Scottish Works of Art & Whisky | Auction 17 August 2022

SCOTTISH WORKS OF ART & WHISKY 17TH AUGUST 2022 EDINBURGH LIVE ONLINE

SCOTTISH WORKS OF ART & WHISKY

WEDNESDAY 17 AUGUST 2022 AT 10AM

Sale Number LT696

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Sunday 14th August 12 noon - 4pm Monday 15th August 10am-5pm Tuesday 16th August 10am-5pm Day of sale from 9am

Front Cover Lot 90 [detail] Inside Front Cover Lot 373 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon:

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

26% up to £20,000 25% from £20,001 to £500,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT †V AT at the standard rate payable on the hammer price ‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

1 – Government issued photo ID (Passport/Driving licence) 2 – Proof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

Our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain.

For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS All collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or email info@lyonandturnbull.com.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS

At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

JOHN MACKIE Head of Department john.mackie@lyonandturnbull.com

OLIVIA ROSS Junior Specialist: Decorative Arts & Whisky olivia.ross@lyonandturnbull.com

COLIN T. FRASER Consultant: Silver, Jacobite Memorabilia, Arms & Armour colin.fraser@lyonandturnbull.com

KIER MULHOLLAND Junior Specialist: Jewellery & Silver kier.mulhollahd@lyonandturnbull.com

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ORDER OF SALE Lot No.

1-71 72-144

WEDNESDAY, 17TH AUGUST AT 10AM Furniture & Works of Art Wemyss Ware

145-184

Collectable Silver & Jewellery

185-275

Provincial Silver

276-253

Hallmarked Silver

354-372

Jacobite Works of Art

373-390

Jacobite Glassware

391-426

Arms, Armour & Highland Dress

427-500

Whisky

1 A CARVED OAK FIGURE OF AN IMP, DORNOCH CATHEDRAL POSSIBLY 16TH CENTURY AND LATER modelled in wood torrefaction, most likely carved from the remains of the 1570 fire of Dornoch Cathedral, to a later plinth engraved DORNOCH IMP 17.5cm high

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Note: Dornoch Cathedral is situated in the Highlands of Scotland on the coast in Sutherland.

The Cathedral has been in existence in some form since the 13th century.

The gargoyles and imps who still adorn the Cathedral are guardians of the church and intended to ward off evil spirits.

It may be that this imp suffered fire damage and survived the fire attack on Dornoch Cathedral in 1570 due to a feud between the Murrays of Dornoch and the Mackays of Strathnaver.

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FURNITURE & WORKS OF ART

2 AN 18TH-CENTURY ELLON BEGGAR’S BADGE of ciruclar outline, obverse reads ELLON / 1742, reverse blank, with two suspension holes 4cm diameter Literature: SCOTTISH BEGGARS’ BADGES, by R. KERR, O.B.E., M.A.,F.S.A.SCOT.,and J. R. LOCKIE, F.S.A.SCOT. List of Badges (PI. LIII:9.)

£250-350

3 A COLLECTION OF SCOTTISH COMMUNION TOKENS 18TH CENTURY of octagonal form for Kelton Parish Church (qty) £400-800

4 A LIMED OAK TRESTLE TABLE IN THE MANNER OF SIR ROBERT LORIMER EARLY 20TH CENTURY in the 17th century Spanish Colonial style, the thick two board top above a long frieze drawer, raised on pierced scroll end supports with trestle bases and joined by a through stretcher 107cm wide, 76cm high, 51cm deep

£800-1,200

5 A COLLECTION OF SCOTTISH COMMUNION TOKENS 18TH CENTURY of octagonal form for Kelton Parish Church (qty) £400-800

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6 A FAMILLE ROSE ARMORIAL PUNCH BOWL, BEARING THE ARMS AND MOTTO OF THE DUNDAS FAMILY 18TH CENTURY brightly enamelled in famille rose palate with two large cartouches of the Dundas family arms and crest above the motto ‘ESSAYEZ’, with a floral bouquet to each side and scattered insects throughout, the interior with a gilt rui sceptre border, raised on a simple collet foot (restored) 33cm diameter Note: For the arms, see David Sanctuary Howard, Chinese Armorial Porcelain, Vol. I, London, 1974, p. 424, P11.

£400-600

7 A CHINESE EXPORT PORCELAIN PART SERVICE 18TH CENTURY

8 A SCOTTISH GEORGE III MAHOGANY AND INLAY SERVING TABLE EDINBURGH, LATE 18TH CENTURY the rectangular top with re-entrant rounded corners, above a line inlaid frieze raised on stop-fluted tapering legs headed by further line and dot inlay 153cm wide, 89cm high, 76cm deep

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

including one tureen with cover and stand (restored), two hexagonal plates (one restored, one chipped), a famille rose palette, with floral and interlinked borders, centres with full armorials for Robertson family (5) 37cm wide (stand)

£600-800

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9 A SCOTTISH OAK LONGCASE CLOCK, GEORGE MONRO, CANONGATE 18TH CENTURY the arched brass dial with Roman chapters and subsidiary seconds dial, date aperture, and strike/silent dial to the arch, in an oak case, the hood with a broken arch pediment centred by a brass eagle finial and flanked by columns, above an arched trunk door on a plinth base with bracket feet, the twintrain eight-day movement with anchor escapement striking on a bell 221cm high Note: George Monro was active in Edinburgh from 1743-1804, with business premises on the Canongate. He was admitted a freeman clock and watch maker in 1750. “Probably there was not a craftsman in the city during the latter half of the eighteenth century who advertised so largely, the result being that the name of George Monro and his productions were known all over the country, especially north of the Forth” Old Scottish Clockmakers, p. 275.

£600-800

10 A GEORGE II MAHOGANY DROP-LEAF BEDROOM TABLE, IN THE MANNER OF ALEXANDER PETER MID 18TH CENTURY with a single drop-leaf to the rear and a long frieze drawer, raised on tapering legs ending in pad feet 91cm wide, 71cm high, 38cm deep (closed), 74cm deep (opened) Note: Tables of this distinctive Scottish form with a single drop leaf were provided by Alexander Peter to the Earl of Dumfries for Dumfries House, Ayrshire, in the 1750s.

See the Christie’s sale catalogue, 2007.

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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11 A CARVED MAHOGANY AND POLYCHROMED ARMORIAL WALL BRACKET 19TH CENTURY the rounded platform above carved foliate scrolls and a cartouche painted with an armorial crest granted to Major Randle Jackson, with the motto ‘Arriere Jamais’ (Behind never) 33cm wide, 30cm high, 21cm deep

£700-1,000 Note: These armorial bearings were granted to Major Randle Jackson (born 2nd June 1839 died 20th January 1902), of Swordale in the County of Ross-shire and of Low Farm, Upwell in the County of Norfolk by the Kings of Arms at The College of Arms in the City of London in 1882.

Randle was the eldest son of Edward James Jackson, of Upwell aforesaid and of The Priory, St Andrews in the County of Fifeshire and his wife, Elizabeth Seton.

He was educated at Royal Military College Sandhurst and subsequently served with the 77th and 32nd Regiments of Foot and the 8th Royal Irish Hussars. Randle was later promoted to the rank of Honorary Major with the Fife Light Horse Volunteers. He also served as a Justice of the Peace for the County of Fifeshire and as a Justice of the Peace and Deputy Lieutenant for the County of Rossshire.

Randle eventually sold The Priory, St Andrews aforesaid to John Patrick Crichton-Stuart, the 3rd Marquess of Bute in 1894.

Randle married Emily Margaret Baxter (born 18th May 1853 died 14th March 1926) at Teasses in the County of Fifeshire on the 6th September 1882. She was eldest daughter of Edward Baxter of Kincaldrum in the County of Forfarshire and his third wife, Jean Paterson.

Finally, as a Jacobean aside, Randle inherited from his mother a ring which had within it the hair of Prince Charles Edward (Bonnie Prince Charlie). The ring was a gift from the prince to Jean Seton after dancing with her at Holyrood.

12 A SCOTTISH MAHOGANY LONGCASE CLOCK, ROBERT CURRER, FALKIRK 19TH CENTURY the hood with a swan-neck pediment mounted with gilt brass rosettes above an arched painted dial depicting scenes of British commerce and figures to the spandrels representing Europe, Asia, America, and Africa, with subsidiary seconds and calendar dials and twin winding holes, flanked by columns above a shaped trunk door and corner columns, on a moulded plinth with bracket feet, the twin-train, eight-day movement striking a bell 218cm high, 51cm wide, 26cm deep Note: Robert Currer, clockmaker, was born in Peebles and set up business in Falkirk in 1839. Two longcase clocks by Currer are in the Falkirk Museum, one with a similar dial to the present lot.

£600-800

13 A CARVED OAK MUSIC STAND 19TH CENTURY the music support pierced and carved with thistles and foliate scrolls, on a telescopic column and square base with carved paw feet 127cm high, 151cm at the highest setting

£800-1,200

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The Mein family are recorded as cabinet makers in Kelso from 1784- 1851. James Mein the Elder, the founder, established the firm as makers of fine quality furniture and when he died in 1830 his nephew, also called James Mein, took over the business until it went bankrupt in 1851. Their many important patrons included the 5th & 6th Dukes of Roxburghe at Floors Castle and the Earl of Haddington at Mellerstain.

14 A FINE REGENCY GONCALO ALVES CENTRE TABLE, ATTRIBUTED TO JAMES MEIN OF KELSO EARLY 19TH CENTURY the rounded rectangular top above a shaped frieze centred by a foliate carved reserve depicting a stag and oak tree, on a baluster support and quadripartite base raised on scoll carved bun feet 126cm wide, 76cm high, 56cm deep

£2,500-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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15 TWO CHIP ENGRAVED GREEN GLASS BOTTLES MID-19TH CENTURY of bulbous form with applied collar; one has a cork stopper inscribed CLARET, and is engraved with a banner reading DR JAMES & ANN YOUNG 1836, below a thistle and a rose, verso a doctor pulling a tooth from a seated gentleman in the back. The second is engraved with JAMES CLARK 1857 and a primitive hunting scene (2) 22cm high

£400-600

16 A SCOTTISH REGENCY MAHOGANY COASTER, BY JAMES MEIN, KELSO EARLY 19TH CENTURY with a carved fruiting vine border, raised on three leather and brass castors, stamped MEIN KELSO 34185 to the underside 19cm diameter

£400-600

17 A SCOTTISH REGENCY MAHOGANY COASTER, BY JAMES MEIN, KELSO EARLY 19TH CENTURY of circular turned form, on three leather and brass castors, with label JAS MEIN/ CABINET MAKER & UPHOLSTERER/ KELSO/ N. 26025.

23cm diameter

£300-500

18 A SCOTTISH REGENCY MAHOGANY COASTER, BY JAMES MEIN, KELSO EARLY 19TH CENTURY with a fluted gadrooned border enclosing carved bands, raised on three leather and brass castors, with paper label JAS. MEIN/ CABINET MAKER/ ROXBURGHE STREET/ KELSO/ No. ** 614. ** 25cm diameter

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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19 A LARGE SLATE AND MALACHITE PERPETUAL CALENDAR MANTEL CLOCK WITH BAROMETER, ALEXANDER & SON, GLASGOW 19TH CENTURY with a two piece dial with Roman number chapter and a partially visible Brocot escapement with agate pins, above a bevelled glass lenticle flanked by a subsidiary aneroid barometer dial marked ‘METALLIC BAROMETER’, and a white-enamelled calendar dial with English month abbreviations framing a ‘rolling moon’ phase flanked by subsidiary Days of the Week and terrestrial calendar dials, in a black slate case with malachite panels and gilt line details; the movement stamped 161 60966 GV 55cm wide, 49cm high, 17cm deep

£600-800

20 A FINE REGENCY POLLARD OAK WORK TABLE, ATTRIBUTED TO JAMES MEIN OF KELSO EARLY 19TH CENTURY the rounded rectangular top with twin drop leaves with gadroon carving, above a long frieze drawer and sliding barrel shaped work box covered in cream silk, raised on lyre-form end supports with trestle bases with hipped sabre legs and terminating in brass paw feet and castors 45cm wide, 87cm [open]; 74cm high, 49cm deep

£3,000-4,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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21 A PART SUITE OF EDINBURGH CRYSTAL ‘THISTLE’ GLASS 20TH CENTURY comprising twelve large tumblers, twelve smaller tumblers, a decanter with stopper, a jug and a pair of candlesticks (28) the decanter 29cm high, the jug 15cm high

£1,500-2,000

22 A PART SUITE OF EDINBURGH CRYSTAL ‘THISTLE’ GLASS 20TH CENTURY comprising twelve wine glasses, eleven smaller port glasses, one slightly larger claret glass, a decanter jug with stopper, a small decanter with stopper, a small scent bottle, two small posy vases, and two round butter dishes (31) the decanter jug 30.5cm high, the small decanter 19.5cm high

£600-800

23 A PAIR OF VICTORIAN DECANTERS of shaft and globe form, with simple moulded neck, the bodies etched with a portrait of Robert Burns and motto within banner ‘BURNS DECANTER TAK’ A CUP O’ KINDNESS YET FOR AULD LANG SYNE’ (2) 24cm high

£250-350

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24 TWO WHEELER OF ARNCROACH ‘GOSSIP’ SIDE CHAIRS 19TH CENTURY with pierced splat back above drop-in leather seat and square legs (2) 44cm wide, 81cm high, 33cm deep

£400-600

25 A SCOTTISH MAHOGANY MOONPHASE LONGCASE CLOCK, THOMAS STEWART, AUCHTERARDER EARLY 19TH CENTURY the hood with a swan neck pediment above an arched painted dial with moonphase action, subsidiary seconds and calendar dials and twin winding holes, flanked by spiral carved corner columns, above a shaped trunk door and spiral carved quarter columns, on a moulded plinth with ogee bracket feet, the twin-train, eight-day movement striking a bell 50cm wide, 210cm high, 25cm deep Note: Thomas Stewart is listed working in Auchterarder in 1798, Old Scottish Clockmakers, p. 371

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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26 A FINE PAIR OF MAHOGANY TEA TABLES, ATTRIBUTED TO WILLIAM TROTTER, EDINBURGH EARLY 19TH CENTURY the fold-over rectangular tops outlined with bead moulding, raised on waisted and lotus-clasped squared supports on shaped quadripartite bases with bun feet (2) each 98cm wide, 71cm high, 46cm closed, 91cm open

£7,000-8,000

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William Trotter was born into a family of merchants in 1772, descended on the maternal side from the family of John Knox. He became a member of The Merchant Company in 1797 and by 1809 he was sole proprietor of the firm Young & Trotter.

Often regarded as the most eminent of all Scottish cabinet makers, his success was in part due to his appreciation for his client’s taste. Using the finest quality materials, Trotter developed a distinctive Regency style typically characterised by bold carving, bead moulding and reeded legs.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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27 A SET OF FOUR COPPER MEASURING JUGS D GLEGG, MONTROSE Imperial pint, 1./2 pint, gill and 1/2 gill, each of baluster form with a C-scroll handle, stamped D. GLEGG/ MONTROSE, raised on a circular foot (4) 14.5cm, 11cm, 9cm, 7.5cm high

£300-500

28 COALPORT PART DESSERT SERVICE LATE 19TH CENTURY each piece painted with a central gilt medallion, and a Scottish landscape surrounded by a cobalt and gilt scroll border, comprising eighteen plates and a pair of tazza, stamped ENGLAND COALPORT A. D. 1750 (20) 22cm diameter

£300-500

29 AN OAK ‘GOSSIP’ ARMCHAIR BY WHEELER OF ARNCROACH EARLY 20TH CENTURY with pierced splat back above drop-in leather seat and square legs 52cm wide, 82cm high, 35cm deep

£200-300

30 A SMALL ORKNEY CHAIR MID-20TH CENTURY oak frame with woven straw back and drop-in cord upholstered seat 54cm wide, 84cm hih, 36cm deep

£300-500

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A SCOTTISH GEORGE III LABURNUM CORNER CHAIR

A PAIR OF OAK ‘GOSSIP’ ARMCHAIRS

BY WHEELER OF ARNCROACH

EARLY 19TH CENTURY

EARLY 20TH CENTURY

with carved scroll splats

each with pierced splat back above drop-in leather seat and square legs, together with a similar side chair (3)

80cm wide, 75cm high, 55cm deep

£250-350

52cm wide, 81cm high, 35cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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33 A SCOTTISH NEEDLEWORK SAMPLER, BY ELISABETH STARK EDINBURGH DATED 1841 worked in silk and linen on flax, with alphabet and number series above a field with two large stags, a fruit tree, flowering urns, birds, rabbits, and a peacock, and a central reserve with the Lord’s Prayer, in a period rosewood frame 55.5cm wide, 56.5cm high

£300-500

34 A SCOTTISH SCHOOL GIRL NEEDLEWORK SAMPLER,BY ANN INNES, AGED 12, ABERDEEN 2ND QUARTER 19TH CENTURY worked with alphabet and number series above two bands of initials and motto ‘And thinkest thou this. O man. that judgest them which do such things. and doest the same. that thou shalt escape the judgment of god’; over a field with a red stone house, strawberry baskets, peacocks, dogs, rabbits, and flowering urns, signed across the base, in a hogarth frame 47cm wide, 58.5cm high

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£300-400

A SCOTTISH MAHOGANY LONGCASE CLOCK, GEORGE ANGUS, ABERDEEN EARLY 19TH CENTURY the hood with a scroll carved pediment over a circular brass dial with subsidiary seconds and calendar dials and twin winding holes, flanked by corner columns, above a moulded trunk door flanked by columns, on a moulded plinth with shaped bun feet, the twin-train, eight-day movement striking a bell 205cm high, 45cm wide, 25cm deep Note: George Angus is recorded working in Aberdeen from the 1780s-1830. He was apprenticed to Peter Gill in 1782, and later had premises on Broad Street.

£500-700

36 A SMALL ORKNEY CHAIR MID-20TH CENTURY oak frame with woven straw back and drop-in cord upholstered seat 53cm wide, 83cm high, 37cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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37 A GROUP OF FOUR TARTANWARE BOXES LATE 19TH CENTURY comprising of two pin boxes, one in ‘Lorne’, the other in ‘McLean’ pattern, 8cm high; a strop case in ‘Prince Charlie’, 17.5cm high; and a perfume bottle holder in ‘Stuart’ tartan, 9.5cm high (4) largest 17.5cm high

£200-300

38 A TARTANWARE TEA CADDY 19TH CENTURY of sarcophagus form, in ‘Stuart’ tartan, opening to an interior with to lidded compartments, raised on bun feet 21.5cm wide, 17cm high, 12.5cm deep

£400-600

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A COLLECTION OF TARTANWARE

A COLLECTION OF TARTANWARE

A COLLECTION OF TARTANWARE

A COLLECTION OF TARTANWARE

LATE 19TH CENTURY

LATE 19TH CENTURY

LATE 19TH CENTURY

LATE 19TH CENTURY

comprising a Stuart games box containing two sets of cards; four various napkin rings, marked Drummond, Frazer, McBeth, one unmarked; two cylindrical needle holders, one marked Stuart; a round McDuff box with cover; two smaller round patch boxes for Gordon and McRae; and four various needle/match holders, one marked Stuart and one McLean (14)

comprising a spectacle case; a Prince Charlie stamp box; a book entitled Birthday Echoes from the Poets, with McFarlane boards; a Caledonia egg shaped box; a Clan Stuart match box with a picture of Loch Lomond; a rule; a McLean brooch with an image of a female soldier; and four napkin rings marked McFarlane, Macintosh, McLean and Prince Charlie (11)

comprising a Clan Stuart desk letter holder; a Rob Roy pen tray; a fountain pen; a Leslie page turner and a further page turner/ marker; two cylindrical rulers, for Stuart and Sinclair; three various pen knives, including a Caledonia example; four napkin rings for McPherson, Caledonia, Sinclair, Clanronald; and a compass in a round case (15)

£250-350

£250-350

comprising a McFarlane Clark & Co spool box; a Prince Charlie measuring tape dispenser; two needle holders; a round Rob Roy stamp box; two pin cushions; a tall cylindrical needle holder box; a thimble holder box with thimble; a navette shaped McBeth thread winder; a round McGragor pin holder; a Stuart cylindrical spool box; and two cylindrical ribbon holder boxes (14)

£250-350

£250-350

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A GROUP OF SIX TARTANWARE THREADWINDERS

A SET OF FIVE TARTANWARE SEWING ITEMS

A LARGE GROUP OF MAUCHLINE WARES

LATE 19TH CENTURY

LATE 19TH CENTURY

comprising three pin cushions, two wheel shaped in ‘Cameron’ and ‘Prince Charlie’, 5cm diameter; another double ended one in ‘Stuart’ pattern with red velvet cushions, 4cm long; a thimble holder containing the original wooden thimble, in ‘Stuart’ pattern, 3.5cm high; and a waxer in ‘Caledonia’, 3cm high

including an egg epergne, 24cm high; a sewing box, 19.5cm wide; a box with six napkin rings, 8cm wide; a needle box, with blue satin lined interior, 9cm wide; a bottle-shaped thimble holder with a metal thimble inside, 10cm high; a barrel-shaped thimble holder with a hallmarked silver thimble inside, 5cm high; a barrel-shaped needle holder, 4.5cm high; a luggie pin cushion and holder, 5cm high; a pin wheel, 4.5cm diameter; a measuring tape, 6cm high; a thread holder, 4.5cm high; a needle holder, 10cm long; all with transfer printed Scottish landmarks; and a needle folder with flower print, 6cm wide (12)

in the Stuart pattern (6) 4cm wide, 4cm high

£200-300

thimble holder and original wooden thimble waxer (5) 5cm diameter

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

LATE 19TH CENTURY

largest 24cm high

£250-350

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46 A CAMPBELL & CO. PUB ADVERTISING POSTER LATE 19TH CENTURY printed with a coat of arms and Royal Warrant, with gold lead lettering, framed 47cm high, 60cm wide Note: Archibald Campbell, senior and junior, ran the Argyle Brewery (est. circa 1710) during the nineteenth century, and later acquired the brewery under the company name of ‘Archibald Campbell, Hope and King Ltd’. They acquired several other breweries over time but ceased trading in the 1970s. Their records are held in the University of Glasgow Archive

£300-500

47 A SCOTTISH NATIONAL EXHIBITION TRINKET BOX 20TH CENTURY of square form, the lid with a roundel inscribed SCOTTISH NATIONAL EXHIBITION EDINBURGH 1908, opening to a velvet line interior 8.5cm wide, 4cm high, 8.5cm deep

£200-300

48 TWO PAUL YSART PAPER WEIGHTS 1974 one with a yellow butterfly on a mottled red and white underground, the other with a red flower on an orange and white striped underground 8cm diameter, 7cm diameter

£300-500

49 A PAIR OF SCOTTISH GLAZED POTTERY SPANIELS LATE 18TH CENTURY modelled seated with yellow and brown glazes, above rectangular bases, unmarked 21.5cm high

£250-350

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50 A LARGE DUNMORE POTTERY BUST OF SIR WALTER SCOTT LATE 19TH CENTURY in treacle coloured glaze, modelled facing sinister, on a round socle base, impressed DUNMORE to the reverse 50cm high

£800-1,200

51 AFTER SAMUEL JOSEPH BRONZE BUST OF SIR WALTER SCOTT,

BY SAMUEL PARKER, CIRCA 1830 inscribed SIR WALTER SCOTT BART/ S. PARKER FECIT XII ARGYLL PLACE/ PUBLISHD. AS THE ACT DIRECTS/ LONDON MAY XI/ MDCCCXXX/ SAML. JOSEPH SCULPSIT 30.5cm high

£400-600

52 BRONZE BUST OF JOHN BROWN BY JOSEPH EDGAR BOEHM on a round socle base, inscribed to the reverse ‘Boehm fcit’ ‘John Brown’ 14.6cm high

£200-300

53 BRONZE OF WILLIAM GRANT STEVENSON modelled stroking beard with arm raised, on a square plinth signed ‘W. Grant Stevenson ARSA SQ’ 42cm high

£200-300

54 A MID-VICTORIAN MAHOGANY WRITER’S CABINET the twin door cabinet with reeded columns flanking twin doors, the doors and side panels inset with glazed panels enclosing engravings of John Hogg, David Hume, Robert Burns and Walter Scott, the interior fitted with three drawers with brass handles 46cm wide, 42cm height X 21cm depth

£250-350

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55 VEDDER, SIMON HARMON [SCOTT, SIR WALTER] FOUR OIL PAINTINGS FOR WALTER SCOTT NOVELS, COMPRISING The Fight in Lucky Macleary’s kitchen [from Waverley], signed lower right; Hatteraick shoots Meg Merriliees [from Guy Mannering], signed lower right; The Dual between Lovel and Captain MacIntyre [from The Antiquary], signed lower left; Die Vernon and her father appear before Frank in the library [from Rob Roy], unsigned; all oil on canvas (4) 53 x 37.5cm

£600-800

Simon Harmon Vedder (1866-1937) studied at the Metropolitan Museum of Art schools, New York, Académie Julian, Paris, and the École des Beaux-Arts, Paris. Both he and his wife Eva Roos (1872-1956) were known for their work as illustrators.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

20

56 STEWART, ALLAN [WATSON, FREDERICK] COMPLETE SET OF EIGHT ILLUSTRATIONS FOR MUCKLE JOHN ink and watercolour on paper, mostly unsigned and laid down to card (8) Each approximately 32 x 23cm Muckle John by Frederick Watson is set during the Jacobite rising of 1745.

Allan Stewart (1865-1951) was a Scottish painter who specialised in military and historical works. For many years he worked for the Illustrated London News.

[Watson, Frederick. Muckle John. London: A. & C. Black, 1914]

£400-500

57 THOMAS STOTHARD R.A. (LONDON 1755 - 1834) TWO FRAMED TILES, MARY QUEEN OF SCOTS AND LORD DARNLEY each in an oak frame, the back inscribed T STOTHARD RA PINXIT, S HENNING SCULPIT, 9 NEWMAN STREET; together with another framed tile depicting Lord Dudley, 14cm high, 14.5cm wide; and two bronze plaques, one depicting the murder of David Rizzio, the other the abdication of Mary Queen of Scots , 30cm high, 19.5cm wide (4) 38cm high, 14cm wide

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

21

58 A WALL DOMED PAIR OF TAXIDERMY TAWNY OWLS (STRIX ALUCO) CIRCA 21ST CENTURY a pair of high quality full mount adults, both perched atop cut tree stumps above grasses and painted groundwork, set against a printed woodland scene backdrop, enclosed within a wall dome.

With CITES Article 10 (non-transferable) licences. 612765/01 - 612765/02 Diameter 64cm including outer frame

£600-700

59 TAXIDERMY/ANTLERS/HORNS: ASIAN ASSAM WATER BUFFALO (BUBALUS BUBALIS) CIRCA EARLY 20TH CENTURY a large set of adult bull horns on upper skull Widest span 104cm, height 110cm

£350-450

60 LARGE STAG ANTLER ARMCHAIR 20TH CENTURY the antlers with scrimshaw scenes of stags, deer, boars, and a grouse, the seat and back covered with boar fur 107cm wide, 120cm high, 100cm deep

£1,000-1,500

61 A LATE VICTORIAN CASED PAIR OF TAXIDERMY PEREGRINE FALCONS (FALCO PEREGRINUS)

BY W. A. MACLEAY & SON, CHURCH STREET, INVERNESS, SCOTLAND a high quality cased pair of Peregrine Falcons, male and female, both stood atop painted and lichen encrusted faux rock boulders, above moss and pebble covered ground work, amidst a natural setting of tall grasses and fauna, set against a graduated pale blue painted back drop, enclosed within a typical period ebonised three-glass table display case, bearing original full paper trade label to interior lower right 68cm by 24.5cm by 63.5cm

£600-800

22

62 A GROUP OF SIXTEEN SCOTTISH POTTERY CARPET BOWLS 19TH CENTURY with sponge-printed, painted and glazed decoration (16) largest 8.5cm diameter; smallest 7cm diameter

£400-600

63

64

A GROUP OF SCOTTISH POTTERY CARPET BOWLS

A GROUP OF SCOTTISH POTTERY CARPET BOWLS

EARLY 20TH CENTURY comprising sponged and plaid examples, including a jack (14)

comprising sponged, plaid and concentric line decoration, including a jack; together with TWO MARBLE EXAMPLES (14)

£300-500

£300-500

EARLY 20TH CENTURY

65 A SCOTTISH MAHOGANY LONGCASE CLOCK, MACFARLANE, PERTH 19TH CENTURY the swan neck pediment above an arched painted dial with subsidiary seconds dial and date aperture, twin winding holes, flanked by ionic columns, above a stainwood stringed trunk door and canted corners, moulded plinth and ogee bracket feet, the eight day movement striking a bell 48cm wide, 208cm high, 24cm deep Note: There are several Scottish clockmakers listed during the first half of the 19th century by the name of Macfarlane or McFarlane. This clock could possibly be by Robert Macfarlane who was working in Perth in the 1830s.

