01. The U.S. Embassies & Consulates
Client: The U.S. Government
Project Sites: Colombo, Sri Lanka | Schematic Design by ZGF Architects
Hyderabad, India | Schematic Design by Richärd Kennedy Architects
Nassau, Bahama | Schematic Design by Ennead Architects
Responsibility: Architectural Designer - DD through CD phases
Employment: Integrus
I contributed to three U.S. embassy and consulate projects, supporting the Design Development through Construction Documentation phases. Integrus was responsible for developing and nalizing construction details based on bridging documents provided by the schematic design architects listed above. Construction Administration was managed by the project manager at Integrus. Due to con dentiality requirements, most details—including plans and technical speci cs—cannot be disclosed. My responsibilities included, but were not limited to, developing assembly details at the construction drawing level and coordinating with consultants and contractors.
Perspective of Main Entrance, Colombo, Sri Lanka
Lobby, Colombo, Sri Lanka
Hyderabad, India
Perspective of Main Entrance, Nassau, Bahama
Nassau, Bahama
Nassau, Bahama
Nassau, Bahama
02. Claudia’s Place Permanent Supportive Housing
Project Site: Vancouver WA
Client: Vancouver Housing Authority
Responsibility: Projet Architect during Shematic Design phase
Number of Type A Accessible Units; 4
Number of Type B Accessible Units; 35
Project Year: 2023 -
This was the rst project in which I served as the project architect. My responsibilities included leading the building design, ensuring compliance with building codes and Federal and State funding requirements, and coordinating with consultants and the owner, among other tasks.
03. First Interstate Center for the Art Renovation
Project Site: Spokane, WA
Client: Spokane Public Facilities District
Responsibility: Job Captain, SD through CA
Employment: Integrus
Project Year: 2017 - 2018
Originally designed for Expo ’74 in Spokane, WA by WMFL—the predecessor of Integrus Architecture—the First Interstate Center for the Arts had remained largely unchanged since its construction, with most interior nishes and mechanical systems preserved in their original condition. This $22 million renovation project aimed to revitalize one of downtown Spokane’s most iconic landmarks. The scope included comprehensive upgrades to both interior and exterior nishes, including curtain wall replacement and roof restoration.
I contributed to the project from the Schematic Design phase through Construction Administration. My responsibilities included leading drawing production, preparing presentations, ensuring code compliance, coordinating with consultants, and managing construction administration.
Overall Plan
nishes have not been ed since the construction in 74. this renovanishes were In addition, ADA access at south side was created this renovation for the better access to
Most of the interior finishes have not been updated since the construction in ‘74. By this renovation, the interior finishes were fully replaced. In addition, ADA access at south side was newly created by this renovation for the better access to Auditorium.
In the has been deto be wood slats, but was never installed original blueprint, which was the former of Intewhich resemble the slat in Auditorium.
In original drawings, the ceiling has been designed to be wood slats, but was never installed. To inherit the spirit of the original blueprint, which was designed by the former entity of Integrus Architecture, we have placed the wood slat ceilings, which resemble the finger-jointed wood slat ceilings in Auditorium.
The eye-catching hang sculptures of the ballet dancers were designed and created by Bill and Karma Simmons, Spokane local artists.
The dancers were and created Bill and Karma Simmons, local artists
The existing dressing room as are located at south-west corner of the backstage from 1st - 3rd levels. While many shows bringing in large 3ft x 6ft loading box, but the area didn’t have an elevator. - In this project, we have designed and built a elevator at the side of the stage.
The room as are located at south-west corner of the from 1st - 3rd levels. While many shows bringing in x 6ft box, but the area didn’t have an elevadesigned and built a elevator at the side of the The Auditorium seats were since ‘74. Thus, the color were fade. We have all levels.
The choice of the color chosen to be to enhance the of this mid-century modern
The Auditorium seats were original since ‘74. Thus, the color were fade. We have replaced all of the seats including Terrace and Balcony levels. The choice of the color chosen to be burgundy to enhance the beauty of this mid-century modern Auditorium.
HVAC system had significantly lower CFM than the original design for some reasons. This is fully upgraded, and now have remarkably better air conditioning systems.
HVAC lower CFM than remarkably better air systems.
At the east side of the building there is the Convention Center. This FIC
At the east side of the building, there is the Convention Center. This project also updated the older boilers which service both FIC and Convention Center.
Furthermore, the big roof which covers the both buildings is renewed with TPO membrane roof.
Furthermore, the roof which covers the both is renewed with TPO membrane roof
Overall Plan at Level 2, NTS
Lobby
Most of the interior nishes had not been updated since the building’s original construction in 1974. This renovation provided a complete replacement of interior nishes, signi cantly revitalizing the space. In addition, ADA-compliant access was added on the south side of the building to improve accessibility to the auditorium. The original architectural drawings speci ed a wood slat ceiling, which was never installed. To honor the intent of the original design—created by WMFL, the predecessor of Integrus Architecture—we introduced new wood slat ceilings that echo the nger-jointed wood slats used in the auditorium. A striking feature of the renovated space is a series of hanging ballet dancer sculptures, designed and crafted by local Spokane artists Bill and Karma Simmons.
Reception Room
This space was originally used as a rehearsal room and had not been updated since its construction in the early 1970s. It was fully repurposed into a welcoming lounge and bar area for guests arriving early for shows, o ering a comfortable place to relax and enjoy music.
Reception Room Plan at Lower Level
Enlarged Bar Plan
04. Dolores A ordable Housing
Project Site: Hillsboro, OR
Client: Hacienda CDC
Responsibility: Job Captain, from DD phase through CD phase Employment: Access Architecture
Project Year: 2023 -
This was my rst project at Access Architecture. My responsibilities included coordinating with the client and consultants, ensuring code compliance, and developing designs and details. I drafted the majority of the details featured in this portfolio.
05. East Pierce Fire & Rescue Station 114
Project Site: Pierce County, WA
Client: East Pierce Fire & Rescue
Responsibility: Job Captain from Schematic Design phase to Construction Document phase
Employment: Rice Fergus Miller Architecture
Project Year: 2021 - 2022
This 10,000 SF branch re station includes three apparatus bays for re engines. I solely developed and detailed the Construction Documents. Additionally, I contributed to programming during the Schematic Design phase, de ning spaces such as the station duty o ce, sleeping room, decontamination room, and self-contained breathing apparatus equipment area.
Exterior Elevation West
Exterior Elevation East