The Picture Sale - 16th March 2017 (Mallams Oxford)

Mallams 1788

THE PICTURE SALE • 16TH MARCH 2017 • OXFORD

www.mallams.co.uk

The Picture Sale 16th March 2017 at 11am OXFORD

Inviting Entries

The Picture Sale To include Marine Art

Wednesday 5th July Closing date for Entries Friday 16th June William Thornley (act. 1858 - 1898) Coastal view with fisher folk (detail) one of a pair 19 x 39cm

THE ART OF THE SURREAL

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MODERN BRITISH ART

Final Entries Invited

Friday 26 May 2017

Closing date: Friday 21 April

For more information contact Philip Smith on 01865 241358 or philip.smith@mallams.co.uk Appointments available nationwide

For more information please contact Rupert Fogden on 01865 241358 or rupert.fogden@mallams.co.uk Mallams Auctioneers / Bocardo House / St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Mallams Auctioneers / Bocardo House St Michael’s Street / Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Connect with us Oxford Saleroom Bocardo House, 24a St. Michael’s Street, Oxford, OX1 2EB Opening Hours Monday to Friday 9am - 5.30pm Telephone: (01865) 241 358 Facsimile: (01865) 725 483 E-mail: oxford@mallams.co.uk www.mallams.co.uk www.saleroom.com Follow us on Twitter @Mallams1788

For image requests/condition reports email

Viewing times Saturday 11th March 9am - 1pm Monday 13th March 9am - 5pm Tuesday 14th March 9am - 5pm Wednesday 15th March 9am 5pm Morning of the sale from 8.30am SAlE COMMENCES AT 11AM Special condition of sale All clearance by Friday 24th March 2017 Carriage can be arranged

Front Cover Image lot 449 (detail)

Welcome W

elcome to the Mallams Oxford Picture Sale. With over 500 lots we are confident you will find something that appeals.

The sale starts with a single owner collection of etchings, predominantly French in flavour (lots 1-37). Mainly monochrome and unframed these provide an excellent opportunity to purchase an oeuvre which can blend in so well with the minimalist and contemporary interior.

From France we then move onto a small and fascinating collection of German Expressionist woodblock prints from an Oxfordshire estate. Eric Heckel, Max Pechstein and Karl SchmidtRottluff (lots 55-60) were all members of the artist group known as ‘Die Brücke’ which was founded in 1905. One of the aims of this group was to form a ‘bridge’ between neo-romantic German painting and modern expressionist painting. It is poignant to reflect that when these prints were produced these talented hands would have been little aware that years later their work should be banished from museums by the Nazis under the title of ‘degenerate art’.

The watercolour and oil section of the catalogue provides a varied mixture of material and subject matter, and a group of sporting paintings from a Cotswold house includes a fine work painted with horses in a field by the artist John Ferneley Junior (lot 250).

Other household names such as Frances Mabel Hollams, Charles Cooper Henderson and Henry Alken can also be found in this collection.

The traditional English countryside is well represented by a wonderful pair of oil paintings by the landscape artist Robert Gallon (lot 334). Each is picked out in meticulous detail and fondly reminds us of those lazy hazy carefree summer days in the glorious English countryside.

The above are just a small selection of works on offer and whatever your taste we very much hope you will enjoy perusing the catalogue. For those who are able to attend either the viewing days or the sale itself we very much look forward to welcoming you.

Rupert Fogden IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description.

Some pictures have been photographed to show the frame, but the majority are not. The absence of a frame in the photograph does not necessarily indicate that the work is unframed. To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding.

Mallams Order of Sale

1788

The Picture Sale 16th March 2017 at 11am A private collection of Prints and Engravings

1 – 37

From the Estates of the late Professor Geoffrey Philip Wilson and his first wife Juliet Wilson-Bareau

41 – 54

A collection of German woodcuts, the property of an Oxfordshire Collector

55 – 60

Prints and Engravings from other properties

61 – 138

Portrait Miniatures

139 – 145

Oils and Watercolours – The Property of a Lady

150 – 201

Oils and Watercolours – Other Properties

202 – 249

A collection of pictures from an Oxfordshire residence

250 – 265

Oils and Watercolours – Other Properties

266 – 515

Frames and Easels

516 – 523

Condition Reports and Images: oxford2@mallams.co.uk Important notice: Buyer’s premium 24% inclusive of VAT on each lot.

Lots purchased via saleroom.com will incur an additional charge of 3% plus VAT. Credit card fees where applicable are 2.28% inclusive of VAT Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale.

The absence of any reference to condition in any description does not imply the lot is without fault.

Droite de Suite Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

Prints & Maps Lots 1 - 138

THERE IS A PREMIUM OF 20% OF THE HAMMER PRICE ON ALL SALES THIS IS SUBJECT TO V.A.T. The following 37 lots a Single Vendor Collection of Prints and Engravings

1. JACQUES LAGNIET (1640-1674) A collection of thirty three engravings - mainly ‘Les Proverbes’, mostly 18.5 x 17.5cm; together with four by Picart; all mounted but unframed £100-200

4. LOUIS LEGRAND (1863-1951) ‘Le Tub’, etching, 20.5 x 14cm; and three further erotic works, all mounted but unframed (4) £50-100

2. A FOLIO OF ETCHINGS,LITHOGRAPHS AND PRINTS by or after P Roig (X2); Jules Michelin; Galanis (X2); Auguste Brouet; Bouroux; Francois Bonvin (X4); Jacques Thevenet (X4); Emile Bernard; Alex Lumois (X2); and four further; variously signed, inscribed and annotated, all mounted but unframed £100-200

3. JEAN HUGO (1894-1984) Portrait of Jean Cocteau, lithograph, pencil signed and numbered 20/25, 32.5 x 25cm, mounted but unframed £80-120

5. LOUIS LEGRAND (1863-1951) ‘Invitation’, etching in sepia, 17 x 26cm; another - ‘La Divine Parole’, 22 x 13cm; four erotic works and three further, mounted but unframed (9) £60-100

6. A FOLIO OF ETCHINGS, LITHOGRAPHS AND PRINTS by or after: Paul Emile Becat (X2); Charles Huard; Fantin Latour (X6); Alphonse Legros (X2); Hermine David; Louis Malteste; Gobo; Charles Forget; and five others, all mounted but unframed £80-120

8. LUCIEN GAUTIER (1850-1925) ‘Pont de l’hotel de Ville’, etching, 25 x 39cm; and four further similar, all annotated in pencil to support mounts, unframed (5) £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

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7. LUCIEN GAUTIER (1850-1925) ‘Pont Royal’, etching, 25 x 39cm; and four further similar, all annotated in pencil to support mounts, unframed (5) £80-120

9. AN 18TH CENTURY ENGRAVING - ‘Vue perspective des Fontaines a droite du Jardin de Plaisance du Roy d’Espagne’, hand-coloured, 29 x 44cm; and eleven further similar engravings, all mounted but unframed (12) £200-300

10. AN 18TH CENTURY ENGRAVING - ‘Vue perspective de la Grande Ceremonie du Couronnement de L’Empereur de la Chine’, hand-coloured, 26 x 40cm; mounted but unframed £60-80

12. ALEXANDRE LUNOIS (1863-1916) ‘Les Novios de Cordoba, lithograph, 30 x 40cm, mounted but unframed £40-60

13. ALEXANDRE LUNOIS (1863-1916) ‘Les Novios de Cordoba, lithograph, 30 x 40cm, mounted but unframed £40-60

11. AN 18TH CENTURY ENGRAVING - ‘A View of Amsterdam taken from the Old Rampart’, hand-coloured, 24 x 39cm; and one further - ‘Vue du Canal de Delft’, both mounted but unframed (2) £40-60

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14. ARMAND COUSSENS (1881-1935) The Carthorse, etching, pencil signed in the margin, 27 x 35cm; Emile Bernard Figures in an interior, sepia etching, pencil signed in margin, 35 x 25cm; and Norbert Goeneutte - Venetian Canal, sepia etching, faintly signed in pencil to margin, 28 x 20cm, all mounted but unframed (3) £50-80

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15. A FOLIO OF LITHOGRAPHS TO INCLUDE: Luc Albert Moreau (X2); C Locharte; Brenson; Honoré Daumier; and a woodcut by Jules Leon Peinchon, all mounted but unframed (5) £50-100

16. GUSTAVE RENÉ PIERRE (1875-1939) The Harvesters, etching, pencil signed in the margin, 18 x 14cm, mounted but unframed £60-80

For details of fees that apply to successful bids, please see pages 2 and 3

17. FRANS DE GEETERE (1895-1968) A reclining nude, etching, pencil signed in the margin, 23 x 19cm; and four further erotic etchings by the same hand, each pencil signed in the margin, all mounted but unframed (5) £150-250

18. LEOPOLD POIRÉ (d.1917) ‘Pont a Mousson’, etching, pencil signed in the margin and numbered 5/100, 29 x 42cm; and one further signed ‘Willaume’ and numbered 13/108, 17 x 26cm, each mounted but unframed (2) £40-60

19. FELICIEN ROPS (1833-1898) ‘Ma Tante Johanna’, etching, signed with initials in red to the margin, 20 x 15cm; and twelve further by or after the same hand (13) £150-250

20. FRANCISCO DE GOYA ‘El de la Rollona’, etching plate 4 from ‘Los Caprichos’, 20.5 x 15cm; and ten further to include plate numbers: 11; 12; 37; 52; 54 (X2); 59 (X2); 74 and 78; together with one further - ‘No se Convienen’, all mounted but unframed (12) £300-500

21. THEOPHILE ALEXANDRE STEINLEN (1859-1923) ‘Trois Baigneuses Sous un arbre’, etching, signed in pen to the margin, 9.5 x 15cm, mounted but unframed £60-80

22. AFTER PIERRE AUGUSTE RENOIR ‘Sur la Plage’, etching, 13.5 x 9cm; and one further ‘Baigneuse’, 16 x 11cm, both mounted but unframed (2) £100-200

24. ERNEST LABORDE (b.1870) ‘Place St André des Arts, etching, pencil signed in the margin and numbered 73/75, 18 x 24cm (X2); and six further by the same hand, all mounted but unframed (8) £80-120

25. LOUISE IBELS (1891-1965) Castle ruin, etching with aquatint, pencil signed in the margin and numbered 13/30, 44 x 39cm; together with ‘Théâtre Antique à Arles’ by the same hand; and two figure studies, all mounted but unframed (4) £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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23. HENRI VERGÉ-SARRAT (1880-1966) ‘Cour de Ferme’, etching, pencil signed in the margin and numbered 39/40, 19.5 x 14.5cm; and two further to include Falké - A la terasse; and Minartz - riders on horseback, all mounted but unframed (3) £40-60

26. PIERRE DUBREUIL (19TH/20TH CENTURY) ‘Fontaine sur le Port’, etching, pencil signed in the margin and numbered 29/30, 11 x 14cm (X2); another ‘Surtie du Port’ numbered 16/30, 11.5 x 14cm; and one further - ‘Bois d’Amiens’, all mounted but unframed (4) £80-120 27. HONORÉ DAUMIER A folio of lithographs, all mounted but unframed; and one further after Daumier (46) £100-200

28. BARTOLOMEO PINELLI Saltarello Romano, etching, hand-coloured, 22 x 31cm; and twenty-seven further similar, mounted on fourteen sheets but unframed (28) £100-200

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29. BARTOLOMEO PINELLI ‘Il Ciarlatano in Piazza’, etching, hand-coloured, 21.5 x 29.5cm; and fifteen further similar, all mounted but unframed (16) £150-250

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30. BARTOLOMEO PINELLI ‘Il Carnevale in Roma’, etching, hand-coloured, 20.5 x 29cm; and fourteen further similar, all mounted but unframed (15) £150-250

For details of fees that apply to successful bids, please see pages 2 and 3

32. DEROSIER (ENGRAVER) ‘Regionum Italiae Mediarum Tabula Geographica’, double page engraving, hand-coloured, 46 x 62cm; two further maps to include: ‘Grand Duché de Toscane; ‘État de l’Église’; and five reproduction maps, all unframed (7) £40-60 31. BARTOLOMEO PINELLI ‘La Lanterna Magica’, etching, hand-coloured, 9.5 x 16cm; and seventeen further similar (mounted on fifteen sheets but unframed) (18) £50-100

34. LOUIS GABRICE DU BOURG A Bacchanale, etching, 17.5 x 24.5cm; another similar, and two etchings after Watteau all mounted but unframed (4) £50-80

36. PERELLE ‘La Place St. Marc à Venise’, etching, 16 x 23cm; and three further Venice subjects, all mounted but unframed (4) £50-80

35. JEAN PESNE AFTER ANNIBALE CARRACCI A rocky landscape, etching, 28 x 40cm; Adrien Manglard - ‘Ponte Lamentano fuori di Roma’, etching, 22.5 x 32cm; and four others, all mounted but unframed (6) £50-80

37. ANTHONY VAN DYCK ‘Paulus du Pont Calcographus’, etching, 23 x 16cm; and five further portrait engravings, all mounted but unframed (6) £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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33. GIOVANNI PETROSCHI (ENGRAVER) Tavola Generale Della Provincia Di Sabina, double page engraving, 45 x 57.5cm, unframed £40-60

The following 14 lots from the Estates of the late Professor Geoffrey Wilson and his first wife Juliet Wilson–Bareau, art historian and co-writer to Tomás Harris’ Catalogue Raisonné on Goya

41. FRANCISCO GOYA ‘La Taureaumachie’, title page from the Third Edition, 26 x 36.5cm; and five plates, No. 2, 3, 5, 7 and 25 from the Fourth Edition, 24 x 35cm, all but one mounted, all unframed (6) £50-100

42. FRANCISCO GOYA A collection of approximately forty four aquatint engravings from ‘Los Caprichos’, 19 x 14.5cm, all unframed (late strikes) (44) £200-300

