Composite Portfolio (6 Semesters)

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LYDIA JUENGLING selected works


SKILLS

EDUCATION

INVOLVEMENT & LEADERSHIP

HARD SKILLS Adobe Suite SketchUp Enscape Physical model-making Hand sketching

UNIVERSITY OF KANSAS, Lawrence, KS School of Architecture & Design M.Arch, May 2023 (expected) Honors Program Certificate, 2022 (expected) Global Awareness Certificate, 2021 Service Learning Certificate, 2021

OVERSEAS SERVICE TEAM Central Asia Team Leader, Jan. July 2021

WASHINGTON HIGH SCHOOL, Washington, MO Summa cum laude May 2018

SCHOOL OF ARCHITECTURE & DESIGN Peer Mentor, 2020 - present Faculty Search Committee, 2020 - 2021 Student Leaders Council, 2020 2021 Faculty-students Liaison, 2020 2021

SOFT SKILLS Teachability Initiative Flexibility Servant-leadership Followership Storytelling PERSONAL INTERESTS International culture Watercolor painting Music - bass guitar Travel Christian ministry Hands-on learning REFERENCE SHANNON CRISS Professor of Architecture, University of Kansas scriss@ku.edu

FOUR RIVERS CAREER CENTER, Washington, MO Graphic Communications certificate May 22018

HONORS & RECOGNITIONS PORTFOLIO BOOK AWARD Third Place, 2021 UDALL SCHOLARSHIP KU Nominee, 2021

FREEDOM BY DESIGN - AIAS KU Lawrence Community Shelter, donation sorting, Fall 2020 Senior Resource Center for Douglas County, wayfinding design, Fall 2018 DESIGNBUILD STUDIO Project Manager, 2020 - 2021

GILMAN SCHOLAR 2020

KU CHRISTIAN CHALLENGE Small group leader, 2019 - present Worship team, 2018 - present

PHI KAPPA PHI Member, 2021

ROCK HILL CHURCH Children’s Ministry, 2019 - present

SCHOOL HONOR ROLL Fall 2018, Spring 2019, Fall 2019, Fall 2020, Spring 2021

AMERICAN SOCIETY OF PROFESSIONAL ESTIMATORS Student member, 2020

NATIONAL SOCIETY OF COLLEGIATE SCHOLARS Member, 2019 - present

RECENT EMPLOYMENT

EXCELLENCE IN FRENCH STUDIES AWARD Fall 2018, Spring 2019 TRIO SCHOLAR AWARD 2018 - 2019, 2019 - 2020, 2020 2021

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AIAS KU Chapter VP, 2020 - 2021 Chapter Treasurer, 2020 2nd Year Rep, 2019 - 2020 Member, 2018 - present

WORK GROUP, LLC Business Development Intern, Sept. 2021 - present KANSAS ATHLETICS, INC. Student Athlete Support Services Tutor, Aug. 2019 - Fall 2020 PANDA RESTAURANT GROUP Front of House Help, June 2020 Jan. 2021


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MEASURE DISTILLERY

ART OF HUMANITY CENTER

CONTEMPLATION CHAPEL

PERSONAL WORKS

EASTERN KANSAS


MEASURE DISTI PROJECT BRIEF

Todd Achelpohl | Spring 2021 Craft Distillery 18th St. & Oak St. | Kansas City, MO 60,000 sf

SUMMARY

On a hot-spot corner in the artsy Crossroads District of KCMO, Measure Distillery experientially and metaphorically references the jazz history and culture of the area. For those who come to enjoy a beverage or who work in production, Measure Distillery is a place of functional poetics.

KEY LEARNING OUTCOME

The narrative must be the anchor for every decision. It is critical to not lose sight of the big idea.

PERSONAL FAVORITE LEARNING MOMENT ASK ME ABOUT THIS

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ILLERY


SITE ANALYSIS SITE STRENGTHS

OAK ST.

• On prominent corner • In established district • Near KC Streetcar • Along popular pedestrian street • Within walking distance of jazz district

SITE WEAKNESSES

18TH ST.

• No connection to jazz district • Experientially isolated to Crossroads District • Little outdoor dining • Uninviting corner

GUIDING QUESTIONS • How can a distillery link districts? • To what degree should a distillery adopt characteristics of the surrounding built environment, and to what degree should it be an anomoly? • How can solar access be maximized? • How can the street corner experience be impactful at a pedestrian level?

CONCEPT DEVLOPMENT

ONE O’CLOCK JUMP

To provide the missing link between the Crossroads and 18th & Vine, a jazz song by Count Basie became the inspiration for the craft distillery. The skin of the building represents the liveliness and rhythm of jazz, with the ground floor simulating the bass clef and the second floor paying homage to the treble clef. Each louver is one note from the song, with its height and width determined by the note’s duration and pitch. They resemble sheet music, which is emphasized by the horizontal mullions that parallel a musical staff.

BRING JAZZ DISTRICT INTO CROSSROADS DISTRICT; LISTEN TO JAZZ FOR INSPIRATION

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“TREBLE” OF BUILDING SHOULD BE EXPRESSIVE; “BAASS” OF BUILDING SHOULD BE EVEN AND REPETITIVE

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ASK ME ABOUT THIS

EACH TREBLE NOTE IS TRANSLATED INTO AN ELEMENT ON THE BUILDING SKIN

CONCEPTUAL SKETCH


A1

TECTONICS In developing the design from concept to proposal, much attention was given to IBC requirements as well as how Measure Distillery would actually function. Detailed wall sections show a unitized curtain wall system hung from a steel frame (left). The diverse modulation creates interesting views and natural light for visitors.

PERSONAL FAVORITE LEARNING MOMENT 8


steel structural framing

steel structural column encased in gysum wall board

metal clip from stud to column

mesh sunshade system

aluminum extrusion in horizontal unitized curtain wall system

concrete floor slab steel pour stop batt insulation spandrel glass steel structural framing steel girder steel joist


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The eastern half of Measure Distillery focuses on spaces for the publilc, including various bars. The stills are visible from the street corner to clarify the building’s purpose and draw in visitors. An outdoor patio intersparsed with trees gives opportunity for local musicians to perform for guests, thus connecting Crossroads with 18th & Vine. The western half, accessible to delivery trucks, serves the staff of the distillery.

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SECOND FLOOR open offices, staff conference offices board room catering support kitchen event space stge. event bar event space riser shaft

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FIRST FLOOR employee support mash tun, filtering stills, fermenters MEP bottling barrel dump/fill tasting bar reception, display retail bar outdoor dining/event patio


HARMONIC ADDITION A glass facade on the ground floor allows passersby to visually participate in the happenings within Measure Distillery, namely production, touring, and tasting. For those inside, the views to Kansas City remind them of the city’s breadth and depth. As one climbs the stairs from the bass clef of public use to the treble clef of more private use, they see more of the city in their ascent. A garden patio on the south end of the building is the link between street life and the retail bar on the ground floor. Like jazz music, each part of the distillery’s experience is unique to itself yet complementary to the whole. The articulation of screens and sight lines display the creative yet technical composition characteristic of both music and distilling. For those strolling along the street, driving to work, or out for a date night, Measure Distillery is an integrating space that contributes to Kansas City culture. 12


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ART OF HUMAN PROJECT BRIEF

Shannon Criss | Spring 2020 Community Center 8th St. & Minnesota Ave. | Kansas City, KS 40,000 sf

SUMMARY

The AOH Center enhances the cultural diversity of the neighborhood and satisfies the current lack of gathering places. It allows people from all backgrounds to express themselves while simultaneously experiencing others’ heritages.

KEY LEARNING OUTCOME

Holding conversations with the community and researching the context provide opportunities to exercise empathy and create well-rounded designs.

PERSONAL FAVORITE LEARNING MOMENT ASK ME ABOUT THIS

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NITY CENTER


SITE ANALYSIS SITE STRENGTHS

8TH ST.