£400-600

66 A PAIR OF AILSA CRAIG GRANITE CURLING STONES LATE 19TH CENTURY common green granite with brass and ebony handles (2) 27cm diameter

£350-500

67

68

A PAIR OF AILSA CRAIG GRANITE CURLING STONES

A COLLECTION OF SCOTTISH POTTERY PAINT TESTER POTS

LATE 19TH CENTURY

LATE 19TH CENTURY

blue hone granite with iron and lignum vitae handles (2)

possibly Kirkcaldy pottery (14)

27cm diameter

Note: these pots were used to test paint colours to make sure they were the correct sade. Similar examples can be seen in the Kirkcaldy Museum, Fife.

£350-500

4.5cm diameter

£150-200

23

69 A WHYTOCK & REID MAHOGANY ‘COCKPEN’ ARMCHAIR MID 20TH CENTURY of typical form with a square lattice back and curved seat with a blue cushion with floral needlework cover 55cm wide, 90cm high, 48cm deep

£600-800

70 A VICTORIAN CAST IRON ‘THISTLE’ FIRE GRATE 19TH CENTURY the pointed fireback surmounted by a thistle, above a three bar grate 38cm wide, 73cm high, 27cm deep

£600-800

71 A MAHOGANY LOW OPEN BOOKCASE, BY WHYTOCK & REID MID 20TH CENTURY the moulded rectangular inverted top, above twenty compartments with adjustable shelves, raised on plinth with raised moulded corners 175cm wide, 101cm high, 33cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

WEMYSS WARE

25

72 A PAIR OF WEMYSS WARE ELGIN VASES ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 decorated by James Sharp, painted and impressed WEMYSS (2) 45cm high

£800-1,200

73 A WEMYSS WARE COMBE JARDINIÈRE ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY impressed and painted WEMYSS 20.5cm high

£200-300

74 A WEMYSS WARE EWER AND MATCHED BASIN ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 the ewer decorated by Joe Nekola, painted WEMYSS, 23.5cm high; the basin impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 38.5cm diameter (2) £200-300

75

76

A GROUP OF WEMYSS WARES

A GROUP OF WEMYSS WARES

‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY

‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY

comprising a LARGE MUG, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 14.5cm high; a BISCUIT BARREL & COVER, inscribed BISCUITS, impressed and painted WEMYSS, 11.5cm high; a PEN TRAY, impressed and painted WEMYSS, printed retailer’s stamp T. GOODE & CO. 24cm long; and a CUP AND SAUCER, saucer impressed WEMYSS, each painted WEMYSS, cup 5cm high, saucer 13cm diamater (5)

comprising a LARGE LADY EVA VASE, impressed and painted WEMYSS, 29.5cm high; a GROSVENOR VASE, impressed WEMYSS WARE/ R. H & S, 20.5cm high; a BEAKER VASE, painted WEMYSS, 11.5cm high; and TWO SPILL VASES, each impressed WEMYSS and one painted WEMYSS, 8.7cm high (5) £200-300

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

26

77 A PAIR OF WEMYSS WARE TALL CANDLESTICKS ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO. (2) 29.5cm high

£150-200

78 A WEMYSS WARE DOG BOWL ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY inscribed LOVE ME/ LOVE MY DOG, impressed WEMYSS, 21.5cm diameter; together with a further ‘CABBAGE ROSES’ DOG BOWL, decorated by James Sharp, painted WEMYSS, printed retailer’s stamp T. GOODE & CO., 22cm diameter; and a LARGE ‘CABBAGE ROSES’ PATTERN BEAKER VASE, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 28.2cm high (3) £300-500

79

80

A WEMYSS WARE LAMP

A GROUP OF WEMYSS WARES

‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY

‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY

decorated by Joe Nekola, adapted with a wooden mount and lamp fitting 34cm high to fitting

£200-300

comprising a LOW POMADE, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 9.2cm across; a PIN TRAY, painted and impressed WEMYSS, 14cm long; a LARGE BISCUIT BARREL & COVER, the cover inscribed BISCUITS, painted WEMYSS, 15.5cm high; TWO SUGAR BOWLS, each 7.4cm diameter; a TEA CUP, decorated by James Sharp, 7.5cm diameter; a BEAKER VASE, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 15,7cm high; and FOUR SIDE PLATES, two 14cm diameter and two approx. 12cm diameter, variously marked (11) £300-400

27

81 A WEMYSS WARE HIGH QUAICH ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, impressed and painted WEMYSS, 17cm high; together with a ‘DOG ROSES’ HIGH QUAICH, printed retailer’s stamp T. GOODE & CO., 16cm high (2) £300-500

82 A WEMYSS WARE JAPAN VASE ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H.& S. 32.5cm high

£200-300

83 A WEMYSS WARE QUAICH ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S., 27cm across; together with a ‘CABBAGE ROSES’ LOW POMADE & COVER, impressed WEMYSS, 9cm diameter (2) £300-500

84

85

TWO LARGE WEMYSS WARE MUGS

A SMALL WEMYSS WARE ‘STUART’ FLOWER POT

‘CABBAGES ROSES’ PATTERN, EARLY 20TH CENTURY one impressed WEMYSS WARE/ R. H. & S., the other impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 14cm high; together with a ‘CABBAGE ROSES’ GORDON PLATE, impressed WEMYSS, 20.5cm diameter; a ‘CHERRIES’ GORDON PLATE, impressed WEMYSS WARE/ R. H. & S., 20.5cm diameter; TWO ‘CABBAGE ROSES’ LADY EVA VASES, each decorated by Edwin Sandland, painted WEMYSS, one 20cm high, the other 15.7cm high; and a ‘CABBAGE ROSES’ FRUIT BOWL, painted and impressed WEMYSS, 19.5cm wide (7)

EARLY 20TH CENTURY decorated with cabbage roses, painted and impressed WEMYSS, printed retailer’s stamp T. GOODE & CO./ LONDON 17.5cm high

£250-350

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

28

86 A LARGE WEMYSS WARE MUG ‘IRIS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS WARE/ R. H. & S. 14cm high

£300-400

87 A PAIR OF WEMYSS WARE TALL CANDLESTICKS ‘DAFFODILS’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S, printed retailer’s stamp T. GOODE & CO. (2) each 31cm high

£300-500

88 A LARGE WEMYSS WARE MUG ‘BUTTERCUPS’ PATTERN, EARLY 20TH CENTURY impressed and painted WEMYSS 14.5cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

29

89 A WEMYSS WARE GROSVENOR VASE ‘IRIS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS, printed retailer’s stamp T. GOODE & CO./ LONDON, 20.5cm high; together with a ‘TULIP’ BEAKER VASE, impressed WEMYSS WARE/ R. H. & S., 15cm high (2) £200-300

90 A LARGE WEMYSS WARE PLATE ‘THISTLES AND BEES’ PATTERN, CIRCA 1900 bearing inscription I KEN I’M NO THE THING I SHOULD BE/ NOR EVEN AM I THE THING I COULD BE, impressed WEMYSS WARE/ R.H. & SONS 27cm diameter

£250-350

91 A WEMYSS WARE COMB TRAY ‘SWEAT PEAS’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S. 25.5cm across

£300-500

30

92 A WEMYSS WARE PIN TRAY ‘VIOLETS’ PATTERN, EARLY 20TH CENTURY inscribed I LOOKED/ FOR SOMETHING/ SWEET/ TO SEND YOU/ AND THE VIOLETS/ ASKED/ IF THEY WOULD DO., painted and impressed WEMYSS, 14.5cm across; together with a ‘CANTERBURY BELLS’ JUG, impressed WEMYSS, 16cm high (2) £250-350

93

94

A GROUP OF WEMYSS WARES

A TALL WEMYSS WARE QUAICH

‘SWEET PEAS’ PATTERN, EARLY 20TH CENTURY

‘BUTTERCUPS & DAISIES’ PATTERN, EARLY 20TH CENTURY

comprising a TEAPOT & COVER, impressed WEMYSS, 11cm high; an OVAL PIN TRAY, impressed WEMYSS, 13cm across; and a BREAKFAST PLATE, impressed WEMYSS WARE/ R. H. & S., 14cm diameter (3)

impressed WEMYSS, 12cm high; together with a further ‘BRAMBLES’ QUAICH, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 27cm diameter (2)

£200-300

£250-350

95

96

97

WEMYSS WARE GORDON DESSERT PLATE

A GROUP OF WEMYSS WARES

A WEMYSS WARE LOW POMADE

EARLY 20TH CENTURY

‘BUTTERCUPS’ PATTERN, CIRCA 1900

‘CHRYSANTHEMUM’ PATTERN, EARLY 20TH CENTURY

impressed WEMYSS WARE/ R.H.&S., indistinct printed retailer’s marks, 21cm diameter; together with TWO WEMYSS WARE SAUCERS, ‘Cabbage Roses’ and ‘Cherries’ patterns, 12.5cm diameter; and FOUR WEMYSS WARE PLATES, ‘Cabbage Roses’, ‘Oranges’, ‘Cherries’, and ‘Apples’ patterns, 13.8cm diameter (7)

comprising a ‘CHRYSANTHEMUM’ SOAP DISH, LINER AND COVER, decorated by Edwin Sandland, painted and impressed WEMYSS, 14.5cm diameter; a ‘JAZZY ROSES’ LOW POMADE, decorated by Edwin Sandland, painted WEMYSS/ 213, 10cm diameter; and a ‘JAZZY IRIS’ TALL MUG, decorated by David Grinton, painted WEMYSS/ 213, 17cm high (3)

£250-350

£150-200

decorated by Edwin Sandland on a black ground, impressed and painted WEMYSS, 9.5cm diameter; together with a ‘DOG ROSES’ WALL TILE, decorated by Edwin Sandland, painted WEMYSS, 15.2cm square; a SMALL ‘DOG ROSES’ LADY EVA VASE, painted and impressed WEMYSS, 15cm high; and a ‘DOG ROSES’ SIDE PLATE, decorated by Edwin Sandland, 17.2cm diameter (4) £300-500

31

98 A WEMYSS WARE TAPERED VASE ‘DRAGONFLIES’ PATTERN, CIRCA 1920 decorated by Edwin Sandland, impressed and painted WEMYSS 19cm high Provenance: The Rankine Collection, Sotheby’s, Gleneagles, 30th August 2005

£200-300

99 A LARGE WEMYSS WARE MUG ‘DRAGONFLIES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed WEMYSS 17.5cm high

£300-500

100 A PAIR OF WEMYSS WARE CUPS & SAUCERS ‘DRAGONFLIES’ PATTERN, CIRCA 1900 decorated by James Sharp, impressed and painted WEMYSS (4) saucers 12.5cm diameter, cups 7.8cm diameter Provenance: The Rankine Collection, Sotheby’s, Gleneagles, 30th August 2005

£300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

32

101 A SMALL WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO. 16cm long

£300-500

102 A SMALL WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S. 16cm long

£300-500

103 A LARGE WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, CIRCA 1900 impressed WEMYSS, printed retailer’s stamp T. GOODE & CO. 46cm long Note: Unusually, the decoration on this pig features both three and four-leaf clovers, not commonly found on these pigs.

£1,500-2,000

33

104 A SMALL WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS, 16cm long, together with another SMALL WEMYSS WARE PIG, ‘Shamrocks’ pattern, early 20th century, impressed WEMYSS WARE/ R. H. & S. (2) 16cm long

£400-600

105 A LARGE WEMYSS WARE PIG ‘SHAMROCKS’ PATTERN, CIRCA 1900 impressed WEMYSS WARE/ R. H. & S. 44cm long

£1,500-2,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

34

106 A SMALL WEMYSS WARE PIG ‘CLOVER’ PATTERN, POST 1930 decorated by Joe Nekola, painted WEMYSS, stamped MADE IN ENGLAND 16cm long

£250-350

107 A MEDIUM WEMYSS WARE PIG ‘CLOVER’ PATTERN, POST 1930 decorated by Joe Nekola, painted WEMYSS/ MADE IN ENGLAND 29cm long

£400-600

35

108 A LARGE WEMYSS WARE PIG ‘CLOVER’ PATTERN, POST 1930 decorated by Joe Nekola, painted WEMYSS/ MADE IN ENGLAND 44cm long

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

36

109 A LARGE WEMYSS WARE CAT CIRCA 1900 sponged black on white with applied green glass eyes, impressed WEMYSS WARE/ R.H.&S., printed retailer’s stamp T. GOODE & CO. 31.7cm high

£4,000-6,000

37

110 A LARGE WEMYSS WARE CAT CIRCA 1900 covered in a yellow glaze with painted blue on white decoration, with applied green glass eyes, faintly impressed WEMYSS, retailer’s stamp T. GOODE & CO. 33.8cm high

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

38

111 A WEMYSS WARE SLEEPING PIGLET ‘CABBAGE ROSES’ PATTERN, CIRCA 1900 decorated by David Grinton, impressed and painted WEMYSS 16.4cm long

£2,000-3,000

112 TWO SMALL WEMYSS WARE PIGS ‘CABBAGE ROSES’ PATTERN, POST 1930 each painted WEMYSS WARE/ MADE IN ENGLAND, one stamped MADE IN ENGLAND (2) each 16cm long

£300-500

39

113 A SMALL WEMYSS WARE PIG ‘CABBAGE ROSES’ PATTERN, EARLY 20TH CENTURY decorated by Joe Nekola, painted WEMYSS 16cm long

£300-500

114 A SMALL WEMYSS WARE PIG, FOR PLICHTA, LONDON ‘BLUE CORNFLOWERS’ PATTERN, POST 1930 decorated by Joe Nekola, printed and painted NEKOLA/ PINXT/ PLICHTA/ LONDON/ ENGLAND, 16cm long; and a SMALL WEMYSS WARE CAT, FOR PLICHTA, LONDON, ‘Clover’ pattern, printed marks PLICHTA/ LONDON/ ENGLAND, 14.5cm high (2) £300-500

115 A SMALL WEMYSS WARE PIG ‘CLOVER’ PATTERN, POST 1930 decorated by Joe Nekola, painted WEMYSS WARE/ J. N., stamped MADE IN ENGLAND, 16cm long; together with a SMALL PLICHTA ‘THISTLES’ PIG, painted NEKOLA/ PINXT, stamped PLICHTA/ LONDON/ ENGLAND, 16cm long (2) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

116 A WEMYSS WARE HORN BEAKER EARLY 20TH CENTURY decorated with a cow in a grassy field, impressed WEMYSS 11.5cm high

£500-700

117 A SMALL WEMYSS WARE PLATE CIRCA 1900

118 A WEMYSS WARE CARAFE ‘PHEASANTS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS 14cm high

£400-600

119 A WEMYSS WARE CHAMBER POT ‘PHEASANTS’ PATTERN, EARLY 20TH CENTURY decorated by Karel Nekola, bearing initials HP, painted WEMYSS, printed retailer’s stamp T. GOODE & CO./ LONDON 21cm diameter

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

decorated by Karel Nekola, depicting a hind in a grassy field, impressed WEMYSS WARE/ R. H. & S., painted T. GOODE & CO./ LONDON 18.5cm diameter

£300-500

41

120 A RARE WEMYSS WARE BREAD AND BUTTER PLATE ‘GRAPES’ PATTERN, EARLY 20TH CENTURY painted in green, purple and blue, painted WEMYSS WARE 25cm diameter

£400-600

121 A WEMYSS WARE GORDON PLATE ‘RASPBERRIES’ PATTERN, EARLY 20TH CENTURY decorated by Edwin Sandland on a black ground, painted and impressed WEMYSS 20.5cm diameter

£250-350

42

122 A WEMYSS WARE BISCUIT BARREL & COVER ‘APPLES’ PATTERN, EARLY 20TH CENTURY bearing inscription BISCUITS, painted and impressed WEMYSS, printed retailer’s stamp T. GOODE & CO./ LONDON 12cm high

£200-300

123 A WEMYSS WARE AUDLEY BOWL ‘APPLES’ PATTERN, CIRCA 1900 impressed WEMYSS/WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO. 17cm high

£200-300

124

125

A WEMYSS WARE COMPORT

A WEMYSS WARE BOWL

‘APPLES’ PATTERN, EARLY 20TH CENTURY

‘APPLES’ PATTERN, CIRCA 1900

decorated by Edwin Sandland on a black ground, painted WEMYSS

impressed WEMYSS WARE/ R. H. & S.

24.5cm diameter

£150-250

22.5cm diameter

£250-350

126

127

128

A WEMYSS WARE HONEY POT & COVER

A SMALL WEMYSS WARE PLATE

A GROUP OF WEMYSS WARES

‘BEES & HIVE’ PATTERN, EARLY 20TH CENTURY

‘VIOLETS’ PATTERN, EARLY 20TH CENTURY

EARLY 20TH CENTURY

decorated by Edwin Sandland, painted and impressed WEMYSS, 12cm diameter; together with a ‘BRAMBLES’ SMALL PLATE, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp, T. GOODE & CO., 14cm diameter; and a ‘STRAWBERRIES’ SMALL PLATE, painted and impressed WEMYSS, printed retailer’s stamp T. GOODE & CO. (3)

comprising THREE LARGE PRESERVE JARS & COVERS in ‘Cherries’, ‘Oranges’ and ‘Brambles’ patterns, various impressed, painted and printed marks, each 12.5cm high; a SMALL PRESERVE JAR & COVER in ‘Raspberries’ pattern, Bovey Tracey period, painted WEMYSS WARE, printed MADE IN ENGLAND, 7.5cm high; and a LOW POMADE & COVER in ‘Shamrocks’ pattern, impressed WEMYSS WARE, 4.2cm high (5)

decorated by Joe Nekola, painted and impressed WEMYSS, 12cm high; together with a ‘PLUMS’ PRESERVE JAR & COVER, painted WEMYSS, 10.5cm high (2) £150-250

£150-250

£200-300

43

129 A PAIR OF LARGE WEMYSS WARE MUGS ‘PLUMS’ PATTERN, EARLY 20TH CENTURY painted WEMYSS/ T. GOODE & CO. (2) each 14.5cm high

£200-300

130 A WEMYSS WARE JAPAN VASE ‘PLUMS’ PATTERN, EARLY 20TH CENTURY impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 20cm high; together with a ‘CHERRIES’ BISCUIT BARREL & COVER, painted and impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 12.5cm high (2) £300-500

131

132

A GROUP OF WEMYSS WARES

A GROUP OF WEMYSS WARES

‘CHERRIES’ PATTERN, EARLY 20TH CENTURY

‘CHERRIES’ PATTERN, EARLY 20TH CENTURY

comprising a LOW POMADE, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 9cm across; a SMALL BASKET, impressed WEMYSS, 20cm across; a TWIN-HANDLED BOWL, decorated by Edwin Sandland, painted WEMYSS/ T. GOODE & CO., 23cm across handles; and a LONG PIN TRAY, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 24cm long (4)

comprising a LARGE BREAKFAST CUP & SAUCER, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., saucer 15.7cm diameter, cup 10.4cm diameter; a MILK JUG, impressed and painted WEMYSS, printed retailer’s stamp T. GOODE & CO., 6.7cm high; a SMALL PLATE, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 11.5cm diameter; together with an ‘ORANGES’ SPONGE BOWL, liner and cover lacking, impressed and painted WEMYSS, printed retailer’s stamp T. GOODE & CO., 24cm across handles; and an ‘ORANGES’ BREAKFAST PLATE, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 13.5cm diameter (6)

£200-300

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

133 A GROUP OF WEMYSS WARES ‘BROWN COCKEREL & HENS’ PATTERN, EARLY 20TH CENTURY comprising a MILK JUG, 6.5cm high; a SUGAR BOWL, 7.5cm diameter, each inscribed BONJOUR, painted WEMYSS; a SMALL BEAKER VASE, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 11.5cm high; and a ‘GEESE’ SUGAR BOWL, inscribed BONJOUR, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO., 8cm diameter (4) £400-600

134 A PAIR OF WEMYSS WARE LOW CANDLESTICKS ‘BROWN COCKEREL & HEN’ PATTERN, EARLY 20TH CENTURY each impressed WEMYSS (2) 18cm high

£250-350

135 A RARE WEMYSS WARE JUG ‘FIGHTING COCKEREL’ PATTERN, CIRCA 1900 printed retailer’s stamp T. GOODE & CO., 12cm high; together with a RARE ‘FIGHTING COCKEREL’ SAUCER, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 13cm diameter (2) £300-500

136 A WEMYSS WARE ‘EARLSHALL’ JUG DATED 1914 decorated with crows amongst branches, bearing inscription THE BUILDING ROOK’LL CALL FROM THE WINDY TALL ELM TREE./ EARLSHALL FAIRE/ A. D. 1914, impressed WEMYSS 13.5cm high

£400-600

137

138

A WEMYSS WARE ‘BONJOUR’ PART TEA SERVICE

A WEMMYSS WARE COMB TRAY

‘BLACK COCKEREL’ PATTERN, EARLY 20TH CENTURY

‘BLACK COCKEREL & HENS’ PATTERN, CIRCA 1900

comprising a TEAPOT & COVER, impressed WEMYSS, 11cm high; a MILK JUG, impressed WEMYSS, 7cm high; and a SUGAR BOWL, impressed WEMYSS, 7.5cm diameter; together with a ‘BROWN COCKEREL & HENS’ FRILLED BOWL, impressed WEMYSS, 16.5cm diameter (4)

impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 25.5cm across; together with a group of ‘BROWN COCKEREL & HENS’ WARES, comprising a TEAPOT & COVER, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 10.5cm high; and TWO BREAKFAST PLATES, each impressed WEMYSS and printed retailer’s stamp T. GOODE & CO., each 12.3cm diameter (4)

£200-300

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

45

139 A RARE WEMYSS WARE HEART-SHAPED GARDEN PLAQUE CIRCA 1895 inscribed DOWAGER COUNTESS OF AIRLIE, with lead frame 10.5cm high, including frame Provenance: Mr Randolph and Lady Lillian ErskineWemyss, for the Friendship Garden at Chapel Gardens, West Wemyss, circa 1894 Lady Victoria Erskine-Wemyss Literature: Cunningham A. S. Randolph Gordon Erskine Wemyss: An Appreciation, Leven 1909 Peter D, and Rankine R. Wemyss Ware, presented by Victoria de Rin and David MacMillan, Edinburgh 1986

£500-700

The patronage of the Wemyss family at nearby Wemyss Castle was an enormous contribution to the success that Robert Heron & Son enjoyed with Wemyss Ware. Indeed, as a tribute to the family two vases in the range were named for Randolph Erskine-Wemyss’ sister Lady Henry Grosvenor (Grosvenor vase) and for his second wife Lady Eva Wellesley (Lady Eva vase). From the beginning of the project and throughout its heyday at the turn of the 20th century, their continuing support ensured the success of the range. This lot bears testament to their support as heart-shaped plaques like the current lot were specially commissioned from Robert Heron & Son by the Erskine-Wemyss family to decorate the Friendship Garden, created within The Chapel Garden in 1894 by Mr Erskine Wemyss and his then wife Lady Lillian Wemyss. Each heart was painted with a motto or name pertaining to friendship and they can be seen in contemporary photographs attached to a tree in the middle of the garden. Contemporary photographs of the garden and the plants donated dated 1894 also show borders of donated plants surrounding the central tree and each donor’s plot is marked with a heart-shaped plaque. The plaque offered in this lot is the only known example with the name of the donor rather than a motto.

