The International Sale: Fine Antiques & Decorative Arts | 3 October 2012

The International Sale Fine Antiques & Decorative Arts

Lyon & Turnbull Edinburgh 3rd October, 2012 Freeman’s Philadelphia 11th October, 2012 auctioneers & appraisers since 1805

The International Sale Fine Antiques & Decorative Arts Wednesday, October 3rd, 2012 12 noon

Thursday, October 11th, 2012 2pm

Sale Number LT361

Sale Number 1441

33 Broughton Place Edinburgh EH1 3RR Tel. +44(0) 131 557 8844 Fax. +44(0) 131 557 8668 www.lyonandturnbull.com

1808 Chestnut Street Philadelphia PA19103 Tel. +1 215.563.9275 Fax. +1 215.563.8236 www.freemansauction.com

Catalogue: ÂŁ15 / $35 See page 2 for viewing and enquiry details Inside Front Cover: Lot 305 Inside Back Cover: Lot 233 (part lot) Printing by Pardy & Sons (Printers) Ltd., Ringwood, Hampshire

Viewing and Enquiries

Auction Wednesday, October 3rd, at 12 noon

Auction Thursday, October 11th, at 2pm

Exhibition Saturday, September 29th 12 noon - 4pm Sunday, September 30th 12 noon - 4pm Monday, October 1st 10am - 5pm Tuesday, October 2nd 10am - 5pm Wednesday, October 3rd from 9am

Exhibition Friday, October 5th 10am - 4:30pm Saturday, October 6th 12 noon - 4pm Monday, October 8th 10am - 4:30pm Tuesday, October 9th 10am - 4:30pm Wednesday, October 10th 10am - 4:30pm Limited viewing on Morning of the sale

Specialists Lee Young lee.young@lyonandturnbull.com Douglas Girton douglas.girton@lyonandturnbull.com Enquiries and Commission Bids Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 email: info@lyonandturnbull.com www.lyonandturnbull.com

Please note that the the Conditions of Sale and Buyers’ Information vary between Lyon & Turnbull and Freeman’s - information for both can be found in this catalogue.

Bidding will be in GB£ for Lyon & Turnbull and $ for Freeman’s - the equivalent rate is given for each lot at £1 = $1.60 but should be treated as a guide only.

Specialists David Walker direct tel: 267.414.1216 dwalker@freemansauction.com Benjamin Fisher direct tel: 267.414.1215 bfisher@freemansauction.com Nicholas Clarke direct tel: 267-414-1225 nclarke@freemansauction.com Commission Bids Bridgette Bonner tel: 267.414.1208 fax: 215.599.2240 bbonner@freemansauction.com 1808 Chestnut Street Philadelphia PA1910 www.freemansauction.com Tel. +1 215.563.9275 Fax. +1 215.563.8236 www.freemansauction.com

The International Sale Fine Antiques & Decorative Arts

Session One Wednesday, October 3rd, 2012 at 12 noon Lyon & Turnbull 33 Broughton Place, Edinburgh EH1 3RR

Important Information for Buyers at Lyon & Turnbull

Buying at Auction This sale is subject to our standard Terms and Conditions of Sale. If you have not bought at auction before we will be delighted to advise you.

Estimates Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

Buyer’s Premium The buyer shall pay the hammer price together with a premium thereon.

Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 20% All other sales (Fine/Special/Collections/ Contemporary) 25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol † by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol * by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price and the buyer’s premium.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006.

We are required to collect a royalty payment for all qualifying works of art. Under new legislation which came into effect on 1st January 2012, this applies to living artists and artists who have died in the last 70 years.

This royalty will be charged to the buyer on the hammer price and in addition to the buyers premium.

It will not apply to works where the hammer price is less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the Design and Artists Copyright Society (‘DACS’) and no handling costs or additional fees are retained by the auctioneer. Resale royalties are not subject to VAT. Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers. Where there is no mention of damage and/or restoration this should not be taken to mean that there is none.

It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for

guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

Electrical Goods Lots that were once operated by mains electricity are bought entirely at the buyer’s risk. They are offered for sale for display or historical purposes and may not comply with current regulations.

Bidding At the Sale To bid at the sale all potential buyers must be registered with us on or before the day of sale. We will need proof of identification and residence, and may require a bank reference. Potential buyers must collect a bidding number before the sale begins, and show that number if successful in purchasing a lot. Please ensure that the auctioneer repeats the number correctly when confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is non-transferable. If you have purchased a lot you may take your bidding number to the accounts department and receive an invoice immediately. If you have not been successful please leave the number at the Registration or Reception desks.

In writing Bid forms are available at the sale and/or the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will bid on your behalf up to the limit indicated. In the event of receiving two identical bids the first one received will take precedence. They must be received at the very latest at least an hour before the sale. We will do our utmost to execute these

bids but we offer this service entirely at the bidder’s risk.

By telephone Bids submitted by telephone must be confirmed in writing.

Telephone bidding If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is available entirely at our discretion and at the bidder’s risk.

All telephone bids must be confirmed in writing, listing the relevant lots and appropriate number to be called. We recommend that a covering bid is also left in the event that we are unable to make the call. We cannot guarantee that lines will be available, or that we will be able to call you on the day, but will endeavour to undertake such bids to the best of our abilities.

Methods of Payment Goods purchased will not be released until we have received full payment.

Cash Cash payments can be made at the accounts desk during or after a sale.

Cheque Cheques should be made payable to Lyon and Turnbull Ltd. We reserve the right to wait until cheques have been cleared by our bankers before releasing bought goods. Cheques can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Switch or Credit Cards Payment can be made by Switch, Mastercard or Visa cards. There is a 2% surcharge on credit card payments.

Collection It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

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1001 FE40/4 NEAR PAIR OF GEORGE II MAHOGANY FOLDOVER TEA AND CARD TABLES MID 18TH CENTURY the shaped tops with outset corners, one opening to reveal a green baize lined playing surface with counter wells, the other with a plain top, over a plain frieze raised on acanthus carved cabriole legs ending in pad feet (2) 83cm wide, 73cm high, 41cm deep

ÂŁ7,000-10,000 $11,200-16,000

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1002 FE33/3 QUEEN ANNE WALNUT ARMCHAIR 18TH CENTURY AND LATER the solid vasiform splat and outscrolling arms above a drop-in seat covered in tapestry fabric, raised on shell carved cabriole legs ending in trefoil feet 62cm wide, 104cm high, 49cm deep Provenance: Selected items from an historic Scottish country house

£2,500-3,500

$4,000-5,600

1003 FD299/10 WILLIAM & MARY RED JAPANNED FOOTSTOOL EARLY 18TH CENTURY the square padded seat upholstered in floral needlework with a blue border, raised on turned and tapered legs joined by an X-form stretcher on flattened bun feet 36cm wide, 48cm high, 35cm deep

£1,000-1,500

$1,600-2,400

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1004 FE37/24 GEORGE III MAHOGANY LONGCASE CLOCK BY HIGGS AND EVANS MADE FOR THE SPANISH MARKET, CIRCA 1760 the arched gilt dial signed Higgs, Diego Evans, Londres, with silvered chapter ring with subsidary second dial, date aperture and silent / strike, the eight day three train movement striking on nine bells, the arched hood flanked by stop-fluted pilasters, the case with conforming quarter columns, raised on a later shaped plinth base 63cm wide, 260cm high, 33cm deep

ÂŁ7,000-9,000

$11,200-14,400

1005 FD485/21 GEORGE III MAHOGANY LONG CASE CLOCK WILSON, LONDON the swan neck pediment above a blind fret carved frieze and surmounted by a brass eagle and orb finials, above an arched glazed door flanked by reeded columns, the brass and silvered dial with Roman and Arabic chapters with subsidiary seconds dial and date aperture, painted arched panel depicting a pastoral scene, eight day movement striking on a bell, the trunk with a further blind fret carved detail and an ogee arched door flanked by reeded quarter columns with brass capitals, on a moulded plinth base raised on ogee bracket feet 50cm wide, 244cm high, 24cm deep

ÂŁ2,000-3,000

$3,200-4,800

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1006 FD48/1 IRISH GEORGE II MAHOGANY CABINET MID 18TH CENTURY the broken swan neck pediment above a pair of glazed panel doors, opening to reveal an arrangement of fourteen drawers, the lower section with a brushing slide above four long graduated drawers, raised on squat cabriole legs ending in claw and ball feet 108cm wide, 230cm high, 54cm deep Provenance: Descended through the baronetcy of Inchiquin, and reputedly brought from Ireland by Lucious William O'Brien, the 15th Baron Inchiquin, upon his marriage to Ethel Jane Foster of Moor Park, Ludlow in 1896. The couple and their six children resided off and on at Moor Park until 1939 when they moved permanently to Ireland.

ÂŁ8,000-12,000 $12,800-19,200

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1007 FD132/1 PAIR OF GEORGE III CARVED GILT WOOD FRAMED MIRRORS CIRCA 1760 the shaped oval mirror plates within ornate rococo scroll frames surmounted by ho-ho birds (2) 28cm wide, 65cm high

£1,000-1,500

1008 FE41/4 GOOD GEORGE III SERPENTINE CHEST OF DRAWERS CIRCA 1760 the shaped moulded top above four long graduated drawers flanked by canted corners, raised on shaped bracket feet 102cm wide, 84cm high, 57cm deep

£7,000-9,000

$11,200-14,400

$1,600-2,400

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1009 FC185/10 EXCEPTIONALLY FINE GEORGE III PRESS CUPBOARD ATTRIBUTED TO GILLOWS, CIRCA 1780 the rectangular top above two fielded panel doors, opening to reveal a compartmented fitted interior with drawers and pigeon holes, the lower part with an arrangement of four real and dummy drawers, raised on bracket feet 92cm wide, 145cm wide, 58cm deep

£4,000-6,000

1010 FC185/4 GEORGE III MAHOGANY BOOK STAND CIRCA 1800 the shaped sides with pierced carrying handles 63cm wide, 15cm high, 23cm deep

£1,000-1,500

$1,600-2,400

$6,400-9,600

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1012 FE17/9 GOOD PAIR OF GEORGE III MAHOGANY AND BEECH ‘CHINESE CHIPPENDALE’ ARMCHAIRS CIRCA 1760 each with an arched and foliate scroll carved top rail over a lattice work straight back and slightly scrolling open lattice work arms, over a plank seat and blind fret carved seat rail, raised on straight square blind fret carved legs joined by an H-form stretcher (2) 60cm wide, 102cm high, 47cm deep Provenance: Property from a Scottish country house. Additional items from the same house will be offered in the Fine Antiques sale, 4 October, 2012

Gentleman and Cabinet-Maker’s Director, plate XXVII

Note: The design for these chairs is taken almost exactly from Thomas Chippendale’s Gentleman and Cabinet-Maker’s Director, plate XXVII. It incorporates a number of Chinese influences including the blind fret carving and open trellis found throughout Chippendale’s design book.

£8,000-12,000

$12,800-19,200

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1011 FE40/5 FINE PAIR OF GEORGE III GILTWOOD GIRANDOLE MIRRORS IN THE MANNER OF ROBERT ADAM, CIRCA 1780 the oval mirrir plates within further margin plates and gadrooned frames sumounted by flowering urns and ribbon-tied trailing husks, over a patera drop finial issuing two outscrolling candle arms (2) 36cm wide, 108cm high Provenance: Field Marshal George Townshend, 1st Marquess Townshend and thence by descent

ÂŁ10,000-15,000 $16,000-24,000

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1013 FC185/3 GEORGE III FRUITWOOD PEAR-FORM TEA CADDY LATE 18TH CENTURY with oval metal escutchion 17cm high

£1,500-2,500

1014 FE40/2 GEORGE III MAHOGANY CHEST OF DRAWERS CIRCA 1760 the moulded rectangular top above a drawer fitted with a baize inset brushing slide supported by lopers, over three further long graduated drawers, raised on shaped bracket feet 102cm wide, 80cm high, 56cm deep

£3,000-5,000

$4,800-8,000

$2,400-4,000

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1015 FE37/18 GEORGE III ‘GRAND DAUGHTER’ MAHOGANY LONG CASE CLOCK, BY THOMAS PAGE, NORWICH MID 18TH CENTURY the gilt dial with a silvered chapter ring, signed Tho. Page, Norwich, with a bell striking movement, the domed hood above a moulded slender case raised on ogee bracket feet 27cm wide, 160cm high

£5,000-7,000

$8,000-11,200

1016 FC185/2 GEORGE III BLUE JOHN URN LATE 18TH/EARLY 19TH CENTURY raised on a socle foot and square slate base 30cm high

£4,000-6,000

$6,400-9,600

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1017 PAIR OF GEORGE III BLUE JOHN URNS LATE 18TH/EARLY 19TH CENTURY raised on a socle foot and square slate bases (2) 25cm high

£8,000-12,000 $12,800-19,200

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1018 FINE GEORGE II CARVED MAHOGANY LIBRARY ARMCHAIR CIRCA 1755 the arched back and serpentine seat flanked by outscrolling arms with foliate and shell carved terminals, over a lattice carved apron centred by a ruffled shell and foliate scrolls, raised on shell and foliate carved cabriole legs ending in scrolled toes, in later green and yellow floral silk upholstery 68cm wide, 92cm high, 51cm deep

Note: The inspiration for this elegant armchair is undoubtedly taken from French fashion of the period as interpreted by a mid 18thcentury cabinet maker. Thomas Chippendale illustrated several examples of ‘French’ chairs in his ‘Gentleman and Cabinet Makers Director published in 1754, and other important cabinet makers of the St. Martin’s Lane Academy worked in this style.

The pattern of this chair, with its incised trellis ground, enjoyed considerable popularity in the mid 18th century, making identifying the specific maker a bit of a mystery. The chair is very similar to the well-known suite of seat furniture previously in the collection of Sir John Ward, K.C.V.O of Dudley House.

Helena Hayward, the furniture historian, in her 1964 Conoisseur article described the Dudley House suite saying “it would be no exaggeration to claim that no finer example of its period is now known to exist”. Several top London cabinet makers have been put forward as the likely makers of these chairs, including William Bradshaw of Greek Street, Soho, or his partner Paul Saunders who supplied related suites to Hagely Hall Worcestershire and Petworth, Sussex. Other potential candidates include James Whittle, Snr and Samuel Norman of St. Andrew’s Street Soho, as well as William Vile and John Cobb of St Martin’s Lane who supplied related cabriole legged chairs John Chute at the Vyne, Hampshire and the Hon. John Damer of Came House, Dorset. A pair of similar chairs sold Christie’s New York, 11 June 2010, lot 428.

£15,000-25,000

$24,000-40,000

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1019 FE15/29 FINE GEORGE III MAHOGANY BREAKFRONT BOOKCASE MID 18TH CENTURY the acanthus carved swan neck pediment with fretwork panels over a dentil moulded cornice and pair of astragal glazed doors opening to shelves, flanked by narrow side cabinets with matching astragal glazed doors; the lower part with a gadrooned carved edge over a pair of moulded panel doors flanked by further moulded panel doors, raised on conforming plinth feet 177cm wide, 260cm high, 48cm deep

ÂŁ40,000-60,000 $64,000-96,000

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1020 RARE ENGRAVED KING OF PRUSSIA GOBLET CIRCA 1760 the trumpet bowl engraved with a bust portrait of King Frederick the Great in armour, inscribed below the rim ‘SUCCESS TO THE KING OF PRUSSIA’, the plain stem over a folded conical foot 17.2cm high Note: Commemorative wares celebrating the alliance between England and Prussia during the Seven Years War (1756-63) and featuring portraits of Frederick the Great were produced in fairly large numbers during this period, however the vast majority were on porcelain or earthenware. Engraved glasses are much rarer due to the skill required to produce them. A near identical goblet sold Bonhams, London, 16 December 2009, lot 50; and a smaller airtwist example is in the collection of the Victoria and Albert Museum, C.194-1925.

£3,000-4,000

$4,800-6,400

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1021 FD32/4 COLLECTION OF MILITARY SASHES AND BADGES BELONGING TO GENERAL THOMAS GRAHAM, LORD LYNEDOCH comprising a papier mache, silk, silver and gold Design for the Star Ordinary, St Michael and St George in a red leather case; a ribbon of the Order of Ferdinand IV; ribbon of the Order of Tower and Sword; and a pair of leather, steel and gilt metal buckles in a leather case £1,000-1,500

$1,600-2,400

1022 FD32/5 COLLECTION OF PERSONAL EFFECTS BELONGING TO GENERAL THOMAS GRAHAM, LORD LYNEDOCH comprisng an oval gold locket containing a lock of Lord Lynedoch’s hair, engraved ‘Lord Lynedoch’s Hair/ 18 December 1843’ and a coronet over an ‘L’; a maroon silk net purse containing seven shillings, seventeen six pence coins and four four pence coins; and a small parquetry box containing a small gold wedding band (cut); a small leather purse; and a cream leather and gilt almanac in a cream leather slip belonging to Mary Graham Note: According to papers accompanying this lot, the first three items were removed from Lord Lynedoch upon his death in 1843 and kept by his heirs. The gold wedding band, which belonged to his wife, born the Honourable Mary Cathcart, was worn by Graham for over forty years following her untimely death in 1792. The almanac is inscribed in pencil on the interior, presumably in her handwriting ‘M.G. Given to me by Lord Tullibardine, Lady Charlotte & Lady Emily Murray on my birthday’

£300-500

$480-800

1023 FD32/7 PORTRAIT MINIATURE OF LADY CHRISTIAN HOPE 18TH CENTURY oval, the sitter depicted as an elderly lady wearing a black wrap and white shawl, her head in a white ribbon-tied bonnet with a blue bow, the reverse with a hair arrangement and the initials ‘Ly C G/ 85’ against a cobalt enamel ground, in a golt locket pendant frame and red moroccan leather oval case

1024 FD32/10 THOMAS GRAHAM OF BALGOWAN GREAT SEAL CHARTER DATED 1787 on vellum, issued to Thomas Graham for the lands of Lynedoch in Perthshire, with a black and yellow plaited silk cord; together with three other charters on paper relating to the lands of Lynedoch dated 1786 (4)

6.5cm high

1025 FD32/12 GENERAL THOMAS GRAHAM, BARON LYNEDOCH, MAHOGANY BRASS BOUND DESPATCH BOX EARLY 19TH CENTURY of rectangular form with brass straps, corner mounts and recessed side handles, the cover bearing a rectangular brass plate engraved ‘Lieu. Gen’l / Lord Lynedoch’, the void interior lined in cobalt moroccan leather

Note: Lady Christian Hope (1714-1799) was the third daughter of the Charles, 1st Earl of Hopetoun and Lady Henrietta Johnstone. In 1743 she married Thomas Graham of Balgowan. She gave birth to three children but only their son Thomas, later Lord Lynedoch, survived to adulthood. According to an accompanying card, the hair belongs to her three children and her parents.

£300-500

$480-800

£200-300

$320-480

36cm wide, 15cm high, 26cm deep Note: the inscription on the brass plate indicates that this box was made after Thomas Graham was given the Perthshire barony of Lynedoch and raised to the peerage in 1814, and also the year of his final campaign.

