FIVE CENTURIES | Auction 31 August & 01 September 2022

31ST AUGUST & 1ST SEPTEMBER 2022 EDINBURGH LIVE ONLINE

WEDNESDAY 31 AUGUST & THURSDAY 01 SEPTEMBER 2022 AT 10AM

Sale Number LT710

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday 27th August 12 noon - 4pm Sunday 28th August 12 noon - 4pm Monday 29th August 10am-5pm Tuesday 30th August 10am-5pm Day of sale from 9am

Front Cover Lot 234 [detail] Inside Front Cover Lot 196 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

26% up to £20,000 25% from £20,001 to £500,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT †V AT at the standard rate payable on the hammer price ‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

Our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain.

For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Katherine Wright

Furniture & Clocks

Paintings & Drawings

Ceramics & Glass

Gavin Strang

Katie Hannah

Jamie Russell

Kerstin Schaeffer

Rugs & Carpets

Furniture & Works of Art

Furniture & Clocks

Junior Specialist: Works of Art

ORDER OF SALE Lot No.

WEDNESDAY, 31ST AUGUST AT 10AM

1-241

British Furniture, Paintings & Works of Art Part One

THURSDAY, 1ST SEPTEMBER AT 10AM 242-338

British Furniture, Paintings & Works of Art Part Two

339-435

Continental Furniture, Paintings & Works of Art

436-443

Indian & Islamic Furniture & Works of Art

444-498

Rugs & Carpets

499-507

Garden

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BRITISH FURNITURE, PAINTINGS & WORKS OF ART

1 CHARLES II OAK ARMCHAIR 17TH CENTURY the two-panel back with scroll carved cresting and carved stylised foliate scrolls, above a chip-carved seat flanked by down scrolling arms and plank seat, raised on ring-turned forelegs joined by peripheral stretchers 56cm wide, 122cm high, 41cm deep

£700-900

2 OAK COURT CUPBOARD LATE 17TH CENTURY the superstructure with a central carved arcade flanked rosette carved doors and turned columns; the lower part with a carved frieze and twin-panelled cupboard doors, raised on stile feet 131cm wide, 161cm high, 45cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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3 BRASS SIX BRANCH CANDELABRA 18TH CENTURY the central bulbous column issuing six scrolling candle arms with drip pans, converted to electricity 40cm high, 58cm deep

£300-500

4 CHARLES II CARVED WALNUT AND CANED ARMCHAIR 17TH CENTURY the back with spiral uprights and an oval caned centre above a caned seat flanked by scrolling foliate carved arms, on spiral carved legs joined by stretchers and a pierced scroll carved front rail 63cm wide, 119cm high, 54cm deep

£400-600

5 OAK PANEL CHEST-ON-CHEST 17TH CENTURY the projecting top above a dentil moulded frieze and a pair of geometric moulded panel doors opening to an arrangement of drawers; the base with two further long drawers with geometric panels, raised on bun feet 102cm wide, 139cm high, 62cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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6 WILLIAM AND MARY OAK SIDE TABLE LATE 17TH CENTURY the top with a moulded edge above a long recessed panel frieze drawer, on baluster turned legs joined by a peripheral stretcher 88cm wide, 71cm high, 58.5cm deep

£400-600

7 WILLIAM AND MARY STYLE WALNUT WING ARMCHAIR LATE 19TH/ EARLY 20TH CENTURY the arched back and deep wings above cushioned seats flanked by scrolled arms, raised on scroll legs joined by an arched and pierced scroll-carved stretcher; covered in red and gold cut velvet with silk tassel trim 78cm wide, 121cm high, 56cm deep Provenance: Lady Gort, née Elizabeth [Bessie] Surtees, wife of the 7th Viscount Gort Estate of the late Col. H.J. Gillman

£300-500

8 OAK MARQUETRY FOUR-PANEL CHEST LATE 17TH CENTURY the hinged lid above a four-panel carved and floral marquetry inlaid front, raised on stile feet 146cm wide, 73cm high, 57cm deep

£600-800

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9 GEORGE I WALNUT AND PARCEL-GILT MIRROR EARLY 18TH CENTURY the divided mirror plate in a moulded frame with a gilt slip and pierced and scroll carved cresting 106cm high, 41cm wide

£600-800

10 GEORGE I WALNUT CHESTON-STAND EARLY 18TH CENTURY the moulded cornice over a cushion frieze drawer and two short and three long graduated drawers outlined with featherbanding; the base with three small drawers arranged around a shaped apron, raised on scroll carved cabriole legs ending in hoof feet 104cm wide, 168cm high, 60cm deep

£600-800

11 QUEEN ANNE STYLE WALNUT CABINET-ON-STAND 19TH CENTURY the moulded cornice above a pair of crossbanded doors centred by inlaid quatrefoils, opening to an interior with a cupboard and drawers; the lower part with three short drawers over a shaped apron and raised on inverted cup tapering legs joined by a wavy stretcher and ending in bun feet 125cm wide, 173cm high, 44cm deep

£700-1,000

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12 QUEEN ANNE CARVED WALNUT HIGH CHEST EARLY 18TH CENTURY the closed scroll bonnet with carved rosette terminals and centred by a flaming urn finial, the upper part with a carved concave shell to the frieze drawer over two short and three long graduated drawers; the lower part with two short over three further short drawers, the centre drawer carved with a matching concave shell, above a shaped apron with a convex carved shell, all raised on cabriole legs carved at the knees with shells and ending in claw and ball feet 109cm wide, 228cm high, 54cm deep

£2,000-3,000

13 GEORGE I WALNUT LOWBOY EARLY 18TH CENTURY with a moulded crossbanded and inlaid rectangular top with re-entrant corners, above a brushing slide and a long drawer over three short drawers and shaped apron, raised on cabriole legs with pointed pad feet 77cm high, 71cm wide, 49cm deep

£600-800

14 QUEEN ANNE WALNUT SOFA EARLY 18TH CENTURY the low square back above a loose cushion seat and downswept enclosed arms, raised on baluster turned and block legs joined by bobbin and ring-turned stretchers, covered in distressed floral pattern upholstery with brass stud trim 185cm wide, 90cm high, 62cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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15 FOLLOWER OF WILLIAM AIKMAN HALF LENGTH PORTRAIT OF A LADY Oil on canvas laid down, feigned oval 74cm x 61cm (29in x 24in)

£1,000-1,500

16 ENGLISH SCHOOL HALF LENGTH PORTRAIT OF JOHN SHAFTOE OF WHITWORTH Inscribed on the stretcher verso ‘Copied from the original Whitworth’, oil on canvas 76cm x 63.5cm (30in x 25in)

£700-1,000

17 MANNER OF GEORGE JAMESONE HALF LENGTH PORTRAIT OF A MAN IN LEATHER JERKIN AND LACE COLLAR Oil on canvas 64cm x 54cm (25.25in x 21.25in) Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£700-900

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18 JOHN CLOSTERMAN (GERMAN 1660-1711) HALF LENGTH PORTRAIT OF A MAN IN ARMOUR Signed and with strengthened date 1685, oval 74cm x 61cm (29in x 24in) Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£2,000-3,000

19 LATE 17TH CENTURY SCOTTISH SCHOOL HALF LENGTH PORTRAIT OF A GENTLEMAN Oil on canvas, oval 76cm x 63.5cm (30in x 25in) Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family Note: There are conflicting notes verso as to the sitter of the portrait.

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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20 GEORGE II WALNUT TRIPLE OVERMANTEL MIRROR EARLY 18TH CENTURY the arched centre plate flanked by shaped side plates in a moulded frame with gilt slip 57cm high, 138cm wide

£500-700

21 IRISH GEORGE II STYLE QUARTER-VENEERED WALNUT CARD TABLE 19TH CENTURY the fold-over top with outset rounded corners, opening on a gateleg to a later needlework playing surface with counter wells, above a plain frieze raised on acanthus carved cabriole legs ending in scrolled triffid feet 83cm wide, 75cm high, 72cm deep (open), 41cm deep (closed),

£700-1,000

22 GEORGIAN WALNUT BOWFRONT STANDING CORNER CUBPOARD 18TH CENTURY with cavetto moulded cornice over twin glazed doors, enclosing shelves; the base with crossbanded and featherbanded doors enclosing further shelves, on bracket feet 94cm wide, 216cm high, 44cm deep

£600-800

23 GEORGE I WALNUT CHEST-ON-CHEST EARLY 18TH CENTURY the cavetto moulded cornice above three short and three long graduated crossbanded and featherbanded drawers; the lower part with three further long drawers, the base drawer inlaid with a starburst motif, raised on bracket feet 105 172cm high, 53cm deep Provenance: The Late Sir Peter Hutchison, Broich House, Stirlingshire

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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24 GEORGE I WALNUT CHEST OF DRAWERS EARLY 18TH CENTURY, WITH ALTERATIONS the quarter-veneered and crossbanded top above a brushing slide and four long graduated drawers, raised on bracket feet 92cm wide, 83cm high, 47cm deep Provenance: The Late Sir Peter Hutchison, Broich House, Stirlingshire

£800-1,200

25 GEORGE I/II WALNUT BUREAU BOOKCASE EARLY 18TH CENTURY the cavetto moulded cornice above a pair of glazed doors enclosing adjustable shelves; the base with a featherbanded and crossbanded slope opening to an arrangement of pigeon holes, drawers, and a recessed compartment, above two short and two long drawers, raised on bracket feet 92 wide, 222cm high, 62cm deep

£2,000-3,000

26 GEORGE II BURR WALNUT AND WALNUT CHEST-ON-STAND EARLY 18TH CENTURY the moulded cornice above three short drawers and three long graduated and crossbanded drawers; the stand with three short drawers arranged around a shaped apron, on squared cabriole legs 101cm wide, 158cm high, 56cm deep

£1,500-2,500

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27 GEORGE II MAHOGANY DROP LEAF CORNER TABLE LATE 18TH CENTURY the square top with rounded corners, the hinged top opening to a void interior, above a plain frieze, raised on turned legs and pad feet 65cm wide, 71cm high, 66cm deep

£300-500

28 GEORGE II MAHOGANY BUREAU BOOKCASE MID 18TH CENTURY the dentil moulded cornice above a pair of shaped moulded panel doors opening to shelves; the lower part with a slope opening to an arrangement of drawers and pigeon holes and a green leather skiver, over two short and three long drawers on bracket feet with castors and brass handles to the sides 106cm wide, 212cm high, 56cm deep

£600-800

29 CHINESE COROMANDEL LACQUER AND POLYCHROME JAPANNED EBONISED CHEST EARLY 18TH CENTURY the hinged cover depicting japanned panels of birds and flowers, opening to a void interior, the front with coromandel panels with further birds and flowers, mounted with metal corner straps and side handles, raised on a base with bracket feet 121cm wide, 75cm high, 59cm high

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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30 GEORGE II BLUE JAPANNED BOWFRONT HANGING CORNER CUPBOARD 18TH CENTURY decorated with Chinese figures and pagodas, opening to a red painted and shelved interior, stamped 8336 to the top 58cm wide, 92cm high, 39cm deep

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£400-600

GEORGIAN STYLE PAINTED AND GILTWOOD MIRROR MODERN the shaped bevelled mirror plate in a pierced and carved foliate scroll frame with green painted margins 116cm high, 75cm wide

£300-500

32 ANGLO-CHINESE PADOUK CARD TABLE 18TH CENTURY in the George II style, the fold-over top with outset rounded corners opening to a green baize playing surface, raised on cabriole legs ending in pad feet 97cm wide, 73cm high, 48cm deep [closed]

£400-600

33 GEORGIAN STYLE MAHOGANY DOUBLE CHAIR BACK SETTEE 19TH CENTURY the back with twin scrolled vasiform splats above a long stuff-over seat, covered in brown plush fabric and flanked by scrolled arms, raised on shell-carved cabriole legs ending in square pad feet 151cm wide, 103cm high,, 53cm deep

£500-700

34 GEORGE III MAHOGANY KNEEHOLE DRESSING TABLE 18TH CENTURY the moulded rectangular top above a long frieze drawer and central kneehole with a cupboard and apron drawer, flanked by three drawers to each side, raised on bracket feet 93cm wide, 79cm high, 51cm deep

£500-700

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35 GEORGIAN STYLE GILTWOOD MIRROR MODERN the shaped rectangular plate in a pierced and carved rococo style frame with C scrolls, acanthus, and foliate trails 109cm high, 59cm wide

£400-600

36 LATE GEORGE II MAHOGANY BUREAU BOOKCASE MID 18TH CENTURY of small proportions, the dentil moulded cornice above a recessed shaped panel door flanked by fluted pilasters, opening to adjustable shelves; the lower part with a slope opening to pigeon holes and drawers, over four graduated drawers, raised on bracket feet with later modern castors 77cm wide, 212cm high, 56cm deep

£600-800

37 GEORGE III MAHOGANY BUREAU MID 18TH CENTURY the matchbook veneered and featherbanded slope opening to an arrangement of pigeon holes and drawers, above four long graduated drawers, raised on ogee bracket feet 113cm wide, 106cm high, 63cm deep

£400-600

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38 PAIR OF GEORGE III GILTWOOD WALL SCONCES 18TH CENTURY each with two scrolling candle arms issuing from pierced and carved foliate scrolled backplates carved with flowers (2) 68cm high

£800-1,200

39 EARLY GEORGE III MAHOGANY INLAID TRIPLE FOLD-OVER GAMES TABLE MID 18TH CENTURY the top with rounded forecorners opening on a gateleg to an inlaid chess/backgammon board, and further to a green baize card surface with counter wells, above a frieze drawer and raised on cabriole legs ending in claw and ball feet 85cm wide, 73cm high, 42cm deep [closed]

£400-600

40 GEORGE II MAHOGANY TALL CHEST OF DRAWERS 18TH CENTURY the dentil moulded cornice above seven graduated drawers flanked by fluted angles, with a shellcarved apron and raised on acanthus carved hairy paw feet 92cm wide, 105cm high, 50cm deep

£600-800

41 IRISH GEORGE II STYLE MAHOGANY CENTRE TABLE, IN THE MANNER OF JAMES HICKS OF DUBLIN 19TH CENTURY the rectangular top with a moulded edge above a scroll and foliate carved frieze centred by a shell motif, raised on cabriole legs ending in claw and ball feet 125cm wide, 79cm high, 48cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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42 SET OF FIVE GEORGE III STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY with arched lobed backs and pierced splats above drop-in seats with needlework covers, raised on square section legs joined by stretchers, to include four side chairs and an armchair (5) 54cm wide, 93cm high, 44cm deep, the armchair 57cm wide, 97cm high, 45cm deep

£400-600

43 EARLY GEORGE III MAHOGANY BUREAU BOOKCASE MID 18TH CENTURY the dentil moulded broken-arch pediment above a blind fret frieze and a pair of glazed astragal doors opening to adjustable shelves; the lower section with a slope opening to an interior fitted with pigeon holes and drawers, over four long graduated drawers, raised on ogee bracket feet 109cm wide, 238cm high, 56cm deep

£600-900

44 GEORGE III MAHOGANY SERPENTINE SIDEBOARD LATE 18TH CENTURY the serpentine top with a brass gallery rail with pinecone finials above a central frieze drawer flanked by deep drawers, raised on channel moulded square tapered legs ending in spade feet 153cm wide, 130cm high, 68.5cm deep

£500-800

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45 GEORGE III MAHOGANY AND BRASS BANDED WINE COOLER-ON-STAND 18TH CENTURY the hinged circular top with a moulded edge above a slightly tapered body with brass bands and handles and tap hole, opening to a lead-lined and compartmented interior, on a separate stand with slender ring-turned legs and pierced corner brackets joined by a turned cross stretcher 45cm diameter, 89cm high Provenance: Lady Gort, née Elizabeth [Bessie] Surtees, wife of the 7th Viscount Gort Estate of the late Col. H.J. Gillman

£500-700

46 GEORGIAN STYLE MAHOGANY SERPENTINE SERVING TABLE, IN THE MANNER OF ROBERT ADAM 19TH CENTURY the serpentine top with a moulded edge over three frieze drawers carved with anthemions, with ram’s heads to the corners, raised on husk-carved square tapered legs ending in block feet 136cm wide, 81cm high, 60cm deep

£600-800

47 GEORGE III MAHOGANY BACHELOR’S CHEST OF DRAWERS 18TH CENTURY the crossbanded top with a moulded edge above a slide and four long graduated drawers, raised on shaped bracket feet 81cm wide, 85cm high, 47cm deep

£600-800

48 SET OF EIGHT GEORGE III STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY with arched toprails and pierced waisted splats and drop-in needlework seats, raised on square section legs joined by stretchers, to include six side chairs and a pair of armchairs (8) Side chairs 53cm wide, 95cm high, 42cm deep; armchairs 56cm wide, 98cm high, 46cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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49 GEORGE III MAHOGANY HANGING SHELVES 18TH CENTURY with three tiers between fret panel sides 65cm wide, 87cm high, 13cm deep

£300-500

50 GEORGE III MAHOGANY BEDSIDE COMMODE LATE 18TH CENTURY the tray top above a concave tambour door with drawer below, raised on square section legs 56cm wide, 79cm high, 51cm deep

£600-800

51 SCOTTISH GEORGE III MAHOGANY BEDROOM TABLE 18TH CENTURY the rounded rectangular top with a single drop-leaf to the rear and a long frieze drawer, raised on chamfered and recess moulded square legs carved with flower heads

52 GEORGE III MAHOGANY SERPENTINE SECRETAIRE CHEST OF DRAWERS

86cm wide, 70cm high, 84.5cm deep

18TH CENTURY

£600-800

the top with a moulded edge above a secretaire drawer and three further long graduated drawers, above a shaped apron and raised on French bracket feet 108cm wide, 99cm high, 56cm deep

£2,500-3,500

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53 GEORGE II RED WALNUT TEA TABLE MID 18TH CENTURY the fold-over top with outset rounded corners, opening to a dished top, raised on lappet carved cabriole legs with pad feet 73cm wide, 75cm high, 31cm deep, opened 62cm

£1,200-1,800

54 PAIR OF GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY the shaped top rails with scroll carved ears above pierced and carved interlaced splats, over dropin seats in flower head carved seat frames raised on carved and moulded chamfered legs joined by stretchers (2) 55cm, 97cm high, 42cm deep

£300-500

55 GEORGIAN MAHOGANY BREAKFRONT BOOKCASE EARLY 19TH CENTURY, ADAPTED the breakfront top with a reeded edge above astragal glazed doors enclosing adjustable shelves, over three short drawers to the base, on a later plinth base, adapted 125cm wide, 124.5cm high, 40cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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56 LATE GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS LATE 18TH CENTURY the serpentine top with canted forecorners, above four long graduated drawers and a shaped apron, raised on French bracket feet 100cm wide, 88cm high, 53cm deep

£800-1,200

57 GEORGE III MAHOGANY SECRETAIRE BOOKCASE 18TH CENTURY

58 GEORGE III MAHOGANY CHEST EARLY 19TH CENTURY the rectangular top above two short and three long graduated drawers, flanked by fluted quarter columns, raised on ogee bracket feet 114cm wide, 89cm high, 53.5cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the moulded inlaid cornice above a pair of astragal glazed doors enclosing adjustable shelves; the lower part with a secretaire drawer and two further long drawers, raised on bracket feet 95cm wide, 205cm high, 58cm deep

£1,000-1,500

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59 18TH CENTURY ENGLISH SCHOOL A GARDENER ON HORSEBACK, AND COMPANION watercolour on card, oval, depicting a young man seated on a mule with a basket of vegetables, his companion seated on a donkey with a basket of flowers, in period gilt and gesso frames (2) 23cm x 18cm excluding frames

£400-600

60 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, W. MITCHELL, ABERDEEN LATE 18TH CENTURY the hood with a swan neck pediment with central brass eagle finial, above an arched brass dial with silvered chapter ring, subsidiary seconds dial, twin winding holes, and signed makers boss to the arch, flanked by foliate carved columns; the trunk with an arched door flanked by foliate carved quarter columns, on a plinth base with bracket feet; the eight-day movement striking a bell 235cm high, 57cm wide, 28cm deep

£600-800

61 GEORGIAN MAHOGANY LIBRARY ARCHAIR EARLY 19TH CENTURY the low padded back with a serpentine top rail above a wide bowed concave seat flanked by part-padded arms with knopped terminals and curved supports, raised on S curved forelegs joined by a shaped arch stretcher, covered in green and yellow striped upholstery 66cm wide, 89cm high, 44m deep

£400-600

62 GEORGIAN STYLE MAHOGANY PEDESTAL DESK LATE 19TH CENTURY the top with a three-section black leather skiver above three frieze drawers, raised on banks of three drawers, the reverse plain, on plinth bases 152cm wide, 76cm high, 78cm deep

£500-700

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63 GEORGE III MAHOGANY WINE TABLE 18TH CENTURY the circular tilt top raised on a ring-turned column and tripod base 41cm diameter, 79cm high

£500-700

64 GEORGE III MAHOGANY TRIPOD TEA TABLE, PROBABLY IRISH 18TH CENTURY the circular dished tilt top on a tripartite column and flat ogee shaped legs ending in moulded pad feet 68.5cm diameter, 71cm high

£500-800

65 GEORGE II MAHOGANY DEMILUNE TEA TABLE MID 18TH CENTURY the fold-over top opening to a void interior, above a scrolling frieze, raised on cabriole legs ending in pointed pad feet 84cm wide, 73cm high, 42cm deep (closed), 82cm wide (open)

£400-600

66 CHIPPENDALE STYLE MAHOGANY BUREAU CABINET LATE 19TH/ EARLY 20TH CENTURY of small proportions, the superstructure with a pair of shaped and leaf-and-bead moulded doors opening to pigeon holes; the base with a secretaire drawer with pigeon holes, drawers, and a baize writing surface, over a pair of conforming panel cupboard doors opening to an adjustable shelf, raised on foliate carved ogee bracket feet 72cm wide, 150cm high, 41cm deep Note: The present secretaire cabinet relates in style to one supplied by Thomas Chippendale to Paxton House for Patick Home of Billie.