Andrew S. Cunningham in his 1909 publication ‘Randolph Gordon Erskine Wemyss: An Appreciation’ writes about the garden; “The garden is situated in a semi-circular creek in Red Rocks Bay, to the west of the village of West Wemyss….To get to the place of burial one has to pass through a pergola of ivy and hops and pretty creeping hops, and at every turn he meets rustic gateways and pretty creeping plants. In a pond constructed in the red rock there are some rare specimens of plants and roses grow in profusion. The old dovecote which takes the name of the East Tower, has been converted into a summer house, and above the entrance are carved the words: “I wish the sun would shine on all men’s fruits and flowers as well as mine” 140

141

A GROUP OF WEMYSS WARES

TWO WEMYSS WARE COMB TRAYS

‘BLACK COCKEREL & HENS’ PATTERN, CIRCA 1900

CIRCA 1900

comprising a SOAP DISH, TRAY & COVER, impressed WEMYSS WARE/ R. H. & S., printed retailer’s stamp T. GOODE & CO., 14cm diameter; an OVAL PIN TRAY, impressed WEMYSS, pprinted retailer’s stamp T. GOODE & CO, 13.6cm across; and a RECTANGULAR PIN TRAY, painted WEMYSS, 14.3cm across (3)

one inscribed FOR SPIRIT LAMP, impressed WEMYSS, printed retailer’s stamp T. GOODE & CO. 25cm across; the other inscribed O, LIST TO ME YE LADIES FAIR/ AND WHEN YE WISH TO CURL YOUR HAIR/ FOR THE SAFETY OF THIS DOMICILE/ PRAY PLACE YOUR LAMPS UPON THIS TILE, impressed WEMYSS, 25.7cm across (2)

£200-300

£200-300

46

142 A LARGE WEMYSS WARE MUG ‘FIFIES’ PATTERN, EARLY 20TH CENTURY painted with sailing boats on the Firth of Forth, painted W62 14cm high

£250-350

143 A WEMYSS WARE ‘JOLLY SAILOR’ TOBY JUG CIRCA 1900 probably painted by Joe Nekola, painted WEMYSS 29cm high

£150-200

144 A WEMYSS WARE CYLINDRICAL VASE ‘FIFIES’ PATTERN, EARLY 20TH CENTURY painted W61 17.5cm high

£400-600

47

SCOTTISH SILVER & JEWELLERY

Lot 145 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

COLLECTABLE SILVER & JEWELLERY

145

145 A VICTORIAN HARDSTONE BRACELET UNMARKED formed as a belt, comprising ten various agate panels of jasper, chalcedony, agate etc. to an engraved buckle clasp, presented in a fitted box, retailed by J & W. Marshall, 41 George Street, Edinburgh 23cm long

£700-1,000

146

148

150

A VICTORIAN MONTROSE AGATE PHOTO FRAME

AN EARLY 19TH CENTURY VINAIGRETTE

A VICTORIAN AGATE SET KILT PIN

UNMARKED

ROBERT HAXTON, EDINBURGH

of oval outline, with applied buckle detail and engraved silver border, set with portraits to obverse and reverse, with brooch fitting and suspension loop

of diminutive form, the hinged cover formed of a polished agate panel, with engraved and pierced grill, with suspension loop and chain

8cm long

£400-600

modelled as a sgian dhub, the handle set with various agates in a cross-hatch pattern, a yellow paste set pommel, the scabbard with finely engraved applied mounts, the blade of simple shaped form with saw back edge, with Victorian registration marks for 16th July 1858, bundle 2

2.2cm wide, 18.8g

£300-500

149 147 A SCOTTISH MARKET LETTER OPENER

A VICTORIAN HARDSTONE PHOTO FRAME

J COOK & SONS, BIRMINGHAM 1939

UNMARKED

the simple tapered blade with engraved thistle to upper section, the baluster handled formed as Celtic engraved stylised thistle with flared facetted quartz terminal

of shaped circular outline, set with various hardstones in a horseshoe, the chased scroll top collet set with three pear shaped pastes, and another to the centre, to a scroll stand

27cm long

7cm high

£250-350

£250-350

1858

10cm long

£300-500

49

151 AN EDWARDIAN HARDSTONE NAPKIN RING J W KIRWAN & CO, EDINBURGH 1909 with all-over engraved decoration, set with a central border of twelve demi-lune agates varying from Montrose, bloodstone etc, presented in a fitted case; together with a vesta case Joseph Cook & Son, Birmingham 1914, of rectangular outline, one side with a depiction of a thistle set in varying agates (2) 4.5cm diameter, combined weight: 58g

£300-500

152 A MID 18TH CENTURY INVERNESS STYLE LUCKENBOOTH BROOCH of traditional form, with engraved initials to reverse and later hinged pin; together with a similar cast bronze example, a Victorian double heart formed example and an open heart with beaded decoration (4)

150

7.1cm long

£300-500

153 A COLLECTION OF SCOTTISH BROOCHES to include, an engraved Victorian monogrammed initial badge, a brass ring brooch in an early 18th century style, a silver-plated embossed thistle plaid brooch and various other luckenbooth and ring brooches (13) £300-500

154 A VICTORIAN CURLY HORN SNUFF MULL - MASONIC INTEREST UNMARKED the horn of simple curled form, applied shield engraved with Masonic emblems, collar mount to rim engraved with the inscription ‘Presented to Tho McCallum by Sir Jas Ferguson Bart of Kilkerran as a token of respect Aug 3rd 1859’, the hinged domed lid with all-over embossed thistle decoration, collet set with a foil backed orange paste 9cm long

£200-300

155 A VICTORIAN CURLY HORN SNUFF MULL 148

THOMAS JOHNSTON, EDINBURGH 1890 the horn of simple curled form with an applied shield with engraved initials JJ, collar mount to rim, the hinged lid with applied thistle; together with a similar miniature mull, Edinburgh 1899 and another, unmarked, collet set with a citrine to the hinged lid (3) 6.5cm, 3.5cm, 6cm long

£250-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

50

156

157

156

160

A VICTORIAN CURLY HORN VINAIGRETTE

A NOVELTY SEA MAMMAL SNUFF MULL

UNMARKED

19TH CENTURY

of slender curled form, the hinged lid with embossed thistle decoration and collet set to the centre with a citrine, the hinged lid opens to a silver gilt pierced grill with loop, suspension chain 6cm long

modelled as a seal, the applied collar engraved ‘you know what was betwixt us i hope you will not marry my heart is still the same’, the hinged lid with thistle mount and engraved initial mount; together with a curly horn snuff mull, the hinged lid with scallop rim and applied disc with engraved initials (2)

£250-400

9cm, 8cm long

£300-500

157 AN AGATE SET SNUFF BOX

161

CIRCA 1750

A VICTORIAN WOODEN NOVELTY SNUFF BOX

unmarked, of cylindrical form, engraved to the body, ‘MK/SS/ to/JFS, the hinged lid collet set with an oval agate

modelled as a dog’s head with bone teeth and tongue on show, glass eyes, the hinged lid with a scallop shell detail

4cm high

10cm wide

£250-400

£300-500

158

162

A 19TH CENTURY LEATHER SNUFF BOX

AN 18TH CENTURY COW-HORN SNUFF MULL

UNMARKED

the horn of beak outline, the hinged lid with white metal mounts and applied cartouche to centre, engraved with italic initials and 1745

of rounded rectangular outline, with banded white metal mounts, the hinged lid to the centre with applied cartouches, engraved ‘Wm Turnbull’/ Crest/ ‘FLEURS’

13.5cm length

£300-500

8.5cm wide

£300-500

163 AN EARLY 18TH CENTURY BALUSTER SNUFF MULL

159 A MID 19TH CENTURY COW HORN SNUFF BOX UNMARKED the polished cow horn of rectangular outline with canted edges, applied collar to body with inscription, ‘HE THAT IS NAE FRIEND AT A PINCH, IS NO WORTH A SNUFF’, the hinged lid with applied mounts, one with engraved initials

the lignum vitae body of traditional baluster form with applied silver band around shoulder, the band engraved with motto and dated 1728, with cork bung with leather lace pull 6.5cm high, 6.5cm wide

5cm high

Note: Although it may appear this mull is missing a lid, it is in fact the earliest style of these iconic Scottish baluster mulls. The original design had a loose bung made from cork (sometimes leather wrapped) to close the mull rather than a hinged lid.

Indeed some early examples such as this can be seen having later hinge and lids added. Also, the fact this example is dated makes it scarce and unusual.

£300-500

£300-500

51

167

165

164

166

A GEORGE II / III SNUFF MULL

A GEORGE III NOVELTY LEATHER SNUFF BOX

of tall standing form, the leather body mounted with reeded and scalloped silver mounts, the domed hinged cover with polished Montrose agate panel

CIRCA 1775

9cm high, 5.5cm wide

modelled as a gentleman’s shoe with a painted red heel, applied white metal mounts to the hinged lid with bright-cut borders, the applied buckle with a similar border

£250-350

11cm wide

£350-500

165 A MID 18TH CENTURY COW HORN BALUSTER SNUFF MULL

167

mounts apparently unmarked, the cow horn with girdle to lower section of body, the foot rim mounts with scalloped decoration and scroll mount to top, the hinged lid with scalloped hinge and thumb-piece with applied cartouche to centre

AN OLIVIA PORPHYRIA SHELL SNUFF BOX

6.5cm high

£350-500

of conical form with a zig-zag natural motif to the shell, the white metal mounts with an engraved floral border 7.5cm wide

£800-1,000

166

163 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52

169

171 A VICTORIAN CURLY HORN SNUFF MULL UNMARKED the polished horn of simple curled form with applied shield cartouche, collar mount to rim, the hinged domed lid with all-over thistle decoration, collet set with a foil backed yellow paste 11cm wide

£400-600

168

172

A COLLECTION OF SNUFF MULLS

AN EARLY 18TH CENTURY LABURNUM SNUFF MULL

VARIOUS to include, a large curly horn snuff mull with applied armorials to the hinged lid; an agate set snuff box and another continental agate set snuff box; together with two cowrie snuff mulls and three various wooden snuff boxes, two with tortoiseshell inlay £400-600

UNMARKED of baluster form, engraved GA to underside of base, applied mounts to collar and base, the hinged lid with oval cartouche with engraved motto ‘STARK LOVE & KINDNESS’ crest of shaking hands and ROB GIBB 7cm high

£700-900

169 A 19TH CENTURY NOVELTY COW HORN SNUFF MULL UNMARKED the polished horn, modelled as a boot, applied mount engraved ‘ From a Friend TO JAMES CRUICKSHANK 1857’, the hinged lid with applied crown and inscription 10cm long

£800-1,200

170 A COLLECTION OF SNUFF MULLS VARIOUS to include, a curly horn snuff mull set with a cairngorm to the pull-off lid; one set with an agate cabochon to the hinged lid, one with applied mounts with engraved initials, and ‘Revd R D’ to collar; together with a cow hoof snuff box with applied thistle and shield with engraved initial mounts (4) 7.5cm, 12cm,9cm, 12cm long

£400-600

172

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

53

175

173

175

176

A VICTORIAN SCOTTISH MARKET VINAIGRETTE

AN EARLY VICTORIAN CURLY HORN SNUFF MULL - ALLAN RAMSAY INTEREST

A GEORGE IV SILVER MOUNTED SHELL SNUFF BOX

UNMARKED

the hinged lid engraved with a presentation inscription in a foliate border; together with a larger shell example and a limpet example (3)

BIRMINGHAM 1899 formed as a miniature curly horn snuff mull, the engraved collar and hinged coned lid, set with hardstone formed cross, the gilt interior with pieced and engraved grill 5cm long, 22g

£400-600

174 AN EARLY 19TH CENTURY CURLY HORN SNUFF MULL

the horn of simple curled form with applied shield, engraved ‘ALLAN RAMSAY CLUB DUBLIN 1836’ above a foliate garland, the collar mount to rim with a scallop border, the domed hinged lid with allover floral design, collet set with a yellow paste 10m long Provenance: Lot 376, 27th November 2006, Lyon & Turnbull

UNMARKED

Allan Ramsay (15 October 1686 - 7 January 1758) was a Scottish poet, playwright, and anthologist.

the horn of tightly curled form with collar mount, the hinged lid with applied thistle with engraved initials WG

His arrival in Edinburgh 1701 introduced him to the Arts and likeminded individuals who helped set up the Jacobite literary society ‘The Easy Club’.

7cm long

Publishing poetry in English and Scots, Ramsay’s aim was to preserve the past and encourage the appreciation of Scots poetry.

£400-600

The Allan Ramsay Club (among many others) provided a forum for critical analysis of neglected yet vital elements of Scottish literature in the 18th century, covering the crucial period from the Union of 1707 to the revolutionary turmoil of the 1790s.

£400-600

CHARLES RAWLINGS, LONDON 1822

6cm, 7.5cm, 4cm wide

£500-700

177 A PRESENTATION CURLY HORN SNUFF MULL 19TH CENTURY of traditional form, the domed hinged lid, centrally set with an agate cabochon, in an engraved presentation border, ‘’To James Dennistoun... from his friend Colin Campbell’; together with three further curly horn snuff mulls, one with a mixed-cut citrine set to the domed hinged lid, with applied shield to body; one engraved ‘John McLennan, Tain’ to neck and intials to hinged lid and another with applied foliate detail and engraved initials to the hinged lid (4) 10cm, 9cm, 9cm, 8.5cm long

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

178

178

179

180

A VICTORIAN ROOTWOOD AND PENWORK SNUFF BOX

AN EARLY 19TH CENTURY BONE SNUFF MULL

AN EARLY 18TH CENTURY TORTOISESHELL SNUFF MULL

of natural form, with painted thistle detail to sides and vein detail to top, the hinged lid with painted scene depicting the Robert Burns poem Tam O’Shanter with a verse below

UNMARKED

13cm wide

of baluster form with girdle to the waist, the applied collar with an engraved inscription ‘Robert McLuckie Buchlyvie Carrier’, the hinged lid with applied mounts, one with italic initials ‘RMc,’ one ‘1805’

£500-800

8.5cm high

£600-800

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

of squat baluster form, threaded applied mounts, the hinged lid with oval cartouche engraved with italic H 5cm high

55

181

181

182

AN EARLY VICTORIAN SILVER MOUNTED TABLE SNUFF MULL

A PAIR OF SILVER-PLATED MOUNTED HORN GARNITURE

the tapering cow’s horn with a silver plaque indistinctly inscribed and dated 1837, with an embossed cover inset with a facetted citrine, with ring suspension with rake, paw, and pricker, the terminal mounted with a silver thistle

each with a polished cow horn, with a flared silver-plated rim, the stand with wrap around mount, vacant oval cartouche in a stylised scroll border, the stem of baluster form, with embossed scroll decoration, to a domed circular foot, marked WMF, EPNS to base (2)

£1,000-1,500

40cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

56

184 A 9CT GOLD INVERNESS MOD MEDAL 1920S 184

of circular outline with a Celtic cross, the inner circular disc embossed with cultural iconography in a border’AN COMMUNN GAIDHEALACH/ AR CANAIN’S AR CEOL’, engraved to the reverse ‘MOD/ INBHIRNIS/ 1928/ MORAG NICDHOMHNAILL’ with suspension loop 5.7cm across, 28g An Comunn Gàidhealach was founded in Oban in 1891.

It has supported the teaching, learning and use of the Gaelic language and the study and cultivation of Gaelic literature, history, music and art for over 100 years.

£350-500

183 A VICTORIAN GLASGOW ATHENAEUM MEDALLION awarded to Margaret Gilmour, of navette outline the obverse with figure above Glasgow city armorial, the reverse with seated figure of art on classical column with bust behind, the edge engraved Margaret Gilmour, School of Art Session 1898 – 97, in box inscribed to interior ‘The Art Jewellers 24 Argyle Arcade Glasgow, G&J Gilmour’ 6.3cm long, 53.3g Margaret Gilmour (1863 – 1942) An alumnus of Glasgow School of Art 1877-1880, Margaret Gilmour was an early exponent of the Glasgow style. The design style was popular from the early 1890s to around 1914 with Charles Rennie Mackintosh the main proponent along with his wife Margaret MacDonald.

Margaret Gilmour and her sister, Mary, maintained a studio producing metalwork and teaching at 179 West George Street, Glasgow from 1893 to the early 1940s.

Her work is often unsigned, or marked simply MG, and appears at auction infrequently, when it does, it can achieve strong prices, in 2019, Lyon & Turnbull offered a brass wall clock which achieved £3900 (Buyer’s premium included), in our Decorative Arts; Design since 1860, 23rd October 2019, lot 280.

This Glasgow Athenaeum medallion was awarded from the Glasgow Athenaeum which was the precursor to the Royal Conservatoire of Scotland, which provided training in commercial skills, literature, languages, sciences, mathematics and music. Dated 1897-8 which was after her training at the Glasgow School of Art and shows how Gilmour was an advocate of both teaching and continual learning for herself as this medal shows her expanding her skills in the arts.

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

183

57

PROVINCIAL SILVER

185

185

187

189

ABERDEEN - A SCOTTISH PROVINCIAL SNUFF BOX

ABERDEEN – A SCOTTISH PROVINCIAL LADLE

ABERDEEN – A COLLECTION OF SCOTTISH PROVINCIAL TODDY LADLES

COLINE ALAN

JAMES SMITH

VARIOUS MAKERS AND DATES

marked CA, of oval outline and straight sided form, with simple hinged cover, italic AR engraved to underside

marked IS, ABD, of Old English pattern with engraved crest and motto to terminal and deep circular bowl

to include, John Leslie, James Erksine, John Smith, William Jamieson and ‘B’, of Old English and Fiddle pattern with engraved initials (5)

6cm high, 91g

34.5cm long, 7oz

3.7oz (combined)

£2,000-3,000

£300-500

£240-280

186

188

190

ABERDEEN – A SCARCE SCOTTISH PROVINCIAL TEASPOON

ABERDEEN – TWO SCOTTISH PROVINCIAL BROOCHES

ABERDEEN - A SET OF SIX SCOTTISH PROVINCIAL DESSERT SPOONS

BENJAMIN LUMSDEN

each set with polished granite panels with rose twist silver mounts, one by George Sangster marked GS, A, B, D the other by William Jamieson marked JAMIESON / ABERDEEN (incuse) (2)

ALEXANDER GRANT

marked BL, B, cat, of Old English pattern with script initials to terminal; together with a collection of Aberdeen flatware to include sugar tongs by W Byres, a pair of tablespoons

by N Gillet and a teaspoons by J Smith, C Robertson, N Gillet, P Lambert and W G Jamieson (12)

7cm and 6cm wide

marked, AG , AG , of Old English pattern, engraved crest and motto to terminal; together with a set six teaspoons, London, of Fiddle pattern with engraved crest and motto to terminal (12)

£300-500

17cm long, 8.6oz (combined)

£300-500

9.2oz (combined)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

58

191

194

191

194

ABERDEEN - A SCOTTISH PROVINCIAL VINAIGRETTE

ARBROATH – AN IMPORTANT SCOTTISH PROVINCIAL SNUFF BOX

WILLIAM JAMIESON marked WJ, ABD, WJ, of oval outline, the hinged lid set with an agate, opening to a pierced silvergilt grille with floral and foliate detail

marked to cover and base, plant, AD, portcullis, of rectangular outline with engraved foliate running border, the central panels with scrolling foliage with script initials WL within cartouche, cast foliate thumb piece, the body with reeded sides, the base similarly engraved as the cover with ivy leaf border and vacant centre, the interior gilt

3.5cm wide

6.5cm x 4.3cm, 73.3g

£1,000-1,500

Note: Although the flatware of Andrew Davidson of Arbroath is well recorded, any work on a larger scale is rare. This snuff box appears to be one of just four larger pieces by his had to survive.

Currently the other three recorded pieces, a goblet, cowrie shell snuff box and pen knife, all reside within museum collections.

192 ABERDEEN - A SET OF FIVE SCOTTISH PROVINCIAL TABLESPOONS NATHANIEL GILET marked NG, ABD, of Celtic point pattern, engraved italic initials to terminal; together with another pair, Robert Keay, Edinburgh 1805, and another Charles Fowler, marked CF, ELGIN, *, all of Old English pattern, engraved initials to terminal (8)

ANDREW DAVIDSON

While it is often tempting to consider rare pieces such as this likely bought in and only marked by provincial makers (a practice that no doubt happened) the size, proportion and manufacture of this box seems to dismiss this theory. The hand which has made this, skilled no doubt, was not a specialist box maker.

Possibly the only piece of Arbroath holloware outside a museum collection and arguably the finest piece by the maker this box is an important survival for this Scottish centre of silver production.

£4,000-6,000

195

21.5cm, 14.8oz

BALLATER – TWO SCOTTISH PROVINCIAL BOOK MARK / LETTER OPENERS

£400-600

WILLIAM ROBB

193

the smaller formed as an engraved Celtic cross with a short shaped blade, marked ROBB, BLTR (incuse), Edinburgh 1906; together with a larger example with centric knot work engraved handle collet set with a cairngorm and with long tapered blade and paper clip to reverse, marked ROBB, BLTR, Edinburgh 1911 (2)

ABERDEEN - A SCOTTISH PROVINCIAL TODDY LADLE JAMES SMITH marked I.S., the circular bowl of plain form, to a wooden turned baluster handle

10.8cm and14.8cm long

£300-500

39cm long

196

£300-500

BALLATER – A SCOTTISH PROVINCIAL BOOKMARK / LETTER OPENER WILLIAM ROBB, WR, BLTR, EDINBURGH 1918 formed as a golf club with simple shaped blade; together with a napkin ring by John Knowles & Sons, Ballater, marked JK&S, BLTR, collet set with an amethyst (2) 10.5cm and 5.5cm long

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

59

200

197

200

BANFF – A SCOTTISH PROVINCIAL SOUP LADLE

BANFF - A RARE SCOTTISH PROVINCIAL WINE FUNNEL AND STAND

GEORGE ELDER marked urn, GE, urn, GE, urn, of long Fiddle pattern with foliate script initials GJW to terminal and wide oval bowl 36cm long, 7oz

£500-800

198 BANFF – A RARE SCOTTISH PROVINCIAL CADDY SPOON DAVID IZAT makers mark DI only, the shaped handle with bright cut engraved borders to a large scalloped shell bowl 8cm long, 18g

£300-500

JOHN KEITH marked to funnel and stand, ribboned B, IK, F, the stand of simple circular outline with reeded border and engraved initials ‘JMC’ to centre, the funnel of conventional baluster form with reeded rim and matching engraved initials to body, the pull off spout with simple reeded detail (2) funnel 14cm high, stand 10.6cm diameter, combined weight 4.7oz Provenance (where known): John Noble Collection N Shaw 2005 Lyon & Turnbull, Scottish Silver & Accessories 19th August 2013 lot 449 Private Collection, Edinburgh Literature: Compendium of Scottish Silver R & J Dietert Volume 2 page 262 Compendium of Scottish Silver II R & J Dietert page 585

BANFF - A SCOTTISH PROVINCIAL PUNCH LADLE

Note: of the two recorded wine funnels this appears to be the only example with its original stand. The other example, ex David Morris Collection is now within Aberdeenshire Museums collection (B4320-1-3.)

JOHN KEITH

£5,000-8,000

199

marked IK, of traditional form, the circular bowl with a slightly everted rim and beaded border, Spanish coin inset to centre, italic initials engraved to underside, the stem with scroll clasp heel, with twisted baleen handle and urn finial 37cm long

£400-600

60

201 BANFF - A SCOTTISH PROVINCIAL MASKING SPOON JOHN KEITH marked IK, urn, F, with twisted stem; together with three Scotts Fiddle pattern teaspoons for Canongate, marked WC and another similar marked D&H and a tablespoon, Hinchcliffe, Glasgow 1824, of Fiddle pattern (6) 17cm long, 3.9oz (combined)

£300-500

202 CANONGATE - A SCOTTISH PROVICNIAL THREE TABLE PRONGED FORK MICHAEL FORREST marked MF, stag’s head with x in antlers, MF, S (worn) of Hanoverian pattern, motto and crest engraved to reverse of terminal 21cm long, 2oz

£400-600

203 CANONGATE - A SCOTTISH PROVINCIAL PUNCH LADLE COLIN MITCHELL marked CM, stag’s head, CM, the bowl of oval outline, the everted rim with spout to one side, engraved intials to underside JD/EA, the wooden handle of baluster form with ball terminal 30cm long

£800-1,200

204 CANONGATE - A RARE SCOTTISH PROVINCIAL SOUP LADLE PETER SPALDING PS twice, stag’s head, S, of Old English pattern with vacant terminal and large heel to ovoid bowl 34cm long, 7oz

202

£2,500-3,500

205 DUMFRIES - A SCOTTISH PROVINCIAL TABLESPOON DAVID GRAY fouled anchor, unicorn’s head, C, fouled anchor, DG, of Fiddle pattern, initials engraved to terminal; together with a similar teaspoon and a pair of sugar tongs; together with a set of five dessert spoons, Adam Burgess, Dumfries, marked AB, ruined castle, thistle, Gothic D, tree, of Fiddle pattern, engraved initials to terminal; a dessert spoon Tom Davie, Greenock and another indistinctly marked (10) 10.8oz (combined)

£500-700

206 203

DUNDEE – A SCOTTISH PROVINCIAL GRAVY SPOON JAMES DOUGLAS marked DOUGLAS, ID, crowned heart thrice, of Celtic Point pattern with vacant terminal; tougher with an Aberdeen example by John Leslie, marked Edinburgh 1797 (2) 31.5cm long (both)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

61

207

211

DUNDEE – A PAIR OF SCOTTISH PROVINCIAL TAZZAS

DUNDEE – A SET OF SIX SCOTTISH PROVINCIAL TEASPOONS

JAMES RAMSAY (OF DUNDEE), BIRMINGHAM 1919

ALEXANDER ROLLO

the shallow fluted bowls with reeded rims, raised on a short stem and domed spreading foot (2) 18.5cm diameter 14cm high, 25oz (combined)

£500-600

marked AR, pot of lilies, of Celtic Point pattern with bright-cut engraved borders, in a later fitted case; together with a pair of Perth tablespoon of the same pattern by R Keay (8) 13.5cm, 23cm long, 6oz (combined)

208

£300-500

DUNDEE - A SCOTTISH PROVINCIAL PUNCH LADLE

212

ROBERT NAUGHTEN marked star twice, thistle, RN, indistinct Gothic initials, of traditional form, the circular bowl with italic initials engraved to the underside, with a twisted baleen handle 37cm long

£350-450

209 DUNDEE - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS WILLIAM CONSTABLE

ELGIN – A SCOTTISH PROVINCIAL SUGAR SPOON THOMAS STEWART marked TS, ELn, of Fiddle pattern with vacant terminal and square scooped bowl; together with a mustard spoon by the same maker of Old English pattern with foliate initial F to terminal (2) 15.6cm and 13cm long, combined weight 1.1oz

£300-400

213

marked WC, with Edinburgh hallmarks for 1817, each of Old English pattern, engraved italic C to terminal (6)

ELGIN – A PAIR OF SCOTTISH PROVINCIAL TABLE FORKS

21.5cm, 11oz combined

marked JS, stag, thistle, device, b, of Fiddle pattern with crest engraved to terminal (2)

£500-700

JOHN SELLAR (ATTRIBUTED)

20.5cm long, 4.5oz

210

£220-260

DUNDEE – A GROUP OF THREE SCOTTISH PROVINCIAL TODDY LADLES a pair by Edward Livingstone marked EL, stalks, crowned heart of Celtic Point pattern and a Fiddle Pattern example by William Leighton marked WL, pot of lilies thrice, each with engraved script initials (3) 2.2oz (combined)

204

£500-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

214

215

GLASGOW - A PAIR OF SCOTTISH PROVINCIAL SHOE BUCKLES

GLASGOW – A RARE SCOTTISH PROVINCIAL TEA TRAY

ROBERT GRAY marked RG, Glasgow town mark, of arched rounded rectangular form, beaded border and threaded detail, with steel tongue (2) 6.5cm, 3.2oz

£600-800

MILNE & CAMPBELL marked M&C, Glasgow town mark, MC, O, of large circular scalloped outline with moulded rim, raised on four scrolling hoot feet, the reverse of the tray engraved William Crawford born 1 Jany 1704, Elizabeth Gow born 15 Decr 1712 – Married 5 August 1731 – Died 21 May 1771, Died 5th June 1787’ 36cm diameter, 35oz Note: The tea tray was an expensive optional extra within larger tea services and likely rarely commissioned. Certainly the survival rate of such pieces is extremely rare when compared to salvers and tea pot stands.

When compared to the extensive survival of teapot stands / waiters and traditional sized salvers the true rarity of such a piece becomes evident.

The survival of such items of Scottish manufacture pre 1750 appears to number as few as six, with only one provincially made example.

The idea of a tea service is a relatively modern one, with matching items bought at the same time. It is likely that most services were ‘collected’ over time and indeed utilised fashionable porcelain as well as silver. The need for an equipage which included a large tea tray such as this would certainly have been for the highest classes of society only.

Indeed there are few items of Scottish George II silver which would be larger or heavier than a tea tray such as this, perhaps only spirit kettles or the iconic ovoid coffee urns, again cementing the status an object of this type would have brought.

Such an item would only have graced the wealthiest and most fashionable families and houses of Scotland.

The fascinating engraving on the reverse presumably shows the origin of either the wealth or indeed recycled silver which was used to create this tea tray, likely closely upon the death of the Elizabeth Gow in 1787 when this was likely crafted.

£3,000-5,000

214

215

63

217

218

216

218

GLASGOW- A SET OF FOUR SCOTTISH PROVINCIAL CAULDRON SALTS

GLASGOW - A SCOTTISH PROVINCIAL CARD TRAY

MILNE & CAMPBELL, GLASGOW

JOHN DONALD, GLASGOW

each with salloped rim, raised on three shell clasped legs with hoof feet; together with a mustard, Hamilton & Inches, Edinburgh 1921, with shell clasped thumbpiece; with three unassociated condiment spoons (qty) 6.5cm across, 18oz (weighable silver)

of circular outline with a cast shell border, engraved crest to centre, raised on three hoof feet

£300-500

18cm across, 7oz Working between 1785-95, it is very rare to see any pieces by John Donald appear at auction.

217

This early work is perhaps even rarer as it is a card tray, where most of his marks are to be found on spoons.

GLASGOW – A SCARCE SCOTTISH PROVINCIAL OIL AND VINEGAR CRUET MILNE & CAMPBELL marked M&C, Glasgow town mark, MC, O, the twin cut glass bottles with facetted lower section and stepped neck with simple pull off covers, the frame with flat base and wire work mounts raised on a S scroll and shell supports, with leaf clasped handle and Rococo cartouche with initial 21cm wide, 16.5oz weight of stand Note: For another example of this rare form in Scottish provincial silver by Adam Graham of Glasgow see Scottish Works of Art & Whisky, Lyon & Turnbull 18th August 2021, lot 169

Glasgow’s Assay Office was not established until 1819, but it is interesting to see that the marks here, with the town mark, and the date letter S, mirror the hallmarking system of more formal Assay Offices. During this time, the letters S (sometimes reversed), E, F and O were used.

