OBT ACT II Program by marketing-obt

20/21 SEASON

OBTMOVES

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CONTENTS Letter From the Artistic Director......................................................3 Letter From the Board Chair...........................................................4 (R)Evolve Program.........................................................................5 OBT RAW Program.........................................................................9 Artistic Staff................................................................................18 Company.....................................................................................21

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OBT2 RAW Program.....................................................................25 OBT Staff & Board of Trustees......................................................29 Donors........................................................................................30

Makino Hayashi and Thomas Baker| Image by Yi Yin

OBTMOVES 2020/21 SEASON

2 - obt.org Xuan Cheng | photo by Jingzi Zhao

Photo by Michael Slobodian

LETTER FROM THE ARTISTIC DIRECTOR

Temporary Gifts Dear Friend, Before this pandemic year, as the curtain would rise on an OBT performance—back when we would all gather shoulder to shoulder without concern, I think we were already aware of the fleeting nature of dance performance. Whether it was a full-length classical ballet or something more contemporary, we would experience the inspiration of the art and let it wash over us, knowing that the experience was a precious gift, but on some level, also recognizing it was a temporary gift. That essential fact contains within it a perfect analogy to life itself: beautiful shining moments that are temporary gifts bounded by the reality of our individual lifespans.

Oregon Ballet Theatre would like to express our sincere thanks to our most generous sponsors

THANK YOU! THE OBT MOVES SEASON IS SUPPORTED IN PART BY:

In that respect, the dancers who thrill us with their mastery, their physical prowess, and their artistry are our stand-ins; we applaud their efforts because they remind us of our own potential to soar. Dancers embody, in the fullest sense, our own potential—meaning that the art of the dance is given bodily form by the young artist-athletes who create beautiful shining moments that give us all so much joy and help reinforce our appreciation of the world around us and our place and purpose in it. The architecture that supports all those artists and all that joy—company, school, repertory, theater—has remained relatively stable for a long time. Until this past year, it might have remained untouched for even longer. But the forced isolation, the closing of theaters, the perspective that ballet itself has not been equally welcoming to all comers, has led all of us at OBT to examine how we share what we love with all of you, and how we might make it even easier for you all to love OBT. That’s why Act II of this reimagined season—OBT MOVES—is centered on dialogue and the generation of new ideas to help us soar even higher than we have before. Act II includes the new performance series OBT RAW—in which you will hear even more from the dancers who are our stand-ins and real-world avatars, OBT2 RAW – a chance to catch the next generation of artists hoping to fill our hearts, a new dance by Gioconda Barbuto created for the screen, and the launch of OBT’s (R)Evolve panel discussion series. Each one of these components is an important part of OBT’s commitment to all of you to create the kind of experiences you crave, to invest in the future of ballet, and to play a role in creating a community we are proud to call home. At the end of a performance, when the curtain comes down—whether an actual or a digital curtain—we hope you will have been entertained, perhaps impressed, but most definitely engaged in the sense that, for those brief shining moments we share, you have been lifted up by the precious but temporary gift that is ballet. Enjoy!

Kevin Irving

The Crumpacker Family Artistic Director, Oregon Ballet Theatre

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LETTER FROM THE BOARD CHAIR Dear OBT Friends, On behalf of the Board of Trustees, I would like to welcome you to Act II of Oregon Ballet Theatre’s reimagined 20/21 season. While we are all absolutely aching to get back into theaters one day soon, in the meantime OBT is thrilled to bring our community a series of opportunities to connect with dance in a number of innovative and exciting ways. In Act II we are literally bringing the ballet off the stage and directly to you via dynamic dance discussions, live digital performances, innovative videos and even outside onto Portland’s city sidewalks. In March, OBT is launching (R)Evolve, a series of curated dance discussions hosted by artistic staff with guest panelists to examine, dig deeper, and ask questions regarding ballet’s influences, traditions, and desired evolutions. Later in the spring, OBT RAW will bring live dance performance from OBT’s nationally acclaimed ballet company streamed directly to you via OBTV. In addition, our junior company, OBT2, will be taking dance outdoors to the streets of Portland, re-energizing our city with unexpected pop-up performances. At the end of April they will be presenting OBT2 RAW featuring new work from eight choreographers including OBT Founding Artistic Director James Canfield. Accompanying the fulsome artistic program, OBT School continues to teach over 200 students virtually and has created captivating digital content for our students and families. OBT’s Community Engagement department is connecting with underserved students to ensure that all students have access to dance, despite remote learning. While we are greatly enthused by the strength and resilience of OBT throughout the pandemic, without traditional ticket sale revenue OBT is reliant on the generosity of our donor base. We want to encourage you to give and to thank you for believing in the necessity of art in the face of adversity. OBT’s donor support has allowed OBT to creatively continue its mission this year and has kept the organization poised to take the stage again next season. We hope you feel OBT’s determination to share, inspire, and connec—no matter what the circumstances, and thank you for your support.

Allison Lyneham

Board Chair, Oregon Ballet Theatre Board of Trustees

JUNE 5, 2021 | SAVE THE DATE MORE DETAILS SOON! 4 - obt.org

(R)EVOLVE March 16 & 30

ACT II - 5 Image: Coreyonté | Photo by Jingzi Zhao

THE ALCHEMY OF AUDIENCE Tuesday, March 16, 2021 HOSTS OBT ARTISTIC DIRECTOR: KEVIN IRVING FORMER OBT DIRECTOR OF EDUCATION OUTREACH: KASANDRA GRUENER PANELISTS CHOREOGRAPHER: GIOCONDA BARBUTO OREGON BALLET THEATRE COMPANY DANCERS: COCO ALVEREZ-MENA | EVA BURTON | CHRISTOPHER KAISER | BAILEY SHAW & FORMER OBT DANCER EMILY PARKER It has been nearly a year since the pandemic shuttered Portland’s stages and since people have been able to share in the unique and thrilling experience of live performance. Ballet companies around the world have pivoted to digital presentations to keep the art form alive. The physical separation from audience has been painful and brought to the forefront the

role of audience in the performing arts. The first (R)Evolve event, “The Alchemy of Audience,” explores this historic moment and the impact on dancers who have not only been restricted in their ability to perform, but to even train and rehearse at a level required to maintain their artistry.

CAN BALLET SURVIVE ITS TRADITIONS? Tuesday, March 30, 2021 HOSTS OBT ARTISTIC DIRECTOR: KEVIN IRVING FORMER OBT DIRECTOR OF EDUCATION OUTREACH: KASANDRA GRUENER PANELISTS OBT REHEARSAL DIRECTOR: LISA KIPP DANCE WRITER: PHIL CHAN FORMER NEW YORK CITY BALLET SOLOIST: KATHRYN MORGAN CHOREOGRAPHER: LEEWEI CHAO In a 2017 Oregon Arts Watch interview with Jamuna Chiarini, OBT Artistic Director Kevin Irving noted that while he sees exquisite beauty in classical ballets, he is also troubled when he notices “rows and rows of women who have no individuality, no purpose other than to be background to more important people. And that reflects the society that supported the 6 - obt.org

creation of this art form, and was unquestioned for over 100 years.” While tradition makes ballet unique, it is time to take stock of what aspects of this tradition need fine tuning or even a thorough overhaul. In this segment, OBT explores the physical and racial stereotypes found in traditional fulllength ballets.

OBT (R)EVOLVE PANELISTS GIOCONDA BARBUTO

CHOREOGRAPHER The choreographer and creator of BringingOutsideIn, Gioconda Barbuto is an internationally esteemed Canadian dancer and choreographer. As a long-time member of Les Grands Ballets Canadiens and Nederlands Dans Theater III, Barbuto was quickly recognized as a versatile and magnetic artist, gracing the works of many leading choreographers. Her synergy in studio with Jiří Kylián, in particular, led to two celebrated dance films, Birth Day and Car Men. In 1996, she was nominated for The Kennedy Center Fellowship and received The Banff Centre’s Clifford E. Lee Choreography Award. She has unflaggingly pursued her choreographic calling, creating detailed, dynamic friezes of full-bodied gesture, marked by her innate musicality. Choreographing for many acclaimed dance companies, her oeuvre now counts over 50 works. In 2015, Barbuto was selected as the McKnight International Choreographer in Minnesota. She also recently obtained one of the choreographic positions for Oregon Ballet Theatre’s Choreography XX competition, creating BringingOutsideIn—named “best in premiere” in Dance Europe magazine. Barbuto also extends her methods for molding space and energy through her Movement Workshops and is invited to teach at academies worldwide.

PHIL CHAN

AUTHOR

Phil Chan is a cofounder of Final Bow for Yellow-face, and most recently served as the Director of Programming for IVY, connecting young professionals with leading American museums and performing arts institu-

tions. He is a graduate of Carleton College and an alumnus of the Ailey School. As a writer, he served as the Executive Editor for FLATT magazine and contributed to Dance Europe magazine, Dance magazine, Dance Business Weekly, and the Huffington Post. He was the founding General Manager of the Buck Hill Skytop Music Festival, and was the General Manager for Armitage Gone! Dance and Youth America Grand Prix. He served multiple years on the National Endowment for the Arts dance panel and the Jadin Wong Award panel presented by the Asian American Arts Alliance. He serves on the Leaders of Color steering committee at Americans for the Arts, the International Council for the Parsons.

LEEWEI CHAO

CHOREOGRAPHER

Born in Taipei, Taiwan, LeeWei Chao started his ballet training with Ms. Xiao Lee, who brought the Vaganoca ballet method from Russia to Taiwan. In 1996, Mr. Chao joined Joffrey Ballet AS A Concert Dancer in New York City, followed by a dancing carrier with Joffrey Ballet Chicago and Milwaukee Ballet Company. Mr. Chao has taught at Alonzo King LINES Ballet, LINES Ballet BFA Program, Stanford University, ODC Dance San Francisco, and Smuin Ballet Company, among others. Mr. Chao was featured in the August 2018 issue of Dance Teacher Magazine. He is currently a faculty member with Oregon Ballet Theatre and NW Dance Project since 2018.

BA in Dance from Mills College and an MA in Contemplative Education from Naropa University. She began her training in ballet in Astoria, Oregon and later in Portland. She was a member of San Francisco based Margaret Jenkins Dance Company, and founded her own company Henry Harris Green. While still a performing artist, Kasandra began her career as a teaching artist in 1972, teaching modern dance and ballet in studios and colleges in California and Oregon. She worked as an NEA funded Artist in Schools in the Midwest. She shares creative movement processes with people of all ages, especially children whose lives have been infused with social and emotional challenges. Her work can occur in private and public K-12 schools, community centers, hospitals, groups homes and childcare centers —believing everyone should have the opportunity to dance. A specialist in teaching struggling youth, she received a 2007 and 2009 Young Audiences Sunburst Award for commitment to arts education. She has served on community leadership committees to further best practices and equity in arts education, helping to bring the Regional Arts and Culture Council’s Right Brain Initiative into being, serving on Portland’s Any Given Child committee in connection with The John F. Kennedy Center for the Arts, serving on Oregon Arts Commission panels, and was a founding board member of the Oregon Dance Education Organization, an affiliate of the National Dance Education Organization, receiving a Lifetime Achievement Award in 2019. Kasandra served as OBT’s Director of Education Outreach (now titled Education and Community Engagement) for 14 of her 28 years with OBT. She retired in June, 2020.

KASANDRA GRUENER

DANCER

Oregon native, Kasandra Green Gruener has a

Kathryn Morgan began studying ballet at age three at Mobile Ballet in Mobile, Alabama. Kathryn attended

FORMER OBT DIRECTOR OF EDUCATION OUTREACH

KATHRYN MORGAN

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the summer program at the School of American Ballet in 2004 and enrolled as a full time student that fall. She joined New York City Ballet as an apprentice in June of 2006 and became a member of the corps de ballet of the Company in February of 2007. In October 2009, Kathryn was promoted to soloist. She left the company due to an autoimmune illness in 2012. She has since regained her health and currently performs, teaches, and speaks around the country, runs a highly successful YouTube channel, her podcast The Kathryn Morgan Show, writes a column for Dance Spirit Magazine, is the creator of the the Kathryn Morgan Scholarship, Kathryn Morgan Collection and Kathryn Morgan Haul, and is a judge and master teacher for the Youth America Grand Prix Ballet Competition. She joined Miami City Ballet as a soloist for the 2019/2020 season. She is the recipient of the 2006 Mae L. Wien Award, 2006 Movado Future Legends Award, and the 2009 Janice Levin Award.

STRENGTH, FLEXIBILITY, & JOY! Start dancing with our ADULT BALLET CLASSES | AGES 13+

EMILY PARKER

Spring & Summer Sessions: March 30th – June 3rd June 29th – August 5th

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school.obt.org Xuan Cheng | by Blaine Truitt Covert

DANCER

Emily Parker is originally from Boston, Massachusetts, where she has recently returned after six seasons with Oregon Ballet Theatre. She is now pursuing a career in medicine and research, and is working on an inpatient clinical research ward studying the circadian rhythm at Brigham and Women’s Hospital. Her favorite OBT performances and roles include William Forsythe’s In the Middle, Somewhat Elevated, Nicolo Fonte’s Left Unsaid, ‘Purple Girl’ in Nacho Duato’s Jardí Tancat, Jiří Kylián’s Falling Angels, and ‘Dew Drop’ in George Balanchine’s The Nutcracker®. Emily continues to dance alongside her new pursuits and is thrilled to participate in OBT’s (R)Evolve series.

