Five Centuries | Auction 21 & 22 February 2024

21ST & 22ND FEBRUARY 2024 EDINBURGH LIVE ONLINE

WEDNESDAY 21 & THURSDAY 22 FEBRUARY 2024 AT 10AM Sale Number LT776

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday 17th February 12 noon-4pm Sunday 18th February 12 noon-4pm Monday 19th February 10am-4.30pm Tuesday 20th February 10am-4.30pm Days of sale from 9am

Front Cover Lot 331 [detail] Left Lot 417 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE

This sale is subject to our Standard Conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought at auction before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

26% up to £20,000 25% from £20,001 to £500,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT † VAT at the standard rate payable on the hammer price ‡ Reduced rate of 5% import VAT payable on the hammer price Ω Standard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. Our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain.

For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Katherine Wright

Gavin Strang

Head of Sale

Paintings & Drawings

Ceramics & Glass

Rugs & Carpets

Harry Fletcher

Kerstin Schaeffer

Jamie Russell

Katie Hannah

Furniture, Clocks & Works of Art

Junior Specialist: Works of Art & Antiquities

Furniture & Clocks

Furniture & Works of Art

ORDER OF SALE Lot No.

WEDNESDAY, 21ST FEBRUARY AT 10AM

1-63

British Furniture & Works of Art Part I

64-69

Paintings Part I

70-131

British Furniture & Works of Art Part II

132-270

British Furniture & Works of Art Part III

271-298

The Selected Contents of Great House, Dedham, Essex

THURSDAY, 22ND FEBRUARY AT 10AM 299-320

Property from the Estate of Sir John & Lady Clare Keswick, Portrack House, Dumfriesshire

321-394

Continental Furniture & Works of Art

395-433

Paintings Part II

434-447

Asian & Islamic Furniture & Works of Art

448-497

Rugs & Carpets

498-508

Garden & Architecture

Above Lot 62 [detail]

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BRITISH FURNITURE & WORKS OF ART PART I

1 WILLIAM AND MARY STUDDED LEATHER DOME-TOP CHEST LATE 17TH CENTURY the exterior decorated with flower and plant motifs, opening to a green fabric lined interior 116cm wide, 57cm high, 57cm deep

£500-800

2 CHARLES II STYLE EBONISED LONGCASE CLOCK LATE 19TH CENTURY, INCORPORATING EARLIER ELEMENTS the hood with caddy top over a flat moulded cornice with pierced frieze, the square door flanked by barley twist columns, enclosing an 11 inch brass dial with silvered chapter ring, Roman numerals with Arabic five minute markers, subsidiary seconds dial with date aperture below, signed to lower edge ‘Jn Wemyss, Edinburgh’, with pierced mask spandrels, above a triple moulded rectangular trunk door, on a square plinth with moulding, the twin train movement with anchor escapement, striking a bell 213cm high, 48cm wide, 26cm deep

£500-700

3 CHARLES II OAK CHEST OF DRAWERS LATE 17TH CENTURY in two parts, the moulded top above four long graduated drawers, flanked by spiral turned split pilasters, raised on later bun feet 98cm wide, 95cm high, 59cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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4 PAIR OF BRASS TWIST PRICKET CANDLESTICKS EARLY 18TH CENTURY the pricket over a lobed and fluted drip tray and a spiral twist stem with an octagonally faceted baluster knop, the octagonal foot with a dished centre and ring incised banding (2) 43cm high

£500-700

5 NORTHERN EUROPEAN OAK ALMS BOX 17TH CENTURY of rectangular form with a coin slot to the lid, with original cast iron lock and key 28cm wide, 19cm high, 22cm deep

£300-500

6 WILLIAM AND MARY OAK CHEST OF DRAWERS LATE 17TH CENTURY in two parts, the top with a moulded edge above four graduated moulded square panel drawers, raised on front bun feet 98cm wide, 92cm high, 59cm deep

£400-600

7 CHARLES II OAK ENCLOSED CHEST OF DRAWERS 17TH CENTURY the rectangular top with a moulded edge above a bracketed frieze with a long drawer, over a pair of panel moulded doors opening to three long drawers, on short stile feet 92cm wide, 90cm high, 55cm deep

£800-1,200

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8 ENLISH BRASS ‘ADAM AND EVE’ ALMS DISH AND STAND 18TH CENTURY, THE STAND LATER the central concave boss with engraved and embossed figures of Adam and Eve with the serpent by the Tree of the Knowledge, the rim with two borders of raised oval bosses; together with an OAK PLATE STAND, late 19th century, the arched back on a square plinth base the dish 52cm dimeter, 7cm deep; the stand, 16cm wide, 37cm high, 15cm deep

£800-1,200

9 WILLIAM AND MARY WALNUT OYSTER VENEERED LACE BOX LATE 17TH CENTURY the hinged lid with concentric circle olive wood line inlay within walnut borders, opening to a red velvet and silk fitted interior, with a brass lock plate 54cm wide, 13cm high, 42cm deep

£600-800

10 WILLIAM AND MARY STYLE WALNUT AND NEEDLEWORK UPHOLSTERED ARMCHAIR LATE 19TH CENTURY the tall padded back and seat covered in foliate needlework outlined with tassel trim, the scroll arms with carved and pierced supports, raised on matching carved baluster forelegs and turned rear legs joined by a curved X stretcher 74cm wide, 117cm high, 54cm deep Provenance: Property from a Scottish country house

£300-500

11 CHARLES II OAK, EBONISED, MOTHER-OFPEARL AND BONE INLAID CHEST-ON-CHEST MID 17TH CENTURY the upper section with a single panelled door above a deep drawer with fall front; the lower section with three long drawers, all with bone and mother-of-pearl inlaid panels of scrolling foliage, with cast iron ring handles, raised on bun feet 117cm wide, 137cm high, 67cm deep Provenance: Property from a Scottish country house

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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12 STAINED PINE AND RUSH CHILD’S ORKNEY CHAIR 19TH CENTURY of typical form with short scroll arms and plank seat raised on square tapered legs joined by stretchers 53cm wide, 85cm high, 36cm deep

£500-700

13 PAIR OF TALL BARLEY TWIST BRASS CANDLESTICKS LATE 19TH CENTURY the tall open twist stems on round spreading weighted bases (2) 59cm high

£300-500

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15

LARGE TURNED HARDWOOD BOWL

GEORGIAN OAK REFECTORY TABLE

19TH CENTURY with turned ring bands and a flat bottom

the cleated three board top above a deep frieze with two short drawers and a single short drawer to the reverse, raised on chamfered legs joined by an H stretcher

50cm diameter, 11cm high

235cm wide, 77cm high, 74cm deep

£250-350

£600-800

18TH CENTURY

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16 PINE ROUND-DIAL STATION CLOCK LATE 19TH/ EARLY 20TH CENTURY the cream enamel dial with Roman numerals, the single chain fusee timepiece movement with anchor escapement, with a short trunk 41cm wide, 48cm high, 18cm deep

£300-500

17 GEORGIAN OAK GATELEG TABLE EARLY 18TH CENTURY the oval top with drop leaf sides, above a frieze drawer to one end, raised on turned legs joined by peripheral stretchers 101cm wide, 75cm high, 34 cm deep [closed] 116 [open]

£300-500

18 PAINTED PINE AND RUSH CHILD’S ORKNEY CHAIR LATE 19TH/ EARLY 20TH CENTURY of typical form with a rush woven back and black painted frame, seat, and scrolling open arms, on square tapered legs joined by stretchers 54cm wide, 84cm high, 36cm deep

£300-500

19 GEORGIAN CAST IRON FIREBACK 18TH CENTURY of rectangular form, cast in relief with the Royal coat of arms 54cm wide, 68cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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20 YEW-WOOD WINDSOR ARMCHAIR EARLY 19TH CENTURY the tall spindled back with a pierced splat, above a curved arm rail and saddle seat, raised on turned and tapered legs joined by stretchers 62cm wide, 116cm high, 45cm deep

£500-700

21 LARGE GEORGIAN STYLE YEW-WOOD GATELEG TABLE MID 20TH CENTURY the oval top with deep drop-leaf sides above a shaped frieze, raised on baluster turned gate-leg supports joined by turned peripheral stretchers 180cm wide [open], 59cm [closed], 74cm high, 157cm deep

£700-900

22 MATCHED PAIR OF GEORGIAN NORTH COUNTRY YEW WOOD ARMCHAIRS 18TH CENTURY

Note: This model of chair is sometimes referred to as a ‘drunkard’s chair’ due to the low profile and sledge bases, reputedly making the chair harder to tip over by an inebriated user.

both with pieced spindle backs above drop-in seats flanked by scrolled arms, raised on square legs joined by stretchers and sledge bases (2) 59cm wide, 88cm high, 46cm deep

£400-600

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23 FOUR GREEN GLASS BOTTLES LATE 18TH / EARLY 19TH CENTURY comprising an onion shaped bottle with string rim, 31cm high; a large cylindrical bottle with string rim, 36cm high; a large slightly tapered cylindrical bottle with a wide collar, 33.5cm high; and a shaft and globe bottle of flattened form, later painted with a scene of maidens wearing classical robes, 33.2cm high (4) smallest 31cm high, largest 36cm high

£300-500

24 GEORGIAN OAK CLOCK DRESSER 18TH CENTURY the moulded cornice above a shaped frieze, with a central moulded arch cupboard fitted with a longcase clock flanked by open shelves; the 10 inch brass dial signed ‘Humpiennens, Haels, Orven’, the twin-train movement striking a bell; the base with three drawers over a shaped apron, raised on five cabriole legs with moulded pad feet 168cm wide, 205cm high, 51cm deep Provenance: Property from a Scottish country house

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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25 GEORGE III SCUMBLE PAINTED PINE CORNER CABINET 18TH CENTURY the dentil moulded cornice above a pair of panel moulded doors enclosing a shelved interior; the lower part with a matching pair of doors enclosing a further shelf, on a plinth base, the exterior scumble painted to resemble oak 120cm wide, 218cm high, 63cm deep

£400-600

26 TWO DUTCH BRASS PEAT AND ASH CONTAINERS 19TH CENTURY the first with a part-lobed body and lion mask handles, the other a doofpot with a domed cover and embossed band to the body, on three legs (2) 48cm high, 36cm diameter; and 28cm high, 44cm diameter

£300-500

27 GEORGIAN OAK MULE CHEST 18TH CENTURY the hinged top above a five chamfered panels and a pair of short drawers to the base, the sides also with chamfered panels, raised on bracket feet 148cm wide, 92cm high, 64cm deep Provenance: Property from a Scottish country house

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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28 GEORGIAN OAK GATELEG TABLE EARLY 18TH CENTURY the oval top with drop-leaf sides above a frieze drawer to one end, raised on baluster turned and block legs joined by peripheral stretchers 92cm long, 65cm high, 44cm wide [closed] 110cm wide [open]

£600-800

29 ENGLISH BRASS LANTERN CLOCK,

BY JOHN CHAPMAN, SHEERNESS 18TH CENTURY the breakarch brass dial with silvered chapter ring with Roman numerals and pierced spandrels, signed on a silvered roundel to the arch ‘In Chapman, Sheerness’, with solid brass side doors, mounted on an oak bracket with breakarch backdoor, the twin train cord weight driven movement with verge escapement and fixed short bob pendulum, striking on a bell the clock 13cm wide, 23cm high, 12cm deep Provenance: Property from an East Lothian deceased estate

£400-600

30 GEORGIAN OAK SETTLE 18TH CENTURY the five panel back above a long seat with squab cushion flanked by downward sloping arms, raised on cabriole legs ending in pad and ball feet 183cm wide, 110cm high, 69cm deep

£400-600

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31 QUEEN ANNE WALNUT HANGING CORNER CABINET EARLY 18TH CENTURY the moulded cornice above a door with a bevelled mirror plate enclosing shelves 66cm wide, 94cm high, 37cm deep

£400-600

32 PAIR OF QUEEN ANNE STYLE WALNUT ARMCHAIRS 20TH CENTURY with arched upholstered backs and shepherd’s crook arms, above rounded stuff-over seats raised on cabriole legs ending in pad feet, covered in raspberry striped upholstery (2) 63cm wide, 97cm high, 62cm deep

£300-500

33 QUEEN ANNE MAHOGANY OVAL FOOTSTOOL EARLY 18TH CENTURY the padded seat covered in 18th century floral needlework, raised on cabriole legs ending in pad feet 60cm wide, 44cm high, 41cm deep

£600-800

34 GEORGE I WALNUT CHEST-ON-STAND EARLY 18TH CENTURY the moulded cornice above two short and three long graduated and featherbanded drawers; the stand with three drawers arranged around an arched apron, on later spiral turned legs joined by shaped peripheral stretchers 103cm wide, 154cm high, 57cm deep

£700-900

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35 GEORGE II GILTWOOD MIRROR MID 18TH CENTURY the shaped rectangular mirror plate in a leaf moulded frame with a broken arch pediment centred by a large foliate scroll and cartouche, the apron with a shell motif 119cm high, 61cm wide

£1,000-1,500

36 GEORGE II WALNUT BUREAU BOOKCASE EARLY 18TH CENTURY the cavetto moulded cornice above a pair of glazed doors enclosing adjustable shelves; the base with a featherbanded and crossbanded slope opening to an arrangement of pigeon holes, drawers, and a recessed compartment, above two short and two long drawers, raised on bracket feet 92 wide, 222cm high, 62cm deep

£1,500-2,500

37 QUEEN ANNE STYLE WING ARMCHAIR 20TH CENTURY the high arched back leading to outscrolled wings and arms raised on acanthus and stiff leaf carved cabriole legs, covered in plush brown foliate upholstery 90cm wide, 139cm high, 57cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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38 GEORGE II RED JAPANNED LONGCASE CLOCK MID 18TH CENTURY the breakarch hood with pagoda top surmounted by three turned giltwood urn finials, enclosing an 11 inch brass dial with silvered chapter ring, Roman numerals and Arabic five minute markers, pierced brass spandrels subsidiary second dial with date aperture below, the arch with ‘Strike/Silent’ dial, pierced steel hands, the trunk with breakarch door, on a panelled plinth base with bracket feet, decorated throughout in the Chinoiserie style with gilt figures in a temple landscape on a red ground, the twin-train movement with anchor escapement, striking a bell 272cm high, 50cm wide, 26cm deep Provenance: Property from a Scottish country house

£1,000-1,500

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39 GEORGE II STYLE WALNUT SIDE TABLE LATE 19TH CENTURY the quarter-veneered top with a moulded edge above a long frieze drawer and moulded apron, raised on cabriole legs with C scrolls and ending in scrolled toes 62cm wide,77cm high, 52cm deep

£700-900

40 QUEEN ANNE STYLE RED JAPANNED BUREAU BOOKCASE MID 19TH CENTURY the arch broken arch pediment surmounted by turned giltwood finials, above a pair of shaped bevelled mirrored doors opening to reveal an interior fitted with shelves, pigeon holes and drawers, above a pair of candle slides; the lower part with a slope front opening to an interior fitted for writing with a leather insert, further pigeon holes, drawers, and a covered well, above two short and two long drawers with brass handles and bat-shaped backplates, raised on bracket feet; the whole in red chinoiserie highlighted with gilding 74cm wide, 222cm high, 54cm deep

£2,500-3,500

41 GEORGE II STYLE WALNUT BLOCK FRONT CHEST OF DRAWERS EARLY 20TH CENTURY of small size, the shaped and crossbanded top with a moulded edge above four long block-front drawers with engraved brass handles and escutcheons, raised on short shell-carved cabriole legs ending in pad feet 84cm wide, 80cm high, 46cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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42 GEORGIAN NEEDLEWORK CUSHION 18TH CENTURY worked in wool and silk in a variety of stitches, the central oval reserve depicting a dragon beneath a fruiting tree with a mountainous landscape beyond, in a floral garden border, later mounted as a large cushion with a green backing 52cm long, 42cm wide Provenance: Property from a Scottish country house

£300-500

43 GEORGE II MAHOGANY BIRDCAGE TEA TABLE MID 18TH CENTURY the circular tilt top on a birdcage frame and cannon barrel support with cabriole legs ending in pad feet 88cm diameter, 72cm high

£300-500

44 IRISH GEORGE II/ EARLY GEORGE III MAHOGANY OPEN ARMCHAIR MID 18TH CENTURY the shaped backrail centred by a double eagle head and acanthus with carved shells on the ears, above a pierced vasiform splat, over a stuffover concave seat covered in dark green velvet and flanked by serpentine arms ending with carved eagle’s heads, on chamfered square legs joined by an H stretcher 70cm wide, 97cm high, 56cm deep Provenance: Descended in the Cusack family of Abbeville, County Dublin, Ireland.

Previously offered at Christies, London, Important English Furniture, 5th April 2001, Lot 253, as part of The Property of The Late Robert Cusack-Jobson Esq (Lots 251-266), a notable collector of Irish 18th century furniture. The piece was either withdrawn from the sale or otherwise retained by Robert’s daughter.Thence by descent to the present owner.

£1,000-1,500

45 IRISH GEORGE II MAHOGANY TRIPLE FOLD TEA/CARD TABLE MID 18TH CENTURY The rectangular hinged top opening on a single gate leg to a plain top and further to a green baize playing surface, above a frieze centred by a carved shell motif, raised on cabriole legs ending in pad feet 91cm wide, 75cm high, 43.5cm deep (closed), 87cm (open)

£700-1,000

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46 IRISH GEORGE II STYLE GILTWOOD TRIPLE PLATE OVERMANTEL MIRROR 19TH CENTURY the mirror plates in a rococo style frame with C and foliate scrolls, the pediment centred with a classical mask 89cm high, 111cm wide

£800-1,200

47 PAIR OF IRISH GEORGE II STYLE MAHOGANY SIDE TABLES MODERN the rectangular tops with a moulded edge above bead moulded friezes centred by large carved shell motifs and acanthus scrolls, raised on acanthus carved cabriole legs ending in carved hairy paw feet, both stamped J HICKS (2) 107cm wide, 85cm high, 58cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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48 GEORGE III GILTWOOD MIRROR 18TH CENTURY the oval mirror plate in a gadrooned frame enclosed by C and foliate scrolls surmounted by a carved foliate cresting 128cm high, 74cm wide

£1,200-1,800

49 EARLY GEORGE III MAHOGANY DISPLAY CABINET MID 18TH CENTURY the moulded cornice above a glazed door enclosing adjustable shelves, the base with two graduated drawers flanked by quarter columns and raised on leaf carved cabriole legs ending in claw and ball feet; with Hamptons London trade label to the drawer 60cm wide, 171cm high, 44cm deep

£1,500-2,500

50 GEORGE III STYLE MAHOGANY HUMP BACK SOFA EARLY 20TH CENTURY with scroll arms and loose seat and back cushions, raised on rocaille carved cabriole legs with claw and ball feet, upholstered in brown dupioni like silk with a blue and yellow striped slip cover 200cm wide, 88cm high, 66cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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51 GEORGE III MAHOGANY TRIPOD TEA TABLE 18TH CENTURY the circular tilt top on a bird cage support and baluster column raised on a tripod base ending in pad feet 64cm diameter, 70cm high

£300-500

52 SET OF GEORGE III ORMOLU AND STEEL FIRE IRONS LATE 18TH/ EARLY 19TH CENTURY the ormolu handles with acanthus knops and a laurel and ribband band over a spiral fluted shaft, comprising a pair of tongs (3) Shovel 82cm long

£500-700

53 GEORGE III STYLE STEEL AND CAST IRON FIRE GRATE 19TH CENTURY the arched cast iron fireback depicting Jesus and the Samaritan woman; the three bar grate above a concave pierced apron terminating in square column supports surmounted by urn finials 69cm wide, 90cm high, 43cm deep

£300-500

54 LARGE GEORGIAN STYLE MAHOGANY AND LEATHER WINDOW SEAT 19TH CENTURY the long padded seat in brown buttoned leather with close nail trim, above a gadrooned seat rail and raised on eight acanthus carved cabriole legs ending in carved claw and ball feet 185cm long, 52cm high, 51cm deep

£1,000-1,500

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55 GEORGE III MAHOGANY CHEST-ON-CHEST 18TH CENTURY the dentil moulded cornice above two short and three long graduated drawers flanked by fluted angles, the lower part with three further long graduated drawers, raised on bracket feet 111cm wide, 177cm high, 55cm deep

£600-800

56 SCOTTISH MAHOGANY LONGCASE CLOCK, BY DAVID HILL, EDINBURGH LATE 18TH CENTURY the swan neck pediment centred by a brass eagle finial above gilt metal panels with laurel appliques, the door flanked by Corinthian fluted columns, enclosing a 12 inch engraved silvered breakarch dial with Roman numerals and Arabic five minute markers, subsidiary seconds dial, the arch with ‘Strike/Silent’ dial, signed ‘David Hill Ednr’, the trunk with a shaped arch door flanked by Corinthian fluted quarter columns, on a square plinth base with reeded angles, the twin train movement with anchor escapement, striking a bell 217cm high, 53cm wide, 27cm deep Note: David Hill is recorded active in Edinburgh from 1761-1779.

£600-800

57 SCOTTISH GEORGE III MAHOGANY CHEST OF DRAWERS, ATTRIBUTED TO FRANCIS BRODIE 18TH CENTURY the top with a moulded edge above three short drawers, the centre drawer fitted with a baize liner, over three further long graduated drawers, raised on ogee bracket feet 101cm wide, 91cm high, 56cm deep

£1,500-2,500

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58 GEORGE III STYLE MAHOGANY AND NEEDLEWORK POLESCREEN

59

19TH CENTURY

GEORGE III CHIPPENDALE STYLE MAHOGANY PEDESTAL DESK EARLY 20TH CENTURY of freestanding design, the inverted breakfront top with a moulded edge above three frieze drawers, raised on banks of three short drawers flanked by angles carved with flower trails and flowerheads, on ogee bracket feet

the needlework with a cartouche depicting a gardener on a terrace with a parterre in the distance, the openwork support with C scrolls and three scrolling legs with scrolled toes 149cm high, 44cm wide

139cm wide, 77cm high, 70cm deep

Provenance: Property from a Scottish country house

£800-1,200

£250-350

60 GEORGE III STYLE BLUE LEATHER UPHOLSTERED WING ARMCHAIR MID 20TH CENTURY of traditional form with a button back, loose cushion seat and outscrolling arms outlined in brass close nail trim, raised on square fluted forelegs and outswept rear legs united by stretchers 58cm wide, 110cm high, 61cm deep

£600-800

61 AMERICAN CHIPPENDALE MAHOGANY CHEST OF DRAWERS 18TH CENTURY the rectangular top with a moulded edge above two short and three long graduated drawers, over a wavy apron carved with acanthus and raised on scroll carved cabriole legs 95cm wide, 92cm high, 51cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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62 GEORGE III GILTWOOD OVERMANTEL MIRROR 18TH CENTURY the shaped and arched divided mirror plate in a moulded frame carved with rockwork, C-scrolls, rocaille, and a pair of hunting dogs 120cm high, 135cm wide Provenance: Purchased Richard Grose, Ltd, December 1963.

