PORTFOLIO - 2025

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Narození 08/02/2002 Hodonín, Czechia Kontakt

+ 420 725 305 278 martindrabek42@seznam.cz

Jazyk

Czech, English, German

education 2017 - 2021

Střední škola průmyslová a umělecká Hodonín

2021 - now

Faculty of Architecture BUT

experience practice in CONSEQUENCE FORMA architects

programs Adobe Photoshop Adobe Lightroom Adobe Illustrator Adobe Indesign Autodesk AutoCAD Autodesk Inventor Autodes Revit Autodesk 3ds MAX Lumion SketchUp Archicad Microsoft PowerPoint Microsoft Word Blender

AMONG WORLDS STILL STAND CHAIR THE UNSPOKEN STREET CAPUCHIN MONASTERY RE-DIALOGUES MEDIOCRITY OF PRIOR THREE DAYS IN A CITY PRESERVATION OF PLAY

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among worlds Ing. arch. Jan Mléčka, Ph.D.

Stairs - connecting two crossing paths. I chose the location for the object after I had returned to it several times. Originally, I had no special relationship to the place.

But later I was intrigued by this crossing and wanted to create an emphasis on this interconnection of two paths and a passage. It’s interesting to me that I didn’t originally look for any deeper meaning in the object. Its meaning then emerged over time.

This object is located on an old bridleway. In the past, the location of the “stage” object at the bottom of the bridleway closed the trail. The addition of steps has made this closed section accessible again and allows people to descend into it. The building highlights the transition between the two banks - the church and the area where the houses once stood. At the same time, it visually connects the other objects on the path. The shape of the object communicates with people looking from the bottom of the path or from above, and opens downwards.

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stillstand Ing. arch. Jan Mléčka, Ph.D.

A house created on the basis of my own feelings and sensations, which were obtained by sleeping in a cave, on a hill and 12 hours in the forest. Based on these spatial archetypes, models were created according to different briefs that pointed towards an ideal house for life.

In my house, I minimized the spaces to the needs of a person into three basic spaces, which are the privacy and sleep space, the space of basic needs of a person, and the social space.

The main element of the house is its core, which defines the other spaces and serves as the main structural element.

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chair 1 6

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the unspoken street photographic series

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capuchin monastery

team project with Ema Halasová and Anastázie Mikešová

doc. Ing. arch. Jiří Palacký, Ph.D.

The

project

deals

with

the

renovation

of

the

monastery

in

Opočno,

for which we were looking for a new function and use in the studio.

The main idea behind the design was the contrast between the past private space that the monastery had been. The enclosure of the monastery can be seen in the wall that surrounds the whole garden and closes in on itself. This created a certain inaccessibility. The proposal supports opening it up by making it accessible to residents and visitors.

The opening up of the monastery is achieved by the monastery serving as a community centre. There are also elements within the monastery and the monastery garden that support this opening such as a community garden, children’s play area, seating area with café.

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24 FIRST FLOOR

GROUND FLOOR

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re - dialogues photographic series

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mediocrity of prior mgr inż. arch. Szymon Rozwałka

Atelier’s work develops a concept

The response to the building is in the

for the SEFO Triennial 2024 in Olo-

form of a site-specific object, which is

mouc. As part of the group work, we

intended to restore the character of

are responding to the former Prior

the building and to highlight the per-

building in Olomouc, which currently

ceived problems and paradoxes of the

houses its renovated form in the form

building. It is a scaffolding structure that

of the Galerie Moritz department store.

forms the structure surrounding the Galerie Moritz building from the side

The concept works with the controversy

of Mořické náměstí. The dominant ele-

that emerged around the construction

ment is the replicas of the Priory panels

of the Prior and later Galerie Moritz.

made of translucent polycarbonate

Furthermore, the concept deals with

placed on the structure.

various themes such as decharacterisation, destruction of the historical, the introverted character of the buildings and the pseudo-contextual continuity with the historical environment.

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three days in a city photographic series

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preservation of play mgr inż. arch. Szymon Rozwałka

The conservation of the void, we present to our project a crucial act.

This

act

therefore

comes

from

the

reaction

to

the

preservation

care.

We negate its function and use extreme version of preservation to make a more of a scenografic space than a functional one. The re-revived renessaince play on the antique ideals in its whole seriousness is being frozen in time. As for that is what we view as preservation care wants to achive in the long run. team project with Matyáš Černík and Martin Kavan

We then work with the volume of this void (atrium), that was during the history of the building a crucial space of connections and changes.

This volume is then redistributed as patrial boxes all across the building of DPK. Creating newly formed spaces and forming new connections, negations, obstructions across the building. These new spaces then coexist with the previous spaces of DPK, and question the preexisting form of the spaces. Form of these spaces are connected also to a play as for that is what is the connection with the existing both play with some idea of formation of architecture to some predefined rules.

These new boxes then are being formed in a sporadic manner not really respecting the serious rules of the preexisting but the rules we defined in advance.

Visual and physical blockade of the void is one of the crucial. The most visible use of this spacial forming is being used to cutting of the volume under the atrium floor level. Thus creating a space which is then framing the defined void from below creating a space in which the ground level is created on the level of the cellars.

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