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Manuel Ortega Santos - Architectural Portfolio

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ARCHITECTURE PORTFOLIO

SELECTED WORKS

MANUEL FRANCISCO ORTEGA SANTOS


CURRICULUM VITAE EDUCATION

TORONTO METROPOLITAN

2019 - Present

UNIVERSITY Department of Architectural Science Deans List UNIVERSITY OF WESTERN

2015 - 2018

ONTARIO Faculty of Engineering Civil and Environmental Engineering

WORK EXPERIENCE

05/2022 - 08/2022

SNYDER ARCHITECTS - Developed models and drawings using Revit, AutoCAD, and Rhino. - Collaborated with a multi-disciplinary team to design elementary and secondary schools in Ontario. - Assisted and led visualization tasks, including renders and client presentations.

2

- Played a key role in a small team overseeing logistics, construction, and design for the firm’s new office. ARCHITECTURE PORTFOLIO

PERKINS + WILL

09/2022 - 04/2023

- Team collaboration for design competitions in residential and educational projects. - Specialization in visualization, including presentations, renders, drawings, and physical models using various software. - Contribution to construction documentation, generating deficiency lists on-site, and completing markups for contractors and clients. - Leadership in researching and compiling accessibility design standards (OBC, NBC, CSA, TADG) for a firm-wide accessibility guideline in Canada.

ARCADIS | IBI GROUP

05/2023 - Present

- Collaborated with multi-disciplinary teams to develop Issued for Construction (IFC) construction drawing packages for a transit project. - Led the design package for an art installation within the transit station.

MANUEL FRANCISCO ORTEGA SANTOS

- Demonstrated reliability in completing tasks within tight time constraints. - Granted a contract to continue working on-call and contribute to various projects post co-op term completion.

TECHNICAL SKILLS

CAD

VISUAL

PHYSICAL

Revit 2021 Rhinoceros 6.0 Grasshopper

Lumion Twinmotion Enscape

Photography Model Making Visual & Digital Arts


DISTINCTIONS

THE LAST NUCLEAR BOMB

2021

MEMORIAL Bee Breeders Architectural Competition Shortlist Project Mention OFF-SITE CONSTRUCTION STUDENT

2023

DESIGN COMPETITION UNB | University of New Brunswick 4th Place

CREATIVE WORK

FREELANCE PHOTOGRAPHER

2015 - Present

- Contributed to The Purple Spur Society’s distinguished Spur Fashion Show and Look Book, a pinnacle of Western University’s largest social club. - Orchestrated the NAVYATA Fashion Show and Look Book for the Western Indo-Canadian Student’s Association, the foremost South Asian organization at Western University.

- Showcase personal works under the Instagram handle @mansnotwell

ARCHITECTURE PORTFOLIO

- Established expertise as a versatile photographer in the realms of weddings, portraits, and nightlife.

3

- Held the esteemed position of Photographer for the University Student Council at UWO, with a focus on creatively directing Ethnocultural Support Services.

My name is Manuel Ortega Santos, I am currently in my fourth year within the Architectural Science Program at Ryerson University. For me, Architecture embodies the culmination of individuals’ capabilities and aspirations in daily life. To engage in the act of creation and construction, informed by a profound understanding of science, philosophy, and humanity, represents, in my view, one of the most captivating avenues to contribute to society at large. My academic background, rooted in an engineering school, coupled with my role as a photographer, has uniquely equipped me to approach design. I seamlessly integrate the semantics of structure with a holistic consideration of space and materiality. As a driven undergraduate student and aspiring architect, my passion extends to art, science, life, and design. I am committed to dedicating my time to continuous

CONTACT INFO

PERSONAL EMAIL:

mfortegas97@gmail.com

SCHOOL EMAIL:

m4ortega@torontomu.ca

PHONE #:

+1 (226) 503-5191

MANUEL FRANCISCO ORTEGA SANTOS

learning and the expansion of my knowledge and skill set.


ARCHITECTURE PORTFOLIO

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SELECTED WORKS

01 AQUATIC CENTRE Design of an Olympic pool in Downtown Hamilton focusing on sustainability through materiality.

02 NUCLEAR BOMB MEMORIAL

MANUEL FRANCISCO ORTEGA SANTOS

Competition for Bee Breeders Last Nuclear Bomb Memorial Shortlist Project Mention.

03 BLOCKABLE Off-site Construction Student Design Competition, 4th place placement.


5 ARCHITECTURE PORTFOLIO

04

PORT OF BEIRUT‫نوقاب‬

Four day Collaborative Design Competition in response to the 2020 explosion.

05

ITA-KURA 板倉

06 TRAVERSE Constructed design-build window installation for BIA Downtown Yongue

MANUEL FRANCISCO ORTEGA SANTOS

A Mass Timber modular system using precision cuts based from traditional Japansese construction.


6 ARCHITECTURE PORTFOLIO MANUEL FRANCISCO ORTEGA SANTOS

AQUATIC CENTRE

LOCATION: HAMILTON, ON YEAR: 2021 PROJECT TYPE: STUDIO


1 5.1 5.2

3.1

2.1

5.3

6

2.2

3.4

3.2

4

2.3 4 8

7

3.3

10

ARCHITECTURE PORTFOLIO

7

11

9

GROUND PLAN 2ND FLOOR PLAN

1 2.1 2.2 2.3 3.1 3.2 3.3 3.4 4 5.1 5.2 5.3 6 7 8 9 10 11

Lobby Changerooms Women’s Men’s Universal Pool area Leisure Pool Beach Pool Warm Pool 50m Olympic Pool Wet Classrooms Relaxation Sauna Cold Plunge Steam Room Guard Office Pool Storage Laundry Garbage Loading Storage

2ND FLOOR PLAN 1 2 3 4 5 6 7

-

1

Cafe Viewing Deck Child Minding Space Youth Room Offices Comms Room Pool Viewing Stands

3 7 4

2

5 6

3RD FLOOR PLAN 1 2 3 4 5 6 7 8 9

-

3RD FLOOR PLAN

8

Gym Reception Gym Changerooms Conditioning Space Multi-use Studios Indoor track Courtyard Event Space Event Space Patio Gym Storage

7 1 2 6

3

5 4 3 9

4

4

MANUEL FRANCISCO ORTEGA SANTOS

GROUND PLAN


INDOOR RUNNING TRACK The indoor running track gracefully encircles a studio space and an interior courtyard on the third floor, enveloped by transparent glass. This intentional transparency within the grid system serves to reinforce the concept of connectivity, seamlessly unifying the diverse uses of the building.

PERSPECTIVAL SECTION

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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Section B-B’ illustrates several thoughtful moments that are intended to be celebrated within the design, including the main pool areas, interior courtyard, changerooms, viewing deck, and childminding space.

VIEWING DECK The viewing deck floats above the spatious universal changerooms, affording captivating views of the leisure pools. Simultaneously, it establishes a seamless connection to the cafe, child-minding space, and Youth Room, fostering a harmonious interconnectedness between these various spaces.

The interior spaces eloquently celebrate a disciplined 5m x 5m mass timber grid system. This thoughtful expression is manifested through a colonnade on both the exterior and interior, complemented by a waffle structure roof.


9 ARCHITECTURE PORTFOLIO

Situated within the gym area, the central courtyard on the fourth floor seamlessly integrates nature and mindfulness into the building’s design. Adjacent to a studio space, it offers versatility, serving multiple functions while harmonizing with the overall experience of other spaces within the building.

MANUEL FRANCISCO ORTEGA SANTOS

INTERIOR COURTYARD


MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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SECTION A - A’

SECTION B - B’ ENVELOPE EXTERIOR

ENVELOPE INTERIOR

Sections depict the nuanced interior spaces in their interrelation. Worthy of note is the placement of the secondary programming, where the gym space, interior courtyard, and running track, along with both the child-minding area and the viewing deck, suspends over the pool areas.

Close-up and Section of the envelope aims to reveal that within the facade’s regular form lies an intricate interplay of floors and volumes. Additionally, it elucidates the suspended floor system designed for the integration of mechanical, electrical, and HVAC services above the CLT floor structure.


3mm Double Pane Glazing Aluminum Mullion 160mm x 70mm CLT Barrier support for glazing 100mm x 600mm Vegetation Intensive Substrate Granular Fill Filtering Layer Drainage Layer Geotextyle Protection layer Polyethylene Foil Bitumen Membrane Rigid Insulation Vapour Barrier CLT SLab 200mm Concrete Tile 1250mm x 1250mm x 25mm High Impact Rubber flooring 20mm High Density Particle Board 60mm Access Floor Pedastal System Rigid Insulation 50mm CLT Beam 200mm x 800mm GLT Waffle System Member 100mm x 800mm Heating & Cooling Air Duct

3mm Double Pane Glazing Aluminum Mullion 60mm x 70mm Wood Panel GLT Column 100mm x 800mm Rigid Insulation 50mm Curtain Wall GLT Support Member 100mm x 300mm Light Fixture

ARCHITECTURE PORTFOLIO

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Running Track Steel support System Subbase Rubber Granule Ethylene Propylene Diene Monomer Rubber (EPDM)

Air Vent Heating and Cooling Air Duct Aluminum Support for bench

3mm Double Pane Glazing Aluminum Mullion 160mm x 70mm Wood Panel GLT Column 100mm x 800mm Rigid Insulation 50mm Bench GLT Support Member 100mm x 300mm Air Duct Aluminum Support for bench Cast In place Concrete Foundation Wall Precast White Concrete facade White tile Flooring Heated Poured Concrete floor Rigid Insulation Concrete Slab Vynil Coated Heating and Cooling Air Duct Granular Fill Existing Ground Concrete Sidewalk Water barrier Vapour Barrier

MANUEL FRANCISCO ORTEGA SANTOS

Concrete Tile 1250mm x 1250mm x 25mm High Impact Rubber flooring 20mm High Density Particle Board 60mm Access Floor Pedastal System CLT Beam 200mm x 800mm CLT SLab 200mm


12 ARCHITECTURE PORTFOLIO MANUEL FRANCISCO ORTEGA SANTOS

LAST NUCLEAR BOMB MEMORIAL LOCATION: BIKINI ATTOLL ISLANDS YEAR: 2021 PROJECT TYPE: COMPETION TEAM MEMBERS: JUSTIN LIEBERMEN & MANUEL ORTEGA SANTOS


13 ARCHITECTURE PORTFOLIO

Our memorial seeks to encapsulate the profound barrier and displacement experienced by the community, effectively severing the natural connection between the people and their now-contaminated dwellings. The competition guidelines stipulated that the design concept must be communicated solely through architectural expression, devoid of labels or words, with minimal drawings. This deliberate approach allows the inherent characteristics of the memorial to be comprehensively interpreted by viewers, inviting reflection on the poignant plight of those affected by nuclear testing.

MANUEL FRANCISCO ORTEGA SANTOS

This design competition tasked participants with conceiving a memorial for any known decommissioned nuclear weapon testing site. Collaborating with my partner, Justin Lieberman, we envisioned the monument at the Bikini Atoll Islands, a location profoundly affected by numerous nuclear tests conducted by the USA. This site bears witness to the tragic displacement of native people, forcibly relocated by the US Army under the guise of temporary measures. Today, owing to hazardous radiation levels, these displaced individuals are tragically barred from returning to their ancestral homes.


MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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16 ARCHITECTURE PORTFOLIO MANUEL FRANCISCO ORTEGA SANTOS

BLOCKABLE

LOCATION: NEW BRUNSWICK YEAR: 2023 PROJECT TYPE: COMPETITION TEAM MEMBERS: ISAAC TOLEFF ELAINE NAHLI HANIA RAZA MANUEL ORTEGA SANTOS


ARCHITECTURE PORTFOLIO

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INDIVIDUAL MODULES FOR 1 UNIT (SHIPPED AS DISPLAYED)

The arrangement features purple units representing vertical circulation modules and blue modules serving as wet modules. A slender blue element, known as the spline, addresses unit service needs by connecting directly to wet modules and interlinking between units. To adhere to transport restrictions in New Brunswick, where oversized loads incur additional costs, we employ two module sizes— large and small. A total of six trucks are sufficient for a complete unit, and our adaptable connection methods, employing external brackets and knife plates, ensure swift and straightforward unit construction, catering to both horizontal and vertical connections.

MANUEL FRANCISCO ORTEGA SANTOS

Our design concept revolves around modular units, each dedicated to specific programmatic functions such as facade, interior, and services. These modules, crafted off-site, offer flexibility in arrangement, allowing for diverse unit styles and sizes with minimal adjustments to exterior wall locations. Focusing on a two-story, two-bedroom unit, our approach involves stacking and skewing various modules, with designated wet modules for elements requiring water service.


MULTI-UNIT ARRANGEMENT

SINGLE UNIT

ROW-HOUSE ARRANGEMENT

Variation of Stacked / Single Units

Private Exterior Space for Each Unit

Share Vertical Circulation

Share Common Corridor

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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Each “Spline” can service up to 4 Units

MULTIPLE ASSEMBLY TYPES

This design allows for multiple arrangements of assembly and can be stackable. Currently we can create, Row Houses, 4 Story apartments, and individual units


OUTWARD-FACE ELEVATION

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

19

FRONT ELEVATION

BACK ELEVATION


MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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LIVING ROOM KITCHEN BEDROOM WASHROOM

ARCHITECTURE PORTFOLIO

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OPTIMIZED SPACE The units can be flipped an inverted for spatial variety, share structural loads, and have mechanical, HVAC, and Plumbing considered into the arrangement of the units.

SPLINE

ELECTRICAL

PLUMBING

HVAC

“SPLINE”

2ND FLOOR

SERVICE ROUTES

MANUEL FRANCISCO ORTEGA SANTOS

EXHAUST

1ST FLOOR


22 ARCHITECTURE PORTFOLIO MANUEL FRANCISCO ORTEGA SANTOS

PORT OF BEIRUT

‫نوقاب‬

LOCATION: BEIRUT LEBANON YEAR: 2022 PROJECT TYPE: COLLABERATIVE STUDIO TEAM MEMBERS: MARWA AL-SAQQAR, SARAH TYL, ELAINE NAHLI, MANUEL ORTEGA SANTOS, AMAL SHAWER, SARAH TANG


Team:RU-PORT-2

MANIFESTO FOR THE RESILIENCE AND RENEWAL beirut port competition OF THE PORT OF BEIRUT

‫باقون‬

team members: Marwa Al-Saqqar, Sarah Tyl, Elaine Nahli, Manuel Ortega Santos, Our approach delicately balances Elevating the crater as a sacred memorial, Amal Shawer, Sarah Tang.

We pledge an unwavering commitment to the Port of Beirut’s rejuvenation—a

preservation

revitalization,

our preservation efforts extend to the

community

acknowledging the lasting scars of

silos, repurposing them into a dynamic

marked by enduring manifesto:

and

in both its infrastructure the explosion—the haunting crater hub. This multifunctional space becomes We are staying. The habitants of the Port of Beirut have suffered immensely over extended periods of time. and the fabric neighborhoods. the silos’ enduring a havenand for the residents, safety Thisof hasitsbeen reflected in theand infrastructure, function ofmarks—while the neighbourhoods, overall providing quality of life. With over 300 000affecting lives affected by the explosion, the Portfunctions. of Beirut needs a spacewhile that also is able to support The explosion’s impact, reimagining compromised and support, nurturing artists its citizens, memorialize their experiences and provide new opportunities for growth. over 300,000 lives, necessitates a By preserving these tangible reminders, impacted by the explosion. In this

greenery

public and private areas

MANUEL FRANCISCO ORTEGA SANTOS

pathways

ARCHITECTURE PORTFOLIO

space that not supports citizens we to pay by homage to the profound manifesto, weboth affirm our dedication Our only section has approached thisaim concept transforming the explosion site into a memorial and a to functional for the port’sdamage inhabitants. This upon was done of of preserving some effects of but also serves asplace a memorial, inflicted the through Port of a focus the Port Beirut’s resilience, cherishing the explosion (including the crater created and the damage done to the silos), while renewing some of the immortalizingfunctions collective experiences resilient residents. its scars while a vibrant future that may have beenBeirut lost dueand to theitsevent. By preserving the evidence of thecultivating explosion, we hoped acknowledge thegrowth. damage done to the Port of Beirut as well as the people livinginthere. The cratercommunity formed and fosteringtonew avenues for grounded remembrance, by the blast was highlighted and preserved as a memorial and can serve as a place of contemplation. support, and artistic expression. However, this also proposed an opportunity to address other needs of the citizens both prior and post explosion. This idea of preservation was extended to the silos which acted as a shield for the rest of the city. A hub was built onto the silo remnants for the purpose of providing a safe space for the residents of the Port of Beirut as well as to support the artists that were impacted by the explosion. The multifunctional hub allows for grain storage, acts as an art gallery, and a studio space.

23

hardship


RU-PORT-2 RU-PORT-2

The Typical apartmentlayouts layouts The typical apartment The typicallayouts apartment reference the reference traditional the reference the traditional traditional Lebanese Central Lebanese Hall Central Lebanese Central Hall Hall Home, Home, whichHome, are organized which are organized which are organized in a in a variety of in configurations a variety of configurations variety of configurations to provide diverse to provide housing diverse housing to provide diverse housing options throughout options the throughout site. the site. options throughout the site

Apartment Types Apartment Types Apartment Types

port circulation portnetwork circulation network Port Circulation Network

housing density housing density Housing Density

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

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street scapestreet scape

low-rise

low-rise mid-rise Low-rise

mid-rise high-rise Mid-rise

high-rise High-rise

Low-rise Mid-rise High-rise mid-rise mid-rise mid-rise low-rise low-rise mid-rise mixed-use mixed-use mixed-usemixed-use mixed-use mixed-use mixed-use mixed-use mixed-use


MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

25


MANUEL FRANCISCO ORTEGA SANTOS

site axo

the approach

market

ARCHITECTURE PORTFOLIO

26


silo ruin

stair & walkway running between the art gallery and silos

community art gallery

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

27

explosion site contemplation space


28 ARCHITECTURE PORTFOLIO MANUEL FRANCISCO ORTEGA SANTOS

ITA-KURA

板倉

LOCATION: ADAPTABLE / WIDELY APPLICABLE YEAR: 2023 PROJECT TYPE: STUDIO / CONSTRUCTION SYTEM


Toronto grapples visibly with a significant housing crisis, prominently marked by issues with Land-Use Designation. In Canada, construction by-laws constrain construction types in specific areas, evident in a map revealing that 75% of Toronto’s land is limited to low-rise homes, primarily single detached homes. This dominance hinders the possibility of increasing density. This project seeks to rectify this by introducing an adaptable structure, customizable to both potential tenants’ needs and various land-use designations.

Low-rise Residetial Mid-rise Residential Mixed Use Areas

Canada’s Population / Time

39,000,000

37,000,000

33,000,000

2015

2017

2019

2021

SPEED

COST - EFFECTIVE

Modular building projects can be completed 30-50% quicker than traditional construction methods.

With a reduced building time, the overall costs of construction can be greatly reduced.

OFF-SITE CONSTRUCTION

ADAPTABILITY

Modular buildings are constructed offsite in modules or in panels and are then brought to site, the main factor as to what makes it so speedy.

The regularity of modular design structures makes it highly adaptable to varying needs. Even modules of varying functions can come together to meet different needs.

REDUCED IMPACT

QUALITY

By building off-site it removes up to 80% of construction done on-site, making it less disruptive.

Construction in factory means that quality and safety is guaranteed while the building materials are protected from external elements during the construction process.

ARCHITECTURE PORTFOLIO

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35,000,000

MANUEL FRANCISCO ORTEGA SANTOS

Adding to the challenge is Canada’s recent rapid population growth, intensifying the demand for more housing. The problem boils down to a straightforward supply and demand issue, exacerbated by restrictive zoning. Modular construction emerges as a solution due to its speed, attributed to offsite construction. Beyond efficiency, it proves cost-effective, adaptable, and ensures quality, offering a less intrusive form of construction.


P1

P2

250

1150

P3

80 80

90

90 250

25

200

25

WALL-COLUMN CONNECTION SECTION 1 : 100

70

W

S

150 250

90

400

150 90 80

150

CENTRE PLATE

C

B

CORNER PLATE

550

80

EDGE PLATE

PLATE CONNECTIONS

COLUMN CUT TYPES

1 : 100

1 : 400

250

C4

80

C1

C0

W02

W02

2250

2930

C2

W01

B110 & B100 WILL BE COMMON BEAM FOR BETWEEN UNITS

90

C3

S2 S1

90 70 90

3000

250

BEAM &COLUMN CONNECTIONS

B110

1 : 100

S2

S1

30

S1

ARCHITECTURE PORTFOLIO

1 : 400 25 00

00 25

UNDERSIDE OF BEAMS

TOPSID

2250

BXX0

350

400

400 750

BXX1

3000

CENTRE

EDGE

CORNER

350

BEAM-COLUMN CONNECTIONS 1 : 200

BXX2

400

250

B00X

80 90 80

B04X

350

350

375 90

250

B08X

250

B12X

80

375 90

90

80

00 25

25 00

BXX3

400

90

350

BXX4 MODULE MASSINGS MANUEL FRANCISCO ORTEGA SANTOS

S1

EXAMPLE OF WALL CUTS INTO BEAMS

1125

1125

NOT AL

1035

1125

LIST OF B00X.... B01X..... B02X.... B04X.... B05X.... B06X.... B07X..... BO8X....

90

1 : 200

CUT TYPE INTO BEAMS 1 : 400


1205

2410

UNDERSIDE

80 2250

80

S1

1125

80

80

60

80

60

1 : 100

2410

2250

80 1035

S2 750

400

430

00 25

400

00 25

430

25 00

80

25 00

80

80

SECTION OF SLAB EDGE

SLAB CUTS BY SECTION

SLAB CONNECTION TYPES - BEAM

FLOOR SLAB CUTS INTO BEAMS & COLUMN CUTS INTO SLABS

1 : 200

1 : 400

W01

W01

INSTANCE WHERE FLOOR SLABS CONTINUE

W01

W01 W01

W01

W01

W01

W01 W02

S1

B050 & B060 WILL BE COMMON BEAM FOR EXTERIOR EDGE OF STRUCTURE

W02

S1

B100

B060

B040

B040

S1 S1

S2

S2

31

S1

E OF BEAMS

0

1125

2250 250

1125

400

1125

375 375

400

80 90 80

1125

375

400

1125

B05X

350

350 80 170

170 80

400

400 750

1125

80 90 80

80 90 80

1125

80 90 80

400

375 375

400

400

170 80

B10X

B14X

400 750

B06X

350

B13X 350

2250

B02X

350

1125

B09X

350 80 90 80

1125

B01X

1125

1125

375

350 80 90 80

400

400

1125

B07X

350

350 80 170

375

2250

B15X

375

400

400 750

1125

350 80 170

400

B11X

350 80 90 80

80 90 80

B03X

ARCHITECTURE PORTFOLIO

S1

B050

375

350 80 90 80

400

350 80 90 80

350

F CUTS WITH SPECIAL CONDITIONS: .......BXX1 B09X........BXX0, BXX1, BXX2 .......BXX2 B10X.........BXX0, BXX1, BXX2 .......BXX1, BXX2 B13X..........BXX2, BXX3, BXX4 .......BXX2, BXX3, BXX4 B14X..........BXX1, BXX2, BXX3, BXX4 .......BXX3, BXX4 B15X..........BXX1, BXX3 .......BXX1 ......BXX2 .......BXX1 TOTAL: 32 ALLOWABLE CUT COBINATIONS

MANUEL FRANCISCO ORTEGA SANTOS

LL TOP CUTS WORK WITH ALL BOTTOM CUTS


350 400 750 400 350

B012 UNDERSIDE 80

80

S2 ALLOWS FOR W02 CONNECTIONS

2250

B001 UNDERSIDE B012 UNDERSIDE

2410

W01

W02

90 375

90 1150

JIGSAW ENDS

W03 90

1125

1125 70

400 375

70

80

170

3000

32

3000

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

2870

50

2870

375 400 350

2828

102

375 60 400

60

350

80

42 80

90

WALL CUT TYPES

WALL CUTS INTO BEAMS AND WALL TO BEAM CONNECTIONS

1 : 100

1 : 200

W01

W11

W21

W31 x2

WALL TYPES (WINDOWS, AND DOORS) 1 : 200

W41 x2

W02

W12

W22

W32 x2

W42 x2


5. FLOOR IS COMPLETE, NEXT IS BEAMS TO CONTINUE TO BE DROPPED FROM ABOVE

6. REPEAT CONSTRUCTION ORDER FOR NEXT FLOOR

UNIT ASSEMBLY

4. SLIDE WALLS INTO COLUMN & BEAM CUTS

TYPE

#

B000 B010 B020 B051 B061 B070 B080 B081 B092 B112

4 2 1 2 11 BEAMS 26 5 8 4 1

C0 C1 C2

4 2 COLUMNS 10

P1 P2 P3 P4

12 12 PLATES 20 4

S1 S2

44 3 SLABS

W01 W02

44 WALLS 6

1 : 400 TYPE

#

TYPE

#

TYPE

#

B000 B010 B020 B051 B060 B061 B070 B080 B081 B092 B104 B112

7 3 1 2 12 BEAMS 8 35 4 12 4 1 2

B000 B010 B020 B051 B060 B061 B070 B080 B081 B092 B112

4 2 1 2 11 BEAMS 17 26 3 10 4 2

B000 B020 B051 B060 B061 B070 B080 B081 B092 B112

2 1 2 10 6 BEAMS 17 2 8 2 1

C0 C1 C2

6 15 COLUMNS 10

C0 C1 C2

4 12 COLUMNS 10

C0 C1 C2

4 10 COLUMNS 6

P1 P2 P3 P4

18 12 PLATES 18 12

P1 P2 P3 P4

12 12 PLATES 16 8

P1 P2 P3 P4

6 12 PLATES 14 4

S1 S2

58 SLABS 4

S1 S2

44 SLABS 3

S1 S2

30 2 SLABS

W01 W02

50 WALLS 8

W01 W02

44 WALLS 10

W01 W02

34 WALLS 4

In Toronto and throughout Canada, a housing crisis is fueled by factors such as prolonged neglect in affordable housing, a growing population, and a restrictive zoning system limiting construction options. This project proposes a transformative solution—a prefabricated, modular structure designed to adapt to evolving urban living. Inspired by the Japanese ‘ita-kura’ construction style, deeply rooted in tradition, the project envisions a modern construction system using precision cuts in wooden structural elements. Leveraging mass timber technology, it aims to create a customizable modular home with dynamic capabilities. Using cross-laminated timber (CLT), precise forms can be prefabricated and assembled on-site. The ita-kura style enhances structural integrity, optimizes material usage, and extends the construction lifespan. Initially a housing solution, this construction style embraces modularity for efficient building, offering adaptability and customization potential to address diverse housing needs in urban areas.

LARGE UNIT Footprint Area:75m2 Total Area: 150m²

MEDIUM UNIT Footprint Area: 58.25m2 Total Area: 112.5m²

SMALL UNIT Footprint Area: 37.5m2 Total Area: 75m²

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3. INSERT COLUMNS

ARCHITECTURE PORTFOLIO

2. LAY FLOOR SLABS, FROM ABOVE

MANUEL FRANCISCO ORTEGA SANTOS

1. BEGIN WITH BEAMS, CONNECTING HORIZONTALLY


FINISHED ASSEMBLIES

SMALL UNIT

1ST FLOOR

MEDIUM UNIT 1ST FLOOR

2ND FLOOR

2ND FLOOR

INTERIOR FLOOR - EXTERIOR CEILING ASSEMBLY 1 : 500 — 25MM DRY SCREED — 12.5MM SOUND ABSORBTION RUBBER LAYER — 60MM RIGID WOOD FIBRE INSULATION — VAPOUR BARRIER — 120MM CLT STRUCTURAL SLAB — 125MM BATT INSULATION & WOOD FRAME FURRING — 50MM RIGID INSULATION — AIR AND WATER BARRIER — 85MM DRAINAGE CAVITY — 5MM COLOURED ALUMINUM PANELING

GREEN ROOF - EXPOSED INTERIOR CEILING SMALL UNIT

1ST FLOOR

1 : 500 — VEGETATION — 100MM GROWING MEDIUM — 100MM GRANULAR RETENTION — FILTER MAT — 25MM DRAINAGE LAYER — 50MM RIGID INSULATION — AIR & WATER BARRIER — 120MM CLT STRUCTURAL SLAB

2ND FLOOR

MEDIUM UNIT 1ST FLOOR

INTERIOR - EXTERIOR WALL ASSEMBLY

SMALL UNIT

1ST FLOOR

2ND FLOOR

1 : 500 — 15MM GYPSUM BOARD — 125MM BATT INSULATION & WOOD FRAME FURRING — VAPOUR BARRIER — 90MM CLT STRUCTURAL WALL — 50MM RIGID INSULATION — AIR AND WATER BARRIER — 85MM DRAINAGE CAVITY — 5MM COLOURED ALUMINUM PANELLING.

34

2ND FLOOR

ARCHITECTURE PORTFOLIO

INTERIOR FLOOR - FINISHED INTERIOR CEILING

1ST FLOOR

MEDIUM UNIT

1ST FLOOR

1 : 500 — 25MM DRY SCREED — 12.5MM SOUND ABSORBTION RUBBER LAYER — 60MM RIGID WOOD FIBRE INSULATION — 120MM CLT STRUCTURAL SLAB — 125MM BATT INSULATION & WOOD FRAME FURRING — 15MM GYPSUM BOARD

LARGE UNIT

INTERIOR FLOOR - FINISHED INTERIOR CEILING — 25MM DRY SCREED — 12.5MM SOUND ABSORBTION RUBBER LAYER — 60MM RIGID WOOD FIBRE INSULATION — 120MM CLT STRUCTURAL SLAB — 125MM BATT INSULATION & WOOD FRAME FURRING — 15MM GYPSUM BOARD

2ND FLOOR

2ND FLOOR INTERIOR - INTERIOR WALL ASSEMBLY — 15MM GYPSUM BOARD — 125MM BATT INSULATION & WOOD FRAME FURRING — 90MM CLT STRUCTURAL WALL — 125MM BATT INSULATION & WOOD FRAME FURRING — 15MM GYPSUM BOARD

1ST FLOOR

LARGE UNIT

1ST FLOOR

INTERIOR FLOOR - EXPOSED INTERIOR CEILING

MANUEL FRANCISCO ORTEGA SANTOS

LARGE UNIT

— 25MM DRY SCREED — 12.5MM SOUND ABSORBTION RUBBER LAYER — 60MM RIGID WOOD FIBRE INSULATION — 120MM CLT STRUCTURAL SLAB

2ND FLOOR

EXPOSED CLT CEILING VS FINISHED 2ND FLOOR

POTENTIAL UNIT TYPES AND VARIANT UNIT ASSEMBLIES 1 : 100

The ceiling alternates between finished and unfinished materiality. This is to allow the full expression fo the grid system while at the same time allowing the finished ceiling provide heat breaks and greater fire rating between units.


UNIT INTERIORS

1ST LEVEL OF UNITS - PLAN

ARCHITECTURE PORTFOLIO

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1 : 100

PROPOSED TOWER - LEFT 1 : 350

2ND LEVEL OF UNITS - PLAN

250

2650

MANUEL FRANCISCO ORTEGA SANTOS

1 : 100

PROPOSED TOWER - BACK 1 : 350


36 ARCHITECTURE PORTFOLIO MANUEL FRANCISCO ORTEGA SANTOS

TRAVERSE

LOCATION: TORONTO, ON YEAR: 2023 PROJECT TYPE: DESIGN-BUILD FACULTY ADVISOR: VINCENT HUI PROJECT LEAD: MANUEL ORTEGA SANTOS DESIGN TEAM: KEVIN HIOE, LALA LEUNG, DEJANA NESOVIC, SASKIA SCARCE, KATYA STOKOZ, DARYA STUKALOVA, TIFFANY CHUI WORKSHOP TEAM: JORDAN SO, FILIP TISLER, JASON RAMELSON FABRICATION TEAM: JAKE LEVY, DEAN ROUMANIS, FATEMA MASUMA, KATARINA BASARIC, DIANA MOROSOVA, SABEEH MOBASHAR, MIRETTE NASR


The Traverse installation in Toronto is a celebration of the city’s cultural diversity and aims to showcase its various neighbourhoods and landmarks. The installation features acrylic panels as the central material, with a focus on layering and transparency. The concept of visually transversal imagery emerged, resulting in a sideways deconstruction

MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

37

of Toronto’s neighbourhoods, reminiscent of a map.


BACKBOARDS x3

ACRYLIC CONNECTION

+

=

ACRYLIC SHEETS

ARCHITECTURE PORTFOLIO

38

+

ASSEMBLED

LED STRIP BEHIND SHEET

SIDEBOARDS x2

MANUEL FRANCISCO ORTEGA SANTOS

=

=

ASSEMBLED


TOP PLATES

ARYLIC PANEL TEST

BOTTOM PLATES

SHEET REVEAL

FULLY ASSEMBLED INSTALLATION

ARCHITECTURE PORTFOLIO

TOP + BOTTOM PLATES

MANUEL FRANCISCO ORTEGA SANTOS

ILLUMINATED + CABLE SUSPENDED ACRYLIC SHEETS 3x11 ROWS

39

ALUMINUM STRUCTURE FOR CARRYING ARCYLIC SHEETS


MANUEL FRANCISCO ORTEGA SANTOS

ARCHITECTURE PORTFOLIO

40

As viewers walk past the installation, they get a sense of traversing through the city and experiencing its many facets. The acrylic panels are etched with imagery of architecture, landmarks, events, cultural icons, maps, and activities that are synonymous with Toronto. To enhance the experience, the images are backlit with a light sensor, further emphasising the feeling of walking through these Toronto icons.

Some of the featured Toronto landmarks and neighbourhoods in the Traverse installation include the Humber Bay Arch Bridge, the Canadian National Exhibition (CNE), the Toronto Islands, Chinatown, Harbourfront, Kensington Market, St. Lawrence Market, The Danforth, The Beaches, and many more.


41 ARCHITECTURE PORTFOLIO

Thank you to Cadillac Fairview Toronto Eaton Centre for supporting and hosting the Installation.

MANUEL FRANCISCO ORTEGA SANTOS

The Architectural Science students at Toronto Metropolitan University have created this project to celebrate the cultural richness of Toronto. They hope that by visually representing its diverse neighbourhoods and iconic landmarks, to produce an immersive experience for viewers as they traverse through the installation.


PERSONAL EMAIL: SCHOOL EMAIL: PHONE #:

+1 (226) 503-5191

m4ortega@torontomu.ca

mfortegas97@gmail.com

@mansnotwell

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