Move On - Programme

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Saltford Hall, Bristol Tuesday 17th May - Saturday 21st May 2011

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Keynsham Light Opera Group Presents

A SPECTACULAR NEW MUSICAL

Original Music and Lyrics by

STEPHEN SONDHEIM

Choreography Inspired by

BOB FOSSE

‘Move On’ is dedicated to Brian Buttle, who loved the works of Sondheim Directed and Compiled by DAVID BAXTER Stage Manager MAUREEN QUILTER

Musical Director LEE TESDALE

Lighting and Sound Design by ULTRA LIGHT AND SOUND LTD

Costume and Wardrobe PAT CLEVERDON

Publicity Material and Programme by MARK SELLICK

Please be advised that due to copyright restrictions, and for the safety of actors on stage, the use of flash photography and/or video and audio recording equipment of any kind is strictly prohibited.

Flashing lights (including strobe lighting), and pyrotechnics may be used throughout this performance.

Should you have any concerns, please alert a member of the front of house team.

Affiliated to the National Operatic and Dramatic Association

‘Move On’ is entered for The Bristol Evening Post Rose Bowl Awards 2011

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KEYNSHAM LIGHT OPERA GROUP

CHAIRMAN’S WELCOME May I extend a warm welcome to you all.

Chairman Steve Drew

Thank you for coming to see our latest production ‘Move On’ featuring the music and lyrics of Stephen Sondheim and the dance of Bob Fosse.

Vice-Chairman Neil Quilter Treasurer Tracy Ekner Secretary Joanne Meredith Committee Members Pat Cleverdon Sam Crossfield Mike Evans Duncan Mitchell Jenny Reynolds Corinne-Anne Richards Julie Steib Patrons Mrs M Baker Mrs S Brock Mr and Mrs D Calderley Mrs A Derrick Mrs J Dillon Mr D Douglas Mr and Mrs S Durnell Mrs H Fairbank Mr P Fry Rev and Mrs P Hewitt Mr and Mrs R Mould Mr R Porton Mrs M Quilter Mrs J Reynolds Mrs B Smith Mrs H Taylor Mrs E Underwood Mr and Mrs M Vickery Mr and Mrs D Warhurst Mr and Mrs G Wilson Mr and Ms J Wiltshire Mrs D Young Life Members Mr T Brown Mrs P Cleverdon Mrs C Cawley Mr O Cole Mr A Dean Mrs M Edwards Mrs B Fry Mrs A Gates Mr G King Mr R Mould Mrs M Quilter Mr K Richards Mrs M Richards Mrs J Steib

Stephen Sondheim has been at the forefront of musical theatre for more than 50 years, winning numerous awards, and has left a legacy to aspiring writers and performers by founding various charities and academies. We are very proud to present our own tribute to the great man under the direction of David Baxter who has written the narrative and put together a range of musical pieces designed to explain Sondheim’s outlook on writing, and showcase a full range of his work in an ordered and informative way.

I am very grateful to our in-house production team, I thank our new Director, David Baxter, for his patience and enthusiasm, and who has also choreographed most of the dance; Musical Director Lee Tesdale; Stage manager, Maureen Quilter and team; and Tap Dance Choreographer Tracey Dean.

There are many others who deserve individual praise for their efforts in bringing this show together, but I would particularly like to extend my thanks to the cast, who have had to work harder than ever this show, the backstage and front of house teams, orchestra, committee members and patrons, and of course to you, our audience for your much valued support.

Enjoy the show!

STEVE DREW KLOG Chairman

STEPHEN SONDHEIM

COMPOSER AND LYRICIST

Born in New York City, Sondheim was given piano lessons from an early age, showing a distinct aptitude for music, puzzles and mathematics. His parents divorced when he was only ten, and Stephen, an only child, was taken by his mother to live on a farm in Pennsylvania. The area had attracted a number of well-known personalities from the New York theatre world; a close neighbour was the playwright, lyricist and producer Oscar Hammerstein II, who had a son Stephen’s age. At the time, Hammerstein was inaugurating his historic collaboration with composer Richard Rodgers. When Sondheim was in his teens, Rodgers and Hammerstein were enjoying unprecedented success with the shows ‘Oklahoma’ and ‘South Pacific’. Stephen studied piano seriously through his school years, while Hammerstein tutored him in writing for the theatre.

At age 25, Sondheim was hired to write lyrics for Leonard Bernstein’s music in the landmark musical ‘West Side Story’. He then won a second lyric-writing assignment for the Broadway musical ‘Gypsy’. The credit, ‘Music & Lyrics by Stephen Sondheim’ finally appeared on Broadway for the first time in 1962. The show, ‘A Funny Thing Happened on the Way to the Forum’, was an unqualified success, and introduced the first of Sondheim’s tunes to become a show business standard, ‘Comedy Tonight.’

Sondheim made a historic breakthrough collaborating with Harold Prince on ‘Company’ in 1971, the show marked a sharp break with Broadway’s past, and established him as the most inventive and daring composer working in musical theatre. Sondheim’s

second collaboration with Prince as director, ‘Follies’, paid tribute to the song styles of Broadway’s past, while deploying them to ironic effect in a poignant commentary on the disappointment of middle age and the corrosive effects of nostalgia and selfdelusion. While Sondheim’s admirers stood in awe of his accomplishments, his detractors claimed that his work was too bitter to win wide popularity, and his music too sophisticated for popular success. ‘A Little Night Music’, put these doubts to rest. Its elegant, waltz-based score and warm humour charmed audiences on both sides of the Atlantic. He received Tony Awards for both of these shows. The following year, the winning composer thanked Sondheim, “for not writing a show this year.”

‘Sweeney Todd’ (1979), was Sondheim’s most complex score yet. It marked the climax of a long collaboration with Harold Prince. ‘Merrily We Roll Along’ (1981), was the last of their shows together.

One of Sondheim’s most disturbing productions was ‘Assassins’ (1990), an examination of the motives and delusions of the men who murdered American presidents. As the Broadway theatre has turned to more predictable fare, Sondheim and his collaborators have sought out new venues for his increasingly daring work.

Stephen Sondheim’s 75th birthday was celebrated with all-star tribute concerts in New York, London and Los Angeles. In 2008, he was presented with a special Tony Award for Lifetime Achievement. Over the last 50 years, Sondheim has set an unsurpassed standard of brilliance and artistic integrity in the musical theatre. His music, steeped in the history of the American stage, is also deeply informed by the classical tradition and the advances of modern concert music. His words, unequalled in their wit and virtuosity, have recorded a lifetime of profound, unblinking insight into the joys and sorrows of life and love. ©1996-2010 Academy of Achivement. Article adapted and used with permission. Last revision: 16th June 2008 - www. achievement.org

BOB FOSSE

CHOREORGRAPHER AND DIRECTOR

net stockings and a tipped hat. He used a cool, jazz sensibility in his choreography, yet it was Burlesque in nature and sleek by choice with pelvic movement and heavy leans. Fosse ended up pairing with a dancer by the name of Gwen Verdon who had the main dancing role in ‘Damn Yankees’. This role was infamous for the number ‘Whatever Lola Wants, Lola gets’. He began casting her in many leading roles such as ‘Redhead’ and ‘New Girl in Town’. This duo ended up getting married in 1960.

Bob Fosse was born on June 23rd, 1927 in Chicago, Illinois. He was born into theatre and was touring his own dance show by age 13 called ‘The Riff Brothers’.

Fosse grew up amidst the Cabaret nightclubs and was exposed to this type of performance in his early years. At age 15 he choreographed his first Cabaret number where the dancers wore Ostrich feathers as a costume. This kind of sexually suggestive nature later became a huge part of his signature style.

After taking years of acting classes, Fosse went on to perform on Broadway. His first part was in ‘Call me Mister’ (1948). After spending time in the Broadway chorus, he later got a bigger part in ‘Dance me a Song’. Fosse also had dreams of making it big in Hollywood; he travelled and landed a few film rolls including a dancing role in ‘Kiss me Kate’.

His first big break was the choreography of ‘The Pajama Game’ in 1954. He also received acclaim for his staging of ‘Steam Heat’, which became quite a hit. After dipping his feet in the Hollywood scene Bob headed back for Broadway and ended up making it big. Fosse began getting more and more work and slowly but surely started building himself a name on the Broadway circuit.

Fosse’s style really highlighted isolated movement.

He’d take a group of dancers and sometimes would have only a finger or an eyebrow moving at a time.

He was very simplistic yet powerful in his staging and movement. He’d have the dancers move very slowly at times, and would linger on movement.

In any Fosse number, you’re sure to find cigarettes,

Fosse was directing and choreography many shows by this time from ‘Sweet Charity’ and ‘Dancin’ to ‘Chicago’ and ‘Cabaret’. He was also soaring in film as well with many of his Broadway hits that were set for TV. He had his share of disasters as well but succeeded them. One of which was his divorce to Gwen Verdon. This happened right after his heart attack while working on his production of ‘Chicago’.

Gwen had the leading role, they continued to work professionally after their marriage dissolved.

Fosse died on September 23rd, 1987 at the age of 60. This was just moments before the curtain rose for his rendition of ‘Sweet Charity’. He died doing what he loved; smoking and dancing! His life was later portrayed in the biographical movie ‘All That Jazz’. It showed his reckless way of living as well as the creative endeavours, which made his name so big today. His legend continues to live on and we see his style in many works of today. In 2002, his choreography for ‘Chicago’ graced the silver screen in an adaptation by Renee Zellweger and Catherine Zeta-Jones. His hits were also recreated for the long running show ‘Fosse’ on Broadway.

Fosse’s legend is one that will never die. His influence on the dance community is without question, one of the most withstanding.

The above article has been adapted and used with permission.

Available in full at: ‘DanceHelp.com’ - www.dancehelp.com

MUSICAL NUMBERS - ACT ONE Instructions to Audience

Jane Dexter and John Cawley

Putting It Together

(From the musical ‘Sunday In The Park with George’) -

Neil Quilter and Jane Dexter

Into The Words

(From the satire ‘Forbidden Broadway’) - Company

There Is Nothin’ Like A Dame

(From the musical ‘South Pacific’) - Male Chorus

Tonight

(From the musical ‘West Side Story’) -

Duncan Mitchell and Kathie Sharp with Melanie Hollingworth, Joseph Hollingworth and Steve Drew

Rose’s Turn

(From the musical ‘Gypsy’) - Jenny Reynolds

Comedy Tonight

(From the musical ‘A Funny Thing Happened On The Way To The Forum’) -

Sam Crossfield, Mike Evans, Joseph Hollingworth, Pat Cleverdon, Sophie Baxter, Melanie Hollingworth

Company Medley

(From the musical ‘Company’) -

Company - David Baxter Another Hundred People - Tami Freeman Not Getting Married Today - Sophie Baxter Being Alive - David Baxter Side By Side - Company

Could I Leave You

(From the musical ‘Follies’) - Duncan Mitchell

The Millers Son

(From ‘A Little Night Music’) - Kathie Sharp

Send In The Clowns

(From the musical ‘A Little Night Music’) - Hannah Lock

A Little Priest

(From the musical ‘Sweeney Todd’) -

Duncan Mitchell and Joanne Meredith

Putting Up Revivals

(From the satire ‘Forbidden Broadway’) -

Neil Quilter

Pre – Finale

Neil Quilter and Jane Dexter

Sondheim Finale Company

THE CAST DAVID BAXTER EMILY BAXTER SOPHIE BAXTER PAT CLEVERDON JOHN CAWLEY SAM CROSSFIELD JANE DEXTER STEVE DREW TRACY EKNER MIKE EVANS TAMI FREEMAN SHARON GEORGE JOSEPH HOLLINGWORTH MELANIE HOLLINGWORTH HANNAH LOCK SARAH LOCK JOANNE MEREDITH DUNCAN MITCHELL NEIL QUILTER JENNY REYNOLDS CORINNE-ANNE RICHARDS KATHIE SHARP

Bobby/Company Sally Bowles/Company Amy/Company Company Company Company Broadway/Company Daddy/Company Company Company Marta/Company Company Company Charity/Company Desiree/Company Company Mrs Lovett/Velma Kelly Tony/Ben/Sweeney/MC Sondheim/Company Rose/Company Mama Morton/Company Maria/Petra/Company

MUSICAL NUMBERS - ACT TWO Willkommen

(From the musical ‘Cabaret’)

Duncan Mitchell and dancers

Maybe This Time

(From the musical ‘Cabaret’)

Emily Baxter

Life is Just a Bowl of Cherries

(From the musical ‘Fosse’)

Jenny Reynolds and Corinne-Anne Richards with Sharon George and Kathie Sharp

Big Spender/If They Could See Me Now

(From the musical ‘Sweet Charity’)

Melanie Hollingworth with Female Chorus

It’s Never That Easy/I’ve Been Here Before

(From the musical ‘Closer Then Ever’)

Sophie Baxter and Emily Baxter

Too Darn Hot/Rhythm Of Life

(From the musicals ‘Kiss Me Kate’ and ‘Sweet Charity’)

Tami Freeman, Melanie Hollingworth, Kathie Sharp, Steve Drew with Company

Chicago Medley

(From the musical ‘Chicago’)

Overture – Orchestra All That Jazz – Joanne Meredith with dancers When You’re Good To Mama – Corinne-Anne Richards Class – Joanne Merideth and Corinne-Anne Richards Nowadays – Jenny Reynolds and Joanne Meredith Hot Honey Rag - Orchestra

Bows/Encore - Move On

Company

THE BAND SUE LAWSON EMILY PRESTON JOHN WISE MARILYN STREVENS NICOLA HARBOUR MATTHEW EDMONDS SOPHIE LETHEREN JOHN LUCIA JANE SMITH MARTIN SUMMANS JOANNE DORRINGTON FREDDIE DRAPER JENNA MANNES MICHELLE HOWARTH MICHELLE TUCKER LEE TESDALE

Piccolo, Flute, Clarinet, Alto Saxophone Flute, Clarinet, Alto Saxophone Clarinet, Tenor Saxophone Clarinet, Bass Clarinet, Soprano/Tenor/Baritone Saxophone Trumpet 1 Trumpet 2 French Horn Trombone Violin 1 Violin 2 Cello Double Bass Drums Piano Piano/Keyboard 2 Keyboard 3

DAVID BAXTER

LEE TESDALE

MAUREEN QUILTER

David first got excited about theatre when he saw his sister Emily at the Bristol Hippodrome. He then was inspired to take up all dance disciplines, but found that he excelled mainly in classical ballet.

Lee discovered his passion for music at an early age, but it wasn’t until he was seven years old that he actually started taking piano lessons. From this moment on, he has never missed an opportunity to perform.

David was offered a place at the Royal Ballet School at which he attended for five years before later moving to Arts Educational School in Tring to study the dance style of, amongst others, Bob Fosse. In this time David gained experience within all areas of theatre, including directing.

When Lee went to secondary school, he started playing for all kinds of different groups but it wasn’t until he played for his first school production of ‘My Fair Lady’ that he discovered his love of musical theatre.

Maureen first joined KLOG as a scenery painter in 1980 and learnt a great deal about scenery building and making do with all sorts of scrap materials from Peter Dean who she says “was an amazing mentor”. After many brilliant shows with various different stage managers, Maureen felt brave enough to have a go herself and she has now thoroughly enjoyed the job for the last 9 years!

DIRECTOR

David has found it a great honour to be able to direct a show focussing on the works of Stephen Sondheim and Bob Fosse. He says “It has been a great experience collating and creating this show for Keynsham Light Opera Group, and I would like to wish all the cast the best of luck for this, and future shows”.

David would like to dedicate ‘Move On’ to Brian Buttle, who not only did so much for amateur dramatics in the South West, but also shared David’s passion for all things Sondheim. We miss you.

MUSICAL DIRECTOR

At the age of fifteen, Lee played in the band for Keynsham Youth Theatre’s production of ‘Kiss Me Kate’, before going on to join Keynsham Light Opera Group as our rehearsal pianist for ‘The Bare Necessities of Disney’ in 2003.

During his musical path, Lee has played for county orchestras and HTV’s production of ‘A Christmas Carol’. However Lee still wasn’t satisfied and it wasn’t until he was 21 that he was really able to grab the bull by the horns and take on the role of Musical Director in 2009 for ‘Half A Sixpence’.

Lee would like to wish the entire Cast and Production Team of ‘Move On’ the best of luck and every success with the show.

Lee is very much looking forward to the new musical challenges that await him.

STAGE MANAGER

“There is never a dull moment backstage and if you’ve never tried it, then do. I have a great crew and am looking forward to the show week.”

PAT CLEVERDON

WARDROBE MISTRESS

Pat joined Keynsham Light Opera Group many years ago, from Yeovil (not mentioning the year!) During the show ‘Brigadoon’, Pat started helping with the costumes, and has been in charge of our Wardrobe and Costume department ever since.

Pat says that “every show has been a challenge” - we are all so very grateful for her massive contribution to the success of our productions over the years.

Outside of the group, Pat is also a member of a local choir and enjoys singing all types of music.

DAVID BAXTER

EMILY BAXTER

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LOOKING TO JOIN KLOG? We’re always on the lookout for new members to join the group, be it acting/singing or helping out behind the scenes (back stage, wardrobe, front of house), we would love to hear from you!

New singing members are asked to take a short, informal audition before joining the group, however no formal musical knowledge is required.

KATHIE SHARP

Please speak to any member of our front of house team, or cast, who will be more than happy to take your details.

PREVIOUS PRODUCTIONS 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980

1981

1982 1983 1984 1985 1986

1987

1988 1989 1990 1991

1992

1993 1994

Trial By Jury The Pirates of Penzance Ruddigore The Mikado The Gondoliers The Merry Widow White Horse Inn Bless The Bride Iolanthe Carousel Summer Song Show Boat Cowardly Custard Brigadoon Lock Up Your Daughters Music Man Merrie England Keynsham Kaleidoscope The Quaker Girl Oklahoma Tarantara! Tarantara!

Half a Sixpence Keynsham Kaleidoscope II Guys and Dolls Belinda Fair Hello Dolly!

The Arcadians (Concert Version) Bitter Sweet (Concert Version) Little Me Showstoppers Oliver Charlie Girl Music Hall

1995

1996

1997

1998

1999

2000

2001

2002

2003

2004

2005

2006

2007

2008

2009

2010

2011

The Pajama Game Magic of the Musical Fiddler on the Roof Music of the Movies The Sound of Music Highlights of the Musicals Brigadoon Palladium Nights Me and My Girl Curtain Up On 30 Years My Fair Lady Thank You For The Music Sweet Charity Back to Broadway The Music Man Now That’s What I Call Music Hot Mikado The Bare Necessities of Disney Guys and Dolls An Evening With Ella and Frank Calamity Jane West End Highlights Carousel Court in the Act / Trial By Jury Summer Holiday Four Weddings and a Few Near Misses Oklahoma West End Highlights II Kiss Me Kate Harper Valley Heartbreak Express (below) Half a Sixpence Mad About Musicals Move On

PRODUCTION TEAM

JOINING KLOG

Director

David Baxter

Musical Director

Lee Tesdale

Choreography

David Baxter Tracey Dean Lucy Ratnett

Stage Manager Backstage Crew

Maureen Quilter Tony Dean Ian Shepperd Jim Callaghan Pete Clark Sarah Clark Calvin Blay-Field

New members to the group are always welcome! If you are interested in joining as an acting or singing member, helping out behind the scenes (including the back stage team, wardrobe department and front of house team), we would be glad to hear from you.

Rehearsals take place in Keynsham on Monday and Wednesday evenings throughout the year.

Please feel free to speak to any member of our front of house team, or cast, who will be more than happy to take your details.

Props

Carol Cawley Callista Hogarth

Wardrobe Mistress Costumes

Pat Cleverdon KLOG Wardrobe

Lighting and Sound Design Lighting Operators

Ultra Light & Sound Ltd David Baxter Corinne-Anne Richards Fleur Hanby

KLOG also has a thriving Patrons’ section, who receive the group’s newsletters and have priority booking facilities.

For further information, please contact the Patrons’ secretary, Margaret Richards on 01225 400256.

Front of House Team

Keith Richards Margaret Richards Friends of KLOG

ADVERTISING AND SPONSORSHIP

Rehearsal Pianist

Michelle Howarth

Prompt

Julie Steib

Refreshments

Sandra Wilton Friends of KLOG

Followspot Operator Front of House Managers

Box Office

Betty Fry

Publicity Material/Programme

Mark Sellick

SPECIAL MENTIONS Keynsham Light Opera Group would like to thank the Hemmings family for the continued use of their barn for set construction and painting, Pat Lilley for helping with the costumes, Keynsham Town Council for their sponsorship and to all the many friends and family of the group that are helping during show week.

If your business, theatre company or organisation could benefit from advertising in a future KLOG programme, we would love to hear from you.

There are a selection of advertising opportunities available, including individual cast sponsorship and prominent full page advertising.

For further information, please email Mark on ‘marksellick@me.com’ KLOG WEBSITE Please visit us at: www.klogs.co.uk

KEYNSHAM LIGHT OPERA GROUP Proudly Presents

A TRIBUTE TO FRANK SINATRA - DEAN MARTIN - ELLA FITZGERALD JULIE LONDON - MICHAEL BUBLÉ - PAOLO NUTTINI AND MORE Directed by CORINNE-ANNE RICHARDS Musical Director KEITH WARHURST

TUESDAY I8TH - SATURDAY 22ND OCTOBER 20II SALTFORD HALL - BRISTOL A CELEBRATION OF SWING MUSIC - STARTING WITH THE WELL KNOWN CLASSICS OF THE RAT PACK AND BRINGING YOU RIGHT UP TO DATE WITH PAOLO NUTTINI’S FAST-PACED MODERN HITS - ALSO INCORPORATING MANY DIFFERENT DANCE STYLES Evening performances start at 7:30pm, Saturday matinee at 2:30pm For tickets, telephone 0117 986 3399 or email ‘bettyfry04@msn.com’