OBT RAW April 8–17

ACT II - 9 Makino Hayashi and Brian Simcoe | by Yi Yin

OBT RAW PROGRAM Welcome to OBT RAW. Please note that each perfor- the dancers and roles being performed. Below is a mance is unique with a rotating cast and selection of summary of all the repertory we will present over the works. Please refer to the digital casting sheet to find course of the run.

THE FOUR TEMPERAMENTS Excerpt Sanguinic CHOREOGRAPHER: GEORGE BALANCHINE MUSIC: PAUL HINDEMITH, THE FOUR TEMPERAMENTS: THEME WITH FOUR VARIATIONS FOR STRING ORCHESTRA AND PIANO PREMIERE: NOVEMBER 26, 1946, BALLET SOCIETY, NEW YORK, NY OBT PREMIERE: OCTOBER 21, 2006 STAGED BY: LISA KIPP, AFTER FRANCIA RUSSELL The performances of THE FOUR TEMPERAMENTS, a Balanchine® Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust. THE FOUR TEMPERAMENTS Choreography by George Balanchine © The George Balanchine Trust

George Balanchine choreographed The Four Temperaments for the opening program of Ballet Society, the forerunner of New York City Ballet. It is one of his earliest experimental works, fusing classical steps with a lean and angular style. The ballet was inspired by the medieval belief that human beings are made up of four different humors and that the dominance of one over the others determines a person’s temperament. The work includes three themes and four variations that correspond to these basic human moods: choleric, quick to anger; melancholic, gloomy and dejected; phlegmatic, slow moving and apathetic; and excerpted in this program, sanguinic, bright and happy.

The Four Temperaments was recognized immediately as a work without precedent in choreographic history. It is Balanchine’s first—and phenomenally powerful—announcement of the spare, dislocated classicism that he would employ throughout his career in works such as Agon, Episodes, and Stravinsky Violin Concerto and that would have such a profound influence on the emerging American style. Oregon Ballet Theatre first presented The Four Temperaments in 2006. It was staged by Francia Russell and featured many beloved OBT superstars including Alison Roper, Gavin Larsen, Artur Sultanov, and Brian Simcoe. Sanguinic was performed by the breathtaking Yuka Iino and Jon Drake.

AGON “The Sarabande” and “The Gailliard” CHOREOGRAPHER: GEORGE BALANCHINE MUSIC: IGOR STRAVINSKY, AGON PREMIERE: NEW YORK CITY BALLET, DECEMBER 1, 1957 NEW YORK CITY BALLET, CITY CENTER OF MUSIC AND DRAMA OBT PREMIERE: OCTOBER 21, 2014, KELLER AUDITORIUM, PORTLAND, OR STAGED BY: JEFF STANTON, AFTER BART COOK The performances of AGON, a Balanchine® Ballet, is presented by arrangement with The George Balanchine Trust and as been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust. AGON Choreography by George Balanchine © The George Balanchine Trust

Agon premiered in 1957 and became the apex of Balanchine’s competitiveness. OBT premiered Agon in September 2014 on collaborations with Stravinsky, ever contemporary in its athletic the occasion of its 25th anniversary season. With notable role 10 - obt.org

debuts by audience favorites Candance Bouchard, Chauncey Parsons, and current Principal Dancer Brian Simcoe. Agon is notoriously difficult musically for the dancers—and after including the female solo from the second pas de trois, in

Wish List, we thought showing two sections from the equally bracing first pas de trois was only fair. Of note to keen-eyed observers, many sections of Agon are based on 17th Century French Court dances—here the Sarabande and the Gailliard.

THE VERTIGINOUS THRILL OF EXACTITUDE Excerpt CHOREOGRAPHER: WILLIAM FORSYTHE MUSIC: SYMPHONY NO. 9, FOURTH MOVEMENT COMPOSER: FRANZ SCHUBERT PREMIERE: JANUARY 20, 1996, BALLET FRANKFURT OBT PREMIERE: OCTOBER 13, 2007 STAGED BY: JODIE GATES/ LISA KIPP BALLET MASTER Set to the fast paced final movement of Franz Schubert’s Symphony No. 9, The Vertiginous Thrill of Exactitude melds traditional elements of classical dance—tutus, point shoes, and crystalline technique—with dazzling speed and virtuosity. “Vertiginous” was intended as an affectionate homage to both Petipa and Balanchine in its courtly partnering conventions, compositional structure (solo variations set amongst pas de deux, pas de trois, and ensemble sections), and speedy, precise allegro work. At the same time, the ballet is utterly contemporary from its overt celebration of the dancers’ techni-

cal ability to its self-aware embodiment of dance tradition imparted by the green, flying saucer tutus for the women. Though the ballet has no story or plot, the title gives a clue to the mood of its creator. Vertiginous can mean dizzying or whirling, but it can also refer to something that undergoes constant change. Overlaid with “exactitude”, Forsythe presents the idea that clean precise execution of the steps can lead to thrilling and dizzying results. The OBT dancers were thrilled to have the opportunity to be coached directly by Mr. Forsythe (via zoom) for the OBT RAW performances.

NAPOLI Excerpts from Act III CHOREOGRAPHER: AUGUST BOURNONVILLE MUSIC BY: EDVARD HELSTED, HOLGER SIMON PAULLI, AND NIELS W. GADE PREMIERE: MARCH 29, 1842, DENMARK’S ROYAL BALLET, ROYAL DANISH THEATRE OBT PREMIERE: OCTOBER 6, 2018 STAGED BY: JEFF STANTON, AFTER FRANK ANDERSEN / COACHED BY FRANK ANDERSEN AND EVA KLOBORG

Napoli was ballet master August Bournonville’s ultimate triumph and won him the status of “Danish ballet poet,” as Hans Christian Andersen called him in a letter following the premiere performance on March 29, 1842. Since then, Napoli has been danced in an unbroken tradition for 150 years and has come to represent the essence of August Bournonville’s creativity, both in steps and ideas.

The ballet was choreographed after Bournonville visited Naples where he had been impressed by the local color and the vibrancy of life on the harbor of Santa Lucia. It appeared to be a city in constant movement. The first and third acts of Napoli were inspired by these Italian street scenes Bournonville wrote in his memoirs: “From my window, in the course of an hour, I would witness more tableaux than I could use in ten ballets!” ACT II - 11

Napoli is particularly meaningful to OBT, and our relationIn this program we present excerpts from the Pas de Six of ship with Bournonville experts Frank Andersen and Eva Kloborg Act III. This famous section is among the many highlights of the has shaped the dancers’ appreciation of this very challenging ballet’s joyous finale—the wedding celebration for the romanstyle. While many ballet companies present excerpts of Napoli, tic leads, Teresina and Gennaro. in 2018 Oregon Ballet Theatre became the only company in the United States to mount its own full production of this masterpiece.

LA SYLPHIDE Act II Pas de Deux CHOREOGRAPHER: AUGUST BOURNONVILLE COMPOSERS: HERMANN LOVENSKJOLD PREMIERE: NOVEMBER 28, 1836, ROYAL DANISH BALLET, ROYAL DANISH THEATRE STAGED BY: JEFF STANTON, AFTER FRANK ANDERSEN / COACHED BY FRANK ANDERSEN AND EVA KLOBORG La Sylphide was first performed in Paris in 1832 with choreography by Philippe Taglioni. In 1836 August Bournonville created and starred in his own version for the Royal Danish Ballet. Bournonville’s version became the cornerstone of the romantic ballet tradition and remains one of his most celebrated works. In this program we present the pas de deux from Act II of the ballet which opens with a beautiful pantomime in which the Sylph explains to James that the forest is hers and she will share it him but that he must never touch her otherwise she will die. They begin to dance as they profess their love each other

and are swept away by their passion. James tries to touch the Sylph but she manages to evade him. Their pas de deux is a beautiful balance between his powerful leaps and her ethereal delicacy. This beautiful and energetic duet is added to the OBT repertory for the first time in celebration of Principal Dancer Xuan Cheng’s 20th anniversary as a ballet dancer. Stagers Frank Andersen and Eva Kloborg have generously donated their expertise in appreciation of Xuan’s wonderful achievments.

SWAN LAKE The Neapolitan Dance CHOREOGRAPHER: KEVIN IRVING, AFTER PETIPA MUSIC: PYOTR ILYICH TCHAIKOVSKY, SWAN LAKE OP. 20 PREMIERE: OREGON BALLET THEATRE, FEBRUARY 18, 2017 KELLER AUDITORIUM, PORTLAND, OR LIBRETTO: KEVIN IRVING STAGED BY: LISA KIPP In this program we present an excerpt from Act II of the ballet. It’s the night of the grand ball given in honor of Prince Siegfried’s birthday during which he must choose a bride. Hopeful young ladies arrive from far and wide. In the anteroom, delegates from foreign courts jockey for the best positions. In this comical scene the Neapolitans vie for the Prince’s

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attention—but no one can captivate the prince who has spent his life charming everyone else. Out of academic ballet steps, character and motivation gain momentum as the dancers get swept away in some of the most entertaining music Tchaikovsky created for this iconic ballet.

RAYMONDA Act III, Raymonda’s variation CHOREOGRAPHER: MARIUS PETIPA MUSIC: ALEXANDER GLAZUNOV PREMIERE: JANUARY 19, 1898, RUSSIAN IMPERIAL BALLET, IMPERIAL MARINSKY THEATRE STAGED BY: NATALIA BAR

Marius Petipa was 80 when he created Raymonda, one of his last major ballets. The work is set in the twelfth century and steeped in medieval legend. The role of Raymonda is one of the most demanding in the classical ballet repertoire. The ballerina performs no less than five variations each revealing different ides of her character. For OBT RAW we have selected the brilliant—and technically

daunting—variation from Act III to highlight the distinct qualities of our newest principal dancer, Eva Burton. This variation demands assurance, delicacy, and aplomb—all characteristics we know that Eva possesses in abundance! And to top it off, we were thrilled to call on the talents of OBT School Faculty member Natalia Bar to coach this role she knows so well.

Introducing

OBTV! While we are not able to perform in our beloved theaters this season, we are excited to share ballet with you in new ways and in new locations. Watch individual programs on demand OR see it all with our ALL ACCESS and DIGITAL ACCESS Pass.

VISIT: OBT.ORG/OBTV

ACT II - 13 Thomas Baker & Jessica Lind | Image by Yi Yin

THE LEFT-HAND PATH CHOREOGRAPHER: NICOLO FONTE MUSIC: ESKIMO SONG, HUGO LARGO PREMIERE: MAY 1991, MONTREAL, CANADA STAGED BY: NICOLO FONTE From the choreographer: “I choreographed The Left-Hand Path when I was 25; it was the first time I ever tried to put into dance what I was experiencing on a personal and even physical level. My reaction—this personal solo—was a declaration of freedom. Freedom from the stereotypes of gay/straight, masculine/

feminine, freedom as well from rules pertaining to dance as I understood it. Looking at it now, at a distance measured in decades, I see a clear message of strength through self-affirmation that I hope continues to resonate with the audience.”

RAPTUS Final Duet CHOREOGRAPHER: NACHO DUATO MUSIC: WESENDONCKLIEDER COMPOSER: RICHARD WAGNER PREMIERE: 1987, NEDERLANDS DANCE THEATER, THE NETHERLANDS STAGED BY: KEVIN IRVING The passionate movements of Raptus were inspired by the romantic and emotive songs contained in Richard Wagner’s Wesendonck Lieder. The words of the songs are from poet Mathilde Wesendonck, who was also the wife of one of Wagner’s patrons. Wagner and Mathilde were said to have engaged in a very intense, albeit hopeless affair which was broken off. The love affair contributed not only to this song cycle but also to the concept for Wagner’s Tristan und Isolde. Even though Nacho Duato does not portray the couple’s

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conflict directly, the images and atmosphere created convey, without doubt, an evocative emotion. The overall impression of Raptus is of an overwhelming dream, with uncontrolled passions leading to destruction, to disunion. It is a ballet endowed with enormous intensity, in terms of movement, emotion and staging. This short duet is the culminating moment of the ballet, where the two protagonists challenge us to decipher—who is the dreamer, and who is the dream?