£600-800

$960-1,280

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1026 FD384/1 SCOTTISH BASKET HILT SWORD CIRCA 1700 the hilt of round section bars, pierced with hearts in a traditional manner, a low bun shaped grooved pommel, grip missing, remains of a leather lining, a German double edged blade with three fullers for a quarter of the length blade 76cm long, 88cm overall

£1,000-1,500

$1,600-2,400

1027 FC671/1 CONTINENTAL DOUBLE HANDED PROCESSIONAL SWORD, PROBABLY GERMAN 16TH CENTURY the long double edge tapering blade with three long fullers for half the length with two spurs ten inches below the ricasso, double loop cross guard with round section quillions with flared terminals decorated with chevron cuts, large pear shaped pommel with similar decoration with replacement leather bound grip Blade 132cm, 178cm overall

£3,000-5,000

$4,800-8,000

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1028 FD191/5 ITALIAN WHITE MARBLE FIGURE OF A YOUTH 19TH CENTURY modelled as a draped young man seated on a rocky column, a basket of fish at his feet, on a circular base 80cm high

£1,500-2,500

$2,400-4,000

1029 FD191/4 ITALIAN WHITE MARBLE FIGURE OF A BOY, AFTER ANTONIO CANOVA 19TH CENTURY modelled as a seated nude child reading a book; on a green marble spiral carved four section column with an octagonal base (2) figure 59cm high, pedestal 101cm high

£2,500-3,500

$4,000-5,600

1030 FD191/3 ENGLISH WHITE MARBLE FIGURE OF A YOUNG LADY AND HOUND 19TH CENTURY modelled as a young woman in robes standing beside a hound on a naturalistic circular base 99cm high

£3,000-4,000

$4,800-6,400

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1031 FE41/3 SET OF TWELVE REGENCY ROSEWOOD AND BRASS INLAID DINING CHAIRS CIRCA 1820 the gadrooned and acanthus carved bar backs inlaid with scrolling foliage, above caned seats, raised on sabre legs (12) 46cm wide, 83cm high, 40cm deep

ÂŁ20,000-30,000

$32,000-48,000

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1032 FC236/11 FINE REGENCY OAK, POLLARD OAK AND BRASS INLAID DRUM LIBRARY TABLE CIRCA 1815 the circular top with radiating veneers and a wide brass foliate inlaid band, above eight frieze drawers with carved flowerhead handles, raised on a basket-form column support with four naturalistic scroll supports, flanked and divided by mask motifs and terminating in paw feet Note: This fine table, with its robustly carved pedestal base and paw feet exhibits all the bravura and style associated with the height of the Regency period. These bold features combined with the fine detail of the scrolling foliate brass inlay provide the feminine balance to what can be viewed as a very masculine piece of furniture. Thomas Hope's 'Household Furniture & Interior Decoration' published in 1807, was a defined shift away from the somewhat feminine restraint of the late 18th century found in Sheraton's designs, and helped introduce a bold look for a new century.

132cm diam, 75cm high

ÂŁ40,000-60,000 $64,000-96,000

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1033 PAIR OF FINE REGENCY GILT BRONZE THREE LIGHT PIER LAMPS EARLY 19TH CENTURY, IN THE MANNER OF THOMAS MESSENGER & SONS each with a central waisted reservoir with a berry finial and issuing three acanthus cast arms, raised on fluted socles with stiff leaf borders (2) 46.5cm wide, 37.5cm high Note: These Roman style oil lamps relate to patterns found in George Smith’s Collection of Designs for Household Furniture and Interior Decoration, published in 1808. Leading manufacturers of lighting fixtures from the period who produced comparable lamps include Thomas Messenger & Sons of Birmingham and London, and Messrs Hancock and Rixon Provenance: Purchased Christie’s, London, 22 April 2004, lot 151 Selected items from an historic Scottish country house

£4,000-6,000

$6,400-9,600

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1034 FE15/51 PAIR OF REGENCY ROSEWOOD AND MAHOGANY OCTAGONAL SIDE TABLES 19TH CENTURY the crossbanded tops raised on ring turned and a part-reeded column on a triform base raised on scroll carved feet (2) 44cm wide, 75cm high, 34.5cm deep

$6,400-9,600

£4,000-6,000

1035 FE15/47 REGENCY TORTOISESHELL AND IVORY TEA CADDY EARLY 19TH CENTURY inlaid with mother of pearl, of octagonal form, the hinged lid enclosing a lidded compartment, raised on bun feet 11cm wide, 10cm high

£2,000-3,000

$3,200-4,800

1036 FE37/20 FINE REGENCY MAHOGANY DUMB WAITER CIRCA 1810 the dished circular top above a larger lower tier fitted with bottle coasters and plate racks, raised on reeded downswept legs terminating in brass caps and castors 69cm diam, 84cm high

£2,500-3,500

$4,000-5,600

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1037 FE41/1 IMPORTANT REGENCY ROSEWOOD SIDE CABINET,

BY GEORGE BULLOCK CIRCA 1815 with a shaped demilune white marble top above seven drawers each stamped ‘G Bullock’ flanked by grille cupboard doors enclosing shelves, raised on lobed parcel gilt bun feet 100cm wide, 85cm high, 40cm deep Note: Bears paper label ‘THE BRITISH ANTIQUE DEALERS ASSOCIATION/ ART TREASURES EXHIBITION BATH 1958/ EXH. No 170’, sold with a copy of the exhibition catalogue George Bullock (1777-1818), was one of the most influential furniture designers and cabinet makers of the early part of the 19th century, most notable for the quality and fineness of the inlay embellishing his designs. Based in Liverpool and London, in His distinctive style drew on classical sources combined with historic and exotic influences. His most significant commissions were furnishings for Great Tew Park, Abbotsford, and Chomondely Castle.

£15,000-20,000

$24,000-32,000

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1038 FE40/1 FINE SCOTTISH REGENCY MAHOGANY LIBRARY TABLE CIRCA 1815 the rounded rectangular top with an inset tooled leather writing surface , above three frieze drawers, flanked by two further lateral drawers, raised on twin end supports, ending in brass castors 127cm wide, 78cm high, 80cm deep

ÂŁ10,000-15,000

$16,000-24,000

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LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1039 FE15/36 PAIR OF REGENCY GILT AND PATINATED BRASS CANDELABRA EARLY 19TH CENTURY with cast eagle stems issuing two outscrolling candle arms and surmounted by flaming urn finials, raised on pedestal bases with applied mounts (2) 47cm high

£2,000-3,000

1040 FE15/26 REGENCY ROSEWOOD AND EBONY INLAID BREAKFRONT CABINET 19TH CENTURY the superstructure with a mirror back and three quarter pierced brass gallery raised on turned columns; over four short frieze drawers and four glazed doors opening to shelves, raised on turned feet 148cm wide, 139cm high, 34cm deep

£6,000-8,000

$9,600-12,800

$3,200-4,800

34

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1041 FE15/25 REGENCY ROSEWOOD AND SATIN BIRCH SECRETAIRE CABINET 19TH CENTURY the plain cornice over a pair of grille insert doors lined with green silk, opening to sliding trays; the lower part with a fall front opening to an interior fitted for writing, raised on carved ebonised and parcel gilt paw feet 101cm wide, 108cm high, 48cm deep

£3,000-4,000

1042 FE15/4 GOOD REGENCY ROSEWOOD BOOKSTAND 19TH CENTURY the rectangular top with spindle divided compartments and scroll supports over a single frieze drawer and shaped apron, raised on a squared tapered column and quatreform base on bun feet 42.5cm wide, 88cm high, 32cm deep

£2,000-3,000

$3,200-4,800

$4,800-6,400

35

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1043 FE15/11 SET OF TWELVE REGENCY ROSEWOOD DINING CHAIRS 19TH CENTURY the scrolled and carved bar backs above drop in seats, raised on reeded and tapered legs (12) 45cm wide, 86cm high, 41cm deep

ÂŁ10,000-15,000

$16,000-24,000

36

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1044 FE37/13 REGENCY GILT AND PATINATED METAL MANTEL CLOCK EARLY 19TH CENTURY the sunburst dial surmounted by a griffin finial and supported by twin recumbent horses, the oblong base with applied mounts and centred by a mask motif, raised on toupie feet 43cm wide, 42cm high

ÂŁ5,000-7,000

$8,000-11,200

1045 FD99/1 FINE SCOTTISH REGENCY MAHOGANY BAROMETER, BY ADIE & SON EARLY 19TH CENTURY with silvered vernier, the bow fronted case with reeded domed pagoda top and urn finial, corresponding bulbous base with lotus leaf pendant 106cm high Note: Born in 1774 Alexander Adie was the nephew of the renowned Scottish instrument maker, John Millar. Adie became his uncle's apprentice in 1789 and his business partner, under the name of Miller and Adie, in 1804. The business continued to flourish after Miller's death in 1815. Adie was predominately interested in meteorological instruments and notably invented the Sympiesometer, or marine barometer, in 1818. Appointed as optician to both William IV and Queen Victoria, his success was formerly recognised when he was elected a Fellow of the Royal Society of Edinburgh in 1819. He brought one of his sons, John, into partnership in 1835, while his two of his other sons set up businesses in London and Liverpool. For comparable examples of Adie stick barometers see Christies, 17th March 2004, lot 124; and Sotheby's 10th September, 2007, lot 2.

ÂŁ4,000-6,000

$6,400-9,600

37

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1046 FC857/27 GOOD SCOTTISH REGENCY MAHOGANY BREAKFRONT SERVING TABLE 19TH CENTURY the raised and moulded back panel flanked by scrolling foliate volutes above a breakfront rectangular top with a long ogee moulded frieze drawer flanked by short drawers, raised on foliate and grape cluster carved scrolling legs ending on turned bun feet, the rear legs of flattened baluster form 228cm wide, 124cm high, 73cm deep Provenance: Carbeth Guthrie, Stirlingshire.

Additional items from Carbeth Guthrie will be offered in the Fine Antiques sale, 4th October, 2012

£3,000-5,000

$4,800-8,000

1047 FE37/2 REGENCY GILT METAL SURTOUT DE TABLE EARLY 19TH CENTURY the five sections with mirrored panel insets and galleried sides and D ends, raised on toupie feet 60cm wide, 236cm long approx

£5,000-7,000

$8,000-11,200

38

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1048 FD191/1 PAIR OF 15 INCH REGENCY TERRESTRIAL AND CELESTIAL LIBRARY GLOBES BY J. & W. CARY, LONDON 1820/1824 the terrestrial globe with cartouche ‘Drawn from the most recent GEOGRAPHICAL WORKS, shewing the whole of the New Discoveries with the TRACKS of the PRINCIPAL NAVIGATORS and every improvement in Geography to the Present Time. LONDON. London. Published by G. & J. Cary, St James’s, St. Jany 4 1824’; the sphere is made up of two sets of twelve hand-coloured engraved gores, graduated equatorial, ecliptic and four meridians, oceans with an analemma, seasonal passages in the Indian Ocean, and the tracks of explorers such as Cook, Vancouver, Butler, Furneaux, la Perouse, Gore, Ross and Clerke with notes and dates; the celestial globe with cartouche ‘CARY’S NEW CELESTIAL GLOBE, ON WHICH are carefully laid down the whole of the STARS AND NEBULÆ contained in the Catalogues of Wollaston, Herschel, Bode, Piazzi, Zach &c. calculated to the Year 1820. Made & sold by J. & W. Cary 181 Strand, London 1818’ both globes made up of two sets of twelve handcoloured engraved gores laid to the ecliptic poles laid on a wood and plaster sphere, with the axis through the poles, with meridian circle, supported on four quadrant supports to a central turned column with three inswept legs with castors, joined with a glazed compass between the legs (2) 38cm diam, 99cm high overall

£20,000-30,000

$32,000-48,000

39

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

40

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1049 FE40/7 CHINESE EXPORT AMBOYNA AND EBONY TEAPOY EARLY 19TH CENTURY the domed oval hinged lid opening to reveal a plush lined fitted interior with two engraved pewter caddies, raised on a turned column support and ending on a tripod base 46cm wide, 81cm high, 31cm deep

£3,000-4,000

$4,800-6,400

1050 FE15/13 LARGE GEORGE IV MAHOGANY AND EBONISED DRUM TABLE 19TH CENTURY the line inlaid circular top with ebonised reeded banding above short frieze drawers, raised on a leaf carved column with cabriole legs ending on hairy paw brass caps and castors 158cm diam, 79cm high

£8,000-12,000 $12,800-19,200

41

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1051 FE40/3 FINE ADAM STYLE GILTWOOD AND GESSO CONSOLE TABLE CIRCA 1830 the veined and mottled marble top above an egg and dart and fluted frieze, flanked and divided by foliate roundel motifs, raised on square tapered legs decorated with enclosed guilloche panels and with doric capitals, terminating in ball feet 150cm wide, 89cm high, 65cm deep

ÂŁ10,000-15,000

$16,000-24,000

1052 ITALIAN WHITE MARBLE FIGURE OF THE FARNESE HERCULES 19TH CENTURY after the antique 79cm high Provenance: Property of a private Trust

£4,000-6,000

$6,400-9,600

43

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1053 FD26/6 PAIR OF GOTHIC REVIVAL BLEACHED OAK AND HOPTON WOOD FOSSIL LIMESTONE SIDE TABLES 19TH CENTURY the trapezoidal grey limestone tops of a deep frieze carved with gothic arches, raised on squared straight legs with carved gothic recessed panels and ending on block feet (2) 130cm wide, 86cm high, 58cm deep

£10,000-15,000

$16,000-24,000

1054 FC186/10 HOPTON WOOD FOSSILISED LIMESTONE CHARGER of octagonal form 40cm wide

£800-1,200

$1,280-1,920

44

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

45

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1055 FD296/2 IMPRESSIVE IRISH MAHOGANY LIBRARY BOOKCASE BY R. STRAHAN & CO. DUBLIN 19TH CENTURY the stepped moulded cornice over four sections with open shelves divided by recessed panel columns headed by acanthus carved scrolling capitals; the lower part centred by two further sections of open shelves flanked by raised panel and moulded doors, on a plinth base, the lock plates stamped ‘R. Strahan & Co. Dublin’ 519cm wide, 302cm high, 56.5cm deep Note: The furniture firm of Robert Strahan & Co. was founded in Dublin in 1776 and by 1845 they had two workshops as well as their main commercial premises. They continued to trade until 1969. Known for their high quality work, the firm exhibited at the Dublin Great Industrial Exhibition in 1853 and the London International Exhibition in 1862. They supplied furniture to many of the most well-known Irish country houses including Doneraile Court, Lisnavagh, and Monte Alverno, many of which had their contents sold off in the 20th century.

£30,000-50,000

$48,000-80,000

46

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1056 FD296/4 PAIR OF VICTORIAN MAHOGANY EXTENDING DINING TABLES 19TH CENTURY each with a rectangular top with canted corners and a moulded edge and five leaf inserts, over a plain frieze, raised on robust turned and fluted tapered legs with recessed castors, the extending mechanism bearing Joseph Fitter Patent, Birmingham brass plaques (2) 435cm long, 72cm high, 151cm deep

ÂŁ8,000-12,000

$12,800-19,200

47

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1057 FE39/7 FINE VICTORIAN BURR WALNUT AND BRASS INLAID DWARF BOOKCASE LATE 19TH CENTURY with gilt metal mounts, the shaped rectangular top above open adjustable shelves, flanked and divided by stop fluted corinthian style pilasters, raised on a platform base with squat bun feet 182cm wide, 86cm high, 42cm deep

ÂŁ12,000-18,000

$19,200-28,800

48

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1058 FE15/46 FINE VICTORIAN COROMANDEL GAMES COMPENDIUM CIRCA 1880 lock stamped ‘F. Aldis, 11 Belgrave Mansions, S.W’, the Gothic Revival coromandel case with gilt brass mounts, inset with six banded agate cabochons, the hinged lid revealing a red leather lined interior, fitted with an ivory cribbage board, a turned bone chess set, draughts, whist markers and other game related items, over an apron drawer opening to reveal a fitted interior with cards and dice shakers 32cm wide, 18cm high, 24cm deep

£1,500-2,500

1059 FD402/1 THOMAS WOOLNER, R.A., P.R.B. (BRITISH 1825-1892) SIR JOHN SIMEON BART bronze bust, medium brown patina, signed ‘T WOOLNER 1872’ 73cm high Note: Thomas Woolner was a contemporary of Dante Gabriel Rossetti and was noted for being the only sculptor admitted the Pre-Raphaelite Brotherhood. His series of busts and medallions of distinguished men of the day included writers, scientists and politicians, the most acclaimed being his bust of Alfred, Lord Tennyson for Trinity College. The success of his portrait medallion of Wordsworth is credited with restoring the art of medallion portraiture.

John Simeon Bart, 3rd Baronet, had a career as a naval officer before returning to the Isle of Wight in 1847 to serve as a Liberal Member of Parliament. In 1851 he resigned his seat after converting to Catholicism, feeling that to not do so would have been a disservice to those who had elected him when he was a member of the Anglican Church. He returned to Parliament in 1865. Bart was a good friend of Tennyson, and it is noted that it was the poet who encouraged Woolner to sculpt the bust.

£4,000-6,000

$6,400-9,600

$2,400-4,000

49

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1060 FD296/6 EARLY VICTORIAN MAHOGANY AND GONCALO ALVES PHYSICIAN’S DESK MID 19TH CENTURY the breakfront superstructure with a moulded cornice over a pair of panel doors opening to shelves above an arrangement of small graduated drawers flanked by further panel cupboard doors; the lower part with a rectangular top with a red leather insert, over a frieze with three slides above a kneehole flanked by cupboard doors, on a plinth base 111cm wide, 152cm high, 61cm deep

£3,000-5,000

1061 FD299/6 EDWARDIAN SHERATON REVIVAL SATINWOOD RENIFORM DESK EARLY 20TH CENTURY the green insert leather top above a central locking drawer flanked by banks of two short drawers, all with foliate moulding and silvered pulls, with lateral leather topped slides, raised on fluted tapered legs 152cm wide, 76cm high, 84cm deep

£2,000-3,000

$3,200-4,800

$4,800-8,000

50

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1062 FE37/3 INDIAN TORTOISESHELL AND IVORY BOX 19TH CENTURY the domed sides applied with engraved foliate ivory strapwork, the domed hinged lid with two fret pierecd panels, raised on paw feet, the underside bearing a signature 26.5cm wide, 9cm high, 11.5cm deep

£500-800

$800-1,280

1063 FE37/4 INDIAN IVORY AND TORTOISESHELL WATCH STAND 19TH CENTURY in the form of a miniature casket, with pierced ivory panels over tortoiseshell, raised on paw feet 12cm wide, 8cm high, 9.5cm deep

£400-600

$640-960

1064 FE37/5 LARGE INDIAN TORTOISESHELL AND IVORY WORK BOX 19TH CENTURY the sides applied with foliate engraved strapwork and cartouche panels depicting deity, opening to reveal a plush lined and fitted interior, raised on paw feet 36cm wide, 18cm high, 26cm deep

£3,000-4,000

$4,800-6,400

51

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1065 FD196/8 CASED SET OF INDIAN PAINTED MICA METAMORPHIC PICTURES 19TH CENTURY comprising twenty-eight oval mica sheets painted with various male and female figures, singly and in groups, the heads left blank, in a conforming case internally painted with three heads; the case painted with a lemur and with gilt details 11.5cm long, 8.5cm wide Provenance: Property from a private Scottish collection

£600-800

$960-1,280

1066 FE549/12 VIZAGAPATAM IVORY WORK BOX 19TH CENTURY of sarcophagus form, the lobed hinged cover with a flowerhead finial and foliate engraved bands, opening to reveal a compartmented fitted interior, raised on lobed bun feet 23.5cm wide, 15cm high, 15cm deep

£1,000-1,500

$1,600-2,400

1067 FE41/2 CEYLONESE CARVED EBONY AND SPECIMEN WOOD TRIPOD TABLE 19TH CENTURY the circular top with radiating veneers centred by an ivory roundel, above a foliate swag carved frieze, raised on a turned column support ending in an ornate acanthus carved triform base 55cm wide, 76cm high

£5,000-7,000

$8,000-11,200

52

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1068 FD299/11 GEORGE II STYLE MAHOGANY RENIFORM DESK BY MAPLE & CO. LATE 19TH CENTURY the brown leather insert top with a beaded edge over a central drawer flanked by banks of three drawers, all with scrolling foliate and garland carved panels, raised on acanthus carved short cabriole legs ending on hairy paw feet 122cm wide, 76cm high, 63cm deep

£1,500-2,500

1069 FE37/21 FINE AND UNUSUAL EDWARDIAN MAHOGANY VITRINE CIRCA 1910 of cylindrical form, surmounted by a plush lined display case, above shelved panel sides flanked and divided by doric pilasters, raised on a foliate relief carved base with squat bun feet 60cm diam, 113cm high

£3,000-5,000

$4,800-8,000

$2,400-4,000

53

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1070 FE15/12 SET OF TWELVE SATINWOOD, MAHOGANY, PENWORK AND PEWTER INLAY DINING CHAIRS BY MAPLE & CO. LATE 19TH CENTURY comprising ten side and two armchairs with curved top rails above a panel splat with foliate penwork medallions and scrolls within inlaid pewter vines, over drop-in green plush upholstered seats (12) 55cm wide, 99cm high, 48cm deep

ÂŁ7,000-10,000

$11,200-16,000

54

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1071 FE15/32 VICTORIAN SATINWOOD GRANDMOTHER LONG CASE CLOCK 19TH CENTURY the arched pediment surmounted by corner finials, over an arched glazed door and brass dial with Roman and Arabic chapters and three winding holes, with pierced brass spandrels and central boss inscribed ‘Tempus Fugit’, flanked by free columns, the trunk with an arched door, on a plinth base with bracket feet 29.5cm wide, 150cm high, 18.5cm deep

£2,500-3,500

$4,000-5,600

1072 FD664/7 GEORGE V ‘SANDRINGHAM WORKSHOP’ SMALL SATINWOOD DUMB WAITER CIRCA 1920 the dished graduated octagonal tiers raised on a chamferred column support, ending in downswept legs terminating in castors 41cm wide, 86cm high Note: The Sandringham workshops were established by Princess Alexandra, later Queen Alexandra, following her marriage in 1863 to Edward, Prince of Wales, later Edward VII. Originally intended as a 'Technical School of Woodwork' for the children of the Estate workers, it later became Her Majesty Queen Mary's 'Carving School' for ex-servicemen and local workers. Items produced were retailed at Sandringham and through various London department stores and shown at the Ideal Home Exhibitions.

