University of Texas Press - Spring 2022 Catalogue

2022 spring | summer

university of texas press

From More City Than Water: Site 1. Crater, cracked concrete, 2' × 2', Indiana and Welch.

We live in an information-rich world. As a publisher of international scope, the University of Texas Press serves the University of Texas at Austin community, the people of Texas, and knowledge seekers around the globe by identifying the most valuable and relevant information and publishing it in books, journals, and digital media that educate students; advance scholarship in the humanities and social sciences; and deepen humanity’s understanding of history, current events, contemporary culture, and the natural environment.

university of texas press

Dear Friends, It is a great pleasure to share with you our 2022 Spring/Summer publications. We really appreciate your interest in the work we do here at UT Press!

Though so much of our work is the result of careful planning, I love to see the themes that emerge organically across a set of titles. As we were arranging this catalog, I was struck by the different ways that this moment has prompted scholars to think about water—as a resource, a threat, an idea. In More City Than Water (8), Lacy M. Johnson and Cheryl Beckett assemble a group of writers and artists to explore the topic of catastrophic flooding in Houston. What does the water reveal, they ask, and what does it hide? In the final book of our awardwinning Katrina Bookshelf series, The Continuing Storm (24), Kai Erikson and Lori Peek begin with the waters of Hurricane Katrina and move outward to encourage a broad reframing of Katrina as “the most telling disaster of our time.”

Focusing on the opportunities afforded by water, Brook Muller’s Blue Architectures (22) proposes an approach to architecture and design in which buildings creatively incorporate existing waterways. And Marisel C. Moreno’s Crossing Waters (29) explores representations of the Caribbean archipelago in literary and artistic work on undocumented migration.

Water is one of the many themes animating this season’s titles. In the pages that follow you’ll find exciting new work in our books and journals from a range of disciplines—film, art, music, history—that helps us see the world around us in new ways. Enjoy!

With thanks for your support of UT Press,

Robert Devens

Copyright © 2022 by the University of Texas Press. All rights reserved. f r o n t c o v e r i m a g e: From The Rob Roy Kelly American Wood Type Collection: detail from No. 131. b a c k c o v e r i m a g e: From A Century of Brazilian Documentary Film: The village lookout for schools of fish in Arraial do Cabo.

| a m e r i c a n s t u d i e s | Texas

A beautifully illustrated exploration of the Rob Roy Kelly American Wood Type Collection

The Rob Roy Kelly American Wood Type Collection A History and Catalog DAV ID SHIEL DS

DAVI D SHIE LDS r ichmond, v irgi ni a Shields is an associate professor in and was the chair of the Department of Graphic Design at Virginia Commonwealth University from 2012–2021. He is also the former head of the design program at UT Austin and, from 2004 to 2012, was the custodian for the Rob Roy Kelly American Wood Type Collection, which is owned by the Harry Ransom Center.

University of Texas Press Fine Arts Endowment release date | april 9 1⁄4 x 11 3 ⁄4 inches, 408 pages, 315 color photos

ISBN 978-1-4773-2368-7

The Rob Roy Kelly Wood Type Collection is a comprehensive collection of wood type manufactured and used for printing in nineteenth-century America. Comprising nearly 150 typefaces of various sizes and styles, it was amassed by noted design educator and historian Rob Roy Kelly starting in 1957 and is now held by the University of Texas. Although Kelly himself published a book on wood type and nineteenth-century typographic history in 1969, there has been little follow-up on either subject since.

In this book, David Shields rigorously updates and expands upon Kelly’s historical information about the types, clarifying the collection’s exact composition and providing a better understanding of the stylistic development of wood type forms during the nineteenth century. Using rich materials from the period, Shields provides a stunning visual context that complements the textual history of each typeface. He also highlights the non-typographic material in the collection—such as borders, rules, ornaments, and image cuts—that have not been previously examined. Featuring over 300 color illustrations, this written history and catalog is bound to spark renewed interest in the collection and its broader typographic period.

$65.00 | £52.00 | C$81.00 hardcover

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

Clockwise from top: Index No. 7 (Hamilton Manufacturing Company, 10-line) and Index No. 3 (Morgans & Wilcox Manufacturing Company, 20-line). Specimen of Plain and Ornamental Wood Type, Cut by Machinery, by Wells & Webb (Late D. Wells & Co.) (1840); ATF Library Collection, Rare Book and Manuscript Library, Columbia University Library. Specimens of Wood Type Manufactured by Wm. H. Page & Co., Greenville, Conn. (1872); ATF Library Collection, Rare Book and Manuscript Library, Columbia University Library. Streamer No. 67. Specimens of Holly Wood Type Manufactured by Hamilton & Katz, Two Rivers, Wis. (1884); John M. Wing Foundation, Newberry Library, Chicago.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| m u s i c | United States

How a DJ’s innovative chopped and screwed technique changed the Houston hip-hop scene

DJ Screw A Life in Slow Revolution L ANCE SCOT T WALKER

LANCE SC OTT WA LKE R brook ly n, n ew yor k Walker is originally from Texas and is now based in New York.

He is the author of Houston Rap Tapes and collaborated on the companion photo book Houston Rap. He has written for the Houston Chronicle, Houston Press, Red Bull Music Academy, Vice, Wondering Sound, Fader, and The Wire.

American Music Series Jessica Hopper & Charles Hughes, Editors release date | april 6 x 9 inches, 312 pages, 16 b&w photos

ISBN 978-1-4773-2513-1

DJ Screw, a.k.a. Robert Earl Davis Jr., changed rap and hip-hop forever. In the 1990s, in a spare room of his Houston home, he developed a revolutionary mixing technique known as chopped and screwed. Spinning two copies of a record, Screw would “chop” in new rhythms, bring in local rappers to freestyle over the tracks, and slow the recording down on tape. Soon Houstonians were lining up to buy his cassettes—he could sell thousands in a single day. Fans drove around town blasting his music, a sound that came to define the city’s burgeoning and innovative rap culture. June 27 has become an unofficial city holiday, inspired by a legendary mix Screw made on that date.

Lance Scott Walker has interviewed nearly everyone who knew Screw, from childhood friends to collaborators to aficionados who evangelized Screw’s tapes—millions of which made their way around the globe—as well as the New York rap moguls who honored him. Walker brings these voices together with captivating details of Screw’s craft and his world. More than the story of one man, DJ Screw is a history of the Houston scene as it came of age, full of vibrant moments and characters. But none can top Screw himself, a pioneer whose mystique has only grown in the two decades since his death.

$29.95 | £22.99 | C$36.95 hardcover

ISBN 978-1-4773-2515-5 $29.95 e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

| m u s i c | United States

A meditation on the artistry and influence of Patti Smith

Why Patti Smith Matters CARYN ROSE

Patti Smith arrived in New York City at the end of the Age of Aquarius in search of work and purpose. What she found—what she fostered—was a cultural revolution. Through her poetry, her songs, her unapologetic vocal power, and her very presence as a woman fronting a rock band, she kicked open a door that countless others walked through. No other musician has better embodied the “nothing-to-hide” rawness of punk, nor has any other done more to nurture a place in society for misfits of every stripe.

Why Patti Smith Matters is the first book about the iconic artist written by a woman. The veteran music journalist Caryn Rose contextualizes Smith’s creative work, her influence, and her wide-ranging and still-evolving impact on rock and roll, visual art, and the written word. Rose goes deep into Smith’s oeuvre, from her first album, Horses, to acclaimed memoirs operating at a surprising remove from her music. The portrait of a ceaseless inventor, Why Patti Smith Matters rescues punk’s poet laureate from “strong woman” clichés. Of course Smith is strong. She is also a nuanced thinker. A maker of beautiful and challenging things. A transformative artist who has not simply entertained but also empowered millions.

CARYN ROSE detroit, michiga n Rose is a longtime music journalist whose work has appeared in Pitchfork, MTV News, Salon, Billboard, the Village Voice, Vulture, and the Guardian. Her essay on Maybelle Carter was included in Woman Walk the Line.

Music Matters Evelyn Mcdonnell & Oliver Wang, Editors release date | may 5 x 7 inches, 248 pages

ISBN 978-1-4773-2011-2 $18.95 | C$23.95 paperback

ISBN 978-1-4773-2534-6 Not for sale in the UK and its dependencies.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

$18.95 e-book

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| t e x a s | Nature & Environment

Writers explore a city’s relationship with chronic catastrophic flooding

More City Than Water A Houston Flood Atlas EDI T ED BY L ACY M. JOHNSON AND CHERY L BECKE T T

LACY M. JOHNSON houston, te x a s Johnson is the author of the essay collection The Reckonings and the memoirs The Other Side and Trespasses. Her writing has appeared in The Best American Essays, The Best American Travel Writing, the New Yorker, and elsewhere. She teaches creative nonfiction at Rice University and is the founding director of the Houston Flood Museum.

CH ERY L BE C KE TT houston, te x a s Cheryl Beckett is an associate professor and area coordinator at the Kathryn G. McGovern College of the Arts, University of Houston School of Art, Graphic Design Program. Beckett has served as the creative director at Minor Design in Houston since 1987.

Shortly after Hurricane Harvey dumped a record 61 inches of rain on Houston in 2017, celebrated writer and Bayou City resident Lacy M. Johnson began collecting flood stories. Although these stories attested to the infinite variety of experience in America’s most diverse city, they also pointed to a consistent question: What does catastrophic flooding reveal about this city, and what does it obscure?

More City Than Water brings together essays, conversations, and personal narratives from climate scientists, marine ecologists, housing activists, urban planners, artists, poets, and historians as they reflect on the human geography of a region increasingly defined by flooding. Both a literary and a cartographic anthology, More City Than Water features striking maps of Houston’s floodplains, waterways, drainage systems, reservoirs, and inundated neighborhoods. Designed by University of Houston seniors from the Graphic Design program, each map, imaginative and precise, shifts our understanding of the flooding, the public’s relationship to it, and the fraught reality of rebuilding. Evocative and unique, this is an atlas that uncovers the changing nature of living where the waters rise.

Environmental Studies Endowment (NEH) release date | may 7 x 10 inches, 264 pages, 30 color illustrations, 19 maps

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ISBN 978-1-4773-2500-1

ISBN 978-1-4773-2567-4

$39.95 | £32.00 | C$49.95 hardcover

$39.94 e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| b i o g r a p h y | Music

New and expanded biography of one of country music’s most celebrated singersongwriters

The Running Kind Listening to Merle Haggard DAV ID CA N T W EL L

DAVI D CA NTWE LL k a nsa s cit y, missour i Cantwell is the author of Heartaches by the Number: Country Music’s 500 Greatest Singles and the first edition of this book, Merle Haggard: The Running Kind (2013). His journalism appears in the New Yorker, Salon, Rolling Stone Country, the Oxford American, and No Depression.

American Music Series Jessica Hopper and Charles Hughes, Editors release date | april 6 1⁄8 x 9 1⁄4 inches, 320 pages

ISBN 978-1-4773-2236-9 $29.95 | £22.99 | C$36.95 hardcover

Merle Haggard enjoyed numerous artistic and professional triumphs, including more than a hundred country hits (thirty-eight at number one), dozens of studio and live album releases, upwards of ten thousand concerts, induction into the Country Music Hall of Fame, and songs covered by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Willie Nelson, the Grateful Dead, and Bob Dylan.

In The Running Kind, a new edition that expands on his earlier analysis and covers Haggard’s death and afterlife as an icon of both old school and modern country music, David Cant­ well takes us on a revelatory journey through Haggard’s music and the life and times out of which it came. Covering the entire breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music: songs that helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including “Okie from Muskogee,” “Sing Me Back Home,” “Mama Tried,” and “Working Man Blues,” among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard’s music and public persona but the very heart of American culture.

ISBN 978-1-4773-2569-8 $29.95 e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

| t e x a s | History

A true-crime showdown that takes readers back to the grittier and weirder Austin of the 1970s

Last Gangster in Austin Frank Smith, Ronnie Earle, and the End of a Junkyard Mafia JESSE SUBLET T Ronnie Earle was a Texas legend. During his three decades as the district attorney responsible for Austin and surrounding Travis County, he prosecuted corrupt corporate executives and state officials, including the notorious US congressman Tom DeLay. But Earle maintained that the biggest case of his career was that of Frank Hughey Smith, the exconvict millionaire, alleged criminal mastermind, and Dixie Mafia figure.

With the help of corrupt local authorities, Smith spent the 1970s building a criminal empire in auto salvage and bail bonds.

But there was one problem: a rival in the salvage business threatened his dominance. Smith hired arsonists to destroy the rival; when they botched the job, he sent three gunmen, but the robbery they planned was a bloody fiasco. Investigators were convinced that Smith was guilty, but many were skeptical that the newly elected and inexperienced Earle could get a conviction. Amid the courtroom drama and underworld plots the book describes, Willie Nelson makes a cameo. So do the private eyes, hired guns, and madams who kept Austin not only weird but also riddled with vice. An extraordinary true story, Last Gangster in Austin paints an unusual picture of the Texas capital: wild, wonderful, and as crooked as the dirt road to paradise.

JESSE SUBLETT austi n, te x a s Sublett is an author, musician, and painter in Austin. This is his fourteenth book. He last wrote about the Austin underworld in 1960s Austin Gangsters: Organized Crime That Rocked the Capital. Other notable books include Armadillo World Headquarters: A Memoir (with Eddie Wilson), and his memoir Never the Same Again: A Rock ‘n’ Roll Gothic.

Jess and Betty Jo Hay Series release date | may 5 1⁄2 x 8 1⁄2 inches, 224 pages, 14 b&w photos

ISBN 978-1-4773-2398-4 $21.95 | £16.99 | C$26.95 paperback

ISBN 978-1-4773-2400-4 $21.95 e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| l i t e r a t u r e : b i o g r a p h y | Memoir

A remarkable collection of words and illustrations documenting the first year of the pandemic

Plagues & Pencils A Year of Pandemic Sketches EDWARD CARE Y

ED W ARD C A RE Y austi n, te x a s Carey is the author and illustrator of four novels—Observatory Mansions, Alva & Irva, Little, and The Swallowed Man—and the YA series The Iremonger Trilogy. He teaches at the University of Texas at Austin.

MAX PORTE R london, engl a nd Porter is the author of Grief Is the Thing with Feathers, Lanny, and The Death of Francis Bacon.

release date | april 5 x 7 inches, 240 pages, 375 b&w illustrations

ISBN 978-1-4773-2586-5 $24.95 | C$30.95 hardcover

ISBN 978-1-4773-2588-9 $24.95 e-book For sale only in the United States, its dependencies, and Canada

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In March 2020, as lockdowns were imposed around the world, author and illustrator Edward Carey raced home to Austin, Texas. The next day, he published on social media a sketch of “A Very Determined Young Man.” The day after, he posted another drawing. One year and one hundred and fifty Tombow B pencil stubs later, he was still drawing.

Carey’s pencil fills the page with the marvelous and intriguing, picturing people, characters, animals, monsters, and his favorite bird to draw, the grackle. He reaches into history and fiction to escape grim reality through flights of vivid imagination—until events demand the drawings “look straight on.”

Breonna Taylor, the Brontë sisters, John Lewis, King Lear, and even the portraits that mark the progress of the year for the Very Determined Young Man combine into a remarkable document of the pandemic and its politics. For Carey, though, trapped inside a home he loves, these portraits are something more, a way to chart time, an artist’s way of creating connection in isolation. With a foreward by Max Porter, this exceptional collection from the acclaimed author of Little marks a year of a man trapped with his pencil, determined to find solace amid uncertainty.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

These drawings are slowly and carefully made, in a world of quick and vicious things. They are a quiet hand-made gift in a labyrinth of bots and copies, screaming and blocking. They are created by the gentle touch of a human being, with a good old-fashioned pencil.

Day by day this rich and nutritious mix. What he is giving us is a beautiful and soulfully assembled museum, unfolding unpredictably every day as life itself must. Free to use, curated with charm and a delicate tendency towards humanity’s better instincts.

What a family he has assembled. Clever, innovative, weird-looking all of us.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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N E W I N PA P E R B A C K How the pecan has become a global commodity and endangered heirloom

The Pecan A History of America’s Native Nut JAMES MCWILLIAMS

JAM ES MC WILLIA MS austi n, te x a s McWilliams is a historian and writer living in Austin, Texas, whose work has appeared in The Virginia Quarterly Review, The Paris Review, and Harper’s.

Environmental Studies Endowment (NEH) release date | march 5 1⁄2 x 8 1⁄2 inches, 192 pages, 3 b&w photos

ISBN 978-0-292-76218-3 $19.95 paperback

What would Thanksgiving be without pecan pie? New Orleans without pecan pralines? As familiar as the pecan is, most people don’t know the fascinating story of how native pecan trees fed Americans for thousands of years until the nut was “improved” a little more than a century ago—and why that rapid domestication actually threatens the pecan’s long-term future.

In The Pecan, acclaimed writer and historian James McWilliams explores the history of America’s most important commercial nut. He describes how essential the pecan was for Native Americans—an average pecan harvest had the food value of nearly 150,000 bison. The pecan was left in its natural state longer than any other commercial fruit or nut crop in America.

Yet once the process of “improvement” began, it took less than a century for the pecan to be almost totally domesticated. Today, the United States produces more than 300 million pounds of pecans every year. McWilliams warns that pecan harvests are vulnerable to a “perfect storm” of economic threats and ecological disasters that could wipe it out within a generation. This lively history suggests why the pecan deserves recognition as a true American heirloom.

ISBN 978-0-292-75391-4 $19.95 e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

N E W I N PA P E R B A C K A volume of stirring speeches by former US Congresswoman Barbara Jordan

Barbara Jordan Speaking the Truth with Eloquent Thunder EDITED BY MAX SHERMAN Throughout her career as a Texas senator, US congresswoman, and distinguished professor at the Lyndon B. Johnson School of Public Affairs, Barbara Jordan lived by a simple creed: “Ethical behavior means being honest, telling the truth, and doing what you said you were going to do.” Her strong stand for ethics in government, civil liberties, and democratic values still provides a standard around which the nation can unite in the twenty-first century.

This volume brings together several major political speeches that articulate Barbara Jordan’s most deeply held values. The book concludes with the eloquent eulogy that Bill Moyers delivered at Barbara Jordan’s memorial service in 1996, in which he summed up Jordan’s remarkable life and career by saying, “Just when we despaired of finding a hero, she showed up, to give the sign of democracy . . . This is no small thing. This, my friends, this is grace. And for it we are thankful.”

MA X S H E R MA N Austi n, Te x a s Sherman is a professor emeritus and former dean of the Lyndon B. Johnson School of Public Affairs at the University of Texas at Austin.

He was Barbara Jordan’s friend and colleague for twenty-five years, first in the Texas Senate and later at the LBJ School.

Louann Atkins Temple Women & Culture Series release date | ja nua ry 5 1⁄2 x 8 1⁄2 inches, 128 pages, 35 b&w photos

ISBN 978-1-4773-2504-9 $21.95* | £16.99 | C$26.95 paperback

ISBN 978-0-292-77492-6 $21.95* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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d is tribute d fo r t h e a nn ri c h a rd s l e g a cy pro j e c t | w o m e n i n t e x a s | Politics

A collection of classic and clever one-liners from the outspoken feminist Ann Richards, the beloved forty-fifth governor of Texas

The One Ann Only Wit and Wisdom from Texas Governor Ann Richards T H E A N N R I C H A R D S L E G A C Y P R O J E C T, F O R E W O R D B Y S A R A H B I R D

ANN RIC HA RDS LE GA CY PR OJECT austi n, te x a s Founded by Margaret Justus, the project aims to inspire future generations to embody Governor Richards’s spirit and courage to lead.

SARAH BIRD austi n, te x a s Bird is an award-winning novelist and journalist. She has written eleven books, including Daughter of a Daughter of a Queen and A Love Letter to Texas Women.

release date | april 6 1⁄4 x 8 1⁄4 inches, 120 pages, 40 b&w and color photos

ISBN 978-1-4773-2592-6 $22.00 | £16.99 | C$26.95 hardcover

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One of the most unforgettable politicians in American history, Dorothy Ann Willis Richards (1933–2006) was the first woman to be elected, in her own right, governor of Texas; she served from 1991 to 1995. Richards transformed the state government to resemble the diverse population of Texas, appointing a record number of women, people of color, people with disabilities, and LGBTQ community members to Texas boards and state agencies.

Governor Richards was known as much for her humor as for her politics. Her witty one-liners, shrewdly delivered with a thick Waco accent, could bring down the house. Add in her striking appearance—big white hair and turquoise eyes—and her presence left an indelible impression.

With a thoughtful foreword by award-winning novelist Sarah Bird, The One Ann Only presents Ann’s famous witticisms alongside striking images throughout her life and political career by Texas photographers. This little book can serve as a Texas-sized inspiration to everyone, especially current and future public servants, teachers, parents, and people in recovery.

Clockwise from top right: Courtesy of the Ann Richards family. Photo

by Alan Pogue. Photo by Kirk Tuck.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

ph r a se s c oi n e d or popu l a r i z e d b y a n n r ich a r ds “Cherish your friends and family as if your life depended on it, because it does.”

“Ginger Rogers did everything Fred Astaire did. She just did it backwards and in high heels.”

“Teaching is the hardest work I have ever done, including being Governor.”

“I get a lot of cracks about my hair, mostly from men who don’t have any.”

“Sobriety has freed me to deal with failure and never give up.”

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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distributed for the briscoe center for american history | photography |

A haunting collection of photographs documenting the changing landscape and culture of the American West

The Devil’s Highway JOAN MYERS WITH A SHOR T STORY BY WILLIAM DEBUYS

J OAN MYE RS tesuque, n ew me x ico Myers has been photographing for more than forty-five years. Her highly acclaimed work has been the subject of three Smithsonian exhibitions, more than fifty solo and eight group shows, and eleven books.

W I LLI AM DE BUYS el va lle, n ew me x ico DeBuys is the author of ten books, a Pulitzer Prize nonfiction finalist, and the recipient of a 2008–2009 Guggenheim Fellowship.

With this haunting new collection of photographs, Joan Myers continues the decades-long journey she began in Where the Buffalo Roamed (with Lucy Lippard), documenting the changing landscape and culture of the American West. The images in this new collection are more personal, more elegiac— and all black-and-white. They bear witness to the fracturing of the American Dream, the demise of cowboy culture, and the shrinking of small towns, ranches, and farms throughout western rural America. The themes she examines are reflected in Devil’s Highway, a powerfully evocative short story by Pulitzer finalist William deBuys, first published in 1992 in Story magazine and reproduced here for the first time. Myers and deBuys previously collaborated on Salt Dreams: Land and Water in Low-Down California, which inspired the highly acclaimed film, The Colorado.

Myers has spent much of her time roaming the American West, but has also worked in India, the Canary Islands, Antarctica, Java, Sicily, Sardinia, Hawaii, and more. Her extensive photo archive is now housed at the Briscoe Center for American History on the University of Texas at Austin campus.

release date | july 12 x 9 1⁄2 inches, 168 pages, 86 photographs

ISBN 978-1-953480-15-6 $45.00 | £36.00 | C$55.95 hardcover

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Left (top to bottom): Monument Valley, 2021; Conway, Texas, 2020

UNIVERSITY OF TEXAS PRESS | SPRING 2022

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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N E W I N PA P E R B A C K

John Prine In Spite of Himself EDDIE HUFFMAN

With a new afterword by the author “This book provides behind-the-scenes history of the music industry and engaging anecdotes about musicians, writers and actors, some with whom Prine only rubbed shoulders, and others with whom he built life-long friendships.”—no depre ssion “A revealing 2015 biography of the acclaimed mailman-turned-singersongwriter.”— t he wa shing ton p os t “[Huffman] paints a convincing picture of the wry, gravel-voiced Chicago storyteller . . . this is a sweet little book.”—se at t le t ime s “Weaving well-known biographical details (Prine was a mail carrier in Chicago when he got his start) into meticulous sketches of the making of each album . . . Huffman’s book will make us want to pick up Prine’s albums and listen to them once again or for the first time.”—publishers weekly Huffman is an independent music journalist. He has written for Rolling Stone, the New York Times, Utne Reader, All Music Guide, Goldmine, and many other publications.

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A me ri can Mu si c Se ri e s Jessica Hopper & Charles Hughes, Editors

ISBN 978-1-4773-2593-3

release date | march 6 x 9 inches, 232 pages

ISBN 978-1-4773-2595-7

$18.95 | £14.99 | C$23.95 hardcover $18.95 e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Recently Published

Teaching Black History to White People

BY LEONARD N. MOORE ISBN 978-1-4773-2485-1

$19.95* paperback ISBN 978-1-4773-2487-5

$19.95* e-book

A Good Long Drive Fifty Years of Texas Country Reporter

BY BOB PHILLIPS

The Mexican American Experience in Texas

ISBN 978-1-4773-2401-1

Citizenship, Segregation, and the Struggle for Equality

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Where the Devil Don’t Stay

Civil Rights in Black and Brown

A Single Star and Bloody Knuckles

Traveling the South with the Drive-By Truckers

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Histories of Resistance and Struggle in Texas EDITED BY MAX KROCHMAL AND J. TODD MOYE

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| a r c h i t e c t u r e | United States

Guide to water-focused and climate-resilient architecture and urban design

Blue Architecture Water, Design, and Environmental Futures BROOK MULLER

BR OOK MULLE R charlotte, north carolina Muller is the dean of the College of Arts and Architecture at the University of North Carolina at Charlotte. Also a design practitioner, he has worked for Behnisch & Partners Architects in Stuttgart, among others, and has designed projects across the globe. He is the author of Ecology and the Architectural Imagination.

Roger Fullington Series in Architecture release date | may 6 x 9 inches, 216 pages, 27 color and 7 b&w photos

ISBN 978-1-4773-2510-0

Le Corbusier famously said, “A house is a machine for living in.” We now confront the litany of environmental challenges associated with the legacy of the architectural machine: a changing climate, massive species die-off, diminished air and water quality, and resource scarcities. Brook Muller offers an alternative: water-centric urban design that fosters sustainability, equity, and architectural creativity.

Inspired by the vernacular such as the levadas of Madeira Island and both the arid and drenched places of the American West, Muller articulates a “hydro-logical” philosophy in which architects and planners begin by conceptualizing interactions between existing waterways and the spaces they intend to develop. From these interactions—and the new technologies and approaches enabling them—aesthetic, spatial, and experiential opportunities follow. Not content to merely work around sensitive ecology, Muller argues for genuinely climate-adapted urban landscapes in which buildings act as ecological infrastructure that actually improve watersheds while delivering functionality and beauty for diverse communities. Rich in images and practical examples, Blue Architecture will change the way we think about our designed world.

$35.00* | £26.99 | C$43.95 hardcover

ISBN 978-1-4773-2512-4 $35.00* e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

Architecture Backlist

Improbable Metropolis

Landed Internationals

Lake|Flato

Houston’s Architectural and Urban History

BY BARRIE SCARDINO BRADLEY

Nature, Place, Craft & Restraint

BY LAKE|FLATO ARCHITECTS

ISBN 978-1-4773-2019-8

Planning Cultures, the Academy, and the Making of the Modern Middle East

BY BURAK ERDIM

$45.00*

ISBN 978-1-4773-2121-8

hardcover

hardcover

$50.00*

ISBN 978-1-4773-2141-6

$45.00

hardcover ISBN 978-1-4773-2123-2

$50.00* e-book

Miró Rivera Architects

Building Antebellum New Orleans

Modernity for the Masses

$65.00

Free People of Color and Their Influence

BY TARA A. DUDLEY

Antonio Bonet’s Dreams for Buenos Aires

BY ANA MARÍA LEÓN

hardcover

ISBN 978-1-4773-2302-1

ISBN 978-1-4773-2178-2

$50.00*

$50.00*

hardcover ISBN 978-1-4773-2304-5

ISBN 978-1-4773-2180-5

$50.00*

$50.00*

e-book

e-book

Building a New Arcadia

BY JUAN MIRÓ & MIGUEL RIVERA ISBN 978-1-4773-2140-9

UNIVERSITY OF TEXAS PRESS | SPRING 2022

hardcover

23

| sociology |

Reflects upon the lessons of Hurricane Katrina and what they reveal about our society and current cultural climate

The Continuing Storm Learning from Hurricane Katrina KAI ERIKSON AND LORI PEEK

KAI ERIKSON br a n for d, con n ecticu t Erikson is the William R. Kenan, Jr. Professor Emeritus of Sociology and American Studies at Yale University. He is the author of Wayward Puritans, Everything in Its Path, A New Species of Trouble, and The Sociologist’s Eye.

LOR I PE E K boulder, color a do Peek is professor of sociology and director of the Natural Hazards Center at the University of Colorado Boulder. She is the author of Behind the Backlash, coauthor of Children of Katrina, and coeditor of Displaced and the Handbook of Environmental Sociology.

The Katrina Bookshelf release date | june 6 x 9 inches, 160 pages, 11 b&w photos, 2 maps

More than fifteen years later, Hurricane K atrina maintains a strong grip on the American imagination. The reason is not simply that Katrina was an event of enormous scale, although it certainly was by any measure one of the most damaging storms in American history. But, quite apart from its lethality and destructiveness, Katrina retains a place in living memory because it is one of the most telling disasters in our recent national experience, revealing important truths about our society and ourselves.

The final volume in the award-winning Katrina Bookshelf series, The Continuing Storm, reflects upon what we have learned about Katrina and about America. Kai Erikson and Lori Peek expand our view of the disaster by assessing its ongoing impact on individual lives and across the wide-ranging geographies where displaced New Orleanians landed after the storm. Such an expanded view, the authors argue, is critical for understanding the human costs of catastrophe across time and space. Concluding with a broader examination of disasters in the years since Katrina—including COVID-19—The Continuing Storm is a sobering meditation on the duration of a catastrophe that continues to exact steep costs in human suffering.

ISBN 978-1-4773-2434-9

ISBN 978-1-4773-2433-2

ISBN 978-1-4773-2436-3

$27.95* | £20.99 | C$34.95 paperback

$90.00* | £76.00 | C$113.00 hardcover

$27.95* e-book

24

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Katrina Bookshelf E D I T E D B Y K A I E R IK S O N

Children of Katrina

BY ALICE FOTHERGILL & LORI PEEK ISBN 978-1-4773-0546-1

$24.95* | paperback ISBN 978-1-4773-0391-7

$24.95* | e-book

Caught in the Path of Katrina

Hurricane Katrina was the most telling disaster in our national experience, revealing so much about the nature of disasters in general, about the social world we live in, and about ourselves.

The Katrina Bookshelf is the result of a national effort to bring experts together in a collaborative program of research on the human costs of the disaster. Supported by the Ford, Gates, MacArthur, Rockefeller, and Russell Sage Foundations and sponsored by the Social Science Research Council, the Katrina Bookshelf is the most comprehensive social science coverage of a disaster to be found anywhere in the literature.

Displaced

Left to Chance

Life in the Katrina Diaspora

BY LYNN WEBER & LORI PEEK

$24.95* | paperback

Hurricane Katrina and the Story of Two New Orleans Neighborhoods

BY STEVE KROLL-SMITH, VERN BAXTER, & PAM JENKINS

ISBN 978-1-4773-1973-4

ISBN 978-0-292-74745-6

ISBN 978-1-4773-0384-9

$24.95* | paperback

$24.95* | e-book

A Survey of the Hurricane’s Human Effects

BY J. STEVEN PICOU & KEITH NICHOLLS

ISBN 978-0-292-73764-8

$24.95* | paperback ISBN 978-1-4773-0386-3

ISBN 978-1-4773-1975-8

$24.95* | e-book

$24.95* | e-book

Standing in the Need

Is This America?

Recovering Inequality

Culture, Comfort, and Coming Home after Katrina

BY KATHERINE E. BROWNE

Katrina as Cultural Trauma

BY RON EYERMAN

Hurricane Katrina, the San Francisco Earthquake of 1906, and the Aftermath of Disaster

BY STEVE KROLL-SMITH

ISBN 978-1-4773-0547-8

ISBN 978-1-4773-0737-3

$24.95* | paperback

$24.95* | paperback

ISBN 978-1-4773-0747-2

ISBN 978-1-4773-0739-7

$24.95* | e-book

$24.95* | e-book

ISBN 978-1-4773-1611-5

$27.95* | paperback ISBN 978-1-4773-1613-9

$27.95* | e-book UNIVERSITY OF TEXAS PRESS | SPRING 2022

25

| l a t i n x s t u d i e s | Cultural Studies

The regional and transnational impact of the Son Jarocho musical tradition

Mario Barradas and Son Jarocho The Journey of a Mexican Regional Music YOL ANDA BROY LES- GONZ ÁLE Z, FR ANCISCO GONZ ÁLE Z, AND R A FA E L F I G U E R O A H E R N Á N D E Z Y OLANDA BROYLE SGON ZÁLE Z m a nh at ta n, k a nsa s Broyles-González is a University Distinguished Professor and chair of the American Ethnic Studies Department at Kansas State. She is the author of El Teatro Campesino: Theater in the Chicano Movement, among other books.

FRAN CISC O GONZÁ LE Z m a nh at ta n, k a nsa s González is a multi-instrument musician and a former member of the seminal folk-rock music group Los Lobos.

RAFAEL F IGUE ROA H ER NÁNDE Z coatepec, ver acruz, mexico Figueroa Hernández is an ethnomusicologist specializing in the study of Son Jarocho and other regional musical styles specific to the state of Veracruz and the Antilles at the Universidad Veracruzana.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture

26

Son Jarocho was born as the regional sound of Veracruz but over time became a Mexican national, even transnational, genre—a touchstone of Chicano identity in the United States. Mario Barradas and Son Jarocho traces a musical journey from the Gulf Coast to interior Mexico and across the border, describing the transformations of Son Jarocho along the way.

This comprehensive cultural study pairs ethnographic and musicological insights with an oral history of the late Mario Barradas, one of Son Jarocho’s preeminent modern musicians.

Chicano musician Francisco González, offers an insider’s account of Barradas’s influence and Son Jarocho’s musical qualities, while Rafael Figueroa Hernández delves into Barradas’s recordings and film compositions. Yolanda Broyles-González examines the interplay between Son Jarocho’s indigenous roots and contemporary role in Mexican and US society. The result is a nuanced portrait of a vital and evolving musical tradition.

release date | june 6 x 9 inches, 208 pages, 29 b&w photos, 1 map

ISBN 978-1-4773-2555-1

ISBN 978-1-4773-2556-8

ISBN 978-1-4773-2558-2

$29.95* | £22.99 | C$36.95 paperback

$29.95* e-book

$90.00* | £72.00 | C$113.00 hardcover

UNIVERSITY OF TEXAS PRESS | SPRING 2022

N E W I N PA P E R B A C K

Agent of Change Adela Sloss-Vento, Mexican American Civil Rights Activist and Texas Feminist CYNTHIA E. OROZCO

Winner of the 2021 Liz Carpenter Award “Orozco gives an outspoken, complex activist her due in this compelling biography.”—book riot “Cynthia E. Orozco presents a timely critical investigation into Sloss-Vento, a Latinx activist who shaped Texas, US, and women’s history.”— k a rl a s t r a nd, ms m aga zine “This extensive narrative showcases a woman who fearlessly and indefatigably pursued her goal to foster awareness and effect change, even when her endeavors were either ignored or indiscernible.”

—ru t hie jone s , lone s ta r li t er a ry life “This essential and timely book reinforces [Adela Sloss-Vento’s] significance to that cause and to Mexican American history.”—t ere sa pa lomo acos ta , sou t hwe s t ern his torica l qua r t erly Cynthia E. Orozco is a professor of history and humanities at Eastern New Mexico University, Ruidoso.

She is also the author of No Mexicans, Women, or Dogs Allowed: The Rise of the Mexican American Civil Rights Movement.

release date | MARCH 6 x 9 inches, 272 pages, 13 b&w photos

UNIVERSITY OF TEXAS PRESS | SPRING 2022

ISBN 978-1-4773-1987-1

$27.95* paperback ISBN 978-1-4773-1989-5

$27.95* | £00.00 | C$00.00 e-book

27

| l a t i n x s t u d i e s | Cultural Studies

A meticulous survey of US media representations of Central Americans

From Threatening Guerrillas to Forever Illegals US Central Americans and the Cultural Politics of Non-Belonging YA JA IR A M. PA D IL L A YAJAI RA M. PA DILLA fay et tev ille, a r k a nsa s Padilla is an associate professor in the departments of English and Latin American and Latino studies at the University of Arkansas, Fayetteville, and the author of Changing Women, Changing Nation.

Latinx: The Future Is Now Lorgia García-Peña & Nicole Guidotti-Hernández, Editors release date | may 6 x 9 inches, 224 pages, 11 b&w photos

ISBN 978-1-4773-2527-8 $29.95* | £22.99 | C$36.95 paperback

ISBN 978-1-4773-2526-1 $90.00* | £72.00 | C$113.00 hardcover

ISBN 978-1-4773-2529-2 $29.95* e-book

28

The experience of Central Americans in the United States is marked by a vicious contradiction. In entertainment and information media, Salvadorans, Guatemalans, Nicaraguans, and Hondurans are hypervisible as threatening guerrillas, MS-13 gangsters, maids, and “forever illegals.” However, Central Americans are unseen within the broader conception of Latinx community, foreclosing avenues to recognition.

Yajaira M. Padilla explores how this regime of visibility and invisibility emerged over the past forty years—bookended by the right-wing presidencies of Ronald Reagan and Donald Trump—and how Central American immigrants and subsequent generations have contested their rhetorical disfiguration.

Drawing from popular films and TV, news reporting, and social media, Padilla shows how Central Americans in the United States have been constituted as belonging nowhere, imagined as permanent refugees outside the boundaries of even minority representation. Yet in documentaries about cross-border transit through Mexico, street murals, and other media, US Central Americans have counteracted their exclusion in ways that defy dominant paradigms of citizenship and integration.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

| l a t i n x s t u d i e s | Cultural Studies

An innovative study of the artistic representations of undocumented migration within the Hispanophone Caribbean

Crossing Waters Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art MARISEL C. MORENO Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters relates a journey that remains silenced and largely unknown.

Analyzing works by novelists, short-story writers, poets, and visual artists, replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a steppingstone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.

An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.

MA R I S E L C . MO R E N O sou th bend, i ndi a na Moreno is the Rev. John A. O’Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland.

Latinx: The Future Is Now Lorgia García-Peña & Nicole Guidotti-Hernández, Editors release date | june 6 x 9 inches, 304 pages, 14 color photos, 20 b&w photos

ISBN 978-1-4773-2560-5 $29.95* | £22.99 | C$36.95 paperback

ISBN 978-1-4773-2559-9 $90.00* | £72.00 | C$113.00 hardcover

ISBN 978-1-4773-2562-9 $29.95* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

29

| latin americ an studies |

The impact of folkloric dance and performance on Mexican cultural politics and national identity

Choreographing Mexico Festive Performances and Dancing Histories of a Nation MANUEL R. CUELL AR

MANU E L R. C UE LLA R wa shi ngton, dc Cuellar is an assistant professor of Spanish and Latin American literatures and cultures at George Washington University.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture release date | august 6 x 9 inches, 372 pages, 32 b&w photos

ISBN 978-1-4773-2516-2 $45.00* | £36.00 | C$55.95 hardcover

The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation.

Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.

ISBN 978-1-4773-2518-6 $45.00* e-book

30

UNIVERSITY OF TEXAS PRESS | SPRING 2022

| l a t i n x s t u d i e s | Gender & Sexuality

Argues that powerful authorities and institutions exploit the ambiguity of Latinidad in the United States

Conjured Bodies Queer Racialization in Contemporary Latinidad LAURA GRAPPO Is Latinidad a racial or an ethnic designation? Both?

Neither? The increasing recognition of diversity within Latinx communities and the well-known story of shifting census designations have cast doubt on the idea that Latinidad is a race, akin to white or Black. And the mainstream media constantly cover the “browning” of the United States, as though the racial character of Latinidad were self-evident.

Many scholars have argued that the uncertainty surrounding Latinidad is emancipatory: by queering race—by upsetting assumptions about categories of human difference—Latinidad destabilizes the architecture of oppression. But Laura Grappo is less sanguine. She draws on case studies including the San Antonio Four (Latinas who were wrongfully accused of child sex abuse); the football star Aaron Hernandez’s incarceration and suicide; Lorena Bobbitt, the headline-grabbing Ecuadorian domestic-abuse survivor; and controversies over the racial identities of public Latinx figures to show how media institutions and state authorities deploy the ambiguities of Latinidad in ways that mystify the sources of Latinx political and economic disadvantage. With Latinidad always in a state of flux, it is all too easy for the powerful to conjure whatever phantoms serve their interests.

L AU RA GRA P P O middletow n, con n ecticu t Grappo is an assistant professor in the American studies department at Wesleyan University.

release date | july 6 x 9 inches, 312 pages, 34 b&w photos

ISBN 978-1-4773-2520-9 $29.95* | £22.99 | C$36.95 paperback

ISBN 978-1-4773-2519-3 $90.00* | £76.00 | C$113.00 hardcover

ISBN 978-1-4773-2522-3 $29.95* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

31

| f i l m , m e d i a & p o p u l a r c u lt u r e | Latin American

First comprehensive study of Brazilian documentary filmmaking

A Century of Brazilian Documentary Film From Nationalism to Protest DA RL ENE J. SA DL IER

DAR LENE J. SA DLIE R bloomi ngton, i ndi a na Sadlier is a professor emerita of Spanish and Portuguese at Indiana University. She is the author of Brazil Imagined: 1500 to the Present, Americans All: Good Neighbor Cultural Diplomacy in World War II, and The Portuguese-Speaking Diaspora: Seven Centuries of Literature and the Arts.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture release date | july 6 x 9 inches, 328 pages, 75 b&w photos

ISBN 978-1-4773-2523-0 $55.00* | £44.00 | C$68.95 hardcover

ISBN 978-1-4773-2525-4

Since the late nineteenth century, Brazilians have turned to documentaries to explain their country to themselves and to the world. In a magisterial history covering one hundred years of cinema, Darlene J. Sadlier identifies Brazilians’ unique contributions to a diverse genre while exploring how that genre has, in turn, contributed to the making and remaking of Brazil.

A Century of Brazilian Documentary Film is a comprehensive tour of feature and short films that have charted the social and political story of modern Brazil. The Amazon appears repeatedly and vividly. Sometimes—as in a prize-winning 1922 feature—the rainforest is a galvanizing site of national pride; at other times, the Amazon has been a focus for land-reform and Indigenous-rights activists. Other key documentary themes include Brazil’s swings from democracy to dictatorship, tensions between cosmopolitanism and rurality, and shifting attitudes toward race and gender. Sadlier also provides critical perspectives on aesthetics and media technology, exploring how documentaries inspired dramatic depictions of poverty and migration in the country’s Northeast and examining Brazilians’ participation in streaming platforms that have suddenly democratized filmmaking.

$55.00* e-book

32

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Clockwise from upper left: Silvino Santos; discovering an egg in Aruanda; Erick Barreto as Carmen Miranda with a veil in Carmen Miranda: Bananas Is My Business; Lennie Dale in Dzi Croquettes; Juscelino Kubitschek in Brasília in JK; and poster of a modern city for São Paulo: A sinfonia da metrópole.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

33

| l a t i n a m e r i c a n s t u d i e s | Literature

First comprehensive study of cartonera, a vibrant publishing phenomenon

Taking Form, Making Worlds Cartonera Publishers in Latin America L U C Y BEL L, A L E X U N G PR AT EEB F LY NN & PAT R I CK O’H A R E

LU CY BE LL guildfor d, engl a nd Bell is a senior lecturer in Spanish and translation studies at the University of Surrey.

ALEXANDE R UNGPRATE E B FLY N N los a ngeles, ca lifor n i a Flynn is an assistant professor of anthropology and contemporary art at UCLA.

PAT R I CK O’HA RE ca mbr idge, engl a nd O’Hare is a UKRI Future Leaders Fellow at the University of St. Andrews.

The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere release date | april 6 x 9 inches, 360 pages, 30 color photos, 49 b&w photos

34

A publishing phenomenon and artistic project, cartonera was born in the wake of Argentina’s 2001 economic crisis. Infused with a rebellious spirit, cartonera has exploded in popularity, with hundreds of publishers across Latin America and Europe making colorful, low-cost books out of cardboard salvaged from the street. Taking Form, Making Worlds is the first comprehensive study of cartonera. Drawing on interdisciplinary research conducted across Mexico, Brazil, and Argentina, the authors show how this hands-on practice has fostered a politically engaged network of writers, artists, and readers. More than a social movement, cartonera uses texts, workshops, encounters, and exhibitions to foster community and engagement through open-ended forms that are at once creative and social. For various groups including waste-pickers, Indigenous communities, rural children, and imprisoned women, cartonera provides a platform for unique stories and sparks collaborations that bring the walls of the “lettered city” tumbling down. By showcasing such diverse authors and bookmakers, cartonera publishers have encouraged varied works while making a home for an aesthetics of resistance, for experimentation, and for those living on the fringes of capitalist societies in which poverty, eccentricity, and creativity itself, are suspect.

ISBN 978-1-4773-2495-0

ISBN 978-1-4773-2498-1

$45.00* | £36.00 | C$55.95 hardcover

$45.00* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Latin American Backlist

Haunting without Ghosts

Descendants of Aztec Pictography

Spectral Realism in Colombian Literature, Film, and Art

BY JULIANA MARTÍNEZ

The Cultural Encyclopedias of Sixteenth-Century Mexico

BY ELIZABETH HILL BOONE

ISBN 978-1-4773-2171-3

ISBN 978-1-4773-2167-6

$45.00*

$65.00*

hardcover ISBN 978-1-4773-2173-7

hardcover

Gothic Sovereignty Street Gangs and Statecraft in Honduras

BY JON CARTER ISBN 978-1-4773-2416-5

$31.95* paperback ISBN 978-1-4773-2418-9

$31.95* e-book

$45.00* e-book

Vital Voids

Roots of Resistance

Surviving Mexico

Cavities and Holes in Mesoamerican Material Culture

BY ANDREW FINEGOLD

A Story of Gender, Race, and Labor on the North Coast of Honduras

BY SUYAPA PORTILLO VILLEDA

ISBN 978-1-4773-2243-7

ISBN 978-1-4773-2218-5

$60.00*

$55.00*

hardcover ISBN 978-1-4773-2328-1

Resistance and Resilience among Journalists in the Twenty-First Century

BY CELESTE GONZÁLEZ DE BUSTAMANTE & JEANNINE E. RELLY

ISBN 978-1-4773-2221-5

$60.00*

$55.00*

e-book

e-book

hardcover

ISBN 978-1-4773-2369-4

$34.95* paperback ISBN 978-1-4773-2340-3

$34.95* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

35

AWARD WINNERS

On the Brinck Award

u n m scho ol of a rch i t e c t u r e + pl a n n i ng

Depositions Roberto Burle Marx and Public Landscapes under Dictatorship

BY CAT HERINE SE AV I T T NO RDENSON

ISBN 978-1-4773-1573-6

$45.00* hardcover

2021 Summerlee Book Prize l a m a r u n i v e r si t y

Improbable Metropolis Houston’s Architectural and Urban History

BY BARRIE SCARDINO BRADLEY

ISBN 978-1-4773-2019-8

$45.00* hardcover

2021 Best Book in Social Sciences

latin american studies association, mexico section

Love in the Drug War Selling Sex and Finding Jesus on the Mexico-US Border

BY SARAH LUNA

36

ISBN 978-1-4773-2050-1

ISBN 978-1-4773-2052-5

$29.95* paperback

$29.95* e-book

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 2 1

AWARD WINNERS

2021 Comics Studies Society Prize for Edited Collection t h e c om ic s s t u di e s so ci et y

Supersex Sexuality, Fantasy, and the Superhero E D I T E D B Y A N N A F. P E P P A R D

ISBN 978-1-4773-2160-7

ISBN 978-1-4773-2163-8

$60.00* hardcover

$60.00* e-book

2021 Jim Parish Award

w e bb c ou n t y h e r i t age fou n dat ion

¡Viva George!

Celebrating Washington’s Birthday at the USMexico Border

BY ELAINE A. PEÑA

ISBN 978-1-4773-2144-7

ISBN 978-1-4773-2146-1

$29.95* paperback

$29.95* e-book

2021 Tejano Book Prize

t e ja no ge n e a l o g y so ci et y of aus t i n

Reading, Writing, and Revolution Escuelitas and the Emergence of a Mexican American Identity in Texas

BY PHILIS BARRAGÁN GOE T Z

ISBN 978-4773-2091-4

ISBN 978-4773-2094-5

$45.00* hardcover

$45.00* e-book

U N I V E R S I T Y O F T E X A S P R E S S | FA L L 2 0 2 1

37

| f i l m , m e d i a & p o p u l a r c u l t u r e | Race

How century-long arguments about The Birth of a Nation have profoundly shaped ideas about film, race, and art

Cinema’s Original Sin D. W. Griffith, American Racism, and the Rise of Film Culture PAU L M cE WA N

PAU L M C E WA N a llen tow n, pen nsy lva n i a McEwan is a professor in the Media and Communication and Film Studies Departments at Muhlenberg College. He is the author of Bruce McDonald’s Hard Core Logo and The Birth of a Nation (BFI Classics).

release date | august 6 x 9 inches, 272 pages, 26 b&w photos

ISBN 978-1-4773-2548-3 $55.00* | £44.00 | C$68.95 hardcover

For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith’s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.

In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film culture and the notion that films can be works of art. Some critics tried to set aside the film’s racism and concentrate on the form, while others tried to relegate that racism safely to the past. McEwan argues that from the earliest film retrospectives in the 1920s to the rise of remix culture in the present day, controversies about this film and its meaning have profoundly shaped our understandings of film, race, and art.

ISBN 978-1-4773-2551-3 $55.00* e-book

38

UNIVERSITY OF TEXAS PRESS | SPRING 2022

| f i l m , m e d i a & p o p u l a r c u l t u r e | Race

Exploration of the artistic and political importance of a pioneering film

Black Panther SCO T T BUK AT M AN

Black Panther was the first Black superhero in mainstream American comics and the first to star in a major franchise movie. Black Panther broke box office records to become the highest grossing film from a Black director. Yet it wasn’t just a movie led by Black artists—including its predominantly Black cast—but one that grappled with ideas and conflicts relevant to Black life in America. It helped redress the racial dynamics of the Hollywood blockbuster, satisfying superhero fans while attracting new audiences who were thrilled to see a hero that “looked like them.”

Esteemed media scholar Scott Bukatman examines the character and the movie, arguing for the utopianism of the superhero genre and the particular power of Black Panther. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; and the African American relationship to Africa, both historical and imagined.

Bukatman further argues that understanding director Ryan Coogler’s earlier movies and the performances of Chadwick Boseman and Michael B. Jordan are central to understanding the subtleties of the movie’s fantasy of liberation and social justice. Black Panther is escapism of the best kind, demonstrating the power of popular culture to articulate ideals and raise questions—whether broadly humanist or with especial importance for its Black creators and audiences.

S C O T T B U KAT MA N menlo pa r k , ca lifor n i a Bukatman is a professor of Film and Media Studies at Stanford University. He is the author of Hellboy’s World: Comics and Monsters on the Margins, Blade Runner, The Poetics of Slumberland: Animated Spirits and the Animating Spirit, Matters of Gravity: Special Effects and Supermen in the 20th Century, and other works on film and comics.

21st Century Film Essentials Donna Kornhaber, Editor release date | june 5 x 7 inches, 256 pages, 27 b&w photos

ISBN 978-1-4773-2535-3 $21.95* | £16.99 | C$26.95 paperback

ISBN 978-1-4773-2584-1 $90.00* | £72.00 | C$113.00 hardcover

ISBN 978-1-4773-2537-7 $21.95* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| f i l m , m e d i a & p o p u l a r c u lt u r e | Industry & Production History

How one company created the dominant aesthetic of digital realism

The Empire of Effects Industrial Light & Magic and the Rendering of Realism JULIE A. TURNOCK

J U LI E A. TURNOC K ur ba na, illi nois Turnock is an associate professor of Media and Cinema Studies at the University of Illinois, Urbana-Champaign. She is the author of Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics.

release date | june 6 x 9 inches, 368 pages, 50 b&w photos

ISBN 978-1-4773-2530-8 $55.00* | £44.00 | C$68.95 hardcover

ISBN 978-1-4773-2532-2

Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic.

The Empire of Effects shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.

$55.00* e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

Film Backlist

The Lego Movie

Harry Potter and the Prisoner of Azkaban

The Florida Project

BY DANA POLAN ISBN 978-1-4773-2157-7

BY PATRICK KEATING

ISBN 978-1-4773-2404-2

$21.95*

ISBN 978-1-4773-2312-0

$21.95*

paperback ISBN 978-1-4773-2159-1

$21.95* e-book

$21.95* paperback ISBN 978-1-4773-2314-4

$21.95*

BY J.J. MURPHY

paperback ISBN 978-1-4773-2406-6

$21.95* e-book

e-book

Below the Stars

Tragedy Plus Time

American Twilight

How the Labor of Working Actors and Extras Shapes Media Production

BY KATE FORTMUELLER

National Trauma and Television Comedy

BY PHILIP SCEPANSKI

The Cinema of Tobe Hooper EDITED BY KRISTOPHER WOOFTER & WILL DODSON

ISBN 978-1-4773-2254-3

ISBN 978-1-4773-2283-3

ISBN 978-1-4773-2307-6

$50.00*

$55.00*

$45.00*

hardcover ISBN 978-1-4773-2256-7

ISBN 978-1-4773-2285-7

$50.00*

$55.00*

e-book

e-book

hardcover ISBN 978-1-4773-2309-0

$45.00*

hardcover

e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

41

| f i l m , m e d i a & p o p u l a r c u lt u r e | American Studies

An essay collection reckons with pop-cultural depictions of autism on screen

Autism in Film and Television On the Island ED I T ED B Y M U R R AY P O ME R A N CE A ND R. BA R T O N PA L ME R

MU R RAY POME RA NC E toron to, ca na da Pomerance is an adjunct professor in the School of Media and Communication at RMIT University, Melbourne, and author or editor of dozens of books, including Virtuoso: Film Performance and the Actor’s Magic and The Many Cinemas of Michael Curtiz.

R . B ARTON PA LME R atl a n ta, georgi a Palmer is an independent scholar and formerly Calhoun Lemon Professor of Literature at Clemson University, where he was the founding director of the World Cinema program. He has coedited multiple volumes, including Cycles, Sequels, Spin-offs, Remakes, and Reboots: Multiplicities in Film and Television.

release date | march 6 x 9 inches, 328 pages, 19 b&w photos

Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, as film and television producers develop ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism.

Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism’s portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Rain Man, Mercury Rising, and Life Animated and in television and streaming programs including Atypical, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and “quirky” autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. The result is a welcome celebration of nonjudgmental approaches to disability, albeit one that is freighted with stereotypes and elisions.

ISBN 978-1-4773-2491-2

ISBN 978-1-4773-2494-3

$55.00* | £44.00 | C$68.95 hardcover

$55.00* e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

| f i l m , m e d i a & p o p u l a r c u lt u r e | Industry & Production History

How a Hollywood gem transformed the national discourse on post-traumatic stress disorder

Making The Best Years of Our Lives The Hollywood Classic That Inspired a Nation ALISON MACOR Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist.

The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act.

Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In this authoritative history, Macor chronicles the making and meaning of a film that changed America.

A L I S O N MA C O R austi n, te x a s Macor is a freelance writer and former film critic for the Austin Chronicle and the Austin American-Statesman. She has a PhD in Radio-Television-Film from UT Austin. She is the author of Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas and Rewrite Man: The Life and Career of Screenwriter Warren Skaaren.

The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere release date | april 6 x 9 inches, 240 pages, 16 b&w photos

ISBN 978-1-4773-1891-1 $45.00* | £36.00 | C$55.95 hardcover

ISBN 978-1-4773-2506-3 $45.00* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

43

| g e n d e r s t u d i e s | Film, Media & Popular Culture

An examination of the sound and silence of women in digital media

Women’s Voices in Digital Media The Sonic Screen from Film to Memes JENNIFER O’ME AR A

J ENN I F E R O’ME A RA dubli n, ir el a nd O’Meara is an assistant professor in Film Studies at Trinity College Dublin. She is the author of Engaging Dialogue: Cinematic Verbalism in American Independent Cinema.

Louann Atkins Temple Women & Culture Series release date | april 6 x 9 inches, 320 pages, 30 b&w photos

ISBN 978-1-4773-2444-8 $29.95* | £22.99 | C$36.95 paperback

ISBN 978-1-4773-2443-1 $90.00* | £72.00 | C$113.00 hardcover

In today’s digital era, women’s voices are heard every­where—from smart home devices to social media platforms, virtual reality, podcasts, and even memes—but these new forms of communication are often accompanied by dated gender politics. In Women’s Voices in Digital Media, Jennifer O’Meara dives into new and well-established media formats to show how contemporary screen media and cultural practices police and fetishize women’s voices, but also provide exciting new ways to amplify and empower them.

As she travels through the digital world, O’Meara discovers newly acknowledged—or newly erased—female voice actors from classic films on YouTube, meets the AI and digital avatars in Her and The Congress, and hears women’s voices being disembodied in new ways via podcasts and VR voice-overs. She engages with dialogue that is spreading with only the memory of a voice, looking at how popular media like Clueless and The Simpsons have been mined for feminist memes, and encounters vocal ventriloquism on RuPaul’s Drag Race that queers and valorizes the female voice. Through these detailed case studies, O’Meara argues that the digital proliferation of screens alters the reception of sounds as much as that of images, with substantial implications for women’s voices.

ISBN 978-1-4773-2446-2 $29.95* e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

Gender and Sexuality Backlist

Grandmothers on Guard

Glitter Up the Dark

Playing with Things

Gender, Aging, and the Minutemen at the US-Mexico Border

BY JENNIFER L. JOHNSON

How Pop Music Broke the Binary

BY SASHA GEFFEN

Engaging the Moche Sex Pots

BY MARY WEISMANTEL

ISBN 978-1-4773-1878-2

ISBN 978-1-4773-2321-2

ISBN 978-1-4773-2275-8

$18.95

$29.95*

$45.00*

paperback ISBN 978-1-4773-2084-6

ISBN 978-1-4773-2323-6

$18.95

$29.95*

e-book

e-book

hardcover ISBN 978-1-4773-2277-2

$45.00*

paperback

e-book

Frontier Intimacies

Brown Trans Figurations

Comic Book Women

Ayoreo Women and the Sexual Economy of the Paraguayan Chaco

BY PAOLA CANOVA ISBN 978-1-4773-2148-5

Rethinking Race, Gender, and Sexuality in Chicanx/Latinx Studies

BY FRANCISCO J. GALARTE

Characters, Creators, and Culture in the Golden Age

BY PEYTON BRUNET & BLAIR DAVIS

$29.95*

ISBN 978-1-4773-2213-0

ISBN 978-1-4773-2411-0

paperback ISBN 978-1-4773-2150-8

$29.95*

$45.00*

$29.95*

paperback ISBN 978-1-4773-2215-4

ISBN 978-1-4773-2414-1

e-book

$29.95*

$45.00*

e-book

e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

hardcover

45

| c l a s s i c s & a n c i e n t w o r l d | Law & Oratory

The foundational writings of Isocrates, newly translated and placed in historical context

The Essential Isocrates J O N D. MIK A L S O N

J ON D . MIKA LSON crozet, v irgi n i a Mikalson is the William R. Kenan, Jr. Professor of Classics, emeritus, at the University of Virginia.

He is the author of many books, including Ancient Greek Religion, Greek Popular Religion in Greek Philosophy, and Religion in Hellenistic Athens.

Ashley and Peter Larkin Series in Greek and Roman Culture release date | june 6 x 9 inches, 240 pages

ISBN 978-1-4773-2552-0

The Essentia l Isocr ates is a comprehensive introduction to Isocrates, one of ancient Greece’s foremost orators.

Jon D. Mikalson presents Isocrates largely in his own words, with original English translations of selections of his writings on his life and times and on morality, religion, philosophy, rhetoric, education, political theory, and Greek and Athenian history. In Mikalson’s treatment, Isocrates receives his due not only as a major thinker but as one whose work has resonated across time, influencing even modern education practices and theory.

Isocrates wrote extensively about Athens in the fourth century BCE and before, and his speeches, letters, and essays provide a trove of insights concerning the intellectual, political, and social currents of his time. Mikalson details what we know about Isocrates’s long, eventful, and complicated life, and much can be gleaned on the personal level from his own writings, as Isocrates was one of the most introspective authors of the Classical Period. By collecting the most representative and important passages of Isocrates’s writings, arranging them topically, and placing them in historical context, The Essential Isocrates invites general and expert readers alike to engage with one of antiquity’s most compelling men of ideas.

$45.00* | £36.00 | C$55.95 hardcover

ISBN 978-1-4773-2554-4 $45.00* e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

Classics Backlist

Bronze Monsters and the Cultures of Wonder

Women’s Lives, Women’s Voices

Sexual Labor in the Athenian Courts

Griffin Cauldrons in the Preclassical Mediterranean

BY NASSOS PAPALEXANDROU

Roman Material Culture and Female Agency in the Bay of Naples EDITED BY B. LONGFELLOW & M. SWETNAM-BURLAND

BY ALLISON GLAZEBROOK

ISBN 978-1-4773-2361-8

$55.00*

ISBN 978-1-4773-2440-0

$55.00* hardcover ISBN 978-1-4773-2442-4

hardcover

ISBN 978-1-4773-2358-8

$55.00*

ISBN 978-1-4773-2363-2

$55.00*

e-book

$55.00*

hardcover ISBN 978-1-4773-2360-1

e-book

$55.00* e-book

The Ancient Greek Roots of Human Rights

BY RACHEL HALL STERNBERG ISBN 978-1-443-2291-8

$45.00* hardcover ISBN 978-1-4773-2293-2

$45.00* e-book

Monsters and Monarchs

Arrian the Historian

Serial Killers in Classical Myth and History

BY DEBBIE FELTON

Writing the Greek Past in the Roman Empire

BY DANIEL W. LEON

ISBN 978-1-4773-2357-1

ISBN 978-1-4773-2186-7

$29.95*

$50.00*

paperback ISBN 978-1-4773-2306-9

ISBN 978-1-4773-2188-1

$29.95*

$50.00*

e-book

e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

hardcover

47

| m i d d l e e a s t e r n s t u d i e s | North Africa

An account of the Amazigh people who took advantage of the Arab Spring to press political demands

Amazigh Politics in the Wake of the Arab Spring BRUCE M ADDY-W EI T ZM AN

BR U CE MA DDY-WE ITZMAN r a’a na na, isr a el Maddy-Weitzman is a professor (emeritus) of Middle Eastern and African History, and a senior fellow at the Moshe Dayan Center for Middle Eastern and African Studies, Tel Aviv University. He is the author of The Berber Identity Movement and the Challenge to North African States, A Century of Arab Politics: From the Arab Revolt to the Arab Spring, and The Crystallization of the Arab State System, 1945–1954.

release date | april 6 x 9 inches, 272 pages, 8 maps

ISBN 978-1-4773-2482-0 $45.00* | £36.00 | C$55.95 hardcover

On television, the Arab Spring took place in Cairo, Tunis, and the city-states of the Persian Gulf. Yet the drama of 2010, and the decade of subsequent activism, extended beyond the cities—indeed, beyond Arabs. Bruce Maddy-Weitzman brings to light the sustained post–Arab Spring political movement of North Africa’s Amazigh people.

The Amazigh movement did not begin with the Arab Spring, but it has changed significantly since then. Amazigh Politics in the Wake of the Arab Spring details the increasingly material goals of Amazigh activism, as protest has shifted from the arena of ethnocultural recognition to that of legal and socioeconomic equality. Amazigh communities responded to the struggles for freedom around them by pressing territorial and constitutional claims while rejecting official discrimination and neglect. Arab activists, steeped in postcolonial nationalism and protective of their hegemonic position, largely refused their support, yet flailing regimes were forced to respond to sharpening Amazigh demands or else jeopardize their threadbare legitimacy. Today the Amazigh question looms larger than ever, as North African governments find they can no longer ignore the movement’s interests.

ISBN 978-1-4773-2484-4 $45.00* e-book

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UNIVERSITY OF TEXAS PRESS | SPRING 2022

Middle Eastern Backlist

Making Levantine Cuisine

Egypt’s Football Revolution

The Egyptian Labor Corps

Modern Foodways of the Eastern Mediterranean EDITED BY ANNY GAUL, GRAHAM AUMAN PITTS & VICKI VALOSIK

Emotion, Masculinity, and Uneasy Politics

BY CARL ROMMEL

Race, Space, and Place in the First World War

BY KYLE ANDERSON

ISBN 978-1-4773-2317-5

ISBN 978-1-4773-2454-7

ISBN 978-1-4773-2457-8

$55.00*

$55.00*

$45.00*

hardcover ISBN 978-1-4773-2319-9

ISBN 978-1-4773-2456-1

$55.00*

$55.00*

e-book

e-book

hardcover ISBN 978-1-4773-2459-2

$45.00*

hardcover

e-book

The Islamic Movement in Israel

Lightning through the Clouds

BY TILDE ROSMER

‘Izz al-Din al-Qassam and the Making of the Modern Middle East

BY MARK SANAGAN

ISBN 978-1-4773-2354-0

$50.00* hardcover ISBN 978-1-4773-2356-4

$50.00* e-book

ISBN 978-1-4773-2056-3

$50.00* hardcover ISBN 978-1-4773-2058-7

My Shadow is My Skin Voices from the Iranian Diaspora EDITED BY KATHERINE WHITNEY & LEILA EMERY ISBN 978-1-4773-2027-3

$35.00* hardcover ISBN 978-1-4773-2036-5

$35.00* e-book

$50.00* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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distributed for the center for middle eastern studies, university of texas at austin | m i d d l e e a s t e r n s t u d i e s | Fiction | Young Adult

A Palestinian girl travels to the past in a magical quest to save the world

Thunderbird Book One S O NI A NIM R, T R A N SL AT ED B Y M. LY N X Q UA L E Y

S ONI A NIMR r a m a ll a h, pa lesti n e Nimr is a Palestinian writer, storyteller, translator, ethnographer and academic. She writes for children and youth in Arabic and English and relates folktales in colloquial Arabic. She is the winner of the 2014 Etisalat Award for Children’s Literature for Best Young Adult Book for her book Extraordinary Journeys to Unknown Places. Nimr is an associate professor of Philosophy and Cultural Studies at Birzeit University.

The Thunderbird trilogy is a fast-paced time-traveling fantasy adventure centered on Noor, a young orphaned Palestinian girl who starts in the present and must go back in time to get four magical bird feathers and save the world. Aided by a djinn cat and girls who look identical to Noor and who each have one of the bird’s powers, in this initial volume Noor begins her journey through different historical periods, striving to keep the wall between worlds intact.

M. LY NX QUA LE Y r a bat, morocco Qualey holds an MFA in creative writing from the University of Minnesota and, in addition to guiding Arab Lit, covers Arabic literature for The Guardian. Her writing also appears in Al Jazeera, The New Republic, Your Middle East, and AGNI, Boston University’s online journal.

emerging voices in the middle east

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release date | march 5 1⁄2 x 8 1⁄2 inches, 128 pages

ISBN 978-1-4773-2581-0

ISBN 978-1-4773-2583-4

$16.00* | £11.99 | C$19.95 paperback

$16.00* e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

distributed for the center for middle eastern studies, university of texas at austin

Recently Published

The Mosquito Bite Author

The Sky that Denied Me

Using Life

BY AHMED NAJI

BY BARIŞ BIÇAKÇI

Selected Poems

BY JAWDAT FAKHREDDINE

ISBN 978-1-4773-2109-6

ISBN 978-1-4773-1951-2

$21.95

$16.00*

paperback ISBN 978-1-4773-1482-1

$16.00* paperback

paperback

ISBN 978-1-4773-1480-7

$21.95

ISBN 978-1-4773-2111-9

e-book

$16.00* e-book

Ghady & Rawan

BY FATIMA SHARAFEDDINE & SAMAR MAHFOUZ BARRAJ ISBN 978-1-4773-1852-2

$16.95* paperback ISBN 978-1-4773-1854-6

$16.95* e-book

My Heart Became a Bomb

A Bed for the King’s Daughter

BY RAMY AL-ASHEQ

BY SHAHLA UJAYLI

ISBN 978-1-4773-2226-0

ISBN 978-1-4773-2228-4

$16.00*

$16.00*

paperback ISBN 978-1-4773-2246-8

ISBN 978-1-4773-2230-7

$16.00*

$16.00*

e-book

e-book

UNIVERSITY OF TEXAS PRESS | SPRING 2022

paperback

51

Photo by Marsha Miller, University of Texas at Austin

52

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Tower B ooks is na med in honor of the University of Texas at Austin’s most prominent landmark. Acting as a consultant and publisher, the University of Texas Press partners with colleges, schools, and other divisions of the university to produce institutional histories, commemorative anniversary editions, exhibition catalogues, and similar volumes under the Tower Books imprint.

tower books

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| tower books |

Exhibition catalogue focusing on clothing in Latin America during the 1700s

Painted Cloth Fashion and Ritual in Colonial Latin America B L A N T O N M U S E U M O F A R T; E D I T E D B Y R O S A R I O I . G R A N A D O S

BLANT ON MUSE UM OF AR T austi n, te x a s Founded in 1963, the Blanton Museum of Art of the University of Texas at Austin holds the largest public art collection in Central Texas and is the first museum in the United States to have a department and a curatorial position dedicated to the collection, research, and display of Latin American art.

R OSARIO I. GRA NA DOS austi n, te x a s Rosario Inés Granados is the Marilynn Thoma Associate Curator, Art of the Spanish Americas at the Blanton Museum of Art. She organized the exhibition Mapping Memory: Space and History in 16th-century Mexico and was co-editor of the Colonial Latin American Review special issue Hyperdulia Americana. Marian Chronicles in the New World.

tower books

54

Pa inted Cloth explores the production, mea ning, and representation of garments used in civil and religious settings across Latin America during the 1700s. Both the exhibition at the Blanton Museum of Art and this accompanying catalogue reflect on the ways in which clothing played an essential role in articulating socioeconomic, gender, and racial identity among various Indigenous groups, African slaves, Spanish colonizers, and their mixed-raced descendants. The project spotlights aesthetic components of the artistic production of the Spanish Americas while also encouraging wider conversations about the impact of the colonial period in shaping the social fabric of the region.

In addition to a foreword by Blanton director Simone Wicha, and an introduction and essay by Rosario I. Granados, Painted Cloth features essays by Julia McHugh, Trent A. Carmichael Curator of Academic Initiatives at the Nasher Museum of Art at Duke University; Ana Paulina Gámez, independent scholar and curator in Mexico City; Ricardo Kusonoki, Curator of Colonial and Republican Art, Museo de Arte de Lima; Patricia Díaz Cayeros, fulltime researcher, Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México; and Maya Stanfield-Mazzi, associate professor of art history, University of Florida Gainesville.

release date | june 8 x 10 1/2 inches, 240 pages, 140 color images

ISBN 978-1-4773-2397-7 $45.00* | £36.00 | C$55.95 hardcover

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Clockwise from top right: José de Alzibar, Our Lady of Guadalupe, Mexico City, 1790, Private collection, Houston, Photography: James Craven. De Castizo y Espanola, Espanol, Mexico City, 18th century, Museo de América, Madrid. Immaculate Conception, Guatemala, circa 1740–1780, Blanton Museum of Art, The University of Texas at Austin, 2019.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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| tower books |

A rich and diverse collection of Dreyer’s best interviews

Making Waves The Rag Radio Interviews THORNE DREYER

T H OR NE DRE YE R austi n, te x a s Dreyer is a director of the New Journalism Project and host of Rag Radio. A founder of 1960s underground papers The Rag in Austin and Space City! in Houston, he was an editor of Celebrating The Rag and Exploring Space City!

Briscoe Center for American History

release date | may 6 x 9 inches, 400 pages, 30 b&w photos

ISBN 978-1-953480-09-5 $39.95* | £32.00 | $49.95 hardcover

ISBN 978-1-953480-11-8 $39.95* e-book

56

Journalist and activist Thorne Dreyer has interviewed hundreds of people for Rag Radio since it went on the air in 2009. Making Waves features transcripts from twentyone of those interviews, with everyone from TV anchor Dan Rather to Senator Bernie Sanders to monumental sculptor Bob “Daddy-O” Wade. The Rag Radio archive is now part of the collections at the Briscoe Center for American History at the University of Texas.

As a student at the University of Texas in the 1960s, Dreyer joined the Students for a Democratic Society (SDS) and became heavily involved in civil rights and the movement to end the war in Vietnam. He also helped create and edit two underground newspapers—The Rag in Austin and Space City! in Houston— and later ran a public relations business with a diverse list of clients, including progressive political campaigns. Dreyer credits the influence of his artist mother and writer father and their lively salons plus his journalism career, his political and social activism, and his stage acting experience for his interviewing success—“Put it all in a blender and Rag Radio was bound to whip up.”

Making Waves holds a wealth of information, but Dreyer makes it read like conversations among friends. “I always tell my guests that I want the discussion to be informal,” Dreyer says.

“We’re going to record some important history here, but we also want to have fun.”

UNIVERSITY OF TEXAS PRESS | SPRING 2022

Clockwise from top: Bill Kirchen of Commander Cody and His Lost Planet Airmen with Thorne Dreyer and Rag Radio engineer Tracey Schulz; photo by Roger Baker. Progressive populist commentator Jim Hightower; photo by Roger Baker. Newsman Dan Rather and his environmental activist daughter, Robin Rather; photo by Roger Baker.

Senator Bernie Sanders and Thorne Dreyer; photo by Alan Pogue.

UNIVERSITY OF TEXAS PRESS | SPRING 2022

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US Navy RN Christina Martinez (left) and fellow members of the US Navy Nurse Corps work the front line at the Javits Center during the intense first wave of the pandemic in New York City. Courtesy of Rutgers Oral History Archive, Rutgers University. From US Latina & Latino Oral History Journal.

journals

| journals |

Asian Music EDITOR: RICARDO D. TRIMILLOS Un i v er si t y of H awa i’ i at M ānoa V O L U M E 52 NUMBER 2

Asian Music, the journal of the Society for Asian Music, is the leading journal devoted to ethnomusicology in Asian music, publishing all aspects of the performing arts of Asia and their cultural context.

SUMMER/FALL 2021

Semi a n nua l ISSN 0044-9202

Transregional Politics of Throat-Singing as Cultural Heritage in Inner and Central Asia, a special issue V O L U M E 52

NUMBER 2

SUMMER/FALL 2021

JOURNAL OF THE SOCIETY FOR ASIAN MUSIC

ind i v id ua l s $38/ y r i n s t i t u t i o n s $9 0/ y r s t u d e n t s $3 0/ y r

e mamá y

de Fogwill, y apuntes preliminares,

Triumph of Runa Migrants

Martinez’s Mother Tongue,

-19, Moisés Park

Podestá, Cossio

SSN 1090-4972 (print)

An Interdisciplinary Studies Journal Published for the Center for Latino Research at DePaul University by the University of Texas Press Volume 23 Number 2 Fall 2020

Diálogo EDITOR: BILL JOHNSON GONZÁLEZ DePau l Un i v er si t y

Center for Latino Research, DePaul University University of Texas Press

violencia corporal, s actuales, Lucía De Leone

Volume 23 Number 2 Fall 2020

tura nacional,

o Ferreira

Diálogo

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|

Index by Author

|

Ann Richards Legacy Project, The One Ann Only . . . . . . . . . . . . . . 16–17

McWilliams, The Pecan . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Bell, Flynn & O’Hare, Taking Form, Making Worlds . . . . . . . . . 34

Mikalson, The Essential Isocrates . . . . . . . . . . . . . . . 46

Blanton Museum of Art & Granados, Painted Cloth . . . . . . . . . . . . . . . . . . . 54–55

Moreno, Crossing Waters . . . . . . . . . . . . . . . . . . . . . 29

Broyles-González, González & Figueroa Hernández, Mario Barradas and Son Jarocho . . . . . 26

Muller, Blue Architecture . . . . . . . . . . . . . . . . . . . . 22

Bukatman, Black Panther . . . . . . . . . . . . . . . . . . . . . . . 39 Cantwell, The Running Kind . . . . . . . . . . . . . . . . . . 10 Carey, Plagues & Pencils . . . . . . . . . . . . . . . . 12–13 Cuellar, Choreographing Mexico . . . . . . . . . . . . . . 30

Myers & Debuys, The Devil’s Highway . . . . . . . . . . . . . 18–19 Nimr & Qualey, Thunderbird . . . . . . . . . . . . . . . . . . . . . . . . 50 O’Meara, Women’s Voices in Digital Media . . . . . . 44 Orozco, Agent of Change . . . . . . . . . . . . . . . . . . . . . 27

Dreyer, Making Waves . . . . . . . . . . . . . . . . . . . 56–57

Padilla, From Threatening Guerillas to Forever Illegals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Erikson & Peek, The Continuing Storm . . . . . . . . . . . . . . . 24

Pomerance & Palmer, Autism in Film and Television . . . . . . . . 42

Grappo, Conjured Bodies . . . . . . . . . . . . . . . . . . . . . 31

Rose, Why Patti Smith Matters . . . . . . . . . . . . . . 7

Huffman, John Prine . . . . . . . . . . . . . . . . . . . . . . . . 20

Sadlier, A Century of Brazilian Documentary Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32–33

Johnson & Beckett, More City Than Water . . . . . . . . . . . . . 8–9 Macor, Making The Best Years of Our Lives . . 43 Maddy-Weitzman, Amazigh Politics in the Wake of the Arab Spring . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 McEwan, Cinema’s Original Sin . . . . . . . . . . . . . . . 38

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Scott, DJ Screw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Shatwan & Hussain, An Ongoing Coincidence . . . . . . . . . . . . . 50 Sherman, Barbara Jordan . . . . . . . . . . . . . . . . . . . . . 15 Shields, The Rob Roy Kelly American Wood Type Collection . . . . . . . . . . . . . . . . . . . . . . . . . . 4–5 Sublett, Last Gangster in Austin . . . . . . . . . . . . . . 11 Turnock, The Empire of Effects . . . . . . . . . . . . . . . . . 40

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