Starin House of Worship Magazine 2022

House

Worship of

Technology Solutions

Index Introduction 3 | About This Guide

Audio

5 | How to Choose the Right Wireless Microphone System for Church 8 | 3 Must-Have Wireless Mics for Any Worship Team 9 | Shure Axient® Digital

10 | Why Use Personal Monitor Systems?

14 | How to Choose the Best Handheld Mics for Worship 17 | 3 Must-Have Handheld Mics for Any Worship Team

18 | Electro-Voice & Dynacord System Unites Multiple Spaces at Faith Family Church 20 | Going Around the Corner: Setting Up Multiple Line Arrays for Wide Venues 22 | Dynacord MXE5 Matrix Engine and TPC-1 touch panel controller

23 | New Dynacord Amps Power Electro-Voice EVA Arrays at Monte Vista Presbyterian Church

Video

27 | Enlivened Spirituality with Uplifting Services

29 | High, Higher, Highest: A Barco Unisee Installation of 10 Rows Up 30 | Barco The G100. A Force to Be Reckoned With.

32 | Vivitek Enhance the Message and Strengthen Your Engagement 33 | Icron USB 3-2-1 Raven™

33 | Kramer Every seat is the best seat in the house 34 | Da-Lite An Immersive Experience

Streaming

37 | 3 Reasons Victory House Church Chooses PTZOptics for Live Streaming 39 | House of Worship Streaming Needs Analysis

40 | Simplify House of Worship Live Streaming with NDI®

43 | BirdDog P4K—the Highest Quality Full NDI® Camera on the Planet 44 | 10 Reasons Why You Should Upgrade Your Camera to NDI®|HX 47 | Share Your Vision

About This Guide Houses of worship have discovered the benefits of a robust AV system for sound amplification, video and livestreaming to reach beyond the four walls of the space. Whether it’s a church, temple, synagogue, mosque or any gathering hall, today’s house of worship audio and video solutions make everyone feel welcome and involved. These technologies are amazing tools for engaging congregations, sharing information and reaching out to new members.

Inside this magazine are helpful articles, tutorials, diagrams and more to help inform and suggest the best solution options for you and your customer.

About | 3

Audio Microphones, monitors and speakers

How to Choose the Right Wireless Microphone System for Church

By Soren Pedersen, Shure Product Specialist

Wireless microphones ensure that your pastor and worship ensemble can move freely on stage, unrestricted by cables. If you're thinking about adding a wireless system to your House of Worship, this guide can help you find the wireless microphone system for church that's right for you.

Wireless microphone systems play a critical role in modern productions, from Houses of Worship services to concerts and business presentations.

Pastors, journalists, vloggers, and fitness instructors all depend on wireless microphones for their daily work.

A wireless microphone system offers undeniable advantages to pastors, vocalists, and worship bands. Using a wireless microphone system lets you

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take advantage of an easy setup process and eliminates unnecessary cable clutter in the House of Worship. And most importantly, it allows the pastor and vocalists to move throughout the sanctuary while performing or speaking freely.

With a wireless microphone system, you no longer must drill holes in the walls to accommodate wiring for wired microphones. Also, not only does it save labor costs, but it also protects your facility.

There are many options for wireless microphones for church, from simple analog microphone systems to complex, multi-channel digital

There are many options for wireless microphones for church, from simple analog microphone systems to complex, multi-channel digital microphones systems microphones systems. We understand that choosing the right wireless microphone system based on your unique needs is critical in amplifying the message.

This guide will teach you several critical factors to consider when selecting a wireless microphone system

and provide wireless best practices for your House of Worship. And we will recommend Shure's top wireless microphone systems for church.

transmit a consistent digital sound that provides a full dynamic range without companding and gives a more natural sound to your congregation.

Sound Quality – Analog vs.

Digital Wireless Microphones

VHF vs. UHF Bands vs. 2.4GHz

Most wireless microphone When choosing a wireless systems operate in the UHF system, sound quality is (Ultra High Frequency) band of typically the chief concern.

470 - 952 MHZ. Some work in Analog wireless microphone the VHF (Very High Frequency) systems use a compander band of 49 – 216 MHZ. While – which is a contraction of VHF systems are typically the words compressor and more affordable, they will have expander – to squeeze the fewer available channels. And entire dynamic range of a voice VHF requires extremely long or instrument into the narrow antennas. frequency allocation provided However, the UHF band for wireless mic use. contains several bands that are On the other hand, a digital readily available for wireless microphone system can microphone systems. In the

To provide optimal communication between the transmitter and receiver, you must maintain a clear line of sight between the transmitter and the receiver

range much shorter. It is best practice with 2.4 GHz wireless systems to make sure that you have a controlled environment.

To provide optimal communication between the transmitter and receiver, you must maintain a clear line of sight between the transmitter and the receiver.

that are "frequency agile" offer users various frequency paths to work with during production. Being frequencyagile is essential if your House of Worship will require multiple wireless microphones to operate simultaneously or stationed at a location with many competing signals coming from wireless devices.

The Basics – Transmitters and Today, some wireless Receivers

microphone systems have Every wireless mic system has automatic frequency selection, two major components. One is which readily scans the environment for open channels a transmitter – typically worn or held by the performer. The and automatically picks the best one. This functionality other component is a receiver UHF band, you can achieve is handy for novice users or – which collects radio signal very high-quality audio and accommodate many concurrent from the transmitter, converts volunteers who have little it to audio, and sends the audio experience coordinating or systems. through a cable to your mixer deploying available frequencies.

