BOUNDLESS RIVER F R A N K
T I C H E L I
#3 IN A SERIES OF WORKS DEVELOPED FROM THE M A K I N G M U S I C M AT T E R B A N D M E T H O D S C O N C E R T
M A N H A T T A N
B A N D
B E A C H
M U S I C
Recording Credits for Boundless River: Performance by Claudia Taylor “Lady Bird” Johnson High School Wind Ensemble, James F. Keene, guest conductor; Jarrett Lipman & Alan Sharps, directors. Used with permission from Mark Records, Catalog ID# 55720-MCD .
BOU N DL E S S R I V E R F O R
C O N C
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B A
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F R A N K T IC H EL I I
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1 Full Score
4 Bb Trumpet 2
4 Flute 1
4 F Horn
4 Flute 2
3 Trombone 1
2 Oboe
3 Trombone 2
6 Bb Clarinet 1
O
N
3 Euphonium B.C.
6 Bb Clarinet 2
2 Euphonium T.C.
3 Bb Bass Clarinet
4 Tuba
1 Bassoon
1 Timpani
3 Eb Alto Saxophone 1
1 Glockenspiel
3 Eb Alto Saxophone 2
2 Chimes, Vibraphone
2 Bb Tenor Saxophone
2 Percussion
1 Eb Baritone Saxophone
Tam-tam (lg.), Suspended Cymbal
4 Bb Trumpet 1
(med. lg.), 2 Triangles (med. & lg.)
P R I N T E D O N A RC H I VA L PA P E R
!"
Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 www.ManhattanBeachMusic.com customerservice@manhattanbeachmusic.com 718/338-4137
M A N H AT TA N B E AC H M U S IC
.
B O U N D L E S S
R I V E R
• Composed in loving memory of my grandfather, John Tildon Tisdale (December 29, 1898–March 28, 1990).
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P R O G R A M
N O T E
Rivers of all kinds — large or small, rapid or meandering, winding or straight—are life affirming. Their endless flow evokes a sense of infinity. I find it comforting to know they flowed long before humans inhabited the planet and will continue to do so long after we leave this earth. One in particular, the Mississippi River, occupies a special place in my heart, as, having lived a good portion of my childhood not a mile from its banks, I am always nostalgic thinking of it. I love it especially it for its unhurried, quiet dignity. BOUNDLESS RIVER for concert band is inspired both by feelings of nostalgia and the sense of infinity that rivers suggest to me. The work’s main theme, first stated by the clarinets, meanders gently — rising and falling from phrase to phrase. The music breathes, ebbs and flows, rises and falls in gentle waves of sound. Sometimes it suggests a peaceful meditation; other times it cries out. Still other times it sparkles like rivulets of water reflecting sunlight. It ends as it began, flowingly, peacefully, with life affirming dignity.
T O
T H E
C O N D U C T O R
Boundless River is my third publication for concert band in the Making Music Matter Series. Those who are familiar with my two band methods, Making Music Matter (Book 1) Beginning Band Method and Making Music Matter (Book 2) Intermediate Band Method will know that the books contain original compositions for concert band at the end of each lesson (48 compositions in total) as well as solo pieces for each instrument with piano accompaniment at the end of each book. All of these pieces are of necessity brief in nature, as their purpose is to give beginning players a chance to play music of substance, but not to give them more than they can handle so early in their musical development. The present work, Boundless River, takes one of the solo pieces from Book 2 (Long Ago and Far Away, for solo clarinet and piano) and expands it to 3-minute work for concert band. It is my plan to take many of the compositions from the method books and to expand them into larger, more substantive works for concert band.