43. FRANCISCO GOYA Los Desastres de la Guerra, a collection of ten etchings (late strikes) 15.5 x 20cm; together with a loose binding and one reproduction plate, all unframed (11) £30-50

44. FRANCISCO GOYA ‘Aquellos palbos’, ‘Duendecitos’ and ‘Los Chinchillas’, three aquatint engravings from ‘Los Caprichos’ (late strikes), 20 x 14.5cm (3) £100-150

45. FRANCISCO GOYA ‘Dn Gaspar de Guzman, Conde de Olivares, Duque de Sanlvcar’ and ‘D. Isabel de Borbon, Reyna de Espana Muger de Felipe Quarto’, a pair, etchings, 37 x 31.5cm; two from ‘La Taureaumachie’; and one other; and two unframed to include: ‘Felipe III’ and Little prisoner (7) £80-120

46. AFTER REMBRANDT HARMENSZOON VAN RIJN Self portrait in a velvet cap with plume, etching, 13 x 10cm £60-80

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47. EDOUARD MANET Charles Baudelaire in Profile, 10 x 8.5cm £40-60

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48. SALVATOR ROSA Jason and the Dragon, etching, 34.5 x 22cm; together with two unframed etchings after Callot and Tiepolo (3) £60-80

49. EDOUARD MANET Portrait of Charles Baudelaire, etching, inscribed ‘Peint et Gravé par Manet 1865/Imp A. Salmon, 9.5 x 8cm, mounted but unframed £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

50. ALLAN MCNAB (b. 1901) ‘Scylla Straits of Messina’, etching, pencil signed in the margin and dated 1926, inscribed ‘State Proof’, 36.5 x 35.5cm, mounted but unframed £100-150

52. KATHÉ KOLLWITZ (1867-1945) Two figures, lithograph, pencil signed in the margin, 42 x 56.5cm; and one further - self portrait, 54 x 39.5cm (2) £300-500

51. ALLAN MCNAB (b. 1901) ‘La Condamine, Monte Carlo’, etching, pencil signed in the margin, dated 1927, numbered 34/75, 32 x 38.5cm, mounted but unframed £100-150

53. JOHN BAPTIST JACKSON (17010-c.1780) Melchisedech Blessing Abraham, woodcut, 57 x 58cm £80-120

54. GIOVANNI BATTISTA PIRANESI Title page and The Grand Piazza from “Carceri d’Invenzione di G Battista Piranesi”, two etchings, 53.5 x 41cm (2) £200-300

The following 6 lots a Collection of German Woodcuts, Property of an Oxfordshire Collector

55. Erich Heckel (1883-1970) ‘Der Narr’, woodcut on laid paper, pencil signed in the margin and dated ‘17, 35.5 x 27cm, unframed

56. Erich Heckel (1883-1970) ‘Stralsund’, woodcut on wove, pencil signed in margin and dated ‘12, 31 x 36cm, unframed £1000-1500

£500-700

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For details of fees that apply to successful bids, please see pages 2 and 3

57. Otto Beyer (1885-1962) Figures by a lake, woodcut, pencil signed in the margin, titled ‘Probehandruch No. 1’ and dated ‘22, 33 x 40cm, unframed

58. Hermann Max Pechstein (1881-1955) Krankes-Mädchen, woodcut, pencil signed, dated 1919 and numbered ‘28, 40 x 28cm, unframed

£200-300

£400-600

59. Hermann Max Pechstein (1881-1955) Zweisprache, woodcut, pencil signed in the margin and dated 1919, numbered ‘15’, 36 x 23cm, unframed

60. Karl Schmidt Rottluff (1884-1976) Street with buildings, woodcut, pencil signed in the margin and dated 1913, 30 x 35cm, unframed

£400-600

£400-600

Prints and Engravings from other properties

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61. AFTER DAVID ROBERTS ‘Nazareth April 28th 1839’, lithograph, hand-coloured, 36 x 52cm; and three further to include: ‘St Jean d’Acre’; ‘Tsur Ancient Tyre’ and ‘Temple Called El Khasne Petra’ (4) £100-200

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62. AFTER CHARLIE JOHNSON PAYNE (SNAFFLES) ‘That far far-away Echo, 1915-16’, print in colours with hand-colouring, pencil signed to mount and with ‘Snaffles Bits’ blind stamp, 24 x 35cm £200-300

63. CHARLES BENTLEY AFTER HENRY ALKEN ‘Partridge Shooting’, plates 1-4, aquatint engravings, hand-coloured, 24 x 29cm; and one further etching signed Hermione Owen (5) £20-40

For details of fees that apply to successful bids, please see pages 2 and 3

64. EDOUARD MANET ‘Le Chat et les Fleurs’, etching, 16.5 x 12.5cm £200-300

65. ELIZABETH FRINK (1930-1993) ‘Viszla B’, etching with aquatint in sepia, pencil signed in the margin and numbered 30/75, 54 x 68cm £1500-2500

66. CHRISTOPHER BAKER ‘Light on the Water’, giclee mono print, 36 x 43cm

69. F BARTOLOZZI AFTER GUERCINO ‘The Daughters of Guercino in the Dress of the Country near Bologna’, stipple engraving in sepia, 32 x 26cm; a pair of oval sepia stipple engravings; and one further (4) £50-100

67. AFTER HUGH CASSON ‘Trinity College, Oxford’, print in colours, pencil signed, titled and numbered 137/500, 25 x 33cm £30-50

68. 20TH CENTURY EASTERN EUROPEAN SCHOOL The Snowman, etching in colours, indistinctly signed in pencil ‘B. Bopodbel’? in the margin, dated ‘94, inscribed with title and numbered 25/40, 41 x 28cm £40-60

70. ACKERMANN (PUBS) ‘Building for the Great Exhibition of Industry of all Nations in London 1851’, lithograph, 16 x 48cm; and a pair of engravings, (all in maple frames) (3) £30-50

71. I. HARRIS AFTER T. BADESLADE ‘Squerries at Westram (sic) in Kent’ and ‘The Seat of Pendock Price Esqr at Westram’ (sic); two engravings, hand-coloured, 35 x 48cm and 35 x 43cm (2) £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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Prov: With the Jonathan Ross Gallery, 286 Earl’s Court Road, London £40-60

72. RACHEL ANNE LE BAS (b.1923) ‘Spacewings’, etching with aquatint in colours, pencil signed in the margin and titled, 40 x 50cm; and six further prints, artists to include: Phil Greenwood ‘Claremont Park’; Yvonne Poulton (X2); Richard Fletcher; Jean Lodge; and Rosamund Fowler (7) £80-120

75. KENNETH HOLMES (1902-1994) ‘Behind the Capitol’ (Rome), etching, pencil signed in the margin, 29 x 19cm £40-60

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74. E * HEDLEY FITTON (1859-1929) A Cathedral Interior, etching, pencil signed in the margin, 66 x 44cm £40-60

76. ANDREW F. AFFLECK (1874-1935) Hotel de Ville, Louvain, etching, pencil signed in the margin, 55 x 39cm; and five further engravings to include: ‘A View of the Mansion House’; C.W. Bampfylde - River landscape; a Victorian monochrome engraving - gentleman with sheep; Alfred Louis Debaines - Santa Maria Della Salute, Venice, etching, pencil signed in the margin, 34 x 58cm; and a small etching titled ‘Winslow’ (6) £50-80

78. CHARLES PROSPER SAINTON (1861-1914) Tree branch with fairy, print, pencil signed in the margin, 36 x 29cm £20-40

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73. LOUIS LEOPOLD BOILLY ‘Rejouissances Publiques’, a pair, lithographs in colour, 25.5 x 20cm (2) £30-50

79. G * R * F * The Virgin Mother and Child, etching, 19 x 14cm; George Hayter (1792-1871) - Saul, etching, 11 x 22cm; and Marius Bauer (1867-1932) - An Eastern Procession, etching, pencil signed with monogram in the margin and numbered 84, 7.5 x 18.5cm (3) £50-150

77. JAPANESE SCHOOL Two warring figures in a snow capped mountain landscape, woodblock in colours, 22 x 28cm; and one further similar (2) £40-60

80. VALERIE THORNTON (1931-1991) ‘Magdalen College, Oxford’, etching with aquatint in colours, artist’s proof, signed and titled in pencil to margin, 47 x 42cm £150-250

For details of fees that apply to successful bids, please see pages 2 and 3

81. JOHN HOWARD (b.1958) ‘The Clarendon Building, Oxford’, etching, pencil signed in the margin and dated 1994 and numbered 20/35, 42 x 55cm £150-250

82. JOHN HOWARD (b.1958) ‘Christ Church, Oxford’ and ‘Canterbury Quad, St. John’s College, Oxford’, two etchings, each signed in pencil to the margin, dated 1995 and numbered 5/20 and 17/20 respectively, 55 x 41cm (2) £150-250

83. ALISON NEVILLE (b.1945) ‘The Ashmolean Museum’, etching with aquatint in colours, pencil signed in the margin, titled and numbered 2/50, 55 x 38cm; and two further similar to include: ‘Emperor’s Heads by the Sheldonian Theatre’ and ‘The Bridge of Sighs, Hertford College’, each numbered 2/50 (3) £150-250

84. GIOVANNI BATTISTA PIRANESI Veduta della Piazza del Popolo, engraving, and four others similar, each 26 x 34.5cm (5) £50-80

85. FRANCESCO BARTOLOZZI AFTER GUERCINO Cherubs and an urn, engraving, ex collectione Cornitis Antonii M. Zannetti Hieronimi F, 25 x 37cm; and a lithograph after Marlet (2) £50-80

86. JOHN WHESSELL AFTER JOHN T. SERRES Fisherman with his family and companion, hand-coloured engravings, c.1805, a pair, with Verre eglomise and gilt frames, 44.5 x 55.5cm (2) £200-300

87. John Piper (1903-1992) ‘Oxburgh Hall, Norfolk’, lithograph, pencil signed in the margin and numbered 9/120, 58 x 46cm

88. John Piper (1903-1992) Blenheim Gates, c.1954, screenprinted cotton produced for David Whitehead, 41 x 61cm

£300-400

£100-200

89. EILEEN COOPER (b. 1953) ‘Whisper’, woodcut in colours, pencil signed in the margin, titled, dated 2009 and numbered 23/40, 22 x 15cm Prov: Royal Academy Summer Exhibition 2010 £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

90. EILEEN COOPER (b. 1953) ‘Little Darling’, woodcut in colour, pencil signed in the margin, titled, dated 2008 and numbered 37/40, 22 x 15cm £80-120

91. FERNAND LEGER (1881-1955) ‘La Partie de Campagne’, lithograph in colours, initialled in the plate and numbered 43-51, 34 x 51cm £100-150

92. AFTER JULIAN TREVELYAN ‘Harbour’, (School print No. 9), printed at the Baynard Press, 49 x 75cm; and two further from the same series to include: Timber Felling in Essex after Michael Rothenstein, (School print No. 5) and ‘Harlequinade after Tom Clarke Hutton, (School print No. 13) (3) £150-250

93. J SMITH AFTER MICHAEL DAHL ‘Thomas Knipe S.T.P.’, mezzotint, 33 x 24.5cm; and three further etchings or engravings to include: Sydney Paviere - View of Magdalen College; Charles J Watson ‘St. Etienne du Mont, Paris’; and ‘St Thomas’s Hospital’ (4) £40-60

94. AFTER LIONEL EDWARDS ‘On the Way to the Meet’ and ‘The Lucky Man’, a pair, chromo-lithographs with hand tinting, published by Lawrence & Jellicoe, 27 x 71cm (2) £100-200

95. GEOFF SADLER (20TH CENTURY) ‘Las Mariposas - la Pareta’, screenprint, pencil signed, titled, dated ‘88 and numbered 23/50 in the margin, 35 x 45cm; and two further by the same hand, all produced for Additions 4 and with provenance labels verso (3) £30-50

98. AFTER JOSEPH FARQUHARSON A shepherd with sheep in a snowy winter landscape, print in colours, pencil signed in the margin, pub by Maple & Co c.1913, 47 x 71cm

by Marc Chagall...Verve, Paris 1960’ £150-250

With Maple & Co label verso £100-150

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96. MARC CHAGALL 97. SAMUEL AND NATHANIEL BUCK The meeting of Ruth and Boaz, lithograph in ‘The South Prospect of Dover in the County of Kent’, engraving, colours, 35 x 26cm (probably a re-strike), 30.5 x 82cm Inscribed to label verso ‘Original lithograph £40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

99. STANISLAW HALPERN (1919-1969) ‘Napolitani’ and ‘La Veronica’, two etchings, each signed in the margin, titled and numbered 25/25 and 18/25 respectively, 25 x 18.5cm and 21.5 x 23cm; together with one further by the same hand, titled ‘Mount Kinabalu’, 26 x 33cm (3) £50-80

100. MAURICE FIEVEL? Portrait of an Arab with camel, lithograph in colours, signed in pen and variously annotated, 49.5 x 33cm; and companion, a pair (2) £40-60

101. AN 18TH CENTURY ENGRAVED VIEW OF THE CITY OF MILAN from Salmon’s Work ‘The Present Status of All People and Country of the World’, engraving, 17 x 32.5cm £40-60

102. AFTER JOHN CASTLE ‘Vickers Armstrong Super Marine Spitfire LF16e’, print in colours, pencil signed by the artist, 44 x 63cm £20-40

103. VALERIE THORNTON (1931-1991) ‘Farm Buildings at Vauracon’, etching with aquatint in colours, pencil signed in the margin, titled, dated ‘86 and numbered 39/70, 24 x 36cm £80-120

104. VALERIE THORNTON (1931-1991) ‘Bridge at Vendome’, etching with aquatint in colours, pencil signed in the margin, titled, dated ‘86 and numbered 41/70, 36 x 25cm £80-120

105. WILLIAM NICHOLSON Wadham College Chapel, lithograph, signed in pen to the margin and with Stafford Gallery blind stamp, 27 x 34cm, mounted but unframed; and a colour print after Dennis Flanders - ‘The Garden Front Wadham College’, also mounted but unframed (2) £30-50

106. HENRY LEMON AFTER THOMAS WEBSTER The Punch and Judy Show, monochrome engraving, 69 x 121cm £30-50

107. AFTER CHARLES LORAINE SMITH Hunting scenes, Plates 1-6, aquatint engravings, hand-coloured, 32 x 42cm (6) £30-50

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For details of fees that apply to successful bids, please see pages 2 and 3

108. A 19TH CENTURY CARICATURE ENGRAVING ‘A Sailor’s Marriage’, published by McCleary, 39 Nassau Street, Dublin, hand-coloured, 22 x 32cm; and one further caricature engraving titled ‘Peter Sham-Peter Shampood or the Consequence of Kissing and Telling’, hand-coloured, 24 x 34cm (2) £50-80

109. R. HOUSTON AFTER JENKIN ‘The Rev’d Mr Martin Madan...’, mezzotint, printed for Carington Bowles, 34 x 24cm (maple frame) Martin Madan (1726-1790) graduated from Christ Church Oxford in 1746 £30-50

111. AN 18TH CENTURY ENGRAVED VIEW OF ST JAMES’S PALACE, PALL MALL, hand-coloured, 24 x 39cm; and one further engraving - ‘The Prospect of Ye Town of Dundee’, 26 x 42cm (2) £30-50

110. WILLIAM HOLE AFTER LUCY KEMP-WELCH Logging Horses with handlers in a dense forest, etching, pub c.1905 by The Fine Art Society with blind stamp for the Print Seller’s Association, 47 x 85cm £30-50

112. AXEL HERMAN HAIG (1835-1921) ‘Pamplona: Returning from the Fair’, etching, pencil signed in the margin, 66 x 94cm, unframed £50-80

113. IAIN MACNAB (1890-1967) ‘Conversation Piece’, wood engraving, signed in pencil in the margin and numbered 16/60, 23 x 16.5cm According to note verso the right edge of the paper under the mount bears a handwritten inscription ‘Norman Haire 127 Harley St (London)’. Dr Norman Haire (originally named ‘Zions’) 1892-1952 was a medical practitioner and one of the foremost ‘Sexologists’ of the early 20th Century £200-300

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114. FRANCESCO BARTOLOZZI AFTER G.B. CIPRIANI A Bacchanale with five putti, sepia engraving, hand-coloured, 29 x 29cm £40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

117. RUSSIAN SCHOOL 20TH CENTURY Street scene with figures in a sledge, titled in Cyrillics verso, lithograph, 37 x 53.5cm; and companion, a pair (2) £40-60

121. JOSEPH MALLORD WILLIAM TURNER, R A (1775 - 1851) ‘Harlech Castle, North Wales’, engraving with artist’s blindstamp, first published state 1830, 18 x 26cm; and five further engravings by Turner to include ‘Salisbury, Wiltshire’, ‘Dido Building Carthage’, ‘Malvern Abbey and Gate’, ‘Sun Rise, Whiting Fishing at Margate’ and ‘The Goddess of Discord Choosing the Apple of Contention’, various sizes (6) £100-200

116. NATHANIEL PARR AFTER RIGAUD A prospect of the palace of Chantilly, engraving, hand-coloured, 19 x 40cm; and one further - A view of the palace of Versailles, 21 x 39cm (2) £50-70

119. EMERY WALKER AFTER EDMUND HORT NEW ‘The Kings Hall and College of Brasenose in Oxford’, photo engraving, 36 x 32cm £30-50

122. JAN JANSSON ‘Insularum Britannicarum Acurata Delineatio’, double-page engraving, 39 x 51cm £200-300

120. AUGUSTE BLANCHARD AFTER WILLIAM HOLMAN-HUNT ‘The Finding of the Saviour in the Temple’, monochrome engraving, pub. c. 1867, signed in pencil by artist and engraver in the margin, 53 x 74cm £50-70

123. GERARD MERCATOR ‘Irlandiae Regnum’, double-page engraving, hand-coloured, 33.5 x 41cm £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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115. AFTER GOETZ ‘Boat Race April 4’, lithograph in colours, advertisement for the London Underground printed with the signature and date ‘36 in the plate, 25 x 32cm, unframed £200-300

124. THOMAS BOWEN ‘The World Including the Late Discoveries by Captain Cook and other Circum Navigators’, hand-coloured engraving for Bankes’ New System of Geography published by Royal Authority, 27.5 x 46cm; and one further - ‘A New and Correct Map of the World from the Latest Observations’, 15 x 29cm (2) £100-200

125. EMANNUEL BOWEN ‘A New and Accurate Map of Negro Land and the Adjacent Countries...’, double-page engraving, 35 x 42cm; together with J. Rapkin - ‘Southern India’; and a 19th Century map of New Zealand (3) £40-60

126. NORMAN STEVENS (1937-1988) ‘First Lily’, etching in colours, signed in the margin, dated ‘79, titled and numbered 3/200, 26.5 x 20cm, mounted but unframed £40-60

128. A SCRAPBOOK, the flyleaf labelled ‘Rebecca’, and containing mainly portrait and European topographical engravings, some loose, with gilt tooled calf spine and marbled boards, the book 24 x 19cm; and a group of three lithographs by Samuel Prout, each inscribed in ink verso to Miss Allen by S.G. Prout and dated c. 1890’s; together with eleven further various lithographs and engravings,mainly Samuel or S G Prout, all unframed (15) Prov: Originally from the family of Samuel Prout and his son Samuel Gillespie Prout and latterly from the estate of S.G. Prout’s housekeeper Clara Alberta Allen and her family £50-150 127. WILLIAM DOUGLAS MACLEOD (1892-1963) ‘Outer Gallery St Paul’s Cathedral, London’, etching, pencil signed in the margin, dated 1923 and titled, 14 x 9cm £30-50

129. GEORGE COOKE ‘Views in London and it’s Vicinity complete in forty eight plates, engraved on copper’, published by Longman & Co The flyleaf inscribed ‘Clara A Allen with much love from S.G. Prout June 22 1901 (in remembrance)’

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Prov: Originally from the family of Samuel Prout and his son Samuel Gillespie Prout and latterly from the estate of S.G. Prout’s housekeeper Clara Alberta Allen and her family £150-250

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130. AFTER BERYL COOK ‘Angels’, print in colours, pencil signed in the margin and with FATG blind stamp, published by Alexander Gallery Publications, 34 x 42cm £150-250

For details of fees that apply to successful bids, please see pages 2 and 3

131. ROBERT MARTEAU AND HECTOR SAUNIER ‘Aux Buveurs de Rosée’, seven etchings in colour, each pencil signed in the margin, 16 x 13cm; together with text in book form, published 2003, numbered 17/75, and signed in pencil to back page, blue dust wrapper £70-90

132. JOSEPH GUY LUBBOCK ‘Loves, Lands and Waters’, ten etchings with aquatint in colour together with text in book form published 2000

by Bertram Rota Ltd, numbered 23 (of 45) and signed in pen by the author/artist, gilt pictorial blue cloth, slip case £80-120

133. ROBERT MARTEAU AND AKIRA ABE ‘Mecanique Celeste’, a collection of eleven loose etchings (including frontispiece) by Akira Abe with Poems by Robert Marteau and Translation into Japanese

by Takeshi Sugawara, on BFK Rives, numbered 1E/65 and pencil signed to back page, in brown card portfolio £40-60

134. EMERY WALKER AFTER EDMUND HORT NEW New College, Oxford, photo engraving, 37 x 44cm; another similar - Lincoln College; an engraved view of the ‘Martyrs Memorial and Aisle’ and miscellaneous loose engravings £50-100

135. B BARON AFTER WILLIAM HOGARTH ‘Marriage a la Mode’, Plates 2 and 3, engravings, 38 x 46cm; and Plate 5 engraved by Ravenet, all unframed (3) £30-50

136. LUCIANO PISTONE Vase and flowers No. 25, woodcut, pencil signed in the margin, dated ‘66, titled and numbered 6/30, 50 x 25cm

With the Chelsea Art Society, Chenil Galleries £30-50

138. EARLY 20TH CENTURY SCHOOL A ballerina seated and tying her shoes, etching, 26.5 x 22.5cm £30-50

For details of fees that apply to successful bids, please see pages 2 and 3

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137. JAMES GILLRAY ‘Maecenas in Pursuit of the Fine Arts’, hand-coloured etching, numbered 560 top right, 25 x 19cm (re-strike) £30-50

Exh: Society of Wood Engravers and The Senefelder Group arranged by the Art Exhibitions Bureau

Portrait Miniatures Lots 139 - 145

Portrait Miniatures (Lots 139-145)

139. AN EARLY 19TH CENTURY OVAL MINIATURE PORTRAIT of a Naval officer, watercolour on ivory, 6.5cm high £100-150

140. AN EARLY 19TH CENTURY OVAL MINIATURE PORTRAIT of an officer in scarlet uniform, watercolour on ivory, 7.5cm high £100-150

141. A 19TH CENTURY RECTANGULAR MINIATURE PORTRAIT of a lady, in white dress and cap with blue ribbon, watercolour on ivory, 9.5cm high, inscribed ‘Lady Chesterfield’ verso; and another smaller 19th Century oval miniature (2) £80-120

143. ENGLISH SCHOOL (EARLY 19TH CENTURY) An oval miniature portrait of Lieutenant John Peter Pleydell, in scarlet dress uniform, watercolour on ivory, 8cm high £200-300

142. ENGLISH SCHOOL (19TH CENTURY) Portrait of a lady with a jug, oil on metal, 9 x 7cm, in a gilt Florentine frame. £100-150

145. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a military officer in uniform with red top coat and grey hair, on ivory, 7 x 5cm oval £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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144. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a gentleman with grey hair wearing white stock and brown overcoat seated in a red chair, on ivory, 9.5 x 8cm £100-150

Oils and Watercolours Lots 150 - 515

The following 51 lots the property of a lady

150. H * HARA Lake view with Mount Fuji in the distance, signed, watercolour, 64 x 95cm £80-120

151. CONSTANCE PENSTONE (1865-1928) ‘Gray and Green, Table Mountain’, signed, watercolour, 34 x 50cm * With letter from the artist attached to verso detailing the execution of the work, and dated June ‘12 £60-80

153. E * BARRELL (19TH CENTURY) Figures in a cobbled street with tower, signed, oil on canvas, 49 x 39cm £100-200

152. ARTHUR VICTOR COVERLEY-PRICE (1901-1988) A Continental market square with figures at a fountain, signed, watercolour, 34 x 50cm £80-120

155. JOHN MODICA (20TH CENTURY) Figures on a beach in summer, signed and dated ‘88, oil on canvas, 50 x 61cm (unframed) £50-80

For details of fees that apply to successful bids, please see pages 2 and 3

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154. * CAREY Seascape through trees, signed, oil on canvas, 41 x 51cm £50-100

156. ATTRIBUTED TO GIDEON FIDLER (1857-1942) Portrait of a young lady, oil on canvas, 61 x 51cm (unframed) * With restorer’s invoice labelling the work ‘Fidler’ £80-120

158. JACQUES LEUDET (20TH CENTURY) The quiet harbour side, signed, inscribed and dated ‘Honfleur 1932’, charcoal and colour washes, 24 x 35.5cm £80-120

159. ENGLISH SCHOOL, EARLY 20TH CENTURY Full length study of a cavalier at the foot of a staircase, signed ?CLIP and dated 1908, oil on panel, 31.5 x 19cm £100-200

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161. WILLIAM THORNTON BROCKLEBANK (1882-1970) A wooded clearing, signed, oil on board, 30 x 22cm £40-60

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157. FOLLOWER OF GEORGE MORLAND Pastoral scene with figure carrying a pail on a track at dusk, oil on canvas, 46 x 61cm (unframed) £50-100

160. BOB L. HOWES (20TH CENTURY) A Muskoka Lake, Ontario, Canada, signed, titled verso and dated 1952, oil on board, 28.5 x 39cm £40-60

162. ALEXANDER CARRUTHERS GOULD (1870-1948) A woodland, signed, oil on canvas, 39 x 29cm £60-80

For details of fees that apply to successful bids, please see pages 2 and 3

163. FOLLOWER OF FRANCIS WHEATLEY Portrait of a farm girl wearing a bonnet, her arms folded and with a spaniel and basket of fruit at her feet, oil on panel, 58 x 46cm oval £150-250

165. 20TH CENTURY ENGLISH SCHOOL Cart Horses in a summer landscape, indistinctly signed ?’Benches’, oil on canvas, 68 x 78.5cm £80-120

164. WILLIAM FITZ (act c.1880-1915) Story time, signed and dated 1891, oil on canvas, 49 x 75cm £150-250

166. * BELEZ A young lady with dog in a sun drenched summer’s garden, signed, oil on canvas, 90 x 59cm £150-250

167. * SCHMID River landscape with distant mountains, signed, oil on canvas, 61 x 82cm (unframed) £40-60

168. ATTRIBUTED TO JOHN PHILLIP (1817-1867) A medieval princess in a town setting wearing a garland of roses in her hair and crown with veil behind and in gilt brocaded white dress, signed with monogram ? ‘J.P.’, oil on canvas, 74 x 62cm £300-500

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For details of fees that apply to successful bids, please see pages 2 and 3

170. ISTVAN SZKITSAK (c.1820-c.1880) Vasarra Indulo Olay Csalad, signed, oil on canvas, 112 x 85cm £300-500

169. ARTHUR JENKINS (1871-1940) Church of San Georgio, Portofino, signed, watercolour, 22.5 x 30cm £80-120

172. 19TH CENTURY ENGLISH SCHOOL Cattle in a meadow, oil on canvas, 91 x 74cm £100-200

173. SALOMON VAN ABBE (1883-1955) ‘As they rode on, the stranger did his best to soothe her (P302 The Pomegranate Seeds - Tanglewood Tales’), signed, watercolour, 29.5 x 19.5cm (mounted but unframed); and another similar by the same hand (2) £80-120

174. GEORGE ARMFIELD (1808-1893) A group of spaniels and terriers admiring a King Charles spaniel in a barn, signed, oil on board, 30.5 x 48cm (unframed) £100-200

175. REV. JOHN LOUIS PETIT (1801-1868) ‘Lille’ and ‘St Omer’, a pair, watercolours, 25 x 33.5cm (2) £80-120

176. ENGLISH SCHOOL (EARLY 20TH CENTURY) A floral landscape with lady dressed in pink, oil on canvas, 34 x 24cm £40-60

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171. ALPHONS NEUMANS OF SCARBOROUGH (c.1853-1895) A Teatime Conversation, signed and dated 1875, oil on panel, 24.5 x 30cm £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

177. JOSEPH CHAMBERLAIN ‘An Autumn Day’ - ‘Mrs Whit’s Cottage at Wood Green Hale House in Distance’, oil on board, 19 x 28.5cm; and four further various pictures (5) £80-120

178. FREDERICK GOLDEN SHORT (1863-1936) ‘Near Springfield Fordswood - Westbrook Cottage’, signed and inscribed in pencil verso, 20 x 30cm; and two further oils to include: a river landscape with distant church; and a tree study (3) £100-200

179. 19TH CENTURY ENGLISH SCHOOL Study of a horse’s head, oil on canvas, 20 x 19cm £80-120

181. CIRCLE OF JAMES TISSOT (1836-1902) Lady with parasol, oil on canvas, 27 x 22cm £200-300

180. LANCELOT ROBERTS (1883-1950) Head and shoulders study of a lady wearing a bonnet, signed, coloured chalks, 36 x 25cm £40-60

183. ALAN G. BELL? Estuary with shipping, indistinctly signed, oil on board, 18 x 28cm; together with a folio of various miscellaneous loose works £60-100

184. HUGH CAMERON WILSON (1885-1952) Loch Long Looking Towards Cove, signed, oil on canvas, 38.5 x 56cm (unframed) £100-200

For details of fees that apply to successful bids, please see pages 2 and 3

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182. G STUBBS A welcome drink (sketch for a larger picture), signed, watercolour, 16 x 21cm; and Frederick Weeks (1854-93): The Hunt, signed, watercolour, 19.5 x 15cm (2) £80-120

186. EDUARDO RODRIGUEZ SAMPER (19TH/20TH CENTURY) Still life - a vase of roses, signed, oil on canvas, 49 x 61cm £80-120

187. GILBERT ACHESON CATTLEY (1896-1978) Portrait of an alsatian, signed and dated 1948, oil on canvas board, 34 x 50cm £80-120

188. FRENCH SCHOOL Still life - a stoneware vase of mixed flowers, signed ‘DYF’, oil on canvas, 60 x 45cm £300-400

189. ATTRIBUTED TO STEPHEN BIESTY (b. 1961) Cross section view of a windmill, pen, ink and watercolour, 39.5 x 31cm (mounted but unframed) £100-200

190. 17TH CENTURY CONTINENTAL SCHOOL An icon painted with Madonna and Child, oil on canvas, 71 x 57cm £600-800

191. J * STANFORD The Horse Jump, signed, oil on board, 48 x 59cm £80-120

192. DUTCH SCHOOL A horse drawn cart in a polder landscape, signed ‘C. Westerbeck’ and dated 1900, oil on canvas, 49 x 59cm £100-200

193. ATTRIBUTED TO JOSEPH NASH (1809-1878) Baronial Hall Interior, watercolour, 21.5 x 27cm £60-80

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185. WILLIAM WIEHE COLLINS (1862-1951) Street scene with figures, signed, watercolour, 25 x 18cm (mounted but unframed) £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

194. PHILIP GAD? ‘The Molo, Venice’, indistinctly inscribed to stretcher verso, oil on board, 29 x 45cm £200-300

195. JOSEPH MÉGARD (1850-1918) An Alpine landscape, signed and dated ‘92, oil on canvas, 45 x 54cm £100-150

196. GEORGINA M. STEEPLE An old cottage at Packington, Warwickshire, signed and dated 1861, watercolour, 17.5 x 24cm oval; Thomas Agnew & Sons label verso; and three further watercolours, one titled ‘At Uxbridge’ (4) £80-120

197. JOSHUA CRISTALL (c.1767-1847) Interior with figures, signed and indistinctly dated, watercolour, 8.5 x 10cm £40-60

198. 20TH CENTURY ENGLISH SCHOOL A favourite cat, oil on canvas, 37 x 45cm £200-300

199. J * M * MALLENDES (fl. 1900-1930) Harvesting off the coast, signed, oil on canvas, 45 x 60cm £200-300

Oils and Watercolours – Other Properties

201. CIRCLE OF DORIS ZINKEISEN (1898-1991) Horses in a pasture, oil on canvas, 49 x 75cm £200-400

202. JACK MILLAR (1921-2006) ‘Everlasting Flowers’, signed, oil on board, 30 x 22cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

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200. 19TH CENTURY ENGLISH SCHOOL A welcome drink, signed ‘F. Roybet’, oil on canvas, 59 x 50cm; and companion, a pair (2) £200-400

204. PAUL BULLARD (b. 1918) ‘African Violets’, signed, oil on canvas, 40 x 30cm £200-300

205. MALCOLM MILNE (1877-1954) Full length study of a nude, pencil drawing, 39 x 23cm

206. VIOLET LINTON (19TH/20TH CENTURY) The sleeping tabby cat, signed and dated 1926, watercolour, 38 x 26.5cm, unframed £80-120

207. DAVID DALBY (1794-1836) A spaniel in a landscape, signed and dated 1831, oil on canvas, 33 x 41cm £200-300

208. ENGLISH SCHOOL (EARLY 20TH CENTURY) Interior with a well dressed lady knitting, a child seated to her side reading a book, oil on canvas, 74 x 54cm £100-200

209. COURTENAY HUNT (20TH CENTURY) Portrait of a lady seated in a chair, signed, oil on board, 75 x 59cm £100-200

210. AFTER CASPAR NETSCHER A boy blowing bubbles, oil on panel, 7 x 37 cm (unframed) £80-120

211. JAMES HERBERT SNELL (1861-1935) The Timber Wagon, signed, oil on board, 29 x 39 cm £150-200

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203. ALASDAIR LINDSAY (20TH/21ST CENTURY) ‘Harbour with Orange Sky’, signed verso, acrylic and pasted paper on board, 45 x 50cm £250-350

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Prov: From a collection of the artists sketchbooks of 1922/23 £60-80

For details of fees that apply to successful bids, please see pages 2 and 3

212. SAX BERLIN (CONTEMPORARY) ‘Sappho Queen of Lesbos’, signed verso and inscribed with title, oil with silver and gold leaf, 50 x 39cm £200-300

213. POUCETTE (1935-2006) ‘Le Cerf’, signed, oil on canvas, 39 x 43cm £100-200

214. GEOFFREY HUMPHRIES (b.1945) Towards the Salute, signed and dated ‘02, watercolour, 36 x 26cm £100-150

215. ERIC TUNSTALL (20TH CENTURY) A young lady reading, signed, watercolour, 37 x 27cm £80-120

216. JOHN STRICKLAND GOODALL (1908-1996) A courting couple resting on a hillside, Andorra, signed, watercolour, 35 x 42cm £200-300

217. EDMUND FAIRFAX LUCY (b.1945) In the Giusti Gardens, Verona, oil on board, 34 x 25cm £200-300

219. A * RUIZ ‘Tantillana’, signed and dated 15-7-28, oil on canvas, 34 x 54cm £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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218. FOLLOWER OF RICHARD ANSDELL Portrait of a fox hound, oil on canvas, 52 x 65.5cm £500-700

221. VIKTOR BELANYI (1877-1955) Leda and the Swan, signed, oil on board, 33 x 40cm £150-250

222. E * LLEWELLYN BRINS? High St, Oxford, indistinctly signed, oil on canvas, 50 x 60cm £200-300

223. JOHN MUIRHEAD (1863-1927) ‘St Ives, Cambs’, signed, oil on canvas, 17.5 x 22cm; 19th Century English School - Country view with figures at a pool, oil on canvas, 30 x 50cm; and a still life signed ‘Street’ (3) £80-120

224. ERNA PLACHTE (1893-1986) A Venetian side canal, oil on canvas, 66 x 50cm

225. R * T * HORLEY (20TH CENTURY) Still life - Autumnal foliage, signed and dated 1946, oil on canvas, 70 x 60cm £200-300

226. RAYMOND BERCOW A Venetian side canal, signed, watercolour, 18 x 12cm; and two further similar (3) £30-50

227. SEAMUS O’COLMAIN (1925-1990) An Irish bay, probably Connemara, signed, oil on board, 38 x 49cm £300-500

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220. WILLIAM ROBERTSON SMITH STOTT (act. 1897-1934) ‘A Summer’s Day Picnic’ and ‘A Country Ramble’, a pair, both signed, one dated ‘32, oil on board, 38.5 x 51cm, 38.5 x 53cm (note minor size difference) (2) £2000-3000

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Prov: With the Bullring Gallery, Deddington £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

228. EDGAR THOMAS HOLDING (1870-1952) ‘The South Downs from Nutbourne, Sussex’, signed, watercolour, 31 x 51cm Prov: With the Fine Art Society £80-120

231. SIDNEY J. CARDEW (b.1931) ‘Cottage on the Broads’ and ‘Early Morning Light, Norfolk’, a pair, signed, watercolours, 26 x 36.5cm (2) £50-100

229. GERALD A. CAINS (b.1932) ‘The Survivor, Hotwells (Bristol)’, signed, oil on canvas, 48 x 69cm £80-120

230. GERALD A. CAINS (b.1932) ‘Low Tide’, signed, oil on canvas, 29 x 39cm £100-150

232. M * A * WALLACE ‘Hindhead 1949’, signed, titled and dated, oil on canvas, 44 x 60cm £80-120

233. ROBERT A. WILLIS (20TH CENTURY) ‘Christ Church Wimbledon’, signed and dated ‘64, Indian ink and wash, 41 x 36cm; and Van Gill ‘Hammersmith Tow Path’, signed, watercolour, 35.5 x 51cm (2) £50-80

236. CHARLES SALIN (1889-1919) Sketches of Russian Scenery, a collection of fourteen watercolours, some signed in cyrillics, 13 x 21cm (X8) and 21 x 13cm (X6) (14) 235. ALFREDO BUENAVENTURA (1942-1982) ‘The Paddy Field Workers’ and ‘Farmer with Cattle’, a pair, signed, oil on canvas, 60 x 90cm (2) £100-150

Footnote: Charles Salin was a Russian Prisoner of War in Krefeld, Germany between 1914-17. He was an officer in the 32nd Preobrajensky Regt and was liberated in 1917. He died in Petrograd in 1919 during the aftermath of the Russian Revolution These fourteen watercolours of his Russian homeland were painted during his incarceration between 1914 and 1917 £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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234. BRIDGET TEMPEST (20TH CENTURY) ‘Kirkington Gardens’, signed with initials and dated 1984, mixed media, 62.5 x 51cm; and Geoffrey Sutcliffe - ‘Scales Tarn and Sharp Edge I, signed with initials, pastels, 31 x 57cm (2) £50-100

238. WALTER DUNCAN (1848-1932) A young lady on a verandah, signed and dated 1874, watercolour, 17.5 x 13cm £80-120

240. FOLLOWER OF GEORGE ARMFIELD ‘A Keen Look Out’, inscribed with title to label verso, oil on panel, 35 x 46cm £80-120

241. HENRY SCHAFER (1815-1873) ‘Abbeville, Normandy’ and ‘Morlaix, Brittany’, a pair, signed and dated ‘78, also inscribed verso, oil on canvas, 29 x 24cm (2) £500-700

242. ARTHUR CLAUDE COOKE (1867-1951) By the fireside, signed, oil on canvas, 29 x 34cm £100-200

243. CHRISTIAN NICE (b.1939) ‘District Six’, signed and dated ‘84, oil on board, 19 x 29cm £300-500

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237. ALFRED OLSEN (1854-1932) A Tranquil Sunset, signed and dated 1910, oil on canvas, 47 x 59cm £100-200

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239. GEORGE CHARLES HAITE (1855-1924) An Arab street, signed, watercolour, 33 x 23cm £100-150

244. GEORGE SHEPHERD (fl. 1800-1830) ‘Ludgate Hill and St Paul’s Cathedral’, signed and dated 1828, watercolour, 7 x 12cm Prov: With the Fine Art Society April 1967 £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

245. WILLIAM HENRY MANDER (1850-1922) Landscape with figure on a pathway, signed, oil on canvas, 29 x 44cm; and companion, a pair (2) £300-500

246. TOM COATES (b.1941) A seated nude, signed with monogram, oil on board, 30 x 25cm £200-300

248. EDWARD HORACE THOMPSON (1879-1949) ‘Where the River Enters Derwentwater, The River Derwent near Lodore with the Gate Crag Borrowdale’, signed, watercolour, 33 x 51cm, (with mount but unframed) * With artist’s label to backboard £200-300

247. DORUS VAN OORSCHOT (1910-1989) A busy street market, signed, oil on canvas, 60 x 90cm £100-200

249. 20TH CENTURY ENGLISH SCHOOL Still life - a pewter jug of mixed flowers, oil on panel, 18cm tondo, unframed £60-80

The following 15 lots a Collection of Pictures from a Cotswold residence

251. FRANCES MABEL HOLLAMS (1877-1963) A chestnut hunter with female rider, signed and dated 1929, oil on canvas, 50 x 60cm £800-1000

For details of fees that apply to successful bids, please see pages 2 and 3

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250. JOHN FERNELEY (JNR) (1815-1862) Four horses and a dog in a wooded landscape with a herd of deer in the distance, signed ‘John Ferneley, York’ and dated 1843, oil on canvas, 65 x 86cm £2000-3000

252. FRANCES MABEL HOLLAMS (1877-1963) A grey horse by stable door, signed, oil on panel, 30 x 42.5cm £600-800

253. ATTRIBUTED TO HENRY ALKEN (1785-1851) A show horse with stable boy, oil on canvas, 26 x 34cm £300-500

254. SAMUEL HENRY G. ALKEN (JNR) (1810-1894) The Mail Coach, a pair, one signed, oil on board, 29 x 26cm Prov: With Arthur Ackermann & Son Ltd £1000-1500

256. JAMES RUSSELL RYOTT (act 1810-1860) ‘Coming in from Grass’ and ‘In Hunting Condition’, a pair, signed, inscribed with titles and dated 1848, oil on canvas, 28 x 38.5cm (2) £800-1000

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255. FRANK CASSELL (19TH/20TH CENTURY) Terriers in a barn, a pair, one signed, oil on copper, 14.5 x 30cm £300-500

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For details of fees that apply to successful bids, please see pages 2 and 3

257. ATTRIBUTED TO CHARLES COOPER HENDERSON (1803-1877) ‘The Brighton to London’ mail coach and ‘The Bath’ mail coach, a pair, oil on board, 16 x 31cm (2) £600-800

258. CHARLES COOPER HENDERSON (1803-1877) Landscape with horse drawn carriage, signed with monogram, watercolour, 30 x 60cm £150-250

259. MARJORIE COX (1915-2003) ‘Meg and Minnie’, signed, inscribed and dated 1974, pastels, 48 x 38cm £60-80

260. ROB MARRABLE (20TH CENTURY) ‘Asprémont A.M.’, signed with initials, inscribed with name verso and titled, oil on canvas, 31 x 39.5cm; and Mostyn Bell - The Yellow House, signed, oil on canvas board, 30 x 40cm (2) £40-60

261. GASTON KNECHT (1875-1968) ‘Place de la Concorde’, signed, oil on card, 15 x 23cm £100-200

262. HERB ROSE Lake with palms, signed, dated ‘75, watercolour, 22 x 30cm; and a landscape signed ‘Agueta’ (2) £30-50

For details of fees that apply to successful bids, please see pages 2 and 3

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263. FRANK EGGINTON (1908-1990) A farm cottage with chickens, signed, watercolour, 52 x 74cm £600-800

264. ROB MARRABLE (20TH CENTURY) ‘The Flea Market, Nice’, signed, titled verso, charcoal and gouache, 48.5 x 63cm £100-200

Oils and Watercolours Other Properties

265. FOLLOWER OF FRANCOIS BOUCHER A seated nude, sepia chalks heightened in white, 38 x 50cm; and one further similar, 26.5 x 33.5cm (2) £300-500

266. FREDERICK HAMILTON JACKSON (1848-1923) ‘Treves near Saumur’, signed and dated 1909, oil on canvas, 25 x 30cm £200-300

268. RUPERT SHEPHARD (1909-1992) Portrait of a young lady, signed and dated 1981, oil on canvas board, 44 x 37cm £100-200

269. PHILIP WILSON STEER (1860-1942) Harbour Scene, signed and dated 1932, watercolour, 23 x 33cm

270. LUDMILLA TRAPP (20TH CENTURY) Portrait of a young girl, signed and dated 1975, pastels, 42 x 34cm £60-100

271. TREVOR STUBLEY (1932-2010) Portrait of a seated lady, signed, pencil and watercolour, 40 x 30cm £80-120

272. JAMES P. BARRACLOUGH (1891-1942) Portrait of a young boy with model plane, signed and dated ‘35, oil on canvas, 74 x 62cm £300-500

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267. GERRY HUNT (b.1927) ‘Thoughtful Cow 1997’, inscribed verso, charcoals, 26.5 x 19cm £100-200

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Prov: With Thos. Agnew & Son £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

274. ATTRIBUTED TO WILLIAM FLEETWOOD VARLEY (1785-1858) ‘In Ashburnham Park, Arundel’, watercolour, 21 x 33.5cm £100-200

275. JOHN VICAT COLE (1903-1975) ‘Old Shops, Avery Row’, signed, oil on board, 29 x 39.5cm Prov: With the Fine Art Society, Feb. 1956 £400-600

277. 20TH CENTURY SCHOOL Half-length portrait of a nude with black hair, her hands clasped upon her lap, bears signature ‘N. Lewis’ and the date ‘’57’, oil on canvas board, 72 x 58cm £300-400

278. GENEVIEVE MARIE GALLIBERT (1888-1978) ‘La Fenêtre aux Citrons’, signed, oil on board, 64 x 53cm £200-300

276. GEORGE CHARLES FRANCIS (b.1860) ‘Highgate Pond 1924’, signed, inscribed with title, watercolour, 17.5 x 24.5cm; and three further to include ‘Near Chalfont St Peter 16/9/17’; and ‘Abertillery June 1918’ (X2) (4) £80-120

279. MARCUS FORD (1914-1989) ‘Winter Morning’, signed, oil on canvas, 26 x 39cm £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

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273. ATTRIBUTED TO JOSEPH NASH (1808-1878) Ruins of an Italian villa, watercolour, 24 x 29cm £80-120

281. ROY PERRY (1935-1993) The Quayside at dusk, signed, oil on board, 19 x 29cm £120-150

282. JANET DUNCAN (20TH CENTURY) Stepping Stones, signed, watercolour, 36 x 51cm; and one further by the same hand - ‘Netting Fish in Rock Pools’ (2) £100-200

283. JANET DUNCAN (20TH CENTURY) ‘Regatta Practice’, signed, watercolour, 51 x 44cm £100-150

284. JANET DUNCAN (20TH CENTURY) An Italian lake, signed, watercolour, 31 x 46cm £50-100

285. EDWARD STAMP (20TH/21ST CENTURY) ‘Reighton Sands, North Yorkshire’ and ‘View at Cayton Bay, North Yorkshire’, a pair, signed and dated ‘Aug 1983’, oil on board, 15.5 x 22cm (2) £80-120

286. EDWARD STAMP (20TH/21ST CENTURY) ‘Lillingstone Lovell - Buckinghamshire’, signed and dated March 1977, pastels, 27 x 41cm; and one further by the same hand - ‘The River Valley, November (Great Brickhill Bucks)’ (2) £80-120

287. CHARLES WHYMPER (1853-1941) Landscape with dead stag, signed, watercolour, 85 x 111cm £100-200

288. GIARETTA TULLIOUS (20TH CENTURY) A Middle Eastern street market, signed, watercolour, 22 x 41cm £40-60

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280. ANDREW CHAN (CONTEMPORARY) ‘Ship Wreck, Wanchai’, signed and dated ‘98, also signed, titled and dated ‘98 verso, oil on canvas, 61 x 50cm £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

289. MICHEL DES ROCHERS (20TH CENTURY) ‘La Caumette, Hérault, France’, signed and dated 1977, watercolour and body-colour, 33 x 50cm £60-80

290. PILFORD FLETCHER WATSON (1842-1907) ‘Burgos, Spain’, signed, also signed with monogram, watercolour, 34 x 22.5cm £100-150

291. ENGLISH SCHOOL, LATE 19TH CENTURY Bust length portrait of a gentleman, pastels, 57 x 43cm £60-100

292. JAMES MACCULLOCH (c.1850-1915) Lochaber, signed and inscribed with title, watercolour, 28.5 x 53cm £50-80

293. ENGLISH SCHOOL (MID 19TH CENTURY) View of Kenilworth Castle, signed indistinctly and dated 1853 verso, oil on board, 19.5 x 26.5cm £100-150

294. ENGLISH SCHOOL (19TH CENTURY) Eynsham Castle, with figures in the foreground, oil on canvas, 28.5 x 40cm £150-200

295. HENRY RUSHBURY (1889-1968) Mullion Cove, signed and dated 1927, pencil and watercolour, 27 x 41cm 296. HENRY RUSHBURY (1889-1968) The Fish Market, Dieppe, signed and dated 1926, pencil and grey wash drawing, 32 x 45cm £600-800

For details of fees that apply to successful bids, please see pages 2 and 3

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Exh: New English Art Club £350-450

297. HENRY RUSHBURY (1889-1968) Isola dei San Giorgio, Maggiore’, signed, inscribed ‘Venice’ and dated 1931, pencil and watercolour, 30 x 37cm Prov: Fine Art Society 1938

298. HENRY RUSHBURY (1889-1968) ‘Summer Evening, Paris’, signed, pencil and watercolour, 34 x 43cm

Heather Newman Gallery £350-450

Artist’s label verso £600-800

299. HENRY RUSHBURY (1889-1968) The Greek Ship, signed, charcoals and colour washes, 24 x 36cm £200-300

300. JOHN AUGUSTUS ATKINSON (fl. 1775-1833) Battle Scene, Civil War, watercolour, 24.5 x 20cm £200-300

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302. GARSTIN COX (1892-1933) A tranquil river landscape at sunset, faintly signed, oil on canvas, 72 x 92cm (unframed) £800-1000

44

301. RUSSIAN SCHOOL (20TH CENTURY) St Basil’s Cathedral, Moscow, signed in cyrillics and dated ‘91, watercolour, 29 x 20cm; and two English School watercolours, one titled ‘A May Morning On the Way to Hacking Boat’ (3) £40-60

303. ENGLISH SCHOOL (EARLY 20TH CENTURY) St Paul’s from Bankside, indistinctly signed and dated ‘35, oil on board, 24.5 x 29.5cm; James Filby - river landscape, signed and dated 1908, oil on board, 26 x 16.5cm; two further oils and two prints (6) £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

304. PENELOPE BEATON (1886-1963) Still life - a jug of flowers, signed, oil on board, 56 x 39cm £300-500

305. JOHN LANGSTAFFE (1849-1912) River landscape with harvesters, signed, oil on canvas, 39 x 54cm £100-150

309. RICHARD PRICE (b.1962) ‘Spring Hope’, signed, oil on board, 49 x 29cm £200-300

307. ATTRIBUTED TO SIR ALFRED MUNNINGS (1878-1959) Figure study, pencil sketch, 9 x 13cm

308. URSULA SWAN (20TH CENTURY) Washing Day - Costa Brava, signed, oil on board, 24 x 34cm

Prov: Reputedly purchased from the Tyron Gallery, late 1970’s/early 1980’s £80-120

Exh. Sussex Artist’s Exhibition 1969, Brighton Corporation Art Gallery £30-50

310. JOHN SKEAPING (1901-1980) Playful horses, signed and dated ‘75, pastels, 43 x 54cm £300-500

311. A*M* (LATE 19TH CENTURY) Figures and a canal beneath palm trees; figures and water bearer with boats on a riverbank, signed with initials, watercolour, a pair, 12 x 28cm (2) £70-90

For details of fees that apply to successful bids, please see pages 2 and 3

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306. JAPANESE SCHOOL, MATSUMOTO STUDIO Fishing boat with seagulls, signed, watercolour, 19 x 5cm; six further similar; two Japanese prints; and Rowland Jervis - The Violinist, signed and dated 1938, gouache, 23 x 21cm, all but two of the works unframed (10) £50-80

312. S * A * BAKER (19TH CENTURY) Ludlow Castle from Whitcliff, signed with initials, inscribed verso, oil on canvas, 15 x 23.5cm £100-150

315. THOMAS BUSH HARDY (1842-1897) Boats on a rough sea, pencil sketch, 9 x 14.5cm; and another - View of Lancaster Castle, 7 x 12.5cm, both pencil on buff paper (2) £100-200

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317. CONTINENTAL SCHOOL (18TH CENTURY) Italianate ruins, oil on canvas, 48 x 109cm £300-500

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313. CONTINENTAL SCHOOL (19TH CENTURY) Harbour view, possibly Valetta, gouache, 6 x 9.5cm; and a 19th Century view of the Bay of Naples, gouache, 14 x 20.5cm (2) £100-150

314. R BENEDICT (19TH CENTURY) Two plough horses at rest beneath a tree, signed, oil on panel, 10 x 15cm £100-150

316. OTTO KUSTER (b.1941) Sydney Harbour from Nielsen Park, signed and dated ‘97, oil on canvas, 60 x 90cm £150-200

318. PETER WHITE (20TH CENTURY) Manly Ferry off Gemorne Point, Sydney, signed, watercolour, 10 x 25cm £50-80

For details of fees that apply to successful bids, please see pages 2 and 3

319. HENRY STANTON (20TH CENTURY) Mallards in flight over marshland, signed, oil on canvas, 60 x 90cm £100-150

320. L. DODD (19TH CENTURY) Girl with poultry before a thatched cottage, signed and dated 1854, oil on canvas, 30.5 x 41cm £150-250

321. SIR DAVID MUIRHEAD BONE (1876-1953) ‘Distant Lido, Venice’, signed and inscribed ‘Venice’, watercolour, 25 x 37cm £350-450

322. HARRY WATSON (1871-1936) Castle at the end of Loch Awe, signed, watercolour, 31 x 41cm £300-400

323. JAMES HOLLAND (1799-1870) Hastings, pen, ink and watercolour, 6 x 9.5cm £100-150

324. SAMUEL JACKSON (1794-1867) ‘Llyn Idwal at Glydr Fawr, Snowdonia’, watercolour, 17 x 25cm

325. GERTRUDE MARTINEAU (act.1862-1911) Birches in Spring, Loch-an-Eilan, Aviemore, signed and dated 1905, watercolour, 27 x 22cm

326. 19TH CENTURY CONTINENTAL SCHOOL ‘The Christening’, indistinctly signed ?T. Montegrasso, oil on canvas, 48 x 80cm £400-600

327. CATHERINE DEAN (20TH CENTURY) Still life, signed and dated 1933, inscribed “To Rachel & Alun”, watercolour, 23 x 26cm; Lorna Rowe - ‘Sunlight through Japanese Maples, Westonbirt Arboretum’, signed and dated ‘03, pastels, 29 x 44cm; and Joy Brand ‘Mist’, etching. (3). £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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Prov: With Thomas Agnew & Sons £80-100

Exh: Albany Gallery 1986 No. 27 £400-600

328. ATTRIBUTED TO THOMAS J. PURCHAS (1855-1930) River landscape with figures in a punt, watercolour, 24 x 40cm; M* Sakkans - a meandering pathway, signed, watercolour, 19 x 19cm; and a printed view of Dolgellau (3) £30-50

329. CHARLES POLLACI (1907-1989) ‘Le Printemps’, signed, inscribed with title verso, oil on canvas, 34 x 26cm The work was painted in 1988 £250-350

331. JULES MENARD ‘Le Jeu de Quilles’, signed, oil on canvas, 15 x 21cm £100-150

330. CHARLES POLLACI (1907-1989) Head study, signed, oil on panel, 12.5 x 11cm Prov: With Galerie van Gogh Trouville in 2009 £80-120

332. DUTCH SCHOOL A frozen river landscape with skaters, oil on panel, 12 x 24cm £150-250

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333. 17TH/18TH CENTURY ITALIAN SCHOOL The Madonna with Child, oil on canvas, 72 x 60cm £600-800

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For details of fees that apply to successful bids, please see pages 2 and 3

334. ROBERT GALLON (1845-1925) Views in the Sussex Downs, a pair, both signed, oil on canvas, 43.5 x 69cm (2) £2000-3000

335. JOHN SHIRLEY FOX (c.1860-1939) Two young girls in a walled flower garden, signed and dated 1897, oil on canvas, 60 x 91cm £500-700

336. W * LANGLEY The water mill, signed, oil on canvas, 49 x 75cm £100-200

337. G * B * W * (20TH CENTURY) A rocky coastal bay looking towards the horizon at sunset, signed with initials, oil on canvas, 33 x 43cm; and another similar but smaller scene by the same hand, 28 x 38cm (2) Prov: With The Kerlin Gallery, 134 University Avenue, Belfast £150-250

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For details of fees that apply to successful bids, please see pages 2 and 3

339. FOLLOWER OF PICASSO Figure study, pen, ink and grey wash drawing, indistinctly signed and dated ?76 verso, 16.5 x 24cm; and another similar but smaller study by the same hand, 20 x 14cm (2) £80-120

340. BERTHA ART (BELGIAN 1857-1934) Still life with flowers in a jug, signed, pastels, 62 x 48cm £300-500

341. M PELL (20TH CENTURY) ‘The Derbyshire and Notts Beagles Okeover Park, Derbys’, signed, titled, watercolour, 19.5 x 27cm £30-50

342. FOLLOWER OF COROT A wooded landscape with faggot gatherer, bears signature, oil on panel, 23 x 18cm £100-150

343. CECIL JACK KEATS (19TH/20TH CENTURY) ‘Rouen’ and ‘Nantes’, a pair, both signed and titled, the latter also dated 1885, watercolours, 49 x 32cm (2) £50-100

344. LILIANA SERENI (20TH CENTURY) The Trevi Fountain, Rome, signed with initials, oil on board, 29 x 14cm; and companion, a pair (2) £50-100

345. ANN PAYNE A reclining nude, inscribed verso, pastels, 49 x 37cm; and Adele Seigal (20th Century South African School) ‘Aldeburgh’, signed and dated ‘84, pastels, 28 x 40cm (2) £60-100

346. CHRISTA GAA (1937-1992) Still life, assorted objects on a striped table covering, signed, watercolour and body-colour, 35 x 50cm £200-300

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338. ATTRIBUTED TO THE WORKSHOP OF HEATON, BUTLER & BAYNE (19TH CENTURY) The Annunciation, design for a stained glass window, watercolour with pencil annotations and numbered 9432, 141 x 53cm £300-500

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For details of fees that apply to successful bids, please see pages 2 and 3

347. JILA PEACOCK (b. 1948) ‘Cupid and the Looking Glass’, signed with initials and dated ‘92, oil and mixed media, 38 x 28cm £40-60

348. WILFRED FAIRCLOUGH (1907-1996) ‘Newark Mill, Ripley’, signed and dated 1952, oil on board, 42 x 59cm Titled to artist label verso Prov: Exhibited Agnews, Bond Street, London 1953. Exhibition ‘Six Young Artists’, probably No. 41. Sold together with photocopy of relevant page of exhibition catalogue £200-300

349. RUDOLPH HELMUT SAUTER (1895-1977) Still life - a jug of flowers upon a ledge, signed, oil on board, 37 x 29cm With artist label verso inscribed ‘To Charles and Lina Vincent, House and Heart Warming 25th July 1956’ and with poem £200-300

351. THOMAS SYDNEY COOPER (1803-1902) Sheep upon a hillside, signed and dated 1877, oil on panel, 39.5 x 29.5cm £800-1200

350. FOLLOWER OF MODIGLIANI Bust length portrait of a lady, oil on canvas, 78 x 54cm £80-120

353. CHARLES JAMES LAUDER (1841-1920) ‘Exeter from the Canal’, signed, watercolour, 33 x 47 cm £200-300

354. ATTRIBUTED TO WILLIAM LEIGHTON LEITCH (1804-1883) Loch scene with castle & sailing boat, watercolour, 15 x 22cm £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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352. CIRCLE OF JOHN FREDERICK HERRING (1795-1865) A bay hunter in a landscape, oil on canvas, 29 x 38cm £300-500

355. A COLLECTION OF APPROXIMATELY. 14 PENCIL SKETCHES by Cyril Ward to include boat subjects, Newquay, Perranporth, Fowey etc., each approximately 13 x 18 cm, all unframed £20-40

356. MARGARET GILLIES (1803-1887) The Philosopher and his daughter, signed indistinctly to a page of the sitter’s book, watercolour with body-colour and white, 44 x 34cm Prov: This painting was commissioned in 1862 by Mr Gilbert Cowie, at the cost of 30 guineas. It is believed to represent Mr Cowie and his wife Lena, and has been passed down by family descent. The lot is accompanied by a collection of six journals and diaries belonging to Gilbert and Lena Cowie, which contain references to the painting £800-1200

357. ERNEST WILLIAM HASLEHURST (1866-1949) ‘Revelstoke from Nos Mayo Devon’, apparently inscribed verso (unchecked), watercolour, 34.5 x 51.5cm £100-150

358. KARL SCHLOSSER (1832 - 1914) An Austrian peasant boy, signed and dated 1878, oil on panel, 21 x 8.5cm £150-250

359. 19TH CENTURY SCOTTISH SCHOOL A young maid standing in an interior, possibly signed with initials C.T., oil on panel, 20 x 14cm £200-300

360. HARRY HOLLAND (b. 1941) A seated nude, signed, oil on board, 89 x 60cm Prov: With the Jill George Gallery £800-1200

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361. FREDERICK JOHN WIDGERY (1861-1942) ‘Doone Valley, Exmoor, Devon’, signed, gouache, 27 x 45cm £100-200

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For details of fees that apply to successful bids, please see pages 2 and 3

362. GEORGE COLE (1810-1883) ‘Autumn. Near Henley, Sunshine after Rain’, signed, inscribed with title verso, oil on canvas, 49 x 75cm £300-500

364. THOMAS ROWLANDSON (1756-1827) Going to the blacksmiths, signed and dated 1803, pen, ink and watercolour, 11.5 x 18cm Prov: With The Fine Art Society, 12th March 1974 and sold together with copy invoice £400-600

363. ELIZA PITT (19TH CENTURY) ‘Die Jungfrau from Interlaken’, watercolour, 21.5 x 34cm Prov: With the Ruskin Gallery Ltd 1982 and sold together with copy invoice £100-150

365. ATTRIBUTED TO THOMAS ROWLANDSON (1756-1827) A river landscape with figures in a punt, pen, ink and watercolour, 13 x 21cm Prov: With Thomas Agnew & Sons Ltd £500-700

366. THOMAS CLARK (fl. 1827-1858) Landscape with horse drawn cart, pencil and colour washes, 11 x 14.5cm

367. EDWARD WILLIAM COOKE (1811-1880) A river bridge with angler in a mountain landscape, pencil drawing, 10.5 x 18cm

Prov: With Thomas Agnew & Sons Ltd, 12th March 1974 and sold with photocopy of original invoice

Prov: With Thomas Agnew & Sons Ltd, 12th March 1974 and sold with copy invoice £80-120

368. JOHN WARWICK SMITH (1749-1831) ‘Mountain Torrent, Switzerland’, watercolour, 44 x 35cm Prov: With the Ruskin Gallery, February 3rd 1979 and sold with copy invoice £300-500

£40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

369. ARTHUR JAMES STARK (1831-1902) Landscape with cottages, signed, watercolour, 7 x 23cm

370. CIRCLE OF SAMUEL PALMER (1805-1881) A woodland with stream, pencil and watercolour, 12 x 17cm

371. JOHN NIXON (c.1750-1818) ‘Lyndhurst, Hants’, signed with initials, dated 1791 and titled, pen, ink and watercolour, 14 x 21cm

Prov: With the Ruskin Gallery (as Samuel Palmer) £80-120

Faintly inscribed with provenance verso ‘Bought for us

by Agnews.... 27 Nov ‘79 and also with reference to a Christie’s 1979 sale £200-300

372. JOHN NIXON (c.1750-1818) ‘A Walking Place Between Oswestry and Shrewsbury’, pen, ink and watercolour, 12.5 x 18cm

373. JOHN NIXON (c.1750-1818) A country church tower, pen, ink and watercolour, 21 x 11.5cm

Prov: Faintly inscribed verso ‘Bought for us by Agnew...

27 Nov ‘79’ and also with reference to a Christie’s 1979 sale £200-300

Prov: Faintly inscribed verso ‘Bought for us by Agnew...

27 Nov ‘79’ and also with reference to a Christie’s 1979 sale £150-250

374. RONALD JOHN MARGETTS (b. 1924) ‘Moorland Lake’, signed, watercolour, 28.5 x 39.5cm; another similar by the same hand, 34 x 43cm; together with Thea Doniach (1907-1986) - ‘Argeliers, France’, signed, watercolour, 36 x 54cm; and a collage signed ‘Page’ and dated 1959, 25 x 35cm (4) £50-100

375. A * KINGSTON RUDD (19TH/20TH CENTURY) ‘The Days Fast Spent’ (In the hospital of the Holy Trinity at Castle Rising), signed with monogram and dated ‘08, watercolour, 49.5 x 38cm £40-60

376. O * L * S * AFTER JOHN EVERETT MILLAIS ‘Bubbles’, signed with initials and dated 1917, oil on canvas, 73 x 53cm £80-120

377. B * HARRISON ‘Louvain’, signed and dated 1919, watercolour, 28 x 21cm £60-80

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Prov: With Hahn Fine Art Dealers Piccadilly November 1973 and sold with copy invoice £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

378. AFTER DANTE GABRIEL ROSSETTI ‘Beata Beatrix’, oil on board, 84 x 80cm £200-300

379. 19TH CENTURY ITALIAN SCHOOL A lakeside villa, signed with monogram and dated 1876, watercolour, 65 x 45cm £100-200

380. TONY DURY (1819-c.1896) Still life - an upturned wicker basket of apples, signed, oil on panel, 51 x 68cm £200-300

381. JAMES DOCHARTY (1829-1878) ‘Entrance to Glen Nevis’, signed, titled verso, oil on canvas, 24 x 34cm £80-120

382. RENE DEMEURISSE (1895-1961) An autumn landscape, signed, oil on canvas, 31 x 53.5cm £100-200

383. JOSEPH HORLOR (1809-1887) A mountain river landscape with cattle on a path, signed, oil on canvas, 49cm £200-300

384. ATTRIBUTED TO PHILIP RIDEOUT (1860-1920) A coach and four outside the Black Lion, oil on board, 32 x 28.5cm; and companion, a pair (2) £100-150

385. ATTRIBUTED TO PHILIP RIDEOUT (1860-1920) Coaching scenes, a set of four, oil on board, 18.5 x 28.5cm (4) £200-300

386. JOHN HENRY BOEL (act. c1890-1915) A mountainous lake view with cottages, signed and dated 1915, oil on canvas, 48 x 73cm £150-200

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For details of fees that apply to successful bids, please see pages 2 and 3

387. COLONEL PHILIP H. SMITHERMAN (1910-1982) ‘Twelveth Foot 1829’, ‘Twelveth Foot 1796’, ‘Captain Royal Inniskilling Fusilier’s 1860’ and ‘The Royal Arterially 1910’, a set of four, each signed with initials and titled, watercolours heightened in white, 38 x 28cm (4) £150-250

388. P * REMPLOY Infantry men in dress uniform, a pair, one signed and dated ‘79, watercolours, 26 x 18cm and 26 x 17cm respectively (2) £100-150

389. CHARLES EDWARD WILSON (1854-1941) A farm girl with magpie outside a barn, signed and dated ‘98, watercolour, 23 x 17.5cm £300-400

390. JEAN NICOL (20TH CENTURY) Street scene with figures, signed, pencil and watercolour, 22.5 x 31.5cm £60-100

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391. CIRCLE OF EDWARD PRITCHETT (1808-1894) Figures at an Italian harbour, watercolour, 19.5 x 34cm £80-120

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392. * RAVEL A young girl wearing a bonnet and brandishing a posy of flowers, signed, watercolour, 24 x 19cm oval £80-120

393. SAMUEL JOHN HODSON (1836-1908) A farmyard with figures, horses and poultry, signed, watercolour, 40 x 54cm £150-250

For details of fees that apply to successful bids, please see pages 2 and 3

394. 19TH CENTURY ENGLISH SCHOOL View of a town with arched river bridge and ruined tower, oil on canvas, 43 x 66cm £200-300

397. MANNER OF EDWARD LADELL Still life - a half filled glass of wine and fruit upon a ledge, oil on canvas, 24 x 29cm; and a 20th Century watercolour view of Aldeburgh Marshes, indistinctly signed and dated ‘76, 15.5 x 23.5cm (2) £70-100

395. VALERIE PETTS (20TH/21ST CENTURY) ‘Lechlade on Thames’, signed with initials, watercolour, 26 x 34cm £20-40

398. ERNEST HOWARD SHEPHARD (1879-1976) Studies of mole 1947, pencil, 15 x 14.5cm Estate of the artist The Fine Art Society London Lady Cadbury 2002 Private Collection Exh: The Fine Art Society London E.H, Shephard December 2002 No. 185 £200-300

396. J * W * S * A mountain torrent with figures on a foot bridge, signed with initials and dated 1901, oil on canvas, 18 x 39cm £60-80

399. ENGLISH SCHOOL (LATE 19TH CENTURY) The Duke of Wellington on horseback, oil on canvas, 30.5 x 24cm £50-80

400. EDWARD VULLIAMY (exh. 1913-40) ‘A Street at Boulogne’, signed and dated 1919, watercolour, 44 x 24cm £60-80 401. JAMES GREY RHA (fl.1873-75) The pig farmer, signed and dated 1876, oil on board, 27 x 32cm £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

402. 19TH CENTURY SCOTTISH SCHOOL A busy market square, oil on board, 29 x 47cm Reputedly a view of Crief Bears remnants of Aitken Dott label to frame £600-800

404. KEN MESSER (b. 1931) View of Broad Street looking towards the Sheldonian Theatre, signed, watercolour, 12 x 14cm £60-80

405. ULA PAINE (1909-2001) ‘Snow in Battersea Park’, signed, watercolour, 24 x 37cm £80-120

406. JOHN NEWBERRY (b. 1934) ‘Storm on the Beach at Deal 2002’, signed, watercolour, 22 x 32cm; and one further by the same hand - ‘Hinksey Lake 2001’, signed, watercolour, 12 x 24cm (2) £100-150

407. FREDERICK GOLDEN SHORT (1863-1936) ‘New Forest - Autumn Leaves’, signed, oil on canvas, 39 x 52cm £100-150

408. ATTRIBUTED TO JOHN GLOVER (1767-1849) A mountain landscape, watercolour, 34 x 50.5cm £150-250

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403. KEN MESSER (b. 1931) The Spires of Oxford, signed, watercolour, 20 x 31.5cm £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

409. FOLLOWER OF JAMES ABBOTT MCNEILL WHISTLER Old Putney Bridge, oil on board, 43 x 22.5cm £300-500

410. ALFRED DANIELS (1924-2015) All Souls College, Oxford, signed and dated 1998, acrylic, 18 x 24cm

411. AFTER SIR PETER PAUL RUBENS Self portrait, oil on canvas, 36 x 26cm £100-200

412. FRANK EGGINTON (1908-1990) An Irish landscape with sheep, signed, watercolour, 36.5 x 51cm £300-500

413. ATTRIBUTED TO CONSTANT DE SURGELOOSE (act. c.1837-c.1860) The Madonna with Christ Child and St John, inscribed verso, ‘Peint par C de Surgeloose’, oil on canvas, 81 x 65cm, unframed £300-500

414. 19TH CENTURY ENGLISH SCHOOL Head study of a 17th Century gentleman, oil on panel, 28 x 24cm £60-80

415. GEORGE BRYANT CAMPION (1796-1870) A welcome drink, signed and dated ‘54, watercolour, 29.5 x 44.5cm £80-120

416. ENGLISH SCHOOL (EARLY 20TH CENTURY) ‘Caius Court Gonville, Caius College, Cambridge’, signed with monogram ‘J’ and dated 1914, watercolour, 30 x 38cm £60-80

417. ENGLISH SCHOOL Portrait of a lady seated in a chair at a writing desk, possibly the Victorian novelist Mary Anne Evans (known as George Eliot), charcoals, 24 x 19cm £60-80

With artist’s label verso £400-600

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For details of fees that apply to successful bids, please see pages 2 and 3

419. 17TH/18TH CENTURY FLEMISH SCHOOL Still life - dead birds and trophy upon a ledge, oil on canvas, 63 x 52cm Formerly from the estate of Lord Northbrook £1000-1500 418. H * KAUSCHKE ‘Alpspitze, Zugspitze u Waxenstein’, signed and dated 1938, watercolour, 14.5 x 19.5cm; and a watercolour of a Spanish gypsy girl, 24 x 18cm (2) £40-60

421. CHARLES MARCH GERE (1869-1957) ‘Mountain Study in the Sierra 1927’, signed with initials and dated ‘27, pencil drawing, 14 x 21cm; and three further similar studies, all mounted but unframed (4)

420. DAVID WEST (1868-1936) A summer landscape looking towards the sea, signed, watercolour, 34 x 46cm £250-350

The works are from Charles March Gere’s 1927 European Tour with Margaret Gere and Edward Payne (his nephew). The trip was a 21st Birthday present for Edward from the Geres Prov: Charles Gere to Edward Payne and then to our current vendor £70-90

422. CHARLES MARCH GERE (1869-1957) ‘Village Study in the Sierra’, signed with initials and dated ‘27, pen and ink study, 14 x 21cm; and three further similar pencil sketches, all mounted but unframed The works are from Charles March Gere’s 1927 European Tour with Margaret Gere and Edward Payne (his nephew). The trip was a 21st Birthday present for Edward from the Geres

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Prov: Charles Gere to Edward Payne and then to our current vendor £70-90

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423. FOLLOWER OF MYLES BIRKETT FOSTER Figures at a stile in a wooded setting, oil on canvas, 59 x 49cm £80-120

424. * MACE A covey of partridges, signed, oil on canvas, 39 x 49.5cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

425. JONATHAN ARMIGEL WADE (b. 1960) Sketch For ‘At the Happy Time Club’, signed, oil on board, 39 x 49cm £300-500

426. 19TH CENTURY ENGLISH SCHOOL Portrait of a West Highland terrier, oil on canvas, 52 x 39cm £150-250

428. ENGLISH SCHOOL (EARLY 20TH CENTURY) Head study of a young lady, pastels, 25 x 19.5cm £60-80

427. 17TH CENTURY FLEMISH SCHOOL St Jerome, pen and brown inks, 13 x 13.5cm £100-150

429. JEAN BAPTISTE PATER (1695-1736) The banquet - depart pour la guerre, design for a fan, signed, watercolour en grisaille and heightened in white, 18 x 23cm Prov: Christies July 10th 1933 Lot 42 Miss James Sale (with typo as “The Bouquet”) £300-500

430. JEAN BAPTISTE ISABEY (1767-1855) Portrait de femme de profile a gauche, charcoals and watercolour, 28 x 21.5cm oval The frame with printed trade card for Niodot fils verso The Louvre has a signed preparatory drawing for a print of this subject £2000-3000

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For details of fees that apply to successful bids, please see pages 2 and 3

431. WILLIAM HENRY VERNON (1820-1909) Study of a red squirrel, signed, oil on paper, 15.5 x 24cm £80-120

432. JEANNE COUSSENS (19TH/20TH CENTURY) ‘Vue sur Villeneuve a Avignon’, signed, watercolour, 39 x 28cm, unframed £60-80

433. 18TH CENTURY FRENCH SCHOOL Labourers preparing a fire for a courting couple in a wooded setting, pastel, 20 x 26cm £200-300

434. ANNETTE L. HODGSON (19TH CENTURY) Faggot gatherers on a pathway in a mountainous landscape, signed with monogram, 29.5 x 47cm; five further works by the same hand to include: beached sailing vessels, 26.5 x 36.5cm; interior scenes, a pair, 25 x 19.5cm; and marine scenes, a pair, 49.5 x 75cm; together with two porcelain comports (one comport a/f) decorated by the same hand, signed with monogram and dated 1891 (8) Annette L. Hodgson was the wife of the artist Miles Herbert Constantine £50-150

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435. AFTER MYLES BIRKETT FOSTER The rustic stile, bears monogram, watercolour, 23.5 x 33.5cm £300-400

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436. J * A * WILLMS (AUSTRIAN c.1900) Two fashionable young ladies admiring a parrot in a garden setting, signed, watercolour, 36 x 26cm £100-200

437. CHARLES WEIGALL (1794-1877) Chickens in a landscape, signed, watercolour, 16 x 21cm £150-250

For details of fees that apply to successful bids, please see pages 2 and 3

439. WILLIAM VIVIAN TIPPET (1833-1910) Sheep resting in a landscape with distant church tower, signed and dated ‘84, oil on canvas, 39 x 55cm £250-350

438. ANNA PALM DE ROSA (1859-1924) ‘Avenue de Bois de Boulogne’, signed and titled, watercolour, 33 x 48cm Prov: With the Kaplan Gallery, Cork Street, London £2000-3000

441. 19TH CENTURY ENGLISH SCHOOL Two children fishing from a riverbank, oil on panel, 33 x 23.5cm

442. JOSEF MANSFELD (1819-1894) A welcome break, signed and dated 1882, oil on panel, 31 x 24cm £800-1200

Indistinctly inscribed on a label verso £300-500

443. WILLIAM STONE (1842-1913) A winter landscape with figure approaching a cottage, signed, oil on canvas, 28 x 39cm £200-300

444. 19TH CENTURY ENGLISH SCHOOL An interior with figures drinking, oil on canvas, 22.5 x 30cm £200-300

445. CHARLES GREVILLE MORRIS (1861-1922) Landscape with thatched cottage by a pond, signed ‘C. Morris Senr’, oil on canvas, 24 x 29.5cm £100-200

For details of fees that apply to successful bids, please see pages 2 and 3

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440. JONNY DE VINS ‘Warming’ and ‘Cooling’, a pair, both signed, titled and dated 2012 to labels verso, 11.5 x 16.5cm (2) £80-120

446. GEORGE BATES (act. 1883-1888) ‘Scene in Breconshire’, signed and dated 1880, inscribed with title and dated again 1880 verso, oil on canvas, 38 x 64cm £200-300

447. 19TH CENTURY SCOTTISH SCHOOL Half length portrait of a bearded gentleman wearing a beret and tartan shawl, oil on canvas, 24 x 19cm £60-80

448. ALEXIS DE LEEUW (act 1848-1896) A frozen river landscape with brick tower and figures, signed, oil on canvas, 29 x 45cm £600-800

449. CIRCLE OF AUGUST VON SIEGEN (b.1850) ‘The Doge’s Palace, Venice’ and ‘Castel Sant ‘Angelo’, Rome, a pair, pencil inscribed with titles in German verso, oil on panel, 18 x 31cm (2) £1000-1500

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450. ENGLISH SCHOOL (EARLY 19TH CENTURY) Half length portrait of a gentleman wearing buttoned overcoat and with his hands clasped, oil on canvas, 76 x 54cm, unframed £80-120

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451. JOHN BRATBY (1928-1992) Bust length portrait of a gentleman wearing glasses, signed, oil on canvas, 46 x 35cm £200-300

452. P * JOHNSON A country walk, signed, oil on canvas laid onto board, 46 x 51cm £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

453. MARJORIE MOSTYN (1893-1979) Still life - a terracotta pot of mixed flowers, signed, inscribed on label verso ‘Spring 1959’, oil on board, 51 x 44cm £50-80

454. 19TH CENTURY NAIVE SCHOOL A lady on a roadway passing a house in a country landscape, oil on canvas, 29 x 34cm; and four further pictures to include: The Harvesters after Courbet; a pencil sketch titled ‘The Deaf Woman’; a pastel portrait of a young man; and figures admiring a baby signed ‘Trier’ (5) £80-120

455. S * W * N * (19TH CENTURY) A barren and arid rocky landscape with flamingo, a stone wall nearby, signed with monogram, oil on canvas, 22 x 29.5cm £80-120

456. CIRCLE OF SIR GODFREY KNELLER (1646-1723) Portrait of Mr Dennis wearing long grey powdered wig, cravat and maroon cloak, oil on canvas, 74 x 62cm inscribed on old label verso ‘Mr Dennis who married a daughter of Sir John Houlton’ £800-1200

457. MICHEL DE GALLARD (1921-2007) ‘Naturé Morte aux Pommes’, signed, oil on canvas, 90 x 64cm Prov: With the Lefevre Gallery, Bruton Street, London £500-800

Prov: With the Lefevre Gallery, Bruton Street, London £300-500

459. DAVID BATES (1840-1921) ‘The Road Beside the Moor’, signed, watercolour, 24 x 34cm £150-250

460. FREDERICK GEORGE COTMAN (1850-1920) Durham Cathedral, signed and dated 1894, watercolour, 35 x 26.5cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

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458. JEAN COMMERE (1920-1986) ‘Dimanche Pres du Canal’, signed, oil on canvas, 38 x 78cm

461. ANTHONY DEVIS (1729-1817) Landscape with farm cottage, figure and sheep, charcoal with colour washes, 22 x 31.5cm £80-120

462. 19TH CENTURY ENGLISH SCHOOL Still life - a vase of mixed flowers upon a console table, watercolour and body-colour on silk, 48 x 33cm £80-120

463. ATTRIBUTED TO HENRY ALKEN (1785-1851) Pheasant shooting, pencil and watercolour, 14 x 19.5cm; and one further similar, 15.5 x 20cm (2) With P & D Colnaghi & Co Ltd £100-200

464. JAMES BAYNES (1766-1837) The Well at Carisbrooke Castle, grey wash drawing, 31 x 28cm With attached note verso detailing the well and dated 1810 £100-200

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466. KEN HOWARD (b.1932) Winter landscape, signed, oil on canvas board, 19 x 24cm £500-700

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465. KEN HOWARD (b.1932) ‘Porto del Giglio 14.09.08 Morning Light’, signed, oil on canvas board, 19 x 24cm £600-800

467. CIRCLE OF ALFRED RICHARDSON BARBER (fl.1879-1893) Still life - fruit, foliage and a green glass, inscribed in ink to stretcher verso ‘A. Richardson Barber’, oil on canvas, 25 x 30.5cm, unframed £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

468. ROBERT GWELO GOODMAN (1871-1939) ‘Tube Mills - Premier Mine’, signed with initails, pencil drawing, 19 x 24.5cm £200-300

469. HERBERT DAVIS RICHTER (1874-1955) Still life - a jug of flowers and upturned bowl upon a ledge, signed, oil on canvas, 39 x 50cm £200-300

470. TIBOR JANKAY (HUNGARIAN 1899-1994) Deep in thought, signed, oil on canvas, 70 x 49cm £200-300

471. HARRY T. HINE (1845-1941) A cathedral view, probably Wells, signed, watercolour, 34 x 24cm £80-120

472. WILLIAM GAWIN HERDMAN (1805-1882) A Victorian summer, bathing machines at Lytham, Lancashire, signed with initials, watercolour, 19 x 32cm £150-200

473. GEORGE SHEPHERD Mother and child at a fountain head, signed and dated 1829, watercolour, 26.5 x 39cm £100-200

474. ARTHUR FOORD HUGHES (1856-1914) Hastings from the East hill, signed, watercolour, 21 x 33.5cm £150-250

475. HUBERT HENNES (b.1907) Portrait of a young lady, signed, pencil and sepia chalks heightened in white, 45 x 34cm; further similar portraits attributed to or by the same hand, all unframed (7) £100-200

476. HUBERT HENNES (b.1907) The candlelit bedroom, signed, oil on canvas laid onto board, 45 x 60cm; and ten further oils by or attributed to the same hand, all unframed £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

477. HILARY HENNES (NÉE MILLER) (b.1919) Design for a decoration in the lounge of the ‘Pilot’s Arms, Westmorland’, inscribed to mount, gouache, 22 x 59cm, mounted but unframed £100-150

478. HILARY HENNES (NÉE MILLER) (b.1919) Charing Cross Railway Station and Troops on the March, two, watercolours and body-colour, 34 x 48.5cm and 32 x 48.5cm, each mounted but unframed (2) £200-300

479. HILARY HENNES (NÉE MILLER) (b.1919) Sheep Shearing, gouache and watercolour, 39 x 46cm; and four further similar but mounted on two (5) £100-200

480. HILARY HENNES (NÉE MILLER) (b.1919) View through a wrought iron gate, signed, gouache, 40 x 58cm £80-120

481. HILARY HENNES (NÉE MILLER) (b.1919) A portfolio of works to include: The Crucifixion, pen and grey wash drawing, 41 x 61cm (squared for transfer) and assorted further, mainly life studies, some probably by Hubert Hennes also £100-200

482. A PORTFOLIO OF WORK TO INCLUDE: Hubert Hennes - student’s work whilst at the Leicester College of Art and Technology, other unidentified oils and watercolours; various works by Soames Hennes as a child prepared for the National Exhibition of Children’s Art c.1950’s and Jolyon Hennes, all unframed £50-150

483. REGINALD JONES (b. 1857) ‘Silver Birches on the Banks of a Lake’, signed, watercolour, 36 x 62cm

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Prov: With Gallery 33 Fine Art Dealers Billingshurst, Sussex £100-200

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484. GEORGE SPENCER WATSON (1869-1934) Portrait study of a lady, red chalk, 37 x 29cm; and a collection of portraits and preparatory studies by the same hand, all but four items unframed Prov: See Christies sale South Kensington Wednesday 16th March 2011 Lot 116 £300-500

485. BELINDA DE TRAFFORD (1817-1900) An album containing approximately one hundred and twenty drawings, mainly pencil and principally including British topographical views, some annotated and signed, also animal studies, figure studies and architectural ornament together with several black and white photos of Trafford Park, Westwood House etc (in which the artist is also depicted) to the back of the album, cloth bound * Belinda de Trafford, one of the fourteen children of Sir Thomas Joseph de Trafford 1st Baronet (1778-1852) and Laura Anne Colman of Trafford Hall in Trafford Park £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

486. HERBERT ATKINSON BARKAS (1870-1939) A coastal sunset, signed and dated 1993, watercolour, 23.5 x 36.5cm, mounted but unframed £30-50

487. JOHN BUCKLER (1770-1851) ‘Brasen-Nose College Oxford’, watercolour en grisaille, inscribed with title in the margin and ‘J. Buckler 1812’, 22 x 28cm £80-120

488. ENGLISH SCHOOL (LATE 18TH CENTURY) Portrait of a brown Cavalier King Charles spaniel, oil on panel, 27 x 31.5cm, unframed £100-200

489. FOLLOWER OF SIR ALFRED J. MUNNINGS A saddled horse in a landscape, oil on canvas board, 30 x 37cm £100-200

490. GILBERT JOSEPH HOLIDAY (1879-1937) Tent pegging, pastels, 60 x 45cm £500-700

491. ATTRIBUTED TO DAVID CHARLES READ (1790-1851) Figures in a mountainous lakeside landscape, pencil and watercolour, 12 x 17cm; and a 20th Century brown wash drawing of thatched Eastern lakeside dwelling, indistinctly signed ?Clarkson, 20 x 31cm (2) £20-40

492. FRANCES E. JAMIESON (1895-1950) River landscape with cottage, signed with pseudonym ‘Phil Hips’, oil on canvas, 19 x 39cm; and companion, a pair (2) £80-120

493. CIRCLE OF COPLEY-FIELDING (1787-1855) Richmond Bridge, bears signature, watercolour, 24 x 32cm; and companion, a pair; together with Paul Pontius after Van Dyck - ‘Maria de Medices Regina Franciae...’, engraving, 24 x 17.5cm (3) £50-100

494. ENGLISH SCHOOL A woodland path at winter time, charcoals, 21 x 29cm; and two further similar scenes, each signed with initials ‘O.K.’ and one dated ‘75, all unframed (3) £50-100

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For details of fees that apply to successful bids, please see pages 2 and 3

495. A COLLECTION OF STUDIES in pencil and pen and ink, various themes, by William Strang and others, all unframed £100-200

496. DAVID GEORGE STEELL (1856-1930) ‘Highland Croft, Tyndrum 1911’, signed, inscribed with title verso, oil on canvas board, 29 x 39cm £300-500

498. ENGLISH SCHOOL EARLY 19TH CENTURY Landscape with two figures looking towards a ruined tower, oils on panel, 17 x 22cm Indistinctly inscribed verso “The gift to.....December 20th 1829” Prov: Originally from the family of Samuel Prout and his son Samuel Gillespie Prout and latterly from the estate of S.G. Prout’s housekeeper Clara Alberta Allen and her family £40-60

497. FOLLOWER OF WALTER LANGLEY A fisherman repairing the nets, watercolour, 24 x 19cm; and companion, a pair (2) £50-100

499. 19TH CENTURY ENGLISH SCHOOL A lion and lioness in a landscape setting, oil on canvas, 29 x 44cm £100-200

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500. CONTINENTAL SCHOOL (LATE 19TH/EARLY 20TH CENTURY) A Belgian fishing boat docked at a harbour wall, indistinctly signed ?Garbin, oil on canvas, 37 x 54cm £2000-3000

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For details of fees that apply to successful bids, please see pages 2 and 3

504. ANUK NAUMANN (b.1951) ‘The Cat and the Christmas Tree’, signed, watercolour, 31 x 20.5cm; and B * Hands A cat in a leafy field, etching in colours, pencil signed, dated ‘87 and numbered 336/350, 13 x 8.5cm oval £50-100

505. JOHN FULLWOOD (1854-1931) An extensive landscape with trees, signed ‘John Fullwood RBA’, oil on canvas, 50 x 61cm £200-300

507. MAX BRIMMELL ‘The Frozen Loch’, signed, watercolour, 26 x 35cm Prov: With the Mall Galleries £30-50

502. JOHN NESBITT (1831-1904) ‘The Mouth of the Esk, Musselburgh’, signed, titled to label verso, oil on canvas, 23 x 33.5cm £200-300

503. CHESTER WILLIAMS (1921-1994) ‘Albert Docks’, signed and dated ‘59, watercolour, 21 x 28cm Exh: The Bear Lane Gallery, Oxford 24 July 1959 No. 39 £100-150

506. THOMAS SEWELL ROBINS (1810-1880) ‘Paschel Aachen - St. Lazerus - ... ?Novr 4th 1832’, watercolour, 26.5 x 19cm £80-120

508. LADISLAS DYMKOWSKI Portrait of the artist’s father Jean Antoine Dymkowski (1810-1882), inscribed verso, oil on canvas, 55 x 44cm £30-50

509. ROBERT SARGENT AUSTIN (1895-1973) Mother with child reading in a railway carriage, stamped with initials, pencil and watercolour, 38 x 34cm Exh: The 20th Century Gallery, Fullham, London (2004) No. 53 £300-500

For details of fees that apply to successful bids, please see pages 2 and 3

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501. F * C * JACKSON (19TH CENTURY) A continental town in a mountainous setting with street sweepers, signed and dated 1874, watercolour, 22 x 30cm; and one further watercolour, both unframed (2) £30-50

511. ATTRIBUTED TO GIOVANNI BATTISTA TROTTI IL MALOSSO (1555-1619) Study of Moses, brown ink drawing, stamped with collector’s mark, 12.5 x 7.5cm £300-500

510. CONTINENTAL SCHOOL (LATE 19TH CENTURY) A coastal view through trees with distant palace, possibly Scandinavia, oil on board, 28.5 x 20cm £100-150

513. JOSEPH HORLOR (1809-1887) A mountain landscape with water mill, signed, oil on canvas, 30 x 50cm £100-150 512. MAARTEN YUNGMANN (1877-1964) Still life - a flower pot and pewter dish with flowers upon a table top, signed, oil on canvas, 60 x 65cm £80-120

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514. FREDERICK TATHAM (1805-1878) Portrait of a seated gentleman, his hand resting on a copy of the Legal Observer, signed and dated 1834, pencil and watercolour, 34 x 25cm; and six further similar, all unframed (7) £150-250

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515. A COLLECTION OF SEVEN MID 20TH CENTURY ALBUMS of pencil sketches, mainly depicting portraits of actors, actresses and public figures, with some animal and caricature studies (7) £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

Frames and Easels

516. AN ARTIST’S HEIGHT ADJUSTABLE STUDIO EASEL with folding tripod £60-80

517. A 19TH CENTURY RECTANGULAR PICTURE FRAME with pierced and foliate scroll decoration, to fit 22.5 x 29.5cm; and a similar, slightly smaller frame, and a Florentine gilt oval small frame £30-40

518. AN EARLY 20TH CENTURY OAK TABLE STANDING EASEL, the swivel support securing by metal chain, 95cm high overall £60-80

520. A LATE 19TH CENTURY PINE FRAME with carved decoration and incorporating a monochrome portrait engraving, rebate size 55 x 40cm £20-30

521. A VENETIAN CARVED AND PIERCED GILTWOOD FRAME, the oval aperture measuring 14 x 10.5cm £40-60

519. No Lot

523. A 19TH CENTURY GILT GESSO RECTANGULAR PICTURE FRAME with foliate and ‘C’ scroll decoration, rebate 47 x 62cm; and a pair of late 19th Century gilt rectangular picture frames (3) £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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522. A 19TH CENTURY MINIATURE FRAME of rectangular form, the cushion moulded concave border with shell spandrels, rebate size 17 x 15cm £40-60

CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged.

Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre-1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

Mallams Ref:

Mallams

Cheltenham: Telephone 01242 235712 Fax 01242 241943

1788

Absentee Bid Form

Name: Address: Phone Bid

Post code Tel: 1

2

Com Bid

E-mail:

LOT

BRIEF DESCRIPTION

PRICE LIMIT

Notices Mallams will bid on behalf of the absentee bidder up to the hammer price stated on the lots listed here. The auctioneers will try to purchase these lots for the lowest possible price.

This will be done in accordance with the Condition of Sale printed in the catalogue and taking into account the usual bidding increments, the reserve price and other bids.

If any bid is successful the amount payable will be the sum of the hammer price and the buyers premium (plus VAT).

All bids should be with Mallams at least one hour before the start of the auction.

I understand and accept the above notices.

Sign: Print name: Date:

Silver and Jewellery Sale Wednesday 29th March at 11am

A Castle top silver vinaigrette of Abbotsford House, home of Sir Walter Scott.

By Nathaniel Mills 1837

For enquiries please contact 01865 241358 or oxford@mallams.co.uk Mallams Auctioneers / Bocardo House / St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Inviting Entries

The Picture Sale To include Marine Art

Wednesday 5th July Closing date for Entries Friday 16th June William Thornley (act. 1858 - 1898) Coastal view with fisher folk (detail) one of a pair 19 x 39cm

THE ART OF THE SURREAL

+

MODERN BRITISH ART

Final Entries Invited

Friday 26 May 2017

Closing date: Friday 21 April

For more information contact Philip Smith on 01865 241358 or philip.smith@mallams.co.uk Appointments available nationwide

For more information please contact Rupert Fogden on 01865 241358 or rupert.fogden@mallams.co.uk Mallams Auctioneers / Bocardo House / St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Mallams Auctioneers / Bocardo House St Michael’s Street / Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Mallams 1788

THE PICTURE SALE • 16TH MARCH 2017 • OXFORD

www.mallams.co.uk

The Picture Sale 16th March 2017 at 11am OXFORD