The Jewellery & Silver Sale - 21st March 2018 (Mallams Oxford)

Mallams 1788

Jewellery &Silver

Wednesday 21 March 2018 OXFORD

Mallams 1788

Jewellery & Silver Wednesday 21 March at 11am Oxford Viewing Saturday 17 March 9am – 1pm Monday 19 and Tuesday 20 March 9am – 5pm And the morning of the sale

Auction Mallams Auctioneers Bocardo House 24a St. Michael’s Street Oxford OX1 2EB Condition Reports oxford2@mallams.co.uk

Bids 01865 241358 01865 725483 (fax) To bid via the internet please go to www.the-saleroom.com Or to view the catalogue online go to www.mallams.co.uk

Enquiries Jewellery & Watches Louise Dennis FGA DGA louise.dennis@mallams.co.uk Silver & Objets de Vertu Alicia Rogers alicia.rogers@mallams.co.uk

Front cover – Lot 234 Inside front cover – Lot 380 Inside back cover – Lot 445 Back cover – Lot 433 Any lot not illustrated in the catalogue can be viewed online at www.mallams.co.uk

Mallams 1788

Order of Sale

Jewellery & Silver Wednesday 21 March at 11am Oxford Jewellery & Watches

1 - 297

Silver, Silver Plate & Foreign Metalwares

300 - 454

Objets de Vertu

461 – 501

Condition Reports and Images: oxford2@mallams.co.uk Important Sale Notice: Buyer’s premium 24% inclusive of VAT on each lot Lots purchased via saleroom.com will incur an additional charge of 3% plus VAT Credit card fees where applicable are 2.28% inclusive of VAT Please note that condition reports are not printed in the catalogue or on our website. However, we are happy to provide them when requested, subject to our terms and conditions of sale.

The absence of any reference to condition in any description does not imply the lot is without fault.

Important Gemstones Notice: Some lots are accompanied by reports issued by gemmological laboratories containing an opinion on some or all of the gemstones within that lot. The content of these reports is not guaranteed by Mallams and we cannot be held responsible for any disagreement regarding the content of them, or for a retrospective change in opinion provided by alternative laboratories after the sale.

It is common practice for coloured gemstones such as jade, emerald and sapphire to be treated to enhance their appearance. Jade may be bleached, polymer/resin filled and dyed, or subjected to a combination of these treatments. Emeralds may be treated with oils or resins to improve their colour and clarity, similarly sapphires and rubies are routinely heated for the same purpose. Staining, irradiation and coating treatments may also be used and some treatments are not permanent. Prospective buyers should assume that all coloured gemstones sold by Mallams may have been treated, unless stated to the contrary in the catalogue description.

Jewellery&Watches Lots 1 - 297

1. A GEM SET VIOLIN BROOCH, realistically modelled, the neck channel set with a trio of baguette-cut emeralds, yellow precious metal mounted, indistinctly marked, length 3.9cm £100-200 (plus 24% BP*) 2. A 9CT GOLD FANCY-LINK BRACELET, length 18.5cm £100-150 (plus 24% BP*) 3. A DIAMOND FULL HOOP RING, set throughout with single and brilliant-cut diamonds, white precious metal mounted, total diamond weight approximately 0.90ct, ring size M £200-300 (plus 24% BP*) 4. A DIAMOND CLUSTER RING, the graduated old-cut diamonds in claw setting, between knife-edge shoulders, white precious metal mounted, stamped ‘18c’, total diamond weight approximately 1ct, ring size M £300-500 (plus 24% BP*) 5. A DIAMOND FULL HOOP ETERNITY RING, set throughout with old and single-cut diamonds, white precious metal mounted, total diamond weight approximately 0.50ct, ring size M £100-150 (plus 24% BP*) 6. A PAIR OF CULTURED PEARL EAR PENDANTS, each beaded wirework drop of trifurcated abstract form, terminating with a trio of cultured pearls, below similar surmounts, on screw-back fittings stamped ‘9ct’, together with a pair of 9ct gold ear clips, designed as clusters of beaded flowerheads, on hinged clip fittings, hallmarked for London 1975, maker’s mark ‘GS’, ear pendants length 5.5cm (2) £120-180 (plus 24% BP*) 7. AN EMERALD AND DIAMOND PANEL RING, the oval mixed-cut emerald collet set within an openwork hexafoil-shaped border of single-cut diamonds, between round brilliant-cut diamond set shoulders, 18ct gold mounted, ring size O £200-300 (plus 24% BP*) 8. A 9CT GOLD FANCY-LINK NECKLACE, composed of repeating stylised ribbon panels, length 41cm £100-150 (plus 24% BP*) 9. AN 18CT GOLD BAND RING, of continuous textured abstract design, signed RMD and hallmarked for London 1971, ring size R £100-150 (plus 24% BP*) 10. AN AMETHYST DRESS RING BY CLOGAU, the oval cabochon amethyst collet set to a tapered band, applied with ropetwist wirework and bead decoration, with reeded borders, 9ct gold mounted, hallmarked for Sheffield 1995, ring size N £70-90 (plus 24% BP*)

11. A DIAMOND SINGLE STONE BAR BROOCH, the oldcut diamond in claw setting, to a uniform knife edge bar mount, diamond weight approximately 0.16ct, in fitted case signed London & Ryder, 17 New Bond St, width 3.5cm £100-150 (plus 24% BP*) 12. A PAIR OF CULTURED PEARL EAR PENDANTS, each tassel drop surmounted by a textured foliate panel with cultured pearl accent, on post fittings, length 4.5cm £100-150 (plus 24% BP*) 13. A VICTORIAN ONYX, HALF PEARL AND ENAMEL MEMORIAL PENDANT, the oval black onyx locket pendant applied with a half pearl Latin cross motif, below a tapered pendant bale with linear black enamel decoration, glazed verso, in fitted case signed Burlton, 59 Cheapside, E.C., length 5.6cm £100-150 (plus 24% BP*) 14. A DIAMOND HALF HOOP RING, the graduated round brilliant-cut diamonds in channel setting, to an engraved yellow precious metal mount, stamped ‘18ct’, total diamond weight approximately 1.10ct, ring size N £600-800 (plus 24% BP*) 15. A DIAMOND FLOWERHEAD CLUSTER RING, the graduated old brilliant and single-cut diamonds in millegrain setting, two colour precious metal mounted, stamped ‘18ct Pd’, total diamond weight approximately 0.35ct, ring size M½ £200-300 (plus 24% BP*) 16. A DIAMOND FULL HOOP ETERNITY RING, the uniform round brilliant-cut diamonds spaced by bar settings, 18ct gold mounted, (one diamond deficient), total diamond weight approximately 1.60ct, ring size M (leading edge) £400-600 (plus 24% BP*) 17. A DIAMOND SINGLE STONE RING, the round brilliantcut diamond in part-collet setting, 18ct gold mounted, diamond weight approximately 0.25ct, ring size L½ £150-200 (plus 24% BP*) 18. A DIAMOND SET PANEL BRACELET, the repeating rectangular openwork panels of abstract design, each centred with a round brilliant-cut diamond, 18ct gold mounted, hallmarked for 1978, maker’s mark indistinct, total diamond weight approximately 2ct, length 17.5cm £1000-1500 (plus 24% BP*) 19.TWO DIAMOND SET RINGS, the first a late Victorian dress ring, of knot-shaped design with reeded hoop, centred with an old-cut diamond, 18ct gold mounted, (hallmark rubbed), the second a cultured pearl and diamond three stone ring, first ring size N (2) £200-300 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

4

Lot 1

Lot 7

Lot 3 Lot 2 Lot 4

Lot 8 Lot 5 Lot 6

Lot 9 Lot 12

Lot 10

Lot 14

Lot 11

Lot 15

Lot 16 Lot 18 Lot 17

Lot 19

Lot 13 5

Lot 20

Lot 21

20. A PAIR OF SAPPHIRE, MOTHER OF PEARL AND ENAMEL CUFFLINKS BY CARTIER, each circular mother of pearl panel edged with a blue enamel border, centred with a cabochon sapphire in collet setting, on hinged baton fittings, signed Cartier Paris and numbered 0836, with French eagle’s head control marks and lozenge-shaped maker’s marks, in signed case, panel diameter 1.35cm £800-1200 (plus 24% BP*)

Lot 22

21. A PEARL, SAPPHIRE AND DIAMOND SET BAR BROOCH, the uniform knife-edge bar applied with a three-leaf clover between two ribbons, centred with a bouton pearl framed by old and lasque-cut diamonds, between circular mixed-cut sapphire terminals, (pearl untested for origin), length 4.6cm £100-150 (plus 24% BP*)

22. A PAIR OF SAPPHIRE AND DIAMOND EARSTUDS, each openwork millegrained panel centred with a trio of octagonal and rectangular step-cut sapphires, framed by single-cut diamonds, on post fittings, white precious metal mounted, panel length 1.2cm £300-500 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

6

Lot 23

23. A SAPPHIRE AND DIAMOND PENDANT NECKLACE, the oval mixed-cut sapphire in later six claw setting, surmounted by a wishbone-shaped row of cushion-shaped and transitional old-cut diamonds, on a fixed flattened curb-link chain, two colour precious metal mounted, the clasp stamped ‘750’, sapphire dimensions approximately length 12.3mm x width 11.2mm x depth 8mm, total diamond weight approximately 1.50ct, necklace length 45.5cm £3000-5000 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

7

24. A PAIR OF DIAMOND SINGLE STONE EAR CLIPS, each round brilliant-cut diamond in six claw setting, to screw-back fittings, white precious metal mounted, total diamond weight approximately 1.80ct £1200-1500 (plus 24% BP*)

33. A NAVETTE-SHAPED DIAMOND PANEL BROOCH, the cluster of graduated old brilliant and brilliant-cut diamonds in millegrain setting, to a knife-edge bar mount, white precious metal mounted, total diamond weight approximately 1.40ct, width 3.85cm £500-700 (plus 24% BP*)

25. A DIAMOND PANEL BROOCH, centred with a cluster of graduated cushion-shaped old-cut diamonds, to an openwork hoopshaped surround of smaller cushion-shaped diamonds, with similarly set scrolled ribbons to the cardinal points, on a diamond set bar, adapted with later brooch fitting, two colour precious metal mounted, total diamond weight approximately 3.20ct, length 4.7cm £1200-1500 (plus 24% BP*)

34. A DIAMOND AND CULTURED PEARL PANEL BROOCH, the scrolled openwork panel centred with a round brilliant-cut diamond, framed by a circular border of cultured pearls, 14ct gold mounted, diameter 2.8cm £100-150 (plus 24% BP*)

26. A TRIPLE STRAND CULTURED PEARL NECKLACE WITH DIAMOND SET CLASP, comprising three strands of graduated cultured pearls, to a ribbon bow clasp of graduated singlecut diamonds, 9ct white gold mounted, together with a similar triple strand cultured pearl necklace, with diamond set panel clasp, also 9ct white gold mounted, and a simulated pearl example, first necklace shortest length 41cm (3) £200-300 (plus 24% BP*) 27. A FRENCH DIAMOND DOUBLE CLIP BROOCH, of asymmetric design, each clip a cascading wirework ribbon of graduated brilliant, single, baguette and Swiss-cut diamonds, the detachable brooch frame with French eagle’s head control mark for gold and lozenge-shaped maker’s mark, possibly ‘EB’, the clips similarly marked, with additional dog’s head control marks for platinum, on hinged double pin fittings (one pin deficient), total diamond weight approximately 4.80ct, length 6.6cm £2000-3000 (plus 24% BP*) 28. A DIAMOND TWO STONE RING, of crossover design, the round brilliant-cut diamonds in oblique claw settings, to shank stamped ‘18ct pl’, total diamond weight approximately 1.60ct, ring size M £700-900 (plus 24% BP*) 29. AN EMERALD AND DIAMOND CLUSTER RING, the rectangular step-cut emerald claw set within a border of round brilliant-cut diamonds, 18ct gold mounted, total diamond weight approximately 0.40ct, ring size Q½ £250-350 (plus 24% BP*) 30. A DIAMOND SINGLE STONE RING, the cushion-shaped old-cut diamond in eight claw setting, between knife edge shoulders, 18ct gold mounted, diamond weight approximately 1.80ct, ring size J £2000-3000 (plus 24% BP*) 31. A RUBY AND DIAMOND THREE STONE RING, the circular mixed-cut ruby claw set between two old brilliant-cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.30ct, ring size N½ £200-300 (plus 24% BP*)

35. A DIAMOND SINGLE STONE RING, the round brilliantcut diamond in four claw setting, 18ct white gold mounted, diamond weight approximately 0.33ct, ring size J £200-300 (plus 24% BP*) 36. A DIAMOND PANEL RING, the principal cushion-shaped old-cut diamond framed by a border of smaller single-cut diamonds, between bifurcated shoulders, white precious metal mounted, stamped ‘18ct plat’, principal diamond weight approximately 1.10ct, remaining total diamond weight approximately 0.25ct, ring size O½ £1500-2000 (plus 24% BP*) 37. A COLLECTION OF JEWELLERY, comprising a swivel full hoop ring, channel set to one side with calibré-cut sapphires and to the other side with calibré-cut rubies, with a hinged outer tapered half hoop of graduated brilliant-cut diamonds, (the other diamond half hoop deficient), white precious metal mounted, together with a pair of opal half hoop ear studs, a hardstone seal fob, a fancy-link chain, three gem set brooches, and a further chain, ring size M (8) £250-350 (plus 24% BP*) 38. A LADY’S DIAMOND SET COCKTAIL WATCH, the shaped silvered dial with stylised Arabic numerals and outer minute scale, to a tonneau-shaped case and hinged pierced shoulders of graduated old and single-cut diamonds, in millegrain setting, on an adjustable Milanese bracelet stamped ‘9ct’, dial length 2cm £200-300 (plus 24% BP*) 39. A DIAMOND CLUSTER RING, the principal cushion-shaped old-cut diamond claw set within a square border of single-cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.50ct, ring size V £100-200 (plus 24% BP*) 40. A YELLOW PRECIOUS METAL NECKLACE AND BRACELET SUITE, of flattened curb-link design, each stamped ‘750’, lengths 45.5cm and 17cm respectively (2) £450-550 (plus 24% BP*) 41. A YELLOW PRECIOUS METAL FANCY-LINK BRACELET, of brick-link design, with Polish marks to clasp fittings, length 19.5cm £700-900 (plus 24% BP*)

32. AN ART DECO STYLE DIAMOND PANEL BROOCH, the rectangular panel pierced with stylised foliate and anthemion motifs, millegrain set throughout with graduated brilliant, singe and old-cut diamonds, white precious metal mounted, total diamond weight approximately 3.10ct, length 4.9cm £1000-1500 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 25

Lot 24 Lot 28 Lot 26 Lot 29

Lot 30

Lot 31

Lot 27 Lot 32 Lot 35

Lot 33 Lot 36

Lot 37

Lot 38

Lot 34 9

Lot 42

Lot 43

42. A DIAMOND TWO STONE BAR BROOCH, of crossover design, obliquely claw set with two principal cushion-shaped old-cut diamonds, to a knife-edge bar spaced with round brilliant-cut diamonds in millegrained collet settings, white precious metal mounted, total weight of principal old-cut diamonds approximately 3.40ct, total weight of remaining brilliant-cut diamonds approximately 1ct, width 8.4cm £4000-6000 (plus 24% BP*) 43. A DIAMOND BAR BROOCH, the uniform bar of transitional brilliant-cut diamonds spaced by three principal similarly cut diamonds in raised collet settings, white precious metal mounted, with yellow precious metal hinge and clasp fittings, total diamond weight approximately 1.30ct, width 5.4cm £600-800 (plus 24% BP*) 44. A FANCY GATE-LINK BRACELET, of part-textured design, with 9ct gold engraved padlock clasp, length 17.5cm £150-200 (plus 24% BP*)

46. A DIAMOND THREE STONE RING, the graduated round brilliant-cut diamonds in claw setting, 9ct gold mounted, total diamond weight approximately 0.50ct, ring size L½ £100-150 (plus 24% BP*) 47. AN EARLY 20TH CENTURY RUBY AND DIAMOND PENDANT NECKLACE, comprising two openwork cartouche panels, each centred with a heart-shaped diamond within a step-cut ruby border, framed by sinuous foliate channels of graduated old and lasque-cut diamonds, the lower panel suspending a diamond set swag with pear-shaped diamond drop, detaching to be worn as a pendant, with additional detachable brooch fitting, the upper panel with detachable necklace fitting, also with additional brooch fitting, two colour precious metal mounted, on a fine trace-link chain with French owl import marks to fittings, largest diamond dimensions approximately 10mm x 9mm x 3.1mm, upper panel length 2.2cm, lower panel length 3.8cm £3000-4000 (plus 24% BP*)

45. A RUBY HALF HOOP RING, the graduated cushion-shaped mixed-cut rubies in claw setting, between fluted shoulders, yellow precious metal mounted, (one ruby deficient), ring size J½ £200-300 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

10

Lot 47

11

48. A PAIR OF DIAMOND SINGLE STONE EAR STUDS, each round brilliant-cut diamond in four claw setting, on post fittings, 18ct white gold mounted Accompanied by a Diamond Identification Report issued by De Beers, stating that the diamond weighing 0.41ct has G colour and SI1 clarity, Girdle Inscription Number 9288371, Report Number 020002691978, dated 28 July 2014 Accompanied by a Diamond Identification Report issued by De Beers, stating that the diamond weighing 0.42ct has G colour and SI2 clarity, Girdle Inscription Number 879233, Report Number 020002692082, dated 28 July 2014 £600-800 (plus 24% BP*) 49. A DIAMOND HALF HOOP RING, the line of baguette-cut diamonds in channel setting, 18ct white gold mounted, total diamond weight approximately 0.75ct, ring size M £400-600 (plus 24% BP*) 50. A DIAMOND CLUSTER RING, centred with a pierced rectangular cluster of baguette and round brilliant-cut diamonds, the shoulders and gallery highlighted with further graduated brilliants, 18ct white gold mounted, total diamond weight approximately 0.85ct, ring size O £500-700 (plus 24% BP*) 51. A PAIR OF DIAMOND SET EAR HOOPS, each hinged hoop inset to the front with three rows of princess-cut diamonds, on post fittings, yellow precious metal mounted, stamped ‘750’, total diamond weight approximately 1ct, diameter 1.45cm £400-600 (plus 24% BP*) 52. A PAIR OF CULTURED PEARL AND DIAMOND EARRINGS, each cultured pearl drop surmounted by two rows of round brilliant-cut diamonds, on post and hinged clip fittings, 18ct white gold mounted, total diamond weight approximately 0.55ct, length 2.4cm £200-300 (plus 24% BP*) 53. A DIAMOND SINGLE STONE PENDANT ON CHAIN, the round brilliant-cut diamond in four claw setting, below a bifurcated pendant bale, on a fine curb-link chain, 18ct white gold mounted, diamond weight approximately 0.32ct, pendant length 1cm £250-350 (plus 24% BP*) 54. A DIAMOND SINGLE STONE PENDANT ON CHAIN, the round brilliant-cut diamond in rubover collet setting, stamped ‘750’, suspended from an 18ct gold fine fancy plaited-link chain, diamond weight approximately 0.10ct, pendant diameter 7.5mm £100-200 (plus 24% BP*)

