Five Centuries: Furniture, Paintings & Works of Art | Auction 17 & 18 November 2021

17TH & 18TH NOVEMBER 2021 EDINBURGH

INCLUDING THE CONTENTS OF LARAICH, ABERFOYLE, A PRIVATE SCOTTISH COLLECTION OF SCULPTURE & WORKS OF ART, SELECT ITEMS FROM A GENTLEMAN OF TITLE & SELECT ITEMS FROM TAYMOUTH CASTLE, PERTH & KINROSS

WEDNESDAY 17 & THURSDAY 18 NOVEMBER 2021 AT 10AM

Sale Number LT666

Lyon & Turnbull 33 Broughton Place EDINBURGH EH1 3RR

VIEWING Saturday, 13th November 12 noon - 4pm Sunday, 14th November 12 noon - 4pm Monday, 15th November 10am - 5pm Tuesday, 16th November 10am - 5pm Front Cover Lot 10 [detail, modified] Inside Front Cover Lot 114 [detail]

CONTACT EDINBURGH +44 (0) 131 557 8844 LONDON +44 (0) 207 930 9115 info@lyonandturnbull.com

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

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REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

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25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

1 – Government issued photo ID (Passport/Driving licence)

†V AT at the standard rate payable on the hammer price

2 – Proof of address (utility bill/bank statement).

‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit. (Particularly for bidding on lots marked by the high value lot symbol ) By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

Our specialists will be happy to prepare condition reports and additional images.

These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside Great Britain.

For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections). To make an appointment call 0131 557 8844 or book online at www.lyonandturnbull. com/appointment-bookings.

Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible.

Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Douglas Girton

Nick Curnow

Theodora Burrell

Katherine Wright

Furniture & Clocks

Paintings & Drawings

Ceramics, Glass & Works of Art

Ceramics & Glass

Gavin Strang Rugs & Carpets

Katie Hannah

Jamie Russell

Kerstin Schaeffer

Furniture & Works of Art

Furniture & Clocks

Cataloguer & Sale Administrator

ORDER OF SALE WEDNESDAY, 17TH NOVEMBER AT 10AM Lot No.

1-112

British Furniture & Works of Art Part One

113-129

Paintings Part One

130-276

British Furniture & Works of Art Part Two

THURSDAY, 18TH NOVEMBER AT 10AM

277-324

The Contents of Laraich, Aberfoyle

325-343

Paintings Part Two

344-402

Continental Furniture & Works of Art

403-425

A Private Scottish Collection of Sculpture & Works of Art

426-441

Asian & Islamic Furniture & Works of Art

442-505

Rugs & Carpets

506-517

Garden

Above Lot 203 [detail]

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BRITISH FURNITURE & WORKS OF ART PART ONE

1 OAK AND MARQUETRY DOWER CHEST, NORTH YORKSHIRE 17TH CENTURY the four panel hinged top above a chip carved front with four panels inlaid with stylised flowers, on stile feet 143cm wide, 71cm high, 55cm deep

£800-1,200

2 CHARLES II OAK AND MARQUETRY ARMCHAIR 17TH CENTURY the back panel carved with an architectural niche centred by floral marquetry, on turned legs joined by peripheral stretchers 57cm wide, 101cm high, 44cm deep

£300-500

3 CARVED OAK MULE CHEST LATE 17TH CENTURY WITH ALTERATIONS the three panel front with two cupboard doors, above a pair of base drawers 151cm wide, 87cm high, 62cm deep Provenance: A Northumberland Country House

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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4 STUDDED DOME-TOP LEATHER CHEST-ON-STAND 18TH CENTURY, THE STAND LATER covered in brown hide with all-over studded decoration, on a later hardwood stand 90cm wide, 91cm high, 42cm deep

£1,000-1,500

5 CHARLES I STYLE CHESTNUT TRESTLE TABLE 19TH CENTURY the thick single-board top on flattened baluster supports and trestle bases 65cm high, 221cm long, 84cm deep Provenance: Property of a gentleman of title

£700-1,000

6 CHARLES II OAK CHEST OF DRAWERS 17TH CENTURY with four graduated drawers with geometric panel and turned spindle mouldings, on bun feet 98cm wide, 85cm high, 56cm deep

£600-800

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7 NINE POLYCHROME PAINTED OAK ENGLISH ROYAL HERALDIC SHIELDS 19TH CENTURY depicting various royal coats-of-arms, variously inscribed ‘Philip & Mary’, ‘Henry VII/ Elizabeth of York’, ‘Henry IV/ Joanne of Navarre’, ‘Henry II/ Eleanor of Aquitaine’, ‘Richard II/ Anne of Bohemia’, ‘George I’, ‘George II’, ‘Anne’, and ‘Elizabeth’ (9) 31.5cm high, 25.5cm wide

£2,500-3,500

8 WILLIAM AND MARY OAK CHEST OF DRAWERS LATE 17TH CENTURY with two short over three long drawers, raised on bun feet 99cm wide, 91cm high, 53.5cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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9 QUEEN ANNE GILTWOOD AND GESSO PIER MIRROR EARLY 18TH CENTURY with a swan neck pediment and central foliate finial above arched and divided bevelled mirror plates 170cm high, 61cm wide

£2,000-3,000

10 CHINESE EXPORT BLACK LACQUER SMALL CABINET-ON-STAND LATE 18TH CENTURY; THE STAND 19TH CENTURY decorated with scenes of courtly ladies and children in landscapes with temples and pavilions, opening to an interior with drawers and a cupboard door similarly decorated; the later stand in the baroque style carved with foliate scrolls and laurel wreaths 77cm wide, 128cm high, 35cm deep Provenance: Property of a gentleman of title

£1,000-1,500

11 QUEEN ANNE WALNUT FRAMED WING ARMCHAIR EARLY 18TH CENTURY on cabriole legs joined by stretchers, covered in modern mustard upholstery 79cm wide, 126cm high, 44cm deep Provenance: Princess Marina Torlonia, Rome Aberdeenshire Country House

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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12 WILLIAM AND MARY STYLE CRIMSON DAMASK COVERED TESTER BED EARLY 20TH CENTURY, POSSIBLY INCORPORATING EARLIER TEXTILES the cavetto and scrolled cornice above chamfered bedposts, the head post centred by a shell motif; with a later divan; covered in red silk damask with silk trimmings and similar hangings 249cm long, 343cm high, 181cm wide approx.

Provenance: Christie’s 15 September 2011, The Cowdray Sale: Works of Art from Cowdray Park and Dunecht House, At Cowdray Park, West Sussex, lot 646

£4,000-6,000

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13 PAIR OF QUEEN ANNE RED WALNUT SIDE CHAIRS, POSSIBLY AMERICAN EARLY 18TH CENTURY with vasiform splats and drop-in seat pads, on cabriole legs with pad feet (2) 49cm wide, 102cm high, 35cm deep

£400-600

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the moulded rectangular top above three drawers, raised on turned legs with bun feet and joined by wavy stretchers

EARLY 18TH CENTURY

100cm wide, 82cm high, 53cm deep

the quarter-veneered top above two short and three long graduated drawers, on bun feet

£300-500

£1,500-2,500

PAIR OF WILLIAM AND MARY STYLE UPHOLSTERED WALNUT ARMCHAIRS LATE 19TH/ EARLY 20TH CENTURY with shaped backs, low outswept arms, and padded seats raised on turned and moulded legs, joined by wavy stretchers (2) 83cm wide, 120cm high, 55cm deep

£400-600

LATE 17TH CENTURY AND LATER

QUEEN ANNE WALNUT CROSSBANDED CHEST OF DRAWERS

88cm wide, 84cm high, 51cm deep

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WILLIAM AND MARY WALNUT AND FEATHERBANDED LOWBOY

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17 WILLIAM AND MARY OYSTER VENEERED MINIATURE CHEST OF DRAWERS LATE 17TH CENTURY with three drawers on later bun feet 31.5cm wide, 26cm high, 21cm deep

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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18 Y RARE MONTH-GOING EBONY, ROSEWOOD, AND ELM LONGCASE CLOCK, ANDREW BROUN [BROWN], EDINBURGH CIRCA 1695 the 12 in. dial with a signed Roman numeral chapter ring, subsidiary seconds dial, date aperture, and twin winding holes, with pierced crown and cherub spandrels; in a caddy hood top with giltwood finials and flanked by ebony columns with giltwood capitals, above a trunk door with a brass banded lenticle and boxwood lined flower and bird marquetry panels; the month-going movement with five pillars and five wheel trains, anchor escapement and bell strike via an outside countwheel 226cm high, 249cm [finials included] Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus “The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker.” Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen’s Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen’s Incorporation in 1689.

In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen’s Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father’s death.

John Smith, author of Old Scottish Clockmakers from 1453 to1850, states “In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow”. Another marquetry longcase clock by Broun dating to the late 17th century sold in these rooms, 1 September, 2021, lot 18.

£20,000-30,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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19 GEORGE II MAHOGANY FOLD-OVER TEA TABLE EARLY 18TH CENTURY with a frieze drawer, raised on tapered legs with pad feet 86cm wide, 71cm high, 39.5cm deep [closed]

£500-700

20 SET OF TEN GEORGIAN STYLE UPHOLSTERED MAHOGANY DINING CHAIRS LATE 20TH CENTURY in russet and gold trellis pattern bouclé fabric, the square padded seats on tapered legs with pad feet (10) 54cm wide, 107cm high, 41cm deep

£600-800

21 LATE GEORGE II MAHOGANY KNEEHOLE DRESSING TABLE MID 18TH CENTURY with an arrangement of eight drawers enclosing a kneehole recess and cupboard, on bracket feet 80cm wide, 79cm high, 48.5cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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22 GEORGE II MAHOGANY DROP-LEAF DINING TABLE MID 18TH CENTURY the oval top opening on straight tapered legs ending in pad feet 187cm wide [extended], 73cm high, 159cm wide

£1,200-1,800

23 PAIR OF GEORGE II STYLE MAHOGANY AND PARCEL GILT CONSOLE TABLES AND MIRRORS LATE 19TH CENTURY in the Palladian style, the mirrors with arched pediments above rectangular plates, the friezes with carved cherub heads; the console tables of breakfront outline carved with swags and raised on tapered legs on conforming plinths (2) Console 92cm high, 79cm wide; mirror 103cm high

£4,000-6,000

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24 GEORGE III OAK FIVE PANEL SETTLE LATE 18TH CENTURY the back with arched fielded panels, above a planked seat and downswept arms, raised on front cabriole legs 195cm wide, 117cm high, 73cm deep

£700-1,000

25 GEORGIAN STYLE REFECTORY TABLE 18TH CENTURY AND LATER on baluster legs joined by an H stretcher 214cm long, 78cm high, 86cm deep

£1,000-1,500

26 GEORGE III OAK DRESSER LATE 18TH/ EARLY 19TH CENTURY the upper part with an enclosed back and open plate racks around a central cupboard; the base with six drawers and two cupboards with arched fielded panels, raised on shaped bracket feet 150cm wide, 210cm high, 59cm deep

£600-800

27 GEORGIAN PROVINCIAL WALNUT COMB-BACK CORNER ARMCHAIR MID 18TH CENTURY the high comb-back above a curved midrail, pierced splats and scrolled arms, the drop-in seat on square legs with stretchers 79cm wide, 107cm high, 74cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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28 PROVINCIAL GEORGIAN YEW WOOD TRIPOD TABLE 18TH CENTURY on a baluster column, the legs ending in pad feet 65cm wide, 67cm high, 64.5cm deep

£1,000-1,500

29 SCOTTISH GEORGE III OAK LONGCASE CLOCK, JOHN BROUN EDINBURGH 18TH CENTURY the arched brass dial with a silver Roman numeral chapter, subsidiary seconds dial, and date aperture, the arch boss signed JOHN BROUN EDINBURGH, in a swan-neck hood with brass finials above a shaped trunk door flanked by fluted quarter columns, the twin-train eight-day movement striking a bell 221cm high, 41cm wide, 25cm deep

£1,000-1,500

30 GEORGE III PROVINCIAL ELM ARMCHAIR 18TH CENTURY of ample size, with a pierced vasiform splat and scrolled arms above a stuff-over seat on square legs joined by stretchers 66cm wide, 91cm high, 48cm deep

£300-400

31 GEORGE I OAK DOUBLE DOME BUREAU BOOKCASE EARLY 18TH CENTURY the double arch cornice above fielded cupboard doors, enclosing a divided and shelved interior; the lower-section with a cleated sloping fall, opening to reveal small drawers and pigeonholes around a sliding covered well, on two short and two long drawers and bracket feet 94cm wide, 210cm high, 57cm deep

£1,500-2,500

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32 GEORGE III MAHOGANY PIECRUST TEA TABLE MID 18TH CENTURY the dished tilt top on a knopped column and tripod base carved with shells and acanthus 79cm wide, 70cm high, 78cm deep

£400-600

33 EARLY GEORGE III MAHOGANY LIBRARY ARMCHAIR MID 18TH CENTURY the serpentine top rail above a wide seat flanked by padded arms with foliate carved scrolled terminals on moulded supports, raised on square straight legs with leather castors and joined by stretchers; covered in distressed yellow silk damask 70cm wide, 106cm high, 55cm deep Provenance: The 2nd Marquess of Breadalbane, Taymouth Castle, Perth and Kinross.

Thence by family descent Note: While much has been said of the renovations and redecoration of the State and principal rooms of Taymouth Castle in preparation for the Royal visit in 1842, some of the furniture that predated the transformation would have been repurposed and used in various other locations in the house. Once part of a larger suite, most likely dating to the earlier William Adam designed house of the 18th century, this chair is ample in proportion and functionally considered, and embellished with delightful carved hand terminals marked with flowerheads. AfterTaymouth Castle, it descended in the family to Lieutenant-Colonel Hon. Thomas George Breadalbane Morgan-Grenville and used to furnish Wootton House, Bedfordshire.

£1,500-2,000

34 IRISH GEORGE III MAHOGANY LOWBOY 18TH CENTURY with a long drawer over three short drawers and shaped apron, on straight legs 76cm wide, 76cm high, 48cm deep

£400-600

35 SCOTTISH GEORGE III ‘DUMFRIES HOUSE’ TYPE MAHOGANY CHEST OF DRAWERS 18TH CENTURY with three short over three long graduated drawers, on ogee bracket feet 124cm wide, 101cm high, 58cm deep

£600-800

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36 GEORGE III LARGE MAHOGANY PIECRUST TRIPOD TABLE, POSSIBLY IRISH 18TH CENTURY the single board tilt top on a baluster column and hipped cabriole legs with auricular carving 91.5cm wide, 74cm high, 92.5cm deep

£800-1,200

37 GEORGE III MAHOGANY AND INLAY SECRETAIRE CHEST-ON-CHEST 18TH CENTURY, THE INLAY 19TH CENTURY the key moulded cornice above a blind fret frieze above three short and three long drawers flanked by blind fret angles; the base with a secretaire drawer and two further long drawers, on bracket feet 109cm wide, 191cm high, 56cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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38 LATE GEORGE III GREEN JAPANNED DEMI-LUNE GAMES TABLE LATE 18TH CENTURY the fold-over top decorated in the Chinese taste with figures and pavilions 76cm wide, 73cm high, 38cm deep closed, 76cm open Provenance: Property of a gentleman of title

£400-600

39 PAIR OF GEORGE III MAHOGANY UPHOLSTERED SIDE CHAIRS 18TH CENTURY covered in yellow foliate fabric with burgundy braid trim, on chamfered legs joined by stretchers (2) 58cm wide, 97cm high, 44cm deep

£400-600

40 Y GEORGE III ROSEWOOD, PARCEL GILT, EBONISED AND PAINTED CENTRE TABLE LATE 18TH CENTURY the square top with a moulded edge and foliate frieze, bearing traces of green paint and gilding 95cm wide, 74cm high, 80cm deep

£800-1,200

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41 PAIR OF GEORGE III STYLE GILTWOOD MIRRORS, IN THE MANNER OF THOMAS CHIPPENDALE 19TH CENTURY the rectangular mirror plates in rococo style frames carved with rocaille, C scrolls, fruit and flower trails, and surmounted by ho-ho birds (2) 138cm high, 59cm wide

£5,000-7,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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42 GEORGE III MAHOGANY TILT-TOP TABLE 18TH CENTURY the circular dished on a spiral carved knopped column and tripod base 56cm diameter, 70cm high Provenance: Property of a gentleman of title

£400-600

43 GEORGE III MAHOGANY KNEEHOLE DRESSING TABLE 18TH CENTURY the hinged top opening to a fitted interior and mirror, above a kneehole recess with cupboard flanked by banks of drawers, on bracket feet 91cm wide, 79cm high, 60cm deep

£1,500-2,500

44 GEORGE III MAHOGANY BIRDCAGE SUPPER TABLE, PROBABLY IRISH 18TH CENTURY the tilt-top on a fluted and spiral carved baluster column, on cabriole tripod legs with pad feet 90.5cm wide, 72cm high, 91cm deep

£700-900

45 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY with four long drawers and shaped bracket feet 100cm wide, 82cm high, 50.5cm deep

£600-800

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46 GEORGE III MAHOGANY SUPPER TABLE 18TH CENTURY the lobed top with eight dish reserves and a larger central reserve, on a spiral carved baluster column and cabriole tripod legs with pad feet 70cm wide, 72cm high, 70.5cm deep

£600-800

47 MATCHED SET OF FIVE GEORGE III UPHOLSTERED SIDE CHAIRS 18TH CENTURY the backs with serpentine top rails above wide square seats, raised on square chamfered legs joined by stretchers, covered in later yellow damask covers (5) 58cm wide, 96cm high, 44cm deep Provenance: The 2nd Marquess of Breadalbane, Taymouth Castle, Perth and Kinross. Thence by family descent

£2,000-3,000

48 GEORGE III MAHOGANY WRITING TABLE 18TH CENTURY the top with a brown leather insert, above three frieze drawers and three dummy drawers to the reverse, raised on square legs with block feet and brass castors 121cm wide, 80cm high, 71cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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49 LATE GEORGE III MAHOGANY AND EBONISED TRIPOD LAMP TABLE EARLY 19TH CENTURY the crossbanded rectangular top above a frieze drawer with dummy drawers to the other sides, on a turned column with umbrella legs 49.5cm wide, 71cm high, 42cm deep

£800-1,200

50 GEORGE III MAHOGANY CHEST-ON-CHEST LATE 18TH CENTURY with a dentil moulded cornice over a fretwork carved frieze, above two short and three long drawers, flanked by canted fluted angles, the lower part a brushing slide and three long drawers, raised on shaped bracket feet 112cm wide, 191cm high, 55cm deep

£500-700

51 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY the top with a moulded edge, above three long drawers raised on French bracket feet 107cm wide, 86cm high, 63.5cm deep

£2,000-3,000

52 GEORGIAN STYLE MAHOGANY THREE PILLAR DINING TABLE MODERN the rounded rectangular top with double banding, on three baluster pillars with reeded outswept legs ending in brass caps and castors 398cm long, 74cm high, 140cm deep

£1,000-1,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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53 GEORGE III BRASS BANDED MAHOGANY OCTAGONAL WINE COOLER 18TH CENTURY on a separate stand with four reeded legs 45.5cm wide, 66cm high, 46cm deep

£800-1,200

54 SET OF SIXTEEN GEORGE III STYLE MAHOGANY DINING SIDE CHAIRS MODERN with pierced and carved vasiform splats above drop-in seats, on square legs joined by stretchers (16) 54cm wide, 103cm high, 47cm deep

£1,500-2,500

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55 GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS 18TH CENTURY with four long drawers and a brushing slide, on bracket feet 93cm wide, 89cm high, 54cm deep

£1,200-1,800

56 GEORGE III MAHOGANY SERPENTINE SECRETAIRE CHEST OF DRAWERS 18TH CENTURY the top drawer with a fall front opening to pigeon holes and small drawers, above three further long drawers, on bracket feet 104cm wide, 88cm high, 53cm deep

£800-1,200

57 GEORGE III MAHOGANY FRAMED SOFA, IN THE HEPPLEWHITE STYLE LATE 18TH CENTURY the frame carved with husk trails, lotus, and flower heads, covered in pale green cut velvet, on eight legs with brass castors 162cm wide, 94cm high, seat 56cm deep

£1,500-2,500

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58 SCOTTISH GEORGE III MAHOGANY BOOKCASE CABINET, ATTRIBUTED TO THE WORKSHOP OF FRANCIS AND WILLIAM BRODIE CIRCA 1775 the swan neck pediment with pierced Gothic fretwork above a crenellated and arcaded frieze, over a pair of astragal glazed doors enclosing shelves; the projecting base with a pair of circular panel doors outlined with bead moulding and enclosing shelves, on a plinth 152cm wide, 285cm high, 61cm deep Provenance: Purchased Sotheby’s, 19 November 2008, lot 233.