£600-800

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

221 GREENOCK – A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS MAKER’S MARK LACKING marked C, ship, anchor, oak tree, of Celtic Point pattern with script initial D to terminal (6) 23cm long, 11.6ozv

£400-600

222 219

INVERNESS - A SCOTTISH PROVINCIAL QUAICH ALEXANDER STEWART marked AS, INS, *, of traditional form with curved lugs, one lug engraved ‘DOUGAL/ CAMERON/ CORPACH’ 12.5cm across lugs, 2.9oz

£800-1,200

219 GLASGOW - A SCOTTISH PROVINCIAL QUAICH

223

JAMES GORDON

INVERNESS – A SCOTTISH PROVINCIAL FISH SLICE

marked IG twice, of traditional form, the lugs each engraved ‘J McC’ in a stylised border, ‘SCUOAB ASS’ engraved to the body, to a circular foot

ALEXANDER MCLEOD

15cm across lugs, 3.8oz

marked AML, INS, double device struck three times, of Fiddle pattern the terminal with engraved script initials AJMcE, the shaped blade with pierced section and engraved urn of flowers and scrolling foliage

£600-800

31cm long, 4.2oz

£300-500

220 GREENOCK – A SCOTTISH PROVINCIAL FISH SLICE

224

JOHN SUMMERS

INVERNESS - A SCOTTISH PROVINCIAL CARVED OAK SCROLL BOX

marked JS, device struck six times, of Fiddle pattern with vacant terminal, the shaped ladle with pierced and engraved fish and foliate borders; together with a set of twelve teaspoons, Fiddle pattern W Hannay (of Paisley) Edinburgh 1814; two Fiddle pattern toddy ladles A Cameron (of Dundee), Edinburgh 1820, a toddy ladle possibly Aberdeen marked A, B, A, B and an Edinburgh toddy ladle (17)

WILLIAM REID CHRISTIE

Fish slice 32.5cm, 5.4oz

45cm wide, 16cm high, 14cm deep

£300-500

£800-1,200

marked W.R.C. , INS, the lid carved with the crest of Inverness and Falcon Square, in the center inscribed TO W M MACBEAN ESQR, CHAIRMAN OF INVSS BURGH SCHOOL BOARD, FROM THE TEACHING STAFF OF THE PUB. SCHOOLS, ON ATTAINING HIS SEMI-JUBILEE AS A MEMBER OF THE BOARD, INVSS, 16TH APRIL 1904’

224

65

226

225

228

INVERNESS - A SCOTTISH PROVINCIAL SERVING SPOON

INVERNESS – A SCOTTISH PROVINCIAL SOUP LADLE

DONALD FRASER

ALEXANDER STEWART

marked DF (double struck), INS, of Fiddle pattern, italic M engraved to terminal; together with another serving spoon marked RW thrice, of Celtic Point pattern and a punch ladle, unmarked, with traditional twisted baleen handle and ball finial, italic initials engraved to oval bowl (3)

marked AS, INS, C, of Celtic Point pattern with engraved initial G to terminal

29cm long, 6.5oz (weighable silver)

229

£400-600

226

35cm long, 5.7oz

£300-500

INVERNESS - A SCOTTISH PROVINCIAL TABLESPOON ROBERT ANDERSON

INVERNESS- A SCOTTISH PROVINCIAL DOUBLE INKWELL

marked *, RA, of Old English pattern, double heeled bowl, engraved initials to terminal

MEDLOCK

21cm long, 2oz

of rectangular outline, set with two deer hoofs, each with applied shield, the central bar set with two stag’s heads, to an oak plinth with applied hoof and thistle decorated bracket feet 32cm wide

£500-800

227

£250-350

230 INVERNESS – A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS ALEXANDER STEWART

INVERNESS – A SCOTTISH PROVINCIAL FISH SLICE

marked A.S, INS, A, of Celtic Point pattern with script initials JMR to terminal (6)

ALEXANDER MCLEOD

22.5cm long, 21oz

marked AML, INS, device, of Fiddle pattern the terminal with engraved script initials AMR with mirrored monogram CC below, the shaped blade with pierced and engraved section

£600-800

29.5cm long, 4.8oz

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

66

233

233 INVERNESS – A RARE PAIR OF SCOTTISH PROVINCIAL SALVERS JOHN BAILLIE marked I.B, INS, X (dots within angles) of shaped square outline with plain flat and slightly raised flared rim, the four corner bracket feet inswept following the shape of the rim (2) 14cm wide, 10oz Provenance / ownership (where known): Phillips 20th May 1988 lot 111 Private Scottish Collection References and exhibition: Compendium of Scottish Silver R & J Dietert Volume 2 page 116 Compendium of Scottish Silver II R & J Dietert page 433 Note: Although not a well recorded maker the work of John Baillie of Inverness is universally of a very high standard. It seems fair to say he was the most accomplished silversmith in Inverness in the mid 18th century and received many important commissions. His work is scarce but from what survives we can see a maker of great quality receiving important and fashionable commissions.

Like his contemporaries, he produced several fine quaichs of traditional form and these were likely a mainstay of his larger work. However, his true skill is seen in larger pieces which would not have looked out of place coming from his Edinburgh contemporaries. He produced two hot milk jugs, extremely rare for any Scottish silversmith, let alone provincially made (Aberdeen Art Gallery and Museum 01365 and Inverness Art Gallery & Museum 1978.260). Two pairs of mugs are recorded, one within a private collection (‘Exhibition of Scottish Silver’ Royal Scottish Museum August – September 1948 item 331), the other within the National Museums of Scotland collection National Museum Scotland (MEQ 1575 and 1576).

These salvers are the only recorded in Inverness silver by any maker and one of only a very small handful of pairs of provincial examples extant.

£4,000-6,000

67

238

231

234

236

INVERNESS – A RARE SCOTTISH PROVINCIAL MASKING SPOON

INVERNESS - A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE

INVERNESS – A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS

VARIOUS MAKERS AND DATES

THOMAS BORTHWICK

JOHN BAILLIE

to include, a dessert spoon, Jamieson & Naughton, marked J&N, INS, cornucopia, of Fiddle pattern, engraved initials to terminal; a pair of dessert spoons, Donald Fraser, marked DF/INS, of Old English pattern, engraved initials to terminal; a dessert fork and a teaspoon, Robert Naughten, marked RN, cornucopia, thistle, of single struck King’s pattern (5)

marked TB, camel, INS, of Hanoverian pattern with script initials WE = A to terminal (2)

makers mark only, the simple tapered stem with diamond point finial, with elongated heel and simple bowl 16.8cm long, 11.8g

£350-500

5.9oz combined

21cm long, 4.2oz

£500-800

237 INVERNESS – A SCOTTISH PROVINCIAL TABLESPOON

232

£300-500

INVERNESS – A SCOTTISH PROVINCIAL ANNULAR PLAID BROOCH

235

marked RA, camel, INS of Old English pattern with script initials MG to terminal

INVERNESS - A COLLECTION OF SCOTTISH PROVINCIALFLATWARE

21cm long, 2.2oz

ALEXANDER MCLEOD marked AML (ML conjoined), INS, of simple annular form with integral hinged flush pin 5.5cm diameter, 22g

£300-500

ROBERT ANDERSON

VARIOUS MAKERS to include, a tablespoon, Charles Jamieson, of Old English pattern, initials engraved to terminal, a dessert spoon, same maker, of Celtic point pattern, and a teaspoon marked AMR, S, S, INS, of Fiddle pattern; together with a collection of six teaspoons, Water Leighton, Dundee, of Fiddle pattern and another set of six teaspoons, Andrew Wilkie, Dundee, of single struck King’s pattern; together with four dessert spoons, and eight teaspoons, all various makers and patterns (27)

£300-400

238 INVERNESS - A SCOTTISH PROVINCIAL QUAICH DONALD FRASER marked DF, of traditional form, waisted lugs each engraved JF and TF, the base inset with a Mary and William coin 11.5cm across lugs, 2.4oz

£300-500

17.8oz (combined)

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

68

ALEXANDER RITCHIE (1856-1941) AND EUPHEMIA CATHERINE RITCHIE (1862–1941) It would be fair for some to assume that the Celtic wares

annotated examples found in his collection. The island of Iona

produced in Iona at the turn of the 20th century was to

is still a very spiritual place and Ritchie was made custodian

capitalise on the passing tourist trade.

of Iona Abbey. His passion for Iona and the Celtic Revival

But the legacy left by Alexander Ritchie and his wife

went hand in hand.

Euphemia Catherine Ritchie is far beyond that of any tourist

Catherine and Alec as they were known moved to Iona

souvenir. Both were at the heart of the Arts and Crafts

shortly after they married in Glasgow.

movement, they were influenced by the Glasgow School of Art and each at the forefront of Celtic Revival. This melting pot of movements in addition to the landscape of Iona and the skill of these two individuals has created a legacy that is unique to this Scottish Island.

Their home in Iona at Shuna Cottage welcomed all those who visited the island. The Scottish Colourist artist Francis Campbell Boileau Cadell was a frequent visitor to their home, and also took inspiration from the island for his most seminal pieces, Ritchie would even sometimes sit for Cadell. Ritchie

Alexander Ritchie had his roots firmly in that of the Scottish

was immersed in all artistic aspects, their shop called Iona

islands, born in Tobermory on Mull, Ritchie was always

Celtic Art would offer jewellery and other metalwork, leather

surrounded by the sea. Originally training as a marine

tooling and Catherine’s forte of embroidery which all drew

engineer, the first twenty years of his adult life took him

on their skills, engraving, and enamelling learnt in Glasgow.

across the world with the British India Steam Shipping

The earliest examples are in wood, clearly what Ritchie felt

Company. Even at this time, it is recounted that Ritchie was

most confidently in initially.

a keen woodworker and took inspiration from his marine environment which filter through his nautical motifs.

Contemporary images of the shop show delights for the eyes in all corners; mirrors with zoomorphic corners, Celtic

It was not until his 40s in the mid-1890s he decided to take a

crosses hanging from all four walls, galleon ship pendants

break and enrol at the Glasgow School of Art. It was here that

and penannular brooch covering door frames. As their

he met his future wife Euphemia Catherine Thomson. Both

business grew, the need to outsource is seen with the range

were immersed in the Glasgow Style, with contemporaries

of punches and hallmarks on the reverse of their wares,

such as Jessie M. King, Charles Rennie Macintosh and

various Assay centres Glasgow, Birmingham, and Chester

Frances Newbery who went on to become the director.

appear on jewellery and this reflect the popularity at the

The Glasgow four of which Macintosh was a member fused

time emphasising the desire and drive for the Arts and Crafts

together the Arts and Crafts movement of the late 19th

movement.

century with Japonisme from their travels and most pivotal for Ritchie the Celtic Revival.

It is important to note that there are contemporaries to Ritchie and that this was part of a larger movement. John

The Celtic Revival helped re-invigorate an identity by looking

McGilvray also of Iona had been selling silver items from at

to the early Medieval Celtic culture in art, music, poetry and

least 1887 as was regarded as a local rival, but it is the skill

literature. For Ireland the Book of Caels and the Tara brooch

of the Ritchie’s and their understanding for the arts that has

were key exponents for their identity. Similarly in Scotland

created an appreciation for their works of art 100 years later.

items of National significance like the Hunterston brooch

Individuals such as Robert Allison continued to emanate

housed within National Museums Scotland collection helped

their designs 50 years later in the mid-20th century and their

inspire the past for people who had been subjected to the

legacy is still apparent in Iona as the Iona Heritage Centre

mass industrialisation of the Victorian era.

houses a permanent display.

For the Ritchie’s, the Celtic revival was more than a

Ritchie is a word synonymous with Iona, the success

dissemination of history. Along with individuals such as Lady

occurred due to the coming together of two skilled

Victoria Campbell the daughter of the 8th Duke of Argyll,

craftspeople, the Arts and Crafts movement and the desire

they sought to encourage Celtic Christianity. Ritchie was

for those interested in their national identity. These elements

always a very keen follower of publications and articles

still to this day mean that Alexander and Euphemia Ritchie are

from Scottish Anthropological and Folklore society with

highly sought after.

70

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239

242

IONA - A SCOTTISH PROVINCIAL LARGE OAK ST. MARTIN’S STANDING CROSS

IONA - A SCOTTISH PROVINCIAL BRONZE CROSS

ALEXANDER RITCHIE

unmarked, the standing bronze cross on a stepped plinth inscribed St. MARTIN’S IONA

signed to the underside AR, 1901, IONA, the cross with embossed knot work, to a stepped based engraved IONA/ ST MARTIN’S,

ATTRIBUTED ALEXANDER RITCHIE

14cm high

£300-500

56cm high Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003 p. 36, Fig No. 6d where a similar cross is illustrated

£1,000-1,500

243 IONA - A SCOTTISH PROVINCIAL MAHOGANY PAPER KNIFE ALEXANDER RITCHIE, CIRCA1905

unmarked, a simplified version of St. Martin’s cross, the cross with embossed Pictish depictions, on a stepped marble base (2)

unmarked, with Celtic cross terminal and blade, inscribed IONA; together with a collection of brooches, to include, a penannular brooch, Robert Allison, Edinburgh 1972, a galleon brooch, stamped SILVER and a bar brooch with an applied shield with ship detail; together with a teaspoon, Shipton & Co Ltd, plaited stem with a ship terminal (5)

30cm high

35.5cm long

£250-400

Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003, p. 47, Fig No. 12a, where a similar paper knife is illustrated

240 IONA - A SCOTTISH PROVINCIAL STANDING CROSS ATTRIBUTED ALEXANDER RITCHIE

241 IONA - A SCOTTISH PROVINCIAL OAK CROSS

£300-500

ATTRIBUTED ALEXANDER RITCHIE unmarked, a simplified version of St. Martin’s cross, the cross with Pictish representations, to a stepped plinth engraved IONA 34cm high

£600-800

242

244

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

71

247 IONA - A SCOTTISH PROVINCIAL PENDANT AND CHAIN ALEXANDER RITCHIE marked AR IONA, Glasgow 1921, the Celtic cross of interlaced form, suspended from a long ivy link chain 5cm pendant, 71cm overall Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003 p. 28, Fig No. 4d where a similar pendant is illustrated p.73 where a similar design of chain is illustrated

£400-600

248 IONA - A SCOTTISH PROVINCIAL BROOCH

247

ALEXANDER RITCHIE, GLASGOW 1927 of circular outline, embossed Celtic knotwork and Celtic cross motif to centre, each arm decorated with an effigy on Prioress Anna’s tomb slab, the central raised knot embossed ‘Prioress Anna Iona’; together with another Ritchie circular galleon brooch, Birmingham 1935, and a napkin ring, Ritchie, Glasgow 1927, with a foliate border (3)

245

4.5cm 2.5cm, 5cm diameter Anna MacLean was the prioress of Iona Nunnery in the early 16th century, she died in 1543

245

£400-600

IONA - A SCOTTISH PROVINCIAL PENDANT AND CHAIN

249

ATTRIBUTED ALEXANDER RITCHIE marked IONA, Birmingham 1935, the cast Celtic cross suspended from an oval link chain with Celtic knot and galleon spacers

244

8cm pendant, 78cm overall

IONA - A SCOTTISH PROVINCIAL PENDANT

Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003 p. 5 where a similar cross is illustrated

IONA - A SCOTTISH PROVINCIAL BAR BROOCH ALEXANDER RITCHIE, GLASGOW 1911

ALEXANDER RITCHIE, GLASGOW 1912

£400-600

stamped IONA, AR, formed as a Celtic interwoven cross

246

with a knotted pattern to the central bar, each terminal formed of an embossed disc; together with an Iona style penannular brooch, James D Davidson, Glasgow 1902, with zoomorphic motifs (2)

IONA - A SCOTTISH PROVINCIAL PENDANT

8.5cm wide, 6.5cm diameter

5.5cm long

ALEXANDER RITCHIE, CHESTER 1909

Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003 p. 28, Fig No. 4d where a similar pendant is illustrated

marked IONA, modelled as a standing cross with intervoven Celtic knot-work; together with an enamel set brooch, stamped IONA, of circular outline, embossed knotwork to a red enamel ground (2)

Literature: MacArthur, Mairi E. ‘Iona Celtic Art’, Iona 2003 p. 28, Fig No. 4d where a similar penannular brooch is illustrated

£300-500

£300-500

7.5cm long (including loop)

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

253 PERTH – A SET OF EIGHT SCOTTISH PROVINCIAL DESSERT SPOONS ROBERT & ROBERT KEAY marked R&RK, eagle, eagle, R&RK, of Fiddle pattern with engraved crest and initials to terminal; together with three teaspoons and a pair of sugar tongs from the same original service by same maker (14) Desert spoons 18cm long, 12oz (combined weight)

£250-350

254 A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS VARIOUS MAKERS to include, three by William Ferguson, of Elgin, with Edinburgh hallmarks, 1841, of Fiddle pattern; three by George Booth of Aberdeen, of Fiddle pattern, initials engraved to terminal and three Aberdeen, various makers, of Fiddle pattern; together with a cased pair of sugar sifters, Rettie & Son, ABD, Edinburgh 1847 of Fiddle pattern and another John Keith., Banff, marked IK, B, of Celtic Point pattern with engraved initials to terminal (qty) 263

7,3oz (combined weight)

£300-500

250 MONTROSE – A SCARCE PAIR OF SCOTTISH PROVINCIAL TABLESPOONS THOMAS JOHNSTONE marked T.I, rose head B, of Hanoverian pattern with crest and motto to reverse of terminal and simple heel to bowl (2) 20cm long, 4.5oz

£500-800

251 MONTROSE – A SCOTTISH PROVINCIAL MASKING SPOON BENJAMIN LUMSDEN marked BL twice, with a tapered stem and ball finials; together with a toddy ladle by William Ritchie of Perth marked WR eagle twice and another by Robert Keay marked RK, eagle, RK, eagle, RK (3) 16cm long, 2.2oz (combined)

£350-500

252 PERTH – A SCOTTISH PROVINCIAL SOUP LADLE ROBERT & ROBERT KEAY marked eagle, R&RK, eagle, eagle, R&RK, of Fiddle pattern with engraved crest and initials to terminal 34cm long, 5.5oz

£250-350

250

73

255

260

PERTH – A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE

PERTH – A SCARCE SET OF THREE SCOTTISH PROVINCIAL DESSERT SPOONS

to include a set of fourteen teaspoons by Robert Keay, a pair of Celtic Point pattern tablespoons, and a teaspoon by John Scott (17)

JAMES STOBIE

9oz combined weight

17.8cm long, 2.9oz

£300-500

Although not featuring the classically found Perth eagle the JS in the shaped punch and with the slightly unusual J with slight kick to right hand edge of the J are recorded for Stobie and seen with the eagle mark. It I also interesting to note the engraved initial G is by the same hand as seen to the six tablespoon by Robert Keay in lot ###

256 PERTH – A PAIR OF SCOTTISH PROVINCIAL GRAVY SPOONS ROBERT & ROBERT KEAY marked R&RK, eagle, eagle, R&RK, of Fiddle pattern with engraved crest and initials to terminal (2) 32cm long, 7.4oz (combined)

£300-500

257 PERTH – A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS ROBERT KEAY

marked fleur de Lis, JS, fleur de Lis, JS, of Fiddle pattern with script initial G to terminal (3)

£400-600

261 PERTH - A SCOTTISH PROVINCIAL WINE FUNNEL ROBERT DICKSON marked RD, of simple form with curved spout, fluted foliate detail, engraved McDonald crest and motto to centre above italic M, with pull out rim

marked RK, eagle, RK, eagle, RK, of Fiddle pattern with script initial G to terminal (6)

12.5cm high, 2.2oz

22.5cm long, 11.9oz

262

£300-500

258 PERTH – A SET OF TEN SCOTTISH PROVINCIAL TABLESPOONS ROBERT & ROBERT KEAY marked R&RK, eagle, eagle, R&RK, of Fiddle pattern with engraved crest and initials to terminal (10) 21.5cm long, 22.5oz (combined)

£300-500

£800-1,200

PERTH - A SCOTTISH PROVINCIAL TODDY LADLE

261

WILLIAM RITCHIE marked double headed eagle, WR, double headed eagle, of Celtic Point pattern, italic initial to terminal and another William Constable, marked pot of lilies thrice, WC, of Fiddle pattern, initial engraved to terminal; together with a collection of six various toddy ladles and sifter, various makers and patterns (8) 16cm long, 7.9oz (combined)

259 PERTH – A SCARCE SCOTTISH PROVINCIAL COWRIE SHELL SNUFF BOX JOHN SCOTT marked Thistle and Pot of Lilies (in same punch), JS, Thistle and Pot of Lilies (in same punch), the polished cowrie shell set with silver cover, the flush hinged three quarter opening cover with scroll engraved border, crest and named John G S Campbell 7cm long

£400-600

263 PETERHEAD – A SCARCE SCOTTISH PROVINCIAL WINE LABEL WILLIAM FERGUSON marked WF, PHD, Edinburgh 1826, of shaped rectangular form with embossed flowerhead and scroll border, inscribed CLARET and suspended from a belcher link chain 4.5cm wide, 11g

£600-800

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

74

264 TAIN – AN IMPORTANT SCOTTISH PROVINCIAL MASKING / MOTE SPOON HUGH ROSS marked HR within oval punch, the tapered upper section of stem with urn finial, the lower scroll work section of a pierced bowl with double drop heel 19.2cm long, 20.3g Note: This extremely rare example of a Tain Masking spoon seems to fit between the traditional Scottish masking spoon for stirring the tea in the pot and the English Mote spoon used to strain the floating leaves from the cup and clear blockages in the strainer / spout.

Three of these spoons are known to survive, all are illustrated in ‘The Tain Silver Collection, Tain & District Museum’ page 31. The last example sold see Fine Scottish Silver Lyon & Turnbull 13th February 2008, lot 49 (now within Tain & District Museum Collection 3283).

£1,500-2,500

264

265

265 TAIN – A RARE SCOTTISH PROVINCIAL TEASPOON HUGH ROSS bottom marked HR in oval punch, of short Scots Fiddle pattern with engraved initials I:P to terminal 12cm long, 10.8g

£400-600

75

266

270

TOBAGO – A RARE SCOTTISH ENTRÉE DISH COVER

A SCOTTISH PROVINCIAL MUG

GEORGE FENWICK, EDINBURGH 1818 GF.TOBAGO, of simple rounded rectangular form with moulded rim and socket from central look handle, numbered ‘15’ 26cm wide, 24.9oz Note: George Fenwick II was apprenticed to his father George Fenwick I who had been a successful Edinburgh silversmith most noticeably in partnership with George McHattie (as McHattie & Fenwick from around 1800).

George Fenwick II moved to Tobago in September 1821 but his time there was sadly short as he died only a few months later. He appears to have taken with him old stock from his father and additionally stamped them for his new market in Tobago. A number of which interestingly have found their way back to Scotland

£250-350

267 TOBAGO – A RARE SCARCE MEAT SKEWER

UNMARKED of simple cannister form with reeded rim, foot and loop handle

267

7.5cm high, 5.6oz

£200-300

271 A SCOTTISH PROVINCIAL PEPPER UNATTRIBUTED marked RP/RS, of cylindrical form, S-scroll handle, to a spreading circular foot, the pull-off domed lid with pierced detail; together with an agate set snuff box, unmarked, chased floral borders to body, the hinged lid inset with an oval agate (2) 9cm, 4cm high, 4.2oz (combined)

£300-500

272 A SILVER MOUNTED WOODEN QUAICH UNMARKED

GEORGE FENWICK, EDINBURGH 1817, GF.TOBAGO,

of conventional form, with a carved woven knot design to the body, the bowl with a circular disc insert engraved SQUABASE above a thistle, with a wax seal to the underside of the foot

of simple tapered form with facetted blade and ring handle

10.5 across lugs

24.5cm long, 2.1oz

£300-500

Note: George Fenwick II was apprenticed to his father George Fenwick I who had been a successful Edinburgh silversmith most noticeably in partnership with George McHattie (as McHattie & Fenwick from around 1800).

273

George Fenwick II moved to Tobago in September 1821 but his time there was sadly short as he died only a few months later. He appears to have taken with him old stock from his father and additionally stamped them for his new market in Tobago. A number of which interestingly have found their way back to Scotland

to include, a toddy ladle, marked JMcR, INS, thistle, of Fiddle pattern, engraved initials to terminal; a tablespoon, marked BL, of Fiddle pattern, engraved initials to terminal; a pair of sugar tongs, Hay (of Leith) Edinburgh 1876, with shell bowls and another two pairs, indistinctly marked; and a collection of six teaspoon and egg spoons, various makers and dates (11)

£250-350

A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE VARIOUS MAKERS AND DATES

9oz (combined)

268

£300-500

WICK – A PAIR OF SCOTTISH PROVINCIAL TEASPOONS

274

JOHN SELLAR marked JS, WICK, JS, of Fiddle pattern with foliate script initial M to terminal (2) 13.7cm long, 34.6g

£500-800

269 A GEORGE III SNUFF BOX DAVID SMELLIE AND JAMES HAXTON, EDINBURGH marked DS, S&S, DS, of rectangular outline, with a presentation engraving and inscription to hinged lid, ‘FROM Jonathan Halle/ TO/ William Halle, with crest and motto

A COLLECTION OF SCOTTISH PROVINCIAL TEASPOONS to include a Fiddle pattern example J Pozzi and R Stewart Elgin; Inverness examples by R Naughton, A Stewart and D Fraser; Montrose examples by J Glennie and J Sturrock; a Paisley pair

by W Hannay and a set of six by J Heron of Greenock (14) 7.9oz (combined)

£500-700

275 A QUAICH INDISTINCTLY MARKED

7cm wide, 3oz

of traditional form, engraved to the body as a staved quaich with engraved MC initials, the lugs with an engraved stylised border, to a circular foot

£400-600

15cm aross, 3.3oz

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

HALLMARKED SILVER

Lot 293

77

276 A MODERN BELLIED WATER JUG GRAHAM STEWART, EDINBURGH 2015 of hand raised and planished baluster form with long tapered spout the handle of curved form with scrolling terminal 11.5cm high, 11.4oz

£1,000-1,500

GRAHAM LEISHMAN STEWART, 1955-2020 Not only was Graham Stewart one of Scotland’s foremost

As visitors enter the Scottish Parliament, they are greeted

silversmiths of the late 20th and early 21st centuries, but

with the Three Honours a large silver sculpture designed

he was also a master of hand engraving. The inspiration

and made by Stewart. It is an impressive, intertwined

for his forms was mainly nature. He did not replicate what

creation with the three elements representing Scotland’s

he saw, but it was organic and often intuitively so. He had

State Jewels, its crown, sceptre and sword, which are held

great respect for words and was a devotee of the Irish bard

in Edinburgh Castle. Arguably it has been one of the most

Seamus Heaney. When he discovered Heaney’s favourite

viewed pieces of modern silver in Britain today.

prose was the BBC’s Radio’s Shipping Forecast, this resulted in a series of bowls that have been much admired. He chose and arranged the almost hypnotic words of the Forecast with the flow of a poet. The series was expanded to other themes, the inspiration coming from poetry and Celtic spirituality. The engraving brought life to his bowls.

Stewart established his workshop in Dunblane in 1978. He always worked with a small team of skilled craftsmen. His

His commissions reflect the admiration and respect others had for him, including those commissioning the impressive claret jugs which are part of the Millennium Collection for Bute House.

