E
U
P
H
O
R
I
A
Second Prize Winner — The Frank Ticheli Composition Contest
J o h n
C
o
n
F r a n t z e n
c
M a n h a t t a n
e
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t
B
a
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B e a c h
d
M u s i c
Recording Credits for Euphoria: Performance by The University of Maryland Concert Band, Dr. L. Richmond Sparks, conductor
EUPHORIA F O R
C O N C E R T
B A N D
JOH N F R A N T Z EN I N S T R U M E N T A T I O N 1 Full Score
2 Eb Alto Saxophone 1
2 Euphonium T.C.
1 Piccolo
2 Eb Alto Saxophone 2
4 Tuba
4 Flute 1
1 Bb Tenor Saxophone
1 Piano
4 Flute 2
1 Eb Baritone Saxophone
1 Timpani
1 Oboe 1
3 Bb Trumpet 1
2 Percussion 1
1 Oboe 2
3 Bb Trumpet 2
1 Eb Clarinet
3 Bb Trumpet 3
4 Bb Clarinet 1
2 F Horn 1
4 Bb Clarinet 2
2 F Horn 2
4 Bb Clarinet 3
2 Trombone 1
2 Bb Bass Clarinet
2 Trombone 2
1 Bassoon 1
2 Trombone 3 (Bass)
1 Bassoon 2
3 Euphonium B.C.
Xylophone
2 Percussion 2 Vibraphone, Tambourine
2 Percussion 3 Crash Cymbals, Suspended Cymbals, Temple Blocks
2 Percussion 4 Marimba, Suspended Cymbal, Snare Drum
2 Percussion 5 Bass Drum, Tom-toms, Tam-tam, Glockenspiel
P R I N T E D O N A RC H I VA L PA P E R
Gg Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137
M A N H AT TA N B E A C H M U S I C
.
E U P H O R I A is the S E C O N D P R I Z E W I N N E R of the S E C O N D I N T E R N AT I O N A L F R A N K T I C H E L I C O M P O S I T I O N C O N T E S T Category Two: Concert band music for more experienced players
E
.
E
P r o g r a m
N o t e
uphoria in its development reflects those rare moments where one is totally immersed in the unabashed vibrancy of life. The swirling textures and rhythmic interplay of the score reveal a state of being unencumbered by lingering everyday concerns, a state of embracing the carefree wonder of living, so common in our youth, where all things are possible. Euphoria was commissioned by the Liverpool High School Bands under the direction of Michael J. Coldren, Joseph L. Filio, Jr., and James R. Spadafore. The premiere performance was given by the Liverpool High School Concert Ensemble, Joseph L. Filio Jr., conductor, at the Liverpool High School Auditorium in Liverpool, New York, on May 31, 2001. R e h e a r s a l
N o t e s
1. The pulse once established in the opening does not change for the entire work. At mm. 24 the tempo and meter of the 6/8 section is arrived at by creating a polyrhythm of three pulses over two pulses from the original tempo. This leads to a metric modulation where the duration of the half note in 4/4 time equals the duration of the dotted quarter note in 6/8 time. 2. To clarify the polyrhythmic nature of the work I chose to notate all grouped dotted eighth notes in 6/8 time as eighth note duplets. This helps musicians perceive the duple/triple divisions of the pulse as a feeling rather than a mental reading exercise. 3. The 6/8 meter at mm. 24 is to be conducted in two. 4. Notes without articulations, especially eighth notes, are to be played with full value. 5. Cross cues have been provided for important horn, oboe, bassoon, and piano passages. 6. Call and Response technique both in orchestration and thematic development occurs throughout the entire score. It is helpful to perceive the back and forth thematic interplay between Trumpet 1 and Alto Sax 1 at mm. 31 as a playful conversation.
7. Do not over-think the accompanying triple/duple polyrhythm first begun at mm. 26. Best results are achieved by feeling the groove of the polyrhythm rather than thinking. On one pitch, over a steady pulse, and without notation, have all students practice the duple and triple divisions of the pulse separately, then in alternation. Once they are comfortable playing in this way, split the students into two groups and then perform both duple and triple divisions of the pulse at the same time. J O H N F RA N T Z E N
.
commissioned by the Liverpool High School Bands Michael J. Coldren, Joseph L. Filio Jr., and James R. Spadafore, directors
EUPHORIA FOR CONCERT BAND Radiant
= ca. 132
JOHN FRANTZEN
3 2
4
5
Piccolo
Flutes
1 2
Oboes
1 2
a2
E Clarinet
1 B Clarinets 2 3 B Bass Clarinet a2 Bassoons
1 2
E Alto Saxophones
1 2
B Tenor Saxophone E Baritone Saxophone
cup mute 1 B Trumpets
cup mute 2 3 cup mute a2 1 2
F Horns
a2 1 2 Trombones 3 (Bass)
Euphonium
Tuba
Piano
two hard felt malllets
l.v.
Crash Cymbals
l.v.
Timpani Xylophone—medium rubber mallets 1 Vibraphone (motor off)—soft yarn mallets 2
Percussion
3 Marimba—soft yarn mallets 4 Bass Drum 5
Copyright © 2010 Manhattan Beach Music — All Rights Reserved — Printed and Engraved in the U.S.A. ISBN 1-59913-118-8 (complete set) ISBN 1-59913-119-6 (conductor’s score) Purchase music, download free MP3s, view scores, and more at www.ManhattanBeachMusic.com
6
7
9
8
10
Picc.
Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls. 2 3
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph.
Tuba
Piano
l.v. Timp. (Xylo.) 1 (Vib.) 2 to T. Blks.
(Cr. Cym.) Perc.
3 (Mar.) 4 (B.D.)
to Tom-toms
5
2
l.v.
12
13
11
14
15
Picc. div.
a2
Fls.
1 2
Obs.
1 2
E Cl.
1 a2
B Cls. 2 3
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts.
Horns 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph.
Tuba
Piano
Timp.
Piano Solo
(Xylo.) 1 (Vib.)
to Tamb.
2
Perc.
3 (Mar.)
to Susp. Cym.
4
5
3
16
17
18
19
20
21
22
23
Picc.
Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls. 2 3
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
mutes off 1 B Tpts.
Play
Horns
mutes off
Play
2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph.
Tuba
Piano
dampen Timp. (Xylo.) 1 Tambourine
to Vib.
2 Temple Blocks medium rubber mallets Perc.
3
4 Tom-toms hard rubber mallets
to Tam-tam
5
4
← = → 24 With spirit
= ca. 66* 25
26
27
28
29
31
30
Picc. a2 Fls.
1 2
Obs.
1 2
1. solo
E Cl.
1 B Cls. 2 3 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B Bass Cl.
a2
Bsns.
1 2
2
2
2
2
2
2
2
2
2
2
2 2
2
2
2
2
2
2
2
2
2
2
2
1 E Alto Sax. 2 2
B Tenor Sax. 2 2
2
E Bar. Sax.
solo 1 B Tpts. 2 3
F Hns.
2
1 2 2
2
2
2
2
2
2
2
2
2
2
2
Horns 2
1 2
2
2 2
2
2
2
2
2
2
2
2
2
Tbns. 3 (Bass) 2
2
2
2
2
2
2
2
2
2
2
Euph.
Tuba
solo
Piano
l.v.
l.v.
Timp.
1 Vib. (Piano solo) to Tamb. 2
Perc.
3 Suspended Cymbal drumsticks l.v.
l.v.
l.v.
l.v.
l.v.
4 Tam-tam
5
* The quarter-note in m.23 becomes the dotted eighth-note in m.24. Dotted eighth-notes grouped in two are notated as duple eighth-notes. 5
to Tom-toms
32
33
34
35
37
36
38
Picc.
Ob. solo Play Fls.
1 2
Obs.
1 2
E Cl.
1
B Cls.
2
3
2
2
2
2
2
2
2
2
B Bass Cl.
Bsns.
1 2
2
2
2
2
2
2
2
2
2
2
2
2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax. 2
2
2
2
2
2
2
2
2
2
Play
Ob. Solo 1 B Tpts. 2 3
F Hns.
1 2 Play 1 2
Tbns. 3 (Bass) 2
2
2
2
2
2
2
2
2
2
Euph.
2
Tuba
2 2
2 2
2
Piano
2
2
Timp.
1
2 (T. Blks.) Perc.
3 (Susp. Cym.)
l.v.
4
5
6
2
39
41
40
42
43
44
45
Picc.
Fls.
1 2
Obs.
1 2
a2
E Cl.
1 a2
B Cls. 2 3
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax. 2
2
E Bar. Sax. 2
2
tutti 1 B Tpts.
a2 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass) 2
2
2
2 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Euph. 2
Tuba
2 2
2
2
2
2
2
Piano
Timp.
1 Play
Tamb.
2 molto (T. Blks.) Perc.
3
(Susp. Cym.) l.v.
l.v.
to Mar.
4 Tom-toms 5
7
46
47
48
49
50
51
52
Picc. div.
unis.
1 div.
Fls.
unis.
2
1 2
Obs.
E Cl.
1 B Cls. 2 3 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B Bass Cl.
Bsns.
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1 2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
2
2
2
2
Euph.
Tuba
Piano
Timp. (Xylo.)
Play
1 (Tamb.) 2 (T. Blks.) Perc.
3
4 (Toms)
to Glock.
5
8
hard mallets
54
53
55
56
57
58
Picc. 1. solo a2 Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls. 2 3 solo 2
B Bass Cl.
2
2
1. solo Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax. 2
2
E Bar. Sax.
2
1 B Tpts. 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass) solo Euph.
2
Tuba
Bsn. solo 2
2
Piano
Timp. (Xylo.) 1 (Tamb.)
to Vib.
(T. Blks.)
to Susp. Cym.
2
Perc.
3 Mar. (hard yarn mallets) Piano Solo
Play (Mar.) hard yarn mallets
4 Glockenspiel brass mallets
5 let vibrate throughout
9
59
60
61
62
64
63
65
66
67
Picc. tutti
(solo) 1 Fls. 2
1 2
Obs.
E Cl.
1 B Cls. 2 3
B Bass Cl.
(solo) 1 2
Bsns.
1 E Alto Sax. 2
B Tenor Sax. Bsn. solo E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph. Play solo
(Bsn. solo) Tuba
Piano
Timp.
1
2
Perc.
3 (Mar.) 4 (Glock.) 5
10
68
69
70
71
72
73
74
75
Picc. solo 1 Fls. 2
1 2
Obs.
E Cl.
1 B Cls. 2 3
B Bass Cl.
1 2
Bsns.
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2 a2 1 2
Tbns. 3 (Bass)
tutti Euph.
tutti Tuba
Piano
Timp. (Xylo.) 1
2
Perc.
3 (Mar.)
to S.D.
4
5
11
76
77
78
79
80
Picc. a 2, tutti Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls. 2 3
B Bass Cl.
1 2
Bsns.
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
metal straight mute 1 B Tpts.
metal straight mute 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph.
Tuba
Piano
Timp. (Xylo.) 1 Vib. medium cord mallets 2
Perc.
3
4 (Glock.) 5
12
81
82
83
84
85
88
86 87
89
Picc.
1 Fls. 2 1. 1 2
Obs.
2. E Cl. Ob. solo
1 B Cls.
2. 2 3 tutti
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2 Bsn. 1 B Tenor Sax. Bsn. 2 E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2 1 2
Tbns. 3 (Bass)
Euph. solo Tuba
Piano
Timp. (Xylo.) 1 (Vib.)
to Tamb.
2
Perc.
3
4 (Glock.) 5
13
90
91
92
93
94
95
96
Picc. a2
Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls. 2 3
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2 a2 1 2
Tbns. 3 (Bass)
Euph. tutti Tuba
Piano
Timp. (Xylo.) 1
2
Perc.
3
4 (Glock.)
to B.D.
5
14
97
98
100
99
101
102
Picc.
Fls.
1 2
Obs.
1 2
a2
E Cl. tutti
Play
1 B Cls.
2.
2 3 3.
B Bass Cl. a2 Bsns.
1 2
1 E Alto Sax. 2
B Tenor Sax. Play E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2 a2 1 2
Tbns. 3 (Bass)
Euph.
Tuba
Piano
Timp.
1
2
Perc.
3
4
5
15
107 103
104
105
106
108
Picc.
Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls.
a2 2 3 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B Bass Cl.
Bsns.
1 2
1 E Alto Sax. 2
Play B Tenor Sax.
E Bar. Sax.
mutes off
open
1 B Tpts.
mutes off
open
a2
2 3
a2 F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph.
Tuba
8
8
Piano
Timp. (Xylo.) 1 Tamb. 2 Suspended Cymbal—drumstick Perc.
3 Snare Drum 4 B.D. 5
16
choke
choke
110
111
112
113
114
109
Picc.
a2 Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls.
a2 2 3 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
B Bass Cl.
Bsns.
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
1 2
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts. 2 3
F Hns.
1 2
1 2 Tbns. 3 (Bass)
Euph.
Tuba
8
Piano
Timp. (Xylo.) 1 (Tamb.) 2
(Susp. Cym.) Perc.
yarn mallets
choke
choke
3 molto
(S.D.) 4 (B.D.) 5
17
to Crash Cym.
2
117
116
118
119
115
120
121
122
Picc. div. in 3 1 Fls. 2
1 2
Obs.
E Cl.
1 B Cls. a2 2 3 2
2
B Bass Cl.
2
2
2
2
2
2
2
2
1.
Bsns.
a22
1 2
2
2
2
1 E Alto Sax. 2
B Tenor Sax. 2
2
E Bar. Sax. 2
2
1 B Tpts. 2 3
F Hns.
1 2 1. 1 2
Tbns. 3 (Bass)
2
2
2
2
2
2
2
2
Euph. 2 2
Tuba
Piano 2
2 2
2
2
2
2
2
Timp.
1 (Tamb.) 2 Crash Cymbals
Perc.
l.v.
l.v.
choke
3 (S.D.) 4 (B.D.) 5
18
126
125 123
124
127
128
Picc. unis. 1 Fls. 2 a2 1 2
Obs.
E Cl.
1 B Cls. 2 3 2
2
B Bass Cl.
Bsns.
2
2
2
2
1 2 2.
1 E Alto Sax. 2
B Tenor Sax.
E Bar. Sax.
1 B Tpts.
a2 2 3
F Hns.
1 2 1 2 2.
Tbns.
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
3 (Bass)
Euph.
Tuba
8
8
Piano
2
2
2
2
2
Timp. (Xylo.) 1 (Tamb.) 2
(Cr. Cym.) Perc.
l.v.
l.v.
l.v.
3 (S.D.) 4 (B.D.) 5
19
choke
choke
132 129
130
131
133
134
Picc. a2 Fls.
1 2
Obs.
1 2
E Cl.
1 B Cls. 2 3
2
B Bass Cl.
2
2
2
2
2
a2 Bsns.
1 2
E Alto Sax.
1 2
B Tenor Sax. 2
2
2
2
2
2
E Bar. Sax.
1 B Tpts. 2 3 a2 F Hns.
1 2
1 2 Tbns. 2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
3 (Bass)
Euph.
Tuba
8
Piano
2
2
2
Timp. (Xylo.) 1 (Tamb.) 2 sustain dynamic choke
(Cr. Cym.) Perc.
3 (S.D.) 4 (B.D.) 5
20
.
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