The Estate of Sir John and Lady Clare Keswick at Portrack House, Dumfriesshire.

£2,000-3,000

63 GEORGE III STYLE MAHOGANY CENTRE TABLE LATE 19TH/ EARLY 20TH CENTURY in the Chippendale ‘Gothick’ style, the rectangular top with a moulded edge above a blind fret carved freize, raised on cluster column legs with pierced corner brackets 149cm wide, 76cm high, 104cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

PAINTINGS PART I

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64 18TH CENTURY BRITISH SCHOOL HALF LENGTH PORTRAIT OF AN ARCHITECT Oil on canvas 76cm x 64cm (30in x 25in)

£1,000-1,500

65 MANNER OF WILLIAM AIKMAN THREE QUARTER LENGTH PORTRAIT OF A YOUNG WOMAN WITH GARLAND OF FLOWERS Oil on canvas 92cm x 77cm (36.25in x 30.25in)

£1,000-1,500

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66 18TH CENTURY DUTCH SCHOOL TRAVELLERS AND ANIMALS ON A ROAD THROUGH A VILLAGE Oil on canvas 101.5cm x 127cm (40in x 50in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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67 MANNER OF JACOB OCHTERVELDT THE KITCHEN MAID Oil on canvas 66cm x 61cm (26in x 24in)

£1,500-2,000

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68 ATTRIBUTED TO HENRY PICKERING HALF LENGTH PORTRAIT OF A LADY IN BLUE Oil on canvas 76cm x 59cm (30in x 29in)

£1,500-2,000

69 CIRCLE OF GEORGE JAMESONE HALF LENGTH PORTRAIT OF JAMES KEITH OF BENHOLME Numbered ‘49’, oil on canvas 61cm x 46cm (24in x 18in) Provenance: Property of the 14th Earl of Kintore; his sale, Christie’s South Kensington, 2009, where acquired by the current vendor

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

30

BRITISH FURNITURE & WORKS OF ART PART II

70 GEORGIAN STYLE GILT BRONZE, CRYSTAL, AND JASPERWARE MOUNTED CHANDELIER LATE 19TH CENTURY the foliate cast frame hung with prism drops and swags, the central ring with rams’ masks and issuing four scrolling candle arms and mounted with oval green jasperware plaques with classical figures 88cm diameter, 75cm high approximate

£500-700

71 SET OF SEVEN GEORGE III STYLE MAHOGANY DINING CHAIRS LATE 19TH/ EARLY 20TH CENTURY comprising six side chairs and an armchair, with acanthus carved crest rails above pierced interlaced splats and wide stuff-over seats in floral needlework upholstery, raised on chamfered square legs joined by stretchers (7) 64cm wide, 100cm high, 60cm deep

£400-600

72 SCOTTISH OAK LONGCASE CLOCK,

BY PATRICK GARDNER, PERTH EARLY 19TH CENTURY the hood with swan neck pediment and laurel carved panels, the door flanked

by Doric columns, enclosing a 12 inch engraved silvered breakarch dial with Roman numerals and Arabic five minute markers, subsidiary seconds and date dials, the arch signed ‘Patr Gardner, Perth’, ‘Silent / Strike’ lever below, the trunk with shaped arch door flanked by carved Doric fluted quarter column, on a plain square plinth base with bracket feet, the twin train movement with anchor escapement, striking to a bell

73 GEORGE III STYLE MAHOGANY THREE PILLAR DINING TABLE 19TH CENTURY The rounded rectangular top with a reeded edge, on turned column supports and four outswept legs ending in brass caps and castors, with two leaf extensions

212cm high, 49cm wide, 26cm deep

223cm long, 72cm high, 132cm deep [without leaves] 353cm long fully extended

£400-600

£800-1,200

31

74 GEORGE III STYLE MAHOGANY WINE TABLE EARLY 20TH CENTURY the oval top with a stiff leaf carved edge raised on a slender lotus carved and fluted baluster column and tripod base carved with acanthus and bead moulding and centred with a pendant pinecone finial 42cm wide, 84cm high, 34cm deep

£700-900

75 SET OF FOUR GEORGE III STYLE MAHOGANY SIDE CHAIRS 19TH CENTURY the shaped scroll-carved top rails above pierced Gothic style splats over wide stuffover seats covered in brown leatherette with close nail trim, raised on chamfered legs joined by stretchers (4) 60cm deep 97cm high 44cm wide Provenance: Property from an East Lothian deceased estate

£400-600

76 GEORGE III MAHOGANY AND BRASS WINE COOLER ON STAND 19TH CENTURY oval with twin brass bands and loop handles to the sides, on a separate stand with square tapered legs ending in brass caps and castors 65cm wide, 57cm high, 43cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

32

77 Y GROUP OF THREE SNUFF BOXES 19TH CENTURY

78 TWO WHITE METAL MOUNTED HORN SNUFF MULLS AND STANDS 19TH CENTURY

79 LARGE GEORGIAN SERVING RUMMER EARLY 19TH CENTURY the round funnel bowl on a short stem and stepped circular foot, the bowl filled with a collection of vintage marbles (qty) 27.5cm high

£250-350

80 TWO PAIRS OF GEORGIAN BRASS CANDLESTICKS 18TH CENTURY both with waisted stems on a chamfered square foot; together with a PAIR OF VICTORIAN BRASS CANDLESTICKS, with knopped stems on a chamfered square foot (6) the largest 30cm high, 10.5cm square

£300-500

the curled horn bodies with plated mounts and hinged lids; the first monogrammed AJ and inscribed ‘Sent from Robert Kennedy . A pres’; the second monogrammed JWA and inscribed ‘J. W. Anderson. Sheffield’, 9.5cm long; each on a bespoke ebony stand (2) 11cm long

£300-400

all of circular form, the first of pressed horn with a relief of Robert Burns and a muse, inscribed THE POETIC GENIUS OF MY COUNTRY FOUND ME AT THE PLOUGH & THREW HER INSPIRING MANTLE OVER ME; the second moulded cinnabar with circular and dotted design, opening to tortoiseshell interior; the third of burr wood with a central gilt metal roundel under glass showing William IV, opening to a tortoiseshell interior (3) 8.5cm; 7.5cm; and 7cm diameter

£300-500

33

81 GLASS PASTE PORTRAIT MEDALLION OF WILLIAM CULLEN, BY JAMES TASSIE DATED 1786 oval, in silhouette, signed ‘T’ and inscribed WILLIAM CULLEN 1786’, in a moulded ebonised frame 9.5cm x 7.3cm, excluding frame; 14cm x 10.5cm overall

£300-500

82 PAIR OF GEORGIAN MAHOGANY TWIST CANDLESTICKS 18TH CENTURY with tulip shaped glass storm shades above brass nozzles, twist wood columns with turned circular bases (2) 35cm high

£400-600

83 AMERICAN FRENCH AND INDIAN WAR COMMEMORATIVE POWDER HORN 19TH CENTURY engraved ‘PETER MYER, HISS HORN, ANO 1759’ as well as the British coat of arms, and a map of the forts in the Hudson and Mohawk valleys; with an attached horn tip plug with the intials P.M. 41cm long, 7cm diameter Note: The present lot similar in design to an 18th century powder horn in the Metropolitan Museum of Art, Accession no. 37.131.4

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

34

84 GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY the rectangular top with a moulded edge above a long frieze drawer and arched apron, raised on square tapered legs 81cm wide, 73cm high, 50cm deep

£600-800

85 GEORGE III MAHOGANY FREESTANDING COLLECTOR’S CABINET LATE 18TH CENTURY the square top with a banded edge above pairs of astragal glazed doors to all sides all enclosing shallow shelves, two sides with applied false book spines to the shelves, on bracket feet 54cm wide, 91cm high, 54cm deep

£1,000-1,500

86 PAIR OF GEORGE III MAHOGANY UPHOLSTERED SIDE CHAIRS 18TH CENTURY the square padded backs above wide seats covered in red foliate upholstery, raised on chamferred square legs with fretwork brackets (2) 61cm wide, 95cm high, 47cm deep

£300-500

87 Y GEORGE III MAHOGANY SMALL CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above four long graduated drawers with ivory escutcheons, raised on bracket feet 84cm wide, 80cm high, 46cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 6R2RDNED.

£300-500

35

88 ENGLISH MAHOGANY BRACKET CLOCK, BY CARPENTER, LONDON LATE 19TH / EARLY 20TH CENTURY the cream enamel dial with Roman numerals and signed ‘W. Carpenter, 63 Southgate Road, London N.’, the breakarch arch case with a moulded pediment, flanked by gilt brass Doric stop-fluted quarter columns, on a plinth base with gilt brass bun feet, the twin-train chain fusee movement striking a coiled steel gong 33cm wide, 47cm high, 18cm deep

£400-600

89 GEORGE III MAHOGANY AND MARQUETRY SECRETAIRE BOOKCASE EARLY 19TH CENTURY the plain moulded cornice and rosette inlaid frieze over a pair of square astragal glazed doors enclosing shelves; the lower section with a secretairie drawer fitted with pigeon holes and drawers and a writing surface over three long drawers, raised on shaped bracket feet 116cm wide, 241cm high, 57cm deep

£1,500-2,500

90 SET OF STAINED BEECH LIBRARY STEPS EARLY 20TH CENTURY with hinged sides with four treads and a hand rail 41cm wide, 155cm high, 59cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

36

91

92

GEORGE III NEEDLEWORK SAMPLER

GERMAN BAND SAMPLER

DATED 1777

DATED 1774

worked in silk on linen, with two bands of stylised flowers above a reserve tablet inscribed with Psalm 103 verses 13-15, flanked by figures of a fashionable lady and gentleman in profile, the lower band with flower filled urns, birds, trees, and heraldic lions, signed Margaret Miller 1777, in a meandering flower border, framed

worked in multicoloured silks on linen, in a modern frame

32.5cm x 27cm sight size [excluding frame]

£300-500

136cm high x 24cm wide [excluding frame] Provenance: Collection of Emma Henrietta Schiff Von Suvero, Staatliche Kunstgewerbe Museum, Vienna, Austria 1939 - 2003

£300-500

93 SCOTTISH GEORGE III NEEDLEWORK SAMPLER DATED 1802 worked with various stitches in silk on linen, depicting a row of stylised tulips above a large gated country house and garden with flowering trees, baskets, animals, peacocks, and family intials, the lower panel with a large plough, flower-filled urns, coronets, and the verse ‘Ye generous Britons venerate the plough/ And oer your hills and long withdrawing vales/ Let autumn spread her treasures to the sun’, signed Agnus Morison and dated 1802, in a strawberry border, framed 45cm x 33cm, sight size, [frame excluded] Note: The verse is taken from James Thomson’s popular and influential book of poems ‘The Seasons’, published in installments between 1726 and 1730.

£300-500

Note: The design for these chairs can be attributed to the London furniture maker Giles Grendey, who is known to have made this model. A related chair is illustrated in C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Leeds 1996, p.242, pl.436. and is one of a set of labelled chairs in Newport Church, Essex.

94 PAIR OF GEORGE III MAHOGANY LADDER BACK SIDE CHAIRS, IN THE MANNER OF GILES GRENDEY 18TH CENTURY the shaped ladder backs above wide stuffover needlework seats with close nail trim, raised on square legs joined by stretchers (2) 58cm wide, 93cm high, 48cm deep

£800-1,200

37

95 PAIR OF GEORGE III STYLE MAHOGANY BEDSIDE COMMODES 20TH CENTURY the square tray tops with cut-out handles above tambour door compartments and drawers fitted with green leather lined slides (2) 56cm wide, 74cm high, 46cm deep

£1,500-2,500

96 LATE GEORGE III FLAME MAHOGANY AND EBONY BREAKFAST TABLE EARLY 19TH CENTURY the rounded rectangular tilt top with a crossbanded border, raised on a ring turned baluster column and four outswept reeded legs ending in brass caps and castors 157cm wide, 75cm high, 103cm deep

£800-1,200

97 GEORGE III MAHOGANY AND INLAY SERPENTINE SERVING TABLE LATE 18TH CENTURY the banded top over three frieze drawers outlined with chequer banding, raised on fluted square tapered legs 141cm wide, 90cm high, 66cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

38

98 GEORGE III STYLE MAHOGANY WINE TABLE MID 19TH CENTURY, WITH ALTERATIONS the oval crossbanded top on a ring banded triple column support and fluted urn base raised on acanthus carved cabriole legs ending in pad feet 30cm wide, 69cm high, 40cm deep

£600-800

99 SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY with pierced interlaced splats above drop-in seats covered in floral needlework, on chamfered legs joined by stretchers, to include five side chairs and an armchair (6) 76cm wide, 101cm high, 46cm deep

£300-500

100 LATE GEORGE III MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top on a ring turned column support and three outswept legs ending in brass caps and castors 139cm diameter, 72cm high

£400-600

39

101 LATE GEORGE III MAHOGANY BOWFRONT DRESSING TABLE LATE 18TH CENTURY the bowfront top outlined with stringing, above a long frieze drawer and arched kneehole flanked by drawers outlined with ovals, raised on square tapered legs with further stringing 90cm wide, 82cm high, 30cm deep

£1,000-1,500

102 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK,

BY DANIEL BROWN, GLASGOW LATE 18TH CENTURY the hood with a carved architectural pediment above an arched door flanked by barley twist columns, enclosing a 13 inch silvered brass breakarch dial with Roman numerals and Arabic five minute markers, subsidiary seconds and date dials, the arch with ‘Strike/Silent’ dial signed ‘Dan’Brown, Glasgow, with pierced gilt brass spandrels, the trunk with a rectangular moulded door flanked by Corinthian twist quarter columns, on a square plinth base on bun feet, the twin-train movement with anchor escapement, striking a bell

103 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY

216cm high, 52cm wide, 25cm deep

the serpentine top with a moulded edge above four long graduated drawers, raised on bracket feet

Note: Daniel Brown is recorded working in Glasgow in the 1780s

94cm wide, 84cm high, 58cm deep

£400-600

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

104 SET OF THIRTEEN ‘CRIES OF LONDON’ MEZZOTINTS, AFTER WHEATLEY EARLY 20TH CENTURY printed by A. Cardon after the originals

by Francis Wheatley (English 1747-1801), each in a ebonised and gilt gesso verre églomisé frame 53cm high, 43cm wide

£300-500

105 SET OF GEORGIAN STYLE FIRE IRONS 19TH CENTURY with urn shaped knops and ball finials, comprising a pair of tongs, 77cm long, a shovel, 78cm long, 76cm long (3) 78cm long

£300-500

106 GEORGE III STYLE STEEL AND CAST IRON FIRE BASKET 19TH CENTURY the arched back plate above a grate with four serpentine bars and pierced apron, the tapered square legs mounted with urn finials; together with a GEORGE III NEOCLASSICAL CAST IRON FIREBACK, late 18th century, of rectangular form with a trophy of a flaming torch and quiver of arrows suspended from a bow, within a beaded border and corner rosettes (2) firebasket 97cm wide, 58cm high, 49cm deep; fireback 63cm wide, 71cm high

£400-600

107 LARGE BRASS, OAK, AND LEATHER FIRE FENDER with two L shaped pads covered in oxblood leather, on square brass rails on a stained oak base to simulate rosewood 251cm wide, 41cm high, 37cm deep

£700-900

41

108 Y LATE GEORGE III ROSEWOOD CARD TABLE EARLY 19TH CENTURY the fold-over D shaped top outlined with bead moulding and opening to a red baize playing surface, raised on turned and reeded tapered legs 92cm wide, 75cm high, 44cm deep [closed] Provenance: Property from an East Lothian deceased estate

£300-500

109 Y LATE GEORGE III MAHOGANY AND ROSEWOOD ‘GRECIAN’ SOFA EARLY 19TH CENTURY the serpentine back centred by an oval panel carved with an urn, above a long padded seat and scrolling arms, with a palmette carved frame raised on spiral carved legs with brass castors, covered in pink striped upholstery with bolster cushions 270cm wide, 100cm high, 65cm deep Provenance: Property of the late Mrs. Jean Bogie

£600-800

110 LATE GEORGE III MAHOGANY DRESSING TABLE LATE 18TH CENTURY The hinged rectangular top with a moulded edge opening to a compartmented interior, above a pair of dummy long drawers flanked by banks of drawers, raised on square tapered legs joined by a shaped undertier and ending in brass caps and castors 76cm wide, 82cm high, 50cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42

111 GEORGE III STYLE GILTWOOD MIRROR 19TH CENTURY the oval bevelled mirror plate in a bead moulded slip surmounted by an urn with anthemion, flowerheads and ribbon-tied husk garlands cresting, with foliate scrolls below 138cm high, 123cm wide Provenance: Property of the late Mrs. Jean Bogie

£500-700

112 GEORGE III SATINWOOD AND PARTRIDGEWOOD TRAY TOP COMMODE, ATTRIBUTED TO GILLOWS 18TH CENTURY the rectangular tray top with cut-out handles above a tambour door, over a pull-out potty drawer converted for storage, on square straight legs 51cm wide, 80cm high, 43cm deep

£1,500-2,500

113 LATE GEORGE III MAHOGANY PEMBROKE TABLE LATE 18TH CENTURY the oval crossbanded top with drop-leaf sides and centred by an inlaid shell motif, above a frieze drawer to one end, raised on square tapered legs headed by foliate inlay medallions and ending in brass caps and castors 51cm wide [leaves down], 102cm leaves up, 73cm high, 75cm deep

£1,000-1,500

43

114 Y PAIR OF GEORGE III STYLE PAINTED SATINWOOD AND ROSEWOOD PIER TABLES LATE 20TH CENTURY the breakfront D-shaped top outlined with a banded border painted with trailing morning glory and jasmine flowers, above a banded frieze marked with painted lyre blocks and raised on slender square tapered legs ending in spade feet (2) 144cm wide, 89cm high, 48cm deep

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

115 GEORGE III MAHOGANY SMALL BUFFET OR WHATNOT LATE 18TH CENTURY the rectangular top raised on ring-turned supports, over a lower tier with a cockbead moulded cupboard door, raised on turned feet 71.5cm wide, 80cm high, 41.5cm deep

£400-600

116 GEORGE III DROP-LEAF DINING TABLE LATE 18TH CENTURY with a pair of D ends with gateleg supports and a centre dropleaf section, raised on square tapered legs ending in spade feet 301cm wide, 72cm high, 121cm deep

£400-600

117 SMALL GEORGE III MAHOGANY SIDEBOARD LATE 18TH CENTURY the crossbanded bowfront top above a short drawer and arched recess flanked by deep drawers, with fan medallion inlay and raised on square tapered legs ending in spade feet 123cm wide, 92cm high, 61cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

45

118 GEORGIAN STYLE BRASS HALL LANTERN 19TH CENTURY of hexagonal form with scrolled supports and bevelled glass panel sides, with an interior fitting for six lights, wired for electricity 86cm high, 38cm wide

£300-500

119 GEORGE III MAHOGANY AND SATINWOOD WINE TABLE LATE 19TH CENTURY the crossbanded circular top on a line inlaid tapered column and outswept legs ending in brass caps and castors 56cm diameter 75cm high

£300-500

120 LATE GEORGE III MAHOGANY STAGEBACK SIDEBOARD LATE 18TH CENTURY The breakfront stageback outlined with Greek key inlay, centre tablet and flanking compartments with sliding covers, above a shaped concave top with a matching central tablet flanked by long drawers and narrow bow front cellaret drawers, raised on square tapered legs ending in spade feet, all with fruitwood stringing 190cm wide, 114cm high, 73cm deep

£800-1,200

46

121 Y GEORGE III ROSEWOOD ENVELOPE CARD/ WORK TABLE LATE 18TH CENTURY the divided hinged top opening to a green baize playing surface, above a frieze drawer and sliding workbag, raised on square tapered legs ending in brass caps and castors 46cm wide [closed] 91cm wide, 73cm high, 40.5cm deep

£800-1,200

122 GEORGE III MAHOGANY CHEST-ON-CHEST EARLY 19TH CENTURY the dentil moulded cornice above a blind fret frieze and two short over three long drawers; the lower part with three further long graduated drawers, on bracket feet 114cm wide, 174cm high, 55cm deep Provenance: The estate of the Cusack family, Abbeville, County Dublin, Ireland. Thence by descent to the present owner

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

47

123 PAIR OF GEORGE III SATINWOOD AND PENWORK CARD TABLES LATE 18TH CENTURY the demilune crossbanded fold-over tops with radial veneers and central fan medallions, above crossbanded friezes and raised on square tapered legs ending in spade feet and headed by penwork patera (2) 107cm wide, 75cm high, 54cm deep

£3,000-5,000

124 GEORGE III MAHOGANY SMALL CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge above a brushing slide and four long graduated drawers, on bracket feet 83cm wide, 81cm high, 47cm deep

£500-700

48

125 SET OF TWELVE GEORGE III STYLE MAHOGANY FIDDLEBACK DINING CHAIRS EARLY 20TH CENTURY with pierced and carved palmette ladder backs above stuff-over seats, raised on channel moulded square legs joined by H stretchers, to include ten side chairs and a pair of armchairs (12) carvers 64cm wide, 95cm high, 55cm deep Provenance: By repute, the Dowager Lady Peel, Floors Castle, sale

£1,000-1,500

126 SCOTTISH GEORGE III MAHOGANY STICK BAROMETER,

BY D STAMPA & CO, EDINBURGH LATE 18TH CENTURY the broken arch pediment over a silvered register with thermometer/ barometer gauges, signed ‘D Stampa & Co, No. 14 Leith Street, Edinburgh’, the exposed tube with moulded ball cistern cover 98cm high, 14cm wide, 5cm deep

£300-500

127 LATE GEORGE III FUSTIC MAHOGANY AND SATINWOOD OVAL BREAKFAST TABLE LATE 18TH CENTURY the banded oval top with a moulded edge, on a turned pedstal support and four moulded downswept legs ending in brass caps and castors 136cm wide, 73cm high, 113cm deep

£400-600

49

128 LATE GEORGE III GILTWOOD MIRROR LATE 18TH CENTURY the oval mirror plate in a bead moulded frame with applied flower heads 113cm high, 87cm wide

£600-800

129 LATE GEORGE III MAHOGANY AND SATINWOOD SERPENTINE SERVING TABLE LATE 18TH CENTURY the crossbanded top above a long serpentine frieze drawer, raised on turned and reeded tapered legs with foliate carved block capitals 214cm wide, 92cm high, 80cm deep

£4,000-6,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

50

130 FINE GEORGE III SATINWOOD, INLAY AND PENWORK SOFA TABLE, IN THE MANNER OF INCE & MAYHEW LATE 18TH CENTURY the rounded rectangular top with drop-leaf sides inlaid with ribbon-tied garlands and twin fan veneered ellipses with stiff leaf decoration, above a frieze with two short drawers, raised on squared end supports joined by a shaped stretcher and raised on outswept sabre legs ending in brass caps and castors 119 [open] 73cm [closed] 72cm high, 68cm deep

£5,000-7,000

131 GEORGE III MAHOGANY, SATINWOOD AND MARQUETRY FALL FRONT SECRETAIRE, IN THE MANNER OF INCE & MAYHEW 18TH CENTURY of neat size, the top inlaid with an oval trompe l’oeil marquetry panel depicting letters, inkpots and a quill pen, above a secretaire drawer fitted with pigeon holes, drawers, and compartments and a leather writing surface, over three further graduated and crossbanded drawers all with flower marquetry, the side panels with matching marquetry, on a shaped apron and raised on French bracket feet 79cm wide, 102cm high, 38.5cm deep Note: The partnership of William Ince (1737-1804) and John Mayhew (1736-1811) ran from 1758 to 1804. It was one of the most enduring collaborations in London’s tight-knit cabinetmaking community. They had a larger clientele than most other metropolitan makers, and their work was influential over a long period. Between 1759 and 1763 the partners brought out a work entitled ‘The Universal System of Household Furniture’.