His shop in Dunblane provided a great opportunity to meet and chat with Stewart, allowing customers to grow their collections and acquire one-off pieces.

father an industrial designer, was a leading influence in his

With important pieces now included within numerous British

life as he had a keen interest in silversmithing. His brother,

institutions including the Aberdeen Museum and Art Gallery,

an engineer, joined him when he retired which explains

as well as The Pearson Silver Collection, which is devoted to

why Stewart used a hydraulic press, not a tool normally

Post-War II British silver, his work is well represented in both

associated with silversmithing, for very large commissions.

in public and private collections which supports his place a key contributor to modern Scottish and British silver.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

78

277 A MODERN ‘HONEYCOMB’ CANDLESTICK GRAHAM STEWART, EDINBURGH 2014 of hexagonal form, modelled as a honeycomb, three sides with a silvergilt honeycomb design and applied bees, feature hallmarks to one side 5cm high, 9.4oz

£1,000-1,500

278 A MODERN PUNCH LADLE GRAHAM STEWART, EDINBURGH 2004 the tapered stem with cask thistle head terminal and with bold rat tail to ovoid bowl 22.5cm long, 5oz Note: For a similar punch ladle see ‘Scottish Works of Art & Whisky’ Lyon & Turnbull 18th August 2021, lot 207.

£500-800

279 A MODERN BRITANNIA STANDARD WINE COASTER GRAHAM STEWART, EDINBURGH 2003 the shaped dish on stepped foot with planished surface and flared rim, set to interior with removable turned wooden base with circular cartouche to centre 14.8cm diameter, 13.2oz

£600-700

280 A MODERN ‘THISTLE’ BOX GRAHAM STEWART, EDINBURGH 2001 of cylindrical form, the pull of lid with a pierced silver-gilt thistle to the centre 4.5cm high, 3.9oz

£500-800

79

281 A MODERN SILVER AND GLASS CANDLESTICK GRAHAM STEWART, EDINBURGH 2000 (WITH ADDITIONAL MILLENNIUM HALLMARK) the cubed glass base with a naturalistic textured surface, set to the top with a hemispherical large sconce with a dished centre 14.5cm high, sconce 12cm diameter, 10oz

£800-1,200

282 AN IMPRESSIVE HAND FORGED BRITANNIA STANDARD SOUP LADLE GRAHAM STEWART, EDINBURGH 1998 the terminal of concave rounded form, with bold sweeping stem and deep circular bowl 29cm long, 14oz Note: Struck with feature hallmarks to the reverse of the stem these feature the last set of traditional UK hallmarks beofre the imposition beginning with the 1999 hallmarking year from the European Union to add a purity mark in numerical not just graphic form.

£600-800

283 A MODERN TUMBLER CUP GRAHAM STEWART, EDINBURGH 1998 of simple hand raised and planished form with a rounded base 6cm high 4.3oz Note: Struck with feature hallmarks to the reverse of the stem these feature the last set of traditional UK hallmarks beofre the imposition beginning with the 1999 hallmarking year from the European Union to add a purity mark in numerical not just graphic form.

For a similar pair of tumbler cups with additional engraved initial see ‘Scottish Works of Art & Whisky’ Lyon & Turnbull 18th August 2021, lot 205.

£500-900

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

80

284 A PAIR OF MODERN STAGS 2022 indistinctly marked, each modelled naturalistically (2) 14.2cm (of tallest), 14.5oz (combined)

£800-1,200

285 A NEAR PAIR OF MODERN PHEASANTS S. M. D. CASTINGS, LONDON 1973 depicting male and female, each modelled naturalistically (2) 16cm high (tallest)

£2,000-4,000

286 A CONTINENTAL MODEL OF A ROE DEER STAG indistinctly marked to foot, modelled in a grazing stance 8cm high

£300-500

81

287 A NEAR PAIR OF CONTINENTAL GROUSE MODELS INDISTINCTLY MARKED marked to foot, each numbered 3 to each foot, modelled naturalistically depicting a male and female (2) 25cm high (tallest)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

82

290

288

291

A 1930S TEA CANNISTER

A LATE VICTORIAN CELTIC STYLE TWIN HANDLED BOWL

BROOK & SON (EDINBURGH), SHEFFIELD 1933

GEORGE EDWARD & SONS (OF GLASGOW), LONDON 1900

of plain cylindrical form, the pull off lid with everted rim, marked Brook & Son, George Street to underside 7.3cm high, 11cm diameter, 8.5oz

the hemi-spherical bowl with a band of interwoven zoomorphic motifs and Celtic bosses and applied Celtic discs to body, the C-scroll handles with Celtic decoration, raised on a circular foot with similar decoration

£300-500

9cm high, 14cm across handles, 13oz

£300-400

289 AN EDWARDIAN SUGAR BASIN AND MILK JUG

292

JOHN RUSSELL, GLASGOW 1910

A VICTORIAN VINAIGRETTE

each of squat baluster form, the lower bodies chased with a floral border in a matte ground, engraved M above a Saltire with inscription FOR POLOC KIRK, with S-scroll handles, each raised on four shell feet; together with a twin handled sugar basin, John Russell, Glasgow 1901, of globular form, vacant cartouche to centre in a foliate border, with beaded rims, S-scroll handles (3)

J M TALBOT, EDINBURGH 1896 of egg form with chased panels of alternating displayed thistle and Celtic knot works, the lower section with knotwork border, the gilt interior with a finely engraved and pierced thistle grill 5.5cm high, 1.5oz

£500-800

16cm height of milk jug, 32.5oz (combined)

£400-600

290 AN EDWARDIAN FOUR-PIECE TEA SERVICE JAMES WEIR, GLASGOW 1908 comprising waterpot, teapot, twin handled sugar basin and milk jug, each of circular outline, waisted border with zoomorphic and Celtic knotwork, vacant circular cartouche to one side and embossed knotwork to the other, C scroll handles, the sugar and milk handles modelled as a mythical creature, raised on a circular foot with similar border (4) 20cm high, 61oz (all in)

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

292

83

293 A VICTORIAN SANDWICH BOX HAMILTON & INCHES, EDINBURGH 1890 or rectangular outline, the hinged lid engraved MARGARET/ Ducal coronet/ MONTROSE 12.5cm wide, 12.2oz Note: Sandwich boxes were a quaint Victorian accessory designed perfectly for country pursuits.

With their unfolding mechanism, they provided a safe storage facility for the sandwich and a stylish plate for dining.

Hamilton & Inches was Established in 1866, and the firm received a royal warrant from Queen Victoria in 1893 having quickly established their name as Edinburgh’s premier jeweller and silversmith. In 1903 Sir Robert Inches co-founded the Edinburgh Association of Goldsmiths, Silversmiths & Watchmakers, so as to maintain a high standard of craftsmanship amongst the city’s jewellers and silversmiths.

This sandwich box is engraved to the lid, ‘Margaret, coronet, Montrose’ and clearly shows the highend clientele of Hamilton & Inches

293

295

£400-600

A MATCHED SUITE OF SINGLE STRUCK QUEEN’S PATTERN FLATWARE

294 A PAIR OF LATE VICTORIAN BASKETS

various makers and dates, comprising, eight tablespoons, four dessert spoons, thirteen teaspoons and a pair of sugar tongs (25)

HAMILTON & INCHES, EDINBURGH 1890

30oz (combined)

each of oval outline with a pierced floral decoration, to a plain central dish; together with a smaller one, Charles Edwards, London 1896 with all-over decoration (3)

£600-800

26cm, 25cm wide, 23.5oz, (combined weight)

296

£300-500

A LATE VICTORIAN PRESENTATION CURLING STONE KETTLE ON STAND WALKER & HALL, SHEFFIELD 1899 296

the kettle modelled as a curling stone with crosshatch wooden handle, engraved to the body with winners, the stand formed as a cross, with circular disc engraved ‘THE GORDON TROPHY/ PRESENTED BY Mr. & Mrs. GORDON/ FOR ANNUAL COMPETITION’, the legs each modelled as two crossed brushes, all raised on four ball feet 24cm high, 18oz, kettle, 27oz, stand

£1,000-1,500

297 A 1940S CURLING MEDAL UNMARKED the medal of circular outline, engraved to obverse, ‘TO THE/ FALKIRK CURLING CLUB/ FROM/ R.J. BUCK ESQ/ 1941/ FOR ANNUAL CLUB COMPETITION’ winners engraved to the reverse, applied crossed curling brooms with thistle and curling stone with suspension loop to bale 10cm long (including loop)

£250-400

84

298 A FINE VICTORIAN PRESENTATION BOOK FORMED TABLE SNUFF BOX JOHN MUIRHEAD, GLASGOW 1862 the large box formed as a book, the cover engraved with simulated tooling and a presentation inscription in an oval cartouche reading ‘Presented to A Graham Esq. of Capellie, Captain of the 8th or Neilston Co R.R.V by the members of his Company, 30th December 1862’, the spine engraved with soldiers at attention and crouched shooting with ‘title Chaucer and crest below, the base of the lower section engraved with a portrait of an officer presumed to be Captain Graham 15.5cm x 9cm x 3cm, 12.2oz

£1,200-1,800

299

299 A VICTORIAN INKWELL JAMES AND WALTER MARSHALL, EDINBURGH 1858

298

the base of oval outline with Greek Key engraved border, presentation engraving to the centre ‘Presented to ALEXANDER DOWELL Esq/ ON THE OCCASSION OF HIS MARRIAGE/ BY THE/ EMPLOYEES OF MESSRS DOWELLS & LYON... 1861’, the inkwell modelled as a lamp with mythical creature handle 21cm wide (base)

£400-600 ALEXANDER GRAHAM ESQUIRE OF CAPELLI, BARRHEAD

300 Listed as a Director of the Glasgow, Barrhead and Neilson Direct in Bradshaw’s Railway Directory of 1850 Graham would have had quite a successful career and a respected member of the community.

As seen engraved on this fine snuff box, Graham went on to become the Captain of the 8th or Neilston Co R.R.V. also know as the Royal Rifle Volunteers.

Following an invasion scare in 1859 the volunteer movement started to grow. Many Rifle and Artillery Volunteer Corps composed of part-time soldiers eager to supplement the Regular British Army in time of need and as such became a precursor to the Territorial Army.

The 3rd (Renfrewshire) Volunteer Battalion, Princess Louise’s (Argyll and Sutherland Highlanders) was formed on the 4th August 1860 and the 8th Neilston formed part of this.

In 1862 the year the snuff box was presented, the county uniform of medium grey from the 1st Volunteer Batallion was adopted and worn until 1874.

A generous gift to their captain, helps to reinforce how well regarded Graham was.

It is interesting to note that the fine table snuff box has been made by a Glasgow maker making this piece truly a West Coast item.

AN ELECTROTYPE PRESENTATION TROPHY MUG 19TH CENTURY unmarked, of cylindrical form with high relief depictions of Classical battles, engraved presentation inscription to foot, Edinburgh University Boat Club/ LADIES CUP/ 1869...’ the handle formed of intertwined vines 16cm high

£300-500

301 A VICTORIAN SNUFF BOX DAVID CRICHTON RAIT, EDINBURGH 1848 of oval outline, embossed scroll and foliate borders to a chased wave ground, vacant cartouche to centre of one side, gilt interior 6.5cm high

£600-800

85

302 302

A VICTORIAN DECANTER STAND A G WHIGHTON, EDINBURGH 1845 of trefoil form, the tall central handle and frame with shell and foliate decoration throughout, raised on three scroll foliate bracket feet, central foliate cartouche with presentation engraving ‘to their nephew...1845’ with a set of three facetted decanters and stoppers, each with vine and grape etched detail 42cm high, 40.5oz (weighable silver)

£350-500

303 A VICTORIAN CASTLE TOP CARD CASE TAYLOR & PERRY, BIRMINGHAM 1836 the rectangular case embossed with a scene of Abbotsford House with scrolling folate border, the reverse with a scene of Newstead Abbey within grounds flanked by scrolling foliate borders 9.5cm (excluding chain) x 6.6cm, 3.1oz

£600-800

304 A VICTORIAN CASTLE TOP CARD CASE JAMES NASYMTH & CO, EDINBURGH 1846 the rectangular case finely engraved to obverse with scene of The Scott Monument with scrolling border, the reverse with vacant cartouche surrounded by engine turned decoration within a scrolling border 9.7cm x 6.6cm, 2.8oz Note: Walter Scott, 1771 – 1832 was one of Scotland’s most celebrated literary individuals and following his death in 1832 the Scott Monument was constructed in his honour near to Waverly train station in Edinburgh which had so famously featured in his Waverly Novels.

The monument was opened in 1844 to great applause and can be seen have been emulated particularly with this card case with the date only two years after the opening.

305 Y

£800-1,200

A VICTORIAN THREE-PIECE TEA SERVICE L&S, EDINBURGH 1842 304

comprising, teapot, twin handled sugar basin and milk jug, all of inverted pear outline, with embossed floral decoration, a vacant cartouche to either side of body, cast floral and vine rim, leaf clasped S-scroll handles, the teapot with a floral finial. each raised on a circular foot (3) 19.5cm high teapot, 45.5oz (all in) With non-transferable CITES selfcertification number 4FXTK32N

£600-800

303 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

86

308 A PAIR OF ENTRY PASSES FOR THE EDINBURGH ASSEMBLY ROOMS EDINBURGH the first, TJR, 1834, engraved for ‘LADY HARRIET STUART/ FORBES’, the second, William Patrick Cunningham, engraved for ‘SIR/ WILLIAM FORBES/ BARt’, each of oval outline with circular bale (2) 4.5cm long, 11g (combined) Provenance: Formed part of Lot 366: Two Great Scottish Collections: Property from the Forbes of Pitsligo and the Marquesses of Lothian Sotheby’s 28 March 2017 London The Royal Society Badge; Sir William Forbes, 6th Bt. (1739-1806) Literature: Charles, Lord Clinton, Heirlooms / Fettercairn Estate, 1946, ‘no. 42.

Silver Pass, Edinburgh Assembly’ Note: Sir William was a co-founder of the Royal Society of Edinburgh in 1783.

£600-800

309 308

A WILLIAM IV MEAT SKEWER MARSHALL & SONS, EDINBURGH 1832 of tapered form with ring terminal, engraved crest and Earl coronet engraved to stem; together with a pair of Victorian cauldron salts, Marshall & Sons, Edinburgh 1877, the body of each with an everted crimped border, raised on three shell clasped legs with hoof feet, each with glass liner (3) 33cm long 7.5oz (weighable silver)

£400-600

306 A VICTORIAN LUGGIE BUTTER DISH ROBERT GRAY & SONS, GLASGOW 1838 of shallow quaich form with stylised binding, the shaped lugs with shell and thistle motifs 12cm wide, 3.2oz

£350-500

307 Y AN EARLY VICTORIAN COFFEE POT JAMES & WALTER MARSHALL, EDINBURGH 1838 of baluster form, heavily chased floral and scroll decoration throughout, stylised cartouche to one side with crest and motto, vacant to other side, S-scroll handle with ivory inserts, the curved spout with shell detail, the domed lid with pineapple finial, all raised on a stepped circular foot 30.5cm high, 30.8oz With non-transferable CITES self-certification number QSJDBQLC

£500-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

307

87

310

311

A MATCHED WILLIAM IV WINE FUNNEL AND STAND JAMES MCKAY, EDINBURGH 1832 of baluster form, with a threaded border, shell grip, engraved crest and motto to centre, the stand with gadrooned border and engraved crest to centre (2) 14.5cm high, 11.5cm diameter of stand, 6oz (combined)

£400-600

311 A WILLIAM IV TEA CADDY ANDREW WILKIE, EDINBURGH 1830 of rectangular canister form, engraved scroll border to body, garland cartouche with italic HF to centre, the hinged lid with foliate engraved border, and a knopped rectangular finial 13cm high, 10.5oz

£400-600

312 A GEORGE IV SUGAR CASTER ROBERT GRAY, GLASGOW 1825 of baluster form on pedestal foot, with profusely chased scrolls and foliage decoration 13cm high, 3.3oz.

315

£400-600

A FINE GEORGE III SILVER-GILT PUNCH LADLE GEORGE MCHATTIE, EDINBURGH 1819

313 A GEORGE III SOUP LADLE ANDREW WILKIE, EDINBURGH 1824 of single struck King’s pattern, crest engraved to terminal; together with a fish slice, Patrick Sutherland Edinburgh 1826, of Fiddle pattern and another fish slice, Robert Gray, Edinburgh 1799, the blade with a pierced salmon motif with filled reeded handle (3) 32cm long, 12.3oz (weighable silver)

£350-500

the oval bowl with flared border and chased floral decoration, the stem with scroll and foliate motifs, oval cartouches to either side, with one engraved LUCIFER, the leaf clasped terminal of scroll outline 40cm long, 7.4oz Provenance: Scottish Silver, Lyon & Turnbull 14th August 2012, lot 495 Note: Since being originally offered for sale research has proven this ladle was indeed presented a horse racing prize.

Lucifer was a much-celebrated horse from the Whitworth and Hambleton Mare, born in 1813. On 11th October 1819 it is recorded Lucifer won the Edinburgh & Caledonian Hunt Meeting 100 guinea prize race over six miles. The prize is recorded as a gold cup to the value of 100 guineas but had been funded by fourteen subscribers (presumably the horse owners) each adding 10 guineas meaning the prize fund outweighed the cost of the cup. This extra 40 guinea prize money was likely used to buy further silver or gold plate which this ladle would appear to be part of.

Lucifer was later renamed Clootie, around 1820, and died in 1821. His death is recorded in the Sporting Magazine stating that “he had been quite well the night before” Other presentation ladles such as this have been recorded but few bear the name of the winning horse making this a rare documentary survival.

£1,500-2,500

315

314 A GEORGE IV SILVER MOUNTED WOODEN QUAICH PETER AITKEN, GLASGOW 1823 of traditional form with waisted lugs, the applied mounts with foliate borders, raised on a circular foot with similar applied border 10cm across lugs

£300-500

88

321

316 Y

320

A GEORGE III WATER POT

A GEORGE III SWING HANDLED BREAD BASKET

WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1814

WILLIAM PEAT, EDINBURGH 1814

the baluster body with fluted lower section and waisted upper neck with S scroll spout and angular handled and domed hinged cover

of oval form, heavy cast gadrooned and shell border, deep bowl with crest, motto and italic HMN to centre, raised on an oval foot with gadroon border, the handle similarly decorated with crest, motto and initials to the bowl 24cm across, 36.2oz

23cm high, 34oz

Heraldry: With the crest and motto for MacNeil of Barra

With non-transferable CITES self-certification number 4EVAEKTS

£2,000-3,000

£600-800

321

317 A SET OF SIX GEORGE III SALTS GEORGE MCHATTIE, EDINBURGH 1811 each of oval form with gadrooned border, engraved motto and crest for the Erskine clan to body, raised on an oval foot (6) 9cm wide, 14oz

£300-500

318 A GEORGE III WINE FUNNEL DICK & MCPHERSON, EDINBURH 1804 of typical plain form with curved spout 11cm long, 1.5oz

A SET OF FOUR GEORGE III SALTS WILLIAM ROBERTSON each of navette outline with silver-gilt bowls, the body engraved with crest and mott, raised on a spreading oval foot (4) 6.5cm high, 9.4oz (combined)

£300-500

322 A GEORGE III BOWL JAMES MCKAY, EDINBURGH 1809 of hemispherical form with applied floral border, engraved italic F to centre, raised on a circular foot 13.5cm diameter, 11.5oz

£800-1,200

£400-600 320

319 A MATCHED GEORGE III WINE FUNNEL AND STAND WINE FUNNEL W & P CUNNINGHAM EDINBURGH 1820, of single piece form with wide bowl and curved spout, the stand J McKay Edinburgh 1817 of dished circular form with gadrooned rim (2) Funnel 12cm high, stand 10cm diameter, total weight 3.8oz

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

89

323 A GEORGE III TWIN HANDLED CUP HOWDEN, EDINBURGH 1808 the tapered bowl with engraved foliate border to rim and presentation engraving to centre, ‘The Friends of/ the Revd Dr George Lawson/ to the Revd Dr William Laurence Brown/ principal of Marischal College Aberdeen./ under whose auspices literary merit in a dissenter resident in Scotland has been awarded with literary honours’ with angular handles, raised on a spreading circular foot with engraved borders 25cm high, 26.7oz

£800-1,200

324 Y A MATCHED GEORGE III THREE-PIECE TEA SERVICE 323

ADAM ELDER AND ROBERT KEAY, EDINBURGH 1801 the teapot Adam Elder, the twin handled sugar basin and milk jug Robert Keay (of Perth), each of circular outline, heavily embossed floral decoration to body with vine border to rim, vacant cartouches to either side of the body, C-scroll handles, the teapot with ivory insulators, all with leaf clasped and floral decoration, budding finial to teapot, each raised on a circular foot (3) 19cm high teapot, 51oz (combined) With non-transferable CITES self-certification number F63ZL9WC

£800-1,200

325 A PAIR OF GEORGE III GRAVY SPOONS J HEWITT, EDINBURGH 1783 (one struck maker’s mark only four times), of Old English pattern with crest and motto to terminal (2) 33cm long, 6oz (combined)

£250-350

326 A GEORGE III SUGAR BASIN AND MATCHED COVER WILLIAM & PATRICK CUNNINGHAM, EDINBURGH 1784/5 of urn form, engraved floral garland border with an engraved oval cartouche and initials to centre, motto and crest engraved to other side, to a circular foot with beaded border, the pull off cover, with Bright-cut engraved decoration and a knopped finial 23cm high, 11.5oz

£400-600

327 A GEORGE III SNUFF BOX PATRICK ROBERTSON, EDINBURGH 1781 326

of oval outline, engraved foliate borders, engraved inscription to center ‘...GUILLEM FERGUSSON...ARMIGERI’; together with another similar, James & Walter Marshall, Edinburgh 1785, the hinged lid with engraved motto AVISE LA FIN above a dolphin for clan Kennedy (2) 8.5cm wide, 4.6oz (combined) The Kennedy Clan’s seat was Culzean Castle in Ayrshire

£400-600

90

334

328

331

333

A PAIR OF GEORGE III SHOE BUCKLES

A GEORGE III DISH CROSS

A GEORGE III BEAKER

FRANCIS HOWDEN

J HEWITT, EDINBURGH 1767

THOMAS ANDERSON, EDINBURGH 1767

part Edinburgh marks (date letter lacking) of arched rounded rectangular form with rosette head and interlace borders within a reeded frame, with steel hinged buckle, the border engraved ‘JH 1787’ (2)

of conventional form with four supports hinged around a central circular section with four adjustable pierced shell feet and supports

of simple tapered cylindrical form with engraved foliate initials to front

29cm wide, 12oz

332

Note: Work by Thomas Anderson is scarcely found, he is only recorded working for four years between 1764 – 1770, for a Hash spoon bearing his mark see Scottish Silver & Applied Arts Lyon & Turnbull 12th August 2015 lot 413

A GEORGE III WARWICK CRUET FRAME

£350-500

£400-600

7.2cm wide, gross weight 4.1oz

£300-500

329 AN 18TH CENTURY SCOTTISH PROVINCIAL SNUFF BOX

WILLIAM DEMPSTER, EDINBURGH 1767

8cm wide

with London part marks as well, the cinquefoil base with finely pierced and engraved scrolling foliage with hunting horns, hounds and lyre, and gadrooned rim, with engraved crest and motto, with cast central stem with scroll handle, with five cut crystal bottles with hinged spouts and domed covers

£120-180

27cm high, stand 18oz

ROBERT GRAY, GLASGOW CIRCA 1780 the polished cow horn with fluted sides, the silver hinged lid engraved with foliate initials MA

330 A GEORGE III SOUP LADLE EDINBURGH CIRCA 1770S of Onslow pattern, Viscount’s coronet above italic D engraved to reverse of terminal 31cm long, 5oz

£200-400

10cm high, 4.6oz

Heraldry: The Crest of Sinclair of Stevenson, Co. Haddingtonshire and Murkle, Co. Caithness Crest: A griffin’s head erased proper Motto: Candide sed caute [Candidly and cautiously] Given the evidence of the date of hallmarking of this Warwick Cruet we may assume that it was in the possession Sir John Sinclair of Stevenson (died 13th February 1789), the 6th Baronet.

£400-600

334 A GEORGE III TWIN HANDLED CUP JAMES WELSH, EDINBURGH 1766 the deep bowl with a waisted girdle, engraved crest and motto to upper body, leaf clasped S-scroll handles, raised on a domed circular foot with engraved inscription ‘this cup and four candlesticks (date 1742) are presented to the Hon Dorothy Smith Barry, on her 21st Birthday April 14th 1915, by Lord Barrymore’s Marbury tenants’ 17cm high, 26.5oz

£800-1,200

91

335

335

338

340

A PAIR OF GEORGE III COASTERS - NEW CLUB INTEREST

A GEORGE II HASH SPOON

A GEORGE II SAUCE BOAT

ROBERT GORDON, EDINBURGH 1755

JAMES WELSH, EDINBURGH 1753

Assay Master Hugh Gordon, of Hanoverian pattern

Assay Master Hugh Gordon, of slight baluster form with everted scalloped rim and wide pouring spout, the body engraved with crest and moto, with leaf capped S scroll handle and shell capped scroll feet

JOHN MCDONALD, EDINBURGH date letter lacking, each of circular outline, stepped rim, engraved garter with ‘NEW CLUB’ to centre, numbered 1 and 2 respectively (2) 11cm diameter, 90g combined

£500-700

336 A SET OF FIVE GEORGE III DESSERT SPOONS

36cm long, 6.4oz

£600-800

339 A GEORGE II MUG

19cm long, 9.3oz

BENJAMIN COUTTS, EDINBURGH 1754 Assay Master Hugh Gordon of baluster form, the S scroll handle with simple thumbpiece, raised on a flared foot 8cm high, 4.93oz

£1,200-1,800

Given the date of hallmarking this sauce boat was either in the possession of Major John Maxwell of Cardoness in the County of Kirkcudbrightshire (born 5th April 1700 died February 1754) or one of his four sons The Maxwells of Cardoness were a cadet branch of the Maxwells of Calderwood in the County of Lanarkshire.

of Hanoverian pattern, italic initial engraved to reverse of terminal (5) 17cm long, 5oz

£250-400

337 A GEORGE III CASTER HUGH PENMAN, EDINBURGH 1762

15cm high, 4.2oz

Crest: A man’s face affronty with two branches of laurel disposed in orle all proper Motto: Think on

PATRICK ROBERTSON, EDINBURGH 1766

Assay Master Edward Lothian, of baluster form, beaded waist and engraved crest and motto, the pull off pierced lid with knopped finial

Heraldry: The Crest of Maxwell of Cardoness

339

Note: James Welsh marks along with James Mitchell’s are the only maker’s marks in Scotland to include a figure within the punch. It has long been debated what these figures are holding, a bag of coinage, precious metal, or tool of the craft, There seems little doubt it does signify a connection with the craft and trade.

£300-500

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

92

342 A MID 18TH CENTURY CHAMBER STICK EDWARD LOTHIAN, EDINBURGH 1745, ASSAY MASTER HUGH GORDON 342

the central sconce set to a simple dished base with C scroll handle with plain thumbpiece, raised on three ball feet, the underside engraved with foliate initials base 12cm diameter, 6oz Provenance: Jacobite, Stuart, and Scottish Applied Arts, Lyon & Turnbull, 13th May 2015, Lot 97 Note: Although the nation was in turmoil and rarely had Scotland or the United Kingdom been such an uncertain place, it is interesting to see the fashion of commissioning silver still active in 1745. Life must go on and perhaps the commissioner’s intent was not only to have another piece of fine silver plate for his home, but also have his wealth in an easily portable form should the uprising and rebellion go the wrong way.

£1,200-1,500

341

343

A GEORGE II TABLESPOON - BREADALBANE INTEREST

A GEORGE III SALVER

KERR & DEMPSTER, EDINBURGH 1747

JAMES WEMYSS, EDINBURGH 1744

Assay master Hugh Gordon, of Hanoverian pattern, engraved Breadalbane to reverse of stem; together with another similar, James Kerr, Edinburgh 1734, engraved Breadalbane to stem and engraved initials to reverse of terminal and one further, David Marshall, Edinburgh 1789 with the same initials engraved to reverse of terminal, all of Hanoverian pattern (3)

Assay Master Hugh Gordon, of moulded square outline with stylised canted edges, the dish with an engraved floral and shell border, armorial engraved to centre, raised on four hoof feet

21cm long, 6.3oz (combined) Provenance: Highly likely the collection of Gavin 1st Marquess and 7th Earl of Breadalbane.

£400-600

26cm across, 17.4oz Note: This salver of unusual form seems most likely to have been a stand for a spirit kettle or possibly even a rare ovoid coffee urn. The shape would allow the three feet to stand while leaving space for the cup.

While it differs from the only known original stand still with its coffee urn the theory is backed up circumstantially as Wemyss is one of the small handful of makers producing this style, see Silver; Made in Scotland, National Museums Scotland item 1.7 for the only known example by his hand.

£2,000-3,000

344

93

343

344

345

Y

A GEORGE II BULLET TEAPOT

A GEORGE II WAITER

DOUGAL GED, EDINBURGH 1736

JAMES KER, EDINBURGH 1728

Assay Master Archibald Ure,, of traditional form, crest to centre for the Crawford family with motto TUTUM TE ROBORE REDDAM above, an engraved floral border to rim of hinged lid and outline, with a straight spout and S scroll handle, raised on circular stepped foot

Assay Master Edward Penman, of shaped circular outline with moulded scalloped border, raised on three scroll and hoof feet

16cm, high, 15.7oz

19.5cm across, 7.5oz

Heraldry: The Arms of Crawfurd

£500-800

Arms: Argent an hart’s head erased sable armed or distilling blood proper in the dexter chief a mullet (……?)1 Crest: A hart salient (……?)

Motto: Tutem te robore reddam [I will render you safe by my strength] Presently it appears that these armorial bearings were not matriculated at the Lyon Court in Edinburgh.

This may well have been an oversight by the gentleman, or his family concerned.

With non-transferable CITES self-certification number JHQB4C7W

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

346 AN IMPORTANT SET OF THREE OCTAGONAL GEORGE II CASTERS EDWARD PENMAN, EDINBURGH 1728 comprising one large and one small pierced caster and a matching ‘blind’ small caster of baluster panelled octagonal form with moulded girdle and crest and motto engraved above, raised on stepped octagonal domed foot, the pull off covers with chased and pierced with alternating panels of floral lattice work and scrolls, with compressed urn finial (3) 21cm and 17.5cm high, combined weight 35oz Provenance: Scottish Silver & Accessories, Lyon & Turnbull 13th August 2014 lot 414 Private Collection, Edinburgh Heraldry: The crest and motto of Colville for Lords Colville of Culrose and of Ochiltree.

£6,000-8,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Casters were likely more often supplied as pairs and it is very rare to find complete original sets of three such as this. Even more so when the ‘blind’ caster remains present and unpierced. When fashions changed the need for a ‘blind’ caster was proceeded by having three pierced examples and as the overall style of the casters changed less than their use it was possible to have the blind examples pierced later to ‘match’, rather than commission a whole new set in a more modern style.

These casters display another scarce feature in Scottish silver of this date being octagonal, while it was a style fashionable in London it appears not to have taken hold as strongly in Scotland and pieces are scarce.

It is tempting to consider the maker of these pieces not being Edward Penman, as the maker’s mark appears to be lacking, however as has been noted and discussed before the apparent lack of the maker’s mark likely means the Assay Master and maker were the same person. If it were considered that the maker’s mark is lacking the maker would likely be considered Henry Beathune of Edinburgh whose hand is seen to have more octagonal work than any other maker. In addition, the scale and gauge of these pieces follows the quality seen throughout his work.

95

347 A GEORGE II AND GEORGE III COMMUNION SET the beaker Edward Vincent London 1726, the paten Lothian & Robertson of Edinburgh circa 1760 (maker’s mark only), the simple tapered beaker with flared foot and gilded interior, the paten with reeded rim and simple collet foot, all housed in a Victorian fitted leather case Beaker 7cm high, 3.2oz, paten 11cm diameter 3.1oz

£400-600

348 348

A GEORGE I MUG CHARLES DUNCAN EDINBURGH 1726, Assay Master Edward Penman, of slight baluster form with engraved initial WG / LP, the S scroll handle with plain thumbpiece and the whole raised on a simple flared collet foot 8cm high, 5.3oz

£1,200-1,800

349

349 A SCARCE GEORGE I APPLE FORMED TEAPOT JAMES MITCHELSON, EDINBURGH 1722 of simple tapered apple form, the flat lid with moulded hinge and acorn finial raised on a domed foot, with silver S scroll handle with wooden insulators and a tapered straight spout 11.5cm high, 18.6oz Provenance: Thomas Lumley, London 1958 Sotheby’s New York, 23rd April 1993 lot 299

350

350 A LARGE GEORGE I TUMBLER CUP JOHN SEATOUN, EDINBURGH 1721

Private Collection, Edinburgh

Assay Master Edward Penman, of traditional form with tapered bowl and rounded base, engraved to body with crest and motto and initial to reverse

Exhibited: Royal Ontario Museum, Canada

8.7cm diameter, 3.4oz

References: Compendium Scottish silver, Volume 2, R & J Dietert, page 459

£1,200-1,800

Scottish Silver & Accessories, , Lyon & Turnbull 13th August 2014 lot 420

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96

351 A GEORGE I OCTAGONAL SUGAR CASTER MUNGO YORSTOUN, EDINBURGH 1716 351

Assay Master Edward Penman, the octagonal baluster form with stepped foot, the pull-off cover pierced and engraved with scrolls and octagonal vase finial 21.5cm high, 10.3oz Provenance: Mr. Stefan Edlis collection Important Silver And Objects of Vertu, Christies New York, 21st October 2011 lot 208 Private Scottish Collection

£2,000-3,000

352 A PAIR OF GEORGE I TABLESPOONS JOHN SEATON, EDINBURGH 1712 Assay Master Edward Penman, of Hanoverian pattern with initial IS / MW to reverse of terminal, the bowl with long slender rat tail (2) 20cm long, 4.75oz

£400-600

353 A QUEEN ANNE MUG LIKELY EDINBURGH 1705 of slight bellied form with S scroll handle and flared simple foot, the underside engraved with traces of double engraved initials 8.5cm high, 4.98oz

£2,000-3,000

353

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

JACOBITE WORKS OF ART

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354 JACOBITE RISING OF 1715; JOHN ERSKINE, 22ND OR 6TH EARL OF MAR, & JACOBITE DUKE OF MAR (1675-1732) PROCLAMATION OF JAMES FRANCIS EDWARD STUART AS KING JAMES VIII, BRAEMAR, 7 SEPTEMBER 1715 Single bifolium written on two sides (in a secretarial hand), with Mar’s autograph signature (‘Mar’) and red wax seal at foot, docketed ‘To the Right Honorable the Lord Haddo, 7th Septem[be]r 1715’, old folds Note: The sole identified extant manuscript copy of the document known to posterity as the Earl of Mar’s ‘letter to the gentlemen of Perthshire’, issued in his capacity as commander-in-chief of the forces of ‘our rightful and natural king James the 8th’ the day after the raising of the Stuart standard at Braemar, and instructing recipients to take up arms in support of the Jacobite cause.

The content of the letter is summarised in a handful of accounts including Robert Chambers’s History of the Rebellions in Scotland (Edinburgh, 1829), p. 187, and printed in full in Cowan, The Ancient Capital of Scotland: The Story of Perth from the Invasion of Agricola to the Passing of the Reform Bill (London, 1904), volume 2, chapter 21. In addition to a call to arms, it contains an instruction to ‘source what arms and ammunition are in the hands of suspected persons’, and a warning to ensure that troops ‘commit no plundering nor disorders upon the highest penalties and [James’s] displeasure’. It pre-dates by a two days another proclamation, often printed in accounts of the Fifteen since the 18th century and differing substantively only in its second paragraph, which contains the specific instruction to muster at the ‘Inver of Braemar, on Monday next’.

This copy is addressed to William Gordon, Lord Haddo (1679-1745), the future second Earl of Aberdeen, who was suspected of negotiating with the Whigs after the Hanoverian succession and during the Fifteen ‘let the Jacobites down badly by fleeing to Edinburgh, thus earning the contempt of those who had previously trusted him and indeed in some cases had been “much guided by his sentiments”’ (History of Parliament, online). The conduct of Mar himself has been described by one authority as ‘marked with a disastrous combination of chronic indecision and strategic incompetence’ (Macinnes, Clanship, Commerce and the House of Stuart, 1996, p. 200).

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

99

355 JACOBITE INTEREST MEMOIRS OF THE LIFE AND MINISTERIAL CONDUCT ... OF THE LATE LORD VISC. BOLINGBROKE London: R. Baldwin, 1752. First edition, 8vo, contemporary calf, contemporary ownership inscription ‘James Hepburn’ on the title-page, later annotation ‘The autograph on the title page is that of my great grandfather, James Hepburn of Keith, Marischal, who was engaged in the Insurrection of 1745. J. Hepburn’ to front free endpaper, 19th-century bookplate of James Hepburn to front pastedown, binding rubbed, loss to spine-ends, front joint cracked but holding [ESTC N4592].

Together with Duncan Stewart, A Short Historical and Genealogical Account of the Royal Family of Scotland, 1729 (first edition, 4to, contemporary calf, rebacked and recornered engraved folding genealogical table (holes to folds), browning, 3 leaves of manuscript genealogical notes laid in, probably 19th century), and 12 pamphlets, 18th-century, all but one disbound (these not fully collated), including: An Answer of a Barrister at Law to to Curate of En-, concerning the Birth of a Suppositious Child, 1713 [ESTC T21968];Copy of what Dr. Archibald Cameron to have delivered to the Sheriff of Middlesex at the Place of Execution, 1753, first edition, repairs [ESTC T34168: 13 copies, all but one in UK]; [Stuart, James Francis Edward], A Collection of Declarations, Proclamations, and other Valuable Papers, published by authority at Edinburgh, in the years 1745 and 1746, re-printed in the year 1748 [ESTC T163990]; John Withers, The Perjury and Folly of the Late Rebellion Display’d, third edition, 1716 [ESTC T174968: six copies]; True Copies of the Papers wrote by Arthur Lord Balmerino [and others], and delivered by them to the Sheriffs at the Places of their Execution, [London, c.1746], with approx. 30 pp. early manuscript notes at rear including ‘The last dying speech of Robert Lyon’, ‘The last dying speech of Captain Donald MacDonald’, 18th-century ownership inscriptions, ‘receit to cristlarise wine glass of nitric acid’, etc. [ESTC T51840]; and similar (14)

356

spotted, old folds and ink-smudging; together with an anti-Jacobite poem (‘I ever have denied / To be on James’s side’; on a single sheet).

Note: A fascinating primary source for the use of coded letters by the crown’s agents during the reign of Queen Anne, on this evidence preoccupied with counteracting the Jacobite threat. There is a potential connection to the great mathematician and cryptographer John Wallis (1616-1703), who acceded to the newly created position of official decipherer to the secretary of state under William III in 1701, and continued in the post under Anne until his death two years later.

Note: James Hepburn of Keith (1691-?) was involved in the 1715 Jacobite rising as part of the troops raised by the Earl of Winton in East Lothian.

The dramatic style in which he swore allegiance to Prince Charles Edward Stuart three decades later was vividly described by Sir Walter Scott in Tales from a Grandfather:

£500-800

’As the Prince entered the door of the palace of Holyrood, this gentleman stepped from the crowd, bent his knee before him in testimony of homage, and, rising up, drew his sword, and, walking before him, marshalled him the way into the palace of his ancestors. Hepburn bore the highest character as the model of a true Scottish gentleman. He, like Lord Elcho, disclaimed the slavish principles of the violent Jacobites; but conceiving his country wronged, and the gentry of Scotland degraded by the Union, he, in this romantic manner, dedicated his sword to the service of the Prince who offered to restore him to his rights’ (1842 edition, volume 3, p. 195).

MAP OF CULLODEN MOOR

£300-500

356 JACOBITE RISING OF 1715 CRYPTOGRAPHIC KEY, C.1702-14 Manuscript in brown ink on single sheet of laid paper (30 x 10.7cm), in two columns, with alphabetic substitution code on left (A=3 etc.), and symbolic substitution code on right, the latter providing ciphers for the names of all the major figures in British politics during the reign of Queen Anne, including the Queen herself (‘Qn’), the Duke of Marlborough, the Earl of of Oxford, the ‘Pretender’, the Earl of Mar, the Duke of Ormond, Lord Haddo, and similar, and for other key words including ‘peace’, ‘war’, ‘Highland’, ‘Presbytry’ (sic), etc., slightly

357 JACOBITE RISING OF 1745 J. Gowie. Edinburgh: W. Forrester, 1846. Folding linen backed map ‘Map of Culloden Moor and part of the Adjacent Country, on which are laid down the different Roads leading to the Field of Battle fought on the 16th April 1746., 72.5 x 51cm, original red cloth covers £300-500

358 JACOBITE HISTORY FIVE WORKS comprising: Petrie, Charles. The Jacobite Movement. 1948, 8vo, green half morocco gilt, t.e.g.; Forbes, Robert Jacobite Memoirs of the Rebellion of 1745. 1834, 8vo, light brown panelled morocco gilt, t.e.g.; Aytoun, W.E. Lays of the Scottish Cavaliers. 1865. 4to, illustrations, red morocco gilt with blue onlays, g.e.; Aytoun, W.E. another copy, 1849, 8vo, red half morocco gilt, t.e.g.; Ridpath, George The Border-History of England and Scotland. 1776. 4to, original boards, uncut, title browned, upper cover detached (5) £300-400 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

100

360 JACOBITE RISING OF 1745 RARE BROADSIDE PROCLAMATION, HOLYROOD HOUSE, 9 OCTOBER 1745 Single half-sheet, woodcut headpiece and initial, text commence ‘Charles Prince of Wales, etc.

Regent of Scotland, England, France and Ireland, and Dominions thereunto belonging. Charles P. R. Whereas we are certainly informed. That the Elector of Hanover has taken upon him to summon a Parliament to meet at Westminster of Thursday the Seventeenth of this instant October; We hereby warn and command all His Majesty’s Liege Subjects ... to pay no Obedience to any such Summons ...’, mounted, framed and glazed, mount aperture 302 x 194 mm, creases and tape repairs [ESTC T30512]

359

Previously at Letterfourie, Morayshire Note: Rare and important broadside issued

by Prince Charles Edwart Stuart while holding court at Holyrood and building up his forces for the march on London. It announces the end to any amnesty previously offered to Hanoverian loyalists and declaring that any individuals accepting the summons of George II to attend a meeting of parliament on 17 October ‘shall be proceeded against as traitors and rebels to their King and Country’. ESTC traces seven copies only in libraries world-wide.

359 JACOBITE RISING OF 1745 ’LIST OF VOLUNTEERS’, 1745 Manuscript list of volunteers (p.2-10), preceded by statement ‘As a Petition has been presented a few days ago to the Right Hon.ble, the Lord Provost & Magistrates of Edinburgh Subscrib’d by a Considerable number of Citizens of known affection To His Majesty King George the Second, Craving amongst other things to be allowed to appear in arms as Volunteers under proper Officers in defence of the Good Town against any attempt that may be made upon it by the Rebellious Army now assembled under the son of a Popish pretender. Which Petition has been by the Honourable Magistrates laid before his Majesty’s Advocate and Sollicitor Who have given their opinion in writing that it is lawfull and that those Citizens and Inhabitants who do enter themselves Volunteers for the said pruposes Will incurr no penalty of Law, and the Lord Provost having acquiesced in the same when the opinion of the Crown Lawyers, Therefore we subscribing hereby Declare that we are ready and willing to Serve as volunteers and do by their presents inlist ourselves as such in the same manner as set forth in the said Petition and do concurr with our FellowCitizens in the haill purposes therein contain’d, tho not here expressly and particularly mentioned Done at Edinburgh this ninth day of September in the year of our Lord one thousand seven hundred and forty Five’, 10 pages, folio, (31 x 19cms.), rectos only, the list of names commencing with John Drummond, late provost of Edinburgh, and including numerous named Writers, merchants, jewellers, Students of Divinity, goldsmiths, booksellers, preachers, doctors, advocates, surgeons, Sheriff Clerks, Students of Medicine and Physics, printers, weavers, dyers, clerk to the Post Office, physicians, Excise officers, chandlers, book-binders, shoe makers, candle makers, brewers, wig makers, glove makers, teachers, limners, pewterers, watch makers, constables, masters of the High School, French and Italian master, wrights, upholsterers &c.

£500-700

Note: An interesting compilation of the leading anti-Jacobites in Edinburgh at the beginning of the 1745 Rising. On 4th September, two days before this list appears to have been drawn up, the Jacobite army took Perth. On 16th September Edinburgh was taken by the Jacobites without a fight, although Edinburgh Castle remained in government hands, indicating the resolve of those on the list was not the strongest although Drummond himself again joined the army, and was present at the battle of Prestonpans. During his life he was six times elected Lord Provost of the city.

£700-1,000 360 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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361 SCOTTISH MUSIC REEL BOOK OF ELIZABETH ROSE OF KILRAVOCK, C.1766 Music manuscript, [48] ff. (16 x 20.6cm), on laid paper, written in brown ink, mainly on rectos only, containing some 75 pieces in total, 6 staves to the page, ownership inscription ‘El. Rose, Kilravock Castle, Decr, 27th 1766’, to front free endpaper, bound in contemporary quarter calf, drab paper sides, binding worn and marked, f. [26] with closed tear, a few short closed tears elsewhere Note: A substantial primary source for the history of traditional Scottish music and its most iconic dance, the strathspey, an insight into the music enjoyed by a woman at the heart of the flourishing of Highland culture in the 18th century, and a rare survival from the formative period in which Scottish reels first began to be recorded and published.

Belonging to a young Elizabeth Rose, 19th of Kilravock (1747-1815), the manuscript contains some 75 individual pieces, of which ten are identified as strathspeys, three as ‘rants’, and the rest as reels. Around a third of the pieces (27 in total) have titles in Gaelic, which, together with several pieces with generic titles (including seven simply titled ‘A Strathspey Reel’), are inevitably elusive in the published record. Many of the tunes appear in the earliest printed collections of reels and are now well known, such as ‘The Duke of Perths Reell’, and ‘The Fir Tree a Stratchspey [sic] Reell’, both printed in Robert Bremner’s A Collection of Scots Reels or Country Dances (c.1757), ‘Lord Albremarle [sic] his Reell’ (John Johnson, A Choice Collection of 200 Favourite Country Dances, 1744-51), and ‘Miss Katy Gordon of Earlstons Reell’ (John Riddell, A Collection of Scots Reels, Minuets etc. for the Violin of c.1766).

As the Roses of Kilravock were supporters of the Hanoverian succession, an

especially interesting inclusion is ‘The Sows Teal to Gordie a Reell’, a lampoon of Sophia Charlotte von Kielmansegg, half-sister and reputed mistress of George I; James Hogg included the words in his Jacobite Relics of 1819.

The manuscript pre-dates Angus Cumming’s A Collection of Strathspey, or Old Highland Reels (1780), ‘the earliest collection of strathspeys by a native of the area’ (Lamb, p. 73), and coincides with the gradual formalisation of the strathspey during the 18th century: ‘The earliest written tune in strathspey rhythm is ‘Macpherson’s Testament’, in the 1710 Sinkler manuscript [now at the National Library of Scotland]. Although the snap is missing from the original notation … it would have been present in performances of the tune. The Menzies manuscript of 1749 [now at the A. K. Bell Library in Perth], which describes a set of dance figures, gives us the first mention of the word ‘strathspey’ in connection with a specific type of music or dance: two selections are described as ‘strathspey reels’. The first compositions clearly exhibiting both snaps and dots, and called ‘strathspeys’, are two items in [James Oswald’s] The Caledonian Pocket Companion [12 vols, 1743-59] … named ‘A New Strathspey Reel’. Finally, Bremner’s 1757 collection gives us the first anonymous tunes described as strathspeys, such as “Let’s to the Ard” (Lamb, pp. 67-8) The manuscript is not apparently in Elizabeth’s hand and may have been presented to her by a music tutor or other acquaintance, perhaps the Duncan Campbell to whom five reels are attributed, including ‘Miss Roses Reel by Duncan Campbell’, written in A major using AEAE scordatura; a violin retuned in this manner produces greater resonance in the key of A, in which the bagpipes (banned under the 1746 Act of Proscription) are conventionally notated. Another insight into contemporary performance is provided by ‘Jennie Jo a Reell’, which includes the direction to ‘Touch ye violin with the bow 4 times’, with a drawing of a violin indicating the points to be struck.

The National Library of Scotland holds a set of four part-books from Kilravock preserving otherwise unknown chamber music by Thomas Erskine, Earl of

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Kellie (Acc.10303), together with three further volumes of pieces by various composers including Handel, Corelli and Arne (Acc. 11420). As of June 2022 Elizabeth Rose’s commonplace book was for sale with a leading member of the London rare-book trade.

Provenance: Elizabeth Rose, 19th of Kilravock (1747-1815) succeeded to the head of the family in 1782, becoming an influential hostess and correspondent, and developing Kilravock’s reputation for music-making and as a focal point of Highland culture.

Prince Charles Edward Stuart was entertained at Kilravock by Elizabeth’s father Hugh, 17th of Kilravock, on 14 April 1745, two days before the Battle of Culloden, his visit followed by one from the Duke of Cumberland, as recounted by antiquary Cosmo Innes in a history of the Rose family published in 1848: ‘When Prince Charles Edward rode out from Inverness eastward, to support his party retiring from the fords of Spey before Cumberland’s army, he stopped at the Castle of Kilravock, and was received there with becoming respect. He made himself very agreeable – asked to see the children, kissed each of them, and praised their beauty. Observing a violin, he inquired if the Laird played, begged a tune, and of course was pleased ... The following day was the Duke of Cumberland’s birth-day, and he spent it at Kilravock, and lay there that night. He remarked, “you have had my cousin here!” But when the Laird would have apologized, on the ground that he had no means of resistance, the Duke stopped him, and said he had done quite right – that he could not refused to received Charles Edward, and receiving him, he must treat him as a Prince. Next day the “cousins” met at Culloden! Such is the tradition of the house’ (p. 415) Robert Burns visited Elizabeth at Kilravock twice, in 1787 and 1788, and wrote afterwards to thank her sending him the music for two reels he had heard during his stay there. Innes’s work contains a character sketch of Elizabeth which emphasises her literary and musical interests:

‘She … was a great letter-writer … the choice companion, the leader of all cheerful amusements, the humorous story-teller, the clever mimic, the very soul of society … Everything literary – every one connected with literature – was ranked unreasonably high. She was content to admire and to praise as her literary guides directed … Still, in a very country where there was little learning in either sex, her extensive reading gave her a certain pre-eminence, which she never sacrificed in society by any pedantry or blue-stocking affectations … Without being an accomplished musician, for she was almost self-taught, she had music to charm wherever she came. She sung the airs of her own country, and she had learnt to take a part in catches and glees to make up the party with her father and brother.

The same motive led her to study the violin, which she played like male artists, supported against her shoulder. The guitar she learned, to humour her dear old Uncle Clephane, and she continued it to delight all her friends. The spinet and guitar were here companions in all her changes of abode and changes of fortune, which she loved to write of as great and disastrous … none who came within her sphere escaped the fascination of her attraction’ (pp. 469-71).

Literature: Johnson, David, ‘Music’, The Edinburgh History of the Book in Scotland. Volume 2: Enlightenment and Expansion, 1707-1780 (Edinburgh: Edinburgh University Press, 2012), pp. 585-94.

Innes, Cosmo (ed.), A Genealogical Deduction of the Family of Rose of Kilravock, with Illustrative Documents from the Family Papers, and Notes (Edinburgh: Spalding Club, 1848).

Lamb, William, ‘Reeling in the Strathspey: The Origins of Scotland’s National Music’, Scottish Studies, vol. 36, 2013, pp. 66-102.

Purser, John, ‘Here’s why the Kilravock fiddle manuscript is so significant’, The National, 2 June 2019.

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

104

362 A 19TH CENTURY HALF-LENGTH PORTRAIT MARY QUEEN OF SCOTS (1542-1587) SCOTTISH SCHOOL oil on canvas, in an embroidered red dress, a jewelled headdress and pearl necklace with a crucifix pendant, in a feigned oval 74 x 60cm Previously at Letterfourie, Morayshire

£1,500-2,500

363 Y FRENCH SCHOOL, A NOBLEWOMAN, PROBABLY MARY QUEEN OF SCOTS (1542-1587) 17TH CENTURY the sitter wearing a black dress, cut square at the breast, the sleeves decorated with white bows and jewels, the bodice decorated with further jewels and a cross, starched white ruff colar, a pink lined cap over her auburn hair, pearls at her neck and waistband, within a gold border; watercolour on vellum stuck to card, within a gilt metal frame, the reverse with ivory panel inlaid with tortoiseshell and silver pique work (1) 10.5cm high, 7.5cm wide With non-transferable CITES self-certification number APCVN6ZB

£1,500-2,500

364 A SILVER STUART/ JACOBITE SUPPORTERS BADGE 17TH CENTURY

by T Rawlins, the oval medallion with left facing portrait bust of King Charles I within shaped reeded borders, the reverse with full Royal arms within garter and crowned, with integral suspension loop 33mm high Note: Various Stuart supporter’s badges such as this were created from the 1660’s when Charles I was overthrown and latterly beheaded. Worn by supporters of the Stuart royal family they would have been hidden under clothing and a highly personal accessory. They were presumably only shown to other supporters or to back up a person’s claim to be a supporter. Their use and significance took on a further role with the ousting of King James and the growing Jacobite cause.

For a similar silver gilt version see Scottish Works of Art & Whisky, Lyon & Turnbull, 12th August 2020 lot 371

£800-1,200

105

365 A MID 18TH CENTURY RARE CONTINENTAL ENAMEL HIDDEN PORTRAIT SNUFF BOX the circular snuff box with reeded rims, tartan decoration to hinged lid, body and base, the interior lined with mother of pearl discs to base and inner lid, the interior of lid with oil on copper half-length portrait of Prince Charles Edward Stuart 6.7cm diameter Provenance: Stobhall, The property of Viscount Strathallan, Bonhams Edinburgh, 2nd May 2012, Lot 70

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

366 A MID 18TH CENTURY JACOBITE ENAMEL PORTRAIT SNUFF BOX PRINCE CHARLES EDWARD STUART the circular snuff box with silver rims, plain enamel decoration to the hinged lid and body with a simulated tortoiseshell base, the interior of the lid with a halflength portrait of Prince Charles Edward Stuart, after Sir Robert Strange 6.5cm diameter

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

367 PORTRAIT MINIATURE OF PRINCE CHARLES EDWARD STUART BY CHARLES DIXON (FL. 1748-1798) MID-18TH CENTURY in a silver filigree frame inset with eight rose cut diamonds, backed with Montrose agate and labelled SCOT. ARCH. & HIST. 1R58 I. E. G. 2cm high, 2cm wide Provenance: Threipland family collection By direct descent Fingask Castle, 26th – 28th April 1993, Christies, Lot 812 Private Scottish Collection Exhibited: The Royal House of Stuart, The New Gallery London 1889, item 682, lent by W. Murray Threipland Note: For another miniature by the same hand and from the same original collection see ‘Jacobite, Stuart and Scottish Applied Arts’ 13th May 2015 Lyon and Turnbull, lot 4

£3,000-5,000

368 JACOBITE INTEREST - A MID/LATE 18TH CENTURY MEMORIAL RING the glazed oval panel with hair formed as intertwined initials CP, in simple scalloped setting and shank Ring size: I/J, length of panel: 1.8cm Note: This ring has long been considered to be the hair of Prince Charles Edward Stuart perhaps set as a memorial to him on his death or a token from earlier in the century worn by a supporter.

