Madison Symphony Orchestra, Inc. Heather Rose, Editor Email: hrose@madisonsymphony.org
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For advertising information, contact: Heather Rose (608) 257-3734 x231 hrose@madisonsymphony.org
THANK YOU TO OUR SEASON PARTNERS
LAND ACKNOWLEDGMENT
CENTENNIAL FESTIVAL WEEKEND
6 Food Vendors 8 Festival Schedule 11 Welcome 12 Overture Maps 14 Group Biographies
FAMILY CONCERT JUN 13
51 Concert Sponsors and Program
52 Musician Roster
53 Kyle Knox Biography
54 John Stofflet Biography
55 T.L. Luke Biography
ORGAN CONCERT JUN 13
56 Concert Sponsors and Program
57 Greg Zelek Biography
SYMPHONY CONCERT JUN 14
58 Concert Sponsors and Program
59 Musician Roster
60 John DeMain Biography
62 Julian Rhee Biography
64 Michael Deshield Biography
65 Alexandra LoBianco Biography
66 Kara Morgan Biography
68 Craig Irvin Biography
70 Beverly Taylor Biography
72 Madison Symphony Chorus
74 Program Notes
ABOUT THE ORCHESTRA
81 Overture Hall Information
82 Boards and Administration
As we gather in this space for these concerts, the Madison Symphony Orchestra acknowledges the Ho-Chunk Nation’s ancestral lands and celebrates the rich traditions, heritage, and culture that thrived long before our arrival. We respectfully recognize this Ho-Chunk land and affirm that we are better when we stand together.
THANK YOU TO OUR…
PRESENTING FESTIVAL SPONSORS
LEAD FESTIVAL SPONSORS
Diane Ballweg
Jim and Susan Bakke
Barbara and Norman Berven
Lau and Bea Christensen
W. Jerome Frautschi
Kay Schwichtenberg and Herman Baumann
FAMILY CONCERT SPONSORS
Barbara and Norman Berven
J.H. Findorff & Son, Inc.
Madison Symphony Orchestra League
Peggy and Tom Pyle
Hooper Foundation
ORGAN CONCERT SPONSORS
Carla and Fernando Alvarado
Jane Hamblen and Robert F. Lemanske
Reynold V. Peterson
Gareth Steen, in memory of Arthur G. Bottinger
Friends of the Overture Concert Organ
MSO FINALE CONCERT SPONSORS
Myrna Larson
John J. Frautschi Family Foundation, in honor of John DeMain
Marriott Daughters Foundation
David and Kato Perlman
Pamela Ploetz and John Henderson, in honor of John DeMain
Peggy and Tom Pyle
Jeffrey and Angela Bartell
Capitol Lakes
Madison Symphony Orchestra League
COMMUNITY GROUP SPONSORS
WHOLE NOTE SPONSORS
Cavi, Fortune & Associates
James Dahlberg and Elsebet Lund
David Falk and JoAnne Robbins
Mark and Nancy Moore
Graystone Consulting from Morgan Stanley
Peter and Leslie Overton
Lise R. Skofronick
U.S. Bank Private Wealth Management
West Bend Insurance Company Charitable Fund at the West Bend Community Foundation
HALF NOTE SPONSORS
Michael Bridgeman and Jack Holzhueter
Daluge Travel
Inventure Capital
Johnson Financial Group
Elaine and Nicholas Mischler
Nelnet, Inc.
Pines Bach LLP
Qual Line Fence Corp.
Joe and Mary
Ellyn Sensenbrenner
Anna Trull, Broker with Stark Company Realtors
QUARTER NOTE SPONSORS
Adesys IT Specialists
Bergstrom Automotive
Carlson Black O’Callaghan & Battenberg LLP
EnRich Financial Partners LLC
Farley’s House of Pianos
Mandi Gausewitz and Rich Arriaga
Jennifer Haack & Associates LLC
Little Luxuries
Livable Communities by Don Tierney
Derrick and Carrie Smith
Ellen and Gary Smithback
FESTIVAL MEDIA PARTNER COMMUNITY RADIO PARTNER
With special thanks to…
American Printing, Catering A Fresco, Cedar & Spice Design & Fabrication Studio, Celebrations Entertainment, Flatbed Graphics, Funny Faces Balloon Décor & Family Entertainment, Kaleidoscope Event Design, Laser-4-U, Overture Center for the Arts, Revelation PR, Advertising, & Social Media, Rosebud Floral, and Sugar Llama Cookies
Centennial Anniversary Steering Committee
Barbara Berven, Ellsworth Brown, Elton Crim, John DeMain, Abbey Jones, Brian Lee, Robert Lemanske, José Madera, Elaine Mischler, Rick Morgan, Casey Oelkers, Robert Reed, Peter Rodgers, Jane Schroeder, Derrick Smith, Christopher Stager
FOOD VENDORS
Available to purchase in Overture Lobby throughout the weekend
Saturday, June 13th 9:30 am - 4:30 pm and 7:00 pm - 9:00 pm
Sunday, June 14th 9:30 pm - 4:00 pm
Kipps Catering (Soul Food)
Mac N Cheese
BBQ Rib Tips
Pulled Smoked Chicken Sandwich
Cornbread Muffin
Dinner Combo: Ribs, Mac-n-Cheese, Cornbread
Ian’s Pizza (Pizza)
Mac N Cheese Pizza
BBQ Chicken Pizza
Cheese Pizza
Pepperoni Pizza
Sara’s Street Food (Filipino Street Food)
Saturday, June 13th
Sausage Vegan Pansit
Pork Adobo
Pork Steam Bun
Chicken Dumpling
Graham Mango Frozen dessert
Coffee Jelly dessert
Mango Dragon Fruit
Ube Shave Halo Halo
Sunday, June 14th
Shrimp Fried Rice with Salmon
Fresh Lumpia with Vegetable and Peanut Sauce on the side
Pork Steam bun
Chicken Dumpling
Graham Mango Dessert
Coffee Jelly Dessert
Mango Dragon Fruit Dessert
Ube Shave Ice Halo Halo
Catering a Fresco (Mexican Street Food)
Mexican street corn
Chicken tinga street tacos
Carnita tacos street tacos
Shrimp Tostadas
Churros with bourbon caramel & chocolate
raspberry sauce
3 CONCERTS INCLUDE:
JOYCE YANG PLAYS RACHMANINOFF
October 16-18, 2026
Joyce Yang, piano
CARLOS SIMON The Block
RACHMANINOFF Piano Concerto No. 2
TCHAIKOVSKY Symphony No. 4
BEETHOVEN’S PASTORAL SYMPHONY
November 6-8, 2026
Kyle Knox, conductor
Naha Greenholtz, violin
VIVALDI “Autumn” from The Four Seasons PIAZZOLLA “Autumn” from The Four Seasons of Buenos Aires
L. BOULANGER D’un matin de printemps
HINDEMITH Symphonic Metamorphosis on Themes by Carl Maria von Weber
BEETHOVEN Symphony No. 6, “Pastoral”
STERLING ELLIOTT RETURNS
January 15-17, 2027
Carl St. Clair, conductor
Sterling Elliott, cello
FRANK TICHELI There Will Be Rest
HAYDN Symphony No. 88
R. STRAUSS Don Quixote
Dates, artists, programs, and prices subject to change.
FESTIVAL SCHEDULE
SATURDAY, JUNE 13TH
8:30 AM – 9:30 AM
Overture Upper Lobby: Joan Herzing Yoga & Root Song Soundbath
9:00 AM - 9:30 AM
Capitol Square at Farmer’s Market: Mama Digdowns
9:30 AM – 4:30 PM
Overture Lobby:
Kipps Catering (Soul Food)
Sara’s Street Food (Filipino Street Food)
Ian’s Pizza (Pizza)
Catering a Fresco (Mexican Street Food)
9:30 AM – 10:45 AM
Overture Lobby: Heid Instrument
Petting Zoo – An opportunity to give music a try!
9:30 AM – 4:30 PM
Promenade Terrace:
Madison Obihiro Sister Cities, Inc.–Origami using musical scores with Jo Miller
Desere Mayo – Sound Translation: a study in listening, legacy, and visual rhythm
Arthur Durkee Arts – History & Philosophy of Notating Music
Musical Makerspace with Sara Milewski and Sarah Pagel – Found object instrument making for kids of all ages
Inski Guitars with Mike Scieszinski – Chasing Bendetto: modern luthier techniques and the construction of the archtop hollowbody electric/ acoustic guitar
Promenade Terrace: Madison Obihiro Sister Cities, Inc.–Origami using musical scores with Jo Miller
Desere Mayo – Sound Translation: a study in listening, legacy, and visual rhythm
Arthur Durkee Arts – History & Philosophy of Notating Music
Musical Makerspace with Sara Milewski and Sarah Pagel – Found object instrument making for kids of all ages
Scan Here for the most up to date Schedule
Inski Guitars with Mike Scieszinski – Chasing Bendetto: modern luthier techniques and the construction of the archtop hollowbody electric/ acoustic guitar
Promenade Hall: Bach Dancing & Dynamite Society (MC: Rozan Anderson)
Rotunda: Currach Irish Quadtet (MC: Barbara Berven)
2:45 PM – 3:30 PM
Wisconsin Studio: Madison Area Concert Handbells (MC: Sabrina Madison)
3:00 PM – 3:45 PM
Promenade Hall: Children’s Theater of Madison (MC: Lisa Peyton)
Rotunda: Isthmus Brass (MC: José Madera)
3:15 PM – 4:00 PM
Overture Lobby: Adem Tesfaye Band (MC: Noble Wray)
4:30 PM – 7:00 PM
Overture Hall: Madison Symphony Orchestra Concert
7:00 PM – 9:00 PM
Overture Lobby: Centennial Reception with Grupo Candela (MC: Derrick Smith & Elaine Mischler from stage)
Scan Here for the most up to date Schedule
100 YEARS TOGETHER IN MUSIC.
Wow! We began planning for the anniversary celebration in 2017. In 2023 a 100th Anniversary Steering Committee was formed. This creative committee developed the theme and logo and reduced 100 ideas for celebration down to two: a gala opening weekend produced by a partnership of the Madison Symphony Orchestra League and the MSO (September 19 and 20) and a closing Centennial Festival Weekend (June 13 and 14). The opening Friday night concert on September 19 featured Olga Kern playing Tchaikovsky followed by a Maestro’s Dinner. On September 20 Cirque de la Symphonie artists soared above the stage accompanied by the MSO performing music from famous film scores. Barbara Berven chaired that fantastic weekend.
The closing Centennial Festival Weekend, June 13 and 14 is a gift from the MSO to the community. There are 50 musical acts, visual art exhibits, demonstrations and food vendors: 2 days, 25 hours, 5 stages of entertainment at Overture Center for the Arts, and it is ALL FREE Without our generous donors we wouldn’t have this incredible festival! For that, we are forever grateful. We will have more than 160 volunteers working to help make this weekend amazing. We thank them and our volunteer committee for all of their work.
We invite everyone to come and enjoy this festival for all people, all communities, all who enjoy music and being together. All events this anniversary year are presented to celebrate the past of the MSO, embrace the present, and empower the future of this great orchestra for the next 100 years!
Elaine Mischler and Derrick Smith, Co-Chairs, 100th Anniversary Steering Committee
Adem Tesfaye is an award-winning singersongwriter, emcee, and hip-hop guitarist whose music fuses funk, reggae, blues, and hip-hop into an electrifying sound. Known for his compelling storytelling and commanding stage presence, Adem’s rich baritone voice exudes soulful warmth, charisma, and lyrical depth.
Adem’s journey began in Madison, WI, where he co-founded the hip-hop band The Black Poets Society with Lacouir Yancey. During this early period, he shared stages with legendary performers such as Redman, Method Man, De La Soul, Pharcyde, Ben Harper, Spearhead, and Jazzmatazz, cementing his reputation as a rising talent in the Midwest.
After moving to Seattle, Adem expanded his artistry by learning to play the guitar, a skill that added depth to his music. Following three years back in Madison, where he recorded the EP The Soul Rap Movement, Adem ventured to New York City for 15 transformative years. There, he collaborated with acclaimed producers like Rick Flowers, Mannie Sanchez, and Matt Mueller and released the album Athehdage, further refining his unique blend of genres.
In 2020, Adem’s plans for a national tour were cut short by the pandemic, leading him back to Madison. Since his return, he has released the EP Adem Tesfaye Band, performed in Paris, Chicago, and across Wisconsin, and wowed audiences with his band’s soulful fusion of rock and R&B. Their self-titled album and hit single The Wave have earned critical acclaim and captivated fans nationwide.
Adem’s achievements include the 2024 Leadership Award for Musician of the Year from Madison 365. His band, the Adem Tesfaye Band, has been nominated for Band of the Year by WAMI (Wisconsin Area Music Industry) in both 2024 and 2025.
Currently in the studio recording a new project, Adem continues to evolve his sound and artistry. Whether performing solo or with his band, he delivers unforgettable experiences that reflect his journey from Madison to Seattle, New York City, and beyond.
ANNIE AND THE OAKIES
Saturday, June 13 | 10:00 AM – 10:45 AM | Wisconsin Studio
Sponsored by Madison Symphony Orchestra
Drawing from Americana, bluegrass, and old time influences, Annie & the Oakies are the peerless wing-shots of the Madison, WI, acoustic music scene. Emerging from the ashes of the Oak Street Ramblers, who were midwest favorites for nearly two decades, Annie & the Oakies released their eponymous debut album in 2022. The album has received regular radio play, and A&TO has played several high profile shows since then. The band consists of Annie Emmenegger on guitar and vocals, Ian Alderman on mandolin and vocals, Jeff Kunkle on bass, Mark Schlutt on banjo and vocals, and Tina Thompson on fiddle and vocals.
Notable Performances
∞ Stoughton Opera House
∞ North Street Cabaret (sold out performance)
∞ Waterfront Festival
∞ Sessions at McPike Park (opened for Lilly Hiatt)
Annie & the Oakies Streaming Options
∞ Spotify
∞ Apple Music
∞ Youtube
AR VIOLIN STRING QUARTET
Saturday, June 13 | 5:30 PM – 7:00 AM | Overture Lobby
Sponsored by Madison Symphony Orchestra
AR Violin String Quartet, led by violinist Ashley Rewolinski specializes in contemporary string quartet performances in the Bridgerton Style. As an ensemble, they are dedicated to creating customizable music experiences with their repertoire spanning many genres, from Bach to classic rock! Notable clients include: Kohler Co., Northwestern Mutual, Baird Center, the 2024 Republican National Convention, and more.
ARTHUR DURKEE
June 13 | 9:30 AM – 4:30 PM | Promenade Terrace
June 14 | 9:30 AM – 4:30 PM | Promenade Terrace
Arthur Durkee is an award-winning interdisciplinary artist who works in music, book arts, poetry, visual art, and multimedia. With a degree in music composition and many years of experience in both writing notated music and in the recording studio and on the concert stage as a musician, these days he is primarily an improvising musician with dozens of recordings on Bandcamp at arthurdurkee. bandcamp.com
ARTS FOR ALL WISCONSIN
June 13 | 9:30 AM – 9:00 PM | Promenade Lobby
June 14 | 9:30 AM – 9:00 PM | Promenade Lobby
Arts for All Wisconsin, formerly known as Very Special Arts or VSA Wisconsin, is a statewide arts organization that serves children and adults with disabilities. Since 1985, we have been guided by our understanding that the arts build bridges between people, support physical and mental wellness, and celebrate diversity in our community. Our mission is to expand the capabilities, confidence, and quality of life for children and adults with disabilities by providing programs in dance, drama, creative writing, music, and visual art. Learn more about Arts for All Wisconsin at www.artsforallwi.org
Featuring members of some of the Midwest’s best funk, rock, and hip-hop outfits, the Madison supergroup is born to bring you to the dance floor.
At its core, this is a latin funk party. But it’s music that can change on a dime. One minute they’re all backbeats and groove, next they’re putting a new spin on soca or sinking into full, driving rock. It’s like a crate-digger’s dream, pulling LPs from a wall full of vinyl, to find music that revels in surprises and keeps you dancing. Page through their influences and you’ll hear strands of the Budos Band and Los Fabulosos Cadillacs, Khruangbin, and Ozomatli. They can be as electric as early Police, as funked out as the Brand New Heavies, and as joyful as Manu Chao. The band writes and operates like a collective. You can hear the respect they have for each other in the way they carve space for each instrument, a deep admiration that weaves in and out of each song. They’ve waited a long time to finally make this music together.
Frontman Uriel Lopéz-Rodriguez honed his chops through years writing and producing hip hop and latin pop for artists across Mexico City, California, Arizona, and Wisconsin, including The Prolé, where he first played with jazzinspired, journeyman keyboardist, Matthew Rief.
Brett Farrey (bass) and Shanan Galligan (guitar) were the rhythm section in the hip-hop/acid-jazz combo Smokin’ with Superman and alt-rock Little Earthquakes. Grammy-nominated Joey Banks (drums) carries on the legacy of his close friend and mentor, Clyde Stubblefield as well as a wide portfolio of projects from Steely Dane to the Funkee JBeez.
And then there’s the horns: featuring Ben Knox (sax), Jamie Kember (trombone), and Mike Boman (trumpet), they are among the area’s most indemand musicians, gracing the stage with bands from The Big Payback to the Youngblood Brass Band.
After a debut summer playing some of the area’s most-exciting festivals and stages, Automatic Lover is returning to the studio to put the finishing touches on their first album, to be released January 2026.
BACH DANCING & DYNAMITE SOCIETY
Sunday, June 14 | 1:45 PM – 2:30 PM | Promenade Hall
Sponsored by:
James Dahlberg and Elsebet Lund
Daluge Travel
Qual Line Fence Corp.