£600-900

$960-1,440

1073 FD664/6 GEORGE V ‘SANDRINGHAM WORKSHOP’ SATINWOOD AND CROSSBANDED FRUIT STAND CIRCA 1920 the navette shaped tray top with pierced side carrying handles, raised on slender slightly splayed legs, united by stretchers 52cm wide, 74cm high, 27cm deep

£800-1,200

$1,280-1,920

55

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1074 IMPRESSIVE EDWARDIAN SILVER GILT FITTED CROCODILE TRAVELLING CASE J.C. VICKERY, LONDON 1909 the brown crocodile skin case with gilt monogram ‘FL’, opening to reveal a nearly complete arrangement of silver and silver mounted fittings including a miniature clock, trays, brushes, hand mirror, glove stretchers, bottles and other fittings, most bearing the same monogram; in a canvas fitted cover 54cm wide, 38cm deep

£4,000-5,000

$6,400-8,000

56

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1075 FE15/23 FINE PAIR OF EDWARDIAN SATINWOOD AND INLAID LIBRARY BOOKCASES EARLY 20TH CENTURY each with a moulded cornice over a pair of scale pattern astragal glazed doors opening to a green plush lined shelved interior; the lower part with a pair of cupboard doors opening to a sliding tray to one side and four graduated drawers to the other, raised on shaped bracket feet (2) 173cm wide, 240cm high, 37.5cm deep

ÂŁ25,000-35,000

$40,000-56,000

57

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

A Private Collection of Palissy Ware

1076 FD196/22 MANUEL MAFRA PALISSY STYLE CHARGER PORTUGAL, 19TH CENTURY moulded and applied with a snake, a lizard, a toad and other creatures on a mossy ground, impressed mark

1077 FD196/23 JOSÉ ALVES CUNHA PALISSY STYLE CHARGER PORTUGAL, 19TH CENTURY moulded and applied with a lizard and snake surrounded by other amphibians and insects on a mossy ground, impressed mark

39cm diam

30cm diam

Provenance: Property from a private Scottish collection

Provenance: Property from a private Scottish collection

£400-600

$640-960

£200-300

$320-480

1078 FD196/24 MANUEL MAFRA PALISSY STYLE CHARGER PORTUGAL, 19TH CENTURY moulded and applied with a lobster, mussels, shells and a sea urchin on a mossy ground, impressed mark 33cm diam Provenance: Property from a private Scottish collection

£300-500

$480-800

59

LYON & TURNBULL

Provenance: Property from a private Scottish collection

the international sale wednesday, october 3rd, 2012

1079 FD196/21 LARGE JOSÉ FRANCISCO DE SOUSA PALISSY STYLE CHARGER PORTUGAL, 19TH CENTURY moulded and applied with a snake and three lizards on a mossy ground, impressed mark 47cm diam Provenance: Property from a private Scottish collection

£800-1,200

$1,280-1,920

1080 FD196/26 THREE JOSÉ FRANCISCO DE SOUSA PALISSY STYLE PLATES PORTUGAL, 19TH CENTURY moulded and applied with a crab and assorted crustaceans on a mossy ground, with a fluted rim; together with two smaller plates of similar design, impressed marks (3) largest 28cm diam Provenance: Property from a private Scottish collection

£300-500

$480-800

60

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1081 FD196/30 FOUR PORTUGUESE PALISSY STYLE PLATES 19TH CENTURY two moulded and applied with assorted snakes, lizards and beetles on a mossy ground, one

by Manuel Mafra, the other with unclear maker’s mark; together with two miniature Manuel Mafra plates with similar decoration, 11cm diameter, all with impressed marks (4) largest 21.5cm diam Provenance: Property from a private Scottish collection

£300-500

1082 FD196/31 THREE PORTUGUESE PALISSY STYLE PLATES 19TH CENTURY each moulded and applied with snakes and various other amphibians and insects on a mossy ground, by José Alves Cunha, Manuel Mafra and Francisco Gomes de Avelar, impressed marks (3) largest 20cm diam Provenance: Property from a private Scottish collection

£200-300

$320-480

$480-800

61

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1083 FD196/35 THREE PORTUGUESE PALISSY STYLE PLATES 19TH CENTURY two plates by Manuel Mafra, moulded and applied fish and clams on a mossy ground, impressed marks; together with a further plate by José Alves Cunha, moulded and applied fish, an eel and mossy sprigs on a brown glazed ground, impressed mark (3) largest 23cm diam Provenance: Property from a private Scottish collection

£300-500

$480-800

1084 FD196/40 FOUR MINIATURE PORTGUESE PALISSY STYLE PLATES 19TH CENTURY pair of plates by Manuel Mafra, moulded and applied with two snakes and worms on a mossy ground, impressed marks; together with a further similar plate by Manuel Mafra and one

by José Alves Cunha (4) 11cm diam Provenance: Property from a private Scottish collection

£200-300

$320-480

62

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1085 FD196/37 PALISSY STYLE JUG AND COVER 19TH CENTURY of baluster form with applied toads and insects on a mossy ground, the handle modelled as a lizard; together with an associated stand (2) 39cm high Provenance: Property from a private Scottish collection

ÂŁ200-300

$320-480

1086 FD196/38 PALISSY STYLE TEAPOT 19TH CENTURY modelled as a cabbage with serpent handle and spout, 22.5cm high; together with a similarly formed jug and cover, 19cm high, and a Palissy style vase with body modelled as mussel shells, 18cm high (3) Provenance: Property from a private Scottish collection

ÂŁ150-250

$240-400

63

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1087 FD196/39 PAIR OF CONTINENTAL PALISSY STYLE WALL POCKETS 19TH CENTURY modelled as a fern, the wall pocket encircled by a snake, resting on a mossy ground, painted mark to underside (2) 21cm long, 11cm wide Provenance: Property from a private Scottish collection

£150-250

$240-400

1088 FD196/42 PAIR OF MANUEL MAFRA PALISSY STYLE VASES PORTUGAL, 19TH CENTURY with flared rim and elongated neck above globular body, the handles in the form of serpents, the body applied with lizards, frogs, shells and flowers, impressed mark (2) 33.5cm high Provenance: Property from a private Scottish collection

£600-800

$960-1,280

1089 FD196/55 TWO PORTUGUESE PALISSY STYLE CHARGERS 19TH CENTURY each moulded and applied with assorted snakes, toads, lizards and various insects on a mossy ground, impressed marks (2) 22cm and 26cm diam Provenance: Property from a private Scottish collection

£250-350

$400-560

64

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1090 FE23/1 GROUP OF SIX CARVED PINE, GESSO AND POLYCHROMED ARMORIAL PANELS 17TH CENTURY each carved in relief and polychrome decorated depicting various heraldic devices, possibly once part of a ceiling or screen all panels 38cm high, smallest 18cm wide, largest 34cm wide

ÂŁ3,000-5,000

$4,800-8,000

65

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1091 FE16/2 CONTINENTAL CARVED WOOD MEMENTO MORI FIGURE, PROBABLY GERMAN 18TH/ EARLY 19TH CENTURY carved in full relief depicting a standing partially flayed skeletal figure, with traces of original polychrome decoration, raised on an ebonised octagonal base 77cm high

ÂŁ3,000-4,000

$4,800-6,400

66

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1092 FD664/1 HISPANO-MORESQUE COPPER LUSTRE CHARGER 16TH CENTURY the raised central boss within a geometric and solid band with a lobed border 34.5cm diam

£300-500

$480-800

1093 FD147/1 HISPANO-MORESQUE COPPER LUSTRE CHARGER 16TH CENTURY the raised central boss and moulded rim, painted in copper lustre and blue with scrolling foliage, bands and stylised motifs 33.5cm diam

£300-500

1094 FD147/1A HISPANO-MORESQUE COPPER LUSTRE CHARGER 16TH CENTURY the raised central boss within bands and a lobed border painted with stylised motifs 32cm diam

£300-500

$480-800

$480-800

67

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1095 FD147/1B HISPANO-MORESQUE COPPER LUSTRE CHARGER 16TH CENTURY the raised central boss decorated with a flowerhead motif, within a moulded ground painted with leaves and foliate scrolls 41cm diam

£400-600

$640-960

1096 FD147/1C HISPANO-MORESQUE COPPER LUSTRE CHARGER 16TH CENTURY the raised central boss decorated with a stylised motif with geometric painted bands 40cm diam

£300-500

$480-800

1097 FD654/9 ITALIAN EBONISED AND SPECIMEN MARBLE TABLE SCREEN 19TH CENTURY centred by a relief gilt metal plaque depicting the flagellation of Christ, the shaped frame inset with various hardstones surmounted by a facetted globular finial, raised on a square foot 25cm wide, 38cm high

£400-600

$640-960

68

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1098 FE15/5 ITALIAN BRONZE FIGURE OF DAVID, AFTER DONATELLO 19TH CENTURY bronze, dark brown patina, raised on a circular verde antico marble base figure 95cm high, 101cm overall

£2,500-3,500

$4,000-5,600

1099 FD654/2 VENETIAN GLASS LATTICINIO VASE 19TH CENTURY of slender bottle shape on a circular foot 30cm high

£1,000-1,500

$1,600-2,400

69

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1100 ITALIAN MAIOLICA ‘ISTORIATA’ FOOTED DISH URBINO, LATE 15TH CENTURY painted depicting Constantine the Great on horseback with foot soldiers engaged in battle with Emperor Maxentius’ cavalry 28cm diam Note: the subject of this dish is most likely ‘Constantine the Great ‘s Victory over the Tyrant Maxentius’. The composition for this scene may have been derived from an engraving

by Giulio Bonasone after designs by Raphael, executed by Giulio Romano, for the Sala del Constantino, in the Vatican Palace (Bartsch XV, p134 cat.84).

£6,000-8,000

$9,600-12,800

70

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1101 PAIR OF LARGE ITALIAN SIENNA MARBLE GRAND TOUR MODELS OF THE TEMPLES OF CASTOR AND POLLUX LATE 18TH CENTURY raised on ebonised plinths, with later lamp fittings (2) 55cm high approx Provenance: Property of a private Trust

ÂŁ7,000-10,000 $11,200-16,000

71

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1102 FE37/8 PAIR OF RUBY GLASS AND GILT METAL MOUNTED EWERS 19TH CENTURY the flattened ovoid spiral twist bodies with applied foliate engraved mounts, the handles formed as Atlas holding the world, raised on leaf form and ball feet (2) 36cm high

£4,000-5,000

$6,400-8,000

1103 FD296/7 ITALIAN CARVED WALNUT AND MARBLE TOP COMMODE 19TH CENTURY the shaped rectangular top with a white marble insert above a pair of carved doors depicting Saints Theodore and Mark from the capitals on the columns from the Piazetta di San Marco, the side and back panels depicting the Bridge of Sighs, the Bucantaur, and a gondola and gondolier, raised on robustly carved cabriole legs ending in hairy paw feet with castors 106cm wide, 84cm high, 69cm deep

£2,000-3,000

$3,200-4,800

72

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1104 FE37/12 FRENCH IVORY AND CHAMPLEVE ENAMEL CRUCIFIX 19TH CENTURY the crucifix decorated in coloured enamels with scrolling foliage and flowering urns 39cm high

£1,200-1,800

$1,920-2,880

1105 FE20/2 CONTINENTAL CARVED IVORY FIGURE OF MADONNA AND CHILD AUSTRIAN OR GERMAN, 18TH/19TH CENTURY the finely carved standing draped figure holding the child on her left side, raised on a circular base 37cm high

£3,000-5,000

$4,800-8,000

73

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1106 FD305/1 DUTCH WALNUT AND MARQUETRY DISPLAY CABINET 19TH CENTURY the serpentine moulded and arched cornice centred by carved foliate cresting over a pair of glazed and mullioned doors opening to shelves; the lower part with two short drawers over two further short drawers, raised on square tapered baluster legs ending on bun feet and joined by scrolling stretchers; with floral marquetry throughout 224cm wide, 235cm high, 47cm deep

ÂŁ2,500-3,500

$4,000-7,200

74

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1107 FE20/3 FRENCH CARVED IVORY FIGURE GROUP LATE 19TH CENTURY modelled as the Three Graces after Canova, raised on a later carved wood base with silver presentation plaque 18cm high

£1,000-1,500

$1,600-2,400

1108 FE15/54 FRENCH CARVED IVORY FIGURE 19TH CENTURY modelled as a scantily draped young beauty resting against a tree stump, raised on an associated reticulated pedestal base 21cm high (including base)

£1,500-2,500

$2,400-4,000

1109 FE39/9 DUTCH WALNUT AND MARQUETRY BACHELOR’S CHEST 19TH CENTURY WITH ALTERATIONS inlaid throughout with scrolling foliage, the foldover top above three long graduated drawers, raised on bracket feet 86cm wide, 82cm high, 33cm deep

£3,000-5,000

$4,800-8,000

75

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1110 FE20/1 RARE SOUTH GERMAN EBONY AND IVORY INLAID GAMES BOARD 17TH CENTURY the top inlaid with geometric designs and foliate panels, verso a chess/checkers board, opening to reveal an inlaid backgammon board 56cm wide, 42cm deep (when closed)

ÂŁ10,000-15,000

$16,000-24,000

76

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1111 FE20/4 FRENCH CARVED IVORY OVAL COVERED BOX 19TH CENTURY the removable cover carved in high relief with fruit and foliage above openwork basket weave sides 11cm wide

£500-800

$800-1,280

1112 FE2/12 LOUIS XIV STYLE EBONY AND BOULLE MARQUETRY WALL CLOCK 19TH CENTURY the arched pediment surmounted by a gilt bronzed figure of a winged trumpeter, above a circular dial with white enamel Roman numerals and two winding holes and flanked by gilt bronze putti finials, over a long glazed case with marquetry back panel and Apollo mask pendulum, and ending with a waisted base with a foliate drop finial, the whole with brass marquetry and gilt bronze mounts 36cm wide, 142cm high, 16cm deep

£3,000-4,000

$4,800-6,400

77

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1113 FE15/49 CONTINENTAL SCHOOL, LATE 18TH/ EARLY 19TH CENTURY VUE DE L’ISLE ST PIERRE SUR LE LAC DE BIENNE gouache on paper, laid on card, in a giltwood frame, and another view of the subject by the same hand (2) 42cm x 28cm

£6,000-8,000

$9,600-12,800

78

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1114 FD196/68 GOOD LOUIS XV STYLE FIFTEEN LIGHT GILT BRONZE CHANDELIER POSSIBLY ENGLISH, 19TH CENTURY the stem modelled as three cherubs clutching bulrushes, the central reservoir with applied rococo mounts cast with fruiting vines, shells, butterflies and a serpent and issuing fifteen outscrolling naturalistic candle arms, fitted for electricity 88cm wide, 97cm drop approx Provenance: Property from a private Scottish collection

£3,000-5,000

$4,800-8,000

1115 FD43/5 FRENCH GILT BRASS THREE PIECE CASED ALTAR SET BY PAUL BRUNET, PARIS 19TH CENTURY in the baroque style, comprising a ewer, circular tray and a chamber stick, in a fitted box bearing Brunet, Paris paper label ewer 22.5cm high, stand 27cm diam

£600-900

$960-1,440

79

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1116 FE37/22 LOUIS XV LACQUER AND GILT BRONZE MOUNTED SIDE TABLE 18TH CENTURY, IN THE MANNER OF DUBOIS the rounded rectangular top and frieze with chinoiserie decoration, fitted with one drawer, raised on slender square cabriole legs ending in sabots 44cm wide, 64cm high, 33cm deep

£5,000-7,000

1117 FE15/38 LOUIS XV STYLE KINGWOOD AND AMARANTH BUREAU PLAT 19TH CENTURY the rectangular top with a leather insert writing surface and brass bound edge, above a recessed central frieze drawer flanked by two further short drawers, raised on squared cabriole legs headed by gilt metal satyr masks and ending in hoof sabots 110cm wide, 74cm high, 64cm deep

£7,000-10,000 $11,200-16,000

$8,000-11,200

80

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1118 FE15/22 LOUIS XVI STYLE AMARANTH, BOIS JAUNE, MARQUETRY AND ORMOLU MOUNTED CARTONNIER STAMPED ‘FOREST’ 19TH CENTURY the cavetto moulded rectangular top above a clock with a white enamel dial and gilt metal ribbontied mounts, within an arrangement of leather covered short drawers with a central locking mechanism, over a pair of short drawers and a pair of cupboard doors inlaid with flowering urn marquetry, flanked by stop fluted angles headed by female mask gilt bronze mounts, on a conforming base raised on toupie feet, bearing brass plaque ‘Ameublements FOREST 31 Rue Cambaceres’ 93cm wide, 170cm high, 41cm deep

£6,000-8,000

$9,600-12,800

81

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1119 FE15/7 PAIR OF FRENCH GILT AND PATINATED BRONZE TWELVE BRANCH CANDELABRA AFTER CLODION LATE 19TH CENTURY modelled as male and female bacchic figures each holding a cornucopia issuing twelve foliate cast scrolling candle arms, the figures signed ‘Clodion’, on a green marble and ebonised circular base (2) 131cm high

£8,000-12,000 $12,800-19,200

82

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1120 FD46/1 MINIATURE FRENCH ROUGE MARBLE AND GILT BRONZE MOUNTED TIMEPIECE LATE 19TH/EARLY 20TH CENTURY with a white enamel dial, the domed case surmounted by a trophy cresting, the sides applied with foliate swags and raised on a reeded platform base 14cm high

£800-1,200

$1,280-1,920

1121 FD191/10 LOUIS XVI STYLE GILTWOOD MIRROR 19TH CENTURY the bevelled oval mirror within a moulded frame and bevelled margin plates, surmounted by a flowering urn finial and scrolling floral garlands 100cm wide, 147cm high

£3,000-4,000

$4,800-6,400

83

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1122 FD191/6 FRENCH WHITE MARBLE FIGURE, ‘L’ENFANT A LA CAGE’ AFTER JEAN BAPTISTE PIGALLE 18TH CENTURY modelled as seated infant holding an open cage in his left hand, on an octagonal base with a separate conforming bleu turquin marble plinth 49cm high, 57cm high overall

£3,000-4,000

1123 FD268/6 FINE LOUIS XVI STYLE SATINWOOD AND VERNIS MARTIN SECRETAIRE LATE 19TH CENTURY the superstructure with a three quarter pierced brass gallery over a cupboard door with a Vernis Martin panel depicting lovers in a garden, above a mirrored recess and flanked by rounded corner shelves; the lower part with a curved top over a single frieze drawer raised on square cabriole legs ending in foliate scroll sabots; the whole outlined in gilt metal and with gilt metal mounts 83cm wide, 138cm high, 51cm deep

£1,500-2,500

$2,400-4,000

$4,800-6,400

84

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1124 FE15/9 FINE SET OF TWELVE LOUIS XVI CREAM PAINTED AND PARCEL GILT ARMCHAIRS 18TH CENTURY the oval padded backs leading to scrolling part-padded arms over a wide stuffover seat with serpentine front, raised on fluted tapered legs, in cream silk brocade upholstery (12) 60cm wide, 100cm high, 48cm deep

ÂŁ25,000-35,000

$40,000-56,000

85

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1125 FE15/50 FINE PAIR OF MEISSEN PATE-SUR-PATE PORCELAIN VASES 19TH CENTURY the reticulated covers with laurel wreath finials, the sides with twin serpent handles, finely painted and tooled in white slip with a draped nymph and a cherub against a cobalt blue gilt enriched ground, raised on a socle foot, blue crossed swords marks (2) 28cm high

£6,000-8,000

1126 FD46/2 FINE SEVRES BISQUE PORCELAIN AND GILT BRONZE MOUNTED FIGURE ‘L’AMOUR MENACENT’, AFTER ETIENNE-MAURICE FALCONET (1716-1791) CIRCA 1760-70 modelled as Cupid seated on a grassy mound and raising a finger to his lips, raised on a gilt bronze foliate cast square base 27cm high Note: After an original marble statue created by Falconet for Louis XV’s mistress Mme. de Pompadour in 1755, now in the Louvre.

Falconet was appointed director of the sculpture atelier at Sevres from 1757 to 1766 and was extremely influential in creating small figural sculptures produced in unglazed white porcelian. This model, and its companion Psyche, was extremely popular in the 18th century at Sèvres and was bought by many members of the court, including Mme. de Pompadour.

The first Sevres version was made in 1758.

£1,000-1,500

$1,600-2,400

$9,600-12,800

86

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1127 FE15/33 LOUIS XVI STYLE GILT BRONZE MOUNTED BUREAU PLAT 19TH CENTURY the rectangular top with a brown leather insert writing surface and with two banks of two short drawers with pierced galleries, over three frieze drawers raised on square tapered legs, the whole outlined in gilt metal 115cm wide, 91cm high, 69cm deep

£4,000-6,000

1128 FE33/2 FRENCH EMPIRE MAHOGANY DRESSING TABLE EARLY 19TH CENTURY with gilt bronze mounts, the rectangular adjustable mirror raised on cylindrical uprights with urn finials, the rectangular top over two short drawers, the lower section with three further long drawers flanked by pilasters, raised on toupie feet 113cm wide, 192cm high, 55cm deep Provenance: Property of a private Trust

£2,000-3,000

$3,200-4,800

$6,400-9,600

87

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1129 FE15/39 FRENCH STAINED SNAKESKIN AND GILT BRONZE MOUNTED TABLE CLOCK 19TH CENTURY the white enamel dial painted with flower festoon with an eight day movement striking on a bell, the domed case in green snakeskin and surmounted by a loop carrying handle, raised on a platform base with applied mounts 12cm wide, 19cm high

£1,200-1,800

1130 FE15/37 PAIR OF NEOCLASSICAL STYLE PINK ONYX AND GILT BRONZE MOUNTED URNS 19TH CENTURY the fixed domed covers with gilt bronze berry finials, over a body mounted with gilt bronze goat’s head handles hung with floral garlands, on a socle foot and circular base (2) 71cm high

£7,000-10,000 $11,200-16,000

$1,920-2,880

88

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1131 FE37/9 FRENCH EMPIRE STYLE MIRRORED GILT BRONZE CENTREPIECE 19TH CENTURY the circular stand with an ornate openwork swan and shell cast gallery, raised on mask scroll bracket feet 50cm diam

£1,500-2,500

1132 FE15/3 FINE EMPIRE GILT BRONZE MANTEL CLOCK EARLY 19TH CENTURY the white enamel dial signed ‘Armingaud Le. Paris’ with a bell striking eight day movement, supported by four caryatid uprights and surmounted by a playful putti and a spaniel, raised on an anthemion cast rectangular base with toupie feet 28cm wide, 51cm high

£2,500-3,500

$4,000-5,600

1133 FD636/21A FRENCH ENAMEL, GOLD PIQUE AND TORTOISESHELL BONBONNIERE 19TH CENTURY the circular cover mounted with a miniature portrait of a young woman after Jean-Baptiste Greuze, within a two tone gold inlaid border against a cream and pink enamel ground, the interior of tortoiseshell 9cm diam

£600-800

$960-1,280

$2,400-4,000

89

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1134 FE39/10 GOOD FRENCH EMPIRE GILT AND PATINATED BRONZE TWELVE LIGHT CHANDELIER 19TH CENTURY the anthemion and palmette cast coronet applied with six chains supporting a circular body issuing twelve outscrolling candle arms 84cm diam, 95cm drop approx

ÂŁ4,000-6,000

$6,400-9,600

91

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1135 FE33/1 PAIR OF FRENCH EMPIRE PARCEL GILT AND EBONISED FAUTEUILS ATTTRIBUTED TO GEORGE AND FRANCOIS-HONORE JACOB EARLY 19TH CENTURY each with a rectangular back and outscrolled uprights supported by winged griffins, over a drop-in seat raised on foliate carved splayed legs terminating in carved feet, in green and gold striped silk upholstery (2) 63cm wide, 90cm high, 46cm deep Note: Both the scrolled backs and the bold carving of the wings of the present lot feature in more or less identical form on the fauteuils supplied by JACOB-DESMALTER for the chambre à coucher of Empress Joséphine in 1809. These are now in the Chambre de la Reine des Belges at the Grand Trianon, which was redecorated by Louis-Philippe in 1845 (D. Ledoux-Lebard, Le Grand Trianon, Paris, 1975, p. 186).

Provenance: Selected items from an historic Scottish country house Purchased Christie’s London, sale 7574, lot 81

£18,000-25,000

$28,800-40,000

92

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

93

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1136 FD191/11 PAIR OF RUSSIAN EMPIRE STYLE MAHOGANY AND BRASS MOUNTED CONSOLE TABLES the three quarter galleried top above a panelled frieze flanked and divided by roundel motifs, raised on square tapered legs ending in spade feet (2) 219cm wide, 90cm high, 56cm deep

ÂŁ15,000-25,000

$24,000-40,000

94

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

95

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1137 FC888/1 FINE NYMPHENBURG PORCELAIN PART DINNER SERVICE, AFTER THE PERL SERVICE 20TH CENTURY, AFTER THE DESIGN OF DOMINIKUS AULICZEK 1792-1795 painted with reserves ‘en grisaille’ depicting various architectural and landscape views within a blue ribbon tied and gilt border and a pale blue beaded edge, comprising thirty five dinner plates, seventeen luncheon plates, seven reticulated dessert plates, five side plates, three graduated oval platters, two tureens and covers, two large circular serving dishes, two circular reticulated baskets and four oval-shaped reticulated baskets of various sizes, a serving dish, a large serving bowl, two sauce boats, twelve coffee cans and saucers, two covered condiment dishes, six salts and two table vases, green printed shield and Nymphenburg marks (115) Platter 44cm wide

£6,000-8,000

$9,600-12,800

96

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1138 FE15/31 FINE LOUIS XV STYLE MAHOGANY, KINGWOOD, TULIPWOOD AND MARQUETRY BUREAU PLAT 19TH CENTURY the rounded rectangular top with a gilt bronze mounted edge and shaped blue leather insert writing surface embossed with a coronet and monogram, within a border inlaid with floral bouquets and trophies and further coronet cartouches and monograms, over a blue leather insert slide and two frieze drawers, raised on squared cabriole legs outlined in gilt bronze and ending in sabots 145cm wide, 76cm high, 61cm deep

ÂŁ6,000-8,000

$9,600-12,800

97

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1139 FE15/53 AUSTRIAN BURRWOOD, BRASS AND PEWTER INLAID CLOCK 19TH CENTURY the silvered dial with an eight day gong striking movement, the ornate case with a loop carrying handle and inlaid throughout with foliate scrolls and mythical beasts, raised on toupie feet, within a leather travel case 23cm high

£2,500-3,500

$4,000-5,600

1140 FE15/52 FRENCH CHAMPLEVE STRUTT CLOCK 19TH CENTURY the engine turned gilt dial within an ornate coloured enamel frame surmounted by a vacant cartouche and raised on silvered bronze cherub supports 22cm wide, 33cm high

£2,000-3,000

$3,200-4,800

98

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1141 FE37/1 MEISSEN BOTTGER STYLE STONEWARE FIGURE OF AN OTTER DATED 1927 designed by Professor Max Esser, impressed BOTTGER STEINZEUG, incised A 1128 and crossed swords mark, inscribed ‘M. ESSER, 1927’ 44cm high

£2,000-3,000

1142 FE15/34 AFTER LOUIS HOTTOT (FRENCH 1829-1905), PAIR OF COLD PAINTED SPELTER BUSTS 19TH CENTURY modelled as a Turk and companion, raised on square relief cast socle bases (2) Male 86cm high; female 73cm high

£5,000-7,000

$8,000-11,200

$3,200-4,800

99

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1143 FC183/2 LARGE KPM PLAQUE, ‘HELENA FOURMENT WITH HER SON FRANCIS’ AFTER RUBENS 19TH CENTURY the central seated figure in 17th century dress accompanied by her nude infant son wearing a plumed hat, impressed KPM and sceptre marks, in a moulded giltwood frame plaque 29cm x 37cm

£20,000-25,000

$32,000-40,000

100

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1144 FC183/1 KPM PORCELAIN PLAQUE, ‘BRUNHILDE AND GRANE’ 19TH CENTURY depicting a semi-clad young beauty leaning against a white horse in a wood, signed ‘Wagner’, impressed KPM and sceptre marks, in a moulded giltwood frame with tan plush lined slip plaque 19cm x 25cm wide

£8,000-12,000 $12,800-19,200

101

LYON & TURNBULL the international sale wednesday, october 3rd, 2012

1145 FE15/27 LARGE ITALIAN BRONZE FIGURE ‘IN RIPOSO’ EARLY 20TH CENTURY bronze, dark brown patina, modelled as a nude boy seated on a cushion atop a pedestal, an artist’s palette and brushes at the base, titled ‘IN RIPOSO’ and signed ‘Lecchi / Milano’ and bearing ‘G. Strada Fuse Milano’ foundry stamp 125cm high

£12,000-18,000 $19,200-28,800

1146-1200 No lots

Lyon & Turnbull Standard Terms & Conditions of Sale

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description;

by law at the date of sale and is payable by buyers of relevant lots.

6. PAYMENT (1) Immediately a lot is sold you will: (a) pay to us the total amount due in cash or in such other way as is agreed by us. We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 2% (VAT included) when using credit cards). We do not accept American Express.

(2) any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES

(c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(d) “terms of consignment” means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents;

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than four working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

(e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid, which must be raised before the next lot is offered, shall be settled at the auctioneer’s absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 20%.

All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk (*) or dagger (†). Value Added Tax is charged at the appropriate rate prevailing

(3) No purchase can be claimed or removed until it has been paid for.

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom and the potential storage charges for lots not collected by the appropriate time.

their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

(a) to proceed against you for damages for breach of contract;

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT)

(b) to rescind the sale of that lot and/or any other lots sold by us to you;

(1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold. Photography: max £40 mono per lot, max £250 colour.

Internet Marketing Service: £10 per lot.

(c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate of 1.5% per month above the current base rate on the total amount due, to the extent it remains unpaid for more than four working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on

(2) If a vendor wishes to withdraw a lot organized for sale, a withdrawal fee will apply; (a) If withdrawn over 28 working days prior to the sale, this will be charged at 10% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate. (b) If withdrawn within 28 working days of the sale, this will be charged at 20% of the mid estimate along with any ancilliary incurred (such as photography), all subject to VAT at the current rate.

15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably,

representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items (Books, Jewellery, paintings, guns, firearms etc) in which case the descriptions must be interpreted in accordance with any glossary or guidance notes appearing in the catalogue. These notices and terms will also form part of our terms and conditions of sales.

21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. Scottish law applies to the interpretation of these Conditions.

Fine Antiques Tuesday, 4th October, 2012 33 Broughton Place, Edinburgh EH1 3RR

EDWARDIAN MAHOGANY CARLTON HOUSE DESK EARLY 20TH CENTURY From a Country House in Inverness-shire.

ÂŁ1,500-2,500

Viewing times Saturday, 29th September, 12 noon - 4pm Sunday, 30th September, 12 noon - 4pm Monday, 1st October to Wednesday, 3rd October, 10am - 5pm

$2,400-4,000

Enquiries Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com

Morning of sale from 9am

www.lyo nandturnbull.com

Upcoming at Freeman’s

American Furniture, Folk & Decorative Arts 11/13/12

Classical inlaid mahogany sofa table circa 1820 Figured mahogany and mahogany veneer, inlaid with brass and exotic banding, gilt brass mountings.

H: 30 in. W: 42 1/2 in. D: 24 in. (leaves 12 in.)

Auction:

Tuesday, November 13th at 10am Exhibitions Thursday, November 8th to Monday, November 12th Please contact the department or www.freemansauction.com for further details

Inquiries: lynda cain 267.414.1237 lain@freemansauction.com

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275

whitney bounty 267.414.1254 wbounty@freemansauction.com Catalogue $30

to preview, bid or consign visit us at

www.freemansauction.com

The International Sale Fine Antiques & Decorative Arts

Session Two Thursday, October 11th, 2012 at 2pm Freeman’s 1808 Chestnut Street Philadelphia PA 19103

Important Information for Buyers at Freeman’s

Registration

All potential buyers must register for the sale prior to placing a bid.

Registration information may be submitted in person at our reception desk, by fax or through our website at www.freemansauction.com.

We will require proof of identification and residence and may require a credit card and/or a bank reference. By registering for the sale, the buyer acknowledges that he or she has read, understood and accepted Freeman’s Terms and Conditions of Sale.

Buyer’s Premium

A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% thereafter.

Sales Tax

All items in the catalogue are subject to the 8% Pennsylvania and Philadelphia sales tax. Dealers purchasing for resale must register their tax numbers on current PA forms. Forms should be submitted to our Client Services office on the second floor.

Catalogue Descriptions

All item descriptions, dimensions and estimates are provided for guidance only. It is the buyer’s responsibility to inspect all lots prior to bidding to ensure that the condition is to their satisfaction. If potential buyers are unable to inspect lots in person, our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only, and all lots will be sold “as is” as per our Terms and Conditions of Sale.

Bidding

At the sale Registered bidders will be assigned a bidder number and given a paddle for use at the sale. Once the first bid has been placed, the auctioneer asks for higher bids in increments determined by the auctioneer. To place your bid, simply raise your paddle until the auctioneer acknowledges you. The auctioneer will not mistake a random gesture for a bid.

By phone A limited number of telephone lines are available for bidding by phone through a Freeman’s representative. Phone lines must be reserved in advance. Requests must be submitted no later than 24 hours prior to the scheduled start of the sale.

In writing Bid forms are available in the sale room and at the back of the catalogue. These should be submitted in person, by mail or by fax no later than one hour prior to the scheduled start of the sale. The auctioneer will bid on your behalf up to the limit indicated, but is not responsible for errors or failure to execute bids.

On the internet A fully-illustrated catalogue is available on-line at www.freemansauction.com. Registered bidders may leave absentee bids through the web site and will receive email confirmation of their bid. Freeman’s is not responsible for errors or failure to execute bids.

Payment

Lots purchased will not be released until we have received full payment. Payment may be made in cash, by check, money order, or debit card. Payments by check must clear the bank before goods will be released.

Removal of Purchases

Deliveries will not be made during the time of the sale unless otherwise indicated by the auctioneer. All items must be paid for and removed within ten (10) working days of the sale. Purchases not so removed may be turned over to a licensed warehouse at the expense and risk of the purchaser.

Shipping and Packing

Responsibility for packing, shipping and insurance shall be exclusively that of the purchaser. Upon request, Freeman’s will provide the purchaser with names of professional packers and shippers known to us.

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1201 121639/62 EGYPTIAN POLYCHROME PAINTED CARVED WOOD SHABTI NEW KINGDOM, POSSIBLY 18TH DYNASTY

Typical form, with traces of old insect damage, painted to show cross hatching and two bands of hieroglyphics.

L: 12 in.

Provenance: The Estate of Francois Bucher via the Collins Center for Public Policy.

$1,500-2,500

£940-1,560

1204

1202 1203

1202 121976/1 FINE EGYPTIAN REVIVAL STONE INLAID AND POLYCHROME DECORATED GILTWOOD REPLICA OF KING TUTANKHAMEN’S THRONE CHAIR

1203 121976/2 EGYPTIAN REVIVAL GILT METAL MOUNTED CEDAR ARMCHAIR

CIRCA 1928

From an original found in the tomb of Tutankamen, the rectangular pierced back carved to show a pharoah, flanked by two columns surmounted by horus figures, the top rail and supports carved to show hieroglyphics, over curved slatted seat, raised on feline legs united by stretchers and with gilt metal struts, raised on paw feet.

The square back decorated to show the young Pharoah in a palace setting as his Queen attends him, flanked by winged sides and inlaid square seat, raised on feline legs surmounted by lion’s heads and terminating in paw feet.

H: 41, W: 22, D: 28 in.

Provenance: Property of the Reading Public Museum, sold to benefit future acquisitions.

Note: This and the following two lots were manufactured in Egypt very soon after the discovery of Tutankhamen’s tomb by Howard Carter in November 1922. They were exhibited in the Reading Museum and Art Gallery in Pennsylvania on the 30th of September 1928, to much acclaim, as a newspaper article dated from September 19th 1928 explains: “Reading has the distinction of being the only city in the world, with the exception of Cairo ... where these objects can be seen. The main feature of the exhibition is an exact reproduction of the throne chair of King Tut”.

$2,500-3,500

£1,560-2,200

CIRCA 1928

1204 121976/3 FINE EGYPTIAN REVIVAL CEDARWOOD, IVORY, AND EBONY REPLICA OF THE CHILD KING TUTANKHAMEN’S THRONE CHAIR CIRCA 1928

The rectangular solid back with inset ivory panels, the solid arms with inset gilt panels, flanking slatted seat, raised on animal legs terminating in lion’s paw feet.

H: 30, W: 16, D:15 in.

H: 35 1/2, W: 19 1/2, D: 20 1/2 in.

Provenance: Property of the Reading Public Museum, sold to benefit future acquisitions.

Provenance: Property of the Reading Public Museum, sold to benefit future acquisitions.

$2,000-3,000

$2,500-3,500

£1,560-2,200

£1,250-1,875

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1205 121678/6 INDIAN SANDSTONE FIGURE OF SURASUNDARI 12TH CENTURY OR EARLIER

Depicted standing in tribhanga pose, with a necklace around her breasts and a sash around her waist, raised on custom wooden stand.

H: 11 1/2 in., overall 14 1/2 in.

Provenance: The estate of Winifred S. Cheston, Philadelphia, PA.

$1,500-3,000

£940-1,875

1206 121639/73 CONTINENTAL POLYCHROME PAINTED CARVED LIMESTONE GROUP OF THE VIRGIN AND CHILD IN MAJESTY SEDES SAPIENTIAE, IN THE EARLY GOTHIC STYLE

Carved to show the robed Madonna and Child seated on the throne of wisdom, raised on plinth base.

H: 20 in.

Provenance: The Estate of Francois Bucher via the Collins Center for Public Policy.

$1,500-2,000

£940-1,250

1207 121639/74 CONTINENTAL CARVED WOOD FIGURE GROUP OF ST. ANNE WITH THE VIRGIN AND CHILD 16TH/17TH CENTURY

St. Anne depicted standing, with Mary and Christ in her arms, extensive traces of worm and insect damage all over.

H: 27 in.

Provenance: The Estate of Francois Bucher via the Collins Center for Public Policy.

$1,500-2,000

£940-1,250

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1208 121639/75 FRENCH CARVED OAK FIGURE OF THE VIRGIN AND CHILD PROBABLY 14TH/15TH CENTURY

Carved to show the crowned and enthroned Virgin, with Christ on her left knee, extensive traces of worm, old red and blue polychrome in recesses.

H: 39, W: 16, D: 13 1/2 in.

Provenance: The Estate of Francois Bucher via the Collins Center for Public Policy.

$4,000-6,000

£2,500-3,750

1209 121639/77 FINE SOUTH GERMAN CARVED LINDEN WOOD FIGURE OF ST. CATHERINE WITH MISSAL MID 16TH CENTURY

Depicted standing in flowing drapery, holding the book in her hands, wearing a necklace with star pendant around her neck, her hair in plaits, on later square base.

H: 46 in.

1210 122076/1 CIRCLE OF ANTONIO ROSSELLINO (ITALIAN, 1427-1479) A POLYCHROME STUCCO RELIEF OF THE VIRGIN AND CHILD 15TH/16TH CENTURY

Carved to show the Virgin with gilt halo and in blue and red robes, holding the Christ Child in her left arm.

H: 30 in.

Provenance: Property of a Pennsylvania gentleman. Purchased at auction c.1970.

Note: A very similar, though slightly larger, stucco relief group of the Virgin and Child, sold Sotheby’s Milan, November 6th 2007 lot 291.

$5,000-7,000

£3,125-4,375

$8,000-12,000

£5,000-7,500

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1211 121891/8 FINE ENGLISH OAK HALL TABLE LATE 16TH/EARLY 17TH CENTURY

The twin planked top over cup-and-cover carved supports terminating on sledge feet.

H: 31 3/4, W: 105, D: 30 1/4 in.

Provenance: Palmer Theological Seminary, Wynnewood, Pennsylvania.

$2,000-3,000

£1,250-1,875

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1212 LARGE CONTINENTAL POLYCHROME PAINTED TERRACOTTA TRIPTYCH ALTARPIECE POSSIBLY LOW COUNTRIES, 19TH CENTURY OR EARLIER

In three panels, the central panel carved to show the crowned Virgin with the Holy Spirit in the form of a dove, and bursting rays above her, beside her is the motto “Ales vos avers pers et organs” flanked by a figure of a knight on one side and an apostle on the other, the two flanking panels carved to show figures of a Monk and St. John the Baptist, all under Gothic tracery, remnants of old polychrome, old Brooklyn Museum label to verso, accession number 19.68 to one corner.

H: 47 1/2, W: 57 in.

Provenance: William H. Herriman bequest to Brooklyn Museum, 1921 (old museum label verso).

$2,000-3,000

£1,250-1,875

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1213 121891/9 LARGE ENGLISH OAK REFECTORY TABLE 17TH CENTURY OR LATER

The single plank rectangular top over leaf, scroll, and lunette carved frieze, raised on four fluted bulbous legs united by long stretchers.

H: 30 1/2, W: 102 1/2, D: 28 1/2 in.

$2,000-3,000

£1,250-1,875

1214 121639/80 PAIR OF CONTINENTAL CARVED CHESTNUT FIGURES OF ANGELS EARLY 18TH CENTURY

Carved in near mirror images, with flowing dresses and arms outstretched, old splits and traces of worm.

H: 35, W: 21, D: 13 in.

Provenance: The Estate of Francois Bucher via the Collins Center for Public Policy.

$6,000-8,000

£3,750-5,000

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1215 121559/4 FINE ITALIAN POLYCHROME PAINTED FIGURE OF ST. MARK 17TH CENTURY

Depicted standing, with long wavy hair, wearing bright red, green and gilt robes, holding a goblet in his left hand, his right arm outstretched, an eagle stood by his side.

H: 31 in.

$2,000-3,000

1216 121952/1 ITALIAN BRONZE MODEL OF A REARING HORSE 16TH CENTURY, POSSIBY PADUA

Depicted rearing on its hind legs with its head slightly to its left, raised on rouge marble plinth.

Overall H: 7 1/4 in., Bronze H: 5 7/8 in.

Provenance: Purchased from the estate of Henry Osborne Havemeyer Frelinghuysen, philanthropist and grandson of Henry Osborner Havermeyer, art collector and founder of the American Sugar and Refining company.

Note: This bronze is closely related to a preparatory drawing for the monument to Francesco Sforza, drafted by Leonardo da Vinci in circa 1485, now in the Royal Library at Windsor castle. In the 17th century, the Italian sculptor Francesco Fanelli produced several small bronze rearing horses that display similarities in posture and size to the present example.

$8,000-12,000

£5,000-7,500

£1,250-1,875

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1217 126000/9 ITALIAN BRONZE MODEL OF ROMULUS AND REMUS AND THE SHE WOLF 18TH CENTURY

After the Antique, on rectangular plith base, inventory number M3405 and Royal Athena label to underside.

H: 4 1/2, L: 7 in.

Provenance: Purchased Royal Athena Galleries, NYC, 1990.

$2,000-3,000

£1,250-1,875

1218 121559/10 SOUTH GERMAN IVORY FIGURE GROUP, THE RAISING OF LAZARUS 17TH CENTURY

Carved to show Christ with his hand touching the head of Lazarus as he emerges from the tomb, as astonished witnesses look on, raised on wooden plinth.

H: 7 1/4 in.

Provenance: Purchased Sotheby’s sale 3728 lot 82, February 1975.

Private collection.

$2,000-3,000

1219 121828/1 ENGLISH OAK DRAW-LEAF REFECTORY TABLE 16TH/17TH CENTURY AND LATER

The rectangular top with two draw leaves, above a foliage and scroll carved apron, raised on bulbous cup-and-cover legs united by stretchers.

H: 32, W: 79 (closed) D: 3 3in.

Provenance: By descent of the estate of James Sibley Watson of Rochester, NY, friend of E.E. Cummings and husband to Hildegarde Lassel.

$3,000-5,000

£1,875-3,125

£1,250-1,875

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1220 121900/1 LARGE SPANISH IRON MOUNTED WALNUT VARGUENO THE TOP WITH 16TH/17TH CENTURY ELEMENTS, THE BASE PROBABLY 19TH CENTURY

The upper section of rectangular form mounted all over with iron strap hinges and heavy iron handles to sides, the facing side with iron locks and drop handles with ornate pierced surrounds and cloth backs, opening to a series of drawers with architectural fronts and painted bone onlays, the lower section with two mitre molded drawers above two conforming cupboard doors, raised on bun feet.

Total H: 59 W: 45 1/2 D: 19 in.

Provenance: Property of a New York lady.

$5,000-7,000

£3,125-4,375

1221 121946/1 LOUIS XIV PROVINCIAL CREAM PAINTED CHESTNUT BUFFET EARLY 18TH CENTURY, PROBABLY BRETON

The simulated marble top with rounded fore-corners and molded edge over conforming case enclosing frieze drawer above twin panelled cupboard doors carved to show fans and foliate elements, raised on stile feet.

H: 39, W: 51, D: 25 in.

$2,000-3,000

£1,250-1,875

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1222 121970/1 BRUSSELLS VERDUE TAPESTRY DEPICTING THE RAPE OF EUROPA 17TH CENTURY

Depicting Europa upon the back of Zeus as the bull, her arm outstretched toward her companions, within a lush woodland setting with numerous trees, flowers etc., and a town in the background, within floral borders.

H: 9 ft 5, W: 13 ft 3 in.

Provenance: Property of a Pennsylvania lady.

$4,000-6,000

£2,500-3,750

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1223 121692/24 BRUSSELLS VERDUE TAPESTRY 18TH CENTURY

Depicting ducks in a lake with architecture behind, within rich woodland foliage, the border composed of leafy scrolls and flowers.

H: 98, W: 62 in.

Provenance: Property of a Pennsylvania estate.

$1,500-2,000

£940-1,250

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1224 OWNED/649 IMPRESSIVE ITALIAN WALNUT REFECTORY TABLE 17TH/18TH CENTURY

The large planked rectangular top over two boldly carved scroll supports with caryatids to the center, united by similarly carved stretcher.

H: 30, W: 93, D: 38 in.

$8,000-12,000

£5,000-7,500

119

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1225 122040/1 FINE CONTINENTAL CARVED IVORY PLAQUE 18TH/19TH CENTURY, PROBABLY SOUTH GERMAN, IN THE MANNER OF ANTONIO LEONI

The single section intricately carved to show a battle scene, possibly the capture of Francis I during the Battle of Pavia, with a central mounted figure leading the charge, as his soldiers carry the spoils of war, and another man in full armor is tied with ropes and his helmet removed, in conforming ebonised frame.

Plaque H: 5, W: 11 3/4 in.

$15,000-20,000

£9,375-12,500

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1226 122013/24 FINE NORTH ITALIAN WALNUT, OLIVEWOOD AND LINE INLAID COMMODE VENICE, CIRCA 1700 AND LATER

The serpentine top over a conforming case of four long panelled drawers inlaid to show bellflowers within ebony and fruitwood line inlaid borders, panelled sides, the canted angles carved to show bellflowers and acanthus scrolls, raised on scroll and bellflower carved block feet.

H: 43, W: 58 1/2, D: 22 3/4 in.

$6,000-8,000

£3,750-5,000

1227 122013/16 GOOD NORTH ITALIAN PAINT DECORATED COMMODE 18TH CENTURY

The faux marble top with canted corners, over conforming case enclosing three floral painted panelled drawers, raised on short cabriole legs.

H: 38, W: 58, D: 23 3/4 in.

$5,000-7,000

£3,125-4,375

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1228 121974/1 GOOD CONTINENTAL VAMPIRE SLAYING KIT 18TH/19TH CENTURY AND LATER

The heavy oak case mounted with an embossed leather panel to top, opening to reveal two large crucifixes, two small crucifixes, a medallion of Christ, four small bottles containing ‘Holy Water’ etc., a Czech bible, a large gauntlet with dagger, a pistol with powder and shot, shot pincers, a pair of large stakes, mallet, dagger, and telescope.

Case H: 7 3/4, W: 17 1/2, D: 11 1/4 in.

$8,000-12,000

£5,000-7,500

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1229 121678/12 GEORGE II BLACK LACQUERED CHEST OF DRAWERS 18TH CENTURY

The rectangular top above three short and three graduated long drawers, raised on bracket feet. The front decorated to show Chinoiserie scenes, the top and sides to show floral sprays.

H: 39, W: 39 1/2, D: 21 1/2 in.

Provenance: Estate of Winifred S. Cheston, Philadelphia, PA

$1,500-2,000

£940-1,250

1230 129041/1 GEORGE III BLACK LACQUERED TALL CASE CLOCK LONDON, JOSEPH HERRING, SECOND HALF 18TH CENTURY

The brass face engraved “Joseph Herring London”, the steel chapter ring with Roman numerals, seconds dial, urn and scroll cast spandrals, the hood with glazed door flanked by columns, the case and hood black lacquered and gilt painted in the chinoiserie taste.

H: 90 1/4, W: 20 3/4, D: 10 1/4 in.

$3,000-5,000

£1,875-3,125

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1231 121678/8 GEORGE III GREEN LACQUERED SECRETAIRE BOOKCASE LAST QUARTER 18TH CENTURY

In two sections: the broken pediment top over twin arched doors (lacking panes), opening to a series of shelves, the lower section with drop down writing surface opening to a red lacquered interior with drawers and pigeon holes, above two short and two long drawers, raised on bracket feet. The whole green lacquered all over to show Chinoiserie scenes.

H: 90, W: 45 1/2, D: 21 1/2 in.

Provenance: Estate of Winifred S. Cheston, Philadelphia, PA

$2,000-3,000

£1,250-1,875

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1232 128031/56 FINE GEORGE III MAHOGANY KIDNEY SHAPED DESK 18TH CENTURY, POSSIBLY BY GILLOWS

The leather inset top with crossbanded edge, above three drawers, raised on square tapering legs terminating in spade feet.

H: 29 1/2, W; 60. D: 34 in.

$6,000-8,000

1233 128031/52 GEORGE III WALNUT CHESTON-CHEST EARLY 19TH CENTURY, POSSIBLY CHANNEL ISLANDS

In two parts: the molded cornice over two short and three long featherbanded drawers flanked by canted reeded edges above conforming case enclosing two short and two long graduated drawers, raised on shaped bracket feet.

H: 70 1/2, W: 39, D: 20 1/4 in.

$3,000-5,000

£1,875-3,125

£3,750-5,000

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1234 11-2490/96 GEORGE III MAHOGANY BREAKFRONT BOOKCASE 18TH CENTURY

In six parts, with three glazed cupboard sections over three conforming lower sections, the central twin astragal glazed cupboard doors over twin panelled cupboard doors, flanked by single astragal glazed doors each above three graduating drawers, on plinth base.

H: 60, D: 16 1/2, W: 85 in.

$3,000-5,000

£1,875-3,125

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1235 128031/27 GEORGE II WALNUT AND PARCEL GILT WALL MIRROR CIRCA 1735

The acanthus carved broken pediment centered by acanthus scroll carved crest above shaped bevelled mirror plate within acanthus carved shaped frame.

H: 63, W: 39 in.

$4,000-6,000

1236 128031/77 GOOD GEORGE III MAHOGANY NIGHT STAND CIRCA 1765

The dished top over twin cupboard doors, above single drawer, raised on square legs.

H: 32, W: 21, D: 18 in.

Note: A similar example is illustrated in Ralph Edwards, ed. “A Dictionary of English Furniture”, 1990, volume 3, p. 264, fig. 5, supplied by Chippendale and Haig in 1769.

$1,500-2,500

£940-1,560

£2,500-3,750

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1237 128042/2 GEORGE III EBONY AND SATINWOOD LINE INLAID MAHOGANY SIDEBOARD LATE 18TH CENTURY

The semi-circular top over central drawer above central recess with fan inlaid spandrals, flanked by two deep velvet lined drawers, flanked by two small cupboard doors, raised on fluted tapering legs terminating in spade feet.

H: 34 1/2, W: 77, D: 36 in.

£1,250-1,875

$2,000-3,000

1238 128031/25 FINE PAIR OF GEORGE III SATINWOOD, TULIPWOOD CROSSBANDED AND MARQUETRY INLAID KNIFE BOXES CIRCA 1770-1780

The hinged sloping lids centered by a conch shell, opening to a fitted interior, the underside of the lids inlaid to show a conch shell within featherbanded border, the fronts inlaid to simulate pilasters, original silver escutcheon and pull, raised on shaped bracket feet.

H: 15 1/4, W: 9 1/4, D: 11 in.

$5,000-7,000

£3,125-4,375

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1239 (two)

1240 (four) 1241 (two)

1239 128031/34B ENGLISH SPECKLE GLAZED CREAMWARE STAG-HEAD STIRRUP CUP

1240 128031/34A FOUR ENGLISH CREAMWARE FOX-HEAD STIRRUP CUPS

1241 128031/34 TWO ENGLISH BLACK BASALT STIRRUP CUPS

18TH/19TH CENTURY

18TH CENTURY, IN THE MANNER

MID 18TH CENTURY

One plain with black painted collar; one brown painted with black muzzle and collar; one brown painted with gilt collar titled “Tally Ho”; and one red painted with black muzzle.

With flattened antlers, brownspeckled all over; together with a Sancai style ox-head stirrup cup.

(2).

H: 4 3/4 in.

$1,000-1,500

£625-940

Largest H: 5 1/2 in.

$2,000-4,000

£1,250-2,500

OF WEDGEWOOD AND BENTLEY

The first in the form of a hare’s head, the circular rim inscribed “Success to bowl away & the merry, Harriers of Newton”, the interior glazed with evidence of reconstruction, apparently unmarked; together with a fox head stirrup cup, glazed interior.

H: 6 1/2 in, Fox head H: 5 1/2 in.

$1,500-2,500

£940-1,560

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1242 128031/29 FINE ENGLISH DERBY PORCELAIN ‘HUNTING SCENES’ PART DINNER SERVICE CIRCA 1815, THE PAINTING IN THE MANNER OF WILLIAM COTTON

Comprising thirty-two dinner plates, each centrally painted with a different sporting scene, two covered sauce tureens with lobed underdishes, four lozenge shaped serving dishes, oval grape dish on oval foot, four square dishes, and five other serving dishes, all decorated with gilt and puce vine borders, Crown and cross baton marks in red to undersides, the plates with numeral 1 to footrim, the tureens with red numeral 22.

Plate D: 9 1/4 in.

Note: The scenes depicted on the plates in this service were likely derived from the color plates published in Samuel Howitt’s “The British Sportsman”, first published by Edward Orme, London, 1812.

$20,000-30,000

£12,500-28750

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1243 128031/47 REGENCY MAHOGANY WRITING DESK CIRCA 1820

The rectangular top opening to a fitted interior comprising a baize-lined ratcheted writing surface, flanked by pen tray, wells etc., above spiral-twist supports flanking two graduating drawers with lionmask handles, above conforming undertier, raised on brass caps and castors.

H: 28, W: 21, D: 17 in.

$1,500-2,500

£940-1,560

1244 128031/30 GOOD IRISH REGENCY MAHOGANY TELESCOPIC DUMB-WAITER CIRCA 1820, ATTRIBUTED TO WILLIAMS AND GIBTON, DUBLIN

With three circular tiers telescoping into one to form a side-table, above fluted and acanthus carved support raised on tripartite base and bun feet.

Remants of Irish storage label to underside of one tier.

H: 40 1/2, D: 21 in. (open).

$2,500-4,000

£1,560-2,500

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1245 128031/19 FINE SET OF TWELVE GEORGE III MAHOGANY DINING CHAIRS CIRCA 1800, IN THE MANNER OF GEORGE SEDDON

Comprising two armchairs and ten sidechairs, the shaped wavy spindle back over scroll carved arms above shaped upholstered seat, raised on acanthus carved cabriole legs terminating in Spanish feet.

Armchair H: 37, W: 23, D: 20 1/2 in.

Note: A very similar set of chairs are in the state room at Althorp House, Shropshire, England.

$20,000-30,000

£12,500-18,750

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1246 128031/18 REGENCY EBONY STRUNG MAHOGANY SOFA TABLE EARLY 19TH CENTURY

The shaped rectangular top with drop down side, above two drawers, raised on shaped supports united by conforming stretcher, issuing downswept legs terminating in claw cast caps and castors.

H: 29, W: 48, D: 21 1/2 in.