The UHF band has been the or power amp. standard for many years and Wireless handheld typically gives the strongest and best performance due to its microphones will usually extensive frequency range and have the transmitter and microphone integrated due smaller antennas. to the transmitter being built Recently, the Federal directly into the microphone's Communications Commission body. This integration allows (FCC) has placed limitations wireless handheld microphones on the number of operating to be quick and easy to set up. frequencies for wireless Lavalier and headworn mics microphones. These limitations will typically connect to a The three things you must have caused UHF wireless transmitter pack, usually worn know if you want to go microphone systems to become on someone's belt. wireless are: considerably more efficient in bandwidth use to accommodate Frequency Agility & Automatic 1. What am I planning to do? multiple wireless microphones Frequency Selection 2. Where am I going to set in a frequency band. up the mics?

If you plan to use several In addition, you can find several wireless microphones 3. How many microphones are wireless microphones systems simultaneously, each needed in the same room at microphone must operate on a that operate in the 2.4 GHz once? different open radio frequency band. Keep in mind that the 2.4 GHz frequency band is the so that the signals do not interfere with each other. same as your computer WiFi, which makes its operating Wireless microphone systems 7

3 Must-Have Wireless Mics for Any Worship Team

BLX (analog)

The ideal entry-level wireless microphone system for small venues, BLX offers professional-quality sound with a simple setup and an intuitive interface for performance you can trust right out of the box.

GLX-D (digital)

Advanced Digital provides confidently clear audio for small and medium stages with automated frequency management and rechargeable power.

BLX

SLX-D (advanced digital)

SLX-D provides crystal-clear digital audio quality with >120 dB dynamic range so that you can handle a whisper-quiet pastor and loud worship bands alike. SLX-D maintains stable signals with high efficiency for rocksolid, reliable performance with up to 8 hours of use from either 2 AA batteries (included) or optional Shure lithium-ion rechargeable batteries.

GLX-D

SLX-D

Clarity and Flexibility.

Flawlessly. Axient® Digital.

At the biggest venues in the world, when thousands are watching, the wireless microphone has an enormous job to do. The audio must be clear. It must be true. It has to glow in the shine of the spotlight. No other system is up to the challenge quite like Axient® Digital.

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Why Use Personal Monitor Systems?

By Shure

Remember that time you had a great live sound experience with wedge monitors? You could hear all your cues without turning up the volume to eleven.

The monitor engineer responded instantly to your requests.

And there was zero feedback.

Not ringing a bell?

You’re not alone. The average wedge monitor system comes complete with dangerous volume levels, communication difficulties between performers and engineers, and plenty of feedback. Even the best wedge monitor system is limited by the laws of physics.

Enter in-ear monitoring, a concept that arose out of the need for a safer and better- sounding onstage experience.

Superior Sound Quality

When performers can hear themselves without endangering

ears and voices, when feedback is eliminated, and when there’s less interference with the house mix, everyone

involved has a better experience, including the audience. In-ear personal monitors deliver consistently superior sound quality to performers onstage without the pitfalls of wedges, regardless of the constraints of the venue. The confidence that comes with this consistency makes legendary performances and services consistently possible.

Optimal Volume Levels

You know the sound of feedback: that intense buzzing When using wedges, sound whine that sends everyone’s engineers often find themselves hands to their ears. If you in the middle of a volume war understand what causes it, then between the amplified and the you’ll understand why in-ear unamplified. Vocalists, acoustic personal monitors are the clear guitarists, and keyboardists choice over wedges. can’t hear themselves over Feedback happens when amplified electric guitarists and bassists, let alone over the amplified sound from a loudspeaker is picked up by a drums, which are naturally loud. So, they all ask, “Can you microphone and re-amplified.

This often occurs on crowded turn me up?”

“Maybe,” is the best the engineer can offer due to the limitations imposed by power amplifier size, power handling of the speakers, and potential acoustic gain. If the room acoustics are poor, then peace is even harder to achieve. With an in-ear personal monitor system, performers enjoy studio-quality sound in a live-sound context.

They can choose what they hear, and engineers aren’t stuck fighting a losing battle.

Elimination of Feedback

In-ear monitors offer as much hearing protection as earplugs while simultaneously delivering to performers only the sounds they need to hear

stages where microphones and monitor loud speakers are too close together. When an entire band asks the engineer to turn up their mics, feedback is inevitable.

Gain-before-feedback is the amount you can turn up a microphone before feedback occurs. In-ear personal monitor systems eliminate gain-before-feedback issues by sealing the “loudspeakers” in the ears of the performers, thereby isolating them from the microphones. In a nutshell, they break the feedback loop.

Hearing Health

Repeated exposure to high sound pressure levels from wedges can cause hearing loss.

Earplugs help some performers, but even the best plugs alter frequency response enough to make the audio sound muffled.

When performers use them properly at appropriate volume levels, in-ear monitors offer as 11

much hearing protection as earplugs while simultaneously delivering to performers only the sounds they need to hear.

With the controls in their hands, performers can adjust the volume as needed. It’s the best-case scenario in hearing health.

A distinct advantage of most in-ear monitor systems over wedges is the ability to listen in stereo

to hear themselves clearly, without having to scream over guitar amps and wedges. In Reduced Vocal Strain addition to their own vocals, singers can include in their The most powerful singer is no mixes as much or as little of the match for an amplified guitar other instruments as they like. turned way up, or even a drum Stereo Monitoring kit as-is. When singers can’t hear themselves over the stage A distinct advantage of most mix—which often happens in-ear monitor systems over with wedge monitors—they push their voices too hard. The wedges is the ability to listen in voice is subject to strain, which stereo. Our ears are made for stereo listening, so a stereo mix can damage vocal chords and shorten singing careers. In-ear more accurately resembles a personal monitors allow singers natural listening environment.

When performers are able to listen to a natural-sounding mix, they are more likely to listen at a lower volume. This means healthier ears over the long term.

Clean Audience Mix

Wedge monitors are directional at high frequencies, but they become omni directional at low frequencies. Low frequency bleed from the backs of the wedges can muddy the house mix and make vocals unintelligible to the audience,

especially in smaller venues.

When performers use in-ear monitors, the front-of-house engineer can concentrate on delivering the best possible mix to the folks in the seats without having to compensate for bleed from the stage mix.