£700-900

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67 GEORGE III MAHOGANY CHIMING LONGCASE CLOCK, JOHN PRICHARD, LONDON 18TH CENTURY the hood with a pagoda pediment above an arched brass engraved dial with silvered chapters with Roman numerals, subsidiary seconds dial and calendar aperture, the maker’s name inscribed to the arch over further dials, ‘STRIKE/NOT STRIKE’, ‘Brittons Strike Home/Correllies Gigg’ [sic], and ‘CHIME/ NOT CHIME’; above an arched trunk door on a panelled plinth with bracket feet; the eight-day triple chain movement striking a main steel bell and chiming on eight, graduated steel bells and brass play drum 242cm high, 57cm wide, 28cm deep

£1,500-2,500

68 GEORGE III MAHOGANY SECRETAIRE CHESTON-CHEST 18TH CENTURY the carved Greek key cornice above two short and two long graduated drawers and a secretaire drawer; the lower part with two short and two long drawers flanked by canted blind fretwork angles, raised on bracket feet 120cm wide, 179cm high, 59cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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69 PAIR OF CHINESE CHIPPENDALE STYLE GILTWOOD MIRRORS 19TH CENTURY the rectangular mirror plates in pierced and carved frames with rocaille, leaf scrolls and pagoda crestings with flowering urns (2) 107cm high, 57cm wide

£1,500-2,500

70 SET OF SEVEN GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY with shaped top rails and pierced vasiform splats over drop-in seats, raised on square section legs joined by stretchers, to include six side chairs and an armchair (7) 51cm wide, 93cm high, 42cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

27

71 PAIR OF CARVED PAINTED AND GILTWOOD BRACKETS 19TH CENTURY with rectangular simulated marble platforms above egg and dart moulded friezes and scrolling acanthus over pendant roses (2) 80cm high, 47cm wide, 20cm deep

£600-800

72 PAIR OF GEORGE III MAHOGANY AND BOXWOOD STRUNG SERPENTINE CARD TABLES 18TH CENTURY with crossbanded and moulded fold-over tops centred by oval inlay veneers, opening to green baize lined playing surfaces, above plain friezes with foliate carved brackets and raised on channel moulded straight square legs (2) 91cm wide, 73cm high, 45cm deep

£6,000-8,000

28

73 PAIR OF BOW CREAM BOATS MID 18TH CENTURY of fluted form with scalloped rim and angular handle, painted with the ‘Desirable Residence’ pattern, the interior with Daoist symbols and a diaper pattern rim, each marked with a faint blue painted 21 (2) 14cm wide, 5cm high

£400-600

74 COLLECTION OF LIVERPOOL DELFT SADLER PRINTED TILES CIRCA 1760 all printed in black within scroll borders of various styles; comprising ‘Man Dancing to the Bagpipes’, ‘Two Youths and a Girl Fishing’, ‘The Three Horseshoes’, ‘A Woman Churning Butter, and a Boy’, ‘A Peasant Dancing to a Fiddler’, ‘A Suitor Offering a Present to a Girl’, bearing various labels to the reverse including Jonathan Horne, Sampson & Horne Antiques, Paul Breen Collection, and Martyn Edgell Antiques; together with a LIVERPOOL CREAMWARE BOWL, transfer decorated with a ship, verse, and figure groups, 20.5cm diameter; and a copy of LIVERPOOL PRINTED TILES,

by Anthony Ray, published by Jonathon Horne, USA, 1994 (8) Tiles approx. 12.8cm x 13cm

£500-700

75 TWO STAFFORDSHIRE PEARLWARE JUGS LATE 18TH CENTURY possibly by John Turner or Neale & Co, the body of each painted with floral sprays, the lower section of the body with moulded flutes, the neck and spout with engine turned detail, the angled handle terminating in a leaf moulded design, unmarked (2) 17.5cm and 14.2cm high

£300-500

76 TWO CHINESE EXPORT FAMILLE ROSE TEAPOTS 18TH CENTURY one painted in pink and ochre colours with two figurative panels depicting people at leisure on sea and water, the flat cover with a flower finial, underglaze blue pseudo reign mark, 14cm high; the other painted to each side with a figurative scene within a gilt rimmed cartouche, on a blue cell patterned ground with white slip foliage and butterflies, the domed cover with similar decoration and gilt tipped finial handle, (2) 17cm high

£300-500

29

77 GROUP OF SEVEN ENAMEL PATCH OR SNUFF BOXES 18TH CENTURY most Bilston or Battersea, four inscribed with mottos, two with landscape vignettes, and one with flower reserves (7) Largest 5.6cm wide,

£400-600

78 GEORGE III HAREWOOD AND MAHOGANY TEA CADDY LATE 18TH CENTURY of rectangular form outlined with chequer and crossbanding, opening to two removeable caddies with sliding lids 20.5cm wide, 13cm high, 12.5cm deep

£250-350

79 PAIR OF GEORGE III MAHOGANY, EBONY, AND SILVER-MOUNTED KNIFE BOXES LATE 18TH CENTURY of broken bowfront outline banded with ebony stringing, the hinged sloped tops opening to fittings for cutlery, mounted with shield-shaped silver escutcheons with rubbed hallmarks (2) 25cm wide, 38cm high, 29cm deep

£700-1,000

80 GEORGE III MAHOGANY TRAY AND CANDLESTICKS 18TH CENTURY the oval tray of staved construction with brass bands and scroll carved handles; the candlesticks with urn nozzles on reeded baluster stems on circular moulded bases (3) Tray 56.5cm wide; candlesticks 51cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

30

81 SET OF SIX CONTINENTAL OPAQUE TWIST SODA GLASSES 18TH CENTURY STYLE each with a bell-shaped bowl on an opaque twist stem with a central cushion knop, on a round spreading foot (6) approximately 16.7cm high

£300-500

82 FOUR FACET STEMMED WINE GLASSES LATE 18TH CENTURY comprising a glass with a round funnel bowl engraved with a landscape, 15.2cm high; a cordial glass with an ovoid bowl, the rim with entwined swags of polished ovals, 12.5cm high; a wine glass with an ogee bowl engraved with flowers and a bee, the lower part of the bowl cut with facets, 14cm high; and a small glass with a conical bowl, the rim with a stylised band of simple polished ovals (4) 11.6cm high

£300-500

83 FIVE VARIOUS CORDIAL GLASSES MID 18TH CENTURY comprising a pair of glasses, the ogee bowl of each engraved with a flowering branch and foliage, on an opaque twist stem, 14.2cm high; a plain stem glass with folded foot, the round funnel bowl engraved with a diaper boarder, 14.2cm high; a plain stem glass with a central knop and folded foot, the ogee bowl engraved with a swag and diaper design, 14.5cm high; and an opaque twist stem glass, the ogee bowl with fluted lower section (5)

84 FIVE OPAQUE TWIST CONTINENTAL SODA GLASSES 18TH CENTURY comprising a set of four glasses with trumpet bowls, the stems with a central knop, 16.5cm high; and a glass with a trumpet bowl on a plain opaque twist stem (5)

13.8cm high

16.2cm high

£300-500

£250-350

31

85 ENGRAVED BALUSTER WINE GLASS CIRCA 1730-40 the trumpet bowl engraved with a continuous band of fruiting vines, the teardrop stem with a basal knop, above a domed round foot 17.5cm high

£300-500

86 FOUR VARIOUS CONTINENTAL OPAQUE TWIST SODA GLASSES 18TH CENTURY all with a plain round funnel bowl, over an opaque twist stem and round foot, 14.2cm - 15cm high; together with a LATER OPAQUE TWIST STEM LEAD GLASS with a round funnel bowl (5) 15.2cm high

£300-500

87 THREE OPAQUE TWIST WINE GLASSES LATE 18TH CENTURY one with a round funnel bowl on a plain stem with two single opaque twist strands, 15.5cm high; one with an ogee bowl on an opaque twist stem centred with a single air twist spiral, 15.5cm high; a soda glass with an ovoid bowl on an opaque twist stem, 14.6cm high; together with a LARGE AIR TWIST GLASS with a trumpet bowl (4) 18.7cm high

£250-350

88 SET OF TEN CONTINENTAL OPAQUE TWIST STEM WINE GLASSES 20TH CENTURY with bell-shaped bowls on stems centred with a single knop (10) 17cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

32

89 GEORGIAN PAINTED MAHOGANY DEMILUNE SIDE TABLE LATE 18TH CENTURY WITH LATER DECORATION the associated arched back panel centred by a painted reserve with putti, the whole richly painted with flower garlands, paterae, trophies, portrait medallions, leaf fronds, and bell-flower trails; converted from a fold-over table 90.5cm wide, 89cm high, 48cm deep

£600-800

90 91 LATE GEORGE III MAHOGANY OCCASIONAL TABLE LATE 18TH CENTURY the rounded rectangular top with a moulded edge, raised on tapering end supports with brass fittings, on splayed legs ending in brass caps and castors 84cm wide, 74cm high, 46cm deep

£600-800

92 GEORGIAN MAHOGANY AND INLAID SERPENTINE STAGEBACK SIDEBOARD LATE 18TH CENTURY the serpentine stageback with tambour doors above a central long drawer flanked by a deep cellarette drawer and pair of drawers, raised on square tapered legs ending in block feet, outlined with stringing and with harebell and flowering urn inlay 188cm wide, 112cm high, 68cm deep

£500-700

GEORGE III MAHOGANY SERPENTINE PEMBROKE TABLE 18TH CENTURY the top with serpentine drop-leaf sides and a moulded edge over a bowfront drawer to one end with a dummy drawer opposing, raised on square tapered legs ending in brass caps and castors 83cm long, 71cm high, 47m wide, 92cm [open]

£500-700

33

93 PAIR OF LATE GEORGE III MAHOGANY ARMCHAIRS LATE 18TH CENTURY in the Hepplewhite style, the shield backs carved with husk trails and lotus, above wide serpentine stuff-over seats flanked by scrolled open arms, raised on reeded square tapered legs joined by stretchers and ending in block feet; one with carved initials HW under the stretcher (2) 62cm wide, 97cm high, 49cm deep

£600-800

94 GEORGE III MAHOGANY AND SATINWOOD PEMBROKE TABLE, IN THE MANNER OF HENRY HILL OF MARLBOROUGH LATE 18TH CENTURY the banded top with drop leaf sides and inlaid with concentric ovals, above a frieze drawer to one end and a dummy drawer opposing, raised on square tapered legs with brass caps and castors 81cm long, 71cm high, 51cm wide, 99cm [open]

£600-800

95 LATE GEORGE III MAHOGANY SERPENTINE SERVING TABLE, PROBABLY SCOTTISH LATE 18TH CENTURY the crossbanded top above a matchbook veneered frieze, raised on square tapered legs outlined with stringing 149cm wide, 81cm high, 70cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

34

96 GEORGE III MAHOGANY KETTLE STAND LATE 18TH CENTURY the oval top with a wavy gallery above a frieze with a cup slide, raised on square tapered legs, with a paper label ‘J. Surtees’ 32cm wide, 73cm high, 24cm deep Provenance: Jeanetta Surtees [née Smith] Lady Gort, née Elizabeth [Bessie] Surtees, wife of the 7th Viscount Gort Estate of the late Col. H.J. Gillman

£300-500

97 GEORGE III SATINWOOD CARD TABLE LATE 18TH CENTURY the crossbanded demilune top opening to a baize lining, raised on brass inlaid square section tapering legs 101cm wide, 72cm high, 47.5cm deep, 94cm open

£600-800

98 SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY with ‘brander’ backs above drop-in seats, raised on square tapered legs joined by peripheral stretchers; to include six side chairs and a pair of armchairs (8) Armchair 53cm wide, 83cm high, 43cm deep; side chair 49cm wide, 84cm high, 39cm deep

£500-700

99 GEORGE III MAHOGANY AND INLAID SIDBOARD LATE 18TH CENTURY the serpentine top with a crossbanded edge above a central drawer and arch recess, flanked by banks of two drawers with a pot cupboard to the side, raised on square tapering legs ending in spade feet 171cm wide, 92cm high, 72cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

35

100 AFTER CHARLES DEAN WOLSTENHOLME THE ELDER FOUR EARLY 19TH CENTURY AQUATINT ENGRAVINGS Shooting scenes, plates 1-4, engraved by R. Reeve, published 1806, in mahogany and ebony frames (4) 54cm x 69cm excluding frames

£300-500

101 LATE GEORGE III MAHOGANY HUNT TABLE, IN THE MANNER OF GILLOWS LATE 18TH/ EARLY 19TH CENTURY the demilune top with a reeded edge and hinged drop leaves to the back, the centre with a lift-out panel, raised on reeded tapered legs ending in brass caps and castors 151cm wide, 72cm high, 76cm deep Provenance: Estate of the late Col. H.J. Gillman

£1,500-2,500

102 GEORGE III MAHOGANY SIDEBOARD, IN THE MANNER OF GILLOWS 18TH CENTURY of small proportions, the breakfront bowed outline, with a central drawer over an arch drawer, flanked by a cellarette drawer and cupboard, raised on turned and reeded tapered legs 138cm wide, 94cm high, 68cm deep

£2,000-3,000

103

104

SCOTTISH GEORGE III MAHOGANY INLAID DEMILUNE CARD TABLE

GEORGE III MAHGOGANY, HAREWOOD AND CROSSBANDED TEA TABLE

LATE 18TH CENTURY the fold-over top opening to a green baize surface above a central frieze drawer, raised on square tapered legs headed by flowerheads and outlined with stringing and dot inlay

LATE 18TH CENTURY

96.5cm wide, 73.5cm high, 48.5cm deep

92cm wide 73cm high, 46cm deep

£250-350

£250-350

the fold-over demilune top above a plain frieze, raised on tapered square section legs

36

105 GEORGE III MAHOGANY ARMCHAIR FRAME LATE 18TH CENTURY the curved oval back above a serpentine seat and open scrolled arms, raised on square section legs, joined by stretchers; lacking upholstery 52cm wide, 92cm high, 45cm deep

£300-400

106 GEORGE III MAHOGANY AND INLAID TEA TABLE LATE 18TH CENTURY the demilune crossbanded fold-over top above a boxwood inlaid frieze, raised on square section legs with spade feet 90cm wide, 73.5cm high, 44.5cm deep

£600-800

107 GEORGE III FLAME MAHOGANY, TULIPWOOD, AND EBONY PEMBROKE TABLE LATE 18TH CENTURY the oval drop-leaf and crossbanded top above bowfront frieze drawers to both ends, raised on square tapering legs ending in leather castors, the whole outlined with ebony stringing 58cm wide, 118cm open, 71cm high, 90cm long

£400-600

108 SET OF EIGHT GEORGIAN STYLE MAHOGANY DINING CHAIRS EARLY 20TH CENTURY in the Hepplewhite style, the shield backs carved with husk trails above curved stuff-over seats raised on moulded square tapered legs joined by stretchers, to include six side chairs and a pair of armchairs (8) Sidechair 48cm wide, 93cm high, 39cm deep

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

37

109 GEORGE III MAHOGANY LAMP TABLE EARLY 19TH CENTURY the rectangular top above two boxwood strung short drawers, raised on ring-turned tapering legs ending in brass caps and castors 47.5cm wide, 70cm high, 36cm deep

£500-700

110 GEORGE III MAHOGANY CHEST OF DRAWERS LATE 18TH CENTURY the crossbanded top over four long graduated drawers above a shaped apron and raised on French bracket feet 100cm wide, 85cm high, 58.5cm deep

£2,000-3,000

111 SCOTTISH MAHOGANY STAGEBACK SIDEBOARD EARLY 19TH CENTURY WITH ALTERATIONS the superstructure with a later scrolled gallery above sliding compartments, above a broken bowfront with a central drawer and arched recess drawer, flanked by a deep concave drawer and cupboard door outlined with stringing, raised on turned and reeded tapered legs 199cm wide, 125cm high, 74cm deep

£600-800

112 ATTRIBUTED TO REV. JOHN THOMSON OF DUDDINGSTON H.R.S. (SCOTTISH 1778-1840) OLD MORTALITY Oil on canvas 63.5cm x 76cm (25in x 30in)

£800-1,200

39

113 ATTRIBUTED TO WILLIAM GOUW FERGUSSON A STILL LIFE OF DEAD GAME Oil on canvas 76cm x 63.5cm (30in x 25in)

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

114 WILLIAM PERRING HOLLYER (BRITISH 1834-1922) GUNDOGS ON A ROCKY HILLSIDE Signed, oil on canvas 51cm x 76cm (20in x 30in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

41

115 JOHN LINNELL (BRITISH 1792-1882) A WOODED LANDSCAPE WITH FIGUES AND GRAZING CATTLE Signed and dated 1860, oil on canvas 20cm x 46cm (8in x 18in)

£800-1,200

116 CIRCLE OF PETER MONAMY DUTCH MAN-OF-WAR IN STORMY SEAS Oil on canvas 25.5cm x 30.5cm (10in x 12in)

£400-600

42

117 GEORGE III MAHOGANY DUMB WAITER 18TH CENTURY with three dished graduated tiers, raised on a turned column and tripod base, with brass castors 66cm diameter, 107cm high

£300-500

118 SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, THOMAS WALKER, STRATHAVEN LATE 18TH CENTURY

119 GEORGE III MAHOGANY LIBRARY TABLE 18TH CENTURY the rounded rectangular top above a frieze with pairs of short drawers to the long sides and dummy drawers on the ends, raised on square tapered legs ending in brass caps and castors

the hood with a swan neck pediment with enamel roundels to the terminals and centred by a brass eagle with brass finials to the corners, above a scale fretwork frieze and arched brass dial with engraved silvered chapter ring and centre, with subsidiary seconds dial, date aperture, twin winding holes, and a signed makers name to the arch boss flanked

by Corinthian columns; the trunk with a shaped door with central marquetry roundel flanked by quarter columns, on a plinth base with further marquetry panel and conforming blind fret angles, raised on bracket feet; the twin train, eight-day movement striking a bell 238cm high, 53cm wide, 28cm deep

£700-1,000

122cm wide, 78cm high, 74.5cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

43

120 LATE GEORGE III MAHOGANY OCTAGONAL WINE TABLE 18TH CENTURY the oblong octagonal top with satinwood banding and an ebonised edge, on a slender ring-turned column with outswept tripod base 51cm wide, 70cm high, 38cm deep

£600-800

121 GEORGE III MAHOGANY LONGCASE CLOCK, E. HAER, WINCHESTER EARLY 19TH CENTURY the silvered dial with Roman numeral chapter and subsidiary seconds dial, signed ‘E. Haer/ Winchester’, with one winding hole, the hood with a Gothic style pierced gallery, above a glazed trunk door on a plinth base 44cm wide, 187cm high, 23cm deep

£700-1,000

122 GEORGIAN STYLE LEATHER LIBRARY ARMCHAIR EARLY 20TH CENTURY the low square back above a loose cushion seat and low enclosed arms, covered in brown leather with brass stud trim, raised on square tapered legs ending in brass castors and joined by stretchers 71cm wide, 89cm high, 50cm deep

£300-500

123 GEORGIAN STYLE MAHOGANY PARTNER’S DESK 19TH CENTURY the top with a green leather and gilt tooled skiver, above three frieze drawers, the same on the reverse, raised on banks of three short drawers with cupboards to the reverse, on plinth bases with castors 152cm wide, 80cm high, 98cm deep

£1,000-1,500

44

124 COLLECTION OF POLYCHROME DELFT AND FAIENCE PLATES 17TH/ 18TH CENTURY comprising a pair of plates, each painted with rockwork issuing foliage and flowers within a stylised flowerhead border; 23cm diameter; a smaller pair of plates with similar decoration, the plate rims with double blue line borders; 16.3cm diameter; and three further small plates, all painted with floral designs and with yellow borders, approx.

