Masterpiece London 2019

MASTERPIECE 27th June – 3rd July 2019

MASTERPIECE 27th June – 3rd July 2019 Including a solo presentation

by Georgie Hopton

Stand no. C15 South Grounds The Royal Hospital Chelsea London SW3 4LW

Lyndsey Ingram 20 Bourdon Street London W1K 3PL T. +44

(0)20 7629 8849

E. info@lyndseyingram.com W. lyndseyingram.com

Grayson Perry Map of an Englishman Etching, 2004.

Signed in pencil verso and numbered from the edition of 50.

Published by Charles Booth-Clibborn, Paragon Press, London.

112 Ă— 150 cm

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Grayson Perry Map of Nowhere Etching, 2008.

Signed in pencil verso and numbered from the edition of 68.

Printed by the artist.

Published by Charles Booth-Clibborn, Paragon Press, London.

153 Ă— 112.5 cm

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Grayson Perry Map of Days (Red) Etching printed in colour, 2013.

Signed and numbered verso from the edition of 20.

Printed on 400gsm Rives Velin Arches paper.

Published by Paragon Press, London.

111.5 Ă— 151.5 cm

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Grayson Perry Selfie with Political Causes Etching printed in colours, 2018.

Signed in pencil and numbered 15 from the edition of 68.

Published by Paragon Press, London.

69.5 Ă— 102.3 cm

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Glenn Brown Layered Portrait (after Urs Graf ) 1 Etching, 2008.

Signed in pencil and numbered from the edition of 30.

Printed on Velin Arches 300gsm paper.

Published by Karsten Schubert, London.

40.5 Ă— 30 cm

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Glenn Brown Layered Portrait (after Urs Graf ) 2 Etching, 2008.

Signed in pencil and numbered from the edition of 30.

Printed on Velin Arches 300gsm paper.

Published by Karsten Schubert, London.

40.5 Ă— 30 cm

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Glenn Brown Layered Portrait (after Urs Graf ) 3 Etching, 2008.

Signed in pencil and numbered from the edition of 30.

Printed on Velin Arches 300gsm paper.

Published by Karsten Schubert, London.

40.5 Ă— 30 cm

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Glenn Brown Layered Portrait (after Urs Graf ) 4 Etching, 2008.

Signed in pencil and numbered from the edition of 30.

Printed on Velin Arches 300gsm paper.

Published by Karsten Schubert, London.

40.5 Ă— 30 cm

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Glenn Brown Half-Life (after Rembrandt) Etching, 2017.

Signed in pencil and numbered from the edition of 35.

Printed on Velin Arches 400 gsm paper.

Published by Paragon Contemporary Editions Ltd., London.

89 Ă— 68 cm

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Glenn Brown Half-Life (after Rembrandt) Etching, 2017.

Signed in pencil and numbered from the edition of 35.

Printed on Velin Arches 400 gsm paper.

Published by Paragon Contemporary Editions Ltd., London.

89 Ă— 68 cm

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Glenn Brown Half-Life (after Rembrandt) Etching, 2017.

Signed in pencil and numbered from the edition of 35.

Printed on Velin Arches 400 gsm paper.

Published by Paragon Contemporary Editions Ltd., London 89 Ă— 68 cm

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Glenn Brown Half-Life (after Rembrandt) Etching, 2017.

Signed in pencil and numbered from the edition of 35.

Printed on Velin Arches 400 gsm paper Published by Paragon Contemporary Editions Ltd., London 89 Ă— 68 cm

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Glenn Brown Half-Life (after Rembrandt) Etching, 2017.

Signed in pencil and numbered from the edition of 35.

Printed on Velin Arches 400 gsm paper.

Published by Paragon Contemporary Editions Ltd., London 89 Ă— 68 cm

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Glenn Brown Half-Life (after Rembrandt) Etching, 2017.

Signed in pencil and numbered from the edition of 35.

Printed on Velin Arches 400 gsm paper.

Published by Paragon Contemporary Editions Ltd., London.

89 Ă— 68 cm

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Miles Aldridge Love Always & All Ways (after Gilbert & George) The complete portfolio of 5 photogravures printed in colours, with hand-painting, presented with the title page, 2017.

Signed in pencil and numbered from the edition of 12, plus 2 artist’s proofs.

Printed on 300gsm Somerset paper by Paupers Press, London.

38.1 Ă— 41.9 cm

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Walton Ford Limed Blossoms Etching and aquatint printed in colours, 2007.

Signed in pencil, a proof aside from the edition of 100.

Printed on BFK Rives paper by Wingate Studio, Hinsdale, NH, with their blindstamp.

Published by Paul Kasmin Editions, New York.

54.8 Ă— 40.7 cm

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Walton Ford Bangalore Etching and aquatint printed in colours, 2004.

Signed in pencil and numbered from the edition of 75.

Printed on BFK Rives paper by Wingate Studio, Hinsdale, NH, with their blindstamp.

Published by Paul Kasmin Editions, New York.

54.8 Ă— 40.7 cm

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