The Picture Sale - 17th October 2018 - (Mallams Oxford)

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MALLAMS THE PICTURE SALE

Mallams 1788

The Picture Sale Wednesday 17th October 2018 at 11am

17 OCTOBER 2018

www.mallams.co.uk

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FURTHER ENTRIES INVITED

Mallams 1788

Jewellery & Silver Sale

Mallams 1788

Wednesday 14th November at 11am Viewing times: Saturday 10th November 9am – 1pm Monday 12th & Tuesday 13th November 9am – 5pm And on Sale Day from 8.30am

6 & 7 December 2018 OXFORD

An Art Deco diamond panel bracelet by Cartier Estimate £20,000 - £30,000

For further information please contact Max Fisher 01865 241358 or max.fisher@mallams.co.uk www.mallams.co.uk

B O C A R D O H O U S E , 2 4 A S T. M I C H A E L’ S S T R E E T, O X F O R D O X 1 2 E B

Enquiries: Please contact 01865 241358 or oxford@mallams.co.uk www.mallams.co.uk

B O C A R D O H O U S E , 2 4 A S T. M I C H A E L’ S S T R E E T, O X F O R D O X 1 2 E B

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The Picture Sale

17th October 2018 at 11am Oxford

Order of Sale Prints

1-79

Maps

80-90A

Miniatures

91-100

A collection of paintings from a deceased estate

101-125

Watercolours and Oils (Part One)

126-360

A collection of paintings from an Oxfordshire estate

361-400

Watercolours and Oils (Part Two)

401-437

Frames

440-452

Viewing Saturday 13th October 9am to 1pm Monday 15th October 9am to 5pm Tuesday 16th October 9am to 5pm Morning of the sale from 8.30am IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not.

The absence of a frame in the photograph does not necessarily indicate that the work is unframed.

To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding.

Condition reports: oxford2@mallams.co.uk Important notice: Buyers premium 24% inclusive of VAT on each lot Please note that condition reports are not printed in the catalogue or on our website however we are happy to provide them when requested subject to our terms and conditions of sale.

The absence of any reference to condition in any description does not imply the lot is without fault.

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Droite de Suite Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

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BID IN THE SALEROOM Register at the front desk in advance of the auction, where you will receive a paddle number with which to bid. Take your seat in the saleroom and when you wish to bid, raise your paddle and catch the auctioneer’s attention.

LEAVE A COMMISSION BID You may leave a commission bid via the website, by telephone, by email or in person at Mallams’ salerooms. Simply state the maximum price you would like to pay for a lot and we will purchase it for you at the lowest possible price, while taking the reserve price and other bids into account.

BID OVER THE TELEPHONE Book a telephone line before the sale, stating which lots you would like to bid for, and we will call you in time for you to bid through one of our staff in the saleroom. If you can’t get to the saleroom in person, a telephone bid still allows you live participation.

ONLINE LIVE BIDDING Register online at the-saleroom.com to bid online live as the sale is taking place. You can also watch and hear the auction online.

Please be aware that online bidding costs an extra 3% plus VAT of the final selling price.

OVERSEAS BIDDERS Overseas clients will need to provide proof of identity (a scan of a passport or a national ID card) and payment card details prior to the auction.

BUYER’S PREMIUM Each lot is subject to premium on the hammer price of 20% plus VAT – a total of 24%. For example: Hammer price – £100 Premium at 20% of £100 = £20 VAT at 20% of £20 = £4 Total price – £124 PAYMENT You may pay for your purchases in several ways: debit card, credit card (plus 2.28% VAT Inc. on Business and non-EEA cards), bank transfer, cheque or cash.

COLLECTION & DELIVERY It is your responsibility to arrange collection of your purchases within one week of the sale. We do not offer postage from any of our branches. For postage enquiries, please contact the following directly: Oxford – Pack & Send 01865 260610 or Mailboxes 01865 741729

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Prints, Maps and Miniatures Lots 1-100

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THERE IS A PREMIUM OF 20% OF THE HAMMER PRICE ON ALL SALES. THIS IS SUBJECT TO V.A.T.

1 EDWARD MILLINGTON SYNGE (1860-1913) ‘Doorway, Doges Palace, Venice’, etching, pencil signed in the margin, 34cm x 19cm; and three further similar architectural views, each signed in pencil to the margin (4) £40-60 (plus 24%BP*)

3 EDWARD MILLINGTON SYNGE (1860-1913) River landscape with angler, etching, pencil signed in the margin, 20cm x 25cm; and three further similar (4) £40-60 (plus 24%BP*)

5 AFTER MAURICE UTRILLO (1883-1955) ‘Le Chateau de St Bernard, Montmartre’, lithograph, stamped with signature to the margin, numbered 6/20, 31cm x 25cm Prov: With The Redfern Gallery £200-300 (plus 24%BP*)

6 HAROLD WYLLIE (1880-1973) ‘Launch of H.M.S. Agamemnon 64 Guns at Bucklers Hard 1781’, etching, pencil signed in the margin, 21cm x 31cm; and an engraving after Samuel Atkins (2) £50-80 (plus 24%BP*)

7 ALBRECHT DURER ‘Cardinal Albercht of Brandenburg - The Great Cardinal’ (B103), engraving, 17cm x 12.5cm Prov: With P & D Colnaghi & Co. Collector’s Stamp for Vinzent Mayer (L. 2525) Watermark of the Crowned Crest £500-700 (plus 24%BP*)

8 GEORGIUS HOEFNAGLE ‘Oxonium, Vindesorium’, engraving (on one sheet), hand-coloured, 36cm x 48cm; maple frame £150-250 (plus 24%BP*) For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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4 DAVID JONES (1895-1974) ‘The Wounded Knight’, etching, pencil signed in the margin, dated ‘30’ and numbered 9/25, 19.5cm x 15.5cm Prov: With the Redfern Gallery £200-300 (plus 24%BP*)

2 EDWARD MILLINGTON SYNGE (1860-1913) ‘The Pool of the Frogs’, etching, pencil signed in the margin, 20cm x 25cm; and two further similar (3) £30-50 (plus 24%BP*)

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9 GEORGIUS HOEFNAGLE ‘Vindesorium’, hand-coloured engraving, 17.5cm x 48cm £80-120 (plus 24%BP*)

10 NORMAN WILKINSON (1878-1971) ‘A Calais Packet’, etching, pencil signed in the margin, 22cm x 30cm * Prov: With Vicars Brothers £100-150 (plus 24%BP*)

11 JULIAN TREVELYAN (1910-1988) ‘Towers and Oxen’, etching with aquatint, pencil signed, titled and numbered 33/50 in the margin, 50cm x 39cm £400-600 (plus 24%BP*)

12 WILLIAM PETHER AFTER JOSEPH WRIGHT OF DERBY ‘A Philosopher Giving a Lecture on the Orrery’, mezzotint engraving, pub. J Boydell c.1768, 45cm x 58cm Prov: With Aitken Dott & Son, Edinburgh £300-500 (plus 24%BP*)

13 NEWMAN & CO (pubs) ‘Cromwell’s Bridge, Glengariffe’, coloured lithograph, 21cm x 32cm £20-30 (plus 24%BP*)

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14 JAMES PARKER AFTER SIR WILLIAM BEECHEY The Rt. Hon. Henry Addington, 1st Lord of the Treasury, Chancellor of the Exchequer, engraving, 49.5cm x 35.5cm in Hogarth frame; and an over-painted photograph portrait of a seated gentleman (2) £40-60 (plus 24%BP*)

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15 THOMAS MALTON (pubs) ‘Vestibule, Somerset Place’, ‘Part of Somerset Place’ and ‘View in Margaret Street’, three aquatint engravings, hand-coloured, 30cm x 23 (X2) and 21cm x 30cm (X1) £50-70 (plus 24%BP*)

16 JULES LEFEBVRE (1836-1911) ‘Lovers’, etching, 15.5cm x 11.5cm £40-60 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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17 HARRY BECKER (1865-1928) The Hedgecutters, signed in pencil, lithograph, 37cm x 54cm £200-300 (plus 24%BP*)

20 WILLIAM WARD AFTER GEORGE MORLAND ‘The Last Litter’, mezzotint engraving, 48cm x 60cm £40-60 (plus 24%BP*)

18 AFTER GORDON ROBINSON ‘Dick Whittington’, chromo-lithograph, published by Richard Wyman, 49cm x 39cm £40-60 (plus 24%BP*)

21 FOLLOWER OF HENRY ALKEN ‘Saddling Up’, ‘The Start’ and ‘The Finish’, three etchings, hand-coloured, 8.5cm x 14cm; and a set of four sepia engravings representing ‘Childhood’, ‘Youth’, ‘Maturing’ and ‘Age’ (4) £40-60 (plus 24%BP*)

19 GLYNN BOYD HARTE (1948-2003) ‘Carrie, Venice, September 1978’ (the artist’s wife), signed, inscribed with title, coloured chalks, 58cm x 41cm Prov: With the Francis Kyle Gallery £200-300 (plus 24%BP*)

22 VINCENT BROOKS, DAY & SON (LITHOGRAPHERS) ‘Mrs Mary Seamon’s Pair of Aylesbury Ducks’, chromolithograph, 23cm x 17cm; and one further similar (2) £30-50 (plus 24%BP*)

24 GIOVANNI BATTISTA PIRANESI ‘Veduta dell ‘insigne Basilica Vaticana coll’ampio Portico, e Piazza adjacente’, etching, 47cm x 70cm £150-250 (plus 24%BP*)

23 THOMAS G DUTTON ‘HMS Meander 44 Guns’, lithograph, hand-coloured, 34cm x 48cm £40-60 (plus 24%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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25 FRANCESCO COZZA The Virgin and Child with three angels, engraving, 29.5cm x 21cm £80-120 (plus 24%BP*)

26 ROWLAND LANGMAID (1897-1956) St Paul’s from the Thames, etching, pencil signed in the margin, 20.5cm x 15.5cm; and another similar, also signed, 20cm x 15cm (2) £100-150 (plus 24%BP*)

27 ROWLAND LANGMAID (1897-1956) Westminster from the Thames, etching, pencil signed in the margin, 20cm x 15cm; and one further by the same hand - Tower Bridge, also signed, 20cm x 15cm (2) £100-150 (plus 24%BP*)

28 ROWLAND LANGMAID (1897-1956) Shipping on the Thames with St Paul’s, etching, pencil signed in the margin, 12.5cm x 25cm; and one further similar, also signed (2) £80-120 (plus 24%BP*)

29 TOMS ‘London Bridge’, engraving, hand-coloured, 20cm x 33cm; and three further engravings, all London subjects (4) £80-120 (plus 24%BP*)

30 AFTER WILLIAM BLAKE ‘The triumphant of the Wicked is Short...’, lithograph in colours, 21cm x 16cm; and one further (2) £100-200 (plus 24%BP*)

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31 AFTER ALBRECHT DURER Knight, death and the devil, engraving, 25cm x 19cm £80-120 (plus 24%BP*)

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32 DESTOUCHES AFTER HONORÉ DAUMIER ‘Mme Potard - N’est-il pas vrai..., brave turco, que vous préférez les Françaises aux Africaines?’, lithograph, 27cm x 23cm; and one further (2) £80-120 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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33 EDWARD GORDON CRAIG (1872-1966) Theatre Design, etching, signed with initials in pencil to margin tab, 20cm x 16cm; together with a book - E Gordon Craig ‘Scene’ in which the work is illustrated (Plate 12); and a dinner menu to Mr E Gordon Craig 1911 (3) £300-500 (plus 24%BP*)

34 HENRY PIAZZA AFTER EDWARD BURNE-JONES ‘Witch’s Tree’; ‘With the Wind’; ‘Flower of God’; ‘Grave of the Sen’ and ‘Golden Thread’, five chromo-lithographs no.s XV; XXII; VI: XVI; and II from ‘The Flower Book’, published by the Fine Art Society, 16cm tondo, mounted but unframed (5) Lit: See The Metropolitan Museum of Art ‘Edward BurneJones Victorian Artist-Dreamer’ pub 1998, no. 135, pg 285 £100-200 (plus 24%BP*)

35 WILLIAM MORRIS AFTER EDWARD BURNE-JONES Venus Coming from The Sea; Venus; Cupid’s First Sight of Psyche; and Venus; a group of four woodblocks for ‘Earthly Paradise’, 10cm x 8cm (im) (X2), 11cm x 8cm (im) and 10cm x 5.5cm, mounted but unframed (4) ‘In 1865 William Morris was full of the project of ‘The Earthly Paradise’ for which work he purposed an elaborate scheme of illustrations to be engraved after Burne-Jones’s drawings... Morris used to work on his own account upon the engraving of these designs in the evenings after business hours.