So, performers aren’t the only ones who benefit from in-ear monitoring. The members in the seats benefit too.

where you go. So, if the singer wants to move to either side of the stage, she hears the same mix wherever she goes.

Portability

The most empowering aspect of in-ear monitoring is having direct control over what you hear

A traditional floor monitor system includes at least three wedges weighing roughly 45 pounds each, plus at least one amplifier at 55 pounds each.

The mobility benefit extends from space to space, too.

Because in-ear monitors form a seal that blocks ambient noise, the mix isn’t affected by individual room acoustics.

A complete in-ear monitor system fits in a briefcase, which means less time wasted on Personal Control setup and teardown, not to mention less muscle strain.

The most empowering aspect of in-ear monitoring is having Additionally, eliminating the direct control over what you clutter of wedges and speaker hear. You’ll still rely on the cables gives the space a cleaner, monitor engineer for fine more professional look, which adjustments, but you can adjust matters for churches using the overall volume and choose them for worship services, different mixes yourself. performances, weddings, and events with different setups and To adjust the volume, simply needs for each. turn the knob on the bodypack.

If you use a stereo mix, you’ll Mobility hear the same mix in both ears, but you can pan left and When using wedge monitors, you’re limited to a sweet spot on right in case you want to hear the stage where the mix sounds more or less in either ear. If you as good as it gets. Move a little use a system with MixMode®, you’ll hear a summed mix in to the right or left, and things both ears. From there, you can go downhill. The directional use the bodypack controls to nature of loudspeakers, especially at high frequencies, adjust the balance of the sound sources. For example, you accounts for this effect. Using might prefer to have vocals and in-ear monitors are like using guitar in the left ear, and drums headphones: the sound goes

and bass in the right.

When band members control their own mixes, the monitor engineer can concentrate on creating the best possible audience mix.

Please note: most personal monitor systems are capable of producing very high sound pressure levels, which could cause hearing damage during periods of prolonged use. So, while personal monitors can provide a benefit to hearing health, they must be used responsibly. If you experience ringing in your ears or temporary loss of hearing sensitivity (temporary threshold shift), please discontinue use immediately and contact a licensed audiologist or seek appropriate medical help.

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How to Choose the Best Handheld Mics for Worship

By Soren Pedersen, Shure Product Specialist

Worship Matters. Worship can both inform and transform your congregation. In this guide, you will learn key factors to consider when selecting the best mics for your worship team to ensure crystal clear audio.

than just the physical act of making noise with one’s vocal cords. It’s a critical part of the service to get their congregants in the mood to receive the message. streaming platforms remotely, vocalists are using microphones It’s currently rare for vocalists, more than ever to ensure their Worship leaders have a mission particularly those who sing in audience can clearly hear the to create an environment where Houses for Worship, to lead songs from any location. every congregation member songs without the aid of a feels comfortable lifting their microphone. When you add on A question that comes up voice in praise. For Houses of the added pressure to broadcast repeatedly for Houses of Worship, singing is much more your worship service via Worship is figuring out which

When using omnidirectional mics, one thing to consider is that the mic will pick up any room sound or ambiance during the live performance

Omnidirectional Mics can pick up sound equally from all directions and accept sound from anywhere in the 360-degree sphere around the capsule. These types of mics have an open and natural sound, and they’re used frequently in the studio when the engineer wants to include the sound of the room in the recording.

When using omnidirectional mics, one thing to consider is that the mic will pick up any room sound or ambiance handheld microphones are during the live performance. best suited for their worship In a live sound application, vocalists. The options can seem omnidirectional mics are the endless. most prone to feedback.

When picking microphones for singing, there are many considerations, including handling noise, durability, feedback rejection, and, of course, the sound. In this guide, you will learn key factors to consider when selecting handheld microphones for worship.

Understanding Microphone Polar Patterns

Each microphone made today has what is known as a polar pattern, but what exactly is this?

Though it may sound a little complicated, a polar pattern describes a microphone’s inherent directionality. In more specific terms, polar patterns refer to the sensitivity of any given microphone to sounds arriving from different angles to its central axis.

Cardioid Mics directional characteristics prefer the front of a microphone, and they reject sounds coming from behind the mic – making it an ideal choice for live sound applications. Cardioid microphones also have a reduced sensitivity to sound coming from the sides.

sound source.

Tips for Reducing Handling Noise with Handheld Microphones Handling noise is an important issue, especially in a live setting compared to studio mics, which will have specially designed shock mounts to protect them from vibrations, bumps, and thumps. Mics used in a live sound environment like Worship service must contain ample internal shock mounts and vibration control.

If you line up ten different mics on the stands, you’re likely to notice dramatic differences in the sound caused by simply removing each mic from its clip. Some mics even rumble in everyday handheld use. With these types of mics, just shifting the mic in your hand causes a dramatic rumble.

Mics that exhibit excessive handling noise will also pick up excess noise from anything that moves on or vibrates on the stage – such as footsteps, the Cardioid mics reduce the relative levels of room ambiance kick drum, dancing, etc. and other sounds coming from It’s critical to pick a handheld behind the mic. mic with an excellent design Supercardioid, as the name suggests, is like cardioid but more directional. It exhibits even less sensitivity to sound coming in from the sides than a regular cardioid but more sensitivity to sound at the rear. Despite that, supercardioids perform better when eliminating background noise and focusing on a specific

that includes internal shock and minimizes handling noise. Some microphones are practically immune to handling noise.

One thing to consider is poor handling noise is a common fault of low-quality dynamic microphones. Shure has spent decades advancing our

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handheld microphones to have an excellent internal shock mount to minimize handling noise.

Recommended Distances from the Handheld Mic for Lead and Background Vocalists

not mean they should literally eat it. “Eating the microphone” means you should keep the mic one or two inches from the mouth.