16.5cm diameter;and a Continental tin-glazed plate with painted and sponged decoration depicting a bird perching alongside a building (8) Largest 28.5cm diameter

£300-500

125 LARGE GEORGE III OAK AND FRUITWOOD BANDED DRESSER LATE 18TH CENTURY the moulded cornice above a shaped frieze over three enclosed shelves flanked by bow-front shelved niches over fielded panel cupboards and spice drawers; the base with three deep frieze drawers over four further fielded panel doors and two further drawers, raised on ogee bracket feet 204cm wide, 220cm high, 52cm deep

£1,500-2,500

45

126 DELFT POLYCHROME TROMPE L’OEIL BIRD CAGE PLAQUE 19TH CENTURY painted with a yellow canary perched within a cage 26cm wide, 25.5cm high

£300-500

127 MATCHED SET OF FOUR LACQUERED COPPER CANDLESTICKS EARLY 19TH CENTURY the urn-form candle nozzles with removable inserts on Ionic columns and square bases with engine turned decoration (4) 28cm high

£1,000-1,500

128 COLLECTION OF ENGLISH AND DUTCH DELFT POLYCHROME PLATES 17TH/ 18TH CENTURY comprising one painted with a cockerel, 22.5cm diameter; one painted with a yellow vase of flowers and a song bird, 22.5cm diameter; one painted with an architectural scene with floral rim and diaper border, 23cm diameter; one painted with a vase and censer issuing flowers, blue factory mark, 23cm diameter; two further plates with rockwork issuing flowers; and a charger painted with stems of flowers within a stylised floral border (7) Largest 33.6cm diameter

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

46

129 FOLK ART TROTTING HORSE SHEET IRON WEATHERVANE 19TH CENTURY mounted on a wood base 76cm wide, 88cm high overall

£400-600

130 VICTORIAN STRIPPED PINE HOUSEKEEPING CUPBOARD 19TH CENTURY the moulded cornice above three pairs of triple panel doors enclosing shelves; the base with three further pairs of double panel doors, on a plinth base 242cm wide, 221cm high, 51cm deep

£700-1,000

47

131 GEORGIAN OAK LOWBOY MID 18TH CENTURY the moulded rectangular top above a long drawer and two short drawers arranged around a shaped apron, raised on cabriole legs ending in pad feet 87cm wide, 71cm high, 51cm deep

£400-600

132 GEORGIAN OAK DRESSER 18TH CENTURY the upper part with a moulded cornice and enclosed back with two shelves; the base with three short frieze drawers above three central short drawers flanked by panel doors and reeded corners, on ogee bracket feet 168cm wide, 213cm high, 52cm deep

£700-900

133 GEORGIAN OAK DRESSER BASE 18TH CENTURY with five short drawers above a pair of chamfered panel doors flanked and divided by further panels, raised on stile feet 184cm wide, 84cm high, 48cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

134 SCOTTISH GEORGIAN NEEDLEWORK PANEL LATE 18TH CENTURY worked in silks on a linen ground, depicting a naive scene with a house, tree, cow, calf, and stag, with thistles and birds enclosed by a meandering scrolling border; together with a LATE GEORGIAN NEEDLEWORK SAMPLER, BY ELIZABETH CAMPION AGED 9, LOUGHBOROUGH, DATED 1820, coloured silks on linen with a central verse titled ‘God is Love’ on a field with birds, cornucopia, angels, flowering baskets and urns, trees, and a cat, within a meandering carnation border, framed, 35.5cm x 31cm (2) 34cm x 39cm [excluding frame]

£200-300

135 GEORGE III OAK AND MAHAGONY BANDED DRESSER LATE 18TH CENTURY the dentil moulded cornice with a wavy frieze above three open shelves flanked by scalloped niche shelves and cupboards, the base with two short drawers centred by a central cupboard with shell paterae inlaid doors and flanked by reeded quarter columns, raised on cabriole legs ending in pad feet 195cm wide, 208cm high, 47cm deep

£600-800

49

136 WILLIAM IV NEEDLEWORK PANEL SECOND QUARTER 19TH CENTURY divided into twenty-five octagonal compartments, each with an animal, fowl, or figure, separated by smaller squares with various flower samples, the central compartment with a coronet and motto, framed 46cm x 49cm [excluding frame]

£300-400

137 ELM AND POLLARD OAK TRIPOD TABLE 19TH CENTURY the square tilt-top with sectioned veneers and a crossbanded edge, raised on a turned column and arched legs 61cm wide, 73cm high

£800-1,200

138 GEORGIAN OAK DRESSER BASE 18TH CENTURY the top with a moulded edge above three short frieze drawers over a central arched moulded panel flanked by matching cupboard doors, on stile feet 155cm, 88cm high, 48cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

51

139 REGENCY GILTWOOD CONVEX GIRONDOLE MIRROR EARLY 19TH CENTURY the circular mirror plate in a reeded ebonised slip and deep moulded frame with ball mounts, surmounted by a carved eagle and rock cresting with twin curved candle branches and a shell pendant finial 95cm high, 55cm wide

£500-700

140 REGENCY EBONISED CHAISE LONGUE EARLY 19TH CENTURY freestanding, the long button upholstered cushion between head and foot boards with stiff leaf and acanthus carved facings, raised lobed and reeded short tapered legs with brass castors, the castors stamped COPE AND COLLINSON/ PATENT 187cm long, 83cm high, 66cm deep

£1,500-2,500

141 Y REGENCY ROSEWOOD AND BRASS INLAID BREAKFRONT SIDE CABINET EARLY 19TH CENTURY the frieze with foliate contra-partie brass inlay above three cupboards with grille insert doors, flanked and divided by brass inlaid pilasters and raised on partlobed bun feet 173cm wide 95cm high 43cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52

142 REGENCY GILTWOOD AND VERRE EGLOMISÉ MIRROR EARLY 19TH CENTURY the bead moulded cornice above an eglomisé panel painted with a castle scene, over a rectangular mirror plate flanked by columns 70cm high, 40cm wide

£300-500

143 SET OF FOUR CUT GLASS WALL SCONCES MODERN each with twin scrolling arms with candle nozzles, and a central arm with a spike finial, hung with prism drops and swags, electrified (4) 43cm wide

£800-1,200

144 Y WILLIAM IV ROSEWOOD LAMP TABLE 19TH CENTURY the rectangular top over a frieze drawer and brackets, raised on flattened baluster end supports joined by a turned stretcher and ending on outswept legs with brass caps and castors 66cm wide, 75cm high, 34cm deep

£700-1,200

145 PAIR OF REGENCY MAHOGANY LEATHER UPHOLSTERED WINDOW SEATS EARLY 19TH CENTURY, WITH ADAPTIONS the bar ends carved with stylised flower heads and lotus between scrolling reeded uprights continuing to outswept legs, the seat pads covered in buttonupholstered green leather with brass studs (2) 136cm wide, 68cm high, 46cm deep

£1,800-2,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

53

146 CUT GLASS SIX BRANCH CHANDELIER 20TH CENTURY with six scrolling candle arms and branches hung with prism drops, lustres, and swags, electrified 83cm high, 69cm diameter

£700-1,000

147 SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the tablet backs above cross stretchers centred by foliate shaped panels, above stuff-over seats raised on square tapered legs joined by H stretchers, the seats covered in yellow fabric covers; to include six side chairs and a pair of armchairs (8) Armchair 55cm wide, 83cm high, 44cm deep

£500-700

148 REGENCY STYLE MAHOGANY EXTENDING DINING TABLE, ATTRIBUTED TO WARING & GILLOW EARLY 20TH CENTURY the rounded rectangular top with a moulded edge, raised on ten turned and reeded tapering legs ending in brass caps and castors, with two leaf extensions 312cm long, 73cm high, 167cm deep

£2,000-3,000

54

149 Y REGENCY ROSEWOOD WRITING/ WORK TABLE EARLY 19TH CENTURY the hinged top opening to a leather writing surface above a frieze drawer with button release revealing a further leather writing surface, above a fabric covered sliding work basket, on faceted column and quadripartite base with turned feet and castors 50cm wide, 79.5cm high, 51cm deep

£400-600

150 REGENCY YEW WOOD WINE TABLE EARLY 19TH CENTURY the octagonal tilt-top raised on a slender baluster column and umbrella tripod base with spade feet 49cm diameter, 73cm high

£400-600

151 REGENCY MAHOGANY DRESSING TABLE EARLY 19TH CENTURY the top with a scrolling shaped backboard above a pair of frieze drawers, raised on slender tapered and turned legs ending in brass caps and castors 114cm wide, 104cm high, 51cm deep

£400-600

152 Y REGENCY ROSEWOOD, GRAIN PAINTED, BRASSLINED AND MARBLE TOPPED CONSOLE TABLE EARLY 19TH CENTURY the rectangular white marble top above a brass inlaid frieze with a central panel with laurel wreath mount, raised on turned supports and a plinth base 98cm wide, 80.5cm high, 37cm deep

£600-800

55

153 REGENCY GILTWOOD AND GESSO TRIPLE OVERMANTEL MIRROR EARLY 19TH CENTURY the ball mounted frieze above a moulded gesso panel depicting Apollo in his chariot pulled by lions, above three bevelled mirror plates flanked by reeded columns with Corinthian capitals 90cm high x 148cm wide

£500-700

154 REGENCY MAHOGANY AND GILT METAL MOUNTED LIBRARY TABLE, IN THE MANNER OF THOMAS HOPE EARLY 19TH CENTURY the rounded rectangular top raised on waisted end supports joined by a shaped undertier, with gilt metal mounts and brass castors 117cm wide, 71cm high, 55cm deep

£400-600

155 REGENCY MAHOGANY LOW BREAKFRONT PRESS CUPBOARD, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the breakfront top above a central pair of panel doors opening to shelves, flanked by banks of five short drawers, raised on turned toupie feet 162cm wide, 107cm high, 48cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

56

156 REGENCY MAHOGANY AND SATINWOOD PEMBROKE TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with satinwood banding and drop-leaf sides, above a frieze drawer with ebony key inlay and a dummy drawer opposing, raised on reeded tapered legs ending in brass caps and castors 49cm wide (closed), 103cm (opened), 73cm high, 82cm deep

£700-1,000

157 SET OF FOUR REGENCY MAHOGANY SIDE CHAIRS, BY GILLOWS OF LANCASTER 19TH CENTURY the reeded tablet backs between reeded uprights, over drop-in seats raised on turned and tapered legs joined by stretchers, each stamped GILLOWS LANCASTER (4) 48cm wide, 87cm high, 40cm deep

£400-600

158 REGENCY MAHOGANY SIDE TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rectangular top with a moulded edge above two short frieze drawers, raised on turned and reeded tapered legs 114cm wide, 73cm high, 56cm deep

£400-600

159 Y REGENCY ROSEWOOD, PARCEL-GILT, AND BRASS SIDE CABINET EARLY 19TH CENTURY the brass inlaid rectangular top above two short frieze drawers and a pair of doors with brass wire inserts, raised on toupie feet 76cm wide, 83cm high 33cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

57

160 REGENCY GILTWOOD, GESSO, AND PAINTED OVERMANTEL MIRROR EARLY 19TH CENTURY the projecting cornice above a frieze with palmettes and anthemion, over a rectangular mirror plate flanked by lotus clasped columns 101cm high, 137cm wide

£600-800

161 PAIR OF REGENCY MAHOGANY ARMCHAIRS EARLY 19TH CENTURY the top rails carved with palmettes above lotus and rosette carved splats and wide stuff-over seats flanked by reeded scroll arms, raised on stop-reeded tapering forelegs; the seats covered in trellis pattern needlework (2) 55cm wide, 82.5cm high, 45cm deep

£1,000-1,500

162 SCOTTISH REGENCY MAHOGANY AND EBONY SIDEBOARD EARLY 19TH CENTURY the top with a bead moulded back panel flanked by superstructure compartments to both ends, one with a drawer, the other hinged; above a concave front with three short frieze drawers flanked by deep drawers, one a cellarette, separated by further bead moulded panels, raised on turned and tapered legs 219cm wide, 117cm high, 73cm deep

£800-1,200

58

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

59

163 PAIR OF REGENCY MAHOGANY AND BRASS INLAID CARD TABLES, BY GILLOWS OF LANCASTER 19TH CENTURY the D shaped fold-over tops inlaid with brass banding and spear and flower heads, opening to green baize lined playing surfaces, above friezes with further brass banding and inlay, raised on reeded columns and high scrolled legs ending in palmette cast brass caps and castors, each stamped GILLOWS LANCASTER (2) 92cm wide, 73cm high, 45cm deep

£8,000-12,000

60

164 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the convex mirror plate in a reeded ebonised slip and ball mounted moulded frame, surmounted by a carved dragon with an acanthus pendant finial 117cm high, 65cm wide

£600-800

165 LATE REGENCY MAHOGANY UPHOLSTERED ARMCHAIR 2ND QUARTER 19TH CENTURY with a curved rectangular back and scrolled enclosed arms, raised on ring-turned front legs with brass caps and castors 77cm wide, 100cm high, 53cm deep

£600-800

166 REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with three divisions with two solid dividers enclosed by spindle gallery sides, raised on square tapered legs with brass caps and castors 46cm wide, 57cm high, 36cm deep

£300-500

167 WILLIAM IV MAHOGANY LIBRARY TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rounded rectangular top with a moulded edge and a hinged slope with ratchet adjustment, above a pair of short frieze drawers with the same on the reverse, raised on turned and reeded tapering legs ending in brass caps and castors 122cm wide, 76cm high, 81cm deep

£800-1,200

61

168 FINE REGENCY LARGE MAHOGANY BREAKFRONT BOOKCASE, ATTRIBUTED TO GILLOWS OF LANCASTER EARLY 19TH CENTURY the moulded cornice above a frieze marked with carved flower heads, above glazed and mullioned doors with Bramah locks enclosing adjustable shelves, flanked by fluted pilasters with acanthus carved capitals; the lower part with four moulded panel doors flanked and divided by similar fluted pilasters capped with acanthus scrolls and flower heads, on a plinth base

Note: This bookcase relates to a group of furniture supplied by Gillows to the Langford-Brooke family of Mere Hall, Knutsford, Cheshire, in the first quarter of the 19th century. The pilasters with their acanthus capitals are identical to the group of library furniture sold by Christie’s on behalf of the executors of the late Mrs. Helen Langford-Brooke, 23 May, 1994, lot 188.

306cm wide, 273cm high, 62cm deep

£8,000-12,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

169 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY the convex mirror plate in an ebonised slip and moulded frame with ball mounts surmounted by a carved eagle and foliate cresting 90cm high, 63cm wide

£400-600

170 PAIR OF REGENCY STYLE MAHOGANY HEXAGONAL TRIPOD WINE TABLES 20TH CENTURY, INCORPORATING SOME EARLIER PARTS the hexagonal tops on spiral fluted and turned column supports with outswept legs on ebonised ball feet (2) 40cm diameter, 71cm high

£800-1,200

171 REGENCY FIDDLEBACK MAHOGANY AND EBONY STRUNG CARD TABLE EARLY 19TH CENTURY the rectangular fold-over top with canted corners opening to a green baize playing surface, above a turned support raised on outswept legs with brass paw feet and castors 90cm wide, 77cm high, 44cm deep (closed), 89cm (open)

£400-600

172 REGENCY MAHOGANY SERPENTINE CHEST OF DRAWERS EARLY 19TH CENTURY with four long graduated drawers with matched flame mahogany veneers, raised on French bracket feet 100cm wide, 93cm high, 57.5cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

63

173 Y REGENCY ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top raised on a ring-turned column and hipped outswept legs ending in brass paw caps and castors 123cm diameter, 73cm high

£500-700

174 REGENCY MAHOGANY WARDROBE, PROBABLY SCOTTISH 19TH CENTURY the moulded cornice above a plain frieze and a pair of bead moulded doors flanked by pilasters, opening to hanging space and a mirror, on an inverted breakfront base with a deep drawer outlined with further bead moulding 157cm wide, 196cm high, 65cm deep

£1,500-2,500

175 REGENCY MAHOGANY STICK BAROMETER, WATKINS & HILL, LONDON EARLY 19TH CENTURY the brass register plate inscribed Watkins & Hill/ Charing Cross with a Fahrenheit thermometer, the mercury-filled tube on a plain case ending in a ball cistern cover 96cm high

£250-350

176 REGENCY MAHOGANY ARMCHAIR FRAME EARLY 19TH CENTURY with a curved back and scrolled arm terminals, raised on foliate carved tapered legs ending in brass caps and castors 60cm wide, 98cm high, 54cm deep

£200-300

64

177 SCOTTISH REGENCY MAHOGANY TEA TABLE EARLY 19TH CENTURY the banded fold-over top above a plain frieze raised on curved faux bamboo legs ending on scrolled feet 91cm wide, 74cm high, 45.5cm deep

£600-800

178 REGENCY SMALL MAHOGANY AND EBONISED CHEVAL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a fluted frame with corner roundels, between ring-turned supports raised on scrolled legs with brass castors 67cm wide, 134cm high, 58cm deep

£400-600

179 LATE REGENCY MAHOGANY HALL BENCH EARLY 19TH CENTURY the seat with a thumbnail edge and turned scroll ends, raised on turned and tapered legs 101cm wide, 52cm high, 36cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

180 REGENCY GILTWOOD CONVEX MIRROR 19TH CENTURY AND LATER the circular mirror plate in a reeded ebonised slip and moulded frame with ball mounts, surmounted by a later eagle cresting and pendant shell motif finial below 106cm high, 65.5cm wide

£400-600

181 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY with three tiers, the lower tier with a drawer, on turned legs ending in brass caps and castors 44cm wide, 105cm high, 36cm deep

£500-700

182 Y REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the superstructure on lion monopodia supports, above a frieze drawer and a pair of panelled doors flanked by Corinthian pilasters, on plinth base 114cm wide, 119cm high, 51cm deep

£600-800

66

183 REGENCY STYLE GILTWOOD CONVEX MIRROR LATE 19TH CENTURY the convex mirror plate in an ebonised slip and deep moulded frame with ball mounts and surmounted by an eagle and acanthus scroll cresting 87cm high, 65cm wide

£400-600

184 Y REGENCY ROSEWOOD, GONCALO ALVES, AND MARQUETRY BRACKET CLOCK, ROBERT ROSKELL, LIVERPOOL EARLY 19TH CENTURY the arched cream enamel dial with twin winding holes, Roman number chapter, and STRIKE/SILENT dial, signed ‘R Roskell/ Liverpool’, in an arched case with brass handles, grilles, and ball feet and finial, the eight-day twin-chain movement with pull repeat and striking a bell, the backplate stamped ROSKELL/ LIVERPOOL/ 791 32cm wide, 66cm high, 18cm deep

£500-700

185 Y REGENCY ROSEWOOD CARD TABLE EARLY 19TH CENTURY the D-shaped fold-over top opening to a russet baize surface, on a waisted octagonal column with brass foliate mounts, raised on outswept legs ending in foliate cast brass caps and castors 97cm wide, 72.5cm high, 47cm deep [94cm open]

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

67

186 PAIR OF NEOCLASSICAL GILT BRONZE WALL SCONCES 19TH CENTURY each with twin scrolling foliate candle branches issuing from pierced backplates with berries, acanthus, and a bacchic putto mask (2) 37cm high

£300-400

187 Y REGENCY ROSEWOOD AND MAHOGANY LAMP TABLE EARLY 19TH CENTURY the circular crossbanded tilt top on a cylindrical column and tripartite base with squat bun feet and castors 54cm diameter, 72cm high

£500-700

188 Y REGENCY ROSEWOOD AND SIMULATED ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt top on a ring-turned column and tripartite base with disc feet with castors 121cm diameter, 73.5cm high

£400-600

68

189 PAIR OF REGENCY MAHOGANY TRIPOD TABLES EARLY 19TH CENTURY with rectangular tops with re-entrant corners, raised on ring-turned columns and tripod feet (2) 48.5cm wide, 74cm high, 35cm deep

£400-600

190 REGENCY MAHOGANY AND EBONY DRUM LIBRARY TABLE EARLY 19TH CENTURY the circular top with a gilt-tooled green leather skiver above four frieze drawers, three dummy drawers, and a hinged door, on a fluted column and tripartite base raised on carved hairy paw feet with castors 126cm diameter, 81cm high