Eight or nine were cut by others......but the majority of the engravings were the work of Morris’s own hand. A few impressions only were printed, of which a limited number of sets are yet extant in private possession. They are now very scarce and valuable, never having been published” (extract from ‘The Art of William Morris’ by Aymer Vallance, George Bell and Sons pubs, 1898,pgs 377 and 378) £800-1200 (plus 24%BP*)

37 JOHN BRUNSDON (1933-2014) ‘Farmhouse’, etching with aquatint in colours, pencil signed, titled and numbered 26/100 in the margin, 37cm x 43cm £80-120 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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36 KELMSCOTT PRESS (PUBS) ‘Whan I had smelled the savour swote... Whan I was hurt thus in that Stounde...’, single page from Chaucer’s “Romaunt of the Rose”, woodcut , 40cm x 28cm £80-120 (plus 24%BP*)

38 F.J. HOWELL AFTER G. HOWELL ‘The Blenheim leaving the Star Hotel, Oxford’, aquatint engraving in colours, pub. by G Howell, 32cm x 48cm; an aquatint engraving in the manner of Samuel Howitt Pheasant Shooting, 20cm x 63cm; and a pair of Italian architectural engravings (4) £80-100 (plus 24%BP*)

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39 AFTER ARCHIBALD THORBURN Landscape with deer, a pair, limited edition prints numbers 115 of 500 published by the Tryon Gallery, 35cm x 47cm (2) £50-70 (plus 24%BP*)

40 E NESBIT, GRAILY HEWITT, F. ERNEST JACKSON AND SPENCER PRYSE at Royalty Chambers, Dean St., London (Pubs) ‘The Neolith’, Numbers I-IV (1907-1908), loosely bound together with a selection of ‘Walker’s Quarterly nos. 5 120 (incomplete) and a collection of Annual Reports of the Art-Worker’s Guild £30-50 (plus 24%BP*)

41 CHARLES FREDERICK TUNNICLIFFE (1901-1979) Fox and Scarecrow (Illustration from ‘The Lone Swallows’) wood engraving, pencil signed in the margin, 21cm x 14cm; and one further (2) £100-200 (plus 24%BP*)

42 JOSEPH SKELTON AFTER J BUCKLER ‘The Theatre’, engraving (from the Oxford Almanack), 36.5cm x 46cm; and one further - ‘Wadham College from The Garden’, both unframed (2) £30-40 (plus 24%BP*)

43 LIONEL ARTHUR LINDSAY (1874-1961) ‘Three Beggars of Guadalupe’, etching ‘100’ (from an edition of 100 proofs) and pencil signed in the margin, 15cm x 25cm Prov: With P & D Colnaghi & Co £60-80 (plus 24%BP*)

44 CLARE LEIGHTON (1901-1989) ‘Threshing’ The Month of March from ‘The Farmer’s Year’, wood engraving, 20cm x 26cm; and five further similar all from the same series (mounted but unframed) (6) £200-300 (plus 24%BP*)

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45 MABEL ALLINGTON ROYDS (1874-1941) Edinburgh Castle, woodcut in colours, signed in the margin, 27cm x 19.5cm (mounted but unframed) £100-150 (plus 24%BP*)

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46 EDWARD LOXTON KNIGHT (1905-1993) Nottingham from the Canal, woodcut in colours, pencil signed in the margin and numbered 5/50, 25cm x 30cm (mounted but unframed) £80-120 (plus 24%BP*)

47 RACHEL ANNE LE BAS (b.1923) ‘The Old Tobacco and Snuff Shop, Haymarket’, etching, pencil signed, titled and numbered 61/75 in the margin, 31cm x 22cm, (mounted but unframed) £80-120 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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48 WENCESLAUS HOLLAR ‘Spring’, ‘Summer’, ‘Autumne’ and ‘Winter’, plate nos. 1-4, etchings with hand-tinting, 26cm x 18cm (4) £600-800 (plus 24%BP*)

49 WILLIAM LIONEL WYLLIE (1857-1931) The Thames from Above Greenwich, etching, pencil signed in the margin, 22.5cm x 37.5cm £150-250 (plus 24%BP*)

51 FREDERICK LANDSEER GRIGGS (1876-1938) ‘The Market Place’, etching, pencil signed in the margin, 14.5cm x 21cm £100-150 (plus 24%BP*)

53 AFTER SIMON FISHER ‘The Titanic off Cowes, Isle of Wight’, print in colours, signed in pencil to the margin and numbered 188/850, 34cm x 68cm £40-60 (plus 24%BP*)

52 MASTER OF THE DIE AFTER MICHIEL COXIE Psyche’s father consulting the oracle, (plate 4) and Venus in her dove-drawn chariot complaining to Jupiter, (plate 18), two engravings from the ‘Story of Cupid and Psyche’ as told by Apuleius, 19cm x 23cm, (framed in one) £120-150 (plus 24%BP*)

54 GEORGE VERTUE ‘The Oxford Almanack for the Year of our Lord God MDCCXXXIV’, engraving (upper portion only), 39cm x 44cm £50-70 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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50 WILLIAM LIONEL WYLLIE (1857-1931) St Paul’s on the Thames, Near Waterloo Bridge, etching, pencil signed in the margin, 22.5cm x 37.5cm £150-250 (plus 24%BP*)

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55 PIERRE-AUGUSTE RENOIR (1841-1919) ‘Le Chapeau Epinglé’ (Delteil 8 ii) 1894, etching, 12cm x 8.5cm £300-500 (plus 24%BP*)

56 WILLIAM HOGARTH Marriage à-la-mode, plates I-VI, from the Heath Edition (1822), engravings, 38cm x 46cm, (all unframed) £300-400 (plus 24%BP*)

58 WILLIAM DUNKARTON AFTER PETHER ‘The Snowdrop’, hand-coloured engraving from Dr Thornton’s ‘Temple of Flora’, 1811, 25cm x 19 (im); and one further - The Persian Cyclamen (both mounted but unframed) (2) £100-200 (plus 24%BP*)

59 HEINRICH STEGEMANN (1888-1945) Head study of a bearded gentleman looking down, etching, pencil signed in the margin, indistinctly titled, 32cm x 24cm £40-60 (plus 24%BP*)

60 WILLIAM NICHOLSON ‘June’ and ‘December’, two lithographs in colour, 28cm x 22cm, maple frames (2) £50-100 (plus 24%BP*)

61 WILLIAM SIMPSON ‘A Quiet Night in the Batteries’, hand-tinted lithograph, from ‘The Seat of War in the East’, (Crimea), 28cm x 44cm £20-30 (plus 24%BP*)

62 H PYALL AFTER J POLLARD A North East View of the New General Post Office, aquatint engraving, hand-coloured, published by Messrs Fores, 43.5cm x 59cm £100-150 (plus 24%BP*)

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57 JAN THEODORE DE BRY (1561-1623) Tab CCLXXXV and Tab CXCVI, two hand-coloured botanical engravings from the ‘Florilegium Renovatrim et Auctum’, 1641, 28cm x 19cm (both mounted but unframed) (2) £150-200 (plus 24%BP*)

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For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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66 AFTER LESLIE WARD (Spy) Mr Stewart Pixley (‘Bullion’), chromo-lithograph for Vanity Fair, 36cm x 22.5cm; and eleven further similar, (nine unframed) (11) £30-50 (plus 24%BP*)

69 AN 18TH CENTURY ENGRAVING - ‘A View of Amsterdam taken from the Old Rampart’, handcoloured, 24.5cm x 39cm; another similar - ‘Vue du Canal de Delfino’; and one further, all mounted but unframed (3) £30-50 (plus 24%BP*)

64 TOM MERRY ‘The Patient Ass’ from ‘St Stephen’s Review Presentation Cartoon June 21st 1890’; chromo-lithograph, 36cm x 51cm; and six further similar (all mounted but unframed) (7) £50-70 (plus 24%BP*)

67 A PORTFOLIO OF MIXED ENGRAVINGS AND WATERCOLOURS TO INCLUDE: two Rossini etchings ‘Veduta dell’ Isola Tiberina’ and ‘Veduta di Fianco dei Portici d’Ottavia’; various works by Sidney Curnow Vosper, two wood engravings by Clarence Whaite; etching after Rembrandt; miscellaneous botanical engravings and watercolours, print after Henry Moore; calligraphic Lord’s Prayer etc., and a small collection of black and white photographs taken by Donald Dyer Richardson, all unframed £100-200 (plus 24%BP*)

70 PIERRE FALKÉ (1884-1947) ‘A la terasse’, etching, 20cm x 16.5cm; and ten further, artists to include Ernest Laborde (X8); Verge-Sarrat and Minartz, all mounted but unframed (11) £30-50 (plus 24%BP*)

65 JAMES GILLRAY ‘A Masonic Anecdote’, etching, hand-coloured, originally published by Hannah Humphrey, 52cm x 46cm; and eight further various, all unframed (9) £50-100 (plus 24%BP*)

68 ALBERT DECARIS (1901-1988) Figures in a crowded street, engraving, pencil signed in the margin and numbered 10/25, 35cm x 26cm; and three etchings and lithographs artists to include Leopold Poiré; Willaume and Alexandre Lunois, all mounted but unframed (4) £80-120 (plus 24%BP*)

71 EDWARD BAWDEN ‘St Paul’s’, lithograph in colours, 38cm x 50cm; and a colour print - ‘An Island on the Thames Near Park Place, Oxfordshire’ (2) £40-60 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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63 H PAPPRILL AFTER KNELL The Steam Frigate Cyclops, Off Spithead, under Admiralty Orders, aquatint engraving, hand-coloured, Ackermann pubs., 40cm x 60cm £40-60 (plus 24%BP*)

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72 GEORGE VERTUE ‘The Oxford Almanack for the Year of Our Lord God MDCCXLV’, engraving, 50cm x 46; and further assorted engravings to include Almanacks; and Edmund HortNew The Towers of Oxford, all unframed £40-60 (plus 24%BP*)

73 LOUIS CONRAD ROSENBERG (1890-1983) ‘Nice’, etching, pencil signed in the margin and numbered ‘CVII’, 22cm x 13cm £30-50 (plus 24%BP*)

74 DAVIDE FOSSATI Landscapes after Marco Ricci, seventeen etchings (from the set of twenty four) dedicated to Count Algarotti together with title page, 25cm x 35.5cm (unframed) £800-1200 (plus 24%BP*)

75 SAMUEL LEIGH (pubs) ‘View of Richmond forming part of the Panorama of the Thames from London to Richmond’, hand-coloured engraving on five folding sheets, cloth bound with printed title to upper board, 22cm x 128cm overall £100-200 (plus 24%BP*)

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77 AFTER HAROLD RILEY ‘Hannelore’, monochrome print, pencil signed, dated ‘75, titled and numbered 7/25, 41cm x 28cm; and another by the same hand - ‘The Yellow Door’, print in colours, pencil signed in the margin and numbered 482/550, 24cm x 19cm (2) £50-80 (plus 24%BP*)

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76 FOLLOWER OF LOUIS ICART (1888-1950) A female beauty in blue dress, etching in colours, 38cm x 31cm £40-60 (plus 24%BP*)

78 AFTER PIETRO ANNIGONI A nude upon chaise longue, print in colours, 33cm x 49cm £50-100 (plus 24%BP*)

79 DAVID LOGGAN ‘Aula Beatae Mariae Virginis’, double-page engraving, 24cm x 34.5cm (X3); and six further to include ‘Aula Cervina’ (X2); ‘Aula B Mariae Magdalenae’ (X3) and ‘Aula Novi Hospitii (X1), all unframed (9 in total) £40-60 (plus 24%BP*)

For more details on how to place a bid go to www.mallams.co.uk BP* - Buyer’s Premium of 24% inc. VAT @ 20%

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Maps

81 JOHN SPEED ‘The Countie of Warwick’, double-page engraving, with vignette aerial plans of ‘Warwicke’ and ‘Coventree’, hand-coloured, Bassett & Chiswell, 39cm x 52cm £100-150 (plus 24%BP*)

82 P STENT ‘Lecestriae Rutandiaeq Comitatuum Delineatio’, doublepage engraving with touches of hand-colour, John Overton; 36cm x 50cm; William Kip after Saxton ‘Notingamiae’, 29cm x 34cm; and Robert Morden ‘Leicestershire’ (3) £80-120 (plus 24%BP*)

83 JOHN OGILBY ‘The Road from Bristol to Banbury’, double-page engraving, hand-coloured, 33.5cm x 43.5cm; and Thomas Gardner ‘The Road from Gloucester to Coventry’ and ‘The Road from the City of Salisbury to Campden’, two engraved road maps, 17cm x 27cm (3) £70-100 (plus 24%BP*)

84 S SANSON ‘Provinces d’West autrefois Royaume d’Westsex...’, double-page engraving with hand-colouring, 37cm x 53cm £80-120 (plus 24%BP*)

85 GREENWOOD & CO ‘Map of the County of Warwick’ with decorative vignette of Warwick Castle, double-page engraving, handcoloured, 58cm x 68cm; together with Robert Morden ‘Warwickshire’ and one further (3) £40-60 (plus 24%BP*)

86 ABRAHAM ORTELIUS ‘Galliae Veteris’, double-page engraving, hand-coloured, 40cm x 48.5cm £150-180 (plus 24%BP*)

87 GEORG BRAUN & FRANZ HOGENBERG ‘Galwaye’, ‘Dubline’, ‘Lymericke’ and ‘Corcke’ double page engraving, hand-coloured, 31cm x 43.5cm £80-120 (plus 24%BP*)

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80 JOHN SPEED ‘Worcestershire Described’, double-page engraving with vignette aerial plan of Worcester, hand-coloured, Sudbury & Humble, 38cm x 51cm £100-150 (plus 24%BP*)

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88 JOHN SPEED ‘Oxfordshire’, double-page engraving with college crests to the sides, Sudbury & Humble, 37cm x 52cm £100-200 (plus 24%BP*)

89 MARIANO VASI ‘Roma Antiqua Triumphatrix Ex Vetustis Monumentis Expressa’, double-page engraving c.1792, 42.5cm x 64cm; and Guglielmo Mayer - ‘Italia’, engraved map with handcolouring, 68cm x 51cm, both unframed (2) £80-120 (plus 24%BP*)

90 WILLIAM HOLE AFTER CHRISTOPHER SAXTON ‘Oxoniensis’, double-page engraving, hand-coloured, 27cm x 29cm; and William Kip after Christopher SaxtonCambridge, 28cm x 32cm (2) £80-120 (plus 24%BP*)

90A J. CARY ‘A Map of Oxfordshire’, double-page engraving, handcoloured, 53cm x 41cm; and a small map of Pembrokeshire (2) £30-50 (plus 24%BP*)

Miniatures

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91 19TH CENTURY ENGLISH SCHOOL Shoulder length portrait of Thomas Gardner, his first wife Mrs Thomas Gardner (née Quirk) and his second wife Mrs Thomas Gardner (also née Quirk), a group of three, on ivory, 8.5cm x 7cm (3) £300-400 (plus 24%BP*)

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92 19TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a lady in 17th Century dress wearing a ruff, oil on brass, 10cm x 8cm; and one further probably by the same hand, unframed (2) £80-120 (plus 24%BP*)

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93 18TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a gentleman wearing powdered wig, black jacket and cravat, on ivory, 4cm x 3.5cm oval £80-120 (plus 24%BP*)

94 19TH CENTURY ITALIAN SCHOOL AFTER GUIDO RENI Beatrice Cenci, signed ‘C.C. Roma 1884’, watercolour, 12cm x 9cm £80-120 (plus 24%BP*)

95 CAROLINE PATERSON (1856-1911) Portrait of a young girl wearing bonnet and warming her hands in a muff, signed, watercolour, 10.5cm x 8cm oval £80-120 (plus 24%BP*)

97 ENGLISH SCHOOL (EARLY 19TH CENTURY) A portrait of three young girls, watercolour on ivory, oval, the reverse with hairwork on a blue enamel ground, 8.5cm high £300-400 (plus 24%BP*)

96 * RUBY Bust length portrait of a gentleman wearing a brown jacket and black stock, signed, 8.5cm x 7cm oval £30-50 (plus 24%BP*)

99 S * ANESFORD Silhouette portrait of gentleman, full length with rifle and top hat, signed, 23cm x 17cm; and one further - a gentleman with greyhound, 23cm x 18.5cm (2) £100-150 (plus 24%BP*)

100 18TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a lady wearing a blue dress, oil on copper, 3.5cm x 3cm oval; and one further, 4.5cm x 3.5cm oval (2) £100-150 (plus 24%BP*)

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98 J * FOSTER A child proferring a posy of flowers to a lady seated by a table, signed, silhouette in gouache, 24cm x 19cm * With printed label verso for ‘J Foster, Silhouette Artist, Queen Street, Portsmouth’ £80-120 (plus 24%BP*)

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A collection of paintings from a deceased estate Lots 101-125

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101 THOMAS GIRTIN (1775-1802) Boats at anchor, watercolour, 29cm x 33cm Prov: With Agnews where purchased July 1994 and sold together with purchase invoice.