There will be times when your worship vocalists will use more volume, hit higher or louder notes on the chorus of a song, The most common mistake is for instance, versus using holding the microphone too lower or softer notes in the close or too far from the mouth. verses. When your vocalists get Your vocalists will sound louder, the idea is to move the muffled and distorted or too microphone slightly away from distant with no vocal sound at the mouth. all by improperly holding the mic.

The variance in the distance will be proportionate with the The mic should be held no increase in volume – that is, closer than 2 to 3 inches from the louder you sing, the more their mouth during regular you pull back – but how far singing to avoid distortion. is something you’ll need to When people tell singers to determine by getting to know “eat the microphone,” this does

the mic. It will probably never be more than 5 or 6 inches. You will have to experiment a little, as the distance is dependent on the singer’s natural power and ability to project.

It can seem to be an unending array of options to choose from when picking the best handheld microphones for your worship team – while being a good steward of your house of Worship budget. We’re here to help by introducing you to three microphones that you will want to have in your audio arsenal. And best of all, these mics are all available as wired or wireless handheld microphones.

3 Must-Have Handheld Mics for Any Worship Team SM58

The affordable SM58 is one of the most widely used vocal microphones.

Worship leaders worldwide agree that the SM58 is vital to amplifying their ministry. And most importantly, your house of Worship budget will love them. These mics have a typical cardioid pattern and are built like a tank – meaning they can take a variety of abuse and still work beautifully.

The SM58 also uses an internal shock mount to reduce handling noise.

BETA 87A

Due to an increased extension in its frequency response, the BETA 87A is excellent for low-pitched voices.

The BETA 87A has a super-cardioid pattern. This mic has a noticeably brighter tone, and it helps vocalists stand out and break out of the mix. The Beta 87A microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Like all other Shure mics, the Beta 87A is built to withstand just about anything to ensure you can perform service after service, no matter how rough of a beating it takes.

BETA 58A

For modern worship services with drums and electric guitars, the BETA 58A will ensure your vocalists stand out. The BETA 58A microphone has been known as the vocalists’ best friend for decades, elevating vocal presence to cut through the other sounds. The brightened midrange and bass roll-off give the lead and background vocals a mighty presence in the mix. The supercardioid pattern works harder to isolate your sound from every other source in the air and allows for high gain before feedback. Beta 58A’s internal pneumatic shockmount minimizes handling noise as well.

BETA 87A

BETA 58A

SM58

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Electro-Voice & Dynacord System Unites Multiple Spaces at Faith Family Church

By Electro-Voice

Since its start in 2013, Faith Family Church in Baytown, TX has seen continued growth, quickly outgrowing its roots as a portable house of worship.

Land was acquired, a campus was planned, and a 60,000 sq. ft. facility with a 1400-seat sanctuary was opened in early March 2020. The integration of the church’s audio, video and lighting systems across the main auditorium and several ancillary rooms was handled by worship AV specialists Ellis Pro Media, a Continuant company.

of EV loudspeaker models ensures a consistently high level of sound quality in spaces across the campus. The loudspeakers are powered

by Dynacord IPX amplifiers configured as a centralized Dante/OCA audio/control network, and operated by SONICUE sound system software. “This is the first X2 rig we’ve deployed using SONICUE for processing,” says Hess. “It allowed us to be up and running more efficiently than in the past, and both our team and the client appreciated that.”

subs; a single IPX10:8 powers the fills. Hess considers the X12-128 subwoofer to be a secret weapon behind EV’s superb, seemingly effortless LF fidelity.

“These subs give you everything you want in terms of output and tonality, with such a small footprint,” adds Hess. “Add the way they maintain musicality at high output, and in my opinion they perform as well – if not better than – any other premium sub on the market.”

The main system in the sanctuary consists of twin X2 line arrays; six with a 90° horizontal dispersion above two 120° models. These are augmented by two EVF1122D/126 loudspeakers for front fill and three EVH-1152/96 horn-loaded models as rear delay fills. Eight X12-128 dual18” subwoofers provide lowfrequency support. Five IPX20:4 A carefully chosen combination amplifiers power the mains and

The Children’s Auditorium features a left-right pair of EVF1122D/126 loudspeakers with a single flown EVF-2151D sub, while coverage in the Pre-school Auditorium is provided by two EVU-2082/95 ultra-compact models. The multipurpose Next Steps Room uses two EVC1122/95 compact loudspeakers as mains, paired with EVC-1181S flown subwoofers. One IPX10:4 and one IPX5:4 provide the

“This was a design-build, and great client to work with,” says Austin Hess of Ellis Pro Media.

“We knew that Electro-Voice would be a great solution, especially paired with the new Dynacord IPX series amplifiers. It’s a product we wholeheartedly believe in, to the point where many of the designers and staff at Ellis Pro Media have EV products in the churches we attend.”

power and processing to these systems. A pair of EVC-1122/64 loudspeakers powered by a separate Dynacord C3600FDi amplifier provide coverage for a fifth/sixth grade classroom.

Four EKX-12P portable powered loudspeakers are available for stage monitor use.

When Faith Family Church held its first live-attendance services since closing due to COVID-19, with CDC social distancing guidelines in place, the new system delivered.

“They are grateful to be getting back to live worship in the

They perform as well—if not better than—any other premium sub on the market.

-Austin Hess, Ellis Pro Media

amazing experience.”

Equipment List Dynacord IPX Series Multichannel power amplifiers for fixed install applications Dynacord SONICUE sound system software X-Line Advance Compact Vertical Line Array Loudspeaker System

new sanctuary,” says Hess. “I’d EV Innovation Series almost forgotten how great the Loudspeakers for Fixed X-Line Advance system sounds Installation – everyone agreed it was an

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Going Around the Corner

Setting Up Multiple Line Arrays for Wide Venues

by Electro-Voice

Often, it is necessary to cover audience angles wider than the horizontal pattern of a single line array, even an array of 120° loudspeakers. In such cases, multiple line arrays are needed, as shown in Figure 1.

