Wide View, 2024 e-catalogue

Wide View 10 Feb – 9 March 2023 Galia Amsel, Emma Camden, Tom Carroll, Christine Cathie, Kate Fitzharris, Tui Emma Gillies & Sulieti Fieme'a Burrows, Stevei Houkāmau, Jay Hutchinson, Luke Jacomb, Cora-Allan Lafaiki-Twiss, Neke Moa, Jude Te Punga Nelson, Shelley Norton, John Parker, John Roy, Aaron Scythe, May Trubuhovich, Lisa Walker, and Layla Walter

Installation view

Installation view

Installation view

Installation view

Galia Amsel 1. Surf 12, 2024

cast bullseye uniquely hand made stringers, hand smoothed and polished 790 x 480 x 130mm

$17,850

Emma Camden 2. Archway, 2022

Cast red/orange Gaffer glass; H455 x W340 x D145mm

$12,500

Tom Carroll (Ngāti Maru, Hauraki, Pākeha) 3. Kauri Putorino with Whakarare Panels Kauri, paua shell, binding; L640, W658, D70mm

$2,950

Christine Cathie 4. Rippled Ribbon, 2024

Emerald cast glass, acid etched and polished; 760 x 200 x 170mm $8,900

Kate Fitzharris 5. Bottle with feet, 2023

Soda fired ceramic; H190 x Dia.125mm

$750

Kate Fitzharris 6. Spotted Bottle, 2023

Soda fired ceramic; H235 x Dia.120mm

$750

Kate Fitzharris 7. Kiln Bottle, 2023

Soda fired ceramic; H180 x Dia.120mm

$750

Kate Fitzharris 8. Looking at things as a whole (detail #10) Ceramic; H260 x W210 x D110mm

$850 (set)

Tui Emma Gillies (Tongan, Pākeha) 9. Ocean Voyage, 2024 Painted Ngatu on synthetic sphere, Dia.290mm

$2,500

The process of ocean voyaging can be seen as a process of deep psychological exploration. In myths and legends from around the world the hero or heroine sets sail across the ocean, the loch or the river and encounters strange and terrifying creatures, in this case a giant octopus. The bodies of water signify the subconscious and the creatures are the complexities and traumas in the psyche that we must observe, heal and release. We are all on our own personal ocean voyage, from birth, through life, to death. On one shore are our ancestors. On the other, our descendants.

Tui Emma Gillies & Sulieti Fieme'a Burrows (Tongan) 10. Fekau’aki (Connection), 2024 Tongan feta'aki (tapa cloth), umea (red earth from $25,000 Falevai, Vava'u), tapioca starch (organic glue) and kupesi.

H1830 x W1770mm Fekau’aki is a Tongan word that describes connections. They could be between family members but fekau’aki could also represent the way the ocean connects all the peoples and lands of the world. Fekau’aki is connecting or linking or meeting or being united by the biggest ocean.

This painting depicts a family voyaging on the high seas in their vaka. They navigate and are guided by the heavens, as indicated by the stars in the four corners of the painting. Life is a journey through treacherous seas with our loved ones. The universe is a wild place. Even in the concrete safety of the city, we are still in the wild. An earthquake, a cyclone, or a disease can attack us and overcome our defences, no matter how prepared we think we are. We are adrift on the universe cruising in our tiny vaka. It can be too much to face alone. That is why we must stay connected. In numbers, there is strength and it is easier to be brave. We must connect also with the great voyages our ancestors took to arrive at the places we call our homelands and the voyages we are embarking on right now in our vaka sailing across the mighty universe.

Stevei Houkāmau (Ngāti Porou, te Whānau ā Apanui, Rangitāne) 11. Taniwha, 2023. White Uku, red paint + Pounamu (Marsden) with Stainless Steel + Oak Stand; L555 x H330 x D190mm

$5,000

Jay Hutchinson 12. Untitled Landscape (Bubble O Bill), 2023 Hand Embroidery on Printed Cotton Drill, Found Tarmac and Plinth plinth: H1000 x 400 x 400mm; tarmac and embroidery: H80 x 335 x 255mm

$1450

Jay Hutchinson 13. Untitled Landscape (Hubba Bubba), 2023 Hand Embroidery on Printed Cotton Drill, Found Bricks and Plinth plinth: H980 x W350 x D350mm; Bricks and embroidery: H90 x 295 x 195mm

$1450

Luke Jacomb 14. Green Wig Wag Paddle 2023 Hot and cold worked Gaffer glass with binding, on white wooden wall mount L1255, W195, D135mm

$15,000

Cora-Allan Lafaiki-Twiss (Maori, Niuean - Ngapuhi, Tainui/ Alofi, Liku) 15. Existing in multitudes, 2024 Tuitui ink on Hiapo; H1500 x W1235mm $12,000 As a person from the moana I like to reference to the connections from Niue to Aotearoa, the journey my grandparents took and the patterns in traditional and new Hiapo move between these places. The motifs from the past hold hands with the newly ones I created to share my memories and stories with Hiapo.