OBT RAW GUESTS FRANK ANDERSEN

STAGER AND COACH Frank Andersen became Artistic Director of the Royal Danish Ballet in 1985. His first term ended in 1994 when he took over as Artistic Director of the Royal Swedish Ballet until 1999. He then resumed his post at the Royal Danish Ballet from 2002 until 2008. In 2002, Andersen was among five artists to receive the Dance Magazine Award in recognition of outstanding contribution to the field of dance. In 2004, American-Scandinavian Foundation made Andersen “man of the Year” in the US. In 2008, Andersen was awarded Commander of the Danish Dannebrog Order. Born in Copenhagen, Denmark, Frank Andersen began training at the Royal Danish Ballet School at the age of seven. He also studied under Vera Volkova, Stanley Williams, and Nora Kiss. He was accepted to the corps of Royal Danish Ballet in 1971 and became a principal in 1977. His dancing has been described as conveying a love of life, humor, and charm in roles such as Geert in The Kermesse in Bruges, Gurn in La Sylphide, Franz in Coppélia, and Puck in John Neumeier’s A Midsummer Night’s Dream. In 1976 Andersen and Royal Danish Ballet principal Dinna Bjorn founded the Bournonville Group. Known in the U.S. as “Soloists of the Royal Danish Ballet,” this ensemble of 8–10 dancers toured the world for ten years as ambassadors of Bournonville’s work. They performed in the US, Canada, Central America, France, Italy, Sweden, Holland, Hong Kong, The Philippines, and Thailand. Andersen has staged more than 30 productions of August Bournonvilles ballets for many internationally recog-

nized companies including: A Folktale for the Royal Danish Ballet in 1991— with set and costumes by her Majesty Queen Margrethe II, La Sylphide for the National Ballet of China in 1999, and Napoli Act III for the National Ballet of Cuba in 2008. In 2010, Andersen, together with his wife Eva Kloborg, staged Bournonvilles Conservatory and Flower Festival in Genzano for the Vietnam National Opera and Ballet, and this culminated in major presentations at the Hanoi Opera House in May 2010. Since 1997 he has been Artistic Advisor to the National Ballet of China, visiting the People’s Republic on many occasions. In 2014 he published the first book in Chinese about the Royal Danish Ballet and August Bournonville. In 2013 he became the first Dane to be a Professor with the Beijing Dance Academy. Andersen is thrilled to share his passion for August Bournonville’s choreography with Portland audiences in this Oregon Ballet Theatre premiere production of Napoli Act III.

GEORGE BALANCHINE

CHOREOGRAPHER Ge org e B a la nc h i n e transformed the world of ballet. He is widely regarded as the most influential choreogra pher of the 20th Century, and he co-founded two of ballet’s most important institutions: New York City Ballet and the School of American Ballet. Balanchine was born in St. Petersburg, Russia, in 1904, studied at the Imperial Ballet School in St. Petersburg, and danced with the Maryinsky Theatre Ballet Company, where he began choreographing short works. In the summer of 1924, Bal anchine left the newly formed Soviet Union for Europe, where he was invited by impres sario Serge Diaghilev to join the Ballets Russes. For that company, Balanchine cho

reographed his first important ballets: Apollo (1928) and Prodigal Son (1933). After Ballets Russes was dissolved following Diaghilev’s death in 1929, Balanchine spent his next few years on a variety of projects in Europe and then formed is own company, Les Ballets 1933, in Paris. There, he met American arts connoisseur Lincoln Kirstein, who persuaded him to come to the United States. In 1934, the pair founded the School of American Ballet, which remains in operation to this day, training students for com panies around the world. Balanchine’s first ballet in the U.S., Serenade, set to music by Tchaikovsky, was created for SAB students and premiered on June 9, 1934, on the grounds of an estate in White Plains. Balanchine and Kirstein founded several short-lived ballet companies before forming Ballet Society in 1946, which was renamed New York City Ballet in 1948. Balanchine served as the Company’s ballet master from that year until his death in 1983, building it into one of the most important performing arts institutions in the world, and a cornerstone of the cultural life of New York City. (Bio courtesy of New York City Ballet.)

NATALIA BAR

STAGER AND COACH Natalia Bar was born in Odessa, Ukraine. She was trained in the classical tradition of Odessa State Choreographic Academy and continued her studies with legendary teachers Julius Placht, Elena Tchernishova, and Marina Shamsheva. Ms. Bar went on to dance professionally with the Odessa Ballet Company for 15 years. During her career she worked with world renowned choreographers Leonid Lavrovsky, Oleg Vinogradov, Igor Tchernishov, and Nina Fedorova. As a soloist with the company she performed leading roles in classical ACT II - 15

OBT RAW GUESTS and contemporary ballets and toured internationally. Since she moved to the U.S., Ms. Bar has established a reputation as a well-known teacher, choreographer and coach in both traditional Vaganova and contemporary American styles. Ms. Bar was on the faculty of the Rock School of the Pennsylvania Ballet in Philadelphia for 15 years, both as a teacher and as the official International Competition Coach. While at the Rock School, Ms. Bar coached the winners of international competitions in Moscow, Jackson, Greece, Paris, and the Youth America GrandPrix in New York City. In 2008 Ms. Bar was honored with the Outstanding Teacher Award by Youth American Grand Prix. Many of Ms. Bar’s students are professionally employed by major dance companies including New York City Ballet, American Ballet Theatre, Royal Danish Ballet, Joffrey Ballet, and Alvin Ailey. Ms. Bar was featured in the MTV series “Made” and in the feature film NY Export: Opus Jazz, which aired on PBS and stars New York City Ballet dancers. Ms. Bar’s daughter, Ellen Bar, enjoyed a 13 year career as a soloist with New York City Ballet.

AUGUST BOURNONVILLE

CHOREOGRAPHER

August Bournonville was born in Copenhagen, Denmark, on August 21, 1805. A dancer, choreographer, ballet director, and teacher who directed The Royal Danish Ballet for nearly 50 years, he established the Danish style of dance based on bravura dancing and expressive mime. His distinctive style is noted for its precision, neatness, lightness, and gaiety. It is filled with bouncy jumps, speedy footwork, small quick steps, and beats done while the upper body is held still. He was trained by Vin16 - obt.org

cenzo Galeotti, the Italian dancer and choreographer who became the founder of The Royal Danish Ballet, as well as by his father, French dancer Antoine Bournonville, who arrived in Copenhagen from Stockholm in 1792. Bournonville became a solo dancer at an early age at the Royal Ballet in Copenhagen. He created a style, although influenced from the Paris ballet, entirely his own in which elegance and grace dominated. As a choreographer, he made original ballets with varied settings: Denmark, Italy, Scotland, Russia, and South America. In Le Conservatoire, Bournonville dramatized memories of his years of study in Paris; key themes were harmony and grace. In his ballets, harmony of the dance reflects harmony of the soul: Ballet steps are infused with joyful exuberance. Among his ballets still performed, three are treasures of the Danish ballet repertoire. Napoli, La Sylphide, and A Folk Tale represent the essence of Bournonville’s artistic outlook. In these ballets, he maintained that art should be positive—with the purpose to elevate us and make us harmonious human beings. The ballets are dedicated to a world of order, meaning, and beauty – in which balance prevails. Bournonville also directed the Royal Swedish Opera (1861-1864), and staged several of his works in Vienna (1855-1856). In 1877, following his return to Denmark, he retired and was knighted. He was a central figure in Danish culture, who fought to improve the social status and security of his dancers. He died on November 30, 1879, in Copenhagen.

rice Béjart’s Mudra School in Brussels, and completed his education at New York’s Alvin Ailey American Dance Theater in New York. His professional career began in 1980 with Cullberg Ballet in Stockholm, but it was at the Nederland Dans Theater, directed by Jirí Kylián, where he first came to prominence. He composed his first choreography there, Jardí tancat (1983), with music by María del Mar Bonet, and won first prize at the International Choreographic Workshop Cologne. His ballets and choreography are now part of the repertoires of the most prestigious international companies. He was artistic director of the Spanish National Lyrical Theatre Ballet in Madrid, today the National Dance Company (1990-2010). In 1999, he founded the National Dance Company 2, with the aim of training and preparing dancers for their professional life. He currently directs the Mikhaylovsky Theatre Ballet in Saint Petersburg. In recognition of his achievements as a dancer, he received the 1987 VSCD Gouden Dansprijs (Golden Dance Award).

WILLIAM FORSYTHE

CHOREOGRAPHER

William Forsythe has been active in the field of choreography for over 45 years. His work is acknowledged for reorienting the practice of ballet from its identification with classical repertoire to a dynamic 21st century art form. Forsythe’s deep interest in the fundamental NACHO DUATO principles of organization has led him CHOREOGRAPHER to produce a wide range of projects Choreographer including Installations, Films, and Web for Jardí Tancat, based knowledge creation. Nacho Duato was Raised in New York and initially born in Valencia, trained in Florida with Nolan Dingman Spain, and studied and Christa Long, Forsythe danced at London’s Ram- with the Joffrey Ballet and later the bert School, Mau- Stuttgart Ballet, where he was

OBT RAW GUESTS appointed Resident Choreographer in 1976. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt. After its closure, Forsythe established a new ensemble, The Forsythe Company, which he directed from 2005 to 2015. Forsythe’s most recent works were developed and performed exclusively by The Forsythe Company, while his earlier pieces are prominently featured in the repertoire of virtually every major ballet company in the world, including The Mariinsky Ballet, The New York City Ballet and The Paris Opera Ballet. Further to his work as a choreographer, William Forsythe is a current Professor of Dance and Artistic Advisor for the Choreographic Institute.

JODIE GATES

STAGER

Jodie Gates has established a significant dance career, contributing to the profession as a visionary leader, artistic director, educator, choreographer, stager and principal dancer. She is an experienced founder of programs and organizations, and serves as a facilitator for artistic collaborations and educational initiatives. Her professional performing career spanned 25 years, dancing as a principal ballerina with the Joffrey Ballet, Frankfurt Ballet, Pennsylvania Ballet, Complexions, and as an international guest artist. Since 2004, Ms. Gates has choreographed over 70 original dance works for stage and screen. Her commissioned choreography has been performed at the Kennedy Center, American Ballet Theater, New York’s City Center Theater, Staatsballett Berlin, the Helsinki International Ballet Competition, the Vail International Dance Festival among others. She has choreographed for television commercials, and companies including Ballet West, Cincinnati Ballet, Colorado Ballet,

Complexions, Kansas City Ballet, BalletX, Washington Ballet, and Tulsa Ballet. She is also responsible for staging William Forsythe’s ballets worldwide, including productions at Paris Opera Ballet, San Francisco Ballet, Prague National Theater, Zurich Opera Ballet and Teatro La Scala, among others. Her honors include the American Ballet Theater/Altria Choreography Fellow, a recipient of Jerome Robbins ‘New Essential Works Program’ and honored by the American Association of University Women. Ms. Gates currently resides in Southern California, and is the Artistic Director for the award-wining Laguna Dance Festival, and is the Founding Director of the Glorya Kaufman School of Dance at the University of Southern California, where she developed and established a new movement model for dance education.

FRANCIA RUSSELL

COACH

Francia Russell was Artistic Director of Pacific Northwest Ballet and Director of Pacific Northwest Ballet School from 1977 until her retirement in June 2005. She is responsible for the addition to the Company’s repertory of many works of George Balanchine. In addition to teaching, rehearsing, and promoting the potential of Company dancers, Ms. Russell enriched the curriculum of PNB School by adding related subjects of study and engaging a team of expert consultants. She also oversaw the development of an extensive community education program and founded the DanceChance program in 1994. These components of the School were distinguished as ahead of their time in American dance education. Ms. Russell’s most influential teachers were Felia Doubrovska, Antonina Tumkovsky, Vera Volkova, Robert Joffrey, and George Balanchine. She

joined New York City Ballet in 1956 and was promoted to soloist in 1959. She retired from the company in 1961, danced for a year with Jerome Robbins’ Ballets USA, and taught on the faculty of the School of American Ballet in 1962-1963. In 1964, Balanchine appointed her ballet mistress of NYCB. Ms. Russell was one of the first ballet masters chosen by Balanchine to stage his works. To date, she has staged 246 productions of Balanchine ballets worldwide. In 1987, she staged the first Balanchine ballet in the People’s Republic of China for the Shanghai Ballet, and in 1988-1989, she staged the historic first authorized performance of Balanchine’s work in his homeland for the Kirov Ballet in St. Petersburg. From 1975 to 1977, Ms. Russell and Kent Stowell were Co-Artistic Directors of Frankfurt Ballet. Ms. Russell’s numerous awards include the Washington State Governor’s Arts Award, the Dance Magazine Award, an Honorary Doctor of Arts from the University of Washington, an Honorary Doctorate of Humane Letters from Seattle University, and the Brava Award from Women’s University Club of Seattle. In 2004, Ms. Russell received the Arts Fund Lifetime Achievement in the Arts Award, the Seattle Mayor’s Arts Award for Lifetime Achievement, and the Ernst and Young Entrepreneur of the Year Award and was recognized by the King County Council for her achievements in the arts.

ACT II - 17

ARTISTIC STAFF KEVIN IRVING

THE CRUMPACKER FAMILY ARTISTIC DIRECTOR A rare dancer whose career spanned multiple disciplines, Kevin Irving began dancing with jazz classes in his hometown dance school (Long Island, New York), before joining the school and training ensemble of Alvin Ailey — an experience that impacted him deeply. From 1982–1985, he danced with The Elisa Monte Dance Company of New York, a company often referred to as “postmodern,” but at 24, he took a sharp turn toward classical dance and joined Les Grands Ballets Canadiens in Montréal. Promoted to soloist and subsequently to principal dancer, Irving became a well-known figure wherever LGBC performed, excelling in classical, neoclassical, and contemporary roles — including in ballets by diverse choreographers such as George Balanchine, Antony Tudor, Kurt Joos, Nacho Duato and in works created by LGBC’s resident choreographer James Kudelka. In 1993, Irving joined Twyla Tharp Dance, touring the U.S. and Europe with the acclaimed choreographer, including performances at L’Opéra de Paris and the PBS filming of Tharp’s much-lauded ballet In the Upper Room. From 1994–2002, Irving was ballet master and associate director with Nacho Duato’s Compañía Nacional de Danza in Madrid, at a time when the Spanish company was in high demand all around the world. From 2002–2007, he was artistic director of The Göteborg Ballet, the 2nd-largest professional dance ensemble in Sweden. The company, rejuvenated during Irving’s tenure, was named the most important dance company in Sweden in Ballet International’s 2007 critic poll. 18 - obt.org

From 2007–2013, Irving was a frequent guest ballet master with The Royal Danish Ballet where he staged and rehearsed works by Jiří Kylián, George Balanchine, and Jerome Robbins. He has also been a guest teacher with numerous companies and schools in the U.S. and abroad for over 20 years. Additionally, he has staged ballets by Nacho Duato and Nicolo Fonte for companies such as The Royal Ballet Covent Garden, Nederlands Dans Theater, Hubbard Street Dance Chicago, Lyon Opera Ballet, and The Australian Ballet, to name just a few. In the U.S., Irving became associate director at Morphoses (formerly The Wheeldon Company) from 2011–2012, coordinating special initiatives aimed at defining the company’s unique profile in the dance world. From 2010–2016, he ran I-DANCE (Inspiring Dance: American Nations’ Choreographic Exchange), a nonprofit that sent teachers and choreographers to dance communities in Central and South America. Irving was named artistic director of Oregon Ballet Theatre in July 2013 and is proud to call Portland (and OBT) home since that time.