Bach Dancing & Dynamite Society will present its 35th summer chamber music festival, June 5 - 28, in Madison. Its three-week festival is widely known for diverse programming of traditional to contemporary classical music, played by an ensemble of distinguished musicians from around the country. A BDDS hallmark, musicians explain the work from the stage making even the most challenging new work accessible to a general audience. It’s serious music-making suffused with high-energy, surprises, and lots of audience appeal.
Performers:
Artistic Co-director STEPHANIE JUTT is principal flute of the Madison Symphony Orchestra, editor at International Music Publishing, and professor emerita of flute at the University of Wisconsin-Madison.
Artistic Co-director and pianist JEFFREY SYKES is a faculty member of the University of California, Berkeley and a member of the San Francisco Piano Trio.
Bayan player STAS VENGLEVSKI is an internationally-known accordionist, arranger, entertainer, and teacher. He is a regular participant in the Milwaukee Symphony Orchestra’s Arts in Community Education program. This is his fifth season with BDDS.
BLACK STAR DRUM LINE
Saturday, June 13 | 12:30 PM – 1:15 PM | Rotunda
Sponsored by Derrick and Carrie Smith
Black Star Drum Line was created and founded in 2008 by award winning drummer/ percussionist Joey B. Banks, to give kids in the Madison community an opportunity for creative expression through the “Percussive Arts”. Director Joey B. Banks incorporates diversity, respect for self and others, unity and mastery as the core elements of the youth development model he developed working as a youth development professional for over 20 years in the Madison area. The group has done over 600 performances in the State of Wisconsin and Madison community to date. Black Star Drum Line has performed and collaborated with many local groups and performers, which include,The Handphibians, Rob Dz, Keon Andre, Pretty Boy Hefner, Lucas Koehler,Jeff Weiss,Stefan Truesdell, Gabe Burdulis, A. N. T. Anthony Lamarr, and Bradley Thomas(DLO),Trilogy and the band Mascot Theory. Some past performance highlights were playing for 25,000 people at “Lifest” in 2012, opening for Rapper B.O.B. at a UW-Whitewater “Welcoming” event in 2014, 12 “standing room” only performances at Overture Center’s “Kids In The Rotunda” the last 4 years the group has performed at the show and most recently competed in their first “DCI Drum Battle” at the DCI World Championships in Indianapolis in August 2017. During 2016-2017 NBA season Black Star Drum Line became the first junior drum line in the NBA as the Milwaukee Bucks “Mini Beats” Drum Line where they performed at 7 home games this season, and recently opened for the national touring act “Drum line” at Overture Hall on March 1 2017. In 2017, Black Star Drum Line became a partner with newly founded Forward Performing Arts (Formerly, the Madison Scouts Drum and Bugle Corps Association). The partnership will allow for more youth from the Madison and surrounding area to be involved with Black Star Drum Line and other “percussive arts” and youth music ensemble programs.
CAPITAL CITY THEATRE
Sunday, June 14 | 10:00 AM – 10:45 AM | Rotunda
Sponsored by:
Mark and Nancy Moore
Bergstrom Automotive
Capturing the imagination of audiences in the Madison area, Capital City Theatre brings professional Broadway and community talent together, through its unforgettable performances and distinguished Conservatory training. We present diverse, cutting-edge and classic works, employ top national and local talent, and educate future stars. Past productions have included: Hunchback of Notre Dame, On the Town, and Gypsy in the Capitol Theater, Lady Day at Emerson’s Bar and Grill in the Wisconsin Studio, Shining in Misery (World-premiere) and Assassins in the Playhouse and Natasha Pierre and the Great Comet of 1812, a fully immersive show at Four Winds Farm, just to name a few.
CHARANGA AGOZÁ
Saturday, June 13 | 10:00 AM – 10:45 AM | Rotunda
Sponsored by Cavi, Fortune & Associates
Charanga Agozá, a charanga ensemble based in Madison, Wisconsin, was formed in 2009. The group plays charanga, a dance oriented musical genre that originated in Cuba at the turn of the twentieth century and peaked in the 1950s. Charangas also became popular in New York City during the early days of the salsa movement in the 60s and 70s.
Musical styles featured in Charanga Agozá’s repertoire include danzón, cha cha, mambo, and modern day salsa played charanga-style.
The group consists of Amber Dolphin on violin, Ben Knox on flute, Yanzel Rivera on vocals, Paul Muench on piano, John Mesoloras on double bass, Flaviano Estrella on trombone, Salar Saleh on timbales, José Madera on percussion, and Paddy Cassidy on congas.
The Cash Box Kings feature Oscar Wilson’s raftershaking SouthSide vocals, powerhouse harp, stinging guitar and a swinging rhythm section. Their albums have topped the Billboard Blues, Living Blues Radio, and Sirius XM’s B.B. King’s Bluesville radio charts and earned them 15 Blues Music Award (BMA) nominations (including Album of the Year, Best Traditional Album and Band of the Year).
Critics in the U.S. and Europe consider the group to be one of the best traditional blues bands in America today and they won the Blues Band of the Year at the 2023 Blues Blast Music Awards. They are regular headliners at Chicago blues clubs like Buddy Guy’s Legends, Fitzgerald’s, SPACE, and Rosa’s Lounge and have played festivals worldwide like the New Orleans Jazz and Heritage Festival, the Chicago Blues Festival, the Cambridge Folk Festival (UK), Moulin Blues (Netherlands) Hondarribia (Spain), Doheny Blues Festival, the Tampa Bay Blues Festival, and the Lucerne Blues Festival (Switzerland) just to name a few.
“One of the best blues bands in the land. Any of these musicians could have played with the great bands of the golden blues era. Together they keep a sound alive that many thought was no more.” – Living Blues Magazine
“Unflinching blues distilled to its essence and steeped in tradition.” – Chicago Tribune
“One of the top blues bands of this era.”– Blue Music Magazine
“The Cash Box Kings rule the roost!” Dan Aykroyd
The Cash Box Kings are bona fide blues royalty. Co-led by real-deal Chicago blues vocalist and songwriter Oscar Wilson and songwriter, harmonica giant and singer Joe Nosek, the band plays masterfully raw and unvarnished houserocking blues. Wilson’s huge, gritty vocals and Nosek’s powerhouse harmonica fuel their razor-sharp original songs. With their top shelf musicianship and trademark good humor, The Cash Box Kings are a one-of-a-kind blues band. In the words of MOJO magazine, the band is “flawless.”
Mixing tough Chicago and Delta blues, jumping proto-rock ‘n’ roll, and steamrolling “bluesabilly” (their original mix of Chicago blues and Memphis rockabilly), they attack every song they play with contemporary authority and old school authenticity. The musicians feed off of each other’s ideas and energy, effortlessly moving from a lowdown purr to a full throttle roar. According to No Depression, “The Cash Box Kings are a royal hive of raucous houserockers. Whether resurrecting the past or living in the moment, they satisfy your craving for hardcore Chicago blues, served up hot and tasty.
CHILDREN’S THEATER OF MADISON
Sunday, June 14 | 3:00 PM – 3:45 PM | Promenade Hall
Sponsored by Adesys IT Specialists
Founded in 1965, Children’s Theater of Madison is a nonprofit theater company producing high-quality plays for family audiences. By casting both adults and youth, we’ve built a unique legacy as Madison’s premier theater for all ages. CTM is deeply committed to access, offering diverse programming, flexible pricing, and collaborations with local organizations. Our work is housed at the Madison Youth Arts Center (MYArts), as well as Overture Center, where CTM has been a fixture for over 30 years. CTM presents fresh takes on classic literature and new plays by contemporary writers. Every production includes student matinees and ASL-interpreted performances, with select shows offering sensory-friendly experiences. Yearround education is core to our mission, with classes for pre-K through high school in acting, musical theater, and design. We also bring theater into schools and community centers through programs like our Young Playwrights Program and the CTM Youth Company Touring Show. Celebrating 60 years, CTM continues to spark imagination and build community through the creation and experience of theater.
CON VIVO!
Sunday, June 14 | 11:15 AM – 12:00 PM | Promenade Hall
Sponsored by Nelnet Inc.
con vivo!...music with life is a professional chamber music ensemble founded in 2002 and comprised of eleven core musicians who draw upon professional experience with the Madison Symphony, Wisconsin Chamber Orchestra and other regional performing groups to deliver dynamic and highcaliber performances. The members are often joined by guest artists from the Madison music community. In 2011, Madison Symphony conductor, John DeMain and American Players Theater actors joined con vivo! to present Stravinsky ’'s masterpiece, The Soldier ’'s Tale. Maestro DeMain has conducted the ensemble four times, most recently in 2023, and his appearance in 2013 conducting Wagner’s Siegfried Idyll and Mozart’s Gran Partita for Winds was pronounced the best classical music concert of 2013 (Isthmus, 12/27/13).
con vivo! was honored to represent the Madison arts community nationally by performing at Carnegie Hall’s Weill Recital Hall in New York City on December 13, 2012. In June, 2015, con vivo! was invited to represent Dane County in a cultural exchange with our sister county of Kassel, Germany. The ensemble performed three concerts at the Kultursommer Nordhessen Arts Festival in Kassel, Germany. The Dane County, Kassel Germany Sister County relationship was formed in 2007 to foster the exchange of ideas in the areas of transportation, renewable/ sustainable energy, cultural arts, and education.
con vivo!’s repertoire represents a variety of time periods and styles from the classics to lesser-known chamber works to commissioned new works, presented in a concert setting that is uniquely engaging and inviting. The ensemble’s home venue, First Congregational Church at University Avenue and Breese Terrace, is ideally suited for chamber music. Each program includes an element of surprise and a dash of humor, through unannounced additions to the program, antiphonal performances and unusual encore selections. Talented high school musicians have on occasion joined the ensemble in a side-by-side performing experience. Concerts are followed by a reception where audience members and musicians can meet and discuss the performance. con vivo!’s community outreach includes performances for area high school music classes, showing young musicians that the opportunities for playing chamber music are endless. Also, each concert is performed at Capitol Lakes Retirement Community free of charge, providing access to chamber music for community members with economic, transportation or health challenges.
CURRACH IRISH QUADTET
Sunday, June 14 | 1:45 PM – 2:30 PM | Rotunda
Sponsored by Qual Line Fence Corp.
The Currach Quadtet- Old School traditional Celtic songs and tunes on fiddle (Daithi), bouzouki/guitar (Josh), and bodhran/ bones (Darl), and concertina (Kara, our newest member).
A currach is a type of Irish boat. Our Irish trio (and friends) had a 13 year residency every Friday night Happy Hour at the Brocach pub on the square (closed in 2019).
We’ve released three CD’s and this past March was our 18th annual St. Pat’s celebration at the Harmony Bar!
Please feel free to sing and/or dance/clap along.
DESERE MAYO
June 13 | 9:30 AM – 4:30 PM | Promenade Terrace
June 14 | 9:30 AM – 4:30 PM | Promenade Terrace
Desere has the gift of creativity and imagination and it shows in her work. She has been perfecting her craft since an early age and has touched hundreds of people in the process. Every picture drawing is handmade and no filters or edit software was used to create the artwork.
With a keen attention to detail, Desere has done everything from painting both original and popular children’s artwork on and walls of both homes and businesses alike; creating graphics, signs, paintings of houses, face painting, and magazines for professional organizations as well as for intimate occasions such as a weddings, and is always looking to expand her craft.
Desere’s artwork and clientele spreads across the nation and she has even done personal portrait work for politicals figure like State Rep. Shelia Stubbs, women composers including Chen Yi, as well as for Super Bowl winning Quarterback Drew Brees.
Her artwork is displayed in many schools, MATC and Children’s Museum in Madison, and at Malone University in Ohio. She has been in newspapers, on News Stations, a resident artist, and in magazines and journals. Every time she is interview she wants all to know that “Her Creator created her to create!”
DANIELLE CRIM & JOHN CRIM
Saturday, June 13 | 2:30 PM – 3:15 PM | Promenade Hall
Sponsored by Madison Symphony Orchestra
Danielle Crim is an electro pop singer, producer, writer, and multi-instrumentalist. Danielle’s work has been recognized by Madison365, Tone Madison, as well as The Overture Center for the Art’s: Only Intermission blog, with comments such as: “Crim’s surehanded touch as both a musician and producer are on full display here and point to an extremely bright future both on either side of the boards” - Steven Spoerl (Tone Madison) in regards to Crim’s 2021 release “Shoestrings (Hold On)”. Danielle has released three self-produced albums: Floating (2021), Exploration of Life (2020), and Illuminate (2018), along with six singles. Influenced by artists like FKA Twigs, Rina Sawayama, and Lady Gaga, Crim combines elements from Pop, R&B, Alternative, and Electronic music to develop her distinct creative sound.
Quite the decorated artist, Crim has earned awards such as Student of the Year at the Madison Area Music Awards, Overture Center for the Arts Rising Star, and Silver Medal in the national NAACP ACT- SO competition in music composition. Most recently, in 2024, Crim won the Columbia College Chicago Manifest Song Competition with her original song, “Unbelievable” which she performed on the MainStage at the Manifest Arts Festival. Days later, Danielle graduated Summa Cum Laude with their Bachelor of Music degree in Contemporary, Jazz, and Popular Music.
John Crim is a critically acclaimed dancer and choreographer based in Brooklyn New York who loves expressing his gifts to the world. After being a soloist in Garth Fagan Dance in Rochester NY,and dancing in Waterstreet Dance in Milwaukee WI, he is well equipped to explore and expand on what dance and the human form can achieve. Pulling from Ballet, Jazz, Modern and Contemporary Dance styles, John is an activist who is called to create social commentary with his art.
EDEN EHM: TUNES, TALES AND TRADITIONS: THE NORWEGIAN HARDANGER FIDDLE
Saturday, June 13 | 11:00 AM – 11:45 AM | Wisconsin Studio
Sponsored by Ellen and Gary
Smithback
Eden Ehm is one of North America’s leading Hardanger fiddlers, known for sharing her dynamic interpretations of Norway’s regional fiddle traditions through performances, lectures, and informances.
A native of Decorah, Iowa, Eden first encountered Hardanger fiddles on display at the Vesterheim Museum but never dreamed she would play one. She began her studies over fifteen years ago while an undergraduate at St. Olaf College, the only school in the United States to offer a Hardanger fiddle studio for lessons and academic credit.
Eden performs and lectures widely, serves on the board of the Hardanger Fiddle Association of America (HFAA), and maintains a global studio of students. She was recently honored as a tradition keeper, sharer, learner, teacher, and evolver in the recent “Hand Me Down The Fiddle” exhibit at the Vesterheim Museum. She has traveled to Norway to study with master fiddlers at the Rauland International Hardingfele Intensive (RIHI) and Vinterfestival at the University of South-Eastern Norway (USN).
Her musical expression is based on the traditional fiddle repertoire from the entirety of Norway, with a focus on exploring the differences, similarities, and connections between Norway’s diverse regional traditions. Also a classically trained violinist for over three decades, Eden’s fiddling style bridges classical and folk sensibilities, connecting classical music to folk influences while amplifying unique voices.
Dating back to the 1600s the Hardanger fiddle is the national folk instrument of Norway. It may resemble a violin, but is very different in design, sound, repertoire, and tradition.
part of the experience.
FIRST ACT CHILDREN’S THEATRE
Saturday, June 13 | 2:45 PM – 3:30 PM | Wisconsin Studio
Sponsored by Madison Symphony Orchestra
First Act Children’s Theatre originated during the summer of 2000 in an effort to provide a positive process-oriented theater program for young performers in the Madison area. What began with a rubbermaid storage tub of craft supplies and dress-ups has grown into a year-round children’s theatre serving over 500 students per year and showcasing the talent of numerous outstanding Theatre Instructors and Artists. Our mission is to help youth grow in self-esteem and confidence and to encourage the use of their creativity and imagination and that mission will continue to be on the front line as we grow and improve our teaching and production elements. We look forward to owning a “home of our own” in the next ten years and it is my hope that First Act Children’s Theatre will continue to be a legacy of theater for young performers in the Madison area for many years to come.
FUNNY FACES WITH TAMI SCHROEDER
June 13 | 9:30 AM – 1:30 PM | Promenade Terrace
June 14 | 9:30 AM – 1:30 PM | Promenade Terrace
Creative, Modern, Classic Balloon Decor. . . Delivered in Madison, Wi and Surrounding Dane Co.
Funny Faces specializes in classic balloon decor and family entertainment
with a twist! Funny Faces elevates your corporate events, community celebrations and family gatherings memorable & ensure your photos POP on social media!
Funny Faces is a local, green, woman-owned company. So our creations bring joy to your special occasion while having minimal environmental impact. Funny Faces is the answer when you want a professional balloon decorator to create custom balloon arches, balloon columns, organic balloon garlands, balloon walls, balloon bouquets and other upscale, modern balloon decor for your corporate events and private parties throughout South Central Wisconsin.
GAINES & WAGONER
Sunday, June 14 | 12:00 PM – 12:45 PM | Wisconsin Studio
Sponsored by Madison Symphony Orchestra
For over three decades the husband/wife team, Gaines & Wagoner, have played PAC and festival stages regionally, nationally and overseas with Harmonious Wail, Randy Sabien, Carrie Newcomer, Sweet Dreams & Honky Tonks and others. Original and Vintage Jazz, Blues and Americana on electric violin, mandolin, lapsteel, ukulele, cello (walked like an upright bass), guitar plus award-winning vocals. Gaines & Wagoner have also appeared on countless indie and major label releases as session musicians, including 10 albums with Rounder recording artist, Carrie Newcomer, Freedy Johnston, Tret Fure, Peter Mulvey, and Butch Vig remixes of U2 and EMF and Smashing Pumpkin’s multi-platinum “Gish”.