Sothebys 14th July 1994 Lot No. 100 £4000-6000 (plus 24%BP*)

102 DAVID COX (1783-1859) A Distant View of Lancaster with Morecambe Bay Beyond, signed, watercolour, 29.5cm x 49cm Prov: Agnews watercolour exhibition No.63 March 1999 where purchased and sold together with purchase invoice and exhibition catalogue £1000-1500 (plus 24%BP*)

103 FREDERICK NASH (1782-1856) Covent Garden, watercolour, 15cm x 22cm Prov. Purchased from the Wren Gallery, Blackheath Village, London 22/12/70 and sold together with original purchase invoice. £1000-1500 (plus 24%BP*)

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104 PAUL SANDBY (1731-1809) Henry Gilder with a horse, black and red chalk, 18cm x 11cm Inscribed ‘Henry Gilder, servant to Thos. Sandby drew remarkably’ Colln: William Sandby, a descendant of the artist who left it to G.J.A. Peake, a great-grandson of Thomas Sandby; by descent to Hubert Peake; his sale Christies 26 May 1959 (129) bt. Agnew; Walter Burmann from whose estate bt by Agnew, 1987 Prov, Thomas Agnew and Son watercolour exhibition 1988 no.20 where purchased and sold together with purchase invoice and exhibition catalogue £800-1200 (plus 24%BP*)

106 JOHN LINNELL (1792-1882) Changing Pastures, signed, watercolour, 13cm x 19.5cm Prov: Christie’s April 30 1926 from the collection of J.B. Gaskell A.J. Mucklow & Sons £1000-1500 (plus 24%BP*)

107 JOHN VARLEY (1778-1842) Caernarvon Castle from the beach, a pair, one signed, watercolour over pencil on buff paper with touches of gum Arabic, 12.5cm x 32.5cm Prove: Spink - Leger Christie’s sale - 6/6/02 Lot 29 and sold together with purchase invoice. £1500-2500 (plus 24%BP*)

108 JOHN WHITE ABBOTT (1763-1851) Near Holne on the Dart with Benshetor in the distance, Devon, pen, grey ink and watercolour, 21cm x 15cm Prov: Inscribed, dated and numbered on the back of the mount ‘No. 16/Near Holne on the Dart, with Benshetor in the distance, Devon/JWA July 16 1800’ (according to label verso) Prov: Christie’s 7th April 1992 Lot 74

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Agnews where purchased April 1992 and sold together with purchase invoice. £1000-1500 (plus 24%BP*)

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105 CIRCLE OF JOHN SELL COTMAN (1782-1842) Two children by a cottage, watercolour, 29cm x 23cm £200-300 (plus 24%BP*)

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109 JOHN WHITE ABBOTT (1763-1851) ‘On Windermere near Lowwood’, signed with initials and dated to label verso July 16, 1791, watercolour, 18.5cm x 24cm Prov: With Agnew’s £2000-3000 (plus 24%BP*)

110 JOHN WHITE ABBOTT (17631851) A Stream in Devon, pen, ink and watercolour, 21cm x 16.5cm Prov: With Andrew Wyld (according to a note verso) £1000-1500 (plus 24%BP*)

111 FRANCIS TOWNE (1739-1816) The Vale of St John, Cumberland, signed and dated 1786 numbered ‘32’, watercolour, 15.5cm x 23.5cm Inscribed to the back of mount ‘The Vale of St John in Cumberland/looking towards Grassmere (sic)/the distance Helvellyn/Drawn at 1 o’clock/by Francis Towne/light from the right hand’ (according to note verso) Exhib (probably) The Gallery, 20 Lower Brook Street, A Series of Original Drawings... by Francis Towne 1805 (63, 64 or 65) Lit: Adrian Bury ‘Francis Towne - Lone Star of Watercolour painting 1962 P30 (reproduced)

Prov: The Fine Art Society Ltd, April 1959, No. 25 Sothebys 19th November 1992 Lot 34 Agnews 25th November 1992 where purchased and sold together with purchase invoice. £6000-8000 (plus 24%BP*)

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112 JOHN VARLEY (1778-1842) Bookham Church, watercolour, 31cm x 26cm

113 FRANCIS DANBY (1793-1861) ‘Boatbuilding’, oil on paper, 12cm x 19cm

Prov: J Linnell Collection, Christie’s March 1918 Sotheby’s 15 Nov 1990 Lot No. 16 and sold together with purchase invoice. £300-500 (plus 24%BP*)

Prov: Christie’s 7/6/07 Lot 97 With W.S. Fine Art/Andrew Wyld Summer 2009 No. 19 (946) where purchased and sold together with purchase invoice. £4000-6000 (plus 24%BP*)

114 JOHN SELL COTMAN (1782-1842) The North Side of South Gate, Yarmouth, Norfolk, watercolour over traces of pencil, 18cm x 22cm ‘The North Side of South Gate, Yarmouth, Norfolk’, pencil and watercolour, 18.4cm x 22.9cm, inscribed on the old mount (not in the artist’s hand) ‘North Side of South Gate at Yarmouth, taken down in 1812 by John Sell Cotman’ Collection: Mr & Mrs Giles Pilcher until 1987 Exhibited: (?) Norwich Society of Artists 1812 (63) Engraved: Etched by Cotman as the last plate in Specimens of Norman and Gothic Architecture in the County of Norfolk published 1817 ‘As recorded on the old mount, as well as in the etched plate of the subject, the medieval South Gate at Yarmouth was taken down in 1812, the year of Cotman’s move to that town at the instigation of his patron, Dawson Turner. It seems likely that our watercolour was painted in that year and is the work exhibited in 1812 as ‘South Gate, Yarmouth’. A pencil drawing of exactly the same subject, signed and numbered ‘2363’, is in the Norwich Castle Museum.

The other side of the gate was the subject of Plate I in Cotman’s Antiquities of Norfolk, published in 1818

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Prov: With W.S. Fine Art Ltd/Andrew Wyld ‘Landscape on Paper’, June 2007 Cat 23 (870) where purchased and sold together with purchase invoice. £10000-15000 (plus 24%BP*)

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115 PETER DE WINT (1784-1849) A Haycart, pencil and watercolour, 14cm x 32cm Prov: With Thomas Agnew & Sons Ltd where purchased April 1987 and sold together with original purchase invoice.

Andrew Wyld Miss H.H. Tatlock Miss G.M. Bostock £800-1200 (plus 24%BP*)

116 PETER DE WINT (1784-1849) View in Cumberland, watercolour on two sheets joined vertically at the centre, 15cm x 64cm overall Prov: Inscribed on the back ‘View in Cumberland ?F. de Wint’ (according to label verso) W.S. Fine Art Ltd/Andrew Wyld Cat 34 British works on paper, Summer 2008 where purchased and sold together with purchase invoice. £2000-3000 (plus 24%BP*)

117 18TH CENTURY ENGLISH SCHOOL Rocky landscape with goat, pen, ink and heightened in white, 34cm x 55cm £100-150 (plus 24%BP*)

118 GEORGE MORLAND (1763-1804) Sheep study, signed, pencil drawing, 45.5cm x 30cm Prov: With Andrew Wyld £200-300 (plus 24%BP*)

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119 THOMAS CHURCHYARD (17981865) A wooded clearing, oil on panel, 21.5cm x 16cm Prov: Christie’s 13th Nov. 1991 Lot 193 With Spink & Son £500-700 (plus 24%BP*)

120 ATTRIBUTED TO THOMAS CHURCHYARD (1798-1865) A wooded pool, oil on panel, 11.5cm x 12cm £200-300 (plus 24%BP*)

121 PHILIP WILSON STEER (1860-1942) River landscape with figures on a path, signed and dated 1919, watercolour, 26cm x 36cm £200-300 (plus 24%BP*)

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123 ATTRIBUTED TO THOMAS HEARNE (1744-1817) A figure walking a dog in the grounds of a farmyard, watercolour, 10cm x 15cm £200-300 (plus 24%BP*)

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122 ATTRIBUTED TO DAVID COX (1783-1859) Calais Pier and harbour, watercolour, 16cm x 26cm £200-300 (plus 24%BP*)

124 JAMES ORROCK (1829-1913) A country hillside, watercolour, 33cm x 51cm £100-200 (plus 24%BP*)

125 ATTRIBUTED TO JOHN NIXON (C.1750-1818) A tender moment, inscribed ‘Ellen’ to mount, watercolour, 12cm x 9.5cm £80-120 (plus 24%BP*)

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Watercolours and Oils (Part One) Lots 126-360

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127 CIRCLE OF PETER DE WINT (1784-1849) River landscape with arched bridge and barges, watercolour, 16cm x 32cm (unframed) £60-80 (plus 24%BP*)

128 19TH CENTURY ENGLISH SCHOOL A wooded river landscape with bridge, watercolour, 9cm x 14.5cm * A note verso inscribed ‘Back of original inscribed ‘49 After sunset from Glover G. Pocock’ £40-60 (plus 24%BP*)

126 ATTRIBUTED TO THOMAS ROWLANDSON (1756-1827) The Reflection, pen, ink and watercolour, 28cm x 21cm (unframed) £80-120 (plus 24%BP*)

129 MYLES BIRKETT FOSTER (1825-1899) Fishing boat at sunset in tranquil waters, signed with monogram, watercolour and body-colour, 8cm x 12cm, mounted but unframed £300-500 (plus 24%BP*)

130 GUSTAVE JEAN JACQUET (1846-1909) Bust length portrait of a female beauty, signed, oil on panel, 32cm x 23cm £1000-1500 (plus 24%BP*)

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131 GEORGE RICHMOND (1809-1896) Portrait of Archbishop Richard Chenevix Trench (18071886), signed ‘Geo Richmond delt’ and dated 1859, charcoal drawing heightened in white, 62cm x 48cm; and an engraving after the same (2) £200-300 (plus 24%BP*)

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132 STUART SCOTT SOMERVILLE (1908-1983) A country landscape with haystacks, signed and indistinctly dated, oil on board, 25cm x 34cm; and a still life, signed and dated ‘R.B. 1968’ (2) £100-150 (plus 24%BP*)

133 EDWARD MILLINGTON SYNGE (1860-1913) ‘The Chapel at B...mes, signed, watercolour, 21cm x 31cm Exh. The Watercolour Society of Ireland £50-70 (plus 24%BP*)

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134 EDWARD MILLINGTON SYNGE (1860-1913) Villeneuve-Loubet, signed and inscribed with title, watercolour, 31cm x 39cm; and companion, a pair; and one further, 38.5cm x 49cm (3) £150-250 (plus 24%BP*)

135 EDWARD MILLINGTON SYNGE (1860-1913) ‘Boulogne Harbour’, signed, artist’s label verso, watercolour, 19cm x 25cm £40-60 (plus 24%BP*)

137 WILLIAM JOSEPH JULIUS CAESAR BOND (1833-1926) Shrimpers on a sand bank... with the Yr Eifl Mountains in the distance, signed and dated ‘1862 May’, inscribed with title verso, oil on board, 16cm x 26cm £200-300 (plus 24%BP*)

136 EDWARD MILLINGTON SYNGE (1860-1913) ‘Grimaud’, signed, titled and dated 1912, watercolour, 22cm x 33cm; and five further works by or attributed to the same hand (6) £50-150 (plus 24%BP*)

138 CIRCLE OF HENRY EDRIDGE (1768-1821) Full length portrait of a lady standing on a tiled surface by a column with landscape beyond, pencil drawing with colour washes, 33cm x 23cm (unframed) £100-200 (plus 24%BP*)

139 18TH CENTURY FLEMISH SCHOOL A group of figures in a river landscape with buildings, oil on panel, 15.5cm x 20cm; and another similar by the same hand, 16.5cm x 26cm; each in carved and pierced giltwood swept rococo frame (2) £800-1200 (plus 24%BP*)

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140 EDWARD DUNCAN (1803-1882) The Mumbles Castle & Bay, signed, inscribed with title and dated 1870, watercolour, 29.5cm x 49.5cm £300-400 (plus 24%BP*)

142 ERIC TUFNELL (1888-1978) ‘H.M.S. Melita 1946’, ‘H.M.S. Chameleon’ and ‘H.M.S. Tulip 1946’, a group of three, signed, watercolours, 25.5cm x 36.5cm; and H.W.S. Soulsby (20th Century) ‘Wallflower’, signed, titled and dated 1930, watercolour, 28cm x 48cm (4) £100-200 (plus 24%BP*)

141 BERNARD CECIL GOTCH (1876-1963) Christ Church from the Meadow, Oxford, signed, watercolour, 26cm x 37cm £150-250 (plus 24%BP*)

143 FRED GOFF (1855-1931) ‘Westminster’ and ‘Thames Off Custom’s House’, a pair, signed and titled, watercolours, 11cm x 14.5cm (2) £300-500 (plus 24%BP*)

144 ROBERT JOHN ABRAHAM (Exh. 1882-1909) ‘The Burgundy Peasant’, signed with monogram and dated ‘76’, oil on canvas, 44.5cm x 33.5cm Exhibited Royal Academy 1877; Burslem College of Art Centenary Exhibition 1958 (according to label verso) £200-300 (plus 24%BP*)

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145 ARCHIBALD THORBURN (1860-1935) Study of a mouse, signed, watercolour and body-colour on toned paper, 12.5cm x 20cm £600-800 (plus 24%BP*)

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146 T * BECK ‘Donnington Castle in Berkshire’, inscribed ‘T Beck’ to the margin, titled and signed with initials, 12.5cm x 18cm £80-120 (plus 24%BP*)

147 F* DAGOBERT (Exh. 1880) ‘Hastings’, signed, titled and dated 1881, watercolour, 25.5cm x 17cm £60-80 (plus 24%BP*)

148 19TH CENTURY ENGLISH SCHOOL ‘Douglas, Isle of Man’, signed with initials C.W.W., apparently inscribed with title verso, watercolour, 10.5cm x 16cm £100-150 (plus 24%BP*)

149 WILLIAM NEWBERY (1787- 1838) ‘From Beer Down, Devon’, signed, watercolour, 16cm x 36cm £60-80 (plus 24%BP*)

150 STEPHEN SPURRIER (1878-1961) ‘In Early Days’, inscribed in pencil and titled to label verso, watercolour and body-colour, 34cm x 23cm £60-80 (plus 24%BP*)

151 E * H * B * A cottage with young girl drawing water from a well, signed with monogram, watercolour, 32cm x 24cm; and two further watercolours by M Watson and Florence Quinlan (3) £50-100 (plus 24%BP*)

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152 19TH CENTURY BRITISH COLONIAL SCHOOL A Coastal Naval Encampment with sailors cheering, watercolour, 9.5cm x 15.5cm £200-300 (plus 24%BP*)

153 ENGLISH SCHOOL (EARLY 19TH CENTURY) A romantic landscape with lakeside cottage and distant castle beneath mountains, gouache, 24cm x 29cm £100-200 (plus 24%BP*)

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155 SAMUEL GILLESPIE PROUT (1822-1911) ‘Romanlie Cliffs nr Combe Martin, N. Devon’, inscribed verso, watercolour, 17cm x 12cm; and S * B * - a continental roadway with tower, signed with initials, watercolour, 19cm x 13.5cm (2) £80-120 (plus 24%BP*)

154 HARRY GOODWIN (fl. 1867-1902) ‘Coeschinen’, signed with monogram, watercolour, 16.5cm x 12cm * Titled on margin beneath the mount £60-80 (plus 24%BP*)

157 HARRY BECKER (1865-1928) Head study of a young girl, c.1900, pencil drawing, 18.5cm x 15cm Prov: With The School House Gallery, Norfolk The Gillian Jason Gallery £200-300 (plus 24%BP*)

156 HERCULES BRABAZON BRABAZON (1821-1906) ‘Boats at Sea’, signed with initials, charcoals, 7cm x 14cm Inscribed verso - ‘Composition sketch, Ex. collection of H.C. Laurence Esq’ £100-200 (plus 24%BP*)

158 GEORGE B LAWRANCE R.N. (19TH CENTURY) Valetta Harbour, Malta with British man o’ war, figures and sailing craft, watercolour, 37cm x 54cm ‘Inscribed verso’ To Adml. Sir G.V. Penrose KCK drawn by Geo. B. Lawrance R.N. from a painting in possession of Capt. Coode R.N. Decr 28th 1825’ £800-1200 (plus 24%BP*)

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159 CIRCLE OF JAKOB BOGDANI (1658-1724) A tropical landscape with exotic birds, indistinctly signed, oil on canvas, 83cm x 118cm £4000-6000 (plus 24%BP*)

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161 DOROTHY GIBSON (20TH CENTURY) ‘Caudwells Folly, Oxford’, signed, watercolour, 24.5cm x 29cm £30-50 (plus 24%BP*)

163 MARCEL DYF (1899-1985) ‘Plage de St Tropez’, signed, oil on canvas, 36cm x 44.5cm Prov: With Frost & Reed Jonathan Cooper, Park Walk Gallery, London £2000-3000 (plus 24%BP*)

165 LAURENT VIALET (b.1967) ‘La Seine à Herblay’ and ‘Paysage de l’aire’, a pair, signed, inscribed with titles verso, oil on canvas, 26.5cm x 34cm £80-120 (plus 24%BP*)

166 LAURENT VIALET (b.1967) ‘Moret sur Loing’, signed, inscribed with title verso, oil on canvas, 25.5cm x 33.5cm Prov: With E. Stacy-Marks £80-120 (plus 24%BP*)

162 FRANCIS E. JAMIESON (1895-1950) A highland loch at sunset, signed, oil on canvas, 39.5cm x 60cm £100-150 (plus 24%BP*)

164 LAURENT VIALET (b.1967) ‘Pont Croix’, signed, inscribed with title verso, oil on canvas, 44cm x 53.5cm £100-200 (plus 24%BP*)

167 GISELE RENAUT (20TH CENTURY) ‘St Tropez’, signed, oil on canvas, 15cm x 26cm Prov: With Roland, Browse & Delbanco Jonathan Cooper, Park Walk Gallery, London £100-200 (plus 24%BP*)

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160 KEN MESSER (b.1931) A quiet Oxford lane, signed, watercolour, 28.5cm x 23cm; and two further works by the same hand (3) £40-60 (plus 24%BP*)

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169 LUCIEN DELARUE (1925-2011) ‘Early Morning Sun’ (Parisian Rooftops), signed, oil on canvas, 63cm x 79cm £100-150 (plus 24%BP*)

170 LUCIEN DELARUE (1925-2011) ‘Beaulieu, Côte d’Azur’, signed, inscribed with title verso, oil on canvas, 44cm x 54cm; and two further by the same hand to include: ‘Rue Lepic, Montmartre’, 44cm x 53cm; and ‘La Seine à Herblay’, 31.5cm x 39cm (3) £100-200 (plus 24%BP*)

171 COLIN TUFFREY (b.1939) Oxfordshire landscape in snow, signed, watercolour, 35cm x 53cm £40-60 (plus 24%BP*)

172 C.P. FIELDING A stag and doe watering in a river landscape, signed, oil on canvas, 34cm x 24cm £60-80 (plus 24%BP*)

173 19TH CENTURY SCOTTISH SCHOOL Portrait of a lady with long brown curly hair, wearing dress décollété with ruby and pearl brooch and tartan wrap, oil on canvas laid onto panel, 69cm x 54.5cm £80-120 (plus 24%BP*)

174 19TH CENTURY ENGLISH SCHOOL Oliver Cromwell and his daughter, oil on panel, 41cm x 31cm (unframed) £40-60 (plus 24%BP*)

175 V * C* ‘Arco Felice (Pozzuoli)’, signed with monogram, oil on canvas, 39cm x 29cm £40-60 (plus 24%BP*)

176 INDIAN SCHOOL A female beauty with deer, gouaches, 24cm x 18cm; and companion, a pair (2) £80-120 (plus 24%BP*)

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168 LUCIEN DELARUE (1925-2011) ‘Jardin de Montmartre, Paris’, signed, inscribed with title verso, oil on canvas, 65cm x 80cm £100-150 (plus 24%BP*)

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177 A* KAMPER Portrait of a bearded gentleman, signed and dated 1907, oil on canvas, 56.5cm x 47cm £60-80 (plus 24%BP*)

178 HENRY CHARLES FOX (1855/60-1929) River landscape with swans, signed and dated 1916, watercolour, 48cm x 72cm £100-200 (plus 24%BP*)

179 EDGAR LONGSTAFFE (1899-1912) A moonlit river landscape with fisherman, signed with monogram, oil on canvas, 49cm x 39cm £50-80 (plus 24%BP*)

180 PAUL FALCONER POOLE (1807-1879) ‘At The Spring’, signed and dated ‘60, oil on board, 53.5cm x 19.5cm £200-300 (plus 24%BP*)

181 ELIZABETH GRAY (20TH CENTURY) ‘Worth Waiting For - Wigeon Approaching’, signed, watercolour, 36cm x 52.5cm Prov: With the Tryon Gallery, London £150-250 (plus 24%BP*)

182 PHILIP WILSON STEER (1860-1942) ‘Greenhithe’, signed and dated 1932, watercolour, 21cm x 29cm £200-300 (plus 24%BP*)

184 CHARLES CUNDALL (1890-1971) Early Morning, Orford, signed, oil on canvas, 37cm x 54cm Prov: With Chapman Bros. Ltd, London £600-800 (plus 24%BP*)

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183 JOHANN CHRISTIAN ZEITTER (1820-1872) Sailing vessels with figures in a calm, signed and dated 1857, oil on panel, 13cm x 29cm £200-300 (plus 24%BP*)

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185 JEREMY KING (b.1933) ‘Holtspur Farm’, signed and dated ‘70, oil on board, 59cm x 79cm £100-150 (plus 24%BP*)

186 THOMAS ROWLANDSON (1756-1827) ‘Admirers’ (Illustration for the English Dance of Death by William Combe), signed and dated 1818, pen, ink and watercolour, 12.5cm x 21cm Prov: With J Leger & Son, 13 Old Bond St, London February 1958 Ex: Colln. Col. Gould Weston Thurloe Sq. £1000-1500 (plus 24%BP*)

188 CIRCLE OF JOHN RUSSELL (1745-1806) Portrait of a gentleman wearing grey powdered wig, white cravat and brown jacket, pastels, 24cm x 19.5cm oval £200-300 (plus 24%BP*)

189 BERNIE KEOGH (20TH CENTURY IRISH SCHOOL) River bridge with buildings, signed, oil on canvas, 34.5cm x 45cm £60-80 (plus 24%BP*)

190 VINCENT CROTHY (20TH CENTURY IRISH SCHOOL) ‘January Cork City 2009’, signed, titled verso, oil on canvas board, 39cm x 29.5cm Prov: With Buckley Fine Art, Cork £100-200 (plus 24%BP*)

191 ELIZABETH GRAY (20TH CENTURY) River Bridge, signed, watercolour, 36cm x 53cm; and an etching titled ‘Coastline’, indistinctly signed, 56cm x 45cm (2) £40-60 (plus 24%BP*)

192 CONTEMPORARY CORNISH SCHOOL ‘Harbour Side’, indistinctly signed and titled, inscribed ?

‘Funky Little Sharks’, gouache, 26cm x 34cm (irregular) £50-100 (plus 24%BP*)

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187 WILLIAM LEIGHTON LEITCH (1804-1883) A mountain landscape with figures and cattle, stamped with monogram, watercolour, 28cm x 39cm £150-250 (plus 24%BP*)

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193 RACHEL ASHTON (20TH CENTURY) ‘Autumn Village, Ceres, Fife’, signed, oil on canvas, 59cm x 120cm Prov: With The Iona House Gallery, Woodstock £200-300 (plus 24%BP*)

195 CHARLES STUART (fl. 1762-1790) A peacock, poultry and chicks by a barn in a landscape, signed and dated ?179..., oil on canvas, 47cm x 59cm, in period giltwood swept rococo frame £400-600 (plus 24%BP*)

194 A PAIR OF 19TH CENTURY CHINESE PITH PAPER PICTURES painted with dignatory and companion, 14cm x 19.5cm, rosewood frames (2) £40-60 (plus 24%BP*)

196 18TH CENTURY CONTINENTAL SCHOOL A turkey, ducks and poultry in a classical setting, oil on canvas, 53cm x 66cm £400-600 (plus 24%BP*)

197 CIRCLE OF TOBIAS STRANOVER (c.1684-1756) Two pheasants, ducks, a frog and a lizard in a river landscape, oil on canvas, 66.5cm x 47cm £600-800 (plus 24%BP*)

198 WILLIAM STEWART WATSON (1800-1870) ‘The Meeting of Dr Samuel Johnson and James Boswell with Flora Macdonald during their tour to the Hebrides Sept 1773 which took place in the house of Mr Macdonald of Kingsburgh the third gentleman in the group’, inscribed with title verso and ‘W.S. Watson Fecit’, oil on canvas, 77cm x 108cm £200-400 (plus 24%BP*)

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199 HENDRIK JAN WOLTER (1873-1952) ‘Polperro’, signed and dated 1922, oil on canvas, 96cm x 115cm, in carved giltwood frame £6000-8000 (plus 24%BP*)

201 NORA DAVISON (19TH/20TH CENTURY) ‘Eton High Street’, signed, watercolour, 28cm x 44cm £300-400 (plus 24%BP*)

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200 ALAN FURNEAUX (b.1953) A Cornish View, signed, oil on board, 45cm x 57cm (unframed) £200-300 (plus 24%BP*)

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202 ENGLISH SCHOOL (EARLY 19TH CENTURY) A sea port with extensive landscape beyond, oil on canvas, 110cm x 162cm Prov: Christie’s 18/07/06 Lot 624 “The Gyrn Castle Sale” £300-500 (plus 24%BP*)

204 ENGLISH NAIVE SCHOOL Figures on horseback in a town square with monument, oil on board, 71cm x 71cm £100-200 (plus 24%BP*)

203 WILLIAM THOMAS WOOD (1877-1958) Still life - a glass vase of roses, signed and dated ‘45, oil on canvas, 43cm x 34.5cm £200-300 (plus 24%BP*)

205 GUSTAVE DE BREANSKI (c.1856-1898) A fishing boat off a jetty, signed, oil on canvas, 60cm x 90cm £300-500 (plus 24%BP*)

206 JOHN CONSTABLE R.A. (1776-1837) Study of Carts and Carters for ‘Branch Hill Pond, Hampstead Heath’, pencil, pen and brown ink, brown wash, on prepared brownish tracing paper, incised 18cm x 22 cms A tracing for the lower right hand corner of the two versions of the subject, in the Virginia Museum of Fine Arts, Richmond (G Reynolds op. cit., 1984, No. 25.5) and the Oskar Reinhart Foundation, Winterthur (G Reynolds, op. cit., No. 25.7), the former of which was exhibited at the Royal Academy in 1825.