It was a large folio containing about 300 designs, and it was influenced by Chippendale’s ‘The Gentleman and Cabinet-Maker’s Director’.

£3,500-4,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

BRITISH FURNITURE & WORKS OF ART PART III Above Lot 164 [detail]

53

132 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the moulded cornice above a frieze with scrolls, anthemions, paterae, and lotus motifs, above a divided mirror plate 86.5cm high, 154.5cm wide

£1,200-1,800

133 SCOTTISH REGENCY MAHOGANY CHEST OF DRAWERS EARLY 19TH CENTURY the rectangular top with a moulded edge above a long drawer outlined with moulding, over a central panelled cupboard door with banks of short drawers to either side, the lower drawers double fronted, all flanked by spiral carved quarter colums, raised on turned feet 113cm wide, 99cm high, 53cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

134 REGENCY GILTWOOD AND VERRE ÉGLOMISÉ PIER MIRROR EARLY 19TH CENTURY the glazed frieze painted with a scene depicting Venus approaching a temple, above a rectangular mirror plate flanked by reeded Ionic columns 98cm high, 52cm wide

£300-500

135 SET OF MAHOGANY LIBRARY STEPS LATE 19TH CENTURY with five treads and a turned vertical hand rail support, raised on turned forelegs joined by peripheral stretchers 64cm wide, 140cm high, 31cm deep

£1,000-1,500

136 GEORGIAN STYLE MAHOGANY FREESTANDING WATERFALL BOOKCASE EARLY 20TH CENTURY with four graduated open shelves with brass handles to the sides and raised on turned feet with brass caps and castors 102cm wide, 114cm high, 66cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55

137 REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with a four divisions and spar supports and a base drawer, raised on turned legs with brass caps and castors 51cm wide, 51cm high, 35cm deep

£300-500

138 REGENCY MAHOGANY BERGERE ARMCHAIR EARLY 19TH CENTURY the curved caned back and enclosed scrolling arms above a caned seat, raised on ring turned tapered legs headed by flowerheads and terminating in brass caps and ceramic castors 54cm wide, 94cm high, 51cm deep

£400-600

139 Y REGENCY ROSEWOOD AND EBONISED CHIFFONIER EARLY 19TH CENTURY the upper part with two open shelves, the base with a long frieze drawer and a pair of cupboard doors flanked by pilasters, on a plinth base 86cm wide, 146cm high, 36cm deep

£300-500

56

140 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a reeded ebonised slip and deep moulded frame with ball mounts, surmounted by a carved eagle cresting with anthemion scrolls 83cm high, 52cm deep

£400-600

141 REGENCY MAHOGANY AND GONCALO ALVES LAMP TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY The banded rounded rectangular top above two long drawers, raised on slender turned and reeded legs 60cm wide, 76cm high, 44cm deep

£300-500

142 SCOTTISH REGENCY MAHOGANY TEA TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top with ebonised stringing, raised on a turned column and quadripartite base with sabre legs ending in brass caps and ceramic castors 104cm wide, 71cm high, 51cm deep

£300-500

143 REGENCY MAHOGANY AND GONCALO ALVES SIDE CABINET EARLY 19TH CENTURY the crossbanded top with a reeded edge above a pair of short frieze drawers and pair of doors with brass grille inserts lined with yellow silk, flanked by turned corner posts and raised on turned legs 99cm wide, 92cm high, 44cm deep

£400-600

57

144 Y PAIR OF FINE REGENCY ROSEWOOD OCCASIONAL TABLES EARLY 19TH CENTURY the square tops with moulded edges raised on turned and faceted supports and concave triform bases with turned bun feet (2) 48cm wide, 75cm high, 48cm deep

£3,000-4,000

145 PAIR OF REGENCY MAHOGANY ARMCHAIRS EARLY 19TH CENTURY with carved top rails above pierced horizontal splats, the drop-in seats covered in pale yellow fabric and flanked by scrolling open arms, raised on reeded turned legs (2) 53cm wide, 85cm high, 58.5cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

58

146 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a reeded ebonised slip and deep moulded frame with ball mounts, surmounted by a carved eagle cresting 107cm high, 67cm wide

£600-800

147 REGENCY MAHOGANY BOX CELLARET, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the hinged top above moulded sides with brass handles to the sides, raised on turned and tapered legs 42cm wide, 50cm high, 33cm deep

£300-500

148 Y REGENCY ROSEWOOD BRASS MOUNTED SIDE CABINET EARLY 19TH CENTURY of breakfront outline, the top with a moulded edge above a long frieze drawer flanked by short drawers, the centre drawer fitted with an adjustable writing slope, over a pair of doors with brass grille inserts lined with yellow silk and opening to reveal an arrangement of graduated drawers and compartments, flanked by further cupboard doors divided by columns, on a conforming plinth base 158 93cm high, 51cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

59

149 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the bar backs above curved horizontal splats with ball spacers, over drop-in padded seats covered in green velvet, raised on square tapered legs joined by stretchers; to include six side chairs and a pair of armchairs (8) 56cm wide, 80cm high, 39cm deep

£500-700

150 Y GEORGE IV ROSEWOOD SMALL CENTRE TABLE EARLY 19TH CENTURY the circular tilt top on a tapered acanthus carved column and concave quadripartite base raised on scroll feet with castors 122cm diameter 72cm high

£600-800

151 LATE REGENCY LARGE MAHOGANY SERVING TABLE, PROBABLY SCOTTISH EARLY 19TH CENTURY the rectangular top above a three frieze drawers centred with a tablet, raised on acanthus carved, reeded and gardrooned tapering legs on later ceramic castors 184cm wide, 98cm high, 55cm deep

£1,500-2,500

60

152 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an ebonised slip and ball mounted deep moulded frame 58cm diameter Provenance: Property from an East Lothian deceased estate

£300-500

153 REGENCY MAHOGANY AND EBONISED CHEVAL MIRROR EARLY 19TH CENTURY neat size, the rectangular bevelled mirror plate in a reeded slip and ebony banded frame, within turned supports on a trestle base with outswept reeded legs ending in brass caps and castors 65cm wide, 156cm high

£400-600

154 REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the rounded rectangular tilt top with a reeded edge raised on a tapered column support and three hipped and carved sabre legs ending in brass castors 116cm wide, 73cm high, 87.5cm deep

£300-500

155 REGENCY MAHOGANY WASHSTAND EARLY 19TH CENTURY the hinged top opening to an interior fitted for twin washbasins, raised on turned legs joined by an undertier fitted with two short drawers 84cm wide, 77cm high, 39cm deep

£300-500

61

156 REGENCY MAHOGANY SIDE TABLE EARLY 19TH CENTURY the rectangular top above a long frieze drawer, raised on reeded tapered legs 92cm wide, 78cm high, 48cm deep

£400-600

157 SCOTTISH LATE REGENCY MAHOGANY LONGCASE REGULATOR CLOCK,

BY WILLIAM ANDERSON, ST ANDREWS EARLY 19TH CENTURY the breakarch hood surmounted by three turned urn finials, enclosing a 12 inch silvered circular dial with Roman numerals, subsidiary second and date dials, signed ‘Anderson, St. Andrews’, with moon hands, the trunk with glazed arched door and moulding, flanked by fluted quarter columns, on a panelled plinth base with bracket feet, the twin- train movement with anchor escapement, striking a bell 214cm high, 44cm wide, 23cm deep Note: William Anderson was born 1790 and died 1867. His place of business is listed as South Street, St Andrews. In trade listing he is mentioned as a watchmaker and dentist.

£600-800

158 REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY the rectangular top with a pierced brass gallery, over two short drawers, on flat vasiform end supports and trestle bases with brass castors 111cm wide, 75cm high, 56cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

159 REGENCY GILTWOOD TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the inverted breakfront cornice with ball mounts above an anthemion moulded frieze and divided mirror plate flanked by reeded columns 66cm high, 130cm wide

£400-600

160 Y IRISH GEORGE IV BRASS BANDED ROSEWOOD WRITING SLOPE EARLY 19TH CENTURY the hinged top centred by brass plaques with winged harps to the corners, opening to a red Morocco leather folio within the lid, above a parquetry panel, opening to a burgundy velvet slope with tray and concealed drawers below, the body bound with brass corners and recessed handles to the sides 41cm wide, 17cm high, 27cm deep Provenance: The estate of the Cusack family, Abbeville, County Dublin, Ireland Thence by descent to the present owner

£400-600

161 Y WILLIAM IV ROSEWOOD LIBRARY ARMCHAIR EARLY 19TH CENTURY the serpentine acanthus carved top rail enclosing a button upholstered back, above a deep seat and partpadded arms, raised on turned and carved tapered legs ending in brass caps and castors, in sage green velvet 61cm wide, 91cm high, 68cm deep

£300-500

63

162 RARE REGENCY PAINTED AND PARCEL-GILT WOOD AND METAL HANGING LIGHT CIRCA 1815 in the Etruscan style, the body suspended by metal chains from a metal corona, in the form of an urn shaped oil lamp with a band of Greek key pattern to the rim and issuing six branches fitted with candle holders 106cm high, 51cm diameter

£3,000-5,000

Note: Designers from the neo-classical era were inspired by the antique bronze lamps discovered in the 18th century.

Thomas Hope used light fittings of this form for his interiors at Duchess Street; see, for example, Household Furniture, London, 1807, pl. 4. The use of wood for such an object is highly unusual but not unheard of. A ‘boat-shaped’ hanging light, in wood, is illustrated in Margaret Jourdain, Regency Furniture 1795–1820, London, 1948 edn, fig. 197, and another, formerly with Temple Williams, is shown in Splendor and Elegance, ex’n cat., Boston, 2009, no. 75. Both lamps, and the present example, are constructed with a raised central holder for a ‘flame’ or, as here, for a candle.

163 REGENCY MAHOGANY PARTNER’S WRITING TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the crossbanded top with a moulded edge and oxblood tooled leather writing surface, above three frieze drawers with the same on the reverse, raised on turned and reeded tapering legs ending in brass caps and castors 137cm wide, 73cm high, 96cm deep

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

164 PAIR OF OAK, LARCH, AND EBONY MARQUETRY SLATETOPPED CABINETS, ATTRIBUTED TO GEORGE BULLOCK EARLY 19TH CENTURY in the Greek Revival style, the grey slate tops above long frieze drawers and pairs of ebony moulded panel doors inlaid with stylised palmettes. anthemions and flower heads, the corners marked with bullseye roundels, enclosing shelved interiors, on bracket feet raised on integrated plinth bases (2) 85cm wide, 97cm high, 45cm deep

£8,000-12,000

Note: Several cabinets associated with Bullock are decorated with the same pattern on the door panels and further details are given in Clive Wainwright ed., George Bullock, Cabinet-maker, 1988, pp. 65-66, cat. no. 4 and fig. 24, pp. 104-5, cat. nos. 40-1. The cabinet is also typical of his furniture with its moulded top and heavy plinth. For an example attributed to George Bullock with a similar raised plinth, see Frances Collard Regency Furniture, pg. 112; and for an example with matching inlay to the doors, also attributed to Bullock and supplied to Blair Atholl, Perthshire, in 1817, see the same publication, pg. 134. A cabinet with similarities to the present pair and with identical marquetry to the doors is in the collection of the Victoria & Albert Museum, Access. W.32:1 to 33-1979. The design for the marquetry is among a collection of tracings, originally bound in a scrapbook inscribed ‘Tracings by Thomas Wilkinson from the designs of the late Mr. George Bullock 1820’ (Birmingham Museum and Art Gallery, unbound no.240). The tracing for this particular design is dated August 1816 (unbound number 240).

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

66

165 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a gilt reeded slip and deep moulded frame with ball mounts, surmounted by a carved eagle cresting with foliate scrolls 107cm high, 63cm deep Provenance: Property from an East Lothian deceased estate

£700-900

166 Y REGENCY ROSEWOOD WOOD GAMES TABLE EARLY 19TH CENTURY the oval brass banded top with gallery ends and a central reversible section with an inlaid chess board, concealing an inner leather backgammon board, raised on ringturned twin end supports joined by turned stretchers and ending in trestle bases with sabre legs 76cm wide, 74cm high, 41cm deep

£800-1,000

167 REGENCY MAHOGANY PATENT DROP-LEAF DINING TABLE EARLY 19TH CENTURY the rectangular top with narrow drop-leaf sides with a reeded edge and rounded corners, on four turned and tapered supports with hinged swivel action and joined by turned stretchers, raised on hipped sabre legs ending in brass caps and castors 72cm high, 106cm wide [open], 51cm [closed], 140cm wide

£2,000-3,000

67

168 SET OF FOURTEEN REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the backs with spiral carved top and bottom rails and a pierced scrolled stretcher above drop-in seat pads with horsehair covers, raised on sabre legs, to include twelve side chairs and a pair of armchairs (14) Armchair 53cm wide, 83cm high, 46cm deep; side chairs 48cm wide, 88cm high, 41cm deep

£3,000-5,000

169 PAIR OF LATE REGENCY MAHOGANY SIDE TABLES EARLY 19TH CENTURY the rectangular tops with rounded forecorners and a moulded edge, on a pineapple carved column with a lobed base, on a concave quadripartite platform raised on hipped sabre legs ending in brass paw caps and castors (2) 106cm wide, 73cm high, 45cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

68

170 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in an ebonised reeded slip and deep moulded frame with ball mounts, surmounted by a carved eagle cresting with acanthus scrolls 107cm high, 64cm wide Provenance: Property from an East Lothian deceased estate

£600-800

171 REGENCY MAHOGANY CHAMBER TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the rounded rectangular top above a long frieze drawer, with a pen drawer to one side, raised on turned and tapered legs ending in brass caps and castors stamped COPE PATENT 76.5cm wide, 76cm high, 50.5cm deep

£1,500-2,500

172 REGENCY MAHOGANY AND BRASS MOUNTED, MARBLE TOPPED CHIFFONIER EARLY 19TH CENTURY the breakfront white marble top above four doors lined with pleated cream silk and marked at the corners with applied brass flower heads, enclosing a shelved interior, all flanked and divided by reeded pilasters and raised on ring turned tapered feet 135cm wide, 92cm high, 40cm deep

£400-600

69

173 REGENCY MAHOGANY LONGCASE CLOCK EARLY 19TH CENTURY the breakarch hood with reeded columns surmounted by three brass ball finials and serpentine mouldings, enclosing a 12 inch painted cream enamel circular dial with Roman numerals, the mask painted with Chinoiserie figures and temples, subsidiary seconds and date dials, pierced trefoil hands, the trunk with a breakarch door and moulding, flanked by reeded columns, on a panelled plinth base with bracket feet, the twin-train movement with anchor escapement, striking a bell 212cm high, 44cm wide, 25cm deep Provenance: Property from a Scottish country house

£800-1,200

174 REGENCY CARVED AND PAINTED WOOD AND GESSO SCAGLIOLA CONSOLE TABLE EARLY 19TH CENTURY the pink marble top above an egg-and-dart and stiff leaf frieze, raised on lion monopodia painted to simulate bronze 104cm wide, 87cm high, 43cm deep

£5,000-7,000

Note: The rediscovery of Pompeii and Herculaneum in 1748 sparked a desire for Classical motifs in late 18th and early 19th century furniture design. Roman furniture made of bronze and marble survived the inferno of Vesuvius, buried for millennia by volcanic ash. Their discovery lead to a flurry of designs based on the Roman antique for those inspired by the Grand Tour. The lion monopodia, along with the female caryatid, were heavily used by the Romans and served to reinforce the notion of strength within the composition. Many examples of excavated tables used lion motifs, such as the solid bronze lion paw tripod centre table, unearthed in the House of Fabius Rufus, now on display in Parco Archeologico di Pompei (Acces. No. 13108). A marble tripod table with very similar lion monopodia to this piece was also discovered at Pompeii and now residues in the Naples Archaeological Museum. The designer of this console table clearly understood the antique antecedents, here using materials to simulate the bronze and marble of the originals.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

175 SCOTTISH REGENCY MAHOGANY BRACKET CLOCK, BY JOHN URQUHART, PERTH EARLY 19TH CENTURY the cream dial with Roman numerals and date dial to the inner chapter ring, signed ‘Urquhart, Perth’, the plain arched case with a pair of lion and ring handles, the side panels with pierced brass frets, the front with boxwood and ebonised stringing, on a plinth base with brass ball feet, the two-train movement striking a bell, signed backplate 27cm wide, 43cm high, 17cm deep Note: John Urquhart is recorded working in Perth in the first half of the 19th century. He was listed as a lapidary and watchmaker and had a jeweller’s shop in Perth at 54 George Street.

£600-800

176 Y REGENCY ROSEWOOD AND PEARWOOD TEA CADDY 19TH CENTURY of bowed sarcophagus form outlined with banding, the hinged lid opening to reveal two covered compartments with ivory finials, with a central ivory escutcheon and brass embossed handles and scroll feet 21cm wide, 18cm high, 13cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference Y5HS9TJH.

£300-500

71

177 REGENCY MAHOGANY WORKBOX EARLY 19TH CENTURY of tapered sarcophagus form, the hinged cover with rosewood and fruitwood banding, opening to reveal a velvet lined interior, the base with a drawer, the sides with gilt metal ring handles, raised on gilt metal claw and ball feet 28.5cm wide, 21cm high, 21.5cm deep

£300-400

178 TROMPE L’OEIL PAINTED PINE WORK BOX 19TH CENTURY, THE DECORATION LATER of rectangular form, painted on three sides to resemble a Georgian country house, fitted felt interior, with hinged cover with a central handle 24.5cm wide, 19.5cm high, 18.5cm deep

£300-500

179 Y EARLY VICTORIAN MAHOGANY APOTHECARY BOX MID 19TH CENTURY the top with a brass swing handle, the hinged double doors opening to reveal a velvet-lined interior with labelled glass bottles and an arrangement of drawers with turned ivory knobs, above a single base drawer with a set of scales, the back with a sliding compartment with four large glass bottles 31cm wide, 45cm high, 21cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference UVLVLPYZ.

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

180 WILLIAM IV LARGE FOLIO CANTERBURY EARLY 19TH CENTURY with four divisions, the sides with carved flowerhead motifs, on flattened bun feet with ceramic castors 71cm wide, 56cm high, 58cm deep

£800-1,200

181 ENGLISH MAHOGANY MOONPHASE LONGCASE CLOCK,

BY JOHN HAWORTH, HEATON EARLY 19TH CENTURY the hood with swan neck pediment painted with panels surmounted by three brass ball finials, the breakarch door flanked by Doric fluted columns, enclosing a 14 inch engraved brass breakarch dial with Roman numerals and Arabic five minute markers, subsidiary seconds and date dials, the arch with moonphase and signed ‘John, Heaton, Haworth’, the wide trunk with a shaped arch door flanked by carved Doric fluted quarter columns, on a plain square plinth base with canted corners, raised on ogee bracket feet, the twin-train movement with anchor escapement, striking a bell 242cm high, 58cm wide, 25cm deep

£400-600

182 Y WILLIAM IV ROSEWOOD CHIFFONIER EARLY 19TH CENTURY the superstructure with a single shelf and brass gallery on scroll-carved supports; the lower part with a long drawer over a pair of glazed doors enclosing shelves and flanked by scrolled brackets, on a plinth base 105cm wide, 121cm high, 45cm deep

£500-700

73

183 Y PAIR OF WILLIAM IV ROSEWOOD AND NEEDLEWORK POLESCREENS EARLY 19TH CENTURY with octagonal framed floral needlework panels, on tripartite bases with carved acanthus scroll feet (2) 142cm high, 38cm wide

£300-500

184 WILLIAM IV LABURNUM LAMP TABLE EARLY 19TH CENTURY the circular drum top with a reeded edge over three concealed frieze drawers, raised on a rope-twist carved central column and C scroll supports on a ball mounted undertier, raised on further outswept legs terminating on a triform base with ball feet 47cm diameter, 75cm high

£800-1,200

185 GEORGE IV MAHOGANY CONSOLE TABLE/ LEAF CARRIER EARLY 19TH CENTURY the rectangular top raised on bold reeded and acanthus carved scroll legs, the back fitted as a table leaf holder with narrow side doors and covered by pleated fabric, on a concave plinth base 159cm wide, 99cm high, 57cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

74

186 VICTORIAN GOTHIC REVIVAL CARVED OAK QUARTER CHIMING BRACKET CLOCK, BY WILLIAM ROSKELL & CO, LIVERPOOL 19TH CENTURY the cream enamel dial with Gothic Roman numerals, signed ‘Wn. Roskell & Co., Liverpool’ and numbered ‘2684’, with a ‘Strike/Silent’ level to the top, the architectural case with Gothic spire surmounted with three trifid berry finials and Gothic tracery, flanked by quatrefoil columns on a plinth base with bracket feet, the triple-train chain fusee movement striking on a coiled steel gong and chiming on a nest of eight bells 38cm wide, 77cm high, 20cm deep

£500-700

187 PATINATED BRONZE GOTHIC STYLE TABLE LAMP 19TH CENTURY dark brown patina, the stem in the form of a Gothic spire with acanthus corona finials, on an octagonal base with Gothic tracery arches, fitted for electricity 61cm high, 14cm diameter (including fitting)

£400-600

188

189

PAIR OF PATINATED BRONZE SINGLE ARM COLZA LAMPS

GEORGE IV MAHOGANY LAMP TABLE

19TH CENTURY dark brown patina, on waisted square plinths cast with flower bands, surmounted by acanthus cast urns, issuing a single curved arm and glass shade; together with a PATINATED BRONZE SINGLE ARM COLZA LAMP, 19TH CENTURY, of similar form but with Gothic tracery, all converted to electricity (3) the pair 25cm wide, 40cm high, 12cm deep; the other 28cm wide, 48cm high, 14cm deep

£800-1,200

EARLY 19TH CENTURY the rounded rectangular top above a bead moulded frieze, raised on a tapered hexagonal column with gadroon carving and concave quadriparte base outlined with further bead moulding, on scroll feet 53cm wide, 75cm high, 44cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

75

190 PAIR OF PATINATED BRONZE SINGLE ARM COLZA LAMPS 19TH CENTURY dark brown patina, the central fluted column surmounted by an urn with four female masks with a pointed finial, each with a straight arm and single burner, converted to electricity (2) 24cm wide, 47cm high, 14cm deep

£600-800

191 GROUP OF SCOTTISH POTTERY CARPET BOWLS 19TH CENTURY comprising eight bowls, one with sponged decoration the others with plaid decoration, together with a jack (9) various sizes, 6.5cm - 9cm diameter

£250-350

192 WILLIAM IV MAHOGANY CANTERBURY EARLY 19TH CENTURY with four divisions centred by a cutout handle, above a base drawer and raised on ring turned supports 46cm wide, 55cm high, 33.5cm deep

£400-600

193 SIMULATED ROSEWOOD BOBBIN SIDE CHAIR 19TH CENTURY the bobbin turned back above a deep loose cushion seat, raised on bobbin turned fore legs and outswept rear legs all with brass castors 48cm wide, 104cm high, 62cm deep

£400-600

76

194

195

EARLY VICTORIAN BRASS SIX LIGHT GASOLIER

WILLIAM IV MAHOGANY INVERTED BREAKFRONT BOOKCASE

MID 19TH CENTURY

19TH CENTURY

the central reeded shaft cast with lotus and hung with chains, above a foliate cast body issuing six scrolling branches with later fittings and glass shades, now wired for electricity

the moulded cornice above a pair of square astragal glazed doors flanked by further doors, all enclosing adjustable shelves; on a base with four moulded panel doors, the centre doors enclosing single shelves, on a plinth base

128cm drop, 89cm diameter

308cm wide, 245cm high, 59cm deep

£600-800

£1,200-1,800

196 GROUP OF FIVE BOTANICAL STUDY WATERCOLOUR PAINTINGS MID 19TH CENTURY to include a matched pair, both signed F.W. SCULPT., one dated 1850; an oval example, 52cm x 42.5cm; and two further examples, 44cm x 33cm and 37cm x 31cm (5) the pair 51cm x 39cm

£300-500

77

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

78

197 GEORGE IV GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the inverted breakfront cornice above a rectangular mirror plate in an ebonised slip enclosed by leaf-clasped columns 96cm high, 136cm wide

£400-600

198 WILLIAM IV MAHOGANY BOWFRONT CHEST OF DRAWERS 19TH CENTURY the top with a reeded edge above two short and three long graduated drawers, raised on French bracket feet 105cm wide, 106cm high, 53cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79

199 Y GEORGE IV ROSEWOOD WORK/ WRITING TABLE EARLY 19TH CENTURY the rectangular banded top with two hinged leaves opening to a leather lined writing surface, the centre section hinged with a ratchet adjustment, above a fitted drawer with a dummy drawer opposing, raised on trestle end supports united by a turned stretcher and ending on scroll feet 73cm wide [closed], 76cm high, 39cm deep

£700-900

200 SCOTTISH MAHOGANY DRUMHEAD LONGCASE REGULATOR CLOCK,

BY R. GRIERSON, EDINBURGH 19TH CENTURY the plain hood enclosing a 13 inch silvered dial with Roman numerals and subsidiary seconds dial, signed ‘R. Grierson, Edinburgh’, with moon hands, the trunk with rectangular panelled door and moulding, on a similarly panelled plinth base, the twin train movement with anchor escapement, striking a bell 208cm high, 46cm wide, 24cm deep

£600-800

201 GEORGE IV MAHOGANY AND EBONY DESK EARLY 19TH CENTURY the superstructure with a concave centre drawer and recess flanked by cupboards and pilasters, the base with a central drawer and cornucopia carved kneehole flanked by banks of two drawers with outset turned pilasters continuing to conforming legs 107cm wide, 107cm high, 52cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81

202 EARLY VICTORIAN WALNUT UPHOLSTERED ARMCHAIR MID 19TH CENTURY the gondola shaped back with a carved cresting of roses, thistles, and clover surmounted by a crown, the channel moulded frame continuing to scrolled hand terminals flanking the serpentine stuffover seat, the seatrail centred by an armorial with an increscent and decrescent above a star, raised on cabriole legs carved with further roses, thistles, and clover and ending in brass castors; in green foliate upholstery 73cm wide, 77cm high, 45cm deep

£600-1,000

203 VICTORIAN WALNUT AND EBONY WRITING TABLE, GEORGE TROLLOPE & SONS CIRCA 1870 the rounded rectangular top with a brown leather writing surface and moulded edge, above a pair of ebony banded short drawers, raised on foliate and flowerhead carved end supports on arched trestle bases joined by a turned and carved stretcher rail 136cm wide, 76cm high, 71cm deep

£2,000-3,000

Note: The present table is a version of the ebony table ‘inlaid principally with engraved ivory and mounted with ormolu’, exhibited at the Paris Exposition Universelle, 1867. A walnut, marquetry and brass mounted version of this model formed part of the pioneering collection formed by Charles and Lavinia Handley-Read; it was later acquired by the Victoria and Albert Museum (W.30:1 to 3-1972). A further example was sold Sotheby’s (London), 5 July 1996, lot 151, and for an ebonised variant, labelled ‘G. Trollope & Sons, see H. Blairman & Sons, Furniture and Works of Art (2002), no. 16

Left Lot 203 [detail] Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

82

204 Y DUTCH STYLE ROSEWOOD AND EBONISED WALL DIAL CLOCK, BY JAMES RITCHIE & SON, EDINBURGH LATE 19TH CENTURY the circular reserve painted glass dial with Roman numerals, signed ‘James Ritchie & Son, 25 Leith Street, Edinburgh, Paris’, in a shaped oval case with bold serpentine carved mouldings, the twin train movement striking to a gong 78cm high, 58cm wide, 15cm deep

£300-500

205 Y EARLY VICTORIAN ROSEWOOD SOFA MID 19TH CENTURY the serpentine scrolling back above a loose cushion seat with two bolsters, with scrolling arms, the frame carved with lotus, palmettes and rosettes, raised on lotus carved legs with brass caps and castors, covered in pale green plush upholstery 244cm wide, 101cm high, 62cm deep

£400-600

206 THREE ENGLISH NEEDLEWORK CUSHIONS EARLY 19TH CENTURY Two worked with flower motifs, the other with a pair of figures and a dog in a garden, later mounted as a cushions (3) the largest 58cm square Provenance: Property from a Scottish country house

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

83

207 VICTORIAN WALNUT KIDNEY SHAPED WRITING TABLE MID 19TH CENTURY the top with a moulded edge and blue leatherette writing surface, above a pair of frieze drawers and foliate scrolled brackets, raised on fluted and bead moulded supports joined by a turned stretcher and ending on trestle bases with fret carving, on scrolled feet with brass castors 126wide, 76 high 61cm deep

£500-700

208 VICTORIAN WALNUT ARMCHAIR MID 19TH CENTURY the spoon back with a foliate pierced crest rail above a padded seat and scrolled arms, raised on cabriole legs with brass castors, the frame carved with trailing flower heads; in cream upholstery 79cm high, 110cm high, 50cm deep

£300-500

84

209 OAK ROUND-DIAL WALL CLOCK EARLY 20TH CENTURY the white enamel dial with Roman numerals, the single chain fusee timepiece movement with anchor escapement 41cm diameter, 16cm deep

£300-500

210 VICTORIAN SCOTTISH BIRDSEYE MAPLE COMPACTUM WARDROBE 19TH CENTYURY of inverted breakfront outline, the moulded cornice above a central pair of doors opening to shelves, over five long graduated drawers; flanked by long panelled doors opening to hanging space, the left cupboard with three interior drawers; on a conforming plinth base, with metal plaque to the back ‘R Whyte & Son, Upholsterers, Glasgow’ 255cm wide, 216cm high, 72cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85

211 212 SCOTTISH MAHOGANY PAINTED DIAL LONGCASE CLOCK, BY JAMES SMITH, IRVINE EARLY 19TH CENTURY the hood with a moulded swan neck pediment above the door flanked by reeded columns, enclosing a 14 inch painted cream enamel breakarch dial with Roman numerals, subsidiary seconds and date dials, signed ‘Jas Smith, Irvine’, the arch with a scene of ‘Commerce introducing Plenty to Britannia’, spandrels depicting the four seasons, the trunk with rectangular door with reeded moulding, on a square plinth base with bracket feet, the twin train movement with anchor escapement, striking a bell 228cm high, 58cm wide, 30cm deep

£400-600

213 VICTORIAN CARPET UPHOLSTERED SOFA 19TH CENTURY with high arms and back, upholstered in claret velvet with a Turkish carpet over-stitched to the central and loose saddle bags laid over the arms, with tassel trim and raised on turned oak feet with brass and ceramic castors, 162cm wide, 76cm high, 73cm deep

£500-700

EARLY VICTORIAN MOTHER-OFPEARL INLAID PAPIER-MÂCHÉ OCCASIONAL TABLE, IN THE MANNER OF JENNENS AND BETTRIDGE MID 19TH CENTURY the circular tilt top decorated with an exotic scene with temples and pavilions, on a bulbous column and circular base with scroll feet all with gilt foliate decoration 48cm diameter, 57cm high

£300-500

86

214 PAIR OF VICTORIAN MAHOGANY WHATNOTS MID 19TH CENTURY each with two square shaped tiers, turned finials and supports, on turned and tapered legs ending in brass caps and castors (2) 47cm wide, 66cm high, 47cm deep

£400-600

215 VICTORIAN UPHOLSTERED ARMCHAIR LATE 19TH CENTURY the curved spoon back above a deep padded seat flanked by scrolled arms, raised on turned mahogany legs with brass caps and castors; covered in bird and flower upholstery 74cm wide, 94cm high, 55cm deep

£300-500

216 PAIR OF VICTORIAN WALNUT ARMCHAIRS MID 19TH CENTURY the button-upholstered spoon backs above deep padded seats and enclosed arms, the frames carved with scrolling hand terminals and floral seat rails, raised on cabriole legs with scrolled toes and brass castors; in pale yellow upholstery (2) 67cm 103cm high, 56cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

87

217 AESTHETIC PERIOD MAHOGANY FAUX BAMBOO TABLE EASEL CIRCA 1880 with an adjustable shelf and rear support 52cm wide, 105cm high, 53cm deep

£700-900

218 VICTORIAN WALNUT SECRETAIRE MUSIC CABINET 19TH CENTURY with a fall front opening to reveal a fitted interior with pigeon holes and drawers, above a pair of short drawers and a panel door enclosing a shelved interior, the shelf fronts with leather dust guards embossed ‘SONGS’, ‘DANCE’, and ‘GEN’L MUSIC’, on a shaped plinth base 61cm wide, 98cm high, 39cm deep

£500-700

219 VICTORIAN WALNUT PULLMAN REVERSIBLE ARMCHAIR 19TH CENTURY the padded swivel back on a pivoting arm mechanism with a foliate and flowerhead carved frame, above a deep stuffover seat raised on turned legs ending in ceramic castors 76cm wide, 93cm high, 93cm deep

£600-800

220 Y VICTORIAN ROSEWOOD CENTRE STOOL MID 19TH CENTURY the rectangular stuffover padded seat covered in rose pink upholstery, in a carved and moulded frame raised on cabriole legs, 75cm wide, 37cm high, 57cm deep

£500-700

88

221 VICTORIAN KEW PATTERN MARINE BAROMETER, BY ADIE, LONDON LATE 19TH CENTURY the domed brass cap above glazed cylindrical silvered vernier scale calibrated in inches (26.4 to 32.5), engraved with a crown and numbered ‘B.T. 213’, then signed Adie, London, the patinated brass and black enamel cylindrical shaft with vernier adjustment screw and concealed-bulb mercury thermometer with ivory Fahrenheit scale above canister shaped cistern, mounted via centre brass gimbal 90cm high, 8cm wide Note: Sold in compliance with UK Government and APHA regulations, with (nontransferable) exemption registration reference V3PP3T2T.

£300-500

Note: Patrick Adie, son of the renowned Scottish Instrument maker Alexander Adie (1775-1858) is recorded in Banfield, Edwin, ‘Barometer Makers and Retailers 1660-1900’ as working from several addresses in London 1846-86. In around 1855 Patrick Adie and John Welsh of the Kew Observatory worked together to develop an improved design of marine barometer. Their design incorporated a sealed iron cistern and the tube featured dampening constriction and Bunten air trap.

The thermometer bulb is enclosed within the frame to measure the temperature of the mercury within the barometer tube, the outer brass case offered increased protection compared to earlier wooden cased models.

222 BRASS AND STEEL SIGNAL CANNON LATE 19TH/ EARLY 20TH CENTURY the brass barrel mounted on steel two-wheel carriage 44cm wide, 20cm high, 14cm deep Provenance: Property from an East Lothian deceased estate

£300-500

223 TWO SHOTGUN CASES LATE 19TH CENTURY one a leather hard case by Joseph Lang & Son, with brass mounted corners, with a red baize lined fitted interior and retailers label for ‘Joseph Lang & Son Ltd, Gun and Rifle Manufacturers, 102 New Bond Street London, By Special Appointment to H I H The Grand Duke Michael of Russia’, the lock with a key; the other a canvas covered hard case with leather carrying handle and mounts, the cover with the initials J. F. S, enclosing a fitted green baize lined interior with a wooden and brass mounted cleaning rod (2) leather case 85cm wide, 10cm high, 34cm deep, canvas case 83cm wide, 9cm high, 22.5cm deep

£250-350

89

224 Y AMERICAN SCRIMSHAW WHALE’S TOOTH MID 19TH CENTURY with a pin-pricked design depicting a whale hunt with a three-masted sailing ship and a multitude of rowing boats with cliffs in the distance, the reverse undecorated 17cm long

£400-600

225 Y VICTORIAN SAILOR WOOLWORK ‘WOOLIE’ PICTURE 19TH CENTURY depicting a triple-masted steam ship at sea flying a British ‘Red Ensign’ flag, in a glazed rosewood frame with gilt slip 54cm high, 64cm wide Provenance: Property from an East Lothian deceased estate

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

90

226 VICTORIAN BRASS SKELETON CLOCK, WILLIAM BISHOP, BOND STREET 19TH CENTURY the silvered chapter ring with Roman numerals and signed ‘William Bishop, Bond Street’, held in a Gothic spire skeleton frame with visible movement, the single train chain fusée timepiece movement with anchor escapement, on an oval ebonised base with bun feet and a glass dome 29cm wide, 34cm high, 16cm deep (including dome) Provenance: Property from an East Lothian deceased estate

£300-500

227 ENGLISH BRASS ACHROMATIC REFRACTING TELESCOPE, CASE AND STAND tube 76cm long, lens 2 inch objective lens, in a fitted mahogany case further eyepiece, stand, and draw tube, the stand stamped R. Watt Tube 76cm long, 2 inch lens

£400-600

228 ROYAL POLYTECHNIC ‘ADMIRAL FITZROY’ OAK CASED BAROMETER AND THERMOMETER, BY JOSEPH DAVIS & CO, LONDON LATE 19TH CENTURY with carved pediment enclosing a large round printed card dial, a large glass tube running down to the trunk with an open well of mercury, the two brass hands with a pair of ivorine tuning knobs, the glazed trunk with original card labels with Admiral Fitzroy’s comments with two therometers in fahrenheit and centigrade below 104cm high, 34cm wide

£300-500

229 SWEDISH 12 INCH TERRESTRIAL TABLE GLOBE AND STAND EARLY 20TH CENTURY made by Dr. Neuse, Svenska Bokhandelscentralen, Stockholm, with twelve gores, with brass meridian on a turned dark stained wooden support and circular plinth base 63cm high, 32cm wide

£300-500

91

230 Y VICTORIAN EIGHT-DAY MARINE CHRONOMETER, JOHN MORTON & CO, GLASGOW, NO.230 19TH CENTURY with a 4 ½ inch silvered dial with subsidiary seconds and wind days remaining dials, signed ‘John Morton & Co., 87 Bothwell St., Glasgow, No. 230’, in a mahogany and brass bound case mounted with ivory plaque, with winding key case 21cm square, 23cm high Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference HYLXB7P6.

£2,000-3,000

231 LATE VICTORIAN UPHOLSTERED ARMCHAIR LATE 19TH CENTURY The low back and deep seat flanked by scrolled arms, raised on turned legs with brass castors; covered in ivory upholstery with needlework 74cm wide, 72cm high, 61cm deep

£300-400

232 VICTORIAN WALNUT WORK TABLE MID 19TH CENTURY the moulded rectangular top with a foliate marquetry border, the hinged cover opening to a compartmented interior and well, raised on carved baluster supports with trestle bases united by a stretcher, on brass casters 56cm wide, 73cm high, 41cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

233 Y EDWARDIAN MAHOGANY SNOOKER/BILLIARDS SCORE MARKER, THURSTON & CO, LONDON EARLY 20TH CENTURY with a slate board, painted break rollers and ivory ball markers 113cm wide, 62cm high Provenance: Property from a Scottish country house Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference LEKF4Q2E.

£400-600

234 LARGE POLYCHROME PAINTED COMPOSITE SAILFISH TROPHY 20TH CENTURY realistically modelled and painted as the head and sail, mounted on an oval wooden backing 114cm wide, 64cm high, 46cm out from the wall

£300-500

235 VICTORIAN MAHOGANY WHATNOT 19TH CENTURY with four tiers and a drawer at the midsection, the three upper tiers with a glazed door and side panels, on splayed feet 56cm wide, 162cm high, 50cm deep

£400-600

236 VICTORIAN OAK, WALNUT AND YEW WOOD COLLECTOR’S CABINET, BY MAPLE & CO. LATE 19TH CENTURY in the Renaissance Revival style, the upper part with a moulded cornice above a stiff leaf carved frieze and central cupboard carved with a female mask panel, enclosing sliding trays, all flanked by mirrored recesses with drawers below; the lower part with a pair of panelled doors centred by carved lions’ masks opening to a shelved interior, on a plinth base, with Hobbs & Co. locks and bearing a Maple & Co. Ltd. London enamel trade label 99cm wide, 186cm high, 46cm deep

£600-800

93

237 PAIR OF EDWARDIAN MAHOGANY PARCEL-GILT COMMEMORATIVE PANELS, OF ROWING INTEREST EARLY 20TH CENTURY each moulded panel titled TOWER BRIDGE ROWING CLUB, with a coat of arms, and ‘Founded 1902’; one listing Captains, the other Coxswains, with various crew members names and dates from 1902-1924 (2) 102cm wide, 59cm high

£400-600

239

238 VICTORIAN WALNUT BREAKFAST TABLE 19TH CENTURY the circular tilt top with radial veneers on a bulbous lotus-carved column and three scrolling legs with brass castors 127cm diameter, 71cm high

£300-500

SET OF FOUR ETRUSCAN REVIVAL MAHOGANY AND MARQUETRY ARMCHAIRS LATE 19TH CENTURY the curved tablet backs with fan medallion cresting above inlaid ribbon-tied laurel wreaths, above serpentine leather padded seats flanked

by U shaped arms on spiral carved supports with lion head terminals, raised on cabriole legs with carved lion paw feet (4) 56cm wide, 89cm high, 43cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

240 BRASS BOUILLOTE LAMP 20TH CENTURY with three scrolling branches with plain pans on a socle base with acanthus moulding, the circular cream enamelled tole adjustable shade set with two electrical fittings 40cm diameter, 66cm high Provenance: Property from an East Lothian deceased estate

£300-500

241 VICTORIAN OAK AND BRASS JOCKEY SCALES, YOUNG’S, LONDON LATE 19TH CENTURY the upholstered seat with brass arms on a flower carved base mounted with a brass scale stamped twice ‘YOUNG’S LONDON’, raised on spiral carved legs 90cm wide, 74cm high, 40cm deep

£400-600

242 ANGLO-COLONIAL CAMPHORWOOD TALL CHEST OF DRAWERS MID 19TH CENTURY in two parts, the upper section with two short drawers above a deep long drawer; the lower section with two further long drawers, all with caved fruit and foliage handles, on a plinth base with low bracket feet 127cm wide, 142cm high, 63.5cm deep

£1,200-1,800

243 VICTORIAN LACQUERED BRASS INKSTAND LATE 19TH CENTURY with a rectangular lidded box surmounted by a Grecian style comedy mask and flanked by scroll handles, the lid opening to two cut glass inkwells and a central box, the front with a recessed oval pen tray with pen rest brackets 43cm wide, 11cm high, 19cm deep

£250-350

95

244 ENGLISH BRASS CARRIAGE CLOCK LATE 19TH CENTURY the cream enamel dial with Arabic numerals and gilt centre mask, signed ‘Birch & Gaydon, 172 Fenchurch St’, the square case with fluted caddy top and swing handle, the face with fleur-de-lis appliques and the sides with pierced fleur-de-lis, the twin train movement with platform level escapement, string on a gong 12cm wide, 18cm high, 9cm deep Provenance: Property from an East Lothian deceased estate

£300-500

245 VICTORIAN MAHOGANY PERPETUAL CALENDAR 19TH CENTURY the moulded pediment over month, date and day apertures with four turned knobs to each side, on a moulded base, with a label on the underside ‘ROWSELL & SON, STATIONERS 31 CHEAPSIDE E.C.’ 18.5cm, 27cm high, 7cm deep

£250-350

246 VICTORIAN SILVER-PLATED DECANTER SET LATE 19TH CENTURY, BY JOHN GALLIMORE, SHEFFIELD the stand with a swing handle and beaded decoration throughout, the uprights of animal mask and paw form, raised on pierced feet with stylised birds motifs, fitted with three square section glass decanters and stoppers with square cut decoration, the stand with maker’s mark, EPNS, 565 the stand 32.5cm wide, 35cm high (with handle raised), decanters 25.2cm high

£400-600

247 VICTORIAN CARVED OAK TANTALUS LATE 19TH CENTURY enclosing three fitted square section glass decanters with stoppers, with three silver spirit labels for Whisky, Port and Gin, two by A M & Co, Birmingham, 1973, and one by R&K;, London, 1972, the top and front carved with a panel of ivy, with two hinged lids enclosing a fitted interior, over a secret drawer, with gothic style electroplated mounts and swing carrying handles to the side

248 VICTORIAN MAHOGANY AND CAST IRON PATENT READING STAND, BY JOHN CARTER 19TH CENTURY

36cm wide, 33cm high, 27cm deep

the adjustable slope with bookrest on an extending support and cast iron base, bearing an enamel trade label JOHN CARTER MAKER/ 6A NEW CAVENDISH ST PORTLAND PLACE. LONDON W/ TRADEMARK LITERARY MACHINE

£300-500

110cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96

249 PAIR OF LATE VICTORIAN OVAL GILTWOOD AND GESSO WALL MIRRORS LATE 19TH CENTURY the reeded and beaded frames surmounted with moulded pomegranates, fruit and foliage, with pendant flowers and foliage below (2) 31.6cm wide, 43cm high