£2,000-3,000

191 REGENCY LARGE BOWFRONT CHEST OF DRAWERS EARLY 19TH CENTURY the top with a moulded edge over three short and three long graduated drawers, above a shaped apron and raised on French bracket feet 154cm wide, 100cm high, 69.5cm deep

£500-700

69

192 LARGE REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in an ebonised slip and leaf-clasped spiral column frame marked at the corners with lions’ masks 162cm wide, 81cm high

£1,500-2,500

193 REGENCY PAINTED PINE AND GESSO FIRE SURROUND EARLY 19TH CENTURY, WITH ADAPTATIONS the bead moulded shelf above a frieze with moulded shells, sheep, and goats flanked by urns with horses, with reeded jambs capped with stiff leaves, the whole painted white 174cm wide, 117cm high, 16cm deep; interior 82 x 114cm Provenance: The Late Sir Peter Hutchison, Broich House, Stirlingshire

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

70

194 Y REGENCY ROSEWOOD WRITING BOX, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the hinged and divided top opening to a pen tray and compartments, with a turned handle and bead moulded base with a drawer 24cm wide, 13cm high, 15cm deep

£250-350

195 Y MINIATURE ROSEWOOD TILT-TOP CENTRE TABLE 19TH CENTURY the circular top on a turned baluster column and tripartite platform base with squat bun feet 25cm diameter, 18cm high

£300-400

196 REGENCY MAHOGANY CASED SHELL COLLECTION EARLY 19TH CENTURY with a dummy drawer over two long drawers, the hinged lid with inlaid shell paterae opening to a lift out tray with wood dividers containing a large quantity of shells, the drawers similarly arranged 41cm wide, 25cm high, 22cm deep

£300-500

71

197 PAIR OF LARGE REGENCY PATINATED AND GILT BRONZE LAMPS EARLY 19TH CENTURY the acanthus leaf cast nozzles over reeded columns on triform bases with lion monopodia; converted from candlesticks and fitted for electricity; with white box-pleated shades (2) 48cm high (excluding fittings)

£2,000-4,000

198 MINIATURE MAHOGANY JUPE’S PATENT DINING TABLE 19TH CENTURY the circular top with eight triangular leaves, on a central baluster and four outer columns and cruciform base 35cm diameter, 14.5cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

199 PAIR OF REGENCY GILT BRONZE CANDLESTICK LAMPS EARLY 19TH CENTURY the urn candle nozzles cast with seraphims above fruit-filled baskets on columns with anthemions and ending on circular bases cast with dolphins and cornucopias; converted from candlesticks and fitted for electricity; with champagne pinch-pleated shades (2) 33cm high (excluding fittings)

£1,200-1,800

200 Y GEORGE IV ROSEWOOD, WALNUT AND MARQUETRY WORKBOX EARLY 19TH CENTURY the sloping top with two hinged covers inlaid with floral marquetry, opening to green plush lined interiors, above a drawer with fitted compartments 19cm high, 35.5cm wide, 25cm deep

£250-350

201 Y THREE GEORGIAN OR REGENCY TEA CADDIES EARLY 19TH CENTURY to include a REGENCY MAHOGANY TEA CADDY of sarcophagus form, the interior with two fitted caddies and a cut glass waste bowl; a REGENCY BURR WOOD TEA CADDY with satinwood and kingwood banding, the lid with a silver handle hallmarked post-1784 and maker’s mark IT, the lid interior with inlaid monogram ‘M’, with two fitted caddies and an engraved glass bowl, 30cm wide, 15cm high, 15cm deep; and a GEORGE III ROSEWOOD SINGLE TEA CADDY of crossbanded square form, the lid with fan inlay and silver plated handle, opening to a void interior, 10cm wide, 10cm high, 8cm deep (3) Largest 32cm wide, 19cm high, 16cm deep With non-transferable CITES self-certification number 61XZ67UJ

£300-500

73

202 TWO ENGLISH POTTERY DOCUMENTARY JUGS EARLY 19TH CENTURY one a creamware example, possibly Bristol or Swansea, inscribed to ‘John and Sarah Yenon, Pembroke’ and dated ‘1819’, painted to each side with a mixed floral bouquet, the rim with a stylised leaf and blue flower border; the other a pearlware example, possibly Bristol, inscribed with the initials ‘JR’ and the verse ‘When this you see, Remember me, And bear me in your mind; Tho many Miles we distant be, Speak of me as you find. June 27th 1828’ (2) 19.5cm high and 19cm high

£250-350

203 PAIR OF REGENCY ORMOLU AND PATINATED BRONZE LAMPS EARLY 19TH CENTURY with acanthus cast urn form nozzles over fruit-filled baskets and reeded stems on acanthus cast triform bases with paw feet, converted from candlesticks and fitted for electricity, with champagne pinch-pleated shades (2) 35cm high (excluding fittings)

£1,200-1,800

204 Y MAHOGANY, ROSEWOOD AND FRUITWOOD CROSSBANDED SEWING BOX 19TH CENTURY with a long base drawer and dummy drawers with ivory knobs on all sides, opening to a fitted interior 32cm wide, 22cm high, 19cm deep With non-transferable CITES self-certification number QYY3NPJV

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

74

205 IRISH EBONISED AND PARCEL-GILT OVAL MIRROR THE 19TH CENTURY the oval plate in a moulded frame mounted with two bands of cut-glass beads 41cm high, 52cm wide

£300-500

206 EBONISED PLASTER FIGURAL TORCHERE OF CERES, IN THE MANNER OF HUMPHREY HOPPER EARLY 19TH CENTURY ebonised and gilded plaster, depicted standing and holding a torch with an etched glass shade in one hand and wheat in the other, robed in classical dress, on a rectangular plinth decorated with husk garlands 191cm high Provenance: The Peter Rose and Albert Gallichan Collection, acquired circa 1970 Literature: B. Coleman, The Best of British Arts & Crafts, Atglen, PA, 2004, p. 51

£800-1,200

207 GEORGE IV PAINTED AND PARCEL-GILT TUB ARMCHAIR EARLY 19TH CENTURY the lyre-form frame carved with acanthus scrolls, raised on foliate carved reeded tapered legs with brass castors, painted dark green highlighted with gilding and covered in green plush upholstery with cord trim 75cm wide, 83cm high, 51cm deep

£1,000-1,500

208 WILLIAM IV MAHOGANY WRITING TABLE 19TH CENTURY the banded top with a green leather skiver and moulded edge above an arched frieze with two drawers, with the same opposing, raised on turned and tapered legs ending in brass caps and castors 122cm wide, 80cm high, 90cm deep

£500-700

75

209 Y GEORGE IV ROSEWOOD CARD TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top opening to a red baize surface, above a shaped frieze marked with carved flower heads, on a faceted tapered column carved with lotus and gadrooning with a quadripartite base and scroll feet with brass castors 92cm wide, 74cm high, 45.5cm deep [91cm open]

£400-600

210 PAIR OF WILLIAM IV MAHOGANY HALL CHAIRS EARLY 19TH CENTURY the moulded rectangular panel backs with roundels to the corners, above wide seats with moulded edges, raised on turned and reeded baluster forelegs with sabre legs to the rear (2) 46cm wide, 85cm high, 35cm deep

£400-600

211 GEORGE IV MAHOGANY PEDESTAL SIDEBOARD EARLY 19TH CENTURY the panel back with a carved flower head and scrolled brackets above three frieze drawers, raised on pedestals with cupboards enclosing drawers and shelves, raised on lobed bun feet 184cm wide, 127cm high, 68cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76

212 WILLIAM IV MAHOGANY TEA TABLE EARLY 19TH CENTURY the D-shaped crossbanded fold-over top above a bead moulded frieze, on a square baluster support and quadripartite platform base raised on fluted scroll legs with stylised paw feet and brass castors 91 wide, 75cm high, 45cm deep [closed]

£400-600

213 REGENCY MAHOGANY WHATNOT, IN THE MANNER OF GILLOWS 19TH CENTURY with three tiers raised and divided by turned and tapered supports and finials, on conforming legs with brass caps and casters 39cm wide, 79cm high, 35cm deep

£400-600

214 SCOTTISH WILLIAM IV MAHOGANY LONGCASE CLOCK, JOHN MILLER, KILWINNING 19TH CENTURY the hood with a pierced and carved foliate cresting above an arched painted dial, with subsidiary seconds dial and date dial, and twin winding holes, the arch painted with a scene from Lady of the Lake, the spandrels respectively Spring, Summer, Harvest, and Winter; the trunk with a shaped bowfront door, on a plinth base; the twin chain eight-day movement striking a bell 229cm high, 58cm wide, 28cm deep

£600-800

215 GEORGE IV MAHOGANY SECRETAIRE BOOKCASE EARLY 19TH CENTURY the moulded cornice above a pair of brass grille insert doors enclosing adjustable shelves; the lower part with a secretaire drawer over a pair of moulded panel doors, on a plinth base 108cm wide, 201cm high, 48cm deep

£500-700

77

216 LATE REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with four divisions and a base drawer, raised on ring-turned legs with brass caps and castors

217

51cm wide, 56cm high, 38cm deep

£400-600

WILLIAM IV MAHOGANY BOOKCASE EARLY 19TH CENTURY the inverted breakfront cornice above three arched glazed doors enclosing shelves; the base with three moulded panel doors flanked by carved ribbon-tied flower trails, on a plinth base 225cm wide, 249cm high, 43cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

78

218 MATCHED PAIR OF VICTORIAN MARBLE TOPPED POT CUPBOARDS. ONE BY HOLLAND & SONS SECOND HALF 19TH CENTURY one walnut, the other mahogany; both with circular white marble tops above a door enclosing two shelves on a plinth base, the mahogany example stamped ‘HOLLAND & SONS’ on the door (2) Walnut 74 cm high, 39 cm diameter; mahogany 71cm high, 39 cm diameter

£500-700

219 REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY the moulded rectangular top with rounded outset corners and a brown leather skiver above three frieze drawers to each side, raised on turned and tapered legs ending in brass caps and castors 163cm wide, 79cm high, 102cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

79

220 WILLIAM IV LARGE OAK CLERK’S DESK, BY GILLOWS OF LANCASTER 19TH CENTURY the hinged slope top with a green leather skiver opening to a void interior, above twin banks of seven short drawers, on a plinth base with castors and cast brass handles to the sides, stamped on the interior GILLOW & CO. and GILLOW 83cm wide, 122cm high, 64cm deep

£2,500-3,500

80

Killarney, in County Kerry, became famous as a tourist

prominent makers in Killarnery, J. Egan of Main Street, or

destination from the 1830s, its popularity driven by the

Jeremiah O’Connor. Furniture of this type was not limited to

unspoiled natural beauty of the surrounding lakes and

Killarney however, as other makers farther afield wanted to

mountains. The increasing stream of visitors produced a

capitalise on the interest in ‘Irish’ furniture. In Dublin, Arthur

burgeoning souvenir industry, which started as small trinkets

J. Jones, Son & Co. was just one business of many engaged

like egg cups, snuff boxes, and card cases made from locally

in similar work, exhibiting at the Crystal Palace Exhibition

sourced bog oak and yew. By the 1840s this had developed

in 1851. The popularity of Killarney was boosted by the

into a full-fledged cabinetmaking industry which produced

arrival of the railway in 1854, and seven years later, a visit

portable items like chess boards, work boxes, and book trays

by Queen Victoria and the Prince Consort, accompanied

[see lot 266], as well as larger pieces of furniture, typically

by a number of their children. During their stay the royal

work tables, davenports, and games tables, all inlaid with

party were guests of Lord Castlerosse at Killarney House,

Killarney’s principal sights and the usual Irish symbols of

who presented them with a number of pieces of Killarney

shamrocks and harps.

furniture, described in the press as “a desk and cabinet of

The present table is highly unusual in its size and form, and would possibly have been made by one of the two

arbutus wood”. The Queen’s gifts were manufactured by J. Egan, mentioned above, and further helped to promote this idiosyncratic furniture.

221 IRISH KILLARNEY ARBUTUS, YEW, AND MARQUETRY CENTRE OR LOO TABLE MID 19TH CENTURY the shaped oval tilt top on a faceted baluster column and circular base raised on carved paw feet with ceramic castors, inlaid throughout with ferns, castles, country houses, shamrocks, and harps 151cm wide, 72cm high, 112cm deep Literature: B. Austen, ‘Killarney Inlaid Furniture, A Forgotten Industry’, Killarney Newsletter, Spring/Summer 1998, pp. 6 and 7

£10,000-15,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

82

222 Y WILLIAM IV ROSEWOOD TEA TABLE EARLY 19TH CENTURY the rounded rectangular fold-over top on a lobed baluster column and quadripartite base with bun feet and brass castors 96cm wide, 76cm high, 48.5cm deep [97cm open]

£300-500

223 Y WILLIAM IV ROSEWOOD LONG STOOL EARLY 19TH CENTURY the green velvet upholstered seat in a rocaille carved frame, raised on curved X supports joined by a ring-turned stretcher 71cm wide, 43cm high, 45cm deep

£500-700

224 WILLIAM IV MAHOGANY EXTENDING DINING TABLE 19TH CENTURY the rectangular top above a plain frieze with flowerhead carvings on the corners, raised on turned reeded legs and brass castors, opening on a concertina action with three leaf extensions 267cm extended, 72cm high, 139cm wide

£1,000-1,500

83

225 SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the wide curved tablet backs on lotus carved supports over stuffover seats covered in red fabric, raised on turned and tapered facvvveted legs (6) 55cm wide, 87cm high, 41cm deep

£400-600

226 Y PAIR OF WILLIAM IV ROSEWOOD TEA TABLES EARLY 19TH CENTURY the rounded rectangular fold-over tops on fluted and scroll carved baluster column supports, raised on cabriole legs ending in carved claw and ball feet with brass castors, one with two partial trade labels (2) 92cm wide, 76cm high, 88cm deep (opened), 45cm deep (closed)

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

84

227 GEORGE IV COROMANDEL TEAPOY EARLY 19TH CENTURY the top of sarcophagus form with gadroon moulding, opening to four lidded tea caddies and two glass slop/mixing bowls, on a faceted column support and quadripartite base with scroll feet with brass castors 40.5cm wide, 83cm high, 32.5cm deep

£400-600

228 ANGLO-INDIAN PADOUK OCCASIONAL TABLE 19TH CENTURY the circular top with an egg and dart border above a foliate carved frieze marked with flowerheads, on a lotus carved baluster column and carved tripartite base with bun feet 55cm diameter, 73cm high

£1,000-1,500

229 ANGLO-INDIAN PADOUK CENTRE TABLE 19TH CENTURY the circular top with a leaf tip carved edge, above a foliate and flower head carved frieze, raised on a lotus carved baluster column and quadripartite platform base on bun feet 107cm diameter, 75cm high

£2,000-3,000

85

230 FINE ANGLO-INDIAN PADOUK PEDESTAL PARTNERS DESK 19TH CENTURY the top with a green leather skiver with gilt tooled borders above three short frieze drawers two both long sides, on pedestals bases with drawers to one side and a chamfered panel cupboard on the reverse 150cm wide, 78cm high, 88cm deep

£4,500-5,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

86

231 REGENCY NEEDLEWORK SAMPLER, BY ELIZABETH BARBER DATED 1820 worked in silk and linen thread on a linen ground, with three sections, the top with the prayer ‘Jesus permit thy gracious name to stand, - As the first efforts of an infant hand: - An while her fingers o’er the canvass move - Help her betimes to know and taste thy love/ With thy dear children may she have her part/ And write thy name they-self upon her heart -’; above a band with a house and fence, dog, various trees, birds, insects and a bee; the lower field with twin flowering urns, dogs, birds, and insects and a central reserve signed Elisabeth Barber. Finished. January 1820’ within a strawberry vine border and enclosed in a moulded period frame with carved scroll cresting 30cm x 32cm [excluding frame]

£400-600

232 REGENCY NEEDLEWORK SAMPLER,

BY CATHERINE WINTER DATED 1816 worked in silk and linen thread on a linen ground, the single field with a central reserve with poem ‘Jesus permit thy sacred name to stand./ As the first effort of an infant hand./ And while her fingers on the canvass move./ Engage her tender thoughts to ask thy love./ Among they children let her have a part/ And write thy name theyself upon her heart’; within a field filled with flowering urns, trees, fruit baskets, stags, flower forms, and a church, within a meandering flower border, framed 42cm x 53cm [excluding frame]

£300-400

233 Y LARGE GEORGE IV ‘SOLOMON’S TEMPLE’ SCHOOLGIRL SAMPLER, BY ANN BRIERLEY, AGED 10 CIRCA 1825 worked in silk on linen, depicting a large building with walled enclosure labelled ‘A Representation of Solomons Temple’ with Psalm 5, Verse 7 above, in a field with trees, flowerheads, and birds, with a reserve with the maker’s name and age and a corresponding reserve inscribed ‘Greenwoods School Drake St.’, , with a later inscription ‘Ann Brierley Died October 22nd 1832 Aged 16 Years and 6 months’, in a meandering carnation border; in a period rosewood frame with gilt slip 43cm x 53cm [excluding frame] Note: Greenwood School on Drake Street was in Rochdale, Lancashire in the early part of the 19th century. It was affiliated with the Baptist church.

£500-700

87

234 TWO VICTORIAN NEEDLEWORK AND FELT PICTURES OF CATS ON CUSHIONS 19TH CENTURY each worked in long stitches on a wool felt ground, the cushions with appliqué flowers and silk tassels against a yellow silk backing, one labelled ‘SEED PEARL’, the other ‘NISSE’; in later birdseye maple frames (2) 30 x 42cm excluding frame; 40.5 x 52.5cm overall

£800-1,200

235 COLLINSON DAPPLE GREY ROCKING HORSE 20TH CENTURY of small size with original paint, tack, and horsehair tail and mane 118cm long

£400-600

236 EXTENSIVE STAFFORDSHIRE BLUE AND WHITE TOY/ MINIATURE DINNER SERVICE EARLY 19TH CENTURY probably Ridgway, transfer printed in the ‘Souvenir’ pattern, comprising ten dinner plates; four breakfast plates; six side plates; six bowls; a soup tureen, cover and stand with ladle; two further twin handled tureens; two twin handled vegetable dishes, one with a cover; two sauce boats on stands; two deep pie dishes; two shaped shallow serving dishes with single scroll handle; a tree and well meat plate; six graduated serving ashets; unmarked (qty) dinner plates 9.5cm diameter; soup tureen 12cm wide

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

88

237 LEOPARD SKIN 20TH CENTURY unlined with flattened head, with Kenyan import license dated 1945 190cm long approx. (nose to tip of tail)

£300-500

238 PAIR OF VICTORIAN CASED TAXIDERMY PHEASANTS 19TH CENTURY the first a Chinese Golden Pheasant, the other a Common White/Leucistic Pheasant, 85cm wide, 58cm high, 24cm deep; both mounted in naturalistic settings in glazed cases, one with a painted background (2) 96cm wide, 54cm high, 24cm deep

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

89

239 Y NORTH AMERICAN WAPITI OR ELK MOUNTED ANTLERS [CERVUS CANADENSIS NELSONI] 20TH CENTURY very large set of adult bull antlers on cut upper skull cap, fourteen points (6+8), mounted upon a shaped oak shield, bearing an identification plaque 110cm wide

£500-700

240 ENGLISH RED DEER ANTLERS 20TH CENTURY twenty-one points, unmounted 108cm wide Provenance: Woburn Abbey

£700-1,000

241 VICTORIAN CASED TAXIDERMY GREY PARROT CIRCA 1880 in a naturalistic setting in a glazed case with a white painted back panel 34cm wide, 39cm high, 13cm deep

£300-500

BRITISH FURNITURE, PAINTINGS & WORKS OF ART DAY TWO: THURSDAY 01 SEPTEMBER 2022 FROM 10AM

91

242 VICTORIAN WALNUT, KINGWOOD, YEW, AND PARTRIDGEWOOD GILT METAL MOUNTED CARD TABLE 19TH CENTURY the fold-over rectangular quarter-veneered and banded top with a gilt metal mounted edge, opening to a green baize playing surface, above a frieze with trellis pattern inlay and centred by foliate mounts, raised on banded square tapered legs ending in brass caps and castors 97cm wide, 77.5cm high, 46cm deep [closed]

£800-1,200

243 EARLY VICTORIAN GILTWOOD FENDER STOOL 2ND QUARTHER 19TH CENTURY the rectangular padded seat with a beadwork cover, on a leaf and grape carved rocaille base 115cm wide, 18cm high, 32cm deep Provenance: The Late Sir Peter Hutchison, Broich House, Stirlingshire

£400-600

244 EARLY VICTORIAN KINGWOOD, WALNUT, AND THUYAWOOD SERPENTINE DISPLAY CABINET MID 19TH CENTURY the shaped top over a pair of glazed doors flanked by serpentine glazed doors, all enclosing shelves, flanked and divided by gilt bronze mounted angles with female mask mounts, on base with a scroll apron 190cm wide, 109cm high, 48cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

245 EARLY VICTORIAN WALNUT CANTERBURY MID 19TH CENTURY with three divisions, the side panels pierced with scrolls and foliate motifs and marked at the corners with turned balusters, on a shaped base with drawer, raised on turned legs with porcelain castors 59cm wide, 52cm high, 40cm deep

£300-500

246 VICTORIAN WALNUT LARGE CENTRE STOOL MID 19TH CENTURY the rectangular seat pad inserted in a moulded frame carved with leafy scrolls, on cabriole legs; covered in striped plush upholstery 112cm wide, 47cm high, 64cm deep

£700-1,000

247 VICTORIAN WALNUT AND MARBLE TOP CREDENZA AND MIRROR MID 19TH CENTURY with a bowfront outline, the arched mirror back with blind carved foliate border over a shaped marble top and twin cupboard doors with blind-carved oval reserves, flanked by open corner shelves to each side 149cm wide, 269cm high, 50cm deep

£800-1,200

93

248 EARLY VICTORIAN MAHOGANY CENTRE TABLE MID 19TH CENTURY the circular top with radiating segmented veneers, on a faceted and reeded hexagonal column and tripartite base with scrolled feet and brass castors 115cm wide, 78cm high

£300-500

249 PAIR OF WALNUT BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the rounded square top with a moulded edge above four drawers, on plinth bases (2) 44cm wide, 77cm high, 37cm deep

£1,500-2,500

250 PAIR OF VICTORIAN UPHOLSTERED WALNUT FRAMED ARMCHAIRS MID 19TH CENTURY with balloon shaped buttoned backs, over serpentine stuffover seats flanked by scroll arm with foliate carved facings, raised on turned baluster legs with castors; one recently re-upholstered in grey herringbone with an ebonised frame, the other in brown striped plush upholstery (2) 73cm wide, 102cm high, 51cm deep; the other chair 74 cm wide, 102cm high, 52cm deep Provenance: The Late Sir Peter Hutchison, Broich House, Stirlingshire

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

251 EARLY VICTORIAN PAPIER MÂCHÉ TWO TIER TRAY TABLE MID 19TH CENTURY the piecrust tray top decorated with flowers and an exotic bird, raised on cabriole legs joined by a conforming smaller tray below, similarly decorated, and enhanced with gilt details throughout 78cm wide, 67cm high, 58cm deep

£300-500

252 VICTORIAN EBONISED AND PARCEL-GILT WHATNOT/ CANTERBURY MID 19TH CENTURY with a pierced brass gallery above two tiers, the lower tier fitted as a canterbury, with a drawer to the base, raised on turned and tapered legs with brass caps and castors 56cm wide, 99cm high, 40cm deep

£400-600

253 VICTORIAN COALBROOKDALE CAST IRON STICK STAND 19TH CENTURY modelled as a begging dog holding a whip in its mouth, above a leaf-form drip pan, painted black with impressed diamond Registration mark and No. 14 and No. 85297 62cm wide, 56cm high

£300-500

254 VICTORIAN WROUGHT IRON CLUB FENDER 19TH CENTURY with L shaped wood seats on upright supports divided by a central U shape, on a plinth base 147cm wide, 59cm high, 35cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

95

255 VICTORIAN GILTWOOD AND GESSO PIER MIRROR 19TH CENTURY the rectangular bevelled mirror plate in a beaded and leaf tip moulded frame surmounted by an oval profile portrait of a bacchante with husk garlands and palm fronds, the corners with fruiting urns 160cm high, 84m wide

£400-600

256 VICTORIAN WALNUT, EBONISED, AND MARQUETRY CREDENZA 19TH CENTURY the shaped demilune top above a central door inlaid with a musical trophy and foliate scrolls, flanked by serpentine glazed cabinets, all enclosing blue plush lined shelves, on a conforming base with toupie feet and outlined with gilt metal mounts 166cm wide, 108cm high, 43cm deep

£800-1,200

96

257 MATCHED SET OF VICTORIAN MAHOGANY BALLOON-BACK DINING CHAIRS MID 19TH CENTURY comprising similar sets of eight, six, and four, each with balloon backs and padded seats, raised on ring-turned tapering legs with minor variations between the sets (18) 46cm wide, 89cm high, 41cm

£1,500-2,500

258 VICTORIAN MAHOGANY EXTENDING DINING TABLE MID 19TH CENTURY the moulded rectangular top, above turned tapering legs, with brass caps and castors, together with an accompanying mahogany leaf cabinet 74cm high, 453cm extended, 144cm wide; sideboard 159cm wide, 103cm high, 60cm deep

£1,000-1,500

97

259 SET OF SIX GILT AND PATINATED BRONZE WALL SCONCES 19TH CENTURY each with a bacchic putto holding aloft twin scrolling candle arms hung with prism drops, four with lobed glass drip pans and two with faceted glass drip pans; together with TWO MATCHING PUTTO BACK PLATES, lacking the candle arms and drops (8) 29cm wide, 28cm high approx.

£300-500

260 VICTORIAN OAK LIBRARY BOOKCASE LATE 19TH CENTURY the arch moulded cornice centred by a cartouche and scrolls, above three glazed doors enclosing adjustable shelves; the base with three panel cupboard doors, one enclosing drawers, on a moulded plinth 197cm wide, 251cm high, 51cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98

261 VICTORIAN WALNUT AND GILT METAL CHIMING BRACKET CLOCK LATE 19TH CENTURY in the Persian taste with an embossed brass top stamped Rd45254, above an arched dial plate with a silvered Roman numeral chapter ring and subsidiary CHIME/SILENT and CHIME ON EIGHT BELLS/CAMBRIDGE CHIMES dials to the arch, enclosed by pierced brass spandrels; the eight-day movement with gong strike and chiming on eight bells, on a moulded plinth base with lions’ paw feet 25cm wide, 43cm high, 19cm deep

£400-600

262 Y EARLY VICTORIAN ROSEWOOD AND BRASS BANDED DRESSING CASE, CARLISLE & WATTS, EDINBURGH MID 19TH CENTURY the hinged top centred by a brass cartouche engraved ‘M.J. St Clair/ The Honble/ Mrs Charles St. Clair’, opening to a fitted interior lined with blue velvet and moroccan leather with a mirror, lift-out tray, and an assortment of glass jars with sterling silver caps, hallmarked London, 1839, with maker’s mark GB, probably George Reid, above a base drawer with a writing slope 31cm 18.5cm high, 26cm deep

£500-800

263 TUNBRIDGEWARE MINIATURE DISPLAY CASE MID 19TH CENTURY the arched top case with twin doors with oval floral panels enclosing a fully decorated interior 22cm wide, 35cm high, 9cm deep

£300-400

264 EARLY VICTORIAN MAHOGANY BRASS BOUND APOTHECARY BOX MID 19TH CENTURY the hinged over with a brass plaque engraved with a crown and G, opening to reveal a velvet lined interior with labelled glass bottles, above a drawer fitted with various compartments and instruments, with later leather straps and handle 30cm wide, 23cm high, 12cm deep

£300-500

99

265 VICTORIAN MAHOGANY AND BRASS MOUNTED BRACKET CLOCK, A & H ROWLEY, LONDON LATE 19TH CENTURY the mahogany bell-top case with a brass carrying handle and brass corner finials enclosing an engraved brass dial with silvered Roman numeral chapter ring, subsidiary SLOW/FAST dial to the arch, flanked by brass stop-fluted chamfered angles and raised on brass bracket feet; the eight-day twin chain movement striking a gong 26cm wide, 41cm high, 19cm deep

£600-800

266 IRISH KILLARNEY ARBUTUS AND INLAY BOOK STAND MID 19TH CENTURY with hinged folding ends, inlaid with a harp, shamrocks, castle ruins, and ferns 38cm wide, 14.5cm high, 12cm deep

£500-700

267 DERBYSHIRE PIETRA DURA AND SPECIMEN MARBLE TABLE TOP 19TH CENTURY the Ashford black marble circular top centred by a geometric motif in various hardstones, the border marked with pietra dura jasmine, rose, pansy, and other flowers 49cm diameter

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

268 MINTON TOPOGRAPHICAL DESSERT SERVICE MID 19TH CENTURY painted to the centre with pastoral landscapes or seascape scenes, with gilt and raised paste gilt decoration, enclosed within turquoise borders with gilt line rims; comprising twelve plates, two tall comports and three low comports; impressed marks and painted A7512 (17) plates 24cm diameter, tall comports 12.5cm high, low comports 6cm high

£400-600

269 TWO PARIAN BUSTS OF PRINCE ALBERT AND QUEEN VICTORIA LATE 19TH CENTURY Prince Albert modelled facing sinister and wearing the Knight of the Garter badge, raised on a round socle foot, marked for W.H.Kerr & Co, Worcester, impressed E. J. JONES, SCULPTOR, 37cm high; the Minton bust of the young Victoria, facing dexter, with flowers and leaves adorning her hair, raised on a round socle base and square foot, the base incised ‘Victoria R’/’Published by Minton & Co’/’C. Marochetti’ (2) 30.5cm high

£200-300

270 MINTON NEW STONE PART TOILET SET, OF ROYAL INTEREST MID 19TH CENTURY white earthenware with stylised painted green and yellow line decoration, comprising three graduated fluted wash bowls with scalloped rims, 37.5cm, 33.3cm and 24cm diameter, two ewers, 30cm high and 19.5cm high, a twin handled sponge dish with liner; a covered oblong toothbrush/razor holder, a covered hot water jug, and a soap dish and cover, various impressed marks NEW STONE B.B, red painted 2114 (9) Soap dish 22cm wide Provenance: The Royal Palace of Holyrood Purchased Christie’s, Glasgow, 1982

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

101

271 GEORGE JONES MAJOLICA FISH TUREEN AND COVER DATE MARK FOR 1871 the tureen of slender oval form, with basket weave moulded sides and pink glazed interior, the cover moulded with a fish on a bed of leafy fronds and ferns; diamond registration mark, impressed GJ monogram (1) 39cm wide

£300-500

272 COLLECTION OF ENGLISH MAJOLICA LATE 19TH CENTURY comprising a teapot and cover, probably Holdcroft, modelled as a Chinese boy on a large coconut, indistinct painted mark, 14.5cm high; a Minton twin-handled vase, with an aubergine glaze, the body raised on three elephant head supports, on a triform plinth base, with gilt highlights, impressed marks, numbered 1738, date mark for 1872, 21cm high; a Royal Worcester Aesthetic style teapot, of square section form, moulded with butterfly and foliate designs, the handle formed as a lizard, impressed factory mark, 14.5cm high; and a Royal Worcester leaf moulded jug with leaf handle, impressed factory mark (4) Jug 24cm high

£300-500

273 PAIR OF MINTON MAJOLICA TOBY JUGS LATE 19TH CENTURY one modelled as a man in 18th century dress, standing with his hands in his pockets, wearing a blue coat and yellow waistcoat, the handle modelled as his hair tied with a ribbon, various impressed marks, numbered 1140, date mark for 1867, 28cm high; the other modelled as a lady holding a fan and wearing a shawl, her blue bodice with pink trimmed sleeves; impressed factory marks, date mark for 1868, (2) 28.5cm high

£300-500

274 GEORGE JONES MAJOLICA PALISSY STYLE EWER LATE 19TH CENTURY the oviform body applied with lizards and shells on a leaf and bark moulded ground, with green and brown glazes throughout, the handle formed as a serpent coiling around the shoulder, raised on a round socle foot, impressed GJ monogram, 45cm high

£500-700

102

275 VICTORIAN MAHOGANY CANTERBURY 19TH CENTURY with three divisions with X-form and laurel wreath dividers, above a base drawer, raised on turned and tapered legs with brass caps and castors 51cm wide, 51cm high 38cm deep

£300-500

276 Y WILLIAM IV ROSEWOOD TWO TIER WORK TABLE MID 19TH CENTURY with two circular galleried tiers raised and divided by a ring-turned column, on a tripartite base with squat bun feet 43cm diameter, 74cm high

£700-900

277 PAIR OF EARLY VICTORIAN MAHOGANY LIBRARY ARMCHAIRS 2ND QUARTER 19TH CENTURY the shaped rectangular button backs with foliate carved toprails, above serpentine fronted seats flanked by part-padded arms with scrolled supports, raised on scrolled legs with modern castors (2) each 63cm wide, 101cm high, 49cm deep

£800-1,200

103

Lot 278, reverse

278 Y PAIR OF LARGE ROCKINGHAM GREEN GROUND VASES WITH ASSOCIATED DOMES 19TH CENTURY of flattened baluster form with trellis-pierced necks and scrolling acanthus handles richly enhanced with gilding, painted with circular reserves depicting Madonna with Grapes after Pierre Minyar, and La Madonna della Seggiola after Raffaello Sanzio; the reverses painted with flower bouquets, on rococo bases painted with flowers; together with shaped giltwood and gesso plinths and large glass domes on rosewood and marquetry bases (6) Vases 62cm high; 100cm high overall

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

279 KARL BÖHM (19TH CENTURY GERMAN) WAITING FOR THE FLEET Signed, inscribed and dated ‘Karlsruhe 1888’, oil on canvas 110cm x 200cm (43.25in x 78.5in)

£2,000-3,000

280 § MORRIS MEREDITH WILLIAMS (WELSH 1881-1973) VILLENEUVE-LES-AVIGNON Signed, oil on board 29cm x 39cm (11.5in x 15.25in) Provenance: The Fine Art Society, London, 1985

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

281 MYLES BIRKET FOSTER (BRITISH 1825-1899) HARVESTING AT SUNSET Signed with a monogram, watercolour 23cm x 34cm (9in x 14in)

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

282 GEORGE GORDON FRASER (SCOTTISH 1859-1895) ON THE BROADS, DUSK Signed, watercolour 25.5cm x 56cm (10in x 22in)

£500-800

283 WILLIAM HACKSTOUN (SCOTTISH 1855-1921) PERTH AND RIVER TAY FROM KINNOULL HILL Signed and dated 1894, watercolour 30.5cm x 46cm (12in x 18in)

£500-800

284 WILLIAM HENRY MARGETSON (BRITISH 1861-1940) REVERIE Signed, watercolour 49cm x 31cm (19in x 12in)

£400-600

108

285 PAIR OF MAHOGANY BEDSIDE CHESTS 19TH CENTURY WITH ALTERATIONS the rounded square tops with a moulded edge above, one with four drawers, the other with two short and one deep drawer, on plinth bases (2) 37cm wide, 73cm high, 37cm deep

£1,200-1,500

286 VICTORIAN MAHOGANY LIBRARY BOOKCASE 19TH CENTURY the projecting moulded cornice with scroll carved brackets, above a pair of arched glazed doors enclosing shelves; the lower part with a long frieze drawer over a pair of moulded panel doors flanked by conforming brackets, on a plinth 123cm wide, 230cm high, 49cm

£600-800

287 VICTORIAN WALNUT WELLINGTON CHEST 19TH CENTURY with five graduated lead-lined drawers on a plinth base, with a hinged locking pilaster 46cm wide, 104cm high, 43cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

288 VICTORIAN OAK FRAMED DINNER GONG 19TH CENTURY the large hammered bronze gong suspended in a frame with baluster turned uprights and scroll carved pediment, on a trestle base; with a modern beater Gong 49cm diameter; frame 70cm wide, 98cm high

£300-500

289 LATE VICTORIAN CHIMING LONGCASE CLOCK, W.F. EVANS & SONS, HANDSWORTH LATE 19TH CENTURY the arched moulded hood with an urn finial, above an arched brass dial with a silvered chapter ring with Arabic numbers, subsidiary seconds dial, three winding holes, and CHIME/ SILENT, SLOW/ FAST, WESTMINSTER/ WHITTINGTON dials to the arch; the arched trunk door carved in relief with flowers and foliate scrolls flanked by columns, on a conforming carved panel plinth with shaped bracket feet; the eight-day movement with chime strike 248cm high, 64.5cm wide, 41cm deep

£700-1,000

290 HOWARD & SONS UPHOLSTERED ARMCHAIR LATE 19TH CENTURY the padded back with a scrolled top above a deep loose cushion seat flanked by scrolled arms, raised on shell and scroll carved forelegs ending in shaped pad feet, the rear leg stamped HOWARD & SONS LTD/ BERNERS ST and 620 7403; covered in cream cotton muslin 78cm wide, 94cm high, 66cm deep

£2,500-3,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

110

291 AESTHETIC PERIOD OAK FRAMED DINNER GONG 19TH CENTURY the hammered gong suspended in a frame with swan neck pediment and flat baluster side supports shallow-carved with anthemions, on trestle bases; with a beater 69cm wide, 93cm high, 34.5cm deep

£800-1,200

292 LATE VICTORIAN MAHOGANY BOOKCASE CABINET LATE 19TH CENTURY the projecting egg-and-dart moulded cornice above a pair of glazed doors enclosing adjustable shelves; the low waisted base with two frieze drawers over four moulded cupboard doors on a plinth base 164cm wide, 267cm high, 51cm deep

£1,000-2,000

111

293 VICTORIAN WALNUT ARMCHAIR, BY HOWARD & SONS 19TH CENTURY the curved and button upholstered back rail continuing to carved scroll hand terminals, raised on turned spindle supports above a wide seat, raised on flower carved cabriole legs ending in scroll toes with brass castors stamped HOWARD & SONS/ LONDON 60cm wide, 76cm high, 56cm deep

£500-700

294 PAIR OF VICTORIAN MAHOGANY FRAMED LIBRARY ARMCHAIRS LATE 19TH CENTURY of neat size, the square backs above padded open arms with curved supports, raised on fluted tapered legs with brass castors (2) 66cm wide, 81cm high, 50cm deep

£500-700

295 OAK GOTHIC REVIVAL CLUB FENDER MID 19TH CENTURY the fender pad covered in red upholstery outlined with piping, raised on carved and faceted supports and a stepped moulded plinth base 168cm wide, 54cm high, 50cm deep; interior 130cm wide, 29cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

296 OAK AND NICKEL PLATED LETTER BOX EARLY 20TH CENTURY the gable top with twin post slots, the pediment mounted with a nickel-plated plaque engraved in red enamel FOR POST/ RECEIVED/ LETTER BOX., above a glazed door, opening to a compartmented interior 23.5cm wide, 37cm high, 19cm deep

£500-700

297 LATE VICTORIAN OAK PERPETUAL WALL CALENDAR LATE 19TH CENTURY circular with a moulded edge and apertures to show day, date and month 58cm diameter

£600-800

298 LARGE MAHOGANY PERPETUAL CALENDAR 19TH CENTURY the dentil moulded top above a panel front with circular aperture revealing a scrolling date painted canvas, flanked by fluted columns, on an inverted breakfront base, with turning knobs to the sides 60cm wide, 75cm high, 25.5cm deep

£600-800

299 THREE LEATHER STICK STANDS INCLUDING AN EXAMPLE BY GEORG HULBE EARLY 20TH CENTURY the tallest of tapering form, embossed and decorated with scrolling briars in flowers, 43cm high; a cylindrical stick stand by Georg Hulbe, embossed with poppies in the Art Nouveau taste, the leather stamped with maker’s mark to the base, 37cm high; and a canvas cordite case with a print of the Royal coat of arms and motto Dieu Et Mon Droit, the leather strap handle with indistinct stamped marks (3) 30cm high

£300-500

113

300 FRENCH BRASS DRAW TELESCOPE AND MAHOGANY TRIPOD STAND LATE 19TH/ EARLY 20TH CENTURY with a 2 1/2 in. lens in an extending brass tube with leather grip, mounted on an extending mahogany tripod stand Tube 101cm long extended

£600-800

301 FRENCH 30IN. TERRESTRIAL TABLE GLOBE, J. FOREST, PARIS EARLY 20TH CENTURY with a brass armature and turned ebonised stand, with a cartouche GLOBE TERRESTRE/ Echelle de 40,000,000/ (un millimetre pour 40 kilometres)/ DRESSÉ PAR J. FOREST GEOGRAPHE/ Officier de l’Instruction Publique/ GRANDE GEOGRAPHIE BONG/ ILLUSTRÉE Globe 30 in. diameter; 60cm high overall

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

114

302 ROYAL CROWN DERBY IMARI PATTERN DINNER SERVICE 20TH CENTURY comprising eight dinner plates, 27cm diameter; eight salad plates, 21.8cm diameter; eight side plates, 16cm diameter; eight twin handled soup bowls with stands; a sauce boat on stand; two oval serving plates, 41cm wide and 33cm wide; and two twin handled tureens with covers, 32cm wide; and an associated single saucer; ochre printed factory marks, pattern number 2451 (qty) £500-700

303 SET OF CHINESE HARDWOOD QUARTETTO TABLES LATE 19TH CENTURY with rectangular panel tops above a scrolling pierced friezes, raised on square section legs joined by shaped stretchers (4) the largest 49.5cm wide, 70cm high, 35.5cm deep

£600-800

304 CHINESE EXPORT CAMPHOR WOOD AND BRASS BANDED CHEST 19TH CENTURY the hinged top opening to a void interior, on later modern castors 96cm wide, 52cm high, 48cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

115

305 GEORGIAN STYLE MAHOGANY BRACKET CLOCK EARLY 20TH CENTURY the white enamel dial with Roman numerals in a bevelled glass bezel and arch top moulded case with brass handle, fret panels, and ogee feet, the twin-chain eight-day movement with a French L. Marti et Cie movement striking a gong 26cm wide, 37cm high [handle up], 18cm deep

£300-500

306 PAIR OF GEORGIAN STYLE WING ARMCHAIRS 20TH CENTURY with mahogany frames, covered in pale green linen covers with large cabbage roses, raised on cabriole legs with pad feet (2) 82cm wide, 113cm high, 80cm deep

£1,200-1,800

307 GEORGIAN STYLE MAHOGANY EXTENDING DINING TABLE EARLY 20TH CENTURY the rounded rectangular top with a reeded edge, raised on acanthus carved cabriole legs ending in carved claw and ball feet with castors, with a windout mechanism to accommodate three additional leaves 302cm long [extended], 75cm high, 113cm deep

£500-700

116

308 GEORGIAN STYLE MAHOGANY AND SATINWOOD INLAID CARD TABLE LATE 19TH CENTURY the demilune fold-over top with sectional lobed inlay with ribbon tied trails and flowers, opening to a green baize playing surface, above a frieze with ribbon-tied swags and raised on square tapered legs with husk trails and ending in spade feet 76cm wide, 73cm high, 37.5cm deep 75cm [open]

£400-600

309 GEORGIAN STYLE SATINWOOD AND MARQUETRY MUSIC STAND LATE 19TH/ EARLY 20TH CENTURY the lyre form music rest with brass ‘strings’ and inlaid with a musical trophy, flowers, and cornucopia, on an adjustable brass rod and faceted column on an outswept tripod base 120cm high [lowest] 139cm [highest], 36cm wide

£250-350

310 GEORGIAN STYLE CREAM PAINTED AND PARCEL-GILT PARLOUR SUITE EARLY 20TH CENTURY to include a centre table painted with a central figural reserve, raised on stiff leaf capped tapered legs in the form of torches; a pair of side chairs with interlaced splats above caned seats; and an armchair to match (4) Table 81cm diameter, 72cm high; Armchair

£600-800

117

311 Y QUEEN ANNE STYLE RED TORTOISESHELL TRIPLE DRESSING TABLE MIRROR EARLY 20TH CENTURY the central mirror plate pivoting in the frame, on ball feet 85cm wide, 69cm high overall

£1,000-1,500

312 VICTORIAN MAHOGANY AND INLAID DESK, BY EDWARDS & ROBERTS LATE 19TH CENTURY with twin sloping superstructures joined by a shelf and pierced brass gallery, above a concave fronted top with a wine-red leather surface over three frieze drawers, all with fine urn and foliate inlay, raised on square tapered legs ending in brass caps and castors, stamped in the drawer 114.5cm wide, 97cm high, 62cm deep

£700-1,000

313 VICTORIAN GEORGIAN STYLE MAHOGANY DEMILUNE SIDE CABINET, BY S. & H. JEWELL LATE 19TH CENTURY the crossbanded top above a long frieze drawer and a pair of banded cupboard doors, raised on square tapered legs ending in spade feet; the drawer with an ivorine trade label 107cm wide, 82cm high, 54.5cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

118

314 ATTRIBUTED TO ARCHIBALD GEORGE BARNES HEAD AND SHOULDER PORTRAIT OF LADY DICK Oil on canvas 61cm x 51cm (24in x 20in) Note: Lady Dick was the wife of Sir William Reid Dick, the distinguished Scottish sculptor who specialised in large scale memorials and public works.

£500-700

315 SIR WILLIAM FETTES DOUGLAS P.R.S.A. (SCOTTISH 1822-1891) GIRL EMBROIDERING Oil on canvas laid down on panel 31cm x 18cm (12in x 7in) Provenance: Robert Carfrae Esq Exhibited: Royal Scottish Academy, Edinburgh, 1892, no.160

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

119

316 HELEN ALLINGHAM (BRITISH 1848-1928) THE SLEEPING FRUITSELLER Signed, watercolour 34.5cm x 28cm (14in x 11in)

£1,500-2,000

317 CARLTON ALFRED SMITH (BRITISH 1853-1946) THE BILLET-DOUX Signed, watercolour 62cm x 32cm (24.5in x 12.5in)

£700-900

318 GEORGE GOODWIN KILBURNE R.I., R.O.I, R.M.S (BRITISH 1839-1924) GAREEN WITH GIRL FEEDING PUPPIES Signed, watercolour 36cm x 46.5cm (14in x 18in)

£500-700

120

319 HERBERT SIDNEY (BRITISH 1858-1923) THE FEATHER BOA - MISS ALICE ADDISON CROFTON Signed and dated 1901, signed, inscribed and dated verso, oil on canvas 141cm x 75cm (55.5in x 29.5in)

£2,000-3,000

320 FLORENCE A. ENGELBACH (BRITISH 1872-1951) FULL LENGTH PORTRAIT OF HARRIETTE EDITH, WIFE OF HIRAM CRAVEN Signed, oil on canvas 203cm x 96.5cm (80in x 38in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

321

§

ANNA KATRINA ZINKEISEN (BRITISH 1901-1976) PORTRAIT OF LADY DUNN Signed, oil on canvas 180cm x 82cm (71in x 3.25in)

£2,000-3,000

122

322 VICTORIAN SHERATON REVIVAL SATINWOOD DISPLAY CABINET LATE 19TH CENTURY the arched and crossbanded cornice with finials to the corners above a lancet moulded frieze over glazed and mullioned doors and side panels, opening to shelves and a fabric lined interior, the projecting base outlined with further crossbanding and line inlay above a shaped frieze and raised on square tapered legs ending in spade feet 95cm wide, 209cm high, 44cm deep

£1,000-1,500

323 VICTORIAN SHERATON STYLE SATINWOOD AND KINGWOOD LOW BREAKFRONT DISPLAY CABINET LATE 19TH CENTURY the crossbanded top above glazed and mullioned doors opening to adjustable shelves, on a plinth base with bracket feet 119cm wide, 122cm high, 35cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

324 SET OF EDWARDIAN MAHOGANY QUARTETTO TABLES EARLY 20TH CENTURY with satinwood banded and moulded rectangular tops raised on slender turned legs with outswept feet joined by a stretcher (4) the largest 56cm wide, 71cm high, 37cm deep

£400-600

325

326

VICTORIAN SHERATON REVIVAL SATINWOOD, KINGWOOD, AND MARQUETRY BUREAU, BY EDWARDS & ROBERTS

EDWARDIAN SHERATON REVIVAL PAINTED SATINWOOD DISPLAY CABINET

LATE 19TH CENTURY the crossbanded top above a slope inlaid with a central urn flanked by bell flowers and scrolling foliage, enclosing a fitted interior with an arrangement of pigeon holes and drawers, above two short frieze drawers and central loper, raised on square section legs ending in brass caps and castors

of bowfront outline, the upper part with a painted leaf tip gallery above a single door with flower garlands, opening to a shelf and fabric lined interior; the lower part with a frieze drawer and pair of shaped cupboard doors, raised on square tapered legs, painted with swags, garlands, and figural reserves

118cm wide, 100cm high, 49cm deep

69cm wide, 158cm high, 32cm deep

£600-800

£800-1,200

EARLY 20TH CENTURY

124

327 Y VICTORIAN SHERATON REVIVAL PAINTED ROSEWOOD AND SATINWOOD BRASS INLAID SOFA TABLE LATE 19TH CENTURY/ EARLY 20TH CENTURY the rounded rectangular top with satinwood banding and painted with a figural oval reserve and flower swags, above a pair of short frieze drawers with dummy drawers opposing, raised on a waisted support and quadripartite platform with outswept legs ending in brass hairy paw caps and castors 86.5cm wide, 144cm [open], 71cm high, 66cm deep

£400-600

328 EDWARDIAN SHERATON REVIVAL PAINTED SATINWOOD CORNER DISPLAY CABINET EARLY 20TH CENTURY of bowfront outline, the moulded cornice above a frieze painted with garlands and pearl swags, over a pair of astragal glazed doors enclosing glass shelves, with oval panels below, raised on French bracket feet 62cm wide, 168cm high, 40cm deep

£400-600

329 EDWARDIAN SATINWOOD BOWFRONT DISPLAY CABINET EARLY 20TH CENTURY the dentil inlaid cornice above a pair of glazed and mullioned doors and side lights enclosing fabric lined shelves, above a pair of quarter-veneered and banded doors on square tapering legs ending in spade feet and united by a serpentine undertier 119cm wide, 176cm high, 46cm deep

£700-1,000

125

330 Y EDWARDIAN MAHOGANY AND MARQUETRY INLAID TRIPLE CHAIRBACK SETTEE

331 VICTORIAN LARGE SHERATON STYLE MAHOGANY AND INLAY CHEVAL MIRROR LATE 19TH CENTURY the swan neck pediment centred and flanked by urn finials, over a frieze with a marquetry rams’ mask and flower heads, above a large rectangular mirror plate with bevelled edge, within a frame with further trailing marquetry held by squared supports, raised on cabriole legs with brass lion’s paw caps and castors

EARLY 20TH CENTURY in the Georgian Revival style, the shaped top rail above pierced and inlaid splats over a padded seat flanked by scrolled arms, the whole outlined with ivory stringing, raised on cabriole legs joined by stretchers 103cm wide, 94cm high, 51cm deep

81cm wide, 209cm high, 60cm deep

With non-transferable CITES selfcertification number XZT8QM46

£2,000-3,000

£600-800

332 EDWARDIAN WALNUT AND SATINWOOD PEDESTAL DESK, BY MAPLE & CO EARLY 20TH CENTURY the shaped rectangular top with an inverted breakfront, above a frieze with three short drawers inlaid with swags, raised on banks of three short drawers with canted angles and raised on bracket feet, with slides to either side, the central drawer stamped MAPLE & CO 128cm wide, 78cm high, 70cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

126

333 FRENCH GILT METAL AND JAPANESE LACQUER LOW OCCASIONAL TABLE, ATTRIBUTED TO MAISON BAGUES, PARIS MODERN the inset lacquer panel top with chrysanthemums, prunus, and a bird, in a gilt metal simulated bamboo frame marked with rings at the corners, the legs joined by a shaped H stretcher 93cm wide, 44cm high, 49cm wide Provenance: Works from the personal collection of Mark Gillette

£400-600

334 EDWARDIAN MAHOGANY BIJOUTERIE TABLE EARLY 20TH CENTURY the hinged glazed top with outset corners and egg and dart moulded edge, above glazed side panels and a lined interior, raised on acanthus carved and fluted tapering legs joined by an arched cross stretcher centred by urn finials 68cm wide, 75cm high, 45cm deep

£400-600

335 PAIR OF BRASS AND MAHOGANY ETAGERES 20TH CENTURY each with two bevelled glass tiers with mahogany borders, in lacquered brass frames with castors, possibly retailed by Mallet (2) 58cm wide, 58cm high, 42cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

127

336 ART DECO MAHOGANY AND BRASS MOUNTED DRINKS TROLLEY EARLY 20TH CENTURY with three tiers with three-quarter galleries raised and divided by square brass supports with brass bead mounts, on castors 63cm wide, 75cm high, 43cm deep

£500-700

337 WHYTOCK & REID QUEEN ANNE STYLE WALNUT CHEVAL MIRROR LATE 20TH CENTURY the arched bevelled mirror plate in a conforming frame and supports with scrolled terminals, on a trestle base with outswept legs ending in brass caps and castors 172cm high, 60cm wide

£300-500

338 PAIR OF WHYTOCK & REID TUB EASY ARMCHAIRS LATE 20TH CENTURY with curved low backs and arms above loose cushion seats, raised on square tapered legs with brass castors, in pale yellow patterned faille upholstery (2) 68cm wide, 80cm high, 57cm deep

£600-800

CONTINENTAL FURNITURE, PAINTINGS & WORKS OF ART

129

339 Y PAIR OF ITALIAN WALNUT AND IVORY INLAID CHAIRS 18TH CENTURY with shaped toprails and splats depicting a classical figures, masks and foliage, the frames with similar inlay, above drop-in seats raised on cabriole legs joined by ring-turned and square section stretchers (2) 56cm high, 110cm high, 42cm deep With non-transferable CITES self-certification number 266F2ZMM

£700-1,000

340 ITALIAN RENAISSANCE STYLE WALNUT BENCH 19TH CENTURY the long two board seat with a moulded edge, raised on end supports carved with lion monopodia, fruiting swags, shell motifs above a cartouche with a gryphon and the initials R. N., and joined by a stretcher rail 144cm long, 53cm high, 52cm deep

£800-1,200

341 PAIR OF VENETIAN ROCOCO POLYCHROMED AND PARCELGILT ARMCHAIRS 18TH CENTURY the cartouche shaped backs with central pads in rocaille carved blue painted frames, above padded serpentine seats and scrolling open arms, raised on cabriole legs, covered in cream cotton muslin (2) 70cm wide, 117cm high, 50cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

342 BAROQUE STYLE BRASS SIX BRANCH CHANDELIER MODERN the central baluster mounted with mask scrolls and issuing six scrolled candle arms, electrified 55cm high, 62cm diameter

£400-600

343 DUTCH WALNUT AND MARQUETRY BUREAU BOOKCASE 18TH CENTURY with a pair of arched glazed doors opening to shelves; the lower part with a slope front opening to an arrangement of pigeon holes and drawers and a sliding recess; over two short and two long drawers; the whole covered in flower-filled baskets, butterflies, and leaf trails 101cm wide, 237cm high, 57cm deep

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

344 DUTCH OAK AND EBONY CABINET-ON-STAND 19TH CENTURY in the 17th century style, the projecting cornice above a frieze carved with foliate scrolls and marked with masks, above a pair of carved panel doors with arcade mouldings flanked and divided by fluted Ionic columns; on a base with a long frieze drawer and carved lions masks, raised on turned bulbous legs joined by an X stretcher and ending on squat bun feet 118cm wide, 184cm high, 53cm deep

£600-800

345 DUTCH STYLE KINGWOOD, WALNUT, MAHOGANY, AND MARQUETRY BOMBÉ BUREAU EARLY 20TH CENTURY freestanding, the top with a brass gallery above a slope front opening to pigeon holes, drawers, and a green baize work surface, over three frieze drawers and three long bombé drawers with a shaped apron below, raised on carved claw and ball feet, the whole with flowering basket and floral marquetry 81cm wide, 102cm high, 51cm deep

£1,000-1,500

132

346 RAPHAEL (AFTER) MADONNA DELLA SEDIA Oil on canvas, feigned tondo 71cm x 71cm (28in x 28in)

£1,200-1,800

347 18TH CENTURY GERMAN SCHOOL PORTRAIT STUDY OF A PEASANT WOMAN Oil on canvas, and a companion by the same hand, ‘A Drinker’ (2) 28cm x 23cm (11in x 9in)

£600-800

133

348 FRANCIS MALTINO (BRITISH 1818-1874) ON THE GRAND CANAL, VENICE Indistinctly signed, oil on canvas 76cm x 127cm (30in x 50in)

£1,000-1,500

349 MANNER OF CAMILLO DE VITO (ITALIAN FL.1790-1835) VESUVIUS ERUPTING Signed, inscribed and dated 1834, gouache 46cm x 66cm (18in x 26in) Provenance: Sotheby’s, 19th Century Paintings and Sculpture - 1997.

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

350 CIRCLE OF FRANCESCO SOLIMENA SACRIFICE TO MINERVA Oil on canvas 73cm x 156cm (28.75in x 61.5in) Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family

£3,000-5,000

351 19TH CENTURY FRENCH SCHOOL VIEW OF THE PONT DE PIERRE AND CATHEDRAL, BORDEAUX Oil on canvas 71cm x 91cm (28in x 36in), unframed

£600-900

135

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

136

352 JULES BOULANGER (FRENCH 19TH CENTURY) FRUIT FOR THE TABLE Signed, seal with initials J.B verso, oil on panel 51cm x 41cm (20in x 16in)

£400-600

353 BERNARD DE HOOG (DUTCH 1867-1943) MENDING Signed, oil on canvas 39.5cm x 29.5cm (15.5in x 11.75in)

£1,000-1,500

354 SAMUEL EDMUND WALLER (BRITISH 1850-1903) THE CAVALIER’S REST Signed and dated 1885, oil on canvas 41cm x 61cm (16in x 24in)

£600-800

137

355 ALEXIS DE LEEUW (BELGIAN 1822-1900) GATHERING FIREWOOD IN THE SNOW Signed, and signed by ‘R. Maes’, oil on canvas 51cm x 76cm (20in x 30in)

£1,000-1,500

356 WILLIAM GEDDES (BRITISH 1841-1884) BEFORE Signed, oil on canvas, and a companion, a pair ‘After’ (2) 41cm x 54cm (16in x 21.25in)

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138

357 PAIR OF LOUIS XIV STYLE GILTWOOD AND EBONISED MIRRORS 20TH CENTURY the arched and bevelled mirror with margin plates surmounted by flowering urns hung with garlands and flanked by ebonised putti (2) 162cm high, 102cm wide

£1,500-2,500

358 Y PAIR OF FRENCH BOULLE MARQUETRY AND EBONISED MEUBLES D’APPUI SECOND QUARTER 19TH CENTURY the rectangular black marble tops above panel fronts with première partie marquetry in red tortoiseshell in the manner of Jean Berain, with side cabinet doors opening to void interiors, raised on shaped tapered feet (2) 82cm wide, 117cm high, 58cm deep Provenance: Scone Palace

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

359 LARGE BRASS AND CRYSTAL BIRDCAGE CHANDELIER 19TH CENTURY the gilt brass frame hung with crystal drops, flower heads, teardrops, and mounted with faceted glass spikes, fitted with eight branches and eight further internal lights 66cm diameter, 103cm high, approximate Provenance: Property of an Edinburgh collector

£500-700

360 Y LOUIS XIV STYLE EBONISED, TORTOISESHELL, AND BRASS BOULLE MARQUETRY LONGCASE CLOCK 19TH CENTURY the waisted bombé case with brass and tortoiseshell marquetry after Jean Berain, the dial with white enamel hour markers surmounted by the gilt bronze figure of Chronos, with gilt bronze mounts throughout, the eight-day movement striking a bell 230cm high, 77cm wide, 35cm deep

£6,000-8,000

140

361 LOUIS XIV STYLE GILTWOOD MIRROR 19TH CENTURY the bevelled rectangular mirror plate in a carved and pierced foliate frame with scroll cresting 137cm high, 94cm wide

£600-800

362 FRENCH RÉGENCE BOULLE MARQUETRY BRACKET CLOCK AND BRACKET, LE FAUCHEUR, PARIS 18TH CENTURY

363 Y FRENCH RED TORTOISESHELL AND BOULLE MARQUETRY BRACKET CLOCK AND BRACKET 19TH CENTURY the gilt metal relief dial with enamel cartouches and blue Roman numerals and engraved seconds markers, in a waisted Boulle inlaid case surmounted by a seated figure of a boy wearing a turban and seated on a globe, raised on foliate scroll feet; the twin chain, eight-day movement

by Honoré Pons with stamped numbers 92 66, and striking a gong; together with an ogee shaped Boulle marquetry bracket with Exotic female masks to the corners 89cm high; bracket 36cm high, 42cm wide

£1,500-2,500

the gilt metal relief dial with enamel number cartouches above a signed enamel maker’s plaque LE FAUCHEUR A PARIS, in a Boulle inlaid case with waisted sides surmounted by a seated figure of a youth, and a glazed door with a figure of a boy and a dog flanked by female busts and raised on foliate scroll feet; the backplate engraved with the maker’s name, enclosing a movement with anchor escapement, outside count wheel, and bell strike; together with an ogee shaped Boulle marquetry bracket with female masks to the corners Clock 92cm high; bracket 51cm wide, 40cm high

£1,500-2,500

141

Lot 364 in situ, the Slip Gallery, Scone Palace

364 FRENCH MAHOGANY, EBONISED, AND BOULLE MARQUETRY PRESS CUPBOARD EARLY 19TH CENTURY, INCORPORATING SOME EARLIER ELEMENTS the moulded cornice above a pair of doors outlined in contre-partie, the centres filled with red velvet panels and opening to five sliding trays; the lower part with a pair of panel doors also in contra-partie after designs in the manner of Jean Berain, opening to four further sliding trays, on a plinth base 125cm wide, 228cm high, 56cm deep Provenance: Scone Palace

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

365 PAIR OF FRENCH BRONZE ‘MARLEY’ HORSES, AFTER COUSTOU 19TH CENTURY dark brown patina, on naturalistic bases signed ‘Coustou’ (2) 28cm wide, 42cm high

£600-800

366 AFTER BENVENUTO CELLINI (1500-1571) PERSEUS WITH THE HEAD OF MEDUSA bronze, mixed patinas, on an integrated square base with four niches containing Jupiter, Mercury, Minerva and Danae with Perseus as a child 101cm high

£700-1,000

143

367 PAIR OF LARGE VERDIGRIS PATINATED BRONZE CANDLESTICK LAMPS MODERN the urn form nozzles over baluster columns on square bases, with white box pleated shades (2) 47cm high (excluding fittings)

£800-1,200

368 FRENCH BRONZE FIGURE OF VENUS 19TH CENTURY dark brown patina, modelled holding Cupid’s arrow and quiver, signed F. BARBEDIENNE FONDEUR, with REDUCTION MÉCANIQUE pastille 42cm high

£300-400

369 PAIR OF FRENCH BRONZE ‘MARLEY’ HORSES, AFTER COUSTOU 19TH CENTURY dark brown/black patina, on naturalistic bases signed ‘Coustou’, with black marble plinths mounted with classical relief panels (2) 48cm high, 36cm wide overall

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

370 FRENCH KINGWOOD BRASS MOUNTED VITRINE TABLE 19TH CENTURY in the Louis XV style, the shaped hinged top with a bevelled glass panel opening to plush lined interior and glazed serpentine sides, raised on square cabriole legs outlined with gilt metal mounts 79cm wide, 77cm high, 48cm deep

£700-1,000

371 FRENCH KINGWOOD AND AMARANTH MARQUETRY SECRETAIRE CHEST LATE 19TH/ EARLY 20TH CENTURY

372 LOUIS XV STYLE MAHOGANY AND GILT METAL LOW VITRINE CABINET EARLY 20TH CENTURY the quarter-veneered top above three gilt metal mounted arched glazed doors, flanked and divided by gilt metal Bacchic terms, 199cm wide, 129.5cm high, 49cm deep

£2,000-3,000

in the Louis XV style, the brêche d’Alep serpentine marble top with a moulded edge, above five drawers and a fall front opening to an interior fitted for writing, all with floral marquetry, with gilt bronze mounts to the angles and raised on splayed feet 39cm wide, 109cm high, 28cm deep

£700-1,000

145

373 PAIR OF FRENCH GREY PAINTED FAUTEUILS 19TH CENTURY in the Louis XV style, the cartouche shaped backs above wide serpentine seats flanked by part-padded arms, raised on cabriole legs, the frames carved with flower heads, foliage, and scrolls, covered in an ivy trellis pattern with insects, frogs and snails against an ivory ground (2) 63cm wide, 85cm wide, 48cm deep

£800-1,200

374 FRENCH WALNUT AND GILT METAL MOUNTED BUREAU DE DAME 19TH CENTURY in the Louis XV style, the bombé slant front opening to a satinwood interior fitted with covered wells, drawers, and a recess, above a shaped frieze and raised on cabriole legs 79cm wide, 88cm high, 48cm deep

£400-600

375 LOUIS XV STYLE KINGWOOD, AMARANTH AND MARQUETRY ENCOIGNURE, BY PAUL SORMANI, PARIS LATE 19TH CENTURY the brêche marble brass banded top above a dummy frieze drawer and cupboard door with floral spray marquetry, opening to shelves and flanked by parquetry panels, raised on shaped square block feet, with gilt bronze mounts throughout, stamped twice SORMANI PARIS 77cm wide, 94cm high, 51cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

376 FRENCH LOUIS XV BEECH FAUTEUIL 18TH CENTURY with a cartouche shaped back and part padded arms above a padded serpentine seat, raised on cabriole legs with scrolled toes, covered in green embossed velvet 70cm wide, 94cm wide, 60cm deep

£400-600

377 Y FRENCH MARBLE TOPPED ROSEWOOD FLORAL MARQUETRY COMMODE LATE 19TH CENTURY the serpentine top with a three-quarter pierced brass gallery, above two frieze drawers, raised on shaped legs, terminating in sabots 62cm wide 78cm high 40cm deep

£300-500

378 LOUIS XV STYLE KINGWOOD PARQUETRY SERPENTINE COMMODE EARLY 20TH CENTURY the serpentine brocatello marble top with a moulded edge over two long drawers, raised on square cabriole legs outlined with gilt metal mounts and ending in sabots 113cm wide, 83cm high, 48cm deep

£800-1,200

147

379 PAIR OF LOUIS XV STYLE GILT METAL WALL LIGHTS MODERN the foliate scroll backplates issuing three scrolling candle arms, fitted for electricity (2) 48cm high excluding fittings

£400-600

380 LOUIS XV STYLE KINGWOOD AND GILT BRONZE MOUNTED BUREAU PLAT 19TH CENTURY the shaped rectangular top with a brown leather insert, above three frieze drawers with dummy drawers opposing, raised on square cabriole legs with gilt bronze mounts throughout 143cm wide, 76cm high, 77cm deep

£1,500-2,500

381 FRENCH LOUIS XVI STYLE GILTWOOD CHAISE LONGUE 19TH CENTURY with a carved giltwood frame and loose squab cushion, covered in modern cream paisley print fabric 225cm wide 98cm high, 73cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

148

382 PAIR OF FRENCH WALNUT CHAISES À LA REINE 19TH CENTURY, THE COVERS 18TH CENTURY the wide padded backs in channel moulded and foliate carved frames, above wide serpentine seats flanked by part padded arms carved with acanthus, raised on cabriole legs ending in scrolled toes, covered in gros and petit point needlework (2) 72cm wide, 102cm high, 58cm deep

£800-1,200

383 LOUIS XVI STYLE KINGWOOD AND MARBLE PARQUETRY GUERIDON LATE 19TH CENTURY the circular veined yellow marble top with a pierced gilt metal gallery, above a diaper pattern frieze with a leather-lined writing slide and push-release drawer, raised on gilt metal mounted and fluted tapering legs joined by a concave square undertier, the legs ending in gilt metal stiff-leaf sabots; stencil mark 2837 underneath 56cm diameter, 75cm high

£500-700

384 PAIR OF LOUIS XVI STYLE KINGWOOD AND MARQUETRY MARBLE TOPPED COMMODES MODERN the serpentine green marble tops with a moulded edge above two long bombé drawers with flower and foliate scroll marquetry, the sides with parquetry panels, raised on tall splayed legs with gilt metal mounts to the angles (2) 130cm wide, 86cm high, 65cm deep

£800-1,200

149

385 SET OF FOUR FRENCH AUBUSSON TAPESTRY ENTRE-FENÊTRE PANELS MID 19TH CENTURY with central flower bouquets set within laurel wreaths and garlands against a cream background with rose-pink borders (4) 398cm x 146cm Provenance: The Late Sir Peter Hutchison, Broich House, Stirlingshire

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

150

386 TWO MEISSEN FIGURE GROUPS SECOND HALF 19TH CENTURY comprising an allegorical group emblematic of Winter, with figures of putti warming their hands by a fire, blue crossed swords marks, incised 2495, impressed 120 and 121; and a figure group of a gardener passing his companion a flower from a basket of posies, blue crossed swords marks, incised 1584, painted 54. (2) 17cm high and 18cm high

£300-500

387 FRENCH BRONZE BACCHIC FIGURE GROUP, AFTER CLODION 19TH CENTURY dark brown patina, modelled as a female satyr seated on a rock, with a faun and a putto, signed CLODION 43cm high

£500-700

388 MATHURIN MOREAU (FRENCH 1822-1912) ALLEGORICAL FIGURES OF SPRING AND AUTUMN bronze, green-brown patina, each modelled as a young nymph, Summer holding a basket of flowers, Autumn with grapes, on circular bases signed ‘Moreau Math’ and ‘ E Colin & Cie/ PARIS’ (2) 74cm high

£1,500-2,500

151

389 Y BALTIC BRASS-MOUNTED MAHOGANY BUREAU PLAT EN CARTONIER EARLY 19TH CENTURY the superstructure with a pair of tambour doors opening to an interior fitted with pigeon holes and drawers, above a brass banded writing surface with a green leather insert over a frieze drawer, raised on square tapered legs with brass caps 89cm wide, 113cm high, 73.5cm wide

£1,000-1,500

390 LOUIS XVI MAHOGANY AND BRASS BANDED SECRETAIRE A ABATTANT, BY D. L. ANCELLET LATE 18TH CENTURY the white marble top with outset rounded corners, above a long frieze drawer, above a fall front and a pair of panel cupboard doors outlined with brass bead moulding, flanked by stop-fluted corner columns and raised on turned and tapered legs, stamped D. L. ANCELLET 97cm wide, 145cm high, 42cm deep Note: Denis-Louis Ancellet, maître in 1766

£700-1,000

391 ITALIAN NEOCLASSICAL FRUITWOOD MARBLE TOPPED COMMODE EARLY 19TH CENTURY the black marble top with outset rounded corners above three long drawers flanked by pillars, raised on turned toupie feet 130cm wide, 80cm high, 60cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

392 FRENCH MAHOGANY, WALNUT, KINGWOOD, AND SATINWOOD MARQUETRY WORK TABLE 19TH CENTURY the shaped oval and hinged top with floral marquetry and centred by a musical trophy, opening to a compartmented interior and mirror, on fluted tapered legs joined by a curved X stretcher, the whole outlined with gilt metal mounts 66cm wide, 74cm high, 39cm deep

£500-700

393 FINE LOUIS XVI STYLE KINGWOOD AND GILT BRONZE MOUNTED MARBLE TOPPED CENTRE TABLE LATE 19TH CENTURY the rectangular grey insert marble top above a long frieze drawer centred by a gilt bronze bas-relief plaque depicting musical putti, and ribbon-tied swags, a dummy drawer to the reverse, on square tapering legs mounted with musical trophies and torches and ending in sabots 99cm wide, 75cm high, 47cm deep

£2,000-3,000

394 FRENCH KINGWOOD, BRASS, AND GILT METAL MOUNTED SECRETAIRE À ABATTANT, BY MAISON GROHÉ 19TH CENTURY the brêche violette marble top with outset square corners and a moulded edge, above a drawer, secretaire drawer, and two further drawers, flanked by brass lined fluted angles, raised on toupie feet; stamped in the drawers and on the back GROHÉ A PARIS 80cm wide, 139cm high, 47cm deep

£2,000-3,000

153

395 FRENCH LOUIS XVI MAHOGANY FAUTEUIL, BY JEAN NICHOLAS CHENEAUX 18TH CENTURY with a cartouche shaped padded back and part-padded arms above a wide bowfront padded seat, covered in green velvet, raised on stop-fluted tapering legs, stamped I.CHENEAUX 57cm wide, 90cm high, 51cm deep Note: Jean Nicholas Cheneaux maître in 1772

£600-800

396 LOUIS XVI STYLE MAHOGANY AND BRASS MOUNTED GUERIDON IN THE MANNER OF ADAM WEISWEILLER, STAMPED C. MELLIER & CO. 19TH CENTURY the circular brass banded top raised on slender fluted tapering legs joined by an interlaced X form stretcher and ending in toupie feet, stamped C. MELLIER & Co, MARGARET ST 42.5cm diameter, 68cm high

£600-800

Note: French born Charles Mellier began his career at the London Anglo-French cabinetmakers Monbro and Company, eventually taking over the business in 1868. He changed the name to C. Mellier & Co. and oversaw it becoming one of the most renowned British cabinetmaking firms of the late 19th century.

Working from Frith Street and later 60 Margaret Street, the company furnished numerous prestigious addresses such as 14, 27, and 45 Grosvenor Square in London, Farmleigh House and Estate in Dublin, as well as the great cross-Atlantic liner Mauretania. In 1904 they were perhaps the foremost English furniture exhibitor at the International Exhibition in St Louis.

397 FINE LOUIS XVI STYLE ACAJOU AND GILT BRONZE MOUNTED MARBLE TOPPED CENTRE TABLE LATE 19TH CENTURY the rectangular grey and pink veined marble top above a frieze drawer centred with a gilt bronze bas-relief plaque depicting musical putti and ribbon-tied swags, a dummy drawer to the reverse, on square tapering legs mounted with musical trophies and torches and ending in sabots 101cm wide, 76cm high, 65cm deep

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

154

398 Y THREE PORTRAIT MINIATURES OF OFFICERS 19TH CENTURY ITALIAN SCHOOL oval, watercolour and gouache on ivory, mounted in a period frame, identified and dated on the reverse ‘Angelo Macri, Tesuriere Generale dell’[?], ria cesso di vivere li 10 Ap. 1809; Giovanni Andrea Macri, Tenente nel Battaglione Reale d’Istria all epoca 1808; and Agostino de Filaretti, Capitano della Republica Veneta, quin di Maggiore della Augusta Casa d’[?] Stria, Tenente Colon. Comando/ del Battagl. d’In[?] Marina nel epoca 1833’ Each 4cm high; 23cm high overall Note: Sold in compliance with UK Government and APHA regulations, with (non-transferable) exemption registration reference GHKB8ZZ2.

£300-500

399 Y FRENCH RED TORTOISESHELL BOULLE MARQUETRY MANTEL CLOCK 19TH CENTURY the white enamel dial with Roman and Arabic numbers in a rococo case with gilt metal mounts, the eight-day movement striking a bell, stamped P. L. TRE 703 31cm high

£300-500

400 PAIR OF FRENCH EMPIRE GILT BRONZE CANDLESTICKS 19TH CENTURY the palmette leaf cast candle nozzles above triform terms with tapering columns containing panelled palmettes and flower heads, supported by three pairs of feet on circular bases cast with acanthus and bead and reel borders (2) 33cm high

£400-600

401 FRENCH EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY the white enamel dial with Roman numerals, signed JAS. MURRAY/ 1 ROYAL EXCHANGE/ LONDON, surmounted by an artist and his companion, on a plinth base with anthemion 40cm wide, 46cm high, 1.5cm deep Provenance: Property of an Edinburgh collector

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

155

402 Y FRENCH RED TORTOISESHELL BOULLE MARQUETRY MANTEL CLOCK 19TH CENTURY the dial with white enamel hour markers in a rococo case with gilt metal mounts, the eight-day movement with gong strike, stamped A&N PARIS 36662 19cm wide, 33cm high, 12cm deep

£300-500

403 FRENCH EMPIRE FIGURAL GILT METAL MANTEL CLOCK EARLY 19TH CENTURY the silvered engine turned dial in a plinth surmounted by an urn with a butterfly on the rim, flanked by a standing classical maiden and draped bow and quiver, on a rectangular base with urn and scroll mounts and raise don bun feet, the twin chain eight-day movement with silk suspension and bell strike; the metal stamped ‘AB’ 34cm wide, 41cm high, 12cm deep

£400-600

404 FRENCH RENAISSANCE REVIVAL GILT METAL AND CLOISONNÉ ENAMEL THREE PIECE CLOCK GARNITURE LATE 19TH CENTURY the arched cased with a pointed finial above a Roman numeral dial flanked and surmounted by putti, on and inverted breakfront base on toupie feet, the twin chain, eight-day movement stamped JAPY FRÈRES and 1004, with a bell strike; together with a pair of urns with figural handles, en suite (3) Clock 53cm high, 26cm wide, 21cm deep

£1,000-1,500

156

405 FRENCH PORCELAIN AND GILT METAL CLOCK GARNITURE 19TH CENTURY the arched case with a porcelain urn finial above a porcelain Roman numeral dial and panel painted in the Sevres style with a courting couple against a bleu celeste ground, the eight-day movement stamped 11427 and A.1 striking a bell; together with a pair of porcelain urns en suite, converted to lamps (3) Clock 18cm wide, 40cm high, 12cm deep

£300-500

406 FRENCY GREEN ONYX AND CHAMPLEVÉ ENAMEL THREE PIECE CLOCK GARNITURE 19TH CENTURY the four-glass case with a stepped pediment over a gilt and enamelled Arabic number dial and mercury pendulum, on a rectangular base with toupie feet; together with a pair of matching urns en suite; the twin chain eight-day movement with gong strike (3) 32cm high, urns 26cm high

£400-600

407 FRENCH PORCELAIN AND GILT METAL THREE PIECE CLOCK GARNITURE 19TH CENTURY the arch case with an urn finial above the painted porcelain Arabic numeral dial flanked by columns, with a painted porcelain panel depicting a courting couple, the eight-day movement stamped H. F. & CIE PARIS and striking on a bell; together with a pair of matching porcelain covered urns en suite, on separate shaped plinths (3) 42cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

157

408 FRENCH GILT METAL AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY with a porcelain urn finial over a cylinder case with a porcelain Roman numeral dial with retailer’s name ALFRED PEGLER, SOUTHAMPTON, flanked by lions’ mask handles, above a porcelain panel painted with a courting couple and inscribed on the reverse, the twin train eight-day movement stamped Richard & Cie and striking a bell; on a shaped giltwood plinth with glass dome 35cm high

£500-800

409 FRENCH GILT BRONZE AND PORCELAIN MANTEL CLOCK 19TH CENTURY the arched case with an urn finial and pink porcelain ‘jewelled’ dial with Roman numerals, above further porcelain panels decorated with figures in a case with acanthus scrolls, husk trails, and berries, on the plinth centred by a portrait of Madame de Pompadour, the eight-day twin-train movement with bell strike and stamped H.P. & Co. and 11`4/ 63 26cmwide, 47cm high, 14cm deep

£400-600

410 FRENCH GILT METAL MANTEL CLOCK 19TH CENTURY the four-column glazed case surmounted by an urn finial and raised on toupie feet, enclosing a white porcelain dial with Roman numerals and painted with flower festoons, the twin-train movement stamped VINCENTI & CIE and striking a gong with a mercury pendulum; in a glass dome with shaped gilt plinth 37cm high

£400-600

411 FRENCH CLOISONNÉ AND GILT BRASS MANTEL CLOCK 19TH CENTURY the gilt brass and cloisonné glazed four-column case with an urn finial, enclosing a gilt and cloisonné Arabic numeral dial and cylinder eight-day movement stamped S. MARTI ET CIE 1889, 12678 44, striking on a gong and with a mercury pendulum 26cm wide, 40cm high, 17cm deep

£500-700

158

412 AFTER CARPEAUX, SÈVRES TERRACOTTA FIGURE ‘EVE AFTER THE FALL’/ ‘ÈVE APRÈS LA FAUTE’ DATED 1927 with impressed and incised maker’s marks SEVRES/ S 1927 DN/ MADE IN FRANCE/ E. R. 36cm high Note: This piece is based on an 1871 composition by the French sculptor Jean-Baptiste Carpeaux (b.1827, Valenciennes, d. 1875, Courbevoie).

£1,000-1,500

Carpeaux was one of the most influential sculptors of the 19th century, both through his work and his teaching. He studied at the Petite Ecole and the Ecole de Beaux-Arts (1844-54), winning the Grand Prix de Rome in 1854. After the fall of Napoleon III in 1870 Carpeaux fled briefly to London, in search of new patrons, and it was during this period in 1871 that he produced ‘Eve After the Fall’.

Carpeaux produced statuettes including female nude models, which displayed the eroticism which was present in much French sculpture of the period and is clearly evident in ‘Eve After the Fall’. In 1866 Carpeaux established his own atelier in which his work could be easily reproduced and reach a wider audience, particularly as pieces with an erotic tone, though controversial in public commissions, were widely acceptable in private collections. Sèvres made later reproductions of Carpeaux’s work, including examples of ‘Eve After the Fall’ in both terracotta and biscuit porcelain.

413 FRENCH GILT BRONZE AND MARBLE ROTARY PENDULUM MYSTERY CLOCK, BY HENRI-EUGENE-ADRIEN FARCOT LATE 19TH CENTURY with a gilt bronze figure of a classical maiden signed P. Machault, fils, her right arm raised to support a pendulum with a globe bob, on a stepped grey and white veined marble base with a gilt mounts, the cylinder movement with bell strike, the backplate stamped with an anchor and star maker’s mark and no. 3024; with an associated giltwood and velvet plinth 34cm wide, 62cm high, 14cm deep Note: Henri-Eugene-Adrien Farcot (1830-1896) was the most celebrated maker of conical pendulum clocks. He was awarded medals in the International Exhibitions in 1863, 1867 and 1878.