Prov: Christie’s Tuesday 12 July 1988 Lot 31 ‘Drawings by John Constable R.A.’ (the catalogue with assistance by Ian FlemingWilliams) - a copy of this work is available for reference during the viewing and for details of Constable’s Tracing Methods please refer to page 43) Private collection since then. £3000-4000 (plus 24%BP*)

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207 SIR JOHN EVERETT MILLAIS (1829-1896) Bust length portrait of a lady, possibly Louise Jopling, signed with monogram and dated 1879, pencil drawing, 15cm x 10cm Prov: Purchased at auction 1995 in a mixed lot as ‘Possibly Louise Jopling’ £800-1200 (plus 24%BP*)

208 * NILSON (DANISH SCHOOL?) River landscape with cottage, indistinctly signed, oil on canvas, 26cm x 56cm £80-120 (plus 24%BP*)

210 AN EARLY ITALIAN PANEL painted head of a female saint in the manner of Duccio (Sienna c.12601318), oil, gold ground panel, 26cm x 20cm The panel appears to be a copy of the bottom angel on the right hand side of Duccio’s Virgin and Child Enthroned (Uffizi) Prov: Purchased Hal O’nians Nov 1975 £800-1200 (plus 24%BP*)

209 SIR DAVID MURRAY (1849-1933) ‘Landscape, Bidford, Warwickshire’, signed and dated ‘99, oil on canvas, 44.5cm x 59.5cm £300-500 (plus 24%BP*)

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211 19TH CENTURY ENGLISH SCHOOL Figures with plough horses resting by a barn in a landscape, indistinctly signed, watercolour, 13.5cm x 19cm; and T* A * (19th Century) - A young maiden in a landscape, signed with monogram, watercolour, 32cm x 24cm (2) £50-80 (plus 24%BP*)

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212 CIRCLE OF WILLIAM THORNLEY (1857-1935) Fisher folk unloading the catch at dusk, signed with monogram ?EP, oil on canvas laid onto card, 12cm x 31cm; and a further oil - river landscape, 14.5cm x 28cm, similarly framed (2) £100-200 (plus 24%BP*)

213 IRENE PAIN (20TH CENTURY) ‘Vauxhall at Low Tide 1960’, signed, oil on canvas, 49.5cm x 39.5cm £40-60 (plus 24%BP*)

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214 SUSAN RYDER (b.1944) ‘Above West Ilsley’, signed and dated ‘84, oil on canvas, 49cm x 59.5cm £100-150 (plus 24%BP*)

215 EDWARD HENRY NIEMANN (fl.1863-1867) Landscape with seated figure, possibly Hampstead Heath with Harrow in the distance, signed and dated 1863, oil on canvas, 25cm x 40cm, unframed £80-120 (plus 24%BP*)

216 17TH CENTURY CONTINENTAL SCHOOL Still life - a parrot, peaches, bunch of grapes, cherries and strawberries within wicker baskets upon a marble ledge, oil on canvas, 61cm x 75cm £800-1200 (plus 24%BP*)

217 FOLLOWER OF DAVID TENIERS A farmhand with child assistant in a barn offering produce to a goat with sheep and cattle alongside, three further onlookers with further produce behind, oil on canvas, 71cm x 115cm £800-1200 (plus 24%BP*)

218 MICHAEL ANGELO ROOKER (1746-1801) A stonemason’s yard with the Chapel of Merton College beyond, oil on canvas, 55cm x 68.5cm The work has been shown to Patrick Conner, author of the only monograph on Michael Angelo Rooker. Although unaware of its existence at the time of writing his book, it is an important addition to the artist’s known oeuvre and probably dates from around 1770.

Prov: With John Mitchell & Son 1961 Private Collection until 2016 £2000-3000 (plus 24%BP*)

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219 SUZE ROBERTSON (1856-1922) Reading in the garden, signed, pastels, 34cm x 23cm £350-450 (plus 24%BP*)

222 MANNER OF SASSOFERRATO (1609-1685) The Madonna in Sorrow, oil on canvas, 21cm x 18cm £300-400 (plus 24%BP*)

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225 RUSSIAN CONTEMPORARY SCHOOL Abstract figural study, indistinctly signed, inscribed verso, dated 2009, oil on canvas, 70cm x 120cm £80-120 (plus 24%BP*)

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220 CIRCLE OF JEAN-ANTOINE WATTEAU (1684-1721) The Mandolin player, oil on canvas, 72cm x 57cm £500-700 (plus 24%BP*)

223 L * MANSBACH? Figure study, inscribed ‘L. Mansbach’ and dated ‘Marz 1797’, sepia chalks/charcoal, 21.5cm x 20cm (mounted but unframed) £80-120 (plus 24%BP*)

221 EDWIN LORD WEEKS (1849-1903) Arabs on camelback with citadel behind, signed with monogram, watercolour, 29cm x 20cm; and companion, a pair (2) £150-250 (plus 24%BP*)

224 19TH CENTURY ITALIAN SCHOOL Figures with camel amongst classical buildings, inscribed ‘Vermeulen...’, verso, watercolour, 18cm x 23cm (mounted but unframed) £100-150 (plus 24%BP*)

226 JOHN EMMS (1843-1912) Saddled grey pony and a seated collie by a gate, signed and dated ‘85, oil on canvas, 41.5cm x 57cm £1500-2000 (plus 24%BP*)

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228 GABRIELLE BELLOCQ (1920-1999) ‘Mer et Mats’, signed, pastels, 15.5cm x 21cm; and three further similar (4) Prov: With The Century Galleries Ltd, Henley £60-100 (plus 24%BP*)

229 CIRCLE OF WILLIAM ETTY (1787-1849) A reclining nude, signed, oil on canvas, 48cm x 73cm * Apparently signed ‘Ervia’ (according to conservation label verso) £200-300 (plus 24%BP*)

230 18TH CENTURY ENGLISH SCHOOL The Blue Boys, oil on canvas, 98cm x 114cm £6000-8000 (plus 24%BP*)

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227 GABRIELLE BELLOCQ (1920-1999) Figures approaching a house at springtime, signed, pastels, 47cm x 63cm £80-120 (plus 24%BP*)

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231 EDWARD LEAR (1812-1888) Continental landscape with figure approaching a ruined tower and classical columns in the distance, signed with monogram, and dated 1873, watercolour with scratching out, 10cm x 20cm; and companion, a pair (2) Prov: With Foord & Dickinson, 90 Wardour St, London £3000-5000 (plus 24%BP*)

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232 JOSEPH F. ELLIS (1783-1848) A Dutch fishing boat with further vessels at sea, signed, oil on canvas, 34.5cm x 43.5cm Prov: With The Parker Gallery £600-800 (plus 24%BP*)

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233 GEORG FISCHHOF (1859-1914) An Italian lakeside, signed ‘H Wagner’, oil on canvas board, 48cm x 79cm * H Wagner, a pseudonym for Georg Fischhof £100-200 (plus 24%BP*)

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234 CIRCLE OF WILLIAM SHAYER (1787-1879) Fisher folk off the coast, bears signature and date 1831, oil on canvas, 48cm x 58cm £200-300 (plus 24%BP*)

235 B. DE LA COEUR (19TH CENTURY) Portrait of Suzanne Hannah seated in a chair, inscribed and dated 1837 (according to attached label), pencil and watercolour, 21cm x 17cm £100-150 (plus 24%BP*)

236 JOHN WRIGHT (c.1760-1820) Bust length portrait of a lady wearing lace trimmed headdress, long dark hair and light blue dress, oil on canvas, 31.5cm x 24cm oval; and companion, portrait of a gentleman attributed to the same hand, 28cm x 23cm oval (2) The lady inscribed verso ‘Jno Wright Pinxt 1777 No. 65 Titchfield Street, Cavendish Square, London... Emilys Mother’ £800-1200 (plus 24%BP*)

238 G.H. COLE A traveller in a landscape, signed, oil on panel, 20cm x 29cm; and two further oils, one inscribed ‘Medenham Abbey J. Horlor’, verso (3) £50-100 (plus 24%BP*)

239 NICHOLAS KRASNOFF (fl.1920-1930) ‘St Antonio, Malta’, signed, inscribed with title and dated 1920, watercolour, 24.5cm x 33.5cm £200-300 (plus 24%BP*)

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237 C.R. SMITH (19TH CENTURY) ‘The Brent Swollen with Rain at Finchley 21 July 1875’, signed, dated and inscribed with title, watercolour, 15.5cm x 22.5cm; another by the same hand inscribed ‘Finchley 1893’, 15.5cm x 22.5cm; and eight further various watercolours including works by or attributed to: F.W. Cartwright; William Scott; J Alsop; Charles Pyne (10) £100-200 (plus 24%BP*)

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241 JOEL OWEN (act. 1891-1931) A mountain river landscape at sunset, signed and dated 1928, oil on canvas, 50cm x 75cm £100-150 (plus 24%BP*) 240 SIR ALFRED EAST (1844-1913) ‘Early Spring’, signed, oil on canvas, 39cm x 54cm Prov: With the Richmond Gallery, Cork St, London £900-1200 (plus 24%BP*)

242 ROBERT DRISCOLL (20TH/21ST CENTURY) A Dutch side canal, signed, oil on panel, 29cm x 39cm; and companion, a pair (2) £200-300 (plus 24%BP*)

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245 OSCAR D. WALKES (20TH CENTURY BARBADOS SCHOOL) The Haircut, signed and dated 1970, watercolour, 22cm x 29cm £40-60 (plus 24%BP*)

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243 SEYBURN COLCLOUGH (20TH CENTURY) ‘A Midsummer Night’s Dream’, signed and dated ‘85, pen, ink and watercolour, 50cm x 35.5cm £60-100 (plus 24%BP*)

246 19TH CENTURY ENGLISH SCHOOL A ship in full sail, indistinctly signed with initials, watercolour, 14cm x 20cm; and two further works to include: F.M. - ‘View from the Heights of Abraham, Matlock, Aug 28 1844’, 17cm x 25cm; and George Harrison - River landscape, signed, watercolour, 21cm x 32cm (3) £50-80 (plus 24%BP*)

244 GIDEON FIDLER (1857-1942) ‘Wilton House West Front’, signed with monogram, oil on board, 23cm x 17cm oval; and one further by the same hand, 13cm x 18cm (2) £80-120 (plus 24%BP*)

247 A * S * (19TH CENTURY) ‘The New Curate’, signed with initials and dated ‘96, pen and inks, 25cm x 17cm £40-60 (plus 24%BP*)

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248 JAMES FLETCHER WATSON (1913-2004) ‘Summer Ash Tree - Windrush’, signed, watercolour, 31cm x 47cm * Artist’s label verso £40-60 (plus 24%BP*)

249 THOMAS CHURCHYARD (1798-1865) River landscape, watercolour, 12cm x 17cm; and two further watercolours to include a figure scene, inscribed ‘J.C. Ibbetson’ verso, 5.5cm x 7.5cm; and figures with a wooden cart, 16.5cm x 24cm (3) £50-100 (plus 24%BP*)

250 SAMUEL PROUT (1783-1852) ‘Market Place, Newport, Salop’ and ‘Remains of St. Chad’s Church, Shrewsbury’ inscribed verso (according to attached label), two pen and ink drawings, 15cm x 12.5cm and 12cm x 15.5cm (2) Prov: With Sanders of Oxford £70-100 (plus 24%BP*)

252 CIRCLE OF SIR HENRY RAEBURN (1756-1823) Head and shoulders portrait of John Kennedy, Laird of Knocknalling, New Galloway’ (1769-1855), oil on canvas, 50cm x 40cm With further details regarding the sitter to typed label verso £300-500 (plus 24%BP*)

251 ATTRIBUTED TO PAUL SANDBY (c.1730-1809) ‘A view in North Wales’, pen, ink and watercolour, 14.5cm x 20.5cm * Bears old fragment label with title verso £200-300 (plus 24%BP*)

255 EDOUARD ETIENNE JOUAS (19TH/20TH CENTURY) River landscape with ducks, signed, oil on canvas, 63cm x 43cm £200-300 (plus 24%BP*)

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253 19TH CENTURY ENGLISH SCHOOL Still life - a vase of yellow chrysanthemums, signed with monogram ? ‘CF’, oil on canvas laid to panel, 63cm x 37cm £200-300 (plus 24%BP*)

254 CLAUDIUS SHAW (19TH CENTURY NAIVE SCHOOL) A peninsular landscape with meandering roadway, signed, watercolour, 25cm x 46cm; and companion, a pair (2) Claudius Shaw, served under the Duke of Wellington as 1st Lieutenant in the Royal Artillery in the Peninsular War at St Sebastian and was stationed at Malta, Portugal and France £200-300 (plus 24%BP*)

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257 HENRY PAYNE (1868-1940) ‘Duntisbourne Rouse Church’, signed, watercolour, 34.5cm x 24cm Prov: From the Studio of Edward Payne (the artist’s son) £200-300 (plus 24%BP*)

256 * PARIS (19TH CENTURY) A female beauty, signed and dated ? 1859, oil on panel, 23cm x 18cm in feigned oval (unframed) £100-150 (plus 24%BP*)

258 HENRY PAYNE (1868-1940) ‘A November Landscape’, signed, watercolour, 33cm x 47cm Prov: With the Fine Art Society Ltd, November 1971 £250-350 (plus 24%BP*)

259 HENRY PAYNE (1868-1940) ‘Stone Quarry, Culver Hill’, signed and dated 1928, watercolour, 29cm x 49cm Prov: With Newman Fine Art £300-500 (plus 24%BP*)

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260 HENRY PAYNE (1868-1940) Late October Evening looking towards Uley Camp, signed, watercolour, 31cm x 41cm £200-300 (plus 24%BP*)

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261 M* COLLINS Still life - a basket of red apples, signed, watercolour, 31cm x 33cm; another still life by the same hand, 42cm x 21cm; and Martin Procter - ‘Java Wharf I’, signed, brown ink drawing, 30cm x 33cm (3) £50-80 (plus 24%BP*)

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262 LUIGI MANTOVANI (1880-1957) Seascape with sailing vessel, signed, dated 1920 and inscribed ‘S Remo’, oil on panel, 19cm x 30cm £300-500 (plus 24%BP*)

263 REGINALD J ASPINWALL (1858-1921) River landscape with barge approaching an arched bridge, signed, oil on canvas, 37cm x 52cm £150-250 (plus 24%BP*)

264 ATTRIBUTED TO THOMAS MILES RICHARDSON (1784-1848) Study of boats, pencil and brown wash drawing, 19cm x 23cm £40-60 (plus 24%BP*)

265 MANNER OF DAVID TENIERS The Pipe Smokers, a pair, oils on metal panels, 23cm x 20cm (2) £100-200 (plus 24%BP*)

266 DAVID MYNETT (1942-2013) A country village with church, signed and dated 1984, pastels, 29cm x 35cm; and another by the same hand ‘Hay, water, sun and snow, Cotswolds’, signed, watercolour, 22cm x 29cm (2) £80-120 (plus 24%BP*)

267 ERNEST E CLARKE (19TH/20TH CENTURY) ‘Crinkle Crags and Bowfell’, signed, watercolour, 32cm x 45cm; and Jack Wilde - ‘Arten Gill Viaduct, SettleCarlisle Railway’, signed and dated 1996, watercolour, 23cm x 34.5cm (2) £50-100 (plus 24%BP*)

268 ENGLISH SCHOOL (EARLY 19TH CENTURY) Shipping off the coast, a pair, watercolours, 7cm x 11cm (2) £40-60 (plus 24%BP*)

269 CIRCLE OF MYLES BIRKETT FOSTER (1825-1899) A tender moment, bears monogram, watercolour, 17cm x 12cm; and companion, a pair (2) Prov: With Sanders of Oxford £40-60 (plus 24%BP*)

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270 ROY PERRY (1935-1993) ‘Venice’, signed, gouache, 22cm x 29.5cm; and another by the same hand - ‘River Waveney near Beccles’, signed, 16.5cm x 25.5cm (2) Prov: With The Burford Gallery £50-80 (plus 24%BP*)

271 DAVID MYNETT (1942-2013) St Paul’s from the river, signed and dated 2000, watercolour and body-colour, 53cm x 72cm £30-50 (plus 24%BP*)

272 JOHN HORACE HOOPER (1851-1906) A country ramble, signed, oil on canvas, 74.5cm x 125cm £200-300 (plus 24%BP*)

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273 CIRCLE OF MICHAEL DAHL (1659-1743) Portrait of the Heiress Elizabeth Ogle (b.1654 Whiston, Lancashire) against a landscape setting with parrot perched alongside, oil on canvas, 90cm x 71cm; in period carved giltwood frame Footnote: Elizabeth Ogle as an oldest surviving child (her brother Cuthbert, baptized in 1673 died in 1709), inherited the family seat, Manor of Whiston. Property laws of the period did not allow women to own properties hence Whiston Manor was passed to her husband John Case Prov:The family of the sitter and intermediary £1000-2000 (plus 24%BP*)

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274 ANTHONY VANDYKE COPLEY FIELDING (1787-1855) Sailing vessels in full sail, signed, watercolour with scratching out, 10cm x 15.5cm £150-250 (plus 24%BP*)

275 A.W. SHARP (19TH CENTURY) Fisher folk in a boat off the coast, signed and dated 1876, oil on canvas, 27cm x 42cm £100-150 (plus 24%BP*)

277 AUGUSTUS JOHN (1878-1961) Robed figure and horse study, studio stamp, pencil, ink and wash, 22cm x 17cm £100-150 (plus 24%BP*)

276 JOHANN HEINRICH ROOS (1631-1685) A mother with children in a landscape with goats, cattle and sheep, signed ‘H Roos f’ and dated 1657, oil on panel, 32cm x 42cm £1500-2000 (plus 24%BP*)

279 CIRCLE OF BARTOLOMÉ ESTEBAN MURILLO (1618-1682) The Virgin Mother with Christ Child, oil on panel, 85cm x 69.5cm Prov: Mother Superior, St Elizabeth’s Home, Homeford Road, Seaford, Sussex Cleaned, restored and revarnished by E Stacy Marks, 15th December 1958 £1000-2000 (plus 24%BP*)

278 THOMAS NICHOLSON TYNDALE (1860-1930) ‘Clifden Hampden, Oxfordshire’, signed, watercolour, 22cm x 33cm * With Aldridge Bros, Worthing £60-80 (plus 24%BP*)

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280 GRIGORY STEPANOVICH VASETSKY (b.1928) Still life - a glass vase of red roses, signed, oil on canvas, 42cm x 34cm £150-250 (plus 24%BP*)

281 ATTRIBUTED TO ALFRED PRIEST (1810-1850) Figures at a country village and a mountain lakeside view, a pair, oils on panel, 24.5cm x 43cm (2) £200-300 (plus 24%BP*)

282 EDWARD STAMP (20TH/21ST CENTURY) ‘Spring at Canons Ashby, Northamptonshire’, signed and dated May 1979, oil on canvas, 19.5cm x 24cm; and one further by the same hand - ‘Spring at Bozenham, Near Grafton Regis, Northamptonshire’, signed and dated 1983, oil on board, 15cm x 21cm (2) £100-150 (plus 24%BP*)

283 ATTRIBUTED TO WILLIAM FLEETWOOD VARLEY (1785-1858) ‘In Ashburnham Park, Arundel’, watercolour with traces of pencil, 21cm x 33cm £100-200 (plus 24%BP*)

284 * FILS? A prostrate poodle, indistinctly signed and dated ‘65, pen, ink and watercolour, 13cm x 40cm £60-80 (plus 24%BP*)

285 DAVID J CURTIS (b.1948) ‘Sow and Piglets’, signed and dated ‘90, watercolour, 34cm x 53cm Exh: The Mall Galleries 1990 £300-400 (plus 24%BP*)

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286 STEPHEN GODDARD (b.1959) Head and shoulders portrait of the artist’s father, oil on board, 22cm x 19cm £150-250 (plus 24%BP*)

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287 ROBERT R GREENHALF (b.1950) ‘Little Stints and Moorhen’, signed, watercolour, 29cm x 35cm £40-60 (plus 24%BP*)

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290 WILLIAM EDWARD FROST (1810-1877) Nude figure studies, a group of three, pencil and colour wash drawings, 17.5cm x 9.5cm (X2) and 17cm x 10cm (X1) (3) £150-250 (plus 24%BP*)

291 FOLLOWER OF JOSEPH MALLORD WILLIAM TURNER (1775-1851) A coastal landscape with cloud filled sky, oil on canvas board, 12cm x 17cm; and two further similar by the same hand (3) £80-120 (plus 24%BP*)

293 FOLLOWER OF CLAUDE-JOSEPH VERNET (1714-1789) A party of explorers approaching a group of natives on land with three masted sailing vessel at sea, perhaps Polynesia, oil on panel, 8cm tondo; and one further painting, similarly framed (2) £200-400 (plus 24%BP*)

289 FOLLOWER OF AUGUSTUS JOHN (1878-1961) Landscape with river bridge, signed ‘John’, pen, ink and watercolour, 41cm x 30cm £80-120 (plus 24%BP*)

292 ATTRIBUTED TO RICHARD PARKES BONINGTON (1802-1828) River landscape with figures, a cathedral in the distance, signed with initials, pen, ink and watercolour, 3.5cm x 7.5cm £100-150 (plus 24%BP*)

294 FRENCH SCHOOL (EARLY 20TH CENTURY) A French town with ornamental pond and classical statuary, oil on panel, 20cm x 20cm; and companion, a pair; and one further similar - a wooded area at moonlight, 22cm x 13cm (all but one unframed) (3) £150-250 (plus 24%BP*)

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288 19TH CENTURY CHINESE SCHOOL The Bund, Shanghai, watercolour and gouache, 16cm x 23.5cm £200-300 (plus 24%BP*)

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295 ENGLISH SCHOOL (EARLY 19TH CENTURY) ‘Ventnor Cove’, pen, ink and watercolour, 10cm x 17cm £100-150 (plus 24%BP*)

296 ALBERT ERNEST MARKES (1865-1901) A fishing vessel at low tide, signed (partially rubbed), watercolour, 20cm x 15cm £80-120 (plus 24%BP*)

297 MANNER OF GUERCINO Two putti, one holding a basket of flowers aloft, brown wash drawing, 21cm x 21cm £40-60 (plus 24%BP*)

298 R * M * A twin masted sailing vessel at sea, signed with initials, watercolour, 12cm x 22cm; and three further marine studies, all unframed (4) £40-60 (plus 24%BP*)

299 SARAH LOUISE KILPACK (c.1840-1909) A tranqil coastal view at sunset, signed with initials, oil on paper, 9cm x 12cm; another similar, possibly by the same hand; and one further small marine watercolour, all unframed (3) £80-120 (plus 24%BP*)

300 SWISS SCHOOL (LATE 19TH CENTURY) The Crosser Mythen, Switzerland, oil on card, 8cm x 11cm; and a 19th Century Italian hand-coloured aquatint engraving - The Baptistry, Florence, 5.5cm x 8cm; four various 19th Century botanical studies; and a Japanese print, all unframed (7) £40-60 (plus 24%BP*)

301 H SITWELL ‘Action at Serag Ghant and capture of 15 guns from the ?Swalish rebels 9th December 1857’, signed and inscribed with title to mount verso, pencil drawing heightened in white, 16cm x 25cm; and 19th Century Continental School - figures in a mountain lakeside setting, pencil drawing, 11cm x 29cm (both unframed) (2) £40-60 (plus 24%BP*)

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302 JULIUS ADAM JNR (1852-1913) Cats at play in a pantry, signed and inscribed ‘Munchen’, oil on panel, 20.5cm x 15.5cm in elaborate gilt and gesso frame with acanthus moulded border £1000-1500 (plus 24%BP*)

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303 FOLLOWER OF EDOUARD VUILLARD (18681940) Portrait of a young girl with cup of tea seated in a wing armchair, oil on board, 28.5cm x 22cm £150-250 (plus 24%BP*)

304 ARTHUR CLAUDE STRACHAN (1865-c.1938) ‘Cottages Near Minehead, Somerset’, signed, watercolour, 45cm x 28cm Prov: With J Davey & Sons, Liverpool £250-300 (plus 24%BP*)

305 MRS JOHN F PASMORE (fl. 1861-1878) Tending to baby, signed and dated 1865, oil on canvas, 44cm x 60cm * Artist’s label verso £100-200 (plus 24%BP*)

306 PETER HURST (20TH CENTURY) ‘Windmill on Wray Common, Surrey’, signed, watercolour, 34cm x 55cm £40-60 (plus 24%BP*)

307 JOHN VARLEY (1778-1842) River landscape with figures, signed, watercolour, 26cm x 33cm Prov: With John Manning, New Bond St. £200-300 (plus 24%BP*)

308 ATTRIBUTED TO ANTHONY VANDYKE COPLEY FIELDING (1787-1855) A sunlit mountain lakeside with figures and cattle, signed and dated 1847, watercolour, 22cm x 32cm £100-150 (plus 24%BP*)

309 THOMAS STOTHARD (1755-1834) A scene from Faust, pen and brown washes heightened in white, 12cm x 17cm Prov: With Thos. Agnew & Sons £100-150 (plus 24%BP*)

310 ENGLISH SCHOOL (18TH/EARLY 19TH CENTURY) River landscape with trees, oil on canvas, 75cm x 101cm £250-350 (plus 24%BP*)

311 UMBERTO ONGANIA (1860-1896) Venice, signed, watercolour, 36cm x 70cm Prov: With Grundy & Smith £200-300 (plus 24%BP*)

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312 J * S * DEWAR (19TH/20TH CENTURY) ‘Glen Dochart at Loch Dochart’, signed and dated ‘86, oil on canvas, 49cm x 74.5cm £100-200 (plus 24%BP*)

313 D * VASSILIOU (19TH/20TH CENTURY) An Arabian street, signed, watercolour, 29cm x 20cm; and N* R* Boustell - ‘Llyn Ogwen’, signed, gouache, 35cm x 45cm (2) £40-60 (plus 24%BP*)

314 JOHN ARCHIBALD ALEXANDER BERRIE (18871962) A hillside landscape in summer, signed and dated 1913, oil on canvas, 40cm x 50cm £100-200 (plus 24%BP*)

316 ROBERT RAUDNER (18541915) A tree lined pathway with figure, signed, oil on canvas, 82cm x 66cm £200-300 (plus 24%BP*)

315 19TH CENTURY ENGLISH SCHOOL A welcome break, possibly Windsor, oil on panel, 30cm x 37cm £100-150 (plus 24%BP*)

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317 20TH CENTURY FRENCH SCHOOL ‘Old Montmartre Paris 1951’, indistinctly signed and inscribed verso, oil on board, 54cm x 46cm £30-50 (plus 24%BP*)

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318 * BOSSI Still life - fruit and a wine bottle, signed, oil on canvas, 23cm x 32cm £40-60 (plus 24%BP*)

319 FOLLOWER OF GEORGINA LARA (act. 1840-1880) River landscape with figures, a pair, one indistinctly signed, oil on canvas, 51cm x 76cm (unframed) (2) £40-60 (plus 24%BP*)

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320 19TH CENTURY FRENCH SCHOOL Naked woodland nymphs in a landscape, indistinctly signed, oil on panel, 18cm x 36cm £200-300 (plus 24%BP*)

321 A COLLECTION OF FOUR OLD MASTER DRAWINGS TO INCLUDE: an 18th Century Dutch park landscape in pen and grey wash, attributed to Jan van Huysum (1682-1749), 16.5cm x 21cm; and three further in pencil and red chalk, all unframed (4) £120-150 (plus 24%BP*)

322 IVAN IVANOVITCH KOWALSKI (1839-1937) River landscape in summertime, signed, oil on panel, 23cm x 32cm £80-120 (plus 24%BP*)

323 E * LECOMTE Landscape with corn stooks and windmill, signed, inscribed in French verso and dated ‘Le 6 Octobre 1940’, oil on board, 18cm x 24.5cm £80-120 (plus 24%BP*)

324 A 20TH CENTURY GREEK ICON painted with standing figure of Christ with worshippers at his feet, oil on panel, embossed silver plated frame, 31cm x 27cm Prov: Purchased Iraklion, Crete 1978 £150-250 (plus 24%BP*)

325 A 20TH CENTURY GREEK ICON painted the Crucifixion, oil on panel with carved cresting, 43cm x 27cm (irregular) £80-120 (plus 24%BP*)

326 NOEL ROOKE (1881-1953) ‘Coire na Criche, 15th Sept’ and ‘Isle of Rum from Skye’, a pair, each signed and titled, pastels, 14cm x 23cm (2) £60-80 (plus 24%BP*)

327 ATTRIBUTED TO JOHN WARWICK SMITH (17491831) Estuary with fisher folk, signed and dated 1808, watercolour, 7.5cm x 18cm; and W * Traherne - ‘In Carmarthenshire’, inscribed and titled to mount, watercolour, 18.5cm x 23cm (2) £30-50 (plus 24%BP*)

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328 GERALD COULSON (b.1926) A tranquil river landscape at dusk, signed, oil on canvas, 29cm x 39cm £150-250 (plus 24%BP*)

329 GERALD NORDEN (1912-2000) Still life - a porcelain mug with cherries and peas, signed and dated ‘80, oil on board, 12cm x 17cm £100-150 (plus 24%BP*)

331 THOMAS SWIFT HUTTON (c.1860-1935) Harbour scene, probably Eyemonth, Berwickshire, signed, watercolour, 24.5cm x 33cm £100-150 (plus 24%BP*)

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333 GEORGE SHEFFIELD (1839-1892) The Saw Pits, signed and dated 1878, watercolour, 60cm x 92cm Exh: City of Manchester Art Gallery £200-300 (plus 24%BP*)

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330 ROBIN MACKERVOY (b.1933) ‘The George IV, Great Amwell’, signed, oil on canvas board, 19.5cm x 29cm £100-150 (plus 24%BP*)

332 JOHN FALCONER SLATER (1857-1937) Moonlit Cottage on the North Tyne, signed, oil on board, 43cm x 59cm £100-200 (plus 24%BP*)

334 SIR WILLIAM RUSSELL FLINT (1880-1969) Figures in a continental street, signed, watercolour and body-colour, 31.5cm x 19cm £200-300 (plus 24%BP*)

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335 BERTRAM ROWLAND (19TH/20TH CENTURY) ‘Kilkenny’ and ‘Rex’, a pair, each signed and dated 1913, oil on canvas, 34cm x 40cm (2) £150-250 (plus 24%BP*)

336 ENGLISH SCHOOL (LATE 19TH CENTURY) A bay with foal in a landscape, indistinctly signed and dated 1890, oil on canvas, 33cm x 44cm; and two colour prints after Lionel Edwards, each signed in pencil to the margin (3) £80-120 (plus 24%BP*)

337 ANTY GRAHAM (19TH CENTURY) ‘A Village Head’ and ‘A Highland Loch’, a pair, signed and dated 1883, inscribed with titles verso, oil on canvas, 19cm x 30cm; and one further oil - coastal scene with figures, 25cm x 45cm (3) £50-100 (plus 24%BP*)

338 EDMUND MORISON WIMPERIS (1835-1900) Cattle watering in a landscape, signed, watercolour, 28.5cm x 45cm £100-150 (plus 24%BP*)

339 THOMAS BUSH HARDY (1842-1897) Shipping off the coast, signed and dated 1890, watercolour, 25cm x 54cm £150-200 (plus 24%BP*)

340 VINCENT CLARE (1855-1930) A branch of blossom and apples and grapes, still lifes, a pair, signed, watercolours, 14.5cm x 22cm (2) £100-200 (plus 24%BP*)

341 19TH CENTURY ENGLISH PROVINCIAL SCHOOL A prize longhorn bull in a landscape, oil on canvas, 58cm x 71cm; maple frame £500-700 (plus 24%BP*)

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The following six lots are by Kathleen (Kay) Rayner Richardson (1894-1971) Kay Richardson lived on the Woodstock Road, Oxford with her mother and brother. She taught art at the Dragon School and also taught maths and classics at Christchurch Choir School. As an amateur artist she exhibited her work mainly in Oxford c.1950’s/1960’s

342 KAY RICHARDSON (1894-1971) ‘The Garden of the Old Bank, Oxford’, inscribed to artist’s label verso, oil on canvas, 60cm x 44cm £80-120 (plus 24%BP*)

343 KAY RICHARDSON (1894-1971) ‘The Little Pirate (The Cobb, Lyme Regis)’, inscribed on artist’s label verso, oil on canvas, 35cm x 45cm; and one further - ‘Gull Rock, Near Cornwall’, inscribed on artist’s label verso, exhib. R.A. 1950, oil on board, 30cm x 45cm (2) £100-200 (plus 24%BP*)

344 KAY RICHARDSON (1894-1971) ‘Cherry Trees at Harwell’, inscribed to artist’s label verso, oil on board, 38cm x 49cm; and two further similar (3) £100-200 (plus 24%BP*)

345 KAY RICHARDSON (1894-1971) ‘Daffodil Fields, Cornwall’, oil on canvas board, 29cm x 34cm; and two further - continental town views, 40cm x 32cm (3) £50-100 (plus 24%BP*)

346 KAY RICHARDSON (1894-1971) ‘Market Gardens in Majorca’, inscribed to artist’s label verso, oil on board, 33cm x 41cm; and five further similar (all unframed) (6) £80-120 (plus 24%BP*)

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347 KAY RICHARDSON (1894-1971) A lakeside through trees, oil on canvas board, 41cm x 51cm; and four further similar (all unframed) (5) £50-100 (plus 24%BP*)

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348 DONALD MAXWELL (1877-1936) ‘Chatham in purple and gold’, signed, also signed in pencil to support mount, titled and dated 1922, pen, ink and watercolour, 14cm x 28.5cm £100-150 (plus 24%BP*)

349 GEORGE GREGORY (1849-1938) Fisher folk in a sailing vessel off the coast, signed and dated 1893, watercolour, 18.5cm x 37cm; and companion, a pair (2) £100-200 (plus 24%BP*)

350 DUTCH SCHOOL Fisher folk and sailing vessels at low tide, indistinctly signed ?Rounke and inscribed ‘Scheveningen’, oil on canvas board, 23cm x 35cm; one further by the same hand, 16.5cm x 24cm; and A* White - ‘Near Haywards Heath, Sussex’, signed, watercolour, 15cm x 34cm (3) £150-250 (plus 24%BP*)

351 ROBERT VERNET-BONFORT (b.1934) ‘La Voile Rouge, Honfleur’, signed, inscribed with title verso, oil on canvas, 58.5cm x 79.5cm £100-150 (plus 24%BP*)

352 F WEEKES The Shoemaker, signed, numbered 1305, watercolour, 30cm x 23.5cm £60-80 (plus 24%BP*)

353 JOHN SYER (19TH CENTURY) A moored fishing boat, signed and dated ‘84, watercolour, 25.5cm x 35.5cm (unframed) £40-60 (plus 24%BP*)

354 JOHN ABERNETHY LYNAS-GRAY (1869-c.1940) Figures in a country village, a pair, signed, watercolours, 17cm x 25cm (2) £60-100 (plus 24%BP*)

355 THOMAS NICHOLSON TYNDALE (1860-1930) River landscape with windmill, signed, watercolour, 18cm x 26cm £50-70 (plus 24%BP*)

356 20TH CENTURY ITALIAN SCHOOL A coastal bay, indistinctly signed, oil on canvas, 39cm x 46.5cm (unframed) £50-80 (plus 24%BP*)

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358 KEN HOWARD (b.1932) A Venetian side canal, signed, oil on canvas board, 30.5cm x 25.5cm (unframed) £500-700 (plus 24%BP*)

357 CIRCLE OF MYLES BIRKETT FOSTER (1825-1899) A lady at a stile, signed with monogram, watercolour, 19cm x 14.5cm £100-200 (plus 24%BP*)

359 KEN HOWARD (b.1932) Rome, signed, oil on canvas board, 20cm x 25.5cm (unframed) £300-500 (plus 24%BP*)

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360 KEN HOWARD (b.1932) ‘Fribourg St Nicholas Cathedral’, signed, oil on canvas board, 25cm x 20cm (unframed) £500-700 (plus 24%BP*)

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A collection of paintings from an Oxfordshire estate Lots 361-400

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361 FOLLOWER OF JEAN-BAPTISTE CAMILLE-COROT (1796-1875) Isigny, Coin de Village, bears signature, oil on canvas, 31.5cm x 18.5cm Prov: Percy Moore Turner With Arthur Tooth & Sons, 1951 No. 2584 £600-800 (plus 24%BP*)

363 17TH CENTURY GENOESE SCHOOL A gathering of gentle folk with sailing craft off the coast, oil on canvas, 48cm x 72cm £800-1200 (plus 24%BP*)

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365 DAVID SHANKS EWART (1901-1965) Head and shoulders portrait of a gentleman, signed, oil on canvas, 49cm x 39.5cm in swept rococo giltwood and gesso frame £100-200 (plus 24%BP*)

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362 SAMUEL ATKINS (c.1787-1808) The Launch of H.M.S. Euryalus, Bucklers Hard 1803, signed (partially obscured by mount), watercolour, 37cm x 53cm Prov: With the Parker Gallery £400-600 (plus 24%BP*)

364 18TH CENTURY DUTCH SCHOOL River landscape with water mill, oil on panel, 30cm x 42cm, in carved giltwood and gesso frame £800-1200 (plus 24%BP*)

366 CIRCLE OF WILLIAM PAYNE (c.1755/56-1830) River landscape with angler, watercolour, 13cm x 19cm £150-250 (plus 24%BP*)

367 LOUIS GABRIEL I MOREAU (1740-1806) Rustic farm buildings with figures, inscribed ‘Louis Moreaux fecit 1792’, grey wash drawing, 16cm x 25cm £200-300 (plus 24%BP*)

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369 JAKOB VAN DER SCHLEY (17151779) Design for the frontispiece of Prosper Marchand’s ‘Histoire de... I’Imprimerie’ (The Hague 1740), signed and dated 1739, pen, ink and grey washes, 19.5cm x 15cm * Inscribed in ink verso and with printed text explaining the design Ex. Colln. Henrici Hamal Leod (L. 1231) A full description to be found in Bigmore and Wyman (vol. II p.22) according to note verso £1000-1500 (plus 24%BP*)

368 18TH CENTURY ENGLISH SCHOOL ‘View from Hermitage Hill towards the Isle of Wight’, watercolour en grisaille, 18cm x 30cm £200-300 (plus 24%BP*)

371 19TH CENTURY ENGLISH SCHOOL A farm girl at a stile with resting sheep in a landscape, oil on canvas, 29.5cm tondo £200-300 (plus 24%BP*)

372 THOMAS ONWHYN (19TH CENTURY) View of London from Waterloo Bridge, inscribed ‘Onwhyn del 1832’, watercolour, 28cm x 44cm £300-500 (plus 24%BP*)

373 ROBERT L. BANKS (1911-c.2001) ‘Farmhouse Cursi with the Castello Gradara’, signed with initials and dated ‘58, pen and inks, 25.5cm x 56cm Exh. The Leicester Galleries June 1959 No. 31 £100-200 (plus 24%BP*)

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370 ATTRIBUTED TO JACQUES FRANCOIS SWEBACH-DESFONTAINES (17691823) Cavalry and foot soldiers at a military camp, pen, ink and brown wash drawing, 14cm x 12cm £300-500 (plus 24%BP*)

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374 18TH CENTURY DUTCH SCHOOL River landscape with lock gate, pen, ink and grey wash drawing, 38cm x 27cm £300-500 (plus 24%BP*)

375 F * W * S * ‘The Victor Emanuel, Howe and Lord Warden’, a pair, watercolours, 36cm tondo (2) * With the Redfern Gallery 1957 £200-400 (plus 24%BP*)

376 CIRCLE OF THOMAS BUTTERSWORTH (c.1768-1842) A Dutch sailing vessel in calm waters with chalk cliffs in the distance, oil on canvas, 29.5cm x 39.5cm * The stretcher stamped ‘Merrill, Liner’ £200-300 (plus 24%BP*)

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377 FOLLOWER OF CLAUDE-JOSEPH VERNET (1714-1789) A romantic coastal landscape with shipping, figures and ruined tower, oil on canvas, 25cm x 34cm; and companion, a pair (2) £3000-5000 (plus 24%BP*)

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378 CIRCLE OF JAN VAN DE CAPPELLE (c.1624-1679) Dutch men o’ war in a calm with figures on a jetty, oil on canvas, 51cm x 61cm Prov: With Norman Fisher 1949 £4000-6000 (plus 24%BP*)

379 MARCELLUS LAROON (1679-1772) Woman selling apples, signed and dated 1764, sepia chalks, 31cm x 20cm Prov: With Spink & Son Ltd £600-800 (plus 24%BP*) 380 AUGUSTUS JOHN (1878-1961) Head and shoulders portrait of a gentleman, signed and dated 1947, coloured chalks, 46cm x 34cm £800-1200 (plus 24%BP*)

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382 JEAN-LOUIS ERNEST MEISSONIER (1815-1891) A seated man, signed with monogram, sepia chalks, 22.5cm x 11.5cm Prov: With P & D Colnaghi & Co. £600-800 (plus 24%BP*) 381 THOMAS MACKAY (1851-1920) An idyllic summer day, signed, watercolour, 17cm x 27cm £200-400 (plus 24%BP*)

383 FRENCH SCHOOL A maid with barrel, bears signature ‘J.B. Chardin’, sepia chalk drawing, 24cm x 17cm £300-500 (plus 24%BP*)

384 THOMAS ROWLANDSON (1756-1827) ‘The Elopement’, pen, ink and watercolour, 14.5cm x 23cm Prov: J Leslie Wright Collection With the Fine Art Society May 1943 £1000-1500 (plus 24%BP*)

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385 THOMAS ROWLANDSON (1756-1827) ‘The Thames Below Richmond’, pen, sepia inks and watercolour, 18.5cm x 28cm Prov: With Thomas Agnew & Sons Ltd £1500-2500 (plus 24%BP*)

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386 THOMAS ROWLANDSON (1756-1827) ‘Shipping in Torbay’, signed and dated 1809, pen, inks and watercolour, 12.5cm x 18cm Prov: With Thomas Agnew & Sons Ltd £1500-2500 (plus 24%BP*)

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387 JOHN CLEVELEY II (1747-1786) A multitude of sailing vessels off the coast, watercolour, 14cm x 19cm £200-300 (plus 24%BP*)

388 CIRCLE OF PAUL SANDBY (c.1730-1809) Elegant figures, pen, ink and grey wash drawing, 10cm x 13.5cm oval £100-200 (plus 24%BP*)

389 S * O * (ENGLISH SCHOOL, LATE 18TH CENTURY) ‘Isle of Bute’, a pair, one inscribed with initials to margin and dated 1797, watercolours, 19.5cm x 28cm (2) £100-200 (plus 24%BP*)

390 ITALIAN SCHOOL (EARLY 19TH CENTURY) St Peter’s, Rome and Castel Saint Angelo, Rome, a pair, gouaches, 21cm x 28.5cm (2) £1500-2500 (plus 24%BP*)

391 FOLLOWER OF SAMUEL ATKINS (c. 1787-1808) A coastal scene with fisherman hauling in a rowing boat, watercolour, 15.5cm x 22cm; and an early 19th Century English School watercolour - ladies visiting the ruins of a medieval castle, 16.5cm x 26cm (2) £60-80 (plus 24%BP*)

392 DAVID COX (1783-1859) A group of women at Bruges, inscribed ‘Bruges’, watercolour, 7cm x 10.5cm Prov: With Spink & Son Ltd £300-500 (plus 24%BP*)

393 19TH CENTURY ITALIAN SCHOOL ‘La Marina di S. Lucia in Napoli’ and ‘Lago di Aveno’, a pair, pen and inks, 19cm x 24cm (framed differently (2) * Each variously annotated to lower margin £300-500 (plus 24%BP*)

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394 ENGLISH SCHOOL (EARLY 19TH CENTURY) ‘Palace House’ and ‘Farm House’, two watercolours en grisaille, 10.5cm x 17cm and 10.5cm x 16cm; and two brown wash drawings - ‘The Wine Press’ and ‘Beaulieu Abbey Church’, 11cm x 17cm and 11.5cm x 18cm (4) £150-250 (plus 24%BP*)

395 J * TAYLER A men o’ war flotilla off the coast, signed, annotated with ship’s names verso, watercolour, 24cm x 52cm; and companion, a pair, 23.5cm x 53cm (note size differences) (2) £100-200 (plus 24%BP*)

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396 18TH CENTURY ENGLISH SCHOOL An extensive pastoral landscape with figures and horse beneath a tree, a riverside town in the middle distance, gouache, 67cm x 92cm, in giltwood frame £800-1200 (plus 24%BP*)

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397 CIRCLE OF JOHN CONSTABLE (1776-1837) ‘View of Chatham 1803’, oil on panel, 64cm x 104cm, in carved giltwood frame Exh. Arthur Tooth, October - November 1946 No. 9 (as Constable) £4000-6000 (plus 24%BP*)

398 ATTRIBUTED TO HENDRIK DE MEYER (c. 1600-1690) View on the Dort with Dordrecht in the Distance, oil on panel, 69cm x 102cm in carved giltwood frame * Stamped ** For a similar but smaller view by the artist see AAG 18 June 2018 Lot 37 Prov: Robert Dunthorne & Co., The Rembrandt Gallery £8000-12000 (plus 24%BP*)

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399 CIRCLE OF CORNELIS SPRINGER (1817-1891) A busy Dutch canal with barges approaching a drawbridge, oil on canvas, 74cm x 104cm £3000-5000 (plus 24%BP*)

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400 HENRY WALTON (1746-1813) Portrait of Revd. Thomas Lambert and Mrs Lambert, a pair, oils on copper, 23.5cm x 18cm, oval (2) £3000-5000 (plus 24%BP*)

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Watercolours and Oils (Part Two) Lots 401-437

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401 EDWARD WESSON (1910-1983) ‘Greenwich Royal Hospital’, signed, watercolour, 25cm x 34cm £300-400 (plus 24%BP*)

403 EDWARD WESSON (1910-1983) Moored sailing vessels at low tide, signed, oil on board, 29cm x 44.5cm £300-500 (plus 24%BP*)

402 EDWARD WESSON (1910-1983) ‘On the River Frome, Dorset’, signed, watercolour, 31cm x 49cm £200-300 (plus 24%BP*)

404 SALLY GAYWOOD (20TH CENTURY) ‘Barges off the Dorset Coast’, signed, oil on board, 34.5cm x 55cm £100-200 (plus 24%BP*)

406 GEORGE OWEN WYNNE APPERLEY (18841960) Figures in a continental street, probably Spain, signed, watercolour, 18cm x 12cm £200-300 (plus 24%BP*)

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405 SALLY GAYWOOD (20TH CENTURY) ‘Alley Way in the Algarve’, signed, oil on board, 16cm x 11.5cm £60-80 (plus 24%BP*)

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407 ROSEMARY BRAMLEY (20TH CENTURY) ‘At the End of the Garden’, signed, oil on board, 44cm x 34cm Exh: Turner House Gallery, Penarth, Jan 1994 £50-100 (plus 24%BP*)

408 MERVYN GOODE (b.1948) ‘The Plank Bridge, Oak shaft Stream’, signed, titled verso, oil on canvas, 24cm x 19.5cm £80-120 (plus 24%BP*)

409 SUE WALES (b.1942) ‘Blue Chair in Kitchen’, signed, oil on canvas, 39cm x 29cm £80-120 (plus 24%BP*)

410 N. INGULDINS? ‘Sap Rising’, indistinctly signed, oil on gesso, 28cm x 18cm £60-100 (plus 24%BP*)

411 JORGE AGUILAR-AGON (b.1936) Sailing vessels moored at a jetty, signed, oil on canvas, 44cm x 90cm £50-100 (plus 24%BP*)

412 LEON DELBOS (19TH CENTURY) A Venetian side canal, signed and dated 1894, oil on canvas, 39.5cm x 49.5cm £80-120 (plus 24%BP*)

414 CLEMENT BURLISON (1815-1899) ‘Italian Landscape’, faintly inscribed to label verso, oil on canvas laid onto panel, 38cm x 89cm £500-700 (plus 24%BP*)

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413 THOMAS BUSH HARDY (1842-1897) ‘Holywell near Eastbourne’, signed, titled and dated 1871, watercolour, 33cm x 62cm £300-500 (plus 24%BP*)

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415 LINDA WEIR (b.1951) St Ives Overlooking the Harbour, signed with initials, oil on board, 58cm x 61cm (unframed) £300-500 (plus 24%BP*)

416 FREDERICK JACOBUS DU CHATTEL (1856-1917) A shepherd driving sheep on a riverbank, signed, watercolour, 40.5cm x 30cm £150-250 (plus 24%BP*)

417 HERBERT DAVIS RICHTER (1874-1955) Still life - a glass vase of flowers, signed, watercolour, 48cm x 37cm £150-250 (plus 24%BP*)

419 19TH CENTURY CONTINENTAL SCHOOL Two lovers with music score, oil on canvas, 76cm x 63cm; and companion, a pair (2) £250-300 (plus 24%BP*)

420 PETER BURMAN (b.1950) A field with solitary cottage, signed, watercolour, 24cm x 32cm £60-80 (plus 24%BP*)

421 E * WILCOCKE (19TH CENTURY) A lakeland landscape with cottage, signed, pencil drawing, 28cm x 38cm; and four further works, all unframed (5) £20-30 (plus 24%BP*)

422 BASIL NIGHTINGALE (1864-1940) A mounted huntsman, signed and dated 1893, pastels, 42cm x 49cm £350-450 (plus 24%BP*)

423 CALVERT R. JONES (c.1804-1877) Two men with folded arms, dated April 17, 1856, pencil and watercolour with a ship study verso, 17cm x 24cm (unframed) Exh: The Minories, Colchester, Calvert R. Jones Exhibition 1974 £80-120 (plus 24%BP*)

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418 19TH CENTURY ENGLISH SCHOOL Head and shoulders portrait of a young boy wearing broad collar perhaps a choir boy, oil on panel, 16cm x 12cm £200-300 (plus 24%BP*)

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424 19TH CENTURY ITALIAN SCHOOL Full length portrait of a soldier standing by a rock inscribed ‘Montebello, Palestro, Magenta, Melegnano and Solferino’, perhaps a design for a lithograph, indistinctly signed in pencil, watercolour, 28.5cm x 23cm £40-60 (plus 24%BP*)

425 VICTOR MEIRELLES DE LIMA (1832-1903) Figures in a street, New York, signed, oil on canvas, 39cm x 49.5cm £100-150 (plus 24%BP*)

427 JOHN FINNIE (1829-1907) The Sea from the Cliff, signed, watercolour, 72cm x 49cm * Memorial Exhibition, Walker Art Gallery £200-300 (plus 24%BP*)

428 EDMOND YON (1836-1897) ‘L’Oije á Ourscamps’, signed, titled and inscribed ‘Souvenir Cordial’, oil on canvas, 26cm x 34cm £100-150 (plus 24%BP*)

426 THOMAS MILES RICHARDSON JUNIOR (1813-1890) ‘Beddgelert aug 27/49, signed with initials, watercolour, 20cm x 29cm £100-150 (plus 24%BP*)

429 RENÉE CARPENTIER-WINTZ (1913-2003) ‘Face au Large’, signed, oil on canvas, 100cm x 80cm, Exh. Salon de la Marine, 28 Oct 1972; another by the same hand - Moored sailing vessels, signed, oil on board, 9.5cm x 14cm; and one further marine scene, indistinctly signed, 9cm x 16cm (3) £50-150 (plus 24%BP*)

431 CIRCLE OF MYLES BIRKETT FOSTER (1825-1899) ‘A Family with donkey on a river bank’ and ‘Herding sheep through an open gateway’, a pair, each bearing monogram, watercolours, 10cm x 15cm (2) £150-250 (plus 24%BP*)

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430 GEORGE STAINTON (act.1860-1890) A breezy day, signed, oil on canvas, 24cm x 34cm £120-150 (plus 24%BP*)

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433 FREDERICK JOHN WIDGERY (1861-1942) The Bristol Channel from the slopes of Dunkery Beacon, signed, gouache, 17.5cm x 27.5cm £60-100 (plus 24%BP*)

434 LOUIS VAN STAATEN (1836-1909) ‘Near Rotterdam’, signed, watercolour, 39cm x 59cm £50-100 (plus 24%BP*)

432 GARMAN MORRIS (act.1900-1930) ‘Hazy Morning’, signed and titled, watercolour, 22cm x 12.5cm £20-40 (plus 24%BP*) 435 CHARLES EDWARD HERN (1848-1894) ‘Church Lane, Gorleston’, signed with initials and dated 1885, 26cm x 17.5cm; and Victor Ames (exh. 18951917) - ‘Villa Ombrellino, Florence’, signed, watercolour, 26.5cm x 17.5cm (2) £50-100 (plus 24%BP*)

436 17TH CENTURY ITALIAN SCHOOL A multitude of clothed and naked figures in a landscape with the Tower of Babel behind, oil on canvas, 118cm x 154cm £2000-3000 (plus 24%BP*)

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437 JOSHUA CRISTALL (c.1767-1847) Portrait of a farm girl with wheatsheaf, signed and dated 1816, inscribed ‘Hurley Berks’, pencil and brown washes, 38cm x 26cm; and one further attributed to the same hand titled ‘Gleaner’, 34cm x 25cm (2) £100-150 (plus 24%BP*)

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Frames Lots 440-452

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440 AN 18TH CENTURY STYLE WALNUT AND PARCEL GILT FRAME of cavetto form, currently incorporating a photographic view of Palio Castrica, Corfu in 1962 by John Merton, rebate size 114cm x 85cm Prov: With Derek Johns £80-120 (plus 24%BP*)

441 TWO SIMILAR 19TH CENTURY ROSEWOOD FRAMES, each with inner stained beech slip, sight sizes 27.5cm x 37cm and 29cm x 36cm; and one further smaller, currently with Bartolozzi engraving, sight size 22cm x 20cm (3) £80-120 (plus 24%BP*)

442 A LARGE 18TH CENTURY STYLE GILT FRAME of swept rococo form, rebate size 76cm x 127cm £40-60 (plus 24%BP*)

444 AN 18TH CENTURY GILTWOOD FRAME, the border carved with acanthus and flowering foliage in relief, rebate size 19.5cm x 16.5cm £80-120 (plus 24%BP*) 443 AN EARLY 18TH CENTURY TORTOISESHELL VENEERED FRAME with ripple moulded cushion border, rebate size 30cm x 24.5cm £100-200 (plus 24%BP*)

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445 A LOUIS XIV GILTWOOD CORNER AND CENTRE FRAME, the border with scrolling and flowering foliage, rebate size 53.5cm x 41.5cm £300-500 (plus 24%BP*)

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446 A PAIR OF 19TH CENTURY GILT AND GESSO ‘WATTS’ FRAMES, rebate sizes 54.5cm x 36.5cm (one lacking outer edge) (2) £60-80 (plus 24%BP*)

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447 A 19TH CENTURY PRE-RAPHAELITE GILT AND GESSO FRAME, the deep border moulded with branches of ivy leaf, rebate size 71.5cm x 56cm £200-300 (plus 24%BP*)

449 AN ANTIQUE FRAME, the deep border of ripple moulded form, rebate size 54.5cm x 42cm £80-120 (plus 24%BP*)

450 A 19TH CENTURY GILT GESSO FRAME, the border with acanthus leaf decoration, rebate size 46.5cm x 31cm; and an early 19th Century frame, rebate size 32cm x 25cm (2) £40-60 (plus 24%BP*)

448 AN 18TH CENTURY FRENCH GILTWOOD RIBBON AND STICK DRAWING FRAME, rebate size 41cm x 33.5cm £120-150 (plus 24%BP*)

451 AN 18TH CENTURY STYLE GILT FRAME of rococo form with foliate moulded decoration, rebate size 46cm x 61.5cm £40-60 (plus 24%BP*)

452 A 19TH CENTURY ‘SEAWEED MARQUETRY’ STYLE SATINWOOD FRAME, all over decorated with acanthus leaf and berried foliate decoration, sight size 53.5cm x 98cm; currently incorporating an engraving after Thomas Webster - ‘The Play-Ground’ £100-200 (plus 24%BP*)

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CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged.

Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre-1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

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FURTHER ENTRIES INVITED

Mallams 1788

Jewellery & Silver Sale

Mallams 1788

Wednesday 14th November at 11am Viewing times: Saturday 10th November 9am – 1pm Monday 12th & Tuesday 13th November 9am – 5pm And on Sale Day from 8.30am

6 & 7 December 2018 OXFORD

An Art Deco diamond panel bracelet by Cartier Estimate £20,000 - £30,000

For further information please contact Max Fisher 01865 241358 or max.fisher@mallams.co.uk www.mallams.co.uk

B O C A R D O H O U S E , 2 4 A S T. M I C H A E L’ S S T R E E T, O X F O R D O X 1 2 E B

Enquiries: Please contact 01865 241358 or oxford@mallams.co.uk www.mallams.co.uk

B O C A R D O H O U S E , 2 4 A S T. M I C H A E L’ S S T R E E T, O X F O R D O X 1 2 E B

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MALLAMS THE PICTURE SALE

Mallams 1788

The Picture Sale Wednesday 17th October 2018 at 11am

17 OCTOBER 2018

www.mallams.co.uk