Grupo Candela is a 12-piece tropical band based in Madison, Wisconsin. Since its founding in 2005, the band has maintained a steady presence in the local and regional music scene. Candela offers a vibrant and diverse repertoire of dance-oriented music, including salsa, merengue, cumbia, bachata, bomba, and plena.
Rooted in an old-school approach, the band serves as a bridge to the traditional sounds of tropical music, drawing inspiration from classic Cuban, Puerto Rican, Colombian, and Dominican styles. Its members have represented a rich blend of cultural backgrounds, including Puerto Rico, Colombia, Mexico, and the Dominican Republic — along with many U.S.-born musicians who have embraced and immersed themselves in Latin music traditions.
Be part of the experience.
HEID INSTRUMENT PETTING ZOO
Saturday, June 13 | 9:30 AM – 10:45 AM & 12:45 PM - 1:30 PM |
Overture Lobby
Conveniently located off the Beltline and Mineral Point Road, less than one mile from West Towne Mall. Find us neighboring Rocky Rocco’s and The Brothers Main.
For three generations spanning 70 years, Heid Music has been a community music resource, aimed at educating and entertaining students and musicians in all things music. We are a proud sponsor of many local music initiatives, including the Madison Area Music Association (MAMA) and Girls Rock Camp Madison, to name just a few. Our shared mission is to foster the next generation of musicians by putting instruments in the hands of kids who might not otherwise have them, along with celebrating the efforts of local musicians, many Heid teammates included, whose talents make up Madison’s vibrant local music scene. Whether you’re a college student at The University of WisconsinMadison’s prestigious Mead Witter School of Music or a campfire guitar player, Heid Music wants to be your source for information and inspiration throughout your musical journey.
“At nine, I decided I wanted to take piano. My mother found a teacher through Heid Music (…) Through their expertise, I’ve received quality instruction, found the “perfect” piano and learned the importance of giving to the community by getting involved with various fundraisers and sharing piano music. Thanks to Heid Music for helping me realize that piano isn’t something I do, it’s something I am!” - Quin Nennig, Heid Yamaha Music School Graduate
In a world of online shopping and big box retailers, family-owned Heid Music has spent the better part of a century building our reputation of quality, integrity and service. With locations in Appleton, Green Bay, Madison, Oshkosh and Stevens Point, Wis., Heid Music offers an array of new and used instruments for sale or rent, including band and orchestra instruments, acoustic and digital pianos, guitars and drums, and much more. Featuring Wisconsin’s largest selection of sheet music, Heid Music also carries a variety of amps, accessories and gift items, offers private and group lessons, and provides instrument repair services.
Visit HeidMusic.com, our grassroots-run web store, for more information or to purchase instruments and accessories. We welcome the opportunity to be Madison’s musical playground.
INSKI GUITARS WITH MIKE SCIESZINKI
June 13 | 9:30 AM – 4:30 PM | Promenade Terrace
June 14 | 9:30 AM – 4:30 PM | Promenade Terrace
Mike Scieszinski of Inski Guitars I am a graduate of UWSP’s music school, where I studied jazz guitar, and was awarded the Johnathan Rand scholarship for performance. After university, I went on the road as a professional musician for many years. Currently, I function as the musical director of the Madison-based bands PHUN and Mike & Friends. I became a luthier during the COVID-19 pandemic. With all live music canceled, I ordered some wood and went to work. The hobby turned professional when I sold my first guitar in 2021. Today, I create one-of-a-kind hollow-body archtop acoustic electric guitars in the
ISTHMUS BRASS
Sunday, June 14 | 3:00 PM – 3:45 PM | Rotunda
Sponsored by Michael Bridgeman and Jack Holzhueter
Comprised of the finest professional brass players and educators in the Midwestern United States, the ISTHMUS BRASS is Wisconsin’s premiere large brass ensemble. Established in 2009, the ensemble was formed when some of the busiest brass players in Madison & Milwaukee looked for ways to collaborate and perform together. They initially decided on a course of performing charitable Christmas Concerts for the unhoused via Porchlight, Inc. of Dane County where they have raised over $150,000 in annual benefit concerts. Soon after inception, they then stepped on to the national stage. The group has now become active year-round, presenting the highest level virtuosic brass playing in concerts of varying styles with custom arrangements that showcase their individual talents. They have released two holiday recordings, “Isthmus Brass Christmas” and “We Need a Little Christmas” on Summit Records.
The large group has a smaller brass quintet that plays smaller venues and often handles the outreach/teaching commitments for the group. Both groups offer diverse programming including popular holiday concerts, patriotic concerts (featuring Sousa Marches and other American fare), light classical (well known classical work with an Isthmus Brass flare) and jazz/popular programs featuring individual members improvisational prowess on standard jazz tunes. We hope these different programs pique your interest and we look forward to putting your concert series on our calendar in the future.
JOAN HERZING YOGA & ROOT
SONG SOUNDBATH
Saturday, June 13 | 8:30 AM – 9:30 AM | Overture Upper Lobby
Sponsored by Madison Symphony Orchestra
Joan started her yogic journey over two decades ago. What began as an hour of refuge from the stresses of career and family turned into a path of selfdiscovery, spirituality and education, including a 200-hour yoga school certification through 21st Century Yoga on the Mat with Alex Pfeiffer and an advanced 500-hour training through the RajaHatha school of yoga with Amy Pearce-Hayden and Aubree Saia. She is a Reiki Master Teacher, and has completed additional coursework in Sound Healing, Aromatherapy, Pranayama, Meditation, Yin Yoga and Yoga Nidra.
By facilitating connections with body, self and others in a safe, loving container, Joan feels that modern yoga is a powerful healing agent in our world. In her classes, expect dynamic movement, breathwork, guided meditations, energy visualizations, and for flow classes, a physical challenge. Her goal is for students to leave feeling lighter and stronger physically, emotionally and spiritually.
Outside of yoga, you’ll find Joan writing music, playing various instruments and singing in two local bands; Avian Aura and The Blue Olives, experimenting in the kitchen and #vanlife adventuring with her husband Gary.
KANOPY DANCE
Saturday, June 13 | 1:15 PM – 2:00 PM | Promenade Hall
Sponsored by Madison Symphony Orchestra
Kanopy is a quintessential modern dance company and resident organization of the Overture Center for the Arts. While Kanopy “informs” its works through its roots in the Martha Graham tradition, the Company has developed its own brand, shaping a fresh dimension and visual language to advance modern dance. Kanopy’s artistic directors, Robert E. Cleary and Lisa Thurrell, have created dynamic new artistic benchmarks in the field by training professional dancers, choreographing new works and collaborating with internationally recognized guest artists. In addition to presenting an annual season of concerts at its home, Promenade Hall at the Overture Center, Kanopy undertakes select touring engagements in Chicago, Minneapolis and New York City, and participates in outreach programs throughout the region.
In 2024, Kanopy was one of only six companies word-wide vetted in observing “GRAHAM100,” a three-season celebration of Martha Graham Dance Company’s 100th Anniversary, with our production of Graham: In HER Voice.
In the fall of 2024, the New York Public Library for the Performing Arts filmedKanopy’s production of Polaris at the Overture Center featuring celebrated guest artists Daystar/Rosalie Jones, founder of the first indigenous modern dance company in the U.S.Daystar: Contemporary Dance Drama of Indian America, and Daniel Fetecua Soto, former soloist, Limón Dance Company, for inclusion in the prestigious Jerome Robbins Dance Division Archives. located in Lincoln Center.
Robert E. Cleary and Lisa Thurrell are Kanopy’s artistic directors. Susanne C. Voeltz is the associate director.
Kanopy 2 is Kanopy’s studio company and pre-professional training program, and Kanopy’s Dance Academy offers classes and summer intensives taught by a renowned faculty at the Kanopy Center for Modern and Contemporary Dance.
Robert E. Cleary and Lisa Thurrell are Kanopy’s artistic directors. Susanne C. Voeltz is the associate director.
When your toes are tapping, your body is moving and the groove has you in the mood to dance you will find Lynda & The ZEROs. Formed in 2016 with the sole intent of finding a common thread in the connection of rhythm to audience, the ZEROs have expanded and refined the emotion of joy in musical performance. Based on a unique blend of soul, Motown and funk, echoing such influences as Stevie Wonder to Jon Batiste, the band uncovers the young and old grooves that are in each song. The ZEROs have opened for such iconic acts as Three Dog Night or on main stage outdoor events such as the Memorial Union Terrace and Atwood Festival, as well as community concerts. Additionally, the ZEROs enjoy air play with their single Too Hot on numerous stations and streams. The ZEROs have also been featured on live statewide radio broadcasts. Featuring the dynamic stage presence of Lynda Higgins with a talented 4-piece horn and dynamic rhythm section, including stellar backup vocals, the ability to get an audience moving and grooving is undeniable!
MADISON AREA CONCERT HANDBELLS
Sunday, June 14 | 2:45 PM – 3:30 PM | Wisconsin Studio
Sponsored by Lise
R. Skofronick
Madison Area Concert Handbells (MACH) inspires audiences of all ages with exceptional performances throughout the Madison area and beyond, sharing a love of music and handbells with all who hear them ring. Founded in 1997, MACH has been a fixture within the Madison community by providing high-quality handbell concerts, educational workshops, and community outreach. With over six octaves of Malmark handbells and handchimes along with three octaves of antique English handbells, MACH has one of the largest collections of handbells in Wisconsin. MACH is an auditioned, volunteer community handbell choir consisting of 15-20 members committed to excellence in handbell performance. Led by MSO percussionist Nicholas Bonaccio, MACH’s concerts feature everything from arrangements of classical pieces to modern favorites and original compositions for handbells. You can hear MACH at our concerts in December and May each year, or you may find small ensembles of MACH membersperforming at local events, retirement communities, assisted care centers, churches, and more. MACH performed at the opening of Madison’s Overture Center and with the Madison Symphony Orchestra at their Christmas concerts in 2000, 2003, 2004, and 2008.
MADISON CELLO ENSEMBLE
Saturday, June 13 | 10:00 AM – 10:45 AM | Promenade Hall
Sponsored by Jennifer Haack & Associates LLC
Madison Cello Ensemble (MCE), a 501(c) (3), creates a community where all cellists thrive! A non competitive collective of cellists from throughout Dane County, MCE offers private cello lessons, weekly group classes,
cello ensembles and chamber groups for all ages and levels. MCE celebrates diversity in both the student community and repertoire by welcoming students from varied backgrounds and by playing cello music in classical, folk, jazz, pop, and contemporary genres. MCE engages in community outreach by performing venues ranging from Summerfest to retirement communities, farmer’s markets, churches and synagogues, and the Madison Children’s museum. MCE hosts an annual Winter Solstice Celebration and Benefit to support our scholarship program and local charities. Each summer MCE collaborates with other local organizations to provide programming, including a Chamber Music Immersion, the “Fantastic Folk and Fiddle Festival,” and Make Music Madison. The rich and diverse traditions of cello live and flourish in MCE’s cooperative and socially engaged environment.
MADISON OBIHIRO SISTER CITIES, INC.
June 13 | 9:30 AM – 4:30 PM | Promenade Terrace
June 14 | 9:30 AM – 4:30 PM | Promenade Terrace
Josephine Oyama-Miller has served on Project Home’s board of directors for several years, including as the current board president, and has played an important role in the organization’s success making home ownership more affordable in our community.
In addition to her role at Project Home, Josephine has owned her own business, Big Mountain Enterprises, since 1986, worked for 13 years at Community Action Coalition as head of the ‘It’s My Business’ program (a self-employment project for under-served persons in Dane County), and served in a variety of local nonprofit organizations for over 30 years.
She continues to be active in the community and enjoys mentoring, teaching, and working with individuals to improve their lives.
experience.
MADISON OPERA
Sunday, June 14 | 12:30 PM – 1:15 PM | Promenade Hall
Sponsored by David Falk and JoAnne Robbins
Madison Opera is a non-profit, professional opera company based in Madison, Wisconsin. A resident organization of the Overture Center for the Arts, Madison Opera produces three operas annually in addition to Opera in the Park and a variety of educational programming.
With the 2025/26 season, Madison Opera celebrates our 64th year of being one of only two opera companies in Wisconsin that provide the experience of fully-staged grand opera. Our mission is to produce opera of the highest artistic standards, and our three mainstage productions draw over 10,000 audience members each year to the Overture Center to enjoy both classic operas such as Carmen and modern masterpieces such as Fellow Travelers. Our gift to the community, Opera in the Park, attracts over 12,000 people to Madison from across Wisconsin for a free concert on a beautiful July evening.
MADISON YOUTH CHOIRS
Sunday, June 14 | 10:30 AM – 11:15 AM | Overture Lobby
Sponsored by Madison Symphony Orchestra
Madison Youth Choirs (MYC) is dedicated to inspiring youth with a choral experience that fosters creativity, reflection, and the exploration of diverse ideas, while welcoming singers of all ability
levels, annually serving hundreds of young people, ages 7-18, through a wide variety of choral programs in our community. Cultivating a comprehensive music education philosophy that inspires a spirit of inquiry leading students to become “expert noticers,” MYC creates accessible, meaningful opportunities for youth to thrive in the arts and beyond.
MYC co-led the development of the Madison Youth Arts Center (MYArts), an accessible, affordable home for dozens of youth arts education programs in our community. MYArts opened in May 2021 and serves as the permanent home for MYC and Children’s Theater of Madison.
MAMA DIGDOWNS
Saturday, June 13 | 9:00 AM – 9:30 AM | Capitol Square at Farmer’s Market | 9:30 AM – 10:00 AM | Overture Lobby Stage
Sponsored by Graystone Consulting from Morgan Stanley
For over 30 years, Mama Digdown’s Brass Band has been a tireless ambassador of New Orleans music, lighting up stages with the unmistakable sound of second line brass. Rooted deeply in the tradition of Crescent City street parades, they bring an electrifying mix of reverence and raw energy to every performance—earning them a spot among the most thrilling live brass bands in the world.
Though born far upriver from the Big Easy, Mama Digdown’s emerged during the vibrant brass band revival of the 1980s and ’90s, alongside scene-shapers like the Rebirth Brass Band, Soul Rebels, and Hot 8. With a deep respect for the genre’s heritage and a drive to keep it evolving, they’ve brought their hornfueled grooves to clubs, concert halls, and major festivals across the globe. With nine albums to their name and a reputation as masterful purveyors of the second line sound, Mama Digdown’s received one of the highest honors in the brass world: invitations to perform at Congo Square for the New Orleans Brass Fest in both 2018 and 2019. Their sound flows like the Mississippi itself—deep, unbroken, and full of soul.
MARTHA MCCURDY MEDITATION
Sunday, June 14 | 8:30 AM – 9:30 AM | Overture Upper Lobby
Sponsored by Madison Symphony Orchestra
Ph.D. Neuroscience, Northwestern University Instructor, Senior researcher Dept. Kinesiology, University Wisconsin-Madison (retired) Practitioner of meditation since 2011 including annual retreats Guide meditation groups at University Wisconsin-Madison & elsewhere in Madison, since 2019 Teach Anytime, Anywhere Meditation Program
MARIACHI CORCEL DE MADISON
Sunday, June 14 | 11:15 AM – 12:00 PM | Rotunda
Sponsored by Joe and Mary Ellyn Sensenbrenner
Mariachi Corcel de Madison is one of the handful of mariachi bands in the entire state of Wisconsin and is dedicated to bringing the sounds of Mexico to the Madison area and beyond. Founded in 2011 by Tino Martinez and Rafael Martinez, the band has flourished in recent years with a passionate and energetic roster of talented musicians. The band grew substantially in 2019 and onward with the inclusion of Fernando Ponce, Amairani Zepeda, Jocelyne Real, and José Hernández over the past five years. While mariachi bands usually perform many traditional Mexican genres, Mariachi Corcel always has shown an appreciation of both iconic traditional mariachi styles and contemporary pieces as well. By widening their repertoire to include pop, rap, indie rock, cumbia, and more, Mariachi Corcel showcases the distinct sounds of Mexico’s vast musical landscapes to both new and well-versed listeners of Latin American music
MICHAEL ALLSEN – HISTORY OF MSO
LECTURE & BOOK SIGNING
Sunday, June 14 | 10:00 AM – 11:15 AM | Wisconsin Studio
Sponsored by Peter and Leslie Overton
Dr. J. Michael Allsen was a longtime member of the Madison Symphony Orchestra, playing in the trombone section for 35 seasons until his retirement in 2018. He has authored the MSO’s program notes since 1984, and currently writes program notes for several other orchestras across the country. The history of the MSO as long been one of his interests, culminating with the publication of his book, A Century of the Madison Symphony Orchestra, which was published to coincide with the MSO’s 100 season. Allsen is an emeritus professor in music at the University of WisconsinWhitewater.
MUSICAL MAKERSPACE WITH SARA MILEWSKI AND SARAH PAGEL
June 13 | 9:30 AM – 4:30 PM | Promenade Terrace
June 14 | 9:30 AM – 4:30 PM | Promenade Terrace
Sara and Sarah have over 40 years of combined teaching experience in the Madison School District. They are both STEAM-based makerspace teachers who love to help students use their creativity and problem-solving skills. They are excited to build music makers with you!
Orquesta SalSoul Del Mad, Mama Award winner for best cover band and two-time nominee for a WAMI award, is a rhythmic combination of salsa and soul, featuring a 15-member ensemble that culturally fuses a variety of danceable styles, including renditions of Paul Simone, Michael Jackson, Adele and Lionel Richie. The Orquesta comprises a true “melting pot” of styles, featuring an amalgamation of Puerto Rican, German, Portuguese, Italian, Indian, American and Dominican Republican musicians. We are made up of some of the best local musicians representing the international diversity of Madison Wisconsin. Orquesta christened themselves in 2015 at the Latino Musical Festival in Madison and have continued to expand their creative horizons since. Bringing together the fire of Latin rhythms, English lyrics and the groove of soul.