£400-600

369 AN 18TH CENTURY AND LATER JACOBITE PORTRAIT MINIATURE RING UNMARKED collet set with a glazed miniature of James Francis Edward Stuart, the shoulders each with chased floral decoration Ring size: G

£1,500-2,500

108

370 JACOBITE INTEREST - A FRAMED CURTAIN SECTION 18TH CENTURY the decorated fragment with foliate and floral details, within card mount with inscription reading ‘Relic of Bonnie Prince Charlie. The above piece of Curtain from the bed in which Prince Charles Edward Stuart slept for three nights prior to the fateful Battle of Culloden Moor. This historic bed was purchased by Mr. Lawson Johnstone from the Culloden Estate and the authenticity of the relic is beyond question’, within a square oak frame relic: 6cm high, 10cm wide, frame: 22cm high, 22cm wide For a similar example see Scottish Works of Art & Whisky, Lyon & Turnbull 12th Aug 2020, lot 366 and Fine Antiques, Lyon & Turnbull, 4th Oct 2012, lot 15

£500-700

371 A GEORGE III SCOTTISH SILK PRESENTATION CUSHION FROM CULLODEN HOUSE LATE 18TH CENTURY the cream coloured silk with pins depicting Culloden House, under a hoisted flag inscribed PEACE TO CULLODEN and a dove of peace flying above. Below the house are interlocked hearts and WELLCOME SWEET BABE MAY 2ND 1780, as well as hearts and diamonds in the corners 24 cm x 17 cm Note: Forbes’ mansion house at Culloden was demolished between 1772-83. The current house was built for Arthur “7th Laird of Culloden and Ferintosh” Forbes at this time. Arthur married Sarah Stratton in 1779 and this cushion may have been made by her for her daughter Sarah Louise who was born shortly thereafter.

£400-600

372 JACOBITE INTEREST - A FRAMED PIECE OF BLUE RIBBON CONTAINED WITHIN A FRAME, SURROUNDED BY A DECORATIVE FOLIATE CUT PAPER DESIGN contained within a frame, surrounded by a decorative foliate cut paper design, marked in pen on the rear “The Pretender’s Ribbon, presented to M. Beaumont Jan. 1800 by Richd. Henry Beaumont Esq., of Whitley”. Also inscribed “The son of a Tory presents this relic to the grand delights of a truce whip C.P.W. Charles Prince of Wales, the son of a tyrant, a bigot and a papist” 18 x 21 cm [the ribbon itself measures 4 x 1.3cm] Provenance: Bonhams. The Scottish Sale, 27 Aug. 2008, lot 769 Note: Along with the Order of the Thistle breast badge worn by Prince Charles, the Garter sash is a constant reminder of his position and power within portraits. Such high levels of chivalry cement his claim and right to the throne showing his just cause.

A large section of what appears the same ribbon is within the collection of the National Museum of Scotland (H.NC57, gifted by Gilbert Innes, in 1798) For similar example see, Jacobite, Stuart, and Scottish Applied Arts, Lyon & Turnbull, 13th May 2015, lot 16

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

373 A RARE AND LARGE JACOBITE GLASS MID 18TH CENTURY the deep round funnel bowl engraved to one side with a thistle flanked by two leaves; inscribed above the thistle ‘DAMNATION TO THE UNION’ and below ‘Appin and the Cause’; inscribed to the opposing side ‘HANOVER TO THE DEVIL’; raised on a plain stem and round conical foot 18.6cm high

£3,000-5,000

Note: This rare Jacobite glass combines commonly recognised Jacobite symbols and emblems seen across the wider survival of glasses and other works of art alongside what appear to be unique mottos.

While Jacobite glasses are regularly decorated with mottos such as FIAT, REDITTE or relate to Jacobite clubs such as the Friendly Hunt the mottos to this glassware are previously unrecorded.

The combination of mottos not only shows Jacobite support but gives a clue to the identity of the original commissioner, or at least their clan. The motto HANOVER TO THE DEVIL shows the hope of the owner that the Stuart legitimacy would be recognised and the Hanoverian Kings would not only be removed from the throne but sent to the Devil. This speaks of the divine right the Stuarts held their claim, the Devil being the only ‘reward’ for taking a divinely ordained king’s place. Other glasses with the House of Hanover and the Devil are recorded, notably within the collection of Traquair House.

The motto DAMNATION TO THE UNION is overtly an anti-Union sentiment which many Scots still held by the mid 18th century. The feeling Scotland had certainly not come out of the deal positively and had been let down by the agreement made and later reneged, as they saw it, was wide spread.

Perhaps however the smaller motto of APPIN AND THE CAUSE gives us most insight. This must relate to the Stewart of Appin clan who were such staunch supporters of the Jacobite cause from the earliest days. The commissioner stating support for the clan and the cause in the same motto surely was closely connected if not the leader of the clan. Putting their right, belief and commitment to the cause as closely as that as the cause itself, in other words the Stuarts.

Sadly provenance to back this theory does not exist but it is not a motto seen elsewhere and indeed would make no sense on any other families glassware as offers support to one family not all those involved.

110

374 AN 18TH-CENTURY JACOBITE WINE GLASS the drawn trumpet bowl finely engraved with displayed rose head flanked by open and closed buds, raised on a slightly tapered stem with domed circular foot 15.5cm high, diameter of rim 5.6cm

£800-1,200

375 A SCARCE 18TH CENTURY JACOBITE DRAM GLASS the deep straight sided bowl with trailing border of open rose heads flanked by stylised buds and foliage, raised on a compressed knop and a domed circular foot 10.2cm high, diameter of rim 6.2cm

£600-800

376 A RARE PAIR OF JACOBITE SYLLABUB GLASS 18TH CENTURY the deeply tapered bowl with facetted lower section, the upper rim finely engraved with rose head and closed bud, oak leaf, open rose bud, star and FIAT, raised on a knopped stem and plain circular foot (2) 11.2cm high, diameter of rim 6.2cm Literature: For glass apparently from the same original set as this pair see Scottish Works of Art & Whisky, Lyon & Turnbull 12th August 2020 lot 357.

Note: This syllabub glass is a highly unusual form of Jacobite drinking glass. While firing glasses and wine glasses etc. are commonly recorded the number of syllabub glasses number very few

£1,000-2,000

111

377 A LARGE JACOBITE FIRING GLASS MID 18TH CENTURY the drawn trumpet bowl with engraved displayed open rose head flanked by open and closed buds with trailing rose leaves, the reverse with oak leaf, star and inscribed ‘FIAT’ above, raised on a short straight stem with enamel twist, on a thick domed foot 15.5cm high

£2,000-3,000

378 A PAIR OF 18TH CENTURY JACOBITE GLASSES the drawn waisted trumpet bowls with thick base, with air bubble inclusions, raised on a tapered mutienamel twist stem and large spreading circular foot, the bowls engraved with displayed rose head flanked by open and closed buds and moth (2) 16.5cm high, 6.7cm diameter of rim

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

112

379 A LATE 18TH CENTURY JACOBITE CORDIAL GLASS the drawn trumpet bowl above multi-air twist stem, engraved with displayed rose head flanked with open and closed buds, oak leaf, star and FIAT, on a domed circular foot 14.7cm high, 6.2cm diameter of rim

£500-700

380 AN 18TH CENTURY JACOBITE STYLE WINE GLASS the bucket bowl with engraved closed rose bud within foliage, on a thick cylindrical stem and stepped domed circular foot 17.8cm high, 5.5cm diameter of rim

£400-600

381 A LARGE 18TH-CENTURY JACOBITE WINE GLASS the deep conical bowl boldly engraved with displayed rose head flanked by open and closed buds, the reverse with oak leaf, star and FIAT, raised on a multi enamel twist stem and domed circular base 19.1cm high, diameter of rim 8.3cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

113

382 A MID 18TH CENTURY JACOBITE GLASS the bucket shaped bowl with engraved display rose head flaked with open and close buds, the reverse with engraved star, raised on a double knop air twist stem and domed circular foot 14.5cm high, 5.3cm diameter of bowl

£600-800

383 A LATE 18TH CENTURY JACOBITE CORDIAL GLASS the drawn trumpet bowl above a multi-air twist stem, engraved with displayed rose head flanked with open and closed buds, oak leaf, star and FIAT, on a domed circular foot 15.7cm, 6cm

£500-700

384 A LARGE 18TH-CENTURY JACOBITE WINE GLASS the deep conical bowl with large engraved displayed rose head flanked by open and closed buds, to the reverse a star, raised on an air twist stem with a large large upper knop 18.8cm high, diameter of rim 7.8cm

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

114

385 AN 18TH-CENTURY JACOBITE WINE GLASS The bucket bowl finely engraved with displayed rose head flanked by open and closed buds with star to reverse, raised on a plain cylindrical stem with swollen knop and raised on a domed circular foot 15cm high, diameter of rim 5.5cm

£600-800

386 AN 18TH CENTURY JACOBITE WINE GLASS the deep pan topped bowl with everted rim, engraved with trailing border of Jacobite roe head, triple buds, honeysuckle, carnation etc. raised on an air twist stem with swollen knop and domed circular foot 15.2cm high, diameter of rim 5.8cm Literature: For a similar glass see Scottish Silver & Applied Arts, Lyon & Turnbull 15th August 2018 lot 557 and pair of close compare within the Drambuie Collection see ‘The Jacobite and their Drinking Glasses’ G Seddon, Colour Plate 33.

£600-800

387 A FINE 18TH CENTURY JACOBITE WINE GLASS the tapered bowl with finely engraved open rose head within foliage flanked by bud, on a short almost plain stem and domed circular foot 12.5cm high, diameter of rim 5.2cm

£400-600

388 A GEORGIAN AIR TWIST GLASS OF JACOBITE INTEREST the bucket bowl engraved with a stylised rose head within foliage, on an air twist stem with vermiform collar, on a domed circular foot 16.5cm high, 5.4cm diameter of rim

£250-350

115

389 A NEAR PAIR OF JACOBITE STYLE GLASSES 19TH CENTURY the large flared bowls engraved with a trailing border of rose heads and foliage, raised on slender multi spiral opaque twist stem and spreading circular foot (2) 15.5cm high, 7cm, diameter of rim

£300-500

390 AN EARLY 18TH CENTURY GLASS CANDLESTICK simple bucket sconce above a tapered square section stem, on a domed foot with reeded rim, with accompanying letter of provenance (2) 19.5cm high, base 11cm diameter Provenance: Jacobite, Stuart, and Scottish Applied Arts, Lyon & Turnbull, 13th May 2015, Lot 6 Provenance: MacDonald family collection Stuart of Appin family collection to Miss J E Oliphant gifted to Miss Threipland of Fingask Threipland family collection By direct descent Fingask Castle, 26th – 28th April 1993, Christies, Lot 1321

£2,000-3,000

Note: The weight placed on the relation and custodianship the Threipland and Fingask names carried is borne out with the gift of such an important and personal gift from one Jacobite family to another. Rather than lose the item’s history or remove it from its native land it was gifted to the ‘protector’ of the cause.

Sold with accompanying label stating ‘Candle stick used

by Prince Charles when in the MacDonald house, see Miss Oliphant letter indicating (?) the tale’ and with a handwritten letter detailing provenance and gift which reads “Perth 72 George Str 15 Apr 1814 My Dear Miss Threipland I am quiting my own beloved land. I take the liberty of sending you a candlestick which in itself has no value. But it was the one that was used by our beloved but ill used Prince while he took refuge under the roof of one of the noble family of the McDonalds who fought monfuly for him it has never been used since it was last used by Prince Charlie in his Bedroom.

Do not think my thoughts for my Dear Prince is lessened by parting with this, since that descended through my forefather the Stuart of Appin I felt certain that while a branch of the noble family of Fingask is left this, we think was an admirer at some of Prince Charles’ campaign he can fully find pardon me and say a feeling of pride rises in my chest that I have the privilege of this giving. My sincere thanks to your care and I assure you of feel happily, yes happy for hoping that can ****, should I see this country fall into the hands of those that loved not, nor would not fight for my ill used Prince.

I close this with Miss Elphinstone and great fine feelings and remain, dear Miss Threipland Sincerely June E. Oliphant. “ Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ARMS, ARMOUR & HIGHLAND DRESS

117

394 AN EARLY VICTORIAN GAELIC PRESENTATION PLAID BROOCH UNMARKED of circular outline the obverse set with central armorial and crest surrounded by finely cast and chased displayed thistle, the reverse large presentation inscription in Gaelic dated 1842, with steel pin 10cm diameter, 3.5oz Heraldry: The Arms of Stewart of Appin and Ardsheal Arms: Quarterly 1st and 4th Or a fess chequy azure and argent (for Stewart) 2nd and 3rd Argent Or a lymphad with sails furled sable flagged gules1 (for Lorn) Crest: A unicorn’s head argent maned horned and bearded or Motto: Quhidder will zie [Whither will ye] Given the presumed date of this brooch it is known that the armorial bearings as modelled and blazoned above were matriculated at the Lyon Court in Edinburgh in 1772 and 1800.

There is a likelihood that this brooch may have been commissioned either by Charles Stewart of Ardsheal (died 1844), the 7th of Ardsheal or his eldest son, Charles Stewart of Ardsheal (born 1805 died 23rd January 1882), the 8th of Ardsheal, who succeeded his father as the chief of the clan, and heir male and representative of Stewarts of Ardsheal, Appin and Lorn in 1844. He was also the 5th Lord Appin2 in the Jacobite Peerage

£300-500

395 A GEORGE III CANONGATE CONSTABLE TIPSTAFF 391

UNMARKED the cylindrical ebony shaft with simple cap mounts one engraved with Canongate crest to flat and CANONGATE 1815 No 11 to rim, the other terminal with crowned cipher to flat and ALIAS DEARENOUGH, PLESANCE to rim 11.5cm long

£400-600

391 AN EDWARDIAN BLACK WATCH DIAMOND SET SWEETHEART BROOCH unmarked, the regimental badge set with diamonds and applied enamel emblem and honours 3.2cm long

£400-600

392

395

A VICTORIAN GEM-SET PLAID BROOCH UNMARKED of circular outline with a pierced scallop border, collet set with a yellow foil back paste to the centre, in a border of engraved Celtic knotwork decoration Diameter: 9cm

£300-500

393 A LARGE HERALDIC PLAID BROOCH OF MASONIC INTEREST CIRCA 1840 the large broch of traditional belt and garter form with motto NOS NOSTRAQUE DEO within, the applied crest of a stags head with star in mouth, the reverse engraved Alexr Radcliffe to garter and AR and Masonic square and compass to stags head 9cm wide,2.2oz

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

118

397

396

396 Y

397

399

A SET OF SILVER PLATED AND IVORY MOUNTED BAGPIPES

AN ARGYLL & SUTHERLAND HIGHLANDERS OFFICER’S SPORRAN

A SILVER MOUNTED SPORRAN

turned black hardwood with turned ivory mounts and engraved plated collars, plain black velvet bag, chanter lacking, in a modern travel case

the full badger mask sporran with six tassels with gilt bells, the arched brass cantle to red leather backing

With non-transferable CITES self-certification number GQAT6YLS

£400-600

the arched cantle with celtic knot work panel and simple domed bosses, the pouch made from seal skin with three silver capped tassels and green tooled leather backing, with curb link sporran chain and leather belt

£500-700

398

40cm long

KIRKWOOD & SONS, EDINBURGH 1960

Cantle 15.5cm wide, overall length 24cm

£300-500

AN EDWARDIAN DRESS SPORRAN EDINBURGH 1904

400

the arch cantle with engraved Celtic knot work border within simple frame, with oval cartouche with gothic engraved initial S within, the body of white goat hair with grey goat hair tassels with finely engraved scalloped edge silver bells, the pouch of red Morocco leather

AN EARLY 20TH CENTURY DRESS SPORRAN

Cantle 15.5cm wide, overall length 48cm

Cantle 16cm wide, overall length 45cm

£400-600

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

the arched cantle with Celtic knot work and interlaced beasts surrounding a circular cartouche, the white horse hair body and leather-backed pouch

119

401 A FINE EARLY 19TH CENTURY HERALDIC SPORRAN C1820 The large shaped cantle with thistle and rose head scrolled borders, engraving panels of finely chased thistle spays, the central cartouche with crest and motto for MacDonald applied in silver gilts, the white goat hair body with six black tassels capped with finely chased thistle decorated bells, all suspended from belcher link chains, the leather backing with tooled decoration and large pouch, together with long link sporran chain and belt

401

Cantle 20.5cm wide, overall length 51cm Note: This fine exmaple of a highland dress sporran typifies and exemplifies the style of the early 19th century and circa 1820 when the Scottish revival was at its peak. The large and wide cantle heavily embossed with thistle but also incorporating the wider fashion of rococo scrolls, also the addition of subtle roe heads no doubt a comment on the families Stuart and Jacobite past.

The applied crest is also unusual, and shows the quality of this commission. While crest are often seen they are almost always engraved on, in this case the crest and motto have been separately made and applied a much more expensive option which has been elevated further by gilding.

Th long hair body points to an earlier date along with the six tassels two practice which were far less commonly seen by the Victorian era.

The quality and timing of the commission of this piece would appear to closely tie to the visit of King George IV to Edinburgh in 1822 and while it cannot be aid with certainty would have been worn at events surrounding this it seems highly likely, at least, it was inspired by such royal events.

£1,200-1,800

402 THE MACDONALD OF SLEAT HIGHLAND REGALIA comprising waist belt and cross / word belt, the waist belt buckle of rectangular outline with rope twist border, the matted ground applied with gilt armorial with acanthus mantling, the wait belt of black velvet and leather-backed, the cross/sword belt of black velvet applied with full armorial to shoulder and with matted silver buckle and mounts, the lower mount with applied Macdonald crest Waist buckle 10.5cm wide, 6.5oz Heraldry: The arms of the Chief’s of the MacDonald clan Arms: Quarterly 1st Argent a lion rampant gules 2nd Or a dexter arm in armour couped in fess proper the hand holding a cross crosslet fitchy gules 3rd Or a lymphad oars and sails sable flags flying gules 4th Vert a salmon naiant proper Crest: A dexter arm in armour couped in fess proper the hand holding a cross crosslet fitchy gules Motto: Per mare per terras (By sea and land) Note: Although unmarked the style of manufacture of this buckle and the preceding sporran sits comfortably within the early 19th century. This offers two possibilities for the original owner / commissioner of this fine highland dress suite, Sir Alexander Wentworth MacDonald, 2nd Baron Macdonald and 10th Baronet of Sleat (9th December 1773 – 19th June 1824) or his brother Sir Godfrey MacDonald, 3rd Baron Macdonald and 11th Baronet of Sleat (14th October 1775 – 13th October 1832).

It seems most likely that Sir Godfrey had these commissioned when he took over the titles and chiefdom of the clan from his brother, who had died without issue, in 1824.

£600-800

402

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

403 A LARGE 19TH CENTURY HERALDIC HIGHLAND DRESS WAIST BELT BUCKLE C1825 of shaped rectangular outline with scroll formed border the top set with a displayed eagle the main border of trailing thistle with standing figure of a knight and a maiden, the central cartouche applied with a clan badge for MacDonald, on a later leather belt 12cm x 9cm, 6.1oz

404

£250-350

404 A LATE VICTORIAN LOTHIANS & BERWICKSHIRE YEOMANRY CAVALRY UNIFORM to include a cased plumed brass helmet, the case with brass plaque engraved KHM Connal Glasgow Yeomanry, together with a scarlet coat with brass buttons and sergeants stripes in gold bullion with white cross belt and silver mounted black leather pouch belt , together with a full-length bamboo lance with leather arm strap and with two rare locomotive livery signs for Glasgow Yeomanry and 19th LOTHIAN AND BORDERS (HORSE ) ARMOURED CAR COMPANY (qty) Note: Glasgow Yeomanry was a London Midland & Scottish Railway 4-6-0 Class 5 (or Black 5) locomotive No. 5158 (Later British Rail 45158).

Kenneth H.M. Connal latterly became Lt Colonel of the Lanarkshire Yeomanry in 1910 and by 1915 was commanding the Queen’s Own Regiment.

£2,000-2,500

405 A MODERN SGIAN DUBH T K EBUTT, EDINBURGH 1960 the basket weave handle claw set to pommel with oval faceted paste, the leather scabbard with cast and pierced Celtic mounts the single fullered blade with scalloped back edge Overall length 20cm

£250-350

406 A GORDON HIGHLANDERS OFFICERS SGIAN DUBH T K EBUTT, EDINBURGH 1968 of conventional form with carved basket weave back wood handle and oak leaf gallery and citrine above, the leather covered scabbard with simple mounts, single fullered blade with scalloped back edge Overall length 20.5cm

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

407

409

407

408

GORDON HIGHLANDERS INTEREST - A VICTORIAN PIPE CASE

AN EARLY VICTORIAN SGIAN DUBH

John Sanderson & Son, Edinburgh (date letter lacking) circa 1870 the case wholly enclosing a clay pipe with hinged front opening and set with pipe cleaner to stem, engraved with initials crest and ‘92nd HIGHrs’

UNMARKED

15cm long Heraldry: With crest and motto of Lieutenant General Sir Edward Cecil Bethune, KCB, CVO

the finely carved wooden handle with basket weave decoration, the pommel with engraved collet set with foil back stone, the tooled leather covered scabbard with scalloped mounts with fine foliate scroll engraving and cartouche with gothic monogram

Note: Lieutenant General Sir Edward Cecil Bethune, gained his first commission in 1875, at the age of 20, within the 92nd Regiment of Foot (Gordon Highlanders). He served with the regiment in the Second Anglo- Afghan ware (1878 – 1880), First Boer War (1880 – 1881) being promoted to Captain in 1884. Likely when this pipe case was presented to him.

Blade 9.5cm, overall length 19cm

By 1886 he transfers to the 6th Dragoon Guards and later in 1895 to the 16th (Queens) Lancers see service as a staff officer in the Madras Command in 1898.

409

His long military career continued at the outbreak of the Second Boer War when he raised and commanded Bethune’s Mounted Infantry, taking part in the Relief of Ladysmith.

Mentioned in dispatches three times his service records saw him awarded many decorations.

Promoted to Brigadier Genal in 1905 he would receive the Companion of the Order of the Bath the same year. He was appointed Commander of the Royal Victoria Order in 1909 after being raised to rank of Major General.

Bethune would continue to serve with the 4th (Royal Irish) Dragoon Guards, West Lancashire Division of the Territorial Force.

He served throughout the First World War retiring in 1920 after 45 years service with his final rank of Lieutenant General and also having been awarded the Knight Commander of the Order of the Bath.

£300-500

A FINE VICTORIAN LONDON SCOTTISH OFFICER’S DIRK Bi knife marked ‘J MEARBECK SHEFFIELD’, the finely carved black wood grip with studded decoration, the haunches applied with engraved mounts, pommel with engraved pin top, the single fullered blade with scalloped back edge and spear point. The leather covered wooden scabbard with engraved mounts and set with bi knife and fork Blade 25.5cmlong, overall length 42.cm

£1,000-1,500

£500-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

122

410

415

410

411

414

A VICTORIAN 79TH REGIMENT OF FOOT (THE QUEEN’S OWN CAMERON HIGHLANDERS) OFFICER’S DIRK

A 1920S SGIAN DHU

A PIPER’S DRESS DIRK

HENRY TATTON, EDINBURGH 1923

of conventional form, black leather covered scabbard with plated mounts, bi-knife and fork, singleedged saw back blade with single fuller

blade marked SANDERSON’ SON, the carved basket weave wooden handle with embossed thistle mounts and foil backed paste to pommel, the etched blade with Royal Cypher, regimental number and battle honours, leather covered scabbard set with bi-knife and fork and embossed thistle and acorn mounts 27.5cm blade, 42.5cm overall

£1,000-1,500

the carved wooden handle with a basket weave pattern, and collet set with paste to terminal, the leather-covered scabbard with Celtic scroll work and initials J.A.C. 18cm overall length

£200-300

44cm overall length

£300-500

412 A MODERN SGIAN DHU T. K. Ebett, Edinburgh 1979, basket weave handle claw set with smokey quartz scabbard with cast thistle mounts 19cm overall length

£250-350

413 A MODERN SGIAN DUBH T K EBUTT, EDINBURGH 1973 the interlace carved handle claw set to pommel with smoky quartz, the blade with single fuller and scalloped back edge, the leather covered scabbard with Celtic interlace engraved mounts Overall length 19.5cm

£280-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

415 A MID VICTORIAN 93RD (SUTHERLAND) HIGHLANDER OFFICER’S DIRK the leather covered wooden scabbard applied with thistle mounts and regimental number, set with bi-knife and fork (replaced), the basket weave handle set with round cut paste, the blade etched with regimental insignia and battle honours 46cm overall length

£1,000-1,500

123

416

416

A RARE LATE 18TH CENTURY 79TH REGIMENT OF FOOT (CAMERON HIGHLANDERS) OFFICERS DIRK the basket weave carved wooden grip with simple studded detail, collet set to pommel with foil backed stone, the single fuller blade with scalloped back edge and spear point, the gilt copper scabbard with engraved displayed rose and thistles, cross hatched deigns, set with bi knife and fork to match main handle Blade 26.7cm long, overall 43.5cm Note: a virtually identical dirk is in the collection of The Highlanders Museum (Fort George) with provenance to first Major Alexander Cruickshank of the 79th Highlanders, otherwise this pattern is often confused for the similar style of the 71st Highlanders.

£3,000-5,000

419 AN 1821 PATTERN SCOTTISH BASKET HILTED BROADSWORD the basket formed of flat bars with pierced heart panels, fish skin and wire bound grip, with double edged tapered blade stuck with an incuse crown, in leather covered wooden scabbard Blade 84cm long, overall length 102cm

£300-500

417 A MID-18TH CENTURY BASKET HILTED SWORD the basket with flat panels pierced with heart and roundell decoration with flattened rounded bars and horseman’s loop, the wooden grip and leather liner, the double fullered blade with rounded tip, in leather scabbard Blade 92cm long, overall length 110cm Provenance: Miss Bell MacPhail Mr MacPhail, Montrose John Kinnear, Montrose, inherited from his father Sir William Fraser Sheriff JRN MacPhail, bought 1898 JGS MacPhail By family descent Note: The long provenance in the attached label, likely circa 1900, details the above lineage of the sword. It further states that the father of Miss Bell MacPhail fought with this sword on the side of Prince Charles and ‘killed several of Argyll’s party with this sword’

£1,000-1,500

418 A MID / LATE 18TH CENTURY SCOTTISH BASKET HILTED CAVALRY OFFICERS BROAD SWORD the steel hilt of six panels decorated with lozenges and points, large wrist guard, the leather covered grip with wire binding and red felt liner, bun shaped pommel double edged blade applied with engraved gold plaque Blade 80cm long, overall length 97cm Note: The applied 19th century gold plaque reads ‘The claymore was once the property of the Unfortunate Prince Charles and worn by him at the Battle of Culloden, after his defeat it fell into the hands of CAPt DRUMMOND of his suite who gave it to the late ROBt GRAHAM of Gartmore Esq’.

Although the information on the plaque surely cannot be correct, this sword is neither a claymore or a pattern known at the time of the ‘45 it shows the great historical value placed on relics of this period by the early 19th century.

