Expo Chicago 2016

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EXPO CHICAGO 09/22/16 – 09/25/16 Navy Pier 600 E Grand Ave Chicago, IL 60611 Stand no 715

Lyndsey Ingram T +44 (0)207 581 8664 E info@lyndseyingram.com www.lyndseyingram.com

Louise Bourgeois Laurieres Bleus Etching printed in colours, 2004.

Signed in pencil and inscribed ‘To Ira Lowe very best wishes’.

Numbered from the edition of 100.

40.5 x 31 cm

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John Chamberlain Jewelled Pallet Unique monotype and collage on paper, 1992.

Signed in pencil.

Published by Pace Editions, New York.

78.4 x 193 cm

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Richard Diebenkorn Seated Woman Lithograph, 1965.

Initialed in pencil and numbered from the edition of 100.

Printed by Original Press, San Francisco.

Published by Original Press, San Francisco.

64 x 50 cm

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Jane Hammond Korean Vase with Hawthorn, Almonds and Milkweed Unique botanical collage with lithography, linocut, relief printing, digital printing, coloured pencil, watercolour and gouache, sumi ink and copper leaf, hand cut and assembled on collaged Nepali paper, 2016.

Signed in pencil.

127 x 96.5 cm

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Jane Hammond Greek Vase with Cockatoo, Rat Tail Cactus and Passion Flowers Unique botanical collage with lithography, linocut, relief printing,digital printing, coloured pencil, watercolour and gouache, sumi ink and copper leaf, hand cut and assembled on collaged Japanese papers, 2016.

Signed in pencil.

127 x 96.5 cm

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David Hockney 16 May 2011 Ipad drawing printed on paper, 2011.

Signed in pencil and numbered from the edition of 25.

Printed by the artist.

Published by the artist.

139.7 x 105.4 cm

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David Hockney Ink in the Room Lithograph and screenprint in colours, 1993.

Signed in pencil and numbered from the edition of 68.

Printed on Arches 88 paper.

Published by Gemini G.E.L., Los Angeles.

(Tokyo 333) 64.7 x 90.2 cm

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Donald Judd Untitled Woodcut printed in cerulean blue, 1961-69.

Signed in pencil and numbered from the edition of 12.

Printed by Roy Judd.

Published by Edition der Galerie Heiner Friedrich, Munich.

(Schellmann 71) 76.8 x 55.2 cm

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Alex Katz Late Summer Flowers Screenprint in colours, 2013.

Signed in pencil and numbered from the edition of 50.

Published by Lococo Fine Art, St. Louis, Missouri with their inkstamp verso.

101.6 x 139.7 cm

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Ellsworth Kelly Blue and Orange Lithograph printed in colours, 1964-65.

Signed in pencil and inscribed EA. A printers proof aside from the edition of 75.

Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret.

Published by Maeght Editeur, Paris.

(Axsom 8) 60 x 89.4 cm

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Ellsworth Kelly Yellow Over Dark Blue Lithograph printed in colours, 1964-65.

Signed in pencil and numbered from the edition of 75.

Printed on BFK Rives Paper by Marcel Durassier at Imprimerie Maeght, Levallois-Perret.

Published by Maeght Editeur, Paris.

(Axom 22) 89.6 x 59.9 cm

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Roy Lichtenstein Blue Floor Lithograph, woodcut, and screenprint in colours, 1990.

Signed in pencil and numbered from the edition of 60.

Printed by Gemini G.E.L., Los Angeles.

Published by Gemini G.E.L., Los Angeles.

(Corlett 254) 131.4 x 196.8 cm

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Robert Mangold Attic Series #1 Aquatint and etching, 1991.

Signed in pencil and numbered from the edition of 60.

From the portfolio of 10 aquatints and etchings.

Printed by Parasol Press Ltd., New York.

Published by Parasol Press Ltd., New York.

81.3 x 91.4 cm

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Robert Mangold Attic Series #2 Aquatint and etching, 1991.

Signed in pencil and numbered from the edition of 60.

From the portfolio of 10 aquatints and etchings.

Printed by Parasol Press Ltd., New York.

Published by Parasol Press Ltd., New York.

81.3 x 91.4 cm

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Harland Miller Who Cares Wins Extensive painting and annotation on screenprint, 2016.

135.2 x 109.6 cm

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Harland Miller High on Hope Extensive painting and annotation on screenprint, 2016.

148.5 x 109.3 cm

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Joan Miro SĂŠrie Noire et Rouge Etching printed in black and red, 1938.

Signed in pencil and numbered from the edition of 30.

Printed on Arches paper.

Published by Pierre Loeb, Paris and Pierre Matisse, New York.

(Dupin 36) 33 x 44.8 cm

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Joan Miro SĂŠrie Noire et Rouge Etching printed in black and red, 1938.

Signed in pencil and numbered from the edition of 30.

Printed on Arches paper.

Published by Pierre Loeb, Paris and Pierre Matisse, New York.

(Dupin 37) 33 x 44.8 cm

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Bridget Riley November 4 Gouache on paper, 1987 Signed in pencil.

61.1 x 64.5 cm

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Bridget Riley Splice Screenprint in colours, 1975.

Signed in pencil and numbered from the edition of 45, plus 10 artist's proofs.

Printed by Graham Henderson, London.

(Schubert 21) 75.3 x 54 cm

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Bridget Riley Magenta with Blue and Greens. Revision of June 4, '99 Gouache on paper, 1999.

Signed in pencil.

43.4 x 61.5 cm

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Ed Ruscha Vanish Lithograph printed in colours, 1973.

Signed in pencil and numbered from the edition of 50.

Printed by Cirrus Editions, Los Angeles.

Published by Cirrus Editions, Los Angeles.

50.8 x 71.12 cm

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Ed Ruscha Lisp Lithograph printed in colours, 1970.

Signed in pencil and numbered from the edition of 90.

Published by Cirrus Editions, Los Angeles and Brooke Alexander, New York.

50.8 x 71.12 cm

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Richard Serra AllĂŠe Etching, 1996.

Signed in pencil and numbered from the edition of 25.

(Berswordt-Wallrabe 111) 93 x 114.6 cm

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Wayne Thiebaud City Edge Aquatint printed in colours, 1988.

Signed in pencil and numbered from the edition of 60.

Printed on wove paper.

Published by Crown Point Press, San Francisco with their blindstamp.

49.8 x 40.3 cm

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Wayne Thiebaud Country City Etching and aquatint printed in colours, 1988.

Signed in pencil and numbered from the edition of 60.

Printed on Somerset Satin paper.

Published by Crown Point Press, San Francisco with their blindstamp.

77.5 x 101.6 cm

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Andy Warhol Mao Screenprint in colours, 1972.

Signed in ball-point pen and numbered verso from the edition of 250.

Printed on Beckett High White paper by Styria Studio, New York.

Published by Castelli Graphics and Multiples, New York.

(Feldman & Schellman II.97) 91.4 x 91.4 cm

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Jonas Wood Untitled Monoprint, 2010.

Signed in pencil and numbered I from a series of 15 unique variants.

Published by Cirrus Editions, Los Angeles with their blindstamp.

111.1 x 88.9 cm

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Jonas Wood Untitled Monoprint, 2010.

Signed in pencil and numbered XIII from a series of 15 unique variants.

Published by Cirrus Editions, Los Angeles with their blindstamp.

111.1 x 88.9 cm

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