Orquesta SalSoul Del Mad will have young and old dancing in the aisle and on the ceiling.
Sponsored by Carlson Black O’Callaghan & Battenberg LLP
Panchromatic Steel
Founded in 2016 in Madison, Wisconsin, Panchromatic Steel has blazed an entirely new trail in the city’s music scene. Best described as “Caribbean
Fusion,”Panchromatic’s music combines island styles with pop hits, rock and jazz into a feel-good, high-energy blend that’s hard to categorize but is easy to love. With top-shelf musicianship,the band’s performances lift spirits and transport listeners to their happy place in the sun. At the heart of Panchromatic’s sound is the steel drum or “steelpan” as it’s known in its native Trinidad & Tobago. Theinstrumentisasawed-off55-gallonoildrum with the top stretched into a bowl and hand-hammered to create tone-producing dents that ring when struck by rubber-tipped mallets. Its tropical associations are hokey to some and delightful to others; but either way, the cliches tell only part of the story. Mostly, they just obscure the instrument’s fierce but woefully under-appreciated musical tradition,which has quietly reached levels of complexity, creativity and energy rivaled by few other musical art forms. Panchromatic embraces the steelpan’s Caribbean origins while pushing forward into new musical territory. The band includes vocals,horns, flute, keyboards and multiple percussionists, and its all-gender musicians are as diverse as the instruments they play. With its multi colored (ergo “panchromatic”) palette, the band does everything from highly technical,jazz-inspired art pieces to dance able favorites by the likes of Earth, Wind & Fire, Led Zeppelin, and Stevie Wonder, taking them to new, uniquely memorable heights.
Simone La Pierre is a choreographer and director of dance, theatre, intimacy and body movement. A graduate of Columbia University in Chicago and masters of science from Edgewood University, she has over 25 years of experience, owns her own business and recently known for her choreography and backup dancing for local poprock star, 7ucky Vita with Luck Raven Experience. She has workshops happening next month. For more info on upcoming events, shows you can go to www. facebook.com/simonethestone or reach out directly at LaPierreConnection@gmail.com .
SUZUKI STRINGS OF MADISON
Sunday, June 14 | 10:00 AM – 10:45 AM | Promenade Hall
Sponsored by EnRich Financial Partners LLC
Suzuki Strings of Madison (SSM), established in 1990, offers high-quality, comprehensive violin and viola instruction to children ages 3–18, grounded in the philosophy of the Suzuki method. A mainstay of youth string education in Madison for over 30 years, SSM fosters a nurturing and collaborative environment among teachers, students, and parents, focusing on the whole child and equipping students with lifelong skills for success and well-being.
Instruction begins with private lessons and weekly group classes, where students develop technical ability, solo performance skills, ensemble playing, and music literacy through Dalcroze Eurythmics and theory. Advancing students are offered orchestral and chamber music experiences, as well as workshops, recitals, and other enriching activities.
Suzuki Strings of Madison maintains a strong commitment to community engagement and has a long-standing history of presenting outreach concerts in schools and community spaces. Performances have taken place at Oakwood and Capitol Lakes retirement centers, Olbrich Gardens, Garver Feed Mill, the Madison Children’s Museum, and the Wisconsin State Capitol. SSM has also performed for Governor Evers’ Youth Inaugural Gala, at pre-show events for the Wisconsin Union Theater, in collaboration with the Madison Symphony Orchestra’s Link Up program, and as a Concerts on the Square KidZone presenter with the Wisconsin Chamber Orchestra.
THE HMONG INSTITUTE’S HERITAGE CLUB
Sunday, June 14 | 11:00 AM – 11:45 AM | Wisconsin Studio
Sponsored by Madison Symphony Orchestra
The Hmong Institute is a 501 (C) (3) non-profit. With a passion to advance the Hmong community and other underserved communities, community is at the heart of everything we do. At The Hmong Institute (THI), our services are designed with the community in mind and shaped by our core values. We believe in putting the people we serve first, recognizing that we are stronger and better when we work together, doing what is just or right, and being driving to achieve our goals. What are we doing now at THI? We are serving, teaching, and building future leaders and strengthening communities in three areas Education, Health and Preservation.
In addition, we also develop and provide Hmong cultural trainings for providers, policy makers, and individuals interested in advancing the Hmong communities, an important responsibility to support those who are trying to help us make a difference not just for the communities we serve, but all Wisconsinites. As a result, interested individuals (educators, providers, etc.) who learn about Hmong culture indirectly help preserve some aspects of Hmong culture through practicing what they have learned.
THE STOP AND LISTEN
Sunday, June 14 | 1:15 PM – 2:00 PM | Wisconsin Studio
Sponsored by Madison Symphony Orchestra
The Stop and Listen, formed in 2023, is an old-time band based in Madison, Wisconsin. They play hot fiddle tunes, jug band blues, and bluegrassinspired stringband music with unique instrumentation and harmony voices. Specializing in music from the 1920s and 30’s revitalized for the modern era, the Stop and Listen serves up a danceable groove with extraordinary improvisation on cello, fiddle, and harmonica. The band is fronted by Daniel Plane (cello/fiddle) and Calvin Woodring (harmonica), who trade off lead vocals and harmonies. Adam Helt-Baldwin provides bass along with harmonies, harmonica, and guitar. Mike Tiboris adds clawhammer and tenor banjo rhythm. It’s a chimerical mashup that is unlike any other.
Bella Clinton and Matt Wisotsky first met in Vienna, performing together in a chamber ensemble as part of the IES Vienna Music Program. Years later, they reconnected in Madison and quickly discovered a shared drive to keep creating and exploring music together, sparking the formation of The Vilasi Project.
The name “Vilasi,” meaning “luxurious” in Nepali, pays tribute to Bella’s family’s work in Nepal and reflects a commitment to richness in sound, spirit, and generosity. It also honors her mother’s ensemble, The Vilasi Quartet, continuing a legacy of creating music.
Blending Matt’s versatility on bassoon, flute, and saxophone with Bella’s harp, the duo thrives on unexpected instrumental pairings. Rooted in classical training, their performances expand into improvisation, intuitive listening, and real-time collaboration, making each set a unique musical conversation.
TIMELESS VIBES: LORD
YANCYY & LEOTHA STANLEY
Saturday, June 13 | 11:30 AM – 12:15 PM | Promenade Hall
Sponsored by Madison Symphony Orchestra
Timeless Vibes is a group of passionate musicians who joined their expertise together to create a synergistic band. It’s composed of Leotha, Yancyy, Matt, Jalen and Jonathan all from the Madison, Wi area. Leotha is Mr.
Renaissance, a musician, author, composer and producer who loves to promote area talent. Yancyy, from Detroit, is a phenom who has traveled the world playing sax as the headliner or for well-known artists as a featured guest. Matthew is known for his bass guitar skills infusing his knowledge received from The Juilliard School in New York. Jalen, who has played with Leotha from the age of 6, is deemed as one of the better drummers in the city of Madison and you’ll always find him in the ‘pocket’! Jonathan, also known as Dr. Overby, is a musicologist giving lectures on foreign styles of music around the world. The group, although only 2 years old, is well seasoned with a musical background to enhance your event.
TONY CASTANEDA LATIN JAZZ BAND
Saturday, June 13 | 3:00 PM – 3:45 PM | Rotunda
Sponsored by West Bend Insurance Company Charitable Fund at the West Bend Community Foundation
Wisconsin’s premier Latin Jazz Band for over 20 years, Tony Castañeda and his band have been honoring and keeping alive the music of what some call the Golden Age of Latin Jazz.
Winner of 14 Isthmus Madison Favorite Jazz Band annual awards The Tony Castañeda Latin Jazz Band has opened for legendary latin jazz artists such as Poncho Sanchez, John Santos, Giovanni Hidalgo and John Benitez.
Be part of the experience.
TRAVIS AGNEW
Sunday, June 14 | 12:30 PM – 1:15 PM | Rotunda
Sponsored by Madison Symphony Orchestra
TRAVIS AGNEW, a Madison native, draws from his diverse travels across the U.S. and beyond to craft music that blends alt-country, folk, rock, blues, and reggae. His sound is gritty and heartfelt, often exploring themes of brokenness, love, and forgiveness. With rich harmonies and a mix of alt-folk rock and roots influences, Travis creates songs that stir the soul and evoke deep emotion. His music channels everything from introspective tones and raw heartfelt storytelling to joyous melodies with sometimes comedic diversions making each song a powerful, authentic experience for listeners. Weaved through every artform is the aim of community, love and restoration.
The Waunakee Big Band (WBB) has been lighting up Southern Wisconsin with toetapping swing, soulful blues, and smooth jazz ever since their debut in 2014.
Founded by bandleader Ken Davies — a charismatic British import — and Doug Fox Tomlinson, a proud charter member of the Waunakee Community Band, WBB quickly grew from a local idea into a full-throttle musical force. A key addition to the leadership early on was Renee Reindl, whose energy and expertise helped propel the band to new heights.
This fabulously entertaining 18-piece powerhouse brings the spirit of every era to life, performing everything from roaring 1920s classics to the high-energy big band hits of today. When WBB hits the stage, it’s not just a concert — it’s a fullblown musical experience.
WELLSPRING SOUNDBATH
Sunday, June 14 | 8:30 AM – 9:30 AM | Overture Upper Lobby
Sponsored by Madison Symphony Orchestra
Wellspring Sound Arts (Addi Faerber, Ash Guerrieri, Elizabeth Kiser) brings music and sound from diverse healing traditions to nurture the listener. Our ensemble believes music is a tool for creating harmony within our hearts, minds, and world. We intend to support wellbeing through healthy vibration and mindful breathing. Blending original compositions, contemporary evidence-based music therapy, improvised sound and music, and traditional indigenous music practices, Addi, Beth, and Ash weave their sonorous cello, handpans, gongs, Tibetan and Crystal bowls, and percussion to create a Soundbath that is deeply restorative. Wellspring brings over 50 combined years of teaching wellness, mindfulness, psychology practice, and therapeutic experience to their art and offerings. Participants share that they feel in a state of relaxed bliss, often connected to spirit, and refreshed after the Soundbath.
Be part of the experience.
WISCONSIN DELLS SINGERS AND DANCE TROUPE
Saturday, June 13 | 11:15 AM – 12:00 PM | Rotunda
Sponsored by Little Luxuries
Elliott Funmaker, Sr. is the manager/ head singer of the Wisconsin Dells Singers & Dancer Troupe. His father Kenneth Funmaker formed the Wisconsin Dells Singers in 1976. He’s an enrolled member of the Ho-Chunk Nation, with ties to Meskwaki Settlement in Tama IA from his mother Ruby (Keahna)Funmaker.
Elliott believes that their are so many misconceptions @ Native Americans & feels educational & cultural presentations can change that. Example: most people call Native Americans attire costumes (which is the wrong term) Correct terminology is Regalia. Elliott is a 3rd generation performer, started dancing as a Grass dancer when he was 2 yrs old, moved onto a Fancy dancer, Singer, Traditional dancer @ Stand Rock Indian Ceremonal. Has over 57 years of singing & dancing. Majority of the performers are Funmaker family members.
He currently manages & performs with the Wisconsin Dells Singers Dance Group. He has been the head singer since 1999. The troupe has performed at many venues such as the Overture center, Kids in the Rotunda, Mt Horeb Festival, Wild West Days Concerts on the square & numerous schools, conference, etc.
His main passion is singing @ Native American PowWows.
WISCONSIN YOUTH SYMPHONY ORCHESTRA MUSIC MAKERS
Saturday, June 13 | 12:15 PM – 1:00 PM | Wisconsin Studio
Sponsored by:
U.S. Bank Private Wealth Management
Farley’s House of Pianos
The Wisconsin Youth Symphony Orchestras’ Music Makers program is founded on the belief that financial limitations should never come between an interested student and their pursuit of music education.
Through this program, students ages 5-18 have access to private lessons, group classes, instruments and supplies all at subsidized, sliding scale tuition options.
YID VICIOUS
Saturday, June 13 | 1:45 PM – 2:30 PM | Rotunda
Sponsored by: Pines Bach LLP
Anna Trull, Broker with Stark Company Realtors
Yid Vicious has been engaging and delighting audiences throughout the Midwest since 1995. The group has released five CDs, toured on three continents, and has received numerous Madison Area Music Awards for its unique blend of traditional and contemporary klezmer. Indoors and out, in ramshackle bars and luxurious ballrooms, on high festival stages and on bare sod, Yid Vicious brings the party to life with Yiddish dance music spanning generations from the old world to our world. The band includes current, past, and subsitute MSO musicians Greg Smith (clarinet), Geoff Brady (percussion), and David Spies (tuba).
CENTENNIAL FESTIVAL WEEKEND
FAMILY CONCERT
SATURDAY, JUNE 13 11:00 AM | Overture Center
THANK YOU
to our generous sponsors for supporting these performances
MAJOR SPONSORS
Barbara and Norman Berven
Peggy and Tom Pyle
SUPPORTING SPONSOR
PROGRAM
Kyle Knox, Conductor
John Stofflet, Narrator
T.L. Luke, Illustrator
ANTONÍN DVOŘÁK
Slavonic Dances, Op.46
BÉLA BARTÓK
Romanian Folk Dances arranged for String Orchestra
I. Jocul cu bata (Stick Dance)
II. Braul (Waistband Dance)
III. Pe loc (Stamping Dance, or On the Spot)
V. Poarga romaneasca (Rumanian Polka)
VI. Maruntel (Quick Dance)
CHARLES GOUNOD
Selections from Petite symphonie (Little Symphony for Wind Instruments)
AARON COPLAND
Fanfare for the Common Man
IGOR STRAVINSKY with live art by T.L. Luke Suite from The Firebird (1919)
I. Introduction
II. L’Oiseau de feu et sa danse & Variation de l’oiseau de feu
WELCOME TO THE MSO!
Please silence your electronic devices and cell phones for the duration of the concert. Photography and video are not permitted during the performance. You may take and share photos during applause. Thank you!
III. Ronde des princesses
IV. Danse infernale du roi Kastcheï
V. Berceuse
VI. Final
MADISON SYMPHONY ORCHESTRA
FAMILY CONCERT MUSICIAN ROSTER
VIOLIN I
Naha Greenholtz
Concertmaster
William and Joyce Wartmann Chair
Suzanne Beia
Co-Concertmaster
Steinhauer Charitable Trust Chair
Leanne Kelso
Associate Concertmaster
George and Candy Gialamas Chair
Huy Luu
Associate Concertmaster
Olga Pomolova
Assistant Concertmaster
Endowed by an Anonymous Friend
Kina Ono
Annetta H. Rosser Chair
Neil Gopal
Tim Kamps
Laura Burns
Alec Tonno
VIOLIN II
Xavier Pleindoux
Principal
Dr. Stanley and Shirley Inhorn Chair
Hillary Hempel
Assistant Principal
Elyn L. Williams Chair
Peter Miliczky
Holly Wagner
Rolf Wulfsberg
Olga Draguieva
Geri Nolden
Robin Ryan
Matthew Dahm
VIOLA
Christopher Dozoryst
Principal
James F. Crow Chair
Katrin Talbot
Assistant Principal
Dove Family Chair
Diedre Buckley
Elisabeth Deussen
Judy Huang
Janse Vincent
CELLO
Karl Lavine
Principal
Reuhl Family Chair
Mark Bridges
Assistant Principal
Patricia Kokotailo & R. Lawrence
DeRoo Chair
Margaret Townsend
Knapp Family Chair
Lisa Bressler
Alex Chambers-Ozasky
Jean Hatmaker
BASS
David Scholl
Principal
Carl Davick
Assistant Principal
Zachary Betz
Tom Mohs Chair
August Jirovec
FLUTE
Collin Stavinoha
Principal
Terry Family Foundation Chair
Linda Pereksta
PICCOLO
Linda Pereksta
OBOE
Andrea Gross Hixon
Principal
Jim and Cathie Burgess Chair
Lindsay Flowers
ENGLISH HORN
Lindsay Flowers
CLARINET
Nancy Mackenzie
Principal
Barbara and Norman Berven Chair
Alicia Lee
BASSOON
Cynthia Cameron
Principal
Rozan and Brian Anderson Chair
Hanul Park
HORN
Emma Potter
Principal
Steve and Marianne Schlecht Chair
Dafydd Bevil
Sarah Gillespie
John Wunderlin
Mary Buscanics-Jones, Assistant
TRUMPET
John Aley
Principal
Marilynn G. Thompson Chair
John Wagner
Brent Turney
TROMBONE
Benjamin Skroch
Principal
Fred and Mary Mohs Chair
Rick Seybold
BASS TROMBONE
Ben Zisook
TUBA
Joshua Biere
Principal
TIMPANI
John Jutsum
Principal
Eugenie Mayer Bolz Foundation Chair
PERCUSSION
Richard Morgan
Principal
JoAnn Six Plesko and E.J. Plesko Chair
Nicholas Bonaccio
Greg Hinz
HARP
Johanna Wienholts
Principal
Endowed by an Anonymous Friend
PIANO/CELESTE
Daniel Lyons
Principal
Stephen D. Morton Chair
Orchestra Committee
Mark Bridges, Chair
Lisa Bressler, Vice-Chair
Elspeth Stalter-Clouse, Secretary
David Scholl, Treasurer
John Wagner, Memberat-large
Librarian
Jennifer S. Goldberg
John and Carolyn Peterson Chair
Stage Manager
Benjamin Skroch
Personnel Manager
Alexis Carreon
KYLE KNOX
Conductor
In the fall of 2018, Kyle Knox assumed the positions of Music Director of the Wisconsin Youth Symphony Orchestras and Associate Conductor of the Madison Symphony Orchestra. Recent past and upcoming conducting credits include the Milwaukee Symphony (on both their Family and Connections concert series), the Madison Symphony’s Beyond the Score (including Stravinsky’s Rite of Spring and Mahler’s Symphony No. 4), their full annual Education Series (including their Fall and Spring Youth Concerts, Community Concerts, Symphony Soup, and the Bolz Final Forte), as well as Concert on the Green. In works for the stage, Kyle led Mark Adamo’s Little Women for Madison Opera, and later helped coordinate a studio artist showcase in the first ever collaboration between that company and WYSO. Other stage credits include Albert Herring, The Turn of the Screw, and Transformations with UW Opera, as well as Die Fledermaus, The Gondoliers and H.M.S. Pinafore with Madison Savoyards. Additionally he has conducted UW Music Clinic’s High School Honors Orchestra.
He was formerly a clarinetist with the Milwaukee Symphony, Santa Fe Opera, and Philadelphia Orchestras, and on faculty at UW-Milwaukee.
His festival credits include Tanglewood, Spoleto (Italy), Santa Fe Chamber Music, and Bowdoin Summer Music Festivals, as well as the New York String Orchestra Seminar. He has recorded for the Koch and Naxos labels and has been featured numerous times on NPR’s Performance Today.
Kyle has premiered works by Osvaldo Golijov, Tan Dun, Sean Shepherd, Huang Ruo, and Jonathan Leshnoff, among many others. Nico Muhly’s chamber work Service Music (2004) was written for and dedicated to him. His debut album, a recording of Conrad Susa’s chamber opera Transformations (the work’s world premiere recording) was recently released on Spotify.
Kyle studied conducting with James Smith, and clarinet with Ricardo Morales and Yehuda Gilad. He holds degrees from Juilliard and UW-Madison.
JOHN STOFFLET
Narrator
Named a Local Broadcast Legend, and inducted into the Chicago-Midwest Emmys Silver Circle, anchor-reporter
John Stofflet has been awarded 26 Emmy Awards, 5 Murrow Awards, has been on assignment to 40 countries and all 7 continents, and interviewed President Obama at The White House.
Talk about your frequent flyer miles: In his broadcasting career, NBC-15 News Anchor/ Reporter John Stofflet traveled on assignment to 40 countries on all seven continents--including Antarctica. He even flew to the White House for a one-on-one interview with President Obama.
The National Academy of Television Arts & Sciences has awarded Stofflet 26 Regional Emmy Awards, including two Best News Anchor Emmys in the Chicago/Midwest Region. He has also received five Regional Edward R. Murrow Awards for his writing and reporting, as well as “Best Live On-Scene Reporting” and multiple “Best News Writing” Awards from the Wisconsin Broadcasters Association. In addition, Stofflet’s story about an artist with cerebral palsy who creates paintings using a typewriter has gone viral, viewed by more than 23 million people (and counting) on YouTube.
Known to have an appetite for adventure, Stofflet has flown through a hurricane, been in the middle of an avalanche, ventured inside a developing tornado, and jumped off the 72nd story of a building in New Zealand, suspended from a thin cable. He has also dived with sharks & killer whales, and has put his hand in a live polar bear’s mouth. (Okay, the bear was tranquilized).
In addition to President Obama and Governors Tony Evers and Scott Walker, Stofflet has also had one-on-one interviews with dozens of celebrities, including Julia Roberts, Robin Williams, Brad Pitt, Will Ferrell, George Clooney, Will Smith, and Jodie Foster, and has also hosted several specials that aired nationally on HGTV.
After reporting for 16 years at KING-TV (NBC) in Seattle, and working as a freelance correspondent for the National Geographic Channel, Stofflet jumped at the chance in May of 2005 to return to his home state of Wisconsin to anchor and report for NBC-15 News (WMTV). He retired from his role as main evening news anchor at WMTV in 2023. He received a commendation from Governor Evers upon his retirement, and Dane County Executive Joe Parisi proclaimed Stofflet’s retirement day as “John Stofflet Day” in the county.
Stofflet serves on the board of directors of the Badger Childhood Cancer Network, served on the board of the Alzheimer’s & Dementia Alliance of Wisconsin, WAGS, and received the “Be Like Mike Award” for his many years leading the NBC 15’s “Share Your Holidays” campaign for the Second Harvest Foodbank of Southern Wisconsin.
Stofflet now regularly works as an emcee for organizations and non-profits, and speaks to area organizations and schools about his experiences as a broadcast journalist.
A Middleton native and UW-Madison Journalism School graduate, Stofflet is married to Realtor Anna Trull, and has two adult children—son Taylor and daughter Kaia.
T.L. LUKE
Live Artist
T.L. Luke is an award-winning professional muralist, illustrator and a queer artist based in Madison with invisible disabilities. She is known for creating comics that explore political issues in current events as well as shame-free insights into subjects like state taxes, cannabis reform and destigmatization. She also advocates for art equity, queer issues, disability rights, mental health and more. She grew up in a conservative town and, while attending UW–Whitewater, gained exposure to more points of view and ideas that she wasn’t exposed to growing up.
Luke is also a book illustrator, teaching artist, activist and public speaker. She has illustrated two books and she started her own multifaceted art and design business, T.L. Luke Art, in 2018. She is currently a member of the Madison Arts Commission and chair of the commission’s public arts subcommittee.
Her dark yet whimsical drawing style and eye for visual storytelling helps bring Stravinsky’s Firebird to life, and Madison Symphony Orchestra is proud to collaborate with T.L. for a third year of live drawing alongside the Madison Symphony Orchestra!
CENTENNIAL FESTIVAL WEEKEND
ORGAN PERFORMANCE
SATURDAY, JUNE 13 4:30 PM | Overture Center
to our generous sponsors for supporting these performances
PROGRAM THANK YOU
Greg Zelek, Organ
MAJOR SPONSORS
Carla and Fernando Alvarado
SUPPORTING SPONSORS
Jane Hamblen and Robert F. Lemanske
Reynold V. Peterson
Gareth Steen, in memory of Arthur G. Bottinger
Friends of the Overture Concert Organ
The Overture Concert Organ is the gift of Pleasant T. Rowland
Support for all organ programs are provided by the Diane Endres B allweg Fund.
PAUL FEY
Toccata (commissioned by Bill Steffenhagen)
DUDLEY BUCK
Concert Variations on “The Star-Spangled Banner”
PIETRO MASCAGNI (ARR. ZELEK)
Intermezzo (Cavalleria rusticana)
J.S. BACH
Toccata and Fugue in D minor, BWV 565
ERNESTO LECUONA
Danza
Andalucía
FLORENCE PRICE
Adoration
WELCOME TO THE MSO!
Please silence your electronic devices and cell phones for the duration of the concert. P hotography and video are not permitted d uring the performance. You may take and s hare photos during applause. Thank you!
Air from Organ Suite No. 1
ALEXANDRE GUILMANT
Organ Sonata in D minor, Op. 42, No. 1
III. Final: Allegro assai
GREG ZELEK
Praised as “extraordinary in the classical music world” (Jon Hornbacher, PBS Wisconsin Life) and a “musical star” (Bill Wineke, Channel 3000), Greg Zelek is the Principal Organist of the Madison Symphony Orchestra and Curator of the Overture Concert Organ. In this role, Greg performs and oversees all of the MSO’s organ programming. The MSO Organ Series regularly attracts over one thousand ticketed audience members for each of Zelek’s creatively curated and performed concerts. Since September 2017, Greg has proudly held the Elaine and Nicholas Mischler Curatorship.
In addition to his unique position in Madison, Zelek is the Curator of the J.F. Bryan Concert Organ Series for the Jacksonville Symphony and the new Northrop Organist at the University of Minnesota.
Zelek also performs frequently as a soloist throughout the United States. Always playing his solo programs from memory, Zelek has played and
premiered many of the large works of the organ canon, as well as new works that showcase the versatility of the instrument.
Alongside various orchestras, Greg has performed the organ concertos of Barber, Poulenc, Rheinberger, and Jongen. Greg has also been the organist for works such as Mahler’s 8th Symphony, Janáček’s Glagolitic Mass, SaintSaëns’s Organ Symphony, Strauss’s Alpine Symphony, Respighi’s Pines of Rome, Foss’s Phorion, and Gounod’s Faust.
Zelek is known for his inventive programming and collaborations. He has performed a classical and gospel concert with counter-tenor Reginald Mobley, arranged and commissioned works for cello and organ with cellist Thomas Mesa, performed in a Latin-American concert with a Cuban band from Miami, FL, and collaborated with electronic trombonist Mark Hetzler, in a concert featuring new music for organ, trombone, and percussion. He has also performed with the Canadian Brass in his continued role as Visiting Guest Artist at St. John’s Abbey in Collegeville, MN.
In 2016, Greg was chosen by The Diapason magazine as one of the top “20 Under 30” organists and has won prizes in numerous organ competitions. Zelek released a recording on the Overture Concert Organ in the Fall of 2022. A recipient of the inaugural Kovner Fellowship, he received his Bachelor’s and Master’s degrees, as well as an Artist Diploma, from the Juilliard School as a student of Paul Jacobs. Greg, who is CubanAmerican and a native Spanish speaker, grew up in Miami, FL and resides in Madison, WI with his wife and daughter.
CENTENNIAL FESTIVAL WEEKEND
SYMPHONY CONCERT
SUNDAY, JUNE 14 4:30 PM | Overture Center
THANK YOU
our generous sponsors for supporting these performances
MAJOR SPONSORS
Myrna Larson
John J. Frautschi Family Foundation, in honor of John DeMain
David and Kato Perlman
Pamela Ploetz and John Henderson, in honor of John DeMain
Peggy and Tom Pyle
SPONSORS SUPPORTING
PROGRAM
John DeMain | Music Director
100th Season | Overture Center
John DeMain, Conductor
Julian Rhee, Violin
Alexandra LoBianco, Soprano
Kara Morgan, Mezzo Soprano
Michael Deshield, Tenor
Craig Irvin, Bass Baritone
Madison Symphony Orchestra Chorus, Beverly Taylor, Director
The chorus for today’s performance was prepared by Drew Collins
GEORGE GERSHWIN (1898-1937)
An American in Paris
PABLO DE SARASATE (1844-1908)
Carmen Fantasy for Violin and Orchestra, Op. 25
Angela Bartell
Jeffrey and Bartell
JULIAN RHEE SPONSOR
Allegro moderato
Habanera (Moderato)
Lento assai
Seguidilla (Allegro moderato)
Moderato
Mr. Rhee
INTERMISSION
JEAN SIBELIUS (1865-1957)
Guest Conductor: Lori Grapentine Finlandia, Op. 26, No. 7
GUSTAV HOLST (1874-1934)
WELCOME TO THE MSO!
Please silence your electronic devices and cell phones for the duration of the concert. Photography and video are not permitted during the performance. You may take and share photos during applause. Thank you!
The Planets, Suite for Large Orchestra, Op. 32 Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity
LUDWIG VAN BEETHOVEN (1770-1827)
Symphony No. 9 in D minor, Op. 125 – Choral Finale
Ms. LoBianco
Ms. Morgan
Mr. Deshield
Mr. Irvin
Madison Symphony Chorus
MADISON SYMPHONY ORCHESTRA
SYMPHONY
CONCERT MUSICIAN ROSTER
VIOLIN I
Naha Greenholtz
Concertmaster
William and Joyce Wartmann Chair
Suzanne Beia
Co-Concertmaster
Steinhauer Charitable Trust Chair
Huy Luu
Associate Concertmaster
George and Candy Gialamas Chair
Olga Pomolova
Associate Concertmaster
Kina Ono
Assistant Concertmaster
Endowed by an Anonymous Friend
Neil Gopal
Annetta H. Rosser Chair
Elspeth Stalter-Clouse
Tim Kamps
Jon Vriesacker
Laura Burns
Paran Amirinazari
Alec Tonno
Naomi Schrank
Eric Bate
VIOLIN II
Xavier Pleindoux
Principal
Dr. Stanley and Shirley Inhorn Chair
Hillary Hempel
Assistant Principal
Elyn L. Williams Chair
Holly Wagner
Rolf Wulfsberg
Olga Draguieva
Geri Nolden
Kathryn Taylor
Robin Ryan
Matthew Dahm
Wes Luke
Glen Kuenzi
Laura Mericle
VIOLA
Christopher Dozoryst
Principal
James F. Crow Chair
Katrin Talbot
Assistant Principal
Dove Family Chair
Diedre Buckley
Renata Hornik
Elisabeth Deussen
Judy Huang
Janse Vincent
Jennifer Paulson
Hanna Pederson
David Beytas
Charlie Alves
CELLO
Karl Lavine
Principal
Reuhl Family Chair
Mark Bridges
Assistant Principal
Patricia Kokotailo & R. Lawrence
DeRoo Chair
Jordan Allen
Knapp Family Chair
Margaret Townsend
Lisa Bressler
CLARINET
Nancy Mackenzie
Principal
Barbara and Norman Berven Chair
Joseph Sanchez
Gregory Smith
BASS CLARINET
Gregory Smith
SAXOPHONES
Jeremy Ruthrauff, alto
Joseph Connor, tenor
Joshua Baker, bari
BASSOON
Cynthia Cameron
Alex Chambers-Ozasky
Jean Hatmaker
Becky Pan
BASS
David Scholl
Principal
Carl Davick
Assistant Principal
Zachary Betz
Tom Mohs Chair
August Jirovec
Grace Heintz
Mike Hennessy
FLUTE
Stephanie Jutt
Principal
Principal
Rozan and Brian Anderson Chair
Amanda Szczys
Carol Rosing
CONTRABASSOON
Carol Rosing
Endowed by an Anonymous Friend
HORN
Emma Potter
Principal
Steve and Marianne Schlecht Chair
William Muir
Daniel Grabois
John Wunderlin
Mary Buscanics-Jones, Assistant
TRUMPET
Terry Family Foundation Chair
Collin Stavinoha
Linda Pereksta
PICCOLO
Linda Pereksta
OBOE
Andrea Gross Hixon
Principal
Jim and Cathie Burgess Chair
Laura Medisky
Lindsay Flowers
ENGLISH HORN
Lindsay Flowers
John Aley
Principal
Marilynn G. Thompson Chair
John Wagner
Brent Turney
TROMBONE
Joyce Messer
Principal
Fred and Mary Mohs Chair
Benjamin Skroch
BASS TROMBONE
TENOR TUBA
Rick Seybold
TIMPANI
John Jutsum
Principal
Eugenie Mayer Bolz Foundation Chair
Jaime Cardenas
PERCUSSION
Anthony DiSanza
Principal
JoAnn Six Plesko and E.J. Plesko Chair
Richard Morgan
Nicholas Bonaccio
Greg Hinz
HARP
Johanna Wienholts
Principal
Endowed by an Anonymous Friend
Margaret Mackenzie
ORGAN
Gregory Zelek
Principal
The Elaine and Nicholas Mischler Curatorship
PIANO
Daniel Lyons
Principal
Stephen D. Morton Chair
Orchestra Committee
Mark Bridges, Chair
Lisa Bressler, Vice-Chair
Elspeth Stalter-Clouse, Secretary
David Scholl, Treasurer
John Wagner, Memberat-large
Librarian
Jennifer S. Goldberg
John and Carolyn Peterson Chair
Stage Manager
Benjamin Skroch
Ben Zisook
TUBA
Joshua Biere
Principal
Personnel Manager
Alexis Carreon
JOHN DEMAIN
Music Director
In his 32nd and final season as Music Director of the Madison Symphony Orchestra (MSO), Grammy and Tony Award-winning conductor John DeMain is noted for his dynamic performances on concert and opera stages throughout the world. American composer Jake Heggie assessed the conductor’s broad appeal, saying, “There’s no one like John DeMain. In my opinion, he’s one of the top conductors in the world.” In January 2023 he received a Lifetime Achievement Award from the National Opera Association, the NOA’s highest award.
During more than three decades in Madison as MSO’s Music Director, DeMain has consistently raised the quality of the orchestra by introducing blind auditions and expanding the repertoire to encompass ever more challenging and virtuosic works, including highly-acclaimed performances of the complete symphonies of Gustav Mahler. DeMain also oversaw the move into the worldclass Overture Hall and expanded the subscription season to triple performances.
His active conducting schedule has taken him to the stages of the National Symphony, St. Paul Chamber Orchestra, the symphonies of Seattle,
St. Louis, Pittsburgh, Detroit, Columbus, Houston, San Antonio, Long Beach, and Jacksonville, along with the Pacific Symphony, Boston Pops, Aspen Chamber Orchestra, Los Angeles Chamber Orchestra, London Sinfonietta, Orchestra of Seville, the Leipzig MDR Sinfonieorchester, and Mexico’s Orquesta Sinfónica Nacional.
Prior engagements include visiting San Francisco Opera as guest conductor for General Director David Gockley’s farewell gala, Northwestern University to conduct Carlisle Floyd’s Susannah, and the Washington National Opera at the Kennedy Center in D.C. to conduct Kurt Weill’s Lost in the Stars. In 2019, he conducted the world premiere of Jeanine Tesori’s Blue at the Glimmerglass Festival to critical acclaim — he “drew a vibrant performance from an orchestra of nearly 50 players; the cast was superb.” (The New York Times).
DeMain also serves as principal conductor for Madison Opera and in their 2024-2025 season conducted The Barber of Seville, Don Giovanni and Opera in the Park. This season, he will conduct La Bohème and return next summer for Opera in the Park. He has been a regular guest conductor with Washington National Opera at the Kennedy Center and has made appearances at the Teatre Liceu in Barcelona, New York City Opera, Michigan Opera Theatre, Los Angeles Opera, Seattle Opera, San Francisco Opera, Virginia Opera, Lyric Opera of Chicago, Aspen Music Festival, Portland Opera, Chautauqua Opera, and Mexico’s National Opera. He served as Music Director for 10 years at Opera Omaha.
