Jewellery, Silver, Watches & Wine | Auction 9th June 2021

JEWELLERY, SILVER, WATCHES & WINE 9TH JUNE 2021

LIVE ONLINE EDINBURGH

JEWELLERY, SILVER, WATCHES & WINE

WEDNESDAY 09 JUNE 2021 AT 10AM

Sale Number LT642

CONTACT EDINBURGH +44 (0) 131 557 8844 info@lyonandturnbull.com

VIEWING BY APPOINTMENT

BIDDING AT THIS SALE

Viewing at 33 Broughton Place Edinburgh EH1 3RR will be available by appointment from Friday 4th June 10am-4pm, and Sunday 6th until Tuesday

ONLINE, TELEPHONE & COMMISSION BIDDING Please see the guide to bidding on page 68

8th June 10am-4pm

Front cover Various lots, see page 49 Left Lot 335 [detail]

BOOK A VIEWING APPOINTMENT To book a viewing time please either CALL +44 (0) 131 557 8844 EMAIL info@lyonandturnbull.com BOOK ONLINE www.lyonandturnbull.com/appointment-bookings

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BUYER'S GUIDE

This sale is subject to our Standard conditions of Sale (available at the back of every catalogue and on our website).

If you have not bought before we will be delighted to help you.

BUYER’S PREMIUM

REGISTRATION

The buyer shall pay the hammer price together with a premium, at the following rate, thereon.

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

25% up to £300,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law (see our Conditions of Sale at the back of this catalogue).

ADDITIONAL VAT

1 – Government issued photo ID (Passport/Driving licence)

†V AT at the standard rate payable on the hammer price

2 – Proof of address (utility bill/bank statement).

‡R educed rate of 5% import VAT payable on the hammer price ΩS tandard rate of import VAT on the hammer price Lots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.

No VAT is payable on the hammer price or premium for books bought at auction.

DROIT DE SUITE § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the buyer on the hammer price and in addition to the buyer’s premium. It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

More information on Droit de Suite is available at www.dacs.org.uk

We may, at our option, also ask you to provide a bank reference and/ or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale (available at the back of every catalogue and on our website).

BIDDING & PAYMENT For information on bidding options see our Guide to Bidding & Payment at the back of the catalogue.

REMOVAL OF PURCHASES Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. See Collections & Storage section for more info specific to this particular auction.

CATALOGUE DESCRIPTIONS All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction.

There will be no public viewing for this auction, our specialists will be happy to prepare condition reports and additional images. These are for guidance only and all lots are sold ‘as found’, as per our Conditions of Sale.

IMPORT/EXPORT Prospective buyers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to; rhino horn, ivory, coral and tortoiseshell.

Accordingly, prospective buyers should familiarise themselves with all relevant customs regulations prior to bidding if they intend to import lots to another country. It is the buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale nor any delay in making full payment for the lot.

ENDANGERED SPECIES Please be aware that lots marked with the symbol Y contain material which may be subject to CITES regulations when exporting outside the EU. For more information visit http://www. defra.gov.uk/ahvla-en/imports-exports/ cites COLLECTION OF PURCHASED LOTS Lots will be available to collect from 33 Broughton Place, Edinburgh EH1 3RR. Due to social distancing requirements, all collections will be by appointment only (this applies to both carriers and personal collections).

BOOK ONLINE www.lyonandturnbull. com/appointment-bookings CALL 0131 557 8844 Please ensure payment has been made prior to collection. This can be done by bank transfer, and debit/credit card online (powered by Opayo) - details will be shown on your invoice.

Please note we are unable to take payments over the phone.

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MEET THE SPECIALISTS At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our specialist team are on hand to assist you, whether you are looking for something in particular for your home or collection, require more detailed information about the history or current condition of a lot, or just want to find out more about the auction process.

Ruth Davis Head of Department ruth.davis@lyonandturnbull.com

Kier Mulholland Jewellery & Silver kier.mulholland@lyonandturnbull.com

Sarah Fergusson Head of Watches sarah.fergusson@lyonandturnbull.com

Trevor Kyle Consultant trevor.kyle@lyonandturnbull.com

COLOURED GEMSTONE & DIAMOND GUIDE Historically many gemstones have been subjected to a variety of treatments to enhance their appearance. Certain enhancements, such as heating, are commonly used to improve colour or transparency in rubies and sapphires.

Emeralds are also frequently treated, usually with oils or resin, for the same purpose. Other methods, including staining, dyeing, coating or irradiation, may have been used on other gemstones including Jade and associated hardstone that may have been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. The international jewellery trade has generally accepted these methods.

Heat enhancement of colour is usually permanent, however, in some cases; this may have an impact on the durability of the gemstone. Gemstones that have been oiled may require reoiling after a number of years in order to retain their optimum appearance.

It is, in suitable cases, Lyon & Turnbull’s policy to obtain gemmological reports from internationally recognised gemmological laboratories describing certain gemstones sold

by Lyon & Turnbull. In the event that Lyon & Turnbull have been given, or have obtained, reports for any lot in the sale these reports will be mentioned in the catalogue description.

However, it is not feasible for Lyon & Turnbull to obtain a gemmological report for each gemstone offered for sale by Lyon & Turnbull. If no report is published in the catalogue prospective buyers should assume that the gemstones may have been enhanced by some method. However, please note that there may not be consensus between different laboratories on the degrees or types of treatment for any particular gemstone. Prospective buyers should be aware that Lyon & Turnbull’s pre-sale estimates assume that gemstones may have been subjected to such treatments.

ALL DIMENSIONS, WEIGHTS ARE APPROXIMATE. DIAMOND GRADING TERMS Where printed in the catalogue, estimated diamond grades for colour and clarity are intended as guides for prospective buyers. Lyon & Turnbull do not guarantee these estimated grades due to the limitations of mounts and settings.

DIAMOND COLOUR GIA

CIBJO

EXPLANATION

D

Exceptional White + (EW+)

Face up colourless - Face down colourless

E

Exceptional White (EW)

-

F

Rare White + (RW+)

-

G

Rare White (RW)

-

H

White (W)

Face up colourless - Face down slightly tinted

I/J

Slightly Tinted White (STW)

-

K/L

Tinted White (TW)

Face up slightly tinted - Face down obviously tinted

M to Z

Tinted Colour (TC)

Face up obviously tinted - Face down obviously tinted

Fancy

Fancy Colour

Face up definite colour

DIAMOND CLARITY GIA

CIBJO

Flawless (FL)

Loupe Clean (LC) Shows no inclusions or blemishes under 10x magnification

EXPLANATION

Internally Flawless (IF) Shows no inclusions and only insignificant blemishes under 10x magnification Very Very Slightly Included (VVS) VVS1 / VVS2

Very Very Small Inclusions Minute inclusions, which are difficult, even for an experienced (VVS) VVS1 / VVS2 grader, to locate under 10x magnification

Very Slightly Included (VS) VS1 / VS2

Very Small Inclusions Minor inclusions, observable with effort under 10x magnification (VS) VS1 / VS2

Slightly Included (SI) SI1 / SI2

Small Inclusions Noticeable inclusions under 10x magnification (SI) SI1 / SI2

Included (I) I1 / I2 / I3

Pique Obvious inclusions, visible to the unaided eye, face up. These may (P) P1 / P2 / P3 affect the stone’s beauty and durability.

ORDER OF SALE

Above Lot 90

Lot No.

WEDNESDAY 9TH JUNE AT 10AM

1-158

Jewellery

159-190

Watches

191-205

Coins & Medals

206-247

Foreign Silver & Other Metalwares

248-277

Modern Silver

278-293

Scottish Silver

294-303

Provincial Silver

304-316

A Private Collection of Wine Labels

317-351

Antique Silver

352-370

Wine

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JEWELLERY

1

7

1

7

A DIAMOND SET NAVETTE CLUSTER RING

A TANZANITE AND DIAMOND SET CLUSTER RING

pavé set throughout with old round-cut diamonds, to a plain shank, stamped 18 & PT

claw set with an oval-cut Tanzanite, in a border of round brilliant-cut diamonds, to a plain yellow metal shank stamped 750

Ring size: Q, estimated principal diamond weight: 0.50cts

Ring size: N, estimated total gem weights: Tanzanite 3.82cts, diamonds 0.60cts

£600-800

£2,000-3,000

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A DIAMOND SET LINE BRACELET

A PAIR OF 18CT WHITE GOLD SAPPHIRE AND DIAMOND SET EARRINGS

composed of a single row of forty-nine small round brilliant-cut diamonds, between curving S-shaped links, to a concealed clasp and safety clip, stamped 14K

each claw set with a heart-shaped diamond, suspending a heart-shaped sapphire, to post and butterfly fittings

Length: 18cm

Length: 1.2cm

£400-600

£400-600

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9

AN ART-DECO DIAMOND SET RING

A SAPPHIRE AND DIAMOND SET PENDANT

claw set with an old round-cut diamond, each shoulder set with a baguette-cut diamond, to a plain shank, unmarked Ring size: O/P, estimated principal diamond weight: 0.75cts

claw set with an oval-cut sapphire, suspended from an 18ct white gold knife bar link, pavé set with round brilliant-cut diamonds, to an 18ct white gold trace link chain

£600-800

Length of pendant: 3cm, estimated sapphire weight: 0.90cts

£400-600

4 A THREE STONE DIAMOND SET RING claw set with three graduated round brilliant-cut diamonds, to an unmarked white metal shank

10 A SAPPHIRE AND DIAMOND SET RING

Ring size: N

of open scrolling design, claw set with four marquise-cut sapphires, in a border of round brilliant-cut diamonds, to an 18ct white gold shank

£300-500

Ring size: M

£350-500

5 A PAIR OF DIAMOND SET CUFFLINKS each principal terminal collet set with a round brilliant-cut diamond, the pierced tapering surround set throughout with graduated round brilliant-cut diamonds, secondary torpedo terminals, stamped 750 Length of principal terminal: 2cm

£600-800

6 A DIAMOND SET CLUSTER RING claw set with seven round brilliant-cut diamonds, to a plain shank Ring size: M, estimated total diamond weight: 1.50cts

£1,000-1,500

10

7

11

12

11

15

A SAPPHIRE AND DIAMOND SET CLUSTER RING

A LATE 18TH CENTURY MOURNING RING

claw set with a oval mixed-cut sapphire, in a border of round brilliant-cut diamonds, to a plain 18ct white gold shank Ring size: M, estimated total gem weights: sapphire 1.05cts, diamonds 0.50cts

the navette shaped glazed panel with applied swag and enamelled detail reading ‘Amitie’ to a latticed hair ground, in a border of seed pearls, the shoulders of scrolling foliate design, unmarked

£1,000-1,500

Ring size: N

£300-500

12 A DIAMOND SET CRESCENT BROOCH of traditional design, set throughout with graduated old round and rosecut diamonds, unmarked, in a fitted box for W.Alexander & Son, Glasgow

16 A LATE 18TH CENTURY MOURNING RING

Width: 2.5cm

the central panel showing a female figure at an Urn, the black enamelled shank reading ‘SARAH WEEKS OB. 19 JULY 1781 AET 38’

£250-400

Ring size: M/N

£250-400

13 A SMALL ANTIQUE SILVER-GILT AND GEM SET TIARA of scrolling design, set with three graduated oval-cut purple pastes, unmarked Length of scrolling motif: 8.5cm

£150-250

14 A VICTORIAN ONYX SET BROOCH collet set with a circular cabochon onyx, in an alternating border of half pearls and black enamel in a rope twist border, unmarked, with brooch and pendant fittings, engraved to reverse, ‘In memory of L.R. 1st January 1884 Diameter: 3.8cm

£200-300

17 TWO EARLY 19TH CENTURY MOURNING RINGS the first set with a cluster of half pearls on a black enamel ground around a vacant glazed panel, in a cast foliate surround, with similar detail to shank, engraved to reverse ‘Eliz’h Wild ob 7th Sept 1821 at 20’; unmarked; together with another 18ct gold example, set with a faceted onyx panel in a black enamel border and cast foliate surround, similar detail to the shank with black enamel Gothic letters, engraved to reverse ‘ W John Fownes, died 20th Sept 1827 Aged 73’ (2) Ring sizes: M & P

£350-500

18 TWO MOURNING RINGS the first with enamelled black plaque for ‘Mary Grost OB: 27 Dec 1804 AE: 66’ in a facetted onyx border, split shoulders, unmarked; together with another, the hexagonal vacant rock crystal plaque in a seed pearl and white enamel border, to a broad band, engraved inside ‘A.Miller’ (2) Ring sizes: O & O

£200-300

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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21

19

22

A COLLECTION OF GEORGIAN MOURNING JEWELLERY

AN EARLY 19TH CENTURY GOLD-MOUNTED FOB SEAL

to include a late 18th Century mourning brooch, the oval glazed panel with enamelled urn detail applied to a latticed hair ground, engraved to reverse ‘Leo Brooks ob 4th June 1789 AE 66’; together with an early 19th Century black enamel mourning ring with two small glazed braided hair panels, shank reading ‘J.As Campbell Esq of Dunmore OB 10 May 1809 AE66’; and another ring set with faceted onyx cabochons and a glazed braided hair panel, engraved to reverse ‘Jerimiah Poppey ob 11th Sept 1813 AET 61.’ (3)

the agate matrix carved with the family arms and crest of the Yeo family, the metal mounts well chased

Ring sizes: P & O/P

£400-600

20 A PORTRAIT MINIATURE of oval outline, depicting a gentleman in a military coat, the reverse with glazed panel and applied initials to a hair ground, unmarked; together with a portrait miniature ring, depicting a gentleman in a blue coat, plain shank, unmarked (2) Larger miniature: 5cm x 4.3cm

£300-500

21 A MULTI-GEM SET NECKLACE

Matrix: 2.3cm x 1.8cm, height: 2.9cm

£300-500

23 A COLLECTION OF 19TH CENTURY AND OTHER SEALS to include a Georgian fob seal, with a blank agate matrix, well chased mounts and on ribbon with buckle; a silver horses head seal with banded agate matrix; a square purple glass seal of ogee form with silver suspension, blank matrix; a small 19th Century gold fob seal engraved putto and motto; a Georgian fob seal engraved initials; a silver-mounted fob seal, plain hardstone matrix with a compass set to the reverse, Thomas James Skelton, Birmingham 1897; a pin with a carved reverse cameo glass panel; a silver-mounted ring, rub over set with a carved lapis lazuli cameo of a putto on the back of a swan, possibly Roman, the reverse of the ring mount stamped AG, plain shank; a 19th Century gilt metal fob seal, the matrix carved with a kneeling chained figure, hands clasped, engraved ‘Am I not a man and a brother’ chased suspension ring; a small vinaigrette, Samuel Pemberton, Birmingham, ribbed outer case, gilt interior (qty) £500-700

of floral design, set with various foil-backed coloured gems, to a fancy link necklace, barrel clasp, unmarked

24

Length: 40cm

A CARVED INTAGLIO BROOCH

£400-600

the oval glass carved with the figures of Cupid and Psyche, signed in Greek letters Pichler (Luigi Pichler 1773-1854), in a rope-twist border, unmarked Overall: 3.8cm x 2.9cm

£500-700 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

9

25 A CITRINE AND DIAMOND SET BROOCH

30

claw set with a large oval-cut citrine, the pierced foliate shoulders set with small round-cut diamonds, unmarked

27

Width: 5cm

£250-400

26 AN 18CT GOLD CITRINE SET RING claw set with an oval-cut citrine, to a plain 18ct gold shank Ring size: O/P, estimated citrine weight: 5.00cts

£250-400

27 A PAIR ‘HAPPY DIAMOND’ EARRINGS, CHOPARD each of square outline, the glazed panel with a single ‘loose’ diamond, to post and butterfly fittings, signed Chopard, 750 83/2938-20 978919 8; in original navy leather Chopard box Width: 1cm

33

£600-800

28 Y A PAIR OF 18CT GOLD CORAL EARRINGS, ERIC N SMITH each set with an oval coral cabochon with ribbed detail, in a rope twist border to post fittings Length: 2cm

£200-400

32 A CITRINE AND DIAMOND SET CLUSTER RING

29 Y

claw set with six oval cushion-cut citrines and a central round brilliant-cut diamond, with eight-cut diamond detail, to a plain shank, stamped 18ct

A CORAL AND ONYX BEAD RING, RAIOLA

Ring size: M/N

set with facetted onyx beads and polished coral beads, to a plain shank, stamped 750 RAIOLA

£250-400

Ring size: N

33

£250-350

30 A DIAMOND SET MESH PENDANT, ELSA PERETTI FOR TIFFANY & CO collet set with a single small round brilliant-cut diamond, suspending a mesh pendant, to an integral belcher link chain, signed Peretti Tiffany & Co, in original Tiffany & Co black suede box Length of pendant: 4cm

£400-600

A PAIR OF SPINEL AND DIAMOND SET EARRINGS each claw set with a rose-cut diamond suspending a claw set round cushion-cut spinel, to post and hook fittings; with accompanying report by Gemmological Certification Services, dated 29.03.2021, numbered 81299-71, stating that the spinels are of Burmese origin, showing no indications of heat treatment Overall length: 1.5cm, stated spinel weights: 0.67cts & 0.73cts

£1,000-1,500

34 A RUBY AND DIAMOND SET PENDANT

composed of a single row of graduated ruby beads, to a lozengeshaped clasp with ribbed detail

claw set with a pear-shaped diamond, suspending a pearshaped ruby, to a trace link chain, stamped 750; with accompanying report by Gemmological Certification Services, dated 29.11.2019, numbered 80243-60, stating that the ruby is of Madagascan origin, showing no indications of heat treatment

Length: 45cm

Length of pendant: 1.8cm, stated ruby weight: 1.32cts

£300-500

£1,800-2,500

31 A RUBY BEAD NECKLACE

10

35 37

35 A RUBY AND DIAMOND SET COCKTAIL RING collet set with an oval-cut ruby, the angular mount pavé set with graduated round brilliant-cut diamonds and a channel set row of baguette-cut diamonds, shank stamped 750

36

Ring size: M, estimated ruby weight: 2.90cts

£2,000-3,000

39 A FRENCH CURB LINK NECKLACE

36

composed of graduated curb links, control marks to concealed clasp

A PINK SAPPHIRE AND DIAMOND SET RING claw set with an oval-cut pink sapphire, in a scrolling surround set with old round-cut diamonds, to a plain white metal shank unmarked Ring size: L, estimated pink sapphire weight: 1.50cts

Length: 44.5cm

£300-500

40

£800-1,200

A DIAMOND, RUBY AND PEARL SET BRACELET

37 GOLFING INTEREST - A PAIR OF RUBY SET CUFFLINKS each terminal of rectangular outline with canted corners, each set with the letter H and C in round-cut rubies, stamped 9CT to reverse Length of terminal:1.5cm Provenance: These cufflinks were formerly the property of professional golfer, Sir Thomas Henry Cotton MBE, winner of the British Open Championship in 1934, 1937 and 1948.

composed of alternating links each set with rose-cut diamonds and calibre-cut rubies and a single bouton-pearl, rose-cut diamond set crosslinks between each, to a concealed clasp and safety-clip, unmarked; with accompanying report by Gemmological Certification Services, dated 26.04.2019, numbered 79209-79, stating that the rubies are of Burmese origin, showing no indications of heat treatment Length: 18.5cm

£2,000-3,000

Sotheby’s sale dated Friday 12 July 1996, illustrated on the catalogue front cover.