NICOLO FONTE

RESIDENT CHOREOGRAPHER

Choreographer Nicolo Fonte is known for his daring and original approach to dance. His work has been noted by critics for a unique movement language as well as a highly developed fusion of ideas, dance and design. He has created over 50 new works for dance companies spanning the globe, garnering praise and generating excitement

for his daring and theatrical approach to dance. The Australian Ballet, Pennsylvania Ballet, and The Dutch National Ballet, among many others, all have works of his in their repertoire. Whether made to Ravel’s brash Bolero or the quiet intricacy of a Bach violin piece, Fonte ballets have common ground: “The choreography is inventive, creating expressive original shapes built on an undercurrent of implicit human relationships” (Foyer, Dance Europe). “What impresses the most is that his choreography is obviously the result of a personal reflexion—distinctly and unmistakably Fonte, proof of a rare quality” (Michel Odin, Danse). Well-known to Portland audiences for a stunning roster of works including Never Stop Falling (in Love), Bolero, Giants Before Us, and Rhapsody in Blue, Fonte is recognized throughout the world as a choreographer equally comfortable with classical and contemporary dance forms. Nicolo Fonte is currently the Resident Choreographer for Ballet West, in Salt Lake City, which began with the 2012–2013 season. He became Resident Choreographer at Oregon Ballet Theatre beginning with the 2016–2017 season.

LISA KIPP

REHEARSAL DIRECTOR

Lisa Kipp began studying ballet in Olympia, Washington, and finished her training at Pacific Northwest Ballet School. She danced with Pacific Northwest Ballet, Pacific Ballet Theatre, Ballet Oregon, City Ballet of Los Angeles, and James Sewell Ballet, as well as performed in the touring company of Andrew Lloyd Webber’s The Phantom of the Opera. Kipp danced principal roles in George Balanchine’s Rubies, Tchaikovsky Pas de Deux , Square Dance, Concerto

ARTISTIC STAFF Barocco, and Apollo, and appeared as the Cowgirl in Agnes de Mille’s Rodeo. Prior to joining Oregon Ballet Theatre in 2004, she was ballet headmaster for The School of Spectrum Dance Theater in Seattle, as well as the company’s rehearsal director. Kipp has been ballet master for OBT for over 10 years and rehearsal director for over five years. As ballet master, she has assisted James Kudelka, Lar Lubovitch, Lola de Ávila, Nicolo Fonte, Francia Russell, Bart Cook, Christine Redpath, and Helgi Tómasson. She staged George Balanchine’s Rubies, Square Dance, and Who Cares? for the company and is responsible for the corps de ballet in its classical repertoire.

MICHAEL MAZZOLA

RESIDENT LIGHTING DESIGNER Michael Mazzola’s critically acclaimed lighting and scenery have been seen in venues throughout the U.S., Europe, and Asia, from opera houses to amphitheaters and circus tents to hay barns. The three-time New York Dance and Performance Award winner has designed lighting and scenery for Oregon Ballet Theatre, Pacific Northwest Ballet, San Francisco Ballet, Whim W’Him, Queensland Ballet, the Finnish National Ballet, Stuttgart Ballet, Grand Rapids Ballet, Ballet West, Ballet Nacional de Cuba, Ballet Hispánico, Trey McIntyre Project, The Washington Ballet, Royal Winnipeg Ballet, Houston Ballet, Rachel Tess Dance at the Wanås Foundation in Sweden, Baryshnikov Arts Center, LMCC’s River To River Festival, Third Rail Repertory Theatre, Bebe Miller Company, and Liz Lerman’s Dance Exchange. For the National YoungArts Founda-

tion’s Miami Galas, Mazzola has designed lighting and scenery since 2015. For the 2015 and 2016 U.S. Presidential Scholars Program and YoungArts Awards, he designed lighting and created media content at the Kennedy Center Concert Hall. He also went to Italy for a whirlwind tour with Tulsa Ballet and to Cuba for his second world premiere at Ballet Nacional de Cuba for choreographer Annabelle Lopez Ochoa. Recently, he went to Winnipeg for the world premiere of a full-length ballet by James Kudelka at Royal Winnipeg Ballet. He then traveled to Chicago for a new Giselle by The Joffrey Ballet, among others. Mazzola has been the scenic designer for Comedy Central Roasts and the 2015 Lincoln Awards at the Kennedy Center Concert Hall for upLIGHT.

formed as a guest artist for Le Gala des Étoiles in Montréal, the Prague Gala of Stars, and the TITAS Command Performance of International Ballet in Dallas, Texas. In 1999, he was featured in the BBC filming of Pacific Northwest Ballet’s performance of George Balanchine’s A Midsummer Night’s Dream, at the Sadler Wells Theater in London.

JEFF STANTON

BALLET MASTER

Jeffrey Stanton is from Santa Cruz, California. He trained at San Francisco Ballet School and the School of American Ballet. In addition to classical ballet, he studied ballroom, jazz, and tap dance. He joined San Francisco Ballet in 1989, before joining Pacific Northwest Ballet in 1994. He was promoted to soloist in 1995, promoted to principal in 1996, and retired from PNB in 2011. He has performed principal roles in various Balanchine works such as Apollo, Theme and Variations, Who Cares, and Agon. He also performed principal roles in classics such as The Sleeping Beauty, Swan Lake, Merry Widow, and Romeo and Juliet. Choreographers such as Nicolo Fonte, Christopher Stowell, Kent Stowell, Val Caniparoli, and Susan Stroman have created roles for him. Stanton has perACT II - 19

OBT RAW REHEARSAL

Clockwise from top left: Soloist Thomas Baker; Thomas Baker and Principal Dancer Eva Burton; Soloist Jessica Lind & Company Dancer Christopher Kaiser; and Company Dancer Makino Hayashi in rehearsal for OBT RAW. Photography by Brian Simcoe

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PRINCIPALS

EVA BURTON

XUAN CHENG

PETER FRANC

BRIAN SIMCOE

Sponsored by Kathleen & Benoit de Montlebert

Sponsored by Dan & Don

COMPANY ARTISTS

HANNAH DAVIS Sponsored by Marilyn L. Rudin, MD & Richard S. Testut, Jr.

MAKINO HAYASHI Sponsored by Karen & Mike Weddle ACT II - 21

COMPANY ARTISTS

MATHILDE LAMBERT

ZUZU METZLER

APPRENTICES

COLBY PARSONS Sponsored by the Sammons Family in memory of Luwayne “Buzzy” Sammons

BAILEY SHAW

The Dancers and Stage Managers of Oregon Ballet Theatre are represented by the American Guild of Musical Artists, AFL-CIO, the union that represents the artists in the fields of opera, ballet, modern dance, and choral presentations.

KANGMI KIM

NIKO YAROSLASKI

Photos by Brian Simcoe

COMPANY PRINCIPAL DANCERS EVA BURTON was born in Los Angeles, California, where she received training from Patrick Frantz, followed by San Francisco Ballet School. In 2010, she joined OBT as a dancer in the corps de ballet, was promoted to soloist in 2016 and became principal in the beginning of the 2020–2021 season. Her repertoire includes works by George Balanchine, William Forsythe, Trey McIntyre, Nicolo Fonte, James Kudelka, Nacho Duato, Helen Pickett, Yuri Possokhov, August Bournonville, and Jiří Kylián. In 2015 and 2019, she performed the title role in Ben Stevenson’s Cinderella. In February of 2020, she made her debut as Princess Aurora in Christopher Stowell’s production of The Sleeping Beauty. 22 - obt.org

XUAN CHENG is from Chenzhou, China. She attended Guangzhou Ballet School, joined the corps de ballet for Guangzhou Ballet of China (under prima ballerina Dan Dan Zhang), and rose to principal. In 2004, she was a silver medalist in the third Shanghai International Ballet Competition; in 2005, a finalist in the eighth New York International Ballet Competition; and in 2006, a gold medalist in China’s Tao Li Bei World Dance Competition. Upon Édouard Lock’s invitation, she joined La La La Human Steps and performed in 20 countries across three continents: Europe, Asia, and North America. She joined Les Grands Ballet Canadiens, and became an OBT principal in 2011. Xuan has danced leading and original roles in world class choreogra-

phers’ repertories, including William Forsythe, Nacho Duato, Jiří Kylián, and Nicolo Fonte. As principal at OBT, some of her standout roles include: Princess Aurora, Cinderella, Juliet, Giselle, Alice, Sugarplum Fairy in George Balanchine’s Nutcracker®, Odette/Odile in both Christopher Stowell’s and Kevin Irving’s Swan Lake and as Teresina in August Bournonville’s Napoli. PETER FRANC is from Lancaster, Pennsylvania. He trained with Metropolitan Ballet Theatre and Houston Ballet Academy, where he received the Michael Wasmund Award upon graduation. He then joined Houston Ballet for eight years and rose to the rank of demi-soloist. He later moved to Aspen Santa Fe Ballet (2012) before joining OBT as a

COMPANY soloist (2015). OBT promoted him to principal in 2016. He regards his role in Jerome Robbins’ Afternoon of a Faun as a favorite, as well as Romeo in James Canfield’s Romeo & Juliet and Prince Siegfried in Kevin Irving’s Swan Lake. Other favorites include features in works by Jiří Kylián, Hans Van Manen, Stanton Welch, Christopher Bruce, Nicolo Fonte, Cayetano Soto, and Alejandro Cerrudo. BRIAN SIMCOE is from Grants Pass, Oregon, where he trained with Penny King and Sylvia Bolton. From there he went on to train with Long Beach Ballet, Pacific Northwest Ballet School, and the School of Oregon Ballet Theatre. Initially an apprentice with OBT in 2004, he rose through the ranks and was promoted to soloist in 2011 and to principal in 2013. While he has performed a wide variety of work throughout his career by choreographers such as George Balanchine, James Kudelka, Nacho Duato, Christopher Wheeldon, and William Forsythe, some of his favorite featured roles include Jerome Robbins’ Afternoon of a Faun, Nicolo Fonte’s Petrouchka, Yuri Possokhov’s La Valse, and Romeo in James Canfield’s Romeo and Juliet.

San Francisco Ballet School, she joined OBT’s Professional Division (2011), became an apprentice (2013), and was promoted to company artist (2016). Her favorite OBT performances and roles include William Forsythe’s In the Middle, Somewhat Elevated, George Balanchine’s Stravinsky Violin Concerto, Nicolo Fonte’s Left Unsaid, Trey McIntyre’s Robust American Love, ‘Purple Girl’ in Nacho Duato’s Jardí Tancat, ‘Dew Drop’ in George Balanchine’s The Nutcracker®, and ‘Princess Florine’ in Christopher Stowell’s The Sleeping Beauty. Lind was promoted to soloist in 2019. MICHAEL LINSMEIER — raised on a family dairy farm — is from Cato, Wisconsin. He trained at Jean Wolfmeyer School of Dance and at Virginia School of the Arts under Petrus Bosman. He joined Milwaukee Ballet before joining OBT’s corps de ballet (2011) and was later promoted to soloist (2013). His favorite roles are Stepsister in Ben Stevenson’s Cinderella, Mercutio in James Canfield’s Romeo & Juliet, Nacho Duato’s Jardí Tancat, Darrell Grand Moultrie’s Fluidity Of Steel, and Helen Pickett’s Terra. COMPANY DANCERS

SOLOISTS THOMAS BAKER is from San Jose, California. He began training at the age of 15 at Westside Studio of Performing Arts under Bené Arnold and attended San Francisco Ballet School on full scholarship. While he joined OBT as an apprentice in 2010 and returned as a company artist in 2014, he also spent two seasons dancing with Ballet San Jose. He has collaborated with Barak Ballet and National Choreographers Initiative. With OBT, he has performed roles such as the Cavalier in George Balanchine’s The Nutcracker ® and White Rabbit in Webre’s ALICE (in wonderland), as well as principal roles in works by George Balanchine, William Forsythe, Nacho Duato, Nicolo Fonte, and others. Baker was promoted to company soloist in 2019. JESSICA LIND is from San Jose, California, where she began training at Dance Theatre International. Following one year at

COCO ALVAREZ-MENA is from Miami, Florida, where she started her training at DanceTown under Manny Castro and Maria Eugenia Lorenzo. She then attended The Harid Conservatory for pre-professional Vaganova training and later attended USC’s Glorya Kaufman School of Dance in 2019 as part of the inaugural class. While at Kaufman, she was fortunate enough to work with William Forsythe, Jodie Gates, Desmond Richardson, and Zippora Karz. Post graduation, she joined Oregon Ballet Theatre as a company artist in 2019. BRIAN BENNETT is from Lanham, Maryland. He began his dance training in the competition circuit where he performed tap, jazz, hip-hop, and contemporary routines across the United States. He began his ballet training in high school at Baltimore School for the Arts under the direction of Norma Pera. During this time, he was very fortunate to perform in ballets such as

George Balanchine’s Serenade and Balanchine’s Stars and Stripes as well as Martha Graham’s Appalachian Spring. He received scholarships to train at summer programs hosted by San Francisco Ballet School, The Joffrey Ballet School, American Ballet Theatre, and George Mason University. After high school, Bennett attended Butler University in pursuit of a Bachelor of Science in Arts Administration under the direction of Larry Attaway. At Butler he enjoyed dancing in ballets such as Giselle, George Balanchine’s The Four Temperaments, Paul Taylor’s Piazzolla Caldera, Swan Lake, and Gerald Arpino’s Viva Vivaldi. Bennett joined Oregon Ballet Theatre as a Company Artist in 2019. HANNAH DAVIS is from Chapel Hill, North Carolina, where she began dancing at Chapel Hill Ballet School. She furthered her classical and contemporary studies at University of North Carolina School of the Arts under Brenda Daniels and Susan Jaffe. Hannah joined OBT2 in 2015, was promoted to apprentice in 2016, and became a company artist in 2018. Her favorite performances with OBT include Choreography XX in the Rose Garden, Winter Fairy in Ben Stevenson’s Cinderella, and Jiří Kylián’s Falling Angels. MAKINO HAYASHI is from Kumamoto, Japan, where she trained at Kumamoto Ballet School, and where she later received a Hitozukuri Grant. She joined Colorado Ballet as an apprentice (2001) and was promoted to corps de ballet (2004) before joining OBT (2010). Among her favorite roles are Nacho Duato’s Rassemble ent and Jardí Tancat, and Matjash Mrozewski’s The Lost Dance. In addition, she was featured in August Bournonville’s Napoli; Darrell Grand Moultrie’s Instinctual Confidence; William Forsythe’s In the Middle, Somewhat Elevated; and as Helena in Christopher Stowell’s A Midsummer Night’s Dream. Makino has also been choreographing since 2013, and has created works both here in the US and Japan, including two works created on OBT dancers, Brothers and a Sister, and What do you see… Her work, Black Earth, was accepted and performed at Szólóduó choreographer competition in Budapest Hungary in 2019 ACT II - 23

COMPANY and also performed at IN A LANDSCAPE: Classical Music in the Wild. CHRISTOPHER KAISER is from Los Angeles, California, where he trained at Los Angeles High School for the Arts. Afterward, he was accepted to The Juilliard School, where he graduated with a bachelor of fine arts and danced in the Edinburgh International Festival. He danced with Alberta Ballet for three seasons before joining OBT. This will be his 5th season with OBT. He has enjoyed performing roles such as Nacho Duato’s Gnawa, William Forsythe’s Herman Schmerman, Nicolo Fonte’s Left Unsaid and Giants Before Us, and Ben Stevenson’s Cinderella as a Step Sister. MATHILDE LAMBERT began training at the Washington School of Ballet, directed by Kee-Juan Han. Shortly after moving to Paris, she joined the CRR de Paris before training professionally at La Scala Ballet School in Milan, Italy. She then joined the Dutch National Ballet as a trainee. She received a direct entry award to the summer intensive at The Royal Ballet School. At 18, she became an apprentice with Northern Ballet in Leeds, England. She danced in David Nixon’s The Little Mermaid as well as in Kenneth MacMillan’s Concerto, and the title role in Northern Ballet’s Ugly Duckling. Mathilde continued her career dancing with Columbia Classical Ballet where she performed the roles of Snow White in Mark Diamond’s ballet, the Snow Queen in Radenko Pavlovich’s The Nutcracker, the soloist girl in Rick McCullough’s Triptych Life Chance Gala, and the Second Odalisque in Le corsaire. With the Minnesota Ballet she danced some of her favorite roles including: The Sugar Plum Fairy in Allan Fields’ The Nutcracker, and the role of Tatiana in Bruce Wells’ A Midsummer Night’s Dream. She is excited to start her first season with Oregon Ballet Theatre! ZUZU METZLER grew up in Camas, Washington. She trained with OBT School, joined OBT2, became an apprentice in 2018 and was promoted to company artist in 2020. She was awarded the Elena Carter Memorial Scholarship and has spent summers at Pacific Northwest Ballet School, San Francisco Ballet School, the 24 - obt.org

School of American Ballet, and Exploring Ballet with Suzanne Farrell. Favorite performances and roles include Nicolo Fonte’s Accidental Signals, Cupid in the Annual School Performance of the Dream Scene from Don Quixote, and both Harlequin and Marzipan in George Balanchine’s The Nutcracker ®. She has also enjoyed dancing Winter Fairy in Ben Stevenson’s Cinderella and Jewels in Christopher Stowell’s Sleeping Beauty. COLBY PARSONS is from Santa Barbara, California, where he studied at Santa Barbara Ballet Center with Denise Rinaldi. He then trained on full scholarship at American Ballet Theatre, danced with ABT II, and had soloist and principal roles with Alberta Ballet in Calgary. He joined OBT as a company artist in 2014 and has enjoyed the roles of Lover in James Kudelka’s Sub Rosa, lead in August Bournonville’s Napoli, Prince in Ben Stevenson’s Cinderella, and Cavalier in George Balanchine’s The Nutcracker ®. He has also been a guest artist in Japan, Costa Rica, Spain, Italy, Switzerland, and Canada. BAILEY SHAW is from Raleigh, North Carolina. He began his ballet training at Wake Forest Civic Ballet at the age of 14. Upon graduating high school, Bailey trained under Patricia McBride and JeanPierre Bonnefoux at Charlotte Ballet Academy (2015). He also studied at Miami City Ballet School. He then spent two seasons dancing in BalletMet’s second company (2017–2019) under the direction of Edwaard Liang. Bailey joined OBT as an apprentice in 2019 and became a company artist for the 2020–2021 season. Some standout performances he has had the opportunity to dance include Edwaard Liang’s Wunderland, Alonzo King’s Chants, and George Balanchine’s Tchaikovsky Pas DeDeux and Valse Fantaisie. APPRENTICES KANGMI KIM is from Seoul, South Korea. She received her training with Sunhwa Arts High School. She moved to New York in 2016 and trained on a full scholarship at American Ballet Theatre Jacqueline Kennedy Onassis School. She joined OBT2

in 2017 and became an apprentice in 2019. Her favorite roles include: Waltz girl in George Balanchine’s Serenade and Nicolo Fonte’s Accidental Signals. NIKO YAROSLASKI was born and raised in Morro Bay, California. He began jazz and contemporary classes at age four. When he was 12, he started taking ballet classes at Ballet Theater Studio in San Luis Obispo and later received instruction from the Academy of Dance in their Professional Training Division. He attended summer intensives on a full scholarship at American Ballet Theater in NYC, Ballet West Academy, Ballet Arizona, Kansas City Ballet, and Pacific Northwest Ballet. He joined Ballet West Academy year-round Professional Training Division in 2016, then was promoted to Trainee in 2017. He then danced as a full scholarship trainee from 2017–2019. As a trainee, he performed in numerous company shows and in academy productions such as Oberon in Scherzo in Midsummer Night’s Dream, and he performed in Viva Vivaldi. Niko joined Oregon Ballet Theatre as an apprentice in 2019.

OBT2 RAW April 21 – 23

ACT II - 25 Photo by Jingzi Zhao

OBT2 RAW April 21, 22, and 23 at 7:30 PM Presented exclusively on OBTV

PIECES OF EIGHT Original works by:

JAMES CANFIELD LEEWEI CHAO MAKINO HAYASHI TAMISHA GUY

PHILLIP CARMAN PETER FRANC SAMUEL HOBBS

Pieces of Eight was devised to challenge OBT2 company ences will delight in watching firsthand the dancers’ artistic members with the real-world experience of absorbing growth and gain insight of their experience through live multiple choreographic styles and methods at once. Audi- interviews during the program.

SOLO PERFORMANCES FROM NAPOLI – AUGUSTE BOURNONVILLE RAYMONDA – MARIUS PETIPA TERPSICHORE FROM APOLLO – GEORGE BALANCHINE DON QUIXOTE – MARIUS PETIPA LE CORSAIRE – JOSEPH MAZILIER DIVERTIMENTO No. 15 – GEORGE BALANCHINE THE SLEEPING BEAUTY – MARIUS PETIPA SWAN LAKE – LEV IVANOV PAQUITA – JOSEPH MAZILIER

WHERE FOG MEETS CLOUDS Dance Video CHOREOGRAPHED AND DIRECTED BY LEEWEI CHAO

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OBT2 DANCERS

AVA ANDERSON

GRACE ARMSTRONG

ABIGAIL CONCANNON

ARIANNA CONTI

MEDEA CULLOMBINE

Joined 2019 San Rafael, CA

Joined 2020 Shoreline, WA

Joined 2019 Oakdale, NY

Joined 2020 Spring Hill, FL

Joined 2020 Woodburn, OR

GIA DILISIO

CLAIRE DONOVAN

LEIGH GOLDBERGER

RUBY MAE LEFEBVRE

RACHEL NASH

Joined 2020 Wellington, FL

Joined 2020 Portland, OR

Joined 2020 Pittsburgh, PA

Joined 2020 Swampscott, MA

Joined 2020 Louisville, KY

ISICHEL PEREZ

BRYN PERRY

TATUM QUINONEZ

PAIGE UNDERWOOD

Joined 2020 El Paso, TX

Joined 2018 Sunnyvale, CA

Joined 2019 Phoenix, AZ

Joined 2019 Portland, OR

ACT II - 27

OBT2 RAW REHEARSAL

OBT2 Dancers in rehearsal with choreographers (Clockwise From top left): James Canfield, Peter Franc, Makino Hayashi. 28 - obt.org

OREGON BALLET THEATRE STAFF

BOARD OF TRUSTEES

ARTISTIC Kevin Irving, The Crumpacker Family Artistic Director Lisa Kipp, Rehearsal Director Jeffrey Stanton, Ballet Master Nicolo Fonte, Resident Choreographer Niel DePonte, Music Director & Conductor Tracey Sartorio, Company Manager Irina Golberg, Principal Accompanist

Allison Lane Lyneham

ADMINISTRATION AND FINANCE Thomas Bruner, Executive Director Linda Brown, Human Resources Manager Donna Jackson-Siekmann, Interim Director of Finance Rebecca Ostrom, Business Office Coordinator Nadia Chopra, Wellness Coordinator PRODUCTION Bill Anderson, Director of Production Ian Rutledge, Production Administrator Jamie Lynne Simons, Stage Manager Corey McCarey, Assistant Stage Manager Michael Mazzola, Resident Lighting Designer Ian Anderson-Priddy, Production Electrician Eileen Ehlert, Costume Shop Supervisor Sumi Wu, Cinematographer/Props Master DEVELOPMENT Gregory Smith, Director of Development Allison Wales, Grants Manager Emily Tucker, Development Data Specialist Lauren Watt, Development Associate MARKETING Natasha Kautsky, Director of Marketing & Communications Kai Yearsley, Marketing Manager Vicki Knapton, Senior Graphic Designer/ Marketing Specialist PATRON SERVICES Mariah DeLude, Patron Services Manager Kristin Dillon, Patron Services Lead

EDUCATION & COMMUNITY ENGAGEMENT Sarah Ward Brown, Director of Education & Community Engagement Brook Manning, Lecturer and Ballet Historian Linda Besant, Archivist and Ballet Historian Sarah Ward Brown, Kasandra Gruener, Brook Manning, Robyn Ulibarri, Allison Wales, Teaching Artists OREGON BALLET THEATRE SCHOOL Marion Tonner, School Director James Holstad, School Administrator Sean Surprenant, School Registrar Colleen Hanlon, School Production and Events Coordinator Kembe Adam, Natasha Bar, James Canfield, Phillip Carman, LeeWei Chao, Yuka Iino, Elise Legere, Ye Li, Valerie Limbrunner-Bartlett, Jessica Post, Olivia Pyne, Alison Roper, Lisa Sundstrom, Katarina Svetlova, Robyn Ulibarri, Amelia Unsicker, Members of OBT’s Company and Staff, School Faculty Irina Golberg, Garnet Hayes, Karen Lam-America, Ayako Matsuo, Raymond McKean, Katie Pyne, Tiffany Sanford, Jordan Strang, Western-Li Summerton, Accompanists

Board Chair

Gary Hanifan Co–Vice Chair

Charles Jones Co–Vice Chair

Matt Watson Secretary

Darren Marshall Treasurer Board Members: Heather Amuny-Dey Ken Carraro Aaron Courtney Nancy Frisch Alan H. Garcia Juliet Hillman Cary Jackson Catherine Levi Kathleen Lewis Keith Martin Christina McNown Sharon Mirarchi, MD Lindsay Reynolds Dean Richardson Allison Sneider, PhD Sanda Stein Cate Sweeney Betsy Warren Mike Weddle Thomas Bruner, ex officio Kevin Irving, ex officio Dancer Representative: Coco Alvarez-Mena Peter Franc ACT II

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INDIVIDUAL DONORS Oregon Ballet Theatre would like to express its sincere gratitude to those listed below for gifts received as of February 1, 2021. Donations received after this period will appear in the next playbill.

LEADERSHIP CIRCLE (GIFTS OF $100,000 OR MORE):

Anne & James Crumpacker Jimmy Crumpacker Esther T. Riley, In Memoriam Arlene Schnitzer, In Memoriam Jordan Schnitzer Cate Crumpacker Stafford & Graham Stafford

BRAVURA CIRCLE (GIFTS OF $50,000$99,999):

William Lee Ashworth, In Memoriam Bob & Cate Sweeney Barbara Yeager

TOUR DE FORCE (GIFTS OF $25,000$49,999):

Linda & Scott Andrews Jack Blumberg, In Memory of Thomas P. Anderson Ken & Ann Edwards Thomas & Elizabeth Gewecke Cary Jackson Angela Roach Wendy Warren & Thomas Brown Mike & Karen Weddle

DIRECTOR’S CIRCLE ($10,000-$24,999):

Daniel Bergsvik & Donald Hastler Barbara & Robert Brady Kathleen & Benoit de Montlebert 30 - obt.org

Jeff Dey & Heather Amuny-Dey Karen & Bill Early Elizabeth Franklin Jamey Hampton & Ashley Roland Sue Horn-Caskey & Rick Caskey Charles L. Jones Peter & Allison Lyneham Keith Martin Brad & Nancy Miller Sharon & Adam Mirarchi Suzann & Dennis Ott Loren Parks Allison & Steven Pike Dean M. Richardson Sanda Stein & Cooper Dubois Lindsay & Corinne Stewart Elizabeth B. Warren David E. Wedge, In Memoriam

POINTE SOCIETY ÉTOILE POINTE SOCIETY ($5,000$9,999):

Gregory K. & Mary Chomenko Hinckley Sandra & Stephen Holmes Brianne & Zachary Hyder Julia Winkler Jacobson & Jonas Jacobson Francesca & Roy Kim John & Linda Lenyo Dr. Dolores Leon & Dr. Fernando Leon Robb Levine Kathleen Lewis Fund of The Oregon Community Foundation Nancy Locke Kristin Malone & Zac Padgett Darren & Inge Marshall Sean & Brittany McClain Nicole Rendone Samantha Richardson Leah Rinfret Marilyn L. Rudin, MD & Richard S. Testut, Jr. Tom & Carol Shults Dr. Kathy Zeller & Dr. David Hill

VIRTUOSO POINTE SOCIETY Anonymous ($2,500-$4,999): Anonymous, In Honor of Cate Anonymous Sweeney Grace & Paul Andrews Mrs. Patti Babler Linda Besant & Martha Goetsch Nancy & Andy Bryant Irene & Charles Cancilla Aaron Courtney & Anne Nichol Dan & Kathleen Drinkward Fromm Family Charitable Fund Alan Garcia & Lyn Reynolds Garcia William Gilliland Peter Gronquist Melissa & Gary Hanifan Amy Lynne Hill & Dan Hill Juliet Hillman

Pilar & Sergio Alvarez-Mena Ian Anderson-Priddy Gregory & Elizabeth Arntson Robert Aughenbaugh Zachary Augustine Brent Barton & Liz Fuller Adriane T. & Samuel S. Blackman Fund of The Oregon Community Foundation Candace Bouchard-Lounsbury Richard Louis Brown & Thomas Mark Ken Carraro Cameron & Dick Davis William Dolan & Suzanne Bromschwig

Nancy Ward Fischer Larry & Deborah Friedman Nancy Frisch William E. Gaar Jesse & Leah Gronner, In Honor of Maia Gronner Marilyn Grunbaum Bill Guthy & Victoria Jackson Andrew & Ilene Harris Linda Rae Hickey Ronna & Eric Hoffman Fund of The Oregon Community Foundation Thomas Huff & Stephanie McAndrew Kevin Irving & Nicolo Fonte Stephen Karakashian Diane Knudsen Carol Schnitzer Lewis Fund of The Oregon Community Foundation Jani McCormick Ellen E. & Carl Nielsen John & Ginger Niemeyer Jane S. Partridge Allan & Marney Pike Family Fund of the Oregon Jewish Community Foundation Lindsay Reynolds Mary Rose & Maxwell Whipps Daniel & Kathleen Saucy Caleb Schlesinger Dean Speer & Francis Timlin Joan W. Sterrett David & Eileen Threefoot Alex & Rachel Vera Toby & Linda Warson Matt & Jessica Watson

FRIENDS OF OBT PRINCIPAL ($1,000-$2,499):

Anonymous Anonymous, In Honor of Natasha Bar Anita Barbey Alan & Sherry Bennett

Chris Brien Thomas Bruner Eric Burd Kirsten & Mark Carnese Julia & Edouard Chaltiel Patricia & Mark Cooper Ashley & Matt Craven Drs. James Chan & Jennifer Edman Anton & Raylene Eilers Edward & Marilyn Epstein China Forbes Susan & Andrew Franklin Dean & Alison Freed Alexandra & Zan Galton Christine Diana Gay Tonia Gebhart Leonard & Yvonne Gionet Steven & Jacquelyn Gish Peter & Barbara Gottschalk Valarie Grudier & Richard Langdon Beth Harper Susan & Richard Helzer Karen Henell Tom & Betsy Henning Maryanne & David Holman Steve & Kasey Holwerda Betsy & Brent Huigens Dennis C. Johnson Pamela K. Johnston Jina Kim & Hyung-Jin Lee Deneen & Raymond King Mary Lago Kindra & William Lanford-Crick Joan Levers & David Manhart Nolan Lienhart Mark Lindau Derek & Lydia Lipman Fund of the Oregon Jewish Community Foundation Gary Maffei & Marc Lintner Jerome Magill M. and L. Marks Family Fund of The Oregon Community Foundation Barbara S. Mayer

INDIVIDUAL DONORS Dennis & Molly McCarty Judy McCraw Bob & Margaret McMillan Family Fund Laurie & Gilbert Meigs Marjorie & Kurt Metzler Jessica Meyer Amy Monroe Jeffrey Morgan Carol & Todd Morrison Melissa & Bob Naito Will Naito & Nicole Klenk Jay & McKay Nutt Melissa Ohm Amy Pellegrin & Brian Ferriso Karen Perzanowski Mike & Rebekah Pettinger J. Scott Pritchard Sara Radcliffe & J.D. Kleinke Carolyn & Hank Robb Lloyd & Rosemarie Rosenfeld Fund of the Oregon Jewish Community Foundation Davia & Ted Rubenstein Russell-Powlesland Charitable Trust Miriam Ruth Elaine C. Ruys, In Honor of Susan Houtman Pardeep & Naveeta Sehgal Megan & Tom Shipley Jinny Shipman & Richard Kaiser Donna & Sascha Siekmann Daniel & Dawn Simcoe Jonathan Singer Lori & Richard Singer John D. & Pamela Smith Lisa Sorenson Rosemary G. Southwood Randy Squires Steve & Michelle Stapp Wendy Lane Stevens & Dr. Jeffrey Stevens Carol Streeter & Harold Goldstein Tom Usher

Prashanth Vallabhanath & Evelyn Curioso Evans Van Buren & Marsha Warner Matt & Kate Vance Drs. R. Bastian & Barbara Wagner Richard Wasserman & Ann Coskey-Wasserman Robyn Williams & Roger Scarbrough David Wilson Mary-Ann & Jim Wilson Jay Wilt

SOLOIST ($500-$999):

Ray Anderson & Kathleen Baker Vicky Anderson Paula Arsenault Irene & Stephen Bachhuber Rebecca Bailey Susan Bailey & Mike Warwick Anna Bar & Kevin White Natasha Bar Barbara & Sidney Bass Faith Baynes Esther M. Beebe Pat Behm & Gary Jacobsen Dr. Diana Bell Ryan Bradshaw W.W. Buzz Braley, Jr. Charles Brasher & Betty Lavis Kay Bristow Lillian Brown Cory & Elizabeth Burden Irene & Patrick Burk Karen Campbell & Terry Knab Alex Carlson Sandy & Bob Chamness Richard Clucas & Beth Blenz-Clucas Miguel Cobian Edward Cohn Jr. & Margery Cohn Family Fund of the Oregon Jewish Community Foundation

Diane Collier, In Honor of Kasandra Gruener Deniz & Austin Conger Linda Crimshaw Terri Cross Susan Cyganiak Nancy & James Dalton Wendy & Howard David Marvin & Abby Dawson Jody DeChaine Jessica Decker Grayson & Jack Dempsey Sharon Denman Allison & Daniel DiLisio Kim Duncan Peter W. Edgerton Doris Ennis Roberta & Conrad Eustis Philip Fidler & Jane Cummins Cindy Fletcher Brian Forrester Mr. & Mrs. Patrick Franc, In Honor of Peter Franc Ted & Cynthia Gaty Paul Gehlar Melissa & Robert Good Helen A. Goodwin J. & Lisa Grab Laurie Griffith Candace Haines Quinton Hallett & Dennis Gould Karen & Jim Halliday James Harris Rebecca Haskell & Timothy Feerer Kirstin Havnaer Makino Hayashi Donald Helfgott Carol & Timothy Henry John Herman Christian Hill & Laura Korman Beverly Hoeffer & Carol Beeston Gretchen Holce Catherine Holder Kenneth L. Holford & Harry S. Hum

Pam & Bob Howard Helen & Jeremy Ives Bernice & Ken Ivey Jonathan & Suzanne Jensen Nils Jensen Barb & Chris Jones Becky & Jarrett Jones Caryn Jones & Jason Lander Wallace Jones Marcia Kahn Shane & June Kim Mary Klein & Francis T. Schneider Angela & Chris Kourtoglou Patricia & Rick Kozak Nancy & Steve Kraushaar Stefanie & Pete Lamb Nina Landey & Jody Bleyle Anna Langley Nancy Lee Larry Lewis Jonathan & Vida Lohnes Priscilla Longfield Marcy & Richard Lowy Marisa Mack Chelsea Maclane Eileen Markson Janice & Tony Marquis Shirley Mason John F. Mathews Oscar & Mary Mayer Sandra Menashe Rich & Kirsten Meneghello Susan Sammons Meyer & Dennis Meyer Dan & Jackie Moore Doug & Malinda Moore Carol N. Morgan Cynthia Capps Morgan Susan D. Morgan, VMD Eunjung Na, In Honor of Kangmi Kim Carolyn Neighbor Steven C. Neighorn Maria Nelson Margaret & Gordon Noel Storry Norman & Jack Hollis

Peter & Cassie Northrup Alexandra Nunley Karen O’Kasey Barry Olson & Barbara Telfold Milo & Beverly Ormseth MajGen Christopher & Rita Owens Susan Parr Matthew Pedersen John & Christine Pendleton Carol Peterkort & Richard Gibson Annemarie Polignano Yale S. Popowich, MD Matt Preston Sarah & Dick Proctor William Ramirez & Roberta Staff Stephanie Rollins Forrest Romig Melody Rose & Drew Hagedorn Samuel Sadler Kevin & Gabrielle Sasse Hal & Diana Scoggins Tatyana Shaw James & Kirsten Sheridan Abbey Shultz Anne Siegle Gerald Skeels Gary & Lydia Slangan Kimberly & David Solondz Bonnie Stewart & Normund Auzins Linda Stoltz Hilary Stuart Karen & Steven Sweet Graham & Kristi Taylor George & Nancy Thorn Julia Tomes Minh Tran & Gary Nelson Dr. & Mrs. Carl E. Trinca Robert Trotman & Bill Hetzelson Adam Tyler Anna Weber ACT II - 31

INDIVIDUAL DONORS Weiss Fund of The Oregon Community Foundation Amy Werner Dave & Shawn West Doug & April Westervelt Anthony & Marianne Wilcox Carol & Kenneth Willeford Janet Williamson Bruce & Susan Winthrop Lisa Wish Linda May Wood Joseph O. Wyatt Cynthia A. Yee Gary P. Yencich John & Nancy Zernel

COMPANY ARTIST ($250-$499):

Anonymous David & Katherine Abdun-Nur Sheryl Acheson Patricia Allen & Jane Gregory Tabitha Ames Jim Anderson, In Memory of Anne Lynch Mary A. Andrews Eric & Denise Antonini Alice Avolio Diane Babcock Laura Barber Tom Bard David & Jane Barey David Barker Sonya Barker Retha Jean Barkett Flora Barrows Mary Bartlett Yury Bayda Vicki & Bryan Beazley Janice Belknap Brandy Benedict Barry & Jacqueline Bennett Suzan Setzer Berry Samuel B. Bevan Charles & Jo Anne Bird Diane Boly John Boone 32 - obt.org