During his distinguished 17-year tenure with Houston Grand Opera, DeMain led a history-making production of Porgy and Bess, winning a Grammy Award, Tony Award, and France’s Grand Prix du Disque for the RCA recording. In spring 2014, the San Francisco Opera released an HD DVD of their most recent production of Porgy and Bess, conducted by John DeMain.
DeMain began his career as a pianist and conductor in his native Youngstown, Ohio. He earned his bachelor’s and master’s degrees at The Juilliard School and made a highly-acclaimed debut with the Pittsburgh Symphony Orchestra. DeMain was the second recipient of the Julius Rudel Award at New York City Opera and one of the first six conductors to receive the Exxon/National Endowment for the Arts Conductor Fellowship for his work with the St. Paul Chamber Orchestra.
DeMain holds honorary degrees from the University of Nebraska and Edgewood College and he is a Fellow of the Wisconsin Academy of Sciences, Arts and Letters. He resides in Madison and his daughter, Jennifer, is a UW–Madison graduate.
Saturday, June 13th
1:30 PM – 2:45 PM
Wisconsin Studio: John DeMain – Working With My Heroes Lecture & Book Signing COME SEE JOHN DEMAIN DURING FESTIVAL!
Congratulations to the Madison Symphony Orchestra on 100 years of world-class music and a legacy that will resonate for generations.
What will your legacy set in motion? Your named fund can support the cause you care about — forever. Learn more at madisongives.org/legacy.
JULIAN RHEE
Violin
Winner of the prestigious 2024 Avery Fisher Career Grant, Korean American violinist Julian Rhee came to international prominence following his prize winning performances at the 2024 Queen Elisabeth International Violin Competition and the Silver Medal at the 11th Quadrennial International Violin Competition of Indianapolis.
Rhee has appeared with the Milwaukee Symphony, Belgian National Orchestra, Antwerp Symphony, Württemberg Chamber Orchestra of Heilbronn, Indianapolis Symphony, Pittsburgh Symphony, Richmond Symphony, and San Diego Symphony alongside Francesco Lecce-Chong, Valentina Peleggi, Rune Bergmann, Antony Hermus and Leonard Slatkin, among others.
Equally passionate about chamber music, Rhee is the newest member of Chamber Music Society of Lincoln Center’s prestigious Bowers Program. He has performed at and attended festivals including the Ravinia Steans Institute, Marlboro Music, and NorthShore Chamber Music Festival, performing alongside esteemed musicians such as Vadim Gluzman, Jonathan Biss, and Mitsuko Uchida.
Rhee received his Bachelor’s and Master’s degrees as teaching assistant of Miriam Fried at the New England Conservatory, and currently studies with Christian Tetzlaff at the Kronberg Academy.
Rhee is the recipient of the outstanding 1699 “Lady Tennant” Antonio Stradivari violin and Jean Pierre Marie Persoit bow on extended loan through the generosity of the Mary B. Galvin Foundation and the Stradivari Society.
MAKE A GIFT TO THE MADISON SYMPHONY ORCHESTRA
Every performance during the Centennial Festival Weekend is presented by the Madison Symphony Orchestra, as our gift back to the community for one hundred years of your support. The MSO is a 501(c)3 non-profit organization that relies upon generous donor support for every note of music you hear.
If you enjoyed a performance, exhibition, party, or simply the community atmosphere throughout the Overture Center this weekend, please consider supporting the Madison Symphony Orchestra with a tax deductible donation of any amount. There are several ways to give now and share your support for community music presented by the MSO. Thank you!
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MICHAEL DESHIELD
Tenor
Tenor Michael Deshield recently was recognized by the Wagner Society of New York as a Third Prize winner for their International Singers Competition as well as singing in the Semi-finals of the Butler Opera International Competition.
In the spring of 2026, Mr. Deshield will return to Sarasota Opera, covering the role of Manrico in Il trovatore where he previously covered Raffaele in Verdi’s Stiffelio , and will make his Madison Symphony Orchestra debut as the tenor soloist in Beethoven’s Ninth Symphony
In 2024, Mr. Deshield made his Des Moines Opera debut, singing the role of the Second Jew in
Strauss’s Salome and covering Walter in Damien Geter and Lila Palmer’s American Apollo .
A graduate of the Jacobs School of Music, he performed the roles of Rinuccio in Gianni Schicchi , The Governor in Bernstein’s Candide and Nate in Still’s Highway 1, USA . He also made his debut at the Indianapolis Symphony Orchestra during their 2022 “Greetings from Japan” concert singing B.F. Pinkerton in Puccini’s Madama Butterfly
Mr. Deshield holds a Master’s of Music in Voice from Indiana University and a Bachelor’s of Music in Voice Performance from Mansfield University of Pennsylvania.
ALEXANDRA LOBIANCO
American soprano Alexandra LoBianco, who “gave an impassioned performance” in the title role of Aida at Seattle Opera ( Seattle Times ), has established herself as a dramatic soprano of distinctive versatility, musicality, and consistency. The current season will include performances of Lady Macbeth in Verdi’s Macbeth for a role and house debut with Boston Lyric Opera, as well as concert appearances with the Madison Symphony Orchestra.
Hailing from Saint Petersburg, Florida, LoBianco began her journey in opera with a foundation in voice, theater, and clarinet. Her talent quickly garnered recognition, winning first prizes at the Liederkranz Vocal Competition and the Irene Dalis Competition in 2011 and the Altamura International Vocal Competition and the William Sullivan Foundation Awards in 2013. These early successes laid the groundwork for a distinguished career on the international stage.
LoBianco has performed with numerous opera companies of note, while taking on some of the most challenging roles in the repertoire. Career highlights include Leonore in Fidelio with the Vienna State Opera and North Carolina Opera, Brünnhilde in Die Walküre and Siegfried with Seattle Opera and North Carolina Opera, Minnie in La fanciulla del West with Des Moines Metro Opera, and the title role in Turandot with Des Moines Metro Opera, Palm Beach Opera, and Maryland Lyric Opera. She has also appeared as Santuzza in Cavalleria Rusticana with Seattle Opera, Alice Ford in Falstaff with Santa Fe Opera, and Marianne Leitmetzerin in Der Rosenkavalier at The Metropolitan Opera, which was featured in the Met’s Live in HD broadcast series. The artist has also performed Chrysothemis and the Fourth Maid in Elektra and Helmwige in Die Walküre at Lyric Opera of Chicago, the title role in Tosca at both North Carolina Opera and Minnesota Opera, and Amelia in Un ballo in maschera at Florida Grand Opera.
Recent seasons have also included performances as Leonora in Il Trovatore with Opera Colorado, the Mother in Hansel and Gretel with Lyric Opera of Chicago, the Foreign Princess in Rusalka with the Canadian Opera Company, and the title role in Tosca with Seattle Opera and Portland Opera. In a stunning international turn, LoBianco stepped in for an ailing colleague as Leonore in Fidelio for her debut with the Wiener Staatsoper while under contract for the title role in Turandot Subsequent appearances with the Wiener Staatsoper included performances as Helmwige in Die Walküre and a Brünnhilde cover, while on tour in Japan.
Ms. LoBianco’s repertoire also includes Sieglinde in Die Walküre, the title roles in Suor Angelica and Madama Butterfly, Donna Elvira in Don Giovanni, Mimì in La bohème, Magda Sorel in Menotti’s The Consul, and Brünnhilde in Jonathan Dove’s abridged Ring Cycle.
KARA MORGAN
Kara Morgan is a singing actress seeking out and lending her artistry to projects that broaden minds and inspire others. Her dedication to studying the art, languages, and characters of opera has been showcased on stages across the United States. Career highlights include apprenticeships with the Sarasota Opera, Santa Fe Opera, and Merola Opera Programs; mainstage credits with Fargo-Moorhead Opera, Pacific Opera Project, and An Opera Theatre; and recognition from the Schubert Club and Metropolitan Opera Laffont Competitions.
This fall, Kara begins her second year as a Resident Artist with Minnesota Opera after a successful 2024-25 season debuting the roles of Stéphano in Roméo et Juliette and Rosina in Il barbiere di Siviglia in addition to appearing in several concerts featuring art song and opera favorites. In Minnesota Opera’s 2025-26 season, Kara returns to the role of Dorabella in Così fan tutte, creates the role of Jane in the world premiere of My Name is Florence by B.E. Boykin & Harrison David Rivers, and debuts as Tigrana in a concert production of Puccini’s rarelyheard Edgar. In February 2026, Kara makes a role and company debut with Opera Tampa as Zweite Dame in Die Zauberflöte and at the end of the season, will debut with the Fox Valley Symphony
Orchestra as the mezzo soprano soloist in Verdi’s Messa da Requiem.
Recently, Kara graduated from the Master of Musical Arts program at Yale University, where she was a member of the opera studio. Roles performed include Cherubino, Romeo (I Capuleti e i Montecchi), Charlotte (Werther), Isolier (Le comte Ory), Lucretia, Mother Goose (The Rake’s Progress), and Anna 1 in Kurt Weill’s Die sieben Todsünden. As a winner of the 2023 Woolsey Concerto Competition, she enjoyed the privilege of performing Mahler’s Lieder eines fahrenden Gesellen with the Philharmonia as part of the final concert in their 2023-24 season. Before graduation, she won first place in the D’Angelo Young Artist Vocal Competition and made her title role and company debut with Salt Marsh Opera in Ravel’s L’enfant et les sortilèges. She joined the worldrenowned Merola Opera program in 2024, singing scenes from Cendrillon and Werther.
Kara returned to Sarasota Opera as a Resident Artist for the 2021 winter festival as pandemic restrictions began to ease. During this residency, she appeared as Mercury in Purcell’s Dido & Æneas and sang in Resident Artist productions of Dido (in the title role) and Rossini’s one-act farce, Il signor Bruschino (as Marianna). In October 2021, Kara made her west coast and company debut with Pacific Opera Project as Hansel in Hansel & Gretel. The following April, she was home in Minneapolis debuting the title role in The Rape of Lucretia with An Opera Theatre.
Prior to the Covid-19 pandemic, Kara was a Young Artist with Fargo-Moorhead Opera, debuting the roles of Dorabella in Così fan tutte and Mercédès in Carmen with the company. Following the residency in Fargo, Kara covered Dorabella in Mill City Summer Opera’s summer production of Così staged in the Mill City Museum ruins in Minneapolis. She also sang with Lakes Area Music Festival in Brainerd, MN covering the the title role of Offenbach’s La belle Hélène, before returning to
Mezzo Soprano
Fargo Moorhead Opera to make her mainstage and role debut as Hansel.
Kara earned her Bachelor of Music Degree from Drake University and her Masters in Voice Performance at the New England Conservatory. As a student, she was heard as Mrs. Soames (Rorem’s Our Town), Katisha (The Mikado), Dritte Dame (Die Zauberflöte), Madame de Croissy (Dialogues des Carmélites), Grimgerde (Die Walküre), and Ottone (Agrippina).
A lover of art song, Kara enjoys programming lesser-heard and contemporary works with a focus on songs written by and about women. Past recitals have included repertoire by Montsalvatge, Debussy, Mahler, Hahn, Heggie, Margaret Bonds, Mel Bonis, Clara & Robert Schumann, Alaina Ferris, and Cheryl Frances-Hoad, among others. In Summer 2022, Kara partnered with longtime collaborator Carson Rose Schneider and Minnesota nonprofit organization, OOPS MN (Opera-Oriented Project Sponsorships),
to create Ladies, Lyrics, & Lagers: a recital that was taken on tour to three popular Twin Cities breweries with the purpose of promoting song sets by two living women composers based in Minnesota, Linda Tutas Haugen and Edie Hill, and bringing well-sung art to a more relaxed, casual setting.
Kara also enjoys collaboration in choral and orchestral works, appearing as a soloist with the Oratorio Society of Minnesota, the Bach Roots Festival, the CBA Orchestra, the Minnesota Saints Chorale & Orchestra, the Drake Choir, and singing Alcibiades and Phaedrus in an unconducted performance of Erik Satie’s Socrate with the New England Conservatory Chamber Orchestra in Boston’s historic Jordan Hall.
Kara is based in Minnesota with her partner and dogs. Outside of music, she enjoys hiking, crafting, and cooking.
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CRAIG IRVIN
Baritone
Craig Irvin brings a vibrant sound and commitment to character to a wide variety of repertoire. Opera News has praised his “rich, resonant baritone” while the Dallas Morning News has noted his “truly commanding baritone.” This season, Mr. Irvin makes exciting returns to Utah Opera as Jack Torrence in The Shining and Opera Tampa as Papageno in The Magic Flute. In addition, he makes house débuts with Virginia Opera as Travis Briggs in Intelligence and Florida Grand Opera as the French General in Silent Night Last season, Craig made his Glimmerglass Opera début singing the Pirate King in Pirates of Penzance and Giove in La Callisto He also brought his Pirate King to Knoxville Opera’s Pirates of Penzance, made a role and house début as Kenny Kencaid in Shawn Okpebholo and Mark Campbell’s The Cook Off with Nashville Opera, made his role début as Tonio in Pagliacci, performed Maximillian and Captain in Candide with Opera Tampa, sang Thalasso in the premiere of The Pigeon Keeper with Opera Parallèle, and made concert appearances with the Des Moines Symphony, Madison Symphony Orchestra, and Grand Rapids Symphony.
Mr. Irvin recently returned to The Atlanta Opera in his role début as Jack Torrance in The Shining, to Madison Opera as Scarpia in Tosca, and reprised his Older Thompson in Glory Denied with Annapolis Opera and his Pirate King in The Pirate of Penzance with Kentucky Opera. Recent engagements also include his role début as Jochanaan in Salome with Madison Opera, his role début as Older Thompson in Glory Denied with Knoxville Opera and Permian Basin Opera, Maximillian in Candide with The Atlanta Opera, the Wolf/Cinderella’s Prince in Into the Woods with Tulsa Opera, and an appearance with the New West Symphony in Beethoven’s 9th Symphony.
In recent seasons, he reprised of one of his signature roles - The Pirate King in The Pirates of Penzance at both The Atlanta Opera and Utah Symphony and Opera. Additionally, he joined Orchestra Iowa for Handel’s Messiah and the Cincinnati May Festival for Candide. During the COVID-affected 2019 and 2020 seasons, Mr. Irvin appeared in concert with Omaha Symphony, and was slated to appear as the title role in Sweeney Todd at Utah Festival Opera and Music Theater, Marcello in La bohème at The Atlanta Opera, in Carmina burana with San Antonio Symphony. Other recent engagements include the revival of his Dan Packard in Dinner at Eight with the Wexford Festival, Lt. Horstmayer in Silent Night with Austin Opera, Valentin in Faust with Opera Omaha, Rachmaninoff’s The Bells with the Portland Symphony, singing Dominik and covering Mandryka in Arabella with Canadian Opera Company, Handel’s Messiah with the Jacksonville Symphony, Britten’s War Requiem with Music Worchester, Stubb in Moby Dick with Utah Opera, Dandini in La Cenerentola with Opera Orlando, and Frank in Die Fledermaus with Des Moines Metro Opera.
While in residence with Lyric Opera of Chicago’s Ryan Opera Center, Mr. Irvin was seen as Angelotti in Tosca, Zuniga in Carmen, Theseus in A Midsummer Night’s Dream, Sam in A Masked Ball, Imperial
Commissioner in Madama Butterfly, Doctor/ Professor in Lulu, and Ashby in La fanciulla del West Additionally, he covered the roles of Bottom, the title role in The Mikado, the title role in Hercules, Escamillo in Carmen (a role he sang in the student matinee performance), Bartolo in Le nozze di Figaro, and Brander in Damnation of Faust Other recent engagements include Lieutenant Horstmayer in the world premiere of Kevin Puts and Mark Campbell’s Silent Night with Minnesota Opera and subsequent performances with Opera Philadelphia, Fort Worth Opera, Cincinnati Opera, Lyric Opera of Kansas City, and The Atlanta Opera. Additionally he has sung Count Almaviva in Mozart’s Le nozze di Figaro and Zurga in Les pêcheurs de perles with Utah Opera, Dan Packard in Dinner at Eight, Mandryka in Arabella, and Peter in Hänsel und Gretel with Minnesota Opera, made his role debut as Macbeth with LoftOpera, sang Escamillo in Carmen with Fort Worth Opera, debuted with Sarasota Opera as Marcello in La bohème and Anchorage Opera in the title role of The Mikado, sang Pirate King in The Pirates of Penzance with Nashville Opera and Pensacola Opera, sang Dandini in Pensacola Opera’s La Cenerentola, and performed the Villains in The Tales of Hoffman and Leporello in Don Giovanni with Wolf Trap Opera. In addition, he has sung Betto in Gianni Schicchi and 1st Nazarene and Jochanaan/cover in Strauss’
Salome with Canadian Opera Company, covered Paolo in Simon Boccanegra with Los Angeles Opera, sang Orff’s Carmina burana with the Phoenix Symphony, performed Dick Deadeye in HMS Pinafore and Raimondo in Lucia di Lammermoor with Opera Saratoga, Ramphis in Aïda with Pensacola Opera, and Basilio in Il barbiere di Siviglia with Intermountain Opera and Knoxville Opera.
A winner of the Heinz Rehfuss Singing Actor Award sponsored by Orlando Opera, Mr. Irvin spent a season with the company as a Resident Artist. With Orlando Opera he has sung the Pirate King in The Pirates of Penzance, Abimelech in Samson et Dalilah, Figaro in Le nozze di Figaro, Elder Ott in Susannah, and Angelotti in Tosca While in Orlando, Mr. Irvin also sang the role of Gaston in over 700 performances of Beauty and the Beast at Walt Disney World, MGM. In the course of his graduate work at The University of Tennessee, he performed with the Knoxville Opera as Pooh Bah in The Mikado, Der Sprecher in Die Zauberflöte, and Basilio in Il barbiere di Siviglia, as well as Reverend Blitch in Susannah and the title role in Sweeney Todd with the Knoxville Opera Studio. A native of Iowa, Mr. Irvin completed his undergraduate study at the Simpson College in Indianola under the tutelage of Dr. Robert L. Larsen.
BEVERLY TAYLOR
Claudia Berry & David E. Miran Director, Madison Symphony Chorus
Beverly Taylor, Emerita Professor of Music at University of WisconsinMadison and Director of the Madison Symphony Chorus, is a frequent guest conductor at festivals throughout the United States. She has been recognized by critic Richard Dyer (The Boston Globe) as a conductor who “has the crucial gift of inspiring people to give of their best, and beyond.” Taylor assumed the post of Director of Choral Activities at the University of Wisconsin-Madison in 1995, where she served as director of the Concert Choir and the Choral Union, and led the graduate choral conducting program until her retirement in 2020. From 1989-2012, she was conductor of the Boston Bar Association Orchestra, and for seven years the Music Director of the Back Bay Chorale, in which she conducted concerts with the Pro Arte Chamber Orchestra and other professional orchestras. Their recording of Robert Kyr’s Passion According to Four Evangelists is available on the New Albion label. She served as Assistant Conductor of the Madison Symphony Orchestra from 1996-2018.
In 1995, Taylor completed 17 years as the Associate Director of Choral Activities at Harvard University.
In this position, she directed both the prize-winning Radcliffe Choral Society and the Harvard-Radcliffe Chorus. She led the groups on frequent domestic and international tours, directed a number of premieres of American music, and produced two recordings on the AFKA label. As a guest conductor, Taylor has led the Artur Rubinstein Philharmonic Orchestra in Poland, the St. Louis Symphony Chorus, the Vermont Symphony, the Harvard Chamber Orchestra, the Madison Opera, the U.S. Air Force Band and Orchestra, the Harvard Radcliffe Collegium Musicum, and the Wellesley Chamber Singers. She worked with John Williams to prepare for a July 4th concert with the Boston Pops Summer Esplanade Chorus. A graduate of the University of Delaware and Boston University, Taylor studied with Gustav Meier, Paul Vermel, Andrew Davis, Helmuth Rilling, Robert Shaw, Margaret Hillis, and Herbert Blomstedt. She received a fellowship from Chorus America and an orchestral fellowship from Aspen. She was a 2016 finalist for the American Prize in choral conducting, college division, and a 2017 recipient of the Emily Mead Baldwin Award in the Creative Arts at UW-Madison.
MADISON SYMPHONY CHORUS
Beverly Taylor, Claudia Berry & David E. Miran Director
Drew Collins, Assistant Director & Festival Concert Preparation Manager
Dan Lyons, Accompanist and Manager
Formed in 1927, the Madison Symphony Chorus gave its first public performance on February 23, 1928, and has performed regularly with the Madison Symphony Orchestra ever since. The chorus is comprised of more than 150 volunteer musicians who come from all walks of life and enjoy combining their artistic talent. In 2017, the chorus sang three Brahms Requiems in Germany with regional orchestras under Ms. Taylor’s direction.
In recent seasons, the Chorus has joined the MSO for such awe-inspiring works as Mahler’s Symphony of a Thousand, Orff’s Carmina Burana, Janáček’s Glagolitic Mass, Rossini’s jubilant Stabat Mater, the Requiems of both Verdi and Mozart, Holst’s The Planets, John Adams’ challenging On the Transmigration of Souls, Mahler’s Symphony No. 2 (Resurrection), excerpts from Gershwin’s Porgy and Bess, Rachmaninoff’s magnificent The Bells, Vaughan Williams’s Toward the Unknown Region, and excerpts from Handel’s Solomon, among others.
SOPRANO
Caryn Baham
Jill Bailey
Judith Brauer
Alexis Buchanan
Sophie Bur
Lisa Burns
Ashley Calderon-McHugh
Jennifer Christensen
Christine Esche
Linda Feiler
Sydney Fine
Susan Galasso
Kate Grovergrys
Kimberly R. S. Han
Margaret Harrigan*
Sophia Hawley
Rose Heckenkamp-Busch
Sara Hendrickson
Katie Hess
Laurie Holman
Patricia Jenkins-Bock
Marjasana Kay
Holly Keevil
Sherri Kelly
Susan Kittleson
Veronica Kleckner
Julie Klein
Jennifer Kuckuk
Marie Kulackoski
Sarah Lang
Amber Lehnherr
Grace Lewallan
Lisa Middleton
Claudia Berry Miran
Eleanor Monroe
Genevieve Mullen
Connie Nelson
Sally Norman
Vanessa Orr
Christine Otth
Myleen Passini
Libby Pier
Kristen Radley
Susan Roehlk
Erin Selbee*
Erin Singer
Anya Smith
Nadine Thomas
Samantha Tushaus
Casey Umhoefer
Sarah Walker
Keaton Whitehurst
Pam Wilinski
Merina Witz
ALTO
Annemarie Adams
Lauren Almeida
Jaime Alvis
Kathleen Berkley
Sharon Blattner Held*
Tiffany Brunhoefer
Penny Carlson
Roberta Carrier
Spencer Chaplin
Johanna Chworowsky
Mackenzie Cole
Wendy Coleman
Lavonne Dettmers*
Chloe Diehl-Walker
Susan Ecroyd
Tammy Elmer
Gwen Evans
Tola Ewers
Deb Flanders
Erika Gallagher
Denise Garvin
Holly Gefroh-Grimes
Kristina Geiger
Lori Grapentine
Jane Henneberry
Rebecca Hillary
Talia Ivry
Amy Johnson
Jessica Jones
Susan Jones
Alana Katz
Estelle Katz
Maureen Kind
Heidi Kramer
Elena Lahti
Sally Lanz
Heather Laurila
Sarah Magenheim
Denise Martin
Brittney Mitchell
Rachel Mokelke-Heineman
Fran Puleo Moyer
Jacklyn O’Brien
Chloe Orr
Susan Peterson
Jamie Puffer
Emily Regenold
Angela Reisetter
Christine Richards
Deb Roever
Veronica Rueckert
Kathleen Schell
Nancy Shook
Latisha Smith-Chase
Elaine Sullivan
Robin Swadley
Julianne Wilke
Katie Wisz
Megan Yockey
TENOR
Gordon Brand
William Bremmer
Ray Calderon
Bradley Carter
Jeff Cooper
Bryan Endres
Robert Factor
Christopher Feyrer
Michael Hammer
David Hanson
Mark Hanson
John Hayward
Mooyoung Kim
James Kleckner
Alex Kovensky
Kathy Lewinski
Murali Meyer
Jonathan Myers
Be part of the experience.
Thomas Ott
Mitchell Patton
Dave Roever
Basil Rutkowski
Scott Seyforth
David Snook
James Staskal
LeRoy Stoner
Thomas Swartz
Ryan Van Slyke
Craig Wuerzberger*
Steve Yeazel
Matthew Zaremba
BASS
Steve Beversdorf
James Blanchard
Evan Bruns
Paul Bushland
Mike Byrne
Robert DeBroux
Robert Dinndorf
Alan Ferguson
David Flanders
Elliot Frie
Benson Gardner
Robert Gentile
Michael Green
Glenn Hanson
Charles Hodulik
Colin Holden
Alexander Jankowski
David Johnson
Leonard Jones
Mitch Lattis
Jules Lee
Lyle Lichty
Denaly Min
Donald Olsen
Greg Polacheck
Brayden Remerowski
Barry Rokusek
Greg Schmidt
Tradd Schmidt
Michael Schmit
George Shook
Chris Sink
Grant Steele
John Unertl
James Wear
Ryan Westergaard
Craig Wille*
Isaac Wojcicki
*Section Leader
OFFICERS
Rose Heckenkamp-Busch, President
James Wear, Vice-President
Samantha Tushaus, Secretary
PROGRAM NOTES
JUNE
14, 2026
SUNDAY 4:30 PM | Overture Center program notes by J. Michael Allsen
Our season-long centennial celebration closes with a joyous festival concert, which also serves as Maestro DeMain’s final concert as music director. It opens with a showpiece for the orchestra itself, Gershwin’s jazzy An American in Paris Next we welcome a soloist for whom the Maestro and the musicians of the MSO have great affection, violinist Julian Rhee, who won his first concerto competition with the Madison Symphony Orchestra at age 9(!), and who is launching what will certainly be a stellar career as a soloist. He plays a flashy virtuoso showpiece, the brilliant Carmen Fantasy by Sarasate. Then we play the stormy Finlandia by Jean Sibelius—a powerful statement of the composer’s Finnish patriotism. Lori Grapentine is our guest conductor for Finlandia. The orchestra then turns to a set of evocative pieces from Gustav Holst’s The Planets. Our closer, featuring the Madison Symphony Chorus and four distinguished vocal soloists, is perhaps the greatest musical expression of pure joy, the choral finale of Beethoven’s Symphony No. 9.
Gershwin’s An American in Paris is a musical picture of an American— undoubtedly Gershwin himself— wandering through the City of Lights in the 1920s. Its music is lively and colorfully orchestrated...including those famous taxi horns!
Whiteman, the so-called “King of Jazz” announced an “Experiment in Modern Music” for February 12, 1924, a concert that would supposedly answer the question “What is American Music?” Somewhat to his surprise, Gershwin read in the newspaper that he would be composing a “jazz concerto” for Whiteman’s event. With help from Whiteman’s staff arranger, Ferde Grofé, Gershwin completed Rhapsody in Blue in about a month and played as piano soloist. Whiteman’s pretentious “Experiment” was a partial success, but Rhapsody in Blue was clearly the hit of the show. Within a year, he was approached by Walter Damrosch, conductor of the New York Symphony Society. Damrosch, who had been at the Whiteman concert, gave Gershwin a commission for a “New York Concerto.” The result, the Concerto in F, is a more ambitious piece than the Rhapsody, and has become the most successful of all American piano concertos. In 1928, Damrosch offered a second commission, this time for an orchestral work.
George Gershwin (1898-1937)
An American in Paris
Throughout his all-too-brief career Gershwin lived a kind of double life, with feet planted in both Broadway and in what he considered to be more “serious” Classical music. His first big splash on Broadway was the hit song Swanee in 1919. His big moment in the Classical world came just five years later. Paul
In March 1928, George and Ira Gershwin, together with their sister Frances and Ira’s wife Leonore, left for a European tour, spent mostly in Paris. Paris of the 1920s was the center of the artistic world: host to a dazzling array of composers, artists, jazz musicians, dancers, writers, and poets—both French and foreign. Gershwin, who was still a bit self-conscious about his reputation as a “serious” composer, nevertheless took every opportunity to schmooze the composers he admired most: Stravinsky, Prokofiev, Poulenc, Ravel, and Milhaud. Gershwin brought the unfinished score for the new orchestral piece with him to Europe and sketched out much of the score in Paris that spring. He completed the full score and orchestration by November 1928. Reviews of the first performance were decidedly mixed, but the best answer to the critics was success: An American in Paris became an orchestral standard almost as soon as it was premiered.
part of the experience.
Gershwin provided the following outline of the work:
This new piece, really a rhapsodic ballet, is written very freely, and is the most modern music I’ve yet attempted. The opening part will be developed in a typical French style... though the themes are all original. My purpose here is to portray the impression of an American visitor in Paris, as he strolls around the city, and listens to various street-noises and absorbs the French atmosphere. As in my other orchestral compositions, I’ve not endeavored to represent any definite scenes in this music. The rhapsody is programmatic only in a general impressionistic way, so that the individual listener can read into the music such as his imagination pictures for him.
The opening gay section is followed by a rich blues with a strong rhythmic undercurrent. Our American friend, perhaps after strolling into a café and having a couple of drinks, has succumbed to a spasm of homesickness. The harmony here is both more intense and simpler than in the preceding pages. This blues rises to a climax, followed by a coda in which the spirit of the music returns to the vivacity and bubbling exuberance of the opening part, with its impressions of Paris. Apparently the homesick American, having left the café and reached the open air, has disowned his spell of the blues, and once again is an alert spectator of Parisian life. At the conclusion, the street noises and French atmosphere are triumphant.”
Gershwin’s use of the orchestra in this work is much more confident than in either the Rhapsody (which, after all was arranged almost entirely by Grofé) or the Concerto. The influence of 1920s jazz is clearly audible, but the most prominent element is the variety of orchestral moods he projects and the ingenious ways he achieves them. The standard orchestra is augmented by saxophones, a huge array of percussion, and—one of Gershwin’s most prized souvenirs from his 1928 trip to Paris—a set of four French taxi-horns.
This virtuoso showpiece elaborates on seductive themes from Bizet’s Carmen.
Pablo de Sarasate (1844-1908)
Carmen Fantasy for Violin
and Orchestra, Op. 25
Like our soloist at these concerts, the great Spanish virtuoso Pablo de Sarasate started early. He had his first public recital at age eight, and within two years, the Queen of Spain helped him with a scholarship to the Paris Conservatory. Sarasate won the Conservatory’s first prize at age thirteen, and was then went on to a long and successful career as a touring soloist, appearing in every country in Europe, and travelling widely in North and South America. In an age of extremely flamboyant soloists, Sarasate was widely admired for his subtlety, and several of the leading composers of the late 19th century dedicated works to him. Like many Romantic virtuosos, Sarasate also composed works for himself, including the one heard here.
Most of his original works play on Spanish musical material, but his famous Carmen Fantasy deals with Spanish material by way of a French opera. After an initially unsuccessful run, Georges Bizet’s opera Carmen quickly became one of the most popular and universally beloved operas of the late 19th century. (In true romantic irony, Bizet never saw this success—he died just three months after the premiere.) One sure sign that an opera was popular was the appearance of reworkings of its music by instrumental virtuosos. Sarasate’s Carmen Fantasy is only one of dozens of versions of the opera’s music for various instruments, but it is one of the very few that have endured in today’s solo repertoire as a virtuoso showpiece. Sarasate sets the piece in five short sections, each of which draws on a section of the opera. The opening (Allegro moderato) begins with a smoky version of the Aragonaise that opens Act 4, but quickly expands into in a variety of showy effects. This leads to a version of the Carmen’s famous entrance aria, the sexy Habanera (Moderato), which gets a brilliant variation by Sarasate. The slower middle section (Lento assai) is a version of Carmen’s mocking of the officer Zuniga, which moves to her languorous Seguidilla (Allegro moderato), and then seamlessly into the wild dance of Carmen and her sisters (Moderato) as they entertain the soldiers at the
beginning of Act 2. Sarasate uses this dance as the vehicle for some brilliant virtuoso fireworks and he ends with a blazing coda.
Finlandia, written as an act of musical defiance to an authoritarian regime, was an enormous success when Sibelius introduced it in 1899. It has become a musical symbol of Finnish patriotism.
Jean Sibelius (1865-1957)
Finlandia, Op. 26, No. 7
No work of the great Finnish composer Jean Sibelius is more immediately recognizable than Finlandia —a tone-poem that has become the anthem of his homeland. This is a product of the very late 19th century, when European political and musical nationalism reached their greatest peak. Most of Sibelius’s early works are fervently F innish in some way—themes based on folk material, or subject-matter drawn from Finnish legends—but Finlandia’s nationalistic tone arises directly from its original circumstances. Throughout the 19th century, Finland was ruled by Russia, and by the 1890s, Russian control was becoming increasingly heavy-handed: the authorities were increasingly insisting on use of the Russian language in all official business, and Finnish culture was actively suppressed.
Tensions reached the breaking point in February of 1899, when the Russians dissolved Finland’s legislature. To raise funds and to drum up nationalistic feeling, Finnish patriots staged the Press Pension Celebration: a thinly-disguised political rally, which included a series of seven staged tableaux on the legendary glories of Finland. Sibelius provided a prelude to each. The final tableau, titled Finland Awakes !, was a sensation, and whipped the audience into a frenzy. The text read (in part): “The powers of darkness menacing Finland have not succeeded in their terrible threats. Finland awakes...”
so much so that the Russian governors banned public performances of the work!
Finlandia begins ominously, with a passage that must represent the “powers of darkness.” The mood quickly changes as Sibelius introduces a patriotic hymn that sounds as if it must be a borrowed folk tune. This famous melody is Sibelius’s own, however. The main body of the movement (marked Allegro ) introduces several heroic themes, based on the hymn or on an insistent brass fanfare. The work comes to a triumphant and crashing close with a final transformation of the opening hymn.
The Planets—the best known or orchestral work by Gustav Holst—is based upon the astrological personalities of the planets.
Gustav Holst (1874-1934)
The Planets, Suite for Large Orchestra, Op.32 – Mars, Venus, Mercury, and Jupiter
“There is nothing in the planets (my planets, I mean) that can be expressed in words.”
- Holst, to conductor Adrian Boult
When Holst began composing the music of The Planets in 1914, he was nearly 40 years old. He had been an eclectic sampler of Eastern philosophies and mysticism since he was a young man, and this work came out of a brief flirtation with astrology. Holst, however, never seems really to have believed in astrology—he used it only as source of musical inspiration. He wrote in 1913 that “I only study things that suggest music to me. Recently the character of each planet has suggested lots to me, and I have been studying astrology fairly closely.” As Holst suggested, the movements of The Planets are based upon the personalities attributed to the seven astrological planets: Mars being “headstrong and forceful,” Neptune “subtle and mysterious,” and so forth.
Sibelius’s prelude music to Finland Awakes ! was enough of a success that he later extracted it from the suite and published it separately as Finlandia The work was immediately recognized as the perfect expression on Finnish patriotism—
Holst completed the work in 1917. The music of The Planets is more massive and somewhat more radical than anything Holst ever wrote. The work uses a vastly expanded orchestra, augmented by such exotic timbres as bass oboe and bass flute.
experience.
Holst, who spent much of his youth as a trombonist in several bands, lavished a great deal of forceful and difficult music on a large brass section that includes six horns, four trumpets, three trombones, tuba and that most beloved of all British band instruments, the euphonium. His score also calls for a large percussion battery (at least seven players), two harps, celesta, and in the final movement, organ and an offstage women’s chorus. Holst’s acquaintances must have been surprised at the formidable and occasionally violent nature of this piece—the 5/4 rhythm and crashing dissonances of Mars must have seemed particularly shocking coming from this mild-mannered and unfailingly gentle man. Despite its massive nature, The Planets also shows elements of his earlier style, which blended elements of Oriental and north African music, and Eastern mysticism, with the foursquare and solid harmony of English church music.
Early audiences assumed that the first movement, Mars, the Bringer of War, was written in response to the first world war. In reality, Holst completed this movement before the outbreak of hostilities and probably had Mars’s astrological significance in mind rather than current events. However, this movement still manages to convey a sense of Europe’s inexorable slide towards a senseless conflict. Holst sets up a savage 5/4 rhythm in the opening bars that underlies the whole movement. An ominously rising theme is passed from bassoons and horns to the trombones, and eventually to the entire brass section. As the volume builds, Holst introduces a sliding countermelody. The euphonium and trumpets introduce a contrasting idea and an accompanying fanfare. The movement continues as a development of these paired themes, building towards a crashing conclusion.
violin. This is no sharply textured Botticelli Venus, but an impressionist portrait in soft, watercolor textures.
Mercury, the Winged Messenger opens with a feeling of perpetual motion, passing brief bits of melody from instrument to instrument. The orchestration is extremely light, focusing on the woodwinds and giving prominent passages to the celesta. A central episode uses an exotic melody first heard in the solo violin and then repeated several times throughout the orchestra. Holst’s daughter notes that the inspiration for this passage came from folk musicians that he had heard on a trip to Algeria. In its final section, Mercury returns to the nimble character of its beginning.
For Jupiter, Holst returns to full orchestra, but this movement contains none of the threatening darkness of Mars—Holst described Jupiter as “… one of those jolly fat people who enjoy life.” The main theme is a rollicking syncopated melody first heard in the horns. The first contrasting section turns to a slightly slower triple meter melody, again introduced by the horns. After a brief return to the opening texture, there is a second triple meter theme; a broad hymn-like melody marked Andante maestoso (A few years later, Holst did, in fact, use this melody to set a patriotic hymn.) To close off the rondo form, Holst includes a final statement of the main theme.
Nothing could be more of a contrast to Mars than the calmly flowing Venus, the Bringer of Peace Holst sets aside the trumpets, trombones, and drums of the opening movement to focus on the more delicate colors of harps, woodwinds, and strings. The solo horn plays an upward-flowing melody, which is answered by descending woodwinds. A contrasting, but equally placid melody is introduced by solo
Beethoven’s ninth symphony ends w ith an enormous choral finale, s etting the ecstatic words of Fredrich S chiller’s O de to Joy.
Ludwig van Beethoven
(1770-1827)
Symphony No. 9 in D minor, Op. 125 – Choral Finale
Almost a quarter of a century separates Beethoven’s first and ninth symphonies, a quarter century that saw encroaching and eventually total deafness, personal tragedies, musical triumphs, and the composition of Beethoven’s greatest music. When compared to the abstract works that Beethoven wrote at the end of his life, the Symphony No. 9 seems a bit dated. There are
many elements that seem to hearken back to the “heroic” style that had occupied him in the opening decade of the 19th century. Much more striking, however, are the new and innovative elements: the extraordinary introduction to the opening movement, the masterful contrapuntal writing, and of course the massive finale—the first symphonic movement to include vocal soloists and a chorus. The essential plan of the ninth symphony—a four-movement work in D minor with a choral finale—seems to have been complete by 1818, but then Beethoven set the symphony aside for a few years. He began serious work in the summer of 1823, completing the Symphony No.9 in February of 1824.
The symphony was not an immediate success, and several reviewers wondered openly whether Beethoven’s age and deafness might be beginning to take their toll. Part of their reaction may have been the result of a poor performance. The musicians hired for the Akademie concert on May 7, 1824 had had only three rehearsals and it is obvious that they did not have the new symphony under their fingers at time of the premiere. Beethoven himself did little to help the performance: he insisted on conducting, even though he was completely deaf by this time. Even the most sympathetic observers noted that his wild gestures were completely out of sync with the orchestra. The performance was saved from utter disaster by an assistant conductor, Ignaz Umlauf, and the orchestra’s concertmaster.
Beethoven seems to have been fascinated for many years with Schiller’s poem An die Freude (“To Joy”—written in 1785). The poet and playwright Friedrich Schiller was one of the leading voices of democratic thought in Vienna, and his is plays were occasionally banned during the 1790s because of their “dangerous” sentiments. Beethoven may have thought about setting An die Freude as early as 1796 and may in fact have composed a now-lost setting of the poem in 1798 or 1799. Lines from An die Freude appear even earlier, in a cantata Beethoven composed on the death of Emperor Leopold II in 1790, and selections from the poem also appear in
his opera Fidelio (1806). In setting An die Freude in the ninth, Beethoven freely rearranged and edited Schiller’s poem, focusing in particular on the lines that deal with the winged goddess Joy, and the feelings of brotherhood she inspires. The unforgettable melody used to set Schiller’s poem had a similarly long history. Some scholars have traced the “Joy” melody to as early in Beethoven’s career as 1794, in his Choral Fantasy (1808) and his song Kleine Blumen, kleine Blätter (1810). where it reached its nearly final form
The enormous and complex finale begins with crashing dissonance: Richard Wagner referred to these measures as the “fanfare of terror.” He hints at the “Joy” theme before presenting it in full in the low strings—one of the most satisfying and profound moments in all of music. (This is exactly where our performance starts.). After three variations on the “Joy” theme, the “Fanfare of terror” returns. Beethoven’s masterstroke, used to introduce the voices, is a brief text of his own (“O friends, not these tones…”) that he inserts before beginning An die Freude In a few short measures, this recitative changes the character of the symphony—rejecting the storm and stress of the previous music and setting the finale onto a joyful course. After the first set of choral variations, Beethoven inserts a droll “Turkish March” that serves as the background to a tenor solo and gradually develops into an orchestral double fugue. One more triumphant statement of the “Joy” theme, and then another startling innovation: a thundering recitative for the full chorus, doubled by trombones. There is an extended moment of hushed awe that gives way to a second and even more magnificent double fugue for chorus and orchestra. The coda is full of irresistible joy: fast-paced orchestral passages alternating with sublime vocal lines.
Women’s and men’s restrooms are located on each level of Overture. Family assist/gender i nclusive restrooms, available to persons of any gender identity and expression, are available in t he following areas:
• Lower-Level Rotunda: to the right of the stairway.
• First floor lobby / Overture Hall: near coat check.
• Second floor: Gallery 2—second door to the left off the elevators.
Amenities at gender-inclusive restrooms include:
• Lockable door to provide privacy for individual users
• Ample room for an assistant/family member, if needed
• Accessible sink, stool and urinal (floor level)
• Changing stations
• Power-assist doors (Level 1 restrooms only)
COAT CHECK
Coat Check will be available all day during Festival Weekend. You can check coats, hats, u mbrellas or even bags if you are coming from the Farmer’s Market. Coat Check is located on the F irst Floor Lobby/Overture Hall next to the Restrooms.
ACCESSIBILITY
Overture Center is fully accessible to persons with mobility, hearing, and visual impairments. U shers are available at each concert to assist you. Wheelchair or transfer seating is available; p lease notify the Overture Center Box Office when purchasing your ticket. If you require an a ssistive-listening device, please alert an usher at the concert. Braille programs are also available u pon request. Please contact Heather at hrose@madisonsymphony.org at least three weeks prior to the concert you wish to attend.
GUEST CONSIDERATIONS
The musicians and your fellow audience members thank you!
• Please feel free to take photos before and after the concert, and during intermission! Once t he lights dim, please turn off all cell phones and electronic devices.
• Please do not wear perfumes, colognes or scented lotions as many people are allergic to t hese products.
• Smoking is not permitted anywhere in Overture Center for the Arts.
• Food and beverages are available at bars and concession stands in the Overture Lobby.
P lease take note: We will adhere to all public health guidelines and cooperate with Overture Ce nter for the Arts to ensure your safety. We invite you to visit m adisonsymphony.org/health for more information on health and safety. Overture Center safety information can be found at overture.org/health .
Please Note: The use of recording equipment will be used in Overture Center during Festival Weekend so by attending you consent to being on camera.
BOARDS & ADMINISTRATION
MADISON SYMPHONY ORCHESTRA INC. BOARD OF DIRECTORS, 2025-2026
OFFICERS
Michael Richman, Chair
Janet Cabot, Secretary
Doug Reuhl, Treasurer
Ellsworth Brown, Immediate Past Chair
Barbara Berven, Member-at-large
Oscar Mireles, Member-at-large
Derrick Smith, Member-at-large
Lynn Stathas, Member-at-large
Anna Trull, Member-at-large
DIRECTORS
Brian Anderson
Ruben Anthony
Barbara Berven
Rosemarie Blancke
Ellsworth Brown
Janet Cabot
Cecilia Carlsson
Bryan Chan
Elton Crim
James Dahlberg
Robert Dinndorf
Audrey Dybdahl
Marc Fink
Jane Hamblen
Paul Hoffmann
Mooyoung Kim
Phillip La Susa
David Lauth
Robert Lemanske
Ann Lindsey
Marta Meyers
Oscar Mireles
Richard Morgan
Leslie Overton
Jon Parker
Lester Pines
Michael Richman
Sophia Rogers
Carole Schaeffer
John Sims
Derrick Smith
Lynn Stathas
Todd Stuart
Anna Trull
Jasper Vaccaro
Ellis Waller
Eric Wilcots
Michael Zorich
ADVISORS
Elliott Abramson
Michael Allsen
Carla Alvarado
Jeffrey Bauer
Ted Bilich
Camille Carter
Martha Casey
Laura Gallagher
Tyrone Greive
Michael Hobbs
Mark Huth
Stephanie Lee
José Madera
Joseph Meara
Gary Mecklenburg
Larry Midtbo
Abigail Ochberg
Greg Piefer
Cyrena Pondrom
Margaret Pyle
Jacqueline Rodman
Kay Schwichtenberg
Mary Lang Sollinger
Judith Topitzes
Carolyn White
Anders Yocom
Stephen Zanoni
LIFE DIRECTORS
Terry Haller
Valerie Kazamias
Elaine Mischler
Nicholas Mischler
Douglas Reuhl
HONORARY DIRECTORS
Jennifer Berne, President Madison College
Kathy Evers, First Lady of the State of Wisconsin
Melissa Agard, Dane County Executive
DIRECTORS EMERITUS
Helen Bakke
Wallace Douma
Fred Mohs
Stephen Morton
Beverly Simone
John Wiley
EX OFFICIO DIRECTORS
Rozan Anderson
Mark Bridges
Rose Heckenkamp-Busch
William Steffenhagen
EX OFFICIO ADVISORS
Dan Cavanagh
Daniel Davidson
Josh Biere
MADISON SYMPHONY ORCHESTRA FOUNDATION INC. BOARD, 2025-2026
OFFICERS
Nicholas Mischler, President
Jon Parker, Vice President
Robert Reed, Secretary-Treasurer
DIRECTORS
Ellsworth Brown
Joanna Burish
Jill Friedow
Juan Gomez
Jane Hamblen
Nicholas Mischler
Jon Parker
Gregory Reed
Robert Reed
Douglas Reuhl
Michael Richman
MADISON SYMPHONY
ORCHESTRA LEAGUE BOARD OF DIRECTORS, 2025–2026
OFFICERS
Rozan Anderson, President
Don Sanford, President-Elect
Ledell Zellers, Recording Secretary
Janet Renschler, Corresponding Secretary
Leslie Overton, Treasurer
Michael Richman, MSO Board Chair
Barbara Berven, Immediate Past President/Nominations
Louise Jeanne, VP Administration
Jackie Judd, AVP Administration
Kathy Forde, VP Communications
Cathy Buege, AVP Communications
Kathy Forde, Annual Report
Lori Poulson, VP Education (and Youth Docent Programs)
OF THE OVERTURE CONCERT ORGAN BOARD OF DIRECTORS, 2025-2026
OFFICERS
William Steffenhagen, President
Charles McLimans, President-Elect
David Willow, Secretary-Treasurer
Robert Lemanske, Past-President
DIRECTORS
Herman Baumann
Janet Cabot
Quinn Christensen
Paula Doyle
Audrey Dybdahl
Mark Huth
Douglas McNeel
Margaret Murphy
Mary Ann Nanassy
David Parminter
Rhonda Rushing
Jennifer Younger
ADVISORS
Fernando Alvarado
Diane Ballweg
Jim Baxter
Barbara Berven
Ellsworth Brown
John Gauder
Terry Haller
Ellen Larson Latimer
Gary Lewis
Elaine Mischler
Vicki Nonn
Reynold Peterson
Teri Venker
Anders Yocom
EX OFFICIO
Greg Zelek, Principal Organist and Elaine & Nicholas Mischler Curator of the Overture Concert Organ
MADISON SYMPHONY ORCHESTRA INC.
ADMINISTRATION
Robert Reed, Executive Director
David Gordon, Executive Assistant & Board Liaison
Ann Bowen, General Manager
Simon Arno, Receptionist & Administrative Assistant
Alexis Carreon, Personnel Manager
Jennifer Goldberg, Orchestra Librarian, John & Carolyn Petersen Chair
Lisa Kjentvet, Director of Education & Community Engagement
Katelyn Hanvey, Education & Community Engagement Manager
Casey Oelkers, Director of Development
Meranda Dooley, Manager of Individual Giving
Rachel Cherian, Manager of Grants & Sponsorships
Christopher Stager, Interim Marketing Director
Heather Rose, Marketing Communications Manager
Isabella Clinton, Audience Experience Manager
Emma Potter, Digital Marketing Manager
Lisa Jameson, Order Processing Assistant
Greg Zelek, Principal Organist and Elaine & Nicholas Mischler Curator of the Overture Concert Organ
ANNOUNCING THE 2026-27 SYMPHONY SEASON
OPENING WEEKEND
JOYCE YANG PLAYS RACHMANINOFF
October 16-18, 2026
Joyce Yang, piano
CARLOS SIMON The Block
RACHMANINOFF Piano Concerto No. 2
TCHAIKOVSKY Symphony No. 4
BEETHOVEN’S PASTORAL SYMPHONY
November 6-8, 2026
Kyle Knox, conductor
Naha Greenholtz, violin
VIVALDI “Autumn” from The Four Seasons PIAZZOLLA “Autumn” from The Four Seasons of Buenos Aires
L. BOULANGER D’un matin de printemps
HINDEMITH Symphonic Metamorphosis on Themes by Carl Maria von Weber
BEETHOVEN Symphony No. 6, “Pastoral”
CELEBRATE THE SEASON A MADISON
SYMPHONY CHRISTMAS
December 4-6, 2026
Renée Richardson, soprano
Demetrious Sampson, Jr., tenor
Madison Symphony Chorus, Beverly Taylor, director
Mt. Zion Gospel Choir, Tamera & Leotha Stanley, directors
Madison Youth Choirs, Michael Ross, artistic director
It’s Madison’s favorite holiday musical tradition. Bring family and friends and celebrate the season with the Madison Symphony. Carols, classics, and sparkling holiday favorites – and even a visit from Santa!
STERLING ELLIOTT RETURNS
January 15-17, 2027
Carl St. Clair, conductor
Sterling Elliott, cello
FRANK TICHELI There Will Be Rest
HAYDN Symphony No. 88
R. STRAUSS Don Quixote
RACHMANINOFF
& BEETHOVEN
February 19-21, 2027
Inon Barnatan, piano
GABRIELA ORTIZ Kauyumari
BEETHOVEN Piano Concerto No. 4
RACHMANINOFF Symphony No. 2
GARRICK OHLSSON PLAYS CHOPIN
March 12-14, 2027
Garrick Ohlsson, piano
CAROLINE SHAW The Observatory
BRAHMS Symphony No. 3
CHOPIN Piano Concerto No. 1
TCHAIKOVSKY VIOLIN CONCERTO
April 9-11, 2027
Blake Pouliot, violin
K aterina Burton, soprano
Rehanna Thelwell, mezzo-soprano
Kyle Ketelsen, bass-baritone
Madison Symphony Chorus, Beverly Taylor, director
Madison Youth Choirs,
Michael Ross, artistic director
WAGNER Prelude & Liebestod from Tristan and Isolde
TCHAIKOVSKY Violin Concerto
SCOTT GENDEL/CAITLIN VINCENT
Spacious Skies: A Choral Symphony (world premiere • Madison Symphony Commission)
SEASON FINALE
TIME FOR THREE
May 7-9, 2027
Time For Three, guest artists
ROSSINI Overture to Semiramide
JENNIFER HIGDON Concerto 4-3
ELGAR Enigma Variations
Add to your Subscription!
ONE PERFORMANCE ONLY
OPENING NIGHT WITH JOSHUA BELL
Friday, September 18 • 6:00 pm
John DeMain, conductor
Joshua Bell, violin
DUKAS The Sorcerer’s Apprentice LALO Symphonie espagnole