• Diverse community • Footprint suggests linking • Nearby murals

SITE WEAKNESSES • No community center • Too much parking • Cold and uninviting • No green relief

MINNESOTA AVE.

GUIDING QUESTIONS • How will this benefit the community? • What does the community actually want and need? • How will this building be used at various times of the day? • How can the building transform for multiple functions? • How can more foot traffic be drawn here?

LEARNING MOMENT

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LINK MOST IMPORTANT SPACES: ART GALLERY, THEATER, AND CAFE

MATCH SITE SLOPE TO METAPHORICALLY AVOID INTRUSION

SITE FOOTPRINT EXTRUSION


CONCEPT DEVELOPMENT Three anchoring spaces relate to each other because they are where cultural expression happens most prominently. These spaces link in circulation and in form. Both form and circulation cascade in proportion to the slope of the site to respect what already exists on the site. Cascading forms that respond to the steep topography allow light to penetrate the otherwise dark North building. Circulation cascades with the site to create a gradual, leisurely journey through the spaces.

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SEPARATE TO ACTIVATE ALLEY

PUSH SOUTH BUILDING DOWN FOR LIGHT

STEP NORTH BUILDING TO LET IN LIGHT


INTERIOR & EXTERIOR EXPERIENCE The gap between the gallery and the existing mural serves as a place for people to turn the building that houses the art into artwork itself. A brick facade takes its cue from the surrounding buildings. Glass pivot doors at the south face allow interaction between the gallery and black box, such as during festivals or large concerts.

894’-3

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862’ 859’

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ASK ME ABOUT THIS

888’-6

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FLOOR PLANS

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FIRST FLOOR reception gift shop resource center kitchen cafe restrooms mechanical storage black box gallery

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SECOND FLOOR reception rooftop garden conf. room artist office manager office restrooms workshop recording room radio station gallery

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SHARE & CELEBRATE In the negative space between the south building, north building, and existing building, a celebration of community takes place. In recognition of Kansas City’s trademark murals, the gallery (a house for artwork) becomes a canvas for artwork as well. The exterior material choices lend themselves to artistic expression while fitting in to the neighborhood’s context. The Art of Humanity Center simply houses what the neighborhood already offers: culture and creativity. With the AOH Center, the neighborhood residents now have the space and place to both share and celebrate who they are.


CONTEMPLATI PROJECT BRIEF

Kent Spreckelmeyer | Fall 2019 Nondenominational Chapel Pioneer Cemetery | Lawrence, KS 2,000 sf

SUMMARY

The plan, elevation, and structural logic were inspired by what the site was lacking: trees. With wood construction, the chapel moderates light from above but limits visual distraction. This relates to the way that trees mediate light and sound to create a serene, rich experience.

KEY LEARNING OUTCOME

Plan, section, and elevation can all have a meaningful relationship that contribute to the overall concept of a design.

PERSONAL FAVORITE LEARNING MOMENT ASK ME ABOUT THIS

SITE ANALYSIS & CONCEPT DEVELOPMENT

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On West Campus of KU in Lawrence, KS, an open field called Pioneer Cemetery provides the land for a hypothetical, nondenominational chapel. The site, however, lacks trees. Nature is often a spiritual pathway for many people, so it seemed important to allow the chapel to become the missing piece.

WEST CAMPUS


IRVING HILL RD.

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ION CHAPEL

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CAMPUS PARKING

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LEARNING MOMENT ASK ME ABOUT THIS


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CONSTRICTING THEN RELIEVING EXPERIENCE WITH SOUTHERN VIEWS AS ONE MOVES THROUGH THE SANCTUARY

PERSONAL FAVORITE Concept model at 1/16” = 1’-0”


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Graphite | Matty Healy Portrait | 2014


PERSONAL WORKS

Photo | Suds on Water | 2016


Tattoo | “2 Corinthians 5:17” | 2020

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White pencil | DeBruce Center | 2018

Photo | Hand | 2016


Watercolor | How Long? | 2020


THANK YOU.

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