Existing in multitudes offers an insight to my position of being one of many transcending between generations through an ancient art form.

The composition is set up to have a surprise and detail at every angle of the work, introducing you to different metaphors and images that reflect my experience and time spent in museum archives.

Neke Moa (Ngāti Kahungungu ki Ahuriri, Ngāti Porou, Ngāti Tūwharetoa) This series of works celebrate collaboration.

16. Kauwhanga 1#, 2024 Pupu Māneene shells, pounamu, cord, paint, beef back bone $2,800 W240 x H520 x D130mm Kauwhanga is a single dimension sacred passageway for Atua. The vastness of the universe we belong to can be seen in the pounamu piece, held in the hand of the wearer, it will be the largest thing in the room. That all these things can exist at the same time, a physical manifestation of layers, dimensional space and scale. A shell lei with a bone hanger are the collaborators.

Neke Moa (Ngāti Kahungungu ki Ahuriri, Ngāti Porou, Ngāti Tūwharetoa) 17. Mauminamina, 2024 Kokopū pounamu, muka, kōhatu, Paewai, anga, muka, screws, $3,200 oil pencil; W100 x H640 x D120mm Ko Mauminamina tenei Atua Ko Hinetitama tona Matuawhaea Nō te Whare ō HineTitama ia Ko tona mahi, For parents of children who did not make it here.

Parents whose babies are miscarried or still born.

Parents of children aborted.

People who have attempted adding to their whanau through adoption, surrogacy, IVF, donors.

Mauminamina listens to all of your karakia, your pain, anger guilt, or fear.

Maiminamina knows that you will have sadness, acceptance, and sometimes loneliness.

Mauminamina wants these people to know that all of your thoughts and stories will be heard.

Mauminamina is the Atua for parents of children who did not make it here.

Here, Mauminamina is framed in māneene shells. A physical reminder that we are supported. The shells represent the greater whare she belongs to and creates a space for her to be the focal point,an individual part of a greater whole.

Neke Moa (Ngāti Kahungungu ki Ahuriri, Ngāti Porou, Ngāti Tūwharetoa) 18. Te honongia a Haumie mā Rongo, 2024 $3,000 Abyssinian banana seeds from Hihi, kokopū pounamu, paewai hanger, paint; W300 x H290 x D60mm Rongo visits the whare of Haumie and never leaves, their joining together creates Kahūtiaterangi. Haumie and Rongo are a power couple, working within the same kaupapa spaces. Sometimes difficult to tell them apart. The banana seeds refer to Rongo, the wooden hanger, Haumie, holding them up.

The pounamu carving shows them separately and together, rolling, tumbling, intertwining.

Nāku noa Nā Neke Moa Nā Paula Conroy (kaitito)

Jude Te Punga Nelson (Te Āti Awa) 19. Kete Kaitaka Huaki Aronui 1, 2022 A white Muka Kete with four horizontal panels of Taniko, muka fringe on three side of the kete. Muka, Teri dye; H295 x W315 x D20mm

$3500

Jude Te Punga Nelson (Te Āti Awa) 20. Kete Piu, 2022 $3000 White Muka Kete with black hukahuka (tassels with a “Z” direction twist), single piu piu sewn onto the top border of the kete. Muka, Harakeke, Teri dye; H305 x W310 x D30mm

Jude Te Punga Nelson (Te Āti Awa) 21. Huaki Paepaeroa, 2024 A finely woven Taniko kete with a thick muka fringe. $3000 Muka, Traditional paru dye (gray), Commercial reddish brown dye.

Inspired by a Te Atiawa kaitaka in Te Papa; H380 x W310 x D20mm

Shelley Norton 22. 4 Likes, 2024

reconsituted plastic shopping bags, oxidized sterling silver, steel 4.5cm x 5.5cm x 4cm Yellow, purple, blue, red

$1420

Shelley Norton 23. 4 Likes, 2024

reconsituted plastic shopping bags, oxidized sterling silver, steel 4.5cm x 5.5cm x 4cm Blue, black, red, green

$1420

Shelley Norton 24. 4 Likes, 2024

reconsituted plastic shopping bags, oxidized sterling silver, steel 4.5cm x 5.5cm x 4cm Blue, purple, black, red

$1420

Shelley Norton 25. 4 Likes, 2024

reconsituted plastic shopping bags, oxidized sterling silver, steel 4.5cm x 5.5cm x 4cm Purple, black, red, green

$1420

4 Likes 4 loves, 4 likes, 4 hahas and a partridge in a pear tree, tagged and boxed, a bit dada’d…

The general concept that underpins Shelley Norton’s work is the notion of meaning - how we construct it, and how, in turn, this fascinating production, defines, supports and constrains us, in our daily existence.

In this series Norton plays with the prepackaged responses to received information, using her material of choice, the not so common plastic shopping bag.

John Parker 26. Shiny Black Grooved ‘V’ Bowl 27. Shiny Black Bottle 28.Matt Black Grooved Diabolo Vessel 29. Shiny Black Grooved Conical Bottle 30. Matt Black Grooved Vessel 31. Shiny Black Ridged Orb 32. Shiny Black Grooved ZigZag Vessel 33. Matt Black ZigZag Vessel 34. Matt Black Grooved Conical Bottle 35. Shiny Black Grooved Orb 36. Matt Black Grooved ZigZag Vessel 37. Matt Black Grooved ZigZag Bottle 38. Shiny Black Vessel

Thrown and glazed ceramic; H220 x D150mm Thrown and glazed ceramic; H220 x D150mm Thrown and glazed ceramic; H220 x D115mm Thrown and glazed ceramic; H310 x D130mm Thrown and glazed ceramic; H280 x D90mm Thrown and glazed ceramic; H150 x D110mm Thrown and glazed ceramic; H250 x D120mm Thrown and glazed ceramic; H190 x D120mm Thrown and glazed ceramic; H275 x D95mm Thrown and glazed ceramic; H220 x D140mm Thrown and glazed ceramic; H220 x D125mm Thrown and glazed ceramic; H300 x D100mm Thrown and glazed ceramic; H300 x D100mm

$415 $395 $395 $450 $415 $250 $415 $395 $425 $450 $395 $475 $395

John Parker 26. Shiny Black Grooved ‘V’ Bowl 27. Shiny Black Bottle 28.Matt Black Grooved Diabolo Vessel 29. Shiny Black Grooved Conical Bottle 30. Matt Black Grooved Vessel 31. Shiny Black Ridged Orb 32. Shiny Black Grooved ZigZag Vessel

Thrown and glazed ceramic; H220 x D150mm Thrown and glazed ceramic; H220 x D150mm Thrown and glazed ceramic; H220 x D115mm Thrown and glazed ceramic; H310 x D130mm Thrown and glazed ceramic; H280 x D90mm Thrown and glazed ceramic; H150 x D110mm Thrown and glazed ceramic; H250 x D120mm

$415 $395 $395 $450 $415 $250 $415

John Parker 33. Matt Black ZigZag Vessel 34. Matt Black Grooved Conical Bottle 35. Shiny Black Grooved Orb 36. Matt Black Grooved ZigZag Vessel 37. Matt Black Grooved ZigZag Bottle 38. Shiny Black Vessel

Thrown and glazed ceramic; H190 x D120mm Thrown and glazed ceramic; H275 x D95mm Thrown and glazed ceramic; H220 x D140mm Thrown and glazed ceramic; H220 x D125mm Thrown and glazed ceramic; H300 x D100mm Thrown and glazed ceramic; H300 x D100mm

$395 $425 $450 $395 $475 $395

John Roy 39. Trouser Vase, 2024

Blue with dots/flowers,glazed earthenware; H330 x Dia.160mm

$2,000

Aaron Scythe 40. Oribe and Kizeto Vase, 2023

Yobitsugi, stoneware and porcelain; H310 x Dia.340mm

$6,000

May Trubuhovich 41. Portal Series; Portal IV, 2024 cotton hand embroidery and acrylic ink on cotton table napkin 430 x 430mm

$2,500

As a part of my ongoing series exploring the soul’s journey, Portal IV brings us in for a closer look at the threshold depicted in Portal III (2022). The swirling current draws us towards a dark void shimmering with energy.

42. Portal Series: Portal V, 2024 Cotton hand embroidery and acrylic ink on cotton table runner H400 x W1130mm A meditation on endings and beginnings.

$4,900

Lisa Walker 43. Attractive stretched hexagon with hanging pieces of silver, 2022 Pendant, silver, thread; overall L415mm, pendant, L150 x W90 x D19mm

$6,200

Lisa Walker 44. The face made for the Kauri Show Brooch, 9ct. gold, steelwire L75 x W32 x D10mm; pin W56mm

$2,150

Layla Walter 45. Layla Dahlia #5, 2023

Cast citrine Reichenbach 45% lead crystal glass; H365 x D460mm $32,000