£400-600

250 LARGE GILT AND PATINATED BRONZE TABLE LAMP LATE 19TH CENTURY converted from a candlestick, with a fluted column on triform swan and acanthus moulded base, fitted for electricity 55cm high, 15cm diameter

£300-400

251 GEORGIAN STYLE EBONISED AND GILT BRASS QUARTER STRIKING AND CHIMING TABLE CLOCK LATE 19TH CENTURY the gilt break arch dial with silver chapter ring with Roman numerals and Arabic five minute markers, signed ‘Mackay, Cunningham & Co, Edinburgh’, the arch with subsidiary ‘Chime/Silent’ and ‘Westminster Chimes/Chime on 8 Bells/Chime on 10 Bells’ dials, the large bell top case with flaming urn finials, the front dial flanked by caryatid appliques, the sides with pierced Rococo style gilt brass grills and a pair of swing handles, on cast scroll bracket feet, the triple train chain fusee movement striking the hour on a large coiled blued steel gong, striking the quarters on four coiled blued steel gongs and playing on a pin wheel activated nest of ten bells 37cm wide, 62cm high, 30cm deep Provenance: Property from an East Lothian deceased estate

£1,000-1,500

252 VICTORIAN EBONISED, AMBOYNA, AND PORCELAIN MOUNTED SIDE CABINET MID 19TH CENTURY of demilune outline, the centre door with a large Sèvres style porcelain plaque depicting a courting couple within a ribbon-tied gilt metal mount, flanked by columns and curved glass enclosing shelves, on turned feet 166cm wide, 108cm high, 45cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

97

253 VICTORIAN KINGWOOD AND MARQUETRY GILT METAL MOUNTED CARD TABLE, BY DRUCE & CO. LATE 19TH CENTURY In the French taste, the gilt-metal banded fold-over top with scrolling foliate inlay opening to a green baize playing surface, above a shaped apron and raised on cabriole legs outlined with gilt metal and ending in sabots; with a metal Druce & Co. trade label and partial paper label 87cm wide, 79cm high, 44cm deep [closed]

£500-700

254 Y EDWARDIAN GILTWOOD, TORTOISESHELL, AND EBONISED DISPLAY CABINET-ON-STAND, BY WYLIE & LOCHHEAD, GLASGOW EARLY 20TH CENTURY in the Japonisme style, the caddy moulded top relief moulded with foliate scrolls above a tortoiseshell and ebonised framed cabinet glazed on three sides and enclosing glass shelves, on a separate giltwood stand with egg and dart borders, foliate scrolls and a central flower spray, raised on leaf carved cabriole legs ending in stylised lingzhi feet 117cm wide, 170cm high, 47cm deep

£800-1,200

255 GEORGIAN STYLE WALNUT DISPLAY CABINET EARLY 20TH CENTURY with a pair of bevelled glass doors and side panels enclosing a blue velvet lined interior with a mirror back, raised on associated slender cabriole legs ending in claw and ball feet 64cm wide, 82cm high, 34cm deep

£250-350

98

256 EDWARDIAN QUEEN ANNE STYLE MAHOGANY AND SATINWOOD OPEN ARMCHAIR EARLY 20TH CENTURY the arched padded back above a wide seat flanked by scrolling arms, raised on square tapered legs outlined with stringing 58cm wide, 127cm high, 47cm deep

£300-400

257 GEORGE III STYLE MAHOGANY CHEVAL MIRROR EARLY 20TH CENTURY the moulded swan neck pediment above a rectangular bevelled mirror plate, on outswept legs ending in brass caps and castors 80cm wide, 186cm high, 72cm deep

£300-500

258 SET OF TEN GEORGIAN STYLE NEEDLEWORK UPHOLSTERED DINING CHAIRS EARLY 20TH CENTURY the padded backs with rounded top rails above wide stuff-over seats raised on square tapered legs joined by H stretchers; covered in brown floral needlework upholstery with close nail trim (10) 57cm wide, 98 high, 44cm deep

£500-700

99

259 REGENCY STYLE GILTWOOD CONVEX MIRROR MODERN the circular mirror plate in a deep moulded frame 62cm diameter Provenance: Property from an East Lothian deceased estate

£250-350

260 EDWARDIAN MAHOGANY AND SATINWOOD TWO TIER ETAGERE EARLY 20TH CENTURY the oval lift-off glass tray top on curved supports above a corresponding undertier, raised on square slightly splayed legs joined by a curved X form stretcher 89cm wide, 84cm high, 55cm deep

£300-400

261 PAIR OF VICTORIAN MAHOGANY BEDSIDE CHESTS OF DRAWERS MID 19TH CENTURY, WITH ALTERATIONS the rectangular tops with moulded edges above four graduated cedar-lined drawers, on plinth bases (2) 40cm wide, 74cm high, 45cm deep

£1,000-1,500

262 PAIR OF LATE VICTORIAN PAINTED SATINWOOD ARMCHAIRS LATE 19TH CENTURY in the Sheraton style, the rectangular openwork padded backs above wide bowfront seats flanked by enclosed padded arms, raised on ring-turned and tapered legs ending in brass caps and castors, painted throughout with flower bouquets, garlands, and birds (2) 66cm wide, 97cm high, 53cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

263 ASH AND EBONY MUSIC STAND, LIBERTY & CO. EARLY 20TH CENTURY the adjustable top with a ratchet support, on a tapered hexagonal stem and outswept legs with ebony inlay, raised on brass ball feet, bearing an ivorine trade label LIBERTY BIRMINGHAM LONDON & PARIS 134cm high, 43cm wide

£400-600

264 ‘HOWARD’ UPHOLSTERED ARMCHAIR, BY LENYGON & MORANT MID 20TH CENTURY the arched back above a loose cushion seat and scroll arms, on mahogany square tapered legs, the leg stamped HOWARD CHAIR 48 STH AUDLEY ST. LONDON W.1, and with Lenygon & Morant trade label ‘LENYGON & MORANT LTD/MAKERS OF/HOWARD/CHAIRS & SETTEES/48 AUDLEY ST, LONDON W.1’ 73cm wide, 85cm high, 67cm deep

£800-1,200

265 LARGE UPHOLSTERED FOOTSTOOL

BY BEAUMONT & FLETCHER MODERN in the style of Howard & Sons, the square cushion-topped seat covered in green cut velvet outlined in contrast piping, raised on square tapered stained beech legs ending in brass caps and castors 42cm wide, 71cm high, 42cm deep

£500-700

266 UPHOLSTERED COUNTRY HOUSE ARMCHAIR, PROBABLY GEORGE SMITH 20TH CENTURY in the Howard & Sons style, the low square back above a loose cushion seat and low scrolled arms, raised on turned legs with brass caps and castors; covered in an Art Nouveau style salmon pink floral upholstery 82cm wide, 86cm high, 69cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101

267 ART DECO STYLE ENAMELLED GLASS LEMONADE SET, OF HUNTING INTEREST MID 20TH CENTURY to include a tall pitcher and six footed glasses of tall conical form, printed and enamelled with equestrian hunting scenes, on a chrome and teak wooden tray with a printed hunting scene, stamped REGENT PRODUCTS to the base (8) tray 47cm wide, pitcher 31cm high

£600-800

268 ART DECO WALNUT STOOL, ATTRIBUTED TO MAURICE ADAMS EARLY 20TH CENTURY the oval drop-in seat covered in white leather, raised on tapered legs 51cm wide, 46cm high, 33cm deep

£400-600

269 MAHOGANY, WALNUT AND BURR MAPLE BLANKET CHEST, BY WHYTOCK & REID EARLY 20TH CENTURY the hinged top with a cushion covered in original green plush, opening to a void interior; with a crossbanded front panel and moulded sides with quatrefoil cut out panels carved with stylised foliate motifs against a red ground, on trestle bases, stamped WHYTOCK & REID/ EDINBURGH 131cm wide, 49cm high, 48cm deep

£300-500

270 MAHOGANY PARCELGILT CHINESE MING STYLE ALTAR CABINET, ATTRIBUTED TO WHYTOCK & REID MID 20TH CENTURY with three short frieze drawers above two pairs of panel doors, with brass handles to the sides, on stylised legs with pointed pad feet 213cm wide, 88cm high, 61cm deep

£400-600

103

THE SELECTED CONTENTS OF GREAT HOUSE, DEDHAM, ESSEX

Image courtesy of Strutt & Parker.

In the picturesque village of Dedham sits Great House,

From childhood Erith had always shown a keen interest in

positioned on the High Street near the 15 century St

architecture and was skilled at drawing. Aged seventeen he

Mary’s Church. Dedham brings to mind the bucolic, romantic

started his training at the Architectural Association in London,

landscapes painted by John Constable, such as ‘Flatford Mill’

and eventually went on to become a Royal Academician. In

(1816) or ‘The Hay Wain’ (1821), and the area is now widely

1934 he married a fellow architect, Pamela Jackson, and a

known as ‘Constable Country’. The village also lays claim

desire for country life prompted their move to Dedham, where

to the equestrian painter Sir Alfred Munnings and boasts a

he and his family put down firm roots.

th

museum dedicated to his work. Much of Dedham’s charming architecture is medieval and Georgian, built from the riches of the wool trade.

On 1st December 1936 a fire destroyed the original timberframed Great House, leaving a blank space on the High Street.

Erith’s parents-in-law intended to move to the area, and they

On first inspection, Great House looks as if it has always been

commissioned him to design a new home for them on the

there. In fact, it was designed and built shortly before World

empty site. Between 1937 and 1938 Erith designed and built

War Two by the architect Raymond Erith (1904-1973). Erith’s

the second Great House. It was his first major work and is

career spanned over forty years from the late 1920s until the

recognised as one of his most important commissions, listed

early ‘70s and one of his most high profile commissions was the

Grade II* by English Heritage.

rebuilding and restoration of Nos. 10, 11 & 12 Downing Street.

Left Lot 280 [detail]

104

Using salvaged bricks from the aftermath of the fire, Erith built a restrained square house with a symmetrical façade,

The Centre Hall, Great House, where lots 272 and 280 are visible. For more information on the busts, please see page 207. Image courtesy of Strutt & Parker.

rising through three storeys to a pyramid roof with a central chimney stack. It incorporates some unusual features such as the external louvred shutters. At a time when many of his fellow architects were embracing functional modernism, Erith looked back to the classical past and the ideals of Andrea Palladio and Sir John Soane. He adapted and used classical architectural language for the home he created at Great House.

Arthur Oswald, who wrote about the house in Country Life in 1950, observed that “while paying deference to the Georgian context, Mr Erith has designed a house that is unmistakably 20th century.”

Great House was furnished through antique shop purchases, auction finds and inherited pieces. Much of the furniture is from the Regency period, in keeping with the style of the interiors, but the contents also included a rich and varied collection, juxtaposing Roman busts on classical columns, with early Italian maiolica, with paintings and works of art from a wide range of periods.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Highlights amongst the lots presented here include a Chinese side table, lot 298, made from hongmu wood and deeply carved with flying squirrel designs. This was probably commissioned by the last owner’s great-grandfather when he worked in Shanghai for Kelly & Walsh, a publisher of English language books. The pair of Empire mahogany fauteuils by Jacob Frères, lot 281, are fine examples of French style. There is also a striking sideboard, lot 280, in an interpretation of the Regency style, which was designed by Erith and made by Swiss joiner R. Shaub of The Chiswick Guild in London.

Great House has been in the family of the original owners since it was built, and remarkably it has had no significant alterations in that period. However, nothing stays constant, and the time has come for the property to change hands and for some of the contents to find new homes. Lyon & Turnbull are pleased to offer the selected contents for sale.

105

271 REGENCY MAHOGANY AND GILTWOOD OVERMANTEL MIRROR 19TH CENTURY the rectangular mirror plate in a column moulded frame marked at the corners with rosette blocks and centred by a large acanthus finial 128cm high, 140cm wide Provenance: Marks Hall, Essex

£600-800

272 REGENCY MAHOGANY AND EBONISED SERVING TABLE, IN THE MANNER OF GEORGE SMITH EARLY 19TH CENTURY the breakfront D shaped top above a panelled frieze with a central long drawer outlined with ebony stringing and marked with carved lion head blocks, raised on reeded tapered legs ending in ebonised carved paw feet 244cm wide, 96cm high, 71cm deep Provenance: Dedham House. Thence by descent to the present owner Note: This serving table relates to a design illustrated in George Smith’s A Collection of Designs for Household Furniture and Interior Decoration, 1808, pl. 93

£4,000-6,000

106

273 GEORGE III GILTWOOD TRIPLE OVERMANTEL MIRROR MID 18TH CENTURY the divided mirror plate in a rococo frame with leaf and C scrolls, rocaille, and fruit and rocaille cresting 67cm high, 154cm wide

£600-800

274 PAIR OF ANGLO-INDIAN REGENCY SIDE CHAIRS EARLY 19TH CENTURY the foliate and palmette carved top rails above arched and pierced horizontal splats, over caned seats raised on turned and reeded tapered legs (2) 49cm wide, 84cm high, 43cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

275 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the circular mirror plate in a ebonised reeded slip and deep moulded frame with ball mounts, surmounted by a carved dolphin fountain cresting with foliate scrolls 99cm high, 69cm wide

£600-800

276 REGENCY MAHOGANY AND GILT BRASS LIBRARY TABLE EARLY 19TH CENTURY the rectangular top above a long frieze drawer fitted with a slide and covered compartments, the same to the reverse, raised on lacquered brass fluted and tapered legs with foliate capitals and ending in large brass castors 136cm wide, 78cm high, 96.5cm deep

£2,500-3,500

108

277 EARLY VICTORIAN MAHOGANY READING TABLE MID 19TH CENTURY the rectangular top with a moulded edge and twin adjustable bookrests, on a faceted column and quadripartite base with flat bun feet and brass castors 92cm wide, 86cm high, 45cm deep

£300-500

278 Y WILLIAM IV ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top on a triform tapered column and platform base raised on disc feet with brass castors 125cm diameter, 72cm high

£500-700

109

279 Y REGENCY ROSEWOOD AND BRASS INLAID BOOKCASE EARLY 19TH CENTURY WITH ALTERATIONS the upper shelved bookcase with a moulded cornice above a palmette and anthemion inlaid frieze, over a pair of brass grill doors enclosing shelves and flanked by brass mounted triple cluster columns; the lower part with a single fall-front drawer with a matching inlay, over a concave recess lined with green pleated silk flanked by reeded tapered colums ending on giltwood paw feet; adapted from an organ case 156cm wide, 260cm high, 61cm deep

Note: Purchased by Raymond Erith at the sale of contents of Sir John Soane’s Tendring Hall, Suffolk, on behalf of the present owner’s grandparents, to furnish the drawing room at Great House.

Provenance: Tendring Hall Sale, probably 1930s

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

110

Note: Designed by Raymond Erith for Meadowside, Loughton, the home of his aunt Mrs. Maud Erith in 1930-31.

280 REGENCY REVIVAL BLONDE MAHOGANY AND BRASS SIDEBOARD, FROM A DESIGN BY RAYMOND ERITH, R.A., F.R.I.B.A. CIRCA 1930 the crossbanded top with a rear gallery and rounded fore-corners above a frieze fitted with two long drawers and divided by a lacquered brass rosette mount, on twin pedestal supports enclosing shelves and mounted to the corners with reeded volutes with block capitals with corresponding rose centred circular mounts and standing on triple cluster lacquered brass balls, on shaped moulded plinth bases 232cm wide, 99cm high, 68cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

111

281 PAIR OF FRENCH EMPIRE MAHOGANY FAUTEUILS,

BY JACOB FRÈRES EARLY 19TH CENTURY

282 AUSTRIAN EMPIRE WALNUT SOFA EARLY 19TH CENTURY the straight padded back above a long seat with twin bolsters, flanked by high scrolling enclosed arms carved with swan’s heads to the front and rear, raised on cornucopia-style scroll feet; covered in green striped plush upholstery 211cm wide, 95cm high, 57cm deep Provenance: Purchased by the present owner’s parents from Marlborough Galleries, London, in 1934

£1,000-1,500

the square padded backs with scroll carved top rails, above bowfront stuffover seats flanked by lotus carved scrolled open arms, raised on forelegs carved with torches and ending in paw feet, one stamped JACOB FRERES/ R MESLEE and stencilled MONTEL, in blue plush upholstery (2) 62cm wide, 98cm high, 47cm deep Provenance: Purchased Anthony Hurst Antiques, Woodbridge, 1960s

£3,000-5,000

112

283 VICTORIAN COTTON PATCHWORK COVERLET CIRCA 1840 the centre appliqued with a basket of flowers surrounded by cornucopias and vases issuing flowers, the field composed of repeating hexagonal designs in a variety of colourful chintzes and patterns, with a frilled ticking border and linen backing 247cm long, 212cm wide Provenance: Exhibited at The Great Exhibition 1851.

Literature: Illustrated in Averil Colby, 1958, Patchwork, Batsford, London, p.150

£800-1,200

284 GEORGE FISHLEY OF FREMINGTON DEVON POTTERY SLIPWARE POCKET WATCH STAND EARLY 19TH CENTURY with stamped and slip trailed details enclosing the watch aperture, with further applied decoration in the form of grapes and acorns with people and animals on the lower section, the base with a line of circular stamped details and with impressed stamped marks ‘G.Fishley Fremington’ 20cm high, 19.5cm wide

£250-350

285 REGENCY PAINTED BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY with two short of three long graduated drawers with turned handles, painted grey with black line borders, on bun feet 98cm wide, 109cm high, 54cm deep

£400-600

113

286 COLLECTION OF NEOCLASSICAL LIVERPOOL DELFTWARE TILES LATE 18TH CENTURY transfer printed by Sadler, the designs washed over in green enamel, with examples including ‘The Three Graces’, ‘Apollo’, the ‘Four Seasons’, and classical vases (one framed), also including two rectangular border tiles with scrolling acanthus leaf designs approximately 12.5cm x 12.5cm, with slight variations, the border tiles approximately 12.2cm x 6.2cm, framed tile 15.7cm x 15.7cm Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£300-500

287 COLLECTION OF DUTCH DELFT TILES 18TH CENTURY mostly depicting animals, architecture and people at leisure, some with stylised flower sprig decoration to the corners (qty)

288

approximately 5” x 5” (12.7cm x 12.7cm) with slight variation

COLLECTION OF DELFT TILES

Provenance: The Collection of Michael Archer OBE FSA (19362022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

painted with various subjects such as boats, mythical sea creatures, flower vases, architecture, and figural designs, with various corner motifs including ox head, and floral sprig designs, also including five various manganese tiles and a polychrome floral painted tile (three framed), a tile with mottled brown decoration, a tile with blue painted abstract design and a 20th century flower painted tile (qty)

£300-500

MOSTLY 18TH CENTURY, MOSTLY DUTCH

approximately 5” x 5” (12.7cm x 12.7cm), slight variation Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

114

289 SMALL CASTELLI MAIOLICA PLATE 18TH CENTURY, POSSIBLY WORKSHOP OF GRUE painted in the centre with a scene depicting ‘the man who fell among thieves’, the rim painted with stylised scrolling acanthus leaves 22cm diameter Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£500-700

290 CASTELLI MAIOLICA CHARGER 1706-1753, WORKSHOP OF GRUE painted in the centre with a scene depicting a robed woman seated beneath a tree, reading a book at her feet, a lion alongside, with a bridge, river, buildings and figures in the background, the rim painted with winged putti on a yellow ground, with a pair of putti flanking an armorial for Cardinale Tommaso Ruffo (1663-1753) 35cm diameter Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£500-700

291 ITALIAN MAIOLICA LARGE BLUE AND WHITE DISH LATE 17TH/ EARLY 18TH CENTURY, PROBABLY SAVONA painted to the centre with a coat of arms, the well and rim moulded with scrollwork detail, the arms enclosed within alternating panels of ships and buildings, with foliate designs to the shaped rim, underglaze blue shield mark to the reverse, bearing a paper label for D. M Archer 38.5cm diameter Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£200-300

115

292 CASTELLI MAIOLICA ARMORIAL TAZZA TOP DEPICTING SAMSON AND DELILAH 1706-1753, WORKSHOP OF GRUE painted with a scene of action depicting Samson’s betrayal by Delilah, after the print by Raphael Sadeler from the series ‘The Power of Women’, dated 1589; showing Samson being seized by armed Philistine soldiers and having his hair cut with scissors; within a classical architectural setting, with two putti flanking an armorial crest above, the arms for Cardinale Tommaso Ruffo (1663-1753) 29.2cm diameter Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£500-700

293 CASTELLI MAIOLICA CHARGER LATE 17TH CENTURY, WORKSHOP OF GRUE painted in the centre with a battle, probably a scene from the Wars of Alexander the Great, after Antonio Tempesta (1555-1630), the wide rim painted in colours of yellow, green, blue and brown with symbols and trophies of war 43cm diameter Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

116

294 THREE STAINED GLASS PANELS POSSIBLY 16TH CENTURY AND LATER including a stained glass roundel, possibly 16th century, enamelled with a lion rampant within a shield shaped cartouche; one of rectangular pointed arch form divided into panels depicting insects, moths and two figural scenes; and one an armorial panel from Besselsleigh Rectory enamelled with a crest and garter with inscribed motto, and inscribed to the lower panels ‘Until 1960 this armorial glass was at Besselsleigh Rectory. A former rector Dr H. D. Harper was a Fellow of Winchester College’ (3) roundel 33.5cm diam; pointed arch panel 64cm long, 37.5cm wide, armorial panel 49cm long, 24.5cm wide Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London

£300-500

295 SIX SMALL STAINED GLASS PANELS 19TH CENTURY AND EARLIER including a green soda glass roundel centred with a sun motif, a round panel enamelled with a male and female figure crushing grapes and inscribed ‘September’; one of diamond shape enamelled with a bird; three of rectangular form, one depicting a peacock perched on a flowering stem, one depicting a figure wearing plumed armour, and one depicting a hairy humanlike form wearing a yellow enamelled headpiece and carrying a mallet, together with a STAINED GLASS FRAGMENT painted with a face, apparently from the Chapel at Lincolns Inn, Holborn, London (7) largest roundel 20cm diam, small roundel 11.5cm diam, diamond panel 15.5cm long, rectangular panel 16.5cm long, 10.8cm wide Provenance: The Collection of Michael Archer OBE FSA (1936-2022), Keeper, Ceramics and Glass department, Victoria & Albert Museum, London Note: The roundel representing September was a gift to Michael Archer OBE (1936-2022) from William Cole (1909-1997) and thence by descent to the present owner.

£250-350

296 DUTCH OAK BOMBÉ SCHRANK OR PRESS CUPBOARD LATE 18TH CENTURY the arch moulded cornice centred by a carved scalloped cartouche, above a pair of moulded arch doors opening to a shelved interior with two centre drawers with three short drawers below; the base with two short over three long drawers flanked by canted angles, above an apron raised on scroll bracket feet 173cm wide, 223cm high, 64cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

297 PAIR OF CHINESE CARVED HARDWOOD SIDE CHAIRS LATE 19TH CENTURY the oval balloon backs with ornately carved pierced floral scrolling frames, with crinoline/ horsehair drop in seats, with matching carved brackets on fluted tapering front legs and sabre back legs (2) 52cm wide, 108cm high, 55cm deep Provenance: Acquired by the present owner’s great-grandfather who worked in Shanghai, then to La Roque, Sutton, Surrey at the beginning of the 20th century. Thence by descent to the present owner

£600-800

298 CHINESE MARBLE TOPPED CARVED HONGMU SIDE TABLE, QING DYNASTY LATE 19TH CENTURY the red variegated marble top set within a carved leaf and beaded border, the frieze carved in relief with a scrolling vinous design with figures of flying squirrels, the cabriole legs with ruyi-head shaped feet, the back of the top and rear legs with a flat backs 165cm wide, 85cm high, 80cm deep Provenance: Acquired by the present owner’s great-grandfather who worked in Shanghai, then to La Roque, Sutton, Surrey at the beginning of the 20th century. Thence by descent to the present owner

£2,000-3,000 The Hallway, La Roque, Sutton, Surrey, where lots 297 and 298 are visible.

END OF DAY ONE

DAY TWO: THURSDAY 22 FEBRUARY 2024 FROM 10AM

PROPERTY FROM THE ESTATE OF SIR JOHN & LADY CLARE KESWICK, PORTRACK HOUSE, DUMFRIESSHIRE

119

299 PAIR OF GEORGIAN STYLE CARVED GILTWOOD GIRANDOLE MIRRORS 20TH CENTURY in the Chippendale style, the asymmetrical shaped mirror plates enclosed by pagoda bracket frames carved with acanthus scrolls (2) 84cm high, 40cm wide

£250-350

300 PAIR OF REGENCY SATINWOOD AND EBONY MARBLE TOPPED SIDE CABINETS EARLY 19TH CENTURY the rectangular black marble tops above pairs of doors with brass wire inserts and outlined with ebony banding, on turned and tapered feet (2) 69cm wide, 89cm high, 37cm

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

301 WILLIAM AND MARY BURR-ELM AND EBONISED CABINET LATE 17TH CENTURY AND LATER the upper part with a moulded cornice above a mirror door enclosing a shelved interior; the lower part with a long drawer over a pair of cupboard doors all with ebonised banding, raised on flattened bun feet 71cm wide, 183cm high, 42cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

302 MICHELANGELO MEUCCI (1840-1890) TROMPE L’OEIL OF KINGFISHER AND FINCH Signed, oval, oil on board 20cm x 16cm (8in x 6.25in)

£400-600

303 19TH/20TH CENTURY ENGLISH SCHOOL STUDY OF A BRACE OF HANGING GROUSE Watercolour, oval and a companion, a pair ‘Partridge’ (2) 41cm x 30.5cm (16in x 12in)

£500-800

304 QUEEN ANNE WALNUT CHEST-ON-STAND EARLY 18TH CENTURY, THE STAND 19TH CENTURY the moulded cornice above two short and three long graduated drawers, on a moulded base with spiral supports joined by a wavy peripheral stretcher and raised on ball feet 105cm wide, 118cm high, 58cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

122

305 EXTENSIVE BLOOR DERBY DINNER SERVICE EARLY 19TH CENTURY painted with sprays of mixed flowers, the blue ground borders with further floral reserves and gilt foliate decoration, the scalloped edges with moulded beading; comprising: sixty-four dinner plates, 26.2cm diam; twenty-two side plates, 20cm diam; twenty-four soup plates, 26cm diam; twenty-four smaller bowls, 22.5cm diam; a large soup tureen and cover; three low vegetable tureens with covers; four sauce tureens, covers and stands; a round footed bowl, 27cm diam; ten graduated ashets, 28cm - 41cm wide; most with red printed factory mark (qty) largest 41cm wide

£700-1,000

306 SET OF THREE SHEFFIELD PLATE ARMORIAL WINE COASTERS, BY MATTHEW BOULTON EARLY 19TH CENTURY the rims chased with acanthus and shells on turned wooden bases set with roundels with heraldic hounds head with motto ‘Non dormit qui custodit’, the bases stamped with double sun mark (3) 18cm diameter, 5cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

307 PAIR OF SHEFFIELD PLATE ARMORIAL WINE COOLERS, BY MATTHEW BOULTON EARLY 19TH CENTURY of twin handled campana urn form, the rims chased with acanthus and shells above bodies engraved with a coat of arms with motto ‘Non dormit qui custodit’, on circular bases, with liners, the bases stamped with double sun mark, also with removeable fitted oil reservoirs later converted to electric lamp fittings (2) 24cm diameter, 28cm high (excluding fittings)

£800-1,200

308 REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY the top with a brown leather writing surface and outset rounded corners over two short frieze drawers with dummy drawers on the reverse, raised on spiral carved legs ending in brass caps and castors 123cm wide, 78cm high, 72cm deep

£800-1,200

124

309 VICTORIAN CARVED OAK QUARTER CHIMING TABLE CLOCK,

BY CLERKE, LONDON 19TH CENTURY the silvered arch dial with Roman numerals, signed ‘Clerke, 1 Royal Exchange, London’ and numbered ‘5030’, engraved foliate spandrels, the arch with subsidiary ‘Chime/Silent’ and ‘Westminster Chimes/Chime on Eight Gongs/Chime on Eight Bells’ dials, the large bell top case with carved female mask foliate pediment, the front flanked by carved acanthus caryatids, the sides with pierced foliate grills, on a breakfront plinth base with bracket feet, triple train chain fusee movement, striking the full hour to a large coiled blued steel gong, chiming the quarters to either a pin wheel activated nest of eight coiled blued steel gongs or nest of eight bells, the backplate also signed ‘Clerke, Royal Exchange, London’ and numbered ‘5030’ 44cm wide, 65cm high, 31cm deep

£600-800

310 GEORGE IV MAHOGANY WRITING-TABLE EARLY 19TH CENTURY the rectangular top with a red leather writing surface above three short frieze drawers and the same on the reverse, raised on turned and tapered legs ending in brass caps and castors 129cm wide, 73cm high, 82cm deep

£600-800

311 EDWARDIAN MAHOGANY AND CANEWORK WASTE PAPER BASKET EARLY 20TH CENTURY the frame carved throughout, with six cane panels, raised on three turned feet 34cm diameter, 31.2cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

312 PAIR OF ITALIAN CARVED LIMEWOOD FIGURAL WALL BRACKETS 19TH CENTURY each with a winged putto holding a scallop-shaped shelf (2) 41cm wide, 43cm high, 23.4cm deep

£300-500

313 REGENCY MAHOGANY CROSSBANDED SOFA TABLE EARLY 19TH CENTURY the rounded rectangular top with drop-leaf ends above a pair of short frieze drawers with dummy drawers to the reverse, on ring-turned end supports joined by a turned and reeded stretcher with splayed legs ending in brass caps and castors 108cm wide 158cm [up], 72cm high, 68cm deep

£500-700

314 Y

315

316

GEORGIAN GOLD INLAID TORTOISESHELL SNUFF BOX

PAIR OF FRENCH GILT GESSO TWO BRANCH WALL APPLIQUES

JAPANESE BRASS MOUNTED ROOTWOOD JARDINIERE STAND

19TH CENTURY

LATE 19TH / EARLY 20TH CENTURY

LATE MEIJI / TAISHO PERIOD

of oval form, inlaid with vines of heart-shaped foliage; together with a TORTOISESHELL AND HORN SNUFF BOX, 19TH CENTURY, 9cm wide, 2.5cm high, 4.5cm deep (2)

the large acanthus moulded nozzles on a pair of intertwined acanthus and floral arms (2)

formed of a polished rootwood stump mounted with top and base brass rims

35cm high, 26cm wide

46cm wide, 18cm high, 42cm deep

£250-350

£250-350

9cm wide, 4.5cm high, 6.5cm deep

£250-350

127

317 GREEN LEATHER AND YELLOW METAL MOUNTED SNUFF BOX LATE 18TH CENTURY the lid set with an oval aventurine, opening to a tortoiseshell interior.

Contains a handwritten letter from Colonel W. P. S. Curtis, dated 30.11.50 8cm diameter, 4cm high

£300-500

318 CONTINENTAL SODALITE SINGING BIRD BOX CIRCA 1900 of rectangular form, with a central inset gilt metal oval hinged cover engraved with two birds encircled by flowering vines, opening by a gilt thumbpiece revealing a rising automaton singing bird with moving wings, beak and tail 9.5cm wide, 3.5cm high, 6.5cm deep

£800-1,200

319 GERMAN OR AUSTRIAN SILVER AND GILT-SILVER SINGING BIRD BOX CIRCA 1880, PROBABLY HANAU of serpentine rectangular form, engraved with birds between cornucopia and scrolling vines, with an oval spring release lid and rising automaton bird with moving beak, wings and tail; signed ‘Asprey’ to the back, inside a fitted leather box marked by the same 10.5cm wide, 4cm high, 6.5cm deep

£1,000-1,500

320 Y NAPOLEON III RED TORTOISESHELL AND CUT BRASS BOULLE MARQUETRY DESK STAND 19TH CENTURY of rectangular form with two pen trays and cut glass inkwells, the panels with scrolling contre-partie boulle marquetry centred by a female masks, on brass caryatid mask feet 37cm wide, 16cm high, 26cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

CONTINENTAL FURNITURE & WORKS OF ART

129

321 THREE FRAMED LIMOGES ENAMEL PLAQUES 19TH CENTURY OR EARLIER the first depicting John the Evangelist with his eagle, in a rectangular gilt and ebonised moulded frame; the second a French 16th century philosopher in a rectangular gilt moulded frame, 9cm high, 7cm wide; and the third with the first Duke of Buckingham in an oval moulded and flower carved frame, 6.5cm high, 5cm wide (3) 8.5cm high, 11cm wide

£300-500

322 FLEMISH WALNUT AND UPHOLSTERED OPEN ARMCHAIR 17TH CENTURY with a padded back over a stuffover seat upholstered in sage green velvet, flanked by scrolling open arms, raised on scroll legs joined by a scrolled front stretcher and turned H-form stretcher 61cm wide, 108cm high, 72cm deep Provenance: The estate of the Cusack family, Abbeville, County Dublin, IrelandBy descent to the present owner

£600-800

323 NORTHERN EUROPEAN CARVED OAK CHEST, PROBABLY DANISH EARLY 17TH CENTURY the hinged board top above a front panel carved with a religious inscription and dated 1631, above four deep carved panels depicting male and female figures in architectural niches, the sides with carved quatrefoil foliate panels and wrought iron handles, on sledge feet 164cm wide, 71cm high, 78cm deep Provenance: Property from a Scottish country house

£2,000-3,000

Note: The inscription, which appears to be in early Danish, roughly translates as ‘When God is with us, He will save us in our hearts’ Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

324 CARVED WALNUT ARMORIAL PANEL 19TH CENTURY carved and pierced to both sides with a central cartouche with the initials ‘Le’ beneath a coronet, within a laurel wreath and flanked by figures and foliate scrolls 160cm wide, 56cm high Provenance: Property from an East Lothian deceased estate

£300-500

325

326

ITALIAN PARCEL-GILT PLASTER RELIEF PLAQUE, AFTER DESIDERIO DA SETTIGNANO

PAIR OF ITALIAN CARVED GILTWOOD MIRRORS

MADONNA ADORING THE CHRIST CHILD

of cartouche form, the frames carved with rocaille and c-scrolls, surmounted with flowers, on two scroll feet (2)

the central figures flanked by cherubims, the panel painted to simulate marble, in a rectangular floral carved wood frame 42cm high, 34.5cm wide

18TH CENTURY

23cm wide, 29cm high

£300-500

£300-500

327 CONTINENTAL POLYCHROMED CARVED WOOD POCKETWATCH HOLDER 18TH CENTURY carved in the auricular style with rocaille and C-scrolls, the aperture surmounted with a figure of Chronos, the base with a reclining female nude alongside a dog, raised on a simulated marble shaped plinth base 36cm high

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

328 THREE ITALIAN MAIOLICA BLUE AND WHITE PHARMACY BOTTLES 18TH CENTURY AND LATER two forming a pair, the banners inscribed ‘Aqau Scabiosa’ and ‘Aqua di Fior Sambugo’, on a ground painted with flowers, butterflies and animals, 25cm high; the other with similar decoration, the banner inscribed ‘Aq:a D. Viole’ (3) 26cm high

£300-500

Note: Gosi and Querci were both pupils of Pietro Giusti (1822-78), who carved the casket, dated 1857, now in the Metropolitan Museum of Art, which is based on the cassone by Antonio Barli (1453-1516), now in the Museo Civici, Siena, see H. Blairman & Sons, Furniture and Works of Art (1997), no. 12.

For biographies of Gosi and Querci see Simone Chiarugi, Botteghe di Mobilieri in Toscana 17801900, 1994, I, p. 492 and p. 530.

329 ITALIAN CARVED WALNUT AND PARCEL-GILT TABLE CASKET, BY GAETANO GOSI AND ANGELO QUERCI SIENA, CIRCA 1870 in the Renaissance style, the hinged cover with a raised and carved figure of a recumbent Cupid above richly carved panels with gryphons, insects, and foliate scrolls, opening to a red velvet lined interior; the sides panels with egg-and-dart and gadrooned borders enclosing carved panels with gryphons, masks and a central roundel with a pair of lovebirds, and raised on carved paw feet, signed ‘GOSI e QUERCI’ on left panel 43cm wide, 35cm high, 30cm deep

£1,000-1,500

132

330 BRONZE FIGURE OF THE DANCING FAUN, AFTER THE ANTIQUE 20TH CENTURY verdigris patina, on a circular variegated green marble base 62cm high Provenance: Property from an East Lothian deceased estate Note: The statue is cast after a Hellenistic marble in the Tribuna of the Uffizi, Florence. The marble was first recorded as being in the Florentine Grand Ducal collection in a book by Albert Rubens, Peter Paul Rubens’ son, posthumously published in 1665. In 1684 the owner was named as Cosimo III de’ Medici, Grand Duke of Tuscany (1642-1723). By 1688 the statue was installed in the Tribuna of the Uffizi (Haskell and Penny 1981, pp. 205-8, no. 34, fig. 106).

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

133

331 EUGENE LOUIS LEQUESNE (FRENCH, 1815-1887) FAUN PLAYING PIPES bronze, medium brown/green patina, signed on the base DEQUESNE and with Gautier Editeur foundry mark 42cm high

£800-1,200

332 PAIR OF SCAGLIOLA COLUMNS 19TH CENTURY fluted and decorated to simulate Siena marble, on square bases (2) 21cm diameter, 123cm high Provenance: Property from an East Lothian deceased estate

£400-600

333 PAIR OF YELLOW AND BLACK MARBLE URNS LATE 19TH CENTURY of campana form with everted rims and part lobed bodies, on separate socle bases (2) 49cm diameter, 64cm high

£1,000-1,500

134

334 PAIR OF FLEMISH 17TH CENTURY STYLE OAK FRAMED ARMCHAIRS LATE 19TH/ EARLY 20TH CENTURY the arched padded backs with stud trim above wide stuffover seats flanked by scrolling acanthus carved open arms, raised on acanthus carved scroll legs joined by scrolling X stretchers, covered in modern floral upholstery (2)

335 SOUTHERN GERMAN OAK AND FRUITWOOD MARQUETRY CHEST LATE 18TH/ EARLY 19TH CENTURY with domed lid above a front with marquetry birds and flowers and a pair of octagonal raised panels with marquetry additional birds and flowers, flanked and divided by by marquetry flowering urns, the sides with wrought iron handles, on bun feet 142cm wide, 79cm high, 66cm deep

75cm wide, 119cm high, 57cm deep

Provenance: Property from a Scottish country house

£500-700

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

135

336

337

DUTCH WALNUT AND MARQUETRY DISPLAY CABINET-ON-CHEST

DUTCH WALNUT AND MARQUETRY TEA STOVE

19TH CENTURY

LATE 18TH CENTURY

the arched moulded cornice above a pair of glazed doors and side lights enclosing shaped shelves; the base with two short over two long bombe drawers, on bracket feet, the whole covered in flower and urn marquetry

of canted cubic form with a lift-off cover with acorn finial, with two short drawers below, raised on later bracket feet

158cm wide, 237cm high, 44cm deep

Provenance: Property from a Scottish country house

£1,000-1,500

35cm wide, 74cm high, 35cm deep

£250-350

136

338 CONTINENTAL GILTWOOD MIRROR EARLY 19TH CENTURY the rectangular plate surmounted by a pierced ribbon-tied cresting with leafy finial and flanked by trailing leaf and flowerhead swags above a c-scroll apron 87cm high, 42cm wide

£300-500

339 PORTUGUESE SILK CASTELO BRANCO EMBROIDERY PANEL LATE 18TH CENTURY AND LATER slack stitch embroidered on a linen ground, the field with birds among scrolling floral branches centred by a pink roundel with two birds at a fountain, the borders with repeating rosettes, all outlined in gold thread, trimmed in edging of woven gold thread, the green linen backing later 198cm high, 126cm wide

£300-500

137

340 EUROPEAN NEEDLEWORK PROBABLY PRINCIPALLY LATE 18TH CENTURY

341 NEAR PAIR OF FLEMISH WALNUT OPEN ARMCHAIRS

the cream field with circular medallion of two geese, scrolling floral vine surround, within similar border 286cm x 206cm

£500-700

LATE 17TH CENTURY AND LATER with padded arched backs over stuffover seats, upholstered in blue and gold brocade, flanked by scrolling open arms, raised on scroll legs joined by scrolling H-form stretchers (2) One: 65cm wide, 112cm high, 48cm deep; the other 63cm wide, 113cm high, 48cm deep Provenance: Auchtertool House, Fife. Purchased Lyon & Turnbull, 26 June, 2015, lot 267

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138

342 FRENCH LOUIS XVI GILT BRONZE AND WHITE MARBLE MANTEL CLOCK BY LEPINE CIRCA 1780 the white enamel dial with black Arabic numerals and Arabic quarter markers, signed in puce ‘Lepine, A Paris’, the white marble pendule d’officer style case with beaded door with rose branch bow swag below, surmounted by a figure of winged Cupid descending on billowing clouds to greet a figure Venus with two doves between them, mounted on a white marble inverted breakfront plinth base with acanthus moulding, the front with a classical frieze of putti, on front toupie feet flanked by two pairs of column base feet, the twin barrel movement with silk suspended pendulum and outside countwheel, striking on a bell, the backplate signed ‘Delaruelle AParis’ 32cm wide, 39cm high, 14cm deep.

£1,000-1,500

Note: There is a limited corpus of known Lepine clocks from the same period with a similar composition to the present clock, all featuring a pair of gilt bronze figures representing allegories of love flanking the case incorporating doves. A similar model, signed Lépine, can be seen in the collection of the Residenzmuseum, Munich, another housed in identical case can also be found at Château de Fontainebleau [See Hans Ottomeyer and Peter Pröschel, “Vergoldete Bronzen”, 1986, p. 248, pl. 4.6.13]. That model also features an allegory of Cupid, this time in the guise of a putti, descending from the opposite side. The modelling and chasing of the clouds is nearly identical to the present clock and the framing of the figures around the case is similar.

Another similar model, signed Lépine, resides in the Collection of the Louvre

Museum, Paris, and came from the collection of Queen Marie-Antoinette [See P. Kjellberg, La pendule française du Moyen-Age au XXe siècle, Les Éditions de l’Amateur, 1997, p.251 (pendule C) et 246 (pendule A), Archives nationales O13510)]. That model represents the “Return of Love” and shows figures of a winged putti offering a dove to a young maiden arranged in a similar posture around the clock. Both of those signed Lepine examples have very similar dials to the present clock, with the style of both the Arabic numerals and the signature near identical. Lépine’s early dials only had Arabic numerals for the hours and minutes, this was one of the firm’s specialities. He continued to use them until about 1789 when he reverted back to the more usual combination of Roman and Arabic numerals.