56. A DIAMOND LINE BRACELET, comprising an articulated line of collet set round brilliant-cut diamonds, 18ct white gold mounted, total diamond weight approximately 1ct, length 19cm £500-700 (plus 24% BP*) 57. A ‘TRINITY’ RING BY LES MUST DE CARTIER, composed of three interlocking tri-coloured bands, stamped ‘750’, with French eagle’s head control marks and lozenge-shaped maker’s marks, numbered 51 0 1230 N, in Cartier case, ring size approximately J-K £400-600 (plus 24% BP*) 58. AN AQUAMARINE AND DIAMOND CLUSTER RING, the cushion-shaped mixed-cut aquamarine claw set within a border of round brilliant-cut diamonds, between similarly cut diamond set shoulders, 18ct white gold mounted, total diamond weight approximately 0.55ct, ring size O £300-500 (plus 24% BP*) 59. A DIAMOND SET THREE COLOUR BAND RING, comprising three entwined hoops of yellow, white and rose precious metal, each inset with a line of round brilliant-cut diamonds, total diamond weight approximately 1ct, ring size approximately N £500-700 (plus 24% BP*) 60. A SAPPHIRE AND DIAMOND CLUSTER RING, the oval mixed-cut sapphire claw set within a border of round brilliant-cut diamonds, 18ct gold mounted, total diamond weight approximately 0.60ct, ring size N £300-400 (plus 24% BP*) 61. A DIAMOND HALF HOOP RING, inset with a line of round brilliant-cut diamonds, platinum mounted, total diamond weight approximately 0.30ct, ring size N½ £100-150 (plus 24% BP*) 62. A YELLOW PRECIOUS METAL CROSS PENDANT BY TIFFANY & CO, signed and stamped ‘750’, length 2.5cm £100-150 (plus 24% BP*) 63. A 9CT THREE COLOUR GOLD BANGLE, comprising three entwined hoops of yellow, white and rose gold, inner diameter 6.2cm £200-300 (plus 24% BP*) 64. A YELLOW PRECIOUS METAL KNOT BANGLE, of hinged oval form, the clasp stamped ‘375’, inner diameter 6cm £200-300 (plus 24% BP*) 65. AN 18CT WHITE GOLD BANGLE, of plain continuous form, with Birmingham hallmark, inner diameter 6.2cm £350-450 (plus 24% BP*)

55. A DOUBLE HEARTS BROOCH BY TIFFANY & CO, designed as two entwined openwork hearts with engraved radial decoration, signed and stamped ‘14k’, length 4.1cm £150-200 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

12

Lot 52 Lot 48

Lot 49 Lot 53 Lot 50 Lot 56 Lot 51

Lot 54

Lot 57 Lot 55 Lot 58

Lot 62

Lot 59 Lot 63 Lot 60

Lot 61 Lot 64

Lot 66 Lot 65 Lot 67 Lot 68

Lot 69 13

Lot 70

66. A DIAMOND SET BAND RING, the slim band of court section profile, inset with round brilliant-cut diamonds, 18ct gold mounted, ring size N½ £100-150 (plus 24% BP*) 67. A DIAMOND FIVE STONE RING, the radiant-cut diamonds in claw setting, platinum mounted, total diamond weight approximately 0.75ct, ring size L £400-600 (plus 24% BP*) 68. A DIAMOND HALF HOOP RING, the line of princess-cut diamonds in bar setting, yellow precious metal mounted, stamped ‘18kt’, total diamond weight approximately 0.65ct, ring size L½ £150-200 (plus 24% BP*) 69. A ‘B.ZERO 1’ BAND RING BY BULGARI, of sprung design, with feature signatures to each rim, signed and stamped ‘750’, numbered ‘58’, accompanied by maker’s case and papers, ring size P-Q £300-500 (plus 24% BP*)

70. A CULTURED PEARL DOUBLE STRAND NECKLACE WITH DIAMOND CLASP, comprising two strands of uniform cultured pearls, each measuring approximately 7.5mm - 8mm in diameter, to a rectangular millegrain panel clasp, centred with a baguette-cut diamond between stepped shoulders of smaller similarly cut diamonds, bordered by old and single-cut diamonds, white precious metal mounted, panel dimensions 1.4cm x 1.5cm, necklace length 50cm £800-1200 (plus 24% BP*) 71. A DIAMOND SET DRESS RING, of bombé design, inset with a row of round brilliant-cut diamonds, to contrasting black border, the yellow precious metal mount stamped ‘Italy 18kt’ and signed ‘KJ’, ring size N £150-200 (plus 24% BP*) 72.TWO WEDDING BANDS, comprising an engraved white precious metal wedding band, stamped ‘Platinum’, inscribed to interior, and a slim 22ct gold wedding band, first ring size L (2) £80-120 (plus 24% BP*) 73.THREE WEDDING BANDS, comprising a 22ct gold wedding band, a 9ct gold wedding band, of engraved panelled form, and a further slim 9ct gold wedding band, first ring size P½ (3) £150-250 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

14

Lot 74

Lot 75 Lot 76 Lot 77

74. A DIAMOND CLUSTER RING, the principal cushion-shaped old-cut diamond in claw setting, within a border of smaller similarly cut diamonds, 18ct two colour gold mounted, principal diamond weight approximately 0.80ct, remaining diamonds total weight approximately 0.70ct, ring size K £1000-1500 (plus 24% BP*) 75. A DIAMOND THREE STONE RING, the round brilliant-cut diamonds in claw setting, between knife edge shoulders, 18ct gold mounted, hallmarked for London 1984, total diamond weight approximately 2.90ct, ring size O £2000-3000 (plus 24% BP*) 76. A DIAMOND SINGLE STONE RING, the transitional round brilliant-cut diamond in raised claw setting with pierced gallery, white precious metal mounted, diamond weight approximately 2ct, ring size L £2500-3500 (plus 24% BP*)

78. AN 18CT GOLD WEDDING BAND, of court section profile, ring size L½ (2) £50-70 (plus 24% BP*) 79.TWO WEDDING BANDS, comprising a 22ct gold wide wedding band, hallmarked for Birmingham 1908, and an engraved wedding band, stamped ‘18’, first ring size M (leading edge) (2) £250-350 (plus 24% BP*) 80.TWO CORAL BEAD NECKLACES, comprising a graduated single strand coral corallium rubrum bead necklace, of continuous design, centred with a line of larger beads separated by smaller spacers, and a further coral corallium rubrum bead necklace, comprising graduated beads of paler hues, first necklace length 73cm (2) £100-200 (plus 24% BP*)

77. A DIAMOND FIVE STONE RING, the graduated cushionshaped old-cut diamonds in claw setting, white precious metal mounted, total diamond weight approximately 1.90ct, ring size N½ £1200-1500 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

15

81. AN OPAL AND SEED PEARL BROOCH/PENDANT, the stylised openwork leaf-shaped panel highlighted with seed pearls and a trio of cabochon opals in collet settings, stamped ‘15ct’, (one seed pearl deficient), width 3.4cm £100-200 (plus 24% BP*) 82. A DIAMOND SINGLE STONE BAR BROOCH, the cushion-shaped old-cut diamond in star-shaped setting, applied to later bar mount, yellow precious metal mounted, diamond weight approximately 0.40ct, length 4cm £250-350 (plus 24% BP*) 83. AN OPAL AND DIAMOND CLUSTER BAR BROOCH, the oval cabochon opal collet set within a border of rose and lasquecut diamonds, to a trifurcated mount with bead terminals, width 5.9cm £200-300 (plus 24% BP*) 84. AN OPAL BAR BROOCH, the oval cabochon opal claw set to a shaped openwork bar with scrolled decoration, stamped ‘15ct’, together with a seed pearl set foliate bar brooch, a further bar brooch, depicting the Lincoln Imp, stamped ‘9ct’, and an amethyst panel brooch, first brooch length 5cm (4) £150-200 (plus 24% BP*) 85.TWO AMETHYST AND PEARL SET BROOCHES, the first centred with an oval mixed-cut amethyst in beaded fancy claw setting, framed by foliage and pearl capped acorns, the second of sinuous panel form, centred with a pear-shaped amethyst and half pearl, stamped ‘9ct’, (all pearls untested for origin), lengths 2.4cm and 3.9cm respectively (2) £150-250 (plus 24% BP*) 86. A COLLECTION OF PASTE AND GEM SET JEWELLERY, comprising a panel brooch, of openwork foliate design with central flowerhead, highlighted by rose-cut white pastes in foiled closed-back settings, the reverse with engraved decoration, a smaller similarly set panel, with stud fitting, a blue and white paste set pendant, with foiled closed-back setting, (chain deficient), a vari gem-set panel bracelet, with filigree borders, and a further panel brooch, first brooch length 5.1cm (5) £200-300 (plus 24% BP*) 87. A COLLECTION OF JEWELLERY, comprising a purple and white paste pendant, of foliate cartouche design, stamped ‘800’, an amethyst single stone ring, 9ct gold mounted, an enamel bar brooch, with Portuguese gold marks, a 9ct gold horse stock pin, a heartshaped pendant, and a citrine five stone bar brooch, first pendant length 5.7cm (6) £100-200 (plus 24% BP*) 88. AN AQUAMARINE AND DIAMOND THREE STONE RING, the rectangular step-cut aquamarine in four claw setting, between two tapered baguette-cut diamonds, 18ct gold mounted, total diamond weight approximately 0.10ct, ring size M £100-150 (plus 24% BP*) 89.TWO AMETHYST AND DIAMOND DRESS RINGS, comprising a cluster ring, the oval mixed-cut amethyst claw set within a border of round brilliant-cut diamonds, 18ct gold mounted, and a half hoop ring, alternately claw set with circular mixed-cut amethysts and round brilliant-cut diamonds, also 18ct gold mounted, ring sizes N½ and N respectively (2) £300-500 (plus 24% BP*)

90. A DIAMOND FIVE STONE RING, the graduated old-cut diamonds in claw setting, to shank stamped ‘18ct & Pt’, total diamond weight approximately 0.70ct, ring size N½ £300-400 (plus 24% BP*) 91. A DIAMOND THREE STONE RING, the round brilliant-cut diamonds in raised claw setting, two colour precious metal mounted, stamped ‘18ct’, total diamond weight approximately 0.90ct, ring size K½ £400-600 (plus 24% BP*) 92. A DIAMOND FIVE STONE RING, the principal round brilliant-cut diamond claw set between pairs of smaller similarly-cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.60ct, ring size L½ £300-500 (plus 24% BP*) 93.TWO GEM SET PENDANTS, comprising an amethyst single stone pendant, the cushion-shaped fancy-cut amethyst in white precious metal mount, stamped ‘750’, on an 18ct white gold chain, together with a blue topaz single stone pendant, on a trace-link chain, 9ct white gold mounted, and an 18ct white gold plaited-link chain, first pendant length 1.4cm (3) £150-200 (plus 24% BP*) 94. AN OPAL AND DIAMOND PENDANT ON CHAIN, the triangular cabochon opal in double claw setting, surmounted by a pear-shaped diamond and tapered pendant bale, on a fine plaited-link chain, 18ct white gold mounted, diamond weight approximately 0.18ct, pendant length 2.8cm £200-300 (plus 24% BP*) 95. A VICTORIAN TOPAZ AND EMERALD SET BROOCH/PENDANT, the lozenge-shaped panel centred with five oval mixed-cut topaz in pink foil-backed settings, spaced by scrolled wirework and emerald set flowerheads, bordered by C-scrolls and engraved decoration, glazed verso, with later brooch and pendant fittings, length 4.2cm. £150-200 (plus 24% BP*) 96. AN EARLY 20TH CENTURY AMETHYST AND SEED PEARL BROOCH/PENDANT, the openwork panel of stylised geometric cartouche design, centred with an oval mixed-cut amethyst framed by channels of graduated seed pearls, suspending a pearshaped amethyst drop below, stamped ‘15ct’, width 4.4cm £150-200 (plus 24% BP*) 97. A GEM SET BRACELET AND EAR PENDANTS, the uniform curb-link bracelet spaced by oval turquoise-coloured cabochons, yellow precious metal mounted, together with a pair of similarly set ear pendants, with screw-back fittings, bracelet length 18cm (2) £100-150 (plus 24% BP*) 98. A COLLECTION OF JEWELLERY, comprising a diamond set cross pendant on chain, 9ct gold mounted, a 9ct gold heart-shaped locket, three 9ct gold ropetwist-link chains, and a 9ct gold fine curblink chain, first pendant length 3.4cm (6) £150-250 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 86 Lot 82 Lot 81

Lot 83

Lot 88

Lot 84

Lot 87

Lot 89 Lot 85

Lot 89

Lot 93

Lot 90 Lot 95 Lot 91

Lot 92 Lot 97 Lot 96 Lot 94

17

Lot 99

99. A MATCHED SUITE OF HESSONITE GARNET JEWELLERY, comprising a brooch, modelled as a grape cluster of circular mixed-cut hessonite garnets, below a textured foliate surmount, a pair of similarly set cluster earrings, with post and clip fittings, and a three stone ring, with claw setting, each yellow precious metal mounted, brooch length 3.8cm, ring size M½ £200-300 (plus 24% BP*) 100. FIVE GEM SET PENDANTS, comprising an oval sapphire and diamond cluster pendant, on a 9ct gold curb-link chain, a heartshaped sapphire pendant, 9ct gold mounted, on an 18ct gold trace-link chain, a citrine single-stone pendant, 9ct gold mounted, on a trace-link chain, and two further examples, one on a silver trace-link chain by Tiffany & Co, first pendant length 1.4cm £200-300 (plus 24% BP*) 101.TWO AMETHYST SET PENDANTS, comprising a cluster pendant, the oval mixed-cut amethyst framed by single-cut diamonds, on a ropetwist-link chain, 9ct gold mounted, and a single stone pendant by Cropp & Farr, the oval mixed-cut amethyst in six-claw setting, on a similar chain, also 9ct gold mounted, first pendant length 1.7cm (2) £100-200 (plus 24% BP*)

102. A COLLECTION OF GEM SET RINGS, comprising a diamond half hoop ring, 18ct gold mounted, a sapphire and diamond cluster ring, also 18ct gold mounted, a diamond three stone ring, stamped ‘9ct’, a garnet five stone ring, 9ct gold mounted, and a white stone full hoop ring, first ring size O (5) £200-300 (plus 24% BP*) 103. A COLLECTION OF CAMEO JEWELLERY, comprising two oval shell cameo brooches, each carved to depict a female portrait profile, 9ct gold mounted, an oval shell cameo ring and an oval shell cameo pendant, both of similar design, 9ct gold mounted, and a further cameo brooch, together with an oval amethyst single stone brooch, 9ct gold mounted, ring size N½ (6) £150-200 (plus 24% BP*) 104. A COLLECTION OF JEWELLERY, comprising a 9ct gold gate-link bracelet, with padlock clasp, a 9ct gold lady’s bracelet watch, a 9ct gold cased lady’s bracelet watch, by Everite, a pair of diamond single stone ear studs, on post fittings, 18ct gold mounted, assorted further earrings, and further items, first bracelet length 18cm £300-400 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

18

105. AN EMERALD AND DIAMOND SPRAY BROOCH, the stylised foliate spray accented with circular mixed-cut emeralds, framed by a scrolled ribbon of graduated brilliant-cut diamonds, two colour precious metal mounted, stamped ‘18ct’, total diamond weight approximately 0.60ct, length 6.9cm £400-600 (plus 24% BP*)

108.TWO GEORGE V SOVEREIGNS, each dated 1912 (2) £320-380 (plus 24% BP*)

106. A VARI GEM-SET AND ENAMEL GIARDINETTO BROOCH, the lattice-work pierced basket heightened with enamel foliage and ropetwist borders, issuing an asymmetric spray of flowerheads, ribbon bows and three-leaf clovers, variously set with old and rose-cut diamonds and vari-cut sapphires, rubies, garnets, turquoises, amethysts and pearls, two colour precious metal mounted, (adapted, pearls untested for origin), length 4.7cm £500-700 (plus 24% BP*)

110. AN ALBERT CHAIN, composed of uniform curb links, with swivel clasps and T-bar suspension, stamped ‘9 .375’ and signed ‘S. Bros’, length 38cm £350-450 (plus 24% BP*)

109.TWO HALF SOVEREIGNS, comprising an Edward VII half sovereign, dated 1910, and a George V half sovereign, dated 1911 (2) £160-200 (plus 24% BP*)

111. A YELLOW PRECIOUS METAL SIGNET RING, the shaped rectangular panel between square fluted shoulders, stamped ‘18ct’, monogrammed, ring size P½ £100-200 (plus 24% BP*)

107. A KRUGERRAND PENDANT ON CHAIN, the krugerrand coin dated 1973, loose mounted in 9ct gold pendant frame with scrolled surmount, suspended from a belcher-link chain, with later clasp, pendant length 4.6cm (2) £700-900 (plus 24% BP*)

Lot 105

Lot 106

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

19

112. A DOUBLE STRAND CORAL BEAD NECKLACE, comprising two strands of graduated coral corallium rubrum beads, to a cabochon coral set clasp, shortest length 57cm £80-120 (plus 24% BP*) 113. A RUBY AND DIAMOND PANEL RING, the navetteshaped panel with alternate rows of rose and lasque-cut diamonds and oval and pear-shaped rubies, between scrolled shoulders, yellow precious metal mounted, ring size M £200-300 (plus 24% BP*) 114. A HARDSTONE CAMEO AND RUBY BROOCH, the oval hardstone cameo carved to depict a female portrait profile, within a ropetwist wirework frame, accented with vari-cut rubies to the cardinal points, length 2.75cm £100-200 (plus 24% BP*) 115. A GEM SET LONG CHAIN AND A PAIR OF EAR PENDANTS, the ropetwist-link long chain with conical green bead spacers, each separated by faceted rock crystal, stamped ‘15’, the ear pendants with tapered drops, on hinged wire fittings stamped ‘375’, chain length 74cm, ear pendants length 5.4cm (2) £200-300 (plus 24% BP*) 116. A SAPPHIRE AND DIAMOND SET BANGLE, of hinged oval form, applied with a tapered panel of graduated cushion-shaped sapphires, spaced by pairs of rose and lasque-cut diamonds, above a bead and ropetwist gallery, yellow precious metal mounted, (one outer sapphire and two diamonds deficient), inner diameter 5.8cm £300-500 (plus 24% BP*) 117. A VARI GEM-SET BUTTERFLY BROOCH, the openwork outstretched wings of lasque-cut diamonds edged with circular mixedcut rubies and sapphires, to a ruby set abdomen and cabochon opal thorax, with cabochon emerald eyes, two colour precious metal mounted, with detachable brooch fitting, (later clasp), width 4.3cm £300-500 (plus 24% BP*) 118. A COLLECTION OF ANTIQUE AND LATER JEWELLERY, comprising a Victorian garnet set buckle brooch, the oval cabochon garnet in foiled closed-back setting, to a circular openwork panel with engraved decoration, a Victorian oval shell cameo brooch, a Victorian oval panel brooch, with bead and wirework decoration, an agate panel brooch, two dress rings, a 9ct gold open face fob watch, a 9ct gold St. Christopher pendant on chain, two locket pendants, and further items, first brooch length 3.7cm £200-300 (plus 24% BP*) 119. A CITRINE AND DIAMOND DRESS RING, the rectangular step-cut citrine in four-claw setting, between channel set shoulders of round brilliant-cut diamonds, 18ct white gold mounted, total diamond weight approximately 0.24ct, ring size N £150-200 (plus 24% BP*)

121. A TOURMALINE AND DIAMOND DRESS RING, the square fancy-cut green tourmaline in four claw setting, between channel set shoulders of round brilliant-cut diamonds, 18ct white gold mounted, total diamond weight approximately 0.28ct, ring size O £100-150 (plus 24% BP*) 122. A BLISTER PEARL PENDANT NECKLACE, the oval blister pearl pendant suspended from a double trace-link swag, on a fancy baton-link chain with baroque pearl spacers, the pendant and clasp stamped ‘9ct’, pendant length 3.6cm, chain length 41cm £200-300 (plus 24% BP*) 123. AN EDWARDIAN PERIDOT AND SEED PEARL PENDANT/BROOCH, the openwork scrolled panel centred with an oval mixed-cut peridot, framed by channels of graduated seed pearls, suspending a pear-shaped peridot drop, with detachable bale, stamped ‘9ct’, length 5.1cm £100-150 (plus 24% BP*) 124.TWO GARNET SET BROOCHES, the first designed as a lozenge-shaped panel of circular-mixed cut garnets, alternating with cultured pearls and pairs of half pearls, with cultured pearl drop below, 9ct gold mounted, maker’s mark ‘HBJ’, and double hearts brooch, mounted in silver, first brooch length 4.6cm (2) £50-70 (plus 24% BP*) 125. A LATE VICTORIAN SAPPHIRE AND DIAMOND PANEL RING, the elongated oval panel centred with a line of graduated oval mixed-cut sapphires, framed by two rows of old-cut diamonds, to an 18ct gold mount hallmarked for London 1898, with later sizing beads, ring size approximately I £200-300 (plus 24% BP*) 126. A SAPPHIRE FIVE STONE RING, the graduated oval and cushion-shaped mixed-cut sapphires in claw setting, yellow precious metal mounted, ring size approximately P £200-300 (plus 24% BP*) 127. A GEM SET INSECT RING AND A DIAMOND FIVE STONE RING, the first applied with an insect to a 9ct gold engraved band, highlighted with an oval mixed-cut sapphire, lasque-cut diamond eyes and seed pearls, the second inset with old and singlecut diamonds, 18ct gold mounted, hallmarked for Chester 1909, ring sizes M and N respectively (2) £80-120 (plus 24% BP*) 128. A DIAMOND THREE STONE RING, the graduated round brilliant and Swiss-cut diamonds in claw setting, between engraved shoulders, two colour precious metal mounted, total diamond weight approximately 0.30ct, ring size I½ £100-150 (plus 24% BP*)

