, which characterize the campus, are used by the students. As we see came to observe, there are two different streams at two levels: the 0 level, the city level, it is used by students as the main connective space, since access to the buildings were designed and intended to be at this hight. Returning to our image this state of things would not change. The level -1 (underground), however, appears as a hybrid space in which it is not obvious the function it was design for. In fact, this open space, potentially interesting, is underestimated and “filled” of secondary functions, not integrated and without a capacity to attract and aggregative. We noted then that is used as a connective space but, for the reasons listed above, in a secondary manner with respect to the level 0. The flooding enables to synthesize these characteristics since the water brings us back to a liquid floor smooth, homogeneous, something not conducive to the phenomenon of aggregation. So even in this case our operation would not change the state of things even in different form of connective means. This example has helped us to understand what could be a starting point for the development of the ‘tub’: focusing on the connection in the zero plane, a city plan, the plan less than one, the university level should take on a new role: a square university , place designed and intended for the organization and for the rest.
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Final model 1:200 scale
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Urban sections
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Main building plans
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urban context model 1:1000 scale
conceptual critic model 1:300 scale
functional model 1:300 scale
final project model 1:200 scale
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SCIENCE CENTER CITTA’ DELLA SCIENZA, NAPOLI The proposal for the new Science Center of Città della Scienza in Naples chooses as its settlement fundamental gesture the creation of a system of themed gardens able to merge the Piana di Bagnoli to the sea. The seaside area of Città della Scienza is characterized as an area for public use, a set of services that complements the exhibition offers contained in the buildings where Giardini della Scienza are designed, with a primary structure made up of four main themes: educational garden, water garden, the garden of history and culture and a Mediterranean garden. The ground floor of the building becomes a space with an urban character lying on a big technology plate. On top of this new landscape levitates the structure of the museum. A large volume reassembles the complexity of the existing buildings and at the same time collects the complex functional program of the Science Center. The first floor is entirely dedicated to the permanent exhibition areas and multi-purpose spaces. In coverage, both reacheable from the exhibition path and from the gardens, is the second refreshment bar with a large terrace overlooking the sea and the surrounding countryside. The entire project is built around the key issues of interaction and versatility.
Science Center 2015 International Competition 22
Context
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Planivolumetric
Schemes Space flexibility
Green areas
Tree species
1st floor functions
Giardini della Scienza Ground floor functions
Pre-existences
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Prospects
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+1 level
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THEATER STAGE FOR TRIENNALE TRIENNALE DI MILANO. MILAN The project is part of a context characterized by an arboreal predominant presence, inserted in a rigorous urban design but weakened in proximity of the Triennale. We decided to offset the strong organic matrix with the insertion of a completelyextraneous material, concreate, and to emphasize this choice vertically so as to return the road his main axe and propose a landmark element that would distinguish itself inside the trees. So the aim was then to outline a theater stage that would embody an ambivalent door towards the Trienniale and at the same time towards the city. The choice of material determines a protective and massive element, that tries to lie outside the organic lightness and caducity of the context. You enter a closed shell which, through an introvert route, opens on top to re-enter with a new perspective into the surrounding landscape.
optional design studio Politecnico di Milano prof.Basso/prof.Salvadeo 34
TODAY...actual pedestrian flows...
...and rest areas.
PROJECT_increasing pedestrian flows...
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...and recreational areas.
Open space possible configurations RELAX AREA
EXPOSITION
FASHION WEEK
GASTRONOMY
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Sections
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NATURE. The presence of
trees dominates the urban surrounding and scale. Intangible and statuary, it already influnces the atmosphere in which the project is placed.
STONE. The stone as a hard and edgy element that draws the artificial soil in contrast with the natural gradient. Its geometry instantly introduces the presence of a different kind of space.
WOOD. Wood as a natural hot element that mingles in the context to draw the lateral walkways. An organic and sinuous texture extending the arboreal context horizontally.
CONCREATE. Concreate as mass and design. An artificial texture higly differentiated from the surrounding nature and that connotes itself as an hermetic and protective material designing primitive geometries.
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level 4
level 3
level 2
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level 1
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CONNECTING BOUNDARIES PORTA GENOVA FS. MILAN BOUNDARY The strongest recognized characteristic of the site is the urban void, defined by the railway. The railway, as an infrastructural element, was the impulse for creating the surrounding city. We are dealing with a central space of the city that has never been a urban space, but has defined his urbanized context. DEVIDED CITY The city evolved, on one side facing the railway shape, on the other side, turning his back to it. The different responses of the city suggested different responses of the project. CONNECTION The main concept was to create connections through what once were the boundaries. The project aims to keep the memory of the void, but filling t in, making it urban for the first time.
LASUE 2015 International Workshop 42
BOUNDARY
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DEVIDED CITY
CONNECTION
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+0 level
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ATMÓSFERAS TECTÓNICAS
CERRO SAN CRISTOBAL. SANTIAGO DE CHILE
The path of the taller combines a first part of study and research of a specific ‘architectural atmosphere’ with a second part of project and constructive investigation. Once chosen a certain ‘architectural atmosphere’ and analyzed in its own characteristics, the taller proposes a project that can reproduce these features within the design of a new pavilion. The development of the project, from its volumetric composition up to its technical details, it is done through the use of prototypes and models at different scale, with the aim of systematizing various steps of the project in case of a possible construction. This process of systematization has involved together all the various parts of the project, from the type of formwork for casting renforced concrete up to the single metal union between the various beams.
design studio II Pontificia Universidad Catolica de Chile 2014 prof. Jorge Christie 48
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Axonometry Quarterdeck system: components and composition
VIGA DE MADERA LAMINADA 40x80x1000 cm
DOBLE PERFIL METALICO L 10mm
PERFIL METALICO L 5mm
VIGA PINO RADIATA 15x35x500 cm
PLACA METALICA ANTI-GOTEO 3mm
MEMBRANA EN POLIETILENO 2mm PLACA TERSIADO 9mm VIGA DE SOPORTE PINO RADIATA 5x10x50 cm
TABLONES NOGAL EUROPEO 5x30x250 cm
PANEL PDV METALICO 40x15x240 cm POLIN SEPARADOR PLASTICO SECCION 5mm
ELEMENTO METALICO DE UNION CLAMP METALICA
VIGA PINO RADIATA 15x35x500 cm
VIGA A PISO - HORIGON ARMADO 25x40x900 cm
ESPACIADOR DE ADJUSTE EN MADERA SECCION VARIABLE
CLAMP METALICA PARTICULAR
PUNTAL MURO ROGOLABLE PM 300
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PROTOTYPES MODELS
PAVILLON MODEL
PAVILLON DETAILED SECTION MODEL
QUARTERDECK SYSTEM MODEL
PAVILLON FINAL LAYOUT MODEL
PROJECT SITE CONTEXT
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RESIDENTIAL BUILDING PIAZZA BRIGADIERI. MILAN The project is located within an area redeveloped according to a masterplan that favors a series of residential buildings connected by perimetric gallery. The building shown here is one of the buildings that compose this residential block and tries to propose a summary of different residential typologies: the tower, the duplex and the balcony and the penthouse. As a whole, the building has a ground floor commercial which then develop the first 3 floors in simplex and duplex format. In correspondence with the detachment of the tower, the building houses a gym, continuing then only in the tower through larger apartments The composition of the faรงade, clad in prefabricated reinforced concrete panels , seeks to give a messy effect, which is opposed to the structural rigidity of the floors, elements that mark horizontally left to view the different plans. The truss plans simplex-duplex has been inserted to allow the most light possible for the different apartments.
design studio I Politecnico di Milano prof. Marco Lucchini 60
Model 1:2000 scale
Masterplan
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Main building’s configuration
Simplex SIMPLEX configuration
Tower | Type A
Tower | Type B
DUPLEX A
Laboratorio Progettazione Architettonica e Urbana LM orientamento interni a.a. 2013 | 2014
Docenti: prof. Marco Lucchini, prof. Anna Moretti
Tutors: archh. Gianluca Carcano, Luigi De Ambrogi, Massimo Faini, Fabrizio Fiumani
DUPLEX B
Laboratorio Progettazione Architettonica e Urbana LM orientamento interni a.a. 2013 | 2014
CASERMA RUBATTINO
Docenti: prof. Marco Lucchini, prof. Anna Moretti Tutors: archh. Gianluca Carcano, Luigi De Ambrogi, Massimo Faini, Fabrizio Fiumani Laboratorio Progettazione Architettonica e Urbana LM orientamento interni a.a. 2013 | 2014
Docenti: prof. Marco Lucchini, prof. Anna Moretti
Tutors: archh. Gianluca Carcano, Luigi De Ambrogi, Massimo Faini, Fabrizio Fiumani
CASERMA RUBATTINO
RI-ABITARE LE CASERME
Mattia Cella 815843 / Marta Montemerlo 816049 / Federico Simonato 816523 TAV 4.2.2 - Pianta Simplex/Duplex SCALA 1:100
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Urban sections
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Section detail
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other works...
MOVED BY BEAUTY
SAGRADA FAMILIA EXPOSICION. SANTIAGO DE CHILE
El proyecto consiste en la adaptación grafica y de diseño de los totem para la exposición Sagrada Familia | Moved by Beauty, promovido en 2011 por el Templo de la Sagrada Familia de Barcelona y actualmente expuesta en el evento Encuentro de Santiago en 2014. El trabajo consistió en el diseño de los paneles de soporte (tótem) y adaptación gráfica de estos últimos al sistema estudiado. La elección ha sido la creación de un elemento tripartido que permita una lectura clara de los 5 capítulos que componen la exposición. Además de un gasto controlado para la fabricación de los suportes, se prestó especial atención también a la simplificación del sistema de montaje y la facilidad de transporte del sistema constructivo de modo que pudiese ser fácilmente y ser utilizado por todos, sin explicaciones excesivas. Por lo que es la parte grafica, los 3 paneles resumen las tres categorías principales de la lectura del capítulo: línea de tiempo, el texto principal, gran síntesis de la imagen.
! LT I BU Sagrada Familia | Moved by Beauty Encuentro Santiago 2014
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Las obras del Templo siguen pese a la muerte de Gaudí
1927 “Una de las cosas más bellas de la vida es el trabajo a gusto”
1930 Finalización de los cuatro campanarios de la fachada del nacimiento At the beginning of the Spanish Civil War, 1936-1939, revolutionary groups burn the crypt, the schools and Gaudí's workshop destroying the scale plaster models
the four bell towers of the façade of the nativity are finished
Al inicio de la guerra civil española 1936-1939, grupos revolucionarios queman la cripta, las Escuelas y el taller de Gaudí destruyendo las maquetas de yeso hechas a escala
1936 Acabada la guerra, se empieza a restaurar la cripta
With the war over, restoration work begins on the crypt
1939 Jordi Faulí is appointed deputy director architect of the temple The choir of the side naves are built
El arquitecto Francesc Quintana y otros colaboradores restauran las maquetas que servirán para reiniciar la construcción del Templo
1940 1952 Nace la asociación Amigos de Gaudí, coincidiendo con el centenario del nacimiento del arquitecto. Con ocasión del Congreso Eucarístico Internacional de Barcelona, se construye la escalinata de la fachada de la Natividad y se ilumina el Templo
The association Amigos de Gaudí is created coinciding with the centenary of the birth of the architect On the occasion of the International Eucharistic Congress in Barcelona the stairway of the façade of the Nativity is built and the Temple is lit up
1954
Works begins on the Passion façade under the direction of the architects Quintana, Puig-Boada and Bonet Garí
1881 Inicio de la fachada de la Pasión
bajo la dirección de los arquitectos Quintana, Puig-Boada y Bonet Garí
Columna de la diócesis de Barcelona, primera columna del interior del templo
The column of the Diocese of Barcelona is built, the first inside column of the temple
1955/56
“One of the most beautiful things in life is to be joyous at work”
ANTONI GAUDI’
ORA ET LABORA
Panel 1 | timeline and chapter title
The work continues in spite of Gaudí’s death
1961
1881 The Gaudí Museum is founded in the crypt of the façade of the Passion
Se inicia el Museo Gaudí en la cripta de la fachada de la Pasión
Particular del cielo interior Detail of the interior ceiling
“El interior del templo será como un bosque” ANTONI GAUDI’
“The interior of the temple shall be like a forest”
Fachada del la Natividad. Rey Mago Nativity’s Facade. King
audí describe el interior del Templo: “los pilares de la nave principal serán palmeras: son los árboles de la gloria del sacrificio y del martirio. Los de las naves laterales serán laureles: son los árboles de la gloria de la inteligencia.
Los pilares centrales se deshacen en cinco soportes sencillos, y éstos en otros, hasta el triforio más alto, donde se juntan las últimas ramas del árbol hasta arriba en las bóvedas, que serán las hojas del gran árbol que reunirá al pueblo para alabar a Dios.” La asombrosa belleza y grandiosidad de la nave del Templo, en lugar de intimidarnos, nos atrae: “el hombre se
encuentra en el punto de intersección entre dos campos de gravedad. Por una parte, está la fuerza que le atrae hacia abajo, hacia el egoísmo, la mentira y el mal; la gravedad que nos abaja y nos aleja de la altura de Dios. Por otra, está la fuerza de gravedad del amor de Dios: el ser amados por Dios y la respuesta de nuestro amor que nos atrae hacia lo alto. El hombre se encuentra en medio de esta doble fuerza de gravedad, y todo depende de que seamos libres de dejarnos atraer totalmente por la fuerza de gravedad de Dios, que nos hace auténticos, nos eleva, nos da la verdadera libertad." Benedicto XVI.
Al entrar en el Templo, la gente se queda callada, asombrada. Tanta belleza ensancha el corazón, uno quiere recibir todo este Amor y se acerca por una suerte de gravedad al revés. Uno, al ser pequeño, se mueve por esta atracción. La arquitectura invita a mirar hacia arriba, donde el espacio se prolonga mas allá de las bóvedas y las columnas las atraviesan en la búsqueda del infinito.
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Panel 3 |iconic image of the chapter
Panel 2 | main panel
Particular: iluminación de la nave lateral Lateral aisle’s lighting
Interior de la nave central Central nave’s interior
Particular de la columna del evangelista Lucas Particular of evangelist Luke’s column
he interior of the Temple described by Gaudí: "The columns in the main nave will be palm trees: they are the trees of glory of the sacrifice and martyrdom. Those of the transepts will be laurels: they are the trees of the glory of intelligence. The central pillars will split into five simple supports, and these into others, up to the highest gallery, where the last branches of the tree will join and rise into the vaults, which will be the leaves of the great tree that joins together the people to praise the Lord.” The stunning beauty and bigness of the nave, rather than intimidate us, appeals to us: "human beings stand at the point of intersection between two gravitational fields. First, there is the force of gravity which pulls us down – towards selfishness, falsehood and evil; the gravity which diminishes us and distances us from the heights of God. On the other hand there is the gravitational force of God’s love: the fact that we are loved by God and respond in love attracts us upwards. Man finds himself between this two fold gravitational force; everything depends on (our escaping the gravitational field of evil and) becoming free to be attracted completely by the gravitational force of God, which makes us authentic, elevates us and grants us true freedom." Benedict XVI. On entering the temple, people stays silence and amazed. So much beauty broadens the heart; everyone wants to receive all this love and approach through some sort of reverse gravity. You, being small, are moved by this force, where the space is prolonged further than the vaults and the columns, in search of the infinite.
Particular de la cúpula central arriba de el altar Particular the central dome above the altar
4 palos 2’’x3’’ cepillado 1 plancha 122x244 cm terciado 9mm 1 plancha 122x244 cm terciado 12mm
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BEING COLLECTIF MADE IN VITROLLES PLACE DE PROVANCE. VITROLLES. FRANCE This thesis work wants to be a meditation that, starting from the meeting with french collective collectif ETC, reflects the innovation of a partecipative architecture which, starting from the relationship with the citizens, investigates the theme of ‘living the city’ in contemporary reality. The continuous and rapid transformation of the urban fabric has seen the gradual abandonment of pubblic spaces, bringing young architects to wonder about the future of these places, and directly dealing with this problem, to develop new regenerative approaches. The path places alongside the experience on the project site, made with some collectives in Vitrolles, France, a series of interviews, theoretical considerations and examples of built architectures that try to interpret this architectural phenomenon reflecting its philosophy, the processes of intervention and targets.
T! L I thesis (with Collectif ETC) 2013 U Bbachelor Politecnico di Milano prof. Emilio Faroldi 74
MADE IN VITROLLES
plateforme commune table, cousine, ateliers
Marseille-Provence has been named European Capital of Culture for the year 2013, the entire region, including the town of Vitrolles, has been involved in this great event. Inside the very extensive program of events offered by the city of Vitrolles were also called the association Bellastock, the collectif EXYZT, the collectif and collectif Les Saprophytes The Saprophytes ETC These four collective have collaborated on a major redevelopment of the city center through the construction of small-scale architecture, urban objects, through the organization of meetings and workshops, but mostly through dialogue and coexistence with citizens. The project lasted about 2 months ending in July with a big festival-workshop which involved students of architecture from all over France.
collectif EXYZT
fontaine dans le parc
collectif Les Saphrophytes
reappropration des arcades et recolitè de recits sut les toits du centre urban
collectif ETC
le manège a la Pierre Plantee
collectif Bellastock
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festival de construcion du centre urbain au quartier de pins
THE CAROUSEL The project grows just a-side the bus-station, fulcre of public transport in Vitrolles. This site logically rappresents movement. The carousel impersonified this movement towards the four cardinal points by his moving platform, which hosts 4 different chair typologies to rappresents north, south, east and west. The fixed base receives the steel elements which support the roof structure.The frame and floor douglas wood supplied from a sawmill in the Dr么me (wood is scarce in the Bouches-du-Rhone). The different pieces are cut out and attached in place de Provence, around the collective platform. They are then transported 80 meters to the bus station site and assambled.
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PHOTOGRAPHY
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ÂŤLuce ed Ombra: geometrie intangibiliÂť 2014 project
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ÂŤCornici milanesiÂť 2015 project
others... 2011-2015 photos
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Mattia Cella | Contacts +0039 3287870238. ITA +569 9457812. CHL mattia.cella.mc@gmail.com
you can also find me on:
https://issuu.com/mattiacella Autorizzo il trattamento dei miei dati personali ai sensi del Decreto Legislativo 30 Giugno 2003, n.196 (D. Lgs. 196/2003) I authorize the use of my personal data in accordance with the provisions of Italian law