Modern and Contemporary Art 281

LYON & TURNBULL AUCTIONEERS LONDON MODERN & CONTEMPORARY ART

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

11-12 Pall Mall, London SW1Y 5LU Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 9629

28TH APRIL 2010

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

EDINBURGH Modern and Contemporary Art

Wednesday 28th April 2010 33 Broughton Place Edinburgh EH1 3RR

Waverley Station

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Parking Multi-storey car parking is available at Greenside Place and in the St. James Centre; five minutes walk from the saleroom.

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Local Deliveries Local deliveries can be arranged by A&S Pert Removals.

Telephone 07876 343520.

Arrangements for Sold Lots All bought items will be held free of charge at Broughton Place until the Friday following the sale.

Packing and Shipping Please note that we do not pack or ship items. The following suggested carriers will be able to arrange packing and shipping; please contact them directly to receive a quote. You may wish to contact an alternative courier.

Thereafter lots will be removed to store in Edinburgh and a charge incurred.

Smaller items Mailboxes Etc 44/46 Morningside Road Edinburgh EH10 4BF Tel: +44 (0)131 556 6226 Fax: +44 (0)131 652 3673 Email: edinburgh@mbescotland.com

Catering Refreshments will be available at the saleroom on view days and day of sale.

Administration fee: £20 + VAT Storage charges per lot per day are: Large Items £5 inc. insurance + VAT Small Items £2.50 inc. insurance + VAT

Furniture and larger items Constantine Constantine House North Caldeen Road Coatbridge North Lanarkshire ML5 4EF Tel: +44(0)1236 750055 Fax: +44(0)1236 750077 E-mail: enquiries@constantinemoving.com A Van Man Transport Unit 5, Benridge Park Holyrood Close, Creekmoor Poole, Dorset BH17 7BD Tel: +44 (0)1202 600 012 Fax: +44 (0)1202 600 206 Email: office@avmt.co.uk

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Lyon & Turnbull saleroom

St Andrew Square

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© Lyon and Turnbull Ltd. 2010. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted by any form or by any means without the prior written permission of Lyon and Turnbull Ltd.

Modern and Contemporary Art Wednesday 28th April 2010 11am Sale Number LT281

Viewing Sunday 25th April 2pm - 5pm Monday 26th April 10am - 5pm Tuesday 27th April 10am - 5pm Morning of the sale strictly by appointment only Specialists Ben Hanly ben.hanly@lyonandturnbull.com Nick Curnow nick.curnow@lyonandturnbull.com Elena Ratcheva elena.ratcheva@lyonandturnbull.com

Catalogue: £10 BUYERS’ PREMIUM 25% up to £25,000 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. *17.5% VAT chargeable on the lot itself †5% import VAT on the lot §Droit de Suite (artists’ resale rights) applies (see our Terms and Conditions of Sale and Information for Buyers).

ENQUIRIES AND COMMISSION BIDS Lyon and Turnbull Ltd. 33 Broughton Place Edinburgh EH1 3RR Tel. 0131 557 8844 Fax. 0131 557 8668 email. info@lyonandturnbull.com www.lyonandturnbull.com

LY O N & T U R N B U L L Important information for buyers

Buying at Auction

Under this legislation, we are

Electrical Goods

By telephone

This sale is subject to our standard

required to collect a royalty payment

Lots that were once operated by

Bids submitted by telephone must

Terms and Conditions of Sale. If you

for all qualifying works of art, where

mains electricity are bought entirely

be confirmed in writing.

have not bought at auction before

the artist is still living. This royalty

at the buyer’s risk. They are offered

we will be delighted to advise you.

will be charged to the buyer on the

for sale for display or historical

Telephone bidding

Estimates

hammer price and in addition to the

purposes and may not comply with

buyers premium. It will not apply to

current regulations.

works where the hammer price is

Bidding

available entirely at our discretion

At the Sale

and at the bidder’s risk. All

Estimates are printed below each lot and do not include the buyer’s premium. The sale will be conducted in pounds sterling.

Dimensions Dimensions are for guidance only; it is the buyer’s responsibility to ensure that they are correct.

less than €1,000 (euros). The charge for works of art sold at and above €1,000 (euros) and below €50,000 (euros) is 4%. For items selling above €50,000 (euros), charges are calculated on a sliding scale.

All royalty charges are paid to the

Buyer’s Premium

Design and Artists Copyright Society

The buyer shall pay the hammer

(‘DACS’) and no handling costs or

price together with a premium

additional fees are retained by the

thereon.

auctioneer. Resale royalties are not

Antiques, Jewellery & Silver and

subject to VAT.

Pictures (Not Fine Sales) 17.5% All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law. (see our Terms and Conditions of Sale).

VAT The symbol * by a lot number indicates that VAT is payable by the purchaser at the standard rate on the hammer price.

The symbol † by a lot number indicates that the lot has been temporarily imported from outside the EU and that VAT is payable by the purchaser at the rate of 5% on the hammer price and the buyer’s premium.

No VAT is payable on the hammer price or premium for books bought at auction.

Droit de Suite This symbol § indicates works which may be subject to the Droit de Suite or Artist’s Resale Right, which took effect in the United Kingdom on 14th February 2006.

Please note that the royalty payment is calculated on the rate of exchange at the European Central Bank on the date of the sale.

More information on Droit de Suite is available at www.dacs.org.uk Damage and Restoration Occasionally when a lot has suffered extensive damage and/or restoration it is indicated in the catalogue. This is mentioned entirely at our discretion for the benefit of buyers.

Where there is no mention of damage and/or restoration this should not be taken to mean that there is none. It is the buyer’s responsibility to ensure that the condition of lots is to their satisfaction (see our Terms and Conditions of Sale).

Condition Reports If potential buyers are unable to inspect lots in person our specialists will be happy to prepare detailed Condition Reports on individual lots as quickly as possible. These are for guidance only and all lots are sold ‘as found’ (see our standard Terms and Conditions of Sale).

If you are unable to attend the sale we can normally arrange for you to bid on the telephone. This service is

To bid at the sale all potential

telephone bids must be confirmed in

buyers must be registered with us

writing, listing the relevant lots and

on or before the day of sale. We will

appropriate number to be called. We

need proof of identification and

recommend that a covering bid is

residence, and may require a bank

also left in the event that we are

reference. Potential buyers must

unable to make the call. We cannot

collect a bidding number before the

guarantee that lines will be

sale begins, and show that number

available, or that we will be able to

if successful in purchasing a lot.

call you on the day, but will

Please ensure that the auctioneer

endeavour to undertake such bids to

repeats the number correctly when

the best of our abilities.

confirming the sale. If there is any doubt at this stage as to the hammer price or buyer it must be brought to the auctioneer’s attention immediately. All lots will be invoiced to the name and address given on your registration form, which is nontransferable. If you have purchased a lot you may take your bidding

Methods of Payment Goods purchased will not be released until we have received full payment.

Cash Cash payments can be made at the accounts desk during or after a sale.

Cheque

number to the accounts department

Cheques should be made payable to

and receive an invoice immediately.

Lyon and Turnbull Ltd. We reserve

If you have not been successful

the right to wait until cheques have

please leave the number at the

been cleared by our bankers before

Registration or Reception desks.

releasing bought goods. Cheques

In writing Bid forms are available at the sale and at the back of the catalogue.

These should be submitted in person, by post, or by fax as soon as possible prior to the sale and we will

can be cleared prior to sale on request. Cheques drawn by third parties cannot be accepted. If paying by post please include the slip from your invoice.

Switch or Credit Cards

bid on your behalf up to the limit

Payment can be made by Switch,

indicated. In the event of receiving

Mastercard or Visa cards. There is a

two identical bids the first one received will take precedence. They

surcharge on credit card payments.

Collection

must be received at the very latest

It is the buyer’s responsibility to

at least an hour before the sale. We

ascertain collection procedures,

will do our utmost to execute these

particularly if the sale is not being

bids but we offer this service entirely

held at our main saleroom.

at the bidder’s risk.

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LY O N & T U R N B U L L Modern and Contemporary Art

1§ EAA624/1 JOHN BELLANY (SCOTTISH, b. 1942) THE GAMBLER II, 1989 Signed, watercolour 76cm x 57cm (30in x 22.5in)

£600-800

2§ EAA624/1A JOHN BELLANY (SCOTTISH, b. 1942) THE GAMBLER I, 1989 Signed, watercolour 76cm x 57cm (30in x 22in)

£600-800

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LY O N & T U R N B U L L Modern and Contemporary Art

4§ EZ236/1 JOHN BELLANY (SCOTTISH, b. 1942) SWEET MEMORIES Signed, oil on canvas

5§ LB296/2 JOHN BELLANY (SCOTTISH, b. 1942) BONJOUR TRISTESSE Signed, watercolour on paper

59cm x 74cm (23in x 29in)

37.5cm x 27.5cm (14.75in x 10.75in

£1,500-2,000

£700-900

3§ EZ236/4 JOHN BELLANY (SCOTTISH, b. 1942) ST ABBS TRAWLER IN HARBOUR Signed, oil on canvas, unframed 91cm x 122cm (36in x 48in)

£3,000-5,000

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LY O N & T U R N B U L L Modern and Contemporary Art

6ยง JOHN BELLANY (SCOTTISH, b. 1942) EYEMOUTH Signed, oil on canvas 91cm x 122cm (36in x 48in)

ยฃ3,000-5,000

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LY O N & T U R N B U L L Modern and Contemporary Art

7ยง JOHN BELLANY (SCOTTISH, b. 1942) THE BOAT REGALIUS Signed, oil on canvas 91cm x 122cm (36in x 48in)

ยฃ3,000-5,000

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LY O N & T U R N B U L L Modern and Contemporary Art

8 EY938/8 JEAN-CLAUDE FORQUIN (FRENCH 1936-1964) PALMERAIE 1 Signed and dated ‘59, signed, inscribed and dated verso, oil on canvas 100cm x 80cm (40in x 32in) Provenance: Redfern Gallery Ltd, London 1959

£400-600

9§ EY938/9 EILEEN COOPER (BRITISH, b. 1953) FISHERWOMAN - SELF PORTRAIT Oil on canvas 91cm x 71cm (36in x 28in)

£1,500-2,000

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LY O N & T U R N B U L L Modern and Contemporary Art

10 EY931/1 JOHN CUNNINGHAM (SCOTTISH, 1927-2000) THE PINK NAPKIN Signed, oil on canvas 91cm x 101.5cm (30in x 40in)

£4,000-6,000

11§ EY943/1 ANN ORAM R.S.W. (SCOTTISH, b. 1956) THE ARTIST’S TABLE Signed and dated ‘86, mixed media

12§ EY943/2 ANN ORAM R.S.W. (SCOTTISH, b. 1956) BOATS IN HARBOUR Signed and dated ‘86, oil on board

13 EY943/3 NONI MCCRONE (SCOTTISH, fl. 1961-1981) ATLANTIC CLOUDS Signed with a monogram, oil on board

49cm x 34cm (19.5in x 13.5in)

31cm x 41cm (12in x 16in)

71cm x 91cm (28in x 36in)

£300-500

£500-800

£300-500

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LY O N & T U R N B U L L Modern and Contemporary Art

14§ EZ269/2 MARTIN RAYNER (SCOTTISH, b. 1946) THE SEA Construction and collage 97cm x 92cm x 17cm (38in x 36.25in x 6.75in)

£2,000-3,000

15§ EZ236/7 ANDREW MACARA (BRITISH, b. 1944) CHILDREN PLAYING, SUN DAPPLED AVENUE Signed, acrylic on canvas, unframed

16§ EZ236/7A ANDREW MACARA (BRITISH, b. 1944) SWANS PADDLING Signed, acrylic on canvas, unframed

63cm x 77cm (24.75in x 30.25in)

£600-800

£600-800

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71cm x 91cm (28in x 36in)

17 EY931/5 WILLIAM COLLIE MILNE CADENHEAD (SCOTTISH, 1934-2009) MOUNT BLAIR, GLENISLA Signed and dated ‘79, oil on canvas 127cm x 183cm (50in x 72in)

£500-800

LY O N & T U R N B U L L Modern and Contemporary Art

18 LB235/1 WILLIAM GEAR (SCOTTISH, 1915-1997) UNTITLED - FIGURE STUDY Watercolour on paper 34cm x 54cm (13.5in x 21.25in)

£1,500-2,000

19§ EY945/1 BARBARA RAE R.S.A., R.S.W. (SCOTTISH, b. 1943) MECINA FARM FROM FONDALES Signed and inscribed, mixed media 57cm x 76cm (22.5in x 30in)

£800-1,200

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LY O N & T U R N B U L L Modern and Contemporary Art

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LY O N & T U R N B U L L Modern and Contemporary Art

20§ EZ629/4 KEN CURRIE (SCOTTISH, b. 1960) THE AGE OF UNCERTAINTY A suite of 27 etchings, signed, inscribed, numbered 31/40 and dated ‘91 Various sizes

£6,000-8,000 Please note: The etchings in this suite are considered as separate works of art and therefore Droit de Suite only becomes payable as and when the average price per print exceeds the threshhold of €1000 (see Important Information for Buyers on page 3).

Born in Barrhead in 1960, Ken Currie was educated at the Glasgow School of Art and has become one of Scotland’s most recognised and influential contemporary artists.

Graduating in the early 1980s, Currie joined a host of young artists like Steven Campbell and Peter Howson who collectively came to be known as ‘The New Glasgow Boys’.

Currie started working in a social realist vein, moving towards a more personal interpretation of realism and even the grotesque. His work from the 1980s and 1990s reflected the changing political and economic climate in Scotland and addressed issues like war, poverty, death and the relationship of the individual to the state. In 1992, Currie was invited

to create a series of etchings at the Glasgow Print Studio. The Age of Uncertainty was the product of the collaboration between the artist and etcher Stuart Duffin, who has since continued to work with Currie on subsequent projects. The series was exhibited at the Glasgow Print Studio the same year, to great acclaim. The suite of twenty-seven etchings, like other works of that period are influenced by the graphic works of Goya and in particular his Disasters of War. The Age of Uncertainty is a powerful and haunting series of works and truly embodies Currie’s sensibilities and his interest in portraying humanity in anguish and turmoil.

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LY O N & T U R N B U L L Modern and Contemporary Art

21 LB323/20 SIR EDUARDO PAOLOZZI (SCOTTISH, 1924-2005) FROG Plaster with body colour. In perspex box 7.5cm high (3in)

£700-900

22 EZ629/3 SIR EDUARDO PAOLOZZI (SCOTTISH, 1924-2005) STUDY FORMATTA Patinated bronze 15cm (6in) long

£2,000-3,000

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LY O N & T U R N B U L L Modern and Contemporary Art

23 EZ588/1 SIR EDUARDO PAOLOZZI (SCOTTISH, 1924-2005) MALE HEAD Patinated bronze, A/C signed and dated 1996 20cm (8in) high

ÂŁ3,000-5,000

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LY O N & T U R N B U L L Modern and Contemporary Art

24 LB189/1 SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN) MARILYN MONROE, PORTFOLIO OF 10 Screen-print on lennox museum board, stamped on verso 90.7cm x90.7cm (35.7in x 35.7in)

£2,500-3,000

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LY O N & T U R N B U L L Modern and Contemporary Art

25 LB189/3 SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN) FLOWERS, PORTFOLIO OF 10 Screen-print on lennox museum board, stamped on verso 90.7cm x90.7cm (35.7in x 35.7in)

£2,500-3,000

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LY O N & T U R N B U L L Modern and Contemporary Art

26 LB189/2 SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN) SOUP CANS, PORTFOLIO OF 10 Screen-print on lennox museum board, stamped on verso 90.7cm x90.7cm (35.7in x 35.7in)

£2,500-3,000

27 LB189/4 SUNDAY B. MORNING, AFTER ANDY WARHOL (AMERICAN) MAO Screen-print on lennox museum board, stamped on verso 90.7cm x90.7cm (35.7in x 35.7in)

and another two by the same hand (3) £800-1,200

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LY O N & T U R N B U L L Modern and Contemporary Art

28 LB315/1 PABLO PICASSO (SPANISH, 1881-1973) ARTIST AND CHILD, 1949 Lithograph, signed and numbered 39/50 61cm x 44.7cm (24in x 17.6in)

£2,000-2,500

29 LB315/3 VICTOR PASMORE (BRITISH, 1908-1998) UNTITLED Screen-print, signed and dated 1979, numbered A/P 39cm x 40cm (15.5in x 15.75in)

£300-500

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LY O N & T U R N B U L L Modern and Contemporary Art

30 LB323/4 CHRISTOPHER WOOD (BRITISH, 1901-1930) STANDING FEMALE NUDE Pencil on paper 38cm x 17cm (15in x 6.75in) Provenance: Redfern Gallery, London

£800-1,200

31 LB323/17 CHRISTOPHER WOOD (BRITISH, 1901-1930) NUDE STUDY, 1923 Pencil on paper 45cm x 22cm (17.75in x 8.75in)

£600-800

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LY O N & T U R N B U L L Modern and Contemporary Art

32 LB323/5 CHRISTOPHER WOOD (BRITISH, 1901-1930) STANDING FEMALE NUDE, FRONT Charcoal on paper 30cm x 19cm (11.75in x 7.5in) Provenance: Redfern Gallery, London

£800-1,200

33 LB323/7 CHRISTOPHER WOOD (BRITISH, 1901-1930) FEMALE NUDE PADDLING Charcoal on paper 18cm x 29.5cm (7in x 11.5in) Provenance: Redfern Gallery, London

£800-1,200

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LY O N & T U R N B U L L Modern and Contemporary Art

34 LB323/13 DAME LAURA KNIGHT D.B.E. (BRITISH, 1877-1970) DANCING BALLERINA Pencil on paper 34cm x 24cm (13.5in x 9.5in)

£800-1,200

35 LB323/6 CHRISTOPHER WOOD (BRITISH, 1901-1930) RELAXING CONVERSATION Pencil on paper

36 LB323/3 RONALD OSSORY DUNLOP R.A. (IRISH, 1894–1973) PORTRAIT OF EILEEN Charcoal on paper

37 LB323/21 HENRI GAUDIER-BREZSKA (FRENCH, 1891-1915) CAT ATTACKING DOG, 1913 Ink on paper

13cm x 19.5cm (5in x 7.75in)

27cmx 19.5cm (10.5in x 7.75in)

13cm x 20cm (5in x 8in)

Provenance: Redfern Gallery, London

£400-600

Provenance: Peter Nahum at the Leicester Galleries, London

£800-1,200

Note: This sketch is double sided showing a reclining female figure verso

£800-1,200

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LY O N & T U R N B U L L Modern and Contemporary Art

38 LB323/15 HENRI GAUDIER-BREZSKA (FRENCH, 1891-1915) BARGES AT LONDON DOCKS, 1913 Signed, pen and ink on paper 25cm x 37cm (10in x 14.5in) Provenance: Peter Nahum at the Leicester Galleries

£800-1,200

39 LB323/16 CHRISTOPHER WOOD (BRITISH, 1901-1930) THE ORCHARD Ink on paper 22cm x 45cm (8.5in x 17.75in) Provenance: Cyril Gerber

£800-1,200

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LY O N & T U R N B U L L Modern and Contemporary Art

40ยง LB323/10 LEON KOSSOFF (BRITISH, b. 1926) SEATED FIGURE Charcoal on paper 39cm x 30cm (15.5in x 11.75in)

ยฃ4,000-6,000

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LY O N & T U R N B U L L Modern and Contemporary Art

41§ LB323/9 LEON KOSSOFF (BRITISH, b. 1926) SEATED FIGURE Charcoal on paper 26.5cm x 19.5cm (10.5in x 7.75in)

£3,000-5,000

42 LB235/2 SCHOOL OF SADANAND BAKRE (INDIAN, 1920-2007) UNTITLED Oil on canvas 75cm x 93cm (29.5in x 36.5in)

43 EAB599/1 SIDNEY NOLAN (AUSTRALIAN, 1917-1992) CROUCHING GREEN NUDE Signed and numbered 5/35, lithograph

£500-700

51cm x 69cm (20in x27in)

44 EY931/3 WILLIAM COLLIE MILNE CADENHEAD (SCOTTISH, 1934-2009) BEN REID Signed and dated ‘88, oil on canvas

£400-600

81cm x 112cm (32in x 44in)

£300-500

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LY O N & T U R N B U L L Modern and Contemporary Art

45ยง LB316/1 ALAN DAVIE (SCOTTISH, b. 1920) TRANSFORMATION OF THE BLUE FRUIT (OPUS 0.355) Signed, inscribed and dated Nov. 1960 on verso, oil on masonite 102cm x 122cm (40.25in x 48in)

ยฃ25,000-35,000

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LY O N & T U R N B U L L Modern and Contemporary Art

46 EZ676/1 ALAN DAVIE (SCOTTISH, b. 1920) RECEPTICAL FOR SIGHS, NO.7 Signed, inscribed and dated April '75 verso, oil on canvas 122cm x 152.5cm (48in x 60in)

ÂŁ20,000-30,000

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LY O N & T U R N B U L L Modern and Contemporary Art

47§ EZ617/2 ALAN DAVIE (SCOTTISH, b. 1920) FINGER PIE NO 2 Signed, inscribed and dated 1978, watercolour 58cm x 82cm (22.75in x 32.25in) Provenance: Gimpel Fils

£1,800-2,200

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48§ EZ617/1 ALAN DAVIE (SCOTTISH, b. 1920) POINTING Signed and dated 8.67, ink, unframed

49§ EZ617/1A ALAN DAVIE (SCOTTISH, b. 1920) MACHINE Signed and dated 6-70.08, ink, unframed

50§ EZ617/3 ALAN DAVIE (SCOTTISH, b. 1920) VARIATION ON A LETTER R Screenprint, signed and dated ‘99, no. 15/20, unframed

51§ EZ617/3A ALAN DAVIE (SCOTTISH, b. 1920) BIRD VARIATION Screenprint, signed and dated ‘99, no. 17/20, unframed

26cm x 42cm (10in x 16.5in)

29cm x 40cm (11.5in x 15.75)

75cm x 106cm (29.5in x 41.75in)

106cm x 75cm (41.75in x 29.5in)

£700-900

£700-900

£200-400

£200-400

LY O N & T U R N B U L L Modern and Contemporary Art

52ยง BL324/1 THEO TOBIASSE (ISRAELI/FRENCH, b. 1927) AMOR ET TAMAR Signed, collage and mixed media on paper 70cm x 100cm (27.5in x 39.5in)

ยฃ10,000-15,000

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LY O N & T U R N B U L L Modern and Contemporary Art

53§ LB320/1 PETER ANDERSON (SCOTTISH, b. 1954) PAUL WELLER Silver gelatin print, signed on verso, edition of 25 60cm x 70cm (23.5in x 27.5in)

£700-900

54§ LB320/2 PETER ANDERSON (SCOTTISH, b. 1954) MICK JAGGER Silver gelatin print, signed on verso, edition of 25 60cm x 70cm (23.5in x 27.5in)

£700-900

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LY O N & T U R N B U L L Modern and Contemporary Art

55 LB287/2 BERT STERN (AMERICAN, b. 1929) THE LAST SITTING MARILYN MONROE Cibachrome print, signed, number 81/250 48cm x 46.5cm (19in x 18.5in) Provenance: Russbeck Gallery, San Francisco

£1,200-1,500

56 LB287/1 BERT STERN (AMERICAN, b. 1929) THE LAST SITTING MARILYN MONROE Cibachrome print, signed, number 81/250 48cm x 46.5cm (19in x 18.5in) Provenance: Russbeck Gallery, San Francisco

£1,200-1,500

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LY O N & T U R N B U L L Modern and Contemporary Art

57 EAB196/1 JOSEPH BEUYS (GERMAN, 1921-1986) THE SCOTTISH SYMPHONY CELTIC KINLOCH RANNOCH 1970 Six works mounted together, published by Richard Demarco, signed and numbered 79/200 by Beuys 137cm x 31cm (54.5in x 12in)

£600-800

58 EAB196/3 BLINKY PALERMO (GERMAN, 1943-1977) INSTALLATION BLUE YELLOW WHITE RED Signed, pencil and watercolour on paper. Later inscription by Richard Demarco concerning Palermo’s installation 23cm x 35cm (9in x 13.75in) (drawing)

£4,000-6,000

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LY O N & T U R N B U L L Modern and Contemporary Art

59 EAB196/2 JOSEPH BEUYS (GERMAN, 1921-1986) I AM SORRY DON’T MAKE DARK THIS ROOM Signed, pen and ink. Written instructions from Joseph Beuys for his Arena installation, 1970. Later inscription by Richard Demarco concerning Beuys’ installation 40cm x 25cm (15.75in x 9.75in) (irregular)

£2,000-4,000

60§ EAB196/4 GEORGE OLIVER (SCOTTISH, b..1920) JOSEPH BEUYS' INSTALLATION - ARENA Insitu photographs of Beuys’ Arena installation in progress with later inscription by Richard Demarco £400-600

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61 LB310/1 PU JIE (CHINESE, b. 1959) INTERNET TIME # 10 Acrylic on canvas, signed and titled verso. Unstretched canvas.

158cm x 401cm (62.25in x 158in)

£10,000-15,000

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62 EY240/1 GRAEME SHARP (SCOTTISH, CONTEMPORARY) COSMIC CLAIRE Signed, inscribed and dated 1999 verso, oil on canvas

63§ LB230/1 MUIRNE KATE DINEEN (BRITISH, CONTEMPORARY) 3 EGGS Marble dust and slaked lime on stone

64§ LB230/2 MUIRNE KATE DINEEN (BRITISH, CONTEMPORARY) UNTITLED Marble dust and slaked lime construction in seven parts

123cm x 123cm (48.5in x 48.5in)

30cm long each (11.75in)

16cm x 16cm (6.25in x 6.25in)

£500-700

Provenance: Robert Sandelson Gallery, London

Provenance: Robert Sandelson Gallery, London

£600-800

£300-500

65§ LB178/1 JAMES HAWKINS (SCOTTISH, b. 1954) DRUMRUNIE LOOKING SOUTH TOWARDS BEINN GOBHLACH AND ISLE MARTIN Signed, mixed media 37.5cm x 61cm (14.75in x 24in)

£400-600

LY O N & T U R N B U L L Modern and Contemporary Art

66 EZ269/1 WINIFRED FERGUS (SCOTTISH, CONTEMPORARY) AMSTERDAM JUGS Signed, oil on board

67§ EY944/1 PAT SEMPLE R.S.W. (SCOTTISH, b. 1940) BATHERS Oil on canvas

60cm x 126cm (23.5in x 49.5in)

91cm x 132cm (36in x 52in)

68 EY938/1 JOAN MIRO (SPANISH, 1893-1983) LA MELODIE ACIDE Lithograph, published 1980 and numbered 1282/1500

£500-800

32cm x 24cm (12.5in x 9.5in)

£600-800

£200-300

69§ EY938/10 DAMIAN CALLAN (SCOTTISH, b. 1960) DIVER - TUMBLE Oil on board 70cm x 100cm (28in x 40in) Provenance: Terry Brodie-Smith Literature: The Self Portrait - A Modern View.