41

£300-500

A RUBY AND DIAMOND SET CLUSTER RING

38 A PAIR OF GENTLEMAN’S CUFFLINKS, TIFFANY & CO each composed of two circular terminals with ribbed detail to edges and an integral bar link, each stamped 2003 T&Co 750 Diameter of principal terminal: 1.6cm

claw set with an oval-cut ruby in an undulating double border of round brilliant-cut and baguette-cut diamonds, to a plain shank, stamped 750, with accompanying report by Gemmological Certification Services, dated 17.11.2020, numbered 81287-08, stating that the ruby is of Thai origin, showing no indications of heat treatment Ring size: P, estimated ruby weight: 1.62cts

£3,000-5,000

£300-500

42 A RUBY AND DIAMOND SET BANGLE of hinged design, channel set with round-cut rubies and round brilliantcut diamonds, stamped 14k 585 Internal diameter: 5.7cm

£400-600

38

11

40

43

41

43 A GARNET AND DIAMOND SET RING claw set with oval-cut rhodolite garnet, each shoulder channel set with three baguette-cut diamonds, to a plain shank, unmarked Ring size: L/M, estimated garnet weight: 7.83cts

£1,800-2,500

44

46

A WEDDING BAND, CARTIER of plain form, stamped Cartier 750 with French control marks

AN EMERALD AND DIAMOND SET THREE STONE RING

Ring size: W/X

claw set with an oval-cut emerald, flanked to either side by a princesscut diamond, to a plain 18ct gold shank

£300-500

Ring size: J/K

£250-400

45 A DIAMOND SET CLUSTER RING pavé set with three rows of old-cut and round brilliant-cut diamonds, the gallery with scrolling detail, to a plain 18ct yellow gold shank

47 AN EMERALD AND DIAMOND SET CLUSTER RING claw set with an emerald-cut emerald, in a border of round brilliant-cut diamonds, to a plain 18ct yellow gold shank

Ring size: P/ Q, estimated total diamond weight: 3.27cts

£700-1,000

Ring size: N, estimated total gem weights: emerald 3.69cts, diamonds 1.42cts

£3,600-4,000

48 AN EMERALD AND DIAMOND SET THREE STONE RING claw set with a mixed octagonal-cut emerald, flanked to either side by an old round-cut diamond, to a plain white metal shank Ring size: N, estimated emerald weight: 1.70cts

£1,500-2,500

45

49 AN EMERALD AND DIAMOND SET RING claw set with an oval-cut emerald in a border of round brilliant-cut diamonds, to an 18ct white gold shank Ring size: M/N, estimated emerald weight: 2.30cts

£400-600

48

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

12

50

52 A PEARL AND DIAMOND SET PENDANT millegrain set with an old round-cut diamond, the knife bar link suspending a pearl and diamond set cluster, to a trace link chain, unmarked; together with a diamond and pearl set cluster ring, shank stamped 9CT; and a pearl and diamond set bar brooch, the grey pearl in a border of eight-cut diamonds, flanked to either side by a millegrain set old round-cut diamond, unmarked (3) Length of pendant: 3.1cm

£350-500

53 A PAIR OF SOUTH SEA PEARL AND DIAMOND EARRINGS each set with a single round brilliant-cut diamond above a South Sea pearl, to hook and clip fittings, unmarked Length: 3cm

£400-600

54 50 A NATURAL PEARL AND DIAMOND SET NECKLACE composed of a single strand of graduated natural pearls, the marquise shaped clasp set with two ovoid old-cut diamonds, unmarked; with accompanying report by The Gem & Pearl Laboratory, dated 07.05.2021, numbered 19844, stating that the pearls are of natural saltwater variety Length: 38.5cm

£800-1,200

51 A PEARL AND DIAMOND SET BAR BROOCH set with a black pearl, in a border of eight-cut diamonds, unmarked; together with a peridot and rose cut diamond set bar brooch, unmarked (2)

A THREE STRAND CULTURED PEARL NECKLACE composed of three strands of slightly graduated cultured pearls, to a geometric round-cut diamond set clasp, unmarked Length of shortest strand: 39cm

£700-1,000

55 A NATURAL PEARL AND DIAMOND SET PENDANT collet set with a small eight-cut diamond, above a drop-shaped natural pearl, to a rose-coloured trace link chain, stamped 750; with accompanying report by Gemmological Certification Services, dated 17.09.2020, numbered 80276-96, stating that the pearl is of natural saltwater variety Length of pendant: 1.8cm

£1,200-1,800

Widths: 6.3cm & 5.2cm

£300-500

56 A DIAMOND SET CLUSTER RING claw set with an old cushion-cut diamond in a border of nine old roundcut diamonds, to a plain unmarked yellow metal shank Ring size: L, estimated principal diamond weight:0.40cts

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

13

57 A DIAMOND SET ETERNITY RING, JEAN SCHLUMBERGER FOR TIFFANY & CO claw set with sixteen round brilliant-cut diamonds, between ‘X’ details, stamped PT 950, signed TIFFANY&CO. SCHLUMBERGER750

57

Ring size: N/O

£1,800-2,500

58 A DIAMOND SET ETERNITY RING claw set with a continuous row of twenty-five round brilliant-cut diamonds stamped K18 Ring size: K, estimated total diamond weight: 1.39cts

63

£400-600

59 A DIAMOND SET CROSS of traditional design, channel set with baguette-cut diamonds, set with a central round brilliant-cut diamond, stamped 18k; to a trace link chain, stamped 925 Estimated total diamond weight: 0.54cts

£400-600

60 A ROUGH DIAMOND SET RING claw set with a polished rough diamond, the scrolling shoulders claw set with round brilliant-cut diamonds, to a plain shank stamped PT950, with accompanying authenticity card by International Gemmological Information, dated 11.28.2012, numbered 3D710-2.92, stating that the principal diamond is 2.92cts Ring size: H, stated principal diamond weight: 2.92cts

£700-1,000

65

62 A DIAMOND SET HALF-ETERNITY RING composed of two rows of millegrain set eight-cut diamonds, the gallery with engraved decoration, to a plain white metal shank, stamped 18ct Ring size: L

61 A DIAMOND SET CLUSTER RING pavé set throughout with round brilliant-cut diamonds, to a plain unmarked yellow metal shank Ring size: N/O, estimated total diamond weight: 2.30cts

£500-700

£300-500

63 A SINGLE STONE DIAMOND SET RING claw set with a princess-cut diamond, to an unmarked yellow metal shank Ring size: P/Q, estimated diamond weight: 0.90cts

£600-800

64 A PAIR OF DEMANTOID GARNET SET EARRINGS each claw set with a pear-shaped demantoid garnet, suspending a round-cut demantoid garnet set cluster, to post and screw back fittings, unmarked Length: 2.2cm

£1,600-2,000

65 64

AN EMERALD AND DIAMOND SET RING claw set with a cabochon emerald, the stepped shoulders set with eightcut diamonds, to a plain shank, unmarked Ring size: R/S, estimated emerald weight: 11.40cts

£5,000-7,000

14

68 A LATE VICTORIAN MULTI-GEM SET NOVELTY PENDANT modelled as a winged insect, set with a pear-shaped emerald, an oval-cut ruby and rose-cut diamonds, with cabochon emerald eyes, applied to an oval rock crystal pendant, plain bale, unmarked, in a red leather box for J. MAC.Henry of Paris; together with a plain pin stamped 9ct Length (inc. bale): 4cm

£400-600

69 THREE GEM SET RINGS 68

to include a diamond set half-eternity ring, stamped 18ct; a 14ct gold band, with stylised detail and an onyx and pearl set cluster ring, stamped 14k (3) Ring sizes: M, M/N & F

66

£250-400

A DIAMOND PENDANT AND MATCHING EARRINGS the pendant composed of four old round-cut diamonds, each millegrain set in a polished circular border, plain bale, unmarked, to an 18ct gold trace link chain; together with a pair of matching stud earrings, post and butterfly fittings, unmarked (2) Length of pendant (inc. bale): 3.5cm

70 A GREEN ZIRCON AND DIAMOND SET RING claw set with an oval-cut green zircon, flanked to either side by a round brilliant-cut diamond, to plain unmarked shank Ring size: M

£400-600

£1,200-1,800

67

71

AN EMERALD AND DIAMOND SET CLUSTER RING claw set with an emerald-cut emerald in a border of old eight-cut diamonds, the shoulders similarly set, to a plain shank, unmarked Ring size: K/L, estimated emerald weight: 2.30cts

£600-800

AN EMERALD AND DIAMOND SET CLUSTER RING millegrain set with a round-cut emerald, in a border of old round-cut diamonds, with three further diamonds to each shoulder, to a plain yellow metal shank stamped 18CT PLAT Ring size: L

£300-500

72 AN IMITATION DIAMOND SET STAR PENDANT set throughout with graduated round-cut and eight-cut white gemstones, with a pendant loop Width: 3.8cm

£200-300

74

73 A SAPPHIRE AND DIAMOND SET CLUSTER RING claw set with a round brilliant-cut diamond, in a double border of roundcut sapphires and small round brilliant-cut diamonds, to a plain shank, unmarked Ring size: O/P

75

£350-500

74 AN AQUAMARINE AND DIAMOND SET CLUSTER RING claw set with an oval mixed-cut aquamarine, in a border of fourteen round brilliant-cut diamonds, to a plain 18ct gold shank Ring size: K/L, estimated aquamarine weight: 4.00cts

£800-1,200

15

75 A DIAMOND SET LINE BRACELET claw set with a continuous row of fifty-six of round brilliant-cut diamonds, to a box clasp stamped 750 with safety clips Length: 18cm, estimated total diamond weight: 4.60cts

£3,500-4,000

76

83

A DIAMOND SET PLAQUE BROOCH of rectangular outline with pierced geometric detail, set throughout with old round, baguette, marquise and eight-cut diamonds, unmarked Width: 4.7cm

81

£800-1,200

A SAPPHIRE AND DIAMOND SET RING claw set with a cushion-cut sapphire, flanked to either side by three old round-cut diamonds, with scrolling detail to the gallery, to plain shank Ring size: M

£300-500

82 A SINGLE STONE DIAMOND RING claw set with a single round brilliant-cut diamond, to a broad raised shank, stamped 750

76

Ring size: K/L, estimated diamond weight: 0.70cts

£700-1,000

77 AN EARLY 20TH CENTURY AMETHYST AND DIAMOND SET PENDANT NECKLACE claw set with a large mixed oval-cut amethyst, surrounded by four trios of graduated old-cut diamonds, to an integral diamond set floral link chain and remaining trace link chain, unmarked Length of pendant: 3.4cm

£700-1,000

78 A PAIR OF DIAMOND SET STUD EARRINGS each claw set with a single round brilliant-cut diamond, to post and butterfly fittings, unmarked Estimated total diamond weight: 1.40cts

£1,000-1,500

79 A DIAMOND SET PENDANT NECKLACE, ROX claw set with a single round brilliant-cut diamond, to an 18ct white gold trace link chain, with original box Estimated diamond weight: 0.40cts

£400-600

80 A SAPPHIRE, DIAMOND AND PEARL SET RING claw set with a cushion-cut diamond, a bouton pearl (untested) and a cushion-cut sapphire, the scrolling shoulders set with old round-cut diamonds, to a plain shank, unmarked Ring size: O

£1,200-1,500

83 A YELLOW AND COLOURLESS DIAMOND SET RING claw set with a radiant-cut fancy intense yellow diamond, flanked to either side by a trilliant-cut colourless diamond, to a plain 18ct gold shank; together with a report by Gemmological Certification Services, dated 22.08.19, numbered 79228-07, stating that the yellow diamond is 1.49cts, Fancy Intense colour, and VVS2 clarity Ring size: N, stated principal diamond weight: 1.49cts

£8,000-12,000

84 A SAPPHIRE AND DIAMOND SET PENDANT of tapering outline modelled in platinum, pavé set with graduating deep to pale blue sapphires and colourless round brilliant-cut diamonds, to a platinum box-link chain Length of pendant: 2.8cm

£1,500-2,500

85 A SAPPHIRE AND DIAMOND SET RING claw set with an oval-cut sapphire, each shoulder set with a tapered baguette-cut diamond, to a plain shank Ring size: I, estimated sapphire weight: 2.10cts

£1,800-2,500

86 A TANZANITE AND DIAMOND SET RING claw set with an oval-cut Tanzanite, flanked to either side by four baguette-cut diamonds, to a plain 18ct yellow gold shank Ring size: N

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

16

91 A MODERN 18CT GOLD DIAMOND SET PENDANT of oval outline, collet set with five graduated round brilliant-cut diamonds, to an integral trace link chain Length of pendant: 2.5cm

£250-400

92 A CITRINE AND DIAMOND SET RING set with an oval-cut citrine, between two bands of small round brilliantcut diamonds, to a plain 18ct gold shank Ring size: M

£250-400

93

93 AN OPAL, DIAMOND AND SAPPHIRE SET PENDANT claw set with a tapered oval boulder opal, in a border of alternating round brilliant-cut diamonds and sapphires, the bale similarly set, stamped AU750, to a rose-coloured trace link chain Length of pendant (inc. bale): 5cm, estimated opal weight: 29.50cts

87 A SAPPHIRE AND DIAMOND SET CRESCENT BROOCH

£800-1,200

claw set with a row of graduated round-cut sapphires below a row of rose-cut diamonds, unmarked

94

Width: 5.8cm

£200-300

collet set with an oval cabochon boulder opal, in a single border of small round brilliant-cut diamonds, the bale set with a pear-shaped diamond, to an 18ct rose-gold trace link chain

88

Length of pendant (inc. bale): 3cm, estimated opal weight: 6.13cts

AN 18CT GOLD SAPPHIRE AND DIAMOND BROOCH, ERIC N SMITH

£700-1,000

AN OPAL AND DIAMOND SET PENDANT NECKLACE

of scrolling form, each tapering panel pavé set with round-cut sapphires and diamonds

95

Width: 6cm

£400-600

claw set with an oval-cut sapphire in a single border of ten round brilliant-cut diamonds, scrolling detail to shoulders, to a plain 18ct gold shank

89

Ring: L

A SAPPHIRE AND DIAMOND SET CLUSTER RING

£300-500

A SAPPHIRE AND DIAMOND SET CLUSTER RING

claw set with an oval mixed-cut sapphire, in a single border of eight-cut and old round-cut diamonds, to a plain 18ct gold shank

96

Ring size: M

A PAIR OF 9CT ENAMELLED CUFFLINKS, PAUL LONGMIRE

£400-600

each with two oval terminals, the first with rose, thistle and daffodil motif, the second depicting a tower and ‘1715’ on a blue ground, belcher links, in original box

90 A NATURAL PEARL NECKLACE composed of a single strand of graduated natural pearls of a golden hue, to a lozenge-shaped clasp, set with a single old round-cut diamond and rose-cut diamond detail; with accompanying report by Gemmological Certification Services, dated 20.01.2021, numbered 81293-39; stating that the pearls are of natural saltwater variety

Terminals: 1.9cm x 1.3cm

£400-600

Length: 43cm

£1,800-2,500

96

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

17

97 A MOTHER OF PEARL AND SAPPHIRE SET GENTLEMAN’S DRESS SET

108

comprising a pair of cufflinks and four buttons, each principal terminal collet set with a roundcut sapphire in a mother of pearl border, stamped 18ct; with two matched unmarked studs; together with an engraved silver sovereign case (qty) Diameter of cufflink terminals: 1.4cm

£250-400

98 A SAPPHIRE AND DIAMOND SET RING claw set with a round-cut sapphire, flanked to either side by three round brilliant-cut diamonds, to a plain platinum shank Ring size: L, estimated sapphire weight: 0.45cts

£200-400

99 A SINGLE STONE DIAMOND RING claw set with a single old round-cut diamond, to a plain shank, unmarked

101

104 A PAIR OF BLACK PEARL AND DIAMOND SET PENDANT EARRINGS each claw set with a round brilliant-cut diamond above a single black pearl, to hook fittings, unmarked Length: 2.3cm

£400-600

Estimated diamond weight: 0.40cts

£300-500

100 A DIAMOND SET HALF-ETERNITY RING claw set with eleven round brilliant-cut diamonds, to a plain shank stamped 14k Ring size: N/O

105 AN EMERALD AND DIAMOND CLUSTER RING claw set with a square emerald-cut emerald, in a single border of old round-cut diamonds, to a plain shank, unmarked Ring size: J

£600-800

£300-500

101

106

AN EMERALD AND DIAMOND SET CLUSTER RING

AN EMERALD AND DIAMOND SET CLUSTER RING

claw set with a rectangular mixed cushion-cut emerald, in a border of graduated round brilliant-cut diamonds, to a plain shank with French control marks

claw set with a square emerald-cut emerald, in a border of round brilliant-cut diamonds, to a plain platinum shank

Ring size: I/J, estimated emerald weight: 9.50cts

Ring size: M/N, estimated gem total weights: emerald 11.30cts, diamonds 1.14cts

£6,500-7,500

£1,800-2,500

102 AN EMERALD AND DIAMOND THREE STONE RING

107

claw set with an emerald-cut emerald, flanked to either side by a round brilliant-cut diamond, to a plain white metal shank stamped 18CT

A DIAMOND SET CLUSTER RING

Ring size: L, estimated emerald weight: 0.65cts

Ring size: Q/R

£300-600

£300-500

103

108

A DIAMOND SET NAVETTE CLUSTER RING

AN ‘ARIA’ NECKLACE, GEORG JENSEN

pavé set throughout with old roundcut diamonds, to a plain unmarked shank; together with an Edwardian bar brooch, millegrain set with six old cushion-cut diamonds, with five vacant central settings, in an unmarked white metal with engraved detail to sides (2)

the central polished rectangular bar suspending four asymmetrical drops terminating in similar polished rectangular pendants, the whole to a double neck chain and box clasp, makers mark, stamped 925S 593F, in original Georg Jensen box

Ring size: L, width of brooch: 6.5cm

Overall length of longest pendant: 23.5cm

£400-600

£400-600

pavé set throughout with old round and cushion-cut diamonds, to a plain metal shank stamped 18ct

18

109

109

113

AN EASTERN NECKLACE AND MATCHING EARRINGS

A FLATTENED CURB LINK CHAIN

the necklace of beaded and wirework detail with heart shaped motif to centre, hook clasp; the earrings of matching design, to post and screw fittings, all items marked 930 (2)

stamped 375; together with a belcher link guard chain stamped 9ct (2) Gross weight: 43g

£400-600

Lengths: 41cm & 3cm

£800-1,200

110 A STAR OF DAVID PENDANT of circular outline, indistinctly marked, to a trace link chain, stamped 14k; together with a signet ring, stamped 750 (2)

114 A 9CT GOLD PENDANT, OLA GORIE of circular outline, to a 9ct gold belcher link chain; together with a 9ct gold Ola Gorie bracelet of similar design (2) Diameter of pedant: 4cm

£350-500

Ring size: C/D

£250-400

111 A COLLECTION OF JEWELLERY to include an 18ct gold buckle ring, a 9ct chain with unmarked Nefertiti charm; a 9ct agate set ring, a gentleman’s signet ring, unmarked; and a carved green hardstone pendant, modelled as a fish (5) £300-500

112 A 9CT GOLD GATE LINK BRACELET of traditional design, to a heart shaped padlock clasp; together with a 9ct gold bangle (2) Gross weight: 42g

£400-600

115 A 9CT GOLD BANGLE with scallop edge detail; together with another 9ct gold bangle of twist form and a plain bangle unmarked; together with a curb link necklace, to a lobster clasp stamped 375 (4) Internal diameters: 6.5cm

£500-800

19

116

120

124

A COLLECTION OF GEM-SET RINGS

A MATCHED SUITE OF OPAL SET JEWELLERY

A COLLECTION OF JEWELLERY

to include a diamond set cluster ring, claw set with a floral cluster of nine round brilliant-cut diamonds, to a plain 18ct gold shank; together with a five stone diamond set ring, collet set with a row of round brilliant-cut diamonds to a plain shank, unmarked; a diamond set halo cluster ring, the oval plaque pavé set throughout with round-cut diamonds, the border similarly set, to a plain shank, stamped K18; a sapphire and diamond set ring and a single stone diamond simulant set ring (5) Diamond cluster ring size: R/S

to include a pair of pendant earrings, to post and butterfly fittings, unmarked; a 9ct gold opal set bracelet and a 9ct gold opal and sapphire set pendant necklace; together with an 18ct gold opal, emerald and diamond set cluster ring, an 18ct gold three stone opal set ring with diamond chip accents; an opal and white gem cluster ring and a 9ct gold three stone opal set pendant (qty) Ring size: N, S & M

121 A COLLECTION OF THREE RINGS

A COLLECTION OF OPAL SET JEWELLERY

to include an 18ct white gold diamond set cluster ring; a three stone diamond set ring, stamped 18ct & PLAT; and an emerald and diamond ring, stamped PLAT (3)

to include a cabochon opal and diamond set cluster ring; together with a 9ct yellow gold opal set cross with chain and another smaller similar (3)

Ring sizes: M (all)

Ring size: M, length of pendants (inc. bale): 5cm & 3.7cm

£400-600

£300-500

118 A COLLECTION OF 9CT GOLD PERIDOT SET JEWELLERY to include a peridot and diamond set cluster ring, claw set with a round-cut peridot in a border of illusion set eight-cut diamonds, to a plain shank; together with a peridot set bracelet, composed of floral clusters; a peridot set three stone ring and an 18ct yellow gold wedding band (4) Ring size: S, O & R

£300-500

122 A 9CT GOLD CITRINE AND DIAMOND SET PENDANT AND MATCHING RING each set with a mixed marquise-cut citrine, the applied scroll detail set with round-cut diamonds, the pendant with a 9ct gold fancy link chain; together with a 9ct gold sapphire and diamond set cluster ring, a plain signet ring indistinctly marked; a 9ct gold ring of pierced scrolling design and a T-bar link stamped 15 (qty) Ring zize: M/N, length of pendant: 2.5cm

119

£250-400

A COLLECTION OF AMETHYST JEWELLERY

123

to include two 9ct gold Celtic style amethyst set pendants, each to 9ct gold trace-link chains; a 9ct gold amethyst set cocktail ring and an amethyst set brooch, unmarked (4) Ring size: N/O

£250-400

£350-500

125 A COLLECTION OF THREE TIE PINS to include a sapphire and diamond set tie pin, claw set with alternating round-cut sapphires and a round-cut diamond, unmarked; together with another sapphire and rose-cut diamond example, to an unmarked pin and a hardstone cameo example, to an unmarked pin (3)

£400-600

£400-600

117

to include an early 20th Century seed pearl and diamond set pendant necklace, a coral and seed pearl set necklace; a turquoise and blister pearl set fringed necklace, a silver cigarette case with engine turned detail, various other necklaces, wrist watches etc. (qty)

Lengths: 6.7cm, 7.1cm & 8.9cm

£200-300

126 A COLLECTION OF JEWELLERY to include a 9ct gold sapphire and opal set cluster ring, an unmarked pearl and rockcrystal set brooch; an aquamarine set pendant necklace, stamped 15ct; a foil backed citrine set ring, and agate set shield ring, unmarked; a 22ct gold wedding band, four brooches and two strands of faux-pearls (8) £350-500

127 A COLLECTION OF GEM-SET JEWELLERY to include a turquoise and pearl set hinged bangle, stamped 14k; a turquoise set dress ring, stamped 18k; a 9ct gold aquamarine set bar brooch, a 9ct gold amber set ring; a small 9ct gold lapis lazuli set pendant and a pair of pearl set orchid brooches, stamped 18k (7) Internal width of bangle: 5.5cm

AN AMETHYST SET BROOCH, MURLE BENNET

£500-700

open scrolling form, millegrain set with an oval-cut amethyst, suspending another similar smaller, stamped 9CT, with a later bow brooch fitting; together with an amethyst and seed pearl set Edwardian pendant, of foliate scroll form, stamped 9ct B; together with a collection of gem-set brooches, an enamelled lady’s fob watch and a paste set Art Deco wrist watch

128

Length of Bennet brooch: 4.5cm (including bow fitting)

£300-500

A COLLECTION OF EDWARDIAN GEMSET JEWELLERY to include a seed pearl and peridot set brooch, stamped 9CT; together with a citrine set bar brooch, unmarked, a blue paste and seed pearl set pendant, stamped 9ct; and an aquamarine and seed pearl set bar brooch, unmarked (4)

£250-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

20

129

133

138

A COLLECTION OF JEWELLERY

A COLLECTION OF GEM-SET JEWELLERY

A COLLECTION OF JEWELLERY

to include an 9ct gold pendant of hammered finish, set with four small round brilliant-cut diamonds, to an 18ct gold snake link chain, together with a pair of matching earrings; a platinum eternity band, gypsy set with six small round brilliant-cut diamonds; a modern silver and gilt metal bangle, a modern silver and small diamond set cuff; a modern silver and diamond set double pendant necklace; a modern silver and blue gem set star necklace and a Lalique red cabochon set necklace (qty)

to include a 9ct gold andalusite set pendant, to a trace link chain, stamped 10k; a 9ct gold satin finish ring, a 9ct gold citrine set cluster ring; a 9ct gold yellow and orange sapphire set cluster ring, a 9ct gold three stone orange sapphire set ring; a 9ct gold fire opal and topaz set necklace, a pair of 9ct gold fire opal set earrings; a 9ct gold seven stone garnet ring and a 9ct gold five stone orange zircon ring (9)

to include a portrait miniature depicting a gentleman in a black coat and white collar in profile, cast scrolling border, with a glazed hair set panel to reverse, unmarked; a banded agate set tie pin, unmarked, and another set with a carved hardstone; a sapphire and seed pearl set brooch stamped 9ct; and a ruby set bar brooch, stamped 9ct (5)

£300-500

£250-400

£500-700

134

139

130

A COLLECTION OF COLOURED SAPPHIRE SET JEWELLERY

§

A COLLECTION OF GEM-SET JEWELLERY to include a 9ct gold amethyst and Tanzanite set bracelet, a 9ct gold pink sapphire set pendant; a 9ct white gold danburite set ring, a morganite and diamond set pendant, and a 9ct triangular kunzite and diamond set pendant; a 9ct gold opal, rhodolite garnet and diamond set cluster pendant; and a 9ct gold rhodolite and diamond set ring (7) Length of bracelet: 20cm

£300-500

131 A COLLECTION OF GEM-SET JEWELLERY to include a 9ct gold cultured pearl, Tanzanite and black diamond bracelet; a pair of iolite cluster earrings, and matching pendant, to a trace link chain, unmarked; a 9ct gold-fringed iolite bead necklace, a circular Tanzanite set pendant, stamped 375, to a 9ct gold snake link chain; a 9ct gold lapis lazuli set ring and a pair of 9ct gold rectangular iolite set earrings (7) Length of bracelet: 19cm

£300-500

132 A THREE STONE DIAMOND SET RING claw set with three graduated old round-cut diamonds, to a plain yellow metal shank (one diamond loose); together with a five stone diamond set ring, the navette shaped panel millegrain set with five eight-cut diamonds, to a plain yellow metal shank stamped 18ct (2) Ring size: I/J & K

£250-400

a 9ct gold multi-coloured marquise-cut sapphire bracelet; a 9ct gold orange, yellow and green sapphire set ring, a 9ct gold multicoloured sapphire set ring, and a 9ct gold gypsy set gem ring (4) Length of bracelet: 19.5cm

£300-500

135 A COLLECTION OF GEM-SET JEWELLERY to include a 9ct gold peridot and white topaz set bracelet, a 9ct gold prasiolite bracelet; a prasiolite pendant, unmarked; a pair of 9ct gold prehnite earrings, a 9ct gold three stone yellow Kunzite set ring, and a 14k gold Alexandrite set ring (6)

Portrait miniature: 3.5cm x 3cm

A COLLECTION OF BUTTONS AND CUFFLINKS to include various Art Nouveau silver buttons, a pair of Art Nouveau silver cufflinks, and another pair set with red gems; a pendant and matching clip earrings, of pierced detail, a 14ct open faced pocket watch and a pair of Malcolm Appelby cufflinks, the principal terminal with dove detail (qty) £250-400

140 A THREE ROW PEARL NECKLACE

Length of peridot bracelet: 20.5cm

composed of three strands of graduated cultured pearls, the square clasp set with two each round-cut sapphires, rubies and diamonds, unmarked; together with four Celtic style brooches (5)

£300-500

Length of shortest strand: 44cm

£200-300

136 A COLLECTION OF GEM-SET JEWELLERY to include an apatite set bracelet, stamped 9k; a pair of 9ct gold apatite set half-hoop earrings; a pair of 9ct gold tourmaline earrings and a matching pendant; a 9ct gold aquamarine and topaz set floral pendant; a 9ct gold seven stone round-cut colour-change sapphire set ring; a 9ct gold five stone colour change garnet set ring (7)

141 A COLLECTION OF JEWELLERY

Length of bracelet: 18.5cm

to include a 9ct gold swizzle stick, a single strand cultured pearl necklace; a Victorian portrait pendant, set with small half pearls and glazed panel to front and rear, stamped 15c; a Scottish style agate set brooch, a small horse-shoe pendant and St Christopher, both stamped 9ct; a Japanese Komai style bracelet and two pocket watches (qty)

£300-500

Length of swizzel stick: 7.3cm

£300-500

137 A COLLECTION OF GEM-SET JEWELLERY to include a 9ct gold multi-gem set cluster ring, a multi-gem set floral necklace; a 9ct gold multi-gem set drop pendant, a 9ct gold multicoloured sapphire set cluster pendant; a 9ct gold multi-gem and diamond set leaf pendant, to a trace link chain; a 9ct gold sapphire set necklace (6) Ring size: M

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

142 A COLLECTION OF GEM-SET JEWELLERY to include a 9ct gold smokey quartz set ring, a 9ct gold fire-opal and pearl set cluster ring; a pink quartz set ring, stamped 9ct; a 9ct gold orange paste set ring and various gem set bar brooches (qty) £250-400

21

117

143

146

149

A COLLECTION OF PEARL SET JEWELLERY

A COLLECTION OF GEM-SET JEWELLERY

A COLLECTION OF FOUR GEM-SET BRACELETS

to include an oval pearl set brooch, unmarked; a pearl, diamond and enamelled star pendant, with brooch fittings, unmarked; a pearl set pendant, stamped 15ct, to a trace link chain stamped 9ct; a pearl and turquoise set pendant brooch, stamped 15ct, to an unmarked belcher link chain; a pair of faux pearl and diamond set pendant earrings (5)

to include a pair of 9ct gold emerald and diamond set cluster ear studs, to post and butterfly fittings; a pair of emerald and eightcut diamond pendant earrings, stamped 375; an emerald and diamond set pendant, stamped 750; together with an 18ct gold sapphire and eight-cut diamond set cluster ring and a 9ct gold pearl set ring (5) £300-500

144

147

A SUITE OF 9CT GOLD MULTI-GEM SET JEWELLERY

A COLLECTION OF GEM-SET RINGS

comprising a pendant, a pair of cluster earrings and a ring, each composed of floral design each set with various pear-shaped coloured gems, with a matching bracelet, set with a continuous row of various alternating gems (4)

to include a 9ct gold amethyst set cocktail ring; a ruby and diamond set ring, to a plain yellow metal shank, stamped 9c*; a sapphire, ruby, emerald, and diamond set band, stamped 375; a plain 9ct gold signet ring and a 9ct yellow gold band with embossed floral decoration (5)

Ring size: Q

Ring sizes: M/N, P, N/O, V, N

£250-400

£400-600

145

148

A COLLECTION OF SCOTTISH SILVER JEWELLERY

A COLLECTION OF JEWELLERY

£250-400

Length: 18cm, 18cm, 19.5cm & 18cm

£300-500

Ring size: P, O

£300-500

to include various plaid brooches, a quartz set bracelet, various Celtic style brooches, some gem-set etc. (qty)

to include a 9ct gold ruby and diamond set bracelet; a 9ct gold emerald and diamond set line bracelet; a sapphire and diamond set line bracelet, unmarked, and a multi-gem set floral cluster bracelet stamped MONET (4)

to include a 9ct gold flattened woven link neck chain; a 9ct gold snake link style chain, and a 9ct gold belcher link chain with an oval pendant/ brooch, set to the centre with a cluster of round-cut rubies, stamped 18K to reverse and 750 to bale; together with a 9ct gold bracelet composed of curved links; a 9ct gold pendant mount and a 9ct gold mounted 1877 sovereign (qty) £500-800

150 A COLLECTION OF JEWELLERY to include two 9ct flattened curb link necklaces, four various 9ct gold gem-set necklaces; a plain 9ct gold snake link chain, and another similar stamped 375 ITALY; together with a 9ct gold woven rope link chain with cultured pearl spacers and another similar with a snake link chain stamped 750; two pairs of gem-set earrings, various gemset pendants including an articulated jester pendant stamped 375 ITALY; a locket stamped 9ct, a 9ct gold diamond set cross pendant with a chain stamped CHAMP ORO and a brooch (qty) £300-500

151 AN AMETHYST SET BRACELET claw set with seven oval amethysts in a ropetwist border, joined by two rows of belcher links and a box clasp, stamped 9ct; together with an amethyst and diamond set three stone ring, and a pale amethyst set cocktail ring (3) Ring sizes: Q/R & R/S

£400-600

22

156

155 THREE GEM-SET TIE PINS to include a rectangular step-cut citrine set pin, unmarked; a sapphire and pearl set stick pin, stamped 15ct; and a diamond set stick pin, with alternative stud mount, unmarked (3) Estimated diamond weight: 0.05cts

£300-500

156 THREE PEARL NECKLACES

152 A COLLECTION OF THREE GEM-SET RINGS to include a sapphire and diamond set ring, stamped 18ct; an 18ct gold sapphire and diamond set half-eternity ring; and a diamond set cluster ring, stamped 18ct (3) Ring size: M (all)

£400-600

153 A RUBY AND DIAMOND SET RING claw set with three oval-cut rubies, in a border of round brilliant-cut diamonds to a plain 18ct yellow gold shank; together with two 9ct gold ruby and diamond set half eternity rings, each to a plain shank; and a 9ct gold multi-gem gypsy set band (4) Ring size: Q

£250-400

154

the first composed of a single strand of cultured white pearls, to a lobster clasp, stamped 375; a single strand of pinkish-cream pearls, to a lobster clasp, unmarked; a single strand of grey pearls, to a barrel clasp, stamped 585 (3) Lengths: 51cm, 53cm & 49cm

£400-600

157 AN EMERALD AND DIAMOND SET CLUSTER RING claw set with three oval-cut emeralds, in a border of round brilliant-cut diamonds, to a yellow metal shank stamped 9k; together with a 9ct gold emerald and diamond set ring; a 9ct gold diamond set three stone ring; a 9ct gold colourless-gem set wishbone ring and a 9ct gold diamond set cluster ring (5) Ring size: S/T

£400-600

158 A RUBY AND DIAMOND SET PENDANT

to include a three stone diamond ring, to a plain shank, stamped 18CT PLAT; a sapphire and diamond set five stone ring, to a plain shank; a cultured pearl ring, to a plain shank stamped 14K; together with three cultured pearl necklaces (6)

modelled as a panther, set throughout with square-cut rubies and eightcut diamonds, the loop bale channel set with a row of calibre-cut rubies, to a 9ct yellow gold fancy link chain; together with a pair of 9ct gold ruby and diamond set pendant earrings, to post and butterfly fittings and a pair of ruby and diamond set cluster earrings, stamped 375, to post and butterfly fittings (3)

Ring sizes: P, O & M

Width of pendant: 2.2cm

£400-600

£300-500

A COLLECTION OF JEWELLERY

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

WATCHES

Above Lot 166

24

160

161

159

161

BALL: A GENTLEMAN’S STAINLESS STEEL WATCH

BLASER: A UNISEX WHITE GOLD WATCH

Engineer Master II World Time model, stainless steel case, automatic movement, black dial with lume baton hour markers and Arabic 12, date aperture at 3, day aperture at 6, date ring, world locations to the dial edge, lume-filled hands, centre seconds hand, the caseback with DG2022A, 7038630, on a stainless steel bracelet strap, with signed deployant clasp, with additional links, in box, with outer box and papers

18ct white gold case, quartz movement, signed silver-coloured decagonal dial with four vertical diamond set lines, lacking numerals, black pencil hands, diamond bezel, the caseback with initials FGB and 18k, on an integrated white gold mesh bracelet strap, the clasp also signed FGB, no box and papers

Case: 44mm

£2,000-3,000

Case: 27.5mm

£1,000-1,500

162 160 BELL & ROSS: A GENTLEMAN’S STEEL CASED WRIST WATCH model number BRS-64-S-04874, stainless steel case, quartz movement, round black dial with Arabic numerals in brown, small seconds at 6, date aperture between 4 and 5, bi-colour pencil hands in black and brown, square case with screw head motif detail to each corner, on a black leather strap with white stitching, signed Bell & Ross clasp, in box, with outer box, with guarantee card and booklets Case: 38.5mm

£600-900

BREITLING: A GENTLEMAN’S STEEL WATCH Chronometer Colt model A17388, stainless steel case, automatic movement, round black dial with stainless steel-edged lume baton hour markers, date aperture at 3, outer seconds track in white, lume-filled broad pencil hands, centre seconds hand with red skeleton arrow terminal, uni-directional stainless steel bezel with an engraved partial count upscale, the caseback with model and serial number, screw-down crown with Breitling logo, on a stainless steel bracelet strap with signed Breitling clasp, with 173A to the end link and 2217 B2 to the first link, with additional links, in a box, with outer box, with guarantee card and booklets Case: 42.5mm (excluding crown guard)

£1,200-1,500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

162

25

163

165

166

163

165

CARTIER: A GENTLEMAN’S 18CT GOLD WRIST WATCH

CARTIER: A GENTLEMAN’S STAINLESS STEEL WRIST WATCH

Panthere model, 18ct gold case with quartz movement, rounded square dial with Roman numerals in black, date aperture at 3, railroad inner seconds track in black, blued steel hands, centre seconds hand, screw head motif bezel, cabochon gem set crown, the caseback with 887971 000124, on a brown leather Cartier strap with signed 18ct gold clasp, no box or papers

Ballon Bleu Grande model, 2009, stainless steel case, automatic movement, round silver-coloured guilloche enamel dial with Roman numerals in black, date aperture at 3, inner seconds track in black, blued steel sword hands, centre seconds hand, sapphire set crown within a circular void formed by the crown guard, with 237520NX 3001 to the case back, on a stainless steel bracelet with polished and satin finish links, signed Cartier concealed deployant clasp, lacking box and papers, with Cartier travel/service pouch and purchase receipt

Case: 28mm

£3,000-4,000

Case: 42mm

164 CARTIER: A STAINLESS STEEL WATCH Santos 2319 model, stainless steel case, automatic movement, square machined dial with Roman numerals in black, date aperture at 3, inner railroad seconds track in black, blued steel pencil hands, centre seconds hand, screw head motif detail to the bezel, case back with Automatic 2319, blue cabochon gem-set crown, on a stainless steel bracelet strap with screw head motifs, with a signed Cartier concealed clasp, no box and papers Case: 29mm

£900-1,200

£2,000-2,500

166 CHANEL: A GENTLEMAN’S CHRONOGRAPH WRIST WATCH J12 model, in a black ceramic stainless steel case with automatic movement, the round black dial with Arabic numerals in white, three subsidiary dials at 3, 6 and 9 for small seconds, 12 hours and 30 minutes registers respectively, date aperture between 4 and 5, inner railroad track in white, white lume-filled pencil hands, centre seconds hand in white with dot to base and arrow terminal, stainless steel bezel with black ceramic insert showing 60 unit scale, screw-down crown and two pushbuttons, with CHANEL PARIS ETANCHE 200M AUTOMATIC SWISS MADE N.C. 70410 CHANEL (R) to the stainless steel case back, on a black rubber bracelet style strap with concealed, signed Chanel clasp, in a box, with an outer box with papers Case: 40mm

£2,000-2,500

26

167

168

167

169

DUNHILL: A GENTLEMAN’S LIMITED EDITION WRIST WATCH

LONGINES: A GENTLEMAN’S WRIST WATCH

Ellipse, 18ct gold case, signed Dunhill manual wind movement, round dial with applied gold baton hour markers, sunken small seconds at 6, gold pencil hands, broad asymmetrical bezel with baton markers and 6 engraved, the caseback with scrolling engraving and numbered 35/250, on a signed Dunhill leather strap, no box, with guarantee card (blank)

Flagship Automatic model, 9ct gold case, automatic movement, round silver-coloured dial with applied gold baton hour markers, date aperture at 3, gold pencil hands, flasghip motif to the caseback, on a later gold bracelet strap with clasp marked for 9ct gold, no box and papers

Case: 40mm

£400-600

Case: 35mm

£1,400-1,800

170 168 JAEGER-LECOULTRE: A GENTLEMAN’S STEEL WATCH Reverso Duoface model 272.8.54, originally purchased 2013, stainless steel case, manual wind movement, silver-coloured machined dial with Arabic numerals in black, sloped small seconds at 6, rectangular inner seconds track with black markers, blued steel sword hands, the reverse of the case with a second black rectangular machined dial, with two circular apertures, the first indicating time, with Arabic 12, 3 and 9 and baton hour markers all in white, inner seconds track also in white, lume-filled sword hands, the second a small seconds track, with Arabic numerals and baton hour markers in white, with NIGHT and DAY to the sides, on a signed Jaeger-leCoultre brown crocodile strap with signed double snap clasp, in box with outer box, with (duplicate) papers and booklet

LONGINES: A GENTLEMAN’S WRIST WATCH early 1940s, stainless steel case, signed Longines manual wind movement, the round white dial with lume-filled Arabic numerals, sunken small seconds at 6, railroad outer seconds track in black, lumefilled sword hands, domed crystal, on a later strap, no box and papers Case: 33mm

£250-350

171 LONGINES: A LADY’S WRIST WATCH 9ct gold case, manual wind movement, round dial with applied gold baton hour markers, gold pencil hands, on an integrated gold mesh bracelet strap with nine carat gold clasp, in box, no papers

Case: 26mm (wide), 36mm (high)

Case: 17mm

£3,000-5,000

£300-500

168

27

175

176

172

175

MAPPIN & WEBB: A LADY’S 18CT GOLD CASED WRIST WATCH

OMEGA: A GENTLEMAN’S STAINLESS STEEL WRIST WATCH

1970s, 18ct gold case, manual wind movement, signed oblong black dial with red stripe diagonally placed from 11 to 5, lacking numerals, gold sword hands, wide ribbed bezel with diagonal pattern, the caseback with 60812 10617, on a generic strap, no box or papers

Speedmaster Professional model, c.1988, stainless steel case, round black dial with lume baton hour markers, three subsidiary dials at 3, 6 and 9 for 30 minute register, 12 hour register and constant seconds, outer seconds track in white, lume-filled pencil hands, centre chronograph seconds hand in white, black enamel bezel with tachymeter scale, the caseback with Omega logo, THE FIRST WATCH WORN ON THE MOON, FLIGHT QUALIFIED BY NASA FOR ALL MANNED SPACE MISSIONS, on a stainless steel bracelet strap with signed Omega foldover clasp, with 640 to the end links, no box and papers

Case: 23mm

£250-400

173 OMEGA: A GENTLEMAN’S GOLD WATCH manual wind, 9ct gold case, round silver-coloured dial with applied gold baton hour markers, gold pencil hands, centre seconds hand in gold, the case with inscription to the caseback dated 1989, on a bracelet strap, the clasp marked for 9ct gold, no box or papers

Case: 42mm

£2,000-3,000

176

Case: 33mm

ROLEX: AN EARLY 20TH CENTURY TRENCH WATCH

£500-800

stainless steel case, signed Rolex 15 jewel manual wind movement, round black dial with Arabic numerals in white, sunken small seconds at 6, railroad outer seconds track in white, lume-filled Mercedes hands, coin edge bezel, onion crown, on a brown strap, no box and papers

174 OMEGA: A GENTLEMAN’S WRIST WATCH early 1940s, stainless steel case, manual wind movement, round dial with Arabic numerals in black, railroad outer seconds track in black, lume-filled sword hands, centre seconds hand, on a fabric strap, no box or papers

Case: 30mm

£600-900

Case: 35mm

£250-350

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

28

177

179

177

179

ROLEX: A GENTLEMAN’S DATEJUST WATCH

ROLEX: A GENTLEMAN’S GOLD WATCH

model number 1500, 1975 from serial number, automatic movement, stainless steel case, the round silver coloured dial with coronet at 12, crest for the Sultan of Oman at 6, applied baton hour markers, date aperture at 3, stainless steel pencil hands with lume inserts, centre seconds hand, on a stainless steel Oyster bracelet strap with signed foldover Rolex clasp, with 557 to the end link and 78350 19 to the first link, the clasp with 78350, no box or papers

Day-Date model 118238, 2004, 18ct gold case, automatic movement, gold dial with repeating ‘Rolex’ all over, applied diamond dot hour markers and coronet at 12, day aperture at 12 and date aperture at 3, bevelled gold hands, sweep centre seconds hand, fluted bezel, on a signed Rolex 18ct gold President bracelet strap with signed Rolex clasp, with 83208 to the clasp, in box, with outer box, with papers and booklets

Case: 34mm

£7,000-10,000

Case: 35mm

£3,000-5,000

180 178 ROLEX: A GENTLEMAN’S GOLD WRIST WATCH Cellini range, 18ct gold case, signed Rolex 1600 manual wind movement, the gold-coloured dial with applied baton hour markers, coronet at 12, gold pencil hands, on an 18ct gold mesh bracelet strap with fold-over clasp with coronet, in box, with service receipt dated 2016 Case: 31mm

£2,500-3,000

ROLEX: A DAYTONA WRIST WATCH model 116520, Oyster Perpetual Cosmograph Daytona model, stainless steel case, automatic movement, c.2011-2020 from serial number, round black dial, stainless steel-edged lume baton hour markers, with three stainless steel-edged subsidiary dials, outer seconds track in white, lume-filled stainless steel hands, centre sweep seconds hand, stainless steel bezel with tachymeter scale, serial number to bezel rehaut, screwdown crown, and pushers, on a stainless steel Oyster bracelet strap with V9V to the clasp, no box or papers Case: 38mm

£12,000-16,000

29

180

181

182

181

183

ROLEX: A GENTLEMAN’S STAINLESS STEEL WATCH

ROLEX: A GENTLEMAN’S SUBMARINER DATE WRIST WATCH

Oyster Perpetual Submariner model 14060, 1996 from serial number, stainless steel case, automatic movement, round black dial with stainless steel edged white lume plots and baton hour markers, outer seconds track in white, white lume filled Mercedes hands, sweep centre seconds hand with lume plot, black enamel bezel with count up scale, on Rolex stainless steel Oyster bracelet strap with Rolex signed foldover clasp, with 501B end links and 93150 to the first links, no box and papers

model 16610 T, 2004, stainless steel case, automatic movement, black dial with stainless-steel edged lume plot hour markers, date aperture at 3, lume-filled Mercedes hands, centre sweep seconds hand, outer seconds track, black bezel with count up scale, screw-down crown with coronet, on a stainless steel Oyster bracelet strap with foldover clasp with 93250 MA1, no box and papers

Case: 39mm

£4,000-6,000

Case: 39mm

£6,000-9,000

184 182 ROLEX: A LADY’S STAINLESS STEEL WATCH

TAG HEUER: A GENTLEMAN’S WRIST WATCH

Oyster Perpetual Datejust model 179160, round silver dial with applied Roman numerals in silver colour, date aperture at 3, silver-coloured pencil hands, sweep centre seconds hand, screw-down crown with coronet, on a signed Rolex stainless steel Oyster bracelet strap with highly polished central links, with a signed Rolex foldover clasp, in a box, with outer box, with booklet, no guarantee card

Chronometer, stainless steel case, automatic movement, silver-coloured dial with applied stainless steel Arabic numerals, date aperture at 3, lume-filled hands, sweep centre seconds hand with lume plot, screwdown crown with TAG Heuer logo, the caseback with no.147, WH51112, on a stainless steel bracelet strap with additional links, with signed TAG Heuer clasp, in box, with outer box and papers, last serviced 2017, accompanied by a TAG Heuer book ‘Masters of Time’

Case: 26mm

Case: 39mm

£2,000-3,000

£600-900

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

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190

185

188

TIFFANY: A GENTLEMAN’S GOLD CASED WRIST WATCH

A GOLD PLATED POCKET WATCH AND CHAIN

originally purchased 1991, 18ct gold case, quartz movement, rectangular white dial, elongated Roman numerals in black, inner railroad seconds track in black, Breguet style black hands, with 18K to the caseback, on a generic black strap, no box and papers but with warranty booklet and receipt

half hunter, keyless wind, the outer case with Roman numerals in blue enamel around the dial view aperture, unsigned dial, Arabic numerals in black, sunken small seconds at 6, railroad outer seconds track in black, with a short chain marked 9ct

Case: 20mm

£150-200

Case: 50mm

£500-800

189 186 ZENITH: A LADY’S GOLD WATCH

A GOLD POCKET WATCH

Case: 17mm

half hunter, 18ct gold, the outer case with Roman numerals in blue enamel around the dial-view aperture, the white enamel dial signed Robert Anderson Glasgow, with Roman numerals in black, sunken small seconds at 6, railroad outer seconds track in black, leaf hands, London hallmarks

£100-200

Case: 52mm

1970s, 9ct gold case, the round dial with applied gold Arabic numerals and baton hour markers, gold pencil hands, on an integrated gold mesh bracelet strap, in box, no papers

£800-1,200

187 A GOLD FOB WATCH open face, key wind, 18ct gold case, gold-coloured dial with central engraved section, Roman numerals in black, leaf hands, engraving to caseback, unsigned movement Case: 38mm

£250-400

190 LIVERPOOL: A GOLD POCKET WATCH 18ct gold case, key wind movement, gold dial with Roman numerals, small seconds at 6, central section with engraved floral decoration, dot outer seconds track, blued steel leaf hands, the movement signed Liverpool Case: 40mm

£800-1,200

31

COINS & MEDALS

192

191

193

A 15CT GOLD BOWLING MEDAL

EXPOSITION UNIVERSALLE, DE MDCCCLXVII A PARIS MEDAL TO J YOUNG

for Cumberland Bowling association 1908, won by R.Tyson, Birmingham 1907, to a belcher link chain stamped 9ct; together with another 9ct gold Runner-Up medal for 1928, Birmingham 1927; and a 1904 half sovereign (3) £700-1,000

192 THE MAKDOUGALL BRISBANE PRIZE ROYAL SOCIETY OF EDINBURGH MEDAL AWARDED TO EDWARD SANG the Makdougall Brisbane Prize, Obv. Profile head of Thomas Makdougall Brisbane, ‘Founded by Sir Thomas Makdougall Brisbane Bart, G.C.B., G.C.H., P.R.S.E. Sculpt C.F. Carter,’ Rev. Wreath of thistles enclosing inscription ‘Adjudged for Scientific Merit to Edward Sang by The Royal Society of Edinburgh’ awarded 1884 Diameter: 45mm, weight: 93g Note: The Makdougall Brisbane Prize has been awarded bi-annially, preferably to people working in Scotland, with no more than fifteen years post-doctoral experience, for particular distinction in the promotion of scientific research and is awarded sequentially to research workers in the Physical Sciences, Engineering Sciences and Biological Sciences. The prize was founded in 1855 by Sir Thomas Makdougall Brisbane, the long-serving fourth President of the Society.

FRANCE, Second Empire. Napoléon III. 1852-1870. Medal. Awarded to J Young for Services Rendered in the Exposition Universelle à Paris 1867. By H. Ponscarme. Paris mint. Dated 1867. NAPOLEON III EMPEREUR, laureate head left; H PONSCARME F below / EXPOSITION UNIVERSELLE DE MDCCCLXVII A PARIS (rosette) RECOMPENSES (rosette), J. Young in two lines. Edge: hand pointing and OR. Cf. Collignon 1914 (for type) Diameter: 51mm, weight: 69.30g Note: See Maison Palombo Auction 19 lot 547 December 12th 2020

£1,800-2,500

194 A COLLECTION OF ONE HUNDRED AND THIRTY GEORGE III GAMBLING TOKENS gilt copper, dated 1770; together with a collection of United Kingdom Royal Mint Proof coin sets including 1970 (x2), 1972, 1973, 1974, 1975 and 1976; and a collection of thirty-one 1977 Jubilee Crowns, and a Charles & Diana 1981 Crown (qty) £250-400

Edward Sang 1805-1890 was a Scottish mathematician and civil engineer, born in Fife, and is best know for his tables of logorithms and calculations on the earths rotations. He was elected Fellow of the Royal Society of Edinburgh in May 1836, and served as Vice President 1883-1885.

£2,500-3,500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

32

199 IRAN - SIX HALF PAHLAVI second half 20th century (6) Diameter: 19mm, weight: 24.6g

£600-800

200 IRAN - SEVEN PAHALVI’S second half 20th century, and a 1 Bahar Azadi gold coin (9) Diameter: 19mm: weight: 66.4g

£1,500-2,500

201 IRAN - MUHAMMAD REZA PAHLAVI GOLD PROOF “BANK MELLI 50TH ANNIVERSARY” MEDAL 201

1978, having a double portrait with Bank Melli to reverse, Bank Melli Opening 50th anniversary issue, in plain loose gold mount as a pendant Diameter: 40mm, gross weight: 37g

£800-1,000

202 IRAN - A GROUP OF FOUR GOLDEN JUBILEE GOLD MEDALLIONS 1976, three hexagonal and another of round form, the obverse features the portrait of Mohammad Reza Pahlavi alongside his father, the reverse showcases the Iran Bank emblem.

Weight all in: 20g, diameter: 20mm, width: 20mm

£400-600

195 AN 18CT GOLD GOLFING BADGE engraved to reverse ‘County Championship Medal Whitehaven 1900 R.Tyson’, hallmarked for Birmingham 1900 Gross weight: 18.7g

£300-500

196 AN 18CT GOLD BOWLING MEDAL

203 A MIXED GROUP OF FOREIGN ORDERS, MEDALS, JUBILEE AND CORONATION MEDALS France Croix de Guerre 1914, Poland, War Order; EIIR coronation Medal; GEO VI Coronation Medal; Geo V and Queen Mary Silver Jubilee Medal; Prussian German Royal House Hohenzollern Medal; Star order of Black Eagle Award with a sash; neck badge of the Order of the Red Eagle (qty) £300-400

engraved to reverse ‘County Bowling Championship Medal won by R. Tyson’, Birmingham 1913

204

Gross weight: 20.3g

all unnamed, to include, Kabul to Kandahar Star; Khedives 1882 Star; two QSA with bars - Cape Colony, Orange Free State, Transvaal; Two KSA with bars, 1901 and 1902; 1914-18 BWM; AVM; 1914 Star; General Service Medal Geo V with Bar N W Persia; two 1939-45 British War Medals; 1939-45 Star; Defence Medal; a dress mounted set of WW2 service medals, various loose ribbons etc. and a base metal Victoria Jubilee medal (qty)

£400-600

197 A SINGLE CREDIT SUISSE INGOT half-ounce 999.9, with Fortuna to the obverse, plain gold mount as a pendant Gross weight: 17.2g

£400-600

198

A COLLECTION OF MIXED WAR AND SERVICE MEDALS

£250-350

205 TWO CASED ENAMEL SCOTTISH RALLY DASHBOARD PLAQUES

second half 20th century (17)

Coronation Scottish Rally, Oban Bay 1937 by Alexander Scott Glasgow, the other by same maker for the 1938 Empire Exhibition Scottish Rally (2)

Diameter: 16mm, weight: 34.6g,

Height: 7.7cm

£800-1,200

£150-250

IRAN - SEVENTEEN QUARTER PAHLAVI

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

FOREIGN SILVER & OTHER METALWARES

Above Lot 236

34

209 A PAIR OF CANDLESTICKS of tapered form, gadrooned borders with harlequin pattern details; together with another Rosenzweig, Taitelbaum & Co, London 1921, with decorative repoussé stem and moulded base; and another, Sanders & Mackenzie, Birmingham 1967 with square column and circular base and another plated lamp (qty) Height of pair: 30cm

£300-500

210 A MODERN HIP FLASK unmarked, of rectangular form with planished finish, engraved initials to corner, with pull off hinged lid; together with another marked STERLING, with engine turned decoration and engraved initials to centre; and an unmarked golfing trophy, modelled as a golfer in full swing, with a tree stump inkwell (3) Length: 20.5cm, 17cm

£300-500

212

211 A GEORGE I STYLE FOUR BRANCH CANDELABRA stamped 925, of hexagonal form, knopped baluster stem, the fourbranch light fitting of similar form with scrolling arms, all with hexagonal drip trays and similar central light, raised on a stepped hexagonal foot (loaded) (2)

206

Height: 38cm

A PAIR OF SILVER PLATED THREE LIGHT TABLE CANDLEABRA

£400-600

the candlestick with acanthus clasped baluster stem, the domed foot of lobed outline with gadrooned border, the reeded branches of scrolling form, with gadrooned sconces (2)

212 Y

Height: 58cm, width: 50cm

A VICTORIAN CLARET JUG

£250-400

probably Indian, unmarked of baluster form with allover floral decoration, acanthus clasped C scroll handle, presentation engraving to moulded cartouche

207

Height: 26.5cm

AN EDWARDIAN MIRROR

£400-600

unmarked, with cast scroll border; together with a silver-framed watercolour, unmarked in the Art Nouveau style and a cast metal frame (3)

213

Height: 27cm, 28cm, 34cm

£300-500

A COLLECTION OF THREE RELIGIOUS PLAQUES unmarked, the deep relief showing biblical scenes, two signed; together with a white metal incense burner of traditional form (4) Diameter: 21cm, 7.5cm

208

£300-400

A TWIN HANDLED SILVER PLATED AND ENAMEL ICE BUCKET Wurtemberg Metalware Factory, early 20th century, of cylindrical form, the border with embossed rose detail and blue/green enamel ground; together with a novelty plated wine cooler, unmarked, with stag’s head to each side; another plated wine cooler of tapered form with cast shell and wine fruit border and an Indian style goblet with all over chased decoration, vacant shield cartouche to centre (4) Height of WMF ice bucket: 24cm

£400-600 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

214 AN ART DECO BOX AND MATCHED TRAY, TIFFANY & CO the box of rectangular form with canted edges, engraved M.H.D. to centre, the tray with stepped handles (2) Width of tray (including handles): 16.7cm

£200-300

35

217

219 A PAIR OF GERMAN SALAD SERVERS

Height: 26cm

marked 800, of decorative form, the terminals of pierced foliate form, cartouche to the terminal with engraved initials, the bowls with scalloped rim and scroll engraving; together with an Art Nouveau Danish spoon; three various other slices; two ornate pointers stamped 925; together with a collection of mirrors, a modern candle snuffer, London 1990; a pair of plated wick trimmers; a pair of plated sugar tongs with claw terminals and a salt spoon (qty)

£200-300

Length: 23cm

215 AN EARLY 20TH CENTURY AMERICAN VASE marks for Quaker Silver Co. of tapered form and everted rim, to a cast foliate and lion mask collar with spreading circular foot

£350-500

216 A PAIR OF EARLY 19TH CENTURY AUSTRIAN SALTS

220

marked to the underside, of low oval form, applied cast bracket feet; together with a silver-gilt continental paten; an unmarked mug, various novelty figures and other items (qty)

A PAIR OF CONTINENTAL ART NOUVEAU DECANTER STANDS

£300-500

makers mark for Bruckmann & Sons, of Germany, retailed by Bernard Dahmen, Herleen, of the Netherlands, each of circular form with silver gilt interior, the pierced sides decorated with scrolling flowers (2) Diameter: 17cm

217 A 19TH CENTURY AUSTRO-HUNGARIAN TEA CADDY marks for 800 fineness, of rounded rectangular form, with all-over engine turned decoration, raised on four cast bracket feet with loop handle and key; together with a central European silver basket, with a heavily embossed cherubic scene to the base and pierced sides and two smaller middle eastern dishes, one with Egyptian marks (4)

£250-400

221 AN AUSTRIAN VASE FRAME

Width: 13.5oz

marked 900, of square form, slightly tapering frame with lion mask handles; together with an unmarked beaker and two similar smaller; a silver-mounted glass ashtray with vesta case, John Grinsell & Sons, London 1894 and a collection of condiments and small jugs (qty)

£500-700

Height: 13.5cm

£500-700

218 A EUROPEAN TABLE BOX AND COVER

222

marked 800, of shaped oval outline with hinged lid, squat baluster form with chased foliate detail throughout, cast budding flower finial, to four foliated bracket feel, gilt interior

A GERMAN CANDLESTICK

Width: 24cm

marked 800, composed of a three tiered geometric candle holder; together with two pepperettes, a Tiffany spill vase, a pomegranate ornament and various other items (qty)

£250-400

£250-400

36

225

223 A PAIR OF GERMAN CANDLESTICKS stamped M 800, possibly Gustav Memmert of Berlin, each of baluster form, beaded borders with engraved scroll and foliate detail, raised on four cast bracket feet with cherub mask detail (2) Height: 36cm

£300-500

224 A CONTINENTAL TEA CADDY WITH COVER marked 800, possibly German, of squat rectangular form, the edges clasped with a mask in a leaf and beaded border, the hinged cover with loop handle of similar decoration, raised on four ball and paw feet; together with a snuff box, modelled as a shoe; a scent bottle, a filigree basket, an inkwell and a hammerhead (qty) Height: 14cm

£250-400

225 A COLLECTION OF CONTINENTAL MINIATURE SILVER to include, a 19th Century Dutch miniature dressing table, in the French style, the frieze decorated with swags; a miniature spool winder and a small decorative spice tower, with figures to the base; together with an early 20th Century Polish mixed metal cigarette case; a modern cigarette case, Henry Williamson Ltd, Birmingham 1924, with engraved and chased decoration; together with a filigree casket and cardholder (qty) £600-800

227 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

37

226 A PAIR OF LARGE CONTINENTAL CANDLESTICKS unmarked, each in the Roccoco style, with knopped stems and shell decoration throughout, removable sconces (2) Height: 40cm

£300-500

227 AN IBERIAN WINE EWER of bulbous form, large leaf clasped loop handle, with vine leaf and fruit engraved detail throughout, with short spout, the cork, likely a replacement Height: 27cm

£250-400

228 A 19TH CENTURY EUROPEAN TWIN HANDLED TRAY possibly Portuguese, filigree work to the base, gilt centre, with simple scroll; together with a twin compartment basket, with upright division with ball finial and bird surmounted, the everted sides of filigree decoration, raised on four paw cast bracket feet (2)

230

Diameter across handles: 35cm, 19cm

£350-500

229 A PAIR OF DRESSING TABLE CANDLESTICKS

233

marked 800, each with square scones above a knopped stem; together with a pair of Indian small vases, with traditional high relief decoration and an unmarked table casket (3)

A COLLECTION OF RUSSIAN BOXES

Height: 16cm

£350-400

230 AN 18TH/19TH CENTURY FRENCH LIDDED SUGAR BASIN marks for Paris, of oval form, gadrooned waist, the handles of loop form, the pull-off lid with similar decoration and knopped finial Height: 17cm

£300-500

231 A DANISH ART NOUVEAU BEAKER with warden’s mark for C.F. Heise, of tapered form with geometric panels each with floral scroll detail; together with a smaller pair, marked for La Paglia, with pierced floral border to base; together with an unmarked goblet (loaded); a pewter vase, a small beaker stamped 925 and a small spill vase Birmingham 1902 (qty)

to include, a cigarette case with embossed decoration depicting a swimming swan, a snuff-box, with engraved decoration and a purse with scroll decoration; together with a German enamelled cigarette case, stamped 800; together with various stamp boxes stamped sterling and a plated cigarette case (qty) £300-500

234 A RUSSIAN SILVER-GILT AND CLOISONNÉ ENAMEL KOVSCH bearing marks WO, 84 standard, of traditional form with rope twist borders, the body collet set with various gem cabochons and embossed panels decorated with varying colours of enamel, the handle of similar decoration Width: 9.5cm

£400-600

Height: 13cm

£300-500

232 A COLLECTION OF SCANDINAVIAN AND OTHER FLATWARE to include, a Danish serving spoon, fig leaf bowl and cabochon set to terminal; and another plain with round bowl; a collection

by Evald Nielsen, various patterns; two by Grunlund; together with various serving ware, a brooch and various charms (qty) £400-600

234

38

235 AN EGYPTIAN COFFEE POT three marks to underside, of baluster form, the domed hinged lid with applied nesting bird finial, S-scroll handle, raised on a domed spreading foot; together with a 19th Century Indian twin handled bowl and sugar bowl with cover, each unmarked with embossed scroll and floral decoration throughout (3) Height of coffee pot: 24cm

£300-500

236 A CHINESE EXPORT TWIN HANDLED PRESENTATION CUP AND COVER 236

marked to base for Leeching, circa 1870, the cup of globular form with embossed and chased scenes depicting Chinese life, the twin handles formed as scrolling dragons, the stem modelled as intertwined dragons, on a circular foot, the pulloff cover with dragon within the clouds; with a hardwood plinth and engraved presentation plaque from the ‘Hong Kong & Whampoa Dock... 1871’ (2) Overall height: 38cm weight: 13oz

£800-1,200

237 A CHINESE EXPORT SILVER TABLE CIGARETTE BOX marks for Wang Hing and Company, of rectangular form, embossed decorated trailing dragon to hinged lid; together with an Asian style swing handled bowl, allover embossed floral decoration, raised on four bracket feet (2) Width: 15cm

£300-500

238 A LARGE CHINESE EXPORT BOWL with character marks to base, the large hemi-spherical bowl with high relief Iris decoration Diameter: 33cm, weight: 87oz

£2,000-3,000

239 A 19TH CENTURY CHINESE SILVER BOX AND COVER the delicate filigree decoration of scrolls and stylised chrysanthemums, wood-lined interior; together with a Japanese style table box marked SILVER, of rectangular form with applied silver-gilt chrysanthemum motif to pull off lid; two other filigree boxes and caskets (4) Width: 14cm

£300-500

240 AN EASTERN FILIGREE TABLE CIGARETTE BOX unmarked, of rectangular form, the cover and sides of filligree panels and borders; together with three table cigarette boxes, two hallmarked for Birmingham, one marked STERLING (4) Width: 16cm

£400-600

39

238

241

243

245

A MIDDLE EASTERN COFFEE POT

A 19TH CENTURY INDIAN TEAPOT

AN INDIAN ART DECO TEA SERVICE

unmarked, all over embossed decoration, the thin neck to a baluster body, the elongated spout, with scale decoration, serpent handle, the pull off cover similarly decorated; together with a Persian bottle and filligree lamp (af) (3)

unmarked, of ovoid form, heavily embossed and chased foliate decoration throughout, with hunting depictions to the body, the hinged domed lid with similar decoration and a knopped finial, all raised on a heavily decorated circular foot; together with an Indian rose-water or oil ewer, the neck of elongated slender form to a globular body, the hinged lid with applied serpent and tail extending to the handle, with all-over engraved and chased floral and foliate decoration (2)

circa 1930s, of architectonic form, comprising teapot, cream jug and sugar bowl, each engraved with a vacant cartouche, the teapot with green Lucite handles and finials, each piece inscribed under base WITH BEST WISHES FROM M. LANDER (3)

Height: 25.5cm, 19cm

246

£250-400

A SET OF SIX EARLY 20TH CENTURY FRENCH SILVER PLATED DEMITASSE CUPS AND SAUCERS

Coffee pot height: 28cm

£400-600

242 AN INDIAN TWIN HANDLED TRAY prick mark to base, MF & Co BOMBAY/ T90, of oval form with a cast pierced border, the dish with embossed floral decoration throughout; together with three various dishes, including an entrée style dish stamped STERLING and three smaller bon-bon style dishes, one of Art Nouveau style stamped STERLING/ THEODORE B. STAR (7) Width across handles: 51cm

£300-500

244 AN EASTERN TWIN HANDLED BOWL unmarked, the lobed panels with chased decoration of boteh and decorated throughout in the Persian style, the handles of pierced floral style; together with a German oval pierced basket, embossed putto and floral swag decoration throughout, crest engraved to moulded cartouche, the other vacant (2)

Height of teapot:m 11.8cm Note: See Decorative Arts: Design since 1860, Lyon & Turnbull, 2015, Lot 140 sold for £1,875 including premium.

£800-1,200

marked Orfevrerie Gallia, the cups with engine turned decoration throughout, vacant oval cartouche to centre with a leaf clasped S-scroll handle, the saucers with similar decoration (12) Height of cup: 8cm

£300-500

Width across handles: 21.5cm, 29.5cm

247

£350-500

A PAIR OF POLISH SILVER-PLATED CANDLESTICKS stamped WNF, GALW, of Art Nouveau style, with a knopped stem with applied foliate and vine decoration, raised on a square bracket base (2) Height: 31cm

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

40

MODERN SILVER

248 A LATE 20TH CENTURY SILVER MOUNTED SHAVING MIRROR Birmingham 1996, the tray of circular outline with beaded border, raised on three bracket feet, centrally set with a revolving mirror Diameter: 25cm, weight (all in): 47oz

£400-600

249 A MODERN REPRODUCTION ARMADA DISH Carr’s of Sheffield Ltd, Sheffield 1993, of plain circular form with deep bowl, feature hallmarks to rim with threaded border; together with a low comport, Frank Cobb & Co Ltd, Sheffield 1945, with a pierced vine leaf border (2) Diameter: 30.5cm, 30cm, combined weight: 55.6oz

£350-500

250 A MODEL OF HORSE AND JOCKEY signed by David Geenty ‘84 for Camelot Silverware, Sheffield 1992, with horse and jockey in motion, raised on an oval plinth with naturalistic ground Width: 24cm, height: 22cm

£350-500

251

248

TWO CONTEMPORARY SILVER AND MIXED MATERIAL TABLE SCULPTURES Ross Somerville Morgan, London 1989, Britannia standard, each modelled as cut section shells, with enamel and wood effect inset detail Maximum widths: 13cm

£250-400

252 A 1970S CARD TRAY Francis Howard Ltd, Sheffield 1971, with a piecrust border, raised on four hoof feet; together with a Victorian presentation goblet, Martin, Hall & C, London 1884, engraved presentation inscription to the body; and a quaich, London 1945, the lugs with embossed Celtic motif decoration, engraved name to centre with crest for the 43rd WR. HG, Bn (3)

250

Diameter: 20.5cm, combined weight: 21.3oz

£200-400

253 A MODERN QUAICH Wakely & Wheeler, London 1941, of traditional form, the lugs each with embossed Celtic beast knotwork Diameter (across lugs): 26cm, weight: 12oz

£300-500

254 A 1930S WATERPOT AND TEAPOT Walker and Hall, Sheffield 1934, each of baluster oval form, with everted scallop rim, raised on shell clasped cabriole feet, presentation engraving to body of teapot; together with a similar teapot, Walker and Hall, 1931 (3) Height waterpot: 24.5cm, weight (all in): 70oz

£400-600

41

259

255

259

A MODERN SALVER

A 1930S CASED CRUET SERVICE

S Blanckensee & Sons Ltd, London 1933, with moulded edge, engraved inscription to centre, raised on three leaf clasped scroll feet; together with a small card tray, Heming & Co. London 1932, engraved double crest raised on four scroll feet (2) Diameters: 35cm, 15cm, combined weight: 35oz

J B Chatterley & Sons Ltd, London 1930, comprising four of each, circular salts with gadrooned border, each raised on three hoof feet, mustard pots with hinged lids and salts, of traditional baluster caster form, all with spoons and liners, engraved initial to centre of each and presented in a fitted oak case

£300-500

Weighable silver: 34oz Provenance: The Late Dr. Helen E.C. Cargill Thompson

256 A CASED SET OF SILVER MOUNTED BRUSHES Walker & Hall, Sheffield 1931, all with engine turned decoration, comprising various brushes, a mirror and comb, presented in a fitted silk-lined case Provenance: The Late Dr. Helen E.C. Cargill Thompson

£120-180

£500-700

260 AN ART DECO THREE PIECE TEA SERVICE Mappin & Webb, Sheffield 1932, comprising water pot, teapot, and milk jug, each of round stepped form, to a tapering body, threaded borders, with angular handles, slight splay foot (3) Height of waterpot: 20cm, weight (all in): 38.4oz

257

£500-800

A CASED SET OF SIMULATED ‘JADE’ HANDLED FISH KNIVES AND FORKS C. W Fletcher & Son Ltd., London 1930 for twelve, presented in a fitted two-tier case, silver blades and tines Provenance: The Late Dr. Helen E.C. Cargill Thompson

£150-250

258 A MATCHED FOUR PIECE TEA SERVICE Joseph Gloster Ltd, Birmingham 1930/1, comprising waterpot, teapot, twin handled sugar basin and milk jug, each of rectangular form with canted edges, the edges each engraved with scroll and foliate decoration, Gothic P engraved to the centre of the body with angular handles, each raised on four hoof feet (4)

260

Height of water pot: 21cm, weight (all in): 58oz

£300-500 Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

42

261

265 A COLLECTION OF SILVER to include; a cased porringer and trefid style spoon, London 1922; a cased set of eight grapefruit spoons and another similar; a cased pair of George IV Fiddle pattern serving spoons, London 1824; together with a rectangular table cigarette box; three napkin rings and other small items of silver (qty) Weighable silver: 30.6oz Provenance: The Late Dr. Helen E.C. Cargill Thompson

£250-400

261

266

AN IMPRESSIVE CASED SET OF TRAVEL TABLEWARE

A LARGE COLLECTION OF CASED SETS

J B Chatterley & Sons Ltd, Birmingham/ London 1929, comprising, four bon-bon dishes, two cream jugs, two sauce boats and four toast racks each monogrammed with Gothic T Weighable silver: 61.4oz Provenance: The Late Dr. Helen E.C. Cargill Thompson

£600-800

262 A 1920S SALVER Henry Atkins, Sheffield 1927, of pie crust outline, engraved inscription to centre, raised on four scroll ball feet; together with a table cigarette box, of rectangular form, presentation engraving to hinged lid (2) Diameter: 31cm, weight: 30oz

£250-400

to include various cased christening sets, cased napkin rings, a cased set of teaspoons and various cased brushes etc (qty) Weighable silver: 30.62oz Provenance: The Late Dr. Helen E.C. Cargill Thompson

£250-400

267 A CASED ‘SHELLEY’ SILVER-MOUNTED COFFEE SERVICE Mappin & Webb, Birmingham 1920, for six, the applied silver mounts with pierced body and gadrooned rim, the porcelain cans yellow ground; together with a cased quaich and spoon, Elkington and Sons Ltd., Birmingham 1937, the shallow bowl with engraved initials JRACT 1-1138; and a cased porringer and spoon, Deakin & Francis Ltd, Birmingham 1936, engraved initials J.R.A.C.THOMPSON, retailed by Edward and Sons of Glasgow (3)

263

Weighable silver: 14.8oz

A CASED 1920S CRUET SET

Provenance: The Late Dr. Helen E.C. Cargill Thompson

Chester 1924, comprising four open salts, two mustards, four peppers, each of octagonal form, engraved Gothic T to the body, with spoons; together with a cased set of matched casters, George Nathan & Ridley Hayes, Birmingham 1916 / Chester 1914, both of traditional form, all over embossed scroll detail, the pull-off lids with pierced detail and turned finials; together with a set of four plated salts with cut-glass liners (3)

£200-300

Weighable silver: 23.7oz

268 A 1920S SMALL BOWL Martin Hall & Co Ltd, Sheffield 1920, the demi-spherical bowl with scroll pierced decoration, the twin handles with similar decoration; together with a modernist cruet set, R&O (perhaps for Mappin & Webb), London 1998 and similar pair of small candle holders, 1999 (qty)

Provenance: The Late Dr. Helen E.C. Cargill Thompson

Diameter across lugs: 21.5cm, weight of quaich: 7.2oz

£350-400

£200-300

264

269

A MATCHED 1920S BACHELOR’S TEAPOT AND TWIN HANDLED SUGAR BASIN

A MODERN SALVER

James Dixon & Sons Ltd, Sheffield 1924, each of demi-fluted oval form, with C scroll handles and each raised on four ball feet, the teapot with presentation inscription, together with a plated oval tea caddy (3)

James Dixon & Sons Ltd, Sheffield 1920, of pie crust outline, raised on four scroll feet; together with a collection of flatware including three cased sets of coffee spoons, various napkin rings and a collection of teaspoons (qty)

Height of teapot: 14cm, weight (all in):17oz

Combined weight: 35.84oz

£200-300

£400-600

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

43

270

274 Y

276

AN EARLY 20TH CENTURY MATCHED FOUR PIECE TEA SERVICE

AN EARLY 20TH CENTURY KING’S PATTERN CANTEEN

A COLLECTION OF MISCELLANEOUS SILVER

C S Harris & Sons Ltd, London 1917/18, comprising waterpot, teapot, twin handled sugar basin and milk jug, all of compressed oval form, engraved initial Gothic C to body (4)

Josiah Williams & Co, London 1911, settings originally for twenty-four, including tablespoons, table forks, dessert spoons and dessert forks; together with four sauce ladles, one sifter, a pair of sugar tongs, eleven teaspoons, six grapefruit spoons and a sugar spoon; together with a caddy spoon; a fish knife all of King’s pattern, with stag’s head crest to the terminal; together with a silver bladed cheese scoop; two plated scoops and an unmarked spoon; together with various carving knives and ivory handled knives; a plated macerator, two plated Fiddle pattern ladles and three Victorian Fiddle, Thread and Shell table forks, all presented in an oak canteen box with five trays, with initials W.B.L. engraved to the hinged lid (qty)

to include, a pint tankard, Walker and Hall, Chester 1906, engraved initials to the body; together with a spill vase, various bon-bon dishes, a pair of octagonal mustards and condiments and a tea strainer; a collection of various Scottish teaspoons; a twin handled porringer and various other items (qty)

Height of waterpot:18cm, weight: 45oz

£400-600

271 A COLLECTION OF MISCELLANEOUS SILVER to include, a pair of candlesticks (loaded), a quaich, Hamilton and Inches, of traditional form; a pair of George III oval salts; a small card tray; small Armada dish; a cased pair of George III open oval salts; large single-handled porringer, Hamilton and Inches and other small silver and plate (qty) Weighable silver: 34.5oz

Weighable silver: 280oz

£3,000-5,000

£400-600

272 AN ART NOUVEAU THREE PIECE TEA SERVICE

275 AN EDWARDIAN TWIN HANDLED CUP

Height of teapot: 18cm, combined weight: 41oz

Barker Brothers, Chester 1908, the deep bowl with threaded waist and applied cast foliate scroll detail to lower half, presentation engraving to upper half for Border Union Show 1948, the handles of S-scroll form, all raised on a stepped domed foot; together with a twin handled trophy James Deakin & Sons, Sheffield 1922, the hemispherical bowl with presentation engraving for the United Border Hunt, Classical style handles, knopped stem to a square base (2)

£300-500

Height: 17cm, 20cm, combined weight: 34oz

James Deakin & Sons, Sheffield 1912, comprising a teapot, twin handled sugar basin and a milk jug, each of circular form with moulded borders, the lower bodies each clasped with repoussé and engraved scroll decoration, the angular handles with an undulating design, each raised on four stepped hoof feet (3)

Weighable silver: 72.8oz Provenance: The Late Dr. Helen E.C. Cargill Thompson

£300-500

277 AN EDWARDIAN BRITANNIA STANDARD TWIN HANDLED PORRINGER Henry Lambert, London 1905, in the Charles II style, the cylindrical body with applied cut card detail, collet foot and scroll handles, engraved to underside; together with a Queen Anne style caster and another smaller sugar caster (3) Height of cup: 6.5cm, combined weight: 27oz

£300-500

£300-500

273 AN EARLY 20TH CENTURY WATERPOT Lambert & Co, London 1911, of baluster form, gadrooned borders, engraved initials to the body, S-scroll handle and acorn inspired finial; together with a smaller example Lambert & Co, 1894, all-over spiral fluting decoration (2) Height: 26cm, 19cm, weight (all in): 30.2oz

£300-500

274

44

SCOTTISH SILVER

282 A COLLECTION OF GEORGE III FLATWARE

281

Edinburgh, various makers, to include, eight tablespoons, three dessert spoons, and a Victorian condiment spoon; together with a Scottish provincial teaspoon, Dundee, marked D, pot of lillies thrice (13) Combined weight: 20.9oz

£300-500

283 A SET OF SIX SINGLE STRUCK DESSERT SPOONS James & Walter Marshall, Edinburgh 1824, of single-struck King’s variant pattern; together with a collection of twenty single struck teaspoons, of King’s pattern, predominantly Edinburgh, some London; together with a set of six double-struck dessert forks, Robert Stebbings, London 1905, gothic K engraved to terminal (qty) Length: 18cm, combined weight: 33.3oz

£300-500

284 Y A GEORGE III THREE PIECE TEA SERVICE James McKay, Edinburgh 1817, comprising a teapot, twin handled sugar basin and milk jug, of demi-fluted form, cast floral border, leaf clasped C-scroll handles , the teapot with budding finial, ivory inserts to teapot handle (3) Height of teapot: 16cm, combined weight: 54oz

£400-600

278

280

285

A 1950S QUAICH

AN EARLY 20TH CENTURY TWIN HANDLED ROSE BOWL

A MATCHED SET OF EIGHT TABLESPOONS

Hamilton & Inches, Edinburgh 1955, of traditional form, waisted lugs; together with a rose bowl, London 1922, of circular form, threaded borders, presentation engraving to body, raised on a domed circular foot (2) Diameter across lugs: 23cm, 16cm, combined weight: 24.3oz

Edinburgh 1919, Brook & Son, with cast Celtic knot and beaded detail, twin lug handles, circular swept foot with similar cast detail Weight: 45oz, width across handles: 37cm

£500-700

£300-500

279 A 1920S SALVER Hamilton & Inches, Edinburgh 1926, of moulded shaped circular outline, engraved I to centre, presentation engraving in celebration of a marriage 1928 to underside Diameter: 31cm, weight: 25.6oz

£250-400

281 A COLLECTION OF SINGLE STRUCK KING’S PATTERN FLATWARE various makers and marks, all Edinburgh, comprising twelve table forks, twelve tablespoons, thirteen dessert spoons, and five teaspoons, initials engraved to terminals; together with a similar sugar spoon, London (qty) Combined weight: 75.8oz

£800-1,200

various makers and dates, Edinburgh, predominantly George III, of Fiddle pattern, all with italic initials to the terminal; together with seventeen teaspoons, Edinburgh, all of Fiddle pattern, all with italic initials to the terminal and one mustard spoon, Edinburgh 1801; together with an Irish tablespoon Dublin 1794, and three plated flatware Fiddle pattern dessert spoons (qty) Length: 21.5cm, combined weight: 29.21oz

£350-500

286 A SET OF SIX GEORGE III TABLESPOONS James Gilsland, Edinburgh 1802, of Old English pattern, engraved JA to the terminal; together with a set of four similar, James Orr, Edinburgh 1802; five tablespoons, Robert Gray, Edinburgh 1789; five matched dessert spoons, Edinburgh 1802 all of Old English pattern with initials engraved to the terminal; together with a pair of tablespoons, Edinburgh and another 1780 marked with a date letter and thistle with a crown? and three various teaspoons (qty) Length: 24cm, combined weight: 46oz

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

£400-600

45

287 A SET OF SIX GEORGE III TABLESPOOONS Graham & McLean, Edinburgh 1798, Celtic Point pattern, initials engraved to terminal; together with a matched set of nine tablespoons, of Celtic Point pattern, various initials engraved to terminal; together with a set of ten dessert spoons, of Celtic Point pattern, initials engraved to terminal and a collection of similar teaspoons (qty)

of

289

Length: 23cm, combined weight: 48.1oz

£450-600

292 288

A TWIN HANDLED ROSE BOWL

A SET OF SIX EDINBURGH TABLESPOONS

David and George Edwards, Glasgow 1912, the plain body with threaded border and presentation inscription to centre, raised on a circular foot with similar threaded border, the handles of pierced scroll design

Patrick Robertson, Edinburgh 1770, of Hanoverian pattern, engraved foliate J to reverse of terminal; together with a set of six modern table forks, William Hutton & Sons Ltd., Sheffield 1909, of Hanoverian pattern, italic JP engraved to reverse of terminal (12)

Diameter across handles: 37cm, weight: 31oz

Length: 21cm, 20cm, combined weight:28oz

Provenance: The Late Dr. Helen E.C. Cargill Thompson

£300-500

£300-500

289

293

A BRITANNIA STANDARD DOG NOSE SPOON

A COLLECTION OF MISCELLANEOUS SILVER

indistinct marks to stem, circa 1710, with rat tail bowl; together with three matched tablespoons, of Hanoverian pattern, crest and motto engraved to reverse of the terminal of two and engraved initials to one; together with three matched table forks of Hanoverian pattern (7)

to include a cased cruet set, Hamilton & Inches, Edinburgh 1926, with gadrooned border; together with a caster Hamilton & Inches, Edinburgh 1910, of octagonal form, the pull-off pierced lid with knopped finial; a pair of sauce boats, Birmingham 1911 with scalloped border; a mug Birmingham 1919; together with a cased set of spoons with a knife; a cased set of fruit knives and forks with two modern trefid spoons with crest to the terminal, a collection of Victorian Apostle teaspoons and a three-pronged fork (qty)

Length: 19.5cm, combined weight: 14.3oz

£250-400

290 A 1920S SALVER

Weighable silver: 41oz

£400-600

Retailed by Sorley of Glasgow, London 1926, of moulded outline with beaded border, engraved initial A to centre; together with four coin-set pin trays, a double egg cup and sweetmeat baskets (qty) Weighable silver: 57oz

£300-500

291 A MODERN SALVER R W Sorley, Glasgow 1915, of circular form with moulded rim raised on three bracket feet; together with two smaller engraved salvers (3) Diameters: 31cm, 26cm, 26cm, combined weight: 60.5oz

£400-600

284

46

PROVINCIAL SILVER

297

294

296

ABERDEEN - A PAIR OF SCOTTISH PROVINCIAL TABLESPOONS

DUMFRIES - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS

John Davidson, marked I.D, ABD, of Hanoverian pattern, initials engraved to reverse of the terminal; together with another Laurence Oliphant, assay master Hugh Gordon, Edinburgh 1751, crest engraved to reverse of terminal an another similar Gillsand & Ker, 1765, crest and motto to reverse of the terminal; together with a pair of Channel Islands tablespoons marked PA for AMIRAUX, Pierre II, of Jersey, of Hanoverian pattern, initials engraved to reverse of the terminal (6) Length: 22cm, combined weight: 13oz

Adam Burgess, marked AB, ruined castle, thistle, Gothic D, oak tree, of Fiddle pattern (6) Length: 23cm, combined weight: 12.5oz

£300-400

297

£300-500

DUMFRIES - A SET OF SIX SCOTTISH PROVINCIAL TABLESPOONS

295

David Gray, marked fouled anchor, unicorn, G, fouled anchor, DG, of Fiddle pattern, italic initials engraved to terminal; together with a set of six similar teaspoons, marked fouled anchor, G, unicorn, DG (12)

ABERDEEN - A SET OF FOUR SCOTTISH PROVINCIAL TABLESPOONS James Smith, marked I.S. ABD, of Old English pattern, engraved initials to the terminal; together with four various other similar Aberdeen tablespoons and two dessert spoons, Rettie & Son, Aberdeen with Edinburgh hallmarks for 1839, of Old English pattern, engraved initials to terminal (qty) Length: 21cm, combined weight: 18.6oz

£200-400

Length: 22cm, combined weight: 18.5oz

£300-500

47

300

298

299

300

DUNDEE - A COLLECTION OF SCOTTISH PROVINCIAL FLATWARE

DUNDEE - A SET OF THREE SCOTTISH PROVINCIAL TABLESPOONS

ELGIN - A SET OF FOUR SCOTTISH PROVINCIAL SALT SPOONS

to include a set of seven dessert spoons, each marked, lilies four times and four similar dessert spoons, marked D, pot of lilies, thrice, all of Old English pattern, foliate C engraved to the terminal; together with a set of eleven dessert forks, Andrew Davidson, Edinburgh 1839, of Fiddle pattern, engraved J to terminal (qty)

Ed. Livingstone marked EL, a pot of lilies, U, topped heart, of Celtic point pattern, italic J engraved to the terminal; together with a soup ladle, Chawner & Co, London 1845, Fiddle Thread and Shell, crest to the terminal and another London 1911 of King’s pattern (5)

William S. Ferguson, marked WF, ELGIN, of Fiddle pattern, engraved initial to terminal (4) Length: 10.5cm, combined weight: 2.3oz

£300-500

Length: 22cm, combined weight: 26.2oz

£250-350

Length: 17.5cm, 19cm, weight: 30.5oz Provenance: The Late Dr. Helen E.C. Cargill Thompson

£250-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

48

302

301

302

303

GREENOCK - A SET OF SIX SCOTTISH PROVINCIAL TEASPOONS

PERTH - A SET OF FIVE SCOTTISH PROVINCIAL DESSERT SPOONS

A COLLECTION OF SUGAR TONGS

Thomas Davie, marked TD, anchor, oak tree, of Celtic point pattern, engraved initials to terminal; together with another two teaspoons, Edward Livingstone, Dundee, marked EL, *, D, topped heart, initials to terminal; a collection of teaspoons, four unassociated by William Byers, Aberdeen, two possibly John Leslie of Aberdeen; together with a pair of tablespoons Robert Keay, of Perth, marked RK, double headed eagle, RK, double headed eagle, of Old English pattern, italic B to terminal and another of Celtic point pattern, initials engraved to terminal; three dessert spoons, Robert Keay, Edinburgh 1789; and a tablespoon marked I*O four times, with initials to terminal (21)

Charles Murray, marked CM, double-headed eagle, CM, double-headed eagle; together with a pair of tablespoons, Robert Keay marked double-headed eagle, RK, thrice; another Alex Campbell of Greenock with indistinct marks; and another Charles Jamieson of Inverness, marked CJ, INS, *; another Robert Naughten, RN, cornucopia, thistle, all of Fiddle pattern, with initials engraved to the terminal; together with a Fiddle and Shell pattern tablespoon, Daniel McLean, of Perth marked DMcL, a pot of lilies, eagle, a pot of lilies, double-headed eagle; together with a collection of twelve Fiddle pattern teaspoons, mainly Edinburgh and Glasgow (qty)

Combined weight: 16.3oz

Length: 18cm, combined weight: 26.4oz

£300-500

£250-400

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

to include: Newcastle, Joseph M Latimer and John Brown, both of Fiddle pattern and another John Langlands II, with bright-cut engraved details; together with a pair of Scottish provincial tongs, attributed to Dingwall, marked AR twice for Alexander Ross, with shell bowls and engraved borders; together with a collection of five Georgian sugar tongs, five pairs of Victorian sugar tongs and seven modern examples (21) Combined weight: 24oz

£250-400

A PRIVATE COLLECTION OF WINE LABELS

50

304

304 A PAIR OF GEORGE III WINE LABELS JM, Edinburgh 1818, each cast with a Bacchus mask and cherubic figures in vine border, engraved for MADEIRA and PORT; together with another of similar design, Sandilands Drinkwater, engraved for CHAMPAGNE and another, indistinctly marked, pierced for SHERRY in vine and repoussé grape border (4) Width: 6cm, 5.6cm, combined weight: 80g

£300-400

305 A MATCHED PAIR OF WILLIAM IV AND GEORGE III SILVER GILT WINE LABELS W.*., London 1835, modelled as a vine leaf, pierced for Sherry; together with another similar, Reilly and Storer, London 1813, pierced for Port, both with belcher link chains (2) Width: 8.3cm, combined weight: 1.90oz

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

305

51

306

306

309

A SET OF THREE GEORGE II ESCUTCHEON WINE LABELS

A PAIR OF VICTORIAN ESCUTCHEON WINE LABELS AND SEVEN OTHER LABELS

Sandilands Drinkwater, London circa 1740, each pierced for LISBON, MOUNTAIN and CLARET (3) Width: 5.2cm, combined weight: 35.8g

£300-500

307 A SET OF FIVE WINE LABELS Nathaniel Mills Birmingham 1875, each fret cut in a scroll outline with engraved borders, engraved for SHERRY, PORT, MADEIRA, HOLLANDS and WHISKY (5) Width: 6.1cm, combined weight: 36.3g

£250-400

308 A COLLECTION OF FOUR WINE LABELS to include a cast oval label, IR, London 1812, engraved for PORT; another, Thomas Wallis (II) & Jonathan Hayne, probably London circa 1820, of oval outline with leopard mask engraved BRANDY; a stamped example, possibly George Bell, Edinburgh 1826, with a vine border pierced PORT and another, Birmingham 1950 with cherubic mask, engraved for WHISKEY; together with another, William & Patrick Cunningham, Edinburgh 1817, with shell and scroll border, engraved for RUM and another Continental, of moulded outline, engraved for COGNAC (6) Combined weight: 97.8g

£300-500

George Unite, Birmingham 1858, engraved BRANDY, WHISKY, in a foliate border; together with a crescent pair, Richard Morton, Sheffield 1791, with threaded border, engraved for RUM and BRANDY; a curved label with feather terminals, Robert Gray/Gordon, Edinburgh circa 1790 engraved for MADEIRA; together with a set of three plated and enamel set wine labels, and a small unmarked crescent label engraved for SOY (9) Width: 5.3cm, 4.6cm,5.9cm, combined weight: 42.7g

£250-400

310 A COLLECTION OF FOUR STAMPED VINE WINE LABELS George Unite, various dates, all modelled as vine leaves and a bunch of grapes, two pierced for BRANDY, two for WHISKY (4) Width: 6cm, 40.6g

£250-350

311 A COLLECTION OF EIGHT WINE LABELS various makers and marks, all of canted rectangular form with threaded border, engraved for IRISH, HOLLANDS, SHERRY, two for PORT and MADEIRA and one pierced for CALCAVELLA (8) Width of widest: 5cm, combined weight; 2.6oz

£500-700

52

316

314 A COLLECTION OF TEN WINE LABELS

312 A GROUP OF WINE LABELS to include a pair, Charles Reily & George Storer, London 1836, each cast with a shell and foliate border, pierced for PORT and SHERRY, with another unmarked similar pierced for SHERRY and another modern

by C J Vander Ltd, 1959 engraved GIN; together with a rectangular example in a shell and foliate border, John Tongue Birmingham 1845, engraved for AMONTILLADO and another for BUCELLAS; a rectangular with shell and gadrooned border, Joseph Willmore, Birmingham 1825, engraved PORT; a crescent example, Margaret Binley, engraved MADEIRA, a stamped shell and vine outline, WH, Glasgow, engraved WHISKY and a plated example, engraved PORT (10)

to include, Wheeler and Cronin, Birmingham, of rectangular outline with foliate border, engraved for LIQUEUR and another similar John Tongue, Birmingham, engraved for LISBON; together with a stamped wine label, Birmingham 1829, with vine and mask decoration and another Scottish of rectangular form with floral border, engraved for BRANDY; together with two plated sets of three wine labels (10) Weighable silver: 34.8g

£500-700

Combined weight: 102g

315

£500-700

A COLLECTION OF FOUR GEORGE III WINE LABELS

313 A MATCHED GROUP OF THREE WINE LABELS Unite and Hilliard, Birmingham, 1830, 1831 all of canted rectangular outline, engraved for PORT, SHERRY and CALCAVELLA; together with George Knight, London, engraved for MADEIRA; and a rounded example possibly Elizabeth Morley engraved for MADEIRA; Hutton and sons 1888 engraved for PORT and an unmarked exampled engraved for WHISKY (7) Weighable silver: 46.2g

£400-600

all of rectangular outline with threaded borders, to include, Mitchell and Russell, Edinburgh, engraved for PORT; George Unite, Birmingham, engraved for BRANDY, one for PORT and one for CLARET (4) Combined weight: 38g

£400-600

316 A COLLECTION OF SIX VINE LEAF LABELS to include a near pair Joseph Willmore, Birmingham, pierced for HOLLANDS and BRANDY; two similar by Riley and Storer, 1831 and 1849, pierced for PORT and MADEIRA; one by Taylor and Perry, Birmingham 1838, pierced for MADEIRA and another TE, London 1851 pierced for SHERRY, all six with stippled ground (6) Width: 6.9cm, 6cm, 5cm, 6.8cm, combined weight: 36.3g

£400-600

53

ANTIQUE SILVER 317 A REPRODUCTION TOT CUP William Comyns, London 1904, of traditional form with an applied girdle, initials engraved to front; together with a modern fluted bowl, Birmingham, and a small engine turned decorated note pad holder, by Asprey (3) Height: 8.5cm, weighable silver: 19.5oz

£350-450

318 AN EARLY 19TH CENTURY TUMBLER CUP struck indistinctly four times to base, of traditional raised form with engraved mirrored monogram to the body and gilt interior

326

Height: 5.8cm, weight: 2.9oz

£250-300

319 A COLLECTION OF MODERN SILVER

323

to include a cream helmet, Walker & Hall, Sheffield 1902, ribbed detail and engraved initials; a small christening cup, Birmingham 1929; a sugar caster with pull-off lid, a small comport on a raised foot; various cased flatware (qty)

A MATCHED SET OF TWELVE VICTORIAN DESSERT SPOONS

Provenance: The Late Dr. Helen E.C. Cargill Thompson

Josiah Williams & Co, London 1893/4, of King’s pattern, italic B engraved to the terminal; together with a set of six dessert spoons, Samuel Hayne & Dudley Cater, London 1853, of variant King’s pattern, gothic K to the terminal, all double struck and a pair of sugar tongs, Glasgow, of King’s pattern (19)

£250-400

Length: 19cm, combined weight: 39.oz

Weighable silver: 14.5oz

£350-500

320 A FOUR PIECE TEA SERVICE

324

Walker & Hall, Sheffield 1900, comprising a teapot, water pot, twin handled sugar bowl and milk jug, each of panelled baluster form, ribbed and acanthus border to the body, engraved initials, with angular handles and each on four ball feet (4)

A LARGE LATE VICTORIAN PRESENTATION CIGAR BOX

Height of waterpot: 25cm, combined weight: 62oz

Width: 29cm

Provenance: The Late Dr. Helen E.C. Cargill Thompson

£250-400

London 1890, of rectangular outline, the hinged lid with engraved regimental inscription for the Royal Horse Guards and a list of contributors, cedar lined with three divisions

£400-600

325 321 A SET OF FOUR LATE VICTORIAN CANDLESTICKS Fordham & Faulkner, Sheffield 1898, each with a baluster knopped stem, raised on a quatro-foil base, the pull-off sconces with similar decoration (loaded) (4) Height: 30cm

A LATE VICTORIAN TWIN HANDLED TRAY Martin, Hall & Co, London 1886, of oval form, gadrooned border, the centre with bright-cut engraving and rubbed presentation inscription, the scroll handles set with an ebony rod Diameter across handles: 68cm, weight: 131.6oz

£1,000-1,500

£300-500

326 Y 322 A LATE VICTORIAN SILVER-GILT BASIN GWJ, London 1895, of oval form with upturned curled terminals, pierced scroll border with embossed detail to the body, raised on an oval foot; together with an eastern market oval bowl, unmarked, with stylised head terminals, ring handles, pierced border and a Middle eastern niello decorated twin handled sugar basin and cover (3)

A VICTORIAN THREE PIECE PART TEA SERVICE John James Keith, London 1859, comprising coffee pot, teapot and milk jug of melon form, with engraved initial to body, budding finials to hinged lids, raised on shaped bracket feet, with ivory inserts to handle (3) Height coffee pot: 21cm, weight (all in); 58oz

£400-600

Width: 16.5cm, weight: 7.2oz

£500-700

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

54

328

327

329

A COLLECTION OF FIDDLE PATTERN FLATWARE TO INCLUDE

A GEORGE IV IRISH SOUP LADLE AND OTHER IRISH FLATWARE

a set of four dessert spoons, Philip Weekes, Dublin 1839, of Fiddle pattern, crest to the terminal; together with two matched tablespoons, Dublin, of Fiddle pattern, crest to terminals and another similar marked TR thrice, crest and motto to the terminal; together with three Victorian tablespoons, Exeter, London, various makers, of Fiddle pattern, each with engraved initials to the terminal and a pair of tablespoons, James Barber, York 1847, with engraved italic initials to the terminal (qty)

Thomas Farnett, Dublin 1823, retailer’s mark for W. Peter, of Fiddle pattern, crest to terminal and a set of nine dessert forks, Thomas Farnett, Dublin 1825, of Fiddle pattern, crest to reverse of terminal; together with a collection of flatware to include a set of silver handled carvers, Sheffield; a set of ten coffee spoons with apostle finials; an Irish dessert spoon and two teaspoons (qty)

Length: 17.cm, combined weight:25.6oz

£300-400

Weighable silver: 22.9oz

£250-400

330 328 AN IMPRESSIVE GEORGE IV PUNCH BOWL

A LATE GEORGE III TEAPOT

London 1825, the large hemispherical bowl of fluted form, embossed swag border, stag’s head crest engraved to moulded cartouche to one side, the hinged loop handles with lion masks, all raised on a domed circular foot with similar swag decoration

I.R., London 1817, of oval form, gadrooned border and raised on four ball feet; together with a matched twin handled sugar basin and milk jug, London 1893, of oval demi-fluted form; a modern comport Stower & Wragg Ltd, Sheffield 1947, with cast vine border and pierced flat with berry detail and a George III Irish jug with bright-cut engraved detail (5)

Height: 20cm, diameter: 30cm, weight: 88.4oz

Height of teapot: 15.5cm, weight (all in): 45.8oz

£1,500-2,500

£300-500

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

55

330

331

334

A GEORGE III CAKE BASKET

AN GEORGE III IRISH TWIN HANDLED CUP

London 1812, Henry Nutting, the gadrooned border with engraved and chased foliate detail, swing handle with cast shell motif, oval foot with similar gadrooned and engraved detail Weight: 26oz

Dublin, of slightly baluster form, later embossed decoration with birds in flights and a depiction of a flute player, cartouche to centre with engraved crest and initials, the handles of leaf clasped S-scroll form, all raised on a spreading circular foot with engraved border

£400-600

Height: 15cm, weight: 14.3oz

£250-400

332 A MATCHED PART CANTEEN various dates and makers, predominantly double struck Fiddle Shell and Thread pattern, some single struck noted; together with a small amount of Old English and Queen’s pattern flatware and four plated tablespoons (qty) Weighable silver: 115oz

£1,000-1,500

333 A COLLECTION OF FOURTEEN VARIOUS HANOVERIAN PATTERN TABLESPOONS various makers and marks, predominantly George III, all engraved with initials to terminal (14) Combined weight: 29.7oz

£300-400

334

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

335 AN IMPRESSIVE CASED GEORGE III SILVER-GILT TWIN HANDLED CUP AND COVER Benjamin Smith II & James Smith III, London 1810, the cup of traditional NeoClassical urn form with a cast foliate border, two high relief Classical Bacchus masks to either side in a swag border of applied vines, with leaf-clasped fluted handles and applied acanthus leaves to the lower half of body, the stem with an everted gadrooned border to a circular foot with a flat chased foliate border; the pull off cover with a gadrooned border and a small central pull off lid with a leaf clasped emerging bud finial, presented in original fitted red leather case Height: 34cm, weight: 104.8oz Provenance: The cup was presented to William Jeffrey Lockett (1768-1839) a lawyer who received the cup and cover in lieu of payment for an apparent indiscretion of the Duke of Devonshire, and thence by descent

£5,000-8,000

Note: By 1800 the vast wealth amassed from the Industrial Revolution had created a wealthy emerging middle class, this prosperity is clearly illustrated with the silver commissioned during this period. Requests for huge dinnerware services to presentation holloware were not unusual and highlight how this success was enjoyed.

This prosperity was not only centred around London but was shared with emergent cities such as Glasgow, Sheffield and Birmingham and allowed silversmiths such as Benjamin Smith and his brother James to really make a mark for themselves as skilled silversmiths and chasers.

Of the two brothers, Benjamin was the more prolific, born in Birmingham in 1764, he began his carrier with Matthew Boulton, before moving to London and later embarking on a partnership with his friend and silversmith Digby Scott in 1802. Their workshop in Greenwich supplied Rundell & Bridge, where they would have worked alongside eminent silversmith Paul Storr; many believe their work comparable in quality to his. His collaboration with Scott was a particularly fruitful one, it was at this time they were commissioned to create ‘The Duke of York Baskets’ for Prince Frederick, Duke of York and Albany (1763-1827), the second son of George III, previously exhibited in the Powerhouse Museum in Australia; and also the Jamaica Service, created in 1803 for William IV (1765-1837), then Duke of Clarence, still in the Royal collection today. This was no doubt facilitated by their connection with the Crown jewellers Rundell & Bridge, who were the retailers responsible for supplying all banqueting plate and jewellery of the Royal family.

It would seem that Benjamin preferred to work in partnership with other silversmiths, rather than independently, however these collaborations were always short lived, though why is unclear.

By 1809 he had left Scott and joined forces with his brother James; and though this only lasted until 1812, it was during this time that this this impressive cup and cover were commissioned. They may well have continued to produce for Rundell & Bridge, but regardless their craftsmanship remained impeccable, and their pieces typify the style of the period.

In the wake of George III’s failing health and as he was deemed unfit to rule, the Prince of Wales succeeded as Prince Regent in 1811 until his father’s death in 1820. This period offered new beginnings with more influences from the continent and the French Empire style filtering through. The swags of applied fruiting vines, foliate motifs and Bacchus masks are a clear nod to the emerging Regency style, while the symmetry and sumptuous opulence of the piece have their origins in the French influence. For a similar example, see Christies 10th June 2010 auction, Centuries of Style: Silver, European Ceramics, Portrait Miniatures and Gold Boxes, lot 352 for The Doncaster Races Cup, 1805, also by Digby Scott & Benjamin Smith.

This cup and cover with the presentation leather case is a rare example of not only an eminent silversmithing family but that of a new and exciting period where wealth was to be shown in the home with great commissions of silver and even grander examples of silver-gilt ware.

58

336

341

A COLLECTION OF SEVENTEEN 18TH AND 19TH-CENTURY OLD ENGLISH TABLESPOONS

A GEORGE III TEAPOT AND STAND

Combined weight: 34.3oz

Peter and Anne Bateman, London 1780, of oval form, bright cut decoration; with a helmet shaped cream jug of similar period and decoration, unmarked; a pair George III sugar nips and a wick trimmer stand (qty)

£300-500

Height of teapot on stand: 17.5cm, combined weight: 31.5oz

various makers and marks, London, most with initials or crest engraved to terminal (17)

£400-600

337 A COLLECTION OF VARIOUS PIECES OF 19TH CENTURY FLATWARE

342 A SET OF FOUR GEORGE III TABLESPOONS

including a pair of tablespoons, Dorothy Langlands, Newcastle, of Old English pattern, engraved initials to terminal; together with another two Newcastle, various marks, and one tablespoon, George Turner, Exeter 1811; together with a collection of twenty-seven teaspoons, various marks and patterns (qty)

London 1779, of Old English pattern, engraved initial to the terminal; together another pair, London, of Old English pattern, rat tail bowls, foliate B engraved to the terminal; together with a collection of six unassociated tablespoons, of Old English pattern, most with initials engraved to terminals (12)

Length: 24cm, combined weight: 23oz

Length: 20cm, combined weight: 26oz

339

£300-500

£300-500

338

343

A SET OF FOUR GEORGE III TABLESPOONS

A GEORGE III SMALL WAITER

Thomas Northcote 1809, of Old English pattern, with engraved initials to terminal in an oak leaf and acorn border; together with a matched set of three tablespoons, Peter, Anne and William Bateman, London, 1802/06, of Old English pattern, initials engraved to terminal; together with three various Old English pattern tablespoons (10)

Ebenezer Coker, London 1769, with cast shell and gadrooned border, engraved crest to centre, raised on three ball and claw feet Diameter: 17cm, weight: 8.9oz

£300-400

Length: 19.5cm, combined weight: 20.2oz

£300-400

339 A GEORGE III CHAMBERSTICK William Stroud, London 1801, of conventional form, gadrooned border, engraved crest and motto to base, the snuffer also with crest and motto Diameter: 17.5cm (including handle), weight: 11.54oz

£250-350

340 A GEORGE III CREAM HELMET London 1787, John Lambe, of traditional design with bright-cut detail and beaded border; together with a modern octagonal sugar caster, Birmingham 1911, Henry Matthews; a pair of modern salt and peppers, Birmingham 1905; a sugar caster of baluster form, with pierced pull-off lid (loaded); a cased set of fruit knives, Sheffield 1907; a set of motherof-pearl fruit knives and forks Combined weighable silver: 13oz

£300-500

341

59

344 AN EARLY GEORGE III COFFEE POT John Langlands I, Newcastle 1769, of slightly baluster form, leaf clasped scroll spout within a chased border, wooden S-scroll handle, the stepped domed hinged lid with knopped finial

346

Height: 21cm, weight: 16.6oz

£800-1,000

345 A COLLECTION OF HANOVERIAN TABLESPOONS various makers and marks, bottom marked, all with engraved crest or initials to reverse of terminals (qty) Combined weight: 27.7oz

£300-500

346 AN 18TH CENTURY GEM SET SNUFF BOX indistinct marks to interior, modelled as a book titled ‘OVID, DE EARTE, AMANDI’ with later applied multi- gem set panels to cover, including diamonds, opals, sapphires and rubies Width: 6.5cm x 4.3cm, weight: 2oz

£500-800

347 A COLLECTION OF NINETEEN VARIOUS PAIRS OF SUGAR TONGS various marks and patterns, predominantly London, one Chester and one Glasgow (19) Combined weight: 19.9oz

£250-400

348 A GROUP OF TWENTY-THREE PAIRS OF SUGAR TONGS three for Thomas Wheatley, one for Richard Duncan, various dates, all of Fiddle pattern, with engraved initials to heal and another plain of Fiddle pattern; together with three pairs of Victorian sugar tongs, one William IV and thirteen various pairs of Georgian sugar tongs, London, Edinburgh and others, various patterns, bright cut engraved etc. (qty) Combined weight: 25.5oz

£400-600

344

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

60

349 A COLLECTION OF EIGHT OLD ENGLISH PATTERN TABLESPOONS various makers and marks, London, with engraved initials to the terminal; together with a pair of Feather Edge Old English pattern tablespoon London 1773 and another pair of Old English pattern, London 1782 with engraved initials to the terminal, another Aberdeen with three marks, A, three turrets, acorn, engraved initials and feather edge detail (8) Length: 21.5cm, combined weight: 15.8oz

£250-400

350 A GEORGE II COFFEE POT Robert Tyrrill, London 1743, of flared cylindrical form, engraved armorial to the body, S-scroll wooden handle, the hinged domed lid with knopped finial, scratch weight to base 23/10 Height: 23.5cm, weight: 23.8oz

£500-800

351 A WILLIAM III BEAKER John Duck, London 1691, prick engraved 1691 to the rim, of flared tapering form, embossed trailing floral border, presented in a later 18th/ early 19th Century tooled leather casket

350

Height: 9.3cm, weight: 3.8oz

£1,500-2,500

351

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

Above Lot 359

WINE

62

363

352

356

359

CHÂTEAU COUTET 1969

CHÂTEAU LANGOA-BARTON 1982

CHÂTEAU DUCRU BEAUCAILLOU 1990

Premier Grand Cru, OWC, 12 bottles (12)

St Julien, OWC, 12 bottles (12)

St Julien Medoc, OWC, 12 bottles (12)

Provenance: Property of a gentleman, from an Edinburgh New Town wine cellar

Provenance: Property of a gentleman, from an Edinburgh New Town wine cellar

Provenance: Property of a gentleman, from an Edinburgh New Town wine cellar

£400-600

£600-800

£1,200-1,500

353

357

360

CHÂTEAU LEOVILLE POYFERRE 1970

CHÂTEAU MARGAUX 1986

CHÂTEAU MOUTON ROTHSCHILD 1998

St Julien, 9 bottles (9)

Grand Vin, OWC, 12 bottles (12)

OWC, 12 bottles (12)

£300-400

Provenance: Property of a gentleman, from an Edinburgh New Town wine cellar

Provenance: Property of a gentleman, from an Edinburgh New Town wine cellar

354

£1,800-2,200

£1,800-2,200

358

361

CHÂTEAU MARGAUX 1986

MIXED GROUP OF RED WINE

Grand Vin, OWC, 12 bottles (12)

to include eight bottles of Côtes de Rhône Moreau Fontaine 1970; three bottles of Gevrey Chambertin 1964; and a bottle of Gevrey Chambertin 1959 (12)

CHÂTEAU DU COUREAU 1970 twelve bottles; together with a case of Les Deux Rives NV, twelve bottles (24) £300-400

355 CÔTES DE BERGERAC 1979 YVON MAU

Provenance: Property of a gentleman, from an Edinburgh New Town wine cellar

£1,800-2,200

nine bottles (9)

£300-400

£200-400

361

Other fees apply in addition to the hammer price: see the ‘Buyer’s Guide’ section on page 2

63

362 MIXED GROUP OF RED WINE to include two bottles of Château Vannieres, Bandol 1976; five bottles of Château Haut Brion, Premier Cru Classe, 1970; a bottle of Château Beau-Site Grand Cru, 1970, Saint Estephe; and a bottle of Château Baronne Philippe de Rothschild, Pauillac 1982 (9) £400-600

363 MIXED GROUP OF RED WINE to include three bottles of Château Benauge Fontaine, 1905; a bottle of Château Fongaban 1990; a bottle of Château Grand Capron 1979; two bottles of Château La Clare, one 1973 Medoc and a 1982; a bottle of Château Beausejour Saint Emillion Grand Cru 2004; a bottle of Château La Tour Camillac 1973; a bottle of Château Laclude Bordeaux, 1980; a bottle of Château Londenne Medoc 1978; a bottle of Château La Riviere, Fronsac 1992; a bottle of Château St Julien-Beychevelle Medoc 1974: a bottle of Hawkes Bay Cabernet Sauvignon 1985; a bottle of Château d’Angludet 1998; and a bottle of Château Saint- Bonnet Medoc 1980; together with two bottles of Berry’s Good Ordinary Claret; two bottles of Sandeman Claret 1978; and a bottle of The College Claret (qty) £250-400

364

368 CASE OF LES DEUX RIVES

364

twelve bottles; together with ten bottles of Vve Lavalle & Cie Barsac NV (22)

THREE MAGNUMS OF CLARET

£300-400

to include two bottles of Scott ‘Magnum Opus’ Claret 1983 sourced by Robertson of Leith for NLS; and a magnum of Château La Fourqueries, Cotes de Castillon Bordeaux 1983 (3) £200-300

369 1946 DON PX CONVENTO SELECCION TORO ALBALÁ convento series bottle number 46-3, bottle number 804 of 825, with wooden presentation case

365

£100-200

MIXED GROUP OF WINE to include six bottles of Domaine Grange Neuve Bergerac 2007; and twelve bottles of Château du Coureau sweet white 1970 (18) £300-500

366 PART GROUP OF CHÂTEAU L’ENCLOS APELLATION POMEROL bottled by Cockburn Leith 1966, seven bottles; together with two bottles of Ruby Port NV St John’s College Cambridge; a bottle of Graham’s 20-year-old Tawny Port; a bottle of Warres 2004 Quinta Cavadinha Port; and a case of twelve half bottles mixed reds and white table wines (qty) £250-400

367 MIXED GROUP OF DESSERT WINES to include a Sauternes, Henri Lahlot et Cie. 1945; a bottle of Ste -Croix-Du-Mont NV; two bottles of Calvet Barsac 1958; three bottles of Fleur de Vie NV; three bottles of Château Le Pezeau Monbazillac NV; and two bottles of Monbazillac NV (12) £300-500

357

370 MIXED GROUP OF PORT comprising a bottle of 1870 Tarquinio Torquato da Camara Lomelino Old Sercial Solera; a bottle of Scholtz Hermanos Solera 1885 Malaga; a bottle of Warre’s Tercentenary Vintage Port 1970; a bottle of Taylor’s Quinta De Vargellas 1978 Vintage Port; a bottle of Royal Oporto Vinho Do Porto Vintage 1980; a bottle of Dow’s Vintage Port 1985; and a bottle of Cockburn’s Late Bottled Vintage 2004 (7) £400-600

64

CONDITIONS OF SALE FOR BUYERS (UK) These Conditions of Sale and the Saleroom Notices as well as specific Catalogue terms, set out the terms on which we offer the Lots listed in this Catalogue for sale. By registering to bid and/or by bidding at auction You agree to these terms, we recommend that You read them carefully before doing so. You will find a list of definitions and a glossary at the end providing explanations for the meanings of the words and expressions used.

Special terms may be used in Catalogue descriptions of particular classes of items (Books, Jewellery, Paintings, Guns, Firearms, etc.) in which case the descriptions must be interpreted in accordance with any glossary appearing in the Catalogue.

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In these Conditions the words “Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd, the singular includes the plural and vice versa as appropriate.

“You”, “Your” means the Buyer.

Lyon & Turnbull Ltd. acts as agent for the Seller.

A. BEFORE THE SALE 1. DESCRIPTIONS OF LOTS Whilst we seek to describe Lots accurately, it may be impractical for us to carry out exhaustive due diligence on each Lot. Prospective Buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a Lot. Prospective Buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age,Provenance, condition or Estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and only accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the Auctioneer or our employees or agents accept liability for the correctness of such opinions and no warranties, whether relating to description, condition or quality of Lots, express, implied or statutory, are given. Please note that photographs/images provided may not be fully representative of the condition of the Lot and should not be relied upon as indicative of the overall condition of the Lot. All dimensions and weights are approximate only.

2. O UR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS We do not provide any guarantee in relation to the nature of a Lot apart from our authenticity warranty contained in paragraph E.2 and to the extent provided below. (a) Condition Reports: Condition Reports are provided on our Website

21.2

or upon request. The absence of a report does not imply that a Lot is without imperfections. Large numbers of such requests are received shortly before each sale and department specialists and administration will endeavour to respond to all requests although we offer no guarantee. Any statement in relation to the Lot is merely an expression of opinion of the Seller or us and should not be relied upon as an inducement to bid on the Lot. Lots are available for inspection prior to the sale and You are strongly advised to examine any Lot in which You are interested prior to the sale.

Our Condition Reports are not prepared by professional conservators, restorers or engineers. Our Condition Report does not form any contract between us and the Buyer. The Condition Reports do not affect the Buyer’s obligations in any way. (b) Estimates: Estimates are placed on each Lot to help Buyers gauge the sums involved for the purchase of a particular Lot. Estimates do not include the Buyer’s Premium or VAT. Estimates are a matter of opinion and prepared in advance. Estimates may be subject to change and are for guidance only and should not be relied upon. (c) Catalogue Alterations: Lot descriptions and Estimates are prepared in advance of the sale and may be subject to change. Any alterations will be announced on the Catalogue alteration sheet, made available prior to the sale. It is the responsibility of the Buyer to make themselves aware to any alterations which may have occurred.

3. WITHDRAWAL Lyon & Turnbull may, at its discretion, withdraw any Lot at any time prior to or during the sale of the Lot. Lyon & Turnbull has no liability to You for any decision to withdraw.

4. JEWELLERY, CLOCKS & OTHER ITEMS (a) Jewellery: (i) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to enhance their look, through methods such as heating and oiling. These methods are accepted practice but may make the gemstone less strong and/or require special care in future. (ii) All types of gemstones may have been improved by some method. You may request a gemmological report for any Lot which does not have a report if the request is made to us at least three weeks before the date of the sale and You pay the fee for the report in advance of receiving said report. (iii) We do not obtain a gemmological report for every gemstone sold in our sales. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports may be described in the Sale Particulars. Reports will describe any

improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent.

The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. (iv) For jewellery sales, all Estimates are based on the information in any gemmological report or, if no gemmological report is available, You should assume that the gemstones may have been treated or enhanced. (b) Clocks & Watches: All Lots are sold “as seen”, and the absence of any reference to the condition of a clock or watch does not imply the Lot is in good condition and without defects, repairs or restorations. Most clocks and watches will have been repaired during their normal lifetime and may now incorporate additional/newer parts. Furthermore, we make no representation or warranty that any clock or watch is in working order.

As clocks and watches often contain fine and complex mechanisms, Buyers should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.

Buyers should also be aware that we cannot guarantee a watch will remain waterproof if the back is removed.

Buyers should be aware that the importing watches such as Rolex, Frank Muller and Corum into the United States is highly restricted. These watches cannot be shipped to the USA and only imported personally. Clocks may be sold without pendulums, weights or keys. (c) Alcohol: may only be sold to persons aged of 18 years and over. By registering to bid, You affirm that You are at least that age. All collections must be signed for by a person over the age of 18. We Reserve the right to ask for ID from the person collecting. Buyers of alcohol must make appropriate allowances for natural variations of ullages, conditions of corks and wine. We can provide no guarantees as to how the alcohol may have been stored. There is always a risk of cork failure and allowance by the Buyer must be made. Alcohol is sold “as is” and quality of the alcohol is entirely at the risk of the Buyer and no warranties are given. (d) Books-Collation: If on collation any named item in the sale Catalogue proves defective, in text or illustration the Buyer may reject the Lot provided he returns it within 21 days of the sale stating the defect in writing.

This, however, shall not apply in the case of unnamed items, periodicals, autographed letters, music M.M.S., maps, drawings nor in respect of damage to bindings, stains, foxing, marginal worm holes or other defects

not affecting the completeness of the text nor in respect of Defects mentioned in the Catalogue, or at the time of sale, nor in respect of Lots sold for less than £300. (e) Electrical Goods: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. (f) Upholstered items: are sold as “works of art” only and if bought for use must be checked over for compliance with safety regulations (items manufactured prior to 1950 are exempt from any regulations). Use of such goods is entirely at the risk of the Buyer and no warranties as to safety of the goods are given. We provide no guarantee as to the originality of any wood/material contained within the item.

B. REGISTERING TO BID 1. NEW BIDDERS (a) If this is Your first time bidding at Lyon & Turnbull or You are a returning Bidder who has not bought anything from us within the last two years You must register at least 48 hours before an auction to give us enough time to process and approve Your registration.

We may, at our discretion, decline to permit You to register as a Bidder. You will be asked for the following: (i) Individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of Your current address (for example, a current utility bill or bank statement) (ii) Corporate clients: Your Certificate of Incorporation or equivalent document(s) showing Your name and registered address together with documentary proof of directors and beneficial owners, and; (iii) Trusts, partnerships, offshore companies and other business structures please contact us directly in advance to discuss requirements. (b) We may also ask You to provide a financial reference and/or a deposit to allow You to bid. For help, please contact our Finance Department on +44(0)131 557 8844.

2. RETURNING BIDDERS We may at our discretion ask You for current identification as described in paragraph B.1.(a) above, a finance reference or a deposit as a condition of allowing You to bid. If You have not bought anything from us in the last two years, or if You want to spend more than on previous occasions, please contact our Finance Department on +44(0)131 557 8844.

3. F AILURE TO PROVIDE THE RIGHT DOCUMENTS If in our opinion You do not satisfy our Bidder identification and registration procedures including, but not limited to, completing any anti-money laundering and/or anti-terrorism

65 financing checks we may require to our satisfaction, we may refuse to register You to bid, and if You make a successful bid, we may cancel the contract between You and the Seller.

4. BIDDING ON BEHALF OF ANOTHER PERSON (a) As an authorised Bidder: If You are bidding on behalf of another person, that person will need to complete the registration requirements above before You can bid, and supply a signed letter authorising You to bid for him/ her. (b) As agent for an undisclosed principal: If You are bidding as an agent for an undisclosed principle (the ultimate Buyer(s)) You accept personal liability to pay the Purchase Price and all other sums due, unless it has been agreed in writing with us before commencement of the auction that the Bidder is acting as an agent on behalf of a named third party acceptable to us and we will seek payment from the named third party.

5. BIDDING IN PERSON If You wish to bid in the saleroom You must register for a numbered bidding paddle before You begin bidding. Please ensure You bring photo identification with You to allow us to verify Your registration.

6. BIDDING SERVICES The bidding services described below are a free service offered as a convenience to our clients and we are not responsible for any error (human or otherwise), omission or breakdown in providing these services. (a) Phone bids Your request for this service must be made no later than 12 hours prior to the auction. We will accept bids by telephone for Lots only if our staff are available to take the bids. If You need to bid in a language other than English You should arrange this Well before the auction. We do not accept liability for failure to do so or for errors and omissions in connections. (b) Internet Bids For certain auctions we will accept bids over the internet. For more information please visit our Website.

We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the internet or software malfunctions related to execution of online bids/ live bidding. (c) Written Bids While prospective Buyers are zgly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall, if so instructed, clearly and in writing execute bids on their behalf. Neither the Auctioneer nor our employees nor agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we Reserve the right in our absolute discretion to prefer the first bid so

made. Bids must be expressed in the currency of the saleroom. The Auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the Reserve. If You make a written bid on a Lot which does not have a Reserve and there is no higher bid than Yours, we will bid on Your behalf at around 50% of the lower Estimate or, if lower, the amount of Your bid.

C. DURING THE SALE 1. ADMISSION TO OUR AUCTIONS We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. We may refuse admission at any time before, during or after the auction.

2. RESERVES Unless indicated by an insert symbol (∆), all Lots in this Catalogue are offered subject to a Reserve. A Reserve is the confidential Hammer Price established between us and the Seller. The Reserve is generally set at a percentage of the low Estimate and will not exceed the low Estimate for the Lot. 3. AUCTIONEER’S DISCRETION The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the Buyer and any dispute shall be settled at the Auctioneer’s absolute discretion. The Auctioneer may move the bidding backwards of forwards in any way he or she may decide or change the order of the Lots.

The Auctioneer may also; refuse any bid, withdraw any Lot, divide any Lot or combine any two or more Lots, reopen or continuing bidding even after the hammer has fallen.

4. BIDDING The Auctioneer accepts bids from: (a) Bidders in the saleroom; (b) Telephone Bidders, and internet Bidders through Lyon & Turnbull Live or any other online bidding platform we have chosen to list on and; (c) Written bids (also known as absentee bids or commission bids) left with us by a Bidder before the auction.

5. BIDDING INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion.

6. CURRENCY CONVERTER The saleroom video screens and bidding platforms may show bids in some other major currencies as Well as sterling. Any conversion is for guidance only and we cannot be bound be any rate of exchange used. We are not responsible for any error (human or otherwise) omission or breakdown in providing these services.

7. SUCCESSFUL BIDS Unless the Auctioneer decides to use their discretion as set out above, when the Auctioneer’s hammer falls, we have accepted the last bid. This means a contract for sale has been formed between the Seller and the successful Bidder. We will issue an invoice only to the registered Bidder who made the successful bid. While

we send out invoices by post/or email after the auction, we do not accept responsibility for telling You whether or not Your bid was successful. If You have bid by written bid, You should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of our bid to avoid having to pay unnecessary storage charges.

8. RELEVANT LEGISLATION You agree that when bidding in any of our sales that You will strictly comply with all relevant legislation including local laws and regulations in force at the time of the sale for the relevant saleroom location.

D. THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY 1. THE PURCHASE PRICE For each Lot purchased a Buyer’s Premium of 25% of the Hammer Price of each Lot up to and including £300,000, plus 20% from £300,001 thereafter. VAT at the appropriate rate is charged on the Buyer’s Premium.

No VAT is payable on the Hammer Price or premium for printed books or unframed maps bought at auction.

Live online bidding may be subject to an additional premium (level dependent on the live bidding service provider chosen). This additional premium is subject to VAT at the appropriate rate as above.

2. VALUE ADDED TAX Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable

by Buyers of relevant Lots. Please see D.2(e) for the conditions to be fulfilled before the VAT charged on the Hammer Price may be cancelled or refunded upon exporting from the UK. (a) Lots affixed with (†): Value Added Tax on the Hammer Price and Buyer’s Premium is imposed by law on all items affixed with a dagger (†). This imposition of VAT maybe because the Seller is registered for VAT within the UK and is not operating under a Margin Scheme. (b) Lots affixed with (‡): A reduced rate of Import Value Added Tax on the Hammer Price of 5% is payable. This indicates that a Lot has been imported from outwit the UK. (c) Lots affixed with [Ω]: Standard rate of 20% of Import Value Added Tax on the Hammer Price and premium is payable. This applies to items that have been imported from outwit the UK and do not fall within the reduced rate category. (d) Lots affixed with [Ω] or ‡ when these lots are released to buyers in the UK, the buyer will become the importer and must pay us Lyon & Turnbull Ltd. the import VAT at the rates noted above on the hammer price. The buyer should also note that the appropriate rate will be that in force on the date of our release and not that in force at the date of auction or payment. (e) Export from the UK: For lots

offered under the VAT Margin Scheme and lots with [Ω] or ‡ symbols attached; you may be eligible to have a VAT refund in certain circumstances if the lot is exported. Should you show us proof of export within three months of collection a VAT refund may be arranged. No VAT amounts will be refunded where the total refund is under £100. Bank/transfer charges relating to any refund will be borne by the buyer and will not be reimbursed.

Please also note that all customs formalities of the destination country are the responsibility of the buyer.

3. A RTIST’S RESALE ROYALTY (DROIT DE SUITE) This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006. We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012 this applies to living artists and artists who have died in the last 70 years. This royalty will be charged to the Buyer on the Hammer Price and in addition to the Buyer’s Premium. It will not apply to works where the Hammer Price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale. All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the Auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk.

E. WARRANTIES 1. SELLER’S WARRANTIES For each Lot, the Seller gives a warranty that the Seller; (a) Is the owner of the Lot or a joint owner of the Lot acting with the permission of the other co-owners, or if the Sellers is not the owner of or a joint owner of the Lot, has the permission of the owner to sell the Lot, or the right to do so in law, and; (b) Had the right to transfer ownership of the Lot to the Buyer without any restrictions or claims by anyone else.

If either other above warranties are incorrect, the Seller shall not have to pay more than the Purchase Price (as defined in the glossary) paid by You to us. The Seller will not be responsible to You for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expense.

The Seller gives no warranty in relation to any Lot other than as set out above and, as far as the Seller is allowed by law, all warranties from the Seller to You, and all obligations upon the Seller which may be added to this agreement

66 by law, are excluded.

2. AUTHENTICITY GUARANTEE We guarantee that the authorship, period, or origin (collectively, “Authorship”) of each Lot in this Catalogue is as stated in the BOLD or CAPITALISED type heading in the Catalogue description of the Lot, as amended by oral or written saleroom notes or announcements. We make no warranties whatsoever, whether express or implied, with respect to any material in the Catalogue other than that appearing in the Bold or Capitalised heading and subject to the exclusions below.

In the event we, in our reasonable opinion, deem that the conditions of the authenticity guarantee have been satisfied, it shall refund to the original purchaser of the Lot the Hammer Price and applicable Buyer’s Premium paid for the Lot by the original purchaser.

This Guarantee does not apply if: (a) The Catalogue description was in accordance with the opinion(s) of generally accepted scholar(s) and expert(s) at the date of the sale, or the Catalogue description indicated that there was a conflict of such opinions; or (b) the only method of establishing that the Authorship was not as described in the Bold or Capitalised heading at the date of the sale would have been by means or processes not then generally available or accepted; unreasonably expensive or impractical to use; or likely (in our reasonable opinion) to have caused damage to the Lot or likely to have caused loss of value to the Lot; or (c) There has been no material loss in value of the Lot from its value had it been in accordance with its description in the Bold or Capitalised type heading.

This Guarantee is provided for a period of one year from the date of the relevant auction, is solely for the benefit of the original purchaser of the Lot at the auction and may not be transferred to any third party. To be able to claim under this Authenticity Guarantee, the original purchaser of the Lot must: (a) notify us in writing within one month of receiving any information that causes the original purchaser of record to dispute the accuracy of the Bold or Capitalised type heading, specifying the Lot number, date of the auction at which it was purchased and the reasons for such dispute; and (b) return the Lot to our registered office in the same condition as at the date of sale to the original purchaser of record and be able to transfer good title to the Lot, free from any third party claims arising after the date of such sale.

We have discretion to waive any of the above requirements. We may require the original purchaser of the Lot to obtain, at the original purchaser of Lot’s cost, the reports of two independent and recognised experts in the field. The reports must be mutually acceptable to us and the original purchaser of the Lot. We shall not be

bound by any reports produced by the original purchaser of the Lot, and Reserves the right to seek additional expert advice at its own expense. It is specifically understood and agreed that the rescission of a sale and the refund of the original Purchase Price paid (the successful Hammer Price, plus the Buyer’s Premium) is exclusive and in lieu of any other remedy which might otherwise be available as a matter of law. Lyon & Turnbull and the Seller shall not be liable for any incidental or consequential damages incurred or claimed, including without limitation, loss of profits or interest.

3. YOUR WARRANTIES (a) You warrant that the funds used for settlement are not connected with any criminal activities, including tax evasion and You are neither; under investigation, have been charged with or convicted of money laundering, terrorist activities or other crimes. (b) Where You are bidding on behalf of another person You warrant that: (i) You have conducted appropriate customer due diligence on the ultimate Buyer(s) of the Lot(s) in accordance with all relevant anti-money laundering legislation, consent to us relying on this due diligence, and You will retain for a period of not less than five years the documentation evidencing the due diligence. You will make such documentation promptly available for immediate inspection by a third party auditor upon our written request to do so; (ii) The arrangements between You and the ultimate Buyer(s) in relation to the Lot or otherwise do not, in whole or in part, facilitate tax crimes, and; (iii) You do not know, and have no reason to suspect that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion, or that the ultimate Buyer(s) are under investigation or have been charged with or convicted of money-laundering, terrorist activities, or other crimes.

F. PAYMENT 1. MAKING PAYMENT (a) Within 7 days of a Lot being sold You will pay to us the Total Amount Due in cash or by such other method as is agreed by us. We accept cash, bank transfer (details on request), debit cards and Visa or MasterCard credit cards. Please note that we do not accept cash payments over £5,000 per Buyer per year. (b) Any payments by You to us can be applied by us towards any sums owing

by You to us howsoever incurred and without agreement by You or Your agent, whether express or implied. (c) We will only accept payment from the registered Bidder. Once issued, we cannot change the Buyer’s name on an invoice or re-issue the invoice in a different name. (d) The ownership of any Lots purchased shall not pass to You until You have made payment in full to us of the Total Amount Due. The risk in

and the responsibility for the Lot will transfer to You from whichever is the earlier of the following: (i) When You collect the Lot; or (ii) At the end of the 30th day following the date of the auction, or, if earlier, the date the Lot is taken into care by a third party unless we have agreed otherwise with You in writing. (e) You shall at Your own risk and expense take away any Lots that You have purchased and paid for not later than 7 working days following the day of the auction or upon the clearance of any cheque used for payment whichever is later. We can provide You with a list of shippers. However, we will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. (f) No purchase can be claimed or removed until it has been paid for. (g) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. (h) If you agree to our pack and send service (if applicable) payment of shipping fees must be made prior to us posting. Any shipping fee will be inclusive of VAT. 2. IN THE EVENT OF NON-PAYMENT If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the Sellers and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against You for damages for breach of contract; (b) To rescind the contract for sale of that Lot and/or any other Lots sold by us to You; (c) To resell the Lot(s) (by auction or private treaty) in which case You shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). (d) To remove, store and insure the Lot in the case of storage, either at our premises or elsewhere and to recover from You all costs incurred in respect thereof; (e) To charge interest at a rate of 5% a year above the Bank of Scotland base rate from time to time on all sums outstanding for more than 7 working days after the sale; (f) To retain that or any other Lot sold to You until You pay the Total Amount Due; (g) To reject or ignore bids from You or Your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or which become due to You towards the settlement of the Total Amount Due by You and to exercise a lien over any of Your

property in our possession for any purpose until the debt due is satisfied.

You will be deemed to have granted such security to us and we may retain such property as collateral security for Your obligations to us; we may decide to sell Your property in any way we think appropriate. We will use the proceeds of the sale against any amounts You owe us and we will pay any amount left from that sale to You. If there is a shortfall, You must pay us the balance; and (i) Take any other action we see necessary or appropriate.

G. COLLECTION & STORAGE (1) It is the Buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main sale room and the potential storage charges for Lots not collected by the appropriate time. Information on collection is set out in the Catalogue and our Website (2) Unless agreed otherwise, You must collect purchased Lots within seven days from the auction. Please note the Lots will only be released upon full payment being received.

(3) If You do not collect any Lot within seven days following the auction we can, at our discretion; (i) Charge You storage costs at the rates set out on our Website. (ii) Move the Lot to another location or an affiliate or third party and charge You transport and administration costs for doing so and You will be subject to the third party storage terms and pay for their fees and costs. (iii) Sell the Lot in any way we think reasonable.

H. TRANSPORT & SHIPPING 1. TRANSPORT AND SHIPPING (a) We will include transport and shipping information with each invoice sent to You as well as displayed on our Website. You must make all transport and shipping arrangements. (b) We offer a limited pack and send service using Royal Mail on small jewellery items. When items leave our premises and are in transit via postal service We are not responsible for any damage or loss incurred. We are also not responsible for making any claim regarding loss or damage to items. A tracking reference number will be issued which can be used to raise a claim with the relevant shipping provider.

2. EXPORT OF GOODS Buyers intending to export goods should ascertain; (a) Whether an export licence is required; and (b) Whether there is any specific prohibition on importing goods of that character, e.g. items that may contain prohibited materials such as ivory or rhino horn. It is the Buyer’s sole responsibility to obtain any relevant export or import licence. The denial of any licence or any delay in obtaining licences shall neither justify the recession of any sale not any delay in making full payment for the Lot.

67 3. CITES: ENDANGERED PLANTS AND ANIMALS LEGISLATION Please be aware that all Lots marked with the symbol Y may be subject to CITES regulations when exporting these items outside the EU. These regulations may be found at http:// www.defra.gov.uk/ahvla-en/importsexports/cites We accept no liability for any Lots which may be subject to CITES but have not be identified as such.

I. OUR LIABILITY TO YOU (a) We give no warranty in relation to any statement made, or information give, by us, our representatives or employees about any Lot other than as set out in the authenticity warranty and as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are exclude. The Seller’s warranties contained in paragraph E.1 are their own and we do not have a liability in relation to those warranties. (b) (i) We are not responsible to You for any reason whether for breaking this agreement or any other matter relating to Your purchase of, or bid for, any Lot other than in the event of fraud or fraudulent misrepresentation by us other than as expressly set out in these conditions of sale; or (ii) We do not give any representation, warranty or guarantee or assume any liability for a kind in respect of any Lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium,Provenance, exhibition history, literature or historical relevance, except as required by local law, any warranty of any kind is excluded by this paragraph. (c) in particular, please be aware that our written and telephone bidding services, Lyon & Turnbull Live, Condition Reports, currency converter and saleroom video screens are free services and we are not responsible for any error (human or otherwise) omission or breakdown in these services. (d) We have no responsibility to any person other than a Buyer in connection with the purchase of any Lot (e) If in spite of the terms of this paragraph we are found to be liable to You for any reason, we shall not have to pay more than the Purchase Price paid by You to us. We will not be responsible for any reason for loss of profits, business, loss of opportunity or value, expected savings or interest, costs damages or expenses.

J. OTHER TERMS 1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained in this agreement, we can cancel the sale of a Lot if; (i) Any of our warranties are not correct, as set out in paragraph E3, (ii) We reasonably believe that completing the transaction is or may be

unlawful; or (iii) We reasonably believe that the sale places us or the Seller under any liability to anyone else or may damage our reputation.

2. RECORDINGS We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law if You do not wish to be videotaped, You may make arrangements to bit by telephone or a written bid or bid on Lyon & Turnbull Live instead. Unless we agree otherwise in writing, You may not videotape or record proceedings at any auction.

3. COPYRIGHT We own the copyright in respect of all images, illustrations and written material produced by or for us relating to a Lot. (Including Catalogue entries unless otherwise noted in the Catalogue) You cannot use them without our prior written permission.

We do not offer any guarantee that You will gain any copyright or other reproductions to the Lot. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as deleted and the rest of this agreement will remain in force.

5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer Your rights of responsibilities under these terms on the contract of sale with the Buyer unless we have given our written permission. This agreement will be binding on Your successors or estate and anyone who takes over Your rights and responsibilities.

6. REPORTING ON WWW.LYONANDTURNBULL.COM Details of all Lots sold by us, including Catalogue disruptions and prices, may be reported on www.lyonandturnbull. com. Sales totals are Hammer Price plus Buyer’s Premium and do not reflect any additional fees that may have been incurred. We regret we cannot agree to requests to remove these details from our Website.

7. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply to sales by private treaty. (b) Private treaty sales made under these Conditions are deemed to be sales by auction and subject to our agreed charges for Sellers and Buyers. (c) We undertake to inform the Seller of any offers it receives in relation to an item prior to any Proposed Sale, excluding the normal method of commission bids. (d) For the purposes of a private treaty sale, if a Lot is sold in any other currency than Sterling, the exchange rate is to be taken on the date of sale.

8. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the premises, safety and security arrangements. Accordingly, neither the Auctioneer nor our employees or agents shall incur liability for death or personal injury or similarly for the safety of the property of persons visiting prior to, during or after a sale.

9. DATA PROTECTION Where we obtain any personal information about You, we shall use it in accordance with the terms of our Privacy Policy (subject to any additional specific consent(s) You may have given at the time Your information was disclosed). A copy of our Privacy Policy can be found on our Website www.lyonandturnbull.com or requested from Client Services, 33 Broughton Place, Edinburgh, EH1 3RR or by email from data enquiries@ lyonandturnbull.com.

10. FORCE MAJEURE We shall be under no liability if they shall be unable to carry out any provision of the Contract of Sale for any reason beyond their control including (without limiting the foregoing) an act of God, legislation, war, fire, flood, drought, failure of power supply, lock-out, strike or other action taken by employees in contemplation or furtherance of a dispute or owing to any inability to procure materials required for the performance of the contract.

11. LAW AND JURISDICTION (a) Governing Law: These Conditions of Sale and all aspects of all matters, transactions or disputes to which they relate or apply shall be governed by, and interpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts of Scotland are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale relate or apply.

K. DEFINITIONS & GLOSSARY The following words and phrases used have (unless the context otherwise requires) the meaning to given to them below. The go Glossary is to assist You to understand words and phrases which have a specific legal meaning which You may not be familiar with.

1. DEFINITIONS “Auctioneer” Lyon & Turnbull Ltd (Registered in Scotland No: 191166 | Registered address: 33 Broughton Place, Edinburgh, EH1 3RR) or it’s authorised representative conducting the sale, as appropriate; “Bidder” a person who has completed a Bidding Form “Bidding Form” our Bidding Registration Form our Absentee Bidding Form or our Telephone Bidding Form.

“Buyer” the person to whom a Lot is knocked down by the Auctioneer. The Buyer is also referred to by the words

“You” and “Your” “Buyer’s Premium” the sum calculated on the Hammer Price at the rates stated in Catalogue.

“Catalogue” the Catalogue relating to the relevant Sale, including any representation on our Website “Condition Report” the report on the physical condition of a Lot provided to a Bidder or potential Bidder by us on behalf of the Seller.

“Estimate” a statement of our opinion of the range within the hammer is likely to fall.

“Hammer Price” the level of bidding reached (at or above any Reserve) when the Auctioneer brings down the hammer; “High Cumulative Value of Lot” several Lots with a total lower Estimate value of £30,000 or above; “High Value Lot” a Lot with a lower Estimate of £30,000 or above; “Lot” each Item offered for sale by Lyon & Turnbull; “Purchase Price” is the aggregate of Hammer Price and any applicable Buyer’s Premium, VAT on the Hammer Price (where applicable), VAT on the Buyer’s Premium and any other applicable expenses; “Reserve” the lowest price below which an item cannot be sold whether at auction or by private treaty; “Sale” the auction sale at which a Lot is to be offered for sale by us.

“Seller” the person who offers the Lot for Sale. We act as agent for the Seller.

“Total Amount Due” the Hammer Price in respect of the Lot sold together with any premium, Value Added Tax or other taxes chargeable and any additional charges payable by a defaulting Buyer under these Conditions; “VAT” value added tax at the prevailing rate at the date of the sale in the United Kingdom.

“Website” Lyon & Turnbull’s Website at www.lyonandturnbull.com 2. GLOSSARY The following have specific legal meaning which You may not be familiar with. The following glossary is intended to give You an understanding of those expressions but is not intended to restrict their legal meanings: “Artist’s Resale Right” the right of the creator of a work of art to receive a payment on Sales of that work subsequent to “Knocked Down” when a Lot is sold to a Bidder, indicated by the fall of the hammer at the Sale.

“Lien” a right for the person who has possession of the Lot to retain possession of it.

“Risk” the possibility that a Lot may be lost, damaged, destroyed, stolen, or deteriorate in condition or value.

“Title” the legal and equitable right to the ownership of a Lot.

21.2

68

GUIDE TO BIDDING & PAYMENT REGISTRATION

HOW TO BID

PAYMENT

All potential buyers must register prior to placing a bid. Registration information may be submitted in person at our registration desk, by email, or on our website. Please note that first-time bidders, and those returning after an extended period, will be asked to supply the following documents in order to facilitate registration:

BY PHONE

Our accounts teams will continue to be available to process payments and answer queries. We will be able to accept online payments through our website and bank transfer. There will be no on-site payment facilities and no cash accepted as all our venues are closed to the public.

1–G overnment issued photo ID (Passport/Driving licence) 2–P roof of address (utility bill/bank statement).

We may, at our option, also ask you to provide a bank reference and/or deposit.

By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted our Conditions of Sale.

BIDDING Registered bidders will be assigned a non-transferable bidder number.

Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. All lots will be invoiced to the name and address given during your registration.

A limited number of telephone lines are available for bidding by phone through a Lyon & Turnbull representative. Phone lines must be reserved in advance. All bid requests must be received an hour before the sale. All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call.

We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities. This service is available entirely at our discretion and at the bidder’s risk.

ON THE INTERNET - ABSENTEE BIDDING Leave a bid online through our website, call us on 0131 557 8844 or email info@lyonandturnbull.com - BID LIVE ONLINE Bid live online, for free, with Lyon & Turnbull Live. Just click the button from the auction calendar, sale page or any lot page online to register.

Payment is due within seven (7) days of the sale. Lots purchased will not be released until full payment has been received. Payment may be made by the following methods: BANK TRANSFER Account details are included on any invoices we issue or upon request from our accounts department.

ONLINE CREDIT OR DEBIT CARD PAYMENTS We no longer accept card payments by phone. Please use our online payment service (provided by Opayo).

You will find a link to this service in any email invoice issued or you can visit the payments section of our website.

CASH No cash payments will be accepted for this auction.

COLLECTION OF PURCHASED LOTS Please refer to page 2 of this catalogue.

Inside Back Cover: Lot 346

LO NDO N | E D IN BURGH | GLA S GO W LYON AN DTUR N BULL .C OM