139

343 FRENCH LOUIS XVI STYLE GILT BRONZE AND BRASS CARTEL CLOCK LATE 19TH CENTURY the white enamel dial with Roman numerals and Arabic five minute markers, signed ‘Claudé, hger de la Marine, 36 Palais Royal, A Paris, the case surmounted by an urn with berry swags flanked by trailing ribbons, the sides with scrolling acanthus leaves and laurel sprays, the short trunk with laurel garland and pierced grills, the acanthus base with foliate berry terminal, the brass twin-train movement striking a bell 50cm high, 26cm wide, 10cm deep Provenance: Property from an East Lothian deceased estate

£600-800

344 LOUIS XV STYLE CARVED AND PARCEL-GILT WALNUT BAROMETER EARLY 20TH CENTURY the waisted case with acanthus scrolls and shell finial, the head set with a drum barometer, the trunk with a Fahrenheit thermometer and the base with a silvered dial timepiece clock 82cm high, 28cm wide

£400-600

345 PAIR OF FRENCH BRONZE FIGURES OF LOVERS LATE 19TH CENTURY modelled as a barefoot young couple in romanticised country dress, on naturalistic stump bases, the bases numbered ‘4051’ and ‘4052’ 31cm high Note: The subject of the present lot is most likely based on the wildly popular 18th century novel by Jacques-Henri Bernardin de Saint-Pierre and depicts the idyllic lovers Paul and Virginia

£1,000-1,500

346

347

GROUP OF MEISSEN PORCELAIN

MEISSEN FIGURE EMBLEMATIC OF AMERICA

LATE 18TH/EARLY 19TH CENTURY

MID 19TH CENTURY

comprising an ecuelle and cover, of ozier-moulded form painted with deutsche Blumen, underglaze blue crossed swords, 20cm wide; a tea canister painted in puce with flowers and foliage, blue crossed swords and star, 13.5cm high; and a cup and saucer of quatrelobed form, painted in puce with flowers and foliage, underglaze blue crossed swords (3)

from a set of four figures representing ‘The Continents’; underglaze blue crossed swords, one cancellation line, incised 1690; together with a MEISSEN FIGURE OF A LADY PLAYING A MANDOLIN, underglaze blue crossed swords, incised 1714 (2)

saucer 13cm wide

Provenance: Property of the late Mrs. Jean Bogie

Provenance: Property of the late Mrs. Jean Bogie

£250-350

America 16cm high, lady with mandolin 16.5cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140

348 VENETIAN ROCOCO GILTWOOD MIRROR 19TH CENTURY the arched shaped mirror plate in a carved and pierced frame with C scrolls, leaf scrolls and rocaille, and a foliate finial 159cm high, 88cm wide

£600-800

349 FRENCH LOUIS XV STYLE GILT AND PATINATED BRONZE AND MARBLE FIGURAL CANDELABRA LATE 19TH CENTURY with a seated putto supporting two pairs of scrolling acanthus candle arms, on a fluted rouge marble column base with gilt bronze laurel mounts and berry finials, fitted for electricity 40cm wide, 91cm high, 25cm deep (including fittings) Provenance: Property from an East Lothian deceased estate

£500-800

350 LOUIS XV STYLE KINGWOOD AND MARQUETRY MARBLE TOP COMMODE 20TH CENTURY the serpentine breche violette marble top with a moulded edge above two long drawers with flower marquetry and enclosed by rococo gilt bronze mounts, raised on square cabriole legs outlined in gilt bronze and ending in sabots 120cm wide, 87cm high, 56cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

141

351 PAIR OF LARGE LOUIS XVI STYLE BRECCIA PERNICE MARBLE AND GILT BRONZE MOUNTED URNS EARLY 20TH CENTURY the slender tapering variegated marble bodies surmounted with cornucopia finials, the bodies mounted with rams’ linked linked by garlands above stiff leaf bases, supported on socle bases set on square plinths (2) 18cm wide, 56cm high, 13cm deep

£1,500-2,500

352 FRENCH WHITE GLAZED TERRACOTTA BUST OF THE PRINCESS DE LAMBALLE (PRESUMED) 19TH CENTURY three-quarter length with loose curls falling on her shoulders, on an integral socle base, with glazed blue underlined ‘AMF’ and star marks 32cm wide, 56cm high, 20cm deep Provenance: Property from an East Lothian deceased estate

£250-350

353 PAIR OF SÈVRES STYLE BISCUIT PORCELAIN VASES WITH COVERS LATE 19TH CENTURY each of urn form, the domed covers with a fruiting vine finial and gilt metal mounts, the bodies with a biscuit frieze moulded with putti in motion draped with flower garlands; the rams’ head handles, scrolling frieze and other details on the body enamelled to simulating gilt metal, while the shoulder, lower body and foot are enamelled to simulate purple marble, the round socle foot on a square base, raised on gilt metal mounts (2) 41.5cm high

£300-500

142

354 FRENCH LOUIS XVI STYLE GILT BRONZE AND BRASS CARTEL CLOCK LATE 19TH CENTURY the white enamel dial with Roman numerals and Arabic five minute markers, the case surmounted by an urn with berry finial with drop ring handles flanked by trailing ribbons above a female mask, the sides with scrolling acanthus leaves and laurel sprays, the short trunk with a laurel garland and pierced grills, the acanthus base with foliate berry terminal, the brass twin-train movement with outside countwheel striking on a bell 53cm high, 26cm wide, 11cm deep Provenance: Property from an East Lothian deceased estate

£400-600

355 FRENCH KINGWOOD VERNIS MARTIN VITRINE LATE 19TH/ EARLY 20TH CENTURY the cavetto moulded and arched cornice above a pair of serpentine glazed doors and side lights with Vernis Martin panels of courting couples below, the interior lined with green brocade and fitted with glass shelves, raised on slightly splayed legs all outlined with gilt bronze mounts 127cm wide, 212cm high, 45cm deep Provenance: Property of the late Mrs. Jean Bogie

£800-1,200

143

356 FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK LATE 19TH CENTURY the porcelain dial with Roman numerals, the centre mask with a landscape scene with gilt borders and jewelling, the case surmounted by a twin handled urn, flanked by scroll ends with acanthus appliques, on a shaped base with laurel borders with toupie feet, the twin-train movement signed ‘J Marti & Cie’, striking on a bell 28cm wide, 40cm high, 14cm deep

£300-500

357 FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK,

BY HENRY MARC, PARIS LATE 19TH CENTURY the porcelain dial with Roman numerals, the centre mask with a landscape scene with gilt borders and jewelling, the case surmounted by a twin lion ring handled urn, flanked by porcelain columns, on a shaped base with porcelain panels in beaded borders with toupie feet, further mounted on a purple velvet and giltwood stand and an associated large oval glass dome, the twin train movement signed ‘Hy. Marc, Paris’ and stamped Japy Frères, striking on a bell the clock 26cm high, 46cm wide, 12cm deep

£500-800

358 PAIR OF FRENCH SÈVRES STYLE PORCELAIN AND GILT BRONZE URNS AND COVERS LATE 19TH CENTURY the ovoid porcelain bodies with pained reserves of classical figures and trophies in gilt and jewelled borders, the covers with berry finials, mounted with a pair of scrolling loop handles, on acanthus moulded quadripartite scroll supports set on a square plinth base with bracket feet (2) 20cm wide, 30cm high, 15cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

359 FRENCH WHITE MARBLE AND GILT BRONZE FOUR GLASS MANTEL CLOCK LATE 19TH CENTURY the white enamel dial with black Roman numerals linked by floral garlands, the case surmounted by a marble urn with gilt floral spray and mounts, the bevelled glass embellished with scrolling acanthus and trophy appliques to the sides, the marble base with acanthus moulding and scrolling friezes on toupie feet, a sunburst mask pendulum, the brass two-train movement striking a bell and signed Vincenti & Cie 20cm wide, 45cm high, 13cm deep

£600-800

360 FRENCH LOUIS PHILIPPE GILT AND PATINATED BRONZE PORTICO CLOCK MID 19TH CENTURY the gilt Roman numeral dial with moon hands, the architectural case with a stepped pediment on Gothic arches frieze, supporting a cylinder case with foliate bezel flanked by Corinthian columns, raised on a rectangular plinth base cast with further Gothic arches panels, on gilt bracket feet, the twin-train movement with outside countwheel striking a bell 52cm high, 26cm wide, 15cm deep Provenance: Property from an East Lothian deceased estate

£700-900

361 FRENCH EMPIRE GILT BRONZE AND BRASS FIGURAL MANTEL CLOCK EARLY 19TH CENTURY the white enamel dial with Roman numerals, in a rectangular pedestal case with pierced applique freize surmounted by an urn of flowers, flanked by the standing figure of a Muse dancing in flowing drapery with a wreath to one side, and a column plinth topped with a tazza to the other, raised on a plinth with a similar pierced frieze, on toupie feet, the twin train brass movement with outside countwheel striking a bell 26cm wide, 33cm high, 9cm deep Provenance: Property from an East Lothian deceased estate

£300-500

145

362 FRENCH GILT BRONZE FIGURAL TABLE LAMP EARLY 20TH CENTURY in the manner of Pierre-Jules Cavelier (French 18141894), modelled as a Classical female figure sleeping on a Klimos chair, a table set with a lamp behind her, the oval gilt base mounted with a light fitting 28cm wide, 30cm high, 10cm deep

£300-400

363 FRENCH SECOND EMPIRE SPECIMEN MARBLE AND GILTWOOD CENTRE TABLE LATE 19TH CENTURY the circular insert marble top comprising of a variety of marble and hardstone specimens, in a stiff leaf frame supported by three giltwood carved caryatid figures on a triform base raised on ceramic castors 60cm diameter, 90cm high

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

364 PAIR OF BRASS BAROQUE 17TH CENTURY STYLE LAMPS 20TH CENTURY of hexagonal baluster form, fitted for electricity 15cm diameter, 55cm high (including fitting)

£500-700

365 FRENCH GREEN ONYX AND PATINATED METAL FIGURAL MANTEL CLOCK EARLY 20TH CENTURY the cream enamel dial with Arabic numerals, the case cast with scrolling shell motifs, flanked by a pair of patinated bronze cherubs, surmounted by a patinated spelter figure group titled ‘Hésitation’ depicting a maiden with an infant, after Charles Anfrie (French 1833-1905), on a stepped rectangular base with cast scrolling paw feet, the twin-train movement striking a bell 34cm wide, 68cm high, 23cm deep

£400-600

366 Y FRENCH ROSEWOOD AND BRASS GLAZED BIJOUTERIE CASKET 19TH CENTURY rosewood with ebony stringing and brass mounts framing bevelled glass, opening to blue quilted cushion to the interior 31.5cm wide, 11cm high, 12cm deep

£400-600

367 Y NAPOLEON III EBONISED, TORTOISESHELL AND BOULLE MARQUETRY SIDE CABINET MID 19TH CENTURY the ebonised top above a pair of cupboard doors with raised oval panels in red tortoiseshell premiere partie marquetry, on a plinth base, with gilt metal mounts throughout 132cm wide, 112cm high, 43cm deep

£400-600

147

368 PAIR OF FRENCH BRONZE FIGURES OF PUTTI, AFTER CLODION LATE 19TH CENTURY dark brown patina, modelled dancing and playing instruments on naturalistic bases, mounted on black marble square plinths (2) 27cm high, 10cm square

£400-600

369 FRENCH BRONZE CLASSICAL BUST OF A YOUNG WOMAN LATE 19TH CENTURY dark brown patina, modelled as a nude female bust with Hellenistic hair style and downcast eyes, on a socle base, mounted on a yellow Siena marble marble and square plinth 39cm high, 16cm wide, 14cm deep

£600-800

370 PAIR OF FRENCH BRONZE FIGURES OF CHILD SATYRS, AFTER CLODION 19TH CENTURY dark brown patina, modelled as a young satyr playing with an owl and another bird, the other with a songbird with nest of chicks below, both on naturalistically modelled circular bases, mounted on moulded peach variegated marble plinth bases (2) 16cm diameter, 26cm high Provenance: Property from an East Lothian deceased estate

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

371 SECOND EMPIRE STYLE GILT AND PATINATED BRONZE FIGURAL CLOCK GARNITURE, BY CHARPENTIER ET CIE, PARIS LATE 19TH CENTURY the white dial with Roman numerals and moon hands, signed ‘Charpentier & Cie, Bronziers, Rue Charlot 8, Paris’, the square case flanked by two reclining patinated bronze figures of King Edward III and his son the Black Prince after Félix Maurice Charpentier (French 1858-1924), modelled as warriors in heraldic tunics and armour, set on a large black marble rectangular plinth base with gilt bronze moulding and bracket feet, the signed brass twin-train movement striking on a bell, with a pair of figural candlesticks en suite, with figures of knights in fleur-delys heraldic tunics and armour on hexagonal bases, holding aloft a large weapon trophy, surmounted by a lion mask helmet with single candle nozzle (3) the clock 75cm wide, 46cm high, 20cm high deep; the garnitures 86cm high, 24cm diameter

£5,000-8,000

Note: The firm of Charpentier & Cie was located at 8, rue Charlot (presumably next door to Paul Sormani) in Paris from 1860. From circa 1870 - 1890 they merged with Lemerle and exhibited at the Paris Exposition Universelle in 1878. Félix Maurice Charpentier (French 1858-1924) studied at the École des Beaux-Arts in Avignon, then worked in the studios of Jules Cavelier and Amédée Doublemard at the École des Beaux-Arts in Paris. After 1879 he exhibited at the Salon des Artists Francais.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

149

372 PAIR OF PATINATED BRONZE WALL LIGHTS 20TH CENTURY steel grey patina and polished bronze, the turned bodies with berry finials, the scrolling arms with harebell swags, the wide pans fitted for electricity, frosted glass flame shades (2) 28cm high, 29cm out form the wall

£300-500

373 NAPOLEON III EBONISED AND BOULLE MARQUETRY CABINET LATE 19TH CENTURY the top with projecting canted corners above deep frieze and pair of glazed doors enclosing a shelved interior and flanked by angles, all embellished with boulle marquetry and gilt bronze mounts, on a shaped plinth base 151cm wide, 110cm high, 39cm deep Provenance: Property of the late Mrs. Jean Bogie

£1,000-1,500

150

374 PAIR OF WALNUT X-FRAMED ARMCHAIRS LATE 19TH CENTURY with shaped ladderbacks and turned finials above curved padded seats flanked by open arms continuing to shaped X-frame legs joined by a stretcher rail, eached stamped with initials ARH and no. 4650 (2) 54cm wide, 88cm high, 51cm deep

£700-900

375 PAIR OF LARGE DANISH MAHOGANY URN PEDESTAL CABINETS MID 19TH CENTURY the square tops with circular plinths for urns above ogee moulded frieze drawers, over bowfront panel doors flanked by pilasters capped with carved acanthus volutes and enclosing shelved interiors, on plinth bases with deep drawers with mother-of-pearl escutcheons (2) 68cm wide, 147cm high, 50cm deep

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

151

376 CARVED WALNUT ROCOCO STYLE MIRROR 19TH CENTURY the arched rectangular mirror plate in a reeded frame enclosed by open foliate scrolls 106cm wide, 68cm Provenance: Property from an East Lothian deceased estate

£300-500

377 Y MATCHED PAIR OF FRENCH GOTHIC REVIVAL TEA TABLES MID 19TH CENTURY one in mahogany, the other rosewood, of matching design and size, the shaped tilt tops with a moulded edge on fluted columns and scrolling tripod bases (2) 66cm diameter, 69cm high

£1,000-1,500

378 FRENCH MAHOGANY BRASS INLAID CENTRE TABLE LATE 19TH CENTURY the rectangular brass banded top inlaid with foliate scrolls, urns and drapery swags, above a long frieze drawer, raised on tapered legs joined by a curved X form stretcher 110cm wide, 78cm high, 63cm deep

£400-600

152

379 GERMAN ERZGEBIRGE PAINTED WOOD NOAH’S ARK WITH ANIMALS 19TH CENTURY the ark modelled as a grey building with painted windows and a gable roof with a drapery swag frieze, the roof painted with a dove holding the olive branch, one side sliding to open the interior, with figures of Noah, his wife and filled with approximately fifty pairs of carved wood animals including camels, wolves, giraffes, elephants, leopards, lions, deer, cats, dogs, birds, farm animals, etc. (qty) 58cm wide, 36cm high, 16cm deep

£800-1,200

380 BLACK FOREST CARVED WOOD BEAR STICK STAND LATE 19TH CENTURY standing upright holding a branch in it’s arms, on a stepped rectangular base with an insert metal drip pan 32cm wide, 86cm high, 48cm deep

£1,000-1,500

381 BLACK FOREST CARVED LINDEN WOOD WORK BOX LATE 19TH CENTURY the hinged top with a carved recumbent dog and a moulded edge, opening to a void interior with a lift-out tray and mirror, the sides carved to simulate lattice with trailing husks at the corners, on stick carved legs joined by an undertier carved with a bird on a nest 34cm wide, 80cm high, 34cm deep

£500-700

153

382 GERMAN CLOCKWORK DUCK NODDER EARLY 20TH CENTURY the papier-mâché body covered in baize painted as feathers, the weighted head with glass eyes and moving beak, raised on painted metal feet, having a key-wound clockwork mechanism 27.5cm high, 26cm long

£300-500

383 GERMAN ERZGEBIRGE PAINTED WOOD NOAH’S ARK WITH ANIMALS LATE 19TH CENTURY the ark painted grey and green with painted windows and a gable roof, one side of the roof hinged, with figures of Noah, his wife, and approximately twenty-five pairs of carved wood animals including zebras, rhinoceroses, giraffes, elephants, tigers, lions, ostriches, pelicans, farm animals, etc. (qty) 70cm wide, 37cm high, 20cm deep

£500-700

384 GERMAN LARGE CLOCKWORK GOOSE NODDER the papier-mâché body covered in baize with painted feathers and standing on painted metal feet, the weighted head with glass eyes and moving beak, having a key-wound clockwork mechanism 36.5cm high, 42cm long

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

154

385 SUITE OF CHINOISERIE ENGRAVED GLASSES EARLY 19TH CENTURY each wheel engraved with scenes incorporating Chinese figures at leisure, pavillions, rockwork and trees in blossom; raised on faceted baluster stems and domed folded foot engraved with a diaper border; comprising ten red wine glasses, 16.8cm high; eleven white wine glasses, 14.2cm high; nine port glasses, 13cm high; and nine liqueur glasses, 12.5cm high; and twelve champagne glasses, 12.7cm high red wine glass 16.8cm high

£1,000-1,500

386 ROYAL COPENHAGEN ‘BLUE FLUTED’ PART DINNER SERVICE 20TH CENTURY comprising five dinner plates, 25.5cm diam; four dinner plates, 24cm diam; five salad plates, 21cm diam; eleven side plates, 17cm diam; one side plate, 15.5cm diam; eight cereal bowls; thirteen soup bowls; two round cake plates; 22.5cm diam; two small octagonal dishes; one shaped dish with an undulating rim; a sugar bowl and cover; and a small cream jug, together with a PAIR OF FLORAL DECORATED CANDLESTICKS on an octagonal base; green painted and underglaze blue factory marks candlesticks 11cm high

£400-600

155

387 MURANO GLASS AND GILT METAL BOX, IN THE STYLE OF MOSER LATE 19TH/ EARLY 20TH CENTURY of rounded rectangular domed form, the hinged lid opening to a void interior and marked 18., decorated with ‘tre fuochi’ stylised porcelain hanging flowers and scrollwork, on open wirework ball feet 13cm wide, 14cm high, 10cm deep

£300-500

388 RUSSIAN PORCELAIN VASE

BY VIKTOR MIKHAILOVICH ZHBANOV, LOMONOSOV PORCELAIN FACTORY CIRCA 1970 the vase of bulbous form tapering to a narrow neck, decorated with trees heavily laden with snow, on a dark grey ground, marked with factory mark and ‘Made in USSR, Hand Painted, Author V. Zhbanov’ 25cm high

£300-500

Note: Viktor Mikhailovich Zhbanov (1920-1988) was a leading artist of the Lomonosov Porcelain Factory. His works are preserved at the State Hermitage Museum and other Russian museum collections. For other vases by this artist, please see Galina Agarkova and Nataliya Petrova, 250 Years of Lomonosov Porcelain Manufacture St. Petersburg 1744-1994, St. Petersburg, 1994, p. 205.

389 PAIR OF LARGE ENAMELLED AND GILT BOHEMIAN GLASS LUSTRES 19TH CENTURY with a bulbous flared shade with a serrated gilt rim, over a glass socle and dome hung with clear glass prisms, on a baluster stem and circular foot, with cut glass stylised scrolling decoration throughout and enamel scrolls in yellow, blue and red (2) 68cm high

£400-600

390 PAIR OF LARGE MURANO ENAMEL AND GILT GLASS TRUMPET VASES 20TH CENTURY of tall tapering form with a serrated rim, profusely decorated with flowers and gilt scrolls using the ‘tre fuochi’ technique, raised on a round foot, unmarked (2) 62.5cm high

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

156

391 BLACK FOREST CARVED LINDEN WOOD ROE DEER ANTLERS TROPHY MOUNT LATE 19TH CENTURY realistically carved with glass eyes, mounted on a shield-shaped wall plaque carved with oak leaves 78cm high, 28cm wide

£600-800

392 TAXIDERMY MOUNTED ROYAL RED STAG ANTLERS TROPHY LATE 19TH CENTURY with twelve points and partical skull mounted on a pierced and carved panel carved with oak branches and acorns against mantling 90cm wide, 120cm high

£400-600

393 SWISS WALNUT AND MARQUETRY MUSICAL SIDE CHAIR the hinged and carved seat back pierced and carved with edelweiss, foliage, goats with a herder, the shaped seat with a cartouche and ibex, opening to reveal a later music box movement 46cm wide, 94cm high, 32cm deep

£250-350

394 MAHOGANY AND MARQUETRY SPICE CABINET LATE 19TH CENTURY of rectangular form with a moulded pediment, two short drawers over an alcove flanked by two cupboards with two short drawers below, all with foliate marquetry, on a plinth base 37cm high, 57cm high, 18cm deep

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Right Lot 423 [detail]

PAINTINGS PART II

158

395 JOHN WALLACE TUCKER (BRITISH 1808-1869) UNLOADING THE CATCH Signed, oil on panel, and a companion, a pair, ‘Repairing the Nets’ (2) each 23cm x 30.5cm (9in x 13in)

£800-1,200

396 SIR JOHN WATSON GORDON R.A., P.R.S.A (SCOTTISH 1788-1864) PORTRAIT OF A LADY IN WHITE Oil on canvas 75cm x 62.5cm (29.5in x 24.75in)

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

159

397 JAMES SANT (BRITISH 1820-1916) HALF LENGTH PORTRAIT OF AN EDWARDIAN BEAUTY Signed with monogram, oil on canvas 76cm x 61cm (30in x 24in)

£800-1,200

398 EDWARD ARTHUR WALTON R.S.A., R.S.W., R.W.S. (SCOTTISH 1860-1922) PORTRAIT STUDY Signed, oil on canvas 51cm x 43.5cm (20in x 17in)

£800-1,200

399 ALFRED WHEELER (BRITISH 1851-1932) HORSE AND HOUND STUDIES Signed with initials, five studies within one mount, oil on board Four 8cm x 8cm (3.25in x 3.25in) and one oval 10cm x 14cm (4in x 5.5in)

£500-700

160

400 MUNGO BURTON A.R.S.A (SCOTTISH 1799-1882) LEARNING TO READ Signed and numbered ‘3’ on the stretcher verso, oil on canvas 69cm x 91cm (27in x 36in)

£800-1,200

401 JACQUES LEON DUSAUTOY (FRENCH 1817-1894) PINK AND WHITE ROSES Signed, oil on canvas 44.5cm x 37cm (17.5in x 14.5in)

£500-800

402 WILLIAM HENRY KNIGHT (BRITISH 1823-1863) WHISKY TASTER Inscribed on a contemporary label verso, oil on panel 32.5cm x 43cm (12.75in x 17in)

£600-800

161

403 ERNEST MASSON (FRENCH 19/20TH CENTURY) THE MUSHROOM GATHERER Signed, oil on canvas 114cm x 91cm (45in x 36in)

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

404 REMBRANDT VAN RIJN (DUTCH 1606-1669) CHRIST AT EMMAUS: THE LARGER PLATE (BARTSCH 87; NEW HOLLSTEIN 283) Etching and drypoint, 1654, signed and dated in plate, New Hollstein’s fourth state of five, on laid paper without watermark plate size 21cm x 16.2cm (8.25in x 6.5in), the sheet 22.5cm x 17cm)

£1,200-1,800

405 JAMES ABBOTT MCNEILL WHISTLER R.B.A. (AMERICAN 1834-1903) THE TOILET (WAY 6; LEVY 12, 13; STRATIS/TEDESCHI 10) Lithotint with scraping and incising on a prepared half-tint ground, 1878, signed with artist’s butterfly monogram in stone, from the third state of five image size 26cm x 16.4cm (10.25in x 6.5in) Note: The sitter is Maud Franklin, Whistler’s mistress and frequent subject during this period.

£2,000-3,000

163

406 ARTURO MORADEI (ITALIAN 1840-1901) ROMAN MILK SELLER Indistinctly signed and dated ‘77, oil on canvas 93cm x 71cm (37cm x 28in)

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

164

407 BERNARD DE HOOG (DUTCH 1867-1943) TENDING BABY Signed, oil on canvas 41cm x 31cm (16in x 12in)

£500-700

408 LAMMERT VAN DER TONGE (DUTCH 1871-1937) LEARNING TO READ Signed, oil on canvas 61cm x 71cm (24in x 28in)

£500-700

165

409 PIERRE EDOUARD FRERE (FRENCH 1819-1886) LE DEJEUNER Signed and dated 1876, oil on panel 38cm x 46cm (15in x 18in)

£500-800

410 BERNARD DE HOOG (DUTCH 1867-1943) THE MIXING BOWL Signed, oil on canvas 51cm x 41cm (20in x 16in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

411 GEORGE HOUSTON R.S.A, R.S.W., R.G.I. (SCOTTISH 1869-1947) ON THE BANKS OF LOCH FYNE Signed, oil on canvas 71cm x 91cm (28in x 36in) Provenance: Calton Gallery, Edinburgh, Christmas Exhibition, 1996

£800-1,200

412 ARTHUR HUGHES (BRITISH 1832-1915) THE TRESPASSER Signed twice, oil on board 30.5cm x 41cm (12in x 16in)

£500-800

413 § VERONICA BURLEIGH (BRITISH 1909-1999) HALF LENGTH PORTRAIT OF A YOUNG WOMAN IN GREEN AND ORANGE Inscribed on the overlap verso, oil on canvas 46cm x 36cm (18in x 14in) Note: This is believed to be a self portrait of the artist

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

414 § HUGH GOLDWIN RIVIERE (BRITISH 1869-1956) FULL LENGTH PORTRAIT OF AUDREY YARROW Signed, oil on canvas 175cm x 107cm (69in x 42in)

£500-800

167

168

415 JOHN HORACE HOOPER (BRITISH 1820-1916)) COMING THOUGH THE LOCK Signed, signed and inscribed verso, oil on canvas 61cm x 107cm (24in x 42in)

£600-800

416 DANIEL SHERRIN (BRITISH 1868-1940) A SURREY VILLAGE SUNSET Signed, oil on canvas 51cm x 76cm (20in x 30in)

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

169

417 § ANTOINE BOUVARD (FRENCH 1870-1956) ON A VENETIAN CANAL Signed, oil on canvas 25.5cm x 33cm (10in x 13in)

£3,000-5,000

170

418 § WILLIAM HEATON COOPER (BRITISH 1903-1995) INGLEBOROUGH Signed, watercolour 27cm x 38cm (10.5in x 15in)

£500-800

419 § WILLIAM HEATON COOPER (BRITISH 1903-1995) ROAD THROUGH THE LAKES Signed, watercolour 36cm x 54cm (14in x 21in)

£600-900

420 EDWARD STOTT (BRITISH 1859-1918) A WOODLAND STREAM Signed with trustee’s stamp, pastel 42cm x 46cm (16.5in x 18in)

£400-600

171

421 MAURICE CANNING WILKS (IRISH 1911-1984) ON ACHILL ISLAND, CO. MAYO Signed and inscribed verso, oil on canvas 56cm x 71cm (22in x 28in)

£1,500-2,000

422 § GYRTH RUSSELL (CANADIAN 1892-1970) NEWLYN HARBOUR Signed, signed, titled and dated to canvas overlap verso, oil on canvas 38cm x 54cm (15in x 21in) Exhibited: Royal Institute of Oil Painters The Society of Marine Artists, 1948

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

423 §

424 §

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969)

SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969)

BROCANTEUR

THE ORNAMENTAL GARDEN

Signed, watercolour

Signed, watercolour

51cm x 68cm (21in x 26.5in)

37cm x 56cm (14.5in x 22in)

£2,000-3,000

£1,200-1,500

173

425 § SIR WILLIAM RUSSELL FLINT P.R.A., P.R.W.S., R.S.W., R.O.I., R.E. (SCOTTISH 1880-1969) BATHERS IN THE LOIRE Signed, watercolour 36cm x 55cm (14in x 21.5in)

£2,000-3,000

426 § JAN ZOETLIEF TROMP (DUTCH 1872-1947) THE YOUNG FAMILY Signed and inscribed on a label verso ‘With hearty feelings and all good wishes for the marriage of Mr D.R.M.Robertson to Miss Ch.Scott from Mr & Mrs J.Zoetelief Tromp’, watercolour 14.5cm x 19cm (5.75in x 7.5in)

£1,200-1,800

427 JAMES THOMAS WATTS (BRITISH 1853-1930) ON A WOODLAND PATH Signed, watercolour 25.5cm x 20cm (10in x 8in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174

428 § GYRTH RUSSELL (CANADIAN 1892-1970) MUD Signed, oil on canvas 54cm x 76cm (21in x 30in) Exhibited: Royal Institute of Oil Painters, no.1

£700-1,000

429 DORIS CLARE ZINKEISEN (BRITISH 18998-1990) SUMMER AFTERNOON Signed, oil on canvas 44cm x 54.5cm (17.25in x 21.5in) Provenance: The Fine Art Society Ltd., London, April 1956

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

175

430 § LAURENCE BIDDLE (BRITISH 1888-1968) STILL LIFE IN A CHINESE VASE Signed and dated ‘50, with label verso itemising the individual flowers and with the catalogue reference L39, oil on canvas 30.5cm x 46cm (12in x 18in) Provenance: M.Newman Ltd, London

£500-800

431 § LAURENCE BIDDLE (BRITISH 1888-1968) FLOWERS IN AN ORIENTAL VASE Signed and dated ‘46, inscribed on a label verso with the individual flowers depicted and marked A46 in the artist’s catalogue, oil on board 28.5cm x 44cm (11.25in x 17.25in) Provenance: Fine Art Society Ltd, London

£500-800

176

432 § ANTOINE BLANCHARD (FRENCH 1910-1988) PARISIAN STREET SCENE Signed, oil on canvas 46cm x 53cm (18in x 21in)

£800-1,200

433 § LAURENCE BIDDLE (BRITISH 1888-1968) STILL LIFE IN RED AND WHITE CHINESE BOWL Signed and dated ‘47, oil on board 28cm x 44cm (11in x 17.25in)

£500-800

Right Lot 438 [detail] Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

177

ASIAN & ISLAMIC FURNITURE & WORKS OF ART

178

434 Y CHINESE EXPORT BLACK LACQUER PARCEL-GILT BONHEUR DU JOUR EARLY 19TH CENTURY the upper part with a foliate and scroll pediment above a pair of doors opening to an interior fitted with pigeon holes, drawers, watch aperture and a mirror, above a divided and hinged surface opening to further compartments and trays, over a frieze drawer fitted with a slope, raised on turned and tapered legs ending in bun feet 61cm wide, 160cm high, 59cm deep Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference 2Q596431.

£1,200-1,800

179

435 PAIR OF CHINESE EXPORT FAMILLE ROSE BALUSTER VASES LATE 19TH CENTURY decorated with reserves of court figures, flowers, and birds, with an iron red band to the shoulder, all enhanced with gilding, now drilled and mounted as lamps with cream box pleated silk shades (2) 68cm high excluding fittings

£1,000-1,500

436 CHINESE EXPORT BLACK LACQUER PARCEL-GILT TEA TABLE EARLY 19TH CENTURY the circular tilt top decorated with a landscape view with pavilions, pagoda and gardens within a dragon border, on a turned column support with a triform base carved with dragon head feet with castors 93cm diameter, 75cm high Provenance: Property from a Scottish country house

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

180

437 BENARES BRASS AND HARDWOOD TRAY TABLE 19TH CENTURY the circular brass tray top with punch decorated with exotic animals and goddesses, on a folding stand with turned supports and stretchers 76cm diameter, 56cm high

£300-500

438 INDIAN CARVED PADOUK SIDE TABLE LATE 19TH CENTURY the rectangular top with a circular reserve carved with a peacock, within a wide border of foliate filigree, above a carved frieze and raised on square straight legs carved with scrolls, the forelegs with large carved dragons 127cm wide, 78cm high, 63cm deep

£300-500

439 LARGE ANGLO-INDIAN TEAK BREAKFAST TABLE 19TH CENTURY the circular tilt top with a foliate carved edge above a scrolling leaf and flowerhead frieze with gadrooned banding, raised on a lotus and acanthus carved baluster column and quadripartite base with bun feet and ceramic castors 153cm diameter, 77cm high

£600-800

181

440 ANGLO-INDIAN CARVED PADOUK SIDE CHAIR 19TH CENTURY the tall back pierced and carved with foliate scrolls, lotus, and a peacock cresting, over a padded seat covered in floral needlework, raised on foliate carved cabriole legs 57cm wide, 106cm high, 39cm deep

£600-800

441 ANGLO-INDIAN PADOUK WHATNOT MID 19TH CENTURY with three square gadrooned tiers raised and divided by spiral turned columns and turned finials 46cm wide, 122cm high, 46cm deep

£1,000-1,500

442 ANGLO-INDIAN CANED HARDWOOD DAYBED 19TH CENTURY the open back with reeded frame and serpentine top rail centred by a carved lotus motif, above a long caned seat and outscrolling arms, raised on flower head carved and reeded tapered legs, with a loose cushion seat covered in ticking 214cm wide, 94cm high, 75cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

182

443 PAIR OF ANGLO-INDIAN PADOUK OCCASIONAL TABLES 19TH CENTURY the circular tops with egg and dart carved borders above carved scrolling foliate and pierced friezes, raised on leaf-carved baluster columns with pierced and carved triform supports, all profusely carved with leaf scrolls and fruit, the triform bases carved with recumbant lions and scrolled feet (2) 59cm diameter, 74cm high

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

183

444 MUGHAL NAUTILUS SHELL AND MOTHER-OF-PEARL GUNPOWDER FLASK, BARUTDAN GUJARAT, INDIA, 18TH CENTURY formed from a nautilus shell, with a cylindrical register composed of cut mother-of-pearl tesserae applied in a stellar and geometric pattern on the top and in a lobed, volute-shaped design around the neck, a securing belt brass ring to the back, with a metal finial and lid, connecting to a chain and ring 16cm long, 10.5cm lid diameter

£300-500

445 SPANISH SILVERED AND GILT DAMASCENED METAL BOX LATE 19TH CENTURY in the manner of Placido Zuloaga, Eibar, embossed and engraved with varied geometric motifs and arabesque decoration, with a pair of small swing hands on gilt winged paw feet, the rectangular hinged lid opening to a red velvet-lined interior 9cm wide, 6cm high, 5.5cm deep

£300-500

446 SPANISH SILVERED AND GILT DAMASCENED CAST IRON CHAMBER STICK, IN THE MANNER OF PLACIDO ZULOAGA LATE 19TH CENTURY the circular base inlaid with a border of hippocamps within scrolling foliate arabesques, the urn shaped oil reservoir on a wishbone gimble and decorated with mythical beasts, with a single scroll handle 16cm high, 15cm diameter

£300-500

447 PERSIAN SILVERED BRASS CASKET LATE 19TH CENTURY the panels embossed and engraved with geometric patterns and arabesque motifs, the lid and front with calligraphy inscriptions, with caddy top lid opening to a wood lined interior 14.5cm wide, 8.5cm high, 7.5cm deep

£300-500

184

RUGS & CARPETS 448 TABRIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the pale blue field with cream and pale blue medallion, cream spandrels, script inner border and cream main border 280cm x 188cm

£500-700

449 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY of Ardebil design, the indigo field with cream medallion suspending pendants, similar spandrels, within indigo border 306cm x 204cm

£600-800

450 HERIZ CARPET NORTHWEST PERSIA, MODERN the light red field with brown star medallion, cream spandrels, within brown border 298cm x 243cm

£800-1,200

185

451 ZIEGLER CARPET SULTANABAD, WEST PERSIA, LATE 19TH CENTURY the dark indigo field with allover palmette and scrolling vine pattern, within red border 245cm x 286cm

£700-1,000

452 KAZAK CARPET SOUTH CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and red rectangular medallion, indigo spandrels, within triple red and blue borders 237cm x 150cm

£800-1,200

453 TEKKE CARPET TURKMENISTAN, EARLY/MID 20TH CENTURY the strong pink field with allover gul pattern, within red border 311cm x 230cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

186

454 TABRIZ CARPET, SIGNED ASGHARI NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette pattern, within red border, signature to one corner 364cm x 266cm

£400-600

455 TABRIZ CARPET, SIGNED AMIR KHIZI JAVAN NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and scrolling vine pattern, within olive green border, signature to one end 377cm x 290cm

£2,000-3,000

456 MASHAD CARPET, SIGNED AMOGHLI NORTHEAST PERSIA, MID 20TH CENTURY the camel field with allover palmette and foliate vine pattern, within camel border, signature to one end 387cm x 295cm

£700-1,000

187

457 KHORASSAN CARPET EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the dark red field with indigo and ivory medallion, indigo spandrels, within indigo border 508cm x 9344cm

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

188

458 HERIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the red field with indigo star medallion, ivory and salmon pink spandrels, within indigo border 360cm x 248cm

£400-600

459 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and scrolling vine pattern, within light pink border 394cm x 296cm

£1,500-2,500

460 KHORASSAN CARPET EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the purple field with indigo medallion, green spandrels, within lime green border 370cm x 260cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

189

461 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with cream and indigo medallion, indigo spandrels, within indigo border 338cm x 260cm

£600-800

462 KASHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the eau de nil field with allover scrolling vine and palmette pattern, within olive border, signature to one end 376cm x 305cm

£1,000-1,500

463 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette pattern, within cream border 382cm x 297cm

£300-500

190

464 QASHQAI RUG SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the rust brown field with ivory lozenge medallion, indigo spandrels, within multiple borders 203cm x 140cm

£300-500

465 KASHAN RUG CENTRAL PERSIA, EARLY 20TH CENTURY the red field with indigo and ivory medallion, indigo spandrels, within indigo border 208cm x 135cm

£250-350

466 USHAK RUG WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the light blue field with two salmon pink palmettes, within salmon pink border 201cm x 120cm

£250-350

467 QASHQAI RUG SOUTH PERSIA, LATE 19TH/EARLY 20TH CENTURY the blue field with six rust brown and ivory medallions, within narrow polychrome border 182cm x 153cm

£250-350

191

468 LAVAR KIRMAN RUG SOUTHEAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the raspberry red field with shaped indigo and floral medallion, cream spandrels, within raspberry red border 222cm x 145cm

£1,000-1,500

469 VARAMIN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the indigo field with allover palmette lattice pattern, within red border 325cm x 205cm

£2,000-3,000

470 KIRMAN CARPET SOUTHEAST PERSIA, MID 20TH CENTURY the plain slate blue field with pink and cream floral medallion, cream spandrels, within grey border 338cm x 268cm

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

192

471 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with brown and indigo medallion, dark red spandrels, within lemon border 347cm x 250cm

£700-1,000

472 TABRIZ ‘HUNTING’ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the ivory field with large rust red medallion, similar small spandrels, within indigo border 493cm x 360cm

473 TABRIZ CARPET NORTHWEST PERSIA, MODERN the light red field with allover palmette and scrolling vine pattern, within lemon border 375cm x 290cm

£700-1,000

£1,000-1,500

193

474 LARGE AUBUSSON CARPET FRANCE, MID/LATE 19TH CENTURY the cream field with floral medallion, inner red and outer cream bands with lion and fruit roundels, within floral outer border 696cm x 490cm

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

475 KARAJA RUNNER NORTHWEST PERSIA, LATE 20TH CENTURY the red field with multiple poychrome medallions, within narrow triple borders 487cm x 93cm

£800-1,200

476 KARAJA RUNNER NORTHWEST PERSIA, MODERN the pinkish red field with multiple polychrome medallions, within narrow ivory border 475cm x 90cm

£800-1,200

477 TABRIZ RUNNER NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red field with allover palmette and scrolling vine pattern, within green border 393cm x 98cm

£800-1,200

478 USHAK RUNNER WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with multiple turquoise and light blue medallions, within narrow turquoise border 253cm x 93cm

£400-600

195

479 LONG KARAJA RUNNER NORTHWEST PERSIA, MODERN the ivory field with column of multiple polychrome medallions, within narrow indigo border 742cm x 73cm

£1,500-2,500

480 KARAJA RUNNER NORTHWEST PERSIA, MODERN the red field with column of multiple polychrome medallions, within indigo border 469cm x 94cm

£800-1,200

481 KARAJA RUNNER NORTHWEST PERSIA, MODERN the red field with multiple polychrome medallions, within indigo border 420cm x 72cm

£800-1,200

482 LURI PICTORAL RUNNER WEST PERSIA, MID/LATE 20TH CENTURY the ivory field with four horse riders, within narrow geometric border 400cm x 146cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

196

483 KHOTAN CARPET EAST TURKESTAN, MID/LATE 20TH CENTURY the light purple field with camel medallion, red spandrels, within multiple borders 395cm x 300cm

£800-1,200

484 SAROUK MAHAL CARPET WEST PERSIA, EARLY/MID 20TH CENTURY

485 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette pattern, within light brown border 400cm x 289cm

£500-700

the red field with small cream medallion, polychrome spandrels, within cream border 427cm x 320cm

£1,500-2,500

197

486 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the crimson red field with allover palmette and scrolling vine pattern, signature to one end 434cm x 400cm

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

198

487 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette pattern, within cream border, signature to one end 390cm x 298cm

£400-600

488 ISFAHAN CARPET CENTRAL PERSIA, MODERN the red field with cream medallion, similar spandrels, within indigo border 487cm x 305cm

£400-600

489 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover polychrome medallion pattern, within indigo border 396cm x 286cm

£300-500

199

490 HERIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the red field with large grey and red medallion, ivory, red and grey spandrels, within grey border 412cm x 318cm

£2,000-3,000

491 SAROUK MAHAL CARPET WEST PERSIA, MODERN the indigo field with blue and ivory medallion, ivory spandrels, within red border 370cm x 270cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

200

492 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the indigo field with allover palmette and scrolling vine pattern, within red border 380cm x 300cm

£1,000-1,500

493 TABRIZ CARPET, SIGNED GHOL GHASEMI NORTHWEST PERSIA, MID 20TH CENTURY the turquoise field with allover palmette pattern, within rust brown border, signature to one end 336cm x 252cm

£1,000-1,500

494 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the dark red field with indigo and red medallion, ivory, red and indigo spandrels, within indigo border 370cm x 235cm

£700-1,000

201

495 KASHAN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the indigo field with allover palmette and scrolling vine pattern, within indigo border 376cm x 300cm

£2,000-3,000

496 MASHAD CARPET NORTHEAST PERSIA, MODERN the blue field with allover floral spray pattern, no borders 345cm x 246cm

£800-1,200

497 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the cream field with allover palmette and scrolling vine pattern, within indigo border 396cm x 303cm

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

GARDEN & ARCHITECTURE

203

498 NINE LAMINATED COLOURED GLASS WALL APPLIQUES MID 20TH CENTURY various shapes, some in the form of Chinese lanterns: to include a pair of circular lanterns with a Chinese symbol, 63cm high; a pair of cylindrical Chinese lanters, 81cm high; a pair of green facetted lanterns with ‘jewel’ mounts, 97cm high; a pair saucer-shaped lanterns with pointed finials, 92cm high; and a single oblong applique with rounded ends, 121cm high (9) heights 63cm - 121cm Provenance: Property from an East Lothian deceased estate

£1,000-1,500

499 PAIR OF LEEDS POTTERY LEFCOWARE FIRECLAY LOW URNS EARLY 20TH CENTURY of low lobed form with a band of flowerheads, on separate socle bases, in a buff glaze, impressed marks (2) 50cm diameter, 51cm high

£500-700

204

500 ELEVEN VICTORIAN CAST IRON FINIALS 19TH CENTURY to include five cruciform examples, one corner cruciform example, and five pinecone examples, each on an integral cast bracket (11) larger set 26cm high, 15cm wide Provenance: Property from an East Lothian deceased estate

£250-350

501 PAIR OF VICTORIAN CAST IRON GARDEN URNS 19TH CENTURY of campana form with a beaded rim above bands of foliate scrolls and flower heads, loop handles to the sides, part reeded bodies on fluted socles and square bases and stone plinths (2) 46cm diameter, 68cm high overall Provenance: Property from an East Lothian deceased estate

£400-600

502 GROUP OF MARBLE GARDEN ORNAMENTS 19TH CENTURY, POSSIBLY INCLUDING EARLY ELEMENTS to include a fluted column base, carved capital and baluster 86cm high and 98cm high Provenance: Cassencarie House, Dumries and Galloway

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

205

503 GREEN WITCH’S BALL 19TH CENTURY of typical form, with fittings for hanging 28cm high

£250-350

504 CARVED MARBLE HEAD OF A YOUNG WOMAN POSSIBLY ROMAN on an associated socle Head 23cm high; 33cm high overall Provenance: Cassencarie House, Dumries and Galloway

£300-500

505 VICTORIAN CAST IRON CONSERVATORY TABLE 19TH CENTURY the rectangular open lattice tops on gothic style cluster column legs joined by an X stretcher 93cm wide, 72cm high, 48cm deep Provenance: Property from an East Lothian deceased estate

£300-500

506 PAIR OF LARGE PAINTED COMPOSITION STONE URNS EARLY 20TH CENTURY the sides relief cast with a continuous scene of a bacchanalian parade, on fluted socle bases (2) 91cm high overall, 58cm diameter

£600-800

206

507 SUITE OF VICTORIAN CAST IRON AND SHEET METAL CONSERVATORY SHELVES 19TH CENTURY to include two wall-mounted graduated three-tier units with galleried tops, and a single shelf unit with a gallery rail, all with shaped lower tiers and rectangular upper tiers, on painted cast iron lion monopodia supports Pair 199cm wide, 220cm high, 76cm deep approximately; single 199cm wide, 73cm high, 76cm deep

£2,000-3,000

508 GROUP OF TWENTY-SIX WHICHFORD POTTERY TERRACOTTA KITCHEN GARDEN POTS MODERN impressed marks to the rims, stamped 1237 on the bases 26cm high, 29cm diameter

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

CLASSICAL ANCIENT ART AUCTION 21 ST MARCH 2024 LIVE ONLINE VIEWING AT CROMWELL PLACE, LONDON 18TH – 20TH MARCH 10-5PM

A ROMAN OVER-LIFE-SIZE MARBLE BUST OF A LADY MID-1ST CENTURY A.D. 97cm high

£20,000-30,000 + fees

For more information please contact Alex Tweedy alex.tweedy@lyonandturnbull.com 0131 557 8844

EDINBURGH 0131 557 8844 | LONDON 020 7930 9115 | GLASGOW 0141 333 1992 | Browse & Bid Online www.lyonandturnbull.com

208

CONDITIONS OF SALE 22.3 FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller. Lyon & Turnbull Ltd. acts as agent for the Seller. On occasion where Lyon & Turnbull Ltd. own a lot in part or full the property will be identified in the catalogue with the symbol (🄰) next to its lot number.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for

any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/ newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed. Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted.

These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no

warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance

209 reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding.

Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding.

(c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots. The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and

bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used.

We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items.

(c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD

210 or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by

the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant antimoney laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of moneylaundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until

You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. C OLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites

211 We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead.

Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security

arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates

stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

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GUIDE TO BIDDING & PAYMENT

REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Lot 294 [detail]

LOND ON | EDINB URGH | GL A SGOW LYONA NDT UR NBULL.COM