£2,000-3,000

417

418

124

420

420

421

A MID-LATE VICTORIAN SILVER MOUNTED POWDER HORN

A MILITARY POWDER HORN

CRICHTON, EDINBURGH

for the 81st Regiment of Foot, the polished cow horn with applied white metal mounts to terminal, engraved with thistle and crown surmount in a foliate border, and 81st below, the nozzle and turned mount with beaded and threaded border details with applied loops to body

the polished flattened cow horn with applied thistle and scroll cartouche, engraved with crest and motto of Sir Archibald Buchan-Hepburn, the wide terminal profusely decorated with embossed trailing thistles and set with paste to centre, the finial set formed as a stylised thistle with faceted amethyst, suspended from a double row fancy link chain Heraldry: The Crest of Hepburn Crest: A horse argent furnished gules tied to a yew tree proper Motto: Keep tryste

422

It is believed that this powder flask was in the possession of Sir Archibald Buchan-Hepburn (born 12th March 1852 died 17th May 1929), the 4th Baronet of Smeaton Hepburn in the County of Haddingdonshire. Sir Archibald was educated at Glenalmond and Trinity College, Cambridge. He was later admitted as a Barrister at Law of the Inner Temple in 1877 and served as a Justice of the Peace, Deputy Lieutenant and Convenor for and of the County of Haddingdonshire.

£1,000-1,500

LATE 18TH CENTURY

Length: 23cm

£300-500

422 AFTER GEORGE HENRY PAULIN (1888-1962) SOLDIER OF THE 51ST HIGHLAND DIVISION cast as a Highland soldier in full uniform, on a square naturalistic base, inscribed G.H. Paulin, 1924, mounted on an ebonised plinth, with plaque inscribed ‘Scotland By this Monument in the Land of Ancient Ally and Comrade in Arms Commemorates Those Officers and Men of the 51st (Highland) Division Who fell in the Great War 1914-1918.’

22.5cm high

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

125

423

426

423

425

19TH CENTURY SCOTTISH SCHOOL

A FRAMED WATERCOLOUR OF A BLACK WATCH OFFICER

FULL LENGTH PORTRAIT OF A HIGHLAND CHIEFTAIN

by E.A. A . Campbell November ‘99, shown in full officer’s levée dress; together with another by the same artist, titled private. Marching order ‘86, likely showing Pte Alexander McKay, in full dress with medals, of each in modern mounts and frames (2)

Oil on cradled panel, unframed with partial slip 68cm x 53cm (26.75in x 20.75in)

£600-800

424 TWO FRAMED WATERCOLOURS OF THE 92ND HIGHLANDERS (GORDON) one titled ‘pioneer 1866’ showing Pte Isaiah Edwards in full dress with pick axe an shovel signed E.A. Campbell 22.x.11; together with another ‘Privates/ Marching Order & Review Order 1866’, showing two officers in full dress one wearing greatcoat and bonnet cover, signed E.A. Campbell 25.3.12, in modern mounts and frames (2)

Image size: 16cm x 25cm, 10.5 cm x 20.5cm Note: While it was initially considered the sitter for the first piece in this lot was Major-General Sir Hector Archibald MacDonald and perhaps copied from a known portrait or photograph of him, some of the uniform accessories appear to be for the Black Watch / 42nd Regiment of which he was never a member.

£300-500

426 CAST IRON UNICORN ARMORIAL SUPPORTER

Image size: 10cm x 20cm, 13cm x 20.5cm

19TH CENTURY

Provenance: E. A. Campbell (1879-1951)

bearing cadency for Alfred, Duke of Edinburgh and Saxe Coburg

Note: Born into a military family, E. A. A. Campbell was destined for a soldier’s life.

76cm wide

Captain Campbell was commissioned into the 2nd/7th Gordon Highlander in 1914 and served until 1919.

Prince Alfred, made Duke of Edinburgh in 1866, had a varied and successful naval career.

But it was his fascination with the uniforms and the badges of the Regiment’s that inspired his works and made him an authority on the subject.

Promoted to Admiral of the fleet in 1893, Percy Scott’s memoirs note ‘as commander in chief, the Duke of Edinburgh had, in my humble opinion, no equal’

His paintings were published in the Tiger and Sphinx and his works really give us an insight into the personal element of a soldier’s life.

Current thinking on this piece shows it to be from the Dukes flagship the HMS Alexandra.

His paintings depict Officers and other ranks, those shown here show Privates in marching order, one with grey greatcoat and bonnet cover and one without.

The ship known as the ‘Old Alex’ spent the majority of its career as a flagship, notably working in operations dissuading Russion aggression toward the Ottoman Empire.

£300-500

£300-500

WHISKY

127

SPEYSIDE

427 THE MACALLAN GRAN RESERVA 1980 18 YEAR OLD matured in sherry wood, bottled in 1999, with wooden presentation case 750ml/ 40%

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

128

428 THE MACALLAN 1963 SPECIAL SELECTION - RINALDI IMPORT matured in Sherry casks, with Rinaldi import label and associated wooden case 75cl/ 43%

£1,500-2,000

429 THE MACALLAN 1990 25 YEAR OLD HUNTER LAING OLD & RARE one of 212 bottles, with wooden presentation case 700ml/ 50.3%

£300-500

430

431

432

THE MACALLAN RARE CASK

THE MACALLAN 12 YEAR OLD FINE OAK

with case, 700ml/ 43%; together with THE MACALLAN 10 YEAR OLD SHERRY OAK, with carton, 700ml/ 40% (2)

with carton, 700ml/ 40%; together with TWO BOTTLES OF THE MACALLAN 10 YEAR OLD FINE OAK, each with carton, 700ml/ 40% (3)

THREE BOTTLES OF THE MACALLAN 12 YEAR OLD SHERRY OAK

£250-350

£200-250

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

each with carton; 700ml/ 40% (3) £250-350

129

433 TWO BOTTLES OF MORTLACH 16 YEAR OLD - FLORA AND FAUNA . (2) each 70cl/ 43%

£200-250

434 TOMATIN 36 YEAR OLD BATCH 3 bottle number 246, with wooden presentation case 70cl/ 46%

£280-320

435

436

TOMATIN 2007 9 YEAR OLD CARIBBEAN RUM CASK

GLENFIDDICH MASTER MALT EDITION

with carton, 700ml/ 46%; together with a TOMATIN WOOD, with carton, 700ml/ 46%; a TOMATIN FIRE, with carton, 700ml/ 46%; a TOBERMORY 10 YEAR OLD, 70cl/ 46.3%; a BELL’S DECANTER - QUEEN ELIZABETH II 90TH BIRTHDAY, with carton, 70cl/ 40%; a BALLIE NICOL JARVIE, 70cl/ 40%; and a COPPER DOG, batch 16/0673, 700ml/ 40% (7)

batch 2/14, with carton, 70cl (700ml)/ 43%; together with a GLENFIDDICH 15 YEAR OLD DISTILLERY EDITION, with carton, 70cl (700ml)/ 51%; a GLENFIDDICH PROJECT XX EXPERIMENTAL SERIES 2, with carton, 70cl (700ml)/ 47%; TWO BOTTLES OF GLENFIDDICH IPA EXPERIMENTAL SERIES 1, each with carton, 70cl (700ml)/ 43%; and a KINNINVIE 23 YEAR OLD BATCH 3, with case, 35cl/ 42.6% (6) £200-220

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

CAMPBELTOWN

437 TWO BOTTLES OF LONGROW 11 YEAR OLD AUSTRALIAN SHIRAZ CASK each with carton, 70cl/ 53.7% (2) £200-250

438 FOUR BOTTLES OF LONGROW 13 YEAR OLD MALBEC CASK each with carton, 70cl/ 51.3% (4) £450-650

439

440

441

442

THREE BOTTLES OF LONGROW 11 YEAR OLD FRESH PORT CASK

TWO BOTTLES OF LONGROW 18 YEAR OLD

TWO BOTTLES OF KILKERRAN 8 YEAR OLD CASK STRENGTH

TWO BOTTLES OF HAZELBURN 2003 13 YEAR OLD OLOROSO CASK

each with cartons, 70cl/ 56.2%; together with a KILKERRAN 12 YEAR OLD, with carton, 70cl/ 46% (3)

with cartons, 70cl/ 47.1%; together with a HAZELBURN 2007 9 YEAR OLD BAROLO CASK, with carton, 70cl/ 57.9% (3)

each with carton, 70cl/ 51.8% (3) £300-400

each with carton, 70cl/ 46%; together with a LONGROW 11 YEAR OLD CABERNET SAUVIGNON CASK, with carton, 70cl/ 52.1% (3) £300-500

£200-300

£250-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

132

443 SPRINGBANK 25 YEAR OLD with carton 70cl/ 46%

£700-900

444 SPRINGBANK 21 YEAR OLD one of 702 bottles, with carton 70cl/ 49.6%

£400-600

445 TWO BOTTLES OF SPRINGBANK 18 YEAR OLD each with carton (2) each 70cl/ 46%

£300-500

446 SPRINGBANK 2000 16 YEAR OLD matured in sherry butt, one of 540 bottles, with carton 70cl/ 54.2%

£500-700

447 SPRINGBANK GREEN 13 YEAR OLD with carton, 70cl/ 46%; together with a SPRINGBANK BURGUNDY 12 YEAR OLD, with carton, 70cl/ 53.5% (2) £300-500

448 SPRINGBANK 2003 12 YEAR OLD one of 696 bottles, with carton, 70cl/ 58.3%; together with a SPRINGBANK 2000 12 YEAR OLD, with carton, 70cl/ 52.7% (2) £300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

133

HIGHLAND

449 GLENURY ROYAL 1953 50 YEAR OLD DISTILLERY CLOSED 1985 number 388 of 498 bottles 70cl/ 42.8%

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

134

450 GLEN ORD 40 YEAR OLD non-chill filtered, bottle number 94 of 300, with case 70cl/ 40.1%

£300-500

451 TWO BOTTLES OF GLENDRONACH 1992 24 YEAR OLD cask number 43, bottles 74 and 80 of 644, each with carton (2) each 700ml/ 52.1%

£400-600

452 GLENDRONACH 1995 21 YEAR OLD cask number 3248, bottle number 57 of 531, with carton, 700ml/ 51.8%; together with a GLENDRONACH GRANDEUR 25 YEAR OLD, bottle number 679 of 1505, batch number 8, with wooden presentation case, 700ml/ 50.3% (2) £400-600

453

454

455

GLENDRONACH PARLIAMENT 21 YEAR OLD

OBAN 1996 DISTILLER’S EDITION

BALBLAIR 1999 2ND RELEASE

2011 release, OD160.FX, with carton, 70cl/ 43%; together with an OBAN 14 YEAR OLD, with carton, 70cl (700ml)/ 43%; a TALISKER 18 YEAR OLD, with carton, 70cl (700ml)/ 45.8%; and a TALISKER 2002 DISTILLER’S EDITION, 2013 release, 70cl/ 45.8% (4)

with carton, 70cl/ 46%; together with a BLADNOCH 20 YEAR OLD, 20cl/ 40%; a CRAGGANMORE DISTILLER’S EDITION 2013 RELEASE, with carton, 70cl (700ml)/ 40%; a DEANSTON 12 YEAR OLD, with carton, 70cl (700ml)/ 46.3%; a DAILUAINE 16 YEAR OLD - FLORA AND FAUNA, with carton, 70cl/ 43%; and a BENRINNES 21 YEAR OLD, bottle number 1019, with carton, 70cl/ 56.9% (6)

£200-250

£200-250

with carton, 700ml/ 48%; together with a GLENDRONACH ALLARDICE 18 YEAR OLD, with carton, 700ml/ 46% (2) £180-200

135

456 DALMORE KING ALEXANDER III with case, 70cl/ 40%; together with a DALMORE 12 YEAR OLD - DOUGLAS LAING PREMIER BARREL, one of 146 bottles, with wooden case, 700ml/ 46% (2) £300-500

457 GLENMORANGIE THE QUARTER CENTURY 25 YEAR OLD with presentation case 70cl/ 43%

£300-500

458

459

GLENMORANGIE 1993 10 YEAR OLD - THE ROYAL BANK OF SCOTLAND BOTTLING

TWO BOTTLES OF GLENGOYNE 17 YEAR OLD

750ml/ 43%

each with carton, 700ml/ 43%; together with a GLENFARCLAS £511.19S OD FAMILY RESERVE, with carton, 700ml/ 43%; and a GLENFARCALS 105 CASK STRENGTH, with carton, 700ml/ 60% (4)

£150-250

£250-350

bottled to celebrate St. Andrew’s Night in New York, November 2003

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

136

LOWLAND

460 ST. MAGDALENE 1979 49.6 - THE SCOTCH MALT WHISKY SOCIETY DISTILLERY CLOSED 1983 bottled 1995 70cl/ 63.6% (111.3 proof)

£700-1,000

461 ROSEBANK 1991 CASK STRENGTH - MACKILLOP’S CHOICE DISTILLERY CLOSED 1993 matured in Sherry wood, bottle number 457, with case 70cl/ 55.2%

£300-400

462 CALEDONIAN 1974 40 YEAR OLD - THE CALLY bottle number 540 of 5060, with carton 70cl (700ml)/ 53.3%

£250-350

463 ST. MAGDALENE 1982 23 YEAR OLD - OLD MALT CASK DISTILLERY CLOSED 1983 bottled in 2006, non-chill filtered, one of 329 bottles, with carton 700ml/ 50%

£250-350

464 GLENKINCHIE DISTILLER’S EDITION 2014 RELEASE double matured in Amontillado Cask Wood, with carton, 70cl/ 43%; together with a GLENKINCHIE DISTILLER’S EDITION 2015 RELEASE, 70cl/ 40% (2) £220-280 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

137

ISLAND

465 HIGHLAND PARK 1902 RESERVE - BERRY BROTHERS & RUDD bottled in 1952 or later No vol/ABV stated

£8,000-12,000

This truly remarkable bottle of HIGHLAND PARK must rank not only as the oldest vintage from Highland Park but also as one of a very small handful of whiskies from early 20th century distillation: making this particular bottle one of the oldest and rarest single malts available to collectors.

Bottled by Berry Brothers & Rudd, who have been operating in the heart of St James, London since the 17th century, their reputation as a wine and spirits merchant is second to none.

Interestingly, the presnt lot dates from the year of the coronation of King Edward VII and was most likely bottled shortly after the death of King George VI in 1952 or 1953. While no age statement is on the label, the appearance of the Royal Warrant of George VI with reference to him as the ‘Late King George VI’, means the bottling occurred soon after his passing, and before the new warrant of Queen Elizabeth II was introduced.

An exceptionally early vintage at 50 (or more) years old was extremely rare for the time. Serge Valentin rated this and 86/100 on WhiskyFun, but emotionally ranked this at 99 or 100 points given that it was the oldest malt he had ever tasted!

138

466 HIGHLAND PARK 25 YEAR OLD with wooden presentation case 70cl/ 45.7%

£300-500

467 HIGHLAND PARK 12 YEAR OLD HJARTA with wooden case, 70cl/ 58.1%; together with HIGHLAND PARK FIRE 15 YEAR OLD, with wooden case/stand, 700ml/ 45.2% (2) £300-400

468 TALISKER 30 YEAR OLD bottle number 122 of 3738, with carton 70cl/ 45.8%

£400-600

469 TWO BOTTLE OF THE ARRAN MALT - THE DEVIL’S PUNCH BOWL CHAPTER TWO each with case, 700ml/ 53.1%; together with an ARRAN MALT - THE DEVIL’S PUNCH BOWL CHAPTER 3, with case, 700ml/ 53.4% (3) £450-550

470

471

HIGHLAND PARK 18 YEAR OLD

ARRAN 1995 - MALT AND MUSIC FESTIVAL 2012

with carton, 700ml/ 43%; together with HIGHLAND PARK 15 YEAR OLD, with carton, 700ml/ 40%; and a HIGHLAND PARK DARK ORIGINS, with carton, 700ml/ 46.8% (3)

cask number 128, bottled 22.06.2012, bottle number 115 of 190, with case, 700ml/ 53.5%; together with an ARRAN AMARONE CASK FINISH, with carton, 700ml/ 50%; an ARRAN MILLENNIUM CASK, with case, 700ml/ 53.5%; an ARRAN 12 YEAR OLD CASK STRENGTH, batch number 1, with carton, 700ml/ 54.1%; another ARRAN 12 YEAR OLD CASK STRENGTH, batch number 3, with carton, 700ml/ 53.9%; and an ARRAN 2004 ORKNEY BERE BARLEY, with carton, 700ml/ 56.2% (6)

£200-300

£200-300

472

473

THREE BOTTLES OF THE ARRAN MALT 17 YEAR OLD

THREE BOTTLES OF THE ARRAN MALT 18 YEAR OLD

each with carton, 700ml/ 46% (3)

each with carton, 700ml/ 46% (3)

£200-300

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

139

ISLAY 474 BRUICHLADDICH 1989 22 YEAR OLD BLACK ART 3.1 with tin 700ml/ 48.7%

£400-600

475 BRUICHLADDICH 1990 23 YEAR OLD BLACK ART 4.1 with tin 700ml/ 49.2%

£250-350

476 BRUICHLADDICH 1990 23 YEAR OLD BLACK ART 4.1 with tin 700ml/ 49.2%

£250-350

477 BRUICHLADDICH 1990 23 YEAR OLD BLACK ART 4.1 with tin 700ml/ 49.2%

£250-350

141

478 BOWMORE 1964 35 YEAR OLD cask number 3709, bottle number 79 of 99, with sample miniature, 5cl/ 42.1%, and presentation case with key (2) 70cl/ 42.1%

£25,000-35,000

The 1960s distilled expressions of BOWMORE are considered legendary, and for many represent the flavour profile of the distillery at its very best.

Indeed it can also be considered that these bottlings illustrate the very best of Scotch Whisky production as a whole. Iconic examples from Bowmore that date from this period include the 1966 Samoroli Bouquet, as well as the Bowmore Black, White & Gold series.

The present lot, a 1964 single cask, sits proudly alongside these, and with only 99 bottles ever released, must rank amongst the rarest too. For the lucky few who have tasted this exceptional vintage, the delicate balance of exotic fruits and subtle smoky notes is beyond comparison, and these coveted vintages continue to be hailed as some of the finest and most sought-after single malts for connoisseurs and collectors alike.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

479 BOWMORE 1989 CASK STRENGTH - MACKILLOP’S CHOICE cask number 4290, bottled in 2013, with wooden case, 70cl/ 53.5%; together with a BRUICHLADDICH LINKS 14 YEAR OLD/ TURNBERRY 10TH EDITION, with tin, 750ml/ 46% (2) £180-220

480 BOWMORE 1999 14 YEAR OLD MASHMEN’S SELECTION with case, one of 1500 bottles, 700ml/ 55.7%; together with a BOWMORE 1998 17 YEAR OLD STILLMEN’S SELECTION, matured in Bordeaux wine barriques, with case, 700ml/ 53.1% (2) £300-500

481 OCTOMORE 4.2 5 YEAR OLD COMUS with tin 700ml/ 61%

482

£200-300

BRUICHLADDICH 33 YEAR OLD LEGACY SERIES FIVE with tin 700ml/ 40.9%

£300-500

483

484

485

OCTOMORE 3.1 5 YEAR OLD

BRUICHLADDICH 1992 24 YEAR OLD BLACK ART 5.1

BRUICHLADDICH ANCIEN REGIME 1998 12 YEAR OLD

with tin, 700ml/ 48.4%; together with a BRUICHLADDICH CLASSIC LADDIE, with tin, 700ml/ 46%; a BRUICHLADDICH RENAISSANCE 2001 9 YEAR OLD, with tin, 700ml/ 46%; and TWO BOTTLES OF BRUICHLADDICH PRIVATE CASK 10 YEAR OLD, cask number 815, 700ml/ 55.4% (5)

with tin, 700ml/ 46%; together with a BRUICHLADDICH X4 +3 QUADRUPLE DISTILLED, with tin, 700ml/ 63.5%; and a PORT CHARLOTTE 2001 TINA MACKINNON VALINCH 12 YEAR OLD, matured in French Oak casks, bottle number 105 of 400, with tin, 500ml/ 58.9% (3)

with tin, 700ml/ 59%; together with an OCTOMORE 5.1 5 YEAR OLD, with tin, 700ml/ 59.5%; and an OCTOMORE 6.1 5 YEAR OLD, with tin, 700ml/ 57% (3) £400-600

£300-400

£250-350

486

487

488

THREE BOTTLES OF ARDBEG AURIVERDES

ARDBEG 1998 ALMOST THERE

CAOL ILA DISTILLER’S EDITION 1-474

3rd release, bottled 2007, with carton, 70cl/ 54.1%; together with THE ARRAN MALT - THE BOTHY BATCH TWO, bottled 2016, with carton, 700ml/ 55.2%; THE ARRAN MALT 12 YEAR OLD CASK STRENGTH, batch number 5, bottled in 2015, 700ml/ 52.9%; TWO BOTTLES OF ARDMORE TRADITIONAL CASK, each with carton, 70cl/ 46%; and COMPASS BOX FLAMING HEART, with carton, 70cl/ 48.9% (6)

distilled in 2002, double matured in moscatel cask wood, 70cl/ 43%; together with a CAOL ILA 2008 8 YEAR OLD JAMES EADIE, with carton, 70cl/ 46%; a CAOL ILA MOCH, with carton, 70cl/ 43%; and a BUNNAHABHAIN MOINE OLOROSO, with carton, 70cl/ 60.1% (4)

each with carton, 70cl/ 49.9%; together with an AUCHENTOSHAN 21 YEAR OLD, with carton, 700ml/ 43% (4) £300-500

£300-500

£220-280

143

489 LAGAVULIN 25 YEAR OLD 200TH ANNIVERSARY EDITION matured in sherry oak casks, bottle number 2633, with case 70cl/ 51.7%

£1,200-1,500

490 LAGAVULIN 1994 DISTILLER’S EDITION batch LGV.4/502, bottled in 2013, with carton, 70cl (700ml)/ 43%; together with a LAGAVULIN 16 YEAR OLD, with carton, 70cl/ (700ml)/ 43% (2)

491 TWO BOTTLES OF LAGAVULIN 8 YEAR OLD 200TH ANNIVERSARY EDITION

£200-220

each with carton, 70cl/ 48% (2) £200-300

492

493

494

THREE BOTTLES OF LAGAVULIN 12 YEAR OLD - 200TH ANNIVERSARY EDITION

KILCHOMAN 2006 VINTAGE RELEASE

PORT ASKAIG 30 YEAR OLD

700ml/ 46%; together with a KILCHOMAN 2007 VINTAGE RELEASE, bottled 2013, with carton, 700ml/46% ; a LEDAIG 19 YEAR OLD LIMITED RELEASE MARSALA CASK FINISH, 70cl/ 51%; and a JURA TASTIVAL, whisky festival exclusive 2014, bottle number 1004, 70cl/ 44% (4)

70cl/ 51.1%; together with TWO BOTTLES OF PORT ASKAIG 19 YEAR OLD, each 70cl/ 50.4%; and a BOTTLE OF PORT ASKAIG 12 YEAR OLD, 70cl/ 45.8%, all with carton (4)

each with carton, 70cl (700ml)/ 57.7%; together with TWO BOTTLES OF LAGAVULIN 12 YEAR OLD, each with carton, 70cl (700ml)/ 55.1% (5) £400-600

£300-500

£100-200

495

496

497

PORT CHARLOTTE PC 9

THREE BOTTLES OF PORT CHARLOTTE PC7

TWO BOTTLES OF PORT CHARLOTTE PC8

each with tin, 700ml/ 61% (3)

each with tin, 700ml/ 60.5% (2)

£250-350

£180-220

with tin, 700ml/ 59.2%; together with a PORT CHARLOTTE PC 10, with tin, 700ml/ 59.8%; TWO BOTTLES OF PORT CHARLOTTE 10 YEAR OLD HEAVILY PEATED, each with tin, 700ml/ 46% ; and TWO BOTTLES OF PORT CHARLOTTE AN TURAS MOR, each with tin, 700ml/ 46% (6) £250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

144

OTHER MALTS & BLENDS 498 JOHNNIE WALKER BLUE LABEL ROBERT BURNS bottled to celebrate the life and work of Robert Burns, the bottle engraved with an excerpt from ‘Rantin’ Rovin’ Robin’ 70cl/ 43% Note: This unique edition of Johnnie Walker was a special bottling for a commemorative dinner held by Diageo in 2006, some 210 years after the poet’s death. This bottle itself acted as the RSVP for the event and rarely appears at auction. Inscribed with famous lines from Robert Burns’ poetry, it is a highly unusual bottle. The number produced is unknown but it must rank among the rarest bottlings of this world-renowned whisky.

£2,000-3,000

499

500

SPIRIT OF FREEDOM 30

THE ENGLISH WHISKY COMPANY FOUNDERS PRIVATE CELLAR PORT CASK

with carton, 70cl/ 46%; together with TWO BOTTLES OF SPIRIT OF FREEDOM 45, each 70cl/ 45% (3)

filled 2007, bottled 2012, cask 859, bottle number 46 of 95, with presentation case; TWO BOTTLES OF THE ENGLISH WHISKY COMPANY 1953-2013 ANNIVERSARY BOTTLE, bottled to commemorate the 60th Anniversary of the Coronation of Queen Elizabeth II, each with cartons, 70cl/ 40%; a 1952-2012 COMMEMORATIVE BOTTLE, to commemorate the Diamond Jubilee of Queen Elizabeth II, with carton, 70cl/ 46%; a bottle of THE ENGLISH WHISKY COMPANY CHAPTER 14, cask type ASB, distilled 2011, bottled 2016, with carton, 70cl/ 46%; a bottle of THE ENGLISH WHISKY COMPANY CHAPTER 13, with carton, 70cl/ 45%; and an ENGLISH WHISKY COMPANY FOUNDERS PRIVATE CELLAR PRESENTATION GIFT SET, containing a bottle of FOUNDERS PRIVATE CELLAR RUM CASK, filled 2006, bottled 2014, bottle number 17 of 238, 70cl/ 55.1%; and a bottle of FOUNDERS PRIVATE CELLAR PEATED SHERRY CASK, filled 2007, bottled 2014, cask 842, bottle number 17 of 238, 70cl/ 55.7% (8)

£250-350

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145

WEST HIGHLAND MUSEUM 1OOth ANNIVERSARY EXHIBITION

Return of the Stuarts Iconic portraits of the Royal House of Stuart in exile

Thursday 18th August - Saturday 29th October 2022 West Highland Museum, Cameron Square, Fort William PH33 6AJ info@westhighlandmuseum.org.uk Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

146

CONDITIONS OF SALE

22.2

FOR BUYERS (UK)

extent provided below.

These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

(a) Condition Reports: Condition Reports are provided on our Website or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the

(b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological

report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided

he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more

147 than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. FAILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are

always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as

sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 26% of the Hammer Price of each Lot up to and including £20,000, plus 25% from £20,001 to £500,000, plus 20% from £500,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by Buyers of relevant Lots. (a) Lots affixed with (†): Value Added Tax on the Hammer Price is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the European Union and is not operating under a Margin Scheme. (b) Lots affixed with (*): A reduced rate of Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the European Union. This reduced rate is applicable to Antique items. (c) Lots affixed with [Ω]: Standard rate of Value Added Tax on the Hammer

Price and premium is payable. This applies to items that have been imported from outwit the European Union and do not fall within the reduced rate category outlined above.

3. ARTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as

148 amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed

that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in and the responsibility for the Lot will transfer to You from whichever is the

earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time.

2. IN THE EVENT OF NONPAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted

such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot. 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but

149 have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We

will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or

agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

stated in Catalogue.

9. DATA PROTECTION

“Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

K. DEFINITIONS & GLOSSARY

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com

The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings:

1. DEFINITIONS

“Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to

“Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words “You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates

“Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

22.2

150

GUIDE TO BIDDING & PAYMENT REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

- ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Various lots; see snuff mulls on pages 49-55

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM