IMPRESSIONIST, MODERN & CONTEMPORARY FINE ART AUCTION JERUSALEM, OCTOBER 13, 2015, 8 PM SALE 138 PREVIEW IN JERUSALEM Thu 1 October Fri 2 October Sat 3 October Sun 4 October Mon 5 October Tue-Thu / 6-8 October Fri 9 October Sat 10 October Sun-Mon / 11-12 October Tue 13 October
5 pm - 10 pm 11 am - 3 pm 10 pm - 12 am 11 am - 3 pm 10 pm - 12 am 11 am - 10 pm 11 am - 3 pm 10 pm - 12 am 11 am - 10 pm 11 am - 8 pm
PREVIEW IN NEW YORK BY APPOINTMENT PREVIEW & AUCTION MATSART GALLERY 21 King David St., Jerusalem tel +972-2-6251049 www.matsart.net
בס"ד
MATSART AUCTIONEERS & APPRAISERS 21 King David St., Jerusalem 9410145 +972-2-6251049 15 Frishman St., Tel Aviv 6357815 +972-3-6810001 415 East 72 St., New York, NY 10021 +1-718-289-0889
Lucien Krief Owner, Director, Expert lucien@matsart.net
Stella Costa Senior Director stella@matsart.net
Evgeny Kolosov Assistant Director evgeny@matsart.net
MODERN & CONTEMPORARY FINE ART DEPARTMENT
Alice Martinov Levin Head of Department alice@matsart.net
Masha Zakharova Auction Administrator office@matsart.net
ISRAELI FINE ART DEPARTMENT
Oren Migdal Head of Department Tel Aviv Branch Manager oren@matsart.net
Yehudit Ratzabi Auction Administrator yehudit@matsart.net
CLIENT SERVICES
Miriam Perkal Client Accounts accounting@matsart.net
Reizy Goodwin Logistics & Shipping Manager reizy@matsart.net
Yoel Noorani Client Services Tel Aviv Branch yoel@matsart.net
All lots are sold “as is” and subject to a reserve. Please review the conditions as they appear in the rear of the catalogue or contact us with any questions you may have. Please note that some of the works are located abroad where additional import charges may apply. Please contact our staff prior to bidding to obtain information and confirm location.
bid live worldwide: www.matsart.net © 2015 Matsart Auctioneers & Appraisers, All rights reserved.
1
GUSTAVE LOUIS JAULMES 1873-1959 (Swiss)
Femmes au puits, 1942 (preparatory drawing for tapestry) oil on canvas 300 x 480 cm (118 x 189 in.) signed lower right
PROVENANCE: Private collection, Israel.
$7,500-9,000
←2
3
1859-1938 (French)
18th century
Arrival of Queen of Sheba
La naissance de Bacchus
PROVENANCE: Sale: Christie’s South Kennsington, May 24, 2007, lot 211. Private European collection, acquired at the above sale.
PROVENANCE: Private collection, Israel.
GEORGES ANTOINE ROCHEGROSSE oil on board 114 x 60 cm (45 x 24 in.)
$9,000-12,000
SCHOOL OF COYPEL oil on canvas 220 x 238 cm (87 x 94 in.)
$9,500-12,000
4
5
1844-1907 (French)
1844-1907 (French)
Elégante à l’ombrelle
Elégante à l’éventail
$900-1,200
$900-1,200
HENRY SOMM watercolor on paper 25 x 19 cm (10 x 7 in.) signed lower right
HENRY SOMM watercolor on paper 26 x 19 cm (10 x 7 in.) signed lower right
6
LOUIS ABEL-TRUCHET 1857-1918 (French)
Boulevard, 1980
oil on canvas 30 x 45 cm (12 x 18 in.) signed and dated lower right
$6,000-8,000
7
EDOUARD LÉON CORTÈS 1882-1969 (French)
Place Vendome
oil on canvas 33 x 46 cm (13 x 18 in.) signed lower right
$6,000-9,000
8
EUGÈNE GALIEN-LALOUE 1854-1941 (French)
La crue de la Seine, quai de L’Hôtel de Ville, 1910 gouache on paper 20 x 32 cm (8 x 13 in.) signed lower left
This work will be included in the forthcoming volume II of catalogue raisonné currently being prepared by Noé Willer.
$12,000-14,000
9
KONSTANTIN ALEXEYEVITCH KOROVIN 1861-1939 (Russian)
Giverny
tempera on paper mounted on cardboard 11 x 16 cm (4 x 6 in.) signed lower right PROVENANCE: Sale: Camera EOS Auction, Moscow, beginning of the 20th century (label on the reverse). Collection of Victor Midler. Private European collection, gift of the Midlers family in 1980.
$25,000-35,000 10
←10
ZINAIDA EVGENIEVNA SEREBRYAKOVA 1884-1967 (Russian)
Neskuchnoe, 1910’s gouache on paper 11 x 27 cm (4 x 11 in.) signed lower left
PROVENANCE: Collection of Victor Midler. Private European collection, gift from the above, c.1970.
$10,000-12,000
11
ISAAK IL’ICH LEVITAN 1860-1900 (Russian)
Twilight over a forest and a lake oil on canvas 24 x 32 cm (9 x 13 in.)
PROVENANCE: Yaakov Peremen Collection. Private collection, Israel. EXHIBITION: The Great Masters: 19th-century Jewish Art and its Origins, Mané-Katz Museum, Haifa, May 17 October 2014.
$60,000-80,000
12
VICTOR LEON CHARRETON 1864-1937 (French)
Jardin en été, c.1930 oil on canvas 60 x 73 cm (24 x 29 in.) signed lower right
$14,000-18,000
13
ALBERT GLEIZES 1881-1953 (French)
Sous-bois en l’automne, c.1907 oil on canvas 65 x 54 cm (26 x 21 in.) signed lower right
LITERATURE: Anne Varichon (ed.), Albert Gleizes: Catalogue Raisonné, Paris: Somogy Editions d’Art, 1998, n.87 (illustrated).
$9,000-12,000
14
ROBERT ANTOINE PINCHON 1886-1943 (French)
Maison au bord de l’eau à l’automne, 1917
oil on cardboard 38 x 46 cm (15 x 18 in.) signed lower right, dated on the reverse PROVENANCE: Private collection, France.
$12,000-15,000
15
ROBERT ANTOINE PINCHON 1886-1943 (French)
L’Orée du bois
oil on canvas 54 x 73 cm (21 x 29 in.) signed lower left PROVENANCE: Private collection, France.
$15,000-20,000
16
P. FONTAINE 20th century (French)
In the park
gouache on cardboard 46 x 55 cm (18 x 22 in.) signed lower left
$1,200-1,500
17
EMMANUEL VICTOR AUGUSTE MARIE DE LA VILLÉON 1858-1944 (French)
Moissons à Bitry
oil on canvas 44 x 80 cm (17 x 31 in.) signed lower right, titled on the reverse PROVENANCE: Private collection, France. EXHIBITION: Salon des Independats, 1980 (label on the reverse).
$2,800-3,500 18
19
FRENCH IMPRESSIONIST SCHOOL 20th century
Femme contemplant le temple de l’Amour, c.1900 oil on canvas 89 x 146 cm (35 x 57 in.)
$9,000-12,000
←18
MAURICE MILLIERE 1871-1946 (French)
Coucher de soleil sur la Guadeloupe, 1927 oil on canvas 41 x 73 cm (16 x 29 in.) signed and dated lower left
20
FRENCH IMPRESSIONIST SCHOOL 20th century
Landscape
PROVENANCE: Private collection, UK.
oil on canvasboard 33 x 24 cm (13 x 9 in.) initialled lower left
$2,000-2,500
$3,000-4,000
21
22
21 ARNOLD MARC GORTER 1866-1933 (Dutch)
Dutch landscape
oil on canvas 76 x 96 cm (30 x 38 in.) signed lower right PROVENANCE: Private collection, acquired in Rotterdam in 1950’s. Thence by descent. Private collection, Israel.
$1,200-1,500
22 DAVID OSIPOVICH WIDHOPFF 1867-1933 (Ukrainian)
Printemps au champs, 1907
oil on panel 33 x 41 cm (13 x 16 in.) signed and dated lower left, titled on the reverse PROVENANCE: Private collection, France.
