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MAYAYA R I S I N G Mayaya Rising
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Black Female Icons in Latin American and Caribbean Literature and Culture
DAWN DUKE
252 pp 6.125 x 9.25
978-1-68448-438-6 paper $39.95S
978-1-68448-439-3 cloth $130.00SU
January 2023
Literary Studies
Latin American and Caribbean Studies
Women’s Studies • Global Black Studies
Table of Contents
Introduction: The Fundamentals of Glory
Part One: A Cuban/Dominican Case Study
Chapter One: Teodora and Micaela Ginés: Myth or History?
Chapter Two: The Invention of History Through Poetry: A Dominican Initiative
Part Two: A Nicaraguan Case Study
Chapter Three: Tracing the Dance Steps of a “British”
Subject: Miss Lizzie’s palo de mayo
Chapter Four: From “Mayaya Las Im Key” to Creole Women’s Writings
Part Three: A Colombian Case Study
Chapter Five: Rituals of alegría and ponchera: The Enterprising Palenqueras
Chapter Six: Palenquera Writings: A Twenty-First Century Movement

Conclusion
Acknowledgements
Bibliography
Index
Black Female Icons in Latin American and Caribbean Literature and Culture
Who are the Black heroines of Latin America and the Caribbean? Where do we turn for models of transcendence among women of African ancestry in the region? In answer to the historical dearth of such exemplars, Mayaya Rising explores and celebrates the work of writers who intentionally center powerful female cultural archetypes. In this inventive analysis, Duke proposes three case studies and a corresponding womanist methodology through which to study and rediscover these figures. The musical CubanDominican sisters and former slaves Teodora and Micaela Ginés inspired Aida Cartagena Portalatin’s epic poem Yania tierra; the Nicaraguan matriarch of the May Pole, “Miss Lizzie,” figures prominently in four anthologies from the country’s Bluefields region; and the iconic palenqueras of Cartagena, Columbia are magnified in the work of poets María Teresa Ramírez Neiva and Mirian Díaz Pérez. In elevating these figures and foregrounding these works, Duke restores and repairs the scholarly record.
DAWN DUKE is a professor of Spanish and Portuguese and chair of Portuguese at the University of Tennessee, Knoxville. She is the author of Literary Passion, Ideological Commitment: Toward a Legacy of Afro-Cuban and Afro-Brazilian Women Writers (Bucknell University Press), editor of A Escritora Afro-Brasileira: Ativismo e Arte Literária, and coeditor of Celluloid Chains: Slavery in the Americas through Film. She has published more than twenty-two articles and chapters.