Dziuginta Didziokaite

In this way, the artis eliminates the superfluous and ephemeral to focus only on what really interests her: feeling. All this is often seasoned with faint traces of context, previously removed with chiseling care. Flashes of damp skies or trampled sands support the singularity of human delicacy. Her subjects can be interpreted from a dual relative perspective. While time in its threefold facet conditions the subject, it is the artist herself who chooses the type of intervention. Her paintings report this dual choice by fixing on paper something that flows, such as a bike ride or a loving glance. Experience, and therefore also life, is not an option, but the certainty necessary to act in reality and find meaning in it. A goal, this, that is resolved by bringing back the lived without compromising the form and substance of the paintings. Magini presents us with the real and the human as this actually manifests itself, without forgetting its origin.