When multiple arrays are used to cover a single area, the loudspeakers must be positioned and aimed for best sound and minimum wave interference (aka comb filtering). This InfoPage describes a procedure for

getting smooth coverage and minimizing comb filtering over the entire coverage angle.

Procedure I. Rig

• Arrange side stack for a 5° to 10° overlap in the intersection zone. With 120° side speakers, this will require the side stacks to be pointed more than 90° offstage. Don’t worry - this looks strange but it works!

• Hang the side stacks closely behind the front stacks. Get the two as close to each other as possible.

This may require swinging the front stacks outward to clear the side stacks as they are hoisted up.

II. Tuning

• Place a measurement microphone (or a good set of ears) in the middle of the overlap zone—where the little gold sphere is in Figure 1.

• Adjust the relative timing of the two stacks for time alignment at the test point.

•

• Equalize the side array with a broad 5-8 dB dip at 200Hz. This will prevent midbass beaming at 45° off axis.

scheme, the line arrays are situated quite far apart -- 2030 feet (7-9m) or more -- and may be aimed so as to have considerable overlap.

Concept

As we understand it, this scheme is based on the idea that when one puts the loudspeakers sufficiently far from each other, the sound arrival times from the two arrays are very different at most listening positions. So different, in fact, that with most program material the signals are fairly unrelated to each other. If two signals are unrelated to each other (the technical term is “decorrelated”), then they can not cancel and reinforce each other in the way that makes comb filtering.

This setup approach minimizes the amount of overlap between coverage areas of the adjacent line arrays. In the small areas that do overlap, the procedure ensures that signals from the two arrays arrive in time synchronization, or nearly so. Thus, there is only a small “zone of confusion” in which listeners are hearing sound from both arrays, and in that zone, time smear is minimized.

EV’s experience is that when this procedure is followed correctly, overlap effects are nearly inaudible in most circumstances.

A Different Approach A different approach to going around the corner has been proposed by others. In their

We won’t comment on how good this approach sounds, but our opinion is that in many production environments, flying widely separated loudspeaker clusters isn’t feasible. We prefer the closely-spaced approach, if only for that reason.

Figure 1

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Dynacord MXE5 Matrix Engine

and TPC-1 touch panel controller The MXE5 is the first member of the MXE matrix mix engine series. The 24 x 24 crosspoint performance audio matrix offers both routing and mixing functionalities, with 12 analog mic/line inputs and eight line outputs. At the same time, the MXE5 serves as a communications hub for all IP-based peripherals and provides comprehensive supervision of all system-wide commands.

The MXE5 benefits from advanced DSP, providing outstanding audio quality. This is ensured by a sampling rate of 96 kHz, more than 118dB of dynamic range and the industry’s lowest audio latency of less than 0.22 ms.

New Dynacord Amps Power Electro-Voice EVA Arrays at Monte Vista Presbyterian Church

By Electro-Voice

Monte Vista Presbyterian Church of Newbury Park, CA, features a dramatic, contemporary architecture, with a 26-foot ceiling providing plenty of reverberation in its 300-capacity sanctuary.

Realizing that their pointsource system could not deliver the desired clarity for either spoken word or their eightpiece band, they decided it was time to update. Retail AV supplier Pro Sound & Stage Lighting (PSSL) recommended an area firm, In Touch AV, to design and install a new sound system and upgrade the lighting.

Upon inspecting the room, In Touch AV owner Moises Hurtado immediately saw an ideal application for a line array. “It’s a tricky space, with side walls that aren’t parallel and a unique arched ceiling.

The church wanted the 23

speakers up high, high enough to not interfere with their projection screen or take away from the large cross on the rear wall, and with a clean look.

Right from the start, we had great clarity with rich, full musical sound.

-Monte Vista Presbyterian Church

right line-array system would be a huge upgrade for them.”

In Touch AV recommended the Electro-Voice EVA system.

With its invisible hardware, highly efficient design and flexible range of available dispersion patterns, Hurtado was confident he could design a system to cover the full room without going so wide that they would bleed onto the side walls.

“The key was to keep the room’s natural reverb under control,” he says. “It was just a matter of finding the right fit for the space.”

Using the supplied EVADA design software, In Touch AV Of course, there were budget found it could cover the entire limitations as well. But looking sanctuary with two modest at their old system, which was arrays, each consisting of three just two full-range boxes all the EVA-2082S/920 modules, each way up at the ceiling, I knew the

of which includes two linearray elements with 90-by-20degree dispersion. The arrays are hung together, with each being angled outward to cover the two sides of the sanctuary.

They are augmented by two EVA-2151F subwoofers, which are flown separately from the arrays.

“When you look at the system, it doesn’t look like a typical line-array deployment,” notes Hurtado. “But this is what the room required. We have clean, direct sound that hits both the front and back rows directly, with no fills required, and we have enough subwoofers to provide the rumble that a contemporary Christian band needs.”

The entire system is powered by just two Dynacord C3600 DSP amplifiers, with one powering the EVA arrays and the other dedicated to the subwoofers.

In Touch AV used the amps’ onboard FIR filtering to optimize the performance of the EVA speakers, including a custom crossover.

“When we fired up the system for sound check, everything was locked in, which is what I expect from Electro-Voice,” says Hurtado. “Right from the start, we had great clarity with rich, full musical sound. The Monte Vista worship team just lit up with smiles. It was a night and day improvement for them, and now that room sounds as great as it looks.”

Equipment List

EVA Expandable Vertical Array Dynacord C-Series Power

Amplifiers for Fixed Install

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Video Video and projection

Enlivened Spirituality with Uplifting Services Barco solutions for houses of worship

by BARCO

Today’s houses of worship engage their congregation and draw in new members with powerful messages that unite like-minded people, creating inspiring experiences that can be shared with both local and remote congregations.