Note: A similar secretaire bookcase attributed to William Brodie, formerly at Yester House, is illustrated in Francis Bamford, A Dictionary of Edinburgh Furniture Makers, 1983, pl. 26. The Yester House example has the same distinctive pediment as the present lot, however some stylistic differences indicate an earlier date for the present lot and keeps it more consistent with the designs promoted by Chippendale and followers. It therefore seems likely that this cabinet would have been produced whilst William Brodie was still in partnership with his father.

William Brodie, son and partner of Francis Brodie from 1767 and possibly as early as 1764, inherited the business in 1782. William pursued a less reputable life after his father’s death and his demise was brought about on Ist October 1788 when he was hanged for his involvement in a robbery at the Excise Office. The very few items of documented furniture by him include a mahogany clothes press in the National Museum of Antiquities of Scotland (see Bamford op. cit., pl. 27) and a suite of bookcases at Divinity Hall, Old College, Edinburgh

£7,000-10,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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59 GEORGIAN MAHOGANY BRASS BANDED WINE COOLER 18TH CENTURY WITH ALTERATIONS of oval form with brass bands and lion mask ring handles, on associated carved cabriole legs with ball and claw feet 41cm wide, 66cm high, 33cm deep

£300-500

60 SET OF EIGHT IRISH GEORGE III STYLE MAHOGANY DINING CHAIRS 19TH CENTURY with shaped top rails above pierced and carved splats and drop-in leather seats; comprising six side chairs and a pair of armchairs (8) armchair 57cm wide, 99cm high, 44cm deep

£800-1,200

61 GEORGE III WALNUT TRIPOD TEA TABLE MID 18TH CENTURY the tilt top on a tapered column with spiral reeding, on cabriole legs with pad feet 62cm wide, 67cm high, 62.5cm deep

£600-800

62 GEORGE III MAHOGANY BUREAU 18TH CENTURY the interior with drawers and pigeon holes with lettered alphabet paper labels 107cm wide, 103cm high, 52cm deep

£300-400

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63 CHIPPENDALE REVIVAL MAHOGANY SIDE TABLE EARLY 20TH CENTURY with two short frieze drawers, raised on blind fret-carved legs ending in block feet 152cm wide, 79cm high, 54cm deep

£600-800

64 PAIR OF GEORGIAN STYLE MAHOGANY LIBRARY OPEN ARMCHAIRS 19TH CENTURY covered in yellow silk damask with close nail trim (2) 71cm wide, 96cm high, 54cm deep

£2,500-3,500

65 GEORGE III MAHOGANY LOW SECRETAIRE PRESS CUPBOARD, ATTRIBUTED TO GILLOWS 18TH CENTURY the secretaire drawer with a slide and hinged writing slope above an arrangement of hinged compartments with alphabetic inlaid labels, above a pair of panel doors enclosing sliding trays, raised on ogee bracket feet 123.5cm wide, 105cm high, 61cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

30

66 GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE 18TH CENTURY the tray top with diamond shaped cut-outs, above a frieze drawer, cupboard, and pull-out potty with ceramic liner 56cm wide, 80cm high, 46cm deep

£300-500

67 SCOTTISH LATE GEORGE III MAHOGANY AND INLAID LONGCASE CLOCK, DAVID SUTHERLAND, KEITH EARLY 19TH CENTURY the silvered brass and engraved arch dial with Roman and Arabic chapters, subsidiary Strike/Silent dial and date aperture, the hood with a broken arch pediment and flanked by columns above an arched trunk door, the eight day twin-train movement striking a bell 223cm high, 52cm wide, 25cm deep Provenance: Property of a gentleman of title

£600-800

68 GEORGE III MAHOGANY WING ARMCHAIR 18TH CENTURY on straight square legs joined by stretchers, with distressed upholstery 85cm wide, 113cm high, 53cm deep

£800-1,200

31

69 GEORGIAN STYLE MAHOGANY AND BRASS CANTERBURY LATE 19TH CENTURY of tapered cubic form with four divisions, the sides with fleur de lis cut outs and brass lion mask handles, raised on brass cabriole legs with claw feet 34cm wide, 42cm high, 34cm deep

£400-600

70 GEORGE III MAHOGANY AND OLIVE GREEN LEATHER UPHOLSTERED CAMEL BACK SOFA EARLY 20TH CENTURY, POSSIBLY INCORPORATING EARLIER ELEMENTS outlined with brass close nail trim 148cm wide, 96cm high, seat 54cm deep Provenance: Purchased Christie’s, 9 May, 2006, lot 211

£500-700

71 GEORGE II WALNUT AND LEATHER UPHOLSTERED STOOL MID 18TH CENTURY covered in blue hide with close nail trim, raised on shell-carved cabriole legs with claw and ball feet 59cm wide, 48cm high, 42cm deep

£800-1,200

72 GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODE 18TH CENTURY the pull-out base with dummy drawer fronts, the interior fitted for storage 55cm wide, 78cm high, 46cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

32

73 GEORGE III OVAL GILTWOOD MIRROR LATE 18TH CENTURY the mirror plate in a fluted and bead moulded frame with scroll and acanthus cresting 122cm high, 77cm wide

£2,000-3,000

74 GEORGE III MAHOGANY KETTLE STAND MID 18TH CENTURY the top with a wavy gallery on a double knopped spiral carved stem and acanthus carved cabriole legs 39cm diameter, 55cm high

£1,200-1,800

75 GEORGE III PAINTED CANAPÉ, ATTRIBUTED TO FRANÇOIS HERVÉ CIRCA 1790 Note: The French émigré chair maker François Hervé worked as a cabinetmaker and chairmaker between 1781-96 and is recorded as working for the Prince of Wales, the Duke of Devonshire and Earl Spencer. His premises were recorded at 32 John Street, close to Tottenham Court Road.

the grey painted frame carved with flowerheads, leaf tips, and outlined with beading, covered in blue floral silk brocade 167cm wide, 92cm high, seat 61cm deep

£2,500-3,500

33

76 GEORGE III MAHOGANY AND GILT METAL MOUNTED SERPENTINE COMMODE, ATTRIBUTED TO HENRY HILL OF MARLBOROUGH 18TH CENTURY the serpentine top with a moulded edge above three long drawers, the top drawer fitted with a baize brushing slide and a compartmented interior, the angles with gilt bronze mounts, over a shaped apron and splayed French feet with further gilt bronze mounts 113cm wide, 82cm high, 62cm deep

£5,000-7,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

34

77 GEORGE III INLAID MAHOGANY TEA CADDY LATE 18TH/ EARLY 19TH CENTURY inlaid with husk swags and fan motifs, opening to a void interior 13.5cm wide, 11.5cm high, 11.5cm deep

£300-500

78 GEORGE III INLAID SATINWOOD AND FRUITWOOD TEA CADDY LATE 18TH/ EARLY 19TH CENTURY with foliate wreaths and trails, opening to two lidded compartments 19cm wide, 13cm high, 11.5cm deep

£300-500

79 GEORGIAN LEATHER, MAHOGANY AND GILT METAL WORKBOX LATE 18TH/ EARLY 19TH CENTURY the front embossed with roundels depicting profile portraits of Antoinette du Ligier de la Garde Deshoulières and Pierre de Fermat, opening to a fitted interior above a single drawer with a slope 34cm wide, 23.5cm high, 27cm deep

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

35

80 ALL STEEL FLINTLOCK BELT PISTOL, IN THE STYLE OF A SCOTTISH DOUNE PISTOL CIRCA 1830 with plain stock and barrel fitted with a belt hook and metal ram rod, with a scrolled butt barrel 20cm/ 8 inches long Note: Many of these pistols were made in Birmingham for the Scottish market.

£600-800

81 CHINESE EXPORT ‘MASONIC’ TANKARD LATE 18TH CENTURY

82

barrel form with beaded bands and a entwined bifurcated strap handle; enamelled with Masonic symbols and flower sprays and garlands

CHINESE EXPORT ‘MASONIC’ TANKARD

16.5cm high

LATE 18TH CENTURY

£500-700

barrel form with beaded bands and a entwined bifurcated strap handle; enamelled with Masonic symbols and flower sprays and garlands 14cm high

£300-500

83 Y GEORGE III INLAID SATINWOOD OVAL TEA CADDY LATE 18TH/ EARLY 19TH CENTURY inlaid with flower garlands and swags, opening to two lidded compartments, with ivory handles 19cm wide, 13cm high, 11cm deep

£300-500

36

84

85

PAIR OF GEORGIAN STYLE MAHOGANY AND SATINWOOD BEDSIDE COMMODES

GEORGE III MAHOGANY LONGCASE AUTOMATON CLOCK, THOMAS PARNELL, CANTERBURY

LATE 19TH CENTURY

LATE 18TH CENTURY

the banded bowfront tops above tambour doors and single drawers, the sides with brass handles, raised on square tapered legs with block feet (2)

the swan neck pediment above a silvered and foliate engraved dial with Roman numeral chapter ring and subsidiary seconds dial and date aperture, signed, the boss with a further aperture with an automaton ship labelled THE DREAD NAUGHT; the eight day twin-chain movement striking a bell

55cm wide, 78cm high, 51.5cm deep

£2,000-3,000

229cm high, 49cm wide, 25cm deep

£700-1,000

86 GEORGE III LOW PRESS CUPBOARD, ATTRIBUTED TO GILLOWS 18TH CENTURY the blind fret carved frieze above a pair of brass mounted panel doors opening to five long drawers, raised on shaped bracket feet 117cm wide, 106cm high, 59cm deep

£2,000-3,000

37

87 GEORGIAN STYLE GREEN LEATHER UPHOLSTERED WING BACK ARMCHAIR LATE 20TH CENTURY the button upholstered back and slightly bowed seat outlined with close nail trim and raised on channelled legs joined by stretchers 70cm wide, 109cm high, 56cm deep

£1,000-1,500

88 LATE GEORGE III MAHOGANY PARTNER’S DESK LATE 18TH/ EARLY 19TH CENTURY the rectangular top with a tooled green leather insert, above three frieze drawers and banks of three drawers to the pedestals, the reverse with three frieze drawers above panel cupboard doors, on plinth bases 182cm wide, 79cm high, 93cm deep

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

38

89 GEORGE III BRASS BOUND MAHOGANY PLATE BUCKET LATE 18TH/ EARLY 19TH CENTURY with a bale handle 34cm high, 32.5cm diameter

£400-600

90 GEORGE III BRASS BOUND MAHOGANY PEAT BUCKET LATE 18TH/ EARLY 19TH CENTURY with a bale handle 36cm high, 34cm diameter

£600-800

91 GEORGIAN STYLE POLISHED STEEL AND CAST IRON FIREGRATE EARLY 20TH CENTURY in the Adam style, the arched fireback with an oval boss above a four bar grate and serpentine pierced apron with punch details and outlined with beading 83cm wide, 84cm high

£600-800

92 ADAM STYLE STEEL, BRASS, AND CAST IRON FIREGRATE 19TH CENTURY with a pierced palmette frieze flanked by flaming urn finials, the fireback cast with an urn 96cm wide, 63cm high, 47cm deep

£600-800

93 LATE GEORGE III POLISHED STEEL FENDER LATE 18TH CENTURY of serpentine outline, with pierced and punched decoration of urns and sunbursts 153cm wide, 34cm deep

£300-500

94 GEORGE III MAHOGANY BASIN-STAND 18TH CENTURY of typical form 81cm high

£250-350

39

95 GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY with four long drawers and shaped bracket feet 88cm wide, 75cm high, 47.5cm deep

£600-800

96 PAIR OF SHERATON REVIVAL MAHOGANY SIDE CHAIRS, ATTRIBUTED TO WRIGHT AND MANSFIELD 19TH CENTURY with pierced lattice backs above wide stuffover seats, raised on fluted tapered legs (2) 52cm wide, 94cm high, 45cm deep

£300-400

97 Y GEORGE III MAHOGANY SECRETAIRE CHEST LATE 18TH CENTURY the secretaire drawer fitted with a green leather insert, pigeon holes, and drawers with ivory knobs, above three graduated long drawers, on shaped bracket feet 121cm wide, 114cm high, 57cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

98 GEORGE III MAHOGANY INLAID DEMI-LUNE FOLD-OVER CARD TABLE LATE 18TH CENTURY the crossbanded top with sunflower marquetry and a green baize playing surface 103cm wide, 77cm high, 51cm deep, 102cm [open]

£400-600

99 LATE GEORGE III MAHOGANY SECRETAIRE CABINET LATE 18TH CENTURY the upper part with a pair of moulded panel doors enclosing adjustable shelves; the base with a secretaire drawer and three graduated long drawers, raised on turned feet 86cm wide, 195cm high, 51cm deep

£800-1,200

100 PAIR OF GEORGE III MAHOGANY FRAMED LIBRARY ARMCHAIRS 18TH CENTURY serpentine top rails above padded open arms and stuff-over seats, raised on square legs united by stretchers, the covers removed (2) 61cm wide, 96cm high, 46cm deep

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

41

101 SET OF EIGHT GEORGIAN STYLE SHIELD-BACK MAHOGANY DINING CHAIRS 20TH CENTURY to include six side chairs and a pair of armchairs, the backs carved with Prince-of-Wales plumes, the seats with needlework covers (8) Armchair 53cm wide, 92cm high, 44cm deep

£500-700

102 LATE GEORGE III SCOTTISH MAHOGANY D-END DINING TABLE LATE 18TH/ EARLY 19TH CENTURY, PROBABLY EDINBURGH with two demi-lune ends and centre section with drop leaf sides, the legs outlined with stringing 251cm long, 73cm high, 122cm deep [fully extended]

£600-800

103 GEORGE III MAHOGANY INLAID SIDEBOARD LATE 18TH CENTURY of breakfront outline with a bow centre with long drawer flanked by deep drawers, one fitted as a cellarette 184cm wide, 91cm high, 75cm deep

£700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42

104 ASSEMBLED SET OF EIGHT LATE GEORGE III SCOTTISH ‘BRANDERBACK’ DINING CHAIRS EARLY 19TH CENTURY including a pair of armchairs, and a similar pair of side chairs, all with squared backs with three vertical rails, above stuff-over seats and square tapered legs joined by stretchers (8) Armchair 55cm wide, 90cm high, 42cm deep

£500-700

105 GEORGE III OVAL TILT-TOP DINING TABLE 18TH CENTURY on a cannon barrel column and four reeded outswept legs ending in brass caps and castors 162cm wide, 72cm high, 130cm deep

£400-600

106 LATE GEORGE III CHAISE LONGUE LATE 18TH CENTURY of hourglass form, the frame carved with shell motifs and flowers, raised on cabriole legs with scrolled feet 149cm long, 79cm high, 55cm deep

£800-1,200

43

107 GEORGE III MAHOGANY LINEN PRESS, BY GILLOWS 18TH CENTURY the dentil moulded cornice above a pair of shaped panel doors with foliate carved ogee mouldings, enclosing tray slides; the lower part with two short and three long drawers, raised on bracket feet 133cm wide, 192cm high, 66cm deep

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

44

108 LATE GEORGE III MAHOGANY DRESSING TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with a three-quarter gallery and four drawers arranged around an arched kneehole, raised on reeded legs 112cm wide, 81cm high, 57cm deep

£700-900

109 GEORGIAN STYLE LARGE MAHOGANY INVERTED BREAKFRONT WARDROBE LATE 19TH CENTURY the cornice with dentil and blind fret mouldings; the panel doors enclosing hanging space, sliding trays, and drawers 275cm wide, 203cm high, 67cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

45

110 LATE GEORGE III LARGE MAHOGANY BERGERE EARLY 19TH CENTURY with a caned squared back, enclosed arms with turned supports, and seat, with a brown leather button upholstered cushion, on turned legs with brass caps and castors 66cm wide, 108cm high, 60cm deep

£1,200-1,800

111 TWO GEORGE III MAHOGANY COMMODE STOOLS 18TH CENTURY one with a hinged top containing a pottery liner; the other converted with a fixed top and no liner (2) 54cm wide, 45cm high, 42cm deep Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£300-500

112 GEORGE III MAHOGANY SMALL SECRETAIRE BOOKCASE LATE 18TH CENTURY the upper part enclosing a shelved interior; the base with a secretaire drawer and three long drawers, all with brass ring handles and Bilston enamel backplates 91cm wide, 179cm high, 52cm deep

£400-600

47

PAINTINGS PART ONE

113 18TH CENTURY FRENCH SCHOOL HALF LENGTH PORTRAIT OF A MAN IN ARMOUR Oval, oil on canvas 66cm x 52cm (26in x 20.5in)

£1,500-2,000

114 18TH CENTURY SCOTTISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF SUSAN MURRAY OF CRINGLETIE Inscribed on a label verso, oil on canvas 71cm x 61cm (28in x 24in)

£3,000-5,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

115 19TH CENTURY ENGLISH SCHOOL THREE ARABIANS IN A WOODED LANDSCAPE Indistinctly signed and dated 1858, oil on canvas, arched top 76cm x 101cm (30in x 40in) Provenance: Sir Maurice William Ernest de Bunsen (1852-1932), and then by descent

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

49

116 ATTRIBUTED TO MARMADUKE CRADDOCK A CONCERT OF EXOTIC BIRDS BY A LAKE Octagonal, oil on canvas, and a companion, a pair, ‘Water fowl’ (2) 61cm x 76cm (24in x 30in)

£4,000-6,000

50

117 FOLLOWER OF WILLIAM AIKMAN HEAD AND SHOULDER PORTRAIT OF A MAN IN PLUM COAT Oil on canvas, oval 76cm x 61cm (30in x 24in)

£600-800

118 ATTRIBUTED TO WILLIAM AIKMAN HALF LENGTH PORTRAIT OF SIR JOHN NISBIT Inscribed on old label verso, feigned oval, oil on canvas 76cm x 61cm (30in x 24in)

