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Decorative Arts Design from 1860 Wednesday, 7th November, 2012 33 Broughton Place Edinburgh

Decorative Arts Design from 1860 Wednesday, 7th November, 2012 11am Sale Number LT365

Viewing Sunday, 4th November, 2012 12 noon - 4pm Monday, 5th November, 2012 10am - 5pm Tuesday, 6th November, 2012 10am - 5pm Morning of Sale from 9am Specialist John Mackie john.mackie@lyonandturnbull.com +44 (0)131 557 8844

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter per lot. VAT will be charged on the premium at the rate imposed by law. †20% VAT chargeable on the lot itself *5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

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LY O N & T U R N B U L L Important information for buyers

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died in the last 70 years.

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can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice. Switch or Credit Cards

This symbol § indicates works which

Condition Reports

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payments.

collect a royalty payment for all

as quickly as possible. These are for

must be received at the very latest

Collection

qualifying works of art. Under new

guidance only and all lots are sold

at least an hour before the sale. We

It is the buyer’s responsibility to

legislation which came into effect on

‘as found’ (see our standard Terms

will do our utmost to execute these

ascertain collection procedures,

1st January 2012, this applies to

and Conditions of Sale).

bids but we offer this service entirely

particularly if the sale is not being

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held at our main saleroom.

LY O N & T U R N B U L L Order of Sale

Lot Numbers

WEDNESDAY 18TH APRIL at 11am 1-18

ART GLASS

19-162

BRITISH CERAMICS

166-171

OTHER CERAMICS

172-177

JEWELLERY

178-205

SILVER & PEWTER WARES

206-236

OTHER METALWARES

237-247

LIGHTING & MISCELLANEOUS

248-252

BRONZES & SCULPTURE

259-263

TEXTILES

264-277

PICTURES

278-282

BOOKS & MANUSCRIPTS

283-285

STAINED & ETCHED GLASS

258-315

FURNITURE

CERAMICS AND GLASS: Please note that damage and/or restoration is indicated in the catalogue at our discretion. We are pleased to provide condition reports on all lots for those who cannot view in person

INTERNET SERVICE: For colour illustrations of all lots in this sale please consult our website at www.lyonandturnbull.com

Art Glass

1 FE159/1 LOETZ, AUSTRIA IRIDESCENT GLASS AND PEWTER MOUNTED VASE, CIRCA 1900 the lemon yellow glass vase with peacock iridescence within a mount cast with a frieze of fruiting vines and to the base with maidens 20.5cm high

£1,000-1,500

2 FD610/1A LEGRAS & CIE ETCHED AND ENAMELLED GLASS VASE, CIRCA 1910 of square tapering form, decorated with a continuous landscape of fir trees and mountains, marked LEGRAS 16.5cm high

£200-300

3 FD610/1 LEGRAS & CIE PAIR OF ETCHED AND ENAMELLED GLASS SOLIFLEUR VASES, CIRCA 1910 each of square tapering form, decorated with a shepherd and sheep in a landscape, each marked LEGRAS (2) 18cm high

£150-250

4 FD34/15 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ‘IKORA’ GLASS BOWL, EARLY 20TH CENTURY of circular form with orange, green and yellow fractured decoration 31cm diameter

£100-200

5 FD34/6 ART DECO STYLE COLLECTION OF GLASS PERFUME BOTTLES, CONTEMPORARY comprising a large faceted bottle and stopper with chromium mounts, within a fitted box, 23cm high; and three further glass and chromium mounted scent bottles (4) £200-300

LY O N & T U R N B U L L Decorative Arts

7 R. LALIQUE ‘OLERON’ FROSTED AND OPALESCENT GLASS VASE, DESIGNED 1927 allover fish design with traces of original blue stain, etched script mark R. LALIQUE/ FRANCE/ NO. 1008 9.1cm high

6 R. LALIQUE ‘HOUPPES’ OPALESCENT AND CLEAR GLASS POWDER BOWL AND COVER, DESIGNED 1921 moulded mark to cover R. LALIQUE

£800-1,200

14cm diameter

£400-600

8 R. LALIQUE ‘LYS’ CLEAR, FROSTED AND AMBER TINTED SHALLOW BOWL of circular form, moulded with three flowerheads on stem feet, wheel etched mark R. LALIQUE/ FRANCE/ NO. 383

9 R. LALIQUE ‘ORMEAUX’ PATTERN CLEAR AND FROSTED GLASS PLATE, INTRODUCED 1931 of circular form moulded with spirally radiating bands, stencil etched mark R.LALIQUE/ FRANCE

21.5cm diameter

31.5cm diameter

£200-300

LY O N & T U R N B U L L Decorative Arts

10 R. LALIQUE ‘BACCHANTES’ FROSTED GLASS VASE, INTRODUCED 1927 moulded in high relief with figures of female nudes, and embellished with original sepia patination, stencil etched mark R. LALIQUE/ FRANCE 24.5cm high

£6,000-8,000

LY O N & T U R N B U L L Decorative Arts

11 FE163/14 LALIQUE ‘FEMMES ANTIQUES’ CLEAR AND FROSTED GLASS DECANTER SET, MID 20TH CENTURY comprising a decanter and stopper and four matching tumblers, each moulded with panels of classical maidens, etched maker’s marks (5) decanter 26cm high

£400-600

12 FD711/1 R. LALIQUE ‘GUI’ OPLAESCENT GLASS VASE, DESIGNED 1920 of ovoid form moulded with mistletoe, etched script mark R. LALIQUE/ FRANCE/ NO. 948, damages 16cm high

13 FE165/1 R. LALIQUE ‘BOURGUEIL’ PATTERN CLEAR AND FROSTED GLASS DECANTER AND STOPPER, INTRODUCED 1930 of tapering form moulded with serrated bands, stencil etched mark R.LALIQUE

14 FE165/3 R. LALIQUE ‘ONDES NO.2’ PATTERN OPALESCENT GLASS PLATE, INTRODUCED 1935 of circular form moulded with spirally radiating bands, stencil etched mark R.LALIQUE/ FRANCE

15 FE165/4 R. LALIQUE ‘FLEURONS NO.2’ PATTERN OPALESCENT GLASS BOWL, INTRODUCED 1935 of circular form moulded with spirally radiating bands, stencil etched mark R.LALIQUE/ FRANCE

£200-300

24cm high

27.6cm diameter

25.3cm diameter

£200-300

LY O N & T U R N B U L L Decorative Arts

16 FE84/2 R. LALIQUE ‘FORMOSE’, FROSTED AND OPALESCENT GLASS VASE, DESIGNED 1924 of ovoid form moulded with fish, etched script marks R. LALIQUE/ FRANCE 17.2cm high

£1,000-1,500

17 FE590/1 LALIQUE THREE CLEAR AND FROSTED GLASS WARES, POST 1945 including a BOX AND COVER, with leaf clasps to the sides, 12cm across; an ASHTRAY, with moulded mask frieze, 11cm across; and another ASHTRAY, moulded with a swan, 9cm across, each with script etched mark LALIQUE/ FRANCE (3) £200-300

18 FE107/130 GROUP OF GLASS WARES, CIRCA 1950 comprising an ORREFORS GLOBULAR BOWL, etched marks 2611, 19.5cm diameter; ANOTHER SMALLER, etched marks 4304/131, 16cm diameter; an ORREFORS OBLONG VASE, etched with a girl feeding geese, by Sven Palmquist, etched marks 4304/131, 12.5cm high; an ORREFORS LOBED BOWL, etched marks 4361-131, 19.5cm wide; an ORREFORS LOBED CRYSTAL

VASE, 26cm high; an OBLONG VASE, etched with a girl with a bowl, etched mark, 12.5cm high; an ORREFORS OBLONG VASE, etched with scene from Romeo & Juliet, etched mark W3141.111.P8.RP, 20.5cm high; another OBLONG VASE, etched with swimming fish, etched marks * KUNSTGLASS/ E.W.310/83, 13cm high; a VAL ST. LAMBERT GLASS LAMP BASE, and THREE OTHERS SIMILAR (12)

19 FC170/1 SAM HERMAN FREEFORM STUDIO GLASS VASE, DATED 1982 of globular form with inverted rim, trailing gilt and opalescent inclusions, etched marks to base SAMUEL J HERMAN/ 1982/ CM13 18cm high

£300-500

£200-300

British Ceramics

20 FE103/6 WEMYSS WARE ‘EARLSHALL’ MUG, CIRCA 1915 painted with a house in a garden with peacocks, love hearts, potted plants and topiary, and bearing the inscription A LITTLE HEALTH A LITTLE WEALTH A LITTLE HOUSE WITH FREEDOM AND AT THE END A LITTLE FRIEND WITH LITTLE CAUSE TO NEED HIM. impressed marks WEMYSS 14cm high

£800-1,200

21 FE103/3 WEMYSS WARE ‘MALLARDS’ TANKARD, CIRCA 1900 impressed mark WEMYSS 14cm high Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p. 79, pl. 99 for a similar example

£300-500

22 FE103/1 KAREL NEKOLA (1857-1915) FOR ROBERT HERON & SONS ‘WEMYSS WARE’ TUB FLOWER POT, CIRCA 1910 painted with lilies, white and pink cabbage roses and daisies on a royal blue ground, impressed mark WEMYSS, painted mark T. GOODE & CO./ LONDON, one handle restored 27.5cm high Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p. 103, pl. 199

£1,000-1,500

LY O N & T U R N B U L L Decorative Arts

23 FE119/9 WEMYSS WARE ‘CABBAGE ROSES’ SMALL PIG FIGURE, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S. 16cm long

£400-600 24 FE119/10 WEMYSS WARE SMALL PIG FIGURE, CIRCA 1900 covered in a green glaze, impressed mark WEMYSS WARE/ R.H.&S. 16cm long

£200-300 25 FE119/11 WEMYSS WARE ‘SHAMROCKS’ SMALL PIG FIGURE, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S., restored ears

26 FE166/3 WEMYSS WARE ‘LANGTOUN’ SMALL PIG FIGURE, 1920S painted mark W65, hairline to front trotter 16.5cm long

£200-300 27 FE166/4 WEMYSS WARE RARE SMALL PIG MONEY BOX FIGURE, DATED 1915 decorated by James Sharp with cabbage roses and inscribed JOHN ROSS/ 11 JULY/ 1915, painted and impressed mark WEMYSS 16cm long

£800-1,200

16cm long

£200-300

LY O N & T U R N B U L L Decorative Arts

28 FE103/4 WEMYSS WARE ‘BLACK COCKEREL’ BON JOUR CHOCOLATE POT & COVER, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S., printed retailer’s mark 12.5cm high

£400-600

29 FE119/1 WEMYSS WARE ‘BLACK COCKEREL AND HENS’ COMB TRAY, CIRCA 1900 bearing inscription GOOD MORNING, impressed mark WEMYSS, hairline 25cm across

£200-300

30 FE119/2 WEMYSS WARE ‘BROWN COCKEREL AND HENS’ SERVING PLATE, CIRCA 1900 bearing printed T. Goode &Co. retailer’s mark 24.5cm across

£180-220

LY O N & T U R N B U L L Decorative Arts

31 FE119/6 WEMYSS WARE ‘BROWN COCKEREL AND HENS’ TEAPOT & COVER, EARLY 20TH CENTURY decorated by Joe Nekola, bears inscription BON JOUR, painted marks WEMYSS 13cm high

£200-300

32 FE119/8 WEMYSS WARE ‘BLACK COCKEREL AND HENS’ SMALL MUG, EARLY 20TH CENTURY bears impressed marks WEMYSS 9cm high

£200-300

33 FE119/4 WEMYSS WARE ‘BROWN COCKEREL AND HENS’ HEART SHAPED INKSTAND, CIRCA 1900 covers and liners lacking, impressed mark WEMYSS WARE/ R.H.&S., 18cm long; and a WEMYSS WARE BEAKER VASE, in the same pattern, impressed mark WEMYSS, 11cm high (2) £180-220

34 FE119/5 WEMYSS WARE ‘BROWN COCKEREL AND HENS’ MILK JUG, EARLY 20TH CENTURY impressed mark WEMYSS WARE/ R.H.&S., 18cm long; and a WEMYSS WARE BEAKER VASE, in the same pattern, impressed mark WEMYSS, 11cm high (2) £300-400

35 FE119/7 WEMYSS WARE ‘BLACK COCKEREL AND HENS’ TEAPOT & COVER, EARLY 20TH CENTURY decorated by Joe Nekola, bears inscription BON JOUR, painted marks WEMYSS, 12cm high, restored; and a WEMYSS WARE INKSTAND, decorated in the same pattern, later covers, liners lacking, impressed mark WEMYSS WARE/ R.H.&S., 26cm wide (2)

36 FE103/2 WEMYSS WARE ‘GERANIUMS’ SMALL BASKET, CIRCA 1900 impressed marks WEMYSS WARE/ R.H.&S., restored handle 20cm long

£200-300

£150-250

LY O N & T U R N B U L L Decorative Arts

37 FE166/2 WEMYSS WARE ‘DAFFODILS’ STATIONERY RACK, CIRCA 1900 decorated by James Sharp, incised mark WEMYSS, minor hairlines 22cm across Exhibited: London, Thomas Goode & Co., ‘Wemyss Ware’, presented by Rogers de Rin, November-December 1987

£1,500-2,000

38 FE167/1 WEMYSS WARE ‘DAFFODILS’ MEDIUM JAPAN VASE, CIRCA 1900 impressed mark WEMYSS 21cm high

£200-300

39 FE103/5 WEMYSS WARE ‘DAFFODILS’ TOOTHBRUSH DISH, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S., printed retailer’s mark 21cm long

£300-500

40 FE167/2 WEMYSS WARE ‘DAFFODILS’ GORDON DESSERT PLATE, CIRCA 1900 impressed mark WEMYSS WARE/ R.H.&S., minor restoration 21cm diameter

£150-250

LY O N & T U R N B U L L Decorative Arts

41 FD196/50 WEMYSS WARE ‘FUSCHIA’ PATTERN HEART-SHAPED TRAY, CIRCA 1910 decorated by James Sharp, painted and impressed marks to base WEMYSS 31cm across

£600-800

42 FD196/50A WEMYSS WARE ‘FUSCHIA’ PATTERN OVAL PIN TRAY, CIRCA 1910 painted and impressed marks WEMYSS, small chip to rim 13cm across

£300-400

43 FD196/50B WEMYSS WARE ‘FUSCHIA’ PATTERN CIRCULAR BOX AND COVER, CIRCA 1910 printed and impressed marks WEMYSS, restored cover, 9cm across; and a WEMYSS WARE ‘FUSCHIA’ PATTERN NAIRN CANDLESTICK, also with painted and impressed marks WEMYSS, handle lacking, 12cm high (2)

44 FE119/3 WEMYSS WARE ‘PURPLE PLUMS’ AND ‘ORANGES’ PRESERVE JARS AND COVERS, EARLY 20TH CENTURY marked WEMYSS, 13cm and 12cm; and two plates decorated with cherries, each with impressed marks WEMYSS WARE/ R.H.&S., and with printed retailer’s marks (restorations) (4)

£200-300

£150-250

LY O N & T U R N B U L L Decorative Arts

45 FE118/1 WEMYSS WARE ‘YELLOW PLUMS’ MEDIUM PRESERVE JAR AND COVER, EARLY 20TH CENTURY decorated by Edwin Sandland, painted and impressed marks WEMYSS 12.5cm high

£300-500

46 FE609/1 WEMYSS WARE ‘APPLES’ MEDIUM COMBE JARDINIERE, CIRCA 1900 the body of ovoid form with spiral ribbing, impressed mark WEMYSS 17.3cm high

£200-300

47 FC161/1 WEMYSS WARE ‘THISTLES’ KINTORE VASE, EARLY 20TH CENTURY impressed mark WEMYSS WARE/ R.H.&S., cracks and small loss to shoulder 37cm high

£400-600

48 FE167/3 WEMYSS WARE ‘SWEET PEAS’ BISCUIT BARREL & COVER, CIRCA 1900 decorated by David Grinton and bearing inscription BISCUITS, painted marks WEMYSS/ T. GOODE & CO., impressed mark WEMYSS 12cm high

£200-300

49 FE117/1 WEMYSS WARE ‘THISTLES’ HAIR TIDY & COVER, EARLY 20TH CENTURY decorated by James Sharp, bears inscription to cover HAIR TIDY, painted and impressed marks WEMYSS 6cm high

£200-300

50 FE103/7 WEMYSS WARE ‘CABBAGE ROSES’ BUTTON, CIRCA 1900 impressed mark WEMYSS

51 FE166/5 WEMYSS WARE ‘JAZZY ROSES’ NAPKIN RING, 1920S unmarked

3.2cm diameter

5cm diameter

£500-700

£200-300

Wemyss Ware from the Freda Nekola Collection Freda Morrow Brown (née Nekola) (1919-2011) was the granddaughter of Karel Nekola, master decorator and co-founder of Wemyss Ware. She had fond memories of watching Karel and his son Josef, “Uncle Jo”, working in their studio, smoking their pipes and experimenting with different painting techniques. The rare pieces on offer here have been in the continuous possession of the Nekola family since the day they were made. 52 FC606/11 WEMYSS WARE LARGE PAIR OF RARE TWIN-HANDLED VASES, LATE 19TH CENTURY each decorated with male and female Chinese figures, the male figures fishing, the female figures with children, in a landscape reserved on a pale lemon ground, each with painted script mark under base WEMYSS (2) 66cm high Provenance: Freda Nekola Collection Literature: Davis, Peter; De Rin, Victoria; Macmillan, David & Rankine, Robert, ‘Wemyss Ware: A Decorative Scottish Pottery’, Edinburgh: Scottish Academic Press, 1986, p. 58

53 FC606/9 WEMYSS WARE LARGE ‘CABBAGE ROSES’ BASIN, CIRCA 1900 decorated by Edwin Sandland, reserved on a black band, painted and impressed mark WEMYSS 38.5cm diameter Provenance: Freda Nekola Collection

54 FC606/10 WEMYSS WARE OVAL PIN TRAY, CIRCA 1900 decorated blue on white with prunus blossom, painted mark WEMYSS

Note: A few major pieces exist in the Chinese style, either in terms of decoration or of shape, however the concept was not sustained, perhaps because it was too expensive or time-consuming to develop properly. Some of the larger items were listed in the catalogues until the Fife Pottery closed in 1930. These magnificent vases used to grace the landing of Mrs Morrow Brown’s home and were filled with silk poppies. They remain in perfect condition, despite the attentions of two boisterous children and a Great Dane.

£500-700

13cm across Provenance: Freda Nekola Collection

£150-250

£200-300

LY O N & T U R N B U L L Decorative Arts

55 FC606/24 WEMYSS WARE LARGE ‘CABBAGE ROSES’ CAT FIGURE, POST 1930 decorated by Joe Nekola, inset glass eyes, painted mark NEKOLA/ PINXT, printed mark PLICHTA/ LONDON/ ENGLAND 33cm high Provenance: Freda Nekola Collection

£500-700

56 FC606/4 WEMYSS WARE LARGE ‘CHERRIES’ EWER AND BASIN, CIRCA 1900 painted and impressed mark WEMYSS, ewer, 39.5cm diameter, 23cm high; and a LARGE BASIN, also decorated with cherries, painted and impressed mark WEMYSS WARE, 39.5cm diameter (3) Provenance: Freda Nekola Collection

£200-300

57 FC606/2 WEMYSS WARE PRESERVE JAR AND COVER, DATED 1947 decorated by Joe Nekola with rose cuttings, painted marks J.N/ 1947./ 1/2, 11cm high; and a PLICHTA HONEY POT AND COVER, decorated with bees and a hive, printed mark PLICHTA/ LONDON/ ENGLAND, 11cm high (2) Provenance: Freda Nekola Collection

£100-200

58 FC606/17A KAREL NEKOLA (1857-1915) FACSIMILE NOTEBOOK AND PIGMENTS, LATE 19TH CENTURY including bottles of original Wemyss Ware pigments and two facsimile copies of Nekola’s notebook; also including works by DAVIS, PETER; DE RIN, VICTORIA; MACMILLAN, DAVID & RANKINE, ROBERT; WEMYSS WARE, A DECORATIVE SCOTTISH POTTERY; Edinburgh: Scottish Academic Press, 1986. First edition, oblong 4to, original cloth, dustwrapper, interior clean; also WEMYSS WARE 1880-1930, Rogers de Rin exhibition catalogue,

Sotheby’s Belgravia, 17th 23rd November 1976, clean copy; and WEMYSS WARE; THE DEVELOPMENT OF A DECORATIVE SCOTTISH POTTERY C. 1883-1930, Scottish Arts Council exhibition catalogue, 18th September - 10th October 1971, clean copy, and accompanying poster for the exhibition; assorted magazines containing articles on Wemyss Ware etc (a lot) Provenance: Freda Nekola Collection Note: These copies of Nekola’s notebook which was lent to Robert Rankine when he was researching ‘Wemyss Ware’, and has now been lost or sold on.

£100-200

LY O N & T U R N B U L L Decorative Arts

59 FC606/19 WEMYSS WARE ‘CABBAGE ROSES’ PART TEA AND COFFEE SERVICE, POST 1930 decorated by Joe Nekola, and comprising; Coffee Pot and cover, 17cm high; Teapot and cover, 10cm high; Milk Jug, 8cm high; Sucrier/ Preserve Jar, 5.5cm high; Serving Tray, cm across; Six Coffee Cans and Saucers; Three Tea Cups and Saucers; Four Small Side Plates; Two Bread Plates; each with painted marks, lot includes Two spare Milk Jugs and Two spare Saucers (35) Provenance: Freda Nekola Collection

£300-500

60 FC606/14 WEMYSS WARE RARE SET OF SIX TILES, CIRCA 1900 each decorated with cabbage roses and forget me nots, painted numbers verso (6) 15.3cm square Provenance: Freda Nekola Collection

£300-500

61-62 No lots

LY O N & T U R N B U L L Decorative Arts

63 FE164/1 MARTIN BROTHERS GLAZED STONEWARE VASE, DATED 1891 of footed bottle form, incised with an allover design of fish and eels swimming through seaweed, incised mark to base MARTIN BROS./ LONDON & SOUTHALL/ 10-1891 19.3cm high

£800-1,200

64 FE164/2 MARTIN BROTHERS TWO GLAZED STONEWARE CIRCULAR BOWLS, LATE 19TH CENTURY one with inverted rim and incised foliate decoration, incised marks under base MARTIN BROS./ LONDON & SOUTHALL/ 11-1896, 7.5cm across; the other impressed and incised with a band of florets, incised under base MARTIN/ LONDON & SOUTHALL, chip to rim, 6cm across (2) £200-300

65 FE164/3 MARTIN BROTHERS STONEWARE SOLIFLEUR VASE, DATED 1900 of bottle form, incised to each side with flowering plants, incised mark to base MARTIN BROS./ LONDON/ 4-1900 10.2cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

66 FD710/1 WILLIAM S. MYCOCK (1872-1950) FOR PILKINGTONS SHOULDERED LUSTRE VASE, DATED 1913 decorated with fruiting vines, impressed and painted marks, bears monogram and date mark, re-glued chip to foot rim 21cm high

£200-300

67 FE120/1 RICHARD JOYCE (1873-1931) FOR PILKINGTONS ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1915 of gourd form, decorated with leaf and foliate panels, impressed factory marks, painted monogram mark 12cm high

68 FE120/3 RICHARD JOYCE (1873-1931) FOR PILKINGTONS ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1915 of tall bottle form, decorated with flowering plants, impressed factory marks, painted monogram mark, small chip to rim

£200-300

21.5cm high

£150-200

69 FE120/2 RICHARD JOYCE (1873-1931) FOR PILKINGTONS ROYAL LANCASTRIAN LUSTRE VASE, CIRCA 1915 of tapering bottle form, decorated with spiral flowerhead and foliate bands, impressed factory marks, painted monogram mark, tiny chip to rim 16cm high

£200-300

70 FE169/1 FREDERICK RHEAD (1856–1933) FOR WILEMAN & CO. FOLEY ‘INTARSIO’ TABLE CLOCK, CIRCA 1900 the single train movement with circular dial enclosed within ‘grandfather’ clock case printed and painted with dandelions and an Art Nouveau maiden, and bearing inscription PRITHEE WHAT’S O’CLOCK, printed and painted factory marks, no. 3116 34cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

71 FD687/1 GEORGE LOGAN (1866-1939) FOR WILEMAN AND CO. ‘FOLEY’ TEA SERVICE, CIRCA 1900 comprising TWELVE CUPS & SAUCERS; TWELVE SIDE PLATES; a SUGAR BOWL; and a MILK JUG, each printed and painted in coloured enamels with bands of ‘Glasgow Style’ flowering plants, printed and painted marks, serial no. 1189 (39) £600-800

72 FD262/1 MARY MITCHELL FOR DOULTON LAMBETH STONEWARE WATER PITCHER AND TWO TUMBLERS, CIRCA 1880 each piece with incised decoration depicting female figures in a garden setting on a blue foliate patterned ground, impressed factory marks and incised signature to underside (3)

73 FD610/4 DOULTON LAMBETH STONEWARE VASE, CIRCA 1880 of ovoid form with flaring neck, decorated with a frieze of repeating foliate motifs, impressed and incised marks under base

pitcher 24cm high, beaker 13cm high

74 FD699/1 MINTON LTD. ‘SECESSIONIST’ JARDINIERE, CIRCA 1910 of ribbed tapering form, decorated with stylised flowering plants, printed and moulded marks MINTON LTD/ NO. 47/ MADE IN ENGLAND

£200-300

21cm high

£150-250

17cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

75 FE183/1 SHOJI HAMADA (1894-1978) CYLINDRICAL FOOTED STONEWARE VESSEL, CIRCA 1960 covered in a Tenmoku glaze and with Kaki trailed decoration 11.5cm diameter, 10.5cm high Exhibited: London, The Crafts Centre of Great Britain, Hay Hill ‘Shoji Hamada: Exhibition of Pottery’, 13th - 23rd November, 1963, no. 85, from where purchased.

£1,000-1,500

76§ FC881/30 MICHAEL CARDEW (1901-1983) LARGE WENFORD BRIDGE ‘GWARI’ TYPE CASSEROLE AND COVER, CIRCA 1980 painted and applied decoration, impressed MC and Wenford Bridge seal marks

77 FC676/1 ST IVES POTTERY TENMOKU GLAZED TANKARD, MID 20TH CENTURY of tapering form with applied handle, impressed seal mark 12.5cm high

£100-200

30cm across

£300-500

78 FC920/31 JANE HAMLYN (B. 1940) GROUP OF SALTGLAZED STUDIO WARES, 1980S including an OVAL SERVING DISH with bracket feet, 41cm long; a CIRCULAR FOOTED BOWL, 33cm across; and a CYLINDRICAL STORAGE VESSEL & COVER, 43cm high, each with impressed maker’s seal mark (3)

79§ FE166/1 BRUCE MCLEAN (B. 1944) CIRCULAR PLATE, CIRCA 1990 painted and incised with a head, painted signature verso BRUCE MCLEAN/ F.P. 30cm across

£300-400 80-81 No lots

£200-300

LY O N & T U R N B U L L Decorative Arts

82 FE163/3 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. TALL ‘FLORIAN WARE’ FLARED VASE, CIRCA 1900 with fluted rim, decorated with forget-me-nots and red poppies, retailer’s mark, signed in green W. MOORCROFT 32cm high

£600-800

83 FE163/10 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. PAIR OF ‘FLORIAN WARE’ TALL FLUTED VASES, CIRCA 1900 of flared form with gilt rim, decorated with swags of roses and forget-me-nots, printed factory marks, signed in green W. MOORCROFT (2) 31cm high

£400-600

84 FE163/5 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. ‘FLORIAN WARE’ TWIN HANDLED VASE, CIRCA 1900 of flared form, decorated with blue poppies, printed factory and retailers marks, signed in green W. MOORCROFT 20.5cm high

£800-1,200

LY O N & T U R N B U L L Decorative Arts

85 FE163/4 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. TALL ‘PANSIES’ PATTERN SHOULDERED VASE, CIRCA 1900 of slender tapering form, printed factory and retailer’s marks, signed in green W. MOORCROFT 30cm high

£1,500-2,000

86 FE163/2 MOORCROFT POTTERY LARGE ‘POMEGRANATE’ PATTERN BALUSTER VASE, 1920S impressed factory marks, signed in blue W. MOORCROFT 36cm high

£800-1,200

87 FE163/1 MOORCROFT POTTERY LARGE ‘ BLUE LANDSCAPE’ BALUSTER VASE,1920S impressed factory marks, signed in blue W. MOORCROFT 40cm high

£1,800-2,000

LY O N & T U R N B U L L Decorative Arts

88 FD610/2 MOORCROFT POTTERY ‘PLUM WISTERIA’ PATTERN TRUMPET VASE, CIRCA 1930 impressed factory marks, signed in blue 26cm high

£200-300

89 FE163/7 MOORCROFT POTTERY ‘CLAREMONT’ PATTERN BOWL, CIRCA 1920 of squat ovoid form with tapering rim, printed factory marks, signed in green W. MOORCROFT 26cm total diameter

£1,000-1,500

90 FE163/8 MOORCROFT POTTERY ‘WISTERIA’ PATTERN TEA SET, CIRCA 1921 comprising of a tea pot, milk jug and sugar bowl, with silver banded rim by William Hutton & Sons, hallmarked Sheffield, 1921, impressed factory marks, signed in green W. MOORCROFT (3) 13cm high

£500-800

91 FE163/12 MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN SHOULDERED TAPERING VASE, CIRCA 1915 impressed factory marks, signed in green W. MOORCROFT 27cm high

£400-600

92 FD610/3 MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN TRUMPET VASE, CIRCA 1930 impressed factory marks, initialled in green

92A FE205/1 MOORCROFT POTTERY ‘POMEGRANATE’ PATTERN VASE, CIRCA 1930 impressed factory mark, signed in green

18.5cm high

26cm high

£150-250

£200-300

LY O N & T U R N B U L L Decorative Arts

93 FE163/9 WILLIAM MOORCROFT (1872-1945) FOR JAMES MACINTYRE & CO. ‘REVIVED CORNFLOWER’ PATTERN TEA SET, CIRCA 1900 comprising of a teapot, milk jug and sugar bowl, retailer’s marks to jug, signed in green W. MOORCROFT (3) teapot 12.5cm high

£600-800

94 FE163/11 MOORCROFT POTTERY ‘BLUE LANDSCAPE’ PATTERN BOWL,1920S with geometric patterned exterior, impressed factory marks, signed in blue W. MOORCROFT 31cm diameter

£800-1,200

95 FE163/16 MOORCROFT POTTERY LARGE ‘LANDSCAPE’ PATTERN TAPERING VASE, EARLY 20TH CENTURY signed in green W. MOORCROFT/ DES., small restoration under base 32cm high

£3,000-5,000

LY O N & T U R N B U L L Decorative Arts

96 FE626/1 MOORCROFT POTTERY ‘LEAF & BERRY’ PATTERN FLAMBÉ VASE, CIRCA 1930 of shouldered tapering form, impressed factory marks, signed in blue W. MOORCROFT 25cm high

£300-500

97 FE591/1 MOORCROFT POTTERY ‘FISH’ PATTERN FLAMBÉ POWDER BOWL AND COVER, CIRCA 1930 of circular footed form with domed cover, impressed factory marks, initialled in blue 14.5cm diameter

£600-800

98 FE163/6 MOORCROFT POTTERY ‘FISH’ PATTERN OVOID BOWL, 1930S impressed factory marks, signed in green W. MOORCROFT 19.5cm diameter

£800-1,200

LY O N & T U R N B U L L Decorative Arts

99 FE104/1 BERNARD MOORE (1850-1935) LARGE FLAMBÉ GINGER JAR AND COVER, CIRCA 1920 allover foliate design, painted marks under base and to cover BERNARD MOORE

100 FD398/5 BERNARD MOORE (1850-1935) FLAMBÉ SHOULDERED VASE, CIRCA 1920 with tapered body, painted mark to base BERNARD MOORE

26cm high

£120-180

10.5cm high

£400-600

101 FC813/1 DAISY MAKEIG-JONES (1881-1945) FOR WEDGWOOD ‘FAIRYLAND’ LUSTRE BOWL, CIRCA 1920 printed and painted in gilt and coloured enamels with ‘Woodland Elves’ pattern to the interior and ‘Woodland Bridge’ pattern to the exterior, printed factory marks, painted mark Z4968, hairline crack to rim 22cm diameter

£400-600

102 FD657/3 CARLTON WARE ‘FLOWER & FALLING LEAF’ PATTERN VASE, 1920S decorated in gilt and coloured enamels, printed, impressed and painted marks, serial no. 3948 13.5cm high

£200-300

103 FD104/1 BURSLEY WARE CERAMIC COFFEE SET, 1930S comprising a COFFEE POT & COVER, 20.5cm high; SIX COFFEE CANS & SAUCERS; a MILK JUG and a SUGAR BOWL, each decorated with fruits, printed factory marks 772 (15) £200-300

104 FD398/3 TROIKA POTTERY TWO VASES, CIRCA 1960 one of circular form, with abstracted mask relief decoration, 19.5cm high; the other of rectangular form with totemic relief decoration, 20cm high, both with painted maker’s marks (2)

105 FE591/3 LUCIE RIE (1902-1995) CIRCULAR TERRACOTTA BOWL the interior covered in a white glaze, impressed seal mark, fine hairline to rim

£150-250

106-109 No lots

14cm diameter

£200-300

LY O N & T U R N B U L L Decorative Arts

110 FE600/1 CLARICE CLIFF ‘MOUNTAIN’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base

111 FE600/2 CLARICE CLIFF ‘POPLAR’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1932 painted in coloured enamels, bears printed factory marks to base

14cm high

£1,500-2,000

£400-600

112 FE600/4 CLARICE CLIFF ‘BRIDGEWATER’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

113 FE600/6 CLARICE CLIFF ‘IDYLL’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base

14cm high

£300-500

14cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

14.5cm high

115 FE600/9 CLARICE CLIFF ‘FARMHOUSE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base, re-glued chips to foot rim

£500-700

14cm high

114 FE600/8 CLARICE CLIFF ‘BLUE FIRS’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base

£400-600

116 FE600/10 CLARICE CLIFF ‘ORANGE TREES AND HOUSE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1930 painted in coloured enamels, bears printed factory marks to base

117 FE600/12 CLARICE CLIFF ‘HOUSE AND BRIDGE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base

14cm high

13.5cm high

£800-1,200

LY O N & T U R N B U L L Decorative Arts

118 FE600/14 CLARICE CLIFF ‘ORANGE ROOF COTTAGE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1932 painted in coloured enamels, bears printed factory marks to base 14cm high

£1,500-2,000

119 FE600/15 CLARICE CLIFF ‘GIBRALTAR’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base 14cm high

£1,500-2,000

120 FE600/17 CLARICE CLIFF ‘MAY AVENUE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base 14.5cm high

£5,000-7,000 121-123 No lots

LY O N & T U R N B U L L Decorative Arts

124 FE600/19 CLARICE CLIFF ‘RED TULIP’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1930 painted in coloured enamels, bears printed factory marks to base

125 FE600/20 CLARICE CLIFF ‘ORANGES’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base

13.5cm high

14cm high

£600-800

126 FE600/21 CLARICE CLIFF UNIQUE COTTAGE CONICAL SUGAR SIFTER, CIRCA 1930S decorated with an abstracted cottage and tree design in red on a honeyglaze ground, unmarked

127 FE600/22 CLARICE CLIFF ‘SECRETS’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base

128 FE600/23 CLARICE CLIFF ‘SPIRE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1937 painted in coloured enamels, bears printed factory marks to base

14cm high

14.5cm high

14cm high

£300-400

£200-300

£250-350 34

LY O N & T U R N B U L L Decorative Arts

129 FE600/24 CLARICE CLIFF ‘PASTEL MELONS’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1931 painted in coloured enamels, bears printed factory marks to base

130 FE600/25 CLARICE CLIFF ‘DELICIA PANSY’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1932 painted in coloured enamels, bears printed factory marks to base

131 FE600/26 CLARICE CLIFF ‘RAVEL’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1930 painted in coloured enamels, bears printed factory marks to base

14cm high

14.5cm high

14cm high

£300-500

132 FE600/27 CLARICE CLIFF ‘ORIGINAL DELICIA’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1930 painted in coloured enamels, bears printed factory marks to base

133 FE600/28 CLARICE CLIFF ‘SUNGOLD/ GEOMETRIC’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

134 FE600/29 CLARICE CLIFF ‘TULIPS’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

14cm high

£200-300

£400-600

LY O N & T U R N B U L L Decorative Arts

135 FE600/30 CLARICE CLIFF ‘ALTON’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

136 FE600/31 CLARICE CLIFF ‘MOONLIGHT’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base

137 FE600/32 CLARICE CLIFF ‘SOLITUDE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base

14cm high

14.5cm high

14cm high

£300-500

£600-800

£500-700

138 FE600/33 CLARICE CLIFF ‘LORNA’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1936 painted in coloured enamels, bears printed factory marks to base

139 FE600/34 CLARICE CLIFF ‘HONOLULU’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base

140 FE600/35 CLARICE CLIFF ‘GAYDAY’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1930 painted in coloured enamels, bears printed factory marks to base

14cm high

£300-500

£500-700

£200-300

LY O N & T U R N B U L L Decorative Arts

141 FE600/36 CLARICE CLIFF ‘JAPAN’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, bears printed factory marks to base

142 FE600/37 CLARICE CLIFF ‘CHALET’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1936 painted in coloured enamels, bears printed factory marks to base

143 FE600/38 CLARICE CLIFF ‘ACORN’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

14cm high

13.5cm high

£400-600

£300-400

144 FE600/39 CLARICE CLIFF ‘CABBAGE FLOWER’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

145 FE600/40 CLARICE CLIFF ‘DELICIA CITRUS’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1932 painted in coloured enamels, bears printed factory marks to base

146 FE600/41 CLARICE CLIFF ‘HYDRANGEA’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

14cm high

14.5cm high

£250-350

£200-300

£150-250

LY O N & T U R N B U L L Decorative Arts

147 FE600/42 CLARICE CLIFF ‘KELVERNE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1936 painted in coloured enamels, bears printed factory marks to base

148 FE600/44 CLARICE CLIFF ‘SUNGAY’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1932 painted in coloured enamels, bears printed factory marks to base

149 FE600/46 CLARICE CLIFF ‘FRAGRANCE’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1935 painted in coloured enamels, bears printed factory marks to base

14cm high

14.5cm high

£150-200

£300-400

£300-500

150 FE600/53 CLARICE CLIFF THREE CONICAL SUGAR SIFTERS, 1930S ‘FLORA’ PATTERN, marked under base FLORA/ 8498, 14cm high; and ‘JONQUIL’ and ‘FLORETTE’ PATTERNS, each painted in coloured enamels, bears printed factory marks to base, 14.5cm high (3)

151 FE600/50 CLARICE CLIFF THREE CONICAL SUGAR SIFTERS, 1930S ‘PASSION FRUIT’ and ‘WAVY LINE CROCUS’ PATTERNS, 14.5 and 14cm high; and a CLARICE CLIFF CONICAL SUGAR SIFTER 1930S, painted in coloured enamels with autumn leaves, 14cm high, each with printed factory marks (3)

152 FE600/51 CLARICE CLIFF ‘TARTAN’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1934 painted in coloured enamels, bears printed factory marks to base

£400-600

£400-600 38

14.5cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

153 FE600/55 CLARICE CLIFF CONICAL SUGAR SIFTER, 1930S painted in coloured enamels with a tree and flowers reserved on a banded ground, printed factory marks, 14cm high; and a CLARICE CLIFF ‘THIN LINE BANDED’ PATTERN CONICAL SUGAR SIFTER, 14cm high (2)

154 FE600/61 CLARICE CLIFF ‘SECRETS’ BONJOUR SUGAR SIFTER, CIRCA 1933 painted in coloured enamels, unmarked, 14cm high; and a CLARICE CLIFF ‘PEARLS’ PATTERN BONJOUR SUGAR SIFTER, 1930S, painted in coloured enamels, unmarked,14cm high (2)

£200-300

£250-400

155 FE600/48 CLARICE CLIFF THREE CONICAL SUGAR SIFTERS, 1930S ‘VISCARIA’ and ‘YELLOW ROSE’ patterns, each painted in coloured enamels, bear printed factory marks to base, 14cm high; and an unmarked example decorated with a spray of flowers, 14cm high (3) £400-600

156 FE163/15 CLARICE CLIFF ‘PETER PAN CROCUS’ PATTERN PART CONICAL COFFEE SERVICE, CIRCA 1930 comprising a COFFEE POT AND COVER, 17cm high; TWO COFFEE CANS & SAUCERS; MILK JUG and SUGAR BOWL, each bearing printed factory marks (7) £500-800

LY O N & T U R N B U L L Decorative Arts

157 FE182/4 CLARICE CLIFF ‘RUDYARD’ PATTERN BOWL, CIRCA 1935 the circular tapered bowl with broad wavy rim, printed factory marks, minor restoration to rim 31cm diameter

£500-700

158 FE116/2 CLARICE CLIFF ‘BLUE FIRS’ PATTERN CONICAL SUGAR SIFTER, CIRCA 1933 bears printed factory marks, 14.5cm high; and two further CLARICE CLIFF CONICAL SUGAR SIFTERS, each moulded with flowers and painted in colours, 13.5cm high (3) £300-500

159 FE116/3 CLARICE CLIFF ‘LORNA’ PATTERN BONJOUR CRUET SET, CIRCA 1936 comprising salt and pepper shakers, 6.3cm high, and a mustard pot and cover, 6.5cm high, printed factory marks; also CLARICE CLIFF ‘STILE & TREES PATTERN’ CONICAL SALT AND PEPPER SHAKERS, each with printed factory marks, 7.5cm high (5) £200-300

160 FE116/4 CLARICE CLIFF ‘DELICIA PANSIES’ PATTERN BONJOUR SUGAR SIFTER, CIRCA 1932 printed factory marks, 13cm high; and a CLARICE CLIFF ‘COWSLIP’ PATTERN BONJOUR PRESERVE JAR & COVER, printed factory marks, 10cm high (2) £150-250

161 FE116/5 CLARICE CLIFF ‘WINDBELLS’ PATTERN CANDLESTICK, 1930S printed factory marks, 8.7cm diameter; CLARICE CLIFF ‘SOLITUDE’ PATTERN CANDLESTICK, printed factory marks, 8.7cm diameter; CLARICE CLIFF ‘CROCUS’ PATTERN SALT AND PEPPER SHAKER AND SMALL JARDINIERE, each with printed factory marks, 8cm and 7cm high (5) £200-300 162-165 No lots

Other Ceramics

166 FC972/62 ARDMORE CERAMIC ART LARGE POTTERY BOWL, DATED 1994 of circular form modelled with giraffe legs and painted in colours with giraffe and exotic plants, painted marks to base P.T.D. BY PUNCH (Punch Shabalala, painter)/ ARDMORE STUDIO/ ‘94 and with incised initials B.N. (Beatrice Nyembe, sculptor) 38.5cm diameter

£1,000-1,500

167 FE515/2 EVA ZEISEL (1906-2011) FOR SCHRAMBERGER MAJOLIKAFABRIK GROUP OF THREE VESSELS, 1920S each painted with stylised flowers and geometric designs, printed factory marks (3)

168 FE515/2A EVA ZEISEL (1906-2011) FOR SCHRAMBERGER MAJOLIKAFABRIK GROUP OF THREE VESSELS, 1920S each painted with stylised flowers and geometric designs, printed factory marks (3)

18cm, 17cm and 12cm high

22cm, 17cm and 8.5cm high

169 FE28/3 KARL TUTTER (1883-1969) FOR HURTSCHENREUTHER ‘SONNENKIND’ PORCELAIN FIGURE, CIRCA 1920 modelled as a naked female dancer, bisque fired and raised on a gilt decorated base, printed factory marks, bears manufacturer’s paper label

£200-300

22cm high

£200-300

170 FD630/3 STEPHAN DAKON FOR GOLDSCHEIDER CERAMIC FIGURE, 1930S modelled as a girl in a frilled dress, printed and impressed factory marks, crack to base 21cm high

£200-300 171 FC165/53 LANDRY & CIE., PARIS PAIR OF FAIENCE VASES, CIRCA 1900 each of flattened tapering form, painted with grazing sheep, impressed mark to base F. LANDRY A PARIS (2) 26cm high

£300-500

Jewellery

172 FE131/2 ATTRIBUTED TO DORRIE NOSSITER MOONSTONE SET BROOCH, CIRCA 1920 of open circular form, applied with a crescent collet set with graduated oval and circular cut moonstone cabochons with clusters of beads and foliate scrolls between

174 FE131/3 ATTRIBUTED TO RHODA WAGER OPAL SET BROOCH, CIRCA 1920 collet set to the centre with a slim oval cut black opal panel, the tapering surround applied with stylised foliate motifs

4cm diameter

£200-300

3.9cm x 1.2cm

£800-1,200 173 FE131/5 ATTRIBUTED TO SYBIL DUNLOP OPAL SET BRACELET, CIRCA 1920 collet set to the centre with a rounded triangular cut black opal panel, flanked to either side by two similarly set oval cut black opal panels, interspersed by two-coloured quatrefoil form cast panels, conjoined by small belcher form links, with concealed clasp and safety clip 16.3cm long

£600-800

175 FE131/1 ATTRIBUTED TO ARTIFICERS’ GUILD BROOCH, CIRCA 1920 the central collet set oval cut green chalcedony cabochon within a ropetwisted border and flanked to either side by a collet set graduated oval and circular cut moonstone cabochon, interspersed by circular scrolls and small beads, with pointed terminals 6.6cm x 1.8cm

£200-300

176 FE131/4 ATTRIBUTED TO SYBIL DUNLOP OPAL SET BROOCH, CIRCA 1920 the central rectangular panel collet set with three slightly graduated oval cut opal cabochons, to a beaded and scrolling circular surround, flanked to either side by two-coloured scrolls with cylindrical terminals, hinged pin and additional safety chain 5.8cm x 1.6cm

£400-600 177 FE637/5 GEORG JENSEN, DENMARK PAIR OF STERLING SILVER CUFFLINKS, 1930S each of oval form with incised detail, stamped maker’s marks (2) £150-250

LY O N & T U R N B U L L Decorative Arts

Silver & Pewter Wares

178 FE163/13 GEORG JENSEN (1866-1935) FOR GEORG JENSEN, COPENHAGEN PAIR OF ‘GRAPE’ PATTERN STERLING SILVER TAZZAS, POST 1945 each on circular pedestal foot with spiral twist stem, the flaring circular bowl with pendant grape clusters, no. 263B, maker’s marks under base (2) 19cm high

£2,000-3,000

179 FE172/1 GEORG JENSEN (1866-1935) FOR GEORG JENSEN, COPENHAGEN ‘PARALLEL’ SUITE OF STERLING SILVER CUTLERY, CIRCA 1933-44 comprising 5 dessert spoons; 5 soup spoons; 5 dinner forks; 10 dessert forks; four fish knives; five dinner knives; 5 side knives, each with stamped marks (39) weighable silver 55oz

£1,200-1,800 180 FD332/9 GEORG JENSEN (1866-1935) FOR GEORG JENSEN, COPENHAGEN SET OF FOUR ‘ACORN’ PATTERN STERLING SILVER GRAPEFRUIT SPOON, CIRCA 1933-45 each with ribbed handles and foliate terminals, stamped marks; and TWO BERRY SPOONS, with circular bowls, in the Acorn pattern, stamped marks (6) £150-250

LY O N & T U R N B U L L Decorative Arts

181 FE175/1 HEINRICH LEVINGER ART NOUVEAU SILVER & ENAMEL VASE, CIRCA 1900 of shouldered tapering form, depicting maidens dancing in a landscape on an engine turned moiré ground, stamped monogram mark HL, import hallmarks for Birmingham 1900 10.2cm high

£600-800

182 FE158/7 WILLIAM HUTTON & SONS LTD SILVER MOUNTED GLASS DECANTER AND STOPPER, 1903 with pinched in clear glass body and scalloped mount to the shoulder, with quatrefoil pouring spouts, mounts hallmarked Birmingham 1903 28cm high

£300-400

183 FE171/1 DAVID MELLOR (1913-2009) ‘CITY’ SUITE OF STAINLESS STEEL CUTLERY, DESIGNED 1998 comprising 12 dessert spoons; 10 soup spoons; 13 dinner forks; 8 dessert forks; 10 side knives and 8 dinner knives (61)

184 FD22/2 ART NOUVEAU SILVER MOUNTED GLASS PERFUME BOTTLE, 1902 the green glass bottle, with pierced mount cast with carnations and clear glass stopper, hallmarked London 1902

£150-250

£300-400

186 FE169/4 ARTS & CRAFTS SILVER GOBLET, 1902 embosses with stylised leaf and berry motifs, hallmarked Birmingham 1902, maker’s marks D&F 11cm high

£150-200

17.5cm long

185 No lot

LY O N & T U R N B U L L Decorative Arts

187* FC995/12 SHARMAN D. NEILL, DUBLIN IRISH ART NOUVEAU BRITANNIA STANDARD VASE, DUBLIN,1904 of tapered quatrefoil form with flared rim, the body set with four S-scroll handles and applied Celtic bosses with central hardstone cabochons, hallmarked Dublin 1904, stamped maker’s marks S.D. NEILL/ SDN 17cm high, 29oz

£300-500

188 FC820/2 RUSSIAN ART NOUVEAU SILVER COFFEE POT, CIRCA 1910 of tapering form decorated with stylised plant forms, marked CB in Cyrillic and 84 standard mark 23cm high

£400-600

LY O N & T U R N B U L L Decorative Arts

189 FD685/2 GRAHAM STEWART SILVER PITCHER, 2002 with long spot and planished finish, hallmarked Edinburgh 2002, makers mark GLS, 784g 17cm high

£500-700

190* FC995/13 ATTRIBUTED TO WILLIAM HUTTON & SONS, LONDON PAIR OF SILVER AND ENAMEL CANDLESTICKS, DATED 1902 each stem with four circular enamel bosses below wide drip tray, the domed base on quatrefoil shaped bracket feet with four applied teardrop enamel bosses, hallmarked London,1902, indistinct maker’s marks (2) 9.5cm high

£300-500

191 FE637/4 CONTINENTAL SCHOOL WHITE METAL NOVELTY LIGHTER, 1950S formed as a comical bird, with long beak and applied red cabochon eyes, the hinged body opening to reveal a removable lighter, stamped marks BR/ 800 12.5cm high

£200-300

Liberty

192 FC841/4 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘CYMRIC’ SILVER AND ENAMEL PHOTO FRAME, 1904 the rectangular frame with enamel set roundel decoration, hallmarked Birmingham 1904, makers marks L&C/ CYMRIC 20.3 x 15.5cm Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, pp. 230-231 illus. for similar examples.

£1,000-1,500

193* FC995/4 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘CYMRIC’ SILVER TEA CANISTER & COVER, DATED 1905 of oval outline, the body with twin bands of stylised blue and green enamelled Celtic knotwork, the lid with domed blue enamel cabochon, hallmarked Birmingham, 1905, maker’s marks L&CO/ CYMRIC/ 691 10cm high

£1,000-1,500

194* FC995/14 LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL MANTEL CLOCK, CIRCA 1900 of shaped rectangular form with arched pediment cast with stylised forms, the square copper dial with Arabic numerals and central star design, above inset blue and green enamelled plaque, stamped marks to base TUDRIC, serial no., 0367 16cm high

£1,000-2,000

LY O N & T U R N B U L L Decorative Arts

195* FC995/2 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER FLAGON, CIRCA 1900 of tapering form with hinged lid and cane covered handle, the body cast with stylised foliage and blue enamelled lozenges, stamped marks to base TUDRIC, serial no., 0307 20cm high Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, p.194 illus. for similar examples.

£300-500

196* FC995/3 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ PEWTER SPILL VASES, CIRCA 1900 of tulip form with inset blue enamels, the scrolling twin handles ending in stylised leaves on a circular domed foot, stamped marks to base TUDRIC, serial no., 029 (2) 25cm high Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, pp. 230-231 illus. for similar examples.

£500-700

197* FC995/6 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PEWTER BOWL, CIRCA 1900 the pierced sides with a band of stylised foliate decoration, on four feet with original green glass liner, stamped marks to base ENGLISH PEWTER/ MADE IN ENGLAND, serial no., 0924 17.5cm diameter Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, p. 210, illus. for a similar example.

£250-400

LY O N & T U R N B U L L Decorative Arts

198* FC995/5 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL BOWL, CIRCA 1900 with twin handles and green glass liner, the pierced sides cast with stylised foliate motifs and blue enamels, stamped marks to base TUDRIC, serial no., 0320 20.5cm diameter Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, p. 210 illus. for similar example.

£500-700

199* FC995/8 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER OVAL MUFFIN DISH AND COVER, CIRCA 1900 the dish with shaped broad rim, the lid with narrow loop handle and cast with symmetrical stylised plant form, stamped marks to base TUDRIC, serial no., 0293 26.5cm across Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, p. 211 illus. for similar examples.

£300-400

200* FC995/11 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PEWTER AND ENAMEL CHAMPAGNE BUCKET, CIRCA 1900 of pail form with twin handles, the body cast with stylised plant forms and with inset blue enamels, stamped mark to base 0705 15cm high Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, p. 205 illus. for a similar example.

£400-600

LY O N & T U R N B U L L Decorative Arts

201* FC995/9 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER AND ENAMEL MANTEL CLOCK, CIRCA 1900 of arched rectangular form, the dial with blue and green mottled enamel and Roman numerals above two enamel cabochons, the front cast with symmetrical stylised plant forms, with a Lenzkirch movement, stamped marks to base 0370 20.5cm high Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, pp. 239 illus. for similar example.

£3,000-5,000

202* FC995/10 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ PEWTER TWIN-BRANCH CANDELABRUM, CIRCA 1900 with removable drip trays, the whole pierced and cast with stylised foliage and berries, raised on a square base with two turquoise enamels, stamped marks TUDRIC, serial no., 0530 (2) 28cm high Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, p. 217 illus. for similar example.

£1,000-1,500

203* FC995/1 ARCHIBALD KNOX (1864-1933) FOR LIBERTY & CO., LONDON PAIR OF ‘TUDRIC’ CANDLESTICKS, CIRCA 1900 of tapering cylindrical form on circular base with detachable drip tray, cast with stylised Celtic knot decoration, stamped marks to base, ENGLISH PEWTER/ MADE IN ENGLAND, serial no., 08 (2) 16cm high

£400-600

Other Metalwares

204* FC995/7 LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER BOX, CIRCA 1900 of rectangular form, the slightly domed hinged cover set with a turquoise cabochon, wood lined interior, stamped marks to base TUDRIC, serial no., 078

206 FC736/7 CHARLES RENNIE MACKINTOSH (1868-1928) FOR MISS CRANSTON’S TEAROOMS, GLASGOW ELECTROPLATED PRESERVE SPOON, CIRCA 1904 with trefoil terminal, stamped marks

20.5cm wide

£200-300

Literature: Martin, Stephen A. (edit.) ‘Archibald Knox’, London 2001, pp. 230-231 illus. for similar examples.

£150-250 205 FE605/1 ARCHIBALD KNOX FOR LIBERTY & CO., LONDON ‘TUDRIC’ PEWTER HOT WATER JUG, CIRCA 1910 cast with stylised foliage on a hammered ground, stamped marks TUDRIC/ 0231, 22cm high; a ‘TUDRIC’ SUGAR BOWL, also designed by ARCHIBALD KNOX, with four hooped feet, stamped marks TUDRIC/0288, 15cm diameter; and a LIBERTY & CO PEWTER SINGLE HANDLED TRAY, stamped marks ENGLISH PEWTER MADE BY LIBERTY & CO/ 01202, 29.5cm across (3) £150-250

15.5cm long

207 FD711/3 MISS CRANSTON’S TEAROOMS, GLASGOW KNIFE AND FORK, CIRCA 1900 ebonised wood and electroplate, the knife marked MISS CRANSTON’S, framed and glazed (2) £200-300 208 FC841/1 ELECTROPLATED MANTEL CLOCK, CIRCA 1910 the circular painted dial with single train movement, enclosed within shaped case with paw feet to the front, lion mask and hairy paw cast brackets to the sides and applied rosettes to the rear 16cm high

£200-300

209 FE158/6 CHRISTOPHER DRESSER (1834-1904) FOR HUKIN & HEATH ELECTROPLATE AND GLASS CRUET, CIRCA 1880 comprising three conjoined bowls containing slat cellar with spoon, pepper and mustard pots, with carrying handle, stamped marks H&H/ 2122/ DESPREZ, BRISTOL 11.5cm across

£150-250 210 FE36/1 MANNER OF CHRISTOPHER DRESSER HUKIN & HEATH ELECTROPLATE AND CLEAR GLASS WINE JUG, CIRCA 1890 the flattened circular clear glass body with plated collar, hinged collar and angular handle, stamped marks H&H 18517 16cm high

£200-300 211 FC920/33 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU PEWTER BOTTLE HOLDER, CIRCA 1900 with twin handles, the cylindrical body cast with sinuous whiplash foliage, stamped and cast marks WMF/ 47 20cm high

£300-500

212 FD196/48 AFTER ALFRED JEAN FORETAY ART NOUVEAU BRONZED SPELTER VASE, CIRCA 1900 the shouldered body cast with two maidens fishing, signature to body 26.5cm high

£150-250 213 FD196/51 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU ELECTRPLATED SERVING DISH, CIRCA 1900 the dish with three compartments moulded as a leaf, surmounted by a maiden holding the stem, stamped factory marks 32cm across

£200-300 214 FE169/3 ENGLISH ARTS & CRAFTS PEWTER AND ENAMEL BOX, CIRCA 1900 the hinged lid inset with four Ruskin oval cabochon enclosing an enamel panel depicting a seated female figure with exotic costume, reserved on a hammered pewter ground 16.5cm across

£150-200

LY O N & T U R N B U L L Decorative Arts

215 FD44/13 M. LILIAN SIMPSON FOR THE ART UNION OF LONDON SILVER PLATED BOOK BINDING, CIRCA 1896 cast to each side with an allegorical figure of love watched over by spirits on each angle, and enclosing an album of photographs, engraved on the front, the back and the spine ART UNION OF LONDON 1ST JANUARY 1896 24.5cm x 20cm Literature: Carruthers, Annette and Greensted, Mary (Edit.) ‘Simplicity or Splendour’, pub. Cheltenham 1999, pp.143-4, illus. Fig. 168 Cat.183 Note: This design was commissioned by the Art Union of London and was distributed to its members. It gained the artist a Gold Medal in the National Competition of all the schools of art under the Science and Art Dept. in 1894. The Art Union of London was set up in 1837 on the suggestion that a visually educated workforce could improve British design & enable Britain to compete more successfully in international manufacturing.

£400-600 216 FE158/4 AFTER CHRISTOPHER DRESSER ELECTROPLATE AND EBONISED WOOD TEAPOT, 20TH CENTURY of cylindrical form with hinged cover and angular handle, the whole raised on prong feet, stamped number 19379 16.5cm high, 32cm long

£400-600

217 FE158/3 MANNER OF CHRISTOPHER DRESSER ELECTROPLATE AND GLASS CRUET SET, CIRCA 1890 the scalloped base with six dividers enclosing bottles, with carrying handle, the whole raised on sphere feet, stamped maker’s marks 24.5cm across

£200-300

LY O N & T U R N B U L L Decorative Arts

218 FD196/52 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU ELECTRPLATED SERVING DISH, CIRCA 1900 the twin opposed dishes cast with fruiting ivy and surmounted by a seated maiden, stamped factory marks 429 46cm across

£300-500

219 FE24/6 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU ELECTROPLATE AND GLASS FLOWER VASE, CIRCA 1900 cast with whiplash foliage and mask, with clear cut glass liner and flower cage, stamped and cast marks no. 590 31cm across

£350-450

220 FE182/2 WMF (WURTTEMBERGISCHE METALLWARENFABRIK) ART NOUVEAU ELECTROPLATE AND GLASS FLOWER VASE, CIRCA 1900 cast with whiplash foliage and opposed moth motifs, with green glass liner and flower cage, stamped and cast marks no. 267

31cm across

221 FE169/2 ATTRIBUTED TO KAYSERZINN PEWTER BOWL AND COVER, CIRCA 1910 of circular form, cast allover with swimming fish, unmarked, 25cm diameter; and a LIIDEED PEWTER WINE FLAGON, cast as a grotesque bird, also unmarked, 23cm high (2)

£600-800

£200-300

LY O N & T U R N B U L L Decorative Arts

222 FE24/7 JOSEPH ROGERS & SONS ART DECO SILVERED METAL AND BAKELITE TEA AND COFFEE SERVICE, CIRCA 1935 comprising a coffeepot, combined teapot and hot water jug; and combined sugar and cream, each with stamped factory marks, ‘Rd. 805653 (3) coffee pot 19cm high

£400-600

223 FE158/8 ARTS & CRAFTS BEATEN BRASS AND ENAMEL SET SERVING TRAY, CIRCA 1900 of oval form with twin carrying handles

224 FD338/1 PATINATED COPPER WALL MIRROR, 20TH CENTURY the hammered and riveted frame, repoussé decorated with ‘Glasgow’ Style’ roses

63cm across

£300-400

£200-300

42.7 x 50.5cm

225 FE174/1 MANNER OF MARGARET GILMOUR BRASS PHOTOGRAPH FRAME, CIRCA 1910 of rectangular outline, repoussé decorated with panels of entwined stylised foliage

226 FE158/9 ARTS & CRAFTS BEATEN COPPER MANTEL CLOCK, CIRCA 1910 the later dial enclosed by tapering case with riveted brackets to the angles and a repoussé decorated vine motif to the centre

24 x 10cm

36cm high

£150-250

£200-300

LY O N & T U R N B U L L Decorative Arts

227 FE176/1 LIBERTY & CO., LONDON BRASS AND MOTHER OF PEARL INLAID MIRROR, CIRCA 1900 the rectangular bevelled mirror plate flanked by three rose inlaid panels, the hammered brass panels joined by decorative rivets 61cm x 94cm

£3,000-5,000

228 FE182/1 LIBERTY & CO., LONDON COPPER WALL MIRROR, CIRCA 1910 with overhanging cornice above tapered rectangular frame, repoussé decorated with inscription EAST WEST/ HAMES BEST and with riveted decoration 56 x 69cm

£500-700

LY O N & T U R N B U L L Decorative Arts

229 FE24/9 LIBERTY & CO., LONDON COPPER WALL MIRROR, CIRCA 1910 of shaped tapering outline, the broad cornice repoussé decorated with flowering roses reserved on a hammered ground with riveted decoration 74cm x 59cm

£600-800

230 FE561/1 ART NOUVEAU COPPER FRAMED WALL MIRROR, CIRCA 1910 the rectangular frame with riveted panels, embossed with an owl on a branch and with inscription SWEET EVENING 82cm x 52cm

£400-600

LY O N & T U R N B U L L Decorative Arts

231 FD44/1 MANNER OF AUGUSTUS WELBY NORTHMORE PUGIN GOTHIC REVIVAL BRONZE TABLE BELL, CIRCA 1840 the demi-spherical bell supported on a gilt brass column with three scrolling supports, the whole surmounted by a fleur de lys finial

232 FE182/3 ATTRIBUTED TO ARTHUR SEWARD, BIRMINGHAM COPPER CIGAR BOX, CIRCA 1920 the hammered lid with decorative hinges, above a frieze, repoussé decorated with entwined Celtic knotwork, wood lining, maker’s monogram HS

40cm high

23.5cm across

£600-800

Note: ‘HS’ may stand for ‘Homespun’.

£200-300

233 FD711/2 GLASGOW STYLE BRASS SPILL VASE, CIRCA 1900 of triangular section, with broad rim, repoussé decorated with stylised plant forms

234 FC880/5 ARTS & CRAFTS PAIR OF COPPER LETTER PLATES, CIRCA 1910 each with shaped outline and with hinged rectangular aperture covers (2)

17cm high

£150-250

11 x 29.5cm

£150-200

235 FD140/1 ATTRIBUTED TO A.E JONES LTD. ARTS AND CRAFTS COPPER AND ENAMEL BOX, CIRCA 1905 with riveted strapwork decoration set with enamel roundels on bracket feet, wood lining 19.5cm across

236 FB125/33 IAN MACCORMICK, IONA COPPER PIN TRAY, 1950S marked IMC, IONA, of canted rectangular form with embossed galleon in full sail with Iona Abbey in the distance,9cm wide; together with a modern silver and citrine dress ring, GF, Edinburgh 1972 (2)

£150-250

£150-180

240 FD22/1 ART DECO SPELTER AND ALABASTER TABLE LAMP, 1920S the cylindrical stepped shade with curved bracket support on stepped base surmounted by a dancing figure

Lighting & Miscellaneous 237 FC880/3 BAKELITE TABLE LAMP, 1930S with faceted amber glass shade, raised above tapering column and canted square base

238 FC880/4 ARTS & CRAFTS COPPER AND BRASS HALL LANTERN, CIRCA 1900 the overhanging hood above tapering glazed sides with protective grilles

44cm high

40cm high

239 FD174/5 PAIR OF PLAFFONIERS, CIRCA 1910 each shade with shell inlay surrounded by a frieze of moulded amethyst glass ‘rocks’ within an embossed metal band (2)

£200-300

£300-500

32cm diameter

36cm high

£300-500

£300-400

LY O N & T U R N B U L L Decorative Arts

241 FD175/1 ARTS & CRAFTS SET OF FOUR SILVERED WALL SCONCES, CIRCA 1910 each with scrolled branches and circular wall plates inset with abalone shell and cast with honesty, with two original shades in Vaseline glass with silvered metal mounts (one shade cracked) (4) 33cm high

£800-1,200

20cm high

244 FD35/1 GLASGOW SCHOOL CHIP CARVED BEECH WOOD BLOTTER, CIRCA 1900 of rectangular outline, the cover carved with a central panel of elliptical motifs and to the angles with Glasgow roses

246 FB819/2 ART DECO ROSEWOOD AND SHAGREEN MOUNTED DESK SET, 1930S the canted rectangular base set with graduated octagonal holders, a vesta and two BACCARAT reverse intaglio glass dishes

£300-400

38.5 x 25cm

34.5cm wide

247 FE591/2 G.A. HARVEY PAIR OF BRONZED WALL MOUNTED WASTE BINS, DATED 1936 each of semi-circular section with pierced grille panes, bearing inscription WASTE PAPER, stamped maker’s labels verso (2)

£150-250

£200-300

38cm high

243 FD44/15 MISSION STYLE COPPER AND BRASS DESK STAND AND STAMP BOX, CIRCA 1920 with hammered finish, each with brass repoussé panels and rivet decoration (2)

245 FB821/6 ART DECO SHAGREEN VENEERED BOX, 1920S with patented hinge and beech lined interior, containing gambling chips

246A GIANT ANGLEPOISE LAMP, CONTEMPORARY silvered steel, with pleated fabric shade on weighted plinth

36cm and 16cm wide

25.5 x 9cm x 5cm

£200-300

£400-600

£250-350

242 FE107/129 JAEGER LE COULTRE CLEAR PERSPEX AND BRASS MOUNTED MYSTERY TIMEPIECE, CIRCA 1960 with circular dial raised on stepped base, bears maker’s mark

£200-300

210cm high to angle

Sculpture

248 FC880/2 CLAIRE JEANNE ROBERTE COLINET (1885-1948) ‘ANDALUSIAN DANCER’ BRONZE FIGURE, CIRCA 1910 converted to a table lamp with conical glass shade, and raised on a marble base, etched signature to base C.J.R. COLINET 52cm total height

£400-600

249 FE047/1 ALEXANDER PROUDFOOT (1878-1957) ‘THE FAUN’ bronze, signed in the bronze A. PROUDFOOT 21.5cm high

£400-600

252 FC534/1 ENGLISH SCHOOL BUST OF A MAN, 20TH CENTURY Bronze, unsigned

253 FC348/2 G. MORIANI BRONZE FIGURE, EARLY 20TH CENTURY depicting a naked girl, signed in the bronze G. MORIANI, and raised on a marble plinth

250 FD688/67 RICHARD W. LANGE FIGURE OF HAMLET, EARLY 20TH CENTURY bronze, the figure standing beside a pedestal holding a cold-painted skull, on marble plinth base

251 FE101/1 AFTER CHARLES MARION RUSSELL BUFFALO STUDY bronze, signed and inscribed in the bronze C.M.RUSSELL/ 1921 17cm high

23cm high

£300-400

£150-250

50cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

254§ FD488/1 FERDINAND PREISS (1882-1943) ‘SONNY BOY’, COLD-PAINTED BRONZE AND IVORY SCULPTURE, CIRCA 1930 the figure holding a book under his arm, on rectangular green onyx plinth base, etched signature on base F. PREISS 21cm high

£2,000-3,000

255 FE587/1 G. GORI LARGE ART DECO METAL AND IVORINE FIGURE GROUP, CIRCA 1925 cast as a lady in elaborate costume, feeding two birds at her side, on rectangular marble plinth, signed to the base G. GORI 83cm wide

£500-700

LY O N & T U R N B U L L Decorative Arts

256§ FD688/42 BENNO SCHOTZ (1891-1984) THE LOVERS bronze, signed in the bronze BENNO SCHOTZ 28cm high

£800-1,200

257§ FD493/1 BENNO SCHOTZ (1891-1984) HEAD OF A GIRL bronze, mounted on a plinth, signed in the bronze BENNO SCHOTZ bronze 31cm high

£800-1,200

258§ FD664/10 SALVADOR DALI (1904-1989) ‘VENUS À LA GIRAFFE’, 1973 silver plated bronze, with facsimile signature and stamped marks CULO ALL, VENTURI ARTE LIMITED EDITION 964/1000 56.3cm high, 27.5cm wide

£1,000-1,500

Textiles

259 FC607/15 AFTER SELWYN IMAGE ‘ST FRIDESWYDE’ AND ‘ST BRIDGET’, LATE 19TH CENTURY brown wool embroidery reserved on a linen ground, framed and glazed (2) 74cm x 24cm

£300-400

260 FC844/3 ELIZABETH ALLEN (1883-1967) ‘GARDEN’ AND ‘TOP HAT’ two embroidered ‘patchwork panels, framed and glazed (2) 39 x 27cm and 40 x 28cm

£300-500

261 EAA270/27 MARGERY CLINTON THE THREE ESTATES, 1970S three felt collage hangings, each bearing maker’s label ‘Designed and made by Margery Clinton/ 43 Marlborough Avenue/ Glasgow W.1/ Scotland’ (3)

262 FE515/1 ART DECO WILTON STYLE WOOL CARPET, 1930S with allover geometric motifs reserved on a green ground 271 x 360cm

£300-500

171cm high and 78.5, 75.5, and 69cm wide respectively

£400-600

LY O N & T U R N B U L L Decorative Arts

263§ FE629/1 DAVID HOCKNEY (B. 1937) FOR VORWERK & CO., WUPPERTAL ‘ARTERIOR’ CARPET, DESIGNED IN 1988 with allover crescent designs on a blue ground, bears maker’s label 197.5 x 307cm

£800-1,200

Pictures

264§ FE614/1 JESSIE KEPPIE (1868-1951) ‘A GLIMPSE OF THE CHATEAU, GAILLARD’ Watercolour, signed lower right JESSIE KEPPIE 37.5cm x 40cm Note: Bears inscription verso ‘A GLIMPSE OF THE CHATEAU, GAILLARD’/ £10.10/ BY JESSIE KEPPIE/ 16 HAMILTON PARK TERRACE/ GLASGOW

£600-800

265§ FD424/1 ANNIE FRENCH (1872-1965) IN THE GARDEN pen, ink and watercolour, signed lower right ANNIE FRENCH 14cm x 25cm

£800-1,200

266§ FE66/2 ERNEST ARCHIBALD TAYLOR (1874-1951) ‘COTTAGE NEAR KIRKCUDBRIGHT’ charcoal and watercolour, signed bottom right E.A. TAYLOR

267§ FD456/2 ERNEST ARCHIBALD TAYLOR (1874-1951) ARRAN HILLS watercolour 22 x 33cm

£150-250

21 x 27cm

£500-700

LY O N & T U R N B U L L Decorative Arts

268 FC607/12 CARLO BUGATTI (1856-1940) PASTORAL SCENE, SPRING oil on canvas, signed bottom right BUGATTI, within broad ash frame 69.5cm x 97cm

£3,000-5,000

Note: When he was 48, Bugatti sold his studio in Milan and moved with his family to Paris, where he worked for the department stores Maison Dufayel and Au Bon Marché and In 1910, after six years in Paris, he moved to Pierrefond near Compiégne to once again work in his own studio. During the war years 1914 to 1918 he served as the town’s mayor, and increasingly devoted himself to painting.

25 x 34cm

270§ FD159/4 ELYSE ASHE LORD (1900-1971) ‘CHRYSANTHEMUMS’ AND ‘ZINNIAS’ two coloured etchings, 50/100 and 38/100 signed in pencil (2)

£200-300

31 x 31cm

271§ FD688/7 BENNO SCHOTZ (1891-1974) ‘LOOMING DAYS’ pen and ink, signed 23.5cm x 16.5cm; and another companion study; also ‘JACOB AND THE ANGEL’, pen and ink study, signed in pencil, 34.5cm x 26cm (3)

£250-400

£400-600

269§ FD456/1 ELIZABETH MARY WATT (1886-1954) ON THE SHORE watercolour, signed and dated lower right ELIZABETH MARY WATT/ 1942

271A§ EZ325/29 ELYSE ASHE LORD (1900-1971) ‘CHINESE’ coloured etchings, 26/95, signed and inscribed in pencil 30cm x 35cm

£100-200

LY O N & T U R N B U L L Decorative Arts

272 CHARLES RENNIE MACKINTOSH (1868-1926) CLEMATIS, DATED 1896 signed with initials, inscribed and dated upper right LOWER.BUD.LEAF/K. JULY 1896’, pencil and blue crayon 26 x 20.3cm Provenance: Ronald W.B. Morris Esq., Kilmacolm, an executor of the Estate of Margaret Macdonald Mackintosh Christies, Edinburgh, October 23, 2008, Lot 113

£800-1,200

273§ JESSIE MARION KING (1875-1949) AT CORRIE POINT Watercolour, signed lower right JESSIE M. KING 22 x 28cm

£300-500

LY O N & T U R N B U L L Decorative Arts

274§ WILLIAM GIBSON MORTON (1871-1946) ‘AUTUNNA’ signed bottom left W.G.MORTON, and inscribed AUTUNNA, oil on panel 53 x 90cm Literature: Donnelly, Michael ‘Glasgow Stained Glass, Glasgow 1981, p. 32 and 33 Historic Scotland

Note: The renowned Glasgow stained glass artist W.G. Morton was a tutor in Decoration and Signwriting in the Decorative trades Department of the Royal Technical College in Glasgow. In the late 1920s he became Principal of the Decorative Trades Institute until his retirement in 1938. He was also a member of the Glasgow Art Club, where he regularly exhibited his oil paintings. One of Morton’s most celebrated commissions was the scheme he produced in 1902 for Miller & Lang’s Printing Works in Darnley Street, Glasgow, which included mermaids, whales and seabirds. Michael Donnelly describes this work as `some of the most adventurous domestic glass of the decade...truly modern in concept and compar(ing) favourably with the best German and Austrian glass of the period.’

£400-600

275 ARCHITECTURAL INTEREST GROUP OF THREE PENCIL SKETCHES OF BRUGES, DATED 1900 inscribed and signed with monogram, each 16 x 11.5cm, contained in a single frame; also a SIGNED PRINT OF LONDON BRIDGE, with inscription verso PRESENTED TO A.T. FLUTTER/ BY THE STAFF OF/ SIT E.L. LUTYENS’ DELHI OFFICE/ 4TH JULY 1925 (2) £150-250

LY O N & T U R N B U L L Decorative Arts

276 FE602/1 A* B* FAIRY DANCE watercolour and body colour, signed with monogram lower right AB 28cm x 20cm

£300-500

277 FD450/1 B* P* T* POPPIES watercolour, signed with monogram 48 x 29cm

£200-300

Books & Manuscripts

278 FE99/1 JAMES HERBERT MCNAIR (1868-1955) RARE BOOKPLATE FOR GEORGE STANSER MACNAIR, CIRCA 1900 printed paper, with design depicting three mermaids and bearing inscription EX LIBRIS/ GEORGE STANSER MCNAIR and J. HERBERT MCNAIR INV.DEL.

Note: The bookplate is affixed to the flyleaf of a book, THE GREY MAN, by Samuel Rutherford Crockett, published in London in 1896 and bears the inscription GIVEN TO STANSER AND CAROLINE(?) MCNAIR, DEC. 17, 1934/ BY/ MRS. GEORGE STANSER MCNAIR. George Stanser McNair was the father of the artist J. Herbert McNair. Mermaids are featured in the McNair family crest.

£1,500-2,000

7.5 x 4.5cm

279 FE134/2 FRANCIS H. NEWBERY (1855-1946) ‘A MASQUE OF SCIENCE AND OF ART, OR, THE SAINT, THE CHIEF, THE GOD AND THE GIFTS’ pamphlet and ticket to the masque, produced on the occasion of the Formal Opening of The Glasgow and West of Scotland Technical College, 1905; and KING, JESSIE M., (ILLUS), DWELLINGS OF AN OLD WORLD TOWN, pub Gowans & Gray Ltd 1909 (2) £150-250

280 FC864/20 KING, JESSIE M. COLLECTION OF RELATED BOOKS AND PAMPHLETS KING, JESSIE M. The city of the West. Edinburgh: T.N. Foulis, 1911. 8vo, original pictoral covers; MORRIS, JAMES A. The art of Ayrshire white needlework. Glasgow: under the auspices of the Glasgow School of Art, ca.1915. 8vo, original blue printed boards; ALBUM VON BERLIN. Berlin: Globus Verlag, ca.1905. Oblong 4to, 53 photographs of early twentieth century Berlin, original coloured pictoral boards; WOOD, J.G. The boy’s own book of natural history. London: George Routledge and Sons, ca.1904. 8vo, original green pictoral cloth; THE STUDIO An illustrated

magazine of fine and applied art, volume sixty. London: Offices of The Studio, 1914. 4to, green cloth gilt, containing ‘Seven Happy Days’ (Christmas Supplement) with 15 coloured drawings by Jessie M. King; THE STUDIO An illustrated magazine of fine and applied art, volume 26, number 113. London: Offices of The Studio, 1902. 4to, later green cloth binding, pp.176-187 showing works by Jessie M. King, including fold-out plate; SCOTT-SUTHERLAND, COLIN Elizabeth Mary Watt, her life and works. Newmill: The Pattern Press, 1995. 8vo, original printed card; And 3 other small books relating to Jessie M. King (10) £200-300

281 FE66/3 WASMUTH, ERNST MÖBEL UND ZIMMEREINRICHTUNGEN DER GEGENWART, 1. FOLGE Berlin: Ernst Wasmuth, ca.1900. Folio, 90 (of 100) unbound plates, some photographed and some coloured, original boards with half red cloth gilt, red ties £150-200 282 FE73/1 WILLIAM MORRIS (18341896) FOR MORRIS & CO. ROLL OF ‘INDIAN’ WALLPAPER, CIRCA 1900 printed with a repeating foliate design £150-250

Stained & Etched Glass

283 FC346/1 JOHN HUTTON (1906-1978) ETCHED GLASS PANEL, CIRCA 1960 depicting a girl on a beach, framed and bearing etched signature bottom left JOHN HUTTON 52.5 x 41.5cm

£300-500

284 FE170/1 SCOTTISH SCHOOL COLLECTION OF STAINED AND LEADED GLASS PANELS, EARLY 20TH CENTURY comprising eight panels, with stylised floral decoration (10)

285 EY557/1A AESTHETIC MOVEMENT STAINED, PAINTED AND LEADED GLASS PANEL, CIRCA 1890 depicting figures playing boules

£150-250

Note: This panel displays stylistic similarities to a panel in Kelvingrove Museum in Glasgow painted by Hannah Walton (Inv. no E1985.DD4.A-C)

54cm x 80.5cm

£200-300

Furniture

286 FC799/1 AFTER CHARLES FRANCIS ANNESLEY VOYSEY MAHOGANY CORNER CABINET, CIRCA 1900 the slatted heart-pierced back with overhanging cornice, above serpentine top with applied moulding and twin panelled doors with brass escutcheons enclosing a shelf, the whole raised on square supports with broad moulded feet 117cm wide, 166cm high, 74cm deep Literature: ‘The Furnisher’, Volume 1, 1899, p. 96 and supplement (illustrated) Christies, London, ‘Important 20th Century Decorative Arts’, 9 November 2000, Lot 111 Note: Voysey designed a similar cabinet to the present example for the Pre-Raphaelite artist E.R. Hughes for the dining room of his house at 7 Lodge Place, London in 1898. In the following year detailed drawings of the cabinet appeared in The Furnisher magazine. The present example has minor stylistic and size discrepancies from the original Hughes commission and may have been made as a result of the publication of the original design.

£4,000-6,000

LY O N & T U R N B U L L Decorative Arts

287 FC607/1 MORRIS & COMPANY AND THE LEEK EMBROIDERY SOCIETY MAHOGANY FRAMED FIRESCREEN, CIRCA 1890 the rectangular frame enclosing a floral embroidery reserved on a velvet ground, raised on turned supports with curved legs linked by a stretcher, stamped mark MORRIS & CO./ 449 OXFORD STREET / 7738 74.5cm wide, 111cm high

£2,000-3,000

288 FD295/3 PHILIP WEBB (1831-1915) FOR MORRIS & CO. ROSEWOOD FRAMED AND UPHOLSTERED SOFA, CIRCA 1890 the buttoned back above serpentine seat on spirally reeded baluster legs linked by stretchers 195cm across Literature: ‘The Studio’, Vol. 1, p 222, illustrated Note: Four of these sofas were commissioned from Morris & Co. by William Knox d’Arcy for the vestibule at Stanmore Hall.

£1,000-1,500

LY O N & T U R N B U L L Decorative Arts

289 FC919/6 CHARLES EDWARD HORTON FOR JAMES LAMB, MANCHESTER EBONISED WOOD AND CALAMANDER CENTRE TABLE, CIRCA 1880 the octagonal top with boxwood lines and moulded edge raided on elaborate base with six moulded and curved supports enclosing a central spirally reeded column with radiating spoke stretchers, stamped to the castors LAMB MANCHESTER 2266, COPE’S PATENT 106cm diameter, 72cm high

£2,000-3,000

289A ARTS & CRAFTS OAK AND COPPER BOUND PLANTER, CIRCA 1910 the circular staved planter with loop supports on tapered legs linked by a copper band 40cm diameter, 76cm high

£150-250

290 FC607/4 AESTHETIC MOVEMENT WALNUT, EBONISED & GILDED JARDINIERE, CIRCA 1880 of rectilinear form, with concave ends, with liner, the moulded rim above central tablet caved with sunflower rosette and flanked by brackets, block feet

291 FE24/5 MANNER OF MORRIS & CO. SUSSEX TYPE EBONISED WOOD ARMCHAIR, CIRCA 1890 with bobbin turned top rail above spindle filled back and arms, a rush seat and ring turned legs linked by stretchers £200-300

112cm wide, 41cm high, 44cm deep

£300-500

LY O N & T U R N B U L L Decorative Arts

292 FE173/2 ENGLISH GOTHIC REVIVAL OAK BOOKCASE CABINET, CIRCA 1880 the castellated cornice above glazed doors enclosing shelves, raised on base section with drawers and tongue and groove panelled doors below, raised on a plinth 138cm wide, 261cm high, 55.5cm deep

ÂŁ400-600

LY O N & T U R N B U L L Decorative Arts

293 FE173/5 ENGLISH GOTHIC REVIVAL SET OF SIX OAK DINING CHAIRS, CIRCA 1880 including two carvers, each with upholstered seats and with bold canted construction, the carvers with pierced quatrefoil top rails and upholstered splats (6) £600-800

294 FE173/6 ENGLISH GOTHIC REVIVAL OAK REFECTORY TABLE, CIRCA 1880 the rectangular top above plain frieze with lobed brackets, pierced with quatrefoil roundels, raised on canted square supports, with blind quatrefoil roundels 183cm long

£300-500

LY O N & T U R N B U L L Decorative Arts

295 FE173/7 ENGLISH GOTHIC REVIVAL PIAR OF OAK GENTLEMAN’S CHAIRS, CIRCA 1880 each with leather upholstered back and seats within a canted frame (2) £300-400 296 FE173/4 ENGLISH GOTHIC REVIVAL OAK SIDEBOARD, CIRCA 1880 with mirrored back, the frame with rosette carving, the rectangular moulded top above three drawers with brass drop handles above four tongue and groove doors on a plinth with bracket feet 229cm wide, 193cm high, 72cm deep

£400-600

LY O N & T U R N B U L L Decorative Arts

297 FE511/1 WYLIE & LOCHHEAD, GLASGOW OAK AND MARQUETRY INLAID BEDROOM SUITE, CIRCA 1910 each piece inlaid with stained woods with a Glasgow rose marquetry design and comprising a WARDROBE, with central mirrored door flanked by panelled doors with two drawers below, plinth base, 200cm wide, 211cm high, 62cm deep, DRESSING CHEST, the central mirror with inlaid frieze, flanked by jewellery drawers, the base with arrangement of five drawers, square tapered legs, 122cm wide, 180cm high, 58cm deep; a PAIR OF SINGLE BEDS, 204cm long, 105cm high, 109.5cm wide; a BEDSIDE CUPBOARD, 39.5cm wide, 84cm high, 37.5cm deep (5) ÂŁ4,000-6,000

LY O N & T U R N B U L L Decorative Arts

298 FB822/1 AFTER PHILIP WEBB FOR MORRIS & CO. OAK TABLE, EARLY 20TH CENTURY the circular top raised on six ring turned legs enclosing a central support, each joined by stretchers 128cm diameter, 74cm high Literature: Gere, Charlotte and Whiteway, Michael, ‘Nineteenth-Century Design: From Pugin to Mackintosh’, London, 1993, p.100, pl. 108 Parry, Linda, ‘William Morris’, London, 1996, p.175 Lyon & Turnbull, Decorative Arts, April 2004, lot 328 for a similar example in mahogany Note: Philip Webb joined William Morris at Morris, Marshall, Faulkner & Co. (later Morris & Co.) in 1861, the year it was founded. He had designed a related table for Sir Edward Burne-Jones in the 1850s and the firm went on to produce a number of similar examples for their commissions, including for Old Swan House, Chelsea, designed by Sir Richard Norman Shaw for the connoisseur Wickham Flower, and Great Tangley Manor in Sussex, where the firm had supplied other furniture and Webb carried out extensions in 1885. A walnut version is in the collection at Standen, the Arts and Crafts house Webb designed in 1891, now in the care of the National Trust.

299 FC439/2 ATTRIBUTED TO SCOTT MORTON & CO., EDINBURGH FRAMED MARQUETRY PANEL, CIRCA 1900 inlaid with specimen woods and mother of pearl, and depicting shepherds and charioteers in a landscape, moulded frame 40 x 95cm

£200-300

299A FE202/1 ATTRIBUTED TO ALEXANDER RITCHIE CELTIC REVIVAL OAK HALL SETTLE, DATED 1899 the rectangular back carved with three panels of elaborately carved Celtic knotwork and mythical beasts, above a solid hinged seat and open arms raised above similar carved panels on three sides centred by a cartouche dated 1899 128cm wide

£400-600

£2,000-3,000

LY O N & T U R N B U L L Decorative Arts

300 FD295/1 GEORGE WALTON (1867-1933) SET OF SIX OAK ‘CAQUETOIRE’ DINING CHAIRS, CIRCA 1895 the rushed back supported on swollen cylindrical supports above corresponding rush seat on turned and blocked tapering legs, linked by stretchers and raised on flattened bun feet (6) 91.5cm high Literature: Moon, Karen, ‘George Walton: Designer and Architect’, Oxford 1993, page 47-48, illus. no. 54 Note: These chairs were made for John Rowntree’s cafe in Scarborough where Walton developed a new style of furniture based on the French 17th century ‘caquetoire’ style. This French renaissance style was popular in Scotland in the 16th century and the strong links between the two countries ensured the style flourished well into the 17th century. These chairs would still have been seen in the more aristocratic homes in Scotland in the late 19th century and Walton here has taken the basic form and adapted it with the use of rushing to lighten the effect of the construction.

£600-800

300A MALCOLM 'FOXMAN' PIPES OAK REFECTORY TABLE, LATE 20TH CENTURY the rectangular adzed top above a frieze carved in relief with scrolling foliage raised on turned and blocked legs linked by an angular stretcher

301 FC736/6 MANNER OF JOHN EDNIE BEECHWOOD HANGING WALL CABINET, CIRCA 1900 with central cupboard door flanked by inset oval glass panels and broad open shelves 178cm wide, 36.5cm high

302 FC736/10 GLASGOW SCHOOL EBONISED TOILET MIRROR, CIRCA 1900 the rectangular framed plate, supported on broad uprights pierced with squares, with divided feet, linked by a stretcher

182cm long, 85cm wide, 74cm high

£200-300

59cm wide, 86.5cm high

£1,000-1,500

£200-300

LY O N & T U R N B U L L Decorative Arts

303 FC904/1 ATTRIBUTED TO CHARLES RENNIE MACKINTOSH OVERPAINTED DOOR, CIRCA 1900 with inset fielded panels and square cut-outs, mounted with (later) glass panels 219cm x 68cm Provenance: Ex Glasgow School of Architecture, Glasgow.

£1,200-1,800

304 FD685/1 WYLIE & LOCHHEAD, GLASGOW MAHOGANY AND INLAID HALL STAND, CIRCA 1920 with checker inlaid stepped top rail with applied pegs above a brass rail for sticks with drip tray below, bears maker’s label 37cm wide, 152cm high

£300-500 305 No lot

LY O N & T U R N B U L L Decorative Arts

306 FE173/1 WYLIE & LOCHHEAD, GLASGOW MAHOGANY AND MARQUETRY INLAID BEDROOM SUITE, CIRCA 1900 inlaid with stylised plant motifs in mother of pearl, stained woods and purple lacquer marquetry and comprising a WARDROBE, 219cm wide, 222cm high, 83cm deep; a DRESSING TABLE, 137cm wide, 172cm high, 60cm deep; a WASHSTAND, 129cm wide, 144.5cm high, 60cm deep; a POT CUPBOARD, 39cm wide; a DOUBLE BED, with slatted base, 204cm long, 150cm wide, 138cm high; and a TOWEL RAIL, 72cm long (6) £2,000-3,000

LY O N & T U R N B U L L Decorative Arts

307 FD688/1 MANNER OF SIR ROBERT LORIMER PAIR OF OAK FRAMED TALL SIDE CHAIRS, CIRCA 1890 each chair surmounted with the carved figures of knights holding shields, above tall upholstered backs, each with heraldic embroidered panels in gros and petit point, the corresponding sprung seats above spirally fluted supports linked by a foliate carved stretcher (2) £400-600

308 FD373/4 AFTER SIR ROBERT LORIMER FUMED OAK CENTRE TABLE, CONTEMPORARY the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports

309 FD373/3 AFTER SIR ROBERT LORIMER FUMED OAK CENTRE TABLE, CONTEMPORARY the octagonal sectional top with pegged construction, above chamfered frieze on spirally tuned fluted and reeded supports with moulded collars, linked by curved and chamfered stretchers on moulded bracket supports

96cm diameter, 79cm high

£600-800

LY O N & T U R N B U L L Decorative Arts

310 FD295/2 ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW OAK AND INLAID SIDE CABINET, CIRCA 1910 the central section with two plate shelves above two drawers with inlaid vertical bands and silvered handles with two corresponding cupboards below, flanked by twin pedestals of cupboards and drawers, the whole raised on bracket feet, bears maker’s label 183cm wide, 180cm high, 60cm deep

£800-1,200

311 FC608/1 SHAPLAND & PETTER, BARNSTAPLE MAHOGANY SIDE CABINET, CIRCA 1900 with twin pedestals, each with projecting corners above stained and leaded glazed door, enclosing semi bowed top with ledge back, inlaid with polychrome enamel panel above single drawer and two corresponding inlaid doors, stamped mark R2161/ 99, stamped S&P to locks 162.5cm wide, 130cm high, 59cm deep

£1,000-1,500

LY O N & T U R N B U L L Decorative Arts

312 FD497/1 LIBERTY & CO., LONDON SET OF TEN MAHOGANY DINING CHAIRS, CIRCA 1900 each with curved top rails, carved in relief with stylised plant forms, above upholstered pads and corresponding carved splats, the upholstered panelled seats on square tapering legs linked by stretchers (10) £600-800

313 FC980/10 ART NOUVEAU MAHOGANY AND INLAID DISPLAY CABINET, CIRCA 1890 the whole inlaid with foliate marquetry panels, highlighted with penwork, the central section with open shelves and panelled door flanked by glazed doors enclosing velvet lined shelves and with silvered foliate decorations, raised on square supports linked by a lower shelf stretcher 152cm wide, 163cm high, 41cm deep

£600-900

LY O N & T U R N B U L L Decorative Arts

314 FD23/29 ARTS & CRAFTS OAK WARDROBE, CIRCA 1900 the projecting cornice with angular buttresses and square column supports, enclosing a central mirror flanked by two panelled doors above two drawers on square legs with broad spreading feet 188cm wide, 203cm high, 61cm deep

£500-700

315 FC880/1 ART NOUVEAU MAHOGANY AND INLAID FIRESCREEN, CIRCA 1910 with central embossed copper panel with enamel roundels above an open shelf 53.5cm wide, 82.5cm high, 17cm deep

£150-200

316 FC914/1 ART NOUVEAU OAK OVERMANTEL MIRROR, CIRCA 1900 marquetry inlaid with wheat sheaves in pewter and specimen woods, and with open shelves around a central mirror with decorative pierced bracket supports

317 FD174/4 ART NOUVEAU OAK AND COPPER MOUNTED COAL BOX, CIRCA 1910 of tapering rectangular outline, the shaped hinges with inset enamel roundels, the front with embossed panel depicting a longboat, zinc liner

121cm wide, 95cm high,

58cm wide

190cm deep

£150-250

£300-500

318 FD174/1 BRASS AND CAST IRON COAT STAND, CIRCA 1900 the circular rail with curved brass brackets, raised on a cylindrical column on cast quadruped base with paw feet 192.5cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

319 FE73/2 CONTINENTAL ART NOUVEAU SET OF SIX MAHOGANY DINING CHAIRS, CIRCA 1910 each with elaborated entwined cresting above slatted backs and drop in seats, raised on turned legs and linked by corresponding entwined stretchers (6) £600-800

320 FC340/4 ARTS & CRAFTS STYLE OAK PART BEDROOM SUITE, CIRCA 1910 comprising a semi bowed WARDROBE, with projecting cornice and central panelled door carved in bas relief with flowers above four graduated drawers and flanked by mirrored doors, 194cm wide, 213cm high, 65cm deep; and a MATCHING DRESSING CHEST, the triptych mirror above two short over two long drawers on bracket feet, 123cm wide, 177cm high, 56cm deep (2)

321 FE173/3 ARTS & CRAFTS OAK SIDEBOARD, CIRCA 1900 the canted superstructure with three leaded glazed doors flanked by open shelves, above three panelled doors on square supports 175cm wide, 184cm high,

322 FD174/3 AMERICAN SCHOOL PAIR OF OAK FOOTSTOOLS, CIRCA 1910 each with drop in upholstered seats above decorative pierced frieze on angles square tapered legs linked by a pierced lower stretcher (2)

64cm deep

30cm wide, 40cm high

£300-500

£150-250

323 FD442/1 AMERICAN SCHOOL PAIR OF OAK SIDE CHAIRS, CIRCA 1900 each with tapered spindle filled backs and solid seats raised on turned legs and linked by stretchers (2) £150-200

£300-500

LY O N & T U R N B U L L Decorative Arts

324 FC290/1 ATTRIBUTED TO HEAL & SON LTD., LONDON WALNUT & COROMANDEL BANDED FREESTANDING TWIN PEDESTAL DESK, 1930’3 the shaped top with inset leather skiver above a central drawers and two pedestals of four graduated drawers, each with canted fronts and turned handles, the whole raised on bracket feet 107cm wide, 75cm high, 63cm deep

£600-800

325 FE560/1 ART DECO PAIR OF OAK AND LEATHER UPHOLSTERED EASY CHAIRS, 1930S each with stepped oak detail to the arm terminals and with loose cushions (20 £300-500

326 FE107/131 VEJLE STOLE & MØBELFABRIK, DENMARK TEAK METAMORPHIC COFFEE AND DINING TABLE, 1960S the rectangular pull out top with extending tapering legs, branded maker’s mark

327 FE107/1 SCOTTISH SCHOOL OAK HALLSTAND, 1960S with tall square section column supporting four coat pegs above a cylindrical stick stand with liner, bears maker’s label DRUMMONDS OF SCOTLAND

150cm long, 54cm high, 58cm deep

178cm high

(closed)

£150-250

£100-200

LY O N & T U R N B U L L Decorative Arts

328 FE571/1 NANNA DITZEL (1923-2005) FOR SOREN WILLADSEN ‘MODEL 93/3’ TEAK DESK, DESIGNED 1958 the rectangular top above four drawers on tapered supports linked by stretchers 176cm wide, 72cm high, 75cm deep

£800-1,200

329 FD156/1 GUSTAV AXEL BERG (1891-1971) ‘PATRONEN’ ROCKING CHAIR, CIRCA 1942 laminated birch and hemp webbing Note: Gustav Axel Berg exhibited at the Swedish Pavilion at the 1939 New York World Fair. He had his own Interior Decoration shop at Kungsgatan 35 in Stockholm from 1933 to 1944.

£1,000-1,500

330 FE561/2 SHAPLAND & PETTER, BARNSTAPLE OAK HALLSTAND, CIRCA 1920 the projecting cornice with angular brackets, above central mirror and embossed copper panel with tiled splash back, drawer and panelled door, flanked by stick stands

331 FE632/1 CONTINENTAL SCHOOL SET OF SIX OAK DINING CHAIRS, 1930S each with broad stepped top rail above twin splats and drop in seats raised on rectangular plank supports, includes two carvers (2)

332 FD464/1 LIBERTY & CO., LONDON OAK OCCASIONAL TABLE, CIRCA 1930 the circular top raised on canted supports and linked by dowelled cross stretchers, stamped twice on the stretcher LIBERTY & CO

£400-600

56.5cm diameter, 53cm high

333 FE107/7 ART DECO PAIR OF WALNUT OCCASIONAL TABLES, 1930S each with square stepped tops on rectangular supports linked by cross stretchers (2) 45cm across, 52cm high

£200-300

£300-500

122cm wide, 189cm high, 37cm deep

£300-400

LY O N & T U R N B U L L Decorative Arts

334 FE503/1 TREVOR CHINN AND RAY LEIGH AT GORDON RUSSELL FOR MERROW ASSOCIATES ROSEWOOD, LEATHER & CHROME GR ‘SERIES 1’ DESK the rectangular top above three drawers on U supports, glass preserve 213cm wide, 73cm high, 90cm deep

£400-600

335 FE503/1A TREVOR CHINN AND RAY LEIGH AT GORDON RUSSELL FOR MERROW ASSOCIATES ROSEWOOD, LEATHER & CHROME GR ‘SERIES 1’ SIDEBOARD AND BOOKCASE, DESIGNED 1973 the SIDEBOARD with rectangular top above three drawers on U supports,157cm wide, 62cm high, 72cm deep ; the BOOKCASE, with glass sliding doors enclosing two adjustable shelves with two doors below, U shaped supports, 107cm wide, 174cm high, 52cm deep(2) £400-600

336 FE601/1 EDWARD BARNSLEY (1900-1987) PAIR OF ELM SINGLE BED ENDS, 1930S with chamfered decoration (2) headboard 91cm wide

£200-300

338 FD174/2 E. GOMME, HIGH WYCOMBE OAK AND LEATHER-UPHOLSTERED ARMCHAIR, EARLY 20TH CENTURY the close nailed back and seat with solid arms on planked supports £200-300

337 FC290/2 SCOTTISH SCHOOL OAK AND LEATHER UPHOLSTER DESK CHAIR, CIRCA 1940 the close nailed back and arms above a tartan upholstered seat on spirally fluted, turned and blocked front legs, linked by stretchers

339 FE24/8 MIES VAN DER ROHE (1886-1969) SET OF FOUR MR10 CANTELEVER SIDE CHAIRS, DESIGNED 1927 each with tubular chrome plated frames with rattan seats and backs (4)

£150-250

£200-300

340 FC918/4 A.H. MCINTOSH & CO., KIRKCALDY TEAK CHEST OF DRAWERS, CIRCA 1960 with one frieze drawer and with two drawers below, each with spherical brass handles, square legs, bears maker’s label 75cm wide, 75cm high, 41cm deep

£300-500 341 FC485/52A PIET HEIN (1905 -1996) AND BRUNO MATHSSON (1907-1988) FOR FRITZ HANSEN, DENMARK ‘SUPER CIRCULAR’ TABLE, DESIGNED 1968 white melamine and aluminium, bears maker’s label 101cm diameter, 71cm high

£200-300

LY O N & T U R N B U L L Decorative Arts

342 FD498/18A PETER TOAIG (B. 1968) OAK DINING TABLE, CIRCA 2000 the circular top with radiating filets enclosing a central glass panels, raised on turned column with six buttress supports 183cm wide, 105cm high, 58cm deep

£400-600

343 FD498/18 PETER TOAIG (B. 1968) OAK SIDEBOARD, CIRCA 2000 with allover grooved decoration, the curved three-quarter gallery and above a bower top with four drawers and four cupboards below, the whole raised on a plinth 183cm wide, 105cm high, 58cm deep

£500-700

END OF SALE

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prevailing by law at the date of sale and is payable by buyers of relevant lots.

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

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1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon. 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium at the rate imposed by law. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate

(1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express. (2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges. (3) No purchase can be claimed or removed until it has been paid for. (4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

13. TERMS OF SALE

GENERAL

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour. Internet Marketing Service: £10 per lot. (2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. 15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales. 21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 22. Scottish law applies to the interpretation of these Conditions.

Absentee bid form Sale/customer details 33 Broughton Place Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

Sale Title Sale Date

Sale No.

Title

Initials

Client No.

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 2928 e-mail: info@lyonandturnbull.com www.lyonandturnbull.com

Surname Address Postcode Telephone

I request Lyon and Turnbull, without legal obligation of any kind on its part, to bid on the following lots up to the prices listed.

Fax

E-mail

£ Sterling limit Lot.No

Description

Ex. Premium & VAT

I understand that if any of my bids are successful the total price payable will be the amount of the final bid plus a Buyer’s premium calculated at the following rates: 25% up to £25,000 / 20% thereafter. VAT will be charged on the premium. The premium and VAT is payable by all purchasers. Lots in the catalogue marked * or † are subject to VAT on the hammer price as well as the premium. Where there are identical bids for a lot, the first bid received will be have precedence. Please make certain that your bids are submitted at least two hours before the start of the sale.

Client Signature

Date

Lyon and Turnbull office use Date Received Entered

Time

Bidder No.

Fine Paintings Thursday, 29th November, 2012 33 Broughton Place, Edinburgh EH1 3RR

GEORGE LESLIE HUNTER (SCOTTISH 1879-1931) STILL LIFE WITH PINK ROSES AND FRUIT Signed, oil on board 39cm x 34cm (15.5in x 13.5in)

ÂŁ80,000-120,000

Viewing times Sunday, 25th November, 2pm - 5pm Monday, 26th November, 10am - 5pm Tuesday, 27th November, 10am - 5pm Wednesday, 28th November, 10am - 5pm Morning of Sale by appointment only

Enquiries Nick Curnow Tel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com Charlotte Riordan Tel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m

Waverley Station

Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom. WA ITH LE

ITH

Smaller items Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF The direct link to the ordering form is: http://www.mbeedinburgh.com/ art-and-antiques.php Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

QU EE N

Local Deliveries Local deliveries can be arranged by A&S Pert Removals. Telephone 07876 343520.

Lyon & Turnbull saleroom

St Andrew Square

ES ST

P R IN C

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk Fine Art Carriers Gallery Support Group 37 Cremer Street London E2 8HD Tel: +44 (0)20 7729 6692 Email: info@gallerysupportgroup.com

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale. Thereafter lots will be removed to store in Edinburgh and a charge incurred. Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT Catering Refreshments will be available at the saleroom on view days and day of sale.

© Lyon and Turnbull Ltd. 2012. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ES Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 7274