Clarinet Rhapsody for solo Bb clarinet and concert band by Donald J. Young

Page 1


Recording Credits for Clarinet Rhapsody: Performance by the William Horlick High School Symphonic Band, conducted by the composer, with Julie Niemeyer, Solo Bb Clarinet


CLARINET RHAPSODY F O R

B b

C L A R I N E T

A N D

C O N C E R T

B A N D

DONALD J. YOUNG I N S T R U M E N T A T I O N 1 Full Score

1 Bassoon 1

2 F Horn 2

8 Flute 1 & 2

1 Bassoon 2

2 Trombone 1

2 Oboe 1 & 2

2 Eb Alto Saxophone 1

2 Trombone 2

1 Eb Clarinet

2 Eb Alto Saxophone 2

2 Trombone 3

2 Solo Clarinet in Bb

1 Bb Tenor Saxophone

3 Euphonium B.C.

2 Optional Cadenza

1 Eb Baritone Saxophone

2 Euphonium T.C.

4 Bb Clarinet 1

3 Bb Trumpet 1

4 Tuba

4 Bb Clarinet 2

3 Bb Trumpet 2

1 Timpani

4 Bb Clarinet 3

3 Bb Trumpet 3

3 Mallet Percussion

1 Eb Alto Clarinet

2 F Horn 1

3 Percussion

Bells; Vibes; Chimes

Crash Cymbals; Suspended Cymbal; Snare Drum; Bass Drum

3 Bb Bass Clarinet

P R I N T E D O N A RC H I VA L PA P E R

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Learn more about Donald J. Young’s C L A R I N E T R H A P S O D Y at

www.ClarinetRhapsody.ManhattanBeachMusic.com read the entire MBM Times score analysis of the Clarinet Rhapsody, and see a list of Donald J. Young’s compositions

The CLARINET RHAPSODY is also published by Manhattan Beach Music in the composer’s version for Solo Bb Clarinet and Piano




CLARINET RHAPSODY for Solo Bb Clarinet and Concert Band

Lento cantabile con rubato 2 q = 60

Solo Clarinet in Bb

Flute 1&2

� � �� �

� � � � �� �

� � � � � � � mf

� � � � � � � � � �� � f

Oboe 1&2

f

�� � �� � ��

Clarinet in Eb

� � � � ��

f

� � � ��

Eb Alto Clarinet

Bb Bass Clarinet

� ��

Bassoon 1&2

� ��a2

mf f

� �

� � �� f

mf

f

� � �

�� f

��

f

� � � ��

�� � � � � ��

f

� � �

� �� � ���

� � �� �� f

mp

� � ��

Trumpet in Bb 2

f

mp

� � � ��

Trumpet in Bb 3

mp

f

� �� �

Horn in F 1

f

mp

� �� �

Horn in F 2

f

� �

� � � � � �� � � � � � � �� �� f

mf f

� ��

� f

Trombone 2&3

mp

f

mf f

��

� � � �� � � � � � �� � �

f

� � � �� �� �

f

�����

mp

mp

mp

mp

� �

p

� � � �

mp

f

mp

Tuba

� ��

��

mp

� �

� �

ff

p

� � � � � � � bells �� � � �

� �� � �

crash cym.

f

f

mp

f

mp

��

f

mp

mp

� �

� ��

mp

��

� �

� �

ff

� ��

p

� � � � � � � � � �

f

pp

mf

mp

� �

mf

�� f

��

mp

f

mp

� �

pp

��

� � � �

f

mp

mf

� �

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mf

p

mp

mp

f

mp

�� � �� � � � �

f

� �

� �� � � �� � � � � � �

��

��

mf

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� ��

� �

mp

f

��

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��

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f

f

� � �

f

� ��

f

mf

� � ��

Euphonium

��

mf

��

���

� � �� �� �

mp

f

�� � � �� �

� � �

mf

f

��

� � � �� �

�����

mp

f

� � �� �� �

mf

� � � �� �

f

f

mf

��

f

f

mf

��

f

� � �

� �� � ��

f

� � �

f

Trombone 1

� �

f

Percussion

� � � � �

mf

6

� � � � �� � � �� � � � � � �� ��� � � � � �� � mf

f

Mallet Percussion

� � � � � � � � � � �

mf f

f

mf

��

f

� � �� �� �

Bb Tenor Saxophone

Timpani

5

�� � � �� � � �� � � �� � � �� � � �� � � �� � � � � � � �� �� � �� ��

Clarinet in Bb 3

Trumpet in Bb 1

f

4

� a2 �� � � �� � � � �� � �� � � �� � � �� � � �� � � � � � � �� �� �� ��

Clarinet in Bb 1&2

Eb Baritone Saxophone

� mf

f

Eb Alto Saxophone 1&2

3

Donald J. Young

�� �

p

� �

Copyright ©2006 ManhattanBeach BeachMusic Music Copyright ©2007by Manhattan All Rights Reserved. Printed and Engraved in the U.S.A. ISBN 1-59913-028-9 (complete set) ISBN 1-59913-029-7 (conductor score) Purchase music, download free MP3s, view scores, and more at www.ManhattanBeachMusic.com

p

� �


 

7

Solo Cl.

Fl. 1&2

8

    3   mp

      3

Ob. 1&2

mp

 

 

mp

mf

     

mf

Cl. 1&2

 



 



mp

Cl. 3

mf

mf

p

      





3

mp

Bb Bass Cl.

mf

  Eb Alto Sax. 1&2 

mp

      

Eb Bari. Sax.

Bb Tpt. 1



mp

  

Bb Tpt. 2

st. mute

st. mute

st. mute

Euph.

Tuba

Timp.

Mallets

Perc.



pp

pp

mp

     

pp

     

pp

mf

fp

  fp

 

   

fp



mf

      

Tbn. 2&3



 

   

  

mp

mp

legato p

mf solo



    

  



 

fp

   



mf

3

fp

solo

mf

legato

mp

Tbn. 1

p

 

      

F Hn. 2

fp

 

3

F Hn. 1

p

   

fp

p

 

Bb Tpt. 3

mf

fp

    



3

Bb Ten. Sax.

p

mf

mf

 

    

mf

12 11               

fp

     

mf

p

  

  



mp

Eb Alto Cl.

mf

 

10

      

3        

Eb Cl.

Bsn. 1&2

9

mp



mf

     

legato p

mf

legato

p

pp

    

pp

mf

 

    

    



mf



vibes

 

mp

   f

 2

p

pp

 


Solo Cl.

13          3

     

           15

14

 

 

Eb Cl.

Cl. 1&2

 

   



 

 

  





 





  

Fl. 1&2

Ob. 1&2

Cl. 3

Eb Alto Cl.

Bb Bass Cl.

Bsn. 1&2

 Eb Alto Sax. 1&2  

mp



3

      16

   

  

mf

 



 



   

    

mf

    

mf







mp





mp

  

mp



mp

mf



3

    

mp

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt. 1

 

Bb Tpt. 2

Bb Tpt. 3

F Hn. 1

F Hn. 2

Tbn. 1

Tbn. 2&3

Euph.

  

 



  

 



Tuba

Timp.



mf

mf

pp

 

 

mp Mallets

Perc.



 3

pp

 pp

 


 

17

Solo Cl.

Fl. 1&2

 

   

stent.

18            



3

19

a tempo

 

    

   20      3

f

           3



Ob. 1&2



Eb Cl.



Cl. 1&2

 







  









 

  





Cl. 3

 



  

 

  



Eb Alto Cl.

 



  

 

  

Bb Bass Cl.

   









Bsn. 1&2

Eb Alto Sax. 1&2

  

mp

  

    

 









  



   





Eb Bari. Sax.



Bb Tpt. 1

mp

 

Bb Ten. Sax.

 

 



mp

Bb Tpt. 2



Bb Tpt. 3



F Hn. 1



F Hn. 2



Tbn. 1



Tbn. 2&3



Euph.



Tuba

Timp.



mp



 

  







Mallets



Perc.





4


         22                rit.

21

Solo Cl.

23 a tempo

 



  

 

 



   

Eb Cl.

 





Cl. 1&2

   

Cl. 3

  

Fl. 1&2

Ob. 1&2

Eb Alto Cl.

  

Bb Bass Cl.

 

Bsn. 1&2

   

Eb Alto Sax. 1&2

  

   

         

 

      

tutti



mf



 

f

mf

f

24

          

 

   

 

 

 

 

   

 

 

 

 

 

 

 

 

 





f

tutti

 





 p







 







7



  

p

Bb Ten. Sax.

 





Eb Bari. Sax.

  





 

open

Bb Tpt. 1

    

Bb Tpt. 3

 

F Hn. 1

       

 

  

      

 

  

open



 



F Hn. 2

 



Tbn. 1

 

 

 

 

 

Tbn. 2&3

Euph.

Tuba

Timp.

Mallets

Perc.

  



  

 



 

  

 

mf

 p

 

7

 

 

f

mf

 

Bb Tpt. 2

7



  

   p







 mp

 

mp

  

 

 

mf

 

f

susp. cym.



f

f











 

f

 

p

 

f

  5






     25

Solo Cl.

Fl. 1&2

 

poco rall.

mf

   mf

 

Ob. 1&2

  

   mf

     3

26



 p

  p

      dim.

  

   

   

   

  





   

  

     



    





mf

Cl. 1&2





Cl. 3





Eb Alto Cl.







      



   

 





Eb Alto Sax. 1&2



29

Eb Cl.

Bsn. 1&2

a tempo 

p



Bb Bass Cl.

28

   

27





 

          mf             mf    

  

mf

   

   



              

 

 

mf

 



 



 



      





p

mf

mf

mf

   

p

mf

mf

p

Bb Ten. Sax.











Eb Bari. Sax.













Bb Tpt. 1

  

open

 

Bb Tpt. 3

mf

 

F Hn. 1

mf

 

F Hn. 2

mf

Tbn. 1



mf

fp

mp



fp

mp



     

 

  

mp

 

mp

  

 

mp

 

 

Euph.

 

 

  

Tbn. 2&3

Timp.

mf

 

Bb Tpt. 2

Tuba

  

fp



fp

  fp

   fp        fp     mp

fp



    

Mallets

Perc.



 

fp

 







 







 







 

      

 

       

mf

mf

p

p

























       







mf

    

mf

   

  



mf



   





















6


       30

Solo Cl.

Fl. 1&2

  

Ob. 1&2

 

Eb Cl.

   

Cl. 1&2

Cl. 3

 

Eb Alto Cl.

   

Bb Bass Cl.

Bsn. 1&2

 

  Eb Alto Sax. 1&2  

mf

   

p

   p

                     



  

 

           

p

   p

  

  

  

p

p



p

3

31



  

     

    





  

 

      

32

 

   



 





mf

33

3

3

          f

 

mp







    













 

  

  

 

  mf  



mf

        

 









  

mf

mf

  

  

        3

f

     







 





Eb Bari. Sax.

  











Bb Tpt. 1

               cresc. 15

  

Bb Ten. Sax.

  

poco rit. accel.

34

 

mf

  

f

3

        f



  





3





Bb Tpt. 2

 









Bb Tpt. 3

 









F Hn. 1

 









F Hn. 2

 









Tbn. 1

 









Tbn. 2&3

 









Euph.

 















Tuba

Timp.

Mallets

Perc.

 

    

  

 p

   

  



















   

   





 7

 B.D.  mp

 mp  

susp. cym.




Solo Cl.

Fl. 1&2

35 a tempo  38             36            37                                    

3

f













 

Eb Cl.

      

mp

 

f



mp



  

f



 

f

Cl. 1&2

      

Cl. 3

      

mp

  

Eb Alto Cl.

mp

f

Bb Bass Cl.

 

Bsn. 1&2

  

 f

  Eb Alto Sax. 1&2   

f

alto cl.

3

Ob. 1&2

p

p

mp

 

   

    

 

      

  

     

 

 



  



 

 



  

    

















 

 

 

 

Bb Ten. Sax.

 







Eb Bari. Sax.

   













Bb Tpt. 1

  

f

Bb Tpt. 2

 







Bb Tpt. 3

 







F Hn. 1

  

F Hn. 2

 

Tbn. 1

mp

 

 

 

 







 







Tbn. 2&3

 







Euph.

 







 

























Tuba

Timp.

  

Mallets

 

Perc.

  

mf

   

8


  39

Solo Cl.

Fl. 1&2

Eb Cl.

Cl. 1&2

Cl. 3

Eb Alto Cl.

rall. 41       40            mp





  

p

 

  





  

p

 

  

Bb Bass Cl.

Eb Alto Sax. 1&2

3

 

Ob. 1&2

Bsn. 1&2

    

  

 

p





p

 

p

     

 



 

  

mf

42

 

    











mf

 

mf

 

  

     mf

43

accel.

    

   









p

   

mp

dim.

p

dim.

   

mp

mp



  

p

   

 

  

   

p

dim.

Bb Ten. Sax.





Eb Bari. Sax.











Bb Tpt. 1

 

Bb Tpt. 2





Bb Tpt. 3





F Hn. 1

 



  

p

 







Tbn. 1





Tbn. 2&3





Euph.











F Hn. 2

Tuba

Timp.

Mallets

Perc.

 







 9

 

p mp chimes

  

mp

    p

 

 

p



mp

    p

 


Cadenza

44

Solo Cl.



     

   

 Solo Cl.

           7

      

       accel.       11

    

mf

rit.

          

   

  

f

 

mp

f

   

ff

*to optional extended cadenza

    

 

                             

         mp

        mf

                

3

Solo Cl.

10

f

mf

       

stent.

accel. Solo Cl.

      f

mf

mp

mf

      

     

molto rit.

3

mp

f

          

mp

    

to measure 45

 *optional extended cadenza by Tim Bell

molto espressivo con rubato Solo Cl.

 

 Solo Cl.

 Solo Cl.

pp

       

3

  

f

mp

  f

  

3

   



mp

             mp

                    

       

     

              

   

3

f

   

      

         

accel. rall.                                                             6 6 6 f mp a tempo

Solo Cl.

 Solo Cl.

 Solo Cl.

             

     

                

                     

rit.                          

10

a tempo

                  

 3




Solo Cl.

                 3

3

3

 44

Solo Cl.

 

 Solo Cl.



   

3

 Solo Cl.

 Solo Cl.

 p





3

44





        

   

*optional cut to







    

mf



 

mf





  



 

 



 p

mp

6

più mosso

                

pp 3

3

 

mf

                 6

3

3

mp

f

                              f

 

      

     

f

11

   

3

 rit.  accel.                            6

mp

3



f

6

                                     f

               

mf

3

Solo Cl.

3

mf

6

      

        

          

        

        

 

mf





p



pp

pp

rall.

Solo Cl.

       

         

 Solo Cl.

 

                            

 Solo Cl.

                                     

p

         

44

  

                              

 Solo Cl.

p

                3

  

mp

f

    3



mp

mf

rit.          


Solo Cl.

45     

a tempo q=60

46

52 47

pp

   

  

 

  

 

Eb Cl.

  

 

 

Cl. 1&2

  

 

 

Cl. 3

  

 

  

  

 

  

p

mp

 

Fl. 1&2

Ob. 1&2

Eb Alto Cl.

Bb Bass Cl.

Bsn. 1&2

Eb Alto Sax. 1&2

  

Bb Tpt. 1

on cue

on cue

on cue

p

f

p

 

                     

f

   



  



 

p

mp





f



 

f







on cue

on cue

p

mp

 

on cue

on cue

p

f

mp

 

 



F Hn. 2

  

 

Tbn. 1

  

 

  

 

  

 

  

p

mp

 

on cue

on cue

on cue

on cue

on cue

p

 

on cue

Mallets

  

 

Perc.

  

 

on cue

on cue

       f         f

 

 

mf

 f

chimes                mp f

bells

mp

mp

f

mp mp

 

  

   



   



mp

f

mp



  



mp

f

mp

f

mp

f

mp

f

 

 

 

f



f

12

f

mp

p

 

  

 

 

 

f

p

f



 

 

 

p



p

mf



chimes

p

      

  

f

mp

mp

f

p

mp

p



f



   



 

bells

mp

p



 

  

 

f

f

 

         

f

  

   

f

  

mp

      

 

f

f

mp

mp





 

f

mp

    

f



  

 

 

mp

mp



f

 

on cue

      

f

  

on cue

mp

  

on cue



f



on cue

f

f

      

on cue

f

mf

               

on cue

mp

 

Timp.

f

pp

  

   

mp

pp

 

 

pp

  

Tuba

f

  

Euph.

      

p

  

 

Tbn. 2&3

 

f

  

  

F Hn. 1



  

mp

mp

Bb Tpt. 3

on cue

f



f

 

p

Bb Tpt. 2

mp

        

   

pp

mp

 

  

mp

51

       



50

       

pp

mp

49

on cue

  

Bb Ten. Sax.

Eb Bari. Sax.

  

mp

48

  

f

 

   

vibes

mp


               53

Solo Cl.

Fl. 1&2

54

  

Ob. 1&2

Eb Cl.

55

  

     

     

       

mf

mf

       

Cl. 3

 

Eb Alto Cl.

 

 

Bb Bass Cl.

Bsn. 1&2

mf

 

   Eb Alto Sax. 1&2  

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1



 

 

     



 



     

Bb Tpt. 3



         

F Hn. 2

Tbn. 1

Mallets

Perc.

Euph.

Timp.

Tbn. 2&3

Tuba





mf

    

mf

  p

 







mp

div.

 

mp

                 

                                      



      

              



      

      

mp



              



              



                               

mp

                                    mp

                                   

mp

              





                   

                             



 mp        



 



              





 

      



      

              



         

  

60

mp

mp

      



                                 mp

mp

59

mp

mp

Bb Tpt. 2

58

                                     

      



F Hn. 1

      



     



Allegro

57 q=ca.142

                                      mp                                                                    mp                                                 mp                              

     

  

Cl. 1&2



     

mf

 

56

mf

      mf

    



 



 

mp

a2

mp

mp

mp

S.D. B.D.

              















                                                  

mp

13

      






    61

Solo Cl.

Fl. 1&2

62



                         mf

Eb Cl.

Cl. 1&2

Cl. 3

Eb Alto Cl.

Bsn. 1&2

Eb Alto Sax. 1&2

                                      

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

        

Bb Tpt. 3

 

F Hn. 1

                       

F Hn. 2

Tbn. 1

        

Tbn. 2&3

        

Euph.

Mallets

Perc.

       

  

 

65



66



67

68





                                  

dim.

mp

mf

mp

mf

                                  

                                 mf mp                                                             mp        mf                                      mp mf                          mf p                                                      mf p mf                                                                                                    p       mf mf                                               



mf

                       mf                         mf

mf

Bb Tpt. 2

Timp.

                           

Tuba

64

                     mf dim.                          mf dim.                                     dim.  mf                          dim. mf                                   mf 

Ob. 1&2

Bb Bass Cl.

63

p



p



           dim. mf                                       



mf

          

mf



                          

                             mf

mp

mp

                 

mf

       mf          

            





                

 





              mf



                        

                     mf

p

 

p





   p

14

       

mf

mf



mf

                      mf                                    



                       mf

            

          

 

             

mf

mp

dim.

           dim. mf

p

mf

mf

             mf

                                               













                                   mf

mp


71 69 70                                       3 3 72

Solo Cl.

Fl. 1&2

  

mf

3

3



73

f



Soli

74

     

   

f



 

    

   3

 3

 

Ob. 1&2

 









Eb Cl.

 











 

 

 



 









 



Cl. 1&2

Cl. 3

      p    

Eb Alto Cl.

 

Bb Bass Cl.

 

Bsn. 1&2

Eb Alto Sax. 1&2

p

                    

legato

p

  legato     

p

 

 

                      

 





 

      

            

 

 







 

   mf

 mf

 

 

   

  

   

 

  

  



mf

 mf



 

 



 

 

 





  



Bb Ten. Sax.

 









Eb Bari. Sax.

  













Bb Tpt. 1

  

           mf

Bb Tpt. 2

 





Bb Tpt. 3

 





           mf      

 





 

 





Tbn. 1

 





Tbn. 2&3

 





Euph.

 



F Hn. 1

F Hn. 2

Tuba

  legato    p

     

  



Mallets

 



Perc.

  



Timp.

 

    

solo

f

3                  3















 



















 

  

 

 



 

  



 

mf

mf

 

mf

 

mf

   

  





                 

mf

15














    75

Solo Cl.

Fl. 1&2

               

Ob. 1&2

 

Eb Cl.

 

Cl. 1&2

  

 

Bb Bass Cl.

Eb Bari. Sax.

Bb Tpt. 1

 

 



 

  

78

3









    

   



















mf

mp

            

 

  

mp

mp Alto Cl.

    

 

 

  

 

 

 









a2     

       

     

       

      

   

mf

mf

  



mf

            mf            

 

   

   

 

   





   

   

mp

               

mp

 





80



mp

79

   

77



mp

                           

    

  

  Eb Alto Sax. 1&2   Bb Ten. Sax.



 

Eb Alto Cl.

mf

   

mf

  

Cl. 3

Bsn. 1&2

76 

mf

     





     

  

 

   

mf

     

       

 

mf



           





mf

solo





mf

Bb Tpt. 2

 



Bb Tpt. 3

 











F Hn. 1

 











F Hn. 2

 











Tbn. 1

 











Tbn. 2&3

 











Euph.

 







     

Tuba

 









       

Timp.

  



p



mp

   

mf







Mallets

 











Perc.

  











16


    81

Solo Cl.

Fl. 1&2

  

Eb Cl.

 

Cl. 1&2

    

 

Bb Bass Cl.

Bsn. 1&2

Eb Alto Sax. 1&2

Bb Tpt. 1









    mf





















        

  

3

                   



mp

                    3



3

  

   

    





     

 

 

 

 

 

  

 





                           

               

 

mp

  



 

  

 





  

 

  

 

           





         

                     

3                     



mp

p

  mp

 

mp

 

a2

         

 

p



  

3 3

   

mp

              

   



   

mf

3

     

Bb Ten. Sax.

Eb Bari. Sax.

        



      

Eb Alto Cl.

86

    

85          84          

Ob. 1&2

83



  

Cl. 3

82

   

 







Bb Tpt. 2

 











Bb Tpt. 3

 











F Hn. 1

 











F Hn. 2

 











Tbn. 1

 











Tbn. 2&3

 







          





 

 

  

 



Euph.

Tuba

Timp.

     



 

   

  

      3



  

 

           

  

 

 





           

mp

Mallets

 











Perc.

  











17


Solo Cl.

Fl. 1&2

87 89 7 7  88                                                             

f

 

Ob. 1&2

Eb Cl.

 

Cl. 1&2

   

fp

9

 

Cl. 3

Eb Alto Cl.

   

pp

 

mf

  pp

 

mf

  pp

 

mf

  pp

  pp

 

mf

  pp

  

  pp

 

mf

  pp

mf

  pp

mf

  pp

fp

Bb Bass Cl.

 

Bsn. 1&2

     pp

  Eb Alto Sax. 1&2  

 Eb Bari. Sax.     pp

     pp     pp a2

Bb Tpt. 1

Bb Tpt. 2

 mf

  pp

 

mf

  pp

mf

  pp

   

  

Bb Tpt. 3

 

mf

  

F Hn. 1

 

   

Tbn. 1

pp

Tuba

Timp.

 

 

Perc.

  

mf

  

mf

  mf  mf

 

mf



  pp

mf

pp

  pp

 

mf

mf

  pp

mf

  pp

  mf  mf

 

mf

  pp   pp

   

  

 

 

 



  

  

 mp







       









 



   



          

    

mp

mp

  mp    mp  mp





          







3



   



 





  

  

              

   





  

  















   

  

             

         













 

   





 

   

























mf

pp

mf

pp

mf



pp













   

  



 mf













pp

mf

pp

mf

pp

mf

pp

mf

  pp

 

mf

  pp

 

  pp

 

mf

  pp

 

 pp

 pp

 

 mf

 pp

    pp

Mallets

 



   

Euph.

 

  mf

  

Tbn. 2&3

mf

  pp

  mf

  

mf

F Hn. 2

 

    pp

Bb Ten. Sax.

 

mf

      mp

3



 

 

9

90 91                             

mf

mf

mf

mf

 

mp

   





    









18

 


  

93

92

Solo Cl.

Fl. 1&2

Eb Cl.

 

Cl. 3

 

Eb Alto Cl.

p

     

97

     

    

     

        

     

                   

     

    

     

    

mf

mf

p

     

   

   



          

   

       

   

 

 

       

 

   

 

mp

f

p

 

Bb Ten. Sax.

     

p f

 

  

mf

mp

         

         

 

   

p

p

     

   

p

p

  

p



                        



  

   

        

    

      

f

p

   

   Eb Alto Sax. 1&2 

mf

 99      

      

 

mp

  

98

       

     

mf

mf

   

f

Bb Tpt. 1

96

 

Bb Bass Cl.

Eb Bari. Sax.

3

mf

f

          

mf 3

mf

    

p

     

mf

p

95

       

  

Cl. 1&2

Bsn. 1&2

p

 

Ob. 1&2

94

p

        





Bb Tpt. 2

 





Bb Tpt. 3

 





F Hn. 1

 





F Hn. 2

 





 





 

 

     



    



f

mf

Tbn. 1

Tbn. 2&3

Euph.

Tuba

Timp.

  



            f 

mp

 

           

    



       

 

p

 

    



   

Mallets





Perc.







19




  

   101    

102

100

Solo Cl.

 

      

 

     

mf

Ob. 1&2

mf

Eb Cl.

Cl. 1&2

Cl. 3

Eb Alto Cl.

Bb Bass Cl.

Bsn. 1&2

Eb Alto Sax. 1&2

Bb Tpt. 1

mf

mf

105

106

        

    

             

    

          

   

    

    

     

          

mf

  

   

 



  

  

    

 

 

       

 

   

 

 

 

 

 

 

 

 

 

   

     

     

    

  

  

      

Bb Ten. Sax.

    

104

mf

Eb Bari. Sax.

103

    

         I stand only

Fl. 1&2

  

 

 

   

      mf

 

a2

           

 

mf



Bb Tpt. 2

Bb Tpt. 3

F Hn. 1

F Hn. 2

Tbn. 1

Tbn. 2&3

Euph.

  

  

Tuba

Timp.

Mallets

Perc.

  

 

 

bells

   

 

 

mf

 

 

mf

 20

 



mp


               107

Solo Cl.

Fl. 1&2

108

        

f

    

Eb Cl.

f

      

Cl. 1&2

mp

      

Cl. 3

mp

 

Eb Alto Cl.

 

  

 

mp

Bb Bass Cl.

     

      

     

      

     

f

f

         Eb Alto Sax. 1&2  mp

  

Bb Ten. Sax.



mp

 

Bb Tpt. 3

F Hn. 1

Euph.

Timp.

Mallets

Perc.



dim.

p

              

  

dim.

p

   

  

   

  

dim.

             p

             p

mf



   

   

dim.

 

 

         

mf

   

 

   

 

 

 

       

 

 

 

 

       

 

 

 

 

   

 



mf

      

f

   

           

  

mf

f

   

  

f

dim.

dim.



mf

   

dim.

   

   

   

   

   

        

dim.

dim.

  

    

  



   



   

mp

     mf

    mf

  



f

     

dim.



 

 

   

 

     

bells

f

 

   

dim.

          

mf

     mf

  



 

  



 

mf

 

 

p

p

   p

 

    

 

        

p

21

      

p

    

    

dim.

p

 

 



 

p

dim.

mf

f

f



       

  



f

p

             

p

dim.

 

p

      

  



     

              

   

mp

Tbn. 2&3

   

    

Tbn. 1

p

        

  

F Hn. 2

    

   

              

Bb Tpt. 2

p

dim.

dim.

mf

mp

Tuba

113

   

            

           

mp

Bb Tpt. 1

     

      

112

  

             

      

f

mp

111

dim.

             

Ob. 1&2

Eb Bari. Sax.

110

f

mp

Bsn. 1&2

        

109

 


 

114

Solo Cl.

Fl. 1&2

Ob. 1&2

Eb Cl.

Cl. 1&2

Cl. 3

Eb Alto Cl.

Bb Bass Cl.

Bsn. 1&2

Eb Alto Sax. 1&2

Bb Ten. Sax.

115

116



117 

118



119



                                                                      mf

f

mf

f

mf

f

3

3

mf

f

3

3

mf

f

                                                                       3 f mf 3 3 3                                                                            3

3

                                                                                                                                                                                                                 

                          

       Eb Bari. Sax.      

 







                                     f                                                mf f   3 3                                                                 mf

 

mf

f

mf

f

                                                                

      mf

 

F Hn. 1

F Hn. 2

         

                     f

3

3

  





 

                 

 







                    

 







               

  





  







Tbn. 1



Tbn. 2&3

Euph.

  



Bb Tpt. 1

Bb Tpt. 2

Bb Tpt. 3

Tuba

Timp.

Mallets

Perc.



f

f

f

































             f  

         













          

       

    

       

                                       

      mf  



f

mf

22



 




 

120

Solo Cl.

Fl. 1&2

  

Eb Cl.

 

Cl. 1&2

 

  

Bb Bass Cl.

  

 Eb Alto Sax. 1&2  

F Hn. 1



 



 



 

 



 

 



 

   

mf

p

   

 p

mf

Tbn. 2&3

Timp.

Mallets

Perc.

  







mp

mf

p

mp

mf

     

f





   

  

     



p

 

    

mf

f





mp

 

mf

   p

   

mf

f

mf

   p

  

    

23

mp

     

    f

 

f

       f

        mf

       

   f

  

    



f







    

mf

        

mf

        

f

       

f

     

mf

f

mp

mf

f

mp

       

f

p

  

mf



    

mp

f

              

f

f

      

 

    

mf

      

f

mf

mf

        

         mf f                             mf f       





             

mf

mf

Tbn. 1

Tuba

mp

          

mf

Euph.



p

F Hn. 2





                          p mf      



p

 

Bb Tpt. 3

p

 

127

  

Bb Tpt. 2

126

Eb Bari. Sax.         Bb Tpt. 1

125

p

 

Bb Ten. Sax.

124

 

p

 

Eb Alto Cl.

123

p

 

Cl. 3

122

p

 

Ob. 1&2

Bsn. 1&2

121

   

               f





  



  


129

    128

Solo Cl.

Fl. 1&2

  

         f

130 129                                                             ff

     

             

Ob. 1&2

f

             

Eb Cl.

f

               mp sub.              

Cl. 1&2

Cl. 3

              

Eb Alto Cl.

        

       mp sub.   Bsn. 1&2               mp sub.              Eb Alto Sax. 1&2     mp sub. Bb Bass Cl.

             

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

            

   

 

 

 

Bb Tpt. 2

 

Bb Tpt. 3

 

F Hn. 1

   

 

F Hn. 2

   

 

Tbn. 1

 

Tbn. 2&3

 

Euph.

 

Tuba

 

Timp.

Mallets

Perc.

  

 

 

     mp



   

f

  

f

  mp

 

  

 



     mp

f

f

    f

   

   

   

f

f

  mp

   mp  

mp



        mf 

   mp

     mp f    

 

f

  mp

mp



 



  

f

mp

  f

 

  f

  mp

 

 

       mp f   

mp

f

   mp

     mp f

    f mp 



f

mp

       

24

   

 

f     f mp     f mp

   

  mp

f



 

 

     f mp      f

  mp

13

11



   

    

f

   

     mp sub. 

      

 

 

mp sub.

13

11

      

  

f

  

f

  mp   mp

 mf



mf

  f

  

 

f

mp



 

mp

 

     f mp

  mf

 

 

             

 

   

           









f

mp

f

  f

 

mp

 

  f

 

mp

 

 

 

 

mp





  

f



f

f

f

   





       

     


Solo Cl.

Fl. 1&2

 131           

  

Cl. 1&2

Cl. 3

  

Eb Alto Cl.

    

Bb Bass Cl.

Bsn. 1&2

Eb Alto Sax. 1&2

mf

  

mf

  

Bb Ten. Sax.

 

Eb Bari. Sax.

   

Bb Tpt. 1

  



 

Eb Cl.

3

f

  

Ob. 1&2

133 135 132 134                                                                      

    



  



    f

  

mf

       

 

 

 





 



            

3

mf

    

f





f

                 

mf

         

mf

f

                           

  

f

 



 



                 



 

 





 

 













Bb Tpt. 3

 





F Hn. 1

 





F Hn. 2

 





Tbn. 1

 





Tbn. 2&3

 





Euph.

 





 





Mallets

Perc.

 

       











25



 mf





f

mf

mf



f







f



  

f

Timp.



f

 

   

         

mf

f

f

mf

 

Bb Tpt. 2

Tuba

f



f

 

f


Solo Cl.

Fl. 1&2

Ob. 1&2

Eb Cl.

Cl. 1&2

Cl. 3

Eb Alto Cl.

136  137    138 più mosso 139 140 141 142                                              mf f mf                                                                f mf p                                                    mf f                                                     p f mf                                                                                             p                   f      mf                                                        p f mf                                                          mf

p

f

                  Bb Bass Cl.                              mp    mf f                            Bsn. 1&2                                f   mf                                                                 Eb Alto Sax. 1&2     f mf                           Bb Ten. Sax.    Eb Bari. Sax.

Bb Tpt. 1



         

mf

    





Bb Tpt. 2

Bb Tpt. 3



F Hn. 1



Tbn. 2&3

Euph.

Timp.

Mallets

Perc.



            

Tbn. 1

Tuba

mf





   

                mf     



 

p

f

                         f                                    f

mp

 

  

 

         f 

     

    

     

     



              f

   

f



F Hn. 2

    

                

f

                   f   

                   

            

                                                         mf  f  26

f

f

p

p

     





p

f




148  147 144 145  146                                                             143

Solo Cl.

Fl. 1&2

 

f

3

mf

f

f





Ob. 1&2





Eb Cl.





Eb Alto Cl.

Bb Bass Cl.

 

 



    

    





    

Cl. 1&2

Cl. 3

Bsn. 1&2

Eb Alto Sax. 1&2

Bb Tpt. 1

Bb Tpt. 3

 a2

mp

 

Bb Tpt. 2

 

 

Bb Ten. Sax.

Eb Bari. Sax.

 

 

 f

f

  



 



 

 

mf

mf

    

    



 

            f                                    f    





 





 





         f st. mute          



f

       



  



  









F Hn. 1

 

 

F Hn. 2

 

 

st. mute

f

st. mute

f

            

Tbn. 1





Tbn. 2&3













 

Euph.

Tuba

Timp.





 

 

 

    

    

mp

mf





 

 

 

          f

Mallets





Perc.







27


 

      

 

149

Solo Cl.

Fl. 1&2

Ob. 1&2

 f

 

Cl. 1&2

Cl. 3

Eb Alto Cl.

Bb Bass Cl.

Bsn. 1&2

Bb Tpt. 1







f

  mp

 f

F Hn. 1

F Hn. 2

Tbn. 2&3

Euph.

Tuba

  f

f

mp

mf

f

  mp

mf

 

  

  mp

f

  mp



 f

 

 

 

  mp

mf

   

 

f

mp

f

mp

f

mp

f

f

mp

 

mf

mp



f

mp

mf

mp



  

    mp 

        f mp    

mp

mp



  

mp

mp

   f

  mp







    mp f         mp f    f mp   

open

 bells

mp      f mp

f

mf

    mp f         mp f      f mp      

mp



mp

  



      mf 

mf

mf

 

f

    f mp         f mp    f mp   

mp

f

mp      

    



mp



13

f

  

Bb Tpt. 3

Perc.

f

11

ff

     

Mallets

mp

ff



mp

13

  

  mp     a2

Bb Tpt. 2

Timp.

f

mp

 

mp

  mp

  

 

Tbn. 1

f

  

mp

ff

 



11





Eb Bari. Sax.



 

 Eb Alto Sax. 1&2  Bb Ten. Sax.



f

Eb Cl.

 151                                                          150

  

 



mp



mp

f

mp

f

mp

f

mp

    mp f   

  f 

mp

   f  

mp

    f

crash cym.

f

 

f

f

mp

  

f

    mp    

mp

     

mp

f

f

28

mp

   f

mp

  

  

mf



f

mp

mf

f

mp

mf

    mp f   

mf

        f mp    

f

f

  

mp

    f

     mf  

mp

mf

  


 

152

Solo Cl.

Fl. 1&2

Ob. 1&2

Eb Cl.

            

             

fff

             f            

            

ff

            

ff

             

ff

 

       

 

ff

f

f

Cl. 1&2

              f

Cl. 3

Eb Alto Cl.

      f       f

    f     Bsn. 1&2     f      Eb Alto Sax. 1&2  Bb Bass Cl.

 

       

                         

    

  

   

          

              

Bb Tpt. 1

Bb Tpt. 3

F Hn. 1

           f

          

  

Euph.

Tuba

Timp.

  

           

 

       

             f

 

         

               f    



                  +B.D. f

f

 

 





29

 

   

 



 

       

ff

ff

ff

            ff               

  ff         ff  

          

    

           

ff

     

 

ff

             ff

 

        ff                               ff         ff

    



fp

   



           

   

       

    



  



 



 





              

          ff

     

  

            

ff

                

   

 

           

   

 

 

ff

156



           

  

         

 

ff

 



f

Perc.

bells

Mallets

     

           

155

ff

   

f

Tbn. 2&3

     

f

Tbn. 1

        

          

 

        

 

      f        

   

               f         open       

f

F Hn. 2

 

    

f open

Bb Tpt. 2

                        

f

Eb Bari. Sax.

 

 

   

f

Bb Ten. Sax.

     154   

153

       

                   

       

a2

   

         (damp)

         

     (damp)

ff



PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

BOB MARGOLIS — PUBLISHER N E I L R U D D Y — C R E AT I V E D I R E C T O R COFOUNDERS P R I N T I N G : C H E R N AY P R I N T I N G , I N C .



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