£800-1,200

119 MANNER OF ALBERT STORCK THE HARBOUR Oil on canvas 48cm x 75cm (19in x 29.5in)

£800-1,200

120 MANNER OF ISAAC SAILMAKER ENGLISH WARSHIPS OFF THE MIDDLE EASTERN COAST Oil on canvas 48cm x 118cm (18.75in x 46.5in) Provenance: Sir Maurice William Ernest de Bunsen (1852-1932), and then by descent

£2,000-3,000

121 FOLLOWER OF ISAAC OUWATER A DUTCH CANAL SCENE Oil on panel 33cm x 37cm (13in x 14.5in) Provenance: Sir Maurice William Ernest de Bunsen (1852-1932), and then by descent

£1,500-2,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

52

122 ATTRIBUTED TO PHILIP REINAGLE GOSHAWK ATTACKING A MALLARD Oil on canvas 85cm x 112cm (33.5in x 44in) Provenance: The Tryon Gallery Ltd, London

£600-900

123 GEORGE HENRY LAPORTE (BRITISH 1799–1873) STUDY OF A HUNTER BY A LAKE Inscribed on stretcher verso, oil on canvas 35.5cm x 45.7cm (14in x 18in) Provenance: According to a label verso the horse was a gift from the Iman of Muscat to the Prince Consort

£1,000-1,500

53

124 19TH CENTURY ENGLISH SCHOOL THE NEW BONNET Oil on canvas 76cm x 63.5cm (30in x 25in)

£700-1,000

125 ATTRIBUTED TO WILLIAM YELLOWLEES THREE QUARTER LENGTH PORTRAIT OF A GENTLEMAN SEATED IN HIS STUDIO Oil on canvas 52cm x 42cm (20.5in x 16.5in)

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

126 GEORGE RICHMOND R.A. (BRITISH 1809-1896) THREE QUARTER LENGTH PORTRAIT OF OCTAVIUS WIGRAM SEATED IN HIS LIBRARY Signed and dated 1861, oil on canvas 127cm x 101.5cm (50in x 40in)

£2,000-3,000

127 ATTRIBUTED TO SIR MARTIN ARTHUR SHEE HALF LENGTH PORTRAIT OF A YOUNG MAN HOLDING SPECTACLES With inscription verso, oil on canvas, and a companion by the same hand ‘A man’s portrait in profile’ (2) 76cm x 61cm (30in x 24in)

£1,000-1,500

55

128 ANDREW NICHOLL R.H.A. (IRISH 1804-1886) THE LIGHT HOUSE AND HARBOUR AT GALLE, CEYLON Signed, watercolour 53.5cm x 81cm (21in x 31.75in)

£1,500-2,000

Note: Andrew Nicholl was from Belfast and established a local reputation as a landscape painter by his early twenties and became a founding member of the Belfast Association of Artists. In 1832 he exhibited at the Royal Academy and by 1837 he was elected as an Associate Member of the Royal Hibernian Academy. In 1846, Nicholl was appointed as a teacher of landscape painting and drawing at the Colombo Academy in Ceylon, where he remained for three years. There, with the backing of his most significant patron, the Belfast MP and Colonial Secretary James Emmerson Tennent, Nicholl produced a number of views of local scenery and also provided illustrations for Tennent’s book Ceylon: An Account of the Island - Physical, Historical and Topographical, published in 1860. It is thought that he returned from Ceylon by 1849, as he exhibited some views of the island at the Royal Academy that year. He divided his time between London and Belfast, and exhibited at both the Royal Academy and Royal Hibernian Academy. In 1870 he offered twelve watercolours of views of Ceylon to Queen Victoria, who bought two of them.

129 JANE VIVIAN (BRITISH FL.1869-77) ON THE GRAND CANAL, VENICE Signed, oil on canvas 46cm x 82cm (18in x 32in) Provenance: Cooling Galleries (Ontario) Limited

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

56

BRITISH FURNITURE & WORKS OF ART PART TWO

57

130 REGENCY MAHOGANY CANED BERGERE EARLY 19TH CENTURY the caned square back and enclosed arms with oxblood leather button-upholstered seat and back cushions and arms pads, on turned legs with brass castors 68cm wide, 104cm high, seat 55cm deep

£2,000-3,000

131 REGENCY MAHOGANY AND KINGWOOD OCTAGONAL BREAKFAST TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the crossbanded tilt top on four turned column supports and moulded cabriole legs ending in brass caps and castors 143cm wide, 73cm high, 104cm deep

£1,500-2,500

132 WILLIAM IV WALNUT AND EBONISED LOW BREAKFRONT BOOKCASE EARLY 19TH CENTURY of inverted breakfront outline, with five frieze drawers above open shelves flanked by moulded panel doors with carved rosettes at the corners, on a plinth base 278cm wide, 123cm high, 48cm deep

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

58

133 REGENCY STYLE CUT GLASS FIVE LIGHT CHANDELIER 20TH CENTURY with five scrolling candle arms hung with prism drops and swags 85cm high, 73cm diameter approx.

£400-600

134 REGENCY KINGWOOD AND BRASS MOUNTED GAMES TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the oval top with a pierced brass gallery and a reversible sliding centre section opening to a chessboard and leather backgammon board, raised on slender turned supports with trestle bases and gilt metal mounts 76cm wide, 75cm high, 41cm deep

£800-1,200

135 REGENCY WHITE MARBLE AND SCAGLIOLA PEDESTAL COLUMN EARLY 19TH CENTURY to simulate Siena marble with a white marble platform and base 38cm diameter, 92cm high

£600-800

136 REGENCY MAHOGANY DROP-LEAF WORK TABLE EARLY 19TH CENTURY the top with a moulded edge above a long drawer and sliding workbox, on a quadripartite base with sabre legs with brass castors 93cm wide [open], 72cm high, 50cm deep

£400-600

137 REGENCY MAHOGANY CHEST OF DRAWERS, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY with three drawers of bowfront outline flanked by outset reeded corner columns 104.5cm wide, 86cm high, 54.5cm deep

£1,200-1,800

59

138 PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY with urn form backs above wide panel seats raised on slender tapered legs (2) 48cm wide, 94cm high, 36cm deep

£800-1,200

139 REGENCY MAHOGANY AND FLORAL MARQUETRY QUARTETTO TABLES EARLY 19TH CENTURY each with a different marquetry flower spray, the largest in an oval strung inlaid panel, raised on turned legs with trestle bases (4) Largest 46.5cm wide, 73cm high, 35cm deep

£500-700

140 Y SCOTTISH REGENCY ROSEWOOD FOLD-OVER CARD TABLE, ATTRIBUTED TO WILLIAM TROTTER EARLY 19TH CENTURY the D-shaped top opening to a green baize interior, on an acanthus carved column and quadripartite base with leaf-carved scroll legs ending in foliate brass caps and castors 91cm wide, 75cm high, 45cm closed, 90cm open

£800-1,200

141 PAIR OF REGENCY MAHOGANY AND BRASS SMALL SIDE CABINETS EARLY 19TH CENTURY with dummy drawers above cupboards with brass grille inserts enclosing adjustable shelves, on short turned legs (2) 62cm wide, 95cm high, 31.5cm deep

£1,200-1,800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

142 REGENCY YEW WOOD HEXAGONAL TRIPOD TABLE EARLY 19TH CENTURY the quarter-veneered and banded top above a frieze with opposing drawers outlined with stringing 62cm diameter, 74.5cm high

£700-900

143 REGENCY STYLE MAHOGANY FREESTANDING WATERFALL BOOKCASE 20TH CENTURY with three graduated shelves to either side, raised on bracket feet and castors 70cm wide, 93cm high, 37cm deep

£800-1,200

144 REGENCY MAHOGANY WASHSTAND, POSSIBLY GILLOWS EARLY 19TH CENTURY the shaped lid enclosing a pull up mirror, above a cupboard and dummy drawer pull out commode, raised on turned legs 55cm wide, 90cm high, 54cm deep

£600-800

145 REGENCY MAHOGANY, MARBLE AND BRASS MOUNTED MIRRORED CHIFFONIER, BY GILLOWS EARLY 19TH CENTURY the superstructure with a brass gallery and mirror back, above an inset marble top enclosed by leaf carved mouldings, above a long drawer and a pair of glazed doors enclosing shelves 81cm wide, 127cm high, 37cm deep

£1,000-1,500

61

146 PAIR OF REGENCY MAHOGANY GONDOLA ARMCHAIRS, POSSIBLY GILLOWS EARLY 19TH CENTURY in button upholstered brown leather, on tapered legs (2) 50cm wide, 87cm high, 44cm deep

£600-800

147 GEORGE IV MAHOGANY TWO-TIER BUFFET EARLY 19TH CENTURY each tier with a three-quarter gallery, on lobed bun feet with castors 114cm wide, 103cm high, 52cm deep

£400-600

148 PAIR OF REGENCY STYLE MAHOGANY LOW BOOKCASES, IN THE MANNER OF GILLOWS LATE 19TH CENTURY with adjustable shelves on plinth bases (2) 178cm wide, 108cm high, 40cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

62

149 REGENCY CREAM PAINTED AND PARCEL-GILT TRIPTYCH OVERMANTEL MIRROR EARLY 19TH CENTURY the breakfront foliate moulded frieze with ball mounts above triple mirror plates flanked and divided by spiral pilasters, on a base with lion mask roundels 67cm high, 131.5cm wide Provenance: Property of a gentleman of title

£500-700

150 REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY the rectangular top with a red leather insert above a central drawer with an adjustable writing slope, and four short drawers, raised on end supports terminating in splayed legs with brass caps and castors 96cm wide, 73cm high, 51cm deep

£500-700

151 REGENCY MAHOGANY AND BRASS BOOKCASE 19TH CENTURY AND LATER the later upper section with a swan neck pediment and gilt metal foliate finial, above glazed doors with brass grilles enclosing shelves; the base with a pair of brass grille insert doors, on tapered feet 116cm wide, 224cm high, 40cm deep

£1,200-1,800

63

152 Y REGENCY ROSEWOOD, BURR YEW, AND PARCEL-GILT CARD TABLE EARLY 19TH CENTURY the banded fold-over top pivoting to open to a velvet playing surface, above a bead moulded frieze and waisted column carved with lotus leaves, on a quadripartite base and bun feet with castors 92cm wide, 76cm high, 46cm deep [closed], 92cm open Provenance: Property of a gentleman of title

£400-600

153 REGENCY ‘GRECIAN’ PAINTED AND PARCEL GILT WINDOW SEAT EARLY 19TH CENTURY the X-form frame with scrolled ends, painted green with gilt details, covered in dark green plush fabric 120cm wide, 63cm high, 49cm deep

£1,000-1,500

154 SCOTTISH REGENCY MAHOGANY SIDEBOARD EARLY 19TH CENTURY with a stage back, tambour doors, and a cellarette drawer, raised on reeded tapered legs with brass mounts 226cm wide, 117cm high, 82cm deep

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

64

155 REGENCY GILTWOOD AND GESSO OVERMANTEL MIRROR EARLY 19TH CENTURY the triple mirror plates in an ebonised reeded slip, within a trellis clad column frame 70cm high, 155cm wide

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

65

156 SET OF TWELVE REGENCY MAHOGANY DINING CHAIRS, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY comprising twelve side chairs, with bar backs above stuff-over seats covered in red faux leather, raised on turned and reeded tapered legs (12) 47cm wide, 89cm high, 42cm deep

£4,000-6,000

157 REGENCY MAHOGANY THREE PILLAR DINING TABLE, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the oval top with a reeded edge comprising a pair of demi-lune ends and a centre section, on turned baluster pillars with reeded outswept legs ending in brass caps and castors, with two leaf extensions 374cm long, 75cm high, 167cm deep

£7,000-10,000

66

158 Y SET OF REGENCY ROSEWOOD QUARTETTO TABLES EARLY 19TH CENTURY with ring turned supports and stretchers (4) 47cm wide, 71cm high, 31cm deep

£700-900

159 REGENCY MAHOGANY WHATNOT EARLY 19TH CENTURY with five tiers and a base drawer 41.5cm wide, 160cm high, 41cm deep

£600-800

160 Y REGENCY ROSEWOOD CENTRE TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the bead-moulded top on a lotus carved column and four reeded scroll legs ending in brass caps and castors 130cm diameter, 73cm high

£600-800

161 REGENCY MAHOGANY AND EBONY SIDEBOARD EARLY 19TH CENTURY the inverted stageback superstructure with drawers and sliding compartments, above a bowfront drawer flanked by a drawer and cupboard, over an arched recess with a baize lined slide and well, all raised on turned and tapered legs 209cm wide, 116cm high, 75cm deep

£800-1,200

67

162 REGENCY GILTWOOD, GESSO, AND EBONISED PIER MIRROR EARLY 19TH CENTURY the ball mounted cornice above a relief moulded frieze depicting Demeter and attendants, over a rectangular mirror plate flanked by pilasters 106cm high, 60cm wide

£400-600

163 Y REGENCY ROSEWOOD, CALAMANDER, AND BOXWOOD CARD TABLE EARLY 19TH CENTURY the fold-over D-shaped top pivoting to open to a green baize surface, on four turned supports and quadripartite base with outswept legs ending in brass caps and castors 91cm wide, 72cm high, 45cm deep, 90cm [open]

£500-700

164 REGENCY MAHOGANY, EBONY, AND BRASS WHATNOT EARLY 19TH CENTURY the pierced brass gallery above a pair of drawers raised on ringturned spindles and an undertier, the legs with brass caps and castors 50cm wide, 98cm high, 41cm deep

£800-1,200

165 Y REGENCY BRASS INLAID ROSEWOOD CREDENZA EARLY 19TH CENTURY of breakfront outline, with a green verde antico marble top above four silk-lined doors enclosing shelves 151cm wide, 88cm high, 37cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

68

166 REGENCY MAHOGANY DROPLEAF TWO TIER DUMBWAITER EARLY 19TH CENTURY on a tripod base with brass hairy paw caps and castors 63cm diameter, 85cm high

£400-600

167 REGENCY MAHOGANY CANED WHATNOT EARLY 19TH CENTURY with four caned tiers raised on square reeded supports, the base with a drawer and dummy drawer 47cm wide, 146cm high, 47cm deep

£1,200-1,800

168 Y REGENCY ROSEWOOD CARD TABLE EARLY 19TH CENTURY the fold-over rectangular top, pivoting to a baize interior, raised on a turned tapering column and quadripartite base, on scroll carved paw feet and hidden castors 91cm wide, 74cm cm high, 45cm deep Provenance: Property of a gentleman of title

£300-500

169 Y REGENCY ROSEWOOD AND BRASS MOUNTED CHIFFONIER, BY WILKINSON & SONS EARLY 19TH CENTURY the upper section with two shelves above a base with yellow pleated silk lined doors, on tapered legs with brass castors, stamped on the door WILKINSON & SONS, 14 LUDGATE HILL 8952 92cm wide, 134cm high, 31cm deep

£400-600

69

170 REGENCY MAHOGANY, EBONISED, AND BRASS MOUNTED PLATE WARMER BUFFET EARLY 19TH CENTURY with two galleried open tiers above a cabinet base with a tin-lined interior, on paw feet with castors 66cm wide, 142cm high, 39cm deep

£600-800

171 Y SET OF SIX REGENCY ROSEWOOD DINING CHAIRS, ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY the gadrooned top rails above spindle backs and red upholstered seat pads, raised on lotus carved tapered legs (6) 46cm wide, 87cm high, 42cm deep

172

£1,200-1,800

REGENCY MAHOGANY THREE PILLAR DINING TABLE EARLY 19TH CENTURY with demilune ends, each pedestal with splayed tripod legs and brass caps and castors 244cm long, 72cm high, 147cm deep Provenance: Property of Archibald Stirling of Keir

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

70

173 Y REGENCY ROSEWOOD AND SPECIMEN WOOD WORK TABLE EARLY 19TH CENTURY the hinged octagonal top with tumbling block parquetry, on curvilinear legs joined by an undertier, bearing a NORMAN ADAMS trade label 45cm wide, 72cm high, 41cm deep

£700-900

174 PAIR OF REGENCY BLACK JAPANNED AND CAST IRON POLE SCREENS EARLY 19TH CENTURY the shaped panels decorated with Chinoiserie, on turned and painted triform bases with cast iron paw feet (2) 144cm high, 42cm wide

£400-600

175 SET OF MAHOGANY QUARTETTO TABLES LATE 19TH CENTURY the tops outlined with stringing, on slender legs and trestle bases joined by curved stretchers (4) 58cm wide, 72cm high, 38cm deep

£500-700

176 Y GEORGE IV ROSEWOOD CARD TABLE EARLY 19TH CENTURY the fold-over rectangular top pivoting to open to a baize playing surface, above a foliate carved frieze, on a turned column and circular base raised on hairy claw feet 91cm wide, 76cm high, 45cm deep

£400-600

71

177 Y REGENCY ROSEWOOD TRAY TOP WINE TABLE, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the rectangular dished top on a turned support with a cluster column base, on tripod legs 35cm wide, 74cm high, 26cm deep

£1,000-1,500

178 REGENCY MAHOGANY CANED BERGERE EARLY 19TH CENTURY with a curved back and scrolled arms, raised on turned and reeded tapered legs ending on castors 57cm wide, 90cm high, 52cm deep

£1,000-1,500

179 SCOTTISH MAHOGANY LONGCASE CLOCK, W. G. MILNE, EDINBURGH EARLY 19TH CENTURY the engraved arched brass dial with a Roman numeral chapter ring and subsidiary seconds dial, the arch bossed signed W. G. MILNE EDINBRUGH, in a swan-neck hood flanked by brass Corinthian columns above a glazed three-panelled case with further brass Corinthian columns, the twin-train eight-day movement striking a gong 212cm high, 46cm wide, 30cm deep

£600-800

180 Y REGENCY ROSEWOOD CARD TABLE EARLY 19TH CENTURY the rectangular fold-over top pivoting to open to a baize playing surface, on a square tapering column and quadripartite base with scroll carved feet 87cm wide, 75cm cm high, 43cm deep Provenance: Property of a gentleman of title

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

72

181 REGENCY GILTWOOD CONVEX MIRROR EARLY 19TH CENTURY with an eagle cresting and foliate pendant finial 106cm high, 63cm wide

£600-800

182 SCOTTISH REGENCY LONGCASE CLOCK, J. BRECKENRIDGE, EDINBURGH EARLY 19TH CENTURY the circular white enamel Roman dial with subsidiary date and seconds dials inscribed J. BRECKENRIDGE, EDINBURGH, the twintrain eight-day movement in a mahogany and ebony lined case 200.5cm high

£500-800

183 PAIR OF REGENCY MAHOGANY SABRE LEG SIDE CHAIRS EARLY 19TH CENTURY with reeded frames and stuffover seats with nail head trim (2) 47cm wide, 85cm high, 41cm deep

£400-600

73

184 SET OF LARGE MAHOGANY HANGING SHELVES 19TH CENTURY with four shelves with rounded fore-edges between shaped side panels 111cm wide, 119cm high; shelf depth

£700-900

185 Y LATE REGENCY ROSEWOOD PEDESTAL TABLE EARLY 19TH CENTURY the circular tilt top on a faceted tapered column and triform base with scrolled feet 55cm diameter, 69cm high