John Bosshardt & Diana Petty Matthew Boyes & Frederic Koeleman Michael Boyles Kathryn Brittain Dr. & Mrs. Gerald J. Broock, MD Kelly & Tommy Brooks Donna Brown Gerry Brown Vickie Bruner Jeff & Lauren Canfield, In Honor of Christine Donald Mary Carr Marlis Carson Mireya & Neal Chadwick Drs. Theresa & Timothy Chen Sherry L. Chenell Frank & Becky Chinn Nathanael Chown David E. Cleland Bill Clodfelter & James Canfield Wendy Comstock Sarah Conde Jeffrey Condit Harriet Cormack Alice & Charles Council Ronda Cross Calli Daly Arthur & Winnifred Danner Sue Darrow Frances DeRook Jacqueline Dunckley Susan & George Durrie William & Kathleen Ellig Miko Enomoto Katy Fackler & Charles Loving Lynne Fahs Charity Fain & Matt Goddard Julie Falk & Zachary Kramer Susan Thayer Farago Alice Fernández Marjorie Ferry Steven Fiala Katherine A. Finstuen, In Honor of John N. Finstuen

Leeana Fletchall Doreen Flores Charles & Zoe Foster Jennifer Froistad Morris J. Galen Norman Garner & Kimberlee Port Deborah Gasster Patricia & Leo Gentry Phil & Carole Gilbertson Arthur L. Ginsburg, In Honor of Judith Ginsburg Christina Gordon Robert C. Gordon The Gott Good Gifts Fund Joseph F. Green Brenda Grootendorst Ken & Mary Lou Guenther Anton Haas, Jr. Richard Hall Guy Hallman Carl Halvorson Gail & Irv Handelman Paul Harmon Alice Harper Jay Harter & Ken Salaman Patricia Harvey Roy Hemmingway Thomas & Verna Hendrickson Celeste Henninger-Lindaman Laurel Anne Hill, In Honor of the Dancing Doctors Stephen Hillis Thomas Hogan Jeremy Horton Lyndsey & Jerry Houser Nick Houtman Allison Howard Carol & Tom Hull Alice & Scott Hunt Roger Jensen Damien & Katie Jo Johnson Shirley Johnson Patricia Jolly Kathy Jorda Chloe Jordan Shelley Karp

Allan Karsk Brian Kaufman Marla Kazell Lora Keenan Craig Kiest Doris & Eric Kimmel Rebecka Kirchner Kristan Knapp & Janna Auslam, In Honor of Linda Besant Vic & Tammie Krisciunas Jean S. Krosner Barry & Lisa Kulp Mary Ella Kuster & Carolyn Stewart Damianos Kyriakopoulos Mrs. Joseph A. Labadie Karen Lam-America & Shawn America Sloane Lamb Nancy LaPaglia & Stephen Slusarski Mary N. Laughlin Elise Legere & James Mitchell Elisa Leon Bernice B. Lincicum Martha J. Logan Gordon Long Marcia Lynch Kate Machell Karen Madden Linda J. Magness Chunyan & Mychael Mai, In Honor of Allison Lyneham Susan Marmaduke Chantal Marois Walter Marquardt Earlean Marsh Margo Marturano Alison Roper Mazzola Erin Mboup Louisa McCleary Eric McCready Courtney McCuen Heather McGarry Rico & Malcolm McIver John & Candace McMunn

Carolyn McMurchie Judy McNally Christopher Mele-Wagner Gail & Jerry Melvin Muriel Mendonca Donald Miller David & Tony Stauffer Mix Elliott Moore John C. Morrison Monica Mueller Kathleen Murray Elena & James Needham, In Honor of Virginia & Guy Needham Keith & Cindi Nobriga Patrick & Liz O’Callaghan Desiree Ocampo Nicole Okamoto Katie & Marcus Oliver Sean O’Neill & Elizabeth Le Rev. Dr. Rodney & Sandi Page Carolyn & John Parchinsky David & Kelly Park Mark & Dorianne Paul Anne Penfound, In Honor of Alison Maybank Charlotte A. Perry Melissa & Steven Peterman Gunnar & Kristin Peterson Dennis Petrequin Allie Pettitt Sara Pickett Lisa Platt Judith E. Posey & Edward J. Doyle, MD Katrina Price Karen Prohaska Suzanne Rague Dick & Mary Raub, In Honor of Marianne Raub Denise Reed W.W. “Clyde” Reid Dave Reingold Betsy & Norm Rickles David Ritchie & LaJean Humphries

GROW & DEVELOP THROUGH DANCE Pre-Ballet: Ages 3-6 Enroll Today! school.obt.org

ACT II - 33

INDIVIDUAL DONORS Katharine Robertson Dona Robinson Miriam B. Rosenthal Jean Roth, In Honor of Nancy Frisch Katharine Sammons, In Honor of Luwayne “Buzzy” Sammons Mary Santelmann & George King David & Julie Sauer Mike Saunders Tanya Schaefer Linda Schloff Jessica & Marcus SchultzReynolds Martha Shearer Floyd & Mary Beth Shew Carol & Dave Shibata Margaret Smith & Jeff Littman David, Emily and Jonah Sokoloff Susanne Stegmiller Ginger Stevens Melissa Stewart Sydney & Mike Stocks Stephen Sweeney & Jordyn Jones Nancy Tanner Letha Tawney Hoa Thayer Bethany Shetterly Thomas Dana Tierney & Tom Eiland Lyle M. Tucker Eric Turner Glen F. Ulmer & Marcelo Santibanez Mary C. Ulmschneider Judith & Gordon Umaki Bruce & Gwyneth Van Buskirk Peter Vennewitz, In Memoriam Jessica Virnig Sherrie & Larry Wade Mark Walker Dana & Brian Ward Barbara Wascher 34 - obt.org

Diana Weaver Jason Weinstein Patrick Weishampel Julia Wells Elizabeth Wendt Judy Werner Dale West Ann C. Whitehouse Sabine Wild Judy & John Wilkinson Helen Williams & Mark Kaminski Laurel Williams Christine & Jenny Wilson Robin & Jerry Wilson Sandra Wilson Mary Ann Wish Constance Wood Stan & Nicole Wood Laura Wozniak & Stu Oken Sarah Wright Jack Wussow & Kyle Adams Doreen Wynja - Eye of the Lady Alicia Yballa Tamara & Chris Yunker Kurt R. & Heather Zimmer

APPRENTICE ($100-$249):

Anonymous Leslie Aaron Jean Tang Adams Kathy & Guy Allee Bill & Ginny Allen Coco Alvarez-Mena J. Robert Alvis Betty Anderson Danielle Anderson Richard Anderson Naomi Angier Joyce Anicker Susan Thompson Armentrout Sandra Armstrong Carrie Arnal Rachel Arnold Pauline Augenstein

April Avery Gennaro & Marilyn Manser Avolio Chris & Larisa Ayzoukian Kara Bader Kristina Bader John T. Bagg Karen Bailey Carol & David Baker Janet Baker Nila Baker Barbara Baldwin Joe Baldwin Paula Baldwin Marguerite Ballard Klara & Donald Barford Carol A. Baron Yolanda Barrios Kathleen Bayer Kay Beadle Nola Becket Manda Bednarczyk Zhanna Belinska Paul & Pat Benninghoff Patsy C. Berner Kenneth Berta Melanie Bjorge Heather Blankenheim Vanessa Bogaert Lisa Bolan Michael Borgens Todd & Anne Borus, In Honor of Allison Lyneham Richard Botney James & Heather Bowman Laura Bowman Isis & Mana Lamonte Mary Bridge Cellie & Crosby Bromley Mary Brown Sarah Brown Marianne Buchwalter Kerri & Alison Burke Rachel Burns Connie Butler Julie Byler Ann & Hugh Bynum

Robert C. Byrne Judy Calkin Elizabeth Cameron Maurine & Paul Canarsky Kieran Cannistra Efthemios & Elizabeth Carabas Jeanne Carlson Annie & Brad Carnese Mary Carr & James Boehnlein Rowan Casey-Ford Edwina Castle Cecelia Castro Christine Cha, In Honor of Ryan Bradshaw Voula & Akash Chandrashekar Carol Chestler Karlyn & Graham Clark Jeremy Coate Stan Cocke & Heather Kmetz Amber Cole Candace Coleman Sheridan Collins Matthew Conine, In Honor of Allison Lyneham Linnea & Raymond Coon Sherrill Corbett Nathan Corser & Kristen Minor Elizabeth & Kevin Cote Kerry Cotter Sue Coulter-Armstrong Barbara Crick Elizabeth & Richard Crist Bruce Cronin Emily Crumpacker Karen Cunningham Clark Custodio, Jr. Pamela Dailey Eloise Damrosch Judy Dauble Dr. & Mrs. Joseph Davids Brian & Nancy Davies Dorothy Davis Jeanette Davis Susan G. Day David Dearborn Susan DeBolt

Diane & Erika DeLap Chuck & Patt DeRousie Adam & Emily Dew Bonny Dickinson Marilyn Dodge Julia Dolan Dean & Kathi Dordevic Lora Dow Anne E. Draper Michael Dressler Wendi Drummond Robin Dunitz Amanda Durkee Darrin Eden Ellen Edman Mary Egan Fern Elledge Mary Ann Ellsworth Ericka Engle Annette Erickson Laurie & Aric Essig Ann Faricy Abraham & Pamela Farkas Rochelle Farkas Elizabeth Farquhar Susan & Wilson Federici Ginny & George Feldman Janet Fenton The Ferguson Family Joshua Ferrer Lylen Ferris Robin Fetterly Robert Fiordalice Christine Firmat Jacob Fischler Gregg Fleming Susan Frances Patricia Peirano Franklin Paul Freeman Kelly Freuler Theresa Fritchle Kimberly & Andrew Fromm Traci Fuller Jim & Mary Ann Gabriel Francisco Garcia Linda Gaudette-Sigel Rena Geelan

INDIVIDUAL DONORS Trina Gerlack Teral Gerlt Danielle Gibson & Barry Johnson Bonnie Gilchrist Barbara Gladstone Rolf Glerum, In Memoriam Jackie Goldrick Chris & Merry Goldthorpe Sheila Golfman Gary & Susan Goncher Alix & Tom Goodman, In Honor of Nancy Frisch Eva & Dion Goodman Anne Goodwin Rachel Greenough Steven Griffiths Kelsey Green Grout, In Honor of Nancy Frisch Bob Gruener, In Honor of Kasandra Gruener Gaylen Grunwald Mikasa Grzebielski Julie Gudmestad Wendy & Todd Gunter Pamela Hall Phyllis Ham William & Barbara Harris Jeanne & Michael Harrison Kathleen Harrison Debbie Hart David Hartvigsen Rose & Todd Hartwig Antoinette Hatfield John Hawtrey Jeanine Hayes Katherine Haynie Kerri Hayward Jean & Scott Heald, In Honor of Kevin Irving Beatrice Hedlund Nancy Heidrick & Cindi Olson Gina Henderson Judy Henderson Nancy Hendrickson Jonathan Hendryx Brent Hermesch

Rebecca Hicks & Greg Kuelgen Sandra Hill Melissa & Taylor Hinshaw Akiko & Hiroshi Hishida Patricia Hitchcock Deanna Hochstein Diane Hoglund Carolyn Hoty Del Hudson Beth Anne Huffine Michelle Hulquist Beth & Gerald Hulsman Linda Hungerford Mimi Hunter Joe Hymes Marcus & Diana Ingle Martha Ireland Brian Irving Tatsuo Ito Marcy Jacobs David & Margaret Jeans Joanne Jene, MD David C. Jensen Jack & Kathy Jensen Fletcher & Ellin Johnson Keith & Janie Johnson Douglas E. Jones Ava & Troy Joubert Jim Kalvelage & Barbara LaMack Joni Kauhane Judy C. Kelley Lorraine Kellow Jessica Kelly Mary Kelly Anna Lageson Kerns & Bob Kerns Peter Keyes Nino Kilgore-Marchetti Leigh King Daniel Kirk Kathy & John Kirsch Mary Kitch Vicki & William Knapton Melinda Knox Tugba Koker

Shahana Koslofsky Laurie & Doris Kovack Dana & Tim Krawczuk Janet Kretzmeier Ursula Kuhn Trisha Bryanna Kumar Jane S. Kundel Judy Kurisu Mark Kuske Carol La Brie & Roger Edwards Sharon LaCroix Kali & Billy Ladd Debbie Laughlin Donald P. Lawton Gregory Layman Gary S. Leavitt Patricia Lee Richard Lee Sheryl Lee Isidore & Kathleen Lefebvre Diane Lefevre Tamara Lemon Julie Leuvrey, In Honor of Nancy Frisch Barton T. Lewis Dorothy & J.C. Lewis Greg & Kim Lind Carole E. Lindell-Ross Ashley C. Lindsay Clara Lipetzky Eileen Lipkin Alice Lloyd Letha Loboa Mary Ann Lockyear Hugo Carey Long Deborah & Larry Lopardo Henry Louderbough Helen Louise Leslie Lovell, In Honor of Marilyn Hill Gaby Lunasco Natalie & Thomas Maciukenas Alex MacKenzie Christine L. Mackert, MD Patricia MacRae Rebecca B. Mahr

The Mansell Family Cynthia Marechal Phillip Margolin Melinda A. Marshall Antonio M. & Demaris M. Martinez Dianna Martin-Peterson Shirley Mason Pamela Matheson Amy Matson Shaune & Steve Mattsson Jane Mausshardt Elaine McCall Mimi McCaslin Casey McCool Linda L. McCullough Cheryl McDowell Keely McIntyre The Menary-Winefield Family, In Honor of Kasandra Gruener Chena Mesling & Jonathan Rhodes Carol Meyer, In Memory of Estelle Winthrop Elise Meyers Bev Migneault Matthew Miller Rob & Sally Miller Kevin Mitchell Laura Mitchell & Edward Kilgarriff Barbara Modey Elaine & Ted Molskness Monica & Dale Monroe Jessica & Tate Morgan The Patricia Graves Moss Charitable Fund of InFaith Community Foundation Martin Muller Chris Murphy Katerina Murphy Clarita N. Najera-Adao Karen Nelles Valerie Nelson Elizabeth & Edward Neuwelt Jeanne Newmark

Judith Nichols Hollie & Scott Nine Mary Lou Noble Kathy Norton Jay Nutt Betty M. O’Brien Gloria Obuchowski Laura H. Oldenkamp Bonnie Weber Olds Robert Olds Kris Oliveira Bonnie Brunkow Olson Madeline Olson Susan Olson & Bill Nelson Carol O’Neill-Shaw Lisa O’Rourke Suzanne Orton Carley & Jon Osborne Viktoria Otstavnaya Nancel Otsuka Paula Ousley Moona & Chris Page Sandra Pagels Joan Paglin Vickie Palmer Lanetta Paul Beth Paxson Beverly Pearman Darrell K. Pedersen Lucinda Peightal Adele & Ted Pelletier Denise & Adam Pener Marti Penske William S. Peterson Marilyn & Gaynor Petrequin Julie Pierce Lucille H. Pierce Sue Plato Vanna Polizos & Ashkjan Jafari Shannon Ponciano Gerda Porter, In Honor of Annika Sheridan Vic Porter & Mark Williams Heidi Pozzo Kristin Preston & Evelyn Hamann ACT II - 35

Bailey Shaw Bailey | Image Shaw by | byBrian BrianSimcoe Simcoe

Join Our Growing Boy's Program! Strength, Precision, Excellence school.obt.org 36 - obt.org Photo by Jingzi Zhao

INDIVIDUAL DONORS Suzanne Prouty, In Honor of Kasandra Gruener Madeline Pruett Sandra Purnell Jessica Quan Anna Ramirez Julie McFarland Rawson Family Andrew Recinos Asa Reed & Debby Neely Jennifer Reed Betty & Jacob Reiss Amy & Josh Remick Samantha Remington Judy Renzema Megan Reuther Josh Rhodes Grace Richardson Edward & Katherine Richman Sheila Ford Richmond Janice Riggs Eric Riley Antonio Rivera Leslie J. Rivera Caroline & Taniya Roberts Dr. Thomas V. Robertson Marcia & Rob Robison Philip Roethig Brian Rogers & Cassandra Scholte Cheryl Rogers Serge Romano Celeste Rose Lorraine J. Rose Catherine Rote Jamie Rowe Amanda Rupe

Donella Russell James Russell Jay Russell Michael S. Parker Sagun & Dennis J. Sagun Parker Pam Saito Martin Salinsky Jone Sampson & Sam Weirich Chris Sandberg Kristin Sanders Anne Schagen Georgia Schell, In Honor of Nancy Frisch Hazel & Barry Schlesinger Rebecca Brown Schroeder Valerie Schuyler Richard Schwanz Bill Scott & Kate Thompson Laura Scott Ginny Seabrook Char & Jeff Sears Becky & Todd Seidel Susan Setterberg Ron Seymour & Mary Austin-Seymour Kathleen Shabotynskyj Barbara & Jack Shannon Mark & Kathryn Sharp Chris Shaw Carol Sherbenou Karen Sheridan David Shettles Diane Shields Megan & Tom Shipley Robyn & Kemp Shuey Carol & Deborah Singer Asha Singh

Bonnie Skourtes Betsy Sleeper Eileen Sleva Michi & Graham Slick Maureen Sloan Christine Smith Nancy Smith & Larry Heald, In Honor of Coco Pike Sarah Smith & Raul Gomez-Rojas Janet Snowden Patricia A. Southard Camille Spaccavento Christine Spaight, In Memory of Dennis Spaight Karen Spencer Tobey Spitzer Donald Springer Mark Stanfield Linda Stark Linda Stassel Ariel Stavitsky Angel Stech Barbara Stedman Dr. Greg A. & Kari Steinke Sam & Patty Stiles Les & Elizabeth Stoessl Jill Stokeld Stacy Storey Barbara Strasburger Daniel Stratton Mina Stricklin Judith Sugg Julie Sullivan Katarina Svetlova Christine Tarpey Susan Tavakolian

Kristin Tepsic Jeri Tess Larry Thomas David & Amanda Thompson Fred & Jean Thompson Kimberly Anne Threefoot Greg Tibbles Ruby Tidwell Heidi Tolentino Ashley Treece Bryann & Kristi Turner Linda & Jon Twichell Cindy L. Ulrich Mimi Underwood Alberto Vaca Martinez Erica & Veikko Valli Amy Van Hook Blossom Van Houten Marya Van Metre Gloria Vandehey Martha Vasquez & Deborah Sackett Victoria & Peter Venturi The Vernon Family Cathy Vernon Paula Veseth Sharon Wagner Travis Walker Nancy Walsh Angela Wang Stanley Ware Douglas Watson Frederick G. Wearn, MD Lori Webb Bruce Weber Colin Michael Webert Darren Weirnick

Lucinda Welch Sonja Werner Jennifer Westfall Colleen Westphal Andrew White Madeleine Wieder Lanita Wilkerson Elisabeth Williams & Jim Desmond Jeanine & Blaise Williams Kathleen Williams Laurie Williams Melinda Williams Pat Willner Carol Wilson Julie Wilson Dirk & Nancy Wittig Nancy & Vaughan Wittman Paulette & Lynn Wittwer Andrea Wood Gail Woolf Richard & Karen Wrye Barbara Wyse Melissa Yale Collette Yamaguchi & Tom Napier Nancy Yie Max Yoklic Margaret Yost Chiung-Chen Yu & Daniel Teibel Irene Zenev Jingzi Zhao Caroline Zimmerman

ACT II - 37

COMMUNITY CORPS DE BALLET FOUNDATIONS & GOVERNMENT GRANTS OF $100,000 & UP:

The Harold & Arlene Schnitzer CARE Foundation James F. & Marion L. Miller Foundation M.J. Murdock Charitable Trust The Regional Arts & Culture Council, including support from the City of Portland, Multnomah County, the Arts Education & Access Fund, and more than 1,000 donors to RACC’s Arts Impact Fund State of Oregon, Department of Administrative Services

GRANTS OF $50,000 - $99,999:

Elizabeth Pownall Swindells Family Fund of The Oregon Community Foundation Fred W. Fields Fund of The Oregon Community Foundation Jackson Foundation The Shubert Foundation

GRANTS OF $25,000 - $49,999:

Cascadia Foundation Coit Family Foundation Oregon Arts Commission, a state agency Rose E. Tucker Charitable Trust Starseed Foundation The Swigert Foundation

GRANTS OF $10,000 - $24,999:

Betsy Warren Endowment of Coastal Community Foundation of SC Clark Foundation Hampton Family Foundation of The Oregon Community Foundation Jerome Robbins Foundation National Endowment for the Arts Oregon Cultural Trust Roy & Diane Marvin Fund of The Oregon Community Foundation The Swigert Warren Foundation Willard L. & Ruth P. Eccles Foundation Zidell Family Foundation

GRANTS OF $5,000 - $9,999:

Herbert A. Templeton Foundation Nike Community Impact Fund of The Oregon Community Foundation 38 - obt.org

GRANTS OF $2,000 - $4,999:

Applied Materials Foundation H.W. Irwin & D.C.H. Irwin Foundation Leupold & Stevens Foundation Multnomah Athletic Foundation Sydney D. Holland Foundation Wintz Family Foundation

Slope & Stone Engineering TisBest Charity Gift Cards

GIFTS UNDER $1,000:

Cedar House Media PCA Design & Construction Second Life Technology

CORPORATIONS

MATCHING GIFT CORPORATIONS

GIFTS OF $10,000 AND UP:

AllianceBernstein AmazonSmile Foundation Chevron Matching Employee Funds Johnson & Johnson Kroger Rewards Pfizer Foundation PGE Company Umpqua Bank U.S. Bank Foundation Employee Matching Gift Program Verizon Foundation

First Republic Bank PCC Structurals, Inc. PGE Foundation The Standard U.S. Bank Foundation

GIFTS OF $5,000-$9,999:

City Wide of Portland Ferguson Wellman Capital Management Freed of London Northwest Natural Gas

GIFTS OF $2,500-$4,999:

Buckley Law P.C. Cushman & Wakefield First Interstate Bank Goldman Sachs & Co. Jones Lang LaSalle Brokerage, Inc. Killian Pacific NW Accounting Partners Orrick Portland’5 Centers for the Arts Star Park Stoel Rives LLP Tonkon Torp LLP Unitus Community Credit Union Winkler Development Corporation

GIFTS OF $1,000-$2,499:

Artslandia Bedford Brown Chown Hardware IQ Credit Union Opsis Architecture LLP Pacific Power Foundation

IN-KIND DONORS Alaska Airlines Archery Summit Winery Artists Repertory Theatre Ashland Springs Hotel Bedford Brown Bjornson Vineyard BodyVox Boedecker Cellars Cedar House Media Chamber Music Northwest The Circuit Bouldering Gym Domaine Serene Elephants Delicatessen Enchanted Forest Fullerton Wines Girl Scouts of Oregon and Southwest Washington Higgins Restaurant Hollywood Theatre The Hotel Zags Portland Johan Vineyards Katayama Framing KingPins Family Entertainment Center Longbottom Coffee & Tea Luna Vineyards

COMMUNITY CORPS DE BALLET IN-KIND DONORS (CONT’D) Mother’s Bistro & Bar Multnomah Whiskey Library New Deal Distillery Nicolas-Jay NW Dance Project NW Film Center Oaks Park Oregon Brewers Festival Oregon Children’s Theatre The Oregon Historical Society Oregon Shakespeare Festival

Oregon Symphony PDX Jazz Parker Palm Springs Pastini Pastaria Phelps Creek Vineyards Pok Pok Restaurants Ponzi Vineyards Portland Art Museum Portland Baroque Orchestra Portland Center Stage Portland Opera Portland Playhouse PosterGarden

Clinics & healthcare professionals who preserve the health & well-being of Oregon Ballet Theatre’s dancers

ALLEGRO SOCIETY ANNA YARZAK, PT, DPT BLUE OX ATHLETICS, Scott Hagnas DAVID HILL, MD GENTLE CARE CHIROPRACTIC, Amanda Tipton, DC JONATHAN LOHNES, LMT KATHARINE ZELLER, MD OREGON BALLET THEATRE, Nadia Chopra, PT, DPT, OCS, COMT NEW HEIGHTS PHYSICAL THERAPY, Amy Werner, PT, DPT

SYLVAN CHIROPRACTIC CLINIC AND WELLNESS CENTER, Seth Alley, DC, CCSP, CKTP THERAPEUTIC ASSOCIATES FOREST GROVE PHYSICAL THERAPY, E. Anne Patron, PT, DPT WEST PORTLAND PHYSICAL THERAPY CLINIC, Ann-Marie Cordova, PTA Christine A Krueger, PT Laura Luitje, PT, DPT, LMT Lorelei Martin, PTA Katherine B. McCoy, PT, MTC

RÉVÉRENCE CIRCLE Anonymous Jim Anderson, In Memory of Anne Lynch William Lee Ashworth, In Memoriam Robert Aughenbaugh Brent Barton & Liz Fuller Pamela J. Benso Pat Berg, In Memoriam Daniel Bergsvik & Donald Hastler Linda Besant & Martha Goetsch David & Elaine Brown Patricia Byrd, In Memoriam Debi Coleman Nathan Conn William Dolan & Suzanne Bromschwig Karen & Bill Early Peter W. Edgerton

Russell Development/200 Market Street Sky High Sports Smith Teamaker Stumptown Stages Timberline Lodge Uptowne Papers Urban Farmer Utopia Vineyard Watson Creative White Bird Dance Wild Roots Spirits

Kimberly Pentecost PT, DPT Christopher Pullen PT, DPT Abigail Richards PT, DPT Jamie Schoen, PT, DPT Dana Solge PT, DPT Amanda Swearingen PT, DPT Holly Tipp, PT, DPT Blake Tucker-Jones, PTA

In recognition of those who have included OBT in their estate plan

Marilyn Grunbaum Don Hewitt Charles L. Jones Belinda & Frederick Kinyon Diane Knudsen Perry Lee Dr. Dolores Leon & Dr. Fernando Leon Derek & Lydia Lipman Martha J. Logan Marna McComb Rich & Kirsten Meneghello Brad & Nancy Miller Sharon & Adam Mirarchi Carol N. Morgan Virginia Mullen, In Memoriam Virginia Nelson

Suzann & Dennis Ott Rev. Dr. Rodney & Sandi Page Jane S. Partridge Dick & Mary Raub Esther T. Riley, In Memoriam Nancy A. Roach, In Memoriam Marilyn L. Rudin, MD & Richard S. Testut, Jr. Luwayne Sammons, In Memoriam Donald Springer Anne Stevenson Carol Streeter & Harold Goldstein David Wardell, In Memoriam David E. Wedge, In Memoriam Bruce & Susan Winthrop

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