Sean Kelly and Edward Lucie-Smith, 1987

£600-800

35

LY O N & T U R N B U L L Modern and Contemporary Art

70§ LB298/1 DAVID BREUER-WEIL (BRITISH, b. 1965) ESCAPE Signed and dated 27th January 2008, pencil on paper 30cm x 30cm (11.75in x 11.75in)

£3,000-4,000

71 LB296/7 ROY TURNER DURRANT (BRITISH, 1925-1995) MOUNTAINOUS LANDSCAPE Signed and dated 1951, oil on canvas on board 23cm x 28cm (9in x 11in)

72§ EZ438/8 JIM DUNBAR R.S.W. (SCOTTISH, b. 1949) COME OUT, COME OUT WHEREVER YOU ARE Signed and dated ‘81, oil on board

£300-500

100cm x 120cm (40in x 48in)

£500-800

36

LY O N & T U R N B U L L Modern and Contemporary Art

73§ LB294/1 PETER HOWSON (SCOTTISH, b. 1958) STUDY FOR LEANING DOSSER Signed lower right, oil on canvas 25.5cm x 20.25cm (10in x 8in)

£800-1,200

74 LB296/5 JOSEF HERMAN (BRITISH, 1911-2000) HEAD OF A MAN - VISITOR TO THE STUDIO Oil on canvas 39cm x 45cm (15.5in x 17.75in)

£700-900

37

LY O N & T U R N B U L L Modern and Contemporary Art

75ยง EZ656/9 KEN HOWARD R.A. (BRITISH, b. 1932) NUDE IN INTERIOR Signed, oil on canvas 61cm x 50.5cm (24in x 20in)

ยฃ5,000-7,000

38

LY O N & T U R N B U L L Modern and Contemporary Art

76ยง EZ656/10 KEN HOWARD (BRITISH, b. 1932) CIVIDALE Oil on canvas, signed 30cm x 24cm (11.75in x 9.5in)

and another by the same hand (2) ยฃ2,000-3,000

39

LY O N & T U R N B U L L Modern and Contemporary Art

77§ EY938/13 JAMES MORRISON R.S.A.,R.S.W., L.L.D. (SCOTTISH, b. 1932) ANGUS Signed and dated 25.X.2006, oil on board 76cm x 152cm (30in x 60in)

£3,000-5,000

40

78 EZ438/3 MARDI BARRIE R.S.W. (SCOTTISH, 1931-2004) STORMLIGHT - VALLEY Signed, oil on board

79§ EZ438/4 JOHN MATHISON R.G.I. (SCOTTISH, b. 1956) ACHNAHAIRD Watercolour

80 EZ438/5 ALEXANDER GOUDIE (SCOTTISH, 1935-2004) FARMHOUSE, CATALONIA Signed, mixed media

43.5cm x 49cm (17in x 19in)

54cm x 73cm (21.25in x 28.75in)

23cm x 62cm (9in x 24.5in)

£300-500

£300-500

£300-500

LY O N & T U R N B U L L Modern and Contemporary Art

81§ EZ651/1 DAVID HOSIE (SCOTTISH b. 1962) INCIDENT IN A LANDSCAPE Signed, signed, inscribed and dated 2007 verso, oil on canvas 122cm x 122cm (48in x 48in)

£3,000-5,000

82§ EY973/1 KEITH MCINTYRE (SCOTTISH, b. 1959) WALKING THE DOG Signed and dated ‘90, oil on board 76cm x 91cm (30in x 36in) Exhibited: RAAB Gallery 1990

£1,500-2,000

41

LY O N & T U R N B U L L Modern and Contemporary Art

83 LB323/12 WILLIAM GEAR (SCOTTISH, 1915-1997) COMPOSITION: YELLOW ELEMENTS Signed and dated 1950, oil on paper 64cm x 50cm (25.25in x 19.75in)

£3,000-5,000

84 LB323/11 WILLIAM GEAR (SCOTTISH, 1915-1997) UNTITLED Signed and dated 1986, oil on panel 58.5cm x 38cm (23in x 15in)

£2,000-3,000

42

LY O N & T U R N B U L L Modern and Contemporary Art

85ยง LB323/19 WILLIAM CROZIER H.R.H.A. (SCOTTISH, b. 1930) LANDSCAPE, 1960 Oil on panel 97cm x 53cm (38.25in x 21in)

ยฃ8,000-12,000

43

LY O N & T U R N B U L L Modern and Contemporary Art

86 LB302/1 IVON HITCHENS (BRITISH, 1893-1978) TUMBLE BAY, RIVER ROTHER Oil on canvas, signed and dated 1949-50 46cm x 105cm (18in x 41.5in) Provenance: The New Art Centre, London Cadbury Ltd, London Private Collection, London

£30,000-50,000

44

87 LB296/10 WILLIAM JOHNSTONE (SCOTTISH, 1897-1981) UNTITLED Ink on paper

88 LB296/11 WILLIAM JOHNSTONE (SCOTTISH, 1897-1981) UNTITLED Ink on paper

89 LB296/12 WILLIAM JOHNSTONE (SCOTTISH, 1897-1981) UNTITLED Watercolour on paper

90 LB296/8 WILLIAM JOHNSTONE (SCOTTISH, 1897-1981) UNTITLED Ink on paper

77cm x 57cm (30.25in x 22.5in)

77cm x 58cm (30.25in x 23in)

30cm x 18cm (11.75in x 7in)

76.5cm x 57cm (30.25in x 22.5in)

£300-500

£300-500

£300-500

£300-500

LY O N & T U R N B U L L Modern and Contemporary Art

91§ EZ446/1 VICTORIA CROWE R.S.A., R.S.W. (SCOTTISH, b. 1945) SILVER VOTIVE 1 Mixed media on hand made paper

92 EZ379/1 JONATHAN GIBBS (SCOTTISH, 20TH CENTURY) TERRACOTTA Signed, mixed media on board

93§ EY674/2 JOHN BYRNE (SCOTTISH, b. 1940) BUGLAR BOY Inscribed, pen and ink

94 EZ438/6 MARDI BARRIE R.S.W. (SCOTTISH, 1931-2004) TOWARDS AN URBAN SHORE Oil on canvas

26cm x 40cm (10.25in x 15.75in)

12cm x 19cm (4.75in x 7.5in)

81cm x 112cm (32in x 44in)

17cm x 19cm (6.75in x 7.5in)

£300-500

£300-400

£500-700

£250-400

45

LY O N & T U R N B U L L Modern and Contemporary Art

95 LB179/1 ERNST BARLACH (GERMAN, 1870-1938) DER ZWEIFLER, 1930 Bronze with light brown patina, signed and inscribed.

H. Noack ed., later cast 51.1cm (20in)

£18,000-22,000

The significance of Expressionist sculpture, unlike the paintings, drawings and print production of the period, has been somewhat overlooked until recently. A notable exception to this is the work of the sculptor Ernst Barlach.

The Expressionist era was one of great experimentation, excitement, and energy.

Emerging at a time of great cultural, economic, social and political flux, it reached its maturity at the beginning of World War I and continued through to the rise of Fascism in the 1930s, when its avantgarde nature resulted in it being deemed ‘Degenerate’ art. Expressionist sculptors sought to explore the experience of humanity by

focusing on the human figure and human psychology. Their handling of subject matter was highly charged emotionally, with forms, gestures and silhouettes deliberately accentuated to reach this end.

German Expressionist artists explored different themes throughout the course of the movement, reflecting the change in the nation’s morale.

At the outbreak of World War I Expressionist artists were extremely patriotic, many seeing the coming war as a welcome vehicle for social change. Barlach’s 1914 sculpture The Avenger (Berserker) is a perfect example of this, showing as it does a German patriot charging heroically forward in his attack on the Allies.

However, following Germany’s defeat in 1918 and the dissipation of the Weimar Republic, German morale sank low throughout the 1920s and early 1930s. This had a profound effect on artistic production.

German culture possesses an innate strain of religious conviction and spirituality which stems from its Gothic routes. This spirituality emerged strongly in the art of the 1920s and 1930s in response to the stress of period and the unfolding socio-political events.

Barlach’s 1931 Doubter (Der Zweifler), clearly illustrates his affinity to German Gothic

46

art of the 15th century, and to earlier Romanesque examples. The work has been conceived in the Gothic fashion to be viewed frontally as though against a wall or in a niche. As with earlier Gothic examples the figure is concealed beneath clothing which is used to simplify the composition and create a silhouette for the work. The figure’s kneeling position cloaked in his robe creates both an integral base for the work and an overall triangular composition.

The artist has expressed the work’s emotion and pathos almost entirely through the face and hands, which are successfully juxtaposed against the abstraction of the robe. The face is modelled deeply to ensure light and shadows articulate the figure’s features and expression. Similarly, the hands are shown clasped tightly to the front of the body as in desperation. The viewer’s gaze is drawn to these areas by the clever placement of the figure’s arms to the front of his body, creating an inverted triangle which counters the sculpture’s vertical triangular composition. Thus the viewer’s eye is drawn to the face and then back down again to the clenched hands.

The sculpture’s seeming simplicity belies the sophistication of its composition.

LY O N & T U R N B U L L Modern and Contemporary Art

96§ LB318/1 WILLIAM HARLING (BRITISH, b. 1946) CHROMOSOME Signed and numbered 2/9, bronze 64cm high (25.25in)

£4,000-6,000

97 LB318/9 ISAAC KAHN (ISRAELI, b. 1950) RECLINING WOMAN Signed and numbered 3/4, bronze with black patina 50cm high (19.75in)

£2,000-3,000

48

LY O N & T U R N B U L L Modern and Contemporary Art

98§ LB318/6 GUY BUSEYNE (BRITISH, b. 1961) TEENAGE Signed, bronze 80cm high (31.5in)

£1,500-1,800

99§ LB318/2 WILLIAM HARLING (BRITISH, b. 1946) SIX OF ONE Signed and numbered 1/9, bronze 63cm high (24.75in)

£4,000-6,000

49

LY O N & T U R N B U L L Modern and Contemporary Art

100§ LB318/5 ESTHER JOSEPH (BRITISH, b. 1948) BATHSEVA Carrara marble, unique 83cm high (32.75in)

£2,000-3,000

101§ LB318/7 JONATHAN LOXLEY (BRITISH, b. 1960) VANISHING POINT Marble on limestone base, unique 185cm high (72.75in)

£2,000-3,000

102§ LB318/8 JONATHAN LOXLEY (BRITISH, b. 1960) CONTINUUM Carrara marble, unique 54cm high (21.25in)

£1,200-1,800

50

LY O N & T U R N B U L L Modern and Contemporary Art

103§ LB318/3 DANU (FRENCH, b. 1950) LASCIVE (YELLOW) Signed and numbered 9/80, stove enamelled heavy guage laser cut steel 179cm high (70.5in)

£1,200-1,800

104§ LB318/4 DANU (FRENCH, b. 1950) L’AFRICAINE (RED) Signed and numbered 8/80, stove enamelled heavy guage laser cut steel 192cm (75.5in)

£1,200-1,800

51

LY O N & T U R N B U L L Modern and Contemporary Art

105 EZ629/2 BENNO SCHOTZ (ESTONIAN 1891-1984) PORTRAIT OF PEARL Bronze, signed in the cast, raised on square oak plinth 31cm high (12.2in)

£800-1,200

106§ EZ588/2 JOHN BRAZENALL (BRITISH, b. 1956) REMEMBERING A PROMISE OF A NEW LIFE, 1986 Bronze 86cm (34in) high

£2,500-3,000

52

LY O N & T U R N B U L L Modern and Contemporary Art

107§ LB308/1 TOLLECK WINNER (BRITISH/RUSSIAN, b. 1959) CONDITIONING TO THE END #4 Acrylic and mixed media 20cm x 20cm x 20cm (7.75in x 7.75in x 7.75in)

£3,000-5,000

108 LB318/10 WENQUIN CHEN (CHINESE, b. 1979) WAVE Stainless steel 54cm high (21.25in)

£1,200-1,800

53

LY O N & T U R N B U L L Modern and Contemporary Art

109 LB125/2 WILLIAM JOHNSTONE (SCOTTISH, 1897-1981) A FOETID LIFE Bas-relief, plaster on plasterboard in perspex box

113§ EY814/4 JOHN BYRNE (SCOTTISH, b. 1940) RABBIT AND BUTTERFLIES Signed, mixed media

118 LB296/3 JOHN TUNNARD (BRITISH, 1900-1997) UNTITLED Signed, pastel on paper

19cm x 21cm (7.5in x 8.25in)

40cm x 55cm (15.75in x 21.75in)

94cm x 124.5cm (37in x 49in)

£300-500

£600-800

114§ EY906/7 PETER HOWSON (SCOTTISH, b. 1958) WHITE VEST Signed, pastel

119 EZ566/2 DAVID MCCLURE S.A., R.S.W., R.G.I. (SCOTTISH, 1926-1999)

BY THE LOCHSIDE Signed, oil on board

14cm x 15cm (5.5in x 6in)

51cm x 61cm (20in x 24in)

£500-700

£700-900

115§ EY906/8 PETER HOWSON (SCOTTISH, b. 1958) BOXER Signed, pastel

120 EZ522/1 DAVID MCCLURE R.S.A., R.S.W., R.G.I. (SCOTTISH, 1926-1999) CHRYSANTHEMUMS Signed and dated ‘57, pen and ink and watercolour

Note: A similar example to the current painting is held in the permenant collection of National Gallery of Modern Art, Edinburgh ‘Embryonic’, 1972-1973.

£1,000-1,500 110 EZ539/1 TONY SULLIVAN (IRISH, 20TH CENTURY) AFTER THE STORM, WEST CLARE Signed, signed and inscribed verso, oil on canvas 31cm x 41cm (12in x 16in)

and a companion a pair ‘Dunmore East, County Waterford’ (2) £400-600 111§ EY814/2 JOHN BYRNE (SCOTTISH, b. 1940) FAMILY GROUP Pen and ink and sepia wash 20cm x 20cm (8in x 8in)

£150-250 112§ EY814/3 JOHN BYRNE (SCOTTISH, b. 1940) LONG FIGURE RECLINING Signed, watercolour 5cm x 36cm (2in x 14in)

£200-300

54

15.5cm x 12cm (6in x 4.75in)

£500-700

47cm x 35.5cm (18.5in x 14in)

116§ EY674/1 PETER HOWSON (SCOTTISH, b. 1958) HEAD STUDY Signed, pastel 25.5cm x20cm (10in x 8in)

£800-1,200

£200-300 121 EZ522/2 JOHN BULLOCH SOUTER (SCOTTISH, 1890-1972) PORTRAIT STUDY Signed, pastel 30.5cm x 23cm (12in x 9in)

117 EY815/1 SALVADOR DALI (SPANISH 1904-1999) BIRDMAN Bronze, signed and inscribed ‘G.Rudier, Paris’ 20.3cm (8in) high

£500-800

£150-250 122 EY810/1 JAMES GORMAN (SCOTTISH, 20TH CENTURY) FAMILY ALLOWANCE Signed and dated ‘60, oil on canvas 75cm x 127cm (30in x 50in)

£400-600

LY O N & T U R N B U L L Modern and Contemporary Art

123§ LB321/1 BANKSY (BRITISH, b. 1974) FESTIVAL (GREY COLOURWAY), 2006 Screen-print on end paper, signed and numbered AP32/33. From the L.A. edition. Colours vary in the edition of AP’s.

57.5cm x 76.5cm (22.75in x 76.2in) Provenance: Gifted to the present owner by the artist Note: This work comes with a Pest Control certificate of authentication

£3,000-5,000 55

LY O N & T U R N B U L L Modern and Contemporary Art

124 LB323/1 JULIAN TREVELYAN (BRITISH, 1910-1988) STRAWBERRY HILL Signed and dated 1988, oil on canvas 61cm x 76cm (24in x 30in) Note: The present painting, Strawberry Hill, was the last the artist completed.

£5,000-7,000

56

125 EZ585/14 PAT DOUTHWAITE (SCOTTISH, 1939-2004) LORD WAKEFIELD Signed, inscribed and dated ‘77, charcoal

126 EZ585/16 PAT DOUTHWAITE (SCOTTISH, 1939-2004) HEAD OF MARTHA GRAHAM Signed, inscribed and dated ‘91, pastel

127 EZ585/11 PAT DOUTHWAITE (SCOTTISH, 1939-2004) PIG Signed and dated ‘92, pastel

75cm x 55cm (29.5in x 21.5in)

76cm x 51cm (30in x 20in)

£300-500

£150-250

£300-500

76cm x 51cm (30in x 20in)

LY O N & T U R N B U L L Modern and Contemporary Art

128 LB323/2 JULIAN TREVELYAN (BRITISH, 1910-1988) GREAT WEST ROAD Signed and dated 1974 verso, oil and collage on panel 48cm x 59cm (19in x 23.25in)

£4,000-6,000

129 EZ585/15 PAT DOUTHWAITE (SCOTTISH, 1939-2004) AKPUNONEOZ Signed, inscribed and dated 1990, pastel

130 EZ585/18 PAT DOUTHWAITE (SCOTTISH, 1939-2004) RUNNING FIGURE Signed and dated ‘69, pastel

131 EZ585/20 PAT DOUTHWAITE (SCOTTISH, 1939-2004) TURQUOISE TURBAN Signed and dated ‘74, pastel

62cm x 48cm (24.5in x 19in)

63cm x 49cm (25in x 19.25in)

83cm x 57cm (32.5in x 22.5in)

£250-350

£600-800

£600-800

57

LY O N & T U R N B U L L Modern and Contemporary Art

132 LB327/12 GERARD MEARES (BRITISH, 1911-1975) STILL LIFE 1966 Signed verso, oil on board 41cm x 61cm (16in x 24in)

£400-600

133 LB323/18 JANKEL ADLER (POLISH, 1898-1949) STILL LIFE WITH PEARS Signed, oil on panel 38cm x 58cm (15in x 22.75in) Provenance: Louise Kosman Modern British Painting Victor Waddington

£4,000-6,000

58

LY O N & T U R N B U L L Modern and Contemporary Art

134 LB323/14 DUNCAN GRANT (SCOTTISH, 1885-1978) THE BIRDS Oil on panel 31cm x 25cm (12.25in x 10in) Provenance: The Fine Art Society, London

£2,000-3,000

135§ LB311/1 PAUL WUNDERLICH (GERMAN, b. 1927) MOMENTO MORI II, 1988 Lithograph, signed and numbered

136§ EZ560/1 CHARLOTTE JOHNSON WAHL (BRITISH, b. 1943) PASSERS BY Signed and dated ‘April 2003’, oil on canvas, unframed

137 LB311/2 WILLIAM GREEN (BRITISH, 1934-2001) SUSAN HAYWARD XII Bitumen on board, signed and titled verso

101.5cm x 73cm (40in x 28.75in)

41cm x 51cm (16in x 20in)

30cm x 30cm (11.75in x 11.75in)

Provenance: Redfern Gallery, London

Provenance: Professor Sir Bernard Crick

Provenance: England & Co., London

£300-400

£400-600

£300-400

59

LY O N & T U R N B U L L Modern and Contemporary Art

138§ EY946/1 DAVID MICHIE R.S.A., R.G.I. (SCOTTISH, b. 1928) BUTTERFLIES BY A STREAM Signed, oil on canvas 112cm x 127cm (40in x 50in)

£2,000-3,000

139 EY931/2 NOEL FORSTER (BRITISH, 1932-2007) UNTITLED WITH LIGHT PATCH Oil on canvas, unframed 122cm x 213cm (48in x 84in) Provenance: Flowers East, London Exhibited: John Moores Liverpool Exhibition 1995

£1,000-1,500

60

LY O N & T U R N B U L L Modern and Contemporary Art

140 LB323/8 PAUL MAZE (FRENCH,1887-1979) THE CORONATION OF HM QUEEN ELIZABETH II Signed and dated 1956, oil on panel 35cm x 71cm (13.75in x 28in)

£3,000-5,000

141§ EZ585/29 DAVID EVANS R.S.A., R.S.W., R.G.I. (SCOTTISH, b. 1942) STILL LIFE - THREE JARS Oil on canvas

142§ EZ585/30 DAVID EVANS R.S.A.,R.S.W., R.G.I. (SCOTTISH, b. 1942) BAD TIMING Acrylic on board

36cm x 46cm (14in x 18in)

91cm x 91cm (36in x 36in)

£300-500

Exhibited: Royal Society of Painters in Watercolour, 1981, no. 82

£500-700

61

LY O N & T U R N B U L L Modern and Contemporary Art

143* LB231/1 KRISHNA HAWLAJI ARA (INDIAN, 1914-1985) STILL LIFE Watercolour on paper 30.5cm x 38cm (12in x 15in)

£1,800-2,000

144 LB314/28 HARI AMBADAS GADE (INDIAN, 1917-2001) VILLAGE SCENE Gouache on paper 51cm x 34cm (20in x 13.5in)

£800-1,200

62

LY O N & T U R N B U L L Modern and Contemporary Art

145 EZ566/3 ANWAR JELAL SHEMZA (PAKISTANI, 1928-1985) COMPOSITION IN RED Signed verso, oil on board 27cm x 23cm (10.5in x 9in) Note: Lots 145 and 146 were given by the artist to his landlady in 1959/60 when he was in London studying at the Slade

£1,500-2,000

146 EZ566/4 ANWAR JELAL SHEMZA (PAKISTANI, 1928-1985) BLUE ABSTRACT Signed, collage and mixed media 37cm x 25cm (14.5in x 10in)

£2,000-3,000

63

LY O N & T U R N B U L L Modern and Contemporary Art

147 LB231/2 PARITOSH SEN (INDIAN, 1918-2008) UNTITLED Signed, charcoal on paper 30.5cm x 38cm (22in x 15in)

£2,500-3,000

148 EZ669/1 JOHN LENNON (BRITISH, 1940-1980) LOVE Limited edition lithograph, signed by Yoko Ono Lennon and inscribed A/P 28cm x 35cm (11in x 13.75in)

£700-900

64

LY O N & T U R N B U L L Modern and Contemporary Art

149 LB315/2 WILLIAM SCOTT (IRISH, 1913-1989) STILL LIFE WITH POTS Screen-print, signed and dated 1970, numbered 25/100.

88.4cm x 59.2cm (23.3in x 34.8in)

£2,000-3,000

150§ EZ585/4 BILL WRIGHT R.S.W. (SCOTTISH, b. 1931) SEA SHIMMER Watercolour 51cm x 61cm (20in x 24in)

151§ EZ585/5 MARJ BOND R.S.W. (SCOTTISH, b. 1939) WIND SURFER’S SUNDAE Signed and dated ‘83, oil on board

£200-300

76cm x 53cm (30in x 21in)

£300-500

65

LY O N & T U R N B U L L Modern and Contemporary Art

137cm x 183cm (54in x 72in)

156§ EZ585/6 JUNE REDFERN (SCOTTISH, b. 1951) HOW SHE MET HERSELF Signed, inscribed and dated 1983 verso, oil on canvas

56cm x 76cm (22in x 30in)

£1,000-1,500

152.5cm x 122cm (60in x 48in)

£400-600

152§ EZ671/1 CHRISTOPHER WOOD R.S.W. (SCOTTISH b. 1962) RED HEADLAND Oil and enamel on hessian

161§ EZ585/32 WILLIE RODGER (SCOTTISH, b. 1930) NIGHT OUT Signed and dated ‘95, conté

£500-700 153 EZ566/1 WILLIAM CROSBIE R.S.A. (SCOTTISH, 1915-1999) SHORE LEAVE WITH DITTY BOX Signed, inscribed and dated LXXXI, watercolour

157§ EZ585/7 BRUCE MCLEAN (SCOTTISH, b. 1944) UNTITLED Screenprint, signed and numbered 18/40

38cm x 56cm (15in x 22in)

117cm x 147cm (46in x 58in)

Exhibited: Royal Scottish Academy 1981, no.71

£250-350

£800-1,200

158§ EZ585/8 CAROLINE MCNAIRN (SCOTTISH, b. 1955) IN THE SIGHT OF THE COUNTRY Signed and dated ‘87, pastel

154 EZ565/1 PIETRO PSAIER (ITALIAN 1936-2004) MARLENE RISING - A BLUE ANGEL Signed, mixed media 52cm x 42cm (20.5in x 16.5in)

and three other artworks by the same hand (various media) (4) £300-500 155 EZ585/1 PENELOPE BEATON A.R.S.A., R.S.W. (SCOTTISH, 1886-1963) STILL LIFE OF SUMMER FLOWERS Signed, pencil and watercolour 69cm x 43cm (27in x 17in)

£500-700

137cm x 97cm (54in x 38.25in)

£400-600 163§ EZ585/37 GWEN HARDIE (SCOTTISH, b. 1962) STANDING NUDE Oil on paper, laid down 118cm x 88cm (46.5in x 34.5in)

£800-1,200

150cm x 156cm (59in x 61.5in)

£500-700 159§ EZ639/3 ROBERT TURNBULL HAIG SMITH (SCOTTISH, b. 1938) AT THE EDGE OF Signed and dated ‘89, mixed media on board

164§ EZ585/43 JACK KNOX R.S.A., R.S.W., R.G.I. (SCOTTTISH, b. 1936) LOCH, CAIRNGORMS Signed, inscribed and dated ‘80, charcoal 27cm x 38cm (10.5in x 15in)

£200-300

34cm x 44cm (13.5in x 17.25in)

£150-250 160 EZ585/28 DAVID MCCLURE R.S.A., R.S.W. (SCOTTISH, 1926-1998) ST. MONANCE Signed and dated ‘52, oil on board 28cm x 43cm (11in x 17in)

£800-1,200

66

162§ EZ585/35 ROBBIE BUSHE (SCOTTISH, b. 1964) MANIC MONDAY Signed and dated ‘90, mixed media on paper

165 EZ585/53 JOHN HOUSTON R.S.A., R.S.W., S.S.A. (SCOTTISH, 1930-2008) STORMY DAY, ORVIETO Signed, watercolour 28cm x 43cm (11in x 17in)

£300-500

LY O N & T U R N B U L L Modern and Contemporary Art

166§ EY942/1 ANN ORAM R.S.W. (SCOTTISH, b. 1956) A STILL LIFE OF TULIPS Signed and dated 1999, mixed media 63cm x 99cm (25in x 39in)

£1,500-1,800

167§ EZ585/36 WILLIAM BAILLIE R.S.A., R.S.W., R.G.I., H.R.A. (SCOTTISH, b. 1923) FIREWORKS NIGHT, WINDOW FLOWERS Signed, oil on canvas 102cm x 102cm (40in x 40in)

£1,500-2,000

67

LY O N & T U R N B U L L Modern and Contemporary Art

168 EZ585/54 JOHN HOUSTON R.S.A., R.S.W., S.S.A. (SCOTTISH, 1930-2008) ROAD TO ELIE Signed, oil on canvas

172§ EZ661/1 DOUGLAS THOMSON (SCOTTISH, b. 1955) TEACHER Signed, signed and inscribed verso, oil on canvas, unframed

43cm x 127cm (17in x 50in)

24cm x 24cm (9.5in x 9.5in)

69cm x 53.5cm (27.25in x 21in)

£500-700

£500-800

£400-600

169§ EZ624/1 ADRIAN WIZSNIEWSKI (SCOTTISH, b. 1958) THIS HAPPY VOID Acrylic on book 19cm x 13cm x 4cm

173§ EZ661/2 DOUGLAS THOMSON (SCOTTISH, b. 1959) THE PROUD MAN Signed, signed and inscribed verso, oil on canvas

(7.5in x 5in x 1.5in)

69cm x 53cm (27.25in x 21in)

Provenance: The Compass Gallery, Glasgow

£400-600

£300-500

174§ EZ585/38 GEORGE DONALD R.S.A., R.S.W. (SCOTTISH, b. 1943) LILIES CONSIDERED Signed and dated ‘03, mixed media

170 LB125/4 WILLIAM JOHNSTONE O.B.E (SCOTTISH, 1897-1981) RAIN IN ETTRICK Signed verso, oil on canvas, unframed 71cm x 91cm (28in x 36in)

£3,000-5,000 171 LB125/6 HAMISH MACDONALD (SCOTTISH, 1935-2008) HANGING PHEASANT Oil on canvas 76cm x 46cm (30in x 18in)

£200-300

178§ LB328/1 ELIZABETH BLACKADDER (SCOTTISH, b. 1931) YELLOW ORCHIDS Coloured etching and aquatint, signed and numbered 16/50 72.9cm x 97cm (28.7in x 38.2in)

£600-800

50cm x 60cm (19.75in x 23.5in)

179 LB328/2 PATRICK CAULFIELD (BRITISH, 1936-2005) YOU’LL BE SICK IF YOU SPEND ALL YOUR TIME INDOORS (FROM SOME POEMS OF JULES LAFORGUE Screen-print, edition of 200

£400-600

39.9cm x 35.5cm (15.75in x 13.75in)

£400-600 175§ LB319/1 ANN ORAM (SCOTTISH, b. 1956) SAN MARCO’S SQUARE, VENICE Signed, mixed media 12cm x 16cm (4.75in x 6.25in)

180§ LB327/1 ADRIAN BERG R.A. (BRITISH, b. 1929) GLOUCESTER GATE Signed and dated 1973 verso, oil on canvas

£300-500

25.5cm x 127cm (10in x 50in)

176 LB353/1 MARTIN KANE (SCOTTISH, CONTEMPORARY) POWER STATION Signed, oil on canvas, unframed 60cm x 76cm (23.5in x 30in)

£400-600

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177 EAB199/1 ELIZABETH OGLVIE (SCOTTISH, CONTEMPORARY) WAVE Pencil and mixed media

and another by the same hand, its preparatory drawing (2) Provenance: Peter Cochrane Collection, London

£500-700

LY O N & T U R N B U L L Modern and Contemporary Art

181§ EY938/4 ADRIAN WISZNIEWSKI (SCOTTISH, b. 1958) UNTITLED Signed, pastel 53cm x 72cm (21in x 28.5in)

£1,200-1,500

182 LB327/5 ANTONIO LAGO (SPANISH, 1916-1990) CARMIN, VERMILLION E OCRE, 1960 Gouache on paper

183 LB327/4 ANTONIO LAGO (SPANISH, 1916-1990) GRIS, VIOLETA E ROJO Inscribed verso, oil on canvas

65cm x 48cm (25.5in x 19in)

and another two by the same hand (3)

46cm x 38cm (18in x 15in)

Provenance: Arthur Tooth & Sons, London

Provenance: Peter Cochrane Collection, London

£500-700

£300-400

and another three by the same hand (4) Provenance: Arthur Tooth & Sons, London

90cm x 105.5cm (35.5in x 41.5in)

184 LB327/6 SALVATORE VITORIA (ITALIAN, 20TH CENTURY) UNTITLED, 1960 Signed, signed, dated 1960 and dedicated to Peter Cochrane verso, oil on canvas

185 LB328/3 PATRICK CAULFIELD (BRITISH, 1936-2005) AND, WITH MY EYES BOLTING TOWARD THE UNCONSCIOUS (FROM SOME POEMS OF JULES LAFORGUE Screen-print, edition of 200 40cm x 35cm (15.75in x 13.75in)

£400-600

£500-700

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LY O N & T U R N B U L L Modern and Contemporary Art

186§* EZ671/3 CHRIS BUSHE (SCOTTISH b. 1958) HARBOUR'S EDGE I Signed and inscribed verso, oil on board 117cm x 137cm (46in x 54in)

£1,000-1,500

187§ LB327/11 WILLY MUCHA (FRENCH, b. 1905) UNTITLED, 1959 Watercolour 16.5cm x 11cm (6.5in x 4.25in)

and another two by the same hand (3) £300-500

70

188 EAB197/1 SIR WILLIAM MACTAGGART P.R.S.A., R.A., R.S.W. (SCOTTISH 1903-1981) WOODED LANDSCAPE WITH TOWER Stamped with the studio stamp 232, charcoal 25cm x 37cm (9.75in x 14.5in)

£300-400

189§ EZ676/2 DAVID HOSIE (SCOTTISH b. 1962) GIRL WITH MOON Signed, oil on canvas 38cm x 33cm (15in x 13in)

£800-1,200

190 EZ676/2 PATRICIA DOUTHWAITE (SCOTTISH 1939-2004) SELF PORTRAIT Signed and dated ’82, charcoal £600-900

LY O N & T U R N B U L L Modern and Contemporary Art

191§† EZ671/2 CHRIS BUSHE (SCOTTISH b. 1958) HARBOUR EDGE II Signed and inscribed verso, oil on board 117cm x 137cm (46in x 54in)

£1,000-1,500

192§ EZ677/3 SUSCHA KORTE (GERMAN, CONTEMPORARY) STILL LIFE WITH BOWL Signed and dated ‘91, oil on canvas

193§ EZ677/4 SUSCHA KORTE (GERMAN, CONTEMPORARY) STILL LIFE WITH STONES Signed and dated ‘90, oil on canvas

194§ EZ677/1 PAUL MCPHAIL (SCOTTISH 20TH CENTURY) PORTRAIT STUDY Pencil and charcoal on monotype

195§ EZ677/2 ALISON HARPER (SCOTTISH 20TH CENTURY) FIGURE STUDY Oil on canvas

101cm x 115cm (40in x 45in)

130cm x 173cm (51in x 68in)

63cm x 57cm (25in x 22.5in)

£500-700

£800-1,200

£800-1,200

£400-600

102cm x 76cm (40in x 30in)

71

LY O N & T U R N B U L L Modern and Contemporary Art

196§ EZ674/1 DUNCAN SHANKS R.S.A.,R.S.W. (SCOTTISH b. 1937) BEACON FIRE Signed, oil on board 122cm x 145cm (48in x 57in)

£4,000-6,000

72

197§ EZ677/5 DES LAWRENCE (SCOTTISH 20TH CENTURY) FIGURE SUBJECT Oil on canvas, unframed

198§ EZ677/6 DES LAWRENCE (SCOTTISH 20TH CENTURY) FIGURE SUBJECT Oil on canvas

102cm x 76cm (40in x 30in)

96.5cm x 74cm (38in x 29in)

£500-700

£500-700

LY O N & T U R N B U L L Modern and Contemporary Art

199§ EZ643/1 MATTHEW DRAPER (SCOTTISH b. 1973) AULD REEKIE Signed and dated 2003, pastel on paper 78cm x 106cm (30.75in x 41.75in)

£2,000-3,000

200 EZ672/1 JOHN BYRNE (SCOTTISH b. 1940) PRESENT AND PAST 1 Coloured etching, signed in pencil 25.5cm x 35.5cm (10in x 14in)

£200-400

201 EAB420/30 MID 20TH CENTURY SCHOOL ABSTRACT Oil on board 90cm x 90cm (35.5in x 35.5in)

202 EZ676/4 ROBERT COLQUHOUN (SCOTTISH 1914-1962) AT CULLODEN MOOR Inscribed, pencil

203 EZ676/3 ROBERT COLQUHOUN (SCOTTISH 1941-1962) COSTUME STUDY Watercolour and pencil

£300-500

23cm x 20cm (9in x 8in)

20cm x 15cm (8in x 6in)

and four others similar by the same hand (5)

and another by the same hand (2)

£400-600

£100-200 END OF SALE

73

Picture Cataloguing Terms

The following expressions with their accompanying explanations are used by Lyon & Turnbull as standard cataloguing practice. Our use of these expressions does not take account of the condition of the lot or the extent of any restoration.

Buyers are recommended to inspect the property themselves. Written condition reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any Qualification

In our opinion a work by the artist

Attributed to...

In our opinion probably a work by the artist in whole or in part.

Studio of ... / Workshop of ...

In our opinion a work executed in the studio or workshop of the artist, possible under his supervision

Circle of ...

In our opinion a work of the period of the artist and showing his influence.

Follower of ...

In our opinion a work executed in the artist’s style but not necessarily by a pupil.

Manner of ...

In our opinion a work executed in the artist’s style but of a later date

After ...

In our opinion a copy (of any date) of a work of the artist.

Signed ... / Dated ... / Inscribed ...

In our opinion the work has been signed/dated/inscribed by the artist.

Bears Signature ... / Date ... / Inscription ... In our opinion the signature/date/inscription appears to be by a hand other than that of the artist.

Dimensions are given height before width.

74

Index of Artists

Adler, J., 133 Anderson, P., 53, 54 Ara, K.H., 143 Baillie, W., 167 Bakre, S., School of, 42 Banksy, 123 Barlach, E., 95 Barrie, M., 78, 94 Beaton, P., 155 Bellany, J., 1-7 Berg, A., 180 Beuys, J., 57, 59 Blackadder, E., 178 Bond, M., 151 Brazenall, J., 106 Breuer-Weil, D., 70 Buseyne, G., 98 Bushe, C., 186, 191 Bushe, R., 162 Byrne, J., 200 Byrne, J., 93, 111, 112, 113 Cadenhead, W.C.M., 17, 44 Callan, D., 69 Caulfield, P., 179, 185 Chen, W., 108 Colquhoun, R., 202, 203 Cooper, E., 9 Crosbie, W., 153 Crowe, V., 91 Crozier, W., 85 Cunningham, J., 10 Currie, K., 20 Dali, S., 117 Danu, 103, 104 Davie, A., 45-51 Dineen, M.K., 63, 64 Donald, G., 174 Douthwaite, P., 125, 126, 127, 129, 130, 131, 190

Draper, M., 199 Dunbar, J., 72 Dunlop. R.O., 36 Durrant, R.T., 71

Lago, A., 182, 183 Lawrence, D., 197, 198 Lennon, J., 148 Loxley, J., 101, 102

Evans, D., 141, 142

Macara, A., 15, 16 MacDonald, H., 171 Mathison, J., 79 Maze, P., 140 McClure, D., 119, 120, 160 McCrone, N., 13 McIntyre, K., 82 McLean, 157 McNairn, C., 158 McPhail, P., 194 McTaggart, Sir W., 188 Meares, G., 132 Michie, D., 138 Mid 20th Century School, 201 Miro, J., 68 Morrison, J., 77 Mucha, W., 187

Fergus, W., 66 Forquin, J-C., 8 Forster, N., 139 Gade, H.A., 144 Gaudier-Brezska, H., 37, 38 Gear, W., 18, 83, 84 Gibbs, J., 92 Gorman, J., 122 Goudie, A., 80 Grant, D., 134 Green, W., 137 Hardie, G., 163 Harling, W., 96, 99 Harper, A., 195 Hawkins, J., 65 Herman, J., 74 Hitchens, I., 86 Hosie, D., 81, 189 Houston, J., 165, 168 Howard, K., 75, 76 Howson, P., 114, 115, 116 Howson, P., 73 Jie. P., 61 Johnstone, W., 87-90, 109, 170 Joseph, E., 100 Kahn, I., 97 Kane, M., 176 Knight, Dame L., 34 Knox, J., 164 Kossoff, L., 40, 41

Nolan, S., 43 Oglvie, E., 177 Oliver, J., 60 Oram, A., 11, 12, 166, 175

Scott, W., 149 Semple, P., 67 Sen, P., 147 Shanks, D., 196 Sharp., G., 62 Shemza, A.J., 145, 146 Smith, R.T.H., 159 Souter, J.B., 121 Stern, B., 55, 56 Sucha, 192, 193 Sullivan, T., 110 Sunday B. Morning, 24-27 Thomson, D., 172, 173 Tobiasse, T., 52 Trevelyan, J., 124, 128 Tunnard, J., 118 Vitoria, S., 184 Wahl, C.J., 136 Walker, E., 189 Winner, T., 107 Wizsniewski, A., 169, 181 Wood, C., 30-33, 35, 39, 152 Wright, B., 150 Wunderlich, P., 135

Palermo, B., 58 Pasmore, V., 29 Picasso, P., 28 Polozzi, Sir E., 21, 22, 23 Psaier, P., 154 Rae, B., 19 Rayner, M., 14 Redfern, J., 156 Rodger, W., 161 Schotz, B., 105

75

Modern & Contemporary Works of Art 05/16/10 Inquiries: alasdair nichol 267.414.1211 anichol@freemansauction.com david weiss 267.414.1214 dweiss@freemansauction.com anne h. henry 267.414.1226 ahenry@freemansauction.com aimee pflieger dolby 267.414.1221 adolby@freemansauction.com

ALEXANDER CALDER (american 1898-1976) “AZUL, AMARILLO , BLANCO, SOPRE ROJO” Sheet metal, brass, wire and paint Executed in 1955 7 1/2 x 7 3/4 x 6 1/2 in. (19.1 x 19.7 x 16.5cm) provenance: The Artist.

Private Collection, Caracas , Venezuela .

Krasner Gallery, New York , New York .

Private Collection, New York .

Private Collection, Philadelphia . exhibited: Museo de Bellas Artes, Caracas , Venezuela , “Exposición Calder,” September 11-25, 1955, cat. no. 40.

Fundación Eugenio Mendoza, Caracas , Venezuela , “Calder en Venezuela ,” July 6- August 3, 1969, cat. no.

40, illus. p. 40. $100,000-150,000 (£61,000-91,500)

Exhibitions: Thursday, May 13th and Friday, May 14th (10am to 5pm) Saturday, May 15th (12 Noon to 5pm)

www.freemansauction.com

Fine Paintings Thursday, 10th June, 2010 33 Broughton Place, Edinburgh

SAMUEL JOHN PEPLOE R.S.A (SCOTTISH 1871-1935) IONA Signed, oil on board 33cm x 41cm (13in x 16in)

£40,000-60,000

Viewing times Sunday 6th June 2pm - 5pm Monday 7th to Wednesday 9th June 10am - 5pm Morning of Sale strictly by appointment only Enquiries

Nick Curnow, Elena Ratcheva or Ben Hanly Tel: +44 (0)131 557 8844 E-mail: nick.curnow@lyonandturnbull.com

Illustrated catalogue £12 plus postage and packing

w w w. lyo n a n d t u r n b u l l . co m

Board of Directors

Specialist Departments

Chairman Sir Angus Grossart

Pictures, Watercolours and

Vice Chairman Paul Roberts Managing Director Nick Curnow Directors Campbell Armour Rachel Doerr Trevor Kyle John Mackie Gavin Strang

Prints Nick Curnow Elena Ratcheva Contemporary Art Ben Hanly Furniture, Clocks and Works of Art Lee Young Rugs and Carpets Gavin Strang

European and Asian Ceramics Campbell Armour Victoria Crake Book, Maps, Manuscripts and Photographs Simon Vickers Alex Dove Arms and Armour John Batty (consultant) Antique Sales Gavin Lindsay Harry Douglas-Hamilton

Jewellery, Silver, Coins and Medals Trevor Kyle Colin Fraser Decorative Arts and Design John Mackie Michael Krzyzanowski (consultant)

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

email: info@lyonandturnbull.com www.lyonandturnbull.com

w w w. lyo n a n d t u r n b u l l . co m 78

11-12 Pall Mall, London SW1Y 5LU Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 9629

Administration

Valuation Department Telephone: 0845 882 2794 UK Director Rachel Doerr Department Manager Evelyn Robertson Client Services Judith Hardie Linda Robinson Jane Lightfoot Scotland Trevor Kyle Campbell Armour Gavin Strang Northern England David Hall (consultant)

North West England and Ireland Rachel Doerr

Operations Manager Amy Symington Finance Manager Mhairi McFadden

Midlands Patrick Bowen Michael Mays London and Home Counties Sean McIlroy South West & Wales Robin Barlow Business Development Lady Middleton John Sibbald John Thomson Tessa Thomson

Accounts Flo Marshall Eileen Welsh Administration Edinburgh Moira Gow Liz Wilson Kate Bain Glasgow Linda Robinson Technical Services Sydney Drew Press and Public Relations Philip Gregory Marketing Matt McKenzie Photographer Mike Bascombe

London and Southern England Ben Hanly Tel: 020 7930 9115 Mobile: 07920 791252 ben.hanly@lyonandturnbull.com

Lee Young Tel: 020 7930 9115 Mobile: 07825 426555 lee.young@lyonandturnbull.com

Elena Ratcheva Tel: 020 7930 9115 Mobile: 07931 580 531 elena.ratcheva@lyonandturnbull.com

79

CONDITIONS OF SALE

5. VALUE ADDED TAX

Lyon & Turnbull carries on business with bidders, buyers and all those present in the auction room prior to, or in connection, with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots.

1. DEFINITIONS

(1) Immediately a lot is sold you will:

In these Conditions: (a) "Auctioneer" means the firm of Lyon & Turnbull or its authorised auctioneer, as appropriate; (b) "deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which, at the date of the sale, had a value materially less than it would have had if it had been in accordance with the description; (c) "hammer price" means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) "terms of consignment" means the stipulated terms and rates of commission on which Lyon & Turnbull accepts instructions from sellers or their agents; (e) "total amount due" means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) "sale proceeds" means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) "You", "Your", etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer's absolute discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon.

Antiques, Jewellery & Silver and Pictures (Not Fine Sales) 17.5%.

All other sales (Fine/Special/Collections) 25% up to £25,000 / 20% thereafter.

VAT will be charged on the premium at the rate imposed by law.

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6. PAYMENT (a) pay to us the total amount due in cash or in such other way as is agreed by us.

We accept cash, bank transfer (details on request), Switch or Debit Cards and Visa or MasterCard (please note there is a surcharge of 1.5% (VAT included) when using credit cards). We do not accept American Express.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on their behalf pursue these rights and remedies only as far as is reasonable to make appropriate recovery in respect of breach of these Conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and other associated charges.

While prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we shall if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer or our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

(3) No purchase can be claimed or removed until it has been paid for.

11. WARRANTY OF TITLE AND AVAILABILITY

(4) It is the buyer’s responsibility to ascertain collection procedures, particularly if the sale is not being held at our main saleroom.

The seller warrants to the auctioneer and to you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on their behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that lot and/or any other lots sold by us to you; (c) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs).

Any surplus so arising shall belong to the seller; (d) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. STANDARD VENDOR FEES AND CHARGES (Subject to VAT) (1) Commission: 15% of the first £3000 and 10% thereafter is charged on the selling price of each lot (subject to a minimum charge of £30). Loss and damage warranty: 1.5% on value of lots sold.

Photography: max £40 mono per lot, max £250 colour. Internet Service: £10 per lot.

(2) If a vendor wishes to withdraw a catalogued lot, a withdrawal fee will apply at the auctioneer’s discretion; this will be charged at 10% mid estimate.

15. DESCRIPTIONS AND CONDITION (1) While we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements

by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer or our employees or agents or the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

16. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer's premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 17. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18 (1) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. Scottish law applies to the interpretation of these Conditions.

LYON & TURNBULL AUCTIONEERS LONDON MODERN & CONTEMPORARY ART

email. info@lyonandturnbull.com www.lyonandturnbull.com

182 Bath Street, Glasgow G2 4HG Tel +44 (0)141 333 1992 Fax +44 (0)141 332 8240

11-12 Pall Mall, London SW1Y 5LU Tel +44 (0)20 7930 9115 Fax +44 (0)20 7930 9629

28TH APRIL 2010

33 Broughton Place, Edinburgh EH1 3RR Tel +44 (0)131 557 8844 Fax +44 (0)131 557 8668

EDINBURGH Modern and Contemporary Art

Wednesday 28th April 2010 33 Broughton Place Edinburgh EH1 3RR