FRANK TICHELI PA S A D ENA , CA LI F O R N I A JULY 24, 2019
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M A K I N G
M U S I C
M A T T E R
S E R I E S
•
Making Music Matter (Book 1) Beginning Band Method
by Frank Ticheli and Gregory B. Rudgers, Foreword by Richard L. Floyd, Bob Margolis, Editor
Making Music Matter (Book 2) Intermediate Band Method
by Frank Ticheli and Gregory B. Rudgers Foreword by Craig Kirchhoff, Bob Margolis, Editor Instrumentation for Book 1 & Book 2: Teacher’s Edition, Flute, Oboe, Bb Clarinet, Bb Bass Clarinet, Bassoon, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet, F Horn, Trombone, Euphonium (Bass Clef ), Euphonium (Treble Clef ), Tuba, Percussion, Piano Accompaniment for Solo Pieces Learn more: at www.MakingMusicMatterBook1.com and www.MakingMusicMatterBook2.com
••
Six New Books of Original Solo Compositions by Frank Ticheli developed from the Making Music Matter Band Methods Solo Works All six books contain easy to intermediate works 14 Original Compositions for Flute and Piano 15 Original Compositions for Bb Clarinet and Piano 13 Original Compositions for Eb Alto Saxophone and Piano 13 Original Compositions for Bb Trumpet and Piano 13 Original Compositions for F Horn and Piano 13 Original Compositions for Trombone and Piano Learn more: at www.FrankTicheli.com
•••
Four New Works for Concert Band by Frank Ticheli
developed from the Making Music Matter Band Methods Ensemble & Solo Works
Midnight for concert band
#1 in the series, developed from Night In Nairobi, Composition No. 23 from Book 2 — 5 min. 15 sec. — Grade 3
Under the Big Top for concert band
#2 in the series, developed from Circus March, Composition No. 17 from Book 1 — Grade 1 — 2 min. 30 sec.
Boundless River for concert band
#3 in the series, developed from the Bb Clarinet Solo, “Long Ago and Far Away,” from Bb Clarinet Book 2 — Grade 2 — 3 min.
Ghost Tale for concert band
#4 in the series, developed from the Bb Bass Clarinet Solo, “Ghost Story,” from Bb Bass Clarinet Book 2 — Grade 3 — 5 min. 30 sec.
Learn more:
www.FrankTicheli.com — www.MakingMusicMatterBook1.com — www.MakingMusicMatterBook2.com
F RA N K
T I C H ELI
FRANK TICHELI’S WORKS FOR CONCERT BAND ARE PUBLISHED EXCLUSIVELY BY MANHAT TAN BEACH MUSIC
Abracadabra (5 minutes, grade 3) Acadiana (17 minutes, grade 5) Movements 1 and/or 3 may be performed separately
Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra
Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra
Boundless River (3 minutes, grade 2) Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano
Concerto for Alto Saxophone and Wind Ensemble (21 ½ minutes, grade 6) This work is also available as Concerto for Saxophone in an edition for Solo Alto Saxophone and Piano
Dancing on Water (8 minutes, grade 4) December Snow (2 ¼ minutes, grade 1) Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Ghost Tale (5 ½ minutes, grade 3) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Making Music Matter: Band Method, by Frank Ticheli and Gregory B. Rudgers, Bob Margolis, Editor
Book 1: Beginning Band (Foreword by Richard L. Floyd) & Book 2: Intermediate Band (Foreword by Craig Kirchhoff ) - View online: www.makingmusicmatterbook1.com & www.makingmusicmatterbook2.com
Midnight (5 ¼ minutes, Grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Peace (3 minutes, grade 1) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra
Rest (8 minutes, grade 4)
This work is also available as Rest for string orchestra
Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) Serenade for Kristin: for Solo Oboe and Chamber Ensemble (9 minutes, Grade 4 ensemble, Grade 5, oboe) This work is also available as Serenade for Kristin in an edition for Solo Oboe and Piano
Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2) This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs
Shenandoah (6 ½ minutes, grade 3) Silver Lining: Concerto for Flute and Wind Ensemble (22 minutes, Grade 6) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6) Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”
Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5) The Tyger (6 minutes, grade 6) Under the Big Top (2 ½ minutes, grade 1) Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4) W W W. F R A N K T I C H E L I . C O M – T H E O F F I C I A L S O U R C E F O R T H E M U S I C O F F R A N K T I C H E L I
In loving memory of my grandfather, John Tildon Tisdale
BOUNDLESS RIVER
Duration: 3 min.
FOR CONCERT BAND
Flowing ( q = c. 88)
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FRANK TICHELI
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Copyright © 2020 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-242-7 (complete set) ISBN 1-59913-243-5 (conductor score) Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com
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Bb Ten. Sax.
Eb Bari. Sax.
Bb Tpt. 1
Bb Tpt. 2
F Horn
Tbn.
1 2
Euph.
Tuba
Timp.
Œ
&b
w
¢&
° &b
œ
mp to straight mute
?b bb mp
p
œ
mf
>˙
œ
mf
jœ œ
∑ œ
˙
œ
œ
œ
˙
œ
œœ˙
œ
œ ∑
œ œ œ œ ˙™ J J J
∑ œ
˙
œ œœ˙
j œ‰ Œ Ó
∑
œœ˙
Œ
˙
∑
œ
mf
˙
rit.
∑
mf
œ œœ˙
∑
Œ
>˙
j j j œ œ œ œ ˙™
˙
∑
∑
œ‰ Œ Ó J
Œ
29
mf
˙
˙
˙
Ó
˙
˙ jœ œ œ œ œ w œ J J J
p
Œ
˙
œ
mf
∑
Œ
˙ mp
œœ˙
∑ Œ
mf
œ œ ∑
jœ œ œ œ œ w œ J J J mf
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
> ˙
œ
mf
∑
?b ˙ bb
jœ œ
28
œ‰ Œ Ó J
j œ‰ Œ Ó
j‰ œ >˙
Œ œ
mf
27
∑
p
˙
j œ œ œ œ œ ˙™ œ J J J
b &b Œ
°? b bb
œ
mf
w
∑
mp
&b
?b ¢ bb
> ˙
œ
Œ
∑
&
œ œœ˙™
œ
mf
&
œ
˙
˙ mp ? b œj œ œ œ œ œ ˙ ™ bb J J J
œ œœ˙™
∑
˙
˙
mp
Eb Alto Sax. 1
œ
œ
26
˙
œ
˙
œ
j œ‰ Œ Ó
œ œ œJ œJ œ œJ ˙ ™ J p
a2
mp
˙
Œ
mf
˙
∑
˙
˙
œœ J
Œ
œ œ œ œ ˙™ J J J
˙
˙
˙
œœ˙
Œ
œ œ œJ œJ œ œJ J
mf
mf
˙
œ
˙
˙
œ
˙
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Glock.
b &b b
∑
∑
∑
∑
∑
∑
Chimes Vibes
b &b b
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Perc.
¢/
5
30 A Tempo
Fl. 1
Fl. 2
Oboe
Bb Cl. 1
Bb Cl. 2
Bass Cl.
Bsn.
° bb & b
Eb Alto Sax. 2
Bb Ten. Sax.
Eb Bari. Sax.
Bb Tpt. 1
Bb Tpt. 2
F Horn
∑
Œ ˙
œ
b &b b
∑
Œ ˙
œ
mf
& b #w
Ϫ
&b
w
Ϫ
w
Ϫ
&b
mp
mp
mp
?b w bb &
Œ
&
#w
¢&
° &b
˙
1 2
mf
Glock.
Chimes Vibes
Perc.
∑
∑
Œ ˙
œ w
∑
∑
∑
w
Ϫ
Œ œ
‰Ó
j œ œ ‰ #˙
Œ ˙ mf
‰Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙
œ w
mf
Œ
Œ ˙
w
˙
œ w
mf
j œ œ‰ ˙
Œ b˙
j œ œ‰ ˙
mf
œ œ ‰ #˙ J
mf
j œ œ ‰ b˙
∑
∑
∑ ∑
∑
w
œ
∑
œ œ‰Œ Ó J ∑
œ
∑
w
w
‰Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Ϫ
œ™ œœ™™
?b w bb
¢/
∑
Ϫ
‰Ó
∑
∑
? b nw bb w
b &b b Ó
‰Ó
∑
rit.
œ w
#w
mp
∑
37
∑
b &b w
b &b b
-̇
36
Œ ˙
mf
w
∑
35
∑
p
°? b Timp. bb Ó
34
∑
w
?b Ó ¢ bb
mf
mp
mf
mf
Ϫ
mp
Tuba
mf
Œ n˙
mp
Euph.
‰
-̇
œ w
∑
&b
w
œ 33 w
mf
‰
Ϫ
mp
&b
Œ
˙
mf
mp
Tbn.
w
32
b &b b
p
Eb Alto Sax. 1
31
˙
˙
˙
Ó
mp
mp
∑
‰ ‰ ‰
mf
-̇
mf
-̇
mf
˙
mf
˙
p
∑
œœ™™
mp
nw w
mp
w
Ϫ
mp
˙
˙
˙
Ó
˙
Ó
mp
mp
‰ ‰ ‰
˙
-̇ -̇˙
mf
mf
-̇
mf
-̇
mf
˙
mf
∑ ˙
˙
Ϫ
w
∑
(Chimes)
∑
-̇ mf -̇˙
w
w
w
w
nw w
w w
nw w
w w
w
w
w
mp
mp
w
mp
˙
˙
˙
Ó
˙
Ó
mp
∑ ˙
∑
∑ 6
mp
∑ ˙
˙
mp
˙
˙ ∑
˙
˙
˙
˙
˙
˙
˙
˙
∑
∑ ˙
˙ ∑
˙ ˙ ∑ ∑
w ∑
∑
° b Fl. 1 & b b
∑
b &b b
∑
b &b b
∑
38
Fl. 2
Oboe
Bb Cl. 1
Bb Cl. 2
Bass Cl.
Bsn.
Eb Alto Sax. 1
Eb Alto Sax. 2
Bb Ten. Sax.
Eb Bari. Sax.
&b &b &b ?b bb
w
F Horn
Glock.
Chimes Vibes
Perc.
mp
mp
mf
mf
˙™
Œ
p
Œ
Œ
œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ
p
mf
p
mf
œ œ œ œ œ
w
˙™
w
w
w
˙™
Œ
∑
∑
w
˙™
Œ
∑
∑
p
∑
∑
&
∑
&
∑
∑
& b #w
nw
p
∑
&b
p
∑ ∑
∑
∑
∑
∑
p
˙™
w ∑
œ œ œ œ œ
Œ
∑
˙™
w p
straight mute
Ó
œ
mf
œ
˙™
Œ
p
w
p
˙
mp
œ œ œ œ >œ œ œ œ ˙ ™ p
∑
∑
Œ
∑
∑
Œ
∑
∑
œ
j œ ‰ œ œ w
˙
∑
∑
∑
Ó
nw
∑
∑
∑
Ó
w w
∑
∑
∑
∑
?b w bb
w
∑
∑
∑
∑
?b ¢ bb w
w
∑
∑
∑
∑
∑
∑
∑
∑
b & b #w ?b w bb w
°? b bb w p
Timp.
Œ
43
œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙™ > mf
w
∑
¢&
Ó
42
Œ
p
Tuba
∑
mp
41
nw
p
Euph.
∑
œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙™ Œ œ œ œ œ œ œ > mp mf p œ œ œ œ Œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙™ J >
#w
p
1 Tbn. 2
∑
w
p
° Bb Tpt. 1 & b Bb Tpt. 2
40 A Tempo
39
b &b b b &b b
¢/
p
∑ ∑ ∑
∑ ∑
˙ Œ ˙
mp VIBRAPHONE
˙
mp
∑
∑
Œ
˙
˙
TRIANGLES
œ œ
˙ ˙
œ œ ˙
œ
œ œ ˙
˙
œ
mp
7
œ œ ˙
œ
œ
˙ ˙
˙
œ œ ˙ œ
œ œ ˙
œ
œ
mp
œ
˙
˙ ˙
mp
œ œ ˙
˙
œ
° b œœœœœœœœ w Fl. 1 & b b 44
45
mf
Fl. 2
Oboe
b &b b Œ
b &b b ˙
Bb Cl. 2
Bass Cl.
Bsn.
Eb Alto Sax. 1
Eb Alto Sax. 2
Bb Ten. Sax.
Eb Bari. Sax.
Bb Tpt. 1
Bb Tpt. 2
F Horn
Tbn.
1 2
Euph.
Tuba
Timp.
Glock.
Chimes Vibes
Perc.
Œ
œœ œœœ
œ œœœœœœœ œ œ œ œ œ œœ œ˙ œ œ > p mf p p
œœœ
œ w p
&b œ œ ˙ ™ mf
Bb Cl. 1
46
Œ
p
œ47 œ œ œ œ œ œ œ 48 œ ˙ mf
p
œœœœ œœ œ œœœ ˙ mf
p
p
mf
∑
Œ
œ œœœœœœœ
&b
∑
∑
∑
∑
?b bb
∑
∑
∑
∑
&
∑
∑
œœœœœ
p
&
∑
∑
&b
∑
∑
° &b
mute out
Ó
Œ
mf
˙
˙
mp
∑
∑
∑
∑
∑
∑
∑
∑
∑
&b ˙
˙
˙
b &b ˙
˙
˙
˙
˙
˙
˙
˙
˙
˙
˙
∑
?b bb
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
¢/
œ ˙
(Tgls.)
œ
˙ œ ˙ œ œ œ œ œ œ œ œ ˙
œ
œ œ œ œ
˙
˙
˙
Ó
˙
p
˙
p
Ϫ
p
˙ ˙ œ
œ
˙
œ œ œ œ
8
˙ œ ˙ œ œ œ œ œ œ œ w
˙ > ‰ œœœ mf
> œ œ œ œ œ™ Ó ˙
mf
˙
˙
mf
> ‰ œ œ œ œ œ œœœ
>œ œ œ œ œ™
mf
˙
p
˙
‰
>œ
œœ
mf
˙
p
∑
Ó
∑
˙ b œ ˙ b œ b & œ œ (Vibes) œ œ b b œ b œ &
˙
˙
∑
°? b bb
mf
Ó
∑
?b ¢ bb
p
œ œ œ œ >œ œ œ œ
˙
?b bb
mf
œ œ œ œ œ >˙
p
∑
> ˙
Ó
mf
œœ œœœœœœœœ
˙
˙
mf
∑
œ œ œ œ œ >œ œ œ
p
∑
∑
Ó
œœœœ œœ œ œ œ œ œ ™ ‰ >˙ œœœœ˙ > mf p mf œ œ™ œ œ œ œ œœœ J œœœ w œ œ œ œ >˙
&b
¢&
Ó
49
˙˙
p
˙
>˙
∑ Ó
mf
œ œ œ œ œ™ >
>˙ > ‰œ
mf
mf
p
mf
˙
˙
˙
˙
˙
˙˙
˙˙
˙˙
p
˙
p
∑ ˙ ˙ ˙
˙ ∑
Ó
∑
Ó
∑
∑
∑
œœ
° b Fl. 1 & b b
∑
b &b b
∑
b &b b
∑
50
Fl. 2
Oboe
Bb Cl. 1
Bb Cl. 2
&b &b
51
œ
mp
œ52 œ œ œ œ œ œ œ œ œ œœ œœ mf
mp
œ œ œ ˙™ œœœœ mf
œœœ
˙
Bsn.
? bb ˙ b
˙
˙
˙
˙
Bb Ten. Sax.
Eb Bari. Sax.
Bb Tpt. 1
Bb Tpt. 2
∑
&
œœœœœ
p
&b œ ˙ ¢&
° &b
p
˙
˙
˙
p
F Horn
Tbn.
1 2
Euph.
b &b œ ˙ ? b ˙˙ bb ?b ˙ bb
Glock.
b &b b
Chimes Vibes
b &b b
Perc.
¢/
˙
œ
œ
˙
œ
˙
∑
mp
p
œ œ
SUS. CYM. (yarn)
∑
˙˙ ˙ ˙ ∑
œ œ
w æ
p
˙
˙
œ œ œ œ œ œ
˙
œ
œœ
mf
˙
mf
˙
mf
mp
mf
œœ œ J
mf
œ œ
j œœ œ
œ
˙˙
˙˙
˙ ˙ mp
˙
Œ
œ Ó 9
œ
∑
˙
˙
Œ
∑
∑
∑
œœœ œ
œ
˙ ˙
ẇ
œœœ œ mp
∑
œ
∑
˙
mp
œœœ
˙
Œ
˙™
œ
∑
mp
˙
∑
˙
∑
˙
w
mf
œ J‰Œ
˙
˙
w mf
˙
˙™
œœœ
w
∑
˙
w
mf
˙
w
˙
˙
mf
w
œ œ œ™
˙˙
˙˙
j‰ œ œ œ œœœ ˙ œ
mp
w
˙
mf
mf
w
˙
mf open
œ
˙
mf
Œ
mp
∑
j‰ œ œ œ œœœ ˙ œ
w
œ œ œ™
w
˙
˙
˙˙
œœ
mf
œ
∑
œ œ
w
œ
˙
°? b Timp. bb
w
∑
˙
?b ˙ Tuba ¢ bb
mf
mf
mp
w
œ œœœ ˙
˙
˙˙
mf
mp
œ
∑
œœœœ
œœœ
w
œ
∑
mf
mf
∑
&b Œ
mp
œ œœœ œœœœ
œœœœ˙ œœœ ˙ œ
œœœ
w
˙
Eb Alto Sax. 2
˙
œœœ w
&b ˙
&
55
mp
mf
mp
Bass Cl.
Eb Alto Sax. 1
54
œœœ œœœœ œœœ j œ j œ œœœœœ œ œ œ‰ œœœ œœœ œ‰ œ œœœœ˙
œ˙ œœœ œœœ œ œ œ œ œ œœœœœ
rit.
j œ j œ œ œ œ‰ œœœ œœœ œ‰ œ œœœœ˙ 53
dim.
Œ
Ó ˙
œ œœ˙ ∑
∑
∑
∑
∑
∑
∑
œ œ
œ œ p
∑
∑
w ∑
∑
° b Fl. 1 & b b
∑
b &b b b &b b
56
Fl. 2
Oboe
Bb Cl. 1
œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ w
∑
∑
Ó
∑
∑
&b w
˙
w
˙
˙
w
Bass Cl.
&b w
w
?b w bb
w
p
Bsn.
p
60
Œ
œ œ œ œ œ œ œ œ œ
mp
mf
U ∑
w
∑
∑
U œ œ œ œ œ œ œ w œ œ œ œ œ œ œ p mf U ‰ Œ Œ j œ œ œ œ œ œ œ œ œ œ w
w w
j‰ Œ œ
Ó
œ ‰ Œ J
Ó
mp
U
mf
w
w
∑
U ∑ U ∑
&
∑
∑
∑
∑
∑
Eb Alto Sax. 2
&
∑
∑
∑
∑
∑
Eb Bari. Sax.
&b ¢&
w p
w
° Œ Bb Tpt. 1 & b Bb Tpt. 2
F Horn
p
&b
Solo
œ œ œ œ
mf
Tbn.
1 2
˙
w
œ J ‰ Œ
Ó
∑
U ∑
˙
˙
w
œ ‰ Œ J
Ó
∑
U ∑
w
j œ ‰ Œ
Ó
∑
U ∑
Œ œ œ œ œ ∑ ˙
p
? bb w w b
∑ ˙
w w
∑ j‰ Œ œ
w
Tuba
? bb œ ‰ Œ bJ
?b ¢ bb
°? b Timp. bb Glock. Chimes Vibes
Perc.
b &b b b &b b
¢/
Ó
w w ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
Œ
Ó
no more than two players per part
(Vibes)
œ
p
œ ∑
10
∑
U ∑ U w w
w
w
U w
w
U w
w
mp
TRIANGLES
U ∑
w w
mp no more than two players
œ
∑
w w
mp no more than two players
p
Euph.
U ∑
˙
∑
b &b w
U ∑
j œ ‰
Eb Alto Sax. 1
Bb Ten. Sax.
U ∑
61
mf
∑ w
p
59
p
˙
&b
rit.
q = c. 80
∑
p
Bb Cl. 2
58
57
œ 1
mp
mf
œ
!™
U ∑
∑
∑
∑
∑
U ∑
∑
U ∑
œ
œ
w
p
U ∑
July 25, 2019 Pasadena, CA
.
M A N H AT TA N B E A C H M U S I C BOB MARGOLIS — NEIL RUDDY PUBLISHERS AND COFOUNDERS
.
B O U N D L E S S
R I V E R
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