120. A GARNET AND DIAMOND FIVE STONE RING, alternately inset with circular mixed-cut garnets and round brilliant-cut diamonds, to a scrolled gallery, 18ct gold mounted, total diamond weight approximately 0.40ct, ring size O £250-350 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 115

Lot 112 Lot 113

Lot 114

Lot 116

Lot 117 Lot 119

Lot 118

Lot 120

Lot 122

Lot 121 Lot 125

Lot 126 Lot 123 Lot 124

Lot 127 21

129. A GEM SET PANEL BROOCH, the openwork panel centred with an oval blue garnet-topped doublet, framed by seed pearl set foliage, suspending a similar blue stone drop below, the reverse stamped ‘9ct’, with later brooch fitting, length 4.5cm £100-150 (plus 24% BP*)

133. A 19TH CENTURY SHELL CAMEO BROOCH, the oval shell cameo carved to depict the portrait profile of a bacchante, with fruiting vines in her hair, to a ropetwist wirework and bead decorated frame, indistinctly marked to pin, with later clasp, length 3.3cm £200-300 (plus 24% BP*)

130. A GARNET SET LOCKET PENDANT, of heart-shaped design with ropetwist border, the hinged cover inset with circular-cut garnets to a textured ground, yellow precious metal mounted, indistinctly stamped, length 4.4cm £200-300 (plus 24% BP*)

134. A VICTORIAN LOCKET PENDANT, the oval hinged locket applied with scrolled cartouche enclosing initial D, with interior hinged glazed compartment, length including bale 3.7cm £100-150 (plus 24% BP*)

131. A PAIR OF 9CT GOLD CUFFLINKS, each with octagonal engine-turned panels, on chain-link fittings, hallmarked for Birmingham 1929, panel length 1.3cm £80-100 (plus 24% BP*) 132. A SHELL CAMEO PENDANT, the oval shell cameo carved to depict the profile of Demeter, the Greek goddess of Agriculture and Vegetation, wearing a crown of wheatsheaves, accompanied by her daughter Persephone, wearing a wreath of poppies, with eagle to the foreground, in plain polished yellow precious metal mount, length 5.7cm £80-120 (plus 24% BP*)

135. A COLLECTION OF ANTIQUE AND LATER JEWELLERY, to include a Victorian enamel and plaited hairwork memorial pendant, inscribed ‘H.M. 5 May 1852’ to reverse, a jade panel brooch and similar ear pendants, with pierced and carved decoration, (jade untested for treatments), two Victorian panel brooches, a diamond set locket pendant, a pair of 9ct gold cufflinks, an oval shell cameo brooch, a gentleman’s dress set, and further items, first pendant length 3.2cm £250-350 (plus 24% BP*)

Lot 133

Lot 134

Lot 135

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

22

136. AN ALBERT CHAIN AND HARDSTONE SWIVEL FOB, the fancy-link chain of graduated design, with swivel clasp, stamped ‘9c’, suspending a cornelian and bloodstone inset swivel fob, 9ct gold mounted, fob length 3.4cm £100-150 (plus 24% BP*)

145. A DIAMOND SET RING, claw set with a pair of old-cut diamonds, the two colour precious metal mount stamped ‘18ct & Pt’, (central stone deficient), total diamond weight approximately 0.25ct, ring size N½ £80-120 (plus 24% BP*)

137. A DIAMOND THREE STONE RING, the old-cut diamond in illusion setting, two colour precious metal mounted, stamped ‘18ct’, together with a 9ct gold and white stone dress ring, and a white paste clasp, stamped ‘9ct’, first ring size T (3) £150-250 (plus 24% BP*)

146. A COLLECTION OF JEWELLERY, comprising a Victorian oval shell cameo brooch, with foliate scroll and bead decorated frame, (later fitting), a citrine and half pearl cluster ring, mounted in 9ct gold, a locket pendant, applied with an oval cluster of garnets, with Continental marks, and a pair of citrine ear studs, brooch length 5cm (4) £300-400 (plus 24% BP*)

138. A CURB-LINK ALBERT CHAIN WITH HARDSTONE FOB, composed of graduated curb links, stamped ‘9 .375’, suspending an oval cornelian set fob with scrolled surmount and a 9ct gold T-bar, length 34cm £200-300 (plus 24% BP*) 139.THREE PENDANTS, comprising a circular panel pendant, with Oriental character motifs and pierced border, stamped ‘14k’, a smaller similar pendant, also stamped ‘14k’, and a rectangular locket pendant, stamped ‘750’, first pendant diameter 3.8cm (3) £200-300 (plus 24% BP*) 140. A SHELL CAMEO BROOCH, the oval shell cameo carved to depict a classical winged figure clutching flowers, in plain polished mount, together with an unmounted shell cameo, carved to depict the profile of a bacchante, brooch length 4.7cm (2) £70-90 (plus 24% BP*) 141. AN EASTERN VARI GEM-SET BANGLE, of hinged form, pierced with repeating scroll motifs, applied to the top with a red stone and seed pearl cluster in closed foil-backed setting, between turquoise coloured cabochons and similarly set foliate panels, yellow precious metal mounted, (four seed pearls deficient), inner diameter 5.2cm £300-400 (plus 24% BP*) 142. A BRACELET WITH FOB SEALS, the curb-link bracelet stamped ‘9 .375’, with 9ct gold padlock clasp, suspending a bloodstone and cornelian mounted swivel fob, a similar example, with lion surmount, stamped ‘9 .375’, and four further hardstone mounted fob seals, bracelet length approximately 17.5cm £300-500 (plus 24% BP*) 143. A COIN NECKLACE, the collection of twelve gold 5 francs coins dated 1857-1867, suspended as a fringe from beaded surmounts, on a fancy plaited-link chain, with later unassociated gilt clasp, length 39cm £300-500 (plus 24% BP*) 144.TWO PAIRS OF 9CT GOLD CUFFLINKS, comprising a pair of octagonal panel cufflinks with engine-turned decoration, on chain-link fittings, and a pair of oval panel cufflinks, monogrammed and inscribed, on similar fittings, first cufflinks panel length 1.75cm (2) £100-150 (plus 24% BP*)

147. A CORAL BEAD NECKLACE, comprising three continuous entwined strands of coral corallium rubrum beads, length 110cm £80-120 (plus 24% BP*) 148. A PEARL NECKLACE WITH DIAMOND SET CLASP, the single strand of graduated pearls measuring approximately 2.5mm to 5.5mm in diameter, to a barrel-shaped clasp, pavé set with rose-cut diamonds, (one diamond deficient, pearls untested for natural/cultured origin), length 36cm £200-300 (plus 24% BP*) 149. A COLLECTION OF JEWELLERY, comprising a 9ct gold fancy flattened curb-link necklace, a 22ct gold wedding band, two 9ct gold wedding bands, a gem set dress ring, and a garnet single stone pendant on chain, necklace length 45cm (6) £200-300 (plus 24% BP*) 150. A COLLECTION OF JEWELLERY, comprising a pair of yellow precious metal and seed pearl ear pendants, a three colour precious metal dress ring, designed as overlapping leaves, stamped ‘750’, an ingot, two gem set dress rings, each 9ct gold mounted, and a brooch, ear pendants length 5cm (6) £300-400 (plus 24% BP*) 151. A RUBY TWO STONE RING, of crossover design, the cushion-shaped mixed-cut rubies in claw setting, to shank stamped ‘18ct plat’, ring size H £100-200 (plus 24% BP*) 152. A 9CT GOLD CURB-LINK BRACELET, with padlock clasp, length 19cm £200-300 (plus 24% BP*) 153.TWO WHITE PRECIOUS METAL WEDDING BANDS, the first of slim profile, with interior inscription, stamped ‘plat’, the second of wide flat-section profile, with engraved decoration and interior inscription, stamped ‘18ct’, ring sizes M and M½ respectively (2) £70-90 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

23

Lot 154

154. A LATE 19TH/EARLY 20TH CENTURY TURQUOISE PANEL BRACELET, composed of repeating shaped oval panels, each centred with a star-shaped cluster of turquoise cabochons, framed by C-scrolls and similarly set flowerheads, mounted in gold, with fitted gilt tooled leather case, length 17cm By repute, this bracelet was manufactured in Sydney, Australia c.1902 for Winifred Hamilton, using turquoises gifted from her brother-in-law, Colonel Claude de Courcy Hamilton, C.B. Thence by decent. £800-1200 (plus 24% BP*)

155. A LATE 19TH/EARLY 20TH CENTURY ENAMEL AND DIAMOND PENDANT, the oval panel applied with entwined bands of turquoise blue enamel, spaced by graduated rosecut and cushion-shaped diamonds in foiled closed-back settings, below a similarly set scrolled surmount, with glazed verso, gold and silver mounted, (drop deficient), in fitted case signed Harvey & Gore Goldsmiths, 1 Vigo St, Regent St, W, length 3.5cm By repute, this pendant was presented to Sidney and Winifred Hamilton by Sir Andrew and Lady Noble on the occasion of their marriage at Bungendore, New South Wales in 1902. Thence by descent. £400-600 (plus 24% BP*)

156. A DIAMOND SET COLLAR NECKLACE, designed as a line of cluster panels, each set with graduated round brilliant-cut diamonds, on a back chain of circular polished panels, white precious metal mounted, stamped ‘750’, total diamond weight approximately 1.80ct, length 42cm £700-900 (plus 24% BP*) 157. A DIAMOND THREE STONE RING, the raised setting with a trio of brilliant and old brilliant-cut diamonds, white precious metal mounted, stamped ‘18ct’, total diamond weight approximately 0.30ct, ring size M £100-150 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

24

158. AN ART DECO STYLE DIAMOND PANEL RING, the square panel centred with a step-cut diamond in raised collet setting, framed by a channel of baguette-cut diamonds, 18ct white gold mounted, total diamond weight approximately 0.60ct, ring size L £250-350 (plus 24% BP*) 159. A DIAMOND SINGLE STONE RING, of stylised crossover design, enclosing a round brilliant-cut diamond, platinum mounted, ring size M Accompanied by a Diamond Mini-Cert issued by EGL, stating the diamond weighs 0.36ct, with G colour and VS2 clarity, report no. 2411685532, dated 28 November 2004 £200-300 (plus 24% BP*) 160. A DIAMOND SINGLE STONE RING, the round brilliant-cut diamond in eight-claw setting, white precious metal mounted, stamped ‘Platinum’, diamond weight approximately 1ct, ring size L½ £1000-1500 (plus 24% BP*) 161. A LADY’S DIAMOND SET BRACELET WATCH BY OMEGA, the circular silvered dial with baton markers, to an 18ct white gold case and tapered fluted bracelet, with a round brilliant-cut diamond set bezel and reverse mounted winder, the dial, winder and bracelet signed, bracelet clasp also signed DS&S, total diamond weight approximately 0.20ct, case diameter 1.65cm £500-700 (plus 24% BP*)

Lot 155

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

25

162. A PAIR OF DIAMOND SINGLE STONE EAR STUDS, each round brilliant-cut diamond in four-claw setting, on post fittings, 18ct gold mounted, total diamond weight approximately 0.40ct £200-300 (plus 24% BP*) 163. AN EMERALD AND DIAMOND PANEL RING, the octagonal step-cut emerald collet set within a rectangular border of Swiss and single-cut diamonds, between pierced foliate shoulders of similarly cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.75ct, ring size I £400-600 (plus 24% BP*) 164. A RUBY AND DIAMOND CLUSTER RING, the circular mixed-cut ruby collet set within a cushion-shaped border of graduated round brilliant-cut diamonds, between similarly cut diamond set shoulders, 18ct white gold mounted, total diamond weight approximately 0.35ct, ring size L £200-300 (plus 24% BP*) 165. A RUBY AND DIAMOND FIVE STONE RING, alternately claw set with circular mixed-cut rubies and round brilliantcut diamonds, the two colour precious metal mount stamped ‘18ct’, total diamond weight approximately 0.65ct, ring size N £200-300 (plus 24% BP*) 166. A TANZANITE AND DIAMOND DRESS RING, the oval mixed-cut tanzanite claw set between tapered bombé shoulders, pavé set with circular-cut diamonds, 18ct white gold mounted, ring size J½ £100-150 (plus 24% BP*) 167. A DIAMOND SINGLE STONE PENDANT ON CHAIN, the round brilliant-cut diamond in collet setting, below a tapered bifurcated surmount, on a fine plaited-link chain, platinum mounted, diamond weight approximately 0.45ct, pendant length 1.95cm £300-500 (plus 24% BP*) 168. A DIAMOND SET PANEL BROOCH, of garland design, the openwork panel centred with a ribbon bow between festoons and foliage, millegrain set throughout with old and lasque-cut diamonds, adapted with later brooch fitting, width 5.3cm £200-300 (plus 24% BP*) 169. AN EMERALD AND DIAMOND CLUSTER PENDANT ON CHAIN, the circular mixed-cut emerald framed by round brilliant-cut diamonds, below a similarly cut diamond set pendant bale, on a fine trace-link chain, 18ct white gold mounted, total diamond weight approximately 0.18ct, pendant length 1.2cm £100-150 (plus 24% BP*) 170. AN AMETHYST AND DIAMOND CLUSTER PENDANT ON CHAIN, the square fancy-cut amethyst collet set within a border of round brilliant-cut diamonds, white precious metal mounted, on an 18ct white gold fine plaited-link chain, total diamond weight approximately 0.16ct, pendant length 1.6cm £100-150 (plus 24% BP*)

171. A SAPPHIRE AND DIAMOND FULL HOOP ETERNITY RING, millegrain set with alternate step-cut sapphires and pairs of old and brilliant-cut diamonds, white precious metal mounted, ring size O½ £100-150 (plus 24% BP*) 172. AN AMETHYST AND DIAMOND DRESS RING, the oval fancy-cut amethyst in four-claw setting, between tapered bifurcated shoulders of round brilliant-cut diamonds, 18ct white gold mounted, total diamond weight approximately 0.25ct, ring size M½ £100-150 (plus 24% BP*) 173. A SAPPHIRE AND DIAMOND CLUSTER RING, the circular mixed-cut sapphire claw set within a halo style surround of round brilliant-cut diamonds, 18ct white gold mounted, total diamond weight approximately 0.16ct, ring size L £200-300 (plus 24% BP*) 174. A SAPPHIRE AND DIAMOND FIVE STONE RING AND A SAPPHIRE BAR BROOCH, the ring with alternate old brilliant-cut diamonds and circular mixed-cut sapphires in claw setting, the brooch similarly set with alternate oval and circular mixed-cut sapphires, to a tapered bar mount, both white precious metal mounted, total diamond weight of ring approximately 0.65ct, ring size L½ (2) £600-800 (plus 24% BP*) 175. A DIAMOND AND SAPPHIRE DRESS RING, the round brilliant-cut diamond in claw setting, between stepped shoulders of baguette-cut sapphires, platinum mounted, diamond weight approximately 0.70ct, ring size I½ £500-700 (plus 24% BP*) 176.TWO PAIRS OF GEM SET EAR STUDS, comprising a pair of sapphire single stone ear studs, each octagonal step-cut sapphire in four claw setting, on post and butterfly fittings, white precious metal mounted, and a pair of ruby single stone ear studs, each oval mixed-cut ruby in square four claw setting, similarly mounted, first ear studs length 0.5cm (2) £300-500 (plus 24% BP*) 177. A SAPPHIRE AND DIAMOND HALF HOOP RING, comprising three rows of old brilliant and brilliant-cut diamonds, the central row spaced by square calibre-cut sapphires, two colour precious metal mounted, total diamond weight approximately 1ct, ring size O £250-350 (plus 24% BP*) 178. A DIAMOND LINE BRACELET, comprising a line of uniform round brilliant-cut diamonds in four-claw settings, 18ct white gold mounted, total diamond weight approximately 1.80ct, length 19cm £1200-1500 (plus 24% BP*) 179. A PAIR OF HARDSTONE CUFFLINKS, each oval mottled pink and green hardstone cabochon in 9ct gold mount, with hinged baton fittings, hallmarked for London 1996, maker’s mark ‘EWV’, panel length 1.7cm £80-120 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 161 Lot 157 Lot 156 Lot 158

Lot 159

Lot 160 Lot 162 Lot 163

Lot 165

Lot 164

Lot 167 Lot 166 Lot 168 Lot 169

Lot 173 Lot 171 Lot 174

Lot 172 Lot 170

Lot 178

Lot 175

Lot 176 Lot 174 Lot 177 27

Lot 180

Lot 181

Lot 182 Lot 183

Lots 180-186 The Property of a Private Collector 180. AN ARTS AND CRAFTS ENAMEL AND BLISTER PEARL BRACELET BY MURRLE BENNETT & CO, composed of repeating shaped rectangular links, alternately inset with graduated blue and green enamel panels and blister pearls, signed and stamped ‘950’, with possibly later clasp, length 18.5cm £200-300 (plus 24% BP*)

182. AN ARTS AND CRAFTS TURQUOISE PANEL BROOCH BY MURRLE BENNETT & CO, the openwork panel centred with a triangular turquoise cabochon, framed by sinuous stylised foliage, signed and stamped ‘9ct’, width 3.4cm £200-300 (plus 24% BP*)

181. AN ARTS AND CRAFTS PENDANT/BROOCH BY MURRLE BENNETT & CO, the openwork panel designed as a stylised tree, with bead accents, signed and stamped ‘9ct’, width 2.5cm £100-150 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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183. AN ARTS AND CRAFTS ENAMEL AND BLISTER PEARL PENDANT BY MURRLE BENNETT & CO, the oval panel centred with two crossing bands of green enamel, each with beaded channel, to a graduated purple and blue enamel ground, highlighted with a blister pearl and suspending an oval pendant drop below of conforming design, the reverse with blue enamel decoration, signed and stamped ‘950’, length 5.1cm £150-200 (plus 24% BP*) 184. AN ARTS AND CRAFTS BLISTER PEARL PANEL BROOCH BY MURRLE BENNETT & CO, the oval blister pearl encased by a stylised foliate frame with overlapping wirework scroll, signed and stamped ‘9ct’, the reverse inscribed ‘21 June 1905’, width 3.3cm £150-200 (plus 24% BP*) 185. AN ARTS AND CRAFTS AMETHYST PANEL BROOCH BY MURRLE BENNETT & CO, the oval openwork panel centred with an oval mixed-cut amethyst in millegrain collet setting, framed by a cascade of heart-shaped leaves, signed and stamped ‘9ct’, width 2.7cm £200-300 (plus 24% BP*) 186.TWO BAR BROOCHES BY MURRLE BENNETT & CO, the first centred with a circular mixed-cut synthetic ruby, to a pierced and tapered bar, signed and stamped ‘9ct’, with later clasp, the second designed as a stylised pin, also signed and stamped ‘9ct’, length of each 4.5cm (2) £100-150 (plus 24% BP*)

Lot 184

Lot 185

Lot 186

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

29

Lot 187

187.TWO GEM SET PINS BY MURRLE BENNETT & CO, the first of scrolled wire form, with oval cabochon turquoise highlight, signed and stamped ‘9ct’ with patent mark, the second with circular openwork panel, centred with a bouton pearl, also signed and stamped ‘9ct’, and a further turquoise and half pearl set pin, the fitting bearing Murrle Bennett & Co mark, (fitting possibly later added, one half pearl deficient), first pin length 3.8cm (3) £80-120 (plus 24% BP*) 188. A NEEDLEPOINT PANEL BROOCH MOUNTED BY H G MURPHY FOR THE FALCON STUDIO, the circular needlepoint panel depicting flowering borders in garden setting, within a ropetwist border, signed HGM and stamped ‘Sterling’, with Falcon Studio mark, diameter 4.8cm £250-350 (plus 24% BP*) 189. A PISCES PANEL BROOCH BY H G MURPHY FOR THE FALCON STUDIO, the circular panel with pierced and engraved fish motifs, signed HGM and stamped ‘Sterling’, with Falcon Studio mark, diameter 3.2cm £100-150 (plus 24% BP*)

Lot 188

Lot 189

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 190

Lot 191 Lot 192

190. A SILVER ‘KNEELING FAWN’ BROOCH BY GEORG JENSEN, the oval openwork panel depicting a kneeling fawn amongst stylised foliage, numbered 256, signed and stamped ‘925S Denmark’, with import marks for London 1969, in maker’s case, width 4.5cm £150-200 (plus 24% BP*) 191. A PAIR OF AMBER EAR CLIPS BY GEORG JENSEN, each oval amber cabochon collet set within a stylised bead and foliate border, on hinged clip fittings, signed and stamped ‘925 S Denmark’, dated 1995, length 2.5cm £100-200 (plus 24% BP*) 192. A PAIR OF 18CT GOLD EAR CLIPS BY GEORG JENSEN, of shaped concave panel form, with hinged clip fittings, numbered 1123, signed and stamped ‘750 18k’, with import marks for London 1970, in maker’s case, length 2.2cm £100-200 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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193. A COLLECTION OF ANTIQUE AND LATER JEWELLERY, comprising a Victorian smoky quartz panel brooch, the oval mixed-cut stone within a wirework decorated frame, with ropetwist borders, (later fitting), a curb-link bracelet, with 9ct gold padlock clasp, an 18ct gold Mizpah band ring, a pair of baroque pearl ear pendants, stamped ‘9ct’, (pearls untested for origin), a pair of cultured pearl ear clips, also stamped ‘9ct’, and three brooches, first brooch length 3.8cm (8) £200-300 (plus 24% BP*) 194. A DIAMOND FIVE STONE RING, the graduated old-cut diamonds to an 18ct gold mount, total diamond weight approximately 0.70ct, ring size O £300-500 (plus 24% BP*) 195. A DIAMOND THREE STONE GYPSY RING, the tapered mount inset with graduated old-cut diamonds, yellow precious metal mounted, total diamond weight approximately 0.65ct, ring size M £400-500 (plus 24% BP*) 196. A DIAMOND HALF HOOP RING, the line of uniform round brilliant-cut diamonds in claw setting, 18ct gold mounted, hallmarked for London 1979, total diamond weight approximately 1.20ct, ring size N £400-600 (plus 24% BP*) 197. A DIAMOND FIVE STONE RING, the graduated cushionshaped old-cut diamonds in claw setting, to shank stamped ‘18ct & pt’, total diamond weight approximately 0.65ct, ring size L £300-400 (plus 24% BP*) 198. A CROSS PENDANT ON CHAIN, the openwork cross with stylised scrolled terminals and foliate accents, centred with lines of cushion-shaped white pastes framed by a black enamel border, below a hinged pendant bale, (brooch fittings deficient), on a later fancy-link chain stamped ‘0,375’, pendant length 4.6cm £200-300 (plus 24% BP*) 199. A COLLECTION OF ANTIQUE AND LATER JEWELLERY, comprising a Victorian adjustable bracelet, modelled as a belt, with floral engraved decoration and buckle-shaped clasp, set with five fluted banded agate panels, a diamond set panel brooch, stamped ‘9ct’, a banded agate panel brooch, a heart-shaped pendant, a stick pin, and a paste set necklace, total bracelet length 25cm (6) £100-200 (plus 24% BP*) 200. A PAIR OF DIAMOND AND ENAMEL EAR PENDANTS, each openwork lozenge-shaped drop centred with a cluster of rose-cut diamonds with blue enamel border, surmounted by a similarly set bar and panel, on wire fittings, length excluding fittings 3.5cm £200-300 (plus 24% BP*)

201. A VICTORIAN DIAMOND STAR PENDANT, centred with an old-cut diamond, framed by rays of graduated rose and lasque-cut diamonds, below a similarly set detachable pendant bale, with vacant threaded aperture to reverse, (one diamond deficient), on a later unassociated fine curb-link chain, the clasp stamped ‘750’, pendant length 3.3cm £200-300 (plus 24% BP*) 202. A DIAMOND SET MEMORIAL RING, the oval panel centred with an old-cut diamond set cross to a black ground, framed by a lasque-cut diamond border, to later shank with bifurcated shoulders, stamped ‘9ct’, (one diamond later replaced), ring size P £100-200 (plus 24% BP*) 203. AN AMBER BEAD NECKLACE, comprising a single strand of graduated amber beads, measuring approximately 9.2mm to 22mm in length, to a barrel clasp, (amber untested for origin and treatments), length 48cm £400-600 (plus 24% BP*) 204. A 19TH CENTURY MEMORIAL RING AND A PANEL BROOCH, the ring with central navette-shaped panel, to a uniform band engraved with a frieze of flowerheads and foliage, 18ct gold mounted, the brooch designed as a rectangular cluster, with central step-cut orange stone, framed by seed pearls, ring size N (2) £150-250 (plus 24% BP*) 205. A GEORGE III MEMORIAL PANEL RING, the navetteshaped panel decorated en grisaille with a funerary urn, initialled ‘JA’, below a willow tree, within a beaded border, the reverse inscribed ‘Ob. 4 July 1783 ,ae 79’, to an engraved scalloped surround, gold mounted, ring size Q £200-300 (plus 24% BP*) 206. A COLLECTION OF JEWELLERY, comprising a half pearl set thimble, in fitted Goldsmiths & Silversmiths Company Ltd case, a half pearl and enamel panel brooch, of triangular form, glazed verso, stamped ‘15ct’, a garnet bar brooch, a half pearl set ribbon bow brooch, stamped ‘585’, a pendant watch, and further items, (all pearls untested for origin), first brooch length 2.9cm £200-300 (plus 24% BP*) 207. A 19TH CENTURY TORTOISESHELL AND GEM SET MALTESE CROSS BROOCH, the tortoiseshell panel applied with scrolled cannetille ropetwist wirework and beaded decoration, with blue and red cabochons to the central boss and surround, length 5.6cm £200-300 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 194

Lot 195

Lot 193 Lot 196 Lot 197

Lot 199

Lot 198

Lot 200

Lot 201

Lot 203

Lot 202

Lot 204

Lot 205 Lot 206

Lot 207

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Lot 208

Lot 209

208. A LATE 19TH/EARLY 20TH CENTURY HALF PEARL SET PENDANT, of circular form, the glazed panel containing a miniature portrait of a child, possibly on ivory, within a half pearl border, the reverse stamped ‘15’, diameter 3.1cm £200-300 (plus 24% BP*) 209. A GRADUATED PEARL NECKLACE WITH DIAMOND SET CLASP, the single strand of graduated pearls measuring approximately 3.8mm to 7.8mm in diameter, to a buckle-shaped panel clasp bordered by old-cut diamonds, (pearls untested for natural/cultured origin), length 44cm £200-300 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 210

210. A VICTORIAN SHELL CAMEO BROOCH, the oval shell cameo carved to depict the portrait profile of a distinguished gentleman, within a ropetwist wirework and bead decorated frame of chevron design, in fitted case, length 5.8cm Accompanied by a handwritten note inscribed ‘Cameo of my Great Uncle Ellis Cunliffe Esq. 1850’. £200-300 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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211. A COLLECTION OF JEWELLERY, comprising a pair of cufflinks, each circular panel heightened with floral enamel decoration, on chain-link and baton fittings, a silver torque collar necklace, a silver bangle, and two further bangles, cufflinks panel diameter 1.25cm (5) £70-90 (plus 24% BP*) 212. A HALF SOVEREIGN PENDANT ON CHAIN, the Edward VII half sovereign, dated 1905, loose mounted in a 9ct gold scrolled pendant frame, suspended from a trace-link chain, pendant length 3cm £100-150 (plus 24% BP*) 213. A COLLECTION OF FOUR GEM SET BROOCHES, comprising a sapphire and half pearl bar brooch, a Victorian onyx and half pearl panel brooch, a Victorian half pearl crescent brooch, and a blue zircon and cultured pearl wreath brooch, first brooch length 3.6cm (4) £100-150 (plus 24% BP*) 214.THREE GEM SET RINGS, comprising a diamond set wedding band, a diamond half hoop ring, and a blue and white stone full hoop ring, all 9ct gold mounted (3) £100-200 (plus 24% BP*) 215. FOUR SOVEREIGN PENDANTS, comprising three Victoria sovereigns, dated 1877, 1889 and 1899, in loose mounted pendant frames, and an Edward VII sovereign, dated 1905, similarly mounted (4) £700-900 (plus 24% BP*) 216. A SWISS 20 FRANCS GOLD COIN, dated 1949, cased £120-160 (plus 24% BP*) 217. A COLLECTION OF ANTIQUE AND LATER JEWELLERY AND OBJECTS, to include a late Victorian diamond set panel brooch, 9ct gold mounted, a navette-shaped tortoiseshell pique work panel brooch, with later fitting, a smaller circular similar panel, an open face fob watch, an enamel bird brooch, a rock crystal set panel, a horseshoe stick pin, a pair of late Victorian/Edwardian ivory glove stretchers, monogrammed, a bone mounted fan, and further items, contained in case, first brooch length 4.3cm £100-200 (plus 24% BP*) 218. A COLLECTION OF BROOCHES AND STICK PINS, to include a 9ct gold and gem set bar brooch, two further gem set bar brooches, each stamped ‘9ct’, a half pearl set horseshoe stick pin, a diamond set stick pin, and nine further brooches, first brooch length 4.4cm (14) £100-200 (plus 24% BP*)

219. A COLLECTION OF JEWELLERY, comprising a curb-link bracelet, with padlock clasp stamped ‘9ct’, a diamond five stone ring, 18ct gold mounted, (one outer diamond deficient), a Victorian black enamel memorial locket pendant, two gem set pendants, each stamped ‘9ct’, a 9ct gold cross pendant on chain, a further pendant, and a pair of ear studs, first bracelet length 18cm (8) £200-300 (plus 24% BP*) 220. A DIAMOND THREE STONE RING, the graduated round brilliant-cut diamonds in claw setting, between single-cut diamond set shoulders, two colour precious metal mounted, total diamond weight approximately 0.40ct, ring size L £150-200 (plus 24% BP*) 221. A COLLECTION OF COSTUME JEWELLERY, comprising a pair of simulated pearl ear clips by Chanel, a fringe necklace by Ben-Amun, a treated sponge coral bead necklace, a freshwater pearl necklace, an Art Deco style panel brooch, assorted simulated pearl jewellery, and further items, first ear clips diameter 3.4cm £80-120 (plus 24% BP*) 222. A SMALL COLLECTION OF JEWELLERY, comprising a Bohemian garnet bangle, of hinged crossover design, two gilt metal curb-link bracelets, a flowerhead brooch, a tie pin, and further items, bangle inner diameter 6.2cm £100-200 (plus 24% BP*) 223. A DIAMOND FIVE STONE RING, the graduated old brilliant and single-cut diamonds in an 18ct gold mount, total diamond weight approximately 0.25ct, ring size M £100-150 (plus 24% BP*) 224. A CHARM BRACELET, the belcher-link bracelet stamped ‘9c’, suspending five assorted charms, comprising two 9ct gold charms and three charms stamped ‘750’, length 16.5cm £80-120 (plus 24% BP*) 225. AN AUSTRO-HUNGARIAN PANEL BRACELET, comprising a line of graduated circular cluster panels, alternately set with rows of turquoise-coloured cabochons and baroque pearls, with similarly set spacer links between, the reverse decorated with foliate scrolls and flowerheads, with stamped marks to clasp, (pearls untested for origin), length 19cm £60-80 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lots 226-236 The Property of a Lady 226. A FANCY-LINK LONG CHAIN, of ropetwist design, with swivel clasp, stamped ‘9c’, length 120cm £200-300 (plus 24% BP*) 227. A LATE 19TH/EARLY 20TH CENTURY DIAMOND, PEARL AND ENAMEL PENDANT, of lozenge-shaped design, centred with a cluster of old-cut diamonds in pinched claw setting, to a quatrefoil-shaped panel heightened with red guilloché enamel and beaded white enamel border, framed by trefoil-shaped white enamel panels with further old-cut diamonds, spaced by four pearls, below a similarly decorated detachable pendant bale with hinged fitting, the reverse with scroll engraved decoration and vacant threaded aperture, (pearls untested for origin), length 5cm £1500-2000 (plus 24% BP*)

Lot 227

228. A PAIR OF BLUE ZIRCON AND DIAMOND CLUSTER EAR PENDANTS, each cluster drop centred with a circular mixed-cut blue zircon in claw setting, framed by round brilliant and old-cut diamonds, suspended from a ribbon bow surmount of old, single and rose-cut diamonds, on later post fittings, total diamond weight approximately 1.80ct, length 2.4cm £600-800 (plus 24% BP*)

Lot 228

229. AN ENAMEL AND DIAMOND SET HEART PENDANT/PROPELLING PENCIL, the heart-shaped panel heightened with red guilloché enamel and centred with an old-cut diamond, pierced with an arrow, the fletching retracting for use as a propelling pencil, with French ‘ET’ import marks to fitting, length 3.4cm £400-600 (plus 24% BP*)

Lot 229 BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 230

230. A PAIR OF DIAMOND AND GEM SET BRACELETS BY CARTIER, of flattened curb-link design, spaced by pairs of hoop-shaped panels highlighted with graduated brilliant-cut diamonds, enclosing oval cabochon rubies or oval cabochon sapphires, each signed Cartier and stamped ‘750’, with French eagle’s head control marks and lozenge-shaped maker’s mark ‘GL’ to fittings, the ruby set bracelet numbered 229765, the sapphire set bracelet numbered 229780, convertible as a collar necklace, total diamond weight approximately 1.20ct, ruby set bracelet length 19.5cm, sapphire set bracelet length 20cm (2) £2000-3000 (plus 24% BP*)

231. A PAIR OF RUBY AND SAPPHIRE SET BRACELETS, comprising hollow links of fancy two colour geometric design, spaced with oval cabochon rubies and circular cabochon sapphires in collet settings, each stamped ‘750’, convertible as a collar necklace, lengths 19cm and 19.5cm (2) £700-900 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

Lot 231

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Lot 233 Lot 232

232. AN ART NOUVEAU EMERALD AND DIAMOND SET RING, probably French, naturalistically modelled as two feathers of crossover design, centred with an oval old-cut diamond and an oval mixed-cut emerald in collet settings, the shank with rubbed lozenge-shaped maker’s mark, ring size O½ £600-800 (plus 24% BP*) 233. A FRENCH ANCHOR-LINK CHAIN, with eagle’s head control marks and lozenge-shaped maker’s mark, stamped ‘750’, length 44cm £300-500 (plus 24% BP*)

234. A VARI GEM-SET MOUSE BROOCH BY CARTIER, naturalistically modelled with textured body and sweeping tail, his head highlighted with circular mixed-cut ruby eyes, a cabochon sapphire nose and cabochon turquoise ears, the reverse signed Cartier Paris and indistinctly numbered, possibly P8529, with French eagle’s head control marks and lozenge-shaped maker’s mark ‘RM’ to tail and double pin fitting, length 5.2cm £1000-1500 (plus 24% BP*)

Lot 234 BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 235

235. A PEARL LONG CHAIN, comprising a line of baroque pearls, the clasp with French eagle’s head control mark, (pearls untested for origin), length 84cm £200-300 (plus 24% BP*)

236. A GARNET AND HALF PEARL BRACELET, comprising a line of graduated oval cabochon garnets in collet settings, spaced by pairs of half pearls, (pearls untested for origin, six pearls deficient), length 19.5cm £150-250 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

Lot 236

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Lot 237

237. A VICTORIAN ONYX AND ENAMEL MEMORIAL LOCKET PENDANT BY PHILLIPS BROTHERS & SON, circa 1870, the oval cabochon black onyx within a beaded blue enamel border, framed by a frieze of oval panels heightened with blue and black enamel, spaced by ropetwist wirework and bead decoration, below a similarly decorated pendant bale with maker’s mark, the glazed verso containing a photograph portrait and inscribed ‘Julia Hay Norman, Died 3rd October 1873’, length 5.4cm The photograph contained in this locket is believed to portray Julia Hay Norman, née Cameron (5 December 1838 - 3 October 1873), daughter of Julia Margaret Cameron (11 June 1815 - 26 January 1879), the celebrated British photographer. Thence by descent.

Born in Calcutta, India, Julia Hay Cameron married Charles Loyd Norman in January 1859, taking his surname as her married name.

Julia and Charles later presented her mother with a camera as a gift, and at the age of 48, Julia Margaret Cameron embarked upon a highly successful career as one of the most significant photographers of the 19th century.

Mrs. Cameron’s Photographs from the Life, commonly known as The Norman Album, is a photograph album of portraits compiled between 1864 and 1869 that was presented as a gift by Cameron to her daughter and son-in-law in gratitude for having introduced her to photography by their gift of her first camera. Comprising 74 albumen prints, it includes portraits of Charles Darwin, Alfred Tennyson and Henry Taylor. The dedication reads: To the givers of my camera I dedicate/give these works of this camera, with all gratitude for the inexhaustible pleasure to me, & to hundreds, which has resulted from the gift.

Freshwater Bay, Isle of Wight, Sep 9 1869 Robert Phillips and his brother Magnus founded their eponymous firm Phillips Brothers in 1839, becoming Phillips Brothers & Son in 1869. Based in Cockspur Street, London, the brothers collaborated with Castellani and Giuliano and were pioneers of jewellery produced in the archaeological style. Their maker’s mark is composed of two P’s and the Prince of Wales’ feathers, indicative of their royal patronage. £600-800 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

41

238. A CHARM BRACELET, the curb-link bracelet stamped ‘9ct’, with 9ct gold padlock clasp, suspending a collection of gold and yellow metal charms and pendants, to include a 22ct gold wedding band, two 9ct gold yacht charms, and a 9ct gold mouse by Cropp & Farr, bracelet length approximately 17cm £600-800 (plus 24% BP*) 239. A PAIR OF CUFFLINKS AND A GENTLEMAN’S DRESS SET, the circular cufflinks centred with mother of pearl panels, framed by reeded decoration, on chain-link fittings, 9ct white gold mounted, in Garrard & Co. Ltd. retailer’s case, together with a mother of pearl and seed pearl gentleman’s dress set, in fitted case, stamped ‘9ct’, cufflinks panel diameter 1.25cm (2) £100-200 (plus 24% BP*) 240. A COLLECTION OF GENTLEMAN’S JEWELLERY, comprising a pair of octagonal panel cufflinks, with engine-turned decoration and chain-link fittings, stamped ‘9ct’ and signed ‘D&F’, a set of three dress studs, stamped ‘18ct’, cased, and a pair of silver cufflinks, first cufflinks panel length 1.25cm (3) £100-200 (plus 24% BP*) 241. A COLLECTION OF JEWELLERY, comprising a 9ct gold and enamel shield fob pendant by Fattorini & Sons, hallmarked for Birmingham 1909, inscribed ‘N.C.F.A - S.C.C. 1909-10’, an enamel fish bar brooch, heightened in shades of blue and lilac, a diamond single stone stick pin, the old-cut diamond in collet setting, a nugget stick pin, a pearl stick pin, and a banded agate example, and a riding crop stock pin, pendant length 4.5cm (7) £200-300 (plus 24% BP*) 242. A PAIR OF 18CT GOLD AND ENAMEL CUFFLINKS, each oval panel decorated with four fleur-de-lis motifs to a blue enamel ground, on chain-link fittings, signed A&W, with Birmingham hallmarks, in Ogden of Harrogate Ltd retailer’s case, panel length 1.8cm £300-500 (plus 24% BP*)

244. AN EDWARDIAN 9CT GOLD FANCY-LINK ALBERT CHAIN, composed of fetter and knot links, with T-bar suspension, hallmarked for Chester 1903, length 33cm £350-450 (plus 24% BP*) 245. A PAIR OF CUFFLINKS, each with torpedo-shaped panels of twist design, on chain-link fittings with French eagle’s head control marks, panel length 2cm £100-150 (plus 24% BP*) 246. A MASONIC BLOODSTONE SIGNET RING AND A MASONIC MEDAL, the ring with an oval bloodstone panel inlaid with compass and set square, 9ct gold mounted, the silver-gilt medal with enamel decoration and inscription ‘Lodge 2546, Rahere’, on ribbon suspension, hallmarked for London 1928, in case signed H T Lamb & Co, Masonic Jewellers, 81 St John’s Square, Clerkenwell, London, E.C., ring size S (2) £100-150 (plus 24% BP*) 247. A CORNELIAN INTAGLIO RING, the 19th century cushion-shaped intaglio incised to depict a classical female figure holding a cornucopia of flowers, to a later yellow precious metal mount, accompanied by Tessier paperwork and case, ring size approximately N £300-500 (plus 24% BP*) 248. A PAIR OF 9CT GOLD CUFFLINKS AND A SEAL FOB ON CHAIN, the oval panel cufflinks with scroll engraved borders, on hinged baton fittings, the seal fob with inset hardstone seal depicting a dove and incised ‘PAIX’, suspended from a multi-strand necklace with swivel clasps, cufflinks panel length 1.9cm (2) £200-300 (plus 24% BP*) 249. A YELLOW PRECIOUS METAL FANCY-LINK BRACELET, with decorative borders, length approximately 21cm £1200-1500 (plus 24% BP*)

243. AN 18CT GOLD ALBERT CHAIN WITH SOVEREIGN PENDANT, the open curb-link chain hallmarked for Birmingham 1902 and signed E.W & S, with swivel clasp and T-bar, suspending a George V sovereign, dated 1913, with fixed scrolled pendant mount, chain length 35.5cm £1200-1500 (plus 24% BP*)

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Lot 239

Lot 238

Lot 240

Lot 241 Lot 242

Lot 243

Lot 244

Lot 246

Lot 247 Lot 245 Lot 248

Lot 249

Lot 241

Lot 250

Lot 251

Lots 250-273 From a Private Collection 250. A TURQUOISE, LAPIS LAZULI AND DIAMOND BRACELET, of articulated design, comprising three rows of alternate circular turquoise and lapis lazuli cabochons, spaced by round brilliant-cut diamonds in stylised four claw settings, white precious metal mounted, stamped ‘750’, with possible Austrian mark, length 19cm £2500-3500 (plus 24% BP*) 251. A TURQUOISE, SAPPHIRE AND DIAMOND RING AND EAR CLIPS MATCHED SUITE, each designed as an abstract cluster of circular mixed-cut sapphires and round brilliant-cut diamonds in tiered claw settings, centred with circular turquoise cabochons, white precious metal mounted, the ring with maker’s mark ‘CB’ and Austrian gold mark for 750 standard, the ear clips stamped ‘585’, total diamond weight approximately 2.30ct, ear clips length 2.9cm, ring size L (2) £2000-3000 (plus 24% BP*)

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252. A LADY’S SAPPHIRE AND DIAMOND SET BRACELET WATCH BY AUDEMARS PIGUET, designed as two articulated lines of graduated round brilliant-cut diamonds and step-cut sapphires, overlapping to the central integrated watch case with hinged cover, concealing a square signed silvered dial with baton markers, the case with rear mounted winder, signed and numbered 25862, the similarly set clasp with maker’s mark, clasp and case stamped ‘0,950 PT’, total diamond weight approximately 3.70ct, length 16.5cm £2500-3500 (plus 24% BP*) 253. A SAPPHIRE AND DIAMOND BANGLE, of hinged bifurcated form, set to the top with a line of alternate oval mixed-cut sapphires and round brilliant-cut diamonds, between trios of smaller single-cut diamonds, white precious metal mounted, stamped ‘585’, total diamond weight approximately 2.50ct, inner diameter 5.7cm £1500-2000 (plus 24% BP*)

Lot 252

Lot 253

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Lot 254

Lot 255

254. A FRENCH FANCY-LINK COLLAR NECKLACE AND DIAMOND SET RING SUITE, the tubular fancy mesh-link collar with interchangeable vari-coloured hoop spacers of green, red, blue, black and grey hues, accompanied by a diamond set band ring, convertible as an additional hoop spacer, pavé set with graduated round brilliant-cut diamonds, the collar and diamond set band with French eagle’s head control marks and lozenge-shaped maker’s marks, the collar also signed J W Tübben, total diamond weight approximately 3ct, necklace length approximately 39cm, ring size H (2) £3000-5000 (plus 24% BP*) 255. A DIAMOND SET NECKLACE CLASP, modelled as a sweetie, with fluted decoration and a central band of single-cut diamonds, two colour precious metal mounted, stamped ‘750’, length 2.9cm £200-300 (plus 24% BP*) 256. A PAIR OF DIAMOND SET EAR CLIPS BY FARAONE, each shaped triangular openwork drop applied with a foliate cluster of graduated round brilliant-cut diamonds, to a black enamel ground (some enamel loss), on hinged clip fittings, two colour precious metal mounted, signed and stamped ‘750’, length 3.7cm £600-800 (plus 24% BP*) 257. A DIAMOND SET COLLAR NECKLACE AND RING MATCHED SUITE, the segmented collar of two colour banded design, centred with a round brilliant-cut diamond, stamped ‘Platin 950’ and ‘SB’, the ring of conforming design, stamped ‘Pt 950’ with maker’s monogram, collar length approximately 40cm, ring size approximately J (2) £600-800 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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258. A PAIR OF CUFFLINKS, each rectangular panel containing a fine gold ingot, depicting the profile of Mercury within a Greek key border, on hinged baton fittings, the mounts stamped ‘585’, panel length 2.5cm £400-600 (plus 24% BP*)

Lot 259

259. A PAIR OF JADE SET CUFFLINKS, each rectangular panel of part textured design, centred with a circular jade cabochon, on hinged baton fittings, yellow precious metal mounted, stamped ‘14k’, (jade untested for treatments), panel length 2.1cm £200-300 (plus 24% BP*)

Lot 258

260. A LADY’S MODERNIST DIAMOND SET BRACELET WATCH

BY LONGINES, the square signed silvered dial with bead markers, single-cut diamonds to the quarters and outer minute scale, to a jewelled manual movement numbered 7310091, the possibly later fancy-link bracelet designed as a series of pyramidal links, in alternate yellow and rose precious metal, the case signed Longines-Wittnauer and numbered T712044, case and clasp stamped ‘14k’, the clasp with Austrian gold marks, bracelet width 4.6cm, length 19cm £1500-2500 (plus 24% BP*)

Lot 260

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261. A DIAMOND SPRAY BROOCH, designed as an abstract foliate spray, with graduated round brilliant and marquise-cut diamonds in tiered claw settings, white precious metal mounted, stamped ‘750’, total diamond weight approximately 7ct 7.50ct, length 5.5cm £5000-7000 (plus 24% BP*)

Lot 261

262. A PAIR OF MABÉ PEARL AND DIAMOND EAR CLIPS, each central mabé pearl measuring approximately 20mm in diameter, within a border of round brilliant-cut diamonds, on hinged clip fittings, maker’s mark ‘RJ’, stamped ‘585’ with Austrian gold marks, total diamond weight approximately 3.30ct, diameter 2.7cm £1800-2200 (plus 24% BP*)

Lot 262

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Lot 263

Lot 264

263. A PAIR OF DIAMOND SET CUFFLINKS, each comprising two graduated circular panels of textured finish, centred with round brilliant-cut diamonds in lozenge-shaped settings, on chainlink fittings, white precious metal mounted, signed ‘RL’ and stamped ‘585’, total diamond weight approximately 0.85ct, largest panel diameter 1.8cm £700-900 (plus 24% BP*) 264. A DIAMOND SET NECKLACE, adapted with two Art Deco diamond set panels, each a stylised scrolled ribbon of graduated baguette, brilliant and single-cut diamonds, to a later multi-strand freshwater pearl torsade necklace of purple and white hues, the panels with Austrian gold marks, one panel with later clasp fitting, total diamond weight approximately 7ct, panel length 3.2cm, necklace length 43.5cm £3000-5000 (plus 24% BP*) 265. A DIAMOND DRESS RING AND EAR CLIPS MATCHED SUITE, the ring designed as an oval concave panel of pavé set graduated round brilliant-cut diamonds, between bifurcated shoulders, the ear clips of similar design, inset with channels of graduated round brilliants, both white precious metal mounted and stamped ‘750’, total diamond weight approximately 2.40ct, ear clips length 2.3cm, ring size N½ (2) £1200-1500 (plus 24% BP*)

Lot 265

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Lot 267

Lot 266

266. A DIAMOND SET BANGLE AND EARRINGS SUITE, the torque bangle of hinged crossover design and tapered fluted form, inset with radiating channels of graduated round brilliant-cut diamonds, the earrings of conforming design, on post and hinged clip fittings, yellow precious metal mounted, stamped ‘750’, total diamond weight approximately 6ct, bangle inner diameter 5.9cm, earrings length 3cm (2) £4000-6000 (plus 24% BP*) 267. A PAIR OF DIAMOND SET EAR HOOPS, each tapered half hoop highlighted with pavé set clusters of graduated round brilliant-cut diamonds, on hinged clip fittings, stamped ‘750’ with Austrian gold marks, maker’s mark ‘EK’, total diamond weight approximately 1.20ct, length 3.1cm £1000-1500 (plus 24% BP*)

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Lot 268

Lot 269

268. A PAIR OF DIAMOND SET EAR CLIPS, each a convex circular panel of pavé set graduated round brilliant-cut diamonds, on hinged clip fittings, yellow precious metal mounted, signed ‘WT’ and stamped ‘750’, total diamond weight approximately 5.20ct, diameter 2.2cm £2000-3000 (plus 24% BP*) 269. AN ONYX AND DIAMOND SET NECKLACE AND BRACELET SUITE, designed as a series of geometric black onyx panels, each applied with a cluster of four round brilliant-cut diamonds, spaced by similarly cut diamond set openwork lozenge-shaped links, yellow precious metal mounted, stamped ‘750’, total diamond weight approximately 8.50ct, necklace length 64cm, bracelet length 21.5cm (2) £6000-8000 (plus 24% BP*)

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Lot 270

270. AN EMERALD AND DIAMOND CLUSTER RING, the rectangular step-cut emerald with truncated corners, in double four claw setting, framed by old brilliant-cut diamonds, above a pierced gallery of stylised foliate design, the yellow precious metal mount with bifurcated shoulders, stamped ‘585’, with Austrian gold mark, emerald dimensions approximately: length 13.8mm x width 13.2mm x depth 8.7mm, total diamond weight approximately 2ct, ring size M½ £7000-9000 (plus 24% BP*)

271. A PAIR OF EMERALD AND DIAMOND CLUSTER EARRINGS, each rectangular step-cut emerald with truncated corners, in double four claw setting, framed by old brilliant-cut diamonds, above a wirework gallery, on hinged post and clip fittings, stamped ‘585’, with Austrian gold marks and possible maker’s mark ‘LC’, emerald dimensions approximately: length 13mm x width 10.8mm x depth 5.9mm and length 13.2mm x width 11mm x depth 5.8mm, total diamond weight approximately 3.50ct, length 2.2cm £4000-6000 (plus 24% BP*)

Lot 271

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272. A DIAMOND SET FLOWER BROOCH, BRACELET AND EAR CLIPS SUITE BY KUTCHINSKY, designed as stylised tiered two colour flowerheads of textured and diamond set petals, highlighted throughout with graduated round brilliant-cut diamonds, signed and hallmarked for London 1966-67, the brooch with double pin fitting, total diamond weight approximately 7.50ct - 7.80ct, brooch width 4.6cm, earclips length 2.5cm, bracelet length 19cm (3) £8000-12000 (plus 24% BP*)

Lot 272

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273. A YELLOW AND BLUE SAPPHIRE ‘PASSE-PARTOUT’ FLOWER BROOCH BY VAN CLEEF & ARPELS, CIRCA 1940, the stylised flowerhead of cushion-shaped mixed-cut yellow sapphires enclosing a bombé cluster of circular mixedcut blue sapphires, framed by leaves and further graduated blue sapphire accents, signed Van Cleef & Arpels, with French eagle’s head control mark and single pin fitting, length 4.8cm The Passe-Partout was patented by Van Cleef & Arpels in 1938 and represented one of the first examples of transformative jewellery pioneered by the jewellery house at that time. Intended to adapt to a wearer’s mood or occasion, the Passe-Partout range comprised a flexible yellow gold snake chain and two gem set flower clips, inspired by the Hawaii collection, set with different coloured sapphires and rubies. These could either be worn separately or together as a necklace, bracelet or belt, using a system of metal rails to adjust the chain, which were concealed by each of the flower clips. £12000-18000 (plus 24% BP*) A 1939 Passe-Partout advertisement © Van Cleef & Arpels

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274. A GENTLEMAN’S AUTOMATIC ‘CONSTELLATION’ WRISTWATCH BY OMEGA, the circular gilt dial with baton markers, centre seconds hand and date display, to 24-jewel Cal.564 automatic movement, adjusted to 5 positions and temperature, numbered 28688407, in brushed case with reeded bezel, case back numbered 168027, with Swiss gold mark, on a reeded tapered bracelet with logo to buckle, dial, movement and case signed, case back and bracelet stamped ‘18K 0.750’, in maker’s box, case length 4cm, dial diameter 2.8cm £1500-2000 (plus 24% BP*)

Lot 274

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Lot 277

275. A SILVER OPEN FACE POCKET WATCH AND ALBERT CHAIN, the white enamel dial with Roman numerals and subsidiary dial, signed The “Express” English Lever, J. G. Graves, Sheffield, to case hallmarked for Birmingham 1904, (glass deficient), suspending a silver Albert chain, with compass fob and T-bar, watch case diameter 5.3cm (2) £30-50 (plus 24% BP*) 276. A POCKET WATCH MOVEMENT BY ABRAHAM COLOMBY, the convex white enamel dial with Roman numerals and Arabic five minutes, pentagonal baluster pillars and verge escapement, a further example by Berthoud, the white enamel dial with Arabic chapter ring and open centre, contained within a horn case, and two further examples, first dial diameter 3.15cm (4) £200-300 (plus 24% BP*) 277. A VICTORIAN 18CT GOLD OPEN FACE POCKET WATCH AND TWO ALBERT CHAINS, the watch dial with Roman numerals, subsidiary seconds dial and chequered engine-turned decoration, to key wind movement signed H. Pidduck, Hanley and numbered 81914, the 18ct gold case with reeded sides and vacant cartouche, profusely engraved with flowerheads, foliage and scrolls, hallmarked for Birmingham 1851 and stamped ‘RS’, accompanied by a graduated curb-link Albert chain, stamped ‘15 .625’, suspending a 20 Marks gold coin, and a belcher-link Albert chain, suspending a T-bar stamped ‘15 .625’, watch case diameter 5cm, first chain length 34cm (3) £1500-2000 (plus 24% BP*)

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Lot 278

278. A GENTLEMAN’S STAINLESS STEEL CHRONOGRAPH WRISTWATCH, SIGNED UNIVERSAL, GENÈVE, COMPUR 30, circa 1940-41, the circular black gloss dial with luminous Arabic numerals, luminous hands, outer fifths with Arabic five minute divisions and twin sunken concentric subsidiary dials for running seconds and 45 minutes register, to a cal.386 jewelled manual movement, in ‘Spillman waterproof ’ stainless steel case with screw back and chronograph buttons, (one button a later gilt metal replacement), case back inscribed ‘RLM-Nav. 5607’, serial no. 804915, watch case no.

22409, dial, movement and case signed, on an unassociated strap, case diameter 3.75cm, case length 4.45cm Supplied to the German Ministry of Aviation, the Reichsluftfahrtministerium (RLM), to be used by navigators and observers of the Luftwaffe for aerial navigation.

This example came in to the possession of Capt. J. H. B. Jewitt, MBE, during his service in France in the Second World War. Thence by descent.

Joseph Henry Brown Jewitt (1903 - 1987) joined the British Army at an early age, the majority of his career served in India. In 1938 he retired with the rank of Regimental Quartermaster Sergeant and joined the Army Reserve. Upon the outbreak of War in 1939, Jewitt was recalled to the British Army and commissioned as a Lieutenant in the 52nd Anti-Tank Regiment, Royal Artillery. Initially posted with the British Expeditionary Force in France, he was evacuated at Dunkirk with his regiment, who, in recognition of his services at Dunkirk, presented him with an inscribed cigarette box. After regrouping, Jewitt was posted to the Middle East, where the regiment served in Persia and North Africa, then moving on to Italy.

Jewitt was Mentioned in Dispatches twice, and awarded the MBE for his work in re-equipping the regiment whilst in Italy, in a very short space of time. His final rank upon leaving the British Army in 1945 was as Captain Quartermaster. On his return to civilian life, Jewitt wore this wristwatch extensively, using a local watch repairer for its servicing and maintenance. Upon his death in 1987 the wristwatch was retired from use, and has not been worn since. £3000-4000 (plus 24% BP*)

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279. A LADY’S 9CT GOLD ‘PRECISION’ BRACELET WATCH BY ROLEX, the circular silvered dial with baton markers, to jewelled manual movement and tapered textured bracelet, case signed ‘DS&S’ and hallmarked for London 1966, numbered 31378, dial and movement signed, together with a further lady’s bracelet watch, the dial signed Eterna-Matic, the bracelet stamped ‘14ct’, first watch case diameter 1.8cm (2) £250-350 (plus 24% BP*) 280. A GENTLEMAN’S WRISTWATCH BY ROLEX, the circular silvered dial with Arabic numerals, outer minute scale, subsidiary seconds dial and blued steel hands, to jewelled manual movement and 9ct gold case hallmarked for Glasgow 1936, numbered 1434, dial, movement and case signed, with later winder and unassociated leather strap, case length 2.9cm (excluding shoulders) £200-300 (plus 24% BP*) 281. A GENTLEMAN’S ROTOR SELF-WINDING ‘OYSTER PRINCE’ WRISTWATCH BY TUDOR, the circular signed gilt dial with baton and arrowhead markers and centre seconds hand, to gilt case with stainless steel back, shoulders numbered 345868 and 7965, case back numbered 283205 7966 and signed ‘Original Oyster Case By Rolex Geneva’, on an unassociated yellow precious metal fancy-link bracelet with part-textured decoration, stamped ‘18k’, case length 4cm, dial diameter 2.8cm £500-700 (plus 24% BP*) 282. A GENTLEMAN’S WRISTWATCH BY CERTINA, the cushion-shaped gilt dial with baton markers and date display, to a quartz movement, the case stamped ‘14k 585’ with Swiss squirrel mark, dial, movement and case signed, on later unassociated leather strap, case length 4cm £100-150 (plus 24% BP*)

283. A LADY’S 9CT GOLD BRACELET WATCH, the rectangular gilt dial with baton markers, signed Verity, to a jewelled manual movement, polished case and tapered textured bracelet, the bracelet and case signed DS&S, case numbered 07602, case length 2cm £100-150 (plus 24% BP*) 284.TWO LADY’S WRISTWATCHES, the first by Must de Cartier, with rectangular signed champagne dial and gilt case, stamped ‘925’ and numbered 366001 13350, the second by Dunhill, with circular signed white dial and silver-gilt case, numbered 28803, each on an unassociated leather strap, first watch case length 2.7cm (2) £150-250 (plus 24% BP*) 285. A COLLECTION OF JEWELLERY AND WRISTWATCHES, comprising a lady’s 9ct gold cased bracelet watch by Omega, the circular silvered dial with gilt baton markers, to jewelled manual movement numbered 17630913, dial and movement signed, a lady’s 9ct gold cased wristwatch by Everite, inscribed to case back, a 9ct gold curb-link bracelet, two gem set dress rings, and a pendant, first watch case diameter 1.7cm (6) £200-300 (plus 24% BP*) 286.TWO OPEN FACE POCKET WATCHES, the first a late Victorian silver cased example, with white enamel dial signed Samuel Leighton, 2 Newmarket, Lancaster, Roman numerals and subsidiary seconds dial, the second with profusely decorated white metal case, the white enamel dial with Roman numerals, subsidiary seconds dial and outer scale 0-60, suspending a belcher-link chain with pendant, together with a pocket barometer, first watch case diameter 5.4cm (3) £80-120 (plus 24% BP*)

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Lot 279

Lot 280

Lot 282 Lot 281 Lot 283

Lot 284

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287. A COLLECTION OF WRISTWATCHES, comprising a gentleman’s stainless steel watch head by Omega, the circular dial with Arabic numerals, centre seconds hand and outer scale 0-60, to jewelled manual movement numbered 8931465, case ref. 740, dial, movement and case signed, a gentleman’s stainless steel quartz ‘Seamaster’ watch head by Omega, a lady’s stainless steel wristwatch by Omega, with unassociated expanding bracelet, and a silver cased watch head, first watch dial diameter 2.6cm (4) £80-120 (plus 24% BP*) 288. A VICTORIAN SILVER OPEN FACE POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, to key wind movement, the case hallmarked for London 1884, inscribed to cuvette, together with a silver graduated curb-link Albert chain, a similar white metal example, a hinged silver bangle, and three coins, watch case diameter 4.9cm (7) £100-200 (plus 24% BP*) 289. A 9CT GOLD HUNTER POCKET WATCH, the white enamel dial with Roman numerals, subsidiary seconds dial and outer minute scale, to a keyless wind movement signed Cyma, the Dennison case hallmarked for Birmingham 1923 and numbered 256669, (glass loose), case diameter 4.9cm £400-600 (plus 24% BP*) 290. A LADY’S ENAMEL FOB WATCH, the circular white enamel dial with blue Roman numerals, gilt decoration and scrolled hands, to a keyless wind movement, the octafoil-shaped case with profusely engraved decoration and enamel panel depicting a maiden in traditional dress, carrying flowers in garden setting, bordered by engraved foliate scrolls, stamped ‘14k’ with Swiss squirrel mark, numbered 78091, the suspensory loop stamped ‘9 .375’, below a half pearl set brooch surmount, (pearls untested for origin), watch case diameter 3.1cm £200-300 (plus 24% BP*)

291. AN 18CT GOLF HALF HUNTER CHRONOGRAPH POCKET WATCH, the white enamel dial with Roman numerals, centre seconds hand and outer dial 0-300, to keyless wind ¾ plate movement signed Tho’s Yates, Friargate, Preston, the 18ct gold case with blue enamel chapter ring, hallmarked for Chester 1897, monogrammed to case back, the movement and case numbered 77320, case diameter 5.2cm £500-700 (plus 24% BP*) 292. A 9CT GOLD HALF HUNTER POCKET WATCH, the white enamel dial with Roman numerals, subsidiary seconds dial and outer minute scale, to a keyless wind movement, in Dennison case with blue enamel chapter ring, hallmarked for Birmingham 1928 and numbered 414193, suspending a curb-link chain, watch case diameter 4.9cm (2) £300-500 (plus 24% BP*) 293. A HUNTER POCKET WATCH, the circular dial with gilt Arabic numerals and subsidiary seconds dial, to yellow precious metal case with chequerboard decoration and foliate borders, stamped ‘14k, 0,585’, monogrammed and inscribed, the dial and keyless wind movement signed Loretto, case diameter 5.1cm £100-150 (plus 24% BP*) 294. AN 18CT GOLD OPEN FACE POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, to ¾ plate keyless wind movement signed E. C. Pinchard, Balham SW and numbered 295447, case hallmarked for London 1913, inscribed to cuvette and monogrammed to case back, case diameter 4.6cm £300-400 (plus 24% BP*) 295. AN OPEN FACE POCKET WATCH AND LONG CHAIN, the floral engraved circular gilt dial with Roman numerals and subsidiary seconds dial, to key wind movement and similarly engraved case with vacant cartouche, stamped ‘18k’ and numbered 5816, the cuvette signed F. Levasseur, 2 Frith St, Soho, London, accompanied by a gilt metal fancy trace and bead-link long chain, watch case diameter 4.1cm, chain length 150cm £200-300 (plus 24% BP*)

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Lot 290

Lot 292

Lot 291

Lot 293

Lot 295 Lot 294

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Lot 296

296. AN EDWARDIAN 18CT GOLD HALF HUNTER POCKET WATCH BY CHARLES FRODSHAM, the signed white enamel dial with Roman numerals, subsidiary seconds dial, outer minute scale and blued steel hands, to keyless wind movement signed Chas. Frodsham & Co, By appt. to the King, 115 New Bond St, London W, case hallmarked for London 1904, dial, case and movement numbered 09047, cuvette inscribed, case back monogrammed, case diameter 4.8cm £1000-1500 (plus 24% BP*) 297. A GENTLEMAN’S WRISTWATCH BY OMEGA, the circular dial with Arabic numerals, outer minute scale and blued steel hands, to a jewelled manual movement numbered 9954318, the white metal case back numbered 2292 and stamped ‘Fond Acier Inoxydable’, dial, movement and case signed, case diameter 3.2cm, case length 3.85cm The reference 2292 wristwatch was supplied by Omega to the Air Ministry during the Second World War, for use by pilots and navigators in the Royal Air Force. The white dial and hands were designed to provide clear legibility, especially for night flying, and were specific to this model. The cases were sometimes composed of a steel back and an aluminium alloy upper case, a less reflective material used to reduce glare.

Some examples of the reference 2292 wristwatch have been found with original military issue engraved markings, whilst other examples had their markings erased after the end of the War. It is thought that a number of these watches were ordered by the Air Ministry but did not enter active service, and these examples were never engraved. £400-600 (plus 24% BP*)

Lot 297

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Silver& Objets de Vertu Lots 300 - 501

Lot 300

Lot 304

Lot 305

300. A LATE VICTORIAN SILVER SALVER, with engraved foliate and ‘C’ scroll decoration, within a foliate and scroll cast border, on scalloped feet by Goldsmiths & Silversmiths Co., London 1898, 36cm diameter, 46oz £400-600 (plus 24% BP*) 301. A GEORGE III SILVER WINE FUNNEL, the strainer with reeded border and scalloped chip by Rebecca Emes & Edward Barnard I, London 1817, engraved crest for Sir John Simeon (1756-1824), crested Baronet 1824, 15cm, 5oz £180-250 (plus 24% BP*) 302. A SILVER AND TORTOISESHELL MOUNTED DRESSING TABLE SET, comprising hand mirror, hairbrush, clothes brush and powder jar by Levi & Saloman, Birmingham 1922 and 1923; and another silver dressing table set, repoussé decorated with Art Nouveau style irises, comprising mirror, two hairbrushes and two clothes brushes, Birmingham 1905 and 1906 (9) £50-80 (plus 24% BP*)

Lot 301

303. AN EARLY VICTORIAN SILVER TEAPOT AND MATCHING MILK JUG, of octagonally panelled form, engraved with stylised scrolling foliage by John Tapley, London 1840 and 1841, 24 oz all in, teapot 16cm high (2) £200-300 (plus 24% BP*) 304. A SILVER SAUCE BOAT, with gadrooned border, on stepped hoof feet by S Blanckensee & Son Ltd, Chester 1939, 11 oz; another smaller silver sauce boat, Birmingham 1909, 4 oz; and a silver cream jug with gadrooned border and ball feet, Sheffield 1918, 3 oz (3) £100-200 (plus 24% BP*) 305. A MATCHED SILVER BACHELOR’S THREE PIECE TEA SERVICE, comprising teapot with ebonised handle and knop

by Stokes & Ireland Ltd, Chester 1907, cream jug by Jackson & Chase, London 1881, and sugar basin by J.B. Chatterley & Sons, Birmingham 1968, 14.5 oz all in (3) £100-150 (plus 24% BP*)

Lot 303

306. A SILVER PLATED FIVE PIECE TEA AND COFFEE SERVICE, of half lobed form, comprising teapot, coffee pot, twin handled sucrier and cover, sugar basin and milk jug, coffee pot 22.5cm high; and a plated toddy ladle with twist whalebone handle (6) £50-70 (plus 24% BP*)

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307. A SILVER WAITER, with piecrust border on scroll feet by Walker & Hall, Sheffield 1920, 21cm diameter, 9.5 oz; a silver pierce decorated castor, with engraved decoration and glass liner, Chester 1911, 16cm high; nine various silver napkin rings, including a boxed pair; and other small silver items to include two sifter spoons, a butter knife, a small vase, a cased set of six spoons, and other oddments (qty) £100-200 (plus 24% BP*) 308. AN EDWARDIAN SILVER OVAL TRINKET BOX, with tortoiseshell and piqué inset lid by William Comyns & Sons Ltd, Birmingham 1910, 5.5cm; a small silver bowl, with shaped rim, on three pad feet by Mappin & Webb, Sheffield 1934; and a small silver desk calendar, London 1923 (3) £60-80 (plus 24% BP*)

Lot 308

309. A 19TH CENTURY BURMESE WHITE METAL BOWL, decorated with a continuous scene of figures and animals in a wooded landscape, within borders of stylised foliage, 18cm diameter £200-300 (plus 24% BP*) 310. A VICTORIAN SILVER LOBED BOWL, repoussé decorated with fruit and flowers and with three handles, by John Newton Mappin, London 1890, 10cm diameter, 3 oz; another silver three handled bowl of plain form, London 1922, 9cm; a silver bowl with pierced decoration by George Maudsley Jackson & David Landsborough Fullerton, London 1912, 13cm, 2.5 oz; and two pairs of white metal dishes, one pair with goats mask and hoof supports (7) £140-180 (plus 24% BP*)

Lot 310

311. A SILVER BALUSTER CHRISTENING MUG

by Henry Moreton, Birmingham 1919, 9cm high, 4 oz; a silver double ended egg cup; another silver egg cup; a Sterling engine turned shaving brush, 7cms; a small square section dish, 6cm; six various silver napkin rings; a silver castor top; and two further old silver tops, approximately 14 oz all in (qty) £80-120 (plus 24% BP*) 312.TWELVE 19TH CENTURY SILVER FIDDLE PATTERN DESSERT SPOONS, to include five by George Maudsley Jackson, London 1883; and two Old English pattern dessert spoons, 17 oz overall (14) £80-150 (plus 24% BP*)

Lot 312

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Lot 315

313. A SET OF FOUR SILVER RATTAIL PATTERN TABLESPOONS, and five matching dessert spoons by William Hutton & Sons Ltd, Sheffield 1920, 18.5 oz (9) £80-150 (plus 24% BP*) 314. A SET OF FOUR GEORGE III SILVER OLD ENGLISH PATTERN TABLE FORKS, by Thomas Wallis II, London 1806; four similar dessert forks by William Chawner, London 1828; and three silver fiddle pattern table forks, 17.5 oz overall (11) £80-150 (plus 24% BP*) 315. A VICTORIAN SILVER CLARET JUG, repoussé decorated with oval masks, flowers and stylised foliage, with hinged cover and figural scroll handle by James Dixon & Sons, Sheffield 1882, 31.5cm high, 22.5 oz £300-500 (plus 24% BP*)

Lot 317

316. A SET OF SIX SILVER TEASPOONS, with engraved decoration by Mark Willis & Son, Sheffield 1907; and another set of six silver rattail pattern teaspoons by A Marks & Co., Sheffield 1926, both cased (12) £40-80 (plus 24% BP*) 317. A GEORGE I SILVER WAITER, of square form with reentrant corners, makers mark ?C.C., London 1725, 14.5cm, 6 oz £200-300 (plus 24% BP*) 318. A SILVER SALVER, with piecrust border, on scroll feet by Walker & Hall, Sheffield 1918, 46cm diameter, 61 oz £400-600 (plus 24% BP*)

Lot 318

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Lot 320 Lot 319

319. A VICTORIAN SCOTTISH SILVER TEA KETTLE AND STAND, repoussé decorated with repeated stylised foliate motifs, the stand with burner and scallop feet by Brook & Son, Edinburgh 1883, 28.5cm high overall, 45 oz all in £500-800 (plus 24% BP*) 320. A CONTEMPORARY CHANNEL ISLANDS SILVER TEAPOT, of baluster design, with wooden handle and knop by Bruce Russell, Guernsey, 19.5cm high, 25.5 oz all in £250-300 (plus 24% BP*) 321. A SILVER COFFEE POT, of plain tapering form, with domed hinged cover and wooden handle, maker’s initials J.C.L., London 1966, 25cm high, 24 oz all in £200-300 (plus 24% BP*)

Lot 321

322. A GEORGE III SILVER CREAM JUG, with beaded border, foliate engraved decoration and square pedestal foot by Peter, Ann & William Bateman, London 1800, 15cm high, 3.5 oz; and a Victorian small cream jug, repoussé decorated with swags by Martin Goldstein, London 1884, 7.5cm high, 2 oz (2) £70-100 (plus 24% BP*)

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323. A SCOTTISH SILVER QUAICH, with engraved decoration and matching spoon by Davidson, Henderson & Sorley, Glasgow 1928, 16.5cm wide, 7 oz, in fitted case; together with a silver dish with gadrooned border, Sheffield 1946, another small footed dish, and a cup, 13 oz overall (4) £140-180 (plus 24% BP*) 324. A SET OF TWELVE SILVER TEASPOONS with matching sugar tongs by Cooper Brothers & Sons Ltd, Sheffield 1928, in fitted case; three early Georgian silver tablespoons; and a Georgian toddy ladle with whalebone twist handle £70-100 (plus 24% BP*) 325. AN EDWARDIAN SILVER INKSTAND, of navette form, with single cut glass inkwell, 21cm long, London 1903; a silver engine turned compact by Garrard & Co Ltd, Birmingham 1960; another similar; a silver cigarette box; and two napkin rings £40-60 (plus 24% BP*) 326. A LATE VICTORIAN SILVER PLATED TEA AND COFFEE POT, with matching milk jug, a pair of bottle coasters with gadrooned borders, and other assorted plated items £40-60 (plus 24% BP*) 327. A SILVER RECTANGULAR TRAY, with projecting corners and beaded border, and with central repoussé decorated ribbon tied cartouche by William Hutton & Sons, Birmingham 1913, 30cm long, 16 oz £100-150 (plus 24% BP*)

328. A LATE VICTORIAN SILVER THREE PIECE BACHELOR’S TEA SET, of half lobed design, the teapot with ebonised handle and knop by Harrison Brothers & Howson, Sheffield 1893 and 1896, 15 oz all in; and a pepper and salt (lacks liner) (5) £70-100 (plus 24% BP*) 329. A SILVER SALVER, with piecrust border, on scroll feet, 25.5cm wide, 13.5 oz, in fitted case £80-100 (plus 24% BP*) 330. A SILVER BALUSTER MUG, with scroll handle by C.J. Vander Ltd, London 1959, 13cm high, 12 oz, in fitted case £80-100 (plus 24% BP*) 331. A SET OF FOUR GEORGE III SILVER GILT BERRY SPOONS later embossed and engraved with fruit and foliage, London 1804, in fitted case £50-80 (plus 24% BP*) 332. A SILVER RECTANGULAR SMALL TEA CADDY, with canted angles by Stokes & Ireland Ltd, Chester 1918, 4.5 oz; with a florally painted metal caddy spoon; a silver trench salt by Alfred James How, London 1912, 8.5cm, 4 oz; and a silver capstan inkwell, marks rubbed but possibly Birmingham 1935 (3) £50-80 (plus 24% BP*)

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Lot 336

333. A COLLECTION OF SMALL SILVER ITEMS TO INCLUDE: a pair of pierce decorated napkin rings, Birmingham 1918, cased, a three piece cruet set, a pierced salt, a waisted pepper, three various napkin rings, a cased Victorian christening spoon, various spoons and other flatware, and a pair of plated fish servers (qty) £50-100 (plus 24% BP*) 334. A SET OF TWELVE CHINESE WHITE METAL COFFEE SPOONS, with cabochon jade inset terminals, cased; a Chinese salt, a set of five Chinese spoons; a set of twelve small pickle forks; a small trophy; various spoons; and a Danish serving spoon by Christian Heise, 1927 (qty) £50-100 (plus 24% BP*)

336. A LATE 19TH CENTURY CONTINENTAL SILVER CASKET, repoussé decorated with scenes of peasants merrymaking, on figural and scroll angled supports, import marks for Sheffield 1898, 19.5cm long £150-200 (plus 24% BP*) 337. A LATE VICTORIAN SILVER WAITER, with scallop and scroll cast piecrust border, on scroll feet by Walter & John Barnard, London 1886, 18.5cm diameter, 9 oz £80-120 (plus 24% BP*)

335. A MATCHED CANTEEN OF SILVER OLD ENGLISH PATTERN FLATWARE, mainly Georgian, comprising a gravy spoon by George Smith, London 1782, twelve tablespoons including four by George Burrows, London 1794, twelve table forks, including ten

by William Bennett, London 1804, twelve dessert spoons, eight dessert forks, four further fiddle pattern dessert forks, a sauce ladle, and five mustard spoons, various dates and makers, 80 oz overall; together with various steel knives and plated fish eaters etc., contained in a carved oak two drawer canteen £700-900 (plus 24% BP*)

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338. A SILVER SALVER, of shaped squared outline, engraved central crest, on scroll feet by S Blanckensee & Son, Birmingham 1932, 27cm, 22.5 oz £200-250 (plus 24% BP*)

345. A PAIR OF MID 19TH CENTURY SILVER PLATED CANDLESTICKS, with knopped baluster columns, and shaped square bases with scalloped angles, 29cm high (2) £80-120 (plus 24% BP*)

339. A SILVER THREE PIECE CRUET SET by Garrard & Co., Birmingham 1954, cased; assorted other silver to include a cased set of six cake forks; a cut glass square section inkwell with silver cover; a silver mounted cut glass decanter and stopper; a sauce boat; a cream jug; a small commemorative Ark Royal dish; two photo frames; a part dressing table set, etc., and a small quantity of silver plated and white metal items (qty) £100-200 (plus 24% BP*)

346. A LATE 19TH/EARLY 20TH CENTURY RUSSIAN SILVER AND ENAMEL NAPKIN RING, painted with a view of the Kremlin on a red ground, stamped 875, 5.25cm long £40-60 (plus 24% BP*)

340. A SILVER SALVER, with piecrust border, on hoof feet by F.T.R. & Co., London 1940, 26cm diameter, 19.5 oz; and a pair of silver napkin rings with engraved decoration, London 1899 (3) £150-200 (plus 24% BP*) 341. A CONTINENTAL LATE 18TH/EARLY 19TH CENTURY SMALL BOX, decorated with bands of stylised flowers and foliage, 4cm high; a Victorian silver caddy spoon by George Unite, Birmingham 1860; two further caddy spoons; a small collection of further silver items to include: a boxed ‘My Last Rolo’, a sovereign case, a book mark, tablespoon and dessert fork; an 18th Century enamel patch box (AF); and a miniature florally painted porcelain basket with gilt metal mounts (qty) £80-120 (plus 24% BP*) 342. A LATE VICTORIAN SILVER PLATED THREE PIECE TEA SERVICE, of urn form, repoussé decorated and engraved with stylised flowers and scrolls, teapot 24.5cm high (3) £30-40 (plus 24% BP*) 343. A SILVER BALUSTER CHRISTENING MUG, Birmingham 1961, 3 oz; another, late Victorian, silver twin handled cup, London 1895, seven various silver napkin rings, two pairs of silver spoons, and miscellaneous other silver to include two part dressing table sets, and other oddments £60-100 (plus 24% BP*) 344. A LIMITED EDITION SILVER MAP of Great Britain, issued by the Council for the Protection of Rural England, London 1978, 55 x 36cm, framed

347. AN EDWARDIAN SILVER STILTON SCOOP, London 1907, with ivorine handle, a late Victorian silver hip flask, Birmingham 1890, a silver sauce boat, two pairs of silver pierce decorated dishes, a silver model horse and a quantity of assorted silver and white metal items, to include a pair of peppers, numerous souvenir spoons and other odd flatware, etc (qty) £150-250 (plus 24% BP*) 348. A SILVER FOUR PIECE TEA SERVICE, of elongated octagonal section with ebonised handles and knops, comprising teapot, hot water pot, sucrier and milk jug by Viners, Sheffield 1957 and 1958, 48 oz all in (4) £200-300 (plus 24% BP*) 349. A SILVER HANOVARIAN RATTAIL PATTERN PART SERVICE of flatware, comprising three tablespoons, nine dessert spoons, three table forks, and ten dessert forks by Martin Hall & Co, Sheffield 1928, 47 oz £350-450 (plus 24% BP*) 350. AN EDWARDIAN SILVER MOUNTED WATCH CASE, with engine turned decoration, Birmingham 1909, containing a late 19th Century silver plated keyless wind pocket watch; a silver rectangular photograph frame, Chester 1918, another, smaller, Chester 1916, and a white metal photograph frame stamped ‘Sterling’ (5) £150-200 (plus 24% BP*) 351. A LATE VICTORIAN SILVER SUGAR BASIN, of spirally half lobed pedestal form, repoussé decorated with swags of flowers

by Vale Brothers & Sermon, Birmingham 1890, 10cm diameter, 3.5 oz £40-60 (plus 24% BP*) 352. A GEORGE III SCOTTISH SILVER SOUP LADLE, of Old English pattern by Robert Wilson, Edinburgh 1799, 35.5cm, 6.5 oz £100-150 (plus 24% BP*)

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353. A PAIR OF EARLY 20TH CENTURY SILVER CANDLESTICKS, with knopped and half lobed columns, on gadrooned and scallop decorated rectangular bases by Henry Williamson & Co., London 1912, 17.5cm high (2) £150-200 (plus 24% BP*) 354. A SET OF FOUR EDWARDIAN SILVER SMALL DISHES, repoussé decorated and with gilt interiors, Birmingham 1905; a silver cigarette case, Birmingham 1936; a silver pierce decorated mustard with blue glass liner, Birmingham 1908, and other silver items to include two napkin rings, a circular box and cover, a salt, a sifter spoon, a hunter pocket watch (AF), five coffee spoons and a pair of sugar tongs (qty) £60-80 (plus 24% BP*) 355. AN EARLY 20TH CENTURY CUT GLASS GLOBULAR SCENT BOTTLE, with silver and tortoiseshell piqué inset hinged cover, 10.5cm high; and a silver gilt square compact, the lid with inset painted plaque of a mother and daughter at a dressing table by Henry Clifford Davis, Birmingham 1923, 7.8cm (2) £50-80 (plus 24% BP*) 356. A GEORG JENSEN WHITE METAL TABLE LIGHTER, of Art Deco design, 8cm wide; and two silver mounted match strikers, one of ridged glass, the other pottery (3) £50-80 (plus 24% BP*)

357. A LATE VICTORIAN SILVER CYLINDRICAL BOX AND COVER, repoussé decorated with a spirally lobed design, by William Gibson & John Lawrence Langman, London 1894, 8.5cm high, 4.5 oz; a silver and enamel hand mirror, the cream guilloche enamel with gilt fleur-de-lys decoration, Birmingham 1959; two cut glass dressing table jars with silver and enamel lids, one blue, the other turquoise; and another cut glass jar with silver cover, embossed with cherubs after Reynolds (5) £100-150 (plus 24% BP*) 358. A SILVER TABLE LIGHTER by Hukin & Heath, with scroll handle, Birmingham 1924, 9cm high; and a modern silver plated teapot after a design by Christopher Dresser, with square body and angular offset ebonised handle, 16cm high (2) £50-80 (plus 24% BP*) 359. A SILVER BACHELOR’S MILK JUG and sugar basin by John Rose, Birmingham 1903, 3 oz; a Victorian silver rectangular photo frame, with winged heart and coronet cresting, London 1888, 16.5cm wide; another silver mounted photo frame, Chester 1909; a pair of silver and mother of pearl handled butter knives, Sheffield 1907, in fitted case; and two sets of six silver teaspoons, both cased (qty) £70-100 (plus 24% BP*) 360. A SILVER FOUR PIECE DRESSING TABLE SET, repoussé decorated with scrolling foliage by Broadway & Co., Birmingham 1971 (4) £20-30 (plus 24% BP*)

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361. A SILVER CHAMFERED RECTANGULAR GOLF BALL CASKET, the lid with three textured golf ball roundels, the hardwood interior fitted with three circular recesses, by Simon J Beer, London 1980, 15cm long £500-700 (plus 24% BP*) 362. A 1930’S SILVER GOLFING HOLE IN ONE TROPHY, the golf ball enclosed within a divided hinged sphere on pedestal stand, presentation inscription dated 1931, by Fattorini & Sons Ltd, Sheffield 1931, 11.5cm high £150-200 (plus 24% BP*) 363. A SILVER GOLF TROPHY, modelled as a rabbit holding a golf club upon a domed half golf ball, by Chrisford & Norris Ltd, Birmingham 1913, on ebonised plinth, 10.5cm high overall £200-250 (plus 24% BP*) 364. AN EARLY 20TH CENTURY SILVER NOVELTY EASEL DESK TIMEPIECE, repoussé decorated with a figure of a golfer standing beside the hinged dial aperture, by William Vale & Sons, Birmingham 1910, 15.5cm high £280-350 (plus 24% BP*)

Lot 366 365. A 1920’S SILVER NOVELTY GOLFING ASHTRAY, with golf bag and club lighter mounted to one corner, by Cornelius Desormeaux Saunders & James Francis Hollings Shepherd, Chester 1927, 11cm high £220-260 (plus 24% BP*) 366. A SILVER RECTANGULAR DESK PAPERWEIGHT AND CLIP, the hinged clip in the form of two golf clubs and a ball,

by George Neal & George Neal, London 1912, 10cm long £200-250 (plus 24% BP*)

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367. A PAIR OF VICTORIAN SILVER NOVELTY PEPPERS, in the form of the heads of young boys, with lace neck ruffs, one smiling and the other sneezing, by James Barclay Hennell, London 1882, 4.8cm high £1500-1800 (plus 24% BP*) 368. A CONTINENTAL WHITE METAL COW CREAMER with tail loop handle, and hinged lid with fly handle, 13.5cm long £450-500 (plus 24% BP*) 369. A FRENCH WHITE METAL BEAKER, fitted with a folding ivory handled travelling fork and spoon, and a later bone cylindrical case, and a folding knife, within fitted wooden outer case £180-220 (plus 24% BP*) 370. A GEORGE III SILVER GOBLET, of half lobed design, with a band of textured decoration on gadrooned pedestal foot, makers I.C. possibly John Cramer, London 1810, 14cm high, 12oz £600-700 (plus 24% BP*)

Lot 371

371. A GEORGE II SILVER TODDY LADLE, with plain, ovoid bowl and turned fruitwood handle, London 1750, 33.5cm long £200-250 (plus 24% BP*) 372. A COLLECTION OF FIFTY ASSORTED SILVER SALT SPOONS, various patterns, dates and makers, approximately 9oz overall (qty) £250-300 (plus 24% BP*) 373. A SET OF SIX GEORGE III SILVER TEASPOONS, with bright cut decoration, maker I.P. possibly John Pritchard, London 1803; and a George IV silver gilt dessert spoon with scallop terminal by Robert Garrard II, London 1822 (7) £120-150 (plus 24% BP*) 374. A PAIR OF MID 18TH CENTURY SILVER OLD ENGLISH PATTERN TABLESPOONS, marks indistinct, two 19th Century silver tablespoons, and various mainly 19th Century silver teaspoons (qty) £40-60 (plus 24% BP*)

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375. AN EDWARDIAN SILVER DRESSING TABLE SET, with foliate and scroll repoussé decoration, comprising hairbrush and clothes brush, Birmingham 1903, and three silver topped glass jars, London 1903, in fitted leather case, together with a late 19th/early 20th Century sterling manicure set, cased (2)

Lot 377 Lot 378

376. A LATE VICTORIAN SILVER ROSE BOWL, repoussé decorated with stylised scrolling foliage, and gadrooned border, by Atkin Bros, Sheffield 1899, 19.5cm diameter, 16 oz £200-250 (plus 24% BP*) 377. A VICTORIAN SILVER BALUSTER MUG, repoussé decorated and engraved with panels of stylised flowers and foliage, and with scroll handle, by Joseph Angell II, London 1861, 10cm high, 6.5 oz; and another similar by George John Richards, London 1852, 10.5cm high, 5 oz (2) £150-200 (plus 24% BP*)

Lot 379 378. A VICTORIAN SILVER RECTANGULAR SNUFF BOX

by Alfred Taylor, Birmingham 1854, 10cm long; a pair of silver dishes with Churchill coin inset bases, London 1972; a further silver small dish, London 1970; and a pair of silver Art Deco design small rectangular ashtrays by Walker & Hall, Birmingham 1936, 14 oz overall (6) £80-100 (plus 24% BP*) 379. A MATCHED SILVER FIVE PIECE TEA SERVICE, of half lobed form, with ebonised handles, comprising teapot, milk jug and sucrier by William Aitken, Birmingham 1909, baluster hot milk pot by Josiah Williams & Co., London 1912, and a Victorian tea kettle on stand with burner by Thomas Williams, Henry & Lovis Dee, London 1878, 82 oz all in (5) BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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380. A WILLIAM AND MARY BRITANNIA STANDARD SILVER LARGE TANKARD, with fluted and engraved sides, hinged flattened cover with flower head centre, and shaped later engraved crest handle, by Timothy Ley, London 1697, 20cm high, 32.5 ozs (also illustrated on inside front cover) £1500-2500 (plus 24% BP*)

381. A GEORGE III SILVER BALUSTER MUG, of plain design, with scroll handle,

by William Shaw & William Priest, London 1753, 12.5cm high, 12 ozs £250-350 (plus 24% BP*) 382. A GEORGE II SILVER SMALL SALVER, with scallop and ‘C’ scroll edged piecrust border, on pad feet, by William Peaston, London 1751, 20.5cm diameter, 12oz £300-400 (plus 24% BP*) 383. A PAIR OF EDWARDIAN SILVER GRAPE SCISSORS, by Martin Hall & Co, Sheffield 1906; five silver wine labels with foliate repoussé decorated borders, five cased sets of silver tea and coffee spoons, various boxed silver handled serving knives and similar pieces, and various silver spoons etc (qty) £100-200 (plus 24% BP*)

Lot 381

384. AN EDWARDIAN SILVER SWING HANDLED SUGAR BASKET, with pierced decoration, gadrooned border and blue glass liner, Birmingham 1904, 14.5cm long; and a pair of silver pierce decorated swing handled sweetmeat baskets, of quatrefoil shape, Birmingham 1910 (3) £80-120 (plus 24% BP*)

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385. AN EDWARDIAN SILVER SALVER, with piecrust border on hoof feet by John Hunt, London 1907, presentation inscription dated 1916, 30.5cm, 28.5 oz £200-300 (plus 24% BP*)

389. A SMALL COLLECTION OF EASTERN WHITE METAL ITEMS, a beaker, twin handled lobed dish, coin inset dish, an oval plated caddy, and other items (qty) £40-80 (plus 24% BP*)

386. A MATCHED CANTEEN OF SILVER BEADED FLATWARE, comprising six tablespoons, six dessert spoons and six dessert forks by Francis Higgins III, London 1907, and six similar table forks, five London 1836 and one other, and a pair of Georgian silver beaded tablespoons, 44 oz (26) £300-500 (plus 24% BP*)

390. A SILVER CIGARETTE CASE, with engine turned decoration

by Trevitt & Sons, Chester 1911, 11.5cm; a similar smaller silver cigarette case, 8.5cm, 8 oz overall; and a gold plated yard-o-led pencil (3) £60-80 (plus 24% BP*)

387. A SILVER SUGAR BASIN by Lee & Wigfull, presentation and inscription, Sheffield 1917, and a similar smaller basin, Chester 1923, and three odd spoons, 11 oz overall (5) £50-80 (plus 24% BP*) 388. AN EARLY VICTORIAN SILVER CREAM JUG, of baluster form, repoussé decorated with flowers and foliage, by Samuel Hayne & Dudley Carter, London 1846, 12.5cm high; and a George III silver cream jug, with foliate engraved decoration, London 1810, 8 oz overall (2) £60-90 (plus 24% BP*)

391. A MID VICTORIAN SILVER DRUM MUSTARD, the sides with alternating panels of pierced and engraved decoration, and with scroll handle and blue glass liner, by Henry John Lias & Son, London 1864, 8cm high. £150-250 (plus 24% BP*) 392. A MID VICTORIAN SILVER TANKARD MUSTARD, of hexafoil section,with beaded borders and domed cover, on spreading foot, shaped blue glass liners, by Samuel Hayne & Dudley Cater, London 1859, 9cm high. £200-300 (plus 24% BP*) 393. A MID VICTORIAN SILVER DRUM MUSTARD, the sides pierce decorated and engraved with stylized flowering foliage, having slightly domed cover with pierced thumb piece, blue glass liner, by John, Edward, Walter and John Barnard, London 1873, 8cm high. £150-250 (plus 24% BP*)

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394. A MID VICTORIAN SILVER TANKARD MUSTARD, with pierce decorated sides and engraved cover, blue glass liner, by John Evans II, London 1856, 8.5cm high. £120-180 (plus 24% BP*)

399. A MID VICTORIAN SILVER TANKARD MUSTARD, the sides with panels of pierced decoration, having domed cover with pierced thumb piece and scroll handle, blue glass liner, by Edward & John Barnard, London 1855, 9cm high

395. AN EARLY VICTORIAN SILVER TANKARD MUSTARD, the sides pierced and repoussé decorated with rams’ masks, acanthus and ‘C’ scrolls, and cast feet, having engraved cover and scroll handle, and blue glass liner, by Roberts & Hall, Sheffield 1848, 9.5cm high £200-300 (plus 24% BP*)

400. A MID VICTORIAN SILVER DRUM MUSTARD, the sides pierce decorated with scrolling foliage, the engraved cover with pierced thumb piece, blue glass liner, by Edward & John Barnard, London 1859, 7cm high £150-250 (plus 24% BP*)

396. AN EARLY VICTORIAN SILVER TANKARD MUSTARD, of octagonal section, the sides pierce decorated with scrolling sylized foliage, having engraved domed cover, blue glass liner,

by John Evans II, London 1845, 10.5cm high £200-300 (plus 24% BP*) 397. AN EARLY VICTORIAN SILVER DRUM MUSTARD, the sides pierce decorated with stylized scrollwork, the engraved slightly domed cover with scallop thumb piece, by John Wilmin Figg, London 1845, 7.5cm high £150-250 (plus 24% BP*) 398. AN EARLY VICTORIAN SILVER TANKARD MUSTARD, of octagonal section, the sides pierced and cast with convolvulus flowers and foliage, with engraved octagonal domed cover, and scroll handle, blue glass liner, by Yapp & Woodward, Birmingham 1847, 9cm high. £300-400 (plus 24% BP*)

401. A MID VICTORIAN SILVER TANKARD MUSTARD, the sides with hexagonal flattened panels and engraved with flowers, on shaped spreading base, having engraved domed cover with scallop thumb piece, by William Robert Smily, London 1855, 8cm high £200-300 (plus 24% BP*) 402. A VICTORIAN SILVER MUSTARD, of baluster form, with applied ropetwist decoration and domed cover with scroll thumb piece, blue glass liner, by George Fox, London 1870 £150-250 (plus 24% BP*) 403. AN EARLY VICTORIAN SILVER DRUM MUSTARD, of plain design, with slightly domed cover and scallop thumb piece, blue glass liner, by Charles Lias & Son, London 1845, 7cm high £100-150 (plus 24% BP*) 404. A MID VICTORIAN SILVER DRUM MUSTARD, engraved with scrolling foliage and with beaded borders, scallop thumb piece, blue glass liner, by Robert Harper, London 1860, 8.5cm high £150-250 (plus 24% BP*)

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405. A SILVER RECTANGULAR PHOTOGRAPH FRAME,

by Sanders & Mackenzie, Birmingham 1912, 30.5cm high; further silver items to include a mustard, London 1898, a pair of cylindrical pepper grinders, with stepped tops (marks rubbed), a cased set of six teaspoons, two cased Christening fork and spoon sets, assorted teaspoons and forks, approximately 15oz overall weighable; and a late 19th Century Chinese ivory hand mirror, intricately carved with bands of foliage (qty) £100-200 (plus 24% BP*) 406. AN EDWARDIAN SILVER SAUCE BOAT, repoussé decorated with flowers and ‘C’ scrolls, on three hoof feet, Birmingham 1909, 13cm long; a pair of French late19th/early 20th Century silver mounted glass condiment bottles and stoppers, the glass etched with ribbon tied garlands, 20.5cm high; and a silver plated toast rack and entrée dish and cover (5) £60-100 (plus 24% BP*) 407. A MALTESE SUGAR BASIN AND COVER, of lobed design with rose finial, on three hoof feet, maker AQ, 14.5cm high; and another twin handled sugar bowl and cover, the base stamped sterling 925, 11.5 cm high. (2) £80-150 (plus 24% BP*) 408. A SILVER MOUNTED ROYAL DOULTON JUG, in the form of a stitched leather jack, by Cornelius Desormeaux Saunders & James Francis Hollings Shepherd, London 1929, 17.5cm high; a silver sauce boat by Viner’s, Sheffield 1932, and a silver pierce decorated bottle coaster, with turned wooden base, Birmingham 1971. (3) £60-90 (plus 24% BP*)

410. A COLLECTION OF SILVER PLATED ITEMS, to include a cut glass claret jug with mask spout and scroll handle, a salver, two tureens and covers, various sectional serving dishes, sauce boats, a swing-handled cake basket, coffee pot, a pair of miniature tureens and covers, and miscellaneous other items. (qty.) £80-150 (plus 24% BP*) 411. A LATE VICTORIAN SILVER ROSE BOWL, of half lobed form, repoussé decorated with ribbon tied swags, maker's mark rubbed, London 1893, 24cm diameter, 24 oz £400-600 (plus 24% BP*) 412. A GEORGE III IRISH SILVER FIDDLE PATTERN TABLESPOON, Dublin 1806, another by Isaac Solomon, Dublin 1821; a pair of Irish fiddle pattern teaspoons by Christopher Cummins Jnr, Dublin 1837; an Old English pattern tablespoon, London 1810; and a Victorian sifter spoon by Francis Higgins II, London 1872, 8.5cm overall (6) £60-80 (plus 24% BP*) 413. A GEORGE III SILVER GILT TABLE SALT, with shaped border on three hoof feet by Robert Garrard II, London 1818, 8.5cm wide, 6 ozs £80-120 (plus 24% BP*) 414. A PAIR OF EDWARDIAN SILVER CANDLESTICKS with beaded borders and stepped square bases by Martin, Hall & Co., Sheffield 1904, 14.5cm high (2) £80-120 (plus 24% BP*)

409. A 1930’S SILVER GILT AND PINK GUILLOCHE MOUNTED ENAMEL VANITY SET, comprising a small cut glass jar, buffer, shoe horn, button hook, and various accessories, by Daniel Manufacturing Co., Birmingham 1937, in fitted case. £30-50 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 417

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Lot 423

Lot 424

Lot 427

Lot 428

415. A MEXICAN WHITE METAL FOUR SECTION SERVING DISH, with central ball handle, stamped Sterling, 22.5cm wide; a silver double folding photgraph frame, and another small circular frame (3) £50-60 (plus 24% BP*)

421. A SILVER SCALLOP SHAPED BUTTER DISH, by Josiah Williams & Co., London 1902, another similar, Sheffield 1896, three various silver butter knives, and a silver sauce boat, by Mappin & Webb, Birmingham 1932, 11 oz all in (6) £60-80 (plus 24% BP*)

416. A PAIR OF GEORGE III SILVER OVAL WAITERS OR STANDS, with gadrooned borders, on shaped feet by Robert Garrard I, London 1802, 23cm, 27 oz overall (2) £400-600 (plus 24% BP*)

422. A GEORGE III SILVER OLD ENGLISH PATTERN TABLESPOON, with bright cut decoration, by Stephen Adams, London 1780, another similar, 1784, three pairs of Georgian bright cut sugar tongs, a George III Old English pattern sauce ladle, London 1803, and a pair of scissor form sugar tongs, Sheffield 1911, 9 ozs all in (7) £80-120 (plus 24% BP*)

417. A PAIR OF INDIAN CIRCULAR SALTS AND MATCHING SPOONS by Oomersi Mawji, embossed with stylised scrolling foliage and on paw feet, stamped O.M. Bhuj, 6cm diameter (4) £100-150 (plus 24% BP*) 418.TWO SILVER CIGARETTE BOXES, a set of four small silver salts, and other silver including a sugar basin, a salt and pepper, a sifter spoon, a cased set of coffee spoons, and a set of six silver handled dessert knives and forks (qty) £50-80 (plus 24% BP*) 419. A COLLECTION OF THIRTEEN EARLY 20TH CENTURY SILVER SOUVENIR SPOONS, some with gilt and/or enamel decoration, two with enamel landscape bowls; and a set of Norwegian silver gilt and enamel teaspoons with vari-coloured handles, in fitted case £80-100 (plus 24% BP*) 420. A LATE VICTORIAN SILVER FRAMED RECTANGULAR EASEL MIRROR, repoussé decorated with scrolling foliage and with bevelled plate, Chester 1899, 23cm high; together with two small silver photo frames, one rectangular and the other oval (3) £100-150 (plus 24% BP*)

423. A 19TH CENTURY RUSSIAN SILVER GILT FIDDLE PATTERN SERVICE of flatware and cutlery, comprising twelve dessert spoons, twelve dessert forks, and twelve knives, St Petersburg c1852/3, assayed by Egor Ivanovich Blomberg, maker N & P probably Nichols & Plinke, 66 ozs all in, together with two further Russian spoons with twist stems, one unmarked £1000-2000 (plus 24% BP*) 424. A SILVER THREE PIECE CRUET SET, comprising mustard, salt and urn shaped pepper, with pierce decorated and engraved decoration, and blue glass liners, the mustard with spoon, by William Comyns & Son Ltd, London 1930/31, pepper 12cm high; and a pair of silver sugar tongs, Sheffield 1898 (4) £70-100 (plus 24% BP*) 425. AN EARLY 19TH CENTURY STYLE OVAL TEA CADDY, possibly Hanau, with beaded and engraved border and hinged lid, bears marks, 10cm high £100-200 (plus 24% BP*) 426. A SILVER DISH, by Wakely & Wheeler, London 1962, 15cm diameter, 6 oz, another small spot hammered dish, by Charles Edwards, London 1933, 3 oz, and three cased sets of silver spoons (qty) £100-150 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 429

Lot 430

Lot 431

Lot 434

Lot 425

427. A LATE VICTORIAN SILVER THREE PIECE TEA SERVICE, with half lobed and gadrooned bodies, the teapot with fruitwood handle and knop, by Susannah Brasted, London 1891, 38 oz all in (3) £300-400 (plus 24% BP*) 428. A SILVER CAKE STAND, with overlapping scale design, on low pedestal foot, by Mappin & Webb, Sheffield 1920, 23cm, 15 oz £100-150 (plus 24% BP*) 429. A GEORGE III SILVER RECTANGULAR SALVER, with gadrooned border and rounded corners, on shaped feet, maker W.B. probably Walter Brind, Lobdon 1808, 27.5cm long, 22 oz 430. A VICTORIAN SILVER AFTERNOON TEA SET, repoussé decorated with flowers and scrolling foliage, comprising cream jug, sugar basin, six teaspoons and sugar tongs by Goldsmiths and Silversmiths Co, London 1885/86, in fitted case £80-150 (plus 24% BP*) 431. A SILVER ARTS & CRAFTS DESIGN QUAICH, by Henry George Murphy, with pierced tree of life design handle; London 1936 and with falcon studio mark, 17.5cm long, including handle, 5.5 oz £300-500 (plus 24% BP*)

432. A SILVER TWIN HANDLED SMALL TAZZA, with pierced rim, Birmingham 1926, 12cm wide, and a small collection of silver plated items, comprising a 19th Century urn shaped coffee pot, a three piece tea service, a sugar basin, and a white metal compact and lighter (qty) £50-80 (plus 24% BP*) 433. A LATE VICTORIAN SILVER PUNCH BOWL, the shaped border cast with ‘C’ scroll and masks, the sides repoussé decorated with ribbon tied swags, on lobed foot, by Johnson, Walker & Tolhurst Ltd, London 1895, 29cm diameter, 52 oz (also illustrated on back cover) £1500-2000 (plus 24% BP*) 434. A GEORGE III SILVER TODDY LADLE, with shaped elongated bowl, crested to the underside, and with turned ebonised handle, maker’s mark indistinct, London 1779, 35.5cm long £100-150 (plus 24% BP*) 435. A GEORGE III SILVER OLD ENGLISH PATTERN SOUP LADLE, with scalloped bowl, by Richard Pearce, London 1819; another with plain bowl by Richard Crossley, London 1794, crested, and a similar, later, ladle by Josiah Williams & Co., London 1907, 23 oz overall (3) £250-350 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 436

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Lot 438

Lot 439

Lot 440

Lot 441

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Lot 461

Lot 462

436. A MATCHED PAIR OF LATE VICTORIAN SILVER CANDLESTICKS, of Corinthian column form, with beaded stepped square bases, one by James Charles Jay, London 1897, the other Birmingham 1899, 16cm high (2) £100-150 (plus 24% BP*) 437. A GEORGE IV SILVER SERVING PLATE OR STAND, with shaped and gadrooned border, by Robert Garrard II, London 1823, 26cm diameter, 24 oz £250-350 (plus 24% BP*) 438. A PAIR OF LATE VICTORIAN SILVER SAUCE BOATS, with scroll handles and stepped hoof feet, by George Lambert, London 1899 (one foot detached), 22.5 oz overall (2) £200-300 (plus 24% BP*)

439. AN EARLY GEORGE III SILVER SAUCE BOAT, with scroll handle, and anthemion capped hoof feet, by Richard Gurney & Thomas Cook, London 1760, 16.5cm long, 7oz £100-150 (plus 24% BP*) 440. A LATE VICTORIAN SILVER BOWL, of spirally lobed form, with pierced rim, and curved supports with oval pad feet, by James Wakeley & Frank Clarke Wheeler, London 1894, 16cm diameter, 11.5oz £150-200 (plus 24% BP*) 441. A MID VICTORIAN SILVER NAVETTE SHAPED PEDESTAL SALT, pierce decorated and embossed sides and twin ring handles, on lobed and beaded foot, glass liner, by John Wilmin Figg, London 1865, 13cm long; and a beaded salver salt spoon (2) £120-160 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 445

442. A MID VICTORIAN SILVER SEVEN BAR TOAST RACK, of shaped design, on pierced scroll feet, by John, Edward, Walter & John Barnard, London 1875, 17.5cm, 10 oz; a silver twin handled double sided cream jug, London 1896, and a silver circular butter dish with frosted glass liner, Chester 1915 (3) £100-200 (plus 24% BP*) 443. A SILVER THREE PIECE TEA SERVICE by Eric Clements, for Mappin & Webb, of plain, slightly baluster design, the teapot with composite curved handle and knop, Sheffield 1965, teapot 15.5cm high, 37 oz all in (3) £400-600 (plus 24% BP*) 444. A SET OF LIMITED EDITION SILVER AND ENAMEL QUEEN’S BEASTS SPOONS, by Toye, Kenning & Spencer, Birmingham 1975; and a set of twelve Birmingham Mint Silver Apostle topped spoons, Birmingham 1975, both in fitted boxes (2) £100-200 (plus 24% BP*) 445. AN EASTERN WHITE METAL CIRCULAR BOX with hinged cover, repoussé decorated with stylised flowering foliage, on scroll and foliate cast feet, 22cm diameter (also illustrated on inside back cover) £150-200 (plus 24% BP*) 446. A GEORGE I SILVER DOUBLE ENDED MARROW SCOOP, by William Petley, London 1721, 22.5cm long, and another early Georgian silver double ended marrow scoop, marks indistinct (2) £150-200 (plus 24% BP*) 447. AN EARLY GEORGIAN SILVER DOUBLE ENDED MARROW SCOOP, by Jeremiah Lee, c.1730, maker’s mark only, 23cm £80-120 (plus 24% BP*) 448. A GEORGE III SILVER DOUBLE ENDED MARROW SCOOP, by Hester Bateman, London 1780, 21.5cm long, and another

by Jonathan Hayne, London 1829, 21cm (2) £150-200 (plus 24% BP*) 449. A GEORGE III SILVER DOUBLE ENDED MARROW SCOOP, by Thomas Wallis, London 1771 (?), 23.5cm long; and another, with beaded handle, by Stephen Adams, London 1779, 23cm (2) £150-200 (plus 24% BP*)

450. A GEORGE III SILVER DOUBLE ENDED MARROW SCOOP, by George Smith III and William Fearn, London 1787, 21.5cm long; and another, Victorian example, by Henry Holland, London 1870, 22cm (2) £150-200 (plus 24% BP*) 451. A PAIR OF SILVER DOUBLE ENDED MARROW SCOOPS, by Elkington & Co., London 1910, 23cm (2) £100-150 (plus 24% BP*) 452. A GEORGE III SILVER DOUBLE ENDED MARROW SCOOP, by William Sumner, London 1786, 23.2cm; and another by Josiah Barnett and William Waters, London 1859, 23.5cm (2) £150-200 (plus 24% BP*) 453. A COLLECTION OF SILVER PLATED ITEMS, comprising a late Victorian cut glass tapered claret jug, with mask spout and scroll handle, an Arts & Crafts design small tea kettle on stand, with fixed handle, and burner, a pair of 19th Century urn shaped tureens and covers, a Victorian coffee pot, three entree dishes and covers, a galleried tray, and a small quantity of flatware (qty) £100-200 (plus 24% BP*) 454. A LATE VICTORIAN SILVER MOUNTED PIERCE DECORATED INKWELL, London 1899; three silver peppers, a salt, various small scent bottles, an eastern white metal three piece cruet set, various silver and white metal miniature boxes, salt spoons and other oddments (qty) £60-100 (plus 24% BP*) 461. A VICTORIAN SILVER RECTANGULAR SNUFF BOX, the cover repoussé decorated with Eastern style figures and foliage by Thomas Hayes, Birmingham 1893, 8.5cm long; another of shaped outline, Birmingham 1900, and a silver vesta case (3) £100-150 (plus 24% BP*) 462. AN EARLY 20TH CENTURY SILVER AND MOTHER OF PEARL HANDLED IVORY SHOE HORN, carved with a dragon, the handle hallmarked for Sheffield 1915, 23cm long £30-40 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 463

Lot 464

463. A PAIR OF SILVER MOUNTED CUT GLASS GLOBULAR SCENT BOTTLES, with faceted stoppers by Selfridge & Co Ltd, Birmingham 1923, 14cm high; another silver topped cut glass scent bottle, of rectangular form, London 1905, 9.5cm; and an overlaid cranberry glass scent bottle, with later stopper (4) £80-120 (plus 24% BP*) 464. A MID 19TH CENTURY GOLD FOB SEAL chased and engraved with scrolling foliage, and with intaglio carved cornelian inset seal; and another 19th Century oval fob seal, of pierced openwork design, each 3.5cm high (2) £200-300 (plus 24% BP*)

Lot 465 472. A 19TH CENTURY DUTCH WHITE METAL TOY CANDLE BOX, with hinged lid and heart pierced back, 4.5cm long £150-180 (plus 24% BP*) 473. A 19TH CENTURY WHITE METAL TOY COFFEE POT, of tapered form, 4.5cm high £150-180 (plus 24% BP*) 474. A 19TH CENTURY EDWIN COTTERILL’S PATENT SELF ADJUSTING BRASS CORKSCREW, with turned ebony handle, 21cm long £60-90 (plus 24% BP*)

465. A CONTINENTAL 19TH CENTURY WHITE METAL FAN SHAPED BOX, the black enamel inset hinged lid painted en grisaille with a cherub and theatrical mask, the sides repoussé decorated with cherubs and ribbon tied swags, 15cm long £200-300 (plus 24% BP*)

475. A 9CT GOLD PROPELLING PENCIL by Sampson Mordan & Co., 5.5cm long; and an early 20th Century ivory and enamel cheroot holder, 13cm in fitted case (2) £100-150 (plus 24% BP*)

466. A VICTORIAN SILVER NOVELTY VESTA in the form of a dog kennel, with enamel and Essex crystal cabochon dog to the entrance, the back opening as a drawer to reveal match compartment and striker, by Thomas Johnson II, London 1881, 5cm long £1500-1800 (plus 24% BP*)

476. A LATE VICTORIAN WHITE METAL CRUCIFIX, 8cm high, in fitted triptych case; together with a silver pierce decorated vase shaped pepper, with blue glass liner, Birmingham 1919, a silver cigarette case, two pairs of sugar tongs and two odd spoons (7) £80-120 (plus 24% BP*)

467. AN EARLY 20TH CENTURY SILVER MOUNTED TORTOISESHELL SMALL MANTEL TIMEPIECE, of shaped outline, with enamel circular dial, and French movement, on bun feet, 10cm high £420-480 (plus 24% BP*) 468. A VICTORIAN SILVER SCENT BOTTLE, with enamel inset decoration of pink and white flowering branches, marks rubbed, 7.5cm; and two Victorian silver cylindrical scent bottles by Sampson Mordan, one with spiral twist decoration, 1882 and 1892, 5.5cm (3) £300-400 (plus 24% BP*) 469. A 1930’S AGATE CARD CASE with diamond and sapphire mounts, the variegated orange, green and grey case with cabochon sapphire and diamond set clasp, and diamond set hinges, with an unassociated cartier box £1800-2000 (plus 24% BP*) 470. A DUTCH WHITE METAL CANDLE SNUFFER/WICK TRIMMER, of scissor form, contained in a fitted open white metal case, 10.5cm long overall £250-300 (plus 24% BP*) 471. A 19TH CENTURY DUTCH WHITE METAL TOY WHEEL BARROW OR HAND CART, 9cm long £120-150 (plus 24% BP*)

477. A CONTINENTAL WHITE METAL TRIPLE SECTION CIGARETTE CASE, with engine turned exterior and cabochon hardstone clasp, opening each side and with folding central compartment, stamped 925, 11.5cm long £100-150 (plus 24% BP*) 478. A VICTORIAN SILVER AND ENAMEL CIGARETTE CASE, the front and back engraved with one half of a chessboard, complete when open with game in progress, with inscription ‘white to play and mate in three moves’, the interior further engraved with moves for both black and white, by Alfred Fuller, London 1884, 9cm long £100-150 (plus 24% BP*) 479. A 19TH CENTURY MOTHER OF PEARL AND ABALONE SHELL CARD CASE, with chequered lozenge design, 10.5cm long £30-50 (plus 24% BP*) 480. AN EDWARDIAN SILVER CARD CASE, with hinged top and sliding ejector by Williams, Birmingham 1905, 10.5cm long; another silver card case, with green leather pocket interior, Birmingham 1919, 10.5cm, and another, with hinged top and chain link handle, engraved initial H, Birmingham 1913 (3) £100-150 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 466

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481.TWO LATE 19TH CENTURY CHINESE WHITE METAL FILIGREE CARD CASES, one with repeated scroll decoration, the other with stylised scrolling foliage, largest 9cm long (2) £70-90 (plus 24% BP*) 482. AN EDWARDIAN SILVER CARD CASE, repoussé decorated with sinuous flowering foliage, the interior with pockets and an ivory aide memoire by Henry Matthews, Birmingham 1904, 10.5cm long; and a late Victorian silver card case, engraved with stylised foliage, Birmingham 1890, 10cm (2) £80-120 (plus 24% BP*)

492. A 19TH CENTURY SILVER CADDY SPOON, with engraved handle by George Unite, Birmingham 1859, 9cm long; and two further caddy spoons, one with rectangular bowl and scallop terminal, Sheffield 1935 (3) £50-80 (plus 24% BP*) 493. A WILLIAM IV SILVER CADDY SPOON, with scalloped bowl, London 1835; one similar Victorian caddy spoon, with fiddle pattern handle by Thomas Wheatley, Newcastle 1851, and one other 19th Century silver caddy spoon of shovel form (marks rubbed) (3) £80-120 (plus 24% BP*)

483. A MID VICTORIAN SILVER CARD CASE, of shaped rectangular outline, engraved with stylised foliage and trellis work, by Alfred Taylor, Birmingham 1864, 10cm long; and another, engraved with flowering foliage by Deakin & Francis, Birmingham 1876, 10cm long (2) £100-150 (plus 24% BP*)

494.TWO SILVER CADDY SPOONS with scalloped bowls and fleur de lys terminals, Sheffield 1981, and three further silver caddy spoons, all with scalloped bowls (5) £60-90 (plus 24% BP*)

484. AN EDWARDIAN SILVER CARD CASE, with hinged top and sliding ejector, engraved with repeated stylised foliage by Henry Williamson Ltd, Birmingham 1902, 10cm long; and two further silver card cases with foliate engraved decoration, Chester 1907 and 1922 (3) £100-150 (plus 24% BP*)

495. A SILVER CADDY SPOON, with shaped bowl, and pierced and engraved handle by Mappin & Webb, Sheffield 1936; five further silver caddy spoons, including one with Masonic terminal for the Hogarth Lodge, London 1920, and two silver plated caddy spoons (8) £100-150 (plus 24% BP*)

485. AN EDWARDIAN SILVER CARD CASE of shaped rectangular form, engraved with stylised foliage, Birmingham 1906, 8.3cm long; another of spring hinged form, by Sampson Mordan & Co., Chester 1912, and two white metal card cases, one stamped sterling (4) £100-150 (plus 24% BP*)

496. A SILVER PURSE, engraved with ribbon tied swags and with chain handle, Birmingham 1918, 11.5cm long; a silver cigarette case; and a collection of items comprising a white metal mounted nut, a silver rattle with ivory teething ring, a Trinidadian coin spoon, a silver and mother of pearl handled butter knife, a silver and mother of pearl fruit knife, a silver cheroot case, an engraved Scottish kilt pin, an ebony desk seal, a lignum vitae turned box and cover, and a carved bone needle case with inset Stanhope (qty) £100-150 (plus 24% BP*)

486. A SILVER CARD CASE of curved rectangular form, engraved with stylised scrolling foliage, Birmingham 1916, 8.5cm long; and five further similar card cases, variously decorated (6) £100-150 (plus 24% BP*) 487. A SILVER LADY’S CIGARETTE CASE/COMPACT, with line engraved decoration, fitted interior with mirror and powder compartment by Cohen & Charles, Chester 1913, 8.5cm long; two Victorian plain silver cigarette cases, Chester 1884 and London 1884, a silver sovereign case, Birmingham 1913, and a silver vesta case (5) £100-150 (plus 24% BP*) 488. AN EDWARDIAN SILVER CARD CASE, with crocodile skin texture, Birmingham 1906, 9.5cm; a silver engine turned card case/purse with leather interior and ivory aide memoire, London 1902, and five further various silver card cases (7) £100-150 (plus 24% BP*) 489. A PAIR OF LATE 19TH CENTURY GILT METAL LORGNETTES repoussé decorated with scrolling foliage and a box link chain, cased, and an Edwardian silver gilt card case, of curved rectangular form, Birmingham 1902 (2) £80-120 (plus 24% BP*) 490. A 19TH CENTURY CORNELIAN FOB SEAL, intaglio carved, on a 15ct gold mounted black ribbon, suspended from a triple chain link and enamel clip, parts stamped 9ct £80-120 (plus 24% BP*) 491. A SILVER NOVELTY CADDY SPOON in the form of a feathered bird, its head forming the handle, by C.J. Vander, London 1977, 7.5cm long; and another in the form of a Jockey’s cap, Sheffield 1994 (2) £40-60 (plus 24% BP*)

497. A PAIR OF STERLING DISHES, the borders repoussé decorated with flowers and foliage, 10.5cm diameter; a silver George VI caddy spoon; two propelling pencils, one by S Mordan & Co., and a mesh link coin purse (6) £50-80 (plus 24% BP*) 498. A SILVER SMALL MODEL of a traveller, with parasol and sack, by Thomas Charles Jarvis, London 1978, 6cm high, and a further small silver model of two hedgehogs (2) £30-50 (plus 24% BP*) 499. A 9CT GOLD PROPELLING PENCIL by Sampson Mordan & Co., 8.5cm long; an Eastern white metal pin clasp; a boxed travelling chess set; and other assorted items (qty) £40-80 (plus 24% BP*) 500. AN EASTERN WHITE METAL AND HORSE HAIR FLY WHISK, the handle engraved and embossed with figures and foliate scrolls, handle 22.5cm long £60-80 (plus 24% BP*) 501. A SILVER RECTANGULAR CIGARETTE CASE, with slide opening and engine turned decoration, by Garrard & Co Ltd, London 1954, 11.5cm, another similar by Mappin & Webb, London 1939, 12 ozs overall, and an enamel circular box, the hinged cover with landscape scene (3) £100-150 (plus 24% BP*)

BP* – Buyer’s Premium of 24% incl. VAT @ 20%

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Lot 482

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CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged.

Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre-1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

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