$3,000-5,000

£1,875-3,125

1247 128031/12 GEORGE IV MAHOGANY CELLARETTE CIRCA 1830, ATTRIBUTED TO GILLOWS

The rectangular top with cavetto edge, opening to a series of compartments fitted for bottles and ice, each with well-figured lids with ivory pulls, the panelled sides within bead-edge, raised on fluted tapering legs ending in brass caps and castors.

H: 26, W: 24 1/2, D: 16 in.

$2,000-3,000

£1,250-1,875

1248 128031/1 FINE GEORGE III MAHOGANY CHEST OF DRAWERS 18TH CENTURY

The serpentine quarter veneered featherbanded and rosewood crossbanded top over four graduating long drawers, raised on shaped bracket feet.

H: 33, W: 42, D: 23 in.

$2,500-4,000

£1,560-2,500

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1249 122010/1 FINE GEORGE II BURL WALNUT SECRETAIRE BOOKCASE 18TH CENTURY

In two parts, the upper section with molded breakfront cornice over twin mirrored cupboard doors etched to show a crown; the lower section with fallfront desk opening to reveal a series of pigeonholes and drawers, above four graduated long drawers flanked by fluted canted corners, raised on shaped bracket feet.

H: 88, W: 44, D: 25 in.

$3,000-5,000

£1,875-3,125

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1250 122010/6 FINE REGENCY EIGHTEEN INCH TERRESTRIAL LIBRARY GLOBE JOHN AND WILLIAM CARY, 1817

Comprised of twenty engraved gores, the cartouche reading “Cary’s new terrestrial globe : exhibiting the tracks and discoveries made by Captain Cook : also those of Captain Vancouver on the North West Coast of America and M. de la Pe´rouse on the coast of Tartary : together with every other improvement collected from various navigators and travellers to the present time... W. Cary, sold by S. & J. Duncan, Glasgow, 1817”, with brass meridien ring, on stand issuing three downswept legs terminating in brass caps and castors.

H: 44, D: 18 in.

$4,000-6,000

£2,500-3,750

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1251 121975/14 GOOD GEORGE III MAHOGANY PARTNER’S DESK 18TH CENTURY

The rectangular leather inset top over central drawer opening to a folding leather inset reading slope and compartments for inkwells, flanked by two banks of two short drawers, all with opposing drawers, raised on fluted tapering legs.

H: 30 1/2, W: 58, D: 37 in.

$2,000-3,000

1252 129039/3 DUTCH LOUIS XVI MAHOGANY AND SATINWOOD PIANO CIRCA 1795, PIETER AND MEINKE MEYER, AMSTERDAM

The rectangular top opening to reveal the hammers and strings, raised on fluted tapering legs.

Provenance: Property of a European nobleman.

Purchased in 1929 from the estate of Jonkheer Teding van Berkhout in Haarlem, The Netherlands.

Note: This lot is located offsite. Please contact the department to make viewing arrangements.

$4,000-6,000

£2,500-3,750

£1,250-1,875

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1253 129039/1 FINE DUTCH SATINWOOD STRUNG MAHOGANY SECRETAIRE ORGAN AMSTERDAM, CIRCA 1800

Of breakfront outline, the dentil molded top over three dummy drawers, above a removable secretaire style panel revealing an adjustable hinged keyboard, above three dummy long drawers, raised on short tapering fluted legs ending on block feet.

Provenance: The property of a Eurpoean Nobleman.

Purchased at auction in Amsterdam c.1936.

Literature: The Tracker, Journal of the Organ Historical Society, vol. 48 no.4, pp.3235.

Ars Organi, vol. 51 no. 4, December 2003, pp.257-258.

Note: This lot is located offsite. Please contact the department to make viewing arrangements.

$30,000-50,000 £18,750-31,250

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1254 121558/1 FINE FRENCH MINIATURE PORTRAIT OF A LADY SIGNED J.B.J. DUCHESNE, PARIS, 1819

Portrait on ivory, backed in vellum, contemporary ink inscription “J.B.J. Peintre in email, de son A.R. Monsieur frere du Roy” on paper inserted behind portrait, within fine contemporary gilt bronze frame.

Portrait H: 3 1/4 in.

Provenance: Property of a Philadelphia gentleman.

$2,000-3,000

£1,250-1,875

1255 129040/2 IMPRESSIVE LOUIS XV STYLE MARBLE TOP GILTWOOD CENTER TABLE CIRCA 1900

The rectangular marble top of serpentine outline, above an S- and C-scroll carved frieze, raised on similarly carved legs united by conforming X-stretcher centered by a basket of flowers.

H: 33, W: 66, D: 34 in.

Provenance: Property from a Birmingham, AL, estate.

$1,500-2,500

£940-1,560

139

FREEMAN’S the international sale thursday, october 11th, 2012

1256 121656/1 VIENNA PORCELAIN INSET GILT METAL MOUNTED GESSO AND GILTWOOD TABLETOP LATE 19TH CENTURY

The circular top with acanthus edge, centered by a large porcelain charger depicting Marie Antoinette and her children, surrounded by eleven porcelain roundel plaques depicting French ladies of nobility, each within gilt metal border. The reverse of the charger with impressed and factory marks, and titled in German.

D: 20 1/2 in.

£1,250-1,875

$2,000-3,000

1257 11-8027/1 LARGE AND IMPRESSIVE SEVRES STYLE COBALT GROUND GILT BRONZE MOUNTED PORCELAIN URN LATE 19TH CENTURY, SIGNED MAGLIN

Baluster form, painted to show a figural scene on a dark blue ground, mounted to the shoulder with gilt bronze masks issuing gilt bronze scroll cast handles stamped A.M., raised on conforming gilt metal square base.

H: 32 in.

$4,000-6,000

£2,500-3,750

1258 122040/3 PAIR OF FRENCH GILT BRONZE MOUNTED LIMOGES ENAMEL COVERED URNS 19TH CENTURY

Slender baluster form, the pull-off cover with gilt bronze finial above well-enameled body depicting allegorical scenes of science and the arts, gilt bronze mounted at the shoulders with putti head and acanthus handles, over shaped gilt socle on four hairy hoof feet, raised on circular plinth base terminating in scroll cast feet.

H: 12 in.

$6,000-8,000

£3,750-5,000

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1259 121728/1 FINE FRENCH LOUIS XV STYLE GILT BRONZE MOUNTED TULIPWOOD SIDE TABLE GERVAIS-MAXIMILIEN-EUGÈNE DURAND , LATE 19TH CENTURY

The shaped crossbanded quarter veneered oval top with satinwood and ebony line inlay, gilt bronze banded edge, the well-cast mounts in the form of arrow fletching, continuing to acanthus cast sabots.

Stamped twice ‘G. Durand”, to underside.

H: 29 1/2, W: 36 1/4, D: 24 1/2 in.

Note: Gervais-Maximilien-Eugène Durand established the Maison Durand firm in 1870, with workshops at 12, rue de la Crisaie and then at 23., rue Beautrellis. The firm specialised in very high quality furniture in the eighteenth-century style, and they were awarded a silver medal at the Exposition Universelle in 1889.

$3,000-4,000

£3,125-2,500

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1260 122040/2 FINE VIENNESE SILVER AND ENAMEL CASKET CIRCA 1925, STAMPED 900

Rectangular form, the lid with central raised oval panel enameled in cream and blue, surrounded by four raised spandral panels, within a cream enameled border with blue, green, and red enameled scallop shells, the sides enameled in cream and blue to show scrolls, each with central neoclassical medallion, four varicolored enameled caryatids at corners, raised on hairy paw feet.

H: 3, W: 8, D: 6 in.

$12,000-15,000

ÂŁ7,500-9,375

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1261 122040/18 VERY FINE PAIR OF JAPANESE IMARI PORCELAIN COVERED VASES THE PORCELAIN CIRCA 1725, THE MOUNTS PROBABLY 19TH CENTURY

Hexagonal baluster form, the domed covers with finials in the form of a mother and child with a cat, the bodies painted to show flowers, scrolls, and foliate forms, the laurel-cast gilt bronze square bases raised on paw feet.

H: 24 in.

Provenance: Purchased from Sotheby’s New York, Sept 1979, lot 25.

$15,000-20,000

£9,375-12,500

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1262 122016/9 PAIR OF SÈVRES STYLE PAINTED PORCELAIN GILT BRONZE-MOUNTED AND CHAMPLEVÉ ENAMEL TWINHANDLED URNS 19TH CENTURY

Baluster form, the gilt bronze rim over champlevé enameled neck and porcelain body painted to show a courting couple and a maiden with a cherub in a landscape, the reverse painted to show architectural landscapes, over similarly enameled socle raised on foliate swag cast base.

H: 17 1/2 in.

£1,560-2,200

$2,500-3,500

1263 121374/34 SEVRES STYLE HAND-PAINTED PORCELAIN GILT BRONZE MOUNTED URN Baluster form, the pull-off cover surmounted by pine cone finial, the body painted to show musical trophies and figures surrounded by floral garlands, signed “L. Guy”, raised gilt decoration to rim and foot, twin saytr masks mounted as handles to shoulder, raised on chamfered square base.

H: 25 in.

Provenance: Private collection, Las Vegas.

$4,000-6,000

£2,500-3,750

1264 122013/9 CONTINENTAL PARCEL GILT MAHOGANY AND ROSEWOOD COMMODE 18TH CENTURY AND LATER

The serpentine top over conforming case enclosing two long drawers, above carved and pierced apron, raised on rococo carved cabriole legs.

H: 34, W: 40, D: 23 in.

$5,000-7,000

£3,125-4,375

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1265 122013/7 LOUIS XV MARBLE TOP CONSOLE TABLE 18TH CENTURY

The yellow and orange veined marble top with rounded forecorners, over shaped frieze centered by a scallop shell, raised on cabriole legs.

H: 31, W: 56, D: 27 in.

$4,000-6,000

£2,500-3,750

1266 122016/5 FRENCH GILT BRONZE AND WHITE MARBLE MANTLE CLOCK GARNITURE LATE 19TH CENTURY, RETAILED THEODORE B STARR, NEW YORK

The circular white enamel dial with Arabic numerals, within a cylindrical case surmounted by a Bacchic woman reclining on a lion’s pelt and holding grapes to her mouth, raised on oval white marble base, on toupie feet, together with a pair of conforming candelabra.

H: 17, W: 13, D: 6 in.

$3,000-5,000

£1,875-3,125

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1267 122016/1 LARGE AND IMPRESSIVE LOUIS XV STYLE GILT BRONZE CLOCK GARNITURE 19TH CENTURY

The gilt bronze case cast to show cupid and doves resting upon a rocky base, the circular, white-enameled face with Roman numerals signed “ALdre Petit”, raised on a floral and ribbon cast base terminating in flattened bun feet; together with a pair of five-light candelabra cast to show floral swags and putti in motion, raised on acanthus, C-, and Sscroll cast base.

Clock H: 22, W: 26 in.

$15,000-20,000

£9,375-12,500

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1268 121971/9 FRENCH EMPIRE GILT BRONZE MOUNTED MAHOGANY PEDESTAL CIRCA 1800, STAMPED JACOB FRÈRES RUE MESLÉE

The later Portuguese marble top over rectangular pedestal mounted with a central gilt bronze flowering urn, winged putti in the corners, anthemion and arabesque mounts to base.

H: 39 1/2, W: 18 1/4, D: 12 in.

Provenance: Property of a Philadelphia gentleman.

Note: Jacob Frères Rue Meslée was the stamp used by Georges II and François-Honoré-Georges Jacob from 1796-1803.

$2,000-3,000

1269 121833/1 FINE LOUIS XV STYLE GILT BRONZE MOUNTED BURL WALNUT, ROSEWOOD AND KINGWOOD POUDREUSE PAUL SORMANI, CIRCA 1870

The serpentine edged rectangular top centered by a monogram, opening to a cloth-lined interior flanked by two lidded compartments, above a frieze drawer and sliding wool box, raised on slender cabriole legs terminating in sabots. Lockplate signed “Paul Sormani, 10 Rue Charlot, Paris”.

H: 29, W: 28 1/4, D: 19 1/4 in.

Note: Paul Sormani (1817-1877), was born in Venice in 1817. He established his business in 1847 at 7, Cimetière Saint-Nicholas in Paris, moving in 1854 to 114, Rue du Temple, and in 1867 to 10, rue Charlot. Sormani exhibited at the 1849, 1855, 1862, 1867, 1878 and 1900 Exposition Universelle, winning numerous medals. His work was described in the catalogue of the 1867 Exposition Universelle as “toute sa production révèle une qualité d’exécution de tout premier ordre”. After Sormani’s death in 1877 his son Paul-Charles took over the business and later moved it to 134 boulevard Haussmann.

$5,000-7,000

£3,125-4,375

£1,250-1,875

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1270 121472/5 LOUIS XV STYLE GILT BRONZE AND TORTOISESHELL BOULLE MARQUETRY BRACKET CLOCK LESAGE A PARIS, LATE 19TH CENTURY

The gilt bronze dial with enameled porcelain Roman hours and Arabic minutes, within a boulle case mounted all over with rocaille bronze mounts, raised on conforming bracket.

Total H: 47, W: 16, D: 7 in.

$2,000-3,000

£1,250-1,875

1271 122016/2 LARGE SEVRES STYLE HAND-PAINTED AND GILT DECORATED BRONZE MOUNTED URN 20TH CENTURY

The domed cover with berry finial over a body painted to show a landscape with ruins on one side, and a nude woman with putti amongst clouds on the other, twin laurel and scroll cast mounts to shoulder, raised on circular lappet cast base.

H: 46 in.

$8,000-12,000

£5,000-7,500

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FREEMAN’S the international sale thursday, october 11th, 2012

1272 121952/3 RUSSIAN CUT STEEL JEWELRY BOX TULA, EARLY 19TH CENTURY

Rectangular form, decorated to show urns, and floral festoons, raised on ball feet.

1273 121952/2 CONTINENTAL DIAMOND INSET CARVED HARDSTONE MODEL OF A PENGUIN

H: 2 1/4, W: 4 3/4, D: 3 1/4 in.

IN THE STYLE OF FABERGE

$2,500-3,500

£1,560-2,200

Modeled standing, its beak picking at its fur, diamond inset eyes.

H: 2 3/4 in.

$2,000-3,000

£1,250-1,875

1274 11-1639/93 FRENCH GILT BRONZE AND ‘JEWELED’ SEVRES STYLE PORCELAIN INSET CLOCK GARNITURE JAPY FRERES, 19TH CENTURY

The circular porcelain dial with Roman numerals, painted to show songbirds in flight, the movement with Japy freres medaille d’honneur cachet, the gilt bronze case well cast in the Louis XVI style to show acanthus, masks and putti, with inset porcelain plaques depicting eighteenth-century figures or enameled ‘jewels’ on a blue ground, the garniture urns similarly decorated and with pull-off covers reversible to a candle-nozzle, each piece on original velvet-lined wooden base.

Clock H: 15 1/2, W: 11 1/2 in. (including base).

Provenance: Property of a Philadelphia lady.

$4,000-6,000

£2,500-3,750

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1275 122016/7 FINE PAIR OF FRENCH LOUIS XVI STYLE GILT BRONZE FIVE-LIGHT WALL SCONCES 19TH CENTURY

Each with elongated oviform standard mounted with rocaille scrolls and surmounted by a saytr mask flanked by two female masks, issuing five acanthus scrolled candlearms with fluted nozzles and leaf-cast drip-pans, one sconce stamped CII and 328 to interior.

1276 128048/25 MEISSEN PORCELAIN ‘BLUE ONION’ PATTERN PART DINNER, TEA AND COFFEE SERVICE Comprising a covered tureen, eight dinner plates, eight salad plates, eight dessert plates, nine bread plates, eight soup bowls, two relish dishes, coffeepot, teapot, creamer, sugarbowl, eleven cups and twelve saucers, eight demi-tasse cups and saucers, water pitcher, three graduated serving platters, two graduated square serving bowls, oval serving bowl, circular serving bowl, shell-shaped dish, leaf-shaped dish, gravy boat with attached undertray, footed bowl with lid, two egg cups, two drip pans, and a pierced tazza with gilt edge. (Approx 100).

Tureen H: 9 3/4 in.

$2,500-3,500

£1,560-2,200

H: 14 1/2 in.

$3,000-5,000

£1,875-3,125

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1277 121952/11 GERMAN PAINTED PORCELAIN PLAQUE PSYCHE AM WASSERSPIEGEL, LATE 19TH/EARLY 20TH CENTURY

Painted to show Psyche in a landscape seated upon a rock as she searches for her reflection in the water below, within giltwood frame. Indistinctly signed lower right; the reverse titled and bearing incised ‘387’.

Sight H: 11 3/4, W: 9 7/8 in.

$2,500-3,000

1278 121942/3 KPM HAND-PAINTED PORCELAIN PLAQUE ‘THE FINDING OF MOSES’ LATE 19TH/EARLY 20TH CENTURY, SIGNED HORN

Depicting the baby in a basket among bullrushes, a ray of light falling over his face, as Cleopatra peeks through the reeds. Impressed KPM and scepter marks above the letter H, and incised mark 12-9 3/4 verso, in contemporary giltwood frame.

H: 12, W: 10 in.

Provenance: Private collection, Pennsylvania.

$2,000-3,000

£1,250-1,875

£1,560-1,875

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1279 129040/1 LARGE NAPOLEON III GILT METAL AND SEVRES STYLE PORCELAIN MOUNTED, BURL WALNUT, EBONISED AND INLAID SECRETAIRE CABINET 19TH CENTURY

In two sections, the upper section with pediment top over central recess with mirrored back, flanked by two shelves each above a cupboard door centered by an oval Sevres style porcelain plaque painted to show 18th century couples and above a short drawer, flanking two larger central glazed cupboard doors, the lower section with pull-out leather writing surface flanked by two drawers above three open shelves and two cupboard doors below flanked by shelves, raised on turned feet.

H: 97, W: 56, D: 24 1/2 in.

Provenance: Property from a Birmingham, AL, estate.

$4,000-6,000

£2,500-3,750

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1280 121974/4 GOOD NAPOLEON III PARCEL GILT BRONZE AND BLACK MARBLE CLOCK GARNITURE CIRCA 1870, THE MOVEMENT BY VINCENTI

The rectangular black marble case surmounted by a neoclassical maiden, mounted with classical masks at the corners, the bronze dial with gilt bronze Roman numerals, the back of the movement stamped with Vincenti & cie. seal, also stamped ‘G S medaille d’or 1867”, raised on scroll and leaf cast feet; together with two original conforming garniture tazzas. (3).

Clock H: 25 1/2, W: 13 1/2, D: 6 1/2 in. (total).

$1,500-2,500

1281 122016/10 PAIR OF NAPOLEON III PARCEL GILT PATINATED NEOCLASSICAL BRONZE URNS CIRCA 1870

Campana form, well cast to show a continous scene of neoclassical figures, on fluted circular foot, raised on square marble plinths, on leaf and scroll cast feet, stamped “V”.

H: 17 1/2 in.

$2,500-3,500

£1,560-2,200

£940-1,560

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1282 129040/12 IMPRESSIVE PAIR OF NAPOLEON III MARBLE, GILT AND PATINATED BRONZE SIX-LIGHT CANDELABRA HENRI PICARD, CIRCA 1860

Each cast to show a figure of cupid holding a torch issuing six candle nozzles and numerous flowers, raised on circular marble and gilt bronze base cast to show rocaille and flowers, the candlearms stamped with initials ‘b’, the underside of one base stamped H. Picard.

H: 28 in.

Provenance: Property from a Birmingham, AL, estate.

$2,000-3,000

1283 11-2203/30 FINE PAIR OF NAPOLEON III GILTWOOD BERGERES A OREILLES 19TH CENTURY

The floral carved crestrail joining downswept acanthus carved arms flanking upholstered back and drop-in cushion seat raised on cylindrical tapering fluted legs terminating in toupie feet.

H: 41, W: 28, D: 28 in Provenance: Purchased Dixon & Dixon of Royal, New Orleans, 1996.

$3,000-5,000

£1,875-3,125

£1,250-1,875

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1284 121843/1 PAIR OF FRENCH ENAMEL PLAQUES DATED 1881, PAUL-LOUIS ALFRED SERRE FOR FERDINAND BARBEDIENNE (FRENCH 1810-1892)

Rectangular, one allegorical of Navigation depicting a maiden with breasts exposed, on a ship at sea with an attendant putto, the other allegorical of Poetry, depicting a maiden in an archway holding a book, a putto holds a lit lamp and points to a book in her hand, both signed “A. Serre inv.1881, F. Barbedienne”, within original gilt bronze frames, mounted cloth mats with anthemion mounts, in giltwood frames.

Image H: 7 1/2, W: 6 1/2 in.

$3,000-5,000

£1,875-3,125

1285 121639/81 AFTER AUGUSTE RODIN (FRENCH, 1840-1917) LE PENSEUR

Bronze, dark brown patina, signed “A. Rodin” also inscribed “F. Barbedienne. Found.”

H: 31 in.

Provenance: The Estate of Francois Bucher via the Collins Center for Public Policy.

$3,000-4,000

£1,875-2,500

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1286 09-1173/2004 AFTER JEAN-JACQUES PRADIER (FRENCH, 1790-1852) LOUISE COLET AS SAPPHO, 19TH CENTURY

Very large bronze, gilt and chocolate brown patinas, signed “J. Pradier”, with Susse freres foundry, and “Aug. mon. Sauvage” inscriptions.

H: 30, L: 28, D: 14 in.

Provenance: Private collection, Maryland.

Note: Jean-Jacques Pradier studied under JeanAuguste-Dominique Ingres in Paris. He won the Prix de Rome in 1813, and in 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts.

The poetesse Louise Colet posed for Pradier on several occasions. Known by her contempories variously as “Penserosa”, or “the Muse” she was known to Pradier as ‘Sappho” and she was the model for two Sappho sculptures; as well as a monument to the city of Lille by Pradier in the Place de la Concorde, Paris. Gustave Flaubert met Louise Colet at Pradier’s studio when she was posing, and they famously had a tempestuous affair resulting in her being the inspiration for his novel, “Madame Bovary”.

Literature: Berman 2408 (12 inch cast shown).

$6,000-8,000

£3,750-5,000

157

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1287 09-1173/2006 THÉOPHILE FRANÇOIS SOMME (FRENCH, 1871-1952) PHOENICIAN GIRL

Gilt bronze, cast to show the semi-naked beauty signed “Th. Somme”, sat upon a tapering square marble plinth incised to simulate stone blocks.

Total H: 24 in.

$5,000-7,000

£3,125-4,375

1288 129040/10 FRENCH GILT BRONZE AND IVORY FIGURE OF A COUNTRY MAIDEN LATE 19TH/EARLY 20TH CENTURY, EUGENE BERNOUD

Gilt bronze, with ivory head and arms, depicting the girl scattering seeds she holds in her apron, on a naturalistic base, signed “E. Bernoud”.

H: 16 in.

Provenance: Property from a Birmingham, AL, estate.

$1,500-2,500

£940-1,560

158

FREEMAN’S the international sale thursday, october 11th, 2012

1289 121581/11 AFTER CLAIRE JEANNE ROBERTE COLINET (BELGIAN 1852-1908) ISIS

Bronze, mid brown patina, depicting the naked goddess with seated holding drapery, signed in cast, raised on verde antico marble base.

H: 16, L: 22 in.

$2,000-3,000

£1,250-1,875

1290 122013/6 FINE ITALIAN MARBLE BUST OF A LADY LATE 19TH CENTURY, ATTRIBUTED TO ARISTIDE PETRILLI

Depicted with a slightly downward gaze, wearing a headdress and her hair in ringlets, raised on later marble base, unsigned.

H: 21 1/2, W: 21 in.

$7,000-9,000

1291 121972/64 PIERRE JULES MENE (FRENCH, 1810-1879) CHIEN GARDANT DU GIBIER

Bronze, dark brown patina, signed “P. J. Mene 1850”.

H: 12 in.

$3,000-5,000

£1,875-3,125

£4,375-5,625

159

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1292 121952/6 FINE FRENCH GILT BRONZE TABLE LAMP EUGENE LELIEVRE, CIRCA 1900, CAST BY SUSSE FRERES

In the Empire style, the central standard issuing twin acanthus wrapped arms supporting original silk shade, above a tapering square base cast to show ram’s heads, griffons, festoons, and masks, signed “E.Lelievre” and “Susse Freres” and with Susse freres foundry seal.

Total H: 36 in.

£1,875-2,500

$3,000-4,000

1293 121952/10 ANDRE CAESAR VERMARE (FRENCH, 1869-1949) GEORGES WAGUE AS PIERROT

Gilt bronze, cast to show the actor in flowing drapery, his hands clasped to his chest, the square base signed "A Vermare".

H: 16 in.

$2,000-3,000

£1,250-1,875

1294 121824/14 GEORGES VAN DER STRAETEN (BELGIAN, 1856-1928) ARTEMIS

Bronze, mid brown patina, showing Artemis with a crescent in her hair, her bow around her with the string across her breast, signed “G. van der Straeten, and with “Societe des bronzes de Paris “ seal stamp.

H: 27 in.

$1,500-2,500

£940-1,560

1295 121472/1 EMMANUEL VILLANIS (FRENCH, 1858-1914) SAIDA

Bronze bust, mid-brown patina, signed to shoulder ‘E. Villanis”, on integral tapering plinth with “French Societe des Bronzes” cachet, numbered 1450 and further inscribed “AP”, on green marble plinth.

H: 12 1/2 in.

$2,000-3,000

£1,250-1,875

Property from the Estate of Marvin Lundy, Rittenhouse Square, Philadelphia One of Philadelphia’s finest philanthropists, Marvin Lundy supported many area non-profit institutions including, the AIDS Law Project of Philadelphia and the Philadelphia Art Museum. Mr. Lundy was an avid collector of fine art and antiques, and the following nineteen lots represent some of the finest pieces from his collection.

1296 12-1006/61 GEORGE III SCARLET LACQUERED TALL CASE CLOCK GEO. LUMLEY, BURY

The engraved silvered dial with Roman numerals and foliate engraved spandrals, signed “Geo Lumley, Bury”, the hood with arched glazed door and dentil and cavetto molded top, the case with long panelled door above conforming plinth base. The whole lacquered all over to show Chinoiserie scenes.

H: 82, W: 15 1/2, D: 11 1/2 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$2,000-3,000

£1,250-1,875

162

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1297 12-1006/64 FINE LOUIS XVI STYLE MAHOGANY, BLACK LACQUER, GILT BRONZE MOUNTED MARBLE TOP COMMODE À L’ANGLAISE 19TH CENTURY, STAMPED PERREAU, AFTER THE MODEL BY NICOLAS LANNUIER

Of bowfront outline, the white marble inset top within a gilt bronze border, above a gilt bronze vitruvian scroll frieze, above two black lacquered chinoiserie panelled doors, flanked by two marble galleried shelves on either side, raised on short tapering legs terminating in brass caps.

H: 39, W: 69, D: 20 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$4,000-6,000

£2,500-3,750

163

FREEMAN’S the international sale thursday, october 11th, 2012

1298 FINE JAPANESE GILT AND PATINATED BRONZE KORO MEIJI PERIOD, SEAL MARK TO BASE

The koro of spherical form, intricately reticulated in gilt patinated scrolling foliage, with two patinated bronze reserves, one depicting religious figures the other birds in a mountainous landscape, with a pull-off lid surmounted by a pair of songbirds, supported by three finely modelled immortal figures, raised on hardwood base.

H: 14 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$3,000-5,000

£1,875-3,125

164

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1299 12-1006/50 LOUIS XVI STYLE WALNUT, PARQUETRY INLAID, GILT BRONZE MOUNTED AND WEDGWOOD JASPERWARE STYLE INSET THREE TIER SERVING TROLLEY CIRCA 1900, IN THE STYLE OF ADAM WEISWEILER, POSSIBLY BY DONALD ROSS, LONDON

With three rectangular recessed tiers, the sides inlaid with trellis and dot parquetry and with inset plaques, united by turned or fluted supports, raised on four tapering legs terminating in brass caps and castors.

H: 33 1/2, W: 27, D: 15 3/4 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$1,000-1,500

£625-940

1300 12-1006/63 UNUSUAL LOUIS PHILLIPE MOORISH STYLE PARQUETRY AND MARQUETRY INLAID OCTAGONAL CENTER TABLE 19TH CENTURY

The octagonal top inlaid to the center to show a quiver of arrows and a horn, surrounded by parquetry inlay in various fruitwoods, above conforming galleried sides united by stepped undertier surmounted by an urn, raised on ebonised bun feet.

H: 31, D: 38 3/4 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$1,500-2,000

1301 12-1006/83 FINE JAPANESE SILVERED BRONZE MODEL OF A HAWK, ON SILVER MOUNTED LACQUERED STAND MEIJI PERIOD

The naturalistically modeled bird with gilt talons and eyes, on black and gilt lacquered silver mounted perch, apparently unsigned.

H: 27 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$3,000-5,000

£1,875-3,125

£940-1,250

165

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1302 12-1006/78 FINE PAIR OF CHINESE EXPORT PORCELAIN FAMILLE ROSE GARDEN SEATS 19TH CENTURY

Drum form, with raised ‘studs’, enameled to show mounted warriors in landscapes, surrounded by geometric panels, turquoise and pink scrolled band around the top edge.

H: 18, W: 13 1/2 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$3,000-5,000

1303 12-1006/81 PAIR OF CONTINENTAL GILT METAL MOUNTED ROCK CRYSTAL, LAPIS LAZULI, AND MARBLE OBELISKS 20TH CENTURY

The rock crystal obelisk raised on four gilt metal balls, above a lapis lazuli plinth, raised on a white marble base.

H: 15 1/4 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$2,000-3,000

£1,250-1,875

1304 12-1006/84 EXTENSIVE ROYAL CROWN DERBY IMARI PORCELAIN PART DINNER SERVICE 20TH CENTURY

Comprising seventy dinner plates; twenty soup plates; thirty eight starter plates; two vegetable tureens; two sauce tureens with underdishes; two tazzas; two fruitbowls; large soup tureen and underdish; circular platter; ten gazpacho bowls; nine teacups; eleven saucers and twenty four side plates. (Approx. 170).

Various sizes Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$1,500-2,000

£6,250-9,375

£1,875-3,125

166

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1305 12-1006/85I COLLECTION OF ROYAL COPENHAGEN FLORA DANICA PORCELAIN TABLEWARES 20TH CENTURY

Comprising a reticulated fruit bowl, number 20/3534; oval dish, number 30/3541; sauce boat, number 20/3544; large circular platter, number 20/3528; fourteen starter plates, number 20/3573; and fourteen side plates, all with Latin identifications in black, Royal Copenhagen factory mark and number 20/3552. (32).

Platter D: 13 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$6,000-8,000

1306 12-1006/85J FOURTEEN ROYAL COPENHAGEN FLORA DANICA PORCELAIN FRUIT PLATES 20TH CENTURY

Circular with wavy rim and reticulated edge, each centrally painted with a different fruit, number 429/3554; together with a reticulated fruit basket, number 429/3534; and a larger plate, number 429/3553. Factory marks and Latin identifications in black to undersides. (16).

£3,750-5,000 Basket D: 9 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$4,000-6,000

£2,500-3,750

1307 12-1006/85H SET OF FOURTEEN ROYAL COPENHAGEN FLORA DANICA PORCELAIN TEACUPS AND SAUCERS 20TH CENTURY

Each painted to show a botanical specimen, branchform handles, with Latin identifications in black, Royal Copenhagen factory mark, and number 20/3597 to undersides.

Teacup H: 2 3/4 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$1,500-2,500

£940-1,560

1308 12-1006/85G FOURTEEN ROYAL COPENHAGEN FLORA DANICA PORCELAIN LUNCHEON PLATES 20TH CENTURY

Circular with wavy rim and reticulated edge, Latin identifications in black, Royal Copenhagen factory mark, and numbered 20/3553 to undersides.

D: 10 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$3,000-5,000

£1,875-3,125

168

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1309 12-1006/85F FOURTEEN ROYAL COPENHAGEN PORCELAIN FLORA DANICA FISH PLATES 20TH CENTURY

Circular with wavy rim and reticulated edge, each centrally painted with a different fish, Latin identifications in black, Royal Copenhagen factory mark and numbered 19/3553 to undersides.

D: 10 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$3,000-5,000

£1,875-3,125

1310 12-1006/85D SET OF FOURTEEN ROYAL COPENHAGEN FLORA DANICA PORCELAIN DINNER PLATES Circular form with wavy rim and reticulated edge, each with Latin identifications in black, Royal Copenhagen factory mark, and numbered 20/3574 to undersides.

D: 11 1/4 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$4,000-6,000

£2,500-3,750

169

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1314

1311

1312

1313

1312 12-1006/85C PAIR OF ROYAL COPENHAGEN FLORA DANICA PORCELAIN CACHE POTS Oval form, the rims highlighted in gilt, twin branch handles to the sides terminating in flowerheads, with Latin identifications in black to undersides, Royal Copenhagen marks, both numbered 10/3569.

1313 12-1006/85B ROYAL COPENHAGEN FLORA DANICA PORCELAIN TUREEN Oval form, the cover with intertwining branch handles terminating in flowerheads, the cover and undertray with latin identifications in black, with Royal Copenhagen factory marks, and numbered 20/3567.

H: 6 1/2, W: 10 1/2, D: 6 1/2 in.

H: 7, W: 15 1/2, D: 12 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

1311 12-1006/85E PAIR OF ROYAL COPENHAGEN FLORA DANICA PORCELAIN TUREENS The domed cover with intertwined branch handles terminating in flowerheads, over circular bowl, the underside of the lids with Latin identifications in black, Royal Copenhagen factory marks, numbered 20/3568 (bases of bowls unglazed, one lid numbered 20/3568/3613).

H: 7 1/2, D: 9 in.

$2,000-4,000

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$2,500-3,500

£1,560-2,200

£1,250-2,500

$3,000-5,000

£1,875-3,125

1314 12-1006/85A ROYAL COPENHAGEN FLORA DANICA PORCELAIN SOUP TUREEN AND UNDERTRAY Circular form, with woven branch handles terminating in flowerheads, the cover, bowl, and undertray all with latin identifications in black, Royal Copenhagen factory marks, and numbered “20/3562, 20/3562, and 20/2563” respectively.

H: 11 in.

Provenance: Estate of Marvin Lundy, Rittenhouse Square, Philadelphia.

$4,000-6,000

£2,500-3,750

Other Properties

1315 FINE AND LARGE PAIR OF JAPANESE SHIBAYAMA INLAID IVORY TUSKS ON WOOD STANDS MEIJI PERIOD, SIGNED TABLET MARK

Each single tusk section mounted with mother of pearl, abalone, ivory and tortoiseshell to show flowering trees, and birds in flight, on large carved wood stands.

H: 25 in. (total)

$20,000-25,000

ÂŁ12,500-15,625

171

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1316 122040/16 CHINESE DOUCAI PORCELAIN VASE 18TH CENTURY

The body finely painted to show phoenix and flowers on patterned ground, in later gilt bronze mounts.

H: 12 1/2 in. (excluding fittings)

$6,000-8,000

£3,750-5,000

1317 122040/5 PAIR OF CHINESE EXPORT PORCELAIN BOUGH POTS LATE 18TH/EARLY 19TH CENTURY

Square tapering form, the basket-weave and Greek key molded cover and pot with oval and circular grisaille painted cartouches depicting architectural and figural landscapes.

H: 7, W: 7 1/4, D: 5 3/4 in.

$2,000-3,000

£1,250-1,875

1318 121858/6 SIX CHINESE SANG DE BOEUF GLAZED PORCELAIN VASES 19TH CENTURY

Comprising a moon vase, three bottle vases, a brush washer, and a small cylindrical brush pot.

Largest H: 10 3/4 in.

$2,000-3,000

£1,250-1,875

172

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1319 121858/4 GOOD COLLECTION OF CHINESE EXPORT ROSE MANDARIN AND FITZHUGH PORCELAIN TABLEWARES 18TH CENTURY

Comprising a baluster form vase; a rectangular serving platter; a Fitzhugh twin-handled bottle vase; a Fitzhugh helmet form creamer; two tankards; teapot; four octagonal plates; four octagonal form soup plates; and several smaller cups, bowls, and dishes. (43).

Vase H: 11 in., plate D: 9 in.

$4,000-6,000

£2,500-3,750

1320 121743/4 FINE AND LARGE JAPANESE EARTHENWARE SATSUMA BOWL MEIJI PERIOD, KINKOZAN MARK TO BASE

Deep U-shape, the interior decorated to show numerous figures before a bursting sun, within a large border of gilt lattice on cobalt blue ground, the sides decorated to show numerous figures engaged in pastimes.

H: 4 3/3, D: 12 in.

$4,000-6,000

£2,500-3,750

173

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1321 121760/1 LARGE PAIR OF CHINESE EXPORT ROSE MANDARIN VASES 19TH CENTURY

Typical form with lobed everted rim, gilt qilong to neck, the body enameled to show figures in interiors, birds, butterflies and foliage in the typical palette.

H: 32 in.

$7,000-10,000

£4,375-6,250

1322 121657/37 FINE JAPANESE CLOISSONE ENAMEL SHALLOW DISH MEIJI PERIOD, CIRCA 1900, STUDIO OF NAMIKAWA YASUYUKI

Finely enameled to show songbirds amongst flowers on a black ground, within a purple flower border, the reverse with a repeated spiral design on a red-brown ground. Signed tablet mark to underside.

D: 5 in.

$1,500-2,500

£940-1,560

1323 121556/19 FINE PAIR OF JAPANESE SATSUMA MINIATURE VASES, AND A MINIATURE COVERED VASE YABU MEIZAN, MEIJI PERIOD

Delicately painted to show figures and foliage.

Miniature vases H: 3 1/2, covered vase H: 3 in.

$2,000-3,000

£1,250-1,875

174

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1324 121374/35 LARGE CHINESE IVORY BASKET MODEL The naturalistically carved basket issuing a profusion of flowers, on wood stand.

Ivory H:12 in.

Provenance: Private collection, Las Vegas.

$4,000-6,000

£2,500-3,750

1325 128051/1 FINE FRENCH IRIDESCENT BLOWN GLASS VASE MAURICE MARINOT (1882-1960)

Tapering cylindrical form with everted rim, the body decorated to show numerous flowerheads in an iridescent finish on an orange ground, signed ‘Marinot’ in gilt and numbered 136/50 to underside.

H: 11 in.

$3,000-5,000

£1,875-3,125

1326 128049/9 FINE CHINESE MIRROR PAINTING 19TH CENTURY

The rectangular plate very well painted to show a noblewoman with daughter and pet dog, in a landscape incorporating a palace, a pagoda in the background, trees and birds, within a later Chinese Chippendale style giltwood frame.

Sight H: 18, W: 13 1/2 in.

Provenance: Property of Mrs Howard Johnson, purchased from Edwin H. Herzog at the Grosvenor House Fair, June 15th 1976.

$5,000-7,000

£3,125-4,375

175

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1327 121667/2 ARTS AND CRAFTS MAHOGANY, INLAID AND STAINED GLASS WRITING DESK CIRCA 1900, DESIGNED BY G.M. ELLWOOD, EXECUTED BY J.S. HENRY

The superstructure composed of two sloping lidded compartments flanking a glazed back with stained flowers within lead panes, above a leather writing surface, over single drawer, raised on octagonal legs united by H-form stretcher.

H: 48, W: 39, D: 21 in.

Provenance: Estate of Gilbert Jonas, New York, NY.

$1,000-1,500

£625-940

1328 121667/30 LIBERTY & CO. TUDRIC PEWTER, COPPER AND ENAMEL MANTEL CLOCK EARLY 20TH CENTURY, DESIGNED BY ARCHIBALD KNOX

The copper face inlaid with gilt arabic numerals on colored cabochons, within shield shaped case with foliate motif. The underside stamped English Pewter made by Liberty & Co. 0366.

H: 8, W: 7 in.

Provenance: Estate of Gilbert Jonas, New York, NY.

$1,500-2,000

£940-1,250

176

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1329 121606/1 LOUIS WAIN ‘FUTURIST’ CAT JARDINIERE MANUFACTURED BY AMPHORA FOR MAX EMANUEL, REGISTRATION NUMBER 637130

Modeled as a reclining cat, orange glaze with yellow and green paws, ears, eyes, mouth and tail. Signed Louis Wain between front paws, royal Amphora, three rifle and registration marks to base.

H: 6, W: 5, D: 8 in.

$1,000-1,500

1330 128042/5 JASPER MORRISON (ENGLISH, B. 1959) ‘CARRARA TABLES / VARIATION N° 16+1’, PRODUCED BY GALERIE KREO, FRANCE, 2005

Comprising four low tables of various size (two large, one medium, and one small), seven from the limited edition of twelve, the smallest with an engraved plaque to the underside bearing the artist’s signature and ‘7/12 , Variation N°16+1, 2005 / Collection Carrara tables / Edition Galerie Kreo, limitee a 12 examplaires”.

Largest H: 11, W: 65 1/2, D: 15 1/4 in.

$6,000-8,000

£3,750-5,000

£625-940

177

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1331 MARTIN SZEKELY (FRENCH, B. 1956) ‘TABLE BLANCHE’, PRODUCED BY GALERIE KREO, FRANCE, 2007

Corian surface with honeycomb alluminum and resin edge raised on four staggered cylindrical pedestal supports, the underside signed in black marker ‘Martin Szekely / Proto 1 / 2007’. One of two prototypes for the limited edition of eight, plus two artist proofs.

H: 29 1/2, W: 110, D: 55 in.

$15,000-20,000

£9,375-12,500

178

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1332 128042/4 RONAN & ERWAN BOUROULLEC (FRENCH, B. 1971/1976) “ICEFIELD” COFFEE TABLE, PRODUCED BY GALERIE KREO, FRANCE, 2007

White gel coat resin, impressed ‘ERB, Proto 1 2007’ to underside edge.

One of two protoypes for the edition of eight plus two artist proofs.

H: 7, W: 111, D: 40.5 in.

$8,000-12,000

£5,000-7,500

179

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1333 128042/6 JASPER MORRISON (ENGLISH, B. 1959) ‘MUSEUM PIECES, CABINET A’, PRODUCED BY GALERIE KREO, FRANCE, 2006

Comprising fifteen resin formed pieces within an oak and glass cabinet; number seven from the limited edition of twelve, plus one prototype. Brass plaque mounted to one shelf inscribed ‘Museum Pieces Cabinet A 2006 7/12, Edition Galerie Kreo, Design: Jasper Morrison’.

Cabinet H: 73 1/4, W: 25 1/2, D: 25 1/2 in.

$8,000-12,000

END OF SALE

£5,000-7,500

Freeman’s Terms & Conditions all property offered and sold (“property”) through samuel t. freeman & co, (“freeman’s”) shall be offered and sold on the terms and conditions set forth below which constitutes the complete statement of the terms and conditions on which all property is offered for sale. by bidding at the auction, whether present in person or by agent, by written bid, telephone, internet or other means, the buyer agrees to be bound by these terms and conditions.

1 Unless otherwise indicated, all Property will be offered by Freeman’s as agent for the Consignor.

2 Freeman’s reserves the right to vary the terms of sale and any such variance shall become part of these Conditions of Sale.

3 Buyer acknowledges that it had the right to make a full inspection of all Property prior to sale to determine the condition, size, repair or restoration of any Property.

Therefore, all property is sold “ASIS”. Freeman’s is acting solely as an auction broker, and unless otherwise stated, does not own the Property offered for sale and has made no independent investigation of the Property. Freeman’s makes no warranty of title, merchantability or fitness for a particular purpose, or any other warranty or representation regarding the description, genuineness, attribution, provenance or condition to the Property of any kind or nature with respect to the Property.

4 Freeman’s in its sole and exclusive discretion, reserves the right to withdraw any property, at any time, before the fall of the hammer.

5 Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the printed catalogue. Freeman’s reserves the right to determine any and all matters regarding the order, precedence or appropriate increment of bids or the constitution of lots.

6 The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his absolute discretion and in the event of any dispute between bidders, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re- offer and resell the article in dispute. If any dispute arises after sale, the Freeman’s sale record shall be conclusive in all respects.

7 If the auctioneer determines that any opening or later bid or any advance bid is not commensurate with the value of the Property offered, he may reject the same and withdraw the Property from sale.

8 Upon the fall of the hammer, title to any offered lot or article will immediately pass to the highest bidder as determined in the exclusive discretion of the auctioneer, subject to compliance by the buyer with these Conditions of Sale. Buyer thereupon assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase, and agrees to pay the full price, plus Buyer’s Premium, therefore or such part, upon such terms as Freeman’s may require.

9 No lot may be removed from Freeman’s premises until the buyer has paid in full the purchase price therefor including Buyer’s Premium or has satisfied such terms that Freeman’s, in its sole discretion, shall require. Subject to the foregoing, all Property shall be paid for and removed by the buyer at his/her expense within ten (10) days of sale and, if not so removed, may be sold by Freeman’s, or sent

by Freeman’s to a public warehouse, at the sole risk and charge of the buyer(s), and Freeman’s may prohibit the buyer from participating, directly or indirectly, as a bidder or buyer in any future sale or sales. In addition to other remedies available to Freeman’s by law, Freeman’s reserves the right to impose a late charge of 1.5% per month of the total purchase price on any balance remaining ten (10) days after the day of sale. If Property is not removed by the buyer within ten (10) days, a handling charge of 1% of the total purchase price per month from the tenth day after the sale until removal by the buyer shall be payable to Freeman’s by the buyer; Freeman’s shall charge 1.5% of the total purchase price per month for any property not so removed within 60 days after the sale. Freeman’s will not be responsible for any loss, damage, theft, or otherwise responsible for any goods left in Freeman’s possession after ten (10) days. If the foregoing conditions or any applicable provisions of law are not complied with, in addition to other remedies available to Freeman’s and the Consignor (including without limitation the right to hold the buyer(s) liable for the bid price) Freeman’s, at its option, may either cancel the sale, retaining as liquidated damages all payments made by the buyer(s), or resell the property. In such event, the buyer(s) shall remain liable for any deficiency in the original purchase

price and will also be responsible for all costs, including warehousing, the expense of the ultimate sale, and Freeman’s commission at its regular rates together with all related and incidental charges, including legal fees. Payment is a precondition to removal. Payment shall be by cash, certified check or similar bank draft, or any other method approved by Freeman’s.

Checks will not be deemed to constitute payment until cleared.

Any exceptions must be made upon Freeman’s written approval of credit prior to sale. In addition, a defaulting buyer will be deemed to have granted and assigned to Freeman’s, a continuing security interest of first priority in any property or money of, or owing to such buyer in Freeman’s possession, and Freeman’s may retain and apply such property or money as collateral security for the obligations due to due to Freeman’s. Freeman’s shall have all of the rights accorded a secured party under the Pennsylvania Uniform Commercial Code.

10 Unless the sale is advertised and announced as “without reserve”, each lot is offered subject to a reserve and Freeman’s may implement such reserves by bidding through its representatives on behalf of the Consignors. In certain instances, the Consignor may pay less than the standard commission rate where Freeman’s or its representative is a successful bidder on behalf of the Consignor.

Where the Consignor is indebted to Freeman’s, Freeman’s may have an interest in the offered lots and the proceeds therefrom, other than the broker’s Commissions, and all sales are subject to any such interest.

11 No “buy” bids shall be accepted at any time for any purpose.

12 Any pre-sale bids must be submitted in writing to Freeman’s prior to commencement of the offer of the first lot of any sale. Freeman’s copy of any such bid shall conclusively be deemed to be the sole evidence of same, and while Freeman’s accepts these bids for the convenience of bidders not present at the auction, Freeman’s shall not be responsible for the failure to execute, or, to execute properly, any pre-sale bid.

13 A Buyer’s Premium will be added to the successful bid price and is payable by the buyer as part of the total purchase price. The Buyer’s

Premium shall be: 25% on the first $50,000 of the hammer price of each lot, 20% on the portion from $50,001 through $1,000,000, and 12% on the portion of the hammer price exceeding $1,000,000.

14 Unless exempted by law from the payment thereof, the buyer will be required to pay any and all federal excise tax and any state and/or local sales taxes, including where deliveries are to be made outside the state where a sale is conducted, which may be subject to a corresponding or compensating tax in another state.

15 Freeman’s may, as a service to buyer arrange to have purchased property posted and shipped at the buyer’s expense. Freeman’s is not responsible for any acts or omissions in packing or shipping of purchased lots whether or not such carrier recommended by Freeman’s.

Packing and handling of purchased lots is at the responsibility of the buyer and is at the entire risk of the buyer.

16 In no event shall any liability of Freeman’s to the buyer exceed the purchase price actually paid.

17 No claimed modification or amendment of this Agreement on the part of any party shall be deemed extant, enforceable or provable unless it is in writing that has been signed by the parties to this Agreement. No course of dealing and no delay or omission on the part of Freeman’s in exercising any right under this Agreement shall operate as a waiver of such right or any other right and waiver on any one or more occasions shall not be construed as a bar to or waiver of any right or remedy of Freeman’s on any future occasion.

18 These Conditions of Sale and the buyer’s, the Consignor’s and Freeman’s rights under these Conditions of Sale shall be governed by, construed and enforced in accordance with the laws of the Commonwealth of Pennsylvania and Consignor and Buyer agree to the exclusive jurisdiction of the Philadelphia, Pennsylvania Court of Common Pleas and the United States District Court for the Eastern District of Pennsylvania.

Freeman’s purchase removal, shipping & offsite storage To ensure the safety of your lot(s) Freeman’s requests payment in full and removal of property within 10 business days of the sale date.

Collection hours are Monday - Friday, 9:30 - 4:30pm. For larger items, please email bmobbs@freemansauction.com to schedule a loading dock appointment. For purchase release to persons not listed on your invoice, 3rd party authorization is required. Please mail or fax, 215.599.2240, a signed letter stating sale, lot, successful bidder and name of 3rd party collecting property. Freeman’s does not handle packing or shipping. The shippers listed below have worked with Freeman’s clients in the past and will be happy to provide you with quotes for the packing and shipping of your property.

VG Packaging LLC Contact: Gordon G Murray II 12 Salem Road Schwenksville, PA 19473 Tel: 484-552-8741 Fax: 484-552-8744 quotes@vgpackagingllc.com

Craters & Freighters 4110 Butler Pike, Suite A-101A Plymouth Meeting, PA 19462 Tel: 610.397.0488 Tel: 866.397.0488 Fax: 610.397.0878 Email: philly@cratersandfreighters.comA.

Mizzentop ETS 1409 Beaver Valley Pike P.O. Box 196 Refton, PA 17568 Tel: 717.786.8809 Fax: 717.786.2978 Email: info@mizzentoptransport.com

UPS Store Contact: John Bohach 51 North 3rd Street Philadelphia, PA 19106 Tel: 215.629.4990 Fax: 215.629.4992 Email: store4242@theupsstore.com

Mastrocco Jr. Moving & Storage Contact: Roseanne 1060 Louis Drive Warminster, PA 18991 Tel: 215.491.0346 Fax: 215.444.9327 Email: mastroccomovers@snip.net

Old City Movers Contact: John Ziemba 1324 North 4th Street Philadelphia, PA 19122 267.205.5209 oldcitymovers@oldcitymovers.com

Mr. C’s Contact: Charles Cohen Tel: 267.977.9567 Email: mrcees61@gmail.com

Aiston Fine Art Service P.O. Box 3434 Grand Central Station New York, NY 10163 Tel: 212.715.0629 Fax: 718.361.8569 Email: info@aistonart.com

Cadogan Tate Fine Art Cadogan House, 41-20 39th Street Sunnyside, New York 11104 Tel: 718.706.7999 Fax: 718.707.2847 Email: michael@cadogantate.com

Atelier Art Services 103 East Sharpnack Street Philadelphia, PA 19144 215.842.3500

The Packaging Store Contact: Duane Freed 2333 West Main Street Lansdale, PA 19446 Tel: 215.361.6940 Fax: 215.361.6941 Email: hello@packandshipnow.com FURNITURE & LARGER ITEMS: For larger pieces where delivery time is not the primary concern, we suggest getting your items freighted: www.plyconvanlines.com www.nwdelivery.com www.freightquote.com.

International Staff Directory PICTURES, WATERCOLOURS & PRINTS Nick Curnow nick.curnow@lyonandturnbull.com

RUGS & CARPETS Gavin Strang gavin.strang@lyonandturnbull.com

Charlotte Riordan charlotte.riordan@lyonandturnbull.com

JEWELLERY, SILVER, COINS & MEDALS Trevor Kyle trevor.kyle@lyonandturnbull.com

OLD MASTERS Nick Curnow nick.curnow@lyonandturnbull.com FURNITURE, CLOCKS & WORKS OF ART Douglas Girton douglas.girton@lyonandturnbull.com Lee Young lee.young@lyonandturnbull.com FINE ASIAN WORKS OF ART Lee Young lee.young@lyonandturnbull.com

Colin Fraser colin.fraser@lyonandturnbull.com DECORATIVE ARTS & DESIGN John Mackie john.mackie@lyonandturnbull.com EUROPEAN & ASIAN CERAMICS Douglas Girton douglas.girton@lyonandturnbull.com Campbell Armour campbell.armour@lyonandturnbull.com

ARMS & ARMOUR John Batty (consultant) john.batty@lyonandturnbull.com RARE BOOKS, MAPS, MANUSCRIPTS & PHOTOGRAPHS Simon Vickers simon.vickers@lyonandturnbull.com Cathy Marsden cathy.marsden@lyonandturnbull.com ANTIQUE SALES Theo Burrell theo.burrell@lyonandturnbull.com ENQUIRIES & COMMISSION BIDS Tel. +44 (0)131 557 8844 Fax. +44 (0)131 557 8668 info@lyonandturnbull.com

Telephone: +44 (0)131 557 8844 – www.lyonandturnbull.com

AMERICAN FURNITURE, FOLK & DECORATIVE ART Lynda A Cain +1 267.414.1237 lcain@freemansauction.com

FINE AMERICAN & EUROPEAN PAINTINGS & SCULPTURE Alasdair Nichol +1 267.414.1211 anichol@freemansauction.com

ORIENTAL RUGS & CARPETS Richard Cervantes +1 267.414.1219 rcervantes@freemansauction.com

Samuel M Freeman II +1 267.414.1200 beaufreeman@freemansauction.com

David Weiss +1 267.414.1214 dweiss@freemansauction.com

David Weiss +1 267.414.1214 dweiss@freemansauction.com

ENGLISH & CONTINENTAL FURNITURE & DECORATIVE ARTS David Walker +1 267.414.1216 dwalker@freemansauction.com

MODERN & CONTEMPORARY ART Anne Henry +1 267.414.1220 ahenry@freemansauction.com

RARE BOOKS, MANUSCRIPTS & EPHEMERA David J Bloom +1 267.414.1246 dbloom@freemansauction.com

Benjamin Fisher +1 267.414.1215 bfisher@freemansauction.com ASIAN ART Robert Waterhouse +1 267.414.1226 rwaterhouse@freemansauction.com Richard Cervantes +1 267.414.1219 rcervantes@freemansauction.com FINE JEWELRY & WATCHES Samuel M Freeman II +1 267.414.1200 beaufreeman@freemansauction.com Kate Waterhouse +1 267.414.1230 kwaterhouse@freemansauction.com

Aimee Pflieger +1 267.414.1221 apflieger@freemansauction.com OLD MASTERS David Weiss +1 267.414.1214 dweiss@freemansauction.com Maya O’Donnell-Shah +1 267.414.1210 mshah@freemansauction.com PHOTOGRAPHS & PHOTOBOOKS Aimee Pflieger +1 267.414.1221 apflieger@freemansauction.com

Kerry Lee Jeffery +1 267.414.1247 kjeffery@freemansauction.com

BIDS DEPARTMENT Bridgette Bonner +1 267.414.1208 fax: +1 215.599.2240 bbonner@freemansauction.com TRUSTS & ESTATES Samuel T. Freeman III +1 267.414.1222 sfreeman@freemansauction.com

SILVER & OBJECTS OF VERTU David Walker +1 267.414.1216 dwalker@freemansauction.com

Main Switchboard +1 215.563.9275 – www.freemansauction.com

Fine Asian Arts Tuesday, 5th December, 2012 33 Broughton Place, Edinburgh EH1 3RR

LARGE CHINESE BURR WOOD SCHOLAR’S POT 19TH CENTURY £10,000-15,000 ($16,000-24,000)

Viewing times Sunday, 2nd December, 12 noon - 4pm Monday, 3rd December, 10am - 5pm Tuesday, 4th December, 10am - 5pm Morning of sale from 9am

Enquiries Lee Young Tel: +44 (0)131 557 8844 lee.young@lyonandturnbull.com Douglas Girton Tel: +44 (0)131 557 8844 douglas.girton@lyonandturnbull.com

www.lyo nandturnbull.com

Upcoming at Freeman’s

The Pennsylvania Sale 11/14/12

RARE ‘GRAND DIVISION’ COLOR OF THE EIGHTH VIRGINIA REGIMENT, 1776-1779.

This American Revolutionary War battleflag is from a descendant of Colonel Peter Muhlenberg (1746-1807).

Including fringe 44 1/4 inches (hoist) x 45 inches (fly). $400,000-600,000 (£250,000-375,000)

Auction:

Wednesday, November 14th at 10am Exhibitions Thursday, November 8th to Monday, November 12th Please contact the department or www.freemansauction.com for further details

Inquiries: lynda cain 267.414.1237 lain@freemansauction.com

FREEMAN’S 1808 Chestnut Street Philadelphia, PA 19103 Telephone: 215.563.9275

American Revolutionary War Battleflag andrew huber 267.414.1259 ahuber@freemansauction.com Books, Manuscripts, Maps and Prints david bloom 267.414.1246 dbloom@freemansauction.com

to preview, bid or consign visit us at

www.freemansauction.com

auctioneers & appraisers since 1805

33 Broughton Place EDINBURGH EH1 3RR Tel: +44 (0)131 557 8844

1808 Chestnut Street PHILADELPHIA PA 19103 Tel: +1 215.563.9275

1930 Cahaba Road MOUNTAIN BROOK AL 35223 Tel: +1 205.803.4949

182 Bath Street GLASGOW G2 4HG Tel: +44 (0)141 333 1992

126 Garrett Street CHARLOTTESVILLE VA 22902 Tel: +1 434.296.4096

503 W. Lancaster Avenue WAYNE PA 19087 Tel: +1 610.254.9700

78 Pall Mall LONDON SW1Y 5ES Tel :+44 (0)20 7930 9115

45 School Street BOSTON MA 02108 Tel: +1 616.367.3400

www.freemansauction.com info@freemansauction.com

www.lyonandturnbull.com info@lyonandturnbull.com