Exceptional moments and interaction make all the difference, today more than ever!

Powerful visuals to share your message

The integration of multi-media and video solutions in modern worship environments allows you to grab attention, drive engagement to a higher level, and leave a lasting impact.

The use of visual support significantly increases saliency and actively helps your audience to retain your divine message. But it also adds that extra dynamic layer to your sermon and makes it more appealing to your younger devotees.

Inspire and connect

Moreover, visual communication is an extremely powerful tool to spread your message even further. You can share uplifting moments with people from all around the globe by broadcasting your services.

Worldwide spiritual experiences with full participation.

360° experience

Your church or house of worship can be supported by many different forms of integrated visual technology.

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Relying on the right technologies can truly transform traditional lectures into 360° experiences Think of video content bringing messages to life visually and building stronger connections within your congregation.

Large video walls behind the pulpit and displays within the sanctuary sharing prayers, lyrics or other information allow for increased engagement and active participation during the church services.

Relying on the right technologies can truly transform traditional lectures into 360° experiences.

High performance, deep connections

The way to achieve full participation is through outstanding visual performances.

With technologies that focus on the readability of your content in terms of contrast and colors, you can deliver a flawless viewing experience with sharp and smooth visuals for everyone, on any canvas, without any distractions.

Reliable equipment with

easy and integrated workflows free experience for everyone gives you the chance to focus on involved. the faithful without having to worry about the technological • The best viewing experience also in ambient light aspects of your venue. conditions Barco has a comprehensive set of visualization and processing • Endless installation flexibility solutions at your service to bring engaging experiences • Smart InfinipixTM with full peace-of-mind. processing, with redundant BARCO video wall displays offer the best viewing experience under all conditions. They excel in reliability, maximizing the satisfaction of not only your audience, but also your operating team. A worry-

data paths to prevent failures

From simple to complex, there’s a Barco projector for every project. With a wide range of brightness and incredible color accuracy, our projectors always deliver your message the way you intended to.

• 4K images with crisp contrast and realistic colors • Low projector noise to ensure your message gets through loud and clear every time • Robust laser projectors that are built to last The Barco service packages promise a guaranteed long product lifetime and maximum uptime thanks to fast issue resolution. And with our growing portfolio of connected devices, we aim to further enhance the operational efficiency of your fleet and maximize your ROI. Mu

High, Higher, Highest A Barco Unisee Installation of 10 Rows Up

by BARCO

This spectacular 4x10 Barco UniSee video wall can be found in a House of Worship in the Republic of Korea. The

customer wanted a bright and clear display installation fit for indoor lighting conditions, with the smallest possible seam and

an automatic calibration system.

This video shows the impressive installation of an impressive video wall.

Click to watch video

Barco Unisee Video Wall System 29

The G100.

A Force to Be Reckoned With.

A single-chip projector range developed for those applications that require high brightness and powerful laser projection, technical versatility and sustainability. And all this at a budget-friendly price!

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Enhance the Message and Strengthen Your Engagement

Throughout our years in the industry, Vivitek has come to fully understand the unique parameters integral to developing effective projection configurations in houses of worship. Unobtrusive and easy to operate, Vivitek projectors support religious instruction

to celebration with serviceenhancing images and video that aim to deeply immerse your congregation. From small groups to the largest of worship centers with stacked and redundant projection, Vivitek’s diverse portfolio of projectors allows you to elevate

Vivitek DU8395Z

praise and reverence in your house of worship, providing you with budget-modest options, eco-friendly, low-maintenance projectors and exceptional warranties.

USB 3-2-1 Raven™

USB 3 camera benefits including quality video and fast frame rates!

Icron’s transparent USB extensions are true plug and play (no software drivers required) and works with all major operating systems

Icron USB 3-2-1 Raven™ 3104 4-Port USB 3.1, 100m CAT 6a/7 Point-to-Point Extender System

Every seat is the best seat in the house Kramer scalers, converters and switchers ensure instant, bright and clear visuals across multiple screens

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An Immersive Experience by legrand AV/Da-Lite

New Life Church in Dublin, California, was looking for a modern, immersive video experience for parishioners.

To accomplish this, New Life turned to One Way Media

Solutions, a full-service side projection, confidence audio, video, projection and projection, and virtual pastor surveillance systems integrator. technology.

Together they developed a solution that included environmental projection,

Da-Lite screens were an important part of the project.

Together they developed a solution that included environmental projection, side projection, confidence projection, and virtual pastor technology

In total, the team used:

on the screens. They appreciated the quality of Da• Wireline Advantage Screen Lite products and especially with HD Progressive 1.1 liked the custom control of Surface Wireline Advantage which • Large Cosmopolitan Electrol included two different stops.

Screen • Da-Lite Series 200 Lace and “The goals of the project were Grommet frame met in a tricky mounting • 3 Da-Lite Perm Wall Screens scenario,” said Masaki Liu, with Da-Mat surface president of One Way Media.

“The Wireline provided the To create a captivating modern look and feel without experience, One Way Media an obstructive leader for the Solutions used custom virtual pastor scenario.” environmental edge blending

Tim Shinners, Regional Sales Manager for Da-Lite said, “I was impressed by the engineering resourcefulness of One Way Media to create this cool, visual worship experience that was also functional. It was a great example of utilizing Da-Lite technology to meet the needs of the church.”

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Streaming Pan, tilt, zoom (PTZ) streaming cameras

3 Reasons Victory House Church Chooses PTZOptics for Live Streaming

by PTZOptics

Live streaming is an effective way to spread your spiritual message beyond the walls of the church. Live stream video is a fantastic service for church members who need to be away for whatever reason. It is also an amazing teaching tool that allows potential guests an opportunity to experience a

place of worship before visiting in person. For some, the idea of starting a live stream can feel overwhelming. Fortunately, using PTZOptics equipment can reduce complexity and make it easy for anyone to get started.