£600-800

186 SET OF EIGHT REGENCY MAHOGANY CANED SIDE CHAIRS, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY with scroll and anthemion carved backs above caned seats with pads, on reeded tapered legs (8) 45cm wide, 87cm high, seat 40cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

74

187 PAIR OF REGENCY PATINATED AND GILT BRONZE LAMPS EARLY 19TH CENTURY converted from candlesticks on leaf cast circular bases, with pinch-pleated shades (2) 30cm high (excluding fittings)

£1,000-1,500

188 Y WILLIAM IV ROSEWOOD WRITING TABLE EARLY 19TH CENTURY the brown leather top with a gilt embossed border, above a pair of frieze drawers with lion mask handles and dummy drawers opposing, on turned and reeded end supports and trestle bases 122cm wide, 75cm high, 71cm deep

£800-1,200

189 GEORGE IV MAHOGANY SECRETAIRE CABINET, IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the three-quarter gallery top above a secretaire drawer fitted with drawers and pigeon holes, above a pair of cupboard doors, on lobed bun feet 84cm wide, 106cm high, 55cm deep

£1,000-1,500

75

190 PAIR OF LARGE REGENCY PATINATED AND GILT BRONZE LAMPS EARLY 19TH CENTURY converted from candlesticks, on triform bases, with box-pleated shades (2) 47.5cm and 47cm high (excluding fittings)

£2,000-4,000

191 WILLIAM IV WALNUT WING ARMCHAIR EARLY 19TH CENTURY covered in cream striped fabric, the brass caps stamped COPE PATENT 70cm wide, 104cm high, seat 64cm deep

£400-600

192 Y WILLIAM IV ROSEWOOD AND MAHOGANY DAVENPORT EARLY 19TH CENTURY with pierced fretwork panels and spiral carved supports, the side panel opening to four drawers 65cm wide, 78cm high, 59cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

76

193 Y PAIR OF SCOTTISH SCHOOL PORTRAIT MINIATURES EARLY 19TH CENTURY oval, watercolour on ivory within later oval frames, inscribed verso WM. SMITH/ ABBEY HOUSE/ KELSO and JOHN SMITH/ ABBEY HOUSE/ KELSO, each 6.5cm x 5cm; together with FOUR PORTRAIT MINIATURES, of the Boog/ Kynnier family to include the portrait of Robert Boog (17571812), watercolour on ivory, framed, 8cm x 6cm; Lieutenant Kynnier R.N., watercolour on ivory, framed, 6cm x 4.3cm; Mr William Kynnier, oval, watercolour on ivory, framed, 6.5cm x 5cm; and Captain William Kynnier R.N., oval, watercolour on paper, framed, 7cm x 5.5cm (6) 6.5cm x 5cm

£300-500

194 SET OF FOUR GILT METAL CANDLESTICK LAMPS 19TH CENTURY converted from candlesticks, with grey pinch-pleated shades (4) 28.5cm high (excluding fittings)

£1,200-1,800

195 GEORGE IV MAHOGANY CANTERBURY EARLY 19TH CENTURY with four divisions separated by flat spindles, above a base drawer and undertier, on turned feet 50cm wide, 61cm high, 36cm deep

£1,000-1,500

196 Y WILLIAM IV ROSEWOOD TEA TABLE EARLY 19TH CENTURY the rectangular fold-over top raised on a fluted column and quadripartite base and lobed feet 94cm wide, 74cm high, 47cm deep Provenance: Property of a gentleman of title

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

77

197 REGENCY MAHOGANY KNIFE STAND EARLY 19TH CENTURY fitted with twelve horn-mounted table knives, the blades stamped AU ZOUAVE 33.5cm high; knives 24.5cm long

£400-600

198 SCOTTISH MAHOGANY DRUMHEAD LONGCASE CLOCK, WILLIAM MCGREGOR, EDINBURGH EARLY 19TH CENTURY the circular white enamel dial with Roman numerals, a subsidiary seconds dial, and two winding holes, with an associated non-striking movement 206cm high, 46cm wide, 23cm deep

£500-700

199 Y WILLIAM IV ROSEWOOD AND MARQUETRY GAMES TABLE EARLY 19TH CENTURY the folding top with floral marquetry opening to inlaid backgammon and chess boards, above a frieze drawer and foliate carved trestle supports with brass castors 61cm wide, 77cm high, 42.5cm deep

£1,000-1,500

200 WILLIAM IV WALNUT BREAKFAST TABLE EARLY 19TH CENTURY the circular tilt-top on a facetted octagonal baluster column and triform base with ball feet with castors 128cm diameter, 72.5cm high

£500-700

78

201 Y THREE PIECES OF SCRIMSHAW DECORATED MARINE IVORY MID 19TH CENTURY the first depicting a whale hunt with a masted ship, signed ‘Jackson’, 19cm long; another depicting hunters and seals, 13.5cm long; and the last depicting hunters and bears, 13.5cm long (3) Largest 19cm long

£400-600

202 Y FOUR PIECES OF SCRIMSHAW DECORATED MARINE IVORY 19TH CENTURY comprising an example polychrome decorated with a girl waving an American flag, 21.5cm long; one depicting a portrait bust of a woman with a butterfly, 11.5cm long; one decorated with a monument and maritime trophy inscribed ‘SHIP ROMAN’, 9cm long; and a small tooth depicting a masted ship, 8cm long (4) Largest 21.5cm long

£300-500

203 Y TWO SCRIMSHAW DECORATED WHALE’S TEETH MID 19TH CENTURY the first inscribed ‘A harpooned whale runs and jumps 1851’ with whalers harpooning a whale to the opposing side, 16cm long; the other depicting a whaling ship to both sides, 13cm long (2) Largest 16cm long

£400-600

79

204 CARVED AND SCUMBLE PAINTED OVERMANTEL MIRROR OF MARITIME INTEREST

205

19TH CENTURY

BRONZE TABLE THERMOMETER MODELLED AS A CANNON

the rectangular mirror plate in a frame with carved simulated rope borders marked at the corners with anchors

19TH CENTURY

117cm high, 85cm wide

with a mercury-filled vial

£1,200-1,800

17.5cm high

£300-500

206 SAILOR’S PAINTED COMMEMORATIVE CHEST-ON-STAND 19TH CENTURY the top painted with a portrait of Horatio Nelson with initials H N, on a matching stand 71cm wide, 60cm high, 35cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

80

207 EARLY VICTORIAN CAMPHOR WOOD AND BRASS MOUNTED CAMPAIGN SECRETAIRE CHEST MID 19TH CENTURY in two parts, with an arrangement of short and long drawers and a central drawer opening to a hinged writing slope 94cm wide, 88cm high, 45cm deep

£2,000-3,000

208 OAK WELLINGTON CHEST LATE 19TH CENTURY with six drawers and hinged pilasters, one with a Bramah lock, on a plinth base 68cm wide, 122cm high, 51cm deep

£1,000-1,500

209 VICTORIAN MAHOGANY DOUBLE WELLINGTON CHEST LATE 19TH CENTURY with twelve graduated drawers divided into two banks with hinged locking pilasters to either side 103cm wide, 128cm high, 50cm deep

£2,000-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

81

210 CASED UNSIGNED DOUBLE-ACTION FIVE SHOT PERCUSSION REVOLVER IN THE MANNER OF WEBLEY AND SCOTT MID 19TH CENTURY serial number 7580 ,90 bore rifled barrel with Birmingham proof marks retaining all it’s original fire blued finish ,the slab sided grips with crisp chequering showing no wear, the frame and cylinder all in new condition in its original fitted mahogany case the lid with blank round brass escutcheon, accessories include bag shaped copper powder flask retaining its original finish, brass bullet mould, unopened circular percussion cap box with original Eley Brothers label, tagger varnish patch box, a set of pre-prepared lead bullets, turned handle nipple screw, oil bottle, ram-rod and case key, all in lidded blue baize lined compartments 11cm/ 4.33 inch barrel

£3,000-4,000

211 6TH ROYAL DRAGOON GUARDS (CARABINIERS) DRESS UNIFORM AND HELMET EARLY 20TH CENTURY comprising a 1912 dress uniform with original buttons and collar badges, with paper label for the Royal Army Clothing Factory, ‘6 DR. GDS./ OCT. 1912’, with a 1914 medal inscribed ‘3790 PTE. C. H. SMITH/ 6TH D. GD.S’; and an 1871 pattern trooper’s brass dress helmet for 6th Dragoon Guards (Carabiniers), with laurel spray, rosettes, side bosses and leather-backed fish scale chin strap, cruciform spike with original horsehair plume (2) Helmet 32cm high

£500-700

82

212 SCOTTISH PATINATED BRONZE BRACKET CLOCK, JAMES RITCHIE & SON, EDINBURGH 19TH CENTURY in a Gothic style case, with a silvered dial with Roman numerals and single winding hole, signed dial and backplate 39.5m high Provenance: Purchased in these rooms, 26 January 2008, lot 258

£300-500

213 GOTHIC REVIVAL OAK AND EBONISED STICK STAND MID 19TH CENTURY with four divisions and ebonised knopped finials, raised on ring turned and fluted supports and trestle bases with a metal liner 90cm wide, 88cm high, 45cm deep

£600-800

214 VICTORIAN GOTHIC REVIVAL ECCLESIASTICAL OAK ARMCHAIR LATE 19TH CENTURY carved with acorn finials, the back carved with a mitre and S. CHAD’S FARHEADINGLY, dated 1880 60cm wide, 122cm high, 61cm deep

£300-500

215 GOTHIC REVIVAL OAK BOOKCASE LATE 19TH CENTURY the cornice with applied gothic spires and leafy finials above four arched and shelved open sections flanked and divided by spiral carved columns headed by carved figures of saints, backed with carved linen fold panels, the base with a Gothic ogee arch arcade and further linen fold panels 208cm wide, 253cm high, 55cm deep

£600-800

83

216 ANGLO-COLONIAL TEAK AND EBONY GOTHIC LANTERN 19TH CENTURY with four arched glazed panels and a hinged door 47.5cm high, 24cm across

£300-500

217 WILLIAM IV WALNUT GOTHIC REVIVAL SECRETAIRE BOOKCASE MID 19TH CENTURY the glazed upper section above a base fitted with a secretaire drawer, on ogee bracket feet 121cm wide, 224cm high, 62cm deep

£600-800

218 JACOBEAN REVIVAL OAK EXTENDING DINING TABLE, JOHN TAYLOR & SON, EDINBURGH 19TH CENTURY the extending rounded rectangular top with four leaf inserts, raised on robust acanthus carved cup-and-cover legs headed by lions’ masks with brass rings, maker’s stamps to the underside 328cm long, 77cm high, 138cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

84

219 PAIR OF RENAISSANCE REVIVAL WALNUT ARMCHAIRS 19TH CENTURY the padded backs and seats covered in green plush upholstery with braid trim and tassel, with free arms terminating in carved snarling dog’s heads, raised on X form supports with carved paw feet (2) 57cm wide, 107cm high, 57cm deep

£1,000-1,500

220 LARGE OAK RENAISSANCE REVIVAL LIBRARY BOOKCASE LATE 19TH CENTURY the top section with glazed doors enclosing adjustable shelves, the cupboard base carved with masks and foliate motifs 260cm wide, 305cm high, 54cm deep Provenance: Ex Craighall Castle, Perthshire Purchased in these rooms 14 January 2010, lot 461

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

85

221 VICTORIAN MAHOGANY CHEVAL MIRROR 19TH CENTURY the rectangular bevelled mirror plate in a line inlaid frame between squared uprights with urn finials, on reeded trestle legs with brass caps and castors 84cm wide, 188cm high

£400-600

222 SCOTTISH BURR YEW LONGCASE CLOCK, GEORGE LUMSDEN, PITTENWEEM EARLY 19TH CENTURY the painted dial with Roman numeral chapter and subsidiary seconds and calendar dials, in an arched moulded hood with brass finials, above a crossbanded trunk door flanked by quarter columns, the twin-train eight-day movement striking a bell 208cm high, 46cm wide, 22.5cm deep

£600-800

223 VICTORIAN MAHOGANY BOWFRONT LINEN PRESS 19TH CENTURY the dentil moulded cornice above panel doors enclosing a baize lined shelved interior; the base with four long drawers 112cm wide, 220cm high, 60cm deep

£400-600

224 VICTORIAN SCRUBBED PINE DRESSER LATE 19TH CENTURY the top with open back plate shelves; the base with drawers and a cupboard 123cm wide, 203cm high, 58cm deep

£300-500

86

225 EARLY VICTORIAN HEXAGONAL SPECIMEN WOOD TRIPOD TABLE MID 19TH CENTURY the top inlaid with a star motif and foliate scrolls and tendrils, on a cluster column support and double C scroll legs 66cm wide, 74cm high

£1,200-1,800

226 VICTORIAN MAHOGANY BOOKCASE CABINET 19TH CENTURY the glazed top with adjustable shelves on a base with drawers and moulded cupboard doors 120cm wide, 210cm high, 42cm deep

£500-700

227 EARLY VICTORIAN MAHOGANY FRAMED SOFA MID 19TH CENTURY with a low back and box arms, upholstered in natural wool, on turned legs with castors 196cm wide, 71cm high, seat 60cm deep

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

87

228 VICTORIAN SATINWOOD, MAHOGANY AND INLAY SIDE CABINET, POSSIBLY LAMB OF MANCHESTER MID 19TH CENTURY in two parts, the glazed upper section enclosing shelves, on a base with a frieze drawer and a pair of arched panel cupboard doors, flanked by fluted pilasters 117cm wide, 156cm high, 55cm deep

£1,200-1,800

229 SET OF SIX GEORGIAN STYLE OAK DINING CHAIRS, BY WHEELER OF ARNCROACH EARLY 20TH CENTURY with pierced splats above drop-in seats, on straight legs joined by stretchers (6) 51.5cm wide, 95.5cm high, 43cm deep

£300-500

230 WILLIAM IV MAHOGANY EXTENDING DINING TABLE EARLY 19TH CENTURY the rounded rectangular top with a moulded edge, raised on turned and tapered legs, with five leaf extensions 382cm long, 76cm high, 148cm deep

£1,000-1,500

88

231 VICTORIAN WALNUT AND MARQUETRY CARD TABLE 19TH CENTURY the fold-over top with a bead and reel moulded edge, opening to a green baize playing surface, on turned trestled supports with brass castors 91cm wide, 76cm high, 46cm deep (91cm opened)

£500-700

232 VICTORIAN WALNUT, INLAY, AND GILT METAL MOUNTED CREDENZA AND MIRROR 19TH CENTURY with a mirrored superstructure with open shelves on a base with a central cupboard flanked by quarter round glazed cabinets 146cm wide, 220cm high, 45cm deep

£1,000-1,500

233 VICTORIAN MAHOGANY BUTTON UPHOLSTERED SOFA MID 19TH CENTURY covered in dusty pink plush upholstery, on brass castors 154cm long, 80cm high, 49cm deep

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

89

234 VICTORIAN MAHOGANY OPEN LIBRARY BOOKCASE MID 19TH CENTURY the moulded cornice above twin shelved open sections; the lower part with further central open shelves flanked by moulded panel doors, on a plinth base 195cm wide, 224cm high, 49cm deep

£2,500-3,500

90

235 Y VICTORIAN ROSEWOOD ARTIST’S WORKBOX 19TH CENTURY with satinwood banding, opening to a leather folio and fitted compartments containing various pigments and ceramic mixing tray, above a single drawer with ceramic palette 23cm wide, 10cm high, 18.5cm deep

£400-600

236 VICTORIAN COROMANDEL, BRASS, AND JASPERWARE MOUNTED DESK STAND 19TH CENTURY opening to a fitted letter rack with a push-button release drawer with a leather skiver 35.5cm wide, 26cm high, 29cm deep

£600-800

237 VICTORIAN BURR WALNUT, EBONISED AND BRASS MOUNTED HUMIDOR 19TH CENTURY with arched glazed doors enclosing three drawers 30.5cm wide, 30cm high, 22cm deep

£400-600

238 AESTHETIC PERIOD CARVED MAHOGANY AND BRASS MOUNTED STATIONERY CABINET, THORNHILL, LONDON LATE 19TH CENTURY opening to a fitted interior with a letter rack with books and a calendar, above a pen tray and fold-out leather writing slope, the Bramah lock stamped THORNHILL/ NEW BOND ST. LONDON 43.5cm wide, 31cm high, 24.5cm deep Provenance: It is thought that this box was made for Major A. S. Ralli, who served in the Boer War and was from the Ralli Brothers family, who were merchant bankers and traders.

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

91

239 WILLIAM IV WALNUT WORK TABLE MID 19TH CENTURY the quarter veneered top above an arrangement of drawers and sliding work box, on tapered legs with ceramic castors 77cm wide, 71cm high, 46cm deep

£800-1,200

240 VICTORIAN COROMANDEL, SATIN BEECH, MAHOGANY, PARCEL GILT AND BRASS DAVENPORT, BY EDWARDS & ROBERTS LATE 19TH CENTURY with an oxblood red leather insert, with drawers to one side and a cupboard to the other, stamped in the drawer 58cm wide, 81cm high, 62cm deep

£1,000-1,500

241 VICTORIAN MAHOGANY PLAN CHEST 19TH CENTURY with seven long graduated drawers with recessed brass handles 118cm wide, 124cm high, 49cm deep

£1,500-2,000

92

242 TWO TAXIDERMY STAGS HEADS 20TH CENTURY comprising a Royal stag’s head [twelve points], with plaque ‘I.P.C./ CARSE/ 12.10.61’, 68cm wide approx.; the other [nine points] with plaque ‘COULIN/ 309-33/ 18ST. 2LBS./ I.P.R.N., 72cm wide approx.; on oak shields (2) the larger 72cm wide approx.

