SWLA | The Natural Eye 2022

THE NATURAL EYE

S WL A THE SOCIETY OF WILDLIFE ARTISTS

THE NATURAL EYE Annual Exhibition 2022 13 – 22 of October 2022

Mall Galleries, The Mall, London SW1 www.swla.co.uk @swlanaturaleye

@societyofwildlifeartists

The Society of Wildlife Artists seeks to generate appreciation and delight in the natural world through all forms of fine art inspired by the world’s wildlife

Works are available to browse & buy at www.mallgalleries.org.uk 020 7930 6844 | info@mallgalleries.com | www.mallgalleries.org.uk

SWLA President’s Foreword Welcome to The Natural Eye, the 59th annual exhibition of The Society of Wildlife Artists.

The loss of Robert Gillmor in May and of John Paige last October has been felt deeply by the SWLA. There is not space here to cover either man’s contribution properly but for me the common thread is of their creativity, kindness and generosity of spirit.

It is impossible to quantify how many artists owe Robert Gillmor huge thanks for their careers in wildlife art. Whether it be through individual guidance, advice and friendship, or through the broader umbrella of the SWLA community which would not have existed without him, he has directly affected the lives of many.

From the Society’s point of view he was so generous with his time and service in so many roles, aside from being Founder, Secretary and President. For over fifty years he was on hand to design the catalogue, offer sage advice during the selection committee meetings, oversee the enormous task of hanging the show, and generally ensure everything ran smoothly. He set up the Bursary Scheme and helped get the Society registered as a charity. He has left a huge hole in the Society and we will all miss him, not just for his art but for his friendship, his guidance and, not least, his wicked sense of humour!

John Paige was another hugely influential artist in the Society. A member since the late 1960s John created an astonishing breadth of work using various media and techniques. Like Robert he was very generous with his time and took a delight in seeing sketchbooks and discussing new work with artists. He and his wife Jane, a fellow artist, both taught from their Old Brewery Studios and welcomed numerous artists into their home during Bird Fair.

I cherish the times I spent there talking with John about art and wildlife. He is much missed.

In May this year, two years later than first planned, the second residency to The Wadden Sea in Denmark took place. Twelve artists spent time on the island of Fanø and surrounding areas to document the importance of this UNESCO World heritage site for wildlife. Marco Brodde, the driving force behind this collaboration with the Wadden Sea National Park, has given a flavour of this trip on page 9.

We have work from the seabird drawing course bursary winners and The Natural Eye bursaries on display. It is wonderful to see the new names involved with the Society and to carry on the ethos of Robert and John in supporting artists inspired by the natural world.

As ever I would like to thank all the sponsors of prizes and awards this year for their continued support.

Harriet Mead President

2

Harriet Mead PSWLA Chain necked Water Rail Welded found objects £1,850

3

Robert Gillmor 1936 – 2022 Robert Gillmor was an extraordinary man.

As an artist he was an undisputed master in his chosen field, yet his achievements went far further than the maker of beautiful illustrations, paintings and prints. In a career that fledged in the 1950s and continued until shortly before his death, his endeavours for seventy years encompassed the worlds of ornithology, conservation and art. His efforts to promote and encourage natural history themed art have made a lasting impact and have shaped the visions of future generations, and his contribution to wildlife art in Britain is unparalleled.

With a society of artists in mind Robert, with the enthusiastic support of Sir Peter Scott, Keith Shackleton and Eric Ennion, organised an exhibition of contemporary bird paintings in the Reading Art Gallery in 1960.

Maurice Bradshaw, then Director of the Art Exhibitions Bureau, joined the organising committee and as a result the Bureau took this exhibition on tour for a year, and such was the interest shown by provincial galleries that the tour was extended for a further year.

Robert invited Richard Talbot-Kelly and Maurice Wilson to help plan a society and invite founder members. The inaugural exhibition of the Society of Wildlife Artists (SWLA) was held in London and opened by prominent ornithologist James Fisher in August 1964. The exhibition featured 149 works by 35 founder members. The annual show now boasts about 350 works and the Society currently has over 60 elected members.

From its inception Robert was the energy and guiding hand of the SWLA. He initially took the position of Secretary to the society (1964–1974), then Chairman (1974–1984).

He was elected President and served two terms from 1984-1994. (For the years 1964– 1994 all notes, circulars and newsletters were handwritten by RG.) 4

Under his Presidency, the SWLA enjoyed both a boom in popularity and an enhancement of status, with everincreasing numbers visiting the annual exhibition. Robert was directly responsible for raising the profile of the society with a new logo (his design) and the forging of close ties with many conservation groups as sponsors of awards at the Mall Galleries show. New awards were offered to artists from the RSPB and The Natural World, the magazine of the Wildlife Trusts.

Robert was always eager to encourage young artists and he approached Lloyds Private Banking with an initiative to foster new talent. Through a sponsorship agreement with Lloyds, a joint Bursary scheme was established in 1993. Since that inception the scheme has gone on, with different sponsors and, latterly, selffunded, to award nearly 100 bursaries to young, up-coming artists, many of whom have gone on to have successful careers of their own.

During his Presidency, in 1991, he also oversaw the SWLA becoming a Registered Charity for the purpose of fostering and encouraging all forms of visual art based on the world’s wildlife.

From 1994 Robert was the Society’s Vice President and was an active member of the SWLA council. All catalogues to exhibitions up to 2009 were designed by RG, and until 2012 he oversaw the hanging of every exhibition.

Despite running the society for 30 years, and being intimately involved with it for much longer, he nevertheless found the time to produce a full complement of wonderful paintings every year. He has shown his amazing work for every one of the 58 years the society has been in existence and the ‘Gillmor wall’ was always one that drew everybody to it.

Above all else Robert was an artist. He saw his first image in print at the age of 13. It was a design for the 1949 Annual Report for the Reading Ornithological Club and he illustrated every cover until his death – that’s sixty designs. In 1952, still only 16, his bird illustrations appeared in national publications for the first time when he submitted a series of black and white figures of shearwaters and magpies for the journal British Birds. Robert illustrated his first book, A Study of Blackbirds by David Snow in 1958, and he eventually contributed to over 200 books.

Many of these publications demanded monochrome figures, and as a black and white illustrator Robert Gillmor had no peers.

His work showed a richness of tone and texture married with harmonious design that consistently delighted the eye and always met the exacting brief of authors.

Robert’s watercolours displayed a similar elegant design and his paintings for

Robert Gillmor PPSWLA Pie-wipes Linocut £950 The Handbook of Herons of the World (1976) set new standards for bird illustration.

His style has been much mimicked but never bettered.

Lino-printing was what he seemed to love best of all, especially in the later years.

He had an exquisite design sense and his work always looked fresh and modern.

Paring an image down to sometimes only three or four colours brought a simplicity to his work that belied the mastery behind its production. Equally he could produce a lino print in anything up to 24 colours for some of the Collin’s New Naturalist covers – his understanding of how colours worked next to and on top of each other was unparalleled. His solo book Cutting Away showcases a small percentage of the

work he produced over 70 years and is a delightful addition to anyone’s bookcase.

Robert has left behind him a legacy within the field of wildlife art that few will ever parallel. He is seen as the grandfather of modern, wildlife painting in the UK, and indeed his influence has extended beyond these shores. His stature and legacy lie alongside those of Thorburn and Lodge, and Tunnicliffe who he greatly admired, but it could be argued that the inspiration and encouragement he has given to others exceeds that of even those great figures of the past. His loss to the family of wildlife art is immense, but we have also lost one of the gentlest, kindest, modest, and wittiest men in the field of wildlife art, ornithology, and conservation.

5

SWLA Overview PRESIDENT Harriet Mead VICE-PRESIDENT Bruce Pearson PAST-PRESIDENTS

Keith Shackleton, Robert Gillmor, Bruce Pearson, Andrew Stock

SECRETARY John Foker TREASURER Max Angus COUNCIL

Julia Manning, Jane Smith, Andrew Stock, Ben Woodhams, John Dobbs

FBA TRUSTEE Max Angus NEWSLETTER EDITOR

John Foker

FRIENDS ADMINISTRATOR

Tim Baldwin

ENQUIRIES TO The Federation of British Artists:

17 Carlton House Terrace, London SW1Y 5BD Telephone: 020 7930 6844 Registered Charity No. 328717 COVER IMAGE

Robert Gillmor PPSWLA Blackthorn Blackbird (edition of 85), Linocut

SWLA HISTORY In the late 1950s the original work of wildlife artists was not readily available to the ever-growing numbers of people developing an interest in natural history. With the formation of a Society very much in mind, Robert Gillmor and Eric Ennion, with the enthusiastic support of Peter Scott and Keith Shackleton, organised an Exhibition by Contemporary Bird Painters which was opened by Lord Alanbroke in the Reading Art Gallery in 1960. Maurice Bradshaw, then Director of the Art Exhibition Bureau, joined the Organising Committee and, as a result, the Bureau took the exhibition on tour for a year. The great interest shown by provincial galleries extended the tour for a further year. During this period the organisers were joined by R.B. Talbot-Kelly and Maurice Wilson to plan a Society and invite Founder-Members. James Fisher opened the inaugural Exhibition of the Society of Wildlife Artists at 6 ½ Suffolk Street in August 1964.

For more information on the SWLA including how to submit work, visit www.swla.co.uk 6

Dafila Scott SWLA Swallows and Cattle, late Summer Mixed Media £2,250

7

John Paige 1927 – 2021 John Paige was born in 1927 and attended Rugby School where, from the age of 14, he began keeping his wildlife sketch notebooks, – a discipline he continued until well into his nineties. He was encouraged by his art master, the artist and naturalist Denys Watkins Pitchford, yet his role model was Robert Talbot Kelly, who had also taught at Rugby.

National Service took John to Palestine, Germany, Aden and Malaya, and he recalled wonderful experiences of different habitats, his patrol binoculars being handy for bird-spotting! Returning, he studied at Cambridge University before re-joining the army as a regular officer.

While at Cambridge he spent his vacations working at Slimbridge, meeting Peter Scott, and it was Scott who later recommended John for the post of warden at the Uganda National Parks.

After Uganda, John went to Birmingham College of Art to study Art and Design. It was here he developed his printmaking skills which became a hallmark of his artistic career. John was an all-rounder and could work with equal facility in many media: his graphic design skill came to the fore in his meticulously researched and minutely detailed train friezes; he was also a skilled portraitist. His paintings, usually made out in the field, are sometimes a mass of marks and colours that almost camouflage the subject; often appropriate when portraying a fleeting animal encounter.

Birds endured as his favourite subject matter. Everything John did was based on observational drawing, and the sketchbooks provided the vital source material for his finished work and are a true legacy of a lifetime in nature.

John explored new ways of creating, often preferring a low-tech approach. He would hand-burnish relief prints and use cut and torn paper stencils in screen-printing, giving his designs a deceptively simple look. Yet these were carefully devised compositions, rendered in layers of colour, subsequent transparent overlays evolving in the manner of a sculptor gradually shaping the subject.

John exhibited with the recently formed SWLA in 1966 (elected member in 1969) and continued to show work with the society annually for the next 55 years.

Through the SWLA and the Artists for Nature Foundation, the circle of wildlife artists grew to be international, and John worked on conservation projects in France, Alaska and India, as well as in various parts of the UK. John’s images were reproduced in many linked publications, and his work is in the permanent collections of the Woodson Art Museum, Wisconsin, USA and in Nature in Art, Gloucestershire.

8

John Paige Woodchat Shrike Linocut £300 In 1984, John and his wife Jane set up The Old Brewery Studios in King’s Cliffe. Here they ran residential summer schools for adults and children, and term time courses. John was an inspirational teacher whose passion and critical observations of his own and other peoples’ work were always honest, accurate and welcome.

John and Jane extended their tutoring overseas, leading parties looking at botany and wildlife. The sociability of these excursions, along with the various artists projects and the annual reunions in the Art Marquee at the British Bird Fair in Rutland, meant John and Jane often welcomed a houseful of multi-national guests. Both as an artist and a naturalist, John has left a lasting impression on his local community, his students, his fellow artists and a wider audience.

Carry Akroyd

SWLA Wadden Sea Project Wide sandy beaches, immense dunes, enormous dykes, and endless tidal flats - the Wadden Sea straddles the Danish, German and Dutch North Sea coast and is of inestimable importance for many bird species on the East Atlantic migration route. Since 2019, The SWLA has collaborated with the Danish Wadden Sea National Park to create an exciting and innovative project that attempts to communicate the natural values of this unique landscape by the means of art and education related activities.

Back in October 2019, twelve artists from the SWLA visited the southern part of the Danish Wadden Sea. A selection of sketches from this first residency were subsequently exhibited in the Out of Frame room at “The Natural Eye” exhibition. Sadly, the COVID 19 epidemic caused the second residency to be postponed for two years, meaning it was not until May of this year that the second group of 12 SWLA artists finally gathered on the island of Fanø, situated in the Northern part of the Danish Wadden Sea. In contrast to the autumnal storms and windblown saltmarshes of the first residency, the artists were treated this time to clement and balmy Spring weather as well as a more diverse range of landscapes and habitats.

On the island of Fanø, several artists were lucky enough to spend extended periods observing and recording local Bluethroats, Little Terns and Kentish Plovers, all of which are breeding as a result of protective measures implemented by the National Park. The group also visited the neighbouring island of Mandø, and the untouched dunes and saltmarshes of the Skallingen peninsula.

During the week, the public had several opportunities to look over the artists’ shoulders and interact with them at close quarters. At an ‘open air’ event on Sønderho, Fanø, the public were encouraged to observe and talk to the SWLA artists working along the coastal dyke.

Later the artists delivered several workshops to school classes in the region where, despite the language barrier, impressive work was created by enthusiastic students. Lastly, at the end of the week, a festive event and exhibition was held on Fanø.

The SWLA Wadden Sea Project will result in a travelling exhibition and a book, showcasing some of the fantastic work produced by over 20 SWLA artists across both residencies. The writer Colin Williams, who participated in both residencies, will be providing the written content for the book.

SWLA artist Dan Cole in the reeds, © Red Star/Nationalpark Vadehavet

Marco Brodde ASWLA/Board member Nationalpark Vadehavet

9

The Natural Eye Bursary

Aaron Boughtflower Arctic Tern Dread, Isle of May Ink, Ballpoint Pen £450 The SWLA Bursary has been running for more than two decades. In that time we have awarded over 100 bursaries with many of the artists going on to become valued members of the society. This year we have work on display from the three winners of The Natural Eye Bursary: Adrien Brun, Georgina Colburn and Ibby Lanfear. These artists applied for a bursary to help with their own projects. Adrien Brun has been working in Norway’s wilderness, to bring a focus on the habitat and wildlife of the area.

He hopes to exhibit work in the network of

10

DNT huts which are hostels used by walkers, climbers and other outdoor enthusiasts in Norway. Ibby Lanfear has used her bursary to learn lithography techniques at The Highland Print Studio. Ibby Lanfear has produced work created from observing a family of barn owls. She has documented the annual cycle of the birds through collection of data, including owl pellets, and has incorporated materials from the landscape within her paintings.

We have work on display from three artists who were awarded places on The John

Busby Seabird Drawing Course. The course has proved a superb way of working with emerging artists who receive guidance from senior SWLA artists led by Darren Woodhead, who this year was joined by Nik Pollard and Kittie Jones. Bursary artists Sally Newton, Aaron Boughtflower and Jules Bradbury spent a week with them in Scotland looking at the bustling seabird colonies and rugged coastline.

For more information and reports from all the recipients please visit our website www.swla.co.uk

SWLA Friends The SWLA Friends scheme encourages involvement from people who have an interest in art and the natural world. Funds raised from the Friends’ support will help to ensure that the SWLA continues to offer bursaries and opportunities for young and emerging artists and enables the Society to explore new relationships between artists and conservation organisations. In the 25 years since its inception our Bursary scheme has awarded over 100 bursaries to artists who have needed support with a project or help with new skills and techniques for their artistic development.

We offer places on the Seabird Drawing Course which is a marvellous way of mentoring artists during an intense course of field working. We also accept applications for general bursary proposals from individuals who need help with specific projects.

The BTO/SWLA Flight Lines, the Wadden Sea and the Argyll Coasts and Islands Hope Spot projects are recent collaborations that show how artists can work with other organisations to help bring conservation and research stories to a much wider audience. With your support we can expand on these opportunities and increase our projects so that the enthusiasm, expertise and talents of our artists go even further.

Become a Friend of the SWLA and not only will you be helping to nurture artists inspired by the natural world you will also enjoy the following privileges: 1. Attend the private view of the annual exhibition and enjoy the ‘Meet the Artists’ drinks reception 2. Free entry to the annual exhibition, free catalogue, also admits a guest

3. Receive a quarterly Friends E-Newsletter and a printed annual review The Natural Notebook 4. Friends will be entered into a ballot where a proportion of the subscriptions will be devoted to the purchase of a work from the annual exhibition.

The successful Friend will be told the amount available (currently £250) and invited to select a piece from the show 5. Opportunity to take part in studio visits of member artists 6. Receive discounts on events, workshops and courses offered by the SWLA To become a Friend of the Society or to make a donation please visit www.swla.co.uk or email swlafriends@gmail.com

Lisa Hooper ASWLA Small Elephant Hawk-moths Reduction Linocut £360 (£300 u/f)

11

Fiona Clucas SWLA Abundance Mixed Media £4,500 12

Carry Akroyd SWLA Chough Thermal Serigraph £325 (£210 u/f) 13

Richard Tratt SWLA Thistle Patch Visitors Oil £695

14

David Bennett SWLA Otter Family and Crab Apple Blossom, Pocklington Canal Oil on Canvas £500

15

Andrew Stock PPSWLA Landcross Whitethroat Oil £3,250

16

Darren Woodhead SWLA Goldfinch and Teasels Watercolour £1,950

Kendra Haste SWLA Hind Painted Galvanised Wire and Steel Frame £25,000

17

John Hatton SWLA Arctic Flight Linocut £250

18

Louise Scammell ASWLA Moving Gently, Hope spot Monotype £425 (£295 u/f)

19

Chris Rose SWLA Slavonian Grebe Oil on Paper £650

20

Brin Edwards SWLA Arctic Terns at Esbjerg Oil on Canvas £2,250

21

John Foker SWLA Direction of Travel Oil £1,800

22

Bill Prickett SWLA Manta Ray in Burr Elm Burr on Acrylic Block £1,100

Adam Binder SWLA Tortoise Bronze £3,950

23

Simon Griffiths SWLA Hare Ceramic £850

24

Wynona Legg SWLA To Wallow Ink, Soft Pastel £850

John Dobbs SWLA Etosha Leopard Oil £4,000

25

Jane Smith SWLA Grey Wagtail Handmade Screen Print £280

Esther Tyson SWLA Gulls Oil £1,500 26

Matt Underwood SWLA Peregrine Woodblock £400 27

Tim Wootton SWLA Long-tailed Ducks Flight Study Oil on Board £450 28

Andrew Haslen SWLA Tideline Oil £9,500

29

Richard Allen SWLA Avocet Flight Oil £895

30

Julia Manning SWLA Sea Swallows Lino Cuts, Stencils £430

Robert Greenhalf SWLA Winter Long-tails Linocut £195

Max Angus SWLA Little Steps 4 Block Linocut £320

The works for sale in the SWLA Annual Exhibition are available to buy through the Own Art scheme. Own Art interest free loans make it easy and affordable to buy original, high quality contemporary art and craft.

Representative 0% APR. Subject to status. Terms and conditions apply. Applicants must be at least 18 years old.

31

1

2

3

4

5

6

7

8

9

32

Carry Akroyd SWLA Black Grouse (edition of 2) Serigraph 40 x 38 cm £325 (£210 u/f)

Chough Thermal (edition of 10) Serigraph 40 x 38 cm £325 (£210 u/f) Fenland Flypast Oil on Board 60 x 60 cm £950 Gathering to Roost (edition of 30) Lithograph 72 x 65 cm £455 (£275 u/f) Grey Wagtails (edition of 10) Serigraph 40 x 38 cm £325 (£210 u/f) Moon Murmuration (edition of 10) Serigraph 66 x 88 cm £475 (£350 u/f) Razorbills (edition of 8) Serigraph 40 x 38 cm £325 (£210 u/f) Winter Swans on the Washes Oil on Board 125 x 65 cm £2,250

10

Badger (edition of 50) Linocut 35 x 40 cm £165 (£120 u/f)

11

Displaying Lapwing (edition of 50) Linocut 35 x 40 cm £165 (£120 u/f)

12

13

14

15

16

17

18

Richard Allen SWLA Avocet Flight Oil 54 x 54 cm £895

19

Lapwings at Dusk Oil 54 x 54 cm £895 Red Kite (edition of 50) Linocut 35 x 40 cm £165 (£120 u/f) Snow Buntings Along the Strand Oil 24 x 54 cm £495 Snow Buntings, Holkham Oil 24 x 54 cm £495 Spring Avocets, Minsmere Watercolour 46 x 58 cm £445

20

21

Great Spotted Woodpecker Oil on Linen 65 x 55 cm £1,750 Kingfisher Dive Oil on Linen 95 x 55 cm £2,500

Little Steps (edition of 26) 4 Block Linocut 54 x 52 cm £320 (£250 u/f)

Ping Ping, Ping Ping (edition of 26) 3 Block Linocut 54 x 44 cm £270 (£200 u/f)

23

Reed Bunting (edition of 26) 3 Block Linocut 39 x 34 cm £210 (£160 u/f)

24

Swallowtail Walks (edition of 30) 3 Block Linocut 54 x 44 cm £270 (£200 u/f)

25

26

27

28

29

Otter Family and Crab Apple Blossom, Pocklington Canal Oil on Canvas 50 x 60 cm £500

30

Otters Under the Old Bridge, Berwick Oil on Canvas 50 x 60 cm £500

31

Roe Buck in Velvet, Nidd Gorge Oil on Canvas 45 x 55 cm £500

32

Roe Doe and Bullfinches, Allerthorpe Common Oil on Canvas 60 x 60 cm £560

Max Angus SWLA

22

Laura Andrew Barn Owl Pair Oil on Linen 65 x 55 cm £1,750

Male Bullfinch Oil on Linen 45 x 36 cm £800

White Cliffs Peregrine Acrylic on Canvas 82 x 63 cm £1,600 Wiggle Wiggle (edition of 25) 4 Block Linocut 59 x 54 cm £320 (£250 u/f)

33

Kingfisher Reflection, Pocklington Canal Oil on Canvas 60 x 70 cm £530

Pair of Otters (edition of 12) Bronze 70 x 25 x 27 cm £11,000

34

Coln Otter (edition of 18) Bronze 58 x 28 x 19 cm £6,250

35

Long Tailed Tits in a Frame (edition of 12) Bronze 70 x 25 x 10 cm £7,500

36

Pair of Long Tailed Tits (edition of 24) Bronze 50 x 13 x 13 cm £3,500

37

Tortoise (edition of 24) Bronze 14 x 16 x 25 cm £3,950

38

Adrift (edition of 12) Bronze 39 x 24 x 26 cm £7,000

David Bennett SWLA

Grey Seals and Pied Wagtail, Donna Nook Acrylic on Canvas 40 x 36 cm £380

Adam Binder SWLA

39

40

41

Aaron Boughtflower

Arctic Tern Dread, Isle of May Ink and Ballpoint Pen 42 x 22 cm £450 Jules Bradbury

Shag Colony, Fidra I Mixed Media 58 x 71 cm £575

49

Marco Brodde ASWLA

50

Bluethroat (edition of 3) Drypoint 42 x 34 cm £350

42

Garganeys (edition of 3) Drypoint 42 x 34 cm £350

43

Godwits (edition of 3) Drypoint 42 x 34 cm £350

44

Ringed Plovers (edition of 3) Drypoint 42 x 34 cm £350

45

46

47

48

51

Wild Things with Upside Down Trees Acrylic on Wood Panel 70 x 70 cm £1,595 Abundance Mixed Media 100 x 102 cm £4,500

Burnet Moths, Foulshaw Moss Mixed Media 27 x 33 cm £395 Insects in a Summer Garden Mixed Media 27 x 33 cm £420 Rosebay Willowherb Graphite 66 x 69 cm £750

53

Summer’s Buzz Mixed Media 27 x 33 cm £395

54

Turnstones (edition of 3) Drypoint 42 x 34 cm £350

55

Adrien Brun

56

57

Focus Stone Brown Alabaster 17 x 17 x 19 cm £3,000

66

Baboon Oil 57 x 47 cm £1,050

58

Tadpole British Soapstone (Polyphant) 10 x 30 x 10 cm £1,200

67

Before the Hunt Oil 47 x 57 cm £1,200

68

Buffalo Oil 42 x 67 cm £1,300

69

Chobe Leopard Oil 67 x 107 cm £3,500

70

Etosha Leopard Oil 83 x 109 cm £4,000

71

Kanha Tiger Oil 67 x 83 cm £2,500

72

Wattled Cranes Oil 83 x 109 cm £3,500

Fiona Clucas SWLA

52

Sandwich Terns (edition of 3) Drypoint 42 x 34 cm £350

Spider Web Watercolour on paper 40 x 50 cm £760

Colette Clegg

Voices from the North Graphite and Pastel 65 x 69 cm £395

59

60

61

62

63

Georgina Coburn

Lockdown, Mute Swan Cygnet (edition of 1) Medium Stone Lithograph 50 x 65 cm £525 Anine CockwellDe Jong SWLA

Colin British Soapstone (Polyphant) 15 x 30 x 15 cm £1,600

64

65

Daniel Cole SWLA

Turnstones and Rock Pipit Acrylic 37 x 41 cm £545 Louisa Crispin

Glimpse FPS021 Graphite 27 x 27 cm £450 Nick Day

Water Rail – Chemical Kill 3 Coloured Pencil on Cotton Board 35 x 44 cm £1,700 Lisa Denham

Cormorant Black Clay 20 x 39 x 20 cm £600 Cormorant II Black Clay 20 x 41 x 20 cm £600 Anne Desmet

73

74

Beetle (edition of 30) Wood Engraving 24 x 30 cm £250 (£150 u/f) John Dobbs SWLA NEAC African Wild Dog Oil 34 x 24 cm £750

75

Beverley Drury Roadrunner Wire 18 x 18 x 9 cm £250

Victoria Edwards SWLA

Coot Oil, Graphite and Colour Pencils 61 x 46 cm £600 Brin Edwards SWLA

Arctic Terns at Esbjerg Oil on Canvas 76 x 92 cm £2,250

33

76

Bearded Tits Oil on Gesso on Board 46 x 96 cm £1,895

77

Blackbird Spring Pond Acrylic on Gesso on Board 39 x 46 cm £695

78

Dipper at Skelwith Bridge Oil on Canvas 64 x 34 cm £950

79

Four Goosander Oil on Canvas 57 x 67 cm £1,350

80

Long Tails with Mulberries Oil on Canvas 46 x 76 cm £1,250

81

82

83

84

85

34

Rowan Bullfinches Oil on Canvas 46 x 76 cm £1,250 Shovelers with Marsh Marigolds Oil on Canvas 46 x 46 cm £895 John Foker SWLA

Direction of Travel Oil 64 x 138 cm £1,800 Great Tits and Catkins Oil 46 x 38 cm £560 Sunlit Eider Oil 48 x 63 cm £880

86

Wensleydale Swifts Evening Oil 63 x 53 cm £660

95

Resting Herons (edition of 25) Linocut 45 x 37 cm £1,150

87

Wensleydale Swifts Morning Oil 48 x 63 cm £600

96

Winter Heron (edition of 35) Linocut 34.5 x 39.5 cm £950

88

Wigeon at Pagham Harbour Oil 48 x 79 cm £940

89

90

91

92

93

94

Robert Gillmor PPSWLA MBE

Avocet Reflections (edition of 26) Screenprint 31 x 38 cm £450 Blackthorn Blackbird (edition of 85) Linocut 37 x 39 cm £950 Canadian Sextet (edition of 25) Linocut 34.5 x 30.5 cm £1,150 Drake Shoveler (edition of 21) Linocut 39 x 31 cm £850 Nine Avocets (edition of 26) Screenprint 35 x 43 cm £450 Pie-wipes (edition of 45) Linocut 37 x 34.5 cm £950

97

98

Robert Greenhalf SWLA Choughs and Puffins Oil 41 x 41 cm £540 High Tide Roost (edition of 100) Linocut 65 x 41 cm £195 (£125 u/f)

99

Lapwings Oil 41 x 41 cm £540

100

Puffins Oil 41 x 41 cm £540

101

Puffins, Evening Oil 52 x 52 cm £890

102

103

104

Shelduck, Avocets and Terns Oil 41 x 41 cm £540

105

Simon Griffiths SWLA Goldfinch Ceramic 19 x 28 x 12 cm £300

106

Hare Ceramic 25 x 38 x 23 cm £850

107

Nuthatch Ceramic 53 x 20 x 10 cm £320

108

Rook Ceramic 157 x 34 x 22 cm £950

109

110

111

112

Michelle Hall

Fighting Stags (edition of 50) Bronze 5 x 15 x 4 cm £600 Jack Haslam

African Penquin (edition of 3) Etching and Aquatint 59 x 69 cm £380 (£240 u/f) Little Owls (edition of 3) Etching and Aquatint 49 x 59 cm £380 (£280 u/f) Andrew Haslen SWLA Bittern in the Open Acrylic 78 x 108 cm £2,250

Skokholm Choughs Oil 52 x 52 cm £890

113

Winter Long-tails (edition of 100) Linocut 54 x 54 cm £195 (£125 u/f)

Bog Thumper Acrylic 78 x 108 cm £2,250

114

Copper River Delta Acrylic 78 x 108 cm £2,250

115

Hare and Pigeons Acrylic 78 x 108 cm £2,250

125

116

Mile 48 Acrylic 78 x 108 cm £2,250

126

117

On Robert Bateman’s Deck Acrylic 78 x 108 cm £2,250

118

Tideline Oil 96 x 126 cm £9,500

119

Wren and Hollyhocks Acrylic 78 x 108 cm £2,250

120

121

Kendra Haste SWLA

Hind Painted Galvanised Wire and Steel Frame 143 x 156 x 40 cm £25,000

128

129

130

John Hatton ASWLA Arctic Flight (edition of 16) Linocut 45 x 49 cm £250 (£210 u/f)

122

Arctic Visitors (edition of 17) Linocut 44 x 51 cm £250 (£210 u/f)

123

Avocet Evening (edition of 12) Linocut 52 x 60 cm £285 (£240 u/f)

124

127

Rising Tide Charcoal 60 x 71 cm £375

131

132

133

Paul Henery

Fulmars, Evening Light Oil on Board 62 x 84 cm £1,200 Hunting Short Eared Owl Oil on Board 62 x 84 cm £1,200 New Arrival, Cullernose Point Oil on Board 62 x 84 cm £1,200 Stag Rocks, Evening Light Oil on Board 62 x 84 cm £1,200 Lisa Hooper ASWLA

Flight (edition of 16) Reduction Woodcut 69 x 71 cm £460 (£390 u/f) Goldeneyes (edition of 17) Reduction Linocut with Glaze Overprinting 42 x 85 cm £360 (£300 u/f) Kingfisher (edition of 16) Reduction Linocut 55 x 79 cm £420 (£350 u/f) Lerwick: Waiting for the Ferry to Bressay (edition of 16) Reduction Linocut 48 x 48 cm £360 (£300 u/f) Nest (edition of 12) Reduction Woodcut 66 x 55 cm £420 (£350 u/f)

134

135

136

Small Elephant Hawkmoths (edition of 12) Reduction Linocut 30 x 77 cm £360 (£300 u/f) Polly Hosp

Afternoon Dreaming (edition of 5) Drypoint and Monoprint with Hand Colour 48 x 54 cm £475 Feeding Widgeon, Aberlady Bay Watercolour 56 x 65 cm £780

Razorbills and Guillemots, Lady’s Bed, Isle of May Watercolour 56 x 65 cm £820

138

Resting Eiders, Alterstanes, Isle of May Watercolour 56 x 65 cm £920

139

Rocks below the Low Light, Isle of May Watercolour 40 x 54 cm £450

141

143

Nye Hughes ASWLA

137

140

142

Bramblings and Beech (edition of 20) Linocut Print and Watercolour 32 x 32 cm £125 (£95 u/f) Bullfinch and Brambles (edition of 10) Lino Reduction Print 35 x 39 cm £150 (£125 u/f)

145

Fieldfares (edition of 10) Lino Reduction Print 37 x 32 cm £175 (£150 u/f)

146

Hawkmoth, Honeysuckle and Hobby (edition of 20) Linocut Print and Watercolour 32 x 32 cm £125 (£95 u/f)

147

Hoopoe in Apple Tree (edition of 10) Linocut Print and Watercolour 48 x 38 cm £285 (£245 u/f)

148

Hoopoe, Dandelion and Daisies (edition of 10) Linocut Print and Watercolour 38 x 48 cm £285 (£245 u/f)

149

Osprey (edition of 10) Lino Reduction Print 32 x 32 cm £150 (£125 u/f)

Ken Januski

Bobolink at Dixon Meadow (edition of 15) Japanese Woodblock (Moku Hanga) 28 x 33 cm £250 (£200 u/f)

Richard Jarvis SWLA

144

David Hunt

Watchful Oil on Panel 32 x 27 cm £995

Brant and Black-bellied Plover on Nummy Island (edition of 20) Japanese Woodblock (Moku Hanga) 28 x 33 cm £225 (£175 u/f)

35

150

151

152

153

154

155

Spotted Flycatcher (edition of 10) Linocut Print and Watercolour 38 x 33 cm £160 (£135 u/f)

158

Kittie Jones SWLA

159

Estuary Redshank Charcoal, Pastel and Coloured Pencil on Paper 70 x 90 cm £950 Feeding Curlew 2 Charcoal, Pastel and Coloured Pencil on Paper 52 x 69 cm £695 Guillemot Ledge Charcoal, Ink, Gouache, Pastel and Drawing Pencil on Paper 70 x 90 cm £950 Guillemots and Puffins at Bishop’s Cove Charcoal, Pastel and Ink on Paper 90 x 70 cm £950 High Road Eider Charcoal Pastel and Drawing Pencil on Paper 70 x 90 cm £950

156

Puffins at Bishop’s Cove Charcoal, Pastel and Ink on Paper 70 x 70 cm £895

157

Saltmarsh Lapwings (edition of 15) Screen Print 70 x 52 cm £350 (£225 u/f)

36

160

161

162

Tufted Ducks and Coot Charcoal, Ink and Pastel on Paper 52 x 71 cm £695 Helen Kennedy

Peacock Butterfly Pencil, Gouache and Watercolour 22 x 74 cm £250

166

Run from your Problems Ink and Oil Pastel 60 x 80 cm £750

167

To Wallow Ink and Soft Pastel 71 x 95 cm £850

168

Cathryn Kuhfeld Autumn Leaves and Hedgehog (edition of 30) Coloured Wood Engraving 28 x 30 cm £350 (£195 u/f)

169

Ibby Lanfear

A Script of Sorts Earth, Charcoal, Walnut Oil and Gesso on Oak Panels 32 x 78 cm £2,000 Wynona Legg ASWLA A Social Gathering Ink 77 x 84 cm £1,000

163

Daily Rituals Ink 60 x 80 cm £850

164

Great Horned Owlet Ink 65 x 49 cm £550

165

Helmeted Guinea Fowl Pair Ink and Soft Pastel 60 x 41 cm £550

170

171

172

173

174

175

Magpies of the Sea – The Lone Piper Watercolour, Gouache, Ink, Pastel and Acrylic 54 x 64 cm £595

176

Mudlarking Watercolour, Ink and Gouache 68 x 50 cm £575

Paula Macfarlane

Pond Skaters at the Wildlife Pond Oil on Canvas Board 36 x 31 cm £475

177

Julia Manning SWLA

Celtic Deep (edition of 20) Wood, Linocuts, Stencils 70 x 46 cm £430 (£380 u/f) November Night (edition of 8) Wood, Linocuts, Stencils 85 x 60 cm £950 (£780 u/f) Sea Swallows (edition of 6) Lino Cuts, Stencils 62 x 50 cm £430 (£380 u/f) Storm Petrel Hotel (edition of 8) Wood, Linocuts, Stencils 60 x 85 cm £750 (£620 u/f) West Lydford (edition of 8) Wood, Linocuts, Stencils 90 x 64 cm £950 (£780 u/f) Melanie Mascarenhas Beetling O’er The Graig Watercolour, Gouache, Ink, Acrylic, Pastel and Carbon Pencil 55 x 72 cm £610

178

179

Emerson Mayes Courting Grebe (edition of 1) Monotype 59 x 44 cm £695 (£595 u/f)

Courting Grebe II (edition of 1) Monotype 59 x 44 cm £695 (£595 u/f) Harriet Mead PSWLA

Chain necked Water Rail Welded found objects 23 x 31 x 14 cm £1,850

180

Fork crested Lapwing Welded found objects 32 x 31 x 10 cm £1,850

181

Scissor tailed Tern Welded found objects 25 x 38 x 17 cm £1,250

182

Scissor winged Swift Welded found objects 65 x 28 x 44 cm £1,850

183

Scratch Welded found objects 33 x 26 x 17 cm £2,250

184

185

186

187

188

189

190

Jill Moger SWLA

Four Seahorses amongst Seaweed Stoneware Ceramic 30 x 23 x 13 cm £980 Octopus Meets Edible Crab Stoneware Ceramic 17 x 35 x 15 cm £1,200 Sea-worn Wood with Brittle Stars Stoneware Ceramic 18 x 25 x 8 cm £450 Three Sand Lizards Stoneware Ceramic 15 x 18 x 10 cm £800

Liz Myhill

Aphids 7 (and some Flies) - Field Study Carbon Pencil and Watercolour 54 x 42 cm £285

203

House Sparrows and their Apartment Pencil and Wash 60 x 70 cm £650

212

Slugs Ate this Part Watercolour 66 x 87 cm £595

204

Low Water on the Swale, Summer Goosanders Oil 65 x 90 cm £2,250

213

205

Moorland Family – Curlews Pencil and Wash 37 x 50 x 3 cm £495

206

Oystercatchers in the Spray Oil 30 x 50 cm £750

215

207

Stormy Day Puffins Pencil and Wash 40 x 54 cm £550

216

Cinnamon Bear Study, Yellowstone Watercolour 45 x 53 cm £550

217

Firehole River, Yellowstone Watercolour 56 x 74 cm £850

218

Golden Eagle Eyrie, Slough Creek, Yellowstone Watercolour 45 x 53 cm £450

219

Grizzly Mum and Cub, Dunraven, Yellowstone Watercolour 45 x 53 cm £600

202

194

Tidal Narrows (edition of 5) Multi-process Print 70 x 55 cm £480 (£380 u/f)

195

196

197

198

Luis Morris ROI

Trout on the River Test Oil on Canvas 38 x 32 cm £375

211

Through the Shallows Pastel on Monoprint 55 x 70 cm £650

Gregory Moore

Woodland Dreams (edition of 20) Drypoint Etching with Carborundum 57 x 61 cm £250 (£195 u/f)

Peter Partington SWLA

193

Tiny Reef Pastel on Monoprint 50 x 60 cm £580 William Neill SWLA Gille-brìghde Watercolour 52 x 67 cm £675

Ringed Plovers amidst the Tangle Watercolour 52 x 67 cm £675 The Fledglings Watercolour 50 x 61 cm £675 Sally Newton

Ex-Cat Razorbill at St Abbs IV Indian ink on Bockingford paper 45 x 31 cm £450

Below South Horn Pastel, Ink and Gouache 100 x 80 cm £950

199

191

Serpulidae (edition of 2) Monoprint on Drawing 55 x 45 cm £420 (£320 u/f)

200

192

South Horn Pastel and Ink 80 x 100 cm £980

201

208

David Parry SWLA

Fox at Castle Farm Watercolour 94 x 76 cm £3,500 Greater spotted Woodpecker Oil on Gesso 33 x 30.5 cm £800 Manderin duck Watercolour 30.5 x 30.5 cm £750

209

210

Heron on the Evening Estuary Oil 34 x 64 cm £1,500

Leszek Piotrowski Bubas Oil on Canvas 96 x 76 cm £2,000 Adele Pound

Aphids – Field Study Watercolour 54 x 42 cm £285 Aphids 2 – Field study Carbon Pencil and Watercolour 54 x 42 cm £285

214

Bill Prickett SWLA

Manta Ray in Burr Elm Burr on Acrylic Block 15 x 22 x 24 cm £1,100 Sea Star Elm Burr on Limestone Block 7 x 18 x 18 cm £900 Darren Rees SWLA Angel Terrace, Yellowstone Watercolour 56 x 74 cm £850

37

220

Harlequin Trio, Yellowstone River Watercolour 45 x 53 cm £600

221

Mud Volcano, Yellowstone Watercolour 45 x 53 cm £450

222

223

224

225

226

227

228

229

230

Shore at Frozen Lake Yellowstone Watercolour 74 x 56 cm £850 Derek Robertson

A Day With The Keeper II. Golden Eagle Watercolour on Paper 45 x 55 cm £890 After The Plough, Curlew Watercolour on Paper 55 x 45 cm £890 The Keeper’s Owl Watercolour on Paper 55 x 45 cm £890

231

232

233

Chris Rose SWLA Little Auks Oil on Paper 42 x 52 cm £875

Ringed Plover Roost Acrylic 23 x 62 cm £850 Slavonian Grebe Oil on Paper 37 x 47 cm £650

234

235

236

38

Louise Scammell SWLA Seeing the Light, Hope Spot (edition of 5) Mokulito (Wood Lithograph) and Collagraph 60 x 44 cm £345 (£220 u/f)

Bright Plumes under the Sea Oak, Hope Spot (edition of 4) Mokulito (Wood Lithograph) and Relief Print 45 x 59 cm £345 (£220 u/f) In the current’ Hope Spot (edition of 5) Mokulito and Relief Print 45 x 59 cm £345 (£220 u/f) Moving Gently, Hope spot (edition of 1) Monotype 65 x 51 cm £425 (£295 u/f) Plumose Anemones, Hope Spot (edition of 5) Mokulito (Wood Lithograph) and Relief Print 60 x 44 cm £345 (£220 u/f)

237

Swallows and Cattle at the Coast Mixed Media 72 x 97 cm £2,250

238

Swallows and Cattle, late Summer Mixed Media 70 x 95 cm £2,250

239

240

241

242

243

Dafila Scott SWLA Fallen Tree and Blackcap Mixed Media 80 x 95 cm £2,400 Seven Curlews on the Shore Mixed Media 75 x 90 cm £2,400 Single Curlew, Pembrokeshire Mixed Media 70 x 95 cm £2,250

244

245

Teal Resting on the Shore Pastel 56 x 94 cm £1,440

246

247

Anthony Smith

Day Trip Sandwiches Watercolour 64 x 81 cm £880 Andrew Stock PPSWLA Garden Goldfinch Oil 105 x 74 cm £5,250

248

Landcross Whitethroat Oil 74 x 59 cm £3,250

249

Pabbay Shags Oil 74 x 105 cm £5,250

250

Wye. The River is Dying 1 (edition of 22) Linocut 31 x 62 cm £235 (£195 u/f)

St Enodoc Stonechat Oil 74 x 59 cm £3,250

251

Wye. The River is Dying 2 (edition of 22) Linocut 31 x 62 cm £235 (£195 u/f)

Torridge Oystercatchers Oil 59 x 74 cm £3,250

252

Chris Sinden SWLA Frosty Morning (edition of 30) Linocut 25 x 35 cm £145 (£115 u/f)

Wye. The River is Dying 3 (edition of 22) Linocut 31 x 62 cm £235 (£195 u/f) Jane Smith SWLA

Grey Wagtail (edition of 14) Handmade Screen Print 32 x 58 cm £280 (£245 u/f) Puffins and Razorbill (edition of 20) Handmade Screen Print 32 x 58 cm £280 (£245 u/f)

253

Stephen Suttill

Chrysotoxum Festivum (edition of 14) Linocut 34 x 33 cm £135 (£95 u/f) Rebecca Thorley-Fox ASWLA Fulmar Flying by, Llangrannog Oil on Board 42 x 58 cm £1,350

254

Guillemots at Sun Down, South Stack Oil on Primed Paper 34 x 43 cm £850

255

Guillemots, South Stack Oil on Primed Paper 34 x 43 cm £850

256

Herring Gulls Resting on the Shore Oil on Primed Paper 29 x 34 cm £475

257

Herring Gulls Watching the Incoming Tide Oil on Board 27 x 32 cm £475

258

259

Oystercatchers, Wild Sea at Bardsey Island Oil on Linen 56 x 66 cm £3,950 John Threlfall SWLA

266

267

268

Carmines Pastel 51 x 67 cm £580

269

260

Common Redstart Oil 41 x 52 cm £340

261

262

263

264

265

Richard Tratt SWLA

Common Blues and Birds-Foot Trefoil Oil 35 x 30 cm £395 Grassland with Meadow Browns Oil 54 x 34 cm £520 Heath Fritillary and Cow Wheat Oil 27 x 42 cm £395

276

Elephant (edition of 20) Screenprint 44 x 39 cm £345 (£290 u/f)

287

House Sparrow 2 Oil 37 x 35 cm £500

277

Herring Gull Oil on Board 39 x 34 cm £885

288

Lapwing and Gull Oil 44 x 55 cm £900

278

Nestbuilding Oil on Board 49 x 39 cm £1,145

289

279

Peacock Butterfly Oil on Board 32 x 39 cm £945

Lapwing Foraging Gulls Resting Oil 64 x 98 cm £1,800

Small Heath Butterfly Oil 27 x 42 cm £380

280

270

Small Tortoiseshells Oil 44 x 75 cm £650

281

Goosanders Pastel 48 x 62 cm £540

271

The Comma Butterfly Oil 25 x 45 cm £395

The Log Pile Oil on Board 56 x 70 cm £5,785

282

Puffin Pastel 46 x 55 cm £390

272

Thistle Patch Visitors Oil 54 x 65 cm £695

White Stork Watercolour 58 x 48 cm £1,275

Razorbills Pastel 49 x 67 cm £680

273

Vervet Monkey Pastel 43 x 41 cm £390

274

Adonis Blues Oil 32 x 37 cm £395

275

283

Jonathan Trinder

Sisters Oil on Board 34 x 49 cm £1,245

Esther Tyson SWLA All Puffed Up Oil 37 x 35 cm £500

Atlantic Puffin Steel 31 x 45 x 37 cm £3,500

284

Storm Petrel Steel 27 x 32 x 21 cm £2,400

Bottoms Up Oil 37 x 35 cm £500

285

Simon Turvey SWLA

Display Oil 37 x 35 cm £500

286

Badgers Oil on Board 39 x 34 cm £885

Gulls Oil 56 x 96 cm £1,500

290

Matt Underwood SWLA Badger (edition of 60) Woodblock Print 64 x 88 cm £550 (£450 u/f)

291

Great Spotted Woodpecker (edition of 60) Woodblock Print 72 x 46 cm £400 (£350 u/f)

292

Over Willowherb (edition of 60) Woodblock Print 63 x 55 cm £400 (£350 u/f)

293

Peregrine (edition of 60) Woodblock Print 56 x 60 cm £400 (£350 u/f)

294

295

Anali Vakili Ardebili

Asian Cheetah (edition of 1) Dry Point and Monotype 105 x 105 cm £1,000 (£800 u/f) Barry Van Dusen SWLA Blue-winged Warbler Watercolour 39 x 47 cm £550

39

296

Long-tailed Tits Study Watercolour 43 x 39 cm £400

306

Coal Tits & Song Thrush Watercolour 56 x 47 cm £850

297

Northern Parula, Hog Isand, Maine Watercolour 36 x 41 cm £400

307

Curlews Watercolour 52 x 72 cm £875

298

Pine Grosbeak, Wachusett Meadow Watercolour 41 x 49 cm £550

308

Firecrests Watercolour 48 x 46 cm £525

309

Ringed Plovers Watercolour 71 x 52 cm £1,250

299

300

301

Robin and Beautyberries Watercolour 36 x 41 cm £400 Yellow-rumped Warbler in Red Maple Watercolour 36 x 41 cm £400 Beetle Charcoal on Paper 48 x 34 cm £395 NIGHT NIGHT Charcoal on Paper 85 x 67 cm £720

303

Nuthatch I Charcoal on Paper 45 x 45 cm £585

305

40

311

Tianyin Wang

302

304

310

312

313

Michael Warren SWLA Brent Geese Watercolour 42 x 70 cm £450 Chaffinches Watercolour 52 x 72 cm £950

314

Snow Buntings Watercolour 74 x 67 cm £1,250 Stock Dove, Chaffinch & Blackcap Watercolour 72 x 52 cm £1,150 Kate Willows

315

Singing Wood Warbler on Larch Branch Watercolour 76 x 57 cm £1,950

325

Surf Riders; Long-tailed Ducks Oil on Board 66 x 70 cm £1,850

316

Goldfinch and Teasels Watercolour 76 x 57 cm £1,950

326

Wren I Oil on Board 50 x 42 cm £565

317

Nest Building Long-tailed Tits Watercolour 76 x 57 cm £1,850

327

Wren II Oil on Board 50 x 42 cm £565

318

Long-tailed Tit Pair among Apple Blossom Watercolour 74 x 55 cm £1,850

328

319

Jackdaw and Rook heading to Roost Watercolour 62 x 56 cm £1,750

320

Tim Wootton SWLA Eider Study Oil on Board 48 x 58 cm £650

Running Cheetah (0-60 in 3 Seconds) (edition of 12) Bronze Resin on Marble Base 17 x 7 x 26 cm £1,200

321

HPAI A(H5N1) Oil on Board 48 x 60 cm £500

Jane Wilson

322

Long-tailed Ducks Flight Study Oil on Board 54 x 44 cm £450

323

Mallimacks Oil on Board 66 x 54 cm £1,200

324

Nightjar Oil on Board 42 x 56 cm £475

Sounding the Alarm Acrylic Inks, Paint, Collage, Pencil and Pastel 22 x 22 cm £200 Darren Woodhead SWLA Waxwing Trio on Rowan Berries Watercolour 78 x 50 cm £1,950

Toby Wright

Snoozing Macaque Oil on Panel 40 x 30 cm £1,500

The Society of Wildlife Artists SWLA Members Akroyd, Carry

4 Luddington in the Brook, Oundle, East Northamptonshire, PE8 5QU

Allen, Richard

34 Parkwood Avenue, Wivenhoe, Essex, CO7 9AN

Angus, Max

Barn Tye Studios, 4 Barn Tye Close, Guston, Kent, CT15 5ND

Atkinson, Kim

Ty’n Gamdda, Uwchmynydd, Pwllheli, Gwynedd, LL53 8DA

Bennett, David

Wren Cottage, Main Street, Melbourne, East Riding of Yorkshire, YO42 4RE

Bibby, Nick

4 Compton House, Compton, Marldon, Paignton, Devon, TQ3 1TA

Binder, Adam

The Calf House, Marston Hill Farm, Meysey Hampton, Cirencester, Glos., GL7 5LG

Clucas, Fiona

44 Greengate, Levens, Kendal, Cumbria, LA8 8NF

Cockwell-De Jong, Anine

1 Mustills Lane, Over, Cambridgeshire, CB24 5PW

Cole, Daniel

The Old Bakery Studios, Blewetts Wharf, Malpas Road, Truro, TR1 1QH

Derry, Nick

19 Tyning Close, Pendeford, Wolverhampton, West Midlands, WV9 5QH

Dobbs, John

Juniper Cottage, 125 Harefield Road, Rickmansworth, Hertfordshire, WD3 1PB

van Dusen, Barry

13 Radford Road, Princeton, Massachussetts, MA 01541, USA

Edwards, Brin

59 Barracks Road, Assington, Sudbury, CO10 5LP

Edwards, Victoria

403 London Road, Ditton, Aylesford, Kent, ME20 6DB

Foker, John

37 South Terrace, Esh Winning, Durham, DH7 9PS

Gemma, Federico

Via Michele Barbi 12, Rome, 00125, ITALY

Greenhalf, Robert

Romney House, Saltbarn Lane, Playden, Rye, East Sussex, TN31 7PH

Griffiths, Simon

28 Church Street, Castleside, County Durham, DH8 9QW

Haslen, Andrew

College Farm, Preston St Mary, Suffolk, CO10 9NQ

Haste, Kendra

2 Chalk Lane, Epsom, Surrey, KT18 7AR

Hatton, John

Fossbank, Tatham Fells, Lancaster, Lancs, LA2 8PS

Jarvis, Richard

1 Arden Way, Market Harborough, Leicestershire, LE16 7DB

Johnson, Richard

168 Kendal Way, Cambridge, Cambridgeshire, CB4 1LT

Jones, Kittie

27/9 St Leonards Street, Edinburgh, EH8 9QN, SCOTLAND

Kokay, Szabolcs

Facanos Utca 14/1, H-1213, HUNGARY

Legg, Wynona

Penvintle Farm, Trematon, Saltash, Cornwall, PL12 4RU

Lockwood, Rachel

Pinkfoot Gallery, High Street, Cley-next-the-Sea, Norfolk, NR25 7RB

Mackman, Nick

St Ediths, Bratton Clovelly, Devon, EX20 4JW

Manning, Julia

2 Rosebank, Queen Street, Keinton Mandeville, Somerset, TA11 6EQ

Mead, Harriet

The Nunnery, Brandon Road, Hilborough, Thetford, IP26 5BW

Moger, Jill

The Studio, 75 Millfield Lane, Nether Poppleton, York, Yorkshire, YO26 6NA

Neill, William

Rannachan, Askernish, South Uist, Outer Hebrides, HS8 5SY

42

Parry, David

Holly Hall, Milton Lilbourne, Pewsey, Wiltshire, SN9 5LQ

Partington, Peter

9 Lavenham Studios, Brent Eleigh Road, Lavenham, CO10 9PE

Pearson, Bruce

5 Marshall Road, Cambridge, Cambridgeshire, CB1 7TY

Phillips, Antonia

114B West Bay Road, Bridport, Dorset, DT6 4AX

Pollard, Nik

51 Concorde Drive, Bristol, BS10 6PY

Prickett, Bill

The Winches, Newnham Lane, Newnham, Kent, ME9 0LH

Proud, Alastair

Plas Bach, Newchurch, Camarthen, Dyfed, SA33 6EJ

Rees, Darren

New East Frew, Thornhill, Stirling, Stirlingshire, FK8 3QX

Rich, Andrea

706 Western Drive, Santa Cruz, CA 95060, USA

Rose, Chris

6 Whitelee Cottages, Newtown St. Boswells, Melrose, Roxburghshire, TD6 0SH

Scammell, Louise

Coreopsis, Station Road, South Brent, Devon, TQ10 9BE

Scott, Dafila

White Roses, The Hythe, Reach, Cambridgeshire, CB5 0JQ

Sinden, Chris

47 Colliers Field, Cinderford, Gloucestershire, GL14 2SW

Smith, Jane

Cariel, Kintallen, Tayvallich, Lochgilphead, Argyll, PA31 8PR

Stock, Andrew

Pillmouth Farm, Landcross, Bideford, Devon, EX39 5JA

Sykes, Thelma

Blue Neb Studios, 18 Newcroft, Saughall, Chester, Cheshire, CH1 6EL

Threlfall, John

Whinpark, Ballogie, Aboyne, AB34 5DL

Tratt, Richard

10 Sharpley Close, Fordingbridge, Hampshire, SP6 1LG

Turvey, Simon

2 York Rise, Orpington, Kent, BR6 8PR

Tyson, Esther

6 Rathborne Croft, Parwich, Ashbourne, Derbyshire, DE6 1QH

Underwood, Matt

8 The Grove, Lincoln, Lincolnshire, LN2 1RG

Wallbank, Christopher

31/11 Meadowbank Crescent, Edinburgh, EH8 7AJ, Scotland

Warren, Michael

The Laurels, 64 Gainsborough Road, Winthorpe, Nottinghamshire, NG24 2NR

Woodhams, Ben

Villa Granly, Vestermarievej 84, 3720 Aakirkeby, Bornholm, DENMARK

Woodhead, Darren

2 Ivory Court, Langriggs, Haddington, East Lothian, EH41 4BY, Scotland

Wootton, Tim

Lochside, St Margaret’s Hope, Orkney, KW17 2RW

ASSOCIATE Members Brodde, Marco

Tværvej 1, 6720 Fanø, DENMARK

Hughes, Nye

20 Bangholm Grove, Edinburgh, EH5 3AQ, Scotland

Hooper, Lisa

Seymour House, 25 High Street, Port William, Newton Stewart, Wigtownshire, DG8 9SL

Thorley-Fox, Rebecca

West View Cottage, Coole Lane, Coole Pilate, Nantwich, Cheshire, CW5 8AU

43