Victory House Church in Northern Virginia is on a

mission to spread their message.

The VHC saw the importance of sharing their services via live stream. To make this as impactful as possible, Pastor Nick Koopalethes made the

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PTZOptics cameras offer broadcastquality video decision to use a system from PTZOptics. A creator himself with over 100 videos posted to YouTube, Pastor Koopalethes understands the importance of capturing and sharing the highest quality videos and doing it in the most efficient way possible. He chose PTZOptics for three reasons.

true in more technical ministry roles like video and live streaming. With a PTZOptics system, one volunteer can control up to four cameras from a central location, significantly reducing the amount of training and personnel needed.

the service through a fisheye lens. They also come with 12X, 20X, and 30X optical zoom, which means high-quality close-ups even from a distance.

3. Installation Flexibility

Some live stream video installations require a lot 2. Image Quality of space for cameras. Often When sharing such an they need to be positioned important message through within the worship space live streaming, the quality of reducing the seating room the video image is an essential and causing distractions. consideration. Crisp, clear PTZOptics cameras can go video can enhance the delivery nearly anywhere. They can be of the message. Low-quality mounted on a tripod, a shelf, a images, on the other hand, can wall, and even on the ceiling.

1. Ease of Use distract from the message and Installation is made even easier cause viewers to turn off the with innovative cabling options Recruiting, training, and stream. PTZOptics cameras like the ability to stream retaining volunteers is a video, control the camera, and challenge, no matter the size of offer broadcast-quality video as opposed to some others that also provide power over one the church. This is especially may look like webcams or show ethernet cable. Mu

House of Worship Streaming Needs Analysis

By Legrand AV

Use this simple list of questions to start the conversations and guide the direction of research, procurement and installation of a streaming solution for your House of Worship.

Who, what, where, and when

□ Who,

besides the immediate congregation might benefit?

□ What is the best setup now and in the future?

□ Where will

members find the most reward in this solution?

□ When is the right time to move forward?

Understanding end to end setups

□ Will one

camera or multicameras be needed?

□ Is there any

pre-existing equipment that can be utilized in the new solution?

□ Will there

be a need to live stream or record, extend to other locations?

System requirements

□ What

camera(s) will be needed to appropriately address the size of the sanctuary or space?□

□ Will

additional cameras or equipment be added in the future?□

□ Is the

right audio equipment already in place?

Project management and budgeting

□ How is the

project being managed and financed?

□ What is the

timeline for completion?

□ What

seasonality should be considered?

□ Who will lead

the day-to-day operations to manage streaming/ recording of services and events?

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Simplify House of Worship Live Streaming with NDI®

By Eamon Drew, CMO BirdDog

extremely low latency, and is already compatible with millions of devices. In fact, it’s already built into Microsoft Teams and Zoom Rooms.

Let’s face it. Putting together a video streaming set up can be expensive and quite daunting using traditional video equipment. Even more so when you are using multiple cameras.

Video cable runs are very complex, difficult to route, require high-end computers with capture cards, custom cables, converters to move from SDI to HDMI and then back to SDI, USB capture boxes, frame rate converters, video recorders, and the costs just keep climbing.

But it doesn’t have to be this way. By creating an NDI® network at your church, you are not only going to save a ton of money, time, and complexity, you are also future proofing your investment.

OK, what is NDI®?

NDI®, or Network Device Interface, is a protocol developed by NewTek® and is a way of sending audio and video over regular computer networks. It’s a true plug and play format that requires very little configuration, offers

BirdDog are global leaders in NDI® products and have a huge range of PTZ (PanTilt-Zoom) Robotic cameras, NDI® converters, and software applications. BirdDog are proudly the first company in the world to put NDI® into a dedicated silicon chip.

So, how to get started with NDI®?

With NDI it all starts with a network switch and BirdDog have partnered with Netgear to ensure maximum compatibility with their M4250 series. The Netgear M4250 series have NDI profiles ready to go that make any size set up a breeze.

They even have an offering that can fit into even the tightest of budgets.

NDI® is plug and play format that requires very little configuration, offers extremely low latency, and is already compatible with millions of devices Once the NDI® network is set up, it’s time to choose a streaming platform. There are all kinds of software-only streaming products on offer, serving both Mac and PC, ranging from free tools such as OBS Studio, through to Telestream Wirecast, vMix, Pro Presenter, and many more.

There are also dedicated hardware streaming solutions

such as the NewTek TriCaster.

(using PoE), and control! This eliminates the need to run power to each camera, giving greater flexibility to choose camera locations where access to power was not previously available.

PTZ Cameras are perfect for House of Worship installations, as you can permanently mount them in discreet locations, without the need for a dedicated camera operator for each camera. Total remote control over all functions is possible from the control desk.

The next step is to bring some PTZ cameras into the set up.

BirdDog offer a complete range of native NDI cameras that leverage the power of the BirdDog silicon chip to do NDI processing at the highest picture quality. BirdDog NDI You can control the Pan, Tilt, cameras require only a SINGLE Zoom functions of the BirdDog cable for video, audio, power PTZ cameras in a variety of

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ways, including using the dedicated PTZ Keyboard from BirdDog, the free NewTek Studio Monitor software, thirdparty hardware controllers, or even from within the streaming software platform you are using.

Teaming up BirdDog’s free software, Cam Control, with the BirdDog PTZ cameras allows for total remote control of the cameras. The ability to color correct the cameras, adjust all settings, and match cameras side by side, is all possible over the same single cable without the need to physically touch the cameras. This truly highlights the power of an NDI based production over traditional baseband video, as previously the only way to remotely color correct cameras was by using extremely expensive CCU controllers.

Existing cameras, such as production or shoulder cameras, can also become NDI® cameras by simply adding a BirdDog NDI® converter Existing cameras, such as production or shoulder cameras, can also become NDI cameras by simply adding a BirdDog NDI converter. These converters take the traditional SDI or HDMI signal and turn it into NDI so they can be included into the production.

BirdDog NDI converters not only breathe new life into old cameras, but also reduces the cost of long video cable runs by using low cost, CAT6a Ethernet cable.

BirdDog also offers a range of globally connected Cloud solutions so you can control

and monitor the cameras on the NDI network from anywhere in the world. Cloud and Cloud Connect applications can extend your NDI network over the public internet and allow for collaboration between multiple Houses of Worship. In a House of Worship environment this could help spread the message to greater audiences, whilst eliminating the need for travelling between locations.

With NDI and BirdDog, the future has arrived.

Welcome to the Future. Mu

P4K—the Highest Quality Full NDI® Camera on the Planet

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10 Reasons Why You Should Upgrade Your Camera to NDI®|HX

By PTZOptics

If you own a PTZOptics camera, you already understand the benefits of having a professional-grade video camera that can be discreetly mounted and controlled remotely. The quality,

offer PTZOptics NDI® cameras that are compatible with NDI®|HX. However, if you own a different model of camera, such as the USB or SDI PTZOptics camera, you can now upgrade to an NDI®|HX

NDI®|HX. Say Goodbye to SDI Cables

SDI (serial digital interface) has been around since the late ‘80s and has become the industry standard for professional and semi-professional broadcast production. SDI cabling provides for excellent quality video over long cable runs with low latency. However, the major disadvantage of this method is it requires a direct line run from each camera to the switcher or computer interface. This can become problematic with a large number of cameras or in places where the architecture makes installation difficult.

With NDI®|HX, you can use a standard ethernet cable to versatility, and flexibility of license and take advantage of attach the camera to your these cameras make them a the power of this new protocol. closest ethernet switch. Then, perfect choice for broadcasters, With this license upgrade, you as long as that switch is on educational institutions, and can get all the benefits of your the same network as your houses of worship. As powerful PTZ camera with the added production computer or as these cameras are, they can power and convenience of the switcher, you can connect. be made even more functional most advanced video over IP with an upgrade to NDI®|HX. solution available. Here are a One Cable Does it All few reasons why you should At PTZOptics, we currently Without NDI®|HX, you could upgrade your camera to

be using up to three cables to operate your PTZ camera. First, as mentioned above, you may use an SDI cable to connect to your switcher or production computer. Next, you may have a power adapter running to an electrical outlet. Finally, you might be using a serial cable to connect to a camera control such as a joystick controller.

With NDI®|HX, you can handle everything over that one ethernet cable. As long as you plug into a PoE (power over ethernet) switch, that line can handle video, audio, power, and remote control.

Without NDI®|HX, you could be using up to three cables to operate your PTZ camera

production, you know how complex it can be to figure out why. This is especially true if you are using a multicable setup. There could be a problem with the power connection, the SDI connection, or serial control connection. Many times you Multiple Simulcast Options will need to go to the camera With NDI®|HX, you can access to check and trace the cables.

With an NDI®|HX upgrade any compatible camera from license, you can handle any computer or switcher everything right from your on the network. That means computer. With a managed you can produce multiple, PoE switch, you can even cycle custom simulcast options the power on and off remotely, simultaneously. For instance, one switcher might handle the when necessary. iMag (image magnification) Next-Level Video in the room. Another might Conferencing handle the main live stream.

Most popular video Another might send a different stream with subtitles and graphics in Spanish. Yet another could produce a custom feed for an overflow room.

conferencing solutions such as Zoom, Microsoft Teams, or Google Meet work well with USB webcams. However, using NDI®|HX, you can use any equipped camera on your network as a source for your meeting. This means that, during a session, you can switch between cameras and even control the pan, tilt, zoom features, adding a new level of production value to your meetings.

Extremely Low Latency If you run your system using traditional video over IP and not NDI®|HX, you may have issues with latency. Because of this, some producers are reluctant to make the switch.

However, with the latest version of NDI®|HX, suitable computers, and a gigabit ethernet switch, you can share video with no noticeable latency issues.

Simple Installation If you are used to running

Simplified Signal Flow for Easier Troubleshooting If you have ever had a camera go offline right before or during

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Once you have your network operating, adding a new camera can be done in minutes cables, installing capture cards, and adjusting settings to get a camera to show up on your switcher or production computer, NDI®|HX is a real time saver. Once you have your network operating, adding a new camera can be done in minutes.

Works for Any Size and Budget Production NDI®|HX is the perfect solution whether you work in professional broadcast operations, run a YouTube channel, or just want to live stream your church services. It is easy to set up and integrate

with just one camera and free software like OBS. Still, it is a robust solution suitable for a professional production studio.

Ultimate Scalability No matter what type of content you are looking to share, chances are you will eventually expand your setup. With traditional cabled configurations, adding additional cameras, switchers, computers, and simulcasts can be overwhelming. Upon reaching a certain size, some producers must start over with new equipment for additional connections, because hardware

switchers can only handle so many inputs. Many computers are also limited in the number of different capture cards or boxes they can handle. Using NDI®|HX, all you need to add a camera is an open ethernet port on your network. There is virtually no limit to the number of cameras that can be added to a network or the number of computers that can access it.

Works with Most Popular Software NDI®|HX marks an evolution in video production. Not only is there a variety of dedicated software to handle many production tasks, but connectivity is also available in most popular production software. Programs compatible with NDI®|HX include: vMix, Wirecast, OBS, NewBlueFX Titler, and more.

Share Your Vision PTZOptics provides HD, pan, tilt, zoom, live streaming and video conferencing cameras with HDSDI, HDMI, NDI|HX, IP Streaming, and CVBS for flexible video solutions.

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Contact our team for a personal consultation to get started!

800-846-5606 MyTeam@Starin.biz 136 Venturi Drive Chesterton, IN 46304

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