Provenance: Private Glasgow collection

£600-800

243 THREE CASED TAXIDERMY FISH DIORAMAS LATE 19TH CENTURY The first a trout, with paper label ‘W. HOWLETT./ HIGH STREET./ NEWMARKET.’, in a glazed bowed case, case 59.5cm wide; a PAINTED MODEL OF A SALMON, with label for ‘P. D. Malloch’, in a rectangular glazed case, case 69cm wide; and a MODEL OF A CARP, with handwritten label ‘”Carp”/ Caught at Beechmere by Mr S. R. Williamson/ July 30th 1933/ Wgt 6lbs’, in glazed bowed case, case 62.5cm wide (3) the trout case 59.5cm wide Provenance: Private Glasgow collection

£300-500

244 Y TWO OAK-CASED TAXIDERMY WALL MOUNTED DIORAMAS LATE 19TH/ 20TH CENTURY comprising a male and female pair of Eurasian teal ducks, signed ‘Charles Kirk/ Sauchiehall St./ Glasgow’, frame 69cm x 46cm; and a stoat, with winter coat, frame 46cm x 39cm (2) frame of ducks 69cm x 46cm Provenance: Private Glasgow collection

£250-350

93

245 LARGE POLYCHROME PAINTED WOOD SALMON TROPHY BY EDWARD GERRARD AND SONS DATED 1934 realistically carved and painted with a fly hook in the mouth, inscribed OLD MO. LAERDAL R./ 3.7.34/ 32lbs 12ozs./ R.S., the reverse with paper makers label salmon 108cm long, overall 122cm long

£5,000-7,000

246 Y ARRAU/ GIANT SOUTH AMERICAN RIVER TURTLE SHELL 19TH CENTURY (Podocnemis expansa) 69cm long, 58cm wide Provenance: The Late Tony Edwards, Grange Farmhouse, St. Andrews

£400-600

247 THREE BOWFRONT CASED FISH DIORAMAS 20TH CENTURY comprising a rainbow trout, with gilt label to front: ‘Rainbow Trout 7lb 2 oz caught by Capt. Robert Elliot 4th July 1936’, case 99cm wide; a pike and a trout, cases 79.5cm wide each (3) largest case 99cm wide Provenance: Private Glasgow collection

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

94

248 LARGE VERRE EGLOMISE APOTHECARY JAR AND COVER, BY R. TOMLINSON & SONS LATE 19TH CENTURY previously a pharmacy display, with a gilt cover, the body with an armorial and inscribed ‘ARROWROOT’ 74cm high

£600-800

249 ‘SELECTED SPONGES’ SHOP DISPLAY CABINET CIRCA 1920 glass and mahogany, with original advertising reverse painted on glass and wire cage dividers 61cm wide, 75cm high, 35cm deep

£800-1,200

250 EDWARDIAN MAHOGANY PIPE DISPLAY CASE, ‘THE CIVIC’ EARLY 20TH CENTURY with three clay pipes, with label to verso THIS IS THE PROPERTY OF THE IMPERIAL TOBACCO CO. FANCY GOODS DEPT./ HAMMERSMITH, LONDON, W. AND IS SUPPLIED ONLY FOR DISPLAYING THEIR SPECIALITIES. 42cm wide, 52.5cm high, 13cm deep

£400-600

251 LATE VICTORIAN CADBURY’S CHOCOLATE COUNTER-TOP DISPLAY CABINET LATE 19TH/ EARLY 20TH CENTURY the glazed case with abalone-backed letters CADBURY’S CHOCOLATE and MAKERS TO THE QUEEN, the interior with a mirror back 61.5cm wide, 50.5cm high, 23cm deep

£1,000-1,500

95

252 GEORGIAN STYLE MAHOGANY BRACKET CLOCK, HAMILTON & INCHES, EDINBURGH LATE 19TH/ EARLY 20TH CENTURY the brass dial with a silvered chapter ring, false pendulum, and Strike/Silent dial to the arch, in a bell-top case with brass finials, the eight-day movement striking a gong 22cm wide, 35.5cm high (handle down), 18cm deep

£400-600

253 LATE VICTORIAN SILVER PLATED HORN CLARET JUG LATE 19TH CENTURY mounted with the crest for the Gordon family, with motto ‘BYDAND’ 30cm high

£500-700

254 PAIR OF SILVER-PLATE MOUNTED HORN CUPS EARLY 20TH CENTURY on black-painted turned bases (2) 26.5cm high, 34.5cm long

£400-600

255 VICTORIAN COUNTRY HOUSE OAK AND NICKEL PLATED LETTER BOX 19TH CENTURY the arched top above a moulded door opening to a void interior 23cm wide, 36cm high, 17.5cm deep

£600-800

256 Y LARGE VICTORIAN WALNUT POSTBOX, HOUGHTON, LONDON 19TH CENTURY with a plaque inscribed ‘GENERAL POST’ and ivory maker’s plaque ‘HOUGHTON/ 162 NEW BOND ST. LONDON’ 35cm wide, 19cm high, 18.5cm deep

£200-300 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

96

257 GERMAN SCRATCH-BUILT COPPER AND BRASS MODEL OF A DRG CLASS 01 STEAM LOCOMOTIVE AND TENDER 1930S Deutsche Reichsbahn 01 232 Locomotive 83cm long; tender 39cm long; track gauge 8cm

£3,000-5,000

Note: The DRG (Deutsche Reichsbahn-Gesellschaft) BR 01 steam locomotives were the first standardised passenger locomotives built by the unified German railway system during the mid 20th century. This allowed a reduction of maintenance costs as engines and parts were produced nationwide and fitted all trains of this class. By the beginning of the 1930s the Class 01 had become the predominant express train of the Deutsche Reichsbahn. They remained in service until the 1980s, when the Soviet DR Class 132 diesel locomotives became favoured for service. Examples of the Class 01 have been preserved as non-operational exhibits by various German institutions, including the Dresden Transport Museum and Bochum Dahlhausen Railway Museum.

258 FITTED LEATHER TRUNK LATE 19TH/ EARLY 20TH CENTURY embossed brown leather with brass studs, the linen lined interior with a lift out tray 72cm wide, 42cm high, 40cm deep

£600-800

259 ASSEMBLED SET OF VELLUM TRAVEL CASES CIRCA 1930 to include two suitcases retailed by Harrods, 56cm and 46cm wide; and one by Finnigans, 40.5cm wide, all silk-lined; and a Harrod’s dressing case, velvet-lined, 35cm wide (4) Largest 56cm wide

£600-800

97

260 UNUSUAL 26 IN. PAINTED WOOD TERRESTRIAL GLOBE, BRUSSELS NATIONAL INSTITUTE OF GEOGRAPHY CIRCA 1890 the globe made of solid wood sections with a black painted ground, the land masses edged in blue and outlined with red paint, mounted in a cast iron half meridian frame on a tripod legs and circular base, with an adjusting wheel at the north axis Globe 66cm diameter, 143cm high overall

£5,000-7,000

Note: Note: The Brussels Institute of Geography was founded in 1882 by publisher Theodore Falk-Fabian, after the departure of his business partner Henri Merzbach from their publishing company ‘Merzbach & Falk’. They manufactured and sold globes in various sizes, languages and materials for eductional purposes, mainly in French, English, and Flemish. The company traded until the turn of the century.

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

98

261 JAMES SHOOLBRED OAK AND BRASS HALL STAND LATE 19TH CENTURY with a central drawer flanked two stick stands with metal tray inserts, brass gallery and fittings, stamped registration mark 103cm wide, 102cm high, 34cm deep

£300-500

262 AESTHETIC PERIOD OAK, MARBLE, AND BRASS HALL STAND LATE 19TH CENTURY with a mirror panel and brass hooks, mounted with four Minton printed tiles depicting Shakespearean plays, designed

by John Moyr Smith, over a marble shelf and twin stick stands 108cm wide, 207cm high, 39cm deep Note: The Shakespeare series was designed by John Moyr Smith for Mintons China Works around 1872 illustrating scenes from twenty-four of the playwright’s greatest works.

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

99

263 LATE VICTORIAN PAINTED SATINWOOD REVOLVING BOOKSTAND LATE 19TH CENTURY painted with putti, flower sprays, and ribbon banding, on cabriole legs joined by an undertier 46cm wide, 79cm high, 46cm deep

£800-1,200

264 SET OF MAHOGANY AND KINGWOOD CROSSBANDED QUARTETTO TABLES LATE 19TH/ EARLY 20TH CENTURY on ring-turned legs with curved stretchers (4) 49cm wide, 70cm high, 35cm deep

£400-600

265 SHERATON REVIVAL MAHOGANY INLAID OVAL CHEVAL MIRROR EARLY 20TH CENTURY the bevelled mirror plate suspended in a lyre form frame inlaid with flower heads 158cm high, 93cm wide, 59cm deep

£400-600

266 EDWARDIAN MAHOGANY, AMBOYNA, AND GILT METAL MOUNTED FREESTANDING BOOKCASE EARLY 20TH CENTURY of hexagonal form with three open tiers, raised on tapered legs 66cm wide, 105cm high

£700-900

100

267

268

PAIR OF EDWARDIAN CARVED MAHOGANY URN STANDS, BY MAPLE & CO.

GEORGIAN STYLE RED JAPANNED CABINET-ONSTAND

EARLY 20TH CENTURY

20TH CENTURY

the tops of serpentine outline above a drawer and cupboard carved in high relief with musical trophies, putto mask, flower heads, and foliate scrolls on a stippled ground, one drawer stamped (2)

decorated in the Chinese style with ladies in gardens, highlighted with silvered and gilt details; on a separate silvered stand in the early Georgian style carved with foliate scrolls and shell motifs

44cm wide, 89cm high, 42cm deep

Provenance: Property of a gentleman of title

92cm wide, 161cm high, 54cm deep

£600-800

269 GEORGIAN STYLE CHIPPENDALE REVIVAL MAHOGANY PEDESTAL DESK EARLY 20TH CENTURY the top with a carved moulded edge and three leather inserts, above frieze drawers and banks of three drawers with cupboards opposing, raised on ogee bracket feet 151cm wide, 75cm high, 91cm deep

£800-1,200

101

270 MATCHED PAIR OF HOWARD-STYLE SOFAS, BY WHYTOCK & REID, EDINBURGH MID 20TH CENTURY

271

with loose cushion backs, raised on mahogany square tapered legs with castors; covered in yellow Chinoiserie print fabric (2)

PAIR OF GEORGE II STYLE BURR WALNUT CHESTS OF DRAWERS

185cm wide, 81cm high, 77cm deep [seat]

EARLY 20TH CENTURY

£2,000-3,000

the caddy moulded tops with a ledge back over two short and three long graduated drawers flanked by projecting rounded corners, raised on C scroll carved short cabriole legs ending in pad feet (2) 106cm wide, 105cm high, 56cm deep

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

102

272 PAIR OF OREGON PINE PEDESTAL CHESTS, BY HOWARD & SONS 19TH CENTURY each with six graduated drawers and simulated bamboo mouldings, raised on plinths, the top drawers with paper labels and stamped HOWARD & SONS, BERNERS ST. (2) 45.5cm wide, 114cm high, 45cm deep

£600-800

273 HOWARD & SONS OREGON PINE LOW PRESS CUPBOARD 19TH CENTURY with banks of drawers flanking a pair of doors enclosing sliding trays, all outlined with simulated bamboo mouldings, the drawer stamped HOWARD & SONS BERNERS ST. 182cm wide, 126cm high, 57cm deep

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

103

274 HOWARD & SONS ‘CHAPLIN’ UPHOLSTERED SOFA EARLY 20TH CENTURY with a slightly arched back, outswept arms, and padded seat raised on square tapering legs with brass caps and castors, the leg stamped 948/ 6298, HOWARD & SONS LTD BERNERS ST, the castors stamped Howard & Sons Ltd, London, with original monogram print fabric 167cm wide, 86cm high, 83cm deep

£4,000-6,000

Provenance: By family repute this sofa is from Castle Newe in Strathdon, Aberdeenshire. It was a residence of a branch of the Clan Forbes family. The castle was demolished in 1927 and much of the stonework, sills and lintels were bought by the University of Aberdeen and used to build Elphinstone Hall at Kings College in Aberdeen.

275 HOWARD & SONS UPHOLSTERED FOOTSTOOL EARLY 20TH CENTURY with a padded seat raised on square tapering legs, lacking castors, in original monogram print fabric, stencilled maker’s mark to the underside 57cm square, 38cm high Provenance: Please see lot 274 above.

£400-600

276 WALNUT KNEEHOLE DESK, WHYTOCK & REID, EDINBURGH EARLY 20TH CENTURY with brass fittings, stamped to drawer WHYTOCK & REID EDINBURGH 122cm wide, 77cm high, 62cm deep

£300-500

DAY TWO THE CONTENTS OF LARAICH, ABERFOYLE

105

The following collection of furniture and works of art come from Laraich, the former home of Mr. & Mrs. Peter Joynson, which sits overlooking Loch Ard near Aberfoyle. Built in the 1840s as a Victorian hunting lodge, Laraich was the home of the Joynson family from the 1980s, having moved there from The Glassert near Loch Ard. Many of the pieces included in the collection came down from the maternal side of the family through Mrs. Joynson [née De Bunsen], whose paternal family home was Mains House, Milngavie. Other pieces were inherited from Mrs. Joynson’s paternal family, including items belonging to her grandfather, the British diplomat Sir Maurice William Ernest De Bunsen, who held many important international diplomatic positions in the early 20th century, notably serving as Ambassador to Spain from 1906-1913, and then Austria 1913-1914.

His diplomatic desk is included in the collection, lot 299, as well as painting lots 115, 120, 121.

277 FRENCH ENAMEL ON COPPER PLAQUE, CHARLES I AND HENRIETTA MARIA HOLDING A LAUREL WREATH, AFTER ANTHONY VAN DYKE LATE 19TH CENTURY after the original painted by Van Dyke in 1632, in a carved giltwood frame, the frame inscribed to the reverse ‘Bought by V.C.D at Skelty Hall Sale, July (?), 1937 plaque 18.5cm x 12.5cm, frame 29cm x 29.5cm

£700-900

278 ITALIAN SPECIMEN MARBLE GILTWOOD TABLE MID 19TH CENTURY the circular top with a games board in various hardstones, raised on a circular stiff-leaf carved column and scroll carved legs with animal heads 66cm diameter, 110cm high

£1,200-1,800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

106

279 Y PAIR OF CONTINENTAL CARVED IVORY PLAQUES 19TH CENTURY oval, carved in high relief depicting cavorting putti with dogs, in oak frames (2) 14.5cm wide, 11cm high; frame 20cm x 16.5cm

£400-600

280 SPANISH WALNUT, GILT AND BONE INLAID PAPILLERO VARGUENO 17TH/ EARLY 18TH CENTURY with four drawers, raised on bun feet 55cm wide, 35cm high, 29cm deep

£400-600

281 PAIR OF PORTUGUESE-COLONIAL HARDWOOD SIDE CABINETS EARLY 19TH CENTURY with pairs of radially-carved panelled doors enclosed by foliate and gadrooned carving, on lobed feet (2) 132cm wide, 92cm high

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

107

282 TWO LARGE LIMOGES ENAMEL ON COPPER PANELS OF HENRY VIII AND CATHERINE PARR 19TH CENTURY in ebonised frames (2) 31.5cm x 27cm

£500-700

283 CARVED OAK ARMCHAIR, LANCASHIRE OR NORTH YORKSHIRE 17TH CENTURY the back carved with stylised flowers and fruit 56cm wide, 94cm high, 42cm deep

£400-600

284 DUTCH OAK THREE DRAWER CHEST 18TH CENTURY the dentil moulded cornice over three long drawers with figural escutcheons 127cm wide, 90cm high, 55cm deep

£500-700

108

285 DUTCH WALNUT AND FLORAL MARQUETRY SECRETAIRE À ABATTANT 19TH CENTURY with a frieze drawer over a fall front opening to a fitted interior; above a pair of cupboard doors, the whole flanked by corner columns, raised on turned bun feet 101cm wide, 155cm high, 47cm deep

£600-800

286 DUTCH WALNUT AND FLORAL MARQUETRY DEMI-LUNE SIDE TABLE 19TH CENTURY with tambour doors, raised on fluted square tapering legs and brass ball feet 76cm wide, 76cm high, 40cm deep

£400-600

287 DUTCH FLORAL MARQUETRY CABINET-ON-CHEST EARLY 19TH CENTURY the moulded arched cornice above a pair of doors enclosing shelves and two small interior drawers; the lower part with three long drawers 155cm wide, 220cm high, 55cm deep

£800-1,200

288 DUTCH FLORAL MARQUETRY FOLD-OVER CARD TABLE 18TH CENTURY opening on double gate legs to a green baize playing surface, the corner wells with trompe-l’oeil marquetry 74cm wide, 77cm high, 36cm deep (71.5cm deep opened)

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

109

289 BERLIN PORCELAIN LARGE COVERED PUNCH BOWL 19TH CENTURY decorated with scenes after Hogarth, the cover with a Bacchic putto finial, blue sceptre mark 30.5cm diam., 36cm high

£400-600

290 SET OF EIGHT MEISSEN ORNITHOLOGICAL PLATES 19TH CENTURY together with a PAIR OF PIERCED ROUND DISHES, cancelled blue crossed swords marks, and TWO MEISSEN STYLE TAZZAS, unmarked; all similarly decorated (12) plates 24.6cm diam

£600-800

291 MEISSEN BLUE ‘ONION PATTERN’ RETICULATED DESSERT SERVICE

292

293

comprising eight dessert plates 24.2cm diam., two twin handled dishes 25.5cm and 21cm wide, a round dish 24cm diam., a tall comport 27.5cm diam., 22.2cm high, and a small round dish, 18cm diam., underglaze blue crossed swords (qty)

CHINESE EXPORT BLUE AND WHITE PORCELAIN JUG AND TANKARD

FRENCH GILT METAL MOUNTED PÂTE-SURPÂTE TABLE LAMP

LATE 18TH/ EARLY 19TH CENTURY

LATE 19TH CENTURY

with entwined strap handles, decorated with pagodas in landscapes (2)

decorated to one side with a Grecian maiden, and to the other with stylised scrolling foliage

Jug 21cm high; mug 18.5cm high

41cm high (excluding shade)

£300-400

£250-350

£250-350

LATE 19TH/ EARLY 20TH CENTURY

110

294 DUTCH WALNUT, FRUITWOOD MARQUETRY AND PENWORK TABLE EARLY 19TH CENTURY the top depicting Amphritrite in a shell chariot being pulled by dolphins, on cabriole legs 83cm wide, 70cm high, 51cm deep

£500-700

295 DUTCH MAHOGANY AND FLORAL MARQUETRY CABINET-ON-CHEST EARLY 19TH CENTURY the moulded cornice over a pair of doors flanked by brass mounted Corinthian columns; the chest with four long drawers on shaped ogee bracket feet 104cm wide, 185cm high, 47cm deep

£1,200-1,800

296 DUTCH NEOCLASSICAL WALNUT AND FLORAL MARQUETRY BUREAU 19TH CENTURY the fall front enclosing an interior with marquetry drawers, above three long drawers raised on square tapered legs 90cm wide, 111cm high, 47cm deep

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

111

297 MEISSEN PORCELAIN FLORAL ENCRUSTED SIX BRANCH CHANDELIER LATE 19TH/ EARLY 20TH CENTURY hung with a pendant floral bouquet, blue crossed swords 70cm high

£1,000-1,500

298 Y PAIR OF VICTORIAN ROSEWOOD, AMBOYNA, EBONISED, AND BRASS MOUNTED ETAGERES 19TH CENTURY with pierced brass galleries above frieze drawers and two further tiers (2) 50cm wide, 77cm high, 36.5cm deep

£1,000-1,500

299 LOUIS XV STYLE KINGWOOD, WALNUT AND BURRWOOD GILT METAL MOUNTED BUREAU PLAT LATE 19TH CENTURY/ EARLY 20TH CENTURY the shaped top with a gilt tooled leather insert, above a single frieze drawer, raised on square cabriole legs, with gilt metal mounts throughout 163cm wide, 74cm high, 86cm deep

£1,000-1,500

112

300 GEORGIAN GILTWOOD MIRROR 18TH CENTURY

301

the rectangular mirror plate in a moulded frame with incised decoration, surmounted by a pierced cresting with C scrolls, acanthus, and flower heads

VICTORIAN MAHOGANY COMPACTUM WARDROBE 19TH CENTURY the moulded cornice over a frieze with floral swags and bell flowers above a central section with two short and five long drawers, flanked by cupboard doors opening to hanging space, on a plinth base

86cm high, 52cm wide

£300-500

224cm wide, 173cm high, 58cm deep

£700-1,000

302

303 Y

304 Y

DUTCH MAHOGANY CANED LONG STOOL

REGENCY ROSEWOOD X-FRAMED FOOTSTOOL

FRENCH ROSEWOOD AND FLORAL MARQUETRY BRACKET CLOCK, B. PROMOLI, PARIS

18TH CENTURY

EARLY 19TH CENTURY

19TH CENTURY

raised on shell-carved cabriole legs with ball and claw feet

with a needlework cover 48cm wide, 38cm high, 43cm deep

the eight-day movement striking a bell, stamped B. PROMOLI A PARIS/ M.J330

108cm wide, 40cm high, 47cm deep

£250-350

15cm wide, 21.5cm high, 12.5cm deep

£250-350

£250-350

113

305 Y DUTCH BOULLE MARQUETRY SMALL BRACKET CLOCK 19TH CENTURY the white enamel dial with Roman numerals, Strike/ Silent dial, and two winding holes, in an engraved mask, the eight-day movement striking a bell 14cm wide, 23.5cm high (handle down), 12cm deep

£400-600

306 FRENCH SLATE CLOCK, BAROMETER & THERMOMETER, ACHILLE BROCOT, PARIS 19TH CENTURY the movement stamped 3370 38cm wide, 45.5cm high, 15.5cm deep

£300-500

307 SPODE IMARI PORCELAIN PART TEA AND COFFEE SERVICE EARLY 19TH CENTURY pattern 2213; comprising a teapot and stand, a bachelor’s teapot, a slop bowl, a cream jug, a sugar basin with cover, twelve coffee cups, twelve tea cups, twelve saucers, and two round dishes 20.5cm and 18.5cm diam.; red painted marks (Qty) £700-1,000

308 Y REGENCY STYLE ROSEWOOD CENTRE TABLE LATE 19TH CENTURY the circular top on a facetted octagonal baluster column and triform base with brass castors 138cm diameter, 77cm high

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

114

309 GEORGE II WALNUT AND PARCEL GILT FRETWORK MIRROR EARLY 18TH CENTURY the rectangular mirror plate in a shaped gilt moulded slip, the frame with pierced shell motif cresting and flower trails 95cm high, 48cm wide

£300-500

310 TWO LATE GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODES one with a three-quarter gallery and a sliding base with ceramic potty; the other with a tray top sliding panel and pull-out base the insert lacking (2) 48cm wide, 83cm high, 45cm deep; 51cm wide, 82cm high, 46cm deep

£300-500

311 DUTCH MAHOGANY CARD TABLE 19TH CENTURY the fold-over top with outset square corners, above a frieze drawer, raised on cabriole legs with scroll carved feet 86cm wide,76cm high, 42cm deep

£300-500

312 LATE GEORGE III MAHOGANY AND SATINWOOD CROSSBANDED CHEST-ON-CHEST LATE 18TH CENTURY the moulded cornice above three short and three long drawers, flanked by canted fluted angles; the lower part with three long graduated drawers, on bracket feet 108cm wide, 178cm high, 54cm deep

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

115

313 GEORGIAN STYLE STAINED MAHOGANY AND PARCEL GILT TRIPTYCH OVERMANTEL MIRROR 19TH CENTURY with three bevelled mirror plates in gilt moulded slips and a pierced fretwork frame with palmettes and ho-ho bird cresting 84cm high, 117cm wide

£300-500

314 Y WILLIAM IV ROSEWOOD AND SIMULATED ROSEWOOD LAMP TABLE EARLY 19TH CENTURY the circular top on a reeded column and quadripartite base 56cm diameter, 72cm high

£300-500

315 DUTCH OAK CHEST OF DRAWERS 18TH CENTURY the top with a moulded scalloped edge, above four serpentine long drawers, on bracket feet 90cm wide, 82cm high, 53cm deep

£300-500

316 GEORGE III MAHOGANY CHEST-ON-CHEST LATE 18TH CENTURY the moulded cornice above a blind fretwork frieze, over two short and three long drawers flanked by canted blind fretwork angles; the lower part with three long graduated drawers, on bracket feet 106cm wide,167cm high, 56cm deep

£700-1,000

116

317 EDWARDIAN MAHOGANY AND INLAY FOLDING CAMPAIGN DESK EARLY 20TH CENTURY with a brown leather fitted interior with inkwell 62cm wide, 79cm high (open), 62cm deep

£300-500

318 PAIR OF YEW AND ELM LOW WINDSOR ARMCHAIRS LATE 18TH/EARLY 19TH CENTURY with shaped seats and crinoline stretchers (2) 54cm wide, 90cm high, 39cm deep

£600-800

319 PAINTED AND METAL BOUND CAMPAIGN CUPBOARD, OF SCOTS GUARDS INTEREST LATE 19TH/EARLY 20TH CENTURY the twin doors enclosing a shelf, with carrying handles to either end, the front stenciled ‘A.V.C DOUGLAS SCOTS GUARDS’ 105cm wide, 56cm high, 52cm deep

£300-500

320 VICTORIAN TEAK CAMPAIGN CHEST EARLY 19TH CENTURY in two parts; the top section with two short drawers over a long drawer, the lower section with two further long drawers 99cm wide, 110cm high, 45cm deep

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

117

321 Y LATE VICTORIAN SNOOKER SCOREBOARD AND BALL RACK LATE 19TH/EARLY 20TH CENTURY the scoreboard with an inset slate panel; with a collection of ivory snooker balls in various colours, three unstained cue balls; in a painted wall mounted case; both later painted white (34) scoreboard 100cm wide, 57cm high, ball rack 103cm long

£300-500

322 TWO GEORGE III YEW AND ELM HIGH BACK WINDSOR ARMCHAIRS EARLY 19TH CENTURY the hoop backs centred by pierced splats above shaped seats and arms, raised on turned legs joined by crinoline stretchers (2) 52cm wide, 109cm high, 40cm deep; the other 51cm wide, 111cm high, 39cm deep

£500-700

323 VICTORIAN CARVED AND PAINTED WOOD ROCKING HORSE with glass eyes and partial leather saddle, mounted on curved rockers 220cm long, 150cm high

£300-500

324 Y IVORY ‘STAUNTON’ CHESS SET, JAQUES, LONDON LATE 19TH CENTURY the unstained king marked ‘JAQUES, LONDON’, a knight and two rooks marked with a crown; cased in a VICTORIAN PAPIER MACHÉ TEA CADDY, 24cm wide (33) King 9cm high

£250-350

119

PAINTINGS PART TWO

325 CIRCLE OF FRANS FRANCKEN ST. AUGUSTINE Oil on copper 20cm x 15cm (8in x 6in)

£600-900

326 HENRY LE JEUNE (BRITISH 1820-1904) MARTHA REPROVED Oil on canvas, arched top 91cm x 71cm (36in x 28in) Exhibited: Royal Academy 1850

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

120

327 KATE BISSCHOP-SWIFT (BRITISH-DUTCH 1834-1928) MOTHER AND CHILDREN Signed lower left, watercolour 49cm x 35cm (19.25in x 13.75in)

£500-800

328 LEENDERT DE KONINGH THE YOUNGER (DUTCH 1810-1887) GIRL SEATED BY THE FIRE Signed, oil on panel 42.5cm x 36cm (16.5in x 14in)

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

121

329 ALFRED WILLIAM PARSONS A.R.A. (BRITISH 1847-1920) HARVEST TIME Signed, oil on board 24cm x 32cm (9.5in x 12.5in)

£500-800

330 ALFRED PROVIS (BRITISH 1818-1890) FEEDING THE PETS Oil on canvas 30cm x 41cm (12in x 16.25in)

£800-1,200

122

331 J. M. BARRETT THE LION Signed and dated 1910 lower right, oil on panel 133cm x 88cm (52.25in x 34.5in)

£600-800

332 ROBERT CLEMINSON (BRITISH 1864-1903) GUN-DOGS PUTTING UP DUCK Signed, oil on canvas, and a companion, a pair, ‘The day’s bag’ (2) 30.5cm x 41cm (12in x 16in)

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

123

333 SIR EDWARD COLEY BURNE-JONES A.R.A. (BRITISH 1833-1898) STUDY OF A KNEELING LADY IN CLASSICAL DRESS Signed with initials, chalk on sanguine paper 30cm x 22cm (11.75in x 8.75in)

£2,500-4,000

Note: Burne-Jones began making chalk drawings on coloured paper in the mid 1860s to explore and define the effect of light on the draped figure. At that time he used brown paper but a characteristic of the later 1880s onwards was his preferred use of red paper. The present drawing of the kneeling maiden shielding her eyes dates from c1888. The heavier drapery he chose in this later period produced simpler folds that suited the more solemn mood of his later work and the lines he used to describe the underlying anatomy of his models.

As yet the identification of this drawing has proved impossible and it may have been associated with a stained glass commission which was not carried out.

Also it was not unusual for BurneJones to occupy himself with studies for projects that were not realised, his imagination far outweighed their practicable execution even with a number of studio assistants.

We are grateful to The Burne-Jones Catalogue Raisonné Foundation for their assistance in the cataloguing and note for this lot.

334 PATRICK NASMYTH (SCOTTISH 1787-1831) LOOKING TOWARDS EDINBURGH FROM DALMENY PARK Inscribed upper right, pencil 33cm x 58cm (13in x 22.75in) Provenance: Fine Art Society, May 1983, no 11266

£400-600

124

335 HARRIET F. A. SUTCLIFFE (BRITISH FL.1881-1922) HER NEW BROWN SHOES Signed with monogram, oil on canvas 84cm x 125cm (33.5in x 41.75in)

£3,000-5,000

125

336 FRED STEAD (BRITISH 1863-1940) IN THE ARTIST’S STUDIO Signed, oil on canvas 75.5cm x 64cm 30in x 25in)

£2,000-3,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

126

337 EDOUARD CORTES (FRENCH 1882-1969) AUX TROIS QUARTIERS, PARIS Signed, oil on canvas 38cm x 55cm (15in x 21.5in)

£10,000-15,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

127

338 EDOUARD CORTES (FRENCH 1882-1969) PARIS, LE SOIR Signed, oil on canvas 38cm x 53.5cm (15in x 21in) Provenance: M. Newman Ltd, London

£10,000-15,000

128

339 WILLIAM E**D**STUART (BRITISH 19TH CENTURY) A STILL LIFE OF ASSORTED FRUIT AND FLOWERS ON A LEDGE Signed and dated 1849, oil on canvas, circular, and a further work by the same hand, a pair (2) 76cm (30in) diameter

£2,000-3,000

129

340 § LAWRENCE BIDDLE (BRITISH 1888-1968) STILL LIFE Signed and dated ‘33, oil on board 30.5cm x 52cm (12in x 20.5in)

£600-900

341 § LAWRENCE BIDDLE (BRITISH 1888-1968) STILL LIFE IN BLUE BOWL Signed and dated ‘32, oil on canvas 33cm x 51cm (13in x 20in)

£600-800 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

130

342 JACOB HENDRICK PIERNEEF (SOUTH AFRICAN 1886-1957) SUNLIT SOUTH AFRICAN LANDSCAPE Signed, oil on canvasboard 23cm x 30.5cm (9in x 12in)

£10,000-20,000

343 § HENRY SCOTT (BRITISH 1911-2005) THE CLIPPER CITY OF ADELAIDE Signed, oil on canvas 36cm x 51cm (14in x 20in) Provenance: MacConnal-Mason & Son Ltd, London

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

131

CONTINENTAL FURNITURE & WORKS OF ART

132

344 CASED RUSSIAN ICON, OUR LADY OF VLADIMIR 19TH CENTURY with a silver and gilt oklad, in a wood shadow box frame 19cm x 16.cm overall

£400-600

345 SPANISH CARVED POLYCHROME FIGURE OF MARY MAGDALENE EARLY 18TH CENTURY standing on a cloud with cherubim 82.5cm high

£400-600

346 BRONZE FIGURE OF A PUTTO EARLY 18TH CENTURY dark brown patina, on a circular Siena marble base, unsigned 28cm high

£300-500

347 PATINATED BRONZE DOLPHIN FOUNTAIN SPOUT 19TH CENTURY with traces of gilding 28.5cm long Provenance: Property of a gentleman of title

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

133

348 QUIRINO TEMPRA (ITALIAN, 1849-1888) CARRARA MARBLE BUST OF A CHILD, 19TH CENTURY in Renaissance style dress, signed ‘Q. Tempra/ Milano’ 46.5cm high

£300-500

349 ITALIAN COPPER BRONZE REPOUSSE AND CHASED CHARGER RELATING TO THE ALBANI FAMILY 17TH CENTURY the central boss bears the Albani family crest of three mountains surmounted with a star, the centre of the charger with four panels depicting battle scenes, the rim with three panels depicting seige scenes of fortified cities, the panels of decoration are interspersed with classical figures, cherubs, masks, and angels in the Renaissance style, the letters S.P.Q.R, referring to ‘The Senate and People of Rome’ are inscribed on various banners and flags within the panels of decoration, along with the names ‘L. AMELIO’, ‘ALESAN’, ‘DARIO’ 51cm diam

£1,000-1,500

350 VENETIAN CARVED WOOD GROTTO CHAIR 19TH CENTURY in the form of a shell supported on four seahorses 56cm wide, 73cm high, 44cm deep

£1,000-1,500

134

351 PAIR OF CONTINENTAL BAROQUE STYLE BRASS WALL MIRRORS 19TH CENTURY with bevelled plates (2) 79cm high, 41.5cm wide

£400-600

352 PAIR OF FIGURAL BRASS WALL LIGHTS 19TH CENTURY each with a figure of a sphynx holding a torch (2) 62cm deep

£400-600

353 CONTINENTAL EMBOSSED AND POLYCHROMED LEATHER FOUR-FOLD SCREEN 19TH CENTURY each panel decorated on both sides with fruit and flower groups and foliate scrolled borders 182cm high, 180cm wide

£600-800

354 ITALIAN WALNUT AND MARQUETRY OCTAGONAL OCCASIONAL TABLE 19TH CENTURY the top inlaid with a monogram of interlaced W’s above an undertier with a bird 58.5cm wide, 61cm high

£250-350

135

355 CONTINENTAL CARVED AND PAINTED LIMEWOOD WALL BRACKET 19TH CENTURY profusely carved with C scrolls, acanthus, and a central grotesque mask 84cm wide, 53cm high, 35.5cm deep

£600-800

356 ITALIAN GILTWOOD AND GESSO MIRROR 18TH CENTURY the rectangular mirror plate in a frame with C and acanthus scrolls, rocaille and a shell cresting 114cm high, 67cm wide

£800-1,200

357 PAIR OF ONYX AND GILT METAL PEDESTALS 19TH/ EARLY 20TH CENTURY with gilt metal Corinthian capitals (2) 119cm high, 31cm wide

£600-800

358 BROWN, GREEN AND GREY BANDED ONYX TABLE TOP LATE 19TH CENTURY with a moulded edge 130cm x 67cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

136

359 DUTCH MAHOGANY AND CANED ‘BURGERMEISTER’ ARMCHAIR 19TH CENTURY the curved back with a central splat flanked by caned panels, above a dropin seat, raised on cabriole legs with castors and joined by stretchers 86cm wide, 84cm high, 66cm deep

£700-900

360 DUTCH WALNUT BOMBÉ DISPLAY CABINET-ON-CHEST 18TH CENTURY the upper part with and moulded cornice above glazed doors and side panels; the lower part with three long drawers, raised on carved paw feet 147cm wide, 212cm high, 44cm deep Provenance: Property of the late Hon. Elizabeth Fairbairn

£700-1,000

361 PAIR OF DUTCH BRASS RELIEF EMBOSSED LOG AND COAL BOXES 19TH CENTURY one metal lined, the sides and covers with scenes of hunting parties, tavern interiors, and fêtes galante, on castors (2) 60cm wide, 54cm high, 44cm deep

£600-800

137

362 DUTCH MARQUETRY, EBONY, EBONISED AND PARCEL GILT OCCASIONAL TABLE, IN THE MANNER OF JAN VAN MEEKEREN LATE 19TH CENTURY, INCORPORATING EARLIER ELEMENTS the circular top with flower marquetry on a hexagonal column and base with further marquetry 49cm diameter, 75cm high

£400-600

363 DUTCH SATINWOOD, MAHOGANY AND MARQUETRY OVAL CENTRE TABLE LATE 18TH/ EARLY 19TH CENTURY the top with floral marquetry and chequer banding 105cm wide, 76cm high, 70cm deep

£500-700

364 PAIR OF DUTCH EBONISED, PARCEL GILT AND TILE MOUNTED JARDINIERES 19TH CENTURY each with a metal liner and mounted to all sides with tiles decorated in the Chinese style, the undersides stamped with a coronet and initials EDV (2) 97cm wide, 47cm high, 53cm deep

£2,000-3,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

138

365 Y FRENCH LOUIS XV BOULLE MARQUETRY BRACKET CLOCK AND BRACKET 18TH CENTURY THE MOVEMENT 19TH CENTURY in red tortoiseshell première and contre-partie, the non-striking movement stamped ‘MON FRANJUS RAISON & BOYER SUCRS/ 275/ 5-5’ Clock 44cm high; bracket 17cm high

£600-800

366 Y FRENCH FOUR-PIECE BOULLE MARQUETRY DESK SET EARLY 20TH CENTURY comprising a desk stand, with glass inkwell, 24.5cm wide; a mahoganybacked frame, 21.5cm high; a letter-clip, 18cm long; and a blotter with photographs of Scotland, dated April 1927, 29cm long (4) £1,000-1,500

367 LOUIS XIV STYLE AMERICAN WALNUT CARD TABLE LATE 19TH CENTURY carved with acanthus, flower sprays and lappets, the foldover top opening on a concertina action to a brown leather playing surface 86cm wide, 77cm high, 43.5cm deep [87cm open]

£500-700

368 PAIR OF LOUIS XIV STYLE GILTWOOD FOOTSTOOLS 19TH CENTURY covered in gold plush upholstery (2) 40cm wide, 31cm high, 20cm deep

£300-500

139

369 FRENCH GILT BRONZE CARTEL CLOCK, LE ROY PARIS 19TH CENTURY the white enamel dial signed ‘LE ROY/ PALAIS ROYALE’, the eight-day movement striking a bell and stamped ‘38376’ 81cm high

£800-1,200

370 FRENCH GILT BRONZE AND PORCELAIN MOUNTED MANTEL CLOCK 19TH CENTURY mounted with Sevres styles plaques, the eightday movement striking a bell, stamped 6916 33cm wide, 43cm high

£800-1,200

371 CONTINENTAL GILTWOOD AND PAINTED THREE PANEL SCREEN LATE 19TH CENTURY the carved rococo style giltwood frame containing three painted canvas panels depicting putti and nymphs, each panel signed ‘L. Bergamin’ and dated 1897 138cm high, 146cm wide overall

£600-800

372 PAIR OF HÖCHST STYLE FAIENCE VASES WITH COVERS 19TH CENTURY gold painted wheel and orb mark (2) 28cm high

£250-350 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

140

373 FRENCH GILT BRONZE AND ROUGE MARBLE FIGURAL MANTEL CLOCK 19TH CENTURY the signed white enamel dial flanked by gilt bronze figures of fauns, the eight-day movement in a cylinder case and striking a bell, similarly marked ‘RIVE A PARIS/ 6107/ 64’ 30cm wide, 36.5cm high

£500-700

374 SÈVRES BISCUIT FIGURE GROUP ON STAND, MERCURY AND THE BIRTH OF BACCHUS STAND DATED 1913 impressed SÈVRES FRANCE with an S within a leaf, incised CV; the cobalt base with red DORE A SÈVRES mark and green date mark, with further incised marks 44.5cm high, 37cm wide Provenance: Property of the late Hon. Elizabeth Fairbairn

£300-500

375 FRENCH EMPIRE MAHOGANY AND GILT BRONZE MOUNTED OPEN ARMCHAIR EARLY 19TH CENTURY the square back and seat flanked by open arms with pads and supported on gilt bronze winged terms, with red plush covers 67cm wide, 101cm high, 52cm deep

£800-1,200

376 PAIR OF TELESCOPIC BRASS STANDARD LAMPS LATE 19TH CENTURY cast with classical masks, rams’ masks, and anthemions on paw feet, converted for electricity (2) 109cm high; 150cm high fully extended (excluding fitting)

£600-800

141

377 FRENCH GILT METAL AND MARBLE ASSEMBLED THREE-PIECE FIGURAL CLOCK GARNITURE 19TH CENTURY the clock with the figure of a seated artist, the cylinder movement stamped ‘1212/ 48/ MEDAILLE DE BRONZE’ and striking a bell; the candelabra issuing four stiff sconces hung with chains (3) Clock 44cm wide, 36cm high; candelabra 47cm high

£500-700

378 FRENCH MARBLE TOPPED KINGWOOD OCCASIONAL TABLE, IN THE MANNER OF PAUL SORMANI LATE 19TH CENTURY the brass banded green marble top above a frieze drawer and square tapered legs united by an undertier 47cm wide, 75cm high, 35cm deep

£400-600

379 FINE FRENCH ACAJU AND AMARANTH MARBLE TOPPED SIDE CABINET 19TH CENTURY of breakfront outline, the variegated pink marble top above three frieze drawers, over a central cupboard door flanked by open shelves backed by mirrors, raised on cabriole legs, with gilt bronze mounts throughout 94cm wide, 103cm high, 43cm deep

£2,500-3,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142

380 PAIR OF FRENCH PATINATED AND GILT METAL MODERATEUR LAMPS 19TH CENTURY converted from paraffin lamps, with white box pleated shades (2) 39.5cm high (excluding fittings)

£600-800

381 LOUIS-PHILIPPE MAHOGANY SMALL FOLD-OVER TEA TABLE MID 19TH CENTURY of serpentine outline, opening to a green baize playing surface, on slender cabriole legs 52cm wide, 74cm high, 33cm deep

£400-600

382 PAIR OF FRENCH CARVED WALNUT BERGERES LATE 19TH CENTURY the backs carved with griffins and flaming urns, above cushion seats, on square tapered legs (2) 63cm wide, 96cm high, 50cm deep Provenance: Property of a gentleman of title

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

143

383 AFTER PIERRE-JULES MÊNE (FRENCH, 1810-1879) WHIPPET bronze, dark brown patina, on black slate base, unsigned 16.5cm high, 18cm wide (including base)

£500-700

384 FRENCH BRONZE MODEL OF NAPOLEON’S COLUMN IN THE PLACE DE VENDOME FIRST HALF 19TH CENTURY surmounted with a figure of Napoleon, on a marble base 27.5cm high, base 8.8cm x 8.8cm

£300-500

385 PAIR OF GRANDE TOUR TAZZAS AND SIENA MARBLE LAMPS 19TH CENTURY with yellow silk shades (2) 28cm high (excluding fittings)

£1,200-1,800

144

386 FRENCH GILT BRASS AND THREE-TONE GOLD REPEATER CARRIAGE CLOCK, ATTRIBUTED TO GAY, LAMAILLE & CIE LATE 19TH CENTURY the silvered dial with Roman numerals in a three colour gold pierced mask, the side panels similarly decorated with figures of women, in a corniche case, the movement striking a gong, the backplate stamped ‘1818’ 19.5cm high (handle up) Literature: Fanelli, Joseph, Blackwell, Dana J. and Terwilliger, Charles (ed).

A Century of Fine Carriage Clocks.

Bronxville, New York: Clock Trade Enterprises, 1987, nos. 5 and 18.

For a similar lot see Dreweatts, Fine Clocks, Barometers and Scientific Instruments sale, June 2020, lot 125

£2,500-3,500

387 FRENCH PORCELAIN AND GILT BRASS CARRIAGE CLOCK LATE 19TH CENTURY the porcelain Roman numeral dial painted with a landscape, the side panels depicting ladies in landscapes, in a gilt brass column case, the movement with lever escapement and striking a gong, with a leather carrying case 19cm high (handle up)

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

145

388 EARLY FRENCH GILT BRASS CARRIAGE CLOCK, JULES A PARIS CIRCA 1840

389 FRENCH INDUSTRIAL AUTOMATON WINDMILL CLOCK, BY GUILMET LATE 19TH CENTURY with automata action to the sails, a Roman numeral dial, barometer dial and thermometer scale, on a circular black slate base

the signed white enamel Roman numeral dial in a relief cast gilt brass case, with a finely engraved escapement and striking movement with bell repeat, no.

542 with stamped maker’s marks ‘JULES A PARIS’ and ‘LM’ 19.5cm high (handle up)

Literature: Roberts, Derek.

Mystery, Novelty and Fantasy Clocks. Pennsylvania: Schiffer Publishing, 1999.

Literature: Allix, Charles.

Carriage Clocks: Their History and Development. Woodbridge: Antique Collector’s Club, 1974, pp. 74 and 443; Roberts, Derek.

Carriage and Other Travelling Clocks.

Pennsylvania: Schiffer Publishing, 1997, p. 76

£2,500-3,500

£1,500-2,500

46.5cm high (to top of sail)

390

391

FRENCH BRASS REPEATER CARRIAGE CLOCK

FRENCH BRASS REPEATER CARRIAGE CLOCK

LATE 19TH/ EARLY 20TH CENTURY

LATE 19TH CENTURY

the white enamel dial with Roman numeral hours and Arabic seconds and a subsidiary alarm dial, in a brass and silvered column case, the movement with gong strike and push button repeat

the white enamel Roman numeral dial in an engine turned mask and engraved gorge case, stamped 2889, the movement striking a gong, with push button repeat

19.5cm high (handle up)

16.5cm high (handle up)

£300-400

£250-350

146

392 PAIR OF RUSSIAN PORCELAIN MIKLASHEVSKY STYLE SPILL VASES LATE 19TH CENTURY modelled as Commedia dell’Arte figures, unmarked (2) 22.5cm high approx.

£1,000-1,500

393 RUSSIAN PORCELAIN MIKLASHEVSKY STYLE SPILL VASE LATE 19TH CENTURY modelled as a Commedia dell’Arte figure, unmarked 19.7cm high

£400-600

394 MEISSEN BOTANICAL DISH MID 18TH CENTURY painted with flowers and insects, blue crossed swords marks; together with a PARIS PORCELAIN DISH, late 19th century, moulded and floral painted, crossed swords Eugen Clauss mark, 32cm diam. (2) 33.5cm diameter

£400-600

395 HEREND ‘MARKET GARDEN’ PATTERN OZIER-MOULDED PART DINNER SERVICE LATE 20TH CENTURY comprising twelve covered soup cups and stands, twelve dinner plates 25.5cm diam., twelve breakfast plates 22.5cm diam., twelve side plates 17.5cm diam., twelve bowls 16.5cm diam., a toast rack, four small round dishes 7.8cm diam., a ladle, and a shaped dish 26.5cm wide; blue printed factory marks (Qty) £700-1,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

147

396 GROUP OF FOUR BOHEMIAN OVERLAY GLASS DECANTERS ENGRAVED WITH THE BREADALBANE CREST AND THE ORDER OF THE THISTLE, MID 19TH CENTURY comprising two large decanters, one with a stopper, and two smaller decanters, both with stoppers; all of baluster form with an elongated neck and broad collar, the stoppers of ogee outline, the clear ground body overlaid in opaque white and pale blue, cut through with shaped panels and oval printies, each piece with a central panel engraved with the Breadalbane crest and the Order of the Thistle, TOGETHER WITH two matching cylindrical glass beakers (6) Largest decanter 36cm high ; smaller decanters 25cm and 26cm high (including stoppers), beakers 8.8cm and 9cm high Provenance: The 2nd Marquess of Breadalbane, Taymouth Castle, Perth and Kinross.

Thence by family descent.

£1,000-1,500

Note: On 1st May 1851 The Great Exhibition was declared open

by John Campbell, 2nd Marquess of Breadalbane, as Lord Steward.

Below is an excerpt from Queen Victoria’s diary on the opening of the Great Exhibition:

397 COLLECTION OF BOHEMIAN LAYERED GLASS FINGER BOWLS AND POSY BOWLS

This concluded, the Procession of great length began, which was beautifully arranged, the prescribed order being exactly adhered to. The Nave was full of people, which had not been intended, and deafening cheers and waving of handkerchiefs continued the whole time of our long walk from one end of the building to the other. Every face was bright and smiling, and many had tears in their eyes.

Many Frenchmen called out ‘Vive la Reine’. One could, of course, see nothing but what was high up in the Nave, and nothing in the Courts. The organs were but little heard, but the Military Band at one end had a very fine effect, playing the march from Athalie as we passed along. The old Duke of Wellington and Ld. Anglesey walked arm in arm, which was a touching sight. I saw many acquaintances amongst those present. We returned to our place and Albert told Ld. Breadalbane to declare the Exhibition to be opened, which he did in a loud voice saying ‘Her Majesty commands me to declare this Exhibition open,’ when there was a flourish of trumpets, followed by immense cheering. We then made our bow and left.

ENGRAVED WITH THE BREADALBANE CREST AND THE ORDER OF THE THISTLE, MID 19TH CENTURY

Queen Victoria’s Journal, 1851 [taken from The Great Exhibition of 1851, compiled by C.H. Gibbs Smith (London: 1950). pages 16-18]

7.8cm high

By family repute the layered Bohemian glass lots 21, 22 & 23 was a presentation gift to the Marquess to commemorate the occasion of his opening the Great Exhibition. It is likely that the glass was manufactured by an exhibitor participating in The Great Exhibition.

the four finger bowls of tapering cylindrical form, the clear ground body overlaid in opaque white and pale blue, cut through with shaped panels and oval printies, each piece with a central panel engraved with the Breadalbane crest and the Order of the Thistle, 11cm high, the two posy bowls of shorter form, with matching decoration (6) Provenance: The 2nd Marquess of Breadalbane, Taymouth Castle, Perth and Kinross.

Thence by family descent.

£800-1,200

148

398 PAIR OF FINELY CARVED WALNUT BLACK FOREST COW AND BULL FIGURES, PROBABLY BY THE HUGGLER FAMILY 19TH CENTURY realistically carved in fine detail, the cow with a bell around her neck (2) Each approx 16.5cm wide; 12.5cm high For similar examples see Arenski, Jay, Simon Daniels and Michael Daniels, Swiss Carvings. The Art of the Black Forest 1820-1940 (Woodbridge, 2007).

£600-800

399 VIENNA EBONISED MAHOGANY WALL REGULATOR 19TH CENTURY the white enamel Roman numeral dial in an moulded frame case with urn finials 121cm high, 42cm wide

£300-400

400 LARGE GERMAN MAHOGANY CHIMING BRACKET CLOCK, MATTHIAS BAUERLE, SCHWARZWALD LATE 19TH/ EARLY 20TH CENTURY the brass arch dial with a silvered chapter ring and two winding holes, the arched case with gilt brass mounts, the eight-day movement striking a gong, the backplate stamped ‘M. B./ P/ 18/ 24571’ 63cm high

£700-1,000

401 BLACK FOREST CARVED SPANIEL STICK STAND LATE 19TH CENTURY the dog holding a brass whip on a moulded plinth base with a brass drip pan 88cm high, 36cm wide, 33cm deep

£1,000-1,500

402 Y NICOLE FRERES ROSEWOOD CASED CYLINDER MUSIC BOX DATED 1863 the nine inch cylinder playing three airs, labelled on a card, stamped NICOLE FRERES A GENEVE/ 26198 44.5cm wide Provenance: Property of Shakerley family, baronets of Somerford Park

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

150

A PRIVATE SCOTTISH COLLECTION OF SCULPTURE & WORKS OF ART

403 AFTER THE ANTIQUE, PAIR OF BUSTS APOLLO BELVEDERE AND DIANA THE HUNTRESS bronze, mid-brown patina, marked S S (2) 24cm high approx.

£400-600

404 JEAN JULES SALMSON (FRENCH, 1823-1902) MILTON bronze, dark brown patina, signed ‘Salmson.’

53.5cm high

£400-600

405 JEAN JULES SALMSON (FRENCH, 1823-1902) LA PORTEUSE bronze, dark brown patina, signed ‘SALMSON’ 53cm high

£400-600

151

406 HENRI ALFRED JACQUEMART (FRENCH, 1824-1896) HOUND AND TORTOISE bronze, dark brown patina, signed ‘A. JACQUEMART’ 16cm high

£600-800

407 AFTER GIAMBOLOGNA MERCURY dark brown patina, on a painted square base 84.5cm high

£600-800

408 JOHN GRAHAM LOUGH (1798-1876) THE MOURNERS bronze, medium brown patina, signed ‘J. LOUGH’ 35cm high, 44cm wide

£500-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

152

409 § ALEXANDER PROUDFOOT A.R.S.A., R.S.A. (1878-1957) THE BOMB THROWER, DATED 1918 bronze, mid-brown patina, signed, dated and titled to the base ‘Alex Proudfoot 1918/ The Bomb thrower’ 37cm high

£250-350

410 AFTER PIERRE-JULES MÊNE (FRENCH, 1810-1871) THE MATADOR, DATED 1877 bronze, golden-brown patina, signed ‘P.J. MÊNE/1877’ 52.5cm high

£300-500

411 ARISTIDE CROISY (FRENCH, 1840-1899) FRENCH SOLDIERS bronze, medium-brown patina, signed ‘Croisy’ 35cm high

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

153

412 LOUIS RICHE (FRENCH, 1877-1849) GIRL WITH A GOAT bronze, mid-brown patina, impressed foundry mark, signed ‘L. RICHE’, on a rouge marble base 38.5cm high

£300-500

413 THREE CONTINENTAL GRAND TOUR BRONZES 19TH CENTURY to include a BRONZE FIGURE OF THE BORGHESE GLADIATOR, after the antique; a FRENCH BRONZE BUST OF ZEUS, marked G S with another indistinct mark to the reverse, 21.5cm high; and a BRONZE BUST OF NAPOLEON, the base inscribed ‘TIL MOGENS 8-4-1934 FRA TANTE FRIDA, ONKEL LAURITS’, 20.5cm high (3) 20cm high

£300-500

154

414 GOLDSCHEIDER TINTED TERRACOTTA BUST OF A NORTH AFRICAN WOMAN LATE 19TH/ EARLY 20TH CENTURY applied maker’s marks ‘111/ Fr. Goldscheider/ REPRODUCTION RESERVEE/ 5’ 64cm high

£800-1,200

415 GOLDSCHEIDER POLYCHROME-TINTED TERRACOTTA BUST OF A NORTH AFRICAN MAN LATE 19TH/ EARLY 20TH CENTURY applied maker’s marks ‘ Fr. Goldscheider/ WIEN./ 1308/ 21’, and impressed ‘7938/ REPRODUCTION RESERVEE’ 77cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

155

416 OSCAR GLADENBECK, POLYCHROME-TINTED TERRACOTTA FIGURE OF A WATER BEARER

417 B. HANIROFF FOR GOLDSCHEIDER, TINTED TERRACOTTA FIGURE OF A WATER BEARER

LATE 19TH/ EARLY 20TH CENTURY impressed ‘OSCAR GLADENBECK/ FRIEDRICHSHAGEN/ PHONIX/ etc.’

CIRCA 1900 with applied sculpture pad mark and impressed FABRIQUE EN AUTRICHE/ 4352/ 6/ 13

79cm high

£400-600

67.5cm high

£300-500

418 GOLDSCHEIDER POLYCHROME-TINTED TERRACOTTA TORSO OF A NUBIAN WOMAN LATE 19TH CENTURY signed ‘H. Kabelle’[?] and impressed 7/ 8967/ 494 and P 56cm high

£600-1,000

156

419 WHITE MARBLE BUST OF A CLOAKED GIRL 19TH CENTURY unsigned 52cm high

£300-500

420 WILLIAM BRODIE, R.S.A. (1815-1881) WHITE BUST OF A GIRL, DATED 1868 inscribed ‘WM. BRODIE./ R.S.A./ Sc. 1868.’

56cm high

£300-500

421 GIOSUÈ ARGENTI (ITALIAN, 1819-1901) MARBLE BUST OF A YOUNG WOMAN, DATED 1875 signed ‘GIO.E ARGENTI F. 1875’ 70cm high

£600-800

157

422 RAFAELLO BATTELLI (ITALIAN, 19TH CENTURY) MADAME RÈCAMIER after the original by Houdon, signed ‘R Battelli/ 86’ 61cm high

£600-800

423 19TH CENTURY ITALIAN MARBLE FIGURE GROUP FAITH AND CHARITY after the statue by Adolfo Cipriani, titled ‘FEDE. E. CARITA’; signed ‘Testi’ 54cm high

£600-800

424

425

AFTER EDWARD WILLIAM WYON (1811-1885) PARIANWARE BUST OF ROBERT BURNS, 19TH CENTURY

PAIR OF COMPOSITION MARBLE BUSTS OF LOUIS XVI AND MARIE ANTOINETTE

marked ‘BURNS’ and signed ‘E W. WYON. F.’

MODERN

46cm high overall

on waisted square bases (2)

£300-500

37.5cm and 40.5cm high Ex. Halls Fine Art, 21/09/11, lot 101

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

ASIAN & ISLAMIC FURNITURE & WORKS OF ART

159

426 GROUP OF FOUR INDIAN SCHOOL WATERCOLOUR PORTRAITS OF INDIAN RULERS 19TH CENTURY oval, most likely depicting Tipu Sultan, Jehangir, Shah Jahan and Aurangzeb, in giltwood frames (4) 8.5cm x 7cm; frames 21cm x 19.5cm Provenance: Property of a gentleman of title

£300-500

427 ANGLO-INDIAN EBONY JARDINIERE STAND 19TH CENTURY the carved and pierced top on a spiral twist column and cabriole legs, profusely carved with scrolling foliage 41cm diameter, 80cm high

£1,000-1,500

428 ANGLO-INDIAN MINIATURE COROMANDEL AND EBONY CABINET EARLY 19TH CENTURY the upper and lower sections enclosing shelves 43cm wide, 68cm high, 20cm deep

£1,500-2,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

160

429 Y LARGE INDO-PORTUGUESE CARVED IVORY FIGURE OF THE INFANT CHRIST AS SALVATOR MUNDI, THE SAVIOUR OF THE WORLD LATE 17TH/ EARLY 18TH CENTURY, GOA the child Christ standing with both arms extending, one holding an orb to represent the world in his left hand, his right hand raised in blessing, on a giltwood and gesso base Figure 42cm high; 49cm high overall Provenance: Private collection Aberdeenshire

£8,000-12,000

Goa came under Portuguese rule in 1510, and subsequently became an eastern trading capital of the Portuguese empire as well as the seat of Christian imperialism whose influence stretched from the Cape of Good Hope to the Sea of Japan. The Portuguese found a well-established infrastructure for ivory carving, with experienced artists and workshops. This explains the resulting hybrid of sculptures drawing from European iconography and traditional Indian stylistic conventions.

Christ is depicted here in a variation of the Salvator Mundi image tradition: instead of the adult Christ he is depicted as a child, with the right hand raised in the typical gesture of benediction and left holding an orb, known as globus cruciger. This depiction of the infant Christ started appearing in the early 16th century, notably in the Infant Christ of Mechelen, and has gained popularity in Spain as the ‘Niño de la bola’ or child with a ball. Famous depictions go back to the artists Juan Martínez Montañés and Jerónimo Hernández de Estrada.

Despite its vigorous modeling, the figure was probably meant to be dressed in a luxurious garment, which would have been supplied by the faithful owner in acts of devotion. While the iconography is clearly of European origin, the style is undoubtedly Goan. The hair is carved in tight, regular coils, and the face with its round cheeks, big eyes and small mouth with remnants of polychromatic paint point to its Indian roots.

161

430 OTTOMAN CARVED, PAINTED AND PARCEL-GILT KAVUKLUK, OR TURBAN STAND LATE 18TH/ EARLY 19TH CENTURY the back panel carved with bead swags, flowers, and and foliate scrolls above a single shaped shelf 37cm wide, 97cm high, 33cm deep

£300-400

431 INDIAN BRASS FLOOR STANDING INCENSE BURNER 19TH CENTURY with a cockerel finial above a lobed tray and baluster column on a circular base 168cm high

£600-800

432 MOORISH CARVED HARDWOOD OCTAGONAL TABLE EARLY 20TH CENTURY the top with a scalloped edge, raised on a pierced folding base densely carved with stylised palmettes and foliage 65cm diameter, 65cm high

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

433 PAIR OF CHINESE YELLOWGLAZED PORCELAIN VASES 20TH CENTURY converted to electricity, with shades (2) 36.5cm high

£300-500

434 CHINESE CANTON LACQUER GAMES BOARD AND BONE CHESS SET 19TH CENTURY the hinged folding board with thirty-two carved bone chess pieces, one side stained red Board 49cm squared (open)

£300-500

435 CHINESE HARDWOOD AND MOTHER-OF-PEARL AND ABALONE INLAID ALTAR CABINET EARLY 20TH CENTURY inlaid with peacocks and other birds, fruit and flowering plants 91cm wide, 78cm high, 38cm deep Provenance: Property of a gentleman of title

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

163

436 CHINESE PAINTED ELM WAISTED TABLE QING DYNASTY,EARLY 19TH CENTURY on plain legs joined by stretchers 96cm wide, 83cm high, 51cm deep Provenance: Property of a gentleman of title

£300-500

437 PAIR OF CHINESE YOKEBACK ELM ARMCHAIRS QING DYNASTY, 19TH CENTURY with traces of original red-paint (2) 57cm wide, 115cm high, 41cm deep Provenance: Property of a gentleman of title

£300-500

438 CHINESE HARDWOOD LONG KANG TABLE QING DYNASTY, 19TH CENTURY the waisted top on square section legs ending in hoof feet, joined by hump back stretchers 196cm long, 46cm high, 48cm deep

£500-700

164

439

440

PAIR OF CHINESE TURQUOISE GROUND PORCELAIN VASES

SET OF CHINESE HARDWOOD NESTING TABLES

LATE QING/ REPUBLIC PERIOD

LATE 19TH/ EARLY 20TH CENTURY

converted to lamps, decorated with white lotus blossoms and leaf scrolls (2)

each with a pierced frieze carved with bats and shou symbols, on bent legs joined by peripheral stretchers (4)

35cm high overall

51cm wide, 74cm high, 34cm deep

Provenance: Property of a gentleman of title

£400-600

£300-500

441 MATCHED PAIR OF CHINESE HONGMU MARBLE TOPPED VASE STANDS QING DYNASTY, LATE 19TH CENTURY with lobed tops with pink marble inserts, raised on pierced and carved scroll legs joined by an undertier (2) 55cm and 56cm diameter, 59cm high

£800-1,200 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

166

RUGS & CARPETS 442 ISFAHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the ivory field with red and indigo medallion, within red cartouche border 208cm x 148cm

£600-800

443 JOSHAGAN CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the red field with indigo medallion, blue spandrels, within ivory stylised palmette and vine border 347cm x 238cm

£500-700

444 ISFAHAN CARPET CENTRAL PERSIA, MID 20TH CENTURY the red field with indigo and cream medallion, within blue palmette and vine border 340cm x 214cm

£400-600

167

445 YAZD CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the field with allover polychrome tree and foliate lattice pattern, within light brown cartouche border 400cm x 310cm

£1,000-1,500

446 TABRIZ STYLE CARPET MID/LATE 20TH CENTURY the red field with allover palmette, folaite vine and bird pattern, within blue palmette, vine and deer border 331cm x 247cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

168

447 KAYSERI CARPET CENTRAL ANATOLIA, MID 20TH CENTURY the pink field with light green medallion, light blue spandrels, within wide plain indigo border 358cm x 256cm

£500-700

448 SAROUK FEREGHAN RUG WEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo and ivory medallion, ivory spandrels, within indigo turtle palmette border 197cm x 126cm

£300-500

449 MASHAD CARPET, SIGNED SABER NORTHEAST PERSIA, EARLY 20TH CENTURY the raspberry field with indigo and pink medallion, within narrow cusped border 390cm x 328cm

£800-1,200

169

450 LARGE BAKHTIARI CARPET WEST PERSIA, MID 20TH CENTURY the rust red field with indigo, ivory and red medallion, indigo and pink spandrels, within ivory palmette and vine border 590cm x 443cm Provenance: Wentworth Woodhouse, Yorkshire

£4,000-6,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

170

451 SHIRVAN RUG EAST CAUCASUS, LATE 19TH/EARLY 20TH CENTURY the dark indigo field with allover rosette lattice pattern, within ochre rosette border 162cm x 126cm

£800-1,200

452 HERIZ CARPET NORTHWEST PERSIA, MID/LATE 20TH CENTURY the reddish brown field with indigo and salmon pink medallion, ivory spandrels, within indigo turtle palmette border 333cm x 268cm

£600-800

453 CENTRAL PERSIAN CARPET MODERN the cream field with allover boteh pattern, within similar border 370cm x 260cm

£600-800

171

454 NAJAFABAD CARPET CENTRAL PERSIA, MODERN the ivory field with allover herati pattern, within red palmette and strapwork border 392cm x 312cm

£1,000-1,500

455 QUM CARPET CENTRAL PERSIA, MID/LATE 20TH CENTURY the cream ground with allover boteh pattern, within blue boteh and foliate border 425cm x 297cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

172

456 SERAPI CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the red field with indigo medallion, green spandrels, within indigo turtle palmette border 349cm x 276cm

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

173

457 PAIR OF SARAB RUNNERS NORTHWEST PERSIA, EARLY 20TH CENTURY one of shorter length, each with camel field with column of red and camel lozenge medallions, within ivory geometric palmette and vine border (2) 391ccm x 90cm; and 334cm x 95cm

£1,500-2,500

458 LONG ARDABIL RUNNER NORTHWEST PERSIA, MODERN the indigo field with column of medallions, within narrow ivory border 1985cm x 90cm

£2,000-3,000

174

459 SARAB RUNNER NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the camel field with allover cartouche and foliate lattice pattern, within narrow ivory stylised vine border 560cm x 110cm Provenance: A Northumberland Country House

£400-600

460 SHIRVAN RUNNER EAST CAUCASUS, LATE 19TH/ EARLY 20TH CENTURY the brown field with central column of stepped polychrome medallions, within ivory wine glass and leaf border 316cm x 102cm

£500-700

461 SOUTH CAUCASIAN RUNNER DATED AH1306/1890AD the pinkish ground with allover stylised foliate lattice pattern, within red hooked lozenge border 497cm x 120cm

£300-500

175

462 MALAYER RUNNER WEST PERSIA, 20TH CENTURY the brown field with allover boteh pattern, within ivory stylised vine border 495cm x 104cm

£800-1,200

463 NORTHWEST PERSIAN RUNNER LATE 19TH/EARLY 20TH CENTURY the red field with allover stylised motifs, within multiple borders 385cm x 108cm

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

176

464 AVAR KILIM RUNNER DAGHESTAN, LATE 19TH CENTURY the red field with four indigo medallions, within indigo geometric border 527cm x 134cm

£500-700

465 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the field with allover tree and foliate lattice pattern, within red palmette and vine border 335cm x 220cm

£700-1,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

177

466 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the raspberry field with ivory, indigo and red medallion, indigo spandrels, within ivory palmette and foliate vine border 325cm x 206cm

£800-1,200

467 BELOUCH CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY the indigo field with allover stylised lattice pattern, within brown geometric border 326cm x 208cm

£400-600

178

468 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the cream field with allover palmette, rosette and script cartouche pattern, within cream palmette, script and vine border, signed 350cm x 262cm

£1,500-2,500

469 INDIAN STYLE CARPET MODERN the abrash green field with allover rosette pattern, within green foliate border 271cm x 180cm

£300-500

470 ERSARI CARPET TURKMENISTAN, EARLY 20TH CENTURY the red field with three columns of six guls, within red scrolled leaf border 350cm x 258cm

£300-500

179

471 LARGE ERSARI CARPET TURKMENISTAN, EARLY 20TH CENTURY the red field with five columns of ten guls, within multiple borders 648cm x 542cm

£1,000-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

180

472 CENTRAL PERSIAN CARPET MODERN the cream field with pink medallion, green and brown spandrels, within pink palmette and vine border 192cm x 196cm

£300-500

473 HERIZ CARPET NORTHWEST PERSIA, EARLY 20TH CENTURY the rust brown field with indigo and red star medallion, ivory red and green spandrels, within indigo turtle palmette and vine border 370cm x 262cm

£1,000-1,500

474 TABRIZ HADJI JALILI RUG NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the creamy brown field with lozenge medallion, within light brown palmette and vine border 171cm x 127cm

£500-700

181

475 TABRIZ CARPET, SIGNED JAVAN AMIR KHIZ NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the ivory field with allover palmette and vine pattern, within pink stylised vine border 470cm x 360cm

£3,000-5,000 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

182

476 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the red field with allover palmette and vine pattern, within ivory palmette and vine border, signed to one end 390cm x 300cm

£2,000-3,000

477 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the raspberry field with allover palmette and vine pattern, within ivory palmette and vine border 440cm x 350cm

£1,000-1,500

183

478 HERIZ SILK PRAYER RUG NORTHWEST PERSIA, LATE 19TH CENTURY the red mihrab with ivory foliate motif, indigo spandrels, within indigo foliate border 188cm x 137cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

184

479 ERSARI CARPET TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the red field with three columns of five guls, within narrow red lozenge border 285cm x 203cm

£300-500

480 KASHAN CARPET CENTRAL PERSIA, EARLY/MID 20TH CENTURY the ivory field with allover palmette and foliate vine pattern, within similar border 388cm x 280cm

£400-600

481 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the indigo field with allover herati pattern, within cream turtle palmette and vine border 353cm x 250cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

185

482 TABRIZ CARPET NORTHWEST PERSIA, EARLY/MID 20TH CENTURY the ivory field with allover palmette and foliate vine pattern, within rust palmette and vine border 357cm x 250cm

£2,000-3,000

186

483 TABRIZ CARPET NORTHWEST PERSIA, LATE 19TH/EARLY 20TH CENTURY the reddish brown field with allover herati pattern, within narrow rosette and vine border 310cm x 233cm

£700-1,000

484 KASHAN CARPET CENTRAL PERSIA, MODERN the indigo field with blue and brown medallion, similar spandrels, within indigo palmette and vine border 444cm x 293cm

£500-700

485 KASHAN CARPET CENTRAL PERSIA, MODERN the indigo field with red and ivory medallion, similar spandrels, within red palmette and arabesque vine border 400cm x 290cm

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

187

486 KASHAN CARPET CENTRAL PERSIA, MODERN the red field with indigo and ivory medallion, similar spandrels, within indigo palmette and arabesque vine border 435 x 316cm

£500-700

487 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the grey field with allover floral boteh pattern, within ivory rosette and vine border 330cm x 238cm

£700-1,000

488 LARGE USHAK CARPET WEST ANATOLIA, EARLY 20TH CENTURY the plain orange field with indigo and camel medallion, similar spandrels, within indigo lozenge and foliate border 560cm x 426cm

£700-1,000

188

489 PAIR OF YOMUT JUVALS TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY each with brown field with four columns of four guls, plain elem panels, kilim backs (2) approximately 79cm x 121cm

£300-500

490 YOMUT RUG TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY the polychrome banded field with hooked motifs, within hooked zig zag border 185cm x 143cm

£300-500

491 LAKAI FLATWEAVE CARPET UZBEKISTAN, EARLY/MID 20TH CENTURY the polychrome field with three columns of eight guls, within running dog border 296cm x 125cm

£300-500

492

493

PAIR OF TEKKE JUVALS

TEKKE ENGSI

TURKMENISTAN, LATE 19TH/ EARLY 20TH CENTURY

TURKMENISTAN, LATE 19TH/EARLY 20TH CENTURY

each with red field with four columns of four guls, within hooked X border, serrated lozenge elem panels (2)

the red field with geometric pattern, within red serrated pole border; and a TEKKE RUG, the red field with five guls, ivory border (2)

approximately 70cm x 105cm

134cm x 127cm; and 153cm x 84cm

£300-500

£300-500

189

494 KYRGYZ CARPET KYRGYZSTAN, EARLY 20TH CENTURY the red field with allover hooked medallion pattern, within narrow ivory ram’s head border 310cm x 160cm

£400-600

495 KYRGYZ CARPET KYRGYZSTAN, LATE 19TH/ EARLY 20TH CENTURY the red field with three columns of shaped hooked medallions, within red hooked line border 360cm x 191cm

£400-600

496 KARABAGH CARPET SOUTH CAUCASUS, DATED AH1326/1909AD the indigo field with four red and green medallions, within red rosette border 260cm x 161cm

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

190

497 ANATOLIAN PRAYER RUG LATE 19TH/EARLY 20TH CENTURY the pink mihrab with green columns, olive spandrels, within cream rosette and foliate border 190cm x 130cm

£600-800

498 BIDJAR RUG WEST PERSIA, EARLY 20TH CENTURY the indigo field with allover herati pattern, within pink stylised vine border 162cm x 115cm

£600-800

499 AFSHAR CARPET SOUTH PERSIA, LATE 19TH/ EARLY 20TH CENTURY the indigo field with allover stylised boteh and vine pattern, within red boteh border 276cm x 167cm

£300-500

191

500 BELOUCH CARPET NORTHEAST PERSIA, EARLY 20TH CENTURY the brown field with two columns of four brown medallions, within brown rosette and vine border 387cm x 213cm

£300-500

501 BAKHTIARI CARPET WEST PERSIA, LATE 20TH CENTURY the red field with two ivory and indigo medallions, within indigo palmette and vine border 305cm x 222cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

192

502 TABRIZ CARPET NORTHWEST PERSIA, MID 20TH CENTURY the indigo field with small light blue medallion, vases to the field, within red vase and vine border 347cm x 247cm

£600-800

503 TABRIZ CARPET NORTHWEST PERSIA, LATE 20TH CENTURY the indigo field with allover herati pattern, within red turtle palmette and vine border 385cm x 303cm

£400-600

193

504 LARGE SAVONNERIE STYLE CARPET FRENCH, EARLY 20TH CENTURY the cream field with floral spray medallion, scrolling acanthus and floral surround, within plain light brown border 558cm x 399cm

£4,000-6,000

505 VARAMIN CARPET CENTRAL PERSIA, LATE 20TH CENTURY the red field with allover floral lattice pattern, within cream palmette and foliate vine border 290cm x 200cm

£800-1,200

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

194

GARDEN 506 PAIR OF COMPOSITION STONE URNS AND PEDESTALS EARLY 20TH CENTURY of lotus form, on associated pedestals moulded with laurel wreaths (2) 115cm

£600-800

507 CARVED SANDSTONE FIGURE OF A SAILOR EARLY 19TH CENTURY the figure wearing a tam and carrying his hammock 156cm high

£400-600

508 PAIR OF COMPOSITION STONE URNS AND PEDESTALS 20TH CENTURY of campana form, raised on fluted square pedestals (2) 84cm high overall

£600-800

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

195

509 PAIR OF COMPOSITION STONE LIONS 20TH CENTURY on octagonal bases (2) 74cm high

£400-600

510 NO LOT

511 LARGE COMPOSITION STONE URN AND PEDESTAL EARLY 20TH CENTURY in the Baroque style with masks and moulded ring handles, the pedestal with laurel wreaths, on a square plinth 138cm high

£600-800

512 PAIR OF VICTORIAN PAINTED CAST IRON URNS AND PEDESTALS LATE 19TH CENTURY of lobed campana form with Green Man masks to the sides, on integral square pedestal bases (2) 123cm high, 75cm diameter

£1,000-1,500

196

513 PAIR OF LIFE-SIZE PATINATED BRONZE LION FIGURES 20TH CENTURY each realistically modelled standing on all fours, in allover verdigris patination, unsigned (2) 163cm long, 116cm high

£7,000-10,000

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

197

514 PAIR OF HEXAGONAL PATINATED METAL AND COPPER LANTERNS EARLY/ MID 20TH CENTURY with pagoda style panel tops (2) 73cm drop, 43cm diameter

£300-500

515 PAIR OF WROUGHT IRON BRAZIERS with open-work sides and ring handles (2) 55cm wide, 53cm high Provenance: Property of a gentleman of title

£400-600

516 PAIR OF COMPOSITION STONE URNS AND PEDESTALS 20TH CENTURY of lobed campana form, on square pedestals (2) 78cm high

£400-600

517 PAIR OF COMPOSITION STONE URNS AND PEDESTALS 20TH CENTURY cast with masks and garlands, on square acanthus cast pedestals (2) 108cm high

£600-800

END OF SALE

TAXILE MAXIMIN DOAT (1851-1939) DOUBLE-FRONTED FREE-STANDING PLAQUE, CIRCA 1928 porcelain and grès, painted TDOAT/ 1928/ Sèvres 19cm (7 1/2in) high To be offered 30 November

£600-800

THE PETER ROSE & ALBERT GALLICHAN COLLECTION 30 NOVEMBER | LONDON JOY McCALL | 0207 930 9115 joy.mccall@lyonandturnbull.com

200

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

These notices and terms will also form part of our terms and conditions of sales.

In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. F AILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

201 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable

by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed.

Please also note that all customs formalities of the destination country are the responsibility of the buyer.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

202 by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be

bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

203 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be

unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

21.2

204

GUIDE TO BIDDING & PAYMENT REGISTRATION

BIDDING OUTSIDE THE SALEROOM

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. On-site payment facilities are available by appointment.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING IN THE SALEROOM At the Sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you.

Please ensure that the auctioneer repeats your bidder number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

IN WRITING Bid forms are available at the sale and/ or the back of the catalogue. These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence All bids must be received an hour before the sale. This service is provided entirely at the bidder’s risk.

ON THE INTERNET

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

- ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Inside Back Cover: Lot 18 [detail]

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM