March in Montana 2022

MARCH IN MONTANA

GREAT FALLS, MT - MARCH 18-19, 2022

35th Annual Auction

MARCH 18-19, 2022

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Coeur d’Alene Galleries & The Coeur d’Alene Art Auction present

Auction, preview & dealer show held at: The Elks Lodge, No. 214 500 1st Avenue South, Great Falls, MT 59401 Schedule of Events Thursday, March 17 Dealer Show: 9a.m.-5p.m.

Auction Preview: 9a.m.-5p.m.

Friday, March 18 Dealer Show: 9a.m.-5p.m.

Auction Preview: 9a.m.-5p.m.

Auction session one begins at 11a.m.

Saturday, March 19 Dealer Show: 9a.m.-5p.m.

Auction Preview: 9a.m.-11a.m.

Auction session two begins at 11a.m.

Contact Information Tel 208-664-2091, Fax 208-924-3000 info@marchinmontana.com www.marchinmontana.com Live, Phone, Absentee and Online Bidding: bid.marchinmontana.com (app) or buy.marchinmontana.com (iCollector) Front Cover: Lot 566, Henry C. Balink, Dance Roach, 30” x 25” oil Inside Front Cover: Lot 596, Joe Beeler, Morning in Bear Wallow Canyon, 22” x 36” oil Inside Back Cover: Lot 101, Kimbal Warren, Packer Grand Canyon, 20” x 30” oil Back Cover: Winchester firearm lots as they appear: 590, 592, 593, 589, 591, 588 Addendum will be available online and at the event.

Please Note: Although we do our best to represent each piece as true to form as possible, actual colors may vary in print and on screen.

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MARCH IN MONTANA 2022

Friday, March 18 • 11:00 am Session One

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3-2 1 Hans Kleiber (1887-1967) Two etchings from the Pioneer Series: 1) Crossing the Platte 6 ¾” x 10 ¾” 2) A Burial on the Prairie 7” x 9 ¾” Original pencil signatures lower right $1,000-1,500

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2 Hans Kleiber (1887-1967) Two etchings from the Pioneer Series: 1) Cooke City 5 ½” x 8 ½” 2) Fort Laramie 1896 7” x 10” Original pencil signatures lower right $1,000-1,500

3 Hans Kleiber (1887-1967) Two etchings from the Pioneer Series: 1) Frontier Days 4” x 6 ¼” 2) Across the Prairies 6 ¾” x 9 ¾” Original pencil signatures lower right $1,000-1,500

4 Frederic Remington (1861-1909) Complete Folio of Six Remington AP Prints Includes: The Gathering of the Trappers The Emigrants An Argument with the Town Marshal The Bell Mare Pony Tracks in the Buffalo Trail The Buffalo Runner Largest is 19” x 12 ¾”. All unframed. $1,000-2,000

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5-2 5 Karl Bodmer (1809-1893) Three Unframed Vintage Prints: 1) Tab. 1, Forest Scene on the Lehigh/(Pennsylvania) 15 13/16” x 20 ⅞” aquatint, etching, roulette Signed, C. Bodmer blind stamp (1st/2nd State) 2) Tab. 2, New Harmony/on the Wabash 16 ⅛” x 23 ⅜” handcolored, aquatint, etching, engraving Signed, C. Bodmer blind stamp (1st State) 3) Tab. V, Mouth of the Fox River/ (Indiana) 16 7/16” x 21 ⅝” aquatint, etching, roulette Signed C. Bodmer blind stamp (1st State) $2,500-3,500 Provenance: Private Collection, CA. 6 Karl Bodmer (1809-1893) Three Unframed Vintage Prints: 1) Tab. 6, Snags (sunken trees) on the Missouri 14 ¼” x 17 3/16” handcolored aquatint, etching, roulette, engraving Signed, C Bodmer blind stamp (1st State) 2) Vignette IV, Forest Scene on the Tobihamma; Allegheny Mountains 9” x 12 5/16 handcolored, aquatint, etching, roulette Signed, C. Bodmer blind stamp (2nd State) 3) Vignette VI, Penitentiary Near Pittsburgh 9 ⅜” x 13 ⅝” handcolored, aquatint, etching Signed C. Bodmer blind stamp (1st State) $2,000-3,000 Provenance: Private Collection, CA.

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7 Karl Bodmer (1809-1893) Two Unframed Vintage Prints: 1) Vignette VIII, Cutoff-River/Branch of the Wabash 9 ⅜” x 12 ⅞” handcolored, aquatint, etching, roulette Signed C. Bodmer blind stamp (1st State) 2) Vignette IX, Tower Rock/View on the Mississippi 10 ¾” x 13 ⅞” handcolored, aquatint, etching, roulette Signed C. Bodmer blind stamp (1st State) $1,500-2,500 Provenance: Private Collection, CA. 8 Charles Schreyvogel (1861-1912) How Kola 14” x 19 ½” platinum print Signed lower right $800-1,200

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9 Charles Schreyvogel (1861-1912) Defending the Stockade 14 ½” x 19” platinum print Signed lower left $800-1,200

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11 10 David Mann (b. 1948) Nighttime Scout 9” x 12” oil on board Signed lower right $1,000-1,500 11 David Mann (b. 1948) Yellow Boy, the 1866 Winchester 20” x 16” oil on canvas Signed lower right $2,000-3,000

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12 Thomas deDecker (b. 1951) Summer Camp 12” x 16” oil on board Signed lower left Verso: Personal inscription from artist to previous owners. $1,000-1,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

13 Matt Smith (b. 1960) Glacier Trail 8” x 12” oil on canvas Signed lower right Verso: Titled, signed and dated 2005. $800-1,200

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15 14 Jim Lamb (b. 1946) Chocolate Attack 20” x 24” oil on canvas Signed lower center $2,000-4,000 15 Robert Duncan (b. 1952) Tending the Cows 12” x 16” oil on canvas Signed and dated ‘91 lower right Verso: Titled, signed and dated 1991. $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 16 Ross Stefan (1934-1999) Canyon Shade 12” x 16” oil on canvas Signed lower left Verso: Titled and signed. $2,000-3,000

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17 Ross Stefan (1934-1999) Almost Home 12” x 16” oil on canvas Signed lower left Verso: Titled and signed. $2,000-3,000

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18-3 18 Carolyn Anderson (b. 1948) Three pastels: 1) Indian Portrait 9” x 7” pastel Signed lower right 2) Ready for the Dance 21” x 8 ½” pastel Signed lower left 3) Mother and Child 16” x 11” pastel Signed lower right $1,500-2,500 Provenance: Private Collection, Lakeside, MT. 19 Harley Brown (b. 1939) Two 5” x 4” pastels: 1) Kenda Signed lower right Verso: Inscription from artist.

2) Lita Signed lower right $1,500-2,500 20 Ross Stefan (1934-1999) Navajo Dancer 16” x 20” oil on canvas Signed lower left Verso: Titled and signed. $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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21 Carolyn Anderson (b. 1948) Three Mountain Man pastels: 1) 14” x 9 ¾” 2) 16 ½” x 11” 3) 14” x 14” Each signed lower right $1,500-2,500 Provenance: Private Collection, Lakeside, MT. 22 Andrew Denman (b. 1978) Three oils: 1) Afternoon Nap. 9” x 14”. Signed & dated 2006 lower left.

2) Mr. Nibbles Demands Your Attention. 9 ½” x 6 ¾”.

Signed & dated 2008 lower left 3) Why Bushy Wanted the Peanut. 11” x 17”.

Signed & dated 2005 lower right $1,000-1,500 23 Trevor Swanson (b. 1968) Bluebird in Sunshine 10” x 8” oil on board Signed lower right $700-900

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25 24 Eugene J. Diodato (1935-2013) Near Poncha Springs 12” x 16” oil study Signed, titled and dated 9/15/83 lower right $800-1,000 25 Eugene J. Diodato (1935-2013) Coming Storm 8 ½” x 11 ½” mixed media Signed and dated 5/7/90 lower right $800-1,200

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26 Eugene J. Diodato (1935-2013) Mountain Landscape 9 ¾” x 13 ¾” watercolor Signed and dated 10/16/88 lower right $800-1,200 27 Eugene J. Diodato (1935-2013) Shavano from Adobe Hills 10” x 15” mixed media Signed and dated in 5/87 in paint, lower center $800-1,200

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29 28 Russell Houston (b. 1954) Packing In 14” x 14” oil on canvas Signed lower left $1,500-2,500 29 Darcie Peet (20th C.) Deep Valley Blue #2 10” x 10” oil on canvasboard Signed lower right Verso: Titled and signed. $800-1,200 30 Robert “Shoofly” Shufelt (b. 1935) Wes Starr 8” x 12” pencil Signed, titled and dated 1998 lower right $1,000-1,500

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31 Kevin Macpherson (b. 1956) Wake up in Zion, Zion National Park 11” x 14” oil on board Signed lower right Verso: Titled and signed. $500-700

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34 32 Larry Pirnie (b. 1940) Wash Day 9” x 12” acrylic Signed lower right Verso: Titled and dated 1983. $800-1,200 Provenance: Private Collection, Lakeside, MT. 33 Gregory Sumida (b. 1948) Winter Chores 9” x 7” gouache Signed lower right $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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34 Brian Freeman Wolf Robe 10” x 8” oil on canvas Signed lower left $600-800 35 Sheryl Bodily (b. 1936) At Camp 12” x 16” oil on board Signed lower left $800-1,200 36 Sheryl Bodily (b. 1936) On Horseback 12” x 16” oil on board Signed lower right $800-1,200

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38 37 Ron Crook (1925-2006) Chief 30” x 24” oil on board Signed lower right $1,000-1,500 38 James Boren (1921-1990) Mountain Summer 11” x 14” gouache Signed and dated 1989 lower right Verso: Titled, signed and dated 1989. $1,000-1,500 39 Paul Abram, Jr. (1933-2005) On the Mountain 16” x 22” watercolor Signed lower left $800-1,200 Provenance: Private Collection, Lakeside, MT.

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40 Hubert Wackermann (b. 1945) Blackfoot Camp, Montana 1880 20” x 29” watercolor Signed and dated ‘79 lower right $800-1,200

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41-2 41 Don Stivers (1926-2009) 1) On the Move 10” x 6 ¾” gouache Signed lower right 2) Invitation to Dinner 7” x 9” oil on board Signed lower right $1,000-1,500 42 John Fawcett (b. 1952) The Deer Hunters 18” x 24” oil on canvasboard Signed lower right Verso: Titled. $800-1,200

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43 Frank Magsino (1937-2020) 1) The Spy 4” x 12” oil on board Signed and dated 1987 lower left 2) Ready to Attack 4” x 10” oil on board Signed and dated 1996 lower right $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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45 44 Ross Stefan (1934-1999) Girl from Pueblo Paguate 10” x 8” oil on canvas Signed lower left Verso: Titled and signed. $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

45 Noel Daggett (1925-2005) Summer Camp 8” x 15” watercolor Signed lower right Verso: Titled, signed and dated 1985. $800-1,200 46 Michael Untiedt (b. 1952) El Camino, Three Riders 16” x 20” oil on canvas Signed lower left Verso: Titled, signed and dated 2012. $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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47 Joni Falk (b. 1933) September Splendor 8” x 17” oil under glass Signed lower right $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 47 19

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50 48 Harley Brown (b. 1939) Daisy 12” x 9” pastel Signed and titled lower right Verso: Inscribed and signed by artist. $1,500-2,500 49 Harley Brown (b. 1939) Annalise 12” x 9” pastel Signed and titled lower right Verso: Inscribed and signed by artist. $1,500-2,500

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50 Rocky Hawkins (b. 1950) 9 Stones Shield 12” x 9” oil on board Signed lower left $1,500-2,500 51 Phil Beck (b. 1949) Two works: 1) Northern Plains Beauty 12” x 9” oil on canvas Signed lower left 2) Red Dress 12” x 9” oil on canvas Signed lower left $1,500-2,500 52 Frank Sauerwein (1871-1910) Three oils framed together: Largest is 4” x 6” Each signed. $2,000-3,000

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53 53 Neil Boyle (1931-2006) The Critique 30” x 24” oil on canvas Signed lower left $800-1,200 54 Oleg Stavrowsky (1927-2020) Honkers 24” x 36” oil on canvas Signed lower right Verso: Titled and signed. $1,500-2,500 55 Ken Fleisch (1943-2008) Still-life 30” x 40” oil on canvas Signed and dated 1996 lower left $5,000-7,000

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56 Francois Koch (b. 1944) Morning After the Rain 20” x 30” oil on canvas Signed lower right $4,000-6,000

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57 Lorenzo Ghiglieri (1931-2020) Spooked 28” x 14” x 20” bronze Inscribed: Lorenzo Ghiglieri 1008, AP 2/850 $2,000-3,000 Provenance: Private Collection, Lakeside, MT.

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58 Frederic Remington (1861-1909) Bronco Buster 21” x 17” x 10” bronze Inscribed: Frederic Remington, “Henery Bonnard Bronze Co. Founders, NT 1895” $3,000-5,000 59 Jim Angus Bull Elk 21” x 17” x 7” bronze Inscribed: Jim Angus, 11/24, ‘92 $800-1,200 60 George Phippen (1915-1966) Buffalo Headdress 13” x 9” x 7 ½” bronze Inscribed: George Phippen, 10/20 $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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61 J. Payne Lara (b. 1971) The Intruders 7 ½” x 5” x 3 ½” bronze Inscribed: J. Payne Lara © ‘00, 1/30, HokaHei Stamp $600-900 62 Deborah Copenhaver-Fellows (b. 1948) Rainy Day in Paradise 22” x 21” x 7” bronze Inscribed: 25/35 $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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64-1 63 63 Martha Pettigrew (b. 1950) Taos Morning 12 ½” x 14” x 9” bronze Inscribed: Martha Pettigrew © 1995, 4/20 $2,500-3,500 64 Sherry Salari Sander (b. 1941) Two bronzes: 1) Stingrays. 8” x 15” x 13” bronze.

Inscribed: S. Sander © ‘82, 8/25 2) Ostrich. 11” x 6” x 6” bronze.

Inscribed: S. Sander © ‘83, 17/35 $1,500-2,500

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65 Sherry Salari Sander (b. 1941) Two bronzes: 1) Chizirara. 9” x 18” x 12” bronze.

Inscribed: S. Sander © ‘83, 14/25 2) Baboon. 9” x 13” x 5 ½” bronze.

Inscribed: S. Sander © ‘89, 8/35 $2,000-3,000 66 Greg Kelsey (b. 1971) Winter Winds 13” x 8” x 8” bronze Inscribed: Gregory M. Kelsey, 4/10 $3,000-4,000 Provenance: Certificate of Authenticity signed by artist to accompany the lot.

67 Tim Shinabarger (b. 1966) Out on a Limb 18” x 9” x 7” bronze Inscribed: Shinabarger, 23/40 $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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70 68 Harley Brown (b. 1939) Bronze and Limited Edition Book: 1) Blood Woman 6” x 5” x 5” bronze Inscribed: 2/20, H. Brown, ‘79 2) The Art and Life of Harley Brown, Confessions of a Starving Artist Signed by Harley Brown. Published in 2003. $1,000-1,500 69 Gene Zesche (b. 1932) Tangled Fisherman 10” x 5 ½” x 5” bronze Inscribed: Gene Zesche © 5/100 $800-1,200

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70 Richard Loffler (b. 1956) Jumping Wolf 8” x 9” x 3 ½” bronze Inscribed: R. Loffler, ‘90, 4/15 $600-800 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

71 Ken Payne (1938-2012) When Justice Rode a Fast Horse 15 ½” x 20” x 6 ½” bronze Inscribed: Ken Payne © ‘08, 4/45 $3,000-5,000

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72 Ken Payne (1938-2012) Dark Side of the Law 16 ½” x 15” x 6” bronze Inscribed: Ken Payne © ‘06, 7/45 $3,000-5,000

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73 Lyle Schwabauer (20th C.) Two Bronzes: 1) High Country Muley 16 ½” x 11” x 8” bronze Inscribed: Lyle Schwabauer © 87, 30/30 2) Prairie Sentinel 9 ½” x 8” x 6” bronze Inscribed: Lyle F. Schwabauer ‘86 © 25/30 $1,000-1,500 74 Ed Fraughton (b. 1939) Charles Russell Bust 9” x 5” x 4 ½” bronze Inscribed: Ed Fraughton 22/30 © 1977 $1,500-2,500

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75 Charles M. Russell (1864-1926) Self Portrait 4” diameter bronze Inscribed: 217/250 © $1,000-1,500 Provenance: Collector’s Notes.

76 Bob Scriver (1914-1999)(CA) Winter King 23” x 24” x 8” bronze Inscribed: © Bob Scriver 1966, -3$1,500-2,500 Provenance: Private Collection, Spokane, WA. Certificate of Authenticity and collector’s notes to accompany the lot.

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79 77 Joe De Yong (1894-1975) Ceremonial Dress 18” x 12” mixed media Signed lower left $1,000-2,000

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80 78 Olaf Wieghorst (1899-1988) Horsehead 10” x 8 ¾” watercolor Signed lower left $2,000-3,000

79 Stephanie Campos Chief American Horse 12 ¼” x 10 ¼” pencil Signed lower right $1,800-2,500

80 Harley Brown (b. 1939) Crow Collar 16” x 12” pastel Signed and titled lower right $1,500-2,500

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81 Joseph Henry Sharp (1859-1953) After Many Years of Warfare 19 ½” x 15 ½” print Verso: Titled. $800-1,200 Provenance: This lithograph is one of the paintings that Elbert Hubbard (founder of Roycrafters) traded for some furniture he had created for Sharp’s studio in Crow Agency, MT. It is not a Sharp creation and therefore not signed. Hubbard traded for several, and made lithographs of each one. They are rare, but not well-known. The trade is discussed in the book Among the Crow Indians by Carolyn Reynolds Riebeth.

82 Bob Moline (b. 1938) Indian Portrait 14” x 11” oil on board Signed lower right $900-1,200 83 Bob Moline (b. 1938) Lakota 14” x 11” oil on board Signed lower left $900-1,200

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84 James Swinnerton (1875-1974) Near Quartzsite, AZ 12” x 16” oil on canvas, study Signed and titled lower right $1,200-1,500 84 27

85 Edward Burns Quigley (1895-1984) Breaking Camp 18” x 24” oil on canvas Signed and dated ‘46 lower left $1,500-2,500 86 Tom Saubert (b. 1950) Two oils: 1) Indian Maiden and Son 12” x 16” oil on board Signed lower left 2) Lewis & Clark, & Sacajawea 12” x 9” oil on canvasboard Signed and dated 2000 lower right $1,000-1,500 Provenance: Private Collection, Lakeside, MT.

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87 Meadow Gist Two 8” x 6” oils: 1) Cherub Verso: Titled and dated Feb. ‘14.

2) Portrait Each signed lower right $800-1,200 86-1

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88 Michael Coleman (b. 1946) Pair of hand-colored etchings: 1) Caribou 12” x 9 ½” Signed lower right, AP lower left 2) Barren Ground Caribou 10” x 7 ¼” Signed lower right, AP lower left $1,000-1,500 89 Sidney Courtney (1905-1980) Surprise Encounter 17 ½” x 24” oil on canvasboard Signed and dated 1935 lower right $600-800

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91 90 Howard Rogers (b. 1932) Yer Never Too Old - Western Classics 2013 20” x 14” oil on canvas Signed lower right $1,000-1,500 91 Howard Rogers (b. 1932) The Auctioneer 18” x 11” oil on canvas Signed lower right center $1,000-1,500 92 Howard Rogers (b. 1932) J.B. Cowboy 20” x 14” oil on canvas Signed lower right Verso: Trailside Gallery sticker. $1,000-1,500 93 Bob Moline (b. 1938) Decision Time 25” x 19” gouache Signed lower right $2,000-3,000

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94 Bob Moline (b. 1938) In the Pasture 16” x 20” oil on canvas Signed lower right $2,000-3,000

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96 95 William Hook (b. 1948) Rabbit Hunters 24” x 30” acrylic Signed lower left $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

96 Kimbal Warren (b. 1952) Canyon Wash 28” x 33” oil on canvas Signed lower left Verso: Titled. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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97 Cyrus Afsary (b. 1941) Last of the Bison 20” x 24” oil on canvas Signed lower left $4,000-6,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

98 Bill Mittag (b. 1935) Apaches in the Santa Ritas 18” x 24” oil on canvas Signed lower left Verso: Signed and dated 2002. $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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100 99 Matt Smith (b. 1960) The View West 20” x 24” oil on canvas Signed lower left Verso: Signed and titled. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

100 Matt Smith (b. 1960) Arizona High Desert 20” x 24” oil on canvas Signed lower left Verso: Titled, signed and dated 2000. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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101 Kimbal Warren (b. 1952) Packer Grand Canyon 20” x 30” oil on canvas Signed lower left $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

102 Linda Tippetts (b. 1944) In the Pines 30” x 36” oil on canvas Signed lower left $3,000-5,000 Provenance: Private Collection, Kalispell, MT. 102 31

103 Western Plains Trade Cross Necklace 21” long overall. Stamped by silversmith R.C. Robert, Cruikshank Montreal, touchmark H.B. Hudson Bay. $1,000-1,500 104 Sioux Quirt and Awl Set 1) Quirt is 26” long including 9” of fringe.

2) Awl is 18”, accented with beaded drops terminating in chicken feather-stuffed tin cones. Unusual to find a matching set. Early 20th century. $1,500-2,500 105 Blackfeet Beaded Tobacco Bag 23” long overall including 9” of fringe. Checkered beaded designs and a scalloped top. Early 20th century. $1,500-2,500 106 Sioux Beaded Toy Cradle 11” long x 3” wide with geometric beaded designs.

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107 Sioux Quilled Man’s Moccasins 10 ½” long with quilled geometric designs and trade cloth bordered cuffs and parfleche soles. 19th century. $800-1,200 108 Sioux Beaded Man’s Moccasins 10 ½” long with beaded geometric designs in greasy yellow beads, with split tongues. Early 20th century. $800-1,200 109 Parfleche Envelope 22” x 11” painted with bright red, green and yellow. Circa 1870. $800-1,200

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110 Parfleche Envelope 26” x 14” painted with geometric designs center tie. 19th century. $1,000-2,000

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112 111 Navajo Rug 3’11” x 2’7” Dontso weaving. “Dontso” is the winged spirit messenger who whispers helpful instructions in the Medicine Man’s ear during sacred ceremonies. The brown background color indicates it is from the Lukachukai region of the Navajo reservation. Circa 1940. $700-900

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112 Navajo Saddle Blanket 2’6” x 2’5” striking saddle blanket featuring four, eight-point Valero stars. A great wall hanger, woven with handspun yarn, reminiscent of the Old West! Circa 1930. $800-1,200 113 Navajo Rug 5’8” x 3’11” Two Grey Hills area weaving with beautiful colors and designs. Woven with handspun yarn. Circa 1950. $1,500-2,500

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114 Navajo Rug 4’10” x 2’10” General or Pan weaving with stepped diamond designs and a hooked border.

Woven with handspun yarn. Circa 1950. $800-1,200 115 Navajo Rug 4’9” x 2’7” traditional Pine Springs design and colors, which are banded, typically contain green, and are generally colored with vegetal dyes. $700-900

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116 Navajo Blanket 5’11” x 4’8”. Red Mesa variant Third Phase Transitional Chief’s Blanket with geometric and banded designs. Circa 1890. $5,000-7,000 117 Navajo Blanket 6’9” x 4’4”. Transitional Serape most likely from the Hubbell Trading Post weaving area. The blanket displays five concentric cross elements on a red field and a stepped meandering border. Woven from all Native, handspun, old, long staple Churro sheep wool, both warp & weft. Circa 1900. $2,500-3,500 118 Navajo Blanket 5’6” x 4’5” Transitional Chief’s Blanket variant with serrated diamonds.

Soft, thick weave. Circa 1890-1910. $3,000-4,000 119 Navajo Blanket 5’5” x 4’. Transitional Third Phase Chiefs blanket with sawtooth borders around the central designs. Circa 1920. $2,000-3,000

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120 Navajo Rug 6’ x 3’6”. Fancy pictorial floor rug depicting a Hopi single Yei image.

The lady Yei is in dance attire with a tableta headdress, dance rattles in each hand, and a nicely decorated dress. Rainbow bars are featured in all four corners. Woven from all Native, long-staple Churro cross sheep wool on a wool warp. Circa 1930. $4,000-5,000 Provenance: Brad Watts Collection, Scottsdale, AZ. 121 Navajo Rug 9’11” x 5’1” Crystal trading post Storm Pattern weaving with big, bold water bug designs and stylized pinwheel whirling logs. Woven from all Native handshorn and handspun Churro sheep wool on a strong wool warp. Circa 1920. $5,000-6,000 122 Navajo Rug 2’10” x 2’ Two Grey Hills tapestry woven by master weaver Katherine Nathaniel. Hubbell Trading Post tag. Circa 1970. $2,000-3,000 123 Navajo Rug 5’2” x 3’ Two Grey Hills weaving with geometric designs and a banded border. Woven by master weaver Cora Curley. Circa 1970. $4,000-5,000 120

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124 Prison-Made Hitched Horsehair Bridle 23” from top to bit with star rosettes. Rare black background with multicolor designs. Fine condition with custom rack. 19th century. $3,000-4,000 125 Rare Yellow Hitched Horsehair Bridle 27” from top to bit with horsehead rosettes and red and blue designs with intricate braided reins. Fine condition with custom rack.

19th century. $2,000-3,000 126 Prison-Made Hitched Horsehair Bridle 27” from top to bit with floral design rosettes. Silver mounted Mexican bit and combination horsehair braided reins. Fine condition with custom rack. 19th century. $2,000-3,000 127 Walla Walla Prison-Made Hitched Horsehair Bridle 27” from top to bit with horsehead rosettes. Multicolor designs with fine Walla Walla prison bit. Fine condition with custom rack.

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130 128 George Carlson (b. 1940) Navajo Man 10” x 7” x 8” bronze Inscribed: Carlson 1975 © 16/21 $1,000-1,500 128

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129 Dave Hodges (b. 1949) Ringneck Rise 17” x 14” x 13” bronze Inscribed: D. Hodges, 1997, 9/30 $1,500-2,500 130 Ken Bunn (b. 1938) Birds 12” x 16” x 8” bronze Inscribed: © Bunn, 12/12 $1,000-1,500 131 Robert Refvem (b. 1933) Ghan Dancer 20” x 19” x 12” bronze Inscribed: Bob Refvem © ‘88, 6/20 $1,500-2,500

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132 Gerald Balciar (b. 1942) To Catch a Scent 14” x 15” x 9” bronze Inscribed: G. Balciar, 17/75 © 2005 $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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133 Frank Divita (b. 1949) Quail Bookends Largest is 11” x 8” x 6 ½” bronze Inscribed: Divita, 54/250 $800-1,200 134 Gary Schildt (1938-2021) Prairie Cavalier 17” x 10” x 5” bronze Inscribed: G. Schildt © 1984, AP $600-800 Provenance: Private Collection, Lakeside, MT. 135 Bill Toma (20th C.) Hunter 13” x 16” x 8” bronze Inscribed: Hunter, Bill Toma © 2/25 $900-1,200

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136 Joe Halko (1940-2009) Wild Turkeys 13 ½” x 13” x 10” bronze Inscribed: Halko, 3/18 $1,000-1,500 137 Joe Halko (1940-2009) Bunnies 10” x 12” x 6” bronze Inscribed: © Halko, 9/12 $800-1,200

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138 Ace Powell (1912-1978) On Alert 15” x 9” x 7” bronze Inscribed: 1977, Rex Brenneman, Powell, 1/30 $1,000-1,500 139 Ace Powell (1912-1978) Napi 10” x 8” x 8” bronze Inscribed: Powell, 1920, Dick Flood 1964 $1,000-1,500

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140 Ace Powell (1912-1978) Pemmican Maker 8” x 8” x 8” bronze Inscribed: © Fred Mitchell, 1977. 4/36 Powell $800-1,200 141 Ace Powell (1912-1978) 1) Montana Grizzly 5” x 5 ½” x 4” bronze Inscribed: Powell 4/36, © Rex Brenneman 1977 2) Owl 9 ¼” x 3 ¼” x 3 ½” bronze Inscribed: Powell, 9/24. M.G, © 1981 $400-600

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The lots on this page belong to a Private Collection, Spokane, WA. Lots 138, 140, 141-1 & 142-1 include a Certificate of Authenticity to accompany the lot.

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142 Ace Powell (1912-1978) 1) Spring Foal 7 ½” x 8 ¼” x 4 ½” bronze Inscribed: Rex Brenneman © 1977, Powell 1/30 2) Colt 4 ½” x 4” x 1 ¼” bronze Inscribed: © Rex Brenneman, Wm’s Colt, 1978, Powell 7/30 $400-600

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143 Ace Powell (1912-1978) Two Works: 1) Almost Home 16” x 30” oil on canvas Signed lower left 2) Illustrated Ace playing card Signed center right $1,500-2,500 Provenance: Private Collection, Spokane, WA. 144 Ace Powell (1912-1978) At Dusk 8” x 10” oil on canvas Signed lower left $600-800 Provenance: Private Collection, Montana.

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145 Ace Powell (1912-1978) On the Hilltop 18” x 24” oil on canvas Signed lower left $3,000-4,000 146 Ace Powell (1912-1978) Gentleman Harry 16” x 20” pen and ink Signed lower left Verso: Paper explaining the story of the horse Gentleman Harry. $2,000-3,000

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147 William Henry Jackson (1843-1942) Four photographs, printed from original glass plates: 1) Henry Eagle Head, Sioux 2) Harry Bear, Poncha 147-1

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3) Chief Washington, Utes 4) Bonito, White Mountain Apache Largest is 13 ¼” x 9”.

Nicely framed. $1,500-2,500 Provenance: Includes framed photo biography of William Henry Jackson.

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148 William Henry Jackson (1843-1942) Four photographs, printed from original glass plates: 1) Unca Chief 2) Ta-boo-cha-ket Chief, Utes, Colorado (Ouray’s Brother)

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3) Arrowmaker, Ojibway 4) Piah, Chief of the Uncompahgre Utes, Colorado 1874 Largest is 12 ¾” x 10 ¼”.

Nicely framed. $1,500-2,500

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149 William Henry Jackson (1843-1942) Four photographs, printed from original glass plates: 1) Father and Son, Cree 2) Powach, Ute Warrior 3) Ute Chief, Colorado 4) Ouray, Chief of the Uncompahgre Utes, Colorado 1874 Largest is 10 ¼” x 12 ¾”. Nicely framed. $1,500-2,500 44

150 Edgar Paxson (1852-1919) “There, there, Sonny, don’t be afraid, I ain’t goin’ to hurt yer.”

19” x 13” watercolor illustration for the book Ramrod Jones by Clint Brown Signed and dated 1905 lower right $3,000-5,000 Provenance: 15” x 11” pencil sketch and hardcover copy of Ramrod Jones to accompany the lot. Illustration featured on first page of the book.

Excerpt from the book: My uncle was a very hard and cruel man...”Yer lazy, good-for-nothing little thief,” he said.

“I’ll learn yer. I’ll shake the life out of yer.”...

“Git up an’ take off your clothes”, he said.

“I’ll give yer something yer’ll never forgit.” ...When I was stripped, I faced him. He picked up his stick...I did not cry out. I took it all with my eyes shut. I will not try to tell you how he beat me. I remember but little of it, except burning pains all over me, and the wild thought in my mind that I must not give way.

His stick broke. He threw it down and lammed me on the side of the head with his open hand.

It knocked me down. But I was soon up again, and looked at him stubbornly. He was plumb mad with anger. He rushed at me and raised his clenched fist. I had heard nothing behind me, and I do not suppose he had either, for each of us was all taken up in watching the other. He never hit me again. When his fist was raised above his head something struck him, and he gave a groan and fell in a heap before me.

I looked around. A man was standing near us, leaning on his rifle.

“There, there, Sonny,” he said to me, “don’t be afraid. I ain’t a-goin’ to hurt yer.”

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151 Frederic Remington (1861-1909) Bunch of Buckskins Set of 8 lithographs, each 19” x 14 ½” 1) A Cheyenne Buck 2) A Sioux Chief 3) A Breed 4) Old Ramon 151-4

5) A Cavalry Officer 6) An Army Packer 7) An Arizona Cowboy 8) A Trapper Each signed, each framed. $10,000-15,000 Provenance: Illustrated on pgs. 68-71 of Peggy and Harold Samuels’ Remington, The Complete Prints, Crown Publishers Inc, 1990.

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153 152 William Standing (1904-1951) Fly Time 9 ½” x 13 ½” pen and ink Signed lower right $800-1,200 153 William Standing (1904-1951) Moving Camp 9 ½” x 13 ½” pen and ink Signed lower right $800-1,200 154 William Standing (1904-1951) Homestead 9 ½” x 13 ½” pen and ink Signed lower right $800-1,200

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155 William Standing (1904-1951) The Twister 9 ½” x 13 ½” pen and ink Signed lower right $800-1,200 156 William Standing (1904-1951) Montana Snow Storm 9 ½” x 13 ½” pen and ink Signed lower right $800-1,200

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158 157 Bill Hughes (1932-1992) Northern New Mexico 30” x 40” oil on canvas Signed and dated ‘80 lower right $3,000-5,000 158 LeRoy Greene (1893-1974) Pageant of Autumn 20” x 24” oil on canvas Signed lower left $1,000-1,500

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159 Ross Stefan (1934-1999) Hide and Seek 16” x 20” oil on canvas Signed lower left Verso: Titled and signed. $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 160 Bill Hughes (1932-1992) Easter Sunday 22” x 28” oil on canvas Signed and dated ‘88 lower left $2,000-3,000

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161 161 Tom Saubert (b. 1950) Wyoming Tyrol 16” x 22” oil on board Signed lower right Verso: Titled and signed. $600-800 Provenance: Private Collection, Lakeside, MT.

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162 Richard Burns Arctic Echo 24” x 30” oil on board Signed and dated 1997 lower right $1,500-2,500 163 Douglas Ricks (1954-2003) Canyon Heritage 18” x 24” oil on canvas Signed lower left $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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164 Gary Niblett (b. 1943)(CA) Taos Evening 24” x 32” oil on canvas Signed lower right, CA $2,500-3,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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166 165 Cheyenne Beaded Man’s Moccasins 10 ½” long. Geometric beaded designs featuring ties and parfleche soles. Circa 1950. $400-600 Provenance: Ex. Drew Bax Collection.

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166 Crow Beaded Man’s Pants 19” wide x 43” long. Floral beaded designs accented with fringe and scalloped accents on cuffs. Circa 1910. $800-1,200 Provenance: Ex. Drew Bax Collection 167 Shoshone Beaded Man’s Moccasins 11” long. Geometric beaded designs on yellow ochred hide accented with scalloped tongues & parfleche soles. Circa 1950. $400-600 Provenance: Ex. Drew Bax Collection.

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168 Monte Yellowbird, Sr. (Black Pinto Horse)(20th/21st. C.) Painted Drum 15 ½” diameter, oil Titled lower center $900-1,200 Monte Yellowbird, Sr. is highly recognized for his animated and vibrant painting style that is full of life. His works, often on antique ledger paper, tell stories of the past. Through his work, Yellowbird has the ability to express his ideas visually. His pieces are deeply rooted in his traditions and culture.

169 Nez Perce Pony Beaded Woman’s Dress 54” long x 56” wide overall. Geometric beaded designs. Accented with fringe all around and fur/hide drops.

Circa 1880. $10,000-15,000 170 Chippewa Beaded Cape 57” x 26” overall, mounted with wall hanger. Circa 1900. $1,500-2,000

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171 Pair of Plateau Beaded Flat Bags 1) American flag and eagle beaded pattern on front with geometric design on back.

10 ½” x 8 ¾” overall with 7” long handle.

2) Floral beaded with butterflies on front and a central geometric design on hide background.

12 ½” x 11” with 9” handle.

Both contemporary. $800-1,200

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172 Metis Man’s Beaded Buckskin Coat 27” shoulder to shoulder.

Accented with fringe, geometric floral beadwork, faux elk teeth and rawhide buttons, all on elk hide. Contemporary. $1,500-2,500 Provenance: Private Collection, Conner, MT. Background & additional description on coat.

173 Two Hat Bands 1) 26” overall with conchos and small turquoise stones on leather band.

2) 26” overall with large chunk turquoise stones and conchos with small stones.

Hats not included in lot. $600-800 174 Navajo Concho Belt 37” overall with eight Sterling silver conchos and sterling silver buckle, all set with Morenci turquoise. $1,500-2,500 175 Three Jewelry Items: 1) Large Ring, Morenci turquoise 3) Cuff Bracelet One central Morenci turquoise stone with geometric designs.

Marked G. Richard, ‘76.

2) Belt Buckle 3” x 2 ¼” with central Morenci turquoise stone. Marked G. Richard ‘76. $1,500-2,500

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176 Navajo Cuff Bracelet 1” Inlaid sterling silver bracelet with geometric designs of Acoma Jet, Kingman turquoise and Jasper. Made by CHEE. $1,000-1,500 177 Concho Belt 43” overall. Kingman turquoise. Made by Victor Moses Begay (Navajo). Stamped. $2,500-3,500 178 Squash Blossom Necklace 12” long. Made by Guy Hoskie. Stamped. $1,500-2,500 179 Zuni Inlaid Bolo Tie 21” long overall, Sterling silver with Mother of Pearl, oyster shell and other stones. Made by Dale Edaakie. $800-1,000

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180 Navajo Cuff Bracelet 1 ¾” wide sterling silver cuff set with finest Tyrone mine turquoise.

Made by Leonard Nez. $1,500-2,500 181 Navajo Cuff Bracelet Cobblestone inlay with Royston and Kingman turquoise, sterling silver.

Unknown maker. $1,500-2,000

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182 Navajo Cuff Bracelet 2 ½” wide, heavy sterling silver cuff with Royston turquoise, made by Maynard Garcia. $1,500-2,500 183 Beaded Necklace 13” long with Newlander turquoise beads. $1,000-1,500

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185-2 184 *Ellen Henne-Goodale (1915-1991) 1) Mush Team 10” x 8” oil on canvasboard Signed lower right 2) Ice Fishing 10” x 8” oil on canvasboard Signed lower right 3) Dog Team Relax 10” x 8” oil on canvasboard Signed lower right $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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185-3 185 Ellen Henne-Goodale (1915-1991) 1) Harpooner 10” x 8” oil on canvasboard Signed lower right 2) Ice Fishing 10” x 8” oil on canvasboard Signed lower right 3) Preparing Salmon 10” x 8” oil on canvasboard Signed lower right $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

*Harvey Goodale and his wife *Ellen Henne-Goodale were known for their authentic scenes of Alaskan life. They traveled all over the state photographing and sketching Alaskan places and people. These were the reference material they used to create their paintings.

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186 186 George Ahgupuk (1911-2001) Dog Sled Team 20” x 24” oil on canvasboard Signed lower right $800-1,200 Provenance: Estate of Don Hildebrand, Sisters, OR.

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187 Eustace Paul Ziegler (1881-1969) Poker Game 8” x 10” oil on board Signed lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 188 *Harvey Goodale (1900-1980) Dancers and Drum 20” x 24” oil on canvas Signed lower right $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 189 Theodore “Ted” Roosevelt Lambert (1905-1960) Winter Cabin 8” x 10 ¾” oil on board Signed lower right $3,000-5,000 Provenance: Collection of Candy Waugaman.

Collector’s notes to accompany the lot.

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191 190 Tom Manzanarez (b. 1962) Two works: 1) On Ice 20” x 24” oil on canvas Signed and dated ‘83 lower right 2) Grizzly 6 ½” x 4 ½” pen Signed and dated ‘92 lower right $1,500-2,500 Provenance: Collection of Candy Waugaman.

191 Eustace Paul Ziegler (1881-1969) To Arch 12 ¼” x 8 ¾” oil on canvas Signed, dated 1910, Cordova, Alaska lower left, To Arch lower right $1,500-2,500 Provenance: Collection of Candy Waugaman.

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192 Jeanne Laurence (1887-1980) Three works: 1) Mountain Landscape 8” x 10” oil on canvas Signed lower right 2) Wild Forget Me Not and Arctic Poppy 8” x 5 ½” pastel Signed 3) Pink Pyrola and Violets 8” x 5 ½” pastel Signed lower right $1,000-1,500 Provenance: Collection of Candy Waugaman.

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193 Eustace Paul Ziegler (1881-1969) On the Mountaintop Drawing is 1 ¾” x 2 ¼” colored pencil Signed lower right $800-1,200 Provenance: Collection of Candy Waugaman.

194 Eustace Paul Ziegler (1881-1969) Two works: 1) On the Hilltop 12” x 10” oil on board Signed lower left 2) Madonna 8” x 4 ¼” pencil on tissue Signed lower right $2,000-3,000 Provenance: Collection of Candy Waugaman.

195 Theodore Roosevelt Lambert (1905-1960) Two Etchings: 1) Mt. McKinley 8” x 7” etching Original pencil signature lower right, dated 1946, titled lower left 2) Freighting 5” x 7 ½” image size Signed lower right, original pencil title lower left, inscribed To jack Winston-T.R. Lambert lower right. $1,000-1,500 Provenance: Collection of Candy Waugaman.

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197 196 Ellen Henne-Goodale (1915-1991) At the Cabin 12” x 16” oil on canvas Signed lower right $800-1,200 Provenance: Estate of Don Hildebrand, Sisters, OR. 197 John Banovich (b. 1964) Yellowstone Falls 14” x 11” oil on canvas Signed and dated 2006 lower right $2,000-3,000 198

198 Fred Fellows (b. 1934) Frontier Christmas 14” x 18” oil on canvas Signed lower left Verso: Titled and inscribed by artist: May the simple, wholesome warmth of a frontier Christmas be yours forever - Fred Fellows. $1,000-1,500 199 Les Peters (1917-2010) On the Hilltop 22” x 30” oil on board Signed lower right $1,000-1,500 Provenance: Private Collection, Montana.

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200 Clark Bronson (b. 1939) Four 9” x 6 ½” Pencil Sketches: 1) Crane, signed lower right 2) Grouse, signed lower left 3) Owl, signed lower left 4) Partridges, signed lower left $800-1,200 201 Clark Bronson (b. 1939) Two Watercolors: 1) Big Horn Sheep 19 ½” x 13 ¾” Signed lower right 2) Dall Sheep 19 ½” x 14 ¼” Signed lower left $1,000-1,500 202 Ned Jacob (b. 1938) Southern Piegan 24” x 16” conte crayon Signed lower right $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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203 Harley Brown (b. 1939) From Far Mountains 13” x 13” pastel Signed and titled lower left $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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204-4 204 Dave Dubé Drawings celebrating 125th Anniversary of Charlie Russell’s birth: 1) 4” x 9 ¼” mixed media drawing, signed and dated ‘90 lower left.

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Together with: 6 separate, matted envelopes of Russell paintings recreated. Each 4” x 9 ¼” overall. Original drawings are 2” x 3”.

2) From Russell’s Camp Cook’s Troubles, signed and dated ‘90 3) From Russell’s Camp Cook’s Troubles, signed and dated ‘90 4) From Russell’s Camp Cook’s Troubles, signed and dated ‘90 5) Signed and dated ‘90

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6) From Russell’s In Without Knocking, signed and dated ‘90 7) From Russell’s Loops and Swift Horses, signed and dated ‘90 $3,000-5,000 Provenance: Private Collection, Lakeside, MT.

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205-4 205 Dave Dubé Drawings celebrating 125th Anniversary of Charlie Russell’s birth: 7 separate, matted envelopes of Russell paintings recreated. Each 4” x 9 ¼” overall.

Original drawings are 2” x 3”.

1) 125th Anniversary of Birth, March 19, 1989 2) From Russell’s Jerked Down, signed and dated ‘90

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3) From Russell’s Jerked Down, signed and dated ‘90 4) From Russell’s When Shadows Hint Death, signed and dated ‘90 5) From Russell’s Hooverizin, signed and dated ‘90 6) From Russell’s Free Trapper, signed and dated ‘90

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7) From Russell’s Bronc to Breakfast, signed and dated ‘90 $3,000-5,000 Provenance: Private Collection, Lakeside, MT.

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207 206 Morton Kunstler (b. 1931) Stage Coach Holdup 28” x 38” oil on canvas Signed and dated ‘74 lower left $6,000-8,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 208

207 Don Oelze (b. 1965) Sacred Hills 50” x 36” oil on canvas Signed and dated ‘06 lower right $6,000-8,000 208 Larry Zabel (1930-2012) North of Norris Pass 15” x 30” oil on canvas Signed and dated 1994 lower right $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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209 Randy Van Beek (b. 1958) Autumn Solitude 18” x 24” oil on canvas Signed lower left Verso: Titled, signed and dated 2005. $2,000-3,000

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211 210 Oleg Stavrowsky (1927-2020) Throw Down the Strongbox 30” x 28” oil on canvas Signed lower right Verso: Titled and signed. $3,000-4,000 211 Gary Carter (b. 1939)(CA) The Poker Game 16” x 20” oil on board Signed lower right $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 212 Neil Boyle (1931-2006) Preservation Hall, Y’all 18” x 24” oil on board Signed lower right $800-1,200

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213 Jack Koonce (20th. C.) Pig Squiggles 8” x 10” oil on board Signed lower left $800-1,200

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215 214 Robert Winter (b. 1953) Coming out of the Rockies 24” x 36” oil on board Signed 1982 lower right Verso: Titled and signed. $1,500-2,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 215 Michael Cassidy (b. 1958) Art Acord World Champion Bulldogger, 1912 & 1916 15 ½” x 11 ½” oil on canvas Signed upper right $1,500-2,500

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216 Joe Ruiz Grandee (b. 1929) Across the Range Before Winter Snows 24” x 36” oil on canvas Signed and dated 1973 lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 217 Alfredo Rodriguez (b. 1954) Mealtime in the Desert 30” x 48” oil on canvas Signed and dated ‘80 lower left $5,000-7,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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218 Rocky Hawkins (b. 1950) Cannot Be Seen 16” x 12” oil on board Signed lower left Verso: Titled and signed.

Old C.M. Russell Auction lot tag. $1,000-1,500 219 R.E. Pierce (b. 1948) 3:10 to Prairie City 18” x 24” oil on canvas Signed lower left $1,500-2,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 220 Steve Elliott (1943-2021) Elk in the Rockies 24” x 36” oil on board Signed lower right $3,000-5,000

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221 Jack Koonce (20th. C.) Who Goes There 24” x 30” oil on canvas Signed lower right Verso: Titled and signed. $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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223 222 Hubert Wackermann (b. 1945) Two Moons Campfire - Cheyenne 18” x 24” oil on canvas Signed lower left Verso: Titled, signed and dated 2021. $2,000-4,000 223 Phil Starke (b. 1957) Dancers 24” x 20” oil on canvas Signed lower right $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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224 Dave Hodges (b. 1949) Wind Check 12” x 16” oil on canvas Signed lower left Verso: Titled and signed. $1,200-1,800 225 John Leone (1929-2011) Night Riders 30” x 40” oil on canvas Signed lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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226 Terrance Guardipee (b. 1968) Teepee 17 ½” x 11 ¼” watercolor ledger drawing Signed lower left $1,000-1,500 227 Terrance Guardipee (b. 1968) Buffalo Hunt 11 ½” x 17 ¼” watercolor ledger drawing Signed lower right $1,000-1,500 228 Terrance Guardipee (b. 1968) Yellow Feathered Bonnet 16 ½” x 22 ½” mixed media Signed lower left $1,000-1,500

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229 Otto Lawson (b. 1965) Snowdozer 24” x 36” acrylic on canvas Signed lower left $2,500-3,500

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231 230 Lloyd Woodbury (1917-2005) The Team Roper 22” x 48” x 26” bronze Inscribed: © 1982 L. Woodbury, The Team Roper, 1/5 $3,000-5,000

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231 Bryce Pettit Moose Lamp 26” x 15” x 9” bronze lamp Inscribed: B. Pettit © 2003 $1,500-2,500

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232 Bob Scriver (1914-1999)(CA) Two bronzes: 1) Rocky Mountain Ram 8” x 6” x 3” bronze Inscribed: © Bob Scriver, 1973 16/30 2) December Goats 6” x 5” x 3” bronze Inscribed: © Bob Scriver, 25/200, 1991 $800-1,200 Provenance: Private Collection, Spokane, WA. Certificate of Authenticity to accompany the lot.

233 Dave Hodges (b. 1949) Memories 14” x 8” x 5” bronze Inscribed: Hodges © 1989 1/30 $1,000-1,500

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234 Bob Boomer (b. 1941) Harvest Girl 14 ½” x 7” x 6” woodcarving Inscribed: Bob Boomer © ‘03 $1,000-1,500

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236 235 Sherry Salari Sander (b. 1941) Moose Bust 17” x 13” x 13” bronze Inscribed: S. Sander ‘88, 27/35 $800-1,200

236 Daro Flood (1954-2017) Hunter with Pack 20” x 29” x 19” bronze Inscribed: © 10/30 $1,000-1,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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237 Bill Nebeker (b. 1942) Saddle Bookends Each 6 ¼” x 5 ½” x 6 ½” bronze Each inscribed: 12/25, © 1975 $800-1,200 238 Gerald Balciar (b. 1942) His Majesty 7” x 11” x 3 ½” bronze Inscribed: G. Balciar © 72/100 $600-900 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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240 239 Navajo Rug 6’7” x 5’1” A nice, old Indian rug with strong, variegated colors of black, grey, red and white, woven in a bold, concentric X motif. The border is a bold, reciprocal red and black sawtooth design. Woven from all Native, old, long-staple, handspun and handcarded Churro sheep wools on a wool warp. Circa 1930. $1,500-2,000 240 Navajo Rug 5’10” x 4’. A Valero star Storm design floor rug from the Two Grey Hills area. Features seven bold Valero stars on a nicely handcarded field. Woven from all Native Churro cross sheep wools on a wool warp. Circa 1930. $2,000-3,000 241 Navajo Rug 6’ x 5’3” woven in a classic Chief style layout with bold whirling logs on a beautiful variegated field. Woven from all Native handspun, smooth, old, long-staple Churro sheep wools. Circa 1910. $4,500-5,500

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242 242 Navajo Rug 6’2” x 3’4”. Runner style rug with a full-field concentric, stepped diamond design on a handcarded field. Woven from all long-staple, Native Churro cross sheep wool on a wool warp. Circa 1925. $1,500-2,500 243 Navajo Rug 7’7” x 3’11”. An old floor rug, mostly likely from the Klagetoh Trading post area featuring two bold, elongated, concentric diamonds with a large serrated wedge motif along the side fields. Woven from all Native, handspun and handcarded Churro cross sheep wool. Circa 1920. $2,000-2,500 244 Navajo Rug 7’7” x 5’6” a nice, large floor rug with accents of uncommon sky blue in the mid-field. Features a deep serrated lattice diamond layout on a grey-brown field. The border is a bold, reciprocal black and white “T” motif all around. Woven from all Native handshorn, handcarded and hand-dyed Churro cross sheep wools. Circa 1930. $3,500-4,500 244

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246 245 Olaf Wieghorst (1899-1988) Range Cowboy 10” x 8” watercolor Signed lower left Verso: Titled. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

246 Olaf Wieghorst (1899-1988) Indian Portrait 10” x 8” watercolor Signed lower left $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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247 R. Farrington Elwell (1874-1962) The Hold Up 13” x 14” ink on paper Signed lower right Verso: O’Brien’s Art Emporium sticker. $1,000-1,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

248 Nick Eggenhofer (1897-1985) Wagons, Mules and Men 9 ¼” x 14” watercolor from a framed book Signed and dated ‘39 lower right $1,500-1,800

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250 249 George Catlin (1796-1872) Buffalo Hunt on Snowshoes 12” x 17 ½” hand colored lithograph No. 15, from Catlin’s North American Indian Collection $1,500-2,500 Provenance: Private Collection, Florida.

250 George Catlin (1796-1872) Ball Players 12” x 17 ½” hand colored lithograph No. 21, from Catlin’s North American Indian Collection $1,500-2,500 Provenance: Private Collection, Florida.

251 George Catlin (1796-1872) Attacking the Grizzly Bear 12” x 17 ½” hand colored lithograph No. 19, from Catlin’s North American Indian Collection $1,500-2,500 Provenance: Private Collection, Florida.

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252 George Catlin (1796-1872) Buffalo Hunt, Under the White Wolf Skin 12” x 17 ½” hand colored lithograph No. 13, from Catlin’s North American Indian Collection $1,500-2,500 Provenance: Private Collection, Florida.

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254 253 Karl Bodmer (1809-1893) Vignette XXVIII, Ptihn-Tak-Ochata/Dance of the Mandan Women 9 11/16” x 12 ⅞” engraved, etching, roulette, unframed Signed C. Bodmer blind stamp (1st State) $800-1,200 Provenance: Private Collection, CA.

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254 Karl Bodmer (1809-1893) Vignette XX, Mexkemahuastan/Chief of the GrosVentres des Prairies 12 ⅝” x 9 1/16” handcolored, aquatint, engraved, etching, roulette, unframed Signed C. Bodmer blind stamp (1st State) $2,500-3,500 Provenance: Private Collection, CA. 255 Karl Bodmer (1809-1893) Vignette XIX, A Blackfoot Indian on Horseback 10 ¾” x 13 ⅞” etching, engraving, stippling, unframed Signed C. Bodmer blind stamp (1st State) $1,000-1,500 Provenance: Private Collection, CA.

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256 Karl Bodmer (1809-1893) Vignette XXIX, Dog-Sledges of the Mandan Indians 10 3/16” x 13 ½” aquatint, etching, unframed Signed C. Bodmer blind stamp (1st State) $800-1,200 Provenance: Private Collection, CA.

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257 Charles Bird King (1785-1862) Red Jacket - A Seneca War Chief 18” x 12” handcolored lithograph $500-700 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

258 Pair of McKinney Hall Lithographs 1) Micanopy 15” x 10 ½” handcolored lithograph Published by F.W. Greenough, Phila.

2) JTCHO-Tustinnugge 15” x 10 ½” handcolored lithograph Published by Daniel Rice and James Clark, Phila. $1,000-1,500

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259 Karl Bodmer (1809-1893) Vignette X, Saukie and Fox Indians 10 ⅜” x 13 ⅞” handcolored, aquatint, engraved, etching, roulette, unframed Signed C. Bodmer blind stamp (1st State) $1,500-2,500 Provenance: Private Collection, CA. 260 Gene Kloss (1903-1996) Song of the Buffalo Hunt 11” x 13 ¾” etching Original pencil signature lower right, titled and numbered #9/25 lower left $1,500-2,500 260 75

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262 261 Bob Moline (b. 1938) Buffalo 36” x 48” hand-embellished giclee Original signature lower right $1,000-2,000 262 Kim Mackey (b. 1953) The Way 20” x 16” oil on canvas Signed lower left Verso: Titled and signed. $2,500-3,500 263 Michael Coleman (b. 1946) A Challenger 28” x 34” oil on board Signed lower left $3,000-5,000

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264 Harvey W. Johnson (1921-2005)(CA) The Indian Birchbark 20” x 32” oil on canvasboard Signed and dated ‘88 lower right $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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Kirk Stirnweis (b. 1967) Trouble for the Overland Stage

70” x 48” oil on board Signed lower right $8,000-12,000

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267 266 Jerry Blank 1) Dolly 2) Willie Each 24” x 18” oil on canvas, gallery wrapped Each signed lower right $1,000-1,500 267 Robert Coombs (b. 1970) Unexpected Impressions 29” x 14” oil mounted on linen Signed upper left Verso: Titled and signed. $1,000-1,500

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268 Mian Situ (b. 1953) Among the Wildflowers 16” x 20” oil on canvas Signed lower right $3,000-5,000 269 Mian Situ (b. 1953) Garden Gate 9” x 12” oil on canvas Signed lower left $800-1,200

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270 270 Newman Myrah (1921-2010)(NWR) Fording Flint Creek 20” x 16” oil on canvas Signed lower right, NWR Verso: Titled. $1,000-1,500

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271 Newman Myrah (1921-2010)(NWR) Horse Wrangler 18” x 24” oil on canvas Signed lower right, NWR Verso: Titled. $2,000-3,000 272 Newman Myrah (1921-2010)(NWR) Indian Scout 22” x 28” oil on canvas Signed lower left, NWR $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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273 *Robert F. Morgan (1929-2015) Why Gone Those Days 24” x 36” oil on canvas Signed lower right, NWR Verso: Titled and dated 1986. $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR. Bob Morgan’s work is made more important when one considers his work with the Montana Historical Society in his hometown of Helena. His 15-year career with the historical society included stints as Curator and Director. A longtime participant in the Northwest Rendezvous group, Bob was a major reason for the group’s success.

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274 274 New West Furniture: Elk Carved Buffet Table 37” tall x 72” wide x 18 ¼” deep with red leather top, accented with brass tacks and carved front cabinets with antler handles. 1990s. $6,000-8,000 Provenance: Ex. Jackson, WY Collection.

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275 New West Furniture: Three Small End Tables Each 24” tall x 24” wide x 24” deep, all with red leather top, lower shelf, and one drawer with antler handle.

1990s. $2,500-3,000 Provenance: Ex. Jackson, WY Collection.

276 6 Bar Height Custom Wood Chairs Each is 40” tall overall, seat height is 28”. 1990s. $1,200-1,600

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277 New West Furniture: Two Rawhide Chairs with End table Table is 20” tall x 24” wide x 24” deep.

Chairs are 41” tall overall. Circa 1990s. $800-1,000 Provenance: Ex. Jackson, WY Collection.

278 New West Furniture: 1) Blonde Corner Cabinet 33” tall x 48” corner to corner x 31 ½” deep with antler handles, 1990s.

2) Blonde End Table Cabinet 27” tall x 30” wide x 20 ½” deep with antler handles, 1990s. $2,000-2,500 Provenance: Ex. Jackson, WY Collection.

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279 New West Furniture: 1) Blonde Dresser with 8 drawers 38” tall x 42” wide x 22” deep, with antler handles. 1990s.

2) Blonde End Table Cabinet 24” tall x 30” wide x 20” deep, with antler handles. 1990s. $2,000-3,000 Provenance: Ex. Jackson, WY Collection.

Michael and Virgina Patrick of New West Furniture: The Patricks, out of Cody, WY were more interested in creating Molesworthinspired pieces of furniture and accessories than exact replicas. At first glance, the Patricks’ furniture and style looks just like Molesworth’s, but with a little scrutiny you can’t miss the spark of the Patricks’ imagination.

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The two designers had a bottomless store of ways to make a room more fun to live in. New West furniture inspires unabashed visions of Western fantasy.

New West Furniture Company is no longer in business as Michael Patrick passed away. Seize the opportunity to purchase a unique set of furniture by the famous woodworking company of the early 1990s!

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280 F.A. Meanea Co. Items Two Gunbelts with Holsters: 1) 45” long. Tooled floral designs, stamped F.A. Meanea Co. Cheyenne, WYO. 2) 45” long. Tooled floral designs, stamped F.A. Meanea Co. Cheyenne, WYO. Saddle Bags: 27” total length, stamped F.A. Meanea Co. Cheyenne, WYO. Rifle Scabbard: 36” long x 8” at widest point with 25” leather drops. Tooled floral design, stamped F.A. Meanea Co. Cheyenne, WYO. $1,000-1,500 Provenance: F.A. Meanea Saddle Co. Catalogue, Number one included in the lot.

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281 Two Pairs of Spurs: 1) 1 ½”, 20 point rowels. Crockett spurs with original tooled straps, silver engraving and original studs and rowels. Circa 1920s.

2) 1 ¾”, 8 point rowels. Crockett Spurs, bottle opener style. Stamped. Circa 1930s. $1,500-2,500 282 L & M Spurs 2 ¼”, 6 point rowels. Mounted silver spurs with floral conchos and longhorn overlays and nicely tooled woven straps. Handmade and hand-engraved. Contemporary. $1,000-1,500

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283 Jack Connolly Saddle Co. Brown Saddle Nice medium brown color, together with matching pair of saddle bags and custom saddle rack. Circa 1930s. $1,000-1,500 Provenance: Estate collection, Jackson, WY. 284 Catalog Saddle Small brown saddle with saddle rack.

19th century. $600-900 285 Buffalo Saddle Co. Saddle High back, nicely embossed and great mahogany color. Original iron stirrups.

Overall fine condition with a custom saddle rack. Circa 1965. $1,500-2,500 Provenance: Estate collection, Jackson, WY.

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288 286 Margaret E. Short (20th C.) Leitmotiv 10” x 9” oil on linen Signed lower left, OPA $1,000-2,000 287 Diana Harvey Startled by the Stampede 14” x 11” oil on canvasboard Signed lower right $1,000-1,500

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288 Bob Moline (b. 1938) Solo 10” x 8” oil on canvasboard Signed lower left $600-900 289 Ron Lesser (20th C.) Off the Trail 18” x 21” oil on board Signed lower right $800-1,200 290 Ila McAfee (1897-1955) The White Mare 12 ½” x 17 ¼” watercolor Signed lower left $2,000-3,000

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291 Ted Long (1932-2007) Cottonwood Crossing 24” x 36” oil on canvas Signed lower left $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 292 James Farrington Gookins (1840-1904) Mount of the Holy Cross 18” x 27 ¾” oil on canvas Signed and dated 1880 lower left $2,000-3,000

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293 Dave Powell (b. 1954) Illustrated Letter to “Friend Jack” Illustration is 5 ½” x 8 ½” watercolor Signed at bottom of letter $1,000-1,500 294 Joe De Yong (1894-1975) Summer Storm 9” x 12” oil under glass Signed lower right $2,000-3,000 292

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295 295 Navajo Rug 7’7” x 4’10” Ganado weaving with classic designs of concentric, serrated diamonds and whirling log motifs. The rug has a bold, meandering border. Woven from all Native, silky-smooth, long-staple Churro sheep wool, all handcarded, handspun and hand-dyed.

Circa 1920. $2,500-3,500 296 Navajo Rug 7’5” x 5’2”. An exquisite floor rug from the Teec Nos Pos/Red Mesa weaving area. Woven from commercial 4-ply Germantown wool yarns on a handspun Native wool warp. These woolen Germantown yarns were quite popular around Red Mesa and Teec Nos Pos in the 1950s. The design consists of three concentric, serrated Saltillo-type diamonds down the center with classic Teec filler motifs throughout the light grey field. The side borders are a fancy, concentric serrated sawtooth motif. Circa 1950. $2,000-3,000 296 86

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297 297 Navajo Rug 7’8” x 5’2” Red Mesa area weaving with zig-zag designs and eyedazzler diamonds. Circa 1930. $2,500-3,500 298 Navajo Rug 5’3” x 3’6” Red Mesa area weaving with eyedazzler design and hooked border.

Spirit line visible. Circa 1935. $1,500-2,500

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299 Navajo Rug 6’5” x 4’1” Crystal area weaving with sun motif in center and hooked and stepped designs with a hooked border.

Circa 1930. $2,000-3,000 300 Navajo Rug 6’4” x 4’3”. Two Grey Hills area weaving with stepped diamond designs.

Circa 1945. $2,000-3,000 300

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302 301 Navajo Rug 5’5” x 4’3” with six figures and animals.

Woven by Margaret Cody. Contemporary. $2,000-3,000 302 Navajo Rug 3’ x 3’ square weaving with two figures and squirrel designs. Woven by Margaret Cody.

Contemporary. $1,500-2,500

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303 Navajo Rug 4’1” x 3’4”. Navajo Pictorial weaving with 20 figures in a general store scene. Woven by Linda Nez, contemporary. $2,000-3,000 304 Navajo Rug 4’ x 4’ square weaving with a single figure plus numerous animal and arrow design elements. Woven by Margaret Cody.

Contemporary. $2,000-3,000

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305 Navajo Rug 4’10” x 3’4” Crystal area weaving with a large, striking, central design on an ivory field. Circa 1920s. $1,500-2,500 306 Navajo Rug 5’5” x 3’7” Transitional weaving with bright colors in a geometric X design. Woven with hand carded and handcombed wool. Circa 1900. $1,500-2,500

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307 Navajo Rug 3’3” x 2’10” from the Chinle Trading Post region. Features 9 serrated diamonds. Woven with all handspun wool. Circa 1940. $400-600 308 Navajo Rug 6’5” x 3’10” Transitional rug featuring checkered diamond designs. Circa 1920. $1,800-2,200

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309-2 309 Edward S. Curtis (1868-1952) Five Sorini Photogravures (all unframed): 1) The Storm - Apache 11 ½” x 15 ½”, Plate #9 Copyright photograph 1906 by E.S. Curtis, Photogravure John Andrew & Son. 2) Sunset in Navajo-Land 11 ¼” x 15 ⅛, Plate #38 Copyright photograph 1904 by E.S. Curtis, Photogravure John Andrew & Son. 3) Out of the Darkness - Navajo 11 ⅝” x 15 ½”, Plate #37 Copyright photograph 1904 by E.S. Curtis, Photogravure John Andrew & Son.

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4) Alchise - Apache 15 ⅛” x 10 ½”, Plate #5 Copyright photograph 1903 by E.S. Curtis, Photogravure John Andrew & Son. 5) Vash Gon - Jicarilla 15 ¼” x 8 ⅞”, Plate #20 Copyright photograph 1904 by E.S. Curtis, Photogravure John Andrew & Son. $3,000-5,000 Provenance: Includes Volume List One of The North American Indian Series. Portfolios were created by Classic Gravure, Santa Fe, NM. Sorini Photogravures made from the original copper plates.

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310 Edward S. Curtis (1868-1952) Six Sorini Photogravures (all unframed): 1) Mosquito Hawk - Assiniboin 15 ⅜” x 10 ¼”, Plate #102 Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son. 2) A Mountain Fastness - Apsaroke 11 ⅞” x 15 ⅜”, Plate #140 Copyright photograph 1905

by E.S. Curtis, Photogravure John Andrew & Son.

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3) American Horse - Ogalala 15 ⅜” x 11”, Plate #108 Copyright photograph 1908

by E.S. Curtis, Photogravure John Andrew & Son. 4) Wolf - Apsaroke 15 ½” x 11 ¾”, Plate #142 Copyright photograph 1908

by E.S. Curtis, Photogravure John Andrew & Son. 5) Upshaw - Apsaroke 15 ½” x 10 ¼”, Plate 139 Copyright photograph 1905

by E.S. Curtis, Photogravure John Andrew & Son.

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6) Invocation - Sioux 15 ¾” x 10 ¼”, Plate #109 Copyright photograph 1907

by E.S. Curtis, Photogravure John Andrew & Son. $4,000-6,000 Provenance: Includes Volume Lists Three and Four of The North American Indian Series. Portfolios were created by Classic Gravure, Santa Fe, NM. Sorini Photogravures made from the original copper plates.

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311 Edward S. Curtis (1868-1952) Prayer to the Mystery 15 ½” x 10 ¼”, Plate #91, Sorini Photogravure Copyright photograph 1907 by E.S. Curtis, Photogravure John Andrew & Son. $2,000-3,000 312 Edward S. Curtis (1868-1952) Black Eagle 15” x 7 ¾”, Plate #101, Sorini Photogravure Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son. $2,500-3,500

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313 Edward S. Curtis (1868-1952) A Gray Day in the Lands 11 ⅞” x 15 ⅝”, Plate #86, Sorini Photogravure Copyright photograph 1905 by E.S. Curtis, Photogravure John Andrew & Son. $1,000-2,000

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314-2 314 Edward S. Curtis (1868-1952) Six Sorini Photogravures (all unframed): 1) Red Whip - Atsina 15 ½” x 10 ¼”, Plate #174 Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son. 2) Coups Well-Known - Apsaroke 15 ½” x 10 ¼”, Plate #144 Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son. 3) Lone Flag - Atsina 15 ½” x 10 ¼”, Plate #180 Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son.

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4) Bringing the Sweat-Lodge Willows - Piegan 10 ¼” x 15 ⅛ ”, Plate #205 Copyright photograph 1900 by E.S. Curtis, Photogravure John Andrew & Son. 5) Watching For The Signal - Nez Perce 15 ¼” x 11 ¾”, Plate #261 Copyright photograph 1910 by E.S. Curtis, Photogravure John Andrew & Son. 6) Little Sioux - Arikara 15 ¼” x 8 ⅝”, Plate #155 Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son. $4,000-6,000 Provenance: Includes Volume Lists Five and Eight of The North American Indian Series. Portfolios were created by Classic Gravure, Santa Fe, NM. Sorini Photogravures made from the original copper plates.

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316 315 Ken Moore, Sr. (b. 1946) Labor of Love 22” x 28” oil on canvas Signed and dated 1991 lower right Verso: Titled. $1,500-2,500 316 Scott Burdick (b. 1967) Sara in Red Scarf 14” x 11” oil on board Signed lower right Verso: Titled, signed and dated 2006. $500-700

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317 Harold Lyon (1930-2020) Time Out 18” x 24” oil on canvas Signed lower right $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 318 Will Burlingame (b. 1942) Impassible 24” x 36” acrylic Signed and dated ‘79 lower right $1,500-2,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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319 Chauncey Homer (b. 1966) Fringe Benefits 14” x 8” oil on board Signed lower right $1,000-1,500 320 Jimmy Abeita (b. 1947) Uphill 14” x 18” oil on board Signed lower left $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 321 Harvey W. Johnson (1921-2005)(CA) Un Descanso en la Sombra 20” x 30” oil on canvas Signed and dated 1977 lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 322 Russ Vickers (1923-1997) The Last Attack 4” x 12” oil on canvasboard Signed lower right Verso: Titled, signed and dated 1977. $1,500-2,500

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324 323 John Leone (1929-2011) Vintage Virtuoso 24” x 36” oil on board Signed lower right $8,000-12,000 Provenance: Private Collection, Michigan.

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325 324 Roy Grinnell (1933-2019)(CA) Reflections 16” x 24” oil on canvas Signed lower right, CA $5,000-7,500 Provenance: Private Collection, Michigan.

325 Mark Perry (b. 1960) Mountain Goat 20” x 30” oil on canvas Signed and dated ‘91 lower right $2,000-3,000

326 Don Crowley (1926-2019)(CA) Apache Symbols 9” x 12” oil on board Signed lower right, CA Verso: Titled and signed. $2,000-3,000 Provenance: Private Collection, Michigan.

327 Harvey Otis Young (1840-1901) Twin Peaks 10” x 12 ¼” oil on canvas Signed lower left Verso: Tag from Denver Public Library dating the painting circa 1890. $2,000-3,000 Provenance: Ex. Nelson “Buz” Reiger Estate.

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328 Karen Thayer (21st. C) Young Woman 20” x 16” oil on canvas Signed lower right $1,000-2,000 329 Russ Vickers (1923-1997) The Chuckwagon 14” x 18” oil on canvas Signed and dated ‘82 lower right Verso: Titled, signed and dated ‘82. $1,500-2,500

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331 330 Lyle Tayson, Sr. (1924-2014) Suppertime 18” x 24” oil on board Signed lower left $2,000-3,000

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331 Frederic Remington (1861-1909) The Last of His Race 18” x 12 ¼” oleograph Signed and dated 1908 lower right An oleograph is a chromolithograph printed with oil paint on canvas in imitation of an oil painting. $1,500-2,500 332 Russ Vickers (1929-1997) Four 4” x 12” oils: 1) Crossing the Santiam 2) In the Cool of the Night 3) Ambushed 4) Unexpected Danger Each signed lower right $3,000-5,000 Provenance: Private Collection, Michigan.

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333 Buck McCain (b. 1943) Burro 9” x 12” oil on board Signed lower right $600-800 Provenance: Mr. & Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

334 John Jones (b. 1940) Two oils: 1) Cheyenne Chief 30” x 15” oil on canvas 2) Indian Girl 10” x 8” oil on canvas Each signed lower right $1,000-1,500

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335 Leonard Reedy (1899-1956) Two watercolors: 1) Lone Burro Signed lower left 2) Arrival Signed lower right Each 8” x 11” $1,200-1,800 336 Conrad Schwiering (1916-1986) Tetons 20 ¾” x 24 ¾” oil on canvas Signed lower left $5,000-7,000 336 99

337 Michael J. Chee Two alabasters: 1) Indian Man 9 ½” x 17” x 4” Inscribed: M.J. Chee, ‘91 2) Indian Woman 13” x 7” x 4” Inscribed: Michael J. Chee, ‘93 $600-900

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338 Michael J. Chee Two alabasters: 1) Indian Man 7 ½” x 7 ½” x 5” Inscribed: M.J. Chee, ‘92 2) Leaning Woman 16 ½” x 9 ½” x 3 ½” Inscribed: M.J. Chee, ‘92 $600-900 339 Michael J. Chee Two alabasters: 1) Indian Woman 20” x 9” x 4” Inscribed: Michael J. Chee, ‘90 2) Hopi Maiden 9” x 7” x 4” Inscribed: M.J. Chee, ‘91 $600-900

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340 Bob Scriver (1914-1999)(CA) Warrior’s Pony 9” x 12” x 6” bronze Inscribed: Warrior’s Pony, Bob Scriver © 1973, 6/30 $800-1,200 Provenance: Private Collection, Spokane, WA. Certificate of Authenticity and to accompany the lot.

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341 Set of 4 Pewter Sculptures 1) Done after: Where the Best of Riders Quit

by CM Russell 8” x 6” x 4” Inscribed: © 1979, National Cowboy Hall of Fame 1979 2) Done after: A Bronc Twister

by CM Russell 7 ½” x 7” x 5” Inscribed: © 1978, National Cowboy Hall of Fame 1978 3) Done after: Coming Through the Rye

by Frederic Remington 8” x 11” x 7” Inscribed: 1982, National Cowboy Hall of Fame 1982

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4) Done after: The Outlaw

by Frederic Remington 8 ½” x 6” x 3” Inscribed: 1978, National Cowboy Hall of Fame 1978 $800-1,200 342 Sam Terakedis (b. 1952) Prairie Thunder 13” x 18” x 6” bronze Inscribed: S. Terakedis © ‘02, AP $2,000-3,000 343 Pat Mathiesen (b. 1934) Apache Ambush 12” x 20” x 10” bronze Inscribed: Apache Ambush, © 1978, 1/15 Pat Mathiesen $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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345 344 John Franklin (1925-2010) Taos Women 16” x 20” oil on board Signed lower right $1,000-1,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

345 Bill Lee (20th C.) Cold, Calm and Bright 20 ½” x 16 ½” oil on board Signed and dated ‘77 lower right $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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346 John Franklin (1925-2010) Taos 18” x 24” oil on board Signed lower right $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

347 Bill Shaddix (b. 1931) One Little Slow Poke 8” x 10” casein Signed and dated ‘76 lower right Verso: Titled, signed and inscribed: Painted for the collection of Jack and Aline Goodman.

Two mighty fine people. With warm regard, Bev & Bill Shaddix $1,000-1,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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348 348 Margaret Vollmer (1903-1983) Yellow Flowers 24” x 20” oil on canvasboard Signed lower left $800-1,200

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349 Donna Howell Sickles (b. 1949) Making a Name for Herself 30” x 20” limited edition print Signed and dated 2001 lower right, #9/75 $2,000-4,000 350 Donna Howell Sickles (b. 1949) Apples for the Yellow Mare 30” x 20” limited edition print Signed and dated 2000 lower right, #54/175 $2,000-4,000

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352 351 Art Kober (20th C.) Rider and Horse 15” x 30” oil on canvasboard Signed and dated ‘79 lower right $1,000-1,500 353

352 Ramon Kelley (b. 1939)(PSA) The Sioux Bonnet 29” x 21” pastel Signed and dated 1981 lower right, PSA Verso: Titled, signed and dated ‘81. $6,000-9,000 353 Art Kober (20th C.) Bear on Roof 18” x 24” oil on canvas Signed and dated ‘78 lower right $800-1,200 354 Art Kober (20th C.) Winter Robe 22” x 28” oil on canvas Signed and titled lower left $800-1,200

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355 355 Paul Dyck (1917-2006) Indian Portrait 9” x 7” mixed media Signed lower left $1,000-1,500 356 Les Peters (1917-2010) Doe and Fawn 9” x 12” oil on canvasboard Signed lower left $600-800 357 James Poulson (b. 1955) Rimrock from Coulson 9” x 12” oil on canvasboard Signed lower right Verso: Titled and signed. $600-800

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358 Robert F. Gilder (1856-1940) Lakeshore 16” x 20” oil on board Signed lower right $800-1,200

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360 359 Bill Bender (1919-2016) Watering the Flock 15” x 30” oil on board Signed and dated ‘69 lower right $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

360 Robert Knudson (1929-1989) Storm Clearing, Navajo Country 20” x 24” oil on canvas Signed lower left $300-500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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361 Ross Stefan (1934-1999) Trail from Kayenta 16” x 24” oil on canvas Signed lower right Verso: Titled. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

362 Lyle Tayson, Sr. (1924-2014) At the Waterhole 6” x 9” watercolor Signed lower left $600-900

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363 363 Ralph Wall (1932-2009) Moonride 16” x 12” oil on canvas Signed lower right Verso: Titled, signed and dated 1972. $300-500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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364 Gerald McCann (1916-1995) September 20” x 30” oil on board Signed and dated ‘71 lower left $2,000-3,000 365 Russ Vickers (1923-1997) Two oils: 1) Moving Camp 4” x 6” oil on board Signed lower right

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2) Men, Women, Children 5” x 13” oil on board Signed and dated ‘88 lower right Verso: Signed, titled and dated ‘88. $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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MARCH IN MONTANA 2022

Saturday, March 19 • 11:00 am Session Two

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366 Edward S. Curtis (1868-1952) Waiting in the Forest - Cheyenne 15 ¼” x 11”, Plate #218 Sorini Photogravure Copyright photograph 1910 by E.S. Curtis, Photogravure John Andrew & Son. $4,000-6,000 Provenance: Includes Volume List Six of The North American Indian Series and the book titled Edward S. Curtis, The Life and Times of a Shadow Catcher by Barbara A. Davis.

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367 Edward S. Curtis (1868-1952) The Scout in Winter - Apsaroke 15 ½” x 11 ¾”, Plate #131, Sorini Photogravure Copyright photograph 1908 by E.S. Curtis, Photogravure John Andrew & Son. $2,000-3,000 368 Frank Rinehart (1861-1928) Chief Wolf Robe, Cheyennes 15 ¾” x 12 ½” photo In original oak frame $1,500-2,500 369 Edward S. Curtis (1868-1952) Typical Nez Perce 15 ⅛” x 10 ⅞”, Plate #258, Sorini Photogravure Copyright photograph 1899 by E.S. Curtis, Photogravure John Andrew & Son. $2,000-3,000

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370 370 Karl Bodmer (1809-1893) Tab. 26, Winter Vilate of the Minatarres 14 15/16” x 17 ⅛” aquatint, etching, unframed Signed C. Bodmer blind stamp (1st State) $1,500-2,500 Provenance: Private Collection, CA. 371 Karl Bodmer (1809-1893) Tab. 46, Chief of the Blood Indians. War Chief of the Pikeannn Indians. Koutani Indian 14 3/16” x 19 ⅛” handcolored, aquatint, mezzotint, etching, roulette, unframed Signed No C. Bodmer blind stamp (5th State) $2,000-3,000 Provenance: Private Collection, CA. 372 Karl Bodmer (1809-1893) Tab. 33, Woman of the Snake-Tribe. Woman of the Cree-Tribe 14 ¼” x 18 ⅜” handcolored, aquatint, mezzotint, etching, roulette, unframed Signed C. Bodmer blind stamp (1st State) $2,500-3,500 Provenance: Private Collection, CA.

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373 Karl Bodmer (1809-1893) Tab. 7, Missouri Indian. Oto Indian. Chief of the Puncas 14 ⅛” x 19 ¼” handcolored, aquatint, mezzotint, etching, roulette, unframed Signed C. Bodmer blind stamp (1st State) $2,000-3,000 Provenance: Private Collection, CA. 373 111

March in Montana Presents...

New works by invited contemporary artists; our favorites of those painting the West in 2022.

We are grateful to these artists for their expertly created works for our 35th Annual Auction.

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374 Colt Idol (b. 1992) Morning Belles 30” x 24” oil on canvas Signed lower left Verso: Titled, signed and dated 2021. $4,000-6,000 375 Jennifer Johnson (b. 1973) Cowboy Bar Country 30” x 30” oil on canvas Signed lower right $6,000-9,000 376 Amy Brakeman Livezey (b. 1964) Crossing 36” x 40” mixed media on panel Signed lower right Verso: Titled, signed and dated 2021. $2,500-3,500

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377 377 Don Oelze (b. 1965) Unwelcome Guests 34” x 48” oil on canvas Signed lower left $18,000-25,000 378 Luke Frazier (b. 1970) Bull in a Blowdown 14” x 18” oil on canvas Signed upper left Verso: Titled, signed and dated ‘18. Inscribed: Seven day workshop at the National Museum of Wildlife Art. NMWA Rungius Moose. $6,000-8,000

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379 Luke Frazier (b. 1970) Defiance 30” x 30” oil on canvas Signed lower left $15,000-25,000 380 Colt Idol (b. 1992) Dancing Embers 18” x 32” oil on canvas Signed lower right Verso: Titled, signed and dated 2021. $3,000-5,000 381 Chip Jones (b. 1961) Take Off 18” x 45” bronze wall hanging, limited series of 15 Inscribed: Chip Jones, 9/15 $5,000-7,000 379

382 Kira Fercho Sunset Tipi 30” x 16” oil on canvas Signed lower right $2,500-3,500

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383 Ty Barhaug (b. 1963) Under the Cathedral 21” x 35” oil on board Signed and dated ‘21 lower right Verso: Titled, signed and dated ‘21 $8,000-12,000 384 Randy Van Beek (b. 1958) Cheyenne Setting Camp 24” x 24” oil on canvas Signed lower left $4,000-6,000

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385 Tobias Sauer (b. 1981) 24/7 Life 21” x 28” oil on linen panel Signed lower left $4,000-6,000 386 Abigail Gutting (b. 1984) Survivors 20” x 30” oil on linen Signed lower right $4,000-6,000

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387 Aaron Hazel (b. 1984) Singing Beauty (Crow) 36” x 24” oil on canvas Signed lower left Verso: Titled, signed and dated 2021. $2,500-3,500

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388 Jessica Bryant (b. 1977) Cascade Creek, Grand Teton National Park 29” x 21 ½” watercolor Signed and dated 2021 lower right $6,000-8,000 389 Mark Susinno (20th C.) On Nymphs 18” x 24” oil on linen panel Signed and dated 2021 lower left $4,000-6,000

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390 Paul Dykman (b. 1953) Shafts of Light 16” x 20” oil on canvas Signed lower right $2,500-3,500 391 Brian Bateman (b. 1961) A Vision of Color 36” x 24” oil on linen Signed lower left $3,000-5,000 392 Ken Yarus (b. 1989) Summertime Bliss 21” x 16” oil on canvas Signed lower left $2,000-3,000 389

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Andy Thomas (b. 1957) Fight on the Southern Plains

32” x 40” oil on canvas Signed lower right $40,000-60,000

The Kiowa and Osage were traditional enemies. In this painting, the Osage have drifted into Kiowa territory on a hunt for buffalo. The Kiowa men have launched an attack and the Osage men, ever ready for a fight, counterattack.

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Cowboy Artists Of America In June of 1965, five artists met at a tavern in Sedona, AZ to formally organize The Cowboy Artists of America. Those five men were Charlie Dye, Joe Beeler, John Hampton, George Phippen, & Fred Harman, Jr.. Phippen was elected the first President and they pounded out the bylaws over a few bottles of Coors beer.

One of their goals was “to perpetuate the memory & culture of the Old West as typified by Remington & Russell.”

The following offerings are by past & current members of the Cowboy Artists of America.

394 John Hampton (1918-2000)(CA) Navajo 20” x 25” x 12” bronze Inscribed: John Hampton CA © 1980 20/40 $4,000-6,000 395 Mehl Lawson (b. 1942)(CA) Cow Boss 15” x 11” x 16” bronze Inscribed: Mehl Lawson CA ‘83, Heritage Bronze Inc., 3/25 $2,000-3,000 396 Bob Scriver (1914-1999)(CA) The Sheep Herder 13” x 11 ½” x 8” bronze Inscribed: © Bob Scriver, 1966, “II”, Powell Bronze, Kalispell, MT Foundry. $2,000-2,500

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398 397 Joe Beeler (1931-2006)(CA) Navajo Man 10 ½” x 7” watercolor Signed lower right Verso: Old Santa Fe Art Auction sticker. $1,000-1,500 398 *Fred Harman, Jr. (1902-1982)(CA) Bear Smell 26” x 36” oil on canvas Signed lower right $5,000-7,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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399 Irvin “Shorty” Shope (1900-1977))CA) Training Hostiles 24” x 36” oil on canvas Signed lower right, CA $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 400 Nicholas Firfires (1917-1990)(CA) The Accursed Mule 20” x 24” oil on canvas Signed lower left, CA $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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There is no shortage of interesting stories when one looks at the early members of the CA, and Fred Harman, Jr. is no exception. Raised on a Colorado Ranch, he moved to Kansas City at an early age. It was there that he partnered with another young artist to form their own company called the Kansas City Film Advertising Company. The venture failed and both artists headed off in different directions. Fred’s partner was Walt Disney.

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402 401 401 John Coleman (b. 1949)(CA) The Sentinel 17” x 8” x 6” bronze Inscribed: The Sentinel, John Coleman CA © 2005, 25/50 $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

402 John Coleman (b. 1949)(CA) Distant Thunder 12” x 7” x 5” bronze Inscribed: © ‘03, CA, John Coleman 31/75 $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

403 John Coleman (b. 1949)(CA) Maiden from the East Mesa 10 ½” x 7” x 5” bronze Inscribed: 61/75 John Coleman © 2004 CA $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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404 404 George Phippen (1915-1966)(CA) Arizona Rock Hoppers 18” x 26” x 8” bronze Inscribed: Neggle Bronze Works, Geo Phippen $10,000-15,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent. This

bronze was featured on the cover of the first CA catalog in 1966 and is illustrated on Page 26 of the book Ten Years with the Cowboy Artists of America,

by James k Howard.

405 *Frank Polk (1908-2000)(CA) Longhorn 9” x 10 ½” x 4” woodcarving Inscribed: Frank Polk CA © 1969 $800-1,200 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

405 *After a life of cowboying, rodeos, and working as a stunt man in early western movies, Frank Polk took to woodcarving. It was George Phippen who originally invited Frank to become a member of the Cowboy Artist’s of America, which he did in 1967.

Polk won several awards at the CA shows over the years.

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406 406 Gary Carter (b. 1939)(CA) Spanish Creek Roans 33 ¼” x 50 ¼” oil on canvas Signed lower center $15,000-20,000 407 Roy Andersen (1930-2019)(CA) Dream Spinner 7” x 5” oil on canvasboard Signed lower right, CA Verso: Titled, signed and dated 2000. $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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408 408 C.R. Cheek (1937-2019) Visitors 16” x 20” oil on canvas Signed lower left Verso: Titled and signed. $3,000-5,000 Provenance: Private Collection, Montana.

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409 Thomas Kinkade III (1958-2012) The Summer Cabin 18” x 24” oil on board Signed and dated 1983 lower right Verso: Old exhibition stickers. $6,000-8,000 410 Thomas Kinkade III (1958-2012) View of the Mountains 20” x 16” oil on board Signed and dated 1983 lower right Verso: Old exhibition stickers. $6,000-8,000

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413 411 Ethelinda (20th/21st C.) Dutch 52” x 72” oil on canvas Signed lower left $8,000-12,000

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412 A.T. Cox (b. 1957) Splash of Gold 12” x 9” oil on board Signed and dated ‘89 lower right $2,000-3,000

413 A.T. Cox (b. 1957) Two Riders 18” x 24” oil on board Signed and dated ‘98 lower right $2,000-3,000

414 John Hampton (1918-2000) Wild Bronc 24” x 36” oil on canvas Signed and dated 1961 lower right $5,000-7,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 415 Bill Owen (1942-2013) Moon Says Rain 18” x 24” oil on canvas Signed and dated 1971 lower right Verso: Titled, signed and dated 1971. $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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416 Elizabeth Lochrie (1890-1981) Two Bucks 24” x 19” oil on board Signed and dated 1952 upper left $2,000-3,000 Provenance: Private Collection, Wyoming.

417 John Hampton (1918-2000) Wild Cattle 15” x 27” oil on canvas Signed and dated 1965 lower left Verso: Signed and titled. $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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419 418 John Clymer (1907-1989)(CA) The Mountain Drive 10” x 12” oil on board Signed lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 126

419 Richard Lorenz (1858-1915) Watching the Herd 24” x 36 ½” oil on canvas $6,000-9,000 Provenance: The Artist, Elsa Deuter (artist’s niece), Private Collection, WI. *Please inquire about additional provenance regarding authenticity.

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Olaf Wieghorst (1899-1988) Custer at Crow’s Nest

18” x 24” oil on canvas Signed lower left $20,000-30,000 Olaf Wieghorst, always a stickler for historical accuracy, depicts one of our history’s most iconic events, the Battle of the Little Bighorn. On the late morning of June 26, 1876 General George Armstrong Custer plotted his strategy at a place called “The Crow’s Nest”. Located in the Wolf Mountains, this is where Custer made the fateful decision to divide his forces.

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421 Olaf Wieghorst (1899-1988) Navajo Madonna 23” x 22” x 7” bronze Inscribed: O. Wieghorst © ‘86, 6/10 $12,000-18,000

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422 Earle E. Heikka (1910-1941) Hunter’s Return 12” x 30” x 5” bronze Inscribed: E.E. Heikka, 29/35, 1930 $6,000-9,000

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423 Tim Shinabarger (b. 1966) Rhythm of the Hunt 17” x 37” x 19” bronze Inscribed: 12/35 $8,000-12,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

424 Tim Shinabarger (b. 1966) Riding Shank’s Mare 32” x 15” x 15” bronze Inscribed: 4/35 © ‘16 Shinabarger $8,000-10,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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425 *Dave McGary (1958-2013) The Crow and the Bear 27” x 57” x 16” bronze Inscribed: Dave McGary 2007, 9/40 $15,000-25,000 426 Frederic Remington (1861-1909) The Outlaw 23” x 14” x 6” bronze Inscribed: Copyright Frederic Remington $2,000-3,000 427 Jerry McKellar (b. 1944) Eagle John 31” x 15” x 13” bronze Inscribed: Eagle John, McKellar 3/30 $2,500-3,500 426

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*Dave McGary grew up on a ranch in Cody, Wyoming. As a teenager he was lucky enough to meet his mentor, Harry Jackson and later won a grant to study bronze making with Jackson in Italy. Following his two years in Italy, McGary spent several years working in foundries in New Mexico and became highly interested in Indian culture. In 1981 he opened his own studio in Ruidoso, New Mexico. His work is highly detailed, sometimes with several hundred pieces welded together and combining paints with patinas. He has been described as the Master of Realism, depicting Native American Indians where he focuses on capturing the human spirit with much attention to detail in form and historic content.

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428 Preston Singletary (b. 1963) Raven Steals the Moon 18” x 6” glass Inscribed on bottom: Preston Singletary, 2002. $8,000-12,000 429 Josh Tobey (b. 1977) One of: The Three Tenors 35” x 12” x 14” bronze Inscribed: Joshua Tobey © 2016, 18/25 $10,000-12,000 430 Bruce LaFountain (b. 1961) Native Woman and Horse 39” x 31” x 9” bronze on custom swivel pedestal Inscribed: B. LaFountain 1990, 3/12 $9,000-12,000 428

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here are four artists who are particularly enduring to Alaskans. Known as the Alaska Four, they are Ted Lambert, Jules Dahlager, Sydney Laurence, and Eustace Paul Ziegler. These four helped create the image of the “Last Frontier” Alaska. All four had a toughness that is in the core of Alaskans. We’re proud to offer pieces by each of these artists along with the other Alaskan artists featured.

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431 Eustace Paul Zieglar (1881-1969) Cronies from Talkeetna 10” x 12” oil on canvasboard Signed lower right Verso: Titled and signed. $5,000-8,000 Provenance: Collection of Candy Waugaman.

432 Sydney Laurence (1865-1940) Cache at Sunset 9 ¾” x 7” oil on canvas Signed lower right Verso: Braarud Fine Art Sticker and WCCFA sticker. $8,000-12,000 Provenance: Collection of Candy Waugaman.

433 Eustace Paul Ziegler (1881-1969) Panning Gold, 1921 8” x 10” oil on board Signed lower right $7,000-10,000 Provenance: Collection of Candy Waugaman.

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435 434 Frederick Machetanz (1908-2002) Eskimo Belle 18” x 16” oil on board Signed, dated 1960 lower right Verso: Titled, signed and dated 1960. $6,000-8,000 Provenance: Collection of Candy Waugaman.

435 *Belmore Brown (1880-1954) Rocky Mountain Ram 20” x 16” oil on canvasboard Signed lower left center Verso: Braarud Fine Art Sticker. $10,000-15,000

436 Ray Swanson (1937-2004) Diomede Island Eskimo 20” x 16” oil on board Signed lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

*One would have to look far and wide to find an artist with a more interesting and fulfilling life than Belmore Browne.

His childhood was far from normal. His father and grandfather had accumulated wealth in New York which afforded Belmore the opportunity to experience Europe at an early age. His formative years were spent in Paris, Venice, and Florence. Eventually settling in Tacoma, Washington, his father invested in the timber of the Pacific Northwest. The environment allowed him to pursue his love of the outdoors, and he started to develop as an artist. He was sent to New York to study art under instructors such as William Merritt Chase and Frank Benson. He later traveled to France to study at Academie Julian.

Partly because of his art skills, he was asked to join an expedition sponsored by the American Museum of Natural History to explore unknown parts of Alaska and the Yukon. For a decade he explored, hunted and fished throughout Alaska. During that time there were three attempts to scale Denali (Mount McKinley), the highest peak in North America. During the 1912 attempt the party made it to within 300 yards of the peak. He later testified before Congress and was instrumental in making Denali (Mount McKinley) a national park.

Besides his painting, Belmore was also an author. His works included books on survival, as well as children’s adventure books. He eventually settled in Banff, Alberta where he and his wife had two children. His son, George Browne, who died in an accident at 40 years old, is sometimes called “the greatest wildlife artist you’ve never heard of”.

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438 437 Theodore “Ted” Roosevelt Lambert (1905-1960) Tanana River 8” x 12” oil on masonite Signed and dated 1944 lower right $5,000-7,000 Provenance: Collection of Candy Waugaman.

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438 Jules Bernard Dahlager (1884-1952) Mt. Eccles 7” x 5” oil on canvas Signed lower right Verso: Titled, signed and dated March 3, 1929. $1,000-1,500 Provenance: Collection of Candy Waugaman.

439 Jules Bernard Dahlager (1884-1952) Cabin on Steese Highway 6” x 8” oil on board Signed lower left Verso: Old Braarud Fine Art sticker. $1,500-2,500 Provenance: Collection of Candy Waugaman.

440 Jules Bernard Dahlager (1884-1952) Prospector’s Cabin 7” x 9” oil on canvasboard Signed lower left $1,500-2,500 Provenance: Collection of Candy Waugaman.

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441 441 Eustace Paul Ziegler (1881-1969) Native Women & Totem Pole 14” x 12” oil on canvasboard Signed lower left Verso: Old auction listing sticker. $6,000-8,000 Provenance: Collection of Candy Waugaman.

442 Jules Bernard Dahlager (1884-1952) Horse Creek Mary 10” x 8” oil on board Signed lower right $2,000-3,000 Provenance: Collection of Candy Waugaman.

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443 Eustace Paul Zieglar (1881-1969) Young Aleut Man 14” x 10” oil on canvasboard Signed lower left $3,000-5,000 Provenance: Collection of Candy Waugaman.

444 Harvey Goodale (1900-1980) Eskimo Ivory Carver 24” x 18” oil on canvasboard Signed lower right $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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445 Eustace Paul Ziegler (1881-1969) Return from the Goldfields 10” x 13 ½” watercolor Signed lower left $4,000-6,000 Provenance: Collection of Candy Waugaman.

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446 Eustace Paul Ziegler (1881-1969) Tolovana on the Tanana 7” x 13” watercolor Signed lower right, titled and dated June 19, 1936 lower left. $3,000-4,000 Provenance: Collection of Candy Waugaman.

447 *Eustace Paul Zeigler (1881-1969) Hand-drawn Map of Alaska Region 8” x 15” overall Inscribed: “Portage from Yukon to Kuskokwim. This is the map Lambert and I used in crossing it.” $800-1,200 Provenance: Collection of Candy Waugaman. Illustrated on pg. 37 of the book titled Spirit of the North: The Art of Eustace Paul Ziegler by Kesler E. Woodward. Copy of book to accompany the lot. *In 1936 Eustace Ziegler and his most famous student, Ted Lambert, set out on a major journey in a homemade boat. The two left Fairbanks to go down the Chena, Tanana, and Yukon Rivers. They had to portage to the Kuskokwim River which the following map shows. The two artists worked together often during the 30’s and both Lambert and Ziegler credit these trips as having brought about some of their best work.

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450 448 Victor Prezio (b. 1924) The Square Shooter 20” x 11 ½” oil on board Signed faintly under fire $1,500-2,500

449 Charles LaSalle (1894-1958) Around the Stove 23” x 16” mixed media Signed lower left $1,500-2,500

450 Jerome Rozen (1895-1987) Illustration, April 1927 26” x 24 ¼” oil on canvas Signed and dated ‘27 lower left $2,500-3,500

451 John Leone (1929-2011) Western Pulp 32 ¾” x 23 ¼” oil on board Signed lower left $1,500-2,500

Each of the above lots are from the Estate of Don Hildebrand, Sisters, OR. Lot 448 Provenance: Copy of the book titled The Square Shooter by Walt Coburn to accompany the lot.

Estate of Don Hildebrand, Sisters, OR.

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452 Navajo Rug 12’6” x 7’1” Room-sized Two Grey Hills rug with a traditional central concentric diamond medallion with serrated diagonal corner bars. Woven from all natural, handshorn and handspun Native Churro cross sheep wool. Circa 1940. $12,000-15,000

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453 Navajo Rug 12’2” x 8’1” exceptionally large Two Grey Hills weaving.

Classically woven with a full-field layered, diamond medallion, surrounded by interlocking spiraling ribbon motifs. Woven from Native handshorn, hand-carded and handspun Churro cross sheep wool. Circa 1940. $13,000-17,000

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454 Navajo Rug 8’5” x 6’. Crystal area weaving with a stepped diamond design and a hooked border. Made from churro wool.

Circa 1890. $4,000-6,000 455 Navajo Rug 7’11” x 4’. Germantown weaving with orange banded border and bright, geometric designs. $7,000-9,000 456 Navajo Rug 8’1” x 4’5”. Ganado area weaving with multiple bold, concentric borders and two large concentric, serrated diamonds. Woven from all long-staple, smooth Churro sheep wools on a wool warp. Circa 1920. $4,500-5,500

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457 Navajo Rug 7’4” x 4’7”. Transitional Moki weaving. Has “corner” tassels on selvage toward one end because the weaver wove one direction, tied off ends, and flipped the weaving over and began again, leaving an additional set of tassels, possibly because the loom was too small to continue in one direction. Circa 1900. $6,000-9,000 Provenance: Collection of Wiley Micks.

458 458 Navajo Rug 11’6” x 8’6” Room sized Ganado area weaving with stepped and checkered diamond designs. Circa 1930s. $12,000-15,000 459 Navajo Rug 8’5” x 6’ Ganado area weaving. Woven

by Leita Williams. Has old tag from the Mesa Verde Gift Shop in Mesa Verde National Park, Colorado. $6,000-9,000

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461 460 John Henry “Hy” Hintermeister (1869-1945) On the Hook 17” x 12” oil on canvas Signed upper left $4,000-6,000 460

461 Fred Harman, Jr. (1902-1982)(CA) Profit and Loss 24” x 30” oil on canvas Signed lower right $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 462 John Henry “Hy” Hintermeister (1869-1945) On the Shore 17” x 12” oil on canvas Signed lower left $4,000-6,000 Provenance: Painting is featured on a September 1928 calendar/promotional card for Croft Lumber company.

Card to accompany the lot.

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463 Philip Goodwin (1881-1935) Three Sketches: 1) Bear Sleeping 5 ½” x 7 ½” Initialed and dated ‘07 center right 2) Bear Cub Head 3 ¼” x 3 ½” 3) Boat Sketches (double sided) 6 ¾” x 9 ¼” $1,500-2,500 Provenance: Collector’s Notes.

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464 Philip Goodwin (1881-1935) Three Sketches: 1) Deer Sketches 7 ½” x 9 ½” Signed and dated 1904 lower left 2) Moose Head 6 ¾” x 8 ¾” 3) Moose Head II 5” x 8” $1,500-2,500 Provenance: Collector’s Notes.

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465 Philip Goodwin (1881-1935) Three Sketches: 1) Deer Leg Sketches 10 ½” x 7” Initialed lower right 2) Moose Head 8 ¾” x 6 ¾” 3) Ram Sheep 7 ½” x 5” $1,500-2,500 Provenance: Collector’s Notes.

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468 466 Power O’Malley (1870-1946) Life Magazine Cover 22 ¾” x 17 ½” oil on canvasboard Signed lower right $2,000-3,000 Provenance: Copy of Life Magazine, August 25, 1910, to accompany the lot.

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467 W.H.D. Koerner (1878-1938) Some Rider Now was Entering the Gate 21 ½” x 12 ½” oil on canvas Signed lower right $2,000-3,000 Provenance: Featured in Saturday Evening Post, May 26, 1923 edition.

468 Harvey Thomas Dunn (1884-1952) Frontier Woman and Child 12” x 16” oil on canvasboard Signed lower left Verso: Owings Gallery Sticker. $3,000-5,000

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Harvey Thomas Dunn (1884-1952) High Country

36” x 23 ½” oil on canvas. Signed and dated ‘07 lower right. $40,000-60,000 Provenance: Painting was featured in The Saturday Evening Post, January 1908 edition. A copy of the magazine will accompany the lot.

Harvey Dunn was born in 1884 in Manchester, South Dakota. He was raised in a sod house. A large boy, he proved to be a hard worker, which served him well throughout his life.

In 1901, at the encouragement of South Dakota artist Ada Caldwell, he enrolled at the Chicago Institute of Art. His South Dakota work ethic paid his tuition, as he was a sought-after worker on the local farms.

Howard Pyle proved to be an influential teacher to Dunn; he studied under him at two of Pyle’s schools.

In 1908 Dunn got married, and N.C. Wyeth served as his best man. In 1917 Dunn began a two year journey on the front lines of WWI as a graphic reporter. His works from that time are housed in the Smithsonian.

In his later years, Dunn was a well-known and in demand teacher. His students included names like John Clymer, Dean Cornwell, and Harold Von Schmidt.

The highest profile client he had over his lifetime of illustration was the Saturday Evening Post.

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471 470 Navajo Rug 13’2” x 7’3” Fine pictorial Teec Nos Pos floor rug with beautiful geometric designs.

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471 Navajo Rug 14’7” x 9’6” large Crystal area weaving featuring a large, triple concentric diamond medallion, surrounded by stepped elements and arrowpoint motifs. Woven from all Native handspun and hand-dyed Churro cross sheep wool. Designs are done in a natural ivory and vegetal-dyed wild carrot. Circa 1940. $14,000-18,000

472 472 Navajo Rug 14’2” x 7’5”. Extra large Ganado area weaving with striking diamond designs, a zigzag border and feather elements. $8,000-12,000 473 Navajo Rug 5’3” x 3’8”. Ganado area weaving with three central diamond designs. $3,000-5,000 474 Navajo Rug 6’10” x 4’2” Ganado Storm pattern weaving with black and white ram horn motifs around the border and nice red accents. Woven from Native handshorn, hand-carded and handspun long-staple Churro sheep wool, both warp and weft.

Circa 1940. $2,500-3,500

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475 Edward Borein (1872-1945) Stand Right There 17” x 13 ½” ink on paper Signed lower left $6,000-9,000 Provenance: A letter of authenticity, dated June 10, 1995 from Harold G. Davidson will accompany the lot.

The Salah M. Hassanein Collection, Present owners, by decent, 2019.

476 Olaf Wieghorst (1899-1988) El Vaquero 12” x 10” watercolor Signed and dated ‘81 lower left $4,000-6,000 477 Edward Borein (1872-1945) A Rurale 21 ½” x 17 ½” ink on paper Signed lower right Verso: Arlington Gallery sticker, Santa Barbara, CA. $6,000-9,000 Provenance: A letter of authenticity, dated January 6, 2000 from Harold G. Davidson will accompany the lot.

The Salah M. Hassanein Collection, Present owners, by decent, 2019.

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478 478 Olaf Wieghorst (1899-1988) Navajo 25” x 22” ink on paper Signed and dated ‘83 lower left $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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479 Edward Borein (1872-1945) Vaquero 8” x 10 ¾” pen and ink Signed lower right $1,000-1,500 480 Nick Eggenhofer (1897-1985) Gunfight 7 ½” x 13 ½” drybrush Signed lower right $800-1,200 481 Olaf Wieghorst (1899-1988) The Indian 13 ½” x 10” watercolor Signed and dated ‘83 lower left $4,000-6,000

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482 John Clymer (1907-1989) Out for a Ride 6 ½” x 10” pen and ink Signed lower right $3,000-5,000 Provenance: Private Collection, Montana.

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483 Edgar S. Paxson (1852-1919) Indian Chief 10” x 8” watercolor Signed and dated 1904 center right $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

484 Will James (1892-1942) Breaking Him for the Boy 9 ¾” x 7 ¾” pen and ink Signed and dated ‘31 lower right $1,500-2,500 Provenance: Drawing is featured on pg. 19 of Big Enough

by Will James. Copy of book to accompany the lot.

485 Kenneth Miller Adams (1897-1966) Taos 9 ¾” x 9 ¾” charcoal Signed, titled, dated 1926, inscribed: To “Bobby” Christmas 1927. $1,500-2,500

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486 Olaf C. Seltzer (1877-1957) Three Watercolors: 1) Coyote 6 ¾” x 7 ¾” Verso: Inscribed A hot furnace puddler in Anaconda, Mont. Bot 1921. An open furnace copper puddler.

2) Buffalo 8 ¼” x 7” 3) Antelope 7” x 8 ½” Verso: Inscribed D. Zeller, Hot furnace puddler in Anaconda, Mont. Purchased in 1921 Great Falls.

Each initialed lower right $6,000-9,000 487 Edward S. Curtis (1868-1952) 1) By the Pool - Tule River Reservation 11 ½” x 15 ½” print Copyright 1924 by E.S. Curtis Together with: 2) The North American Indian Book Volume 15, 1926 Unbound/loose book with over 170 photos 12 ½” x 9 ½” overall $6,000-9,000

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488 Michael Coleman (b. 1946) The Guardian of the Spirits 24” x 30” oil on board Signed lower left Verso: Titled. $6,000-8,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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489 John DeMott (b. 1954) Something’s Out There 24” x 36” oil on canvas Signed and dated ‘90 lower left $5,000-7,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 490 Will Burlingame (b. 1942) Stagecoach Holdup 15” x 30” acrylic Signed and dated ‘77 lower left $2,000-3,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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491 Lloyd Mitchell (1909-1978) The Blue Palace 24” x 20” oil on canvas Signed lower right Verso: Titled and signed. $1,500-2,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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492 Lloyd Mitchell (1909-1978) Help Wanted 24” x 20” oil on canvas Signed lower left Verso: Titled and signed. $1,500-2,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 493 Conrad Schwiering (1916-1986) No. 542 Mountain Haze 12” x 18” oil on board Signed lower right $2,500-3,500 494 Emil Bistram (1895-1976) Southwest Landscape 11” x 14” gouache Signed and dated ‘40 lower right $5,000-7,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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495 Joe Abbrescia (1936-2005) Deep Snow 20” x 30” oil on canvas Signed lower right $3,000-5,000 Provenance: Private Collection, Lakeside, MT.

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496 496 Francois Koch (b. 1944) Shadows of Fall 36” x 48” oil on canvas Signed lower right $10,000-15,000 497 Francois Koch (b. 1944) Yellowstone Crossing 20” x 30” oil on canvas Signed lower right $4,000-6,000

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498 498 Bill Anton (b. 1957) Colorado Pastures 6” x 8” oil on canvas Signed lower left Verso: Titled and signed. $600-800

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499 Greg Beecham (b. 1954) Let’s Call it a Day 22” x 30” oil on board Signed and dated ‘88 lower right $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 500 Michael Ghaui (b. 1950) Warthogs at the Waterhole 16” x 24” oil on canvas Signed and dated 1982 lower right $2,000-3,000 Provenance: GameCoin Magazine featuring an article on Michael Ghaui to accompany the lot.

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501 Dave Hodges (b. 1949) Purple Haze 14” x 16” oil on canvas Signed lower right Verso: Titled and signed. $1,200-1,800

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502 Don Dernovich (b. 1942) At the Edge of the Burn 16” x 20” oil on canvas Signed and dated 1998 lower left Verso: Titled, signed and dated 1998. $2,500-3,500 503 Kelly Donavan (20th C.) Winter Crossing 24” x 60” oil on canvas Signed lower left $3,000-5,000 502

504 Nick Eggenhofer (1897-1985)(CA) Ox Cart 6” x 8 ¾” gouache Signed lower right $600-800 505 Nick Eggenhofer (1897-1985)(CA) Buffalo Hunt 6” x 8” mixed media Signed lower right $1,000-1,500

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506 506 Adolph Heinze (1887-1958) Mountain Stream 28” x 33” oil on board Signed and dated 1957 lower right $1,000-1,500

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507 Charles Partridge Adams (1858-1942) San Juan Peak at Sunset 14” x 18” oil on canvas Signed lower left Verso: Titled. $4,000-6,000 Provenance: Mr. and Mrs. Harry McAfee, Colorado Springs, CO; Richard Allan, Aptos, CA; Present Owner by descent.

508 Paul Grimm (1891-1974) Nature’s Pattern 20” x 30” oil on canvas Signed lower left Verso: Titled and signed. $3,000-5,000

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509 Dan Meiduch (b. 1946) Maidens of the Mingus 24” x 36” oil on canvas Signed and dated 1978 lower right $4,000-6,000

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511 510 Larry Zabel (1930-2012) Happy Hour at Jake’s Camp 18” x 24” oil on canvas Signed lower right $2,500-3,500 511 Randy Van Beek (b. 1958) Pipestone Canyon 30” x 30” oil on canvas Signed lower left Verso: Titled, signed and dated 2003. $2,000-3,000

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512 Randy Van Beek (b. 1958) Country Lane 18” x 24” oil on canvas Signed lower right $2,000-3,000 513 Larry Zabel (1930-2012) Evening Solitude 15” x 30” oil on canvas Signed lower right $3,000-5,000 Provenance: Private Collection, Thompson Falls, MT.

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514 514 George Phippen (1915-1966)(CA) The Oregon Trail 30” x 40” oil on canvas Signed lower left $15,000-25,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 515 Ross Stefan (1934-1999) Late Powwow 24” x 30” oil on canvas Signed lower right $6,000-8,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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516 516 *John Fery (1859-1934) Forest Stream with Deer 22” x 36” oil on canvas Signed lower right. Circa 1894. $8,000-12,000

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517 Nick Eggenhofer (1897-1985)(CA) Night Wagon 14 ½” x 29 ½” gouache Signed and dated 1976 lower right $6,000-9,000 Provenance: Estate of Robert Drummond.

518 Jean Frederic Couty (1829-1904) Gibier 25” x 36” oil on canvas Signed and dated 1886 lower right $3,000-5,000

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*John Fery, along with fellow artist Feodor von Luerzer, were contracted by the A. Fitger & Company Lake Superior Brewery in Duluth, MN, to paint murals on the brewery tap walls. Fery stayed with the Percy Anneke family, an equal partner with August Fitger, during the summers of 1894 and 1895 while he painted.

He lodged in the upper level of the Anneke carriage house. Fery painted this Duluth wilderness landscape in return for the Anneke’s hospitality. The painting hung in brewery offices for decades, and then in various Anneke heirs’ homes.

519 519 John Fery (1859-1934) Glacier Winter 36” x 56” oil on canvas Signed and dated 1919 lower left $10,000-15,000 520 W.R. Leigh (1866-1955) A Navajo Goat 13 ¼” x 17” oil on canvasboard Signed lower left Verso: Titled, signed and dated July 1915. $8,000-10,000

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521 Lorenzo Ghiglieri (1931-2020) The Need for Buffalo 20” x 42” x 17” bronze Inscribed: Lorenzo Ghiglieri, 33/36 $6,000-8,000 522 Joe Halko (1940-2009) Dall Sheep 14” x 20” x 12” bronze Inscribed: © Halko 6/18 NWR $2,000-3,000

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523 Joe Halko (1940-2009) Bull Elk 17” x 32” x 9” bronze Inscribed: © Halko NWR 14/18 $2,500-3,500 524 Joe Halko (1940-2009) Big Horn Sheep 22” x 19” x 14” bronze Inscribed: © Halko 13/18 $2,500-3,500

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When the name Joe Halko comes up in an art conversation, it’s not the long career, numerous awards, or off the charts skill that will dominate the conversation. It’s how humble, kind, and generous with his time that Joe always was. Those attributes show up in his work and are just a few of the reasons he is one of Montana’s most beloved sculptors. We are pleased to have a body of his works for the 2022 sale, many of which have not been seen by the public.

These works are out of a Private Collection in Lakeside, MT.

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525 Harry Jackson (1924-2011) The Marshall, John Wayne 29” x 32” x 12” bronze, John Wayne as Rooster Cogburn Inscribed: © Harry Jackson, 1970, “2 O.P.” $12,000-18,000 526 Bob Scriver (1914-1999)(CA) Lewis & Clark 17” x 12” x 12” bronze Inscribed: © Bob Scriver, 1974, 16/35 $10,000-15,000 Provenance: Bob Scriver, artist to G.C. Schmidt, purchaser to GCSCO, LLP through estate.

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527 Bob Scriver (1914-1999)(CA) Sage Brush Bronc 16” x 12” x 8” bronze Inscribed: © Bob Scriver 1983, 18/60 $2,000-3,000 Provenance: Private Collection, Spokane, WA. Certificate of Authenticity to accompany the lot.

528 Veryl Goodnight (b. 1947) Racing the Wind 16” x 13” x 12” bronze Inscribed: Veryl Goodnight, 1976 ©, 3/21. $2,000-3,000 529 Tim Shinabarger (b. 1966) Running Proud 7” x 6 ½” x 2 ½” bronze Inscribed: Shinabarger, 75/150 $500-700

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530 Herb Mignery (b.1937) The Limousine Ride 22” x 22” x 11” bronze Inscribed: 1988, 1/20 $4,000-6,000 Provenance: Private Collection, Michigan.

531 Charles M. Russell (1864-1926) Three Bears on a Log 6” x 11” x 6” bronze Inscribed: No. 19 © CMR, Finlay Galleries, Inc. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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532 Daniel Parker (b. 1959) Touch the Clouds 39” x 17” x 13” bronze Inscribed: Touch the Clouds, © Daniel Parker 2013, 1/30 $10,000-15,000 533 Daniel Parker (b. 1959) Sitting Bull 42” x 16” x 13” bronze Inscribed: Sitting Bull, © Daniel Parker 2014, 3/30 $10,000-15,000 534 Keith McMasters (21st. C) Sun River Cowboy 42” x 14” x 16” bronze Inscribed: K. McMasters © 2016, 7/25 $12,000-18,000

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535 Marjorie Reed (1915-1996) Putting to the Team 24” x 48” oil on canvas Signed lower left $8,000-10,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 536 Frank McCarthy (1924-2002)(CA) Leading His Pride 10” x 18” oil on canvas Signed lower left, CA Verso: Titled and signed. $6,000-8,000

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537 Greg Beecham (b. 1954) Protecting the Harem 22” x 36” oil on board Signed and dated ‘94 lower right $4,000-6,000 538 David Mann (b. 1948) Navajo Canyon Traveler 20” x 16” oil on canvas Signed lower right $3,000-5,000

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539 539 Harry Koyama (20/21st C.) Dancing 36” x 24” oil on board Signed lower left Verso: Titled, signed and dated 2008. $4,000-6,000 540 Carol Hagan (b. 1962) Curly Top 8” x 10” acrylic Signed lower left Verso: Titled and signed. $1,000-1,500

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541 Robert McGinnis (b. 1926) The Intruders 20” x 35” watercolor Signed lower left $4,000-6,000 542 Jie Wei Zhou (b. 1962) Elephant Herd 36” x 48” oil on canvas Signed lower right $7,000-9,000 542 167

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544 543 John Fery (1859-1934) Competition 28” x 46 ¼” oil on canvas Signed lower right $16,000-20,000

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544 John Fery (1859-1934) Elk on Jackson Lake 22” x 36” oil on canvas Signed and dated 1901 lower right $10,000-15,000

545 Fremont Ellis (1897-1985) Colorado Autumn Splendor, 1929 24” x 30” oil on canvas Signed lower left $15,000-20,000 Provenance: Ex. Nelson “Buz” Reiger Estate.

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546 Charles Craig (1846-1931) Responding to the Smoke Signal 28” x 36” oil on canvas Signed and dated 1895 lower right $15,000-20,000 Provenance: Ex. Nelson “Buz” Reiger Estate.

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547 Gunstock War Club 29” long overall with banded colored designs, along with brass tack accents. 19th century. $1,000-1,500 Provenance: Collector’s notes.

548 Pipe Tomahawk Stem 13 ½” long. A small, unusual and very well made stem/ haft created on a lathe and embellished with a drop made from a buffalo tail with brass and glass beads, hawk bells and a brass thimble. Circa 1860. $1,000-1,500 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

549 Osage Missouri War Axe 23” long with a 6” cloth drop. Very thin, hand-forged head with brass heart inlays. Haft was made from a tapered saplin, covered with red wool trade cloth and sewn with commercial threat. Hawkbell and cloth drop.

Circa 1850. $1,500-2,500 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

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550 Chevron Beads Four, seven layer chevron glass trade beads. 38-42mm wide. Location of discovery is unknown, but seven layer Chevrons have been recovered (rarely) from Eastern seaboard sites from Virginia to Peru.

Late 1400s or early 1500s.

Glass beads were made in Murano, Italy and traded exclusively by the Spanish to Native Americans along the Eastern seaboards of Central and South America. These beads were almost certainly carried to the New World by Columbus, Pizzaro, Balboa, or Cortez. Contrary to popular belief, they were the only Chevron beads ever traded to Native Americans and are extremely rare. $800-1,200 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

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552 551 551 Parfleche Meat Bag Open-top parfleche bag, 26” long x 16” wide. With geometric designs and three ties at the top. $2,500-3,500 Provenance: Collection of Wiley Micks.

552 Parfleche Medicine Bundle 11 ¼” x 9 ½” with fetal antelope hide bag inside containing a fossil, a piece of petrified wood and a crystal.

Mid-late 19th century. $3,000-5,000 Provenance: Collection of Wiley Micks.

553

553 Parfleche Envelope 25” long x 13” wide with painted geometric designs in green, yellow, red and blue. 20th century $1,000-1,500 Provenance: Collection of Wiley Micks.

554 Parfleche Envelope 24” x 14” envelope with red, yellow and dark blue painted designs. 19th century. $2,000-3,000 Provenance: Collection of Wiley Micks.

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555 Crow Beaded Pipebag 27” overall including 12” of fringe. Geometric patterns on beaded and cloth panel.

Circa 1885. $4,000-6,000 Provenance: Ex. Karl May Museum.

556 Crow Beaded Leggings 32” long x 15” at widest point. Accented with beaded panels and fringe.

19th century. $600-800 555

557 Ojibwa Beaded Bandolier Bag 42” long x 10” at widest point. Beaded in beautiful floral patterns accented with trade cloth and trade beaded drops terminating in yarn tassels. 19th century.

Nicely displayed in plexiglass case. $1,200-1,800 558 Gunstock Club Blade Possibly Great Lakes tribe. 11 ¼” overall. Very well made, fold marks evident on blade. Aged 1790-1830. $1,500-2,500 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

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559 Northern Plains Knife and Beaded Knife Sheath 9” long with 2” fringe, beaded in geometric designs, with different patterns on both sides. Sinew sewn, beaded on heavy Native tanned buffalo hide. Circa 1850. Knife is 10 ¾” overall. $4,000-5,000 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

560 Northern Plains Chief’s or Buffalo Knife 13 ½” overall. Stamped Jukes Coulson, Queensteel Works, Sheffield. Traded exclusively to Indians by the Hudson’s Bay Company. Circa 1850. $3,000-4,000 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

561 Northern Plains Dag Blade 12 ¼” long overall. Stamped Jukes Coulson and Co., Sheffield. Circa 1850. $2,000-3,000 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

562 Cheyenne Girl’s Beaded Dress 26” long x 24” wide. Accented with fringe, hawk bells and cowrie shells.

Includes custom stand. Fabulous example of Native craftsmanship. Circa 1890. $3,000-5,000 Provenance: Ex. Bax Collection.

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Grace Carpenter Hudson (1865-1937) Natives (Ski-Ko-Da)

20” x 16” oil on canvas. Signed and dated 1915 lower left. $15,000-25,000 Provenance: Pete and Janet Taggares, Washington.

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564 564 Gary Carter (b. 1939)(CA) Bear’s Paw Rope Corral 22” x 40” oil on canvas Signed lower right Verso: Titled, signed and dated 1982. $10,000-15,000 Provenance: Sketch of Bear’s Paw Rope Corral included in lot (19 ½” x 20 ½”). Private Collection, Lakeside, MT. 565 James Boren (1921-1990)(CA) Texas Cow Punchers 35” x 25” watercolor Signed and dated 1970 lower left $8,000-10,000 *Provenance: Estate of Don Hildebrand, Sisters, OR. *Donald Hildebrand was born in 1932 to Frank Hildebrand & Irma Laumeister. A third generation Oregonian, he helped his family run the Hildebrand Furniture store in Astoria where the building still stands today. After moving to Coeur d’Alene, ID for high school, Don attended North Idaho College until serving in the U.S. Navy as an Air Intelligence Officer from 1953-1956 during the Korean War. He was honorably discharged & finished his degree at Washington State University. Don earned his PhD in Plant Pathology at the University of California at Berkeley where he remained as an associate researcher & leading taxonomist until his retirement in 1990. He moved to Sisters, OR in 1992 & lived there until he passed.

Don’s truest passion besides trail running was collecting Western art. He attended art shows & auctions all over the west coast & chose March in Montana to represent his collection after his passing. Proceeds will benefit Best Friends Society Inc. & the Hildebrand family sends sincere appreciation to the March in Montana team for assisting with the sale & honoring Don’s wishes. Items from the Hildebrand Estate are featured throughout the catalog.

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Henry C. Balink (1882-1963) Dance Roach

30” x 25” oil on canvas. Signed lower right. Verso: Gilcrease Museum Sticker. $30,000-40,000 Provenance: Ex. Nelson “Buz” Reiger Estate.

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Henry C. Balink (1882-1963) The Hunter

30” x 25” oil on canvas. Signed lower right. Verso: Gilcrease Museum Sticker. $30,000-40,000 Provenance: Ex. Nelson “Buz” Reiger Estate.

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569 568 Charles Craig (1846-1931) Taos Pueblo Family 20” x 30” oil on canvas Signed and dated 1884 lower right $8,000-12,000 Provenance: Ex. Nelson “Buz” Reiger Estate; author of book titled Charles Craig, Pikes Peak Indian Painter. Signed copy of book to accompany the lot.

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570 569 Charles Craig (1846-1931) Ignacio 22” x 16” mixed media Signed lower right, titled lower center $3,000-4,000 Provenance: Ex. Nelson “Buz” Reiger Estate; author of book titled Charles Craig, Pikes Peak Indian Painter. Signed copy of book to accompany the lot.

570 Henry C. Balink (1882-1963) Still Life 24” x 20” oil on canvas Signed lower right $6,000-9,000

571 *Henry C. Balink (1882-1963) Dance Drummer 30” x 25” oil on canvas Signed upper right $10,000-15,000 572 William Standing (1904-1951) Montana Sunset 12” x 16” oil on canvasboard Signed lower right $3,000-5,000 *Amsterdam-born artist Henry Balink and his wife migrated to New York at the onset of WWI. After a stop in Chicago where he perfected his skills doing murals and portraits, he saw a railroad poster and decided to head for Taos, New Mexico. By 1924, he was a full time resident of Santa Fe. Balink was classically trained in the Barbizon School but the move to the Southwest changed his palette to the softer, more vibrant colors we know of his work today. By the mid 1920s he was painting portraits of the Indians of the Southwest and later taught at the Indian school in Santa Fe.

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Skilled in many areas including furniture building, he carved many of his own frames. His works hang in many of the great museums, including the Gilcrease and the Museum of Fine Art in Santa Fe, New Mexico.

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573 Navajo Rug 6’10” x 4’9”. Single figure Yei weaving. This style was woven along the Santa Fe Railroad between Gallup, NM and Flagstaff, AZ in the early part of the 20th century. The Navajo weavers were very reluctant to put Navajo Deities in their weavings so they put Hopi masks and skirts on these figures. Woven from all Native, silky-smooth, long-staple and special-cleaned Churro sheep wool on a wool warp. Circa 1915. $8,000-10,000 Provenance: Brad Watts Collection, Scottsdale, AZ. 574 Navajo Rug 4’10” x 3’6” Two Grey Hills weaving, finely woven by a master weaver. Chiseled appearance to design and a raisin toned vegetal overall dye.

Circa 1920. $2,000-3,000 575 Navajo Rug 5’1” x 3’3” Teec Nos Pos weaving. Beautifully designed with bright colors and geometric patterns in a zig-zag border with arrow, cross and stepped diamond designs. Circa 1940. $4,000-6,000

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576 Navajo Blanket 6’9” x 4’6” Transitional Serape weaving with double concentric, serrated central diamond. Woven from all handshorn, handcarded and hand-dyed Native Churro sheep wools. Circa 1890. $4,000-5,000 Provenance: Brad Watts Collection, Scottsdale, AZ. 577 Navajo Blanket 5’7” x 4’. A colorful eyedazzler weaving with bright, transitional colors. The wools are all smooth, longstaple Native Churro sheep wools. Circa 1890. $2,000-3,000 578 Navajo Blanket 5’5” x 4’10”. Moki Transitional blanket with a central serrated, concentric diamond on the striped blue and black field. Most likely woven at or near the Red Mesa trading post, given all the fine outlining. Woven from all Native, fine and tightly handspun Churro sheep wool on a wool warp.

There is a very small amount of emerald green Germantown 4-ply yarn outline. Circa 1900. $8,000-10,000

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579 Navajo Saddle Blanket 4’8” x 2’10” Double sided saddle blanket with two central diamonds on a grey/brown field with pink, green and orange accents. Circa 1920. $1,200-1,500 580 Navajo Rug 8’11” x 4’11” weaving with geometric designs with two hooked cross designs at the ends and two central serrated diamonds. Circa 1920. $3,000-5,000

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581 Navajo Rug 5’5” x 3’1” Ganado area weaving with geometric diamond designs on a light brown field. Circa 1930s. $1,200-1,500 582 Navajo Rug 5’10” x 4’ Ganado area weaving with striking geometric designs on an ivory field with a stepped border. Circa 1920s. $2,000-3,000 583 Navajo Rug 4’1” x 2’4” Two Grey Hills weaving, finely woven, near tapestry. Woven by Mary Toledo with superfinely spun wool. Circa 1970. $2,000-3,000

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584 Navajo Rug 6’2” x 4’8”. Trading post floor rug, most likely from the Crystal Trading post area. It features big, bold motifs of whirling logs, water bugs, crosses and a central Maltese Cross on a beautiful handcarded and variegated grey-brown field. Woven from all Native handspun Churro sheep wools. Circa 1915. $3,500-4,500 585 Navajo Rug 8’4” x 4’7” weaving with a fine, deep, serrated concentric diamond field design, surrounded by a double reciprocal Greek Key border. Circa 1920. $2,500-3,500 586 Navajo Rug 7’5” x 4’10” J.B. Moore Catalog Plate XIX weaving.

Finely woven from special cleaned Native silkysmooth, old, long-staple Churro sheep wool. Wool was all handshorn, hand-carded and handspun.

Circa 1911. $4,000-5,000

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589 587 1886 Winchester Rifle .33 caliber plain pistol grip stock. 24” barrel, ½ magazine. Lyman side receiver sight. Serial #129021.

Factory letter included. $7,000-9,000 Provenance: The John Swallow Family Collection.

588 *1894 Winchester Rifle 25-20 caliber. 25” barrel. After-factory engraving and gold plated action, forearm tip and buttplate. Came from Miller Brothers, 101 Ranch in Ponce City, OK. Engraved “101” on lever. Serial #525538. Very handsome rifle that would be the centerpiece of most Winchester collections. $3,000-5,000 Provenance: Private Collection, North Platte, NE. 589 1886 Winchester Rifle Deluxe 33 caliber, 24” barrel, fancy checkered wood, takedown model. Serial #138287. Factory letter included. $8,000-10,000 Provenance: The John Swallow Family Collection. *The Miller Brothers’ 101 Ranch was a 110,000 acre cattle ranch located near present-day Ponca City, OK. The ranch was founded in 1893 by Colonel George Washington Miller, a former Confederate soldier. The ranch was the birthplace of the 101 Wild West shows and also the territory where oil was first struck in Oklahoma.

In 1907 the three Miller sons embarked on a goal of having a nationally-known Wild West Show. This was during a time that many of the other shows were winding down. They seemed to be met with bad luck along the way as the show struggled financially and the ranch later filed for bankruptcy in 1932.

A portion of the ranch is now on the National Historic Register and the Ranch was inducted into the Texas Trail of Fame in 2003.

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For detailed condition reports on all firearms, please visit www.marchinmontana.com.

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1873 Winchester Rifle

Super rare 1873 rifle. 44-40 caliber. Marked “1 of 1000”. 28” barrel with checkered stock and thumb print dust cover.

Touch of engraving on end of barrel. Side plate and receiver marked “108” which is correct on 1 of 1000 guns. Factory letter confirms this configuration. Pictured in two Winchester books, The Golden Age of American Gunmaking and R.L. Wilson’s book The Winchester 1 of 1000. Serial #31269. Factory letter included. $75,000-125,000 Provenance: Book titled Winchester, The Golden Age of American gunmaking and the Winchester 1 of 1000 by R.L. Wilson to accompany the lot. This gun is featured on page 94 of the book. To also accompany the lot is part of a rare advertising kit from Winchester that they sent to dealers in 1950 to coincide with the release of the movie titled Winchester ‘73; two-page Winchester promotional letter, a “Wanted” poster, and DVD of Winchester ‘73 movie. Private Collection, North Platte, NE. To both celebrate and enhance the Model 1873’s prestige, Winchester established a coveted “1 of 1000” grade in 1875. Barrels producing unusually small groupings during test-firing were fitted to rifles with set triggers and a special finish. Marked “1 of 1000,” they sold for a then pricey $100 (equivalent to $2,400 in 2020).

A popular 1950 Western starring James Stewart, Winchester ‘73, was based on the coveted gun. Promotions included a search for “One of One Thousand” rifles by Universal Studios, with advertisements in sporting magazines and posters in sporting goods stores. [1]

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592 591 1886 Winchester Rifle Deluxe 40-82 caliber. Casehardened and blue finish. ½” magazine. Matted 26” octagon barrel. Inscribed in gold inlay on left side of frame: H.L. Terrell, 16 East 50th St. New York. Serial #48519. Factory letter included. $15,000-25,000 Provenance: The John Swallow Family Collection.

592 1873 Winchester Rifle Deluxe 44 caliber. Casehardened and blue finish. Third Model. 26” barrel. Inscribed: Manufactured for F. Houston November 1882. Serial #97080. Factory letter included. $15,000-25,000 Provenance: The John Swallow Family Collection.

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593 1873 Winchester Rifle Fancy deluxe wood. 44 caliber. 24 ½” octagon barrel. Classic factory scroll and wildlife engraving. Serial #267797B. Factory letter included. $15,000-25,000 Provenance: The John Swallow Family Collection.

594 1886 Winchester Rifle Deluxe 45-90 caliber. 26” barrel, takedown, tang sight. Inscribed: Allen W Attenbery. Serial #135304.

Factory letter included. $8,000-12,000 Provenance: The John Swallow Family Collection.

595 1886 Winchester Rifle 45-90 caliber, 26” barrel. Casehardened and blue finish. Sporting rifle. Serial #76251. Factory letter included. $6,000-8,000 Provenance: The John Swallow Family Collection.

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596 596 Joe Beeler (1931-2006)(CA) Morning in Bear Wallow Canyon 22” x 36” oil on linen Signed lower right, CA Verso: Titled, signed and dated 1975. $20,000-30,000 Provenance: Jud Little Family Trust. Illustrated on pg. 121 of the book Joe Beeler, Life of a Cowboy Artist by Don Hedgpeth.

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597 Frank McCarthy (1924-2002)(CA) The Citadel 12” x 24” oil on canvas Signed lower right $6,000-8,000 598 Paul Grimm (1891-1974) Beauties of the Desert 28” x 36” oil on canvas Signed lower right Verso: Titled, signed and dated 1964. $4,000-6,000

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599 Brett James Smith (b. 1958) Covey in the Broom Sedge 22” x 30” oil on canvas Signed lower left $4,000-6,000 600 Brett James Smith (b. 1958) Time Out 20” x 30” oil on board Signed lower left Verso: Titled and signed, Coeur d’Alene Galleries sticker. $3,000-5,000 Provenance: Painting was featured on the cover of Gray’s Sporting Journal, Volume 25, Issue 1, February/March 2000. A copy of the magazine will accompany the lot.

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601 Karen Hultberg Grizzly Canyon 30” x 20” oil on canvas Signed lower right $1,500-2,500 602 Brett James Smith (b. 1958) Near Camp 11” x 14” oil on canvas Signed lower right Verso: Titled and signed. $2,000-3,000

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603 Elk Tooth Necklace 15” long with large red and green trade beads and 39 elk teeth. $600-900 Provenance: Collection of Wiley Micks.

604 Elk Tooth Necklace 14” long with large red and blue trade beads and 50 elk teeth. $900-1,200 Provenance: Collection of Wiley Micks.

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605 Parfleche Bag 8 ½” x 5” at widest point. Painted in geometric red, green, yellow and blue designs, accented with fringe along two sides and a tie at the top.

19th century. $600-800 606 Pair of Cross Necklaces Larger is 30” long with a 3” double barred cross.

Smaller is 27” with 2” cross. $800-1,200 Provenance: Collection of Wiley Micks.

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607 Plains Beaded Man’s Moccasins 11” long with geometric beaded designs, trade cloth bordered cuffs and parfleche soles.

20th century. $800-1,200

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608 Santee Sioux Pipe and Stem 40” long overall accented with turkey feathers, trade cloth and yarn drops, dyed horsehair and fringe. Pipe bowl is a horse effigy.

Identified by Patrick Harness of Salish Pipe Society. 19th century. $1,000-1,500 609 Crow Woman’s Saddle 11” seat with buffalo stirrup leathers, parfleche underside and 10” x 5” beaded drop. $3,000-5,000 Provenance: Collection of Wiley Micks.

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610 Cheyenne Saddle Frame 13” seat. Accented with brass tacks and yellow ochred fringe. Circa 1870s. $2,000-3,000 Provenance: Collection of Wiley Micks.

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611 Man’s Beaded Coat 38” long, 20” shoulder to shoulder. Decorated with beaded horse and full bonneted Chief designs on yellow-ochred hide.

Early 20th century. $8,000-12,000 612 Crow Parfleche Medicine Bundle 13” x 12” with 24” fringe.

Painted in geometric designs on both sides. Mid-late 19th century. $1,000-1,500 Provenance: Collection of Wiley Micks.

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613 Beaded Saddle Drape 48” long overall x 14” at widest point. Beaded in geometric designs with some existing fringe visible. Midlate 19th century. $2,000-3,000 Provenance: Collection of Wiley Micks.

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614 Sioux Beaded and Quilled Pipebag 33” overall including 5” beaded panel, 6 ½” quilled panel and 10” fringe. Geometrically beaded with different patterns on each side.

Circa 1890. $4,000-6,000

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615 Prairie Quirt 14 ½” long with 15” braided rawhide drop. Intricately carved from maple or other fine-grained hardwood. Circa 1830. $4,000-5,000 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

616 Sioux Pipe Tomahawk 16 ¾” long with an 18” beaded and fringed drop.

Mid 18th century head made of cast brass. Engraved by a Sioux Indian. One side is a figure wearing an Animal Dreamer mask and a shield with four eagle feathers laying at his feet. On the other side is a warrior society lance. The “feathered forked sticks” are pendants with dew claws on the ends. Among the Lakota it was the officers of the Strong Heart Society who carried such bannered lances. Drop is 1870s, ash handle is modern. $6,000-9,000 Provenance: Private Collection, White Bird, ID. Collector’s notes to accompany the lot.

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617 Donna Howell Sickles (b. 1949) The Thrill of the Race 40” x 60” mixed media Signed and dated 2000 lower left $8,000-12,000 618 Donna Howell Sickles (b. 1949) Hatfull of Apples 58” x 35” mixed media Signed and dated ‘98 lower right $8,000-10,000

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619 David Thimgan (1955-2003) Clipper Sweepstakes Departing San Francisco 14” x 22” oil on canvas Signed and dated 2001 lower right Verso: Titled, signed and dated 2001. $2,000-3,000 620 George Carlson (b. 1940) Hind Quarters 20” x 26” conte crayon Signed lower right $800-1,200

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622 621 Jie Wei Zhou (b. 1962) Giraffes 40” x 30” oil on canvas Signed lower right $4,000-6,000 622 David Mann (b. 1948) Morning Sunrise 16” x 12” oil on canvas Signed lower left $2,500-3,500 623 Joe Abbrescia (1936-2005) Picking Up Strays 12” x 16” oil on canvas Signed lower left Verso: Titled and signed. $1,500-2,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

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624 Julie Jeppsen (b. 1960) Mutton on the Mountain 30” x 40” oil on canvas Signed lower right $2,500-3,500 624

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626 625 Michael Stack (b. 1947) August Sundown 20” x 30” oil on canvas Signed lower right $8,000-12,000 Provenance: Private Collection, Michigan.

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626 Bruce Lawes (b. 1962) Indian Maiden 40” x 32” oil on canvas Signed lower right $10,000-15,000 Provenance: Private Collection, Michigan.

627 Tim Cox (b. 1957) Cowboy and Colt 9” x 12” oil on board Signed and dated 1992 lower left $4,000-6,000 Provenance: Private Collection, Michigan.

628 Ron Stewart (b. 1941) Stagecoach 15” x 21 ½” watercolor Signed lower left with 2” x 4” with remarque lower right $2,000-3,000 Provenance: Private Collection, Lakeside, MT.

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630 629 Ross Buckland (b. 1958) It’s Not About the Fish 18” x 24” oil on board Signed lower right Verso: Titled, signed and dated 2018. $4,000-6,000 630 Ross Buckland (b. 1958) Quality Time 18” x 24” oil on board Signed lower left Verso: Titled, signed and dated 2020. $4,000-6,000 631 Scott Yeager (b. 1965) October River Bottom 24” x 36” oil on canvas Signed lower right $3,000-5,000

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632 Scott Yeager (b. 1965) The First Night in Camp 30” x 40” oil on canvas Signed lower right $4,000-6,000.

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March in Montana is proud to present two of the most historically significant paintings to hit the market by Olaf Wieghorst.

After serving in the Army on the US/Mexican border, Olaf and his two best friends, Bud Jones and Fred Stark, left the Army life to tackle their dream of being cowboys. As they headed out across the Pedregosa Mountains, Olaf’s thoughts were “By God it’s happened! I really am a cowboy.”

The three ended up around Glenwood, New Mexico where Olaf went to work for Elton Cunningham, owner of the Quarter Circle 2C Ranch on Whitewater Creek. “Cunnie” as he was known to the locals, had a colorful past that included names like John Parks, Jim Lowe (The Sundance Kid) and Butch Cassidy.

Cunningham was friends with John Allred and his son Gus. He would come into town and quench his thirst at the Allred’s establishment - the Blue Front Bar in Glenwood. The story, as told by Gus Allred, is that one day when Olaf or “Ollie” as he was known, was having a beer in the Blue Front and said “Gus, let me paint some pictures on your walls”. Gus later recalled he paid Olaf all the beer he could drink that day, and maybe a six pack to go.

Because things could get a little rough and rowdy in the Blue Front, Gus’s son, Buddy, decided to take the pieces down in the early 1960s. It was at this time the paintings were reframed and some inpainting was done by a local artist named Chet Kerchinski.

Wieghorst returned to Glenwood several times over the years and always stopped in to say hello to the Allred family. He used the now famous brand of the Quarter Circle 2C Ranch as part of his signature on his artwork for most of his career.

In the 1970s, Olaf’s son, Roy, came back to Glenwood and did a documentary on the area and highlighted the Quarter Circle 2C Ranch.

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633

Olaf Wieghorst (1889-1988)

Calf Roper

47 ½” x 90 ¼” oil on board. Signed lower left. $25,000-35,000 Provenance: Gus Allred, Glenwood, NM, Van J. “Bucky” Allred present owner, by descent.

About the painting: The horse in this painting carries the STV brand. This Ranch belonged to the Spurgeon family, who was related to the Allreds. Their ranch lay between the San Francisco River and the White Rock Mountains. The calf has the HU Bar brand. That ranch belonged to Captain William French and later Hugh McKeen. It was the largest ranch in the area.

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Olaf Wieghorst (1889-1988) Bucking Bronc

47 ½” x 45 ¾” oil on board. Signed lower right. $20,000-30,000 Provenance: Gus Allred, Glenwood, NM, Van J. “Bucky” Allred present owner, by descent.

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About the painting: Olaf Wieghorst was no stranger to breaking horses, having broke dozens in his time in the Army as well as a working cowboy. In this piece the horse has the brand of the Cross Y Ranch which was owned by Fred Holliman at the time. The Holliman family were some of the first pioneers of the New Mexico territory.

635

Pair of Edward H. Bohlin Silver Saddles Pair of silver mounted parade saddles, Beverly model. Together with silver mounted breastcollars, bridles and bits, coronas and saddle racks. Each with 14” seat. Rare opportunity to acquire a matching pair of parade saddles. Circa 1950s. One saddle initialed W.E.C. (W. E. Cozart) and the other initialed M.L.S. (Merle L. Soults). Fine condition and ready to ride. $60,000-80,000 Provenance: Estate collection, Jackson, WY. 201

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636 Navajo Reversible Necklace 22” long overall. One side is fine Kingman turquoise and the other is finely inlaid sugilite, set in Sterling silver. $2,500-3,500

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637 Navajo Squash Blossom Necklace 15” long overall Sterling silver and Spiney Oyster shell.

Made by Luistas Silversmith. $2,000-3,000 638 Navajo Eagle Bolo Tie 20” long with a large 4” diameter concho with Mother of Pearl, Kingman turquoise, 14k gold highlights, set in Sterling silver.

Made by B.K. Manning and T. Bedah. $2,500-3,500 639 Navajo Cuff Bracelet 1 ¾” wide heavy sterling silver cuff with Kingman turquoise and 18k gold accents. Made by Philander Begay. $2,500-3,500

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640 Navajo Cuff Bracelet 2” wide, heavy sterling silver decorated with Spiney Oyster shell.

Made by Maynard Garcia. $2,000-3,000 641 Navajo Cuff Bracelet with Matching Belt Buckle Large cuff with floral designs and small turquoise stones and one central coral stone. Matching buckle is 4” long. $2,000-3,000 Provenance: Collector’s notes.

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642 Navajo Rug 9’ x 5’4” a dandy pictorial Yei weaving depicting a Hopi Kachina image and four orange-headed blackbirds. Down the side borders are bold, stylized interlocking whirling log motifs. The Kachina image has a colorful tableta headdress, a beautiful sash over one shoulder, and is wearing a colorful Hopi Manta skirt, and joclaw necklace and earrings. Woven from all Native, long-staple Churro cross wools, all handspun and hand-dyed. Circa 1930. $15,000-18,000 Provenance: Brad Watts Collection, Scottsdale, AZ. 643 Navajo Rug 5’5” x 4’4”. A J.B. Moore Plate XIII Transitional weaving with whirling logs, water bugs and a very interesting stick figure as the central element. Woven from all Native, handspun and hand-dyed silky-smooth, long-staple churro sheep wool, both warp and weft. Circa 1905. $3,500-4,500

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644 644 B.C. Nowlin (b. 1949) Twin 36” x 60” oil on canvas, gallery wrapped Signed lower center Verso: Signed. $4,000-6,000 645 B.C. Nowlin (b. 1949) A Wish 46” x 56” oil on canvas, gallery wrapped Signed lower right Verso: Signed. $4,000-6,000

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646 Hank Lawshe (1935-1993) Mountain Man 7” x 5” oil on canvasboard Signed lower left $600-800 Provenance: Estate of Don Hildebrand, Sisters, OR. 647 Frank Hagel (b. 1933) Whiskey Trader at Sweet Grass Hills 18” x 30” oil on canvas Signed and dated 1984 lower right $4,000-6,000 Provenance: Private Collection, Lakeside, MT. 648 Frank Hagel (b. 1933) Lewis & Clark 18” x 24” oil on canvas Signed and dated 2002 lower left $2,000-3,000 Provenance: Private Collection, Lakeside, MT.

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649 Ed DuRose (b. 1956) Autumn Gaze 36” x 48” oil on canvas Signed lower left $3,000-5,000

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Born in Bangor, Maine, James Everett Stuart became known for his panoramic landscapes from Maine to California to Alaska to the Panama Canal, but especially of the American West with focus on Northern California & Oregon. Reportedly, he painted more than 5000 paintings during his lifetime & originated a method of painting on aluminum & wood with a special adhering process that he thought made his work quite durable but proved not to be so. He also wrote on the back of most of his paintings.

His parents took him to California at the age of eight & the family settled in San Francisco where he attended the public schools & studied art at the San Francisco School of Design. His early work was dramatic California landscape including the Sacramento & San Joaquin rivers, & in style the works were moody & mysterious.

He first traveled to the Northwest in 1876, & in 1881, he opened his studio in Portland, OR & from there traveled throughout the West & East Coast & into Mexico. Subjects included Yosemite as well as California missions & adobes. He painted landscapes whose sales ultimately were financially remunerative & which established his reputation.

In 1885, he first went to Yellowstone where he camped for several weeks and filled his sketchbook for studio paintings.

The following summer, he returned, having negotiated a free pass from the Northern Pacific Railroad in exchange for paintings. At the end of the summer, he went East to NYC on the return part of his train pass. Settling a studio in New York for four years, he continued to arrange several more summer railroad passes to Yellowstone.

649-A Stuart first traveled to Yellowstone in 1885, and camped for several weeks, supplying himself with fish for food, climbing steep cliffs including Electric Peak, and filling his sketchbook for studio paintings.

He had studied art with Virgil Williams, Raymond Yelland, Thomas Hill, and William Keith at the San Francisco School of Design, and hungry to paint the untrammeled West, set out with his paints, easel and tent, from which he sold his paintings near tourist sites in Yellowstone. In this scene, Stuart captures the power, drama, and scale of the great curiosity that were Yellowstone’s geysers.

Of those years, he expressed that he much preferred being in the park to studio painting, but he stopped visiting in 1889 & instead traveled to AK & the Coastal Range. During much of the 1890s he lived in Chicago but in 1912 returned to San Francisco until his death in 1941. There, from his studio near Union Square, he was highly successful & popular among his peers, underscored by his membership in the Bohemian Club. Many of the owners of old homes in California have his paintings on the wall, suggestive of a time of grandeur. One of his paintings is in the White House, & his work is in the historical societies of Oregon, Washington, & Montana. - askART biography.

649-A James Everett Stuart (1852-1941) The Grand Geyser - Upper Geyser Basin Yellowstone 18” x 30” oil on canvas Signed, numbered 783, “Original Sketch”, dated July 1885 lower right Verso: Numbered, titled, signed and dated July 1885. $4,000-6,000

649-B One month prior to painting his energetic scene of geysers in Yellowstone, Stuart visited Shoshone Falls near Boise, Idaho. He deftly created a sense of motion, grandeur, and drama, depicting the mist from the falls rising hundreds of feet in the air. It was one of the many wonders that easterners were anxious to learn about through the art of painters like Stuart. There is a wonderful immediacy and spontaneity to this painting.

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649-B James Everett Stuart (1852-1941) Looking Across the Top of Shoshone Falls, Idaho 18” x 30” oil on canvas Signed, numbered 811, “Original Sketch”, dated June 21, 1885 lower left Verso: Numbered, titled, signed and dated June 21, 1885. $2,000-3,000

649-C Mahonri Young (1877-1957) Rolling His Own 13” x 5” x 3” bronze Inscribed: Mahonri, Roman Bronze Works, NY. $6,000-9,000 Provenance: Featured in the book Bronzes of the American West by Patricia Janis Broder.

649-D Marjorie Reed (1915-1996) Sounding the Horn for a Relay 24” x 30” oil on canvas Signed lower left Verso: Titled. $2,500-3,500

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651 650 Patrick Woodman (b. 1948) Days End 24” x 48” oil on canvas Signed and dated ‘81 lower right Verso: Titled, signed and dated ‘81. $1,500-2,500

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651 Joe Kronenberg (b. 1968) Strol’n In 14” x 11” oil on canvas Signed lower right Verso: Titled, signed and dated 2009. $1,000-2,000 652 Michael Sieve (b. 1951) Rising Sun 24” x 48” oil on canvasboard Signed and dated 1999 lower right $3,000-5,000 653 Francois Koch (b. 1944) Canyon Creek 36” x 24” oil on canvas Signed lower right $4,000-6,000

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656 654 Valeriy Kagounkin USFS - Way to the Mountain 18” x 24” acrylic on canvas Signed lower right Verso: Titled and signed. $2,000-3,000

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657 655 Joe Kronenberg (b. 1968) Stumped 24” x 18” oil on board Signed and dated lower left $3,000-5,000

656 Gary Lynn Roberts (b. 1953) Portrait 12” x 9” oil on canvasboard Signed lower left $600-800

657 Gary Lynn Roberts (b. 1953) Evening Ride 20” x 24” oil on canvas Signed lower right $2,500-3,500

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658 Gary Schildt (1938-2021) Moose 27” x 29” x 15” bronze Inscribed: G. Schildt © 1984, 7/35 $3,000-5,000 Provenance: Private Collection, Lakeside, MT. 659 Scott Hayes Late Season Elk 24” x 21” x 11” bronze Inscribed: © Scott Hayes $1,000-1,500 660 Carl Kauba (1865-1922) Gift Dancer 23” x 6” x 7” bronze Inscribed: C. Kauba $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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661 George Carlson (b. 1940) Day of Guadalupe 19” x 13” x 12” bronze Inscribed: Carlson 1975 © 15/25 $3,000-5,000 662 Earle E. Heikka (1910-1941) Beneyeh 12” x 14” x 3 ½” bronze Inscribed: E.E. Heikka, © ‘75, 25/30 $1,000-1,500 Provenance: Cast by Jay Contway, Great Falls, MT. In 1934 Earl Heikka

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modeled the Arabian mare “Beneyeh” capturing the perfection of the horse. Beneyeh is the only known Arabian ever sculpted by Heikka.

663 David Manuel (b. 1940) Victory Coup 30” x 25” x 8” bronze Inscribed: Manuel 1990 Victory Coup 20/35 $4,000-6,000 664 Susan Kliewer (b. 1940) Maria 15 ¼” x 15” x 15” bronze Inscribed: Susan Kliewer © 2000, 42/45 $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

665 Richard Loffler (b. 1956) Running Wolves 10” x 27” x 7” bronze Inscribed: R. Loffler, ‘95, 1/12 $3,000-5,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

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666 *Newman Myrah (1921-2010)(NWR) Adopting an Orphan 18” x 24” oil on canvas Signed lower right, NWR Verso: Titled. $2,500-3,500 667 Newman Myrah (1921-2010)(NWR) Cowboys 16” x 20” oil on canvas Signed lower right, NWR $2,000-3,000 666

668 Newman Myrah (1921-2010)(NWR) Indian Ford 18” x 24” oil on canvas Signed lower right, NWR $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 669 Tompkins’ Real Wild West Poster 30” x 44” by Donaldson Company, Newport, KY. Chromolithography on linen, early 1900s.

No. 2028. Unframed. $600-900 Provenance: This chromolithograph is likely part of a grouping of posters discovered in New Jersey.

The Tompkins’ Real Wild West show wintered there during their short span that began in 1912 and ended 1917.

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*As a charter member and former president of the NWR, Newman Myrah was known to share his encouragement and know-how with his fellow artists. Newman was born in Canada and raised in Deer Lodge, Montana. He spent 20 years in the commercial art field in Portland, Oregon. His deep interest in the West finally pulled him away to a full-time career as a Western artist.

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670 670 Bob Wygant (1927-2008) Quiet Moments 24” x 36” oil on board Signed lower right $6,000-8,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 671 Henry C. Balink (1882-1963) Fall Landscape 10” x 12” oil on canvasboard Signed lower right $1,500-2,500 672 Hank Lawshe (1935-1993) The Indian Blanket 7 ½” x 9 ½” watercolor Signed and dated 1978 lower right Verso: Titled. $1,000-1,500 Provenance: Private Collection, Montana.

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673 Montana Longhorn Skull 52” tip to tip. $600-800

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674 Montana Bison Mount 20” tip to tip, 32” from wall when hanging. $2,000-3,000 675 Montana Bison Skull 24” tip to tip. $300-500 676 Soft Mount Idaho Wolf 60” long. “Big Bad”. Taken in Idaho, predator kill. $3,000-5,000

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677 677 Lakota Painted Buffalo Hide 83” x 95”. Large brain tanned buffalo hide with hair on one side, painted on the opposite side with classic box and border design, including a central, concentric rectangle surrounded by alternating bands and outlines.

Circa 1870. $6,000-9,000 Provenance: Ex. Bax Collection.

Collector’s notes to accompany the lot.

678 Painted Buffalo Hide 83” x 93” overall with one large central shield design in red and green colors. Late 19th or early 20th century. $2,500-3,500 Provenance: Collection of Wiley Micks.

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679 Painted Buffalo Hide 84” x 78” overall, with varying painted designs including buffalo. Late 19th or early 20th century. $2,500-3,500 Provenance: Collection of Wiley Micks.

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680 Dale Ford (b. 1934) Red Covered Wagon 19” x 28” x 14” wood $3,000-5,000 Provenance: Private Collection, Lakeside, MT.

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681 Dale Ford (b. 1934) Nevada Fuel & Co. Wood and Coal Wagon 19” x 24” x 14” wood $3,000-5,000 Provenance: Private Collection, Lakeside, MT. 682 Dale Ford (b. 1934) Spring Water Ice Wagon 18 ½” x 29” x 14” wood $3,000-5,000 Provenance: Private Collection, Lakeside, MT. 683 Dale Ford (b. 1934) Wheat Grain Wagon 18” x 27” x 12” wood $3,000-5,000 Provenance: Private Collection, Lakeside, MT.

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684 Dale Ford (b. 1934) Grocery Wagon, General Store 18 ½” x 36” x 12” wood $3,000-5,000 Provenance: Private Collection, Lakeside, MT.

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685 Carl Rungius (1869-1959) Commemorative Bronze Medallion Collection from Wildlife of the American West Art Museum 1) The Elk 2) The Big Horn Sheep 3) The White Tail Deer 4) The Grizzly Each 2 ½” diameter. $800-1,200 686 Lyle Schwabauer (20th C.) Honeymoon Splash 14” x 20” x 15” bronze Inscribed: Lyle Schwabauer © 5/30 $1,000-1,500 687 Franz Dutzler (20th C.) Yellowstone Cutthroat 18” x 20” x 12” woodcarving In custom case $3,000-5,000

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688 Dan Huber (20th C.) It Doesn’t Get Any Better Than This!

12 ½” x 16” x 13” mixed media and clay sculpture $5,000-6,000

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689 Charles M. Russell (1864-1926) Grub Stake 4 ¼” x 5” x 4” bronze Inscribed: RBW Inc. NY 1916 CMR $6,000-9,000 Provenance: Illustrated on pg. 21 of Centennial Exhibition 1864-1964.

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690 Charles M. Russell (1864-1926) Pack Horse 5 ½” x 6” x 3 ½” bronze Inscribed: CMR, 16/30, Brad Brint.

Museum, RBW Inc. $2,000-3,000 691 Charles M. Russell (1864-1926) Indian Head 3 ¾” tall bronze Inscribed: CMR, Indian Head $600-900

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692 Charles M. Russell (1864-1926) Texas Steer 3 ¼” x 4” x 2” bronze Inscribed: CM Russell, 1924, © Dick Flood 1973, 53/100.

On bottom: CMR, 1924, WFS 1975 $1,500-2,500 693 Charles M. Russell (1864-1926) Watcher of the Plains 10 ½” x 8” x 7” bronze Inscribed: CM Russell, 2A $1,000-1,500

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694 Charles M. Russell (1864-1926) Bucking Bronco 4 ½” x 4 ½” x 3” bronze bookends Inscribed: Dick Flood CM Russell, 1905, 3/12 $4,000-6,000 Provenance: Certificate of Authenticity to accompany the lot.

695 *Charles M. Russell (1864-1926) Redbird 4” x 5” x 2 ½” bronze Inscribed: CMR (skull), Modern Art Fdy, N.Y. $4,000-6,000 Provenance: Original model: Isabel Brown Hall, bronzes: present owner by descent.

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*Redbird was Charles M. Russell’s own mount. Russell expressed his general feelings about the horse in one of his Rawhide Rawlins stories when he said “…it will take a million years for the gas wagon to catch up with the hoss in what he’s doing for man.”

Originally, it was presented to Isabel Brown of Great Falls, MT as a wedding gift. Both the Brown’s & Russell’s lived on 4th Ave. North in Great Falls. “C.M.R. delivered the gift himself the day before the wedding. It came in an old shoe box wrapped in ‘crushed’ tissue paper with no card or outside wrapping. Both Mr. & Mrs. Russell attended my wedding & Charlie died soon afterward – on October 24, 1926,” wrote the recipient.

The Rockwell Foundation of Corning, New York recently acquired the model from Isabel Brown Hall. The Montana historical Society offers Redbird by arrangement with the Foundation under an agreement stating that no more casts will ever be made.

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698 696 Lone Wolf (1882-1970) Cowboy in the Shadows 8” x 11” oil on board Signed (H.M. Schultz) and dated ‘16 lower left $2,500-3,500 697 Roy Andersen (1930-2019)(CA) Indian Portrait 12” x 9” mixed media Signed lower right, CA $1,000-1,500

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698 Jack King (1920-1998) Sunrise on the Mountain 11” x 14” gouache Signed lower right $1,000-1,500 Provenance: Private Collection, Montana.

699 William Moyers (1916-2010)(CA) An Outlaw Steer 20” x 30” oil on board Signed lower left, CA Verso: Titled and signed. $5,000-7,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 700 Charles Fritz (b. 1955) A Summer Evening 24” x 30” oil on canvas Signed lower right $6,000-9,000 Provenance: Private Collection, Montana.

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701 701 Luke Frazier (b. 1970) Harmony 12” x 9” oil on board Signed lower right Verso: Titled, signed and dated ‘99. $2,000-4,000

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702 Don Prechtel (b. 1936) When Tracks Leave No Marks 40” x 50” oil on canvas Signed lower right $6,000-8,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 703 Don Prechtel (b. 1936) Punitive Expedition 1916 40” x 40” oil on canvasboard Signed lower right $4,000-6,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

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705 704 Michael Gentry (1940-1994) Blackfoot Trackers 20” x 24” oil on canvas Signed and dated ‘88 lower right Verso: Signed and inscribed animal hide from artist. $1,000-1,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 705 John Hampton (1918-2000)(CA) Smoke Break 18” x 24” gouache Signed and dated 1968 lower left, CA $800-1,200

706

706 Harvey W. Johnson (1921-2005)(CA) Trapper’s Camp 20” x 24” oil on canvasboard Signed and dated 1976 lower right $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR. 707 Ross Stefan (1934-1999) Canyon Heritage 18” x 24” oil on canvas Signed lower left Verso: Titled and signed. $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

707 222

WITHDRAWN

708 708 Oleg Stavrowsky (1927-2020) The Grazers 36” x 48” oil on canvas Signed lower left Verso: Titled and signed. $9,000-12,000

H T I W

N W A DR

709 Jack King (1920-1998) Bull Moose 16” x 20” oil on canvas Signed lower right $2,000-3,000

709 223

710

711 710 Olaf Wieghorst (1899-1988) Cowboy with Lasso 11 ¼” x 10” watercolor Signed lower left $4,000-6,000 Provenance: Painting is illustrated in the book Olaf Wieghorst – Retrospect by the Tucson Museum of Art. 711 Olaf Wieghorst (1899-1988) Wooly Chaps 14 ½” x 10 ½” watercolor Signed and dated ‘83 lower left $4,000-6,000

712

712 Thomas Moran (1837-1926) Bridge in the Pass of Glencoe - Scotland 9 ⅜” x 11 ¾” etching Signed in etching, lower right $1,000-1,500 713 Nick Eggenhofer (1897-1985)(CA) Lost Mustang 8 ¾” x 12 ¼” pen and ink Signed lower right, inscribed and dated 1935 lower left $800-1,200

713 224

714 714 Nick Eggenhofer (1897-1985)(CA) Horse and Two Cowboys 9 ¼” x 9” pen and ink Signed lower right $600-800

715-1

715-2

715 Charles M. Russell (1864-1926) Program Cover - Serge de Diaghileff’s Ballet Russe 10 ½” x 8” pencil on paper Inscribed and dated 1916 $6,000-9,000 Provenance: Charles M. Russell, Joe Hocking, T.J. Hocking, Ginny Beaudoin, Private Collection.

716 Gerard Curtis Delano (1890-1972) Leading the Pack 20” x 24” oil on canvas Signed lower right $6,000-8,000 717 Nick Eggenhofer (1897-1985)(CA) Wagon Boss 6 ½” x 20” mixed media Signed lower left Stamped upper right $2,500-3,500

716

717 225

718

719 718 Loren Fry (1924-2016) Mountain Kitchen 18” x 24” oil on board Signed and ‘76 lower right Verso: Titled. $1,500-2,500 719 Michael Cassidy (b. 1958) Shoshone Lemhi Valley 11” x 14” oil on canvas Signed lower right $1,500-2,500

720

720 Irvin “Shorty” Shope (1900-1977)(CA) Ceremonious, St. Marie’s Mission, Bitterroot Valley 24” x 36” oil on canvas Signed lower right $2,000-3,000 721 Ross Stefan (1934-1999) Strangers 18” x 24” oil on canvas Signed lower left Titled and signed. $2,000-3,000

721 226

722

723 722 Vladan Stiha (1908-1992) The Herd 36” x 45” oil on canvas Signed and dated 1960 lower right $10,000-15,000

723 Vladan Stiha (1908-1992) Indian Ride 24” x 36” oil on board Signed lower center $12,000-15,000 227

724

725

726 724 Robert Wood (1919-1980) Boerne Hills 25 ¼” x 30 ¼” oil on canvas Signed lower right. Verso: Titled. $9,000-12,000

228

725 Porfirio Salinas (1910-1973) Spring in the Hills 12” x 16” oil on canvas Signed lower left $6,000-7,000

726 Porfirio Salinas (1910-1973) Hill Country 12” x 16” oil on canvas Signed lower left $6,000-7,000

727

728 727 Duane Bryers (1911-2012) Under the Sycamore 24” x 36” oil on canvas Signed lower right $8,000-12,000 Provenance: Private Collection, Michigan.

728 John Solie (b. 1937) A Good Time Was Had by All 30” x 40” oil on canvas Signed lower right $8,000-12,000 Provenance: Private Collection, Michigan.

229

729

730 729 Robert Daughters (1929-2013) Taos Riders 14” x 18” oil on canvas Signed lower right $1,500-2,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

730 Paul Abram Jr. (1933-2005) Stalking Horse 20” x 30” oil on canvas Signed lower right $1,000-1,500 Provenance: Private Collection, Lakeside, MT.

731

731 *Ted Long (1932-2007) Chuckwagon Chatter 20” x 30” oil on canvas Signed lower right $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR. 732 Irvin “Shorty” Shope (1900-1977)(CA) The Muzzle Leader 22” x 36” oil on canvas Signed lower right $2,500-3,500 Provenance: Estate of Don Hildebrand, Sisters, OR.

732 *In his heyday, nationally known artist Ted Long from North Platte, Nebraska was as popular in Montana as he was in his home state. His monument sculptures grace the NE state capital rotunda and the Veteran’s Memorial. In 1987, President Reagan visited the Long ranch in North Platte and commented it was good to shake hands with “real working cowboys”.

Ted’s paintings and sculptures can be found in major museums and corporate and private collections across the country.

230

734

733 733 Barbara Peets (b. 1943) Shrouded Peaks 28” x 20” acrylic on board Signed and dated 2003 lower left $4,000-6,000 734 Barbara Peets (b. 1943) By the Light of the Silvery Moon 18” x 24” oil on board Signed lower left $2,000-3,000

735

735 James Boren (1921-1990) Indian Ranch 24” x 38” watercolor Signed and dated 1973 lower right $2,500-3,500 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

736 Valeriy Kagounkin Cold Drink 30” x 40” acrylic on canvas Signed lower right Verso: Titled and signed. $2,000-3,000

736

231

737 738 737 Ted Long (1932-2007) The Medicine Man 9” x 12” oil on canvas Signed lower right $1,500-2,500 738 Karen Thayer (21st. C) Bewitching Glance 20” x 16” oil on canvas Signed lower right $1,500-2,500

739

739 R.E. Pierce (b. 1948) On the Trail 11” x 14” oil on canvas Signed lower left $1,000-1,500 740 Brent Cotton (b. 1972) Montana Dusk 10” x 12” oil on board Signed lower right Verso: Titled, signed and dated 2008. $1,500-2,500

740 232

742

741 741 Jason Rich (b. 1971) Double-E Cowboy 16” x 12” oil on board Signed lower right $2,000-4,000 742 Dan Bodelson (b. 1949) The Mill 22” x 28” oil on canvas Signed lower left Verso: Titled, signed and dated 1983. $3,000-5,000 Provenance: Estate of Don Hildebrand, Sisters, OR.

743

743 Kyle Sims (b. 1980) The Comfort Zone 12” x 15” oil on canvasboard Signed lower right Verso: Titled, signed and dated 2009. $2,000-3,000 744 W. Steve Seltzer (b. 1945) Buffalo 14” x 16” gouache Signed lower left $800-1,200

744 233

745

746 745 Vladan Stiha (1908-1992) Navajos on the Move 24” x 30” oil on canvas Signed and dated 1971 lower right $2,000-3,000 Provenance: Mr. and Mrs. John K. Goodman, Tucson, AZ. Present owner, by descent.

746 Roy Andersen (1930-2019)(CA) On the Prowl 8” x 10” watercolor Signed lower left $1,000-1,500

747

747 Roy Andersen (1930-2019)(CA) Greeting 9” x 11 ½” watercolor Signed lower right $1,000-1,500 Provenance: Private Collection, Montana.

748 Roy Andersen (1930-2019)(CA) Ceremonial Dance 6” x 9” watercolor Signed lower right $800-1,200

748

234

749

750 749 Leslie Kouba (1917-1998) Mallards P.M. 9” x 14” watercolor Signed lower left Verso: Titled. $800-1,200 750 Lloyd Harting (1901-1974) Lumber Train 22” x 30” watercolor Signed lower left $900-1,200 Provenance: Estate of Don Hildebrand, Sisters, OR.

751

751 Ron Stewart (b. 1941) Cold Dawn 10” x 20” watercolor Signed lower left with 2” x 4” remarque lower right Verso: Titled and signed. $2,000-3,000 Provenance: Private Collection, Lakeside, MT. 752 John Tayson (b. 1956) Big Horn Sheep 20” x 30” oil on board Signed lower left $1,000-1,500

752

Thank you for participating in the March in Montana 2022 Auction!

235

Artist index Abbrescia, Joe...................... 495, 623 Abeita, Jimmy.............................. 320 Abram Jr., Paul...................... 39, 730 Adams, Kenneth Miller.............. 485 Afsary, Cyrus................................. 97 Ahgupuk, George........................ 186 Andersen, Roy.................... 407, 697, ....................................... 746, 747, 748 Anderson, Carolyn.................. 18, 21 Angus, Jim...................................... 59 Anton, Bill.................................... 498 Balciar, Gerald..................... 132, 238 Balink, Henry C.................. 566, 567, ....................................... 570, 571, 671 Banovich, John............................. 197 Barhaug, Ty.................................. 383 Bateman, Brian............................ 391 Beck, Phil........................................ 51 Beecham, Greg..................... 499, 537 Beeler, Joe............................. 397, 596 Bender, Bill................................... 359 Bistram, Emil............................... 494 Blank, Jerry................................... 266 Bodelson, Dan.............................. 742 Bodily, Sheryl........................... 35, 36 Bodmer, Karl................... 5, 6, 7, 253, 254, 255, 256, 259, 370, 371, 372, 373 Boomer, Bob................................. 234 Borein, Edward............ 475, 477, 479 Boren, James................... 38, 565, 735 Boyle, Neil.............................. 53, 212 Bronson, Clark..................... 200, 201 Brown, Belmore........................... 435 Brown, Harley........................ 19, 48, ..................................... 49, 68, 80, 203 Bryant, Jessica.............................. 388 Bryers, Duane.............................. 727 Buckland, Ross.................... 629, 630 Bunn, Ken..................................... 130 Burdick, Scott............................... 316 Burlingame, Will................. 318, 490 Burns, Richard............................. 162 Campos, Stephanie....................... 79 Carlson, George........... 128, 620, 661 Carter, Gary................. 211, 406, 564 Cassidy, Michael................. 215, 719 Catlin, George...... 249, 250, 251, 252 Chee, Michael J............ 337, 338, 339 Cheek, C.R.................................... 408 Clymer, John........................ 418, 482 Coleman, John............. 401, 402, 403 Coleman, Michael......... 88, 263, 488 236

Coombs, Robert........................... 267 Copenhaver-Fellows, Deborah... 62 Cotton, Brent................................ 740 Courtney, Sidney........................... 89 Couty, Jean Frederic................... 518 Cox, Tim....................... 412, 413, 627 Craig, Charles.............. 546, 568, 569 Crook, Ron..................................... 37 Crowley, Don............................... 326 Curtis, Edward S................ 309, 310, 311, 312, 313, 314, 366, 367, 369, 487 Daggett, Noel................................. 45 Dahlager, Jules Bernard.... 438, 439, ............................................... 440, 442 Daughters, Robert....................... 729 De Yong, Joe........................... 77, 294 deDecker, Thomas........................ 12 Delano, Gerard Curtis................ 716 DeMott, John................................ 489 Denman, Andrew.......................... 22 Dernovich, Don........................... 502 Diodato, Eugene J........ 24, 25, 26, 27 Divita, Frank................................ 133 Donavan, Kelly............................ 503 Dubé, Dave........................... 204, 205 Duncan, Robert.............................. 15 Dunn, Harvey Thomas....... 468, 469 DuRose, Ed................................... 649 Dutzler, Franz.............................. 687 Dyck, Paul.................................... 355 Dykman, Paul.............................. 390 Eggenhofer, Nick........ 248, 480, 504, ....................... 505, 517, 713, 714, 717 Elliott, Steve................................. 220 Ellis, Fremont............................... 545 Ethelinda...................................... 411 Falk, Joni......................................... 47 Farrington Elwell, R.................... 247 Fawcett, John................................. 42 Fellows, Fred................................ 198 Fercho, Kira.................................. 382 Fery, John............. 516, 519, 543, 544 Firfires, Nicholas......................... 400 Fleisch, Ken.................................... 55 Flood, Daro.................................. 236 Ford, Dale..... 680, 681, 682, 683, 684 Franklin, John...................... 344, 346 Fraughton, Ed................................ 74 Frazier, Luke................ 378, 379, 701 Freeman, Brian.............................. 34 Fritz, Charles................................ 700 Fry, Loren..................................... 718

Gentry, Michael........................... 704 Ghaui, Michael............................ 500 Ghiglieri, Lorenzo................. 57, 521 Gilder, Robert F........................... 358 Gist, Meadow................................. 87 Goodale, Harvey................. 188, 444 Goodnight, Veryl......................... 528 Goodwin, Philip.......... 463, 464, 465 Gookins, James Farrington........ 292 Grandee, Joe Ruiz........................ 216 Greene, LeRoy............................. 158 Grimm, Paul......................... 508, 598 Grinnell, Roy................................ 324 Guardipee, Terrence... 226, 227, 228 Gutting, Abigail........................... 386 Hagan, Carol................................ 540 Hagel, Frank......................... 647, 648 Halko, Joe..... 136, 137, 522, 523, 524 Hampton, John.... 394, 414, 417, 705 Harman Jr., Fred.................. 398, 461 Harting, Lloyd............................. 750 Harvey, Diana.............................. 287 Hawkins, Rocky.................... 50, 218 Hayes, Scott.................................. 659 Hazel, Aaron................................ 387 Heikka, Earle E.................... 422, 662 Heinze, Adolph........................... 506 Henne-Goodale, Ellen............... 184, ............................................... 185, 196 Hintermeister, John............. 460, 462 Hodges, Dave...... 129, 224, 233, 501 Homer, Chauncey....................... 319 Hook, William............................... 95 Houston, Russell........................... 28 Howell Sickles, Donna...... 349, 350, ............................................... 617, 618 Huber, Dan................................... 688 Hudson, Grace Carpenter.......... 563 Hughes, Bill.......................... 157, 160 Hultberg, Karen........................... 601 Idol, Colt............................... 374, 380 Jackson, Harry............................. 525 Jackson, William Henry............ 147, ............................................... 148, 149 Jacob, Ned.................................... 202 James, Will.................................... 484 Jeppsen, Julie................................ 624 Johnson, Harvey W..... 264, 321, 706 Johnson, Jennifer......................... 375 Jones, Chip................................... 381 Jones, John.................................... 334 Kagounkin, Valeriy............. 654, 736

Artist index Kauba, Carl.................................. 660 Kelley, Ramon............................. 352 Kelsey, Greg................................... 66 King, Charles Bird....................... 257 King, Jack.............................. 698, 709 Kinkade III, Thomas........... 409, 410 Kleiber, Hans........................... 1, 2, 3 Kliewer, Susan............................. 664 Kloss Gene.................................... 260 Knudson, Robert......................... 360 Kober, Art..................... 351, 353, 354 Koch, Francois....... 56, 496, 497, 653 Koerner, W.H.D. ......................... 467 Koonce, Jack......................... 213, 221 Kouba, Leslie............................... 749 Koyama, Harry............................ 539 Kronenberg, Joe................... 651, 655 Kunstler, Morton......................... 206 LaFountain, Bruce....................... 430 Lamb, Jim....................................... 14 Lambert, Theodore Roosevelt......... ....................................... 189, 195, 437 Lara, J. Payne................................. 61 LaSalle, Charles........................... 449 Laurence, Jeanne......................... 192 Laurence, Sydney........................ 432 Lawes, Bruce................................ 626 Lawshe, Hank...................... 646, 672 Lawson, Mehl.............................. 395 Lawson, Otto................................ 229 Lee, Bill......................................... 345 Leigh, W.R.................................... 520 Leone, John................... 225, 232, 451 Lesser, Ron................................... 289 Livezey, Amy Brakeman............ 376 Lochrie, Elizabeth........................ 416 Loffler, Richard...................... 70, 665 Lone Wolf..................................... 696 Long, Ted...................... 291, 731, 737 Lorenz, Richard........................... 419 Lyon, Harold................................ 317 Machetanz, Frederick................. 434 Mackey, Kim................................ 262 Macpherson, Kevin....................... 31 Magsino, Frank.............................. 43 Mann, David............ 10, 11, 538, 622 Manuel, David............................. 663 Manzanarez, Tom....................... 190 Mathiesen, Pat............................. 343 McAfee, Ila................................... 290 McCain, Buck............................... 333 McCann, Gerald.......................... 364

McCarthy, Frank................. 536, 597 McGary, Dave.............................. 425 McGinnis, Robert........................ 541 McKellar, Jerry............................. 427 McKinney & Hall........................ 258 McMasters, Keith........................ 534 Meiduch, Dan.............................. 509 Mignery, Herb............................. 530 Mitchell, Lloyd.................... 491, 492 Mittag, Bill...................................... 98 Moline, Bob....................... 82, 83, 93, ......................................... 94, 261, 288 Moore, Sr., Ken............................ 315 Moran, Thomas........................... 712 Morgan, Robert F. ...................... 273 Moyers, William.......................... 699 Myrah, Newman................ 270, 271, ............................... 272, 666, 667, 668 Nebeker, Bill................................ 237 Niblett, Gary................................ 164 Nowlin, B.C.......................... 644, 645 Oelze, Don............................ 207, 377 O’Malley, Power.......................... 466 Owen, Bill..................................... 415 Parker, Daniel...................... 532, 533 Partridge Adams, Charles.......... 507 Paxson, Edgar S................... 150, 483 Payne, Ken............................... 71, 72 Peet, Darcie.................................... 29 Peets, Barbara...................... 733, 734 Perry, Mark.................................. 325 Peters, Les............................. 199, 356 Pettigrew, Martha......................... 63 Pettit, Bryce.................................. 231 Phippen, George............ 60, 404, 514 Pierce, R.E. ............................ 219,739 Pirnie, Larry................................... 32 Polk, Frank................................... 405 Poulson, James............................. 357 Powell, Ace.................. 138, 139, 140, ............... 141, 142, 143, 144, 145, 146 Powell, Dave................................ 293 Prechtel, Don....................... 702, 703 Prezio, Victor............................... 448 Quigley, Edward Burns................ 85 Reed, Marjorie.................. 535, 649D Reedy, Leonard........................... 335 Refvem, Robert............................ 131 Remington, Frederic................ 4, 58, ....................................... 151, 331, 426 Rich, Jason.................................... 741 Ricks, Douglas............................. 163

Rinehart, Frank............................ 368 Roberts, Gary Lynn............. 656, 657 Rodriguez, Alfredo..................... 217 Rogers, Howard................ 90, 91, 92 Rozen, Jerome.............................. 450 Rungius, Carl............................... 685 Russell, Charles M............... 75, 531, 689, 690, 691, 692, 693, 694, 695, 715 Salinas, Porfirio.................... 725, 726 Sander, Sherry Salari...... 64, 65, 235 Saubert, Tom.......................... 86, 161 Sauer, Tobias................................ 385 Sauerwein, Frank.......................... 52 Schildt, Gary........................ 134, 658 Schreyvogel, Charles.................. 8, 9 Schwabauer, Lyle.................. 73, 686 Schwiering, Conrad............ 336, 493 Scriver, Bob........................... 76, 232, ............................... 340, 396, 526, 527 Seltzer, Olaf C. ............................ 486 Seltzer, Steve................................ 744 Shaddix, Bill................................. 347 Sharp, Joseph Henry..................... 81 Shinabarger, Tim... 67, 423, 424, 529 Shufelt, Robert Shoofly................. 30 Shope, Irvin Shorty..... 399, 720, 732 Short, Margaret E........................ 286 Sieve, Michael.............................. 652 Sims, Kyle..................................... 743 Singletary, Preston...................... 428 Situ, Mian............................. 268, 269 Smith, Brett James....... 599, 600, 602 Smith, Matt....................... 13, 99, 100 Solie, John..................................... 728 Stack, Michael.............................. 625 Standing, William...... 152, 153, 154, ....................................... 155, 156, 572 Starke, Phil................................... 223 Stavrowsky, Oleg.......... 54, 210, 708 Stefan, Ross................. 16, 17, 20, 44, ....................... 159, 361, 515, 707, 721 Stewart, Ron......................... 628, 751 Stiha, Vladan................ 722, 723, 745 Stirnweis, Kirk............................. 265 Stivers, Don.................................... 41 Stuart, James Everett......649A, 649B Sumida, Gregory........................... 33 Susinno, Mark.............................. 389 Swanson, Ray............................... 436 Swanson, Trevor............................ 23 Swinnerton, James........................ 84 Tayson, John................................ 752 237

Index Tayson Sr., Lyle................... 330, 362 Terakedis, Sam............................ 342 Thayer, Karen...................... 328, 738 Thimgan, David........................... 619 Thomas, Andy............................. 393 Tippetts, Linda............................ 102 Tobey, Josh................................... 429 Toma, Bill..................................... 135 Untiedt, Michael............................ 46 Van Beek, Randy................ 209, 384, ............................................... 511, 512 Vickers, Russ........ 322, 329, 332, 365 Vollmer, Margaret....................... 348 Wackermann, Hubert........... 40, 222 Wall, Ralph................................... 363 Warren, Kimbal..................... 96, 101 Wieghorst, Olaf.... 78, 245, 246, 420, 421, 476, 478, 481, 633, 634, 710, 711 Winter, Robert............................. 214 Wood, Robert............................... 724 Woodbury, Lloyd........................ 230 Woodman, Patrick...................... 650 Wygant, Bob................................. 670 Yarus, Ken.................................... 392 Yeager, Scott......................... 631, 632 Yellowbird Sr., Monte................ 168 Young, Harvey Otis.................... 327 Young, Mahonri........................649C Zabel, Larry.................. 208, 510, 513 Zesche, Gene.................................. 69 Zhou, Jie Wei....................... 542, 621 Ziegler, Eustace Paul......... 187, 191, .............................. 193, 194, 431, 433, ....................... 441, 443, 445, 446, 447

Collectibles Awl................................................ 104 Bandolier Bag............................... 557 Beaded Cape................................ 170 Beads............................................. 550 Belt Buckles........................... 175,641 Belts....................................... 174, 177 Bolo Ties............................... 179, 638 Bracelets....................... 175, 176, 180, ....................... 181, 182, 639, 640, 641 Bridles................... 124, 125, 126, 127 Coats..................................... 172, 611 Dag Blade..................................... 561 Dresses.................................. 169, 562 238

Firearms............... 587, 588, 589, 590, ....................... 591, 592, 593, 594, 595 Flat Bag......................................... 171 Furniture...................... 274, 275, 276, ....................................... 277, 278, 279 Gun Belt........................................ 280 Gunstock Club Blade.................. 558 Hat Band....................................... 173 Knife Sheath................................. 559 Knives................................... 559, 560 Leggings....................................... 556 Meat Bag, Parfleche.................... 551 Medicine Bundles................ 552, 612 Moccasins..... 107, 108, 165, 167, 607 Mounts.................. 673, 674, 675, 676 National Cowboy Hall of Fame Pewter Sculptures....................... 341 Necklace...................... 103, 178, 183, ....................... 603, 604, 606, 636, 637 Painted Buffalo Hides................ 677, ............................................... 678, 679 Painted Drum.............................. 168 Pants.............................................. 166 Parfleche Envelopes........... 109, 110, ....................................... 553, 554, 605 Pipe Tomahawk........................... 616 Pipebags............................... 555, 614 Pipestems............................. 548, 608 Poster............................................ 669 Quirts.................................... 104, 615 Ring............................................... 175 Saddle Drape............................... 613 Saddles......................... 283, 284, 285, ....................................... 609, 610, 635 Spurs..................................... 281, 282 Tobacco Bag................................. 105 Toy Cradle.................................... 106 War Axe........................................ 549 War Club...................................... 547 Weavings..................... 111, 112, 113, ...... 114, 115, 116, 117, 118, 119, 120, ....... 121, 122, 123,239, 240, 241, 242, ...... 243, 244, 295, 296, 297, 298, 299, ...... 300, 301, 302, 303, 304, 305, 306, ...... 307, 308, 452, 453, 454, 455, 456, ...... 457, 458, 459, 470, 471, 472, 473, ...... 474, 573, 574, 575, 576, 577, 578, ...... 579, 580, 581, 582, 583, 584, 585, ...................................... 586, 642, 643

Artisans

&

Manufacturers

Cody, Margaret........... 301, 302, 304 Donaldson Company................. 669 Meanea, F.A................................. 280 New West Furniture.. 274, 275, 277, ............................................... 278, 279 Nez, Linda.................................... 303 Winchester.......... 587, 588, 589, 590, ....................... 591, 592, 593, 594, 595

Citation: [1] Lewis, Edmund (October 2005).

“One of One Hundred”. American Rifleman. National Rifle Association. pp. 96, 129 & 134.

Thank you for participating in the March in Montana Auction Save the Date for the 36th Annual March in Montana Auction & Dealer Show Great Falls Elk’s Lodge #214, March 16-18, 2023 Now accepting quality consignments for March in Montana 2023 info@marchinmontana.com

Collector’s Collector’sRendezvous Rendezvous on onthe the

CLARK CLARK FORK FORK

Welcoming Welcoming 2022 2022 Artists Artists Troy TroyCollins, Collins,Kira Kira Fercho, Fercho, Don DonOelze Oelze& &Kenneth Kenneth Yarus Yarus

An AnEvent Eventfor forthe the Western WesternArt ArtEnthusiast Enthusiast

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May May11,12,13, 11,12,13,2022 2022 CContaCt ontaCt U Uss

For Forinformation informationon onthe theCollector’s Collector’sRendezvous Rendezvous contact contactus usatat208-667-7732 208-667-7732ororemail emailtori@cdagalleries.com tori@cdagalleries.com

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Fine art and sculpture, Indian jewelry, antique firearms, historical memorabilia, antique Indian collectibles, etc.

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AARON HAZEL “VOICES OF THE PAST” FRIDAY, JULY 8, 2022 5:00-8:00PM WWW.CDAGALLERIES.COM 208-667-7732 Featured: lot 387, Singing Beauty (Crow), 36” x 24” oil

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Coeur d’Alene Art Auction Fine Western & American Art

Best in the West – Coeur d’Alene Art Auction Realized Over $20 Million in 2021 Sales.

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The Auction is now accepting quality consignments for our 2022 Auction to be held July 23 in Reno, Nevada.

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Joseph Henry Sharp (1859 – 1953), The War Chief (detail), oil on canvas, 18 × 14 inches, Estimate: $ 60,000 – 90,000

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Coeur d’Alene Galleries & March in Montana Auction 213 E. Sherman Ave. Coeur d’Alene, ID 83814 (208) 664-2091 www.marchinmontana.com info@marchinmontana.com www.cdagalleries.com Ron Nicklas ron@marchinmontana.com ron@cdagalleries.com Tori Nicklas tori@marchinmontana.com tori@cdagalleries.com Buddy Le buddy@marchinmontana.com buddy@cdagalleries.com 208-667-7732 J.L. O’Brien, Photographer manitoujoshobrien@gmail.com Katie Brinkman, Graphic Designer katie@marchinmontana.com

The Coeur d'Alene Art Auction Mike Overby 11944 N. Tracey Rd Hayden, ID 83835 (208) 772-9009 mike@cdaartauction.com www.cdaartauction.com Stuart Johnson Settlers West Galleries 6420 N. Campbell Tucson AZ 85718 (520) 299-2607 info@settlerswest.com www.settlerswest.com Peter Stremmel Stremmel Gallery 1400 S. Virginia St Reno NV 89502 (775) 786-0558 info@stremmelgallery.com www.stremmelgallery.com

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