23
$1,800-2,200
23 GASTON VINCENT ANGLADE 1854-1919 (French)
Paysage aux bruyeres oil on canvas 55 x 65 cm (22 x 26 in.) signed lower right
$1,200-1,500
24 GASTON VINCENT ANGLADE 1854-1919 (French)
Champs de bruyere oil on panel 42 x 51 cm (17 x 20 in.) signed lower left
$900-1,200
25
26
1862-1951 (French)
1862-1951 (French)
Gathering flowers, 1904
View of the coast of France, 1900
$6,000-8,000
$2,500-3,000
CHARLES MALFROY oil on canvas 44 x 59 cm (17 x 23 in.) signed and dated lower left
CHARLES MALFROY oil on canvas 73 x 116 cm (29 x 46 in.) signed and dated lower right
27
CAMILLE PISSARRO 1830-1903 (French)
Pommiers en fleurs, Eragny, c.1900 oil on cardboard mounted on panel 22 x 28 cm (9 x 11 in.) signed lower left
PROVENANCE: Eugène Blot, Paris; sale, Hôtel Drouot, Paris, 9-10 May 1900, lot 139. Galerie Georges Petit, Paris. Private collection, Switzerland. Anon. sale: Palais Galliéra, Paris, June 11, 1974, lot 29. Reuben Hecht, Haifa. Nathan Bernstein, New York. Acquired by Achim Moeller Fine Art on behalf of John C. Whitehead, March 1983. Private European collcetion. EXHIBITION: Late 19th and Early 20th Century French Masters, The John C. Whitehead Collection, The Montclair Art Museum, April-June 1989, p. 32, no. 58. The Whitehead Collection, Late 19th and 20th Century French Masters, A Collection in Progress, Achim Moeller Fine Art, New York, 1997 (illustrated in exhibition catalogue, pp.88-90 - in color; detail illustrated in color; with incorrect support). LITERATURE: L’art français de la révolution à nos jours, Paris (illustrated). L.R. Pissarro and L. Venturi, Camille Pissarro, son art—son oeuvre, Paris, 1939, vol. I, p.239, no.1137 (illustrated, vol. II, pl.226; with incorrect support). Achim Moeller Fine Art (ed.), Late 19th and Early 20th Century French Masters, The John C. Whitehead Collection, A Collection in Progress, New York, 1987, p. 80 (illustrated in color, p. 81). Achim Moeller Fine Art (ed.), From Daumier to Matisse, Selections from the John C. Whitehead Collection, exh. cat., Achim Moeller Fine Art, New York, 2002, p. 14 (illustrated in color). J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 815, no. 1319 (illustrated in color; with incorrect support).
$480,000-600,000
Camille Pissarro played a central part and was one of the most influential figures in the French Impressionist movement. Camille Pissarro was the only artist to participate in all the eight Impressionist exhibitions. He gained his important status not only as a faithful master of the movement and as a successful artist, but also as a teacher - Gauguin, Van Gogh and Cézanne being three of his more renowned pupils; and a father to five artists – having seven children, he taught all his sons to paint. Pissarro painted subjects of rural and urban French life, particularly landscapes in and around the village of Pontoise, as well as cityscapes of Montmartre. As a sympathizer of anarchist and socialist movements his mature works display an empathy for workers and peasants. “Pommiers en fleurs, Eragny, c.1900” represents a typical scene in a fruit garden in spring time. Apple trees in bloom in the left part of the composition are balanced by two peasant girls on the right. The overwhelming green of the grass is opposed to the pink tones of the blooming tree which are strengthened by the red skirt of one of the figures. Light blue tones of the sky are also repeated in the other girls’ clothes which makes them a focal point of the composition.
28
LUCIEN PISSARRO 1863-1944 (French)
Summer fields, 1930
watercolor on paper 17 x 12 cm (7 x 5 in.) initialled and dated lower right PROVENANCE: Sale: James D. Julia, August 30, 2007, lot 488. Private collection.
$1,800-2,500
Lucien Pissarro, the eldest son of Camille Pissarro and Julie Vellay, was born in Paris in 1863. His painting manner is well known for its combination of two artistic traditions – the French and the English. Lucien was skilled as a painter in oils and watercolor, a wood engraver and a lithographer.
29
GEORGES MANZANA-PISSARRO 1871-1961 (French)
Paysage, 1954 oil on masonite
55 x 45 cm (22 x 18 in.)
signed and dated lower left
$12,000-15,000
Georges-Henri Pissarro, better known as Manzana, was the third of Camille Pissarro's seven children. As Lucien, he was taught by his father Camille from a very early age to love and observe nature. But his style was influenced by such distinguished artists of the Impressionist movement as Monet, Cézanne, Renoir and Gauguin, who were close friends of the Pissarro family and frequently frequented their home. He consequently adopted a more purely Impressionist style.
30
GEORGES MANZANA-PISSARRO 1871-1961 (French)
Château Robert le Diable, 1937
oil on canvas mounted on cardboard 38 x 55 cm (15 x 22 in.) signed and dated lower left, signed again on the reverse
$40,000-60,000
31
GEORGES MANZANA-PISSARRO 1871-1961 (French)
Soleil couchant
oil on canvas mounted on masonite 38 x 46 cm (15 x 18 in.) signed lower right, signed again and titled on the reverse
$14,000-16,000
32
PAUL-EMILE PISSARRO 1884-1972 (French)
Vieux saule au bord de l’Orne oil on canvas 46 x 61 cm (18 x 24 in.) signed lower right, signed again and titled on the reverse
$5,000-7,000
33
PAUL-EMILE PISSARRO 1884-1972 (French)
Paysage d’automne, chemin de la vallée
Paul-Émile Pissarro, Camille’s youngest son, was born in Eragny in 1884. As his older brothers he was first taught by his father but as Manzana much influenced by the artistic environment of the family home. More than his elders he was encouraged by his father to draw at an early age. Paulémile’s godfather was Claude Monet who became his teacher and close friend. During 1920’s, when he established his own Post-Impressionist style he was in close contact with such artists as Kees Van Dongen and Maurice de Vlaminck.
oil on canvas 46 x 61 cm (18 x 24 in.) signed lower left, signed again and titled on the reverse
$8,500-10,000
34
PAUL-EMILE PISSARRO 1884-1972 (French)
Paysage vallon dans le midi 33
watercolor on paper 26 x 27 cm (10 x 11 in.) signed lower right
$800-1,200
35
HUGUES CLAUDE PISSARRO b.1935 (French)
L’avenue de la Gare sous la neige à Rennes
oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right, signed again and titled on the reverse
$18,000-22,000
36
HUGUES CLAUDE PISSARRO b.1935 (French)
Soleil du matin, sur la neige à Placy, c.1985-90 oil on canvas 51 x 61 cm (20 x 24 in.) signed lower right, signed again and titled on the reverse
PROVENANCE: Philippe Bretonniere, St. Ouen, France.
$16,000-18,000
37
HUGUES CLAUDE PISSARRO b.1935 (French)
Les Fleurs du Bois de Deerpark à Virginia (County Cavan, Ireland) oil on canvas 50 x 61 cm (20 x 24 in.) signed lower left, signed and titled on the reverse
$18,000-22,000
38 Hugues Claude Pissarro, the grandson of Camille Pissarro and son of Paulémile Pissarro, is also known as Isaac Pomié. Same as his father he spent his childhood and youth in artistic atmosphere. Carrying on a family tradition established by Camille Pissarro, his father frequently took Hugues on painting excursions, accompanied by his numerous artist friends. Hugues Claude painted in variety of different styles and techniques – including abstract, avant-garde, minimalist and conceptual art. However he is now best known for his Impressionist-style works, which he offer inscribes ‘Petit Fils’.
HUGUES CLAUDE PISSARRO b.1935 (French)
Les foins à la Faverie, 1990 oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right, signed and titled on the reverse
$18,000-25,000
39
HENRI LIÉNARD DE SAINT-DELIS 1878-1949 (French)
Plage animée de Honfleur oil on cardboard 27 x 36 cm (11 x 14 in.) signed lower right
Accompanied by a certificate of authenticity signed by Jean-Pierre Hamon, dated February 6, 1993.
$15,000-20,000
←40
41
1879-1949 (French)
1875-1947 (French)
Bord de mer, la promenade à Sainte Adresse, 1914
Cargos dans le port, c.1934
ACHILLE EMILE OTHON FRIESZ
oil on canvas 54 x 73 cm (21 x 29 in.) signed and dated lower right
PROVENANCE: Anonymous sale: Palais Galliera, Paris, December 5, 1968, lot 42 (label on the reverse). Private European Collection, acquired from the above sale. Thence by descent. Private collection, New Jersey. Sale: Doyle New York, November 10, 2010, lot 30. Private Europen collection.
ALBERT MARQUET
oil on panel 22 x 27 cm (9 x 11 in.) signed lower left
PROVENANCE: Paul Brame, Paris. A. Tooth & Sons, London. Estate of Viscount Radcliffe. Sale: Sotheby’s, London, June 3, 1970, lot 55. Private collection.
LITERATURE: R. Martin & O. Aittouares, Emile Othon Friesz, L’Oeuvre Peint, Paris, 1995, vol.I, p.65, no.51(illustrated).
LITERATURE: Jean Claude Martinet & Guy Wildenstein, Marquet, L’Afrique du Nord, Catalogue de l’oeuvre peint, Paris, 2001, p.195, n.I193 (illustrated).
$38,000-45,000
$30,000-40,000
42
43
1891-1953 (Polish, French)
1869-1952 (French)
Vase d’orchidées
Bouquet de fleurs jaunes à la tenture rouge, c.1940
MOÏSE KISLING oil on canvas 65 x 46 cm (26 x 18 in.) signed lower right PROVENANCE: Galerie Romanet, Paris. Private collection, Holland (label on the reverse). Private European collection. Accompanied by a certificate of authenticity signed by Jean Kisling and Marc Ottavi, dated February 25, 2015.
$80,000-100,000
LOUIS VALTAT
oil on canvas 55 x 46 cm (22 x 18 in.) initialled lower left
PROVENANCE: Private collection. Thence by descent. This work is recorded in the archives of l’Association Les amis de Louis Valtat.
$55,000-65,000
44ď ś
MAURICE UTRILLO 1883-1955 (French)
Moulin de la Galette gouache on paper 28 x 24 cm (11 x 9 in.) signed and dated lower right
PROVENANCE: Private collection, France. Jean Fabris has kindly confirmed authenticity of this work.
$28,000-35,000
45
MAURICE UTRILLO 1883-1955 (French)
Le bureau de poste de la place des Abbesses, c.1939 oil on cardboard mounted on canvas 46 x 61 cm (18 x 24 in.) signed lower right, located lower left
PROVENANCE: Galerie Paul Pétridès, Paris (label on the reverse). Private collection, Cannes. LITERATURE: Paul Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1969, vol.ll, p.220, n.1937 (illustrated in black and white on p.221). Jean Fabris has kindly confirmed the authenticity of this work.
$100,000-150,000
46
MOÏSE KISLING 1891-1953 (Polish, French)
Bouquet de bleuets, 1947
oil on canvas 41 x 27 cm (16 x 11 in.) signed lower left, dated and located ‘Paris’ lower right PROVENANCE: Walter Klinkhoff Gallery, Montreal (label on the reverse). Estate of Adele Bloom.Private European collection. Accompanied by a certificate of authenticity signed by André Schoeller, dated July 15, 1974.
$35,000-50,000
47
MOÏSE KISLING 1891-1953 (Polish, French)
Bouquet de fleurs, c.1920 oil on canvas 73 x 54 cm (29 x 21 in.) signed lower left
PROVENANCE: Gustave Fayet, Béziers. Thence by descent. Private collection, Switzerland. Private European collection. EXHIBITION: Chagall and the Circle of Jewish Painters of the 20th Century, Wally Findlay Galleries, Palm Beach, December 2012 - January 2013 (illustrated in exhibition catalogue, pp. 26-27). Jean Kisling has kindly confirmed the authenticity of this work.
$120,000-150,000
"In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love."
Marc Chagall
L'Inspiration du peintre, c.1970-75 – painted in magnificent blues represents one of the most frequent and important motifs in Chagall’s oeuvre – artist at work. Artist with palette and a flower bouquet in his hands is painting couple of lovers. He is influenced by the scenes and atmosphere of Paris, but still not leaving behind his childhood memories - the donkey and the houses of Vitebsk on the background in the rays of the red sun.
48
MARC CHAGALL 1887-1985 (Russian, French)
L’Inspiration du peintre, c.1970-75 oil and ink on canvas mounted on cardboard 27 x 22 cm (11 x 9 in.) estate signature stamp lower right
PROVENANCE: Collection of Ida Chagall, Paris. Accompanied by a certificate of authenticity issued by Comite Chagall, signed by Jean Luis Prat, dated February 9, 2004, numbered 2004023B.
$280,000-350,000
49
MARC CHAGALL 1887-1985 (Russian, French)
Roses et Mimosas (from Nice et la Côte d’Azur), 1967 color lithograph 61 x 43 cm (24 x 17 in.) signed lower right, numbered ‘30/150’ lower left LITERATURE: Mourlot, CS 29.
$6,000-8,000
50
MARC CHAGALL 1887-1985 (Russian, French)
Le Magicien de Paris I, 1969 color lithograph on Arches paper 102 x 68 cm (40 x 27 in.) signed lower right, numbered ‘19/50’ lower left
PROVENANCE: Private collection, Israel. LITERATURE: Mourlot, 597. U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.279, no.597 (illustrated).
$20,000-25,000
51
MARC CHAGALL 1887-1985 (Russian, French)
Roméo et Juliette, 1964
color lithograph, the deluxe edition, before letters, aside from the edition of 200, published by the Tourist Francaise, Paris, printed by Mourlot, Paris 63 x 99 cm (25 x 39 in.) signed and dated lower right LITERATURE: Mourlot CS, 10.
$14,000-18,000
52
MARC CHAGALL 1887-1985 (Russian, French)
Les ateliers de Chagall (portfolio with text by Robert Marteau), 1976 color lithgraph as frontispiece, published by Mourlot 43 x 32 cm (17 x 13 in.) signed lower right, numbered ‘23/250’ lower left
LITERATURE: U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.352, no.899 (illustrated).Cramer, 101.
$8,000-12,000
53
MARC CHAGALL 1887-1985 (Russian, French)
Song of songs, 1975
color lithograph, published by Biblical Message Museum, printed by Mourlot 58 x 47 cm (23 x 19 in.) signed lower right, numbered ‘112/200’ lower left LITERATURE: Charles Sorlier, Chagall Lithographs 1974-1979, New York: Crown Publishers, Inc., 1984, p.243, no.CS47 (full page illustration in color).
$18,000-22,000
54
MARC CHAGALL 1887-1985 (Russian, French)
XXe Siecle, special issue, 1973 color lithograph, edition of 50 50 x 67 cm (20 x 26 in.) signed lower right, numbered ‘25/50’ lower left
LITERATURE: Mourlot, 699. Cramer, 1995, n.93. U.Gauss (ed.), Marc Chagall: The Lithographs, La Collection Sorlier, p.313, no.699 (illustrated).
$6,500-7,500
55
PABLO PICASSO 1881-1973 (Spanish)
Toréador et taureau, 1959 wash and ink on paper 23 x 33 cm (9 x 13 in.) signed, dated ‘12.11.59’ and dedicated upper left
PROVENANCE: B. Geiser, Paris. acquired directly from the artist. Private Collection, Switzerland. Claude Picasso has confirmed the authenticity of this work.
$80,000-100,000
56
PABLO PICASSO 1881-1973 (Spanish)
Modèle au repos dans un fauteil, 1965 aquatint on Richard de Bas paper, published by Galerie Louise Leiris, Paris, 1967 57 x 44 cm (22 x 17 in.) signed lower right, numbered ‘11/50’ lower left LITERATURE: Bloch, 1205. Baer, 1187.
$9,000-12,000
57
PABLO PICASSO 1881-1973 (Spanish)
Le Modèle, 1965
aquatint on Richard de Bas paper, published by Galerie Louise Leiris, Paris, 1967 58 x 44 cm (23 x 17 in.) signed lower right, numbered ‘23/50’ lower left LITERATURE: Bloch, 1200. Baer, 1182.
$9,000-12,000
58
PABLO PICASSO 1881-1973 (Spanish)
Portrait-Charge d’un Personnage, en Larmes, pl.194 (from Séries 347), 1968
etching on wove paper, edition of 50, published by Galerie Louise Leiris, Paris, 1969 23 x 17 cm (9 x 7 in.) signed lower right LITERATURE: Bloch, 1674. Baer, 1690.
$4,000-5,000
59
PABLO PICASSO 1881-1973 (Spanish)
Tête en forme d’horloge, 1956
white earthenware plate 43 x 43 cm (17 x 17 in.) stamped with ‘Empreinte Originale de Picasso’, ‘Madoura Plein Feu’ stamps, inscribed ‘C104’ and ‘Exeplaire Edituer’ on the reverse LITERATURE: Ramié, 325.
$7,500-9,000
60
PABLO PICASSO 1881-1973 (Spanish)
Jacqueline au chevalet, 1956 partly glazed ceramic plate 42 x 42 cm (17 x 17 in.) numbered ‘63/200’, stamped with ‘Madoura Plein Feu’ and ‘Empreinte Originale de Picasso’ stamps and inscribed ‘C119’ on the reverse LITERATURE: A. Ramié, 333.
$30,000-36,000
61
PABLO PICASSO 1881-1973 (Spanish)
Profil de Jacqueline, 1962
partialy glazed terracota plate 36 x 36 cm (14 x 14 in.) numbered ‘23/100’, stamped with ‘Edition Picasso’ and ‘Madoura Plein Feu’ stamps, inscribed ‘Edition Picasso’ on the reverse LITERATURE: A. Ramié, 457 .
$22,000-25,000
62
PABLO PICASSO 1881-1973 (Spanish)
Tête de femme à la couronne de fleurs, 1964
ceramic plaque 33 x 25 cm (13 x 10 in.) numbered ‘25/100’, stamped with ‘Madoura Plein Fue’ and ‘Empreinte Originale de Picasso’ stamps on the reverse LITERATURE: A. Ramié, 522.
$22,000-28,000
63
JOAN MIRÓ 1893-1983 (Spanish)
Affiche pour L’Exposition Miró, Louisiana Humelbaeck, 1974
color lithograph on Arches paper, aside from the edition of 75, published by Maeght, Paris 76 x 55 cm (30 x 22 in.) signed lower right, inscribed ‘H.C.’ lower left PROVENANCE: Private collection, Flat Rock, North California, USA. LITERATURE: Mourlot, 944.
$2,600-3,200
64
JOAN MIRÓ 1893-1983 (Spanish)
Soleil d`Octobre
mixed media and gouache on frontispiece of book Miró, Meaght Edituer, Paris, 1965 23 x 20 cm (9 x 8 in.) signed lower right and dedicated twice to Rene Bertele lower right and on another page
$12,000-15,000
65
JOAN MIRÓ 1893-1983 (Spanish)
Village d’oiseaux, 1969
etching in colors with carborundum on Arches paper, published by Maeght, Paris 110 x 75 cm (43 x 30 in.) signed lower right, numbered ‘35/75’ lower left PROVENANCE: Midwest Collection. Private European collection. LITERATURE: Dupin, 526.
$9,000-12,000
66ď ś
VU CAO DAM 1908-2000 (Vietnamese, French)
Palefrenier et son cheval, 1963 mixed media on cardboard 32 x 41 cm (13 x 16 in.) signed and dated lower left
$7,500-9,000
67
LE PHO 1907-2001 (Vietnamese, French)
Après le déjeunér, 1940
oil on silk mounted on board 79 x 53 cm (31 x 21 in.) signed and dated lower left PROVENANCE: Galerie Juarez, Palm Beach, Florida (label verso). Private collection, Florida.
$14,000-18,000
68
69
1901-1977 (French)
1901-1977 (French)
Bouquet de fleurs (recto), Nature morte (verso)
Le fauteuil, Cannes
JEAN JULES LOUIS CAVAILLÈS
oil on canvas 73 x 60 cm (29 x 24 in.) signed lower right
PROVENANCE: Galerie de Paris (Paul de Montaignac), Paris. This work is registered in Jules Cavaillès Research Centre archive under number S14 015 and S14 016.
$9,000-12,000
JEAN JULES LOUIS CAVAILLÈS oil on canvas 73 x 46 cm (29 x 18 in.) signed lower right, signed, titled and located on the reverse PROVENANCE: Arthur Lenars & Cie, Paris (label on the reverse). Laing Galleries, Toronto, since 1959. Private Collection, Toronto, acquired from the above. Thence by descent. Private collection. This work is registered in Jules Cavaillès Research Center archive under number W_15_005.
$12,000-15,000
70
FRANÇOIS GALL 1912-1987 (French)
Sidewalk in Paris
oil on canvas 60 x 81 cm (24 x 32 in.) signed and located ‘Paris’ lower right PROVENANCE: Sale: Leslie Hindman, May 21, 2006, lot 57. Private collection, acquired at the above sale.Private European collection.
$7,000-9,000
71
72
1912-1987 (French)
1912-1987 (French)
Parisian scene
Le Pont Neuf, Paris, c.1946
FRANÇOIS GALL oil on board 51 x 61 cm (20 x 24 in.) signed and located ‘Paris’ lower left PROVENANCE: Private collection, USA. Private European collection.
$3,000-4,000
FRANÇOIS GALL oil on canvas 50 x 62 cm (20 x 24 in.) signed, titled and located 'Paris' lower left
$3,000-4,000
73
GEN PAUL 1895-1975 (French)
Calèche devant le Moulin rouge, Edith Piaf, c.1960 oil on canvas 73 x 92 cm (29 x 36 in.) signed upper right
Julien Roussard has kindly confirmed the authenticity of this work.
$12,000-15,000
74
LOUIS VALTAT 1869-1952 (French)
Figures by the sea
watercolor and charcoal on paper 24 x 32 cm (9 x 13 in.) PROVENANCE: Important private collection, Israel.
$2,500-3,500
75
FRANÇOIS GALL 1912-1987 (French)
Beach scene
oil on canvas 22 x 26 cm (9 x 10 in.) signed lower right Madame Marie-Lize Gall has kindly confirmed the authenticity of this work.
$3,800-4,500
76
ROGER MÜHL 1929-2008 (French)
Figures overlooking the sea oil on canvas 70 x 100 cm (28 x 39 in.) signed lower right
PROVENANCE: Dr.A.Lerner, London (label on the reverse).
$3,000-4,000
77
78
79
1909-1999 (French)
1921-2003 (French, American)
1921-2003 (French, American)
Le Matin, Marée Haute à Deauville, 1985
Girl near the beach
Mother and child in a park
$1,200-1,500
$1,800-2,200
ANDRÉ HAMBOURG
oil on canvas 27 x 46 cm (11 x 18 in.) signed lower right
$6,000-8,000
78
ANDRÉ GISSON oil on canvas 23 x 30 cm (9 x 12 in.) signed lower right
79
ANDRÉ GISSON oil on canvas 40 x 51 cm (16 x 20 in.) signed upper left
80
BERNARD LORJOU 1908-1986 (French)
Vase de fleurs, c.1966 oil on canvas 101 x 74 cm (40 x 29 in.) signed lower right
PROVENANCE: Galerie Stiebel, Paris. Private collection, Beverly Hills, California, acquired from the above in 1970. LITERATURE: Urban, André. Paris et les Fleurs en petit formats par B. Lorjou. Paris: Galerie Urban, 1966 (similar works illustrated).
$6,500-8,000
81
GUY BARDONE b.1927 (French)
Paysage
oil on canvas 79 x 58 cm (31 x 23 in.) signed lower right
$1,500-2,000
82ď ś
MARCEL DYF 1899-1985 (French)
La mandoline, 1960
oil on canvas 55 x 46 cm (22 x 18 in.) signed lower right, signed again on the reverse PROVENANCE: Arthur James Galleries, December 7, 1999, lot 70. Claudine Dyf has kindly confirmed the authenticity of this work. This work is listed in the archives under number 1305.
$8,000-12,000
83
JOSÉ HERRERILLA CRUZ HERRERA 1890-1972 (Spanish)
Portrait d’une dame oil on canvas 80 x 65 cm (31 x 26 in.) signed lower left
$6,500-8,000
84
LUCIEN PHILIPPE MORETTI 1922-2000 (French)
1er mai, Place du Tertre oil on canvas 65 x 50 cm (26 x 20 in.) signed lower left
PROVENANCE: Private collection, acquired directly from the artist. Private European collection.
$3,000-4,000
85
LUCIEN PHILIPPE MORETTI 1922-2000 (French)
C’était un ange, 1980
oil on canvas 38 x 46 cm (15 x 18 in.) signed lower right, dated twice ‘13.2.80’ and ‘13.1.93’, titled and inscribed ‘Ste. Cecile Noël, 1996’ on the reverse
$1,800-2,200
85
86
EDWARD CUCUEL 1875-1954 (American)
The blue robe, c. 1910 oil on canvas 79 x 66 cm (31 x 26 in.) signed lower left
PROVENANCE: Private collection Austria. Sale: Ketterer Kunst, December 5, 2006, lot 112. Private European collection.
$15,000-18,000
87
ISAAC DOBRINSKY 1891-1973 (Russian)
La chemise de nuit bleue (Madame Mondelbaum) c.1930 oil on canvas 54 x 73 cm (21 x 29 in.) signed upper left
PROVENANCE: Private collection, Pierre Lévy.
$2,000-3,000
88
LUCIEN ADRION 1889-1953 (French)
Paris Cours Albert I, 1939 oil on canvas 65 x 81 cm (26 x 32 in.) signed and dated lower right, signed, monogrammed and titled on the reverse
$5,000-7,000
89
LUCIEN ADRION 1889-1953 (French)
Rue de village
oil on canvas 92 x 73 cm (36 x 29 in.) signed lower right
$4,000-5,000
90ď ś
LUCIEN ADRION 1889-1953 (French)
Les grands boulevards oil on canvas 61 x 82 cm (24 x 32 in.) signed lower right
$28,000-30,000
91
NAOMI SASI b.1992 (Israeli)
Landscape with boats oil on canvas 21 x 15 cm (8 x 6 in.) signed lower left
$1,200-1,800
92
NAOMI SASI b.1992 (Israeli)
Young woman on the river bank oil on canvas 15 x 25 cm (6 x 10 in.) signed lower right
$1,200-1,800
93ď ś
YVONNE CANU 1921-2008 (French)
Vendanges en Aixois
oil on canvas 27 x 35 cm (11 x 14 in.) signed lower left, signed and titled on the reverse
$5,000-7,000
94
NAOMI SASI b.1992 (Israeli)
Urban landscape in Autumn oil on canvas 15 x 30 cm (6 x 12 in.) signed lower left
$1,200-1,800
95
ALPHONSE LÉON QUIZET 1885-1955 (French)
Le Canal Saint Martin oil on canvas 90 x 131 cm (35 x 52 in.) signed lower right
PROVENANCE: Estate of Francine Collignon, daughter of the artist. Private European collection.
$6,000-8,000
96
ALPHONSE LÉON QUIZET 1885-1955 (French)
Buttes-Chaumont, avenue Simon Bolivar oil on panel 60 x 93 cm (24 x 37 in.) signed lower right
$4,000-5,000
97
ALPHONSE LÉON QUIZET 1885-1955 (French)
Rue animée
oil on masonite 46 x 64 cm (18 x 25 in.) signed lower right
$4,000-6,000
98
98
99
1885-1955 (French)
20th century
Carrefour au Lilas
Place du Tertre à Montmartre
ALPHONSE LÉON QUIZET oil on canvas 43 x 50 cm (17 x 20 in.) signed lower right PROVENANCE: Estate of Francine Collignon, daughter of the artist. Private European collection.
$900-1.200
FRENCH SCHOOL
oil on panel 33 x 41 cm (13 x 16 in.) signed ‘Berres B.M.’ lower right
$800-1,000
100
ELISÉE MACLET 1881-1962 (French)
La butte aux cailles
oil on cardboard 46 x 60 cm (18 x 24 in.) signed lower right, titled on the reverse Jean Paul Villain has kindly confirmed the authenticity of this of this work.
$2,500-3,000
101
ELISÉE MACLET 1881-1962 (French)
Le moulin rouge
oil on cardboard 49 x 67 cm (19 x 26 in.) signed lower right Jean Paul Villain has kindly confirmed the authenticity of this of this work.
$3,500-4,500
102
ELISÉE MACLET 1881-1962 (French)
Montmartre
oil on canvas 27 x 35 cm (11 x 14 in.) signed lower left PROVENANCE: Galerie Juarez Inc., Los Angeles/Palm Beach (label on the reverse). Jean Paul Villain has kindly confirmed the authenticity of this of this work.
$3,000-4,000
103
ELISÉE MACLET 1881-1962 (French)
Neige sur le Moulin de la Galette, Paris oil on cardboard 42 x 36 cm (17 x 14 in.) signed lower left
Jean Paul Villain has kindly confirmed the authenticity of this of this work.
$3,000-4,000
104
ELISÉE MACLET 1881-1962 (French)
Rue de Montmartre oil on canvas 46 x 55 cm (18 x 22 in.) signed lower left
PROVENANCE: Sale: Guy Loudmer, June 24, 1992 (label on the reverse). Private collection, France. Jean Paul Villain has kindly confirmed the authenticity of this of this work.
$3,500-4,500
105
ELISÉE MACLET 1881-1962 (French)
Bateaux de pêche à Collioure oil on canvas 46 x 55 cm (18 x 22 in.) signed lower right
Jean Paul Villain has kindly confirmed the authenticity of this of this work.
$2,500-3,000
106
CAMILLE BOMBOIS 1883-1970 (French)
La maison au perron oil on canvas 33 x 41 cm (13 x 16 in.) signed lower left PROVENANCE: Perls Galleries, New York.
$6,000-8,000
107
CAMILLE BOMBOIS 1883-1970 (French)
La grande allée d’arbres
oil on canvas 60 x 40 cm (24 x 16 in.) signed lower left PROVENANCE: Private collection, France.
$8,000-10,000
108ď ś
JEAN DUFY 1888-1964 (French)
Still life with flowers watercolor on paper mounted on cardboard 56 x 42 cm (22 x 17 in.) signed lower left
PROVENANCE: Private collection, Sweden.
$8,000-10,000
109
CLAUDE VENARD 1913-1999 (French)
Nature morte
oil on canvas 33 x 40 cm (13 x 16 in.) signed lower right PROVENANCE: Romanet Rive-Gauche, Paris.
$5,000-7,000
110
CLAUDE VENARD 1913-1999 (French)
Sur la plage
oil on canvas 33 x 41 cm (13 x 16 in.) signed lower left
$5,000-7,000
111
CLAUDE VENARD 1913-1999 (French)
Le Soeurs
oil on canvas 33 x 40 cm (13 x 16 in.) signed lower right
$5,000-7,000
112
PAUL AIZPIRI b.1919 (French)
Arlequin
oil on cardboard mounted on panel 39 x 31 cm (15 x 12 in.) signed lower left
$2,500-5,000
113
PAUL AIZPIRI b.1919 (French)
Maquette de petrouchka dans la sauvage apprivoisée mixed media on paper mounted on cardboard 76 x 56 cm (30 x 22 in.) signed lower left, titled lower center
$2,800-3,500
114ď ś
CLAUDE VENARD 1913-1999 (French)
Cathedral
oil on canvas 150 x 150 cm (59 x 59 in.) signed lower right PROVENANCE: The Lefevre Gallery, London (label on the reverse).
$8,000-12,000
115ď ś
CLAUDE VENARD 1913-1999 (French)
Untitled, 1965
oil on canvas 35 x 70 cm (14 x 28 in.) signed and dated lower right, dated '16.1.65' on the stretcher PROVENANCE: Reese and Marilyn Palley, Philadelphia, Pennsylvania (label on the reverse). Guy Loudmer (label on the reverse).
$7,000-9,000
116
JOSEPH CONSTANT CONSTANTINOVSKY 1892-1969 (Russian, French, Israeli)
Untitled
wood 86 x 50 x 50 cm (34 x 20 x 20 in.) signed on the reverse
$2,000-3,000
117 AFTER
CONSTANTIN BRANCUSI 1876-1957 (Romanian)
Mademoiselle Pogany III, 1931 (late cast)
bronze with gold patina 31 x 15 x 11 cm (12 x 6 x 4 in.) signed and numbered ‘4/9’ on the base
$2,000-3,000 118
119
JANKEL ADLER 1895-1949 (Polish)
Abstract composition oil on board 26 x 38 cm (10 x 15 in.) signed lower left
$6,000-8,000
120
UNKNOWN ARTIST 20th century
Untitled
marble 35 x 21 x 35 cm (14 x 8 x 14 in.) signed ‘Camargo’
←118
SERGE CHARCHOUNE 1888-1975 (Russian)
Composition in brown, 1927 oil on canvas mounted on masonite 18 x 39 cm (7 x 15 in.) signed and dated 'VII-27' lower right
PROVENANCE: Sale: Versailles Enchères, December 17, 2006, lot 78. Private European collection, acquired at the above sale.
$12,000-15,000
$1,500-2,000
121
122ď ś
1873-1950 (Hungarian)
1895-1978 (Ukrainian, French)
Man seated on a bench
Circus clowns
PROVENANCE: Private collection, London.
PROVENANCE: Private European collection.
$3,000-4,000
$4,800-6,000
HUGO SCHEIBER 121
gouache on paper 80 x 60 cm (31 x 24 in.) signed lower left
123
JOSEF HERMAN 1911-2000 (English)
Spanish village at dusk, 1959 oil on board 17 x 22 cm (7 x 9 in.)
123
PROVENANCE: Arthur Tooth & Sons Ltd., London (label on the reverse). Dr. A. Lerner, London (label on the reverse).
$2,500-3,500
124
JOSEF HERMAN 1911-2000 (English)
Harvesting, Spain, 1959
oil on paper mounted on masonite 17 x 22 cm (7 x 9 in.) PROVENANCE: Arthur Tooth & Sons Ltd., London (label on the reverse). Dr. A. Lerner, London (label on the reverse).
$700-900
ISAAC PAILES oil on canvas 73 x 91 cm (29 x 36 in.) signed lower left
125
JULES PERAHIM 1914-2008 (Romanian)
White war, 1976
oil on canvas 50 x 61 cm (20 x 24 in.) signed and dated lower right
$8,000-10,000
126
NIKOLAI PAVLOVICH AKIMOV 1901-1968 (Russian)
Robespierre (decorations), 1930 gouache on paper mounted on cardboard 15 x 21 cm (6 x 8 in.)
PROVENANCE: Private Russian collection, since 1932. Private European collection, gift of the previous owner, c.1970. EXHIBITION: Artists of the RSFSR over 15 years, 1917-1932, The State Russian Museum, Saint Petersburg, 1932 (label on the reverse).
$4,000-6,000
127
THÉO TOBIASSE 1927-2012 (French)
Un chant de violon qui nous sort de Mitzraim, 1970 gouache and mixed media on paper 51 x 67 cm (20 x 26 in.) signed upper right, dated center left and titled lower right
Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.
$9,000-12,000
128
THÉO TOBIASSE 1927-2012 (French)
Le viol de tamar, 1987
mixed media and collage on paper 102 x 70 cm (40 x 28 in.) signed upper left, dated center right, titled lower right PROVENANCE: Estate of the Artist. Nahan Galleries, New York (label on the reverse). Wolfgang & Anita Rapp, Philadelphia, Pennsylvania, acquired directly from the above in 1988. Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.
$8,000-12,000
129
THÉO TOBIASSE 1927-2012 (French)
Raconte moi ton univers, 1974 oil on canvas 65 x 81 cm (26 x 32 in.) signed lower left, dated in center, titled upper right
Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.
$15,000-20,000
130
THÉO TOBIASSE 1927-2012 (French)
Les hommes sur un Pont, 1967 oil on canvas 50 x 61 cm (20 x 24 in.) signed lower right, dated center right, titled upper center
Catherine Faust-Tobiasse has kindly confirmed the authenticity of this work. This work will be included in the forthcoming catalogue raisonné currently in preparation.
$7,000-9,000
131
CHARLES NEAL b.1951 (British)
Afternoon at Le Perchoir, the artist’s wife Susan, St.Croix, Teurthéville-Bocage, Normandie, France, August oil on canvas 122 x 102 cm (48 x 40 in.) signed lower right
$8,000-10,000
132
133
1920-2001 (French)
1934-2009 (Spanish)
Sous la pluie
Cala figuera de formentor
oil on canvas 50 x 73 cm (20 x 29 in.) signed lower left
oil on canvas 60 x 81 cm (24 x 32 in.) signed lower right
$5,000-7,000
$10,000-12,000
GASTON SÉBIRE
JOAN BELTRÁN BOFILL
134
CHARLES NEAL b.1951 (British)
Breakfast, garden near Lorgues, Provence, France, Morning, July oil on canvas 97 x 131 cm (38 x 52 in.) signed lower right
$12,000-15,000
135
ISABELLE DE GANAY b.1960 (French)
Jardin à Grigneuseville oil on canvas 73 x 92 cm (29 x 36 in.) signed lower right
$8,000-10,000
136
GILLES GORRITI b.1939 (French)
La nappe blanche, 2013 oil and mixed media on canvas 81 x 100 cm (32 x 39 in.) signed lowrr rigth
$10,000-12,000
137
GILLES GORRITI b.1939 (French)
La partition de musique II, 2013 oil and mixed media on canvas 100 x 81 cm (39 x 32 in.) signed lower right
$8,000-10,000
138
NICOLA SIMBARI 1927-2012 (Italian)
Marrakech
acrylic on vellum paper mounted on canvas 110 x 120 cm (43 x 47 in.) signed lower left
$10,000-12,000
139
140
1907-1997 (American)
1907-1997 (American)
SB 1998.233, 1990-91
C96 SB 1998.149, 1984
$12,000-14,000
$10,000-12,000
SIMEON BRAGUIN acrylic on canvas 86 x 107 cm (34 x 42 in.) signed and dated on the reverse
SIMEON BRAGUIN acrylic on canvas 76 x 86 cm (30 x 34 in.) signed and dated on the reverse
141ď ś
PAUL JENKINS 1923-2012 (American)
Phenomena Nimbus Sounds, 1976 acrylic on canvas 97 x 138 cm (38 x 54 in.) signed lower right, signed, dated and titled on the reverse
PROVENANCE: Private collection, Tokyo. Private European collection.
$24,000-28,000
142ď ś
ANDY WARHOL 1928-1987 (American)
Truck, 1985
color screenprint on Lenox Museum Boar, aside from the edition of 60, printed by Rupert Jasen Smith, published by Hermann Wunsche, Bonn, Germany 100 x 100 cm (39 x 39 in.) signed and inscribed 'HC 2/15' lower right LITERATURE: F.Feldman & J.Spellmann, n.370.
$25,000-30,000
144→
ROY LICHTENSTEIN 1923-1997 (American)
Still life with crystal bowl, 1976
143
TOM WESSELMANN 1931-2004 (American)
Bedroom face, 1977
aquatint in colors on Arches paper, published by Multiples, Inc., New York, with their blindstamp and the blindstamp of Aero Press 57 x 76 cm (22 x 30 in.) signed and dated, numbered ‘64/75’
$9,000-12,000
screenprint and lithograph on BFK Rives paper, published Multiples, Inc. and Castelli Graphics, New York, printed by Styria Studio, New York 96 x 125 cm (38 x 49 in.) signed, dated and numbered ‘13/45’ lower right PROVENANCE: Private collection, North Carolina. LITERATURE: Corlett, 150.
$18,000-24,000
145ď ś
ROY LICHTENSTEIN 1923-1997 (American)
Sunrise, 1965
offset lithograph, published by Leo Castelli Gallery 44 x 59 cm (17 x 23 in.) signed lower right LITERATURE: Corlett, II.7.
$9,000-12,000
147
KEITH HARING 1958-1990 (American)
Dancer, 1984
felt-tip pen on the content page of the exhibition catalogue Figuration libre, France-USA, Modern Art Museum, Paris, December 20, 1984-February 17, 1985 12 x 8 cm (5 x 3 in.) signed and dated in center PROVENANCE: Private collection, France. Sale: Cornette de Saint Cyr, May 14, 1993, lot 109. Private collection.
$3,500-5,000 147
146
KEITH HARING 1958-1990 (American)
The man in the man, 1989 felt-tip pen on paper 15 x 10 cm (6 x 4 in.) signed, dated and inscribed ‘for Erwin’ lower center
PROVENANCE: Private collection, gift of the artist to hotel employee at the Breidenbacher Hof, where the artist stayed.
$6,000-8,000
148
DIMITRY GERRMAN b.1955 (Belarussian)
Playing boys, 1995
bronze on granite base 46 x 86 x 10 cm (18 x 34 x 4 in.) signed, dated and numbered ‘1/7’ on the base
$8,000-12,000
149
KEITH HARING 1958-1990 (American)
Untitled, 1987
lithograph on wove paper 65 x 80 cm (26 x 31 in.) signed, dated and numbered ‘43/170’ lower right LITERATURE: Klaus Litmann, Hatje Cantz Verlag, Keith Haring, L’Oeuvre imprimé complet, Editions Hatje Cantz, 1997, p.84 (illustrated).
$12,000-15,000
150
KEITH HARING 1958-1990 (American)
Untitled, 1988
felt-tip pen on denim 52 x 62 cm (20 x 24 in.) signed and dated lower right
$3,800-4,500
151
ROBERT INDIANA b.1928 (American)
White on black chosen love, c.1995
hand tufted wool tapestry, for Master Contemporary Original Artist Rugs 300 x 300 cm (118 x 118 in.) signed and numbered ‘35/125’ on the label on the reverse
$8,000-10,000
152
YVES KLEIN 1928-1962 (French)
Table bleue
glass, plexiglass and IKB pigment, edition started in 1963 38 x 125 x 100 cm (15 x 49 x 39 in.) signed and numbered on label on the base LITERATURE: Jean-Paul Ledeur, Yves Klein, Catalogue raisonné des éditions et sculptures éditées, Knokke, 2000, p.53.
$12,000-15,000
153
ARNO b.1975 (French)
Crowd, 2015
cut steel and polychrome 80 x 25 x 20 cm (31 x 10 x 8 in.) signed and dated on the base
$2,000-3,000
154
ARMAN 1928-2005 (French, American)
Violon pizzaiola, 2004
bronze with gold patina on black marble base, Trewell editor 72 x 20 x 18 cm (28 x 8 x 7 in.) signed and numbered ‘47/99’ lower right LITERATURE: Catalogue raisonné, p.132, n75.
$4,500-6,000
155
ARMAN 1928-2005 (French, American)
Untitled, 2004
bronze brown, black and gold patinas, edition of 8 plus 4 artist’s proofs 107 x 60 x 60 cm (42 x 24 x 24 in.) incised with artist’s signature and numbered ‘1/8’ on the base This work is recorded in the Arman Studio Archives New York under number APA# 8306.04.003.
$38,000-45,000
156
ALEXANDER CALDER 1898-1976 (American)
Sun and moon, 1975
gouache and ink on paper 55 x 74 cm (22 x 29 in.) signed and dated lower right, inscribed ‘26411A / 72’ on verso PROVENANCE: M. Knoedler & Co, Inc., New York. Irving Galleries, Palm Beach, USA (label on the reverse). Private collection (with 1979 appraisal by Irving Luntz), Harrison, NY, acquired from the above in 1979. Private collection.
$90,000-120,000
157
ALEXANDER CALDER 1898-1976 (American)
Faux vitrail, 1970
gouache on paper 108 x 75 cm (43 x 30 in.) signed and dated lower right PROVENANCE: Galerie Maeght, Paris. Sale: Sotheby’s New York, June 23 and 24, 1980, lot 347A. Private collection, New York, acquired at the above sale. Sale: Sotheby’s New York, November 12, 2009, lot 284. Private collection, Miami. Puccio Fine Art, New York. Private collection.
$40,000-50,000
←158
159
1900-1969 (Russian)
1900-1969 (Russian)
Composition in red, yellow, blue, green and gray model for fabric, 1946, number 26950
Composition, 1966
SERGE POLIAKOFF
gouache on paper 65 x 50 cm (26 x 20 in.) signed and numbered ‘26950’ lower right
PROVENANCE: Former collection of industrial manufarture of fabrics Galerie Sur cour, Paris. Private collection, Paris. Private European collection. LITERATURE: Alexis Poliakoff, Serge Poliakoff: Catalogue Raisonné 1922-1954, Acatos, 2004, p.262-264 (illustrated). Accompanied by a certificate of authenticity signed by Alexis Poliakoff, dated May 24, 2000, numbered 846062.
$40,000-50,000
SERGE POLIAKOFF gouache on paper mounted on cardboard 47 x 62 cm (19 x 24 in.) signed lower right PROVENANCE: Anon. sale: Christie’s Amsterdam, May 31, 1994, lot 376. Private collection, acquired at the above. Opera Gallery, Paris. Private European collection, acquired from the above. This work will be included in the forthcoming Serge Poliakoff Catalogue raisonné currently being prepared by Alexis Poliakoff.
$55,000-70,000
160
VICTOR VASARELY 1906-1997 (Hungarian, French)
Laika, 1956
gouache and tempera on cardboard 40 x 32 cm (16 x 13 in.) signed lower center, signed dated, titled and inscribed ‘P24’ on the reverse PROVENANCE: Imre Pan Mezei, Budapest, c.1963. Private Collection, Toronto. Private European collection. LITERATURE: Werner Spies, Vasarely, 1969, p.13 (a similar work entitled Laika II illustrated, p.41). Pierre Vasarely has kindly confirmed authenticity of this works. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, currently being prepared by the Fondation Vasarely, Aix-en-Provence.
$14,000-16,000
161
VICTOR VASARELY 1906-1997 (French)
Album Cinetique NB (portfolio of 9), 1975
silkscreens, published by Editions Denise René, Paris 83 x 83 cm (33 x 33 in.) signed lower right, numbered ‘77/250’ lower left
$2,000-2,500
162
YAACOV AGAM b.1928 (Israeli)
Étude carrée, 1965
oil on aluminium 40 x 60 cm (16 x 24 in.) signed, dated, titled, located and inscribed ‘to Nate and Jacqueline with friendship, Agam’ in English and in Hebrew on the reverse PROVENANCE: Marlborough-Gerson Gallery, New York. Collection of Nicolas Landau and Jacqueline Goldman, acquired from above in 1966. Private European collection.
$40,000-60,000
163
VICTOR VASARELY 1906-1997 (Hungarian, French)
Cyclon, 1984
acrylic on canvas 52 x 51 cm (20 x 20 in.) signed lower right, signed, dated, titled and numbered on the reverse PROVENANCE: Galleria Centro Steccata, Parme, Italy. Private collection, Italy. Private European collection. Pierre Vasarely has kindly confirmed authenticity of this works. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, currently being prepared by the Fondation Vasarely, Aix-en-Provence.
$28,000-35,000
164
VICTOR VASARELY 1906-1997 (Hungarian, French)
Vega-Pi, 1978-92
acrylic on canvas 100 x 100 cm (39 x 39 in.) signed lower right, signed, dated and titled on the reverse PROVENANCE: Michele Vasarely, Puerto Rico. Private collection, London. Private collection, San Francisco. Private Collection, New York. Privae European collection. Conceived in 1978, this work was executed c.1992. Pierre Vasarely has kindly confirm the authenticity of this work. This work will be included in the forthcoming catalogue raisonné de l’oeuvre peint de Victor Vasarely, which is currently being prepared by the Fondation Vasarely, Aix-en-Provence.
$80,000-100,000
165
YAACOV AGAM b.1928 (Israeli)
Magic rain, 1979
polymorph silkscreen 48 x 69 cm (19 x 27 in.) signed, numbered ‘93/150’ and dated on the reverse
$9,000-12,000
166
YAACOV AGAM b.1928 (Israeli)
Untitled, c.1990
prismograph 72 x 105 cm (28 x 41 in.) signed lower right and numbered ‘108/144’ lower right
$7,500-9,000
167
YAACOV AGAM b.1928 (Israeli)
2+3=4, 1981
polymorph silkscreen on folded PVC on plastic base 63 x 90 cm (25 x 35 in.) signed lower right and numbered ‘175/180’ lower left
$10,000-12,000
168
YAACOV AGAM b.1928 (Israeli)
Untitled, 1974
gouache on paper 90 x 73 cm (35 x 29 in.) signed and dated lower right
$23,000-26,000
169
YAACOV AGAM b.1928 (Israeli)
Pentateuch (The Five Books of Moses), 1992
polymorph on the cover of Pentateuch in a plexiglass box 29 x 23 cm (11 x 9 in.) signed lower center and numbered ‘669/750’ on the first page
$2,500-3,500
170
LEONID OBOLSKY b.1951 (Russian, Israeli)
Ballet
oil on canvas 80 x 100 cm (31 x 39 in.) signed lower right, signed again and titled on the reverse
$6,000-8,000
171
172
20th century (Chinese)
20th century (Chinese)
The charming piper
The lady of Eden
$1,800-2,500
$1,800-2,500
ROSANNA ZHANG gouache with glitter on rice paper 60 x 61 cm (24 x 24 in.) signed lower right
ROSANNA ZHANG gouache with glitter on rice paper 60 x 61 cm (24 x 24 in.) signed lower right
173
BEN AVRAM b.1937 (Israeli)
Hommage to Picasso oil on canvas 60 x 90 cm (24 x 35 in.) signed lowert left, signed again on the reverse
$6,000-8,000
Pablo Picasso. Les femmes d’Alger
Absentee Bid Form
Impressionist, Modern & Contemporary Fine Art Auction 13 October 2015 8:00 pm Matsart Gallery, Jerusalem
Matsart Auctioneers & Appraisers
Absentee bids should be received 24 hours prior to the auction. Matsart will confirm receipt of bids. If you do not receive confirmation, please contact bid department at +972-2-6251049. Please fax bids to +972-2-6257779 or email bids@matsart.net
Name Address
mobile
telephone
email lot #
max bid US$ (hammer)/telephone
lot #
max bid US$ (hammer)/telephone
I hereby request that MATSART bid on my behalf on the lots as listed above, yet not to exceed the maximum bid that I have fixed for each lot as above. I understand that if I am the successful bidder, I am obligated to pay in addition to the hammer price a buyer’s premium in the sum of 25% on the initial $100,000, 20% on the balance beyond $100,000 (per lot), and 12% on balance beyond $1,000,000 (per lot). All lots are sold as is and at their current location. To this will be added local taxes where applicable. Please see conditions of sale. It is my understanding that my bid is in accordance and subject to the conditions of purchase as published in this catalogue. In order to insure acceptance of the bids, potential buyers bidding for the first time with MATSART are requested to furnish us with references. Please refer to paragraphs 6 and 11 of the conditions of purchase.
SIGNATURE
DATE
21 King David St., Jerusalem • 15 Frishman St., Tel Aviv • 415 East 72 St., New York, NY
CONDITIONS OF SALE The auction will be conducted by the auctioneer's representatives of Matsart Auctioneers & Appraisers (Matsart). Unless otherwise specified, Matsart is acting as an agent on behalf of the seller. The contract for the sale of the property is between the seller and the buyer. The auctioneer has sole discretion and authority at any time to determine the winner in the auction or to withdraw any lot or lots from the sale or to re-offer and resell any lot, all according to his sole judgment, including yet not limited to prior to the auction, during the auction, and following the auction. Purchasing an item is legitimate only when the auctioneer lowers his hammer and announces a card number of a participant in the room or a bidder in writing or a bidder by phone or by internet. Notwithstanding the above, it is the auctioneer’s sole judgment to reopen a lot and/or cancel a sale. The auctioneer reserves the right to reject any bid. The prices quoted in the catalogue are estimate prices of the lots. These prices are estimates, normally different from the minimum prices. A sale will be only at the minimum price or above, all according to the auctioneer’s discretion. If, in the auctioneer’s opinion, any opening bid is below the reserve of the lot, he may withdraw the lot from the sale. Following an opening bid, the auctioneer may reject further bids if, in his opinion the advance is not sufficient. All lots are sold "as is". Neither Matsart nor the seller makes any express or implied warranty of any kind with respect to the description, attribution, literature, former owners, period, provenance, condition and/or frame concerning the lots offered in the auction. No statement in the catalogue or in the sale or the invoice or the bill of sale given to purchasers shall be deemed such a warranty. All bidders are responsible to examine the work and its condition and its authenticity prior to bidding. It is important and recommended to examine all items before bidding. The details of this exhibition are published in the catalogue. Condition reports and catalog entries are to be used as guidance only by the buyers. Prior to bidding, bidders should personally inspect the lots. Following the auction, if the bidder has questions regarding authenticity and wishes to show the work to a recognized expert (acceptable to Matsart), the item must be paid for in full and the buyer must arrange (at his expense) to show the work to the expert and receive a response within 30 days following date of sale. Prior arrangements must be made with Matsart to allow that payment be withheld from the seller. Should the expert declare that the painting is not authentic, Matsart will refund money paid for lot (less expenses) under the condition that confirmation of lack of authenticity is received within 30 days of sale. To remove all doubt, following 30 days, Matsart will have no responsibility. All potential bidders must register prior to bidding by completing all necessary registration forms and provide proper identification. Matsart reserves the right to request bank and/or other financial references. Upon registration, potential bidders will receive a paddle number, which serves as identification in the event that the participant is the successful high bidder of any lot in the sale. The purchaser, whether present in the auction room at the time of sale or bidding by writing or by phone, whether for himself or for any third party, will be irrevocably committed to pay for the article and to accept it. The auctioneer and/or Matsart may take any measures necessary for realizing the commitment, i.e. to force the winner to pay expenses, bank interest and/or inflation index appropriation, to sue compensations, to withhold the articles that the buyer purchased or left in company's hold, to deduct the debt from any sum of money that Matsart owes the winner. Matsart accepts absentee bids with no additional fee. Attached herewith a form enabling buyers unable to be present at the time of auction to make their bids. By this form potential buyers authorize Matsart representatives to represent them during the auction in the interest of purchasing and/or to contact them by telephone to allow to bid during the auction by telephone. This service is given at no additional fee, beyond the buyer’s premium as stated below. A bid cannot be revoked in any form and is an obligation for purchasing. We will take all reasonable measures to process the bid, yet take no liability in the event that for any reason a bid was not processed. Bids can be delivered via fax: +972-2-6257779 or by email: bids@matsart.net. Auctions are conducted in U.S. dollars. Payment is to be made in US$. However, payment can be accepted in Euros or in N.I.S., according to the high rate of exchange published by Bank Leumi Le'Israel on the day of the sale, or the day of the payment, the higher of the two. In many instances, works may not be present in the saleroom at time of sale and may be digitally exhibited. Discrepancies may occur. Matsart accepts no liability for such errors. Unless otherwise indicated, all lots are offered subject to a reserve price. This reserve will not exceed the low estimate. The reserve price is the minimum price for which the item will sell and is confidential. The auctioneer may open bidding on any lot by placing a bid on behalf of the seller. The auctioneer may further bid on behalf of the seller, up to the amount of the reserve by placing successive or consecutive bids for a lot, or by placing bids in response to other bidders. The highest bidder acknowledged by the auctioneer shall be the buyer (as above), from among the bidders present in the auction room at the time of sale or the bidders in writing or by phone. The bidders in writing or by phone authorize Matsart representatives to represent them and to bid on their behalf at the time of auction in the interest of purchasing. All lots must be paid for and collected not later than 3 business days following the auction. Special expenses including yet not limited to, forwarding and the forwarding insurance, special packaging, messengers etc., will be borne by the buyer. It is the responsibility of the high bidder to insure the purchase within three days after sale. Should the high bidder wish, he may inform Matsart to insure the work on his behalf and at his expense. Payment for the article, plus a buyer’s premium of 25% on the first $100,000, 20% on all sums beyond $100,000 (per lot), and 12% on sums beyond $1,000,000 (per lot) plus all local taxes where applicable, will be paid in full immediately and not later than three days from the date of sale. From the seller we deduct seller's commission plus local taxes on commission where applicable. Payment will be accepted only in these manors: Checks drawn on US or Israeli banks, money transfers, Credit cards: Visa, American Express and Mastercard (with an addition of 3.5% on total payment via credit card). All bank fees in regards to transfers, both those of the buyer and those of Matsart, are the responsibility and at the expense of the buyer. The buyer is responsible for all local taxes where applicable including, yet not limited to VAT, sales tax, customs duties and VAT on imports, etc. New York sales tax will be charged for all items picked up and/or delivered in New York. For items shipped out of state, or imported to the USA from other locations, Matsart may be exempt from charging sales tax on hammer price. For items to be picked up and/or delivered in Israel, local VAT laws apply. For items to be picked up and/or delivered in Europe, local VAT laws apply. For more information, please contact bid department. All expenses caused by storing the article in the company after final date for collecting the article will be charged to buyer's accounts. We recommend to our customers to make sure, in advance, the availability of place in the auction. Seats will be reserved until 15 minutes before the sale. Unsold lots will be returned to their owner. Sale of a lot by Matsart after the auction is legitimate and will be guided by the same conditions as those that apply to items sold at auction. Items may be displayed in one of three locations. A v beside a lot number indicates an item that Israeli VAT will be charged on the hammer price as well as the premium if the item is collected from Matsart in Israel. In all cases, transit costs, import costs and all other costs are the responsibility of the buyer. Jurisdiction – if Matsart decides to file a laws+uit against a seller or a buyer Matsart can choose the venue either in New York or in Paris or in Israel and the reigning law will be according to the venue chosen by Matsart. However, without derogating from this, any lawsuit against Matsart can ONLY be filed in Israel, according to Israeli law, and the SOLE jurisdiction for any legal action of any kind against Matsart is ONLY in Israel and ONLY according to Israeli law.
Z v o n i m i r m i h a n o v i c ( b . 1946)
( d e ta i l ) M y G r a n d fat h e r ’ s V i l l a G e |
oil on linen
| 32
1/2
x
38
1/2
inches
| WFG© 134794
WA L LY F I N D L AY G A L L E R I E S N E W Y O R K • PA L M B E A C H
n eW Y ork : 124 e ast 57 th s treet • n eW Y ork , nY 10022 • (212) 421 5390 P alm b each : 165 W orth a venue • P alm b each , Fl 33480 • (561) 655 2090 WWW.WallYFinDlaY.com
EST. 1870
ART WALLY FINDLAY
index Abel-Truchet, Louis
6
Jenkins, Paul
141
Adler, Jankel
119
Kisling, Moïse
42, 46-47
Adrion, Lucien
88-90
Klein, Yves
152
Agam, Yaacov
162, 165-169
Korovin, Konstantin Alexeyevitch
9
Aizpiri, Paul
112-113
Le Pho
67
Akimov, Nikolai Pavlovich
126
Levitan, Isaak Il’ich
11
Anglade, Gaston Vincent
23-24
Lichtenstein, Roy
144-145
Arman
154-155
Lorjou, Bernard
80
Arno
153
Maclet, Elisée
100-105
Bardone, Guy
81
Malfroy, Charles
25-26
Ben Avram
173
Manzana-Pissarro, Georges
29-31
Bofill, Joan Beltrán
133
Marquet, Albert
41
Bombois, Camille
106-107
Milliere, Maurice
18
Braguin, Simeon
139-140
Miró, Joan
63-65
Brancusi, Constantin
117
Moretti, Lucien Philippe
84-85
Calder, Alexander
156-157
Mühl, Roger
76
Canu, Yvonne
93
Neal, Charles
131, 134
Cavaillès, Jean Jules Louis
68-69
Obolsky, Leonid
170
Chagall, Marc
48-54
Pailes, Isaac
122
Charchoune, Serge
118
Paul, Gen
73
Charreton, Victor Leon
12
Perahim, Jules
125
Constant Constantinovsky, Joseph
116
Picasso, Pablo
55-62
Còrtes, Edouard Léon
7
Pinchon, Robert Antoine
14-15
Cucuel, Edward
86
Pissarro, Camille
27
de Ganay, Isabelle
135
Pissarro, Hugues Claude
35-38
de la Villéon, Emmanuel Victor Auguste Marie
17
Pissarro, Lucien
28
de Saint-Delis, Henri Liénard
39
Pissarro, Paul-Emile
32-34
Dobrinsky, Isaac
87
Poliakoff, Serge
158-159
Dufy, Jean
108
Quizet, Alphonse Léon
95-98
Dyf, Marcel
82
Rochegrosse, Georges Antoine
2
Fontaine, P.
16
Sasi, Naomi
91-92, 94
French Impressionist School
19-20
Scheiber, Hugo
121
French School
99
School of Coypel
3
Friesz, Achille Emile Othon
40
Sébire, Gaston
132
Galien-Laloue, Eugène
8
Gall, François
70-72, 75
Gerrman, Dimitry
148
Gisson, André
78-79
Gleizes, Albert
13
Gorriti, Gilles
136-137
Gorter, Arnold Marc
21
Hambourg, André
77
Haring, Keith
146-147, 149-150
Herman, Josef
123-124
Herrera, José Herrerilla Cruz
83
Indiana, Robert
151
Jaulmes, Gustave Louis
1
Serebryakova, Zinaida Evgenievna 10 Simbari, Nicola
138
Somm, Henry
4, 5
Tobiasse, Théo
127-130
Unknown artist
120
Utrillo, Maurice
44-45
Valtat, Louis
43, 74
Vasarely, Victor
160-161, 163-164
Venard, Claude
109-111, 114-115
Vu Cao Dam
66
Warhol, Andy
142
Wesselmann, Tom
143
Widhopff, David Osipovich
22
Zhang, Rosanna
171-172
Benjamin Mizrahi | Production Manager sdmb49@gmail.com • Ivan Bogod | Graphic Designer netglobe@gmail.com Nitzevet Krief | Photography nitzevet.krief@gmail.com
NEW LOCATION IN NEW YORK
YOU ARE INVITED TO VISIT OUR NEW REPRESENTATIVE GALLERY, LOCATED ON THE UPPER EAST SIDE OF MANHATTAN.
MATSART BELOOSESKY GALLERY 415 East 72nd Street New York, NY 10021 (same block as Sotheby’s)
Eyal Beloosesky Mobile (917) 749 4557 Glenn Spellman Certified Member of the Appraisers Association of America
Mobile (646) 339 8463 Gallery (646) 837 6428 e-mail: newyork@matsart.net