£2,000-3,000

414 PAIR OF FRENCH BRONZE MODERATOR LAMPS 19TH CENTURY the baluster engine turned bodies on scroll feet, converted from gas lamps, with grey pinch-pleated shades (2) 33cm high (excl. fittings)

£800-1,200

159

415 PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA EARLY 19TH CENTURY with central pine cone finials above stems issuing twin scrolling candle arms supported by figures of grotesque putti playing horns, on white marble columns with square bases (2) 42cm high

£1,200-1,800

416 PAIR OF FRENCH BRASS CANDLESTICK LAMPS 19TH CENTURY with urn form candle nozzles on hexagonal tapered columns ending in paw feet on hexagonal bases, with taupe pinch-pleated shades, fitted for electricity (2)

417

29cm high (excluding fittings)

LARGE FRENCH PATINATED AND GILT BRONZE FIGURAL MANTEL CLOCK

£500-700

19TH CENTURY the draped figure of Melpomene with her attributes leaning against a pillar housing a black enamelled dial with applied gilt Roman numerals, the eight-day movement stamped BT MARC PARIS 38804, striking on a bell 70cm high

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

418 EDWARDIAN BRASS, GLASS, AND GILTWOOD ETAGERE EARLY 20TH CENTURY with three oval glass tiers raised and divided by fluted giltwood supports, on toupie feet 50cm wide, 83cm high, 37cm deep

£300-500

419 Y FRENCH ROSEWOOD AND VERNIS MARTIN GILT BRONZE MOUNTED VITRINE CABINET EARLY 20TH CENTURY the arched cornice above a serpentine bombé door and glazed side panels over painted scenes of courting couples in pastoral landscapes, opening to glass shelves and a mirror back, raised on cabriole legs with gilt bronze sabots, the whole outlined in gilt bronze; bearing a trade label CHARLES JENNER & CO./ PRINCE’S STREET/ EDINBURGH 118cm wide, 185cm high, 46cm deep

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

161

420 PAIR OF CELADON GLAZED AND GILT METAL LAMPS 19TH CENTURY converted from oil lamps, the baluster bodies painted floral motifs with gilt details, raised on gilt metal chinoiserie bases, with white swirl pleated shades (2) 35cm cm high excl. fittings

£500-700

421 FRENCH KINGWOOD AND VERNIS MARTIN SERPENTINE CORNER VITRINE CABINET LATE 19TH CENTURY the arched moulded cornice above a serpentine glazed door and side panels, enclosing a purple plush-lined interior with glass shelves, the door base with a Vernis Martin panel of a courting couple, raised on cabriole legs, the whole outlined with brass and gilt metal mounts 77cm wide, 195cm high, 60cm deep

£1,200-1,800

422 FRENCH MAHOGANY AND GILT METAL MOUNTED KIDNEYSHAPED BIJOUTERIE TABLE 19TH CENTURY the hinged top with a bevelled glass insert opening to a red plush lined interior, on square supports joined by a conforming undertier, raised on cabriole legs ending in sabots; the whole outlined with brass and gilt metal mounts 69cm wide, 78cm high, 40cm deep

£400-600

162

423 HENRY CAMPOTOSTO (BELGIAN 1833-1910)

424

THE PET GOAT

EUGENIO ZAMPIGHI (ITALIAN 1859-1944)

Signed, oil on canvas

GRANNY’S DARLING

88cm x 68cm (34.5in x 26.75in)

Signed, oil on canvas

£4,000-6,000

59cm x 46cm (23in x 18in)

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

164

425 VICTOR EECKHOUT (BELGIAN 1821-1879) BELOW THE RAMPARTS, TANGIERS Signed, oil on board 18.5cm x 25.5cm (7.25in x 10in)

£600-900

426 CAVALIERE GIUSEPPE VIZZOTTO-ALBERTI (ITALIAN 1862-1931) PADDLING Signed and dated ‘90, watercolour 38cm x 18cm (15in x 7in)

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

165

427 ** SCHOUTEN (19TH CENTURY CONTINENTAL SCHOOL) CHERUBS AT HARVEST-TIME Signed, signed and inscribed ‘Paris’ verso, oil on canvas 46cm x 91cm (18in x 36in)

£1,000-1,500

428 WILLEM GEORGE FREDERIK JANSEN (DUTCH 1871-1949) SCANTY PASTURE Signed, oil on panel 5.5cm x 36cm (10in x 14in) Provenance: William Rodman and Co., Belfast

£500-800

166

429 LARGE WALNUT AND EBONISED VIENNA WALL REGULATOR 19TH CENTURY the arched cornice above a white enamel dial with Roman numerals and a single winding hole over a single brass weight and grid pendulum; in a long glazed case with ebonised mouldings 174cm high, 56cm deep

£300-500

430 BLACK FOREST CARVED BEAR PIANO STOOL LATE 19TH CENTURY the adjustable circular seat carved with oak leaves and ‘INTERLAKEN’, on a seated bear with glass eyes 30cm diameter, 50cm high

£1,500-2,500

431 SYMPHONION WALNUT CASED MUSIC BOX LATE 19TH/ EARLY 20TH CENTURY with twin combs, serial no. 829462, stamped SCHUTZ-MARK/ TRADE-MARK/ MADE IN GERMANY, in a walnut case with lithograph print to the interior; together with approximately seventy-five discs 46cm wide, 24cm high, 37cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

167

432 Y SWISS NICOLE FRÈRES 11 INCH CYLINDER MUSIC BOX LATE 19TH CENTURY the lever wind movement playing 8 airs, stamped serial number 47111, G/No. 3018, and Registration No. R-6278, in a rosewood and ebonised case with gryphon and urn marquetry 56cm wide, 14cm high, 22cm deep

£800-1,200

433 ALBERT POMMIER (1880-1943) ACCORDION PLAYER bronze, dark brown patina, signed on the base, with foundry pastille F.P. SANSON SUCCr, HAMBURG, NEUERWALL 4 27.5cm high

£250-350

434 SWISS 13 INCH CYLINDER MUSIC BOX LATE 19TH CENTURY with a lever movement playing eight airs, serial no. 38478, with partial song list card marked ‘Spiraux’, in a fruitwood case with ebonised details 57cm wide, 15cm high, 22cm deep

£300-500

435 Y SWISS 13 INCH CYLINDER MUSIC BOX LATE 19TH CENTURY lever action with an internal drum, stamped 35 77, in a rosewood, ebonised and faux rosewood case with flower marquetry 58cm wide, 25cm high, 25cm deep

£400-600

169

INDIAN & ISLAMIC FURNITURE & WORKS OF ART 436 Y OTTOMAN ROSEWOOD, MOTHER-OF-PEARL, AND PARQUETRY MIRROR LATE 19TH/ EARLY 20TH CENTURY the bevelled rectangular mirror plate in a compartmented frame with geometric parquetry interspersed with star motifs 78cm high, 97cm wide

£400-600

437 MATCHED PAIR OF INDIAN HARDWOOD OCCASIONAL TABLES LATE 19TH CENTURY the square tops with outset corners with figural supports, above a carved frieze and raised on baluster legs joined by an undertier, carved throughout with geometric motifs, animals, and exotic figures (2) Both approx. 47cm wide, 61cm high, 46cm deep

£500-700

438 INDIAN CARVED ‘BLACKWOOD’ SIDE CABINET AND HANGING CUPBOARD, PROBABLY BOMBAY PRESIDENCY LATE 19TH CENTURY carved and pierced throughout with scrolling foliage, fruit, birds, and sea creatures, the superstructure with a pair of glazed doors (2) Cabinet 123cm wide, 107cm high, 42cm deep; cupboard 117cm wide, 60cm high, 38cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

170

439 COLLECTION OF TURKISH EMBROIDERED TOWELS 19TH CENTURY comprising thirteen towels with silk and metallic thread embroidered floral designs on cream linen, of various sizes and designs (13) largest 153cm long, 67cm wide

£400-600

440 PERSIAN PAPIER MÂCHÉ EUROPEAN SUBJECT QALAMDAM 19TH CENTURY decorated with the Madonna and child, architectural views, and portraits of young ladies against a flower and bird filled ground 23cm long

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

171

441 PERSIAN PAPIER MÂCHÉ QALAMDAM 19TH CENTURY decorated with portraits reserves and flowers 23cm long

£500-700

442 TWO LACQUERED PAPIER MÂCHÉ QALAMDAMS 19TH CENTURY both with rounded ends and sliding trays, the first decorated with a portrait of a girl with a dog and two equestrian figures, the sides with landscape reserves; the second with gilt filigree foliate and flower motifs (2) Longest 23.3cm

£500-700

443 PERSIAN LACQUERED PAPIER MÂCHÉ QALAMDAM AND COVER 19TH CENTURY decorated with a courtly scene with attendants, in a purple velvet and metallic embroidered sleeve cover (2) 23cm long

£400-600

173

RUGS & CARPETS 444 TABRIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the indigo field with red, cream and blue medallion, within shaped blue and brown border 390cm x 289cm

£500-700

445 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the crimson red field with blue medallion, blue and indigo spandrels, within indigo border 402cm x 296cm

£400-600

446 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with red medallion, ivory spandrels, within red border 385cm x 271cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

174

447 KASHAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with floral vase pattern, cream spandrels, within red border 202cm x 137cm

£300-500

448 SHIRVAN RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the ivory field with allover stylised red flowerhead and lattice pattern, within blue border 193cm x 130cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

175

449 ISFAHAN PRAYER RUG CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with tree of life pattern, blue spandrels, within indigo border 214cm x 136cm

£1,000-1,500

450 KHORASSAN SILK RUG EAST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with grey medallion, dark brown spandrels, within dark brown border 178cm x 142cm

£2,000-3,000

176

451 TABRIZ STYLE CARPET MID/LATE 20TH CENTURY the cream field with allover slate blue floral cartouche pattern, within salmon pink border 500cm x 400cm

£2,200-2,800

452 TABRIZ CARPET, SIGNED FARKHONDEH NORTHWEST PERSIA, MID 20TH CENTURY the cream lattice field with lemon and salmon pink medallion, pink spandrels, within cream border 421cm x 301cm

£800-1,200

453 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the light camel field with red medallion, within ivory border 334cm x 279cm

£600-800

177

454 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with allover small lattice pattern, within light brown border 384cm x 302cm

£700-1,000

455 KASHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the cream field with light blue medallion suspending pendants, within blue and polychrome shaped border 446cm x 336cm

£3,000-5,000

456 TABRIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the camel field with allover bird, animal and tree pattern, within blue border 388cm x 283cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

178

457 USHAK ‘TURKEY’ CARPET WEST ANATOLIA, LATE 19TH/EARLY 20TH CENTURY the red field with allover stylised palmette and vine pattern, within red border 360cm x 284cm

£400-600

458 YOMUT CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the brown field with allover gul pattern, within ivory border, brown elem panels

459 MAHAL CARPET WEST PERSIA, LATE 20TH CENTURY the indigo field with red lozenge medallion, ivory spandrels, within red border 386cm x 291cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

318cm x 192cm

£300-500

179

460 ISFAHAN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the ivory field with allover palmette and foliate lattice pattern, within blue border 339cm x 247cm

£800-1,200

461 TABRIZ HADJI JALILI CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with red and camel star medallion, similar spandrels, within rust brown border 371cm x 292cm

£2,200-2,800

180

462 KHORASSAN CARPET EAST PERSIA, EARLY/MID 20TH CENTURY the red field with allover palmette and foliate pattern, within indigo border, signed to one end 305cm x 250cm

£400-600

463 VARAMIN CARPET CENTRAL PERSIA, MID 20TH CENTURY the light blue field with allover rosette lattice pattern, within peach border 300cm x 221cm

£2,000-3,000

464 SAROUK CARPET WEST PERSIA, EARLY 20TH CENTURY the raspberry field with allover floral and foliate pattern, within indigo border 341cm x 274cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

181

465 KIRMAN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the red field with indigo and blue medallion, blue spandrels, within indigo border 415cm x 305cm

£1,000-1,500

466 SAROUK CARPET WEST PERSIA the pink field with allover palmette pattern, within cream border 302cm x 204cm

£1,000-1,500

467 MAHAL CARPET WEST PERSIA, MODERN the indigo field with red medallion, blue spandrels, within red border 400cm x 300cm

£800-1,200

182

468 TABRIZ CARPET, SIGNED JAVAN AMIR KHIZ NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the ivory field with allover palmette and vine pattern, within brown border 425cm x 300cm

£2,000-3,000

469 ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the ivory field with red and blue medallion, within red border 551cm x 365cm

£1,500-2,500

470 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette pattern, within cream border 385cm x 300cm

£2,000-3,000

183

471 LARGE ISFAHAN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red field with light pink medallion, similar spandrels, within blue border 617cm x 371cm

£3,000-5,000

472 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with indigo star medallion, ivory spandrels, within indigo border 390cm x 293cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184

473 TABRIZ CARPET, SIGNED JAVAN AMIR KHIZ NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the red field with allover stylised palmette and foliate pattern, within ivory border 326cm x 253cm

£800-1,200

474 PERSIAN STYLE CARPET

475 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the red field with indigo, red and green medallion, ivory spandrels, within indigo border 325cm x 245cm

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

LATE 20TH CENTURY the rust red field with indigo medallion, light blue and ivory spandrels, within indigo border 366cm x 254cm

£400-600

185

476 KASHAN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the ivory field with olive green medallion, similar spandrels, within green border 418cm x 295cm

£800-1,200

477 KIRMAN CARPET CENTRAL PERSIA, EARLY 20TH CENTURY the cream field with small blue medallion and green cartouches to corners, within blue border 300cm x 203cm

£500-700

478 KASHAN CARPET CENTRAL PERSIA, LATE 19TH/EARLY 20TH CENTURY the indigo field with rust red medallion, similar spandrels, within rust red border 316cm x 216cm

£600-800

186

479 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover herati pattern, ivory spandrels, within red border 471cm x 102cm

£500-700

480 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the indigo field with allover herati pattern, ivory spandrels, within ivory border 354cm x 105cm

£300-500

481 KAZAK LONG RUG SOUTH CAUCASUS, EARLY 20TH CENTURY the red field with five polychrome lozenge medallions, within ivory border 292cm x 130cm

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187

482 PAIR OF HERIZ RUNNERS NORTHWEST PERSIA, MODERN each with ivory field with column of polychrome medallions, within red border (2) each 562cm x 90cm

£2,000-3,000

483 NORTHWEST PERSIAN RUNNER MODERN the indigo field with allover lattice pattern, within red border 502cm x 96cm

£300-500

188

484 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the rust brown field with indigo and red star medallion, ivory spandrels, within indigo border 462cm x 354cm

£600-800

485 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY

486 HERIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the raspberry field with dark brown medallion, ivory spandrels, within dark brown border 405cm x 320cm

£600-800

the red field with indigo star medallion, ivory spandrels, within indigo border 429cm x 305cm

£500-700

189

487 BAKHTIARI CARPET WEST PERSIA, MODERN the field with allover square lattice with animals, birds, trees and other motifs, within ivory border 367cm x 291cm

£1,200-1,800

488 BAKHTIARI CARPET WEST PERSIA, MID/LATE 20TH CENTURY the field with allover tree and stylised foliate square lattice pattern, within ivory border 443cm x 368cm

£700-1,000

489 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the red field with indigo and pink medallion, ivory and pink spandrels, within indigo border 364cm x 269cm

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

190

490 ISFAHAN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the cream field with red medallion, within red border 555cm x 350cm

£2,000-3,000

491 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the ivory field with rust red medallion, green spandrels, within rust red border 309cm x 199cm

£300-500

492 HERIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and salmon pink star medallion, blue and pink spandrels, within indigo and camel border 367cm x 280cm

£2,000-3,000

191

493 KHORASSAN CARPET EAST PERSIA, LATE 20TH CENTURY the ivory field with indigo and rust medallion, similar spandrels, within blue border 395cm x 298cm

£1,000-1,500

494 QUM CARPET CENTRAL PERSIA, MID 20TH CENTURY the ivory field with light blue medallion, within red inner and light blue outer borders 344cm x 228cm

£400-600

495 TABRIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the red field with indigo and blue medallion, within indigo border 425cm x 320cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

192

496 PAIR OF INDIAN RUGS MID/LATE 20TH CENTURY each with cream field with allover black foliate pattern, within similar border (2) each 211cm x 153cm

£500-700

497 EUROPEAN CARPET EARLY 20TH CENTURY Possibly Irish, of Ardabil pattern, the pink field with indigo medallion suspending pendants, similar spandrels, within indigo border 451cm x 388cm

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

193

498 ZEIGLER STYLE CARPET MODERN the indigo field with allover large palmette and vine pattern, within cream border 546cm x 311cm

£1,000-1,500

194

GARDEN

499 PAIR OF COMPOSITION STONE MEDICI LIONS 20TH CENTURY on rectangular plinths (2) 70cm long, 56cm high

£400-600

500 THREE STONE TROUGHS 18TH CENTURY of rough carved boulder form with hollowed centres (3) Largest 57cm x 35cm

£250-350

501 SET OF FOUR LARGE COMPOSITION STONE URNS 20TH CENTURY the everted leaf tip cast rims above basket weave bodies, on short circular bases (4) 77cm diameter, 45cm high

£1,500-2,000

195

Greek court sculptures, Crystal Palace, circa 1870

502 TWO GERMAN TERRACOTTA CLASSICAL FIGURES, E. MARCH SÖHNE, BERLIN 19TH CENTURY the first a figure of Demeter holding a cornucopia, the other possibly Diktynna with a fisherman’s net, impressed marks E. MARCH SÖHNE/ CHARLOTTENBURG/ BEI BERLIN (2) 130cm and 145cm high Note: E. March Söhne of Charlottenburg was the leading German maker of classical garden statuary in the 19th century. After the Great Exhibition of 1851, the Crystal Palace was moved and rebuilt in Sydenham, South London. The original structure was reconfigured and enlarged with side courts added. By repute, these two figures, along with others, were purchased to decorate the Greek Court where they remained until the disastrous fire that destroyed the Crystal Palace in 1936. The statuary that survived the fire was moved into the surrounding park where they were left to gradually disappear into the encroaching undergrowth. In 1957 the park was cleared for the construction of the Crystal Palace athletics centre and the surviving statuary was either sold off or disposed of.

£1,500-2,500

503 PAIR OF LARGE LEAD PLANTERS 20TH CENTURY of square tapered form (2) 52cm wide, 75cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

196

504 VICTORIAN CAST IRON ‘GOTHIC’ TWO SEAT GARDEN BENCH, PROBABLY VAL D’OSNE 19TH CENTURY the low straight back with Gothic tracery above a pierced honeycomb seat, unmarked £500-700

505 PAIR OF VICTORIAN CAST IRON ‘GOTHIC’ GARDEN SEATS, IN THE MANNER OF VAL D’OSNE 19TH CENTURY the low straight backs with Gothic tracery above honeycomb seats, raised on foliate X-form end supports, unmarked, painted pale blue (2) 71cm wide, 80cm high, 35cm deep

£600-800

506 MATCHED PAIR OF COALBROOKDALE STYLE ‘FERN AND BLACKBERRY’ PAINTED METAL GARDEN BENCHES ONE 19TH CENTURY, THE OTHER LATER the first cast iron and unmarked; the other in white metal with a design registration mark (2) 114cm wide, 88cm high, 34cm deep; 113cm wide, 85cm high, 31cm deep

£800-1,200

507 VICTORIAN CAST IRON ‘GOTHIC’ GARDEN BENCH, IN THE MANNER OF VAL D’OSNE 19TH CENTURY the low straight back with Gothic tracery above a honeycomb seat, raised on X form foliate end supports, unmarked, painted pale blue 188cm wide, 80cm high, 35cm deep

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

& OBJETS DE VERTU

A 20TH-CENTURY SPANISH THREE MASTED NEF £5,500-6,500

For more information please contact Kier Mulholland | 0131 557 8844 kier.mulholland@lyonandturnbull.com

AUCTION 13 SEPTEMBER 2022

AUCTION 12 OCTOBER 2022 OPEN FOR ENTRIES UNTIL ALFRED POWELL (1865–1960) FOR WEDGWOOD & SONS ARTS & CRAFTS WALL CHARGER, CIRCA 1910 painted and glazed earthenware 47cm diameter

£2,000-3,000

For more information please contact John Mackie | 0131 557 8844 john.mackie@lyonandturnbull.com

200

CONDITIONS OF SALE

22.2

FOR BUYERS (UK)

extent provided below.

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

(a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

(b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided

he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more

201 than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are

always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as

sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items. (c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer

Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as

202 amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed

that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the

earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted

such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but

203 have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We

will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or

agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

stated in Catalogue.

9. DATA PROTECTION

“Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

K. DEFINITIONS & GLOSSARY

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings:

1. DEFINITIONS

“Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates

“Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

22.2

204

GUIDE TO BIDDING & PAYMENT